X:22151
T:YELLOW TINKER (reel), The
C:ABC/arr. BB
M:C
L:1/8
R:reel
Q:1/4=180
K:G
AG|DGG2 DEF2|DGG2 dBcA|DGG2 DEF2|cAFA c2cA|
DGG2 DE=FE|DGG2 dBcA|DGG2 DEF2|cAFA c3||
e|dGG2 dGBG|dGG2 B2B2|dGG2 defd|cAAB c3e|
dGG2 dGBG|dGG2 BBBB|dcde f3d|cAFA c2 ||
ABc|d2BG BdBG|BdBG c2Ac|d2BG BdBG|cAFA c2 (3ABc|
d2BG BdBG|BdBG BABc|dcde f3d|cAAB cBcA||"final" HG4z4|]

%%%


X:22057
T:FRIEZE BREECHES (1), The
B:DMWC.11
C:ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
"D mix"
E|DAD F2G|A2d cAF|G3 cAG|F3 GED|
D3 F2G|AdB cAF|G2A BAG |AFD D2 :|
A|d2e ged|faf ge^c|d2e ged|dcA dcA|
d2e ged|gaf ge^c|dcA BAG |AFD D2 :|


%%%

X:22058
T:FRIEZE BREECHES (2), The
C:ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
"D mix"
A|D>AD (3E/F/G/AB|cAd (3dcA G|A3 GAG|F3 GED|
"5"D3 (3E/F/G/AB|cAd cAG|F3 DGE|D3 D2 :|
(3A/B/c/||"9"d2e (3fed B|c2c (3dcA G|A3 GAG|F3 GED|
"13"d2e (3fed B|c2c (3dcA G|F3 DGE|D3 D2 :|
E|"17"(3FGA B c>Bc|cAd cAG|ABc dfd|dfd (3dcA G|
"21"(3FGA B c>Bc|cAd (3dcA G|F3 DGE|D3 D2 :|
(3e/f/g/|"25"ag(3f/g/a/ gfe|fed cAG|Adc AAG|F3 GED|
"29"D3 (3E/F/G/AB|cAd cAG|F3 DGE|D3 D2 :|
A|"33"D3 c2c|D3 cBc|D3 d^cd|D3 d^cd|
"37"D3 cBc|AdB cAG|F2A GEA|D3 D2 :|

%%%

X:22048
T:FISHERMAN'S LILT (reel), The
T:Kerryman's Daughter
B:DMWC.10
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=180
R:reel
K:G
"A dorian"
BA|GEE2 GAcd|egdB cABA|GEE2 GABd|egdB cBcA|
GEE2 G2Bd|egdB cAAB|cAGF GABd|egdB cBcd ||
efg2 eaa2|gedB cAA2|efg2 eaa2|bagb a3g|
efg2 a3f|gedg eAA2|G2GF GAcd|egdB c3d|
egg2 eaa2|gedB eAA2|efg2 eaa2|bagb a3b|
ac'bg aee2|gedg eAA2|G2GF GAcd|e2d2 c4|]

%%%

X:22023
T:CONCERT REEL, The
B:DMWC.9
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=180
R:reel
K:G
"A dorian"
eAAB ADE2|GABG A3B|dBAB G3B|d2eB dBAd|
BAGB AEE2|GABG A2Bd|eaa2 gedB|GBdB BAA2 :|
eaa2 baag|edef gedB|dgg2 a2ga|bgab gedg|
eaa2 eaa2|edef gbaf|gedB GBdf|gedB BAA2 :|

%%%

X:22029
T:CORNEY IS COMING (reel)
B:DMWC.8
C:ABC/arr. BB
N:1:No C naturals in Willie's version until measure 18.
M:C
L:1/8
%%Q:1/4=180
R:reel
K:G
"D mix"
G|Addc defd|cABG EFGE|Dddc defg|af ge fdec|
Addc defd|cABG EFGE|Dddc defd|gece edd :|
A|defg afdB|cdef ge ce|defg afdf|gecd eddg|
f2df afdf|ge ce gfge|defg a3f|g2ag eddA|
d3g afdB|c3e ge^ce|dcdg fafd|gecd eddg|
f2df afdf|gece gfge|defg a3f|g2ag edHd2 |]

%%%

X:22007
T:TINKER'S WIFE (reel), The
T:Bhean Tinceara
C:ABC/arr. BB
M:C
N:Measures 17-24 not repeated in source.
L:1/8
Q:1/4=180
R:reel
K:G
"D mix"
G|A3B AGFD|DBcB cedc|A2BG AGFD|DGG2 DGG2|
AGBG AGEG|Adde gefg|afge fdef|dcAF G3 :|
B|Addc AGFD|Addg fde^c|Addc AGEG|DGG2 DGG2|
Addc AGEG|Adde gefg|afge fdef|dcAD G3 :|
G|A3g fded|cAAB cedc|A3g fdge|dcAD G2G2|
A2Ag fdge|dcAB cdeg|f2ef d2cA|dBcA AGG2||\
"final" HD4z4|]




source version:
(3EFG|A3B AGFD|DBcB cedc|(3AcA BG AGFD|DGG2 DGG2|
"5"AGBG AG (3EFG|Adde ge fg|af ge fdef|\
[1 dcAF G2 :|2 dcAF G3 ||
|:B|"9"Addc AGFD|Addg fde^c|Addc AG (3EFG|DGG2 DGG2|
"13"Addc AG (3EFG|Adde ge fg|af ge fdef|\
[1 dcAD G3 :|2 dcAD G2G2 ||
"17"A3g fded|cAAB cedc|(3AcA Ag fd (3ege|dcAD G2G2|
"21"A2Ag fd (3ege|dcAB cdeg|(3fgf ef d2cA|dBcA AGG2 |
"final" D8|]

%%%

X:22097
T:LEITRIM FANCY (hornpipe), The
B:DMWC.4
C:ABC/arr. BB
N:Some of the C's in this tune seem "ambiguous" as to
being "sharp" or "natural". My simplified version is
basically D mix with all the accented C's natural.
M:4/4
L:1/8
Q:1/4=150
R:hornpipe
K:G
"D mix" % simplified setting
AG|FAEA DEFG|ABAG A2de|fdge agfd|cAGF G2AG|
FAEA DEFG|ABAG A2de|fdge agec|d2d^c d2 :|
ef|gefg agef|gefg agea|agec defd|cAGF G2af|
[1 gefg agef|gefg agea|agec defd|A2d2 d2 :|
[2 FAEA DEFG|ABAG A2de|fdge age^c|d2d^c Hd4 |]



source version:
AG|(3FGA E>A D>EFG|(3AcA AG A2de|fdge agfd|c>AGF G2AG|
"5"(3FGA E>A D>EFG|(3AcA AG A2de|fdge agec|d2 d4 :|
"9"ge fg agef|ge fg agea|age=c defd|=cAGF G2af|
"13"ge fg agef|ge fg agea|agec defd|A2d2 d3f|
"17"ge fg agef|(3gde fg agea|agec defd|cAGF G2AG|
"21"(3FGA E>A D>EFG|(3AcA AG A2de|fdge agec|d2 dc d4 |]
%%vskip

%%%

X:22112
T:OLD BUSH (reel), The
T:Captain Rock, Long Hills of Mourne
B:DMWC.3
C:ABC/arr. BB
M:4/4
L:1/8
Q:1/4=180
R:reel
K:G
"D mix"
B|A2GA cAA2|dcde fdce|ADGA cAA2|dfed cAdc|
[1 A2AB cAG2|Addc defg|af ge fdec|defd cAd :|
[2 A3B cAG2|Addc defg|af ge fdec|defd cAA2 ||
egg2 edBd|efge c3d|egg2 affe|defd cAA2|
[1 egg2 edBd|efge cefg|afge fdec|defd cAAg :|
[2 egg2 agg2|efge defg|afge fdec|defd cAHd2|]

source version:
B|A2GA cAA2|dcde fdce|ADGA cAA2|dfed cAdc|
"5"(3AcA AB cAG2|Addc defg|af ge fdec|defd cAdc|
"9"(3AcA GA cAA2|dcde fdec|ADGA cAA2|dfed cAdc|
"13"A3B cAG2|Addc defg|af ge fdec|defd cAA2 ||
"17"egg2 ed Bd|efge c3d|egg2 affe|defd cAA2|
"21"egg2 ed Bd|efge cefg|af ge fdec|defd cAA2|
"25"efge dcdf|efge cBcd|egg2 affe|dBB2 cAA2|
"29"egg2 agg2|efge defg|af ge fdec|defd cAdc||

%%%

X:22128
T:RAVELLED HANK OF YARN (reel), The
B:DMWC.2
C:ABC/arr. BB
M:4/4
L:1/8
Q:1/4=180
R:reel
K:G
B3d A3B|GBB2 GBB2|dAA2 d2eg|fdcA AGG2|
B3d A3B|GBB2 GBB2|dAA2 d2eg|fdcA AGG2 :|
dGG2 dGBd|g3a bgag|dGG2 dfeg|fdcA AGG2|
dGG2 dGBd|g3a bgaf|g2g2 bgag|fdcA AGG2 :|


source version:
B3d A3B|GBB2 GBB2|dAA2 d2 (3efg|fdcA AGG2|
B3d A3B|GBB2 GBB2|dAA2 d2 (3efg|fdcA AGG2 :|
dGG2 dGBd|g3a bgag|dGG2 dfeg|fdcA AGG2|
dGG2 dGBd|g3a bgaf|g2g2 bgag|fdcA AGG2 :|

%%%


X:22125
T:PLAINS OF BOYLE (hornpipe), The
%C:Willie Clancy setting
B:DMWC.1
C:ABC/arr. BB
N:Note that Willie's setting doesn't have the expected 
C naturals in measure 4.
M:4/4
L:1/8
%Q:1/4=150
R:hornpipe
K:D % simplified setting
AG|FDDF ADDF|A2GB ADDe|gedf edce|d=cAB cAGF|
ADDF ADDF|A2GB A2de|gedc A2GA|FADA D2 :|
fg|afdf gece|dfed BAFc|A2fc A2gc|A2fA BAfg|
[1 afdf gece|dfed BAFG|A2dc A2GA|FADA D2 :|
[2 afdf g2ge|dfed BAFG|A2FA GEAG|FADA D4 |]


%%vskip
P:source setting
AG|FDDF ADDF|(3AcA GB ADDe|ge df edce|dcAB cAGF|
"5"ADDF ADDF|(3AcA GB (3AcA de|ge dc (3AcA GA|(3FGA DA D2 :|
fg|"9"afdf ge ce|dfed BAFc|(3AcA fc (3AcA gc|(3AcA fA BAfg|
"13"afdf ge ce|dfed BAFG|(3AcA dc (3AcA GA|(3FGA (3DFA D2fg|
"17"afdf ge ce|dfed BAFc|(3AcA fc (3AcA gc|(3AcA fA BAfg|
"21"afdf g2 ge|dfed BAFG|(3AcA FA GEAG|(3FGA DA D4 |]

%%%


X:22115
T:OLD WHEELS of the WORLD (reel), The
B:DMWC.56
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=180
R:reel
K:G
eABA eABA|GFEF G3E|A3B cBcd|efge dgf2|
eABA eABA|GFEF G3E|A2AB cBcd|efge dcB^c||
dgg2 dgg2|eaa2 eaa2|efge defg|afge dcB^c|
dgg2 dgfg|eaa2 eaa2|efge defg|afge dgaf||\
"final"Hg4z4|]

%%%

X:22135
T:SHASKEEN REEL, The
B:DMWC.110
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=180
R:reel
K:G
AG|DGG2 ABcA|dgfd cAAc|B2Gc A2FA|G2AG FAEA|
[1 DGG2 AGFA|dfed cAAg|f2eg fdcA|G2AF G2 :|
[2 DGG2 AFF2|dBB2 cAA2|f2eg fdcA|G2AF G2 ||
%
Bc|dggf g3a|bgag fdd2|GBB2 B3A|GBAG FDD2|
g2fa g3a|bgag fdde|f3d ecAG|G2AF DGG2|
dggf g3a|bgag fddc|BGG2 AFF2|geEF EDEA|
DGG2 AFF2|dBB2 cAAg|f2eg fdcA|G2AF G4 |]


source version:
AG|DGG2 ABcA|dgfd cAAc|B2Gc (3AcA FA|G2AG (3FGA EA|
"5"DGG2 AGFA|dfed cAAg|(3fgf eg fdcA|G2AF G3A|
"9"DGG2 FAA2|dgfd cAA2|B2GA A2FA|G2AG (3FED EA|
"13"DGG2 AFF2|dBB2 cAA2|(3fgf eg fdcA|G2AF G2 ||
%
Bc|"17"dggf g3a|bgag fdd2|GBB2 B3A|GBAG FDD2|
"21"g2fa g3a|bgag fdde|f3d ecAG|G2AF DGG2|
"25"dggf g3a|bgag fddc|BGG2 AFF2|ge EF EDEA|
"29"DGG2 AFF2|dBB2 cAAg|(3fgf eg fdcA|G2AF G4 |]

%%%

X:22095
T:LARK IN THE MORNING (2), The 
B:DMWC.111
C:ABC/arr. BB
N:Key signature in source is G - "scribal error"!
M:6/8
L:1/8
Q:1/4=160
R:jig
K:D
B|AFA AFA|BGB BdB|AFA DAD|ged BdB|
AFA AFA|BGB BAB|def afe|fdB Bd :|
%
B|def a3|bag afe|def afe|fdB BAB|
def a3|baf afd|g3 f3|1 edB BA :|\
[2 edB BA||
%
B|d2f fef|gfe fef|def gef|edB BAB|
d2f fef|gef ged|faf g2e|fdB BA :|
%
f|Add fdd|edd fdd|Add fdd|edB BAF|
[1 Add fdd|edd fdd|g3 fgf|edB BA :|
[2 Add fdd|e2d efg|gaf gfe|fdB BdB||
"final" HD3z3|


source version:
dB|AFA AFA|BGB BdB|AFA DAD|gf/e/d BdB|
"5"AF/G/A AFA|BGB BAB|def afe|fdB B :|
%
|:AB|"9"def a3|bag afe|def afe|fdB BAB|
"13"def a3|baf afd|g3 f3|1 edB B :|2 edB BAB||
%
|:"17"d2f fef|gf/e/f fef|def gf/e/f|edB BAB|
"21"d2f fef|gf/e/f gf/e/d|faf g2e|1 fdB BAB :|\
[2 fdB BAF||
%
"25"Add fdd|edd fdd|Add fdd|edB BAF|
"29"Add fdd|edd fdd|g3 fg/a/f|edB BAF|
"33"Add fdd|eAA fdd|Add fdd|eBB BAF|
"37"Add fdd|e2e/^d/ efg|gg/a/f gfe|fdB BdB |\
"final" D6|]


%%%

X:22096
T:LARK IN THE MORNING (3), The 
B:DMWC.112
C:ABC/arr. BB
N:Key signature G (if not an error) seems to indicate that this is
a sort of "mix" version of this tune, where C's are natural
unless indicated otherwise.
M:6/8
L:1/8
Q:1/4=160
R:jig
K:D
B|A3 DAD|AGF ABc|BGG dGG|BAG Bcd|
A3 DAD|AGF ABc|def gfe|1 fdB Bd :|\
[2 fdB BA||
%
F|Add fdd|edd fdd|Add fdd|edB BAF|
Add fdd|e3 efg|faf gfe|fdB BAF|
Ad^c fdd|edd fdd|Add gfd|eBB BAF|
Add fdd|e3d efg|fgf gfe|fdB BdB |\
"final" HD3z3|]

source version:
K:G % ?
B|: A3 DAD|AGF ABc|BGG dGG|BAG Bcd|
"5"A3 DAD|AGF ABc|def gfe|1 fdB BdB :|\
[2 fdB BAF||
%
"9"Add fdd|edd fdd|Add fdd|edB BAF|
"13"Add fdd|e3 efg|fg/a/f gfe|fdB BAF|
"17"Ad^c fdd|edd fdd|Add gf/A/d|eBB BAF|
"21"Add fdd|e3d efg|fg/a/f gfe|fdB BdB |\
"final" D6|]

%%%

X:22005
T:BANKS OF LOUGH GOWNA, The
%C:Willie Clancy setting
B:DMWC.113
C:ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
"A dorian"
G|A3 AGD|EDE G3|A3 AGE|c2d edc|
AcB AGD|EDE G2A|cde ged|cAA A2 :|
z|cde g2a|g2a ged|Bcd g2a|geg a3|
cde g2a|gea ged|cde e2d|cAA A2 :|

%%%

X:22056
T:FRIENDLY VISIT (hornpipe), The
%C:Willie Clancy setting
B:DMWC.114
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=150
R:hornpipe
K:G
A|G2DG BGBd|c2AB cdef|g2dg ecAG|FGAB cAFA|
G2DG BGBd|c2AB cdef|gdBG FAdc|A2GF G2 :|
ef|g2dB GBdf|e2cA FGAg|f2ed cdeg|f2ge dcBA|
G2DG BGBd|c2AB cdef|gBBG FAdc|A2GF G2 :|


source version:
(3AcA|G2DG BGBd|(3cdc AB cdef|g2dg ecAG|FGAB cAFA|
G2DG BGBd|(3cdc AB cdef|gdBG FAdc|(3AcA GF G2 :|
ef|g2dB GBdf|(3efe cA FGAg|(3fgf ed cdeg|(3fgf (3ege dcBA|
G2DG BGBd|(3cdc AB cdef|gBBG FAdc|(3AcA GF G2 :|

%%%

X:22046
T:FIRST OF MAY (hornpipe), The
%C:Willie Clancy setting
B:DMWC.115
C:ABC/arr. BB
N:Note 'piper's F' in m.9 & 10 - all others sharp.
M:C
L:1/8
Q:1/4=150
R:hornpipe
K:G
GF|DGGF GABc|dedB c2ac|dGGF GABG|AFDE F3E|
DGGF GABc|dedB c2Bc|dggf gfdc|B2G2G2 :|
de|=f3e fede|=fedB c2Ac|dGGF GABG|AFDE F3E|
DGGF GABc|dedB c2Ac|dgga gfdc|B2G2G2 :|


source version:
GF|DGGF GABc|dedB c2 (3ABc|dGGF GA (3BAG|AFDE F3E|
DGGF GABc|dedB c2Bc|dggf gfdc|(3BcB G2G2 :|
de|=f3e fede|=fedB c2 (3ABc|dGGF GABG|AFDE F3E|
DGGF GABc|dedB c2 (3ABc|dgga gfdc|(3BcB G2G2 :|
%%%

X:22033
T:CURRAGH RACES (reel), The
T:Willie Clancy setting
B:DMWC.116
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=180
R:reel
K:Am
d|eAcA eAcA|G2G2 dGBd|eAcA eAcA|dBGB cAA2|
eAcA eAcA|G2G2 dGBd|c3A BGG2|dBGA BAA :|
B|c2eA gAeA|cege dBGB|c2eA gAeA|dBGA BAAB|
c2eA gAeA|cege dBGB|c3A BGG2|dBGA BAA :|

%%%

X:22063
T:GANDER IN THE PRATIE HOLE, The
%C:Willie Clancy setting
B:DMWC.117
C:ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
"D mix"
A/G/|FAD FAD|GFG EFG|FAD FAD|GED D3|
FAD FAD|g3 efg|fed ecA|GED D2 :|
G|Add ded|c2B cAG|Add ded|cAG A2G|
Add ded|c2B cde|ged ecA|GED D2 :|

source version:
A/G/|FG/A/D FG/A/D|GFG EFG|FG/A/D FG/A/D|GED D3|
FAD FAD|g3 efg|fed ecA|GED D2 :|
G|Add ded|c2B cAG|Add ded|cAG AcG|
Add ded|c2B cde|gf/e/d ecA|GED D2 :|

%%%

X:22051
T:FLOGGING REEL, The
%C:Willie Clancy setting 
B:DMWC.118
C:ABC/arr. BB
N:No F naturals in Willie's "piperly" setting!
M:C
L:1/8
Q:1/4=180
R:reel
K:G
c/B/||BGG2 BGdG|BGG2 Bdgd|BGG2 BGdB|AFDF AdcA|
BGG2 BGdG|BGG2 Bdgd|BGG2 BGdB|AFDF ABcA||
g3d BGBd|g2dg eaaf|g3d BGdB|AD F2 ABcA|
g3d BGBd|g2df eaa2|bgaf ge dB|AFDF ABcA||
Bdgd Bdgd|Bdgd BGG2|A2fd A2fd|A2fc AFF2|
Bdgd edgd|Bdef g3a|bgaf gedB|cBAG FAAd ||\
"final" HG4z4|]


source version:
c/B/||BGG2 bgdG|BGG2 Bd gd|BGG2 bgdB|AFDF AdcA|
"5"BGG2 bgdG|BGG2 Bd gd|BGG2 bgdB|AFDF ABcA||
"9"g3d BGBd|g2dg eaaf|g3d BGdB|AD F2 ABcA|
"13"g3d BGBd|g2df eaa2|bgaf ge dB|AFDF ABcA||
"17"Bd gd Bd gd|Bd gd BGG2|(3AcA fd (3AcA fd|\
(3AcA fc AFF2|
"21"Bd gd edgd|Bd ef g3a|bgaf ge dB|cBAG FAAd |]

%%%

X:22137
T:SLIGO MAID (reel), The
%C:Willie Clancy setting
B:DMWC.121
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=180
R:reel
K:G
"A dorian"
G|A2BA Bdef|gedB AGEF|G2BG dGBG|DEGA BAdB|
A2BA Bdef|gedB AGEG|B3G AFGE|DEGA BAA :|
A|eaag a2ga|bgab gedf|eggf g3e|dgg2 bgaf|
eaag a2ga|bgaf gedf|egg2 edBd|gedB BAA :|


original version:
G|A2BA Bdef|gedB AGEF|G2 bgdGBG|DEGA BAdB|
A2BA Bdef|gedB AGEG|B3G AFGE|DEGA BAA :|
A|eaag (3aba ga|bgab gedf|eggf g3e|dgg2 bgaf|
eaag (3aba ga|bgaf gedf|egg2 edBd|ge dB BAA :|

%%%

X:22123
T:PINCH OF SNUFF (reel), The
%C:Willie Clancy setting
B:DMWC.122
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=180
R:reel
K:D
ag|fadf afdg|fadf efge|fadf afdf|edcd efge|
fadf afdg|fadf efge|fadf afdf|edBd efg2||
af ge dcdB|ADFD EFG2|A3B =cBcd|edBd efg2|
af ge dcdB|ADFD EFG2|A2AB =cBcd|edBd efge ||\
"final" Hd4z4|]


source version:
ag|(3fga df afdg|(3fga df efge|(3fga df afdf|edcd efge|
(3fga df afdg|(3fga df efge|(3fga df afdf|ed Bd efg2||
af ge dcdB|AD (3FED EFG2|A3B =cBcd|ed Bd efg2|
af ge dcdB|AD (3FED EFG2|A2AB =cBcd|ed Bd efge |]

%%%

X:22085
T:JENNY PICKING COCKLES (reel)
%C:Willie Clancy setting
B:DMWC.124
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=180
R:reel
K:G
"D mix"
z|Addc AGEF|GEE2 dEE2|Addc AGEF|G2AG EDD2|
Addc AGEF|G2AB c3d|edcA AGEF|G2AG EDD :|
%
e|f3d efed|cAAB cdeg|f2df edcd|eaag edde|
f3d efed|cAAB c3d|edcA AGEF|G2AG EDD :|
%
G|Addc AGEF|ge cE dEcE|Addc AGEF|ge AG EDD2|
Addc AGEF|G2AB c3d|edcA AGEF|G2AG EDD :|
%
e|f3d efed|cAAB cdeg|f3d edcd|eaag edd2|
f2df e2ce|dcAB cBcd|edcA AGEF|G2AG EDD :|


source version:
z|Addc AGEF|GEE2 dEE2|Addc AGEF|G2AG EDD2|
"5"Addc AGEF|G2AB c3d|edcA AGEF|G2AG EDD :|
|:e|"9"f3d efed|cAAB cdeg|(3fgf df edcd|eaag edde|
"13"f3d efed|cAAB c3d|edcA AGEF|G2AG EDD :|
|:z|"17"Addc AGEF|ge cE dEcE|Addc AGEF|ge AG EDD2|
"21"Addc AGEF|G2AB c3d|edcA AGEF|G2AG EDD :|
|:e|"25"f3d efed|cAAB cdeg|f3d edcd|eaag edd2|
"29"(3fgf df (3ege ce|dcAB cBcd|edcA AGEF|G2AG EDD :|

%%%

X:22013
T:BRIAN O'LYNN
%C:Willie Clancy setting
B:DMWC.125
C:ABC/arr. BB
N:In Willie's setting the high F's in mm 7 and 15 are sharp
M:6/8
L:1/8
Q:1/4=160
R:jig
K:Am
AB||cAd cAG|E3 GAB|cAd cAG|EAA A2B|
cAd cAG|E3 GAB|cde fed|cAA A2B|
c3 cAG|E3 GAB|cAd cAG|EAA A2B|
cAA cAA|GE^F GAB|cde ged|cAA A2||
e|g3 ged|cAB cde|a3 age|edc de^f|
gea ged|cAB cde|fed cAG|EAA A2 :|

%%%

X:22103
T:MICI CUMBA'S JIG* 
B:DMWC.94.126 ("unknown")
C:ABC/arr. BB
N:Name (supplied by me) is from another of Willie's teachers (BB)
M:12/8
L:1/8
Q:1/4=180
R:jig
K:G
e|d3 cAD F2G A2B|c2e A2B c2e A2d|
d2A D2E F2G A2g |1 fed edc d2e f2 :|
[2 fed edc d3 d3||fga d3 fga d3|
c2A d2B c2A d2g|fga d2g fga d2e|
c2A B2c d3-d2g|f2a a2f a2a g2f|
e2f g2f g2g efg|a2f gfe f2d e2c|
d2c A2B c2d gfe ||"final"Hg6z6|]

%%%

X:22074
T:HARDIMAN THE FIDDLER
%C:Willie Clancy setting
B:DMWC.127 
C:ABC/arr. BB
M:9/8
L:1/8
Q:1/4=150
R:slip jig
K:G
"D mix"
A2G FDE F2G|A3 A3 cAG|A2G FDE F2G|Add ded cAG|
A2G FDE F2G|A2G AGA cAG|A2G FDE F2G|Add ded cAG||
Add d2e f3|Add ded cAG|Add d2e f2g|agf ged cAG|
Add d2e f3|Add ded cAG|dcA Bde f2g|agf ged cAG||\
"final"HD6z3|}

source version:
AAG FDE F2G|A3 A3 cAG|AcG FDE F2G|Add ded cAG|
AcG FDE F2G|AcG AGA cAG|AcG FDE F2G|Add ded cAG||
Add d2e f3|Add ded cAG|Add d2e f2g|agf ged cAG|
Add d2e f3|Add ded cAG|dcA Bc/d/e f2g|agf ged cAG||

%%%

X:22144
T:TRIP WE TOOK OVER THE MOUNTAINS (waltz), The
%C:Willie Clancy setting
B:DMWC.128 
C:ABC/arr. BB
M:3/4
L:1/8
Q:1/4=120
R:waltz
K:G
P:Part 1
G2 A/G/F/A/||D2 G2 G>A|B2 G2 G2|A2 G2 A2|f2-f2 g>a|
"5"g/a/g/f/ d2 d2|d4 e/d/c/A/|G4 A/A/G/F/|F2 AG A/G/F/A/|
"9"D2 G2 GA|(3BcB G2 G2|AB/A/ G2 A2|f2-fg g>a|
"13"gg/f/ dzd2|(3cdc A2d2|G4 A/G/F/A/|G4||
%
P:Part 2
g2|"17"g2 d2-dg|g2-ga b/g/a/e/|f2d2 e/d/c/e/|f3g g/a/c'/a/|
"21"g2 d2 d2|d4 e/d/c/A/|G2 A2GF|F3zg2|
"25"g/a/g/f/ d2ga|g2-ga b/g/a/e/|f3d e/d/c/e/|f2g2 ga|
"29"gg/f/ d2d2|(3cdc A2d2|G6|G4g2|
"33"g/a/g/f/ d2g2|g2-ga b/g/a/e/|f2d2 e/d/c/e/|f2 gg a2|
%
P:Part 3
"37"gg/f/ d2d2|d4 e/d/c/A/|G2 A2GF|F2 G/A/G GF|
"41"D2G2 GA|BA G3G/B/|A2 G2 A2|f4 g/a/b/a/|
"45"gg/f/ d2d2|(3cdc A2d2|G4 A/G/F/A/|HG6 |]

%%%

X:22014
T:BUACHAILL DREOITE (hornpipe), An
%C:Willie Clancy setting
B:DMWC.135
C:ABC/arr. BB
N:According to my Dineen's, "dreoite" means "withered", but 
I'm guessing there's another (maybe local) meaning to the word.
M:C
L:1/8
%%Q:1/4=150
R:hornpipe
K:G
GF|DGGB d2GB|d2GF GBAF|DGGB d2GB|dBcA FGAF|
DGGB d2GF|DGGF G3e|fgaf gbag|fdcA G2 :|
dc|B2BG c3e|d2G2 G3A|B2BG cBce|dADE F2GA|
B2BG c2ce|d^cde f2ed|g2gf gbag|fdcA G2 d^c|
BABd cBce|d3G G3A|B2BG c3e|dADE F2GA|
B2GB c3e|d^cde f2ed|g2gf gbag|fdcA HG4 |]


source version:
GF|DGGB d2GB|d2GF GBAG/F/|DGGB d2GB|dBcA FG (3AGF|
"5"DGGB d2GF|DGGF G3e|fgaf gbag|fdcA G2 :|
dc|"9"B2BG c3e|d2G2 G3A|B2 bgcBce|dADE F2GA|
"13"B2 bgc2ce|d^cde f2 (3fed|g2gf gbag|fdcA G2 d^c|
"17"(3BcB Bd cBce|d3G G3A|B2 bgc3e|dADE F2GA|
"21"B2 bgc3e|d^cde f2 (3fed|g2gf gbag|fdcA HG4 |]

%%%

X:22003
T:BANISH MISFORTUNE [1st setting]
%C:Willie Clancy setting 
B:DMWC.137
C:ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
"D mix"
e|fed cAG|Add cAG|F2D D3|F3 G3|
[1 AcA cAG|AGA cde|fed cAG|AcA d2 :|
[2 A3 cAG|AGA cde|fed cAG|Add d2||
%
e|f2d d^cd|f2g afd|e2c cBc|e2f ged|
f2g afd|e2f ged|fed cAG|Add d2 :|
%
e|f2g e2f|d2e c2d|A2B G2A|F2A GED|
c3 cAG|AGA cde|fdd cAG|Add d2 :|


source setting
|:e|"33"gf/e/d cAG|AB/c/d cAG|EFD D3|FED FED|
"37"Ac/A/A cAG|Ac/A/A Bc/d/e|fed cAG|Add d2e|
"41"fed ed/c/e|dc/A/B cAG|EFD D3|F3 G3|
"45"Ac/A/A cAG|AGA cde|fed cAG|Add d2 |: 
|:e|"49"f2d d^cd|efg afd|e2c cBc|e2f ged|
"53"f2g afd|eAf ged|fed cAG|Add d2 :|
|:e|"57"f2g e2f|d2e c2d|A3 G3|F3 GED|
"61"c2z cAG|AGA cde|fdd cAG|Add d2 :|

%%%

X:22069
T:GOLD RING, The
%C:Willie Clancy setting
B:DMWC.139 
C:ABC/arr. BB
M:6/8
L:1/8
N:Note that part 4 is unbalanced in the book: it's missing a measure 
at the end of Part 4 but has too many in Part 5. I "supplied" the 
missing measure (43) in Part 4 and removed the extra measure 
(duplicate m.47) in Part 5. (O'Neill's 1850 has a version of this tune 
but it's not close enough to "patch in" the missing pieces!)
Q:1/4=160
R:jig
K:G
P:Part 1
A|BAG A2d|cAG G2A|BAG Add|cAD F3|
"5"BAG A2d|cAG GBd|gbg afd|cAG G2 :|
z|"9"B3 Bdc|A3 dcA|G3 GBd|cAG FGA|
"13"B3 Bdc|A3 dAG|FDE F2d|cAG G2A|
"17"B3 cdc|A3 dcA|G3 GBd|cAG FGA|
"21"B3 cdc|A3 dAG|FDE F2d|cAG Gz||
%
P:Part 2
g|"25"fdd edd|fdd edd|fdd ed^c|dcA G3|
"29"fdd edd|fdd ed^c|dfa gfd|cAG G2 :|
%
P:Part 3
z|"33"g3 f2d|cAG GBd|g3 f2d|cAE F2A|
"37"g3 f2d|g3 f2d|g3 afd|cAG G2 :|
%
P:Part 4
A|"41"DBB DBB|DAA DAA|DBB DBB|cAG G2 :|
%
P:Part 5
A|"45"B3 D3|A3 D3|g3 GBd|cAG G2 :| % ?
%
P:Part 6
A|"49"B3 D3|A3 D3|G3 GBd|cAG FGA|
"53"B3 D3|A3 D3|G3 GBd|CAG G2A|
"57"B3 D3|A3 D3|G3-GBd|cAG FGA|
"61"B3 D3|A3 D3|G3 GBd|cAG G||
%
P:Part 7
(3dcA|"65"B2G A2G|d2G G2G|B2G A2G|cAG F2A|
"69"B2G A2G|cAG AAG|FGA fed|cAG G2A|
"73"B2G A3|d2G G2A|B2G A2G|cAG FGA|
"77"BAG AGF|GFD F2A|fga fed|cAG G3|G6 ||

%%%

X:22017
T:CAMERONIAN REEL, The
%C:Willie Clancy setting
B:DMWC.140 
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=180
R:reel
K:D
dAFA DAFA|GFEF GBd2|A2FA DAFA|GBAG FDD2|
A2FA DAFA|GFEF GBdc|A2FA DAFA|ge AG FDD2 ||
%
Addc dfed|Bdef gfed|cAeA fAed|Bdef gfeg|
faeg faeg|faec defg|afge fdec|dBcA FAd ||
%
B|A3d B2B2|dBcA FAdc|AGAd B2B2|dcAG FDD2|
AGBd B2B2|dABA FAd2|A2cA DAFA|GEAG FDHD2 |]


source version:
dAFA DAFA|GFEF GBd2|A2FA DAFA|GBAG FDD2|
"5"A2FA DAFA|GFEF GBdc|A2FA DAFA|ge AG FDD2 ||
"9"Addc dfed|Bd ef gfed|(3cBA eA fAed|Bd ef gfeg|
"13"(3fga eg (3fga eg|(3fga ec defg|af ge fdec|dBcA FAd ||
B|"17"A3d B2B2|dBcA FAdc|(3AcA Ad B2B2|dcAG FDD2|
"21"(3AcA Ad B2B2|dABA FAd2|A2 (3AcA DAFA|GEAG FDD2 |]

%%%

X:22061
T:Galbally Farmer, The
%C:Willie Clancy setting
B:DMWC.141
C:ABC/arr. BB
N:Note F's all sharps here - no naturals.
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
F|DGG BAG|Add d2e|fef ded|cAG F3|
DGG BAG|ABc d2e|fed cAF|G3 G2:|
d|gdg gdg|gdg a2g|f3 ded|cAG F2G|
gdg gdg|gdg abg|fed cAd|G3 GBd|
gdg gdg|gdg abg|f3 ded|cAG EFA|
B3 BAG|ABc d2e|fed cAd|G3 HG3|]


source version:
GF|: DGG BAG|Add d2e|fef ded|cAG F3|
"5"DGG BAG|ABc d2e|fed cAF|1 G3 G2F :|2 G3 G2||
d|"9"gdg gdg|gdg a2g|f3 ded|cAG F2G|
"13"gdg gdg|gdg ab/a/g|fed cAd|G3 GBd|
"17"gdg gdg|gdg ab/a/g|f3 ded|cAG EF/G/A|
"21"B3 BAG|ABc d2e|fed cAd|G3 G3 ||


%%%

X:22002
T:ASK MY FATHER 
%C:Willie Clancy setting
B:DMWC.143
C:ABC/arr. BB
M:12/8
L:1/8
Q:1/4=160
R:jig
K:G
"D mix"
E|F2E D3 A2G F2D|A3 B2G AcA A2G|
F2E D3 A2G F2D|G2c A2F G3-G2 :|
e|f2e d2e f2d cAG|A3 BAG AcA A2e|
[1 f2e d2e f2d cAF|G3 AGF G3 G2:|
[2 fgf d2e f2g a2g|f2d c2A G3 A2G||\
"FINAL"F3E3D6|]

%%%

X:22087
T:JENNY'S WELCOME TO CHARLIE (reel)
%C:Willie Clancy setting
B:DMWC.144
C:ABC/arr. BB
N:The book shows |^d | as the first note in measure 13 and 29. 
I'm presuming it's the editor's brave attempt to notate a piper's 
slide upwards from /d/ to /e/ or downwards from /e/ to /d/ (which 
seems more likely in the context of a D mixo tune). In any case 
I've replaced it with /D3A/ and /d3e/ respectively.
M:C
L:1/8
%Q:1/4=180
R:reel
K:G
"D mix"
A|D3A AGEF|GEE2 cEdA|D3G AGEc|A3G EADA|
DADA AGEF|ge cE decE|D3A AGec|A3G EAD ||
%
A|d3A gAdB|c2 cA eAcA|d3A gAd^c|dfag eddA|
d3A eAdB|c2cA eAcA|G2Bd edcA|AEcE EDD ||
%
e|faa2 afdf|g2gf ge^cd|faa2 afdf|ge ag eddf|
a3b afdf|g2gf ge^cA|G2Bd efgd|cAAG EFG ||
%
A|dfge dcAB|cAdB cAG2|Addc Addf|eaag e2dA|
"29"d3e dcAB|c3B cAGE|DEFG A2GE|A2AG EFGE||\
"final" HD4z4 |]

%%%

X:22081
T:HURLER'S MARCH, The
%C:Willie Clancy setting
B:DMWC.145
C:ABC/arr. BB
N:I'm not sure why part 3 isn't repeated in the book,
but I've changed that here.
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
"D mix"
z|A3 AGE|GED D3|cBc ded|cAG FED|
AGE|G3 cGE|D3 DFA|D3 D2 :|
B|c3 cBc|cAG ABc|dfd dfd|dcA DFA|
cBc dcB|cAG FGE|D3 DFA|D3 D2 :|
G|fdd ged|fdd ged|c2e ged|cde ged|
fdd ged|fdd ged|cde gag|edd d2 :|
c|A2D cAG|F3 GED|EDE EFD|EDE EFG|
[1 A2D A2G|F3 GEA|D3 D3|D3 D2 :|
[2 ABA dAG|F3 GEA|D3 DFA|D3 HD3 |]


source version of mm 25-42:
c|"25"(3ABA D AAG|F3 GED|(3EGE E EFD|EDE EFG|
"29"Ac/A/D AcG|F3 GEA|D3 D3|D3 D3|
"33"Ac/A/D cAG|F3 GED|E3 EFD|E3 EFG|
"37"Ac/A/A dAG|F3 GEA|D3 DFA|D3 D3 |]

%%%

X:22049
T:FLING NO.1 (hornpipe) 
%C:Willie Clancy setting
B:DMWC.146
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=150
R:hornpipe
K:G
G2||"1"GBB2 cded|dBGA BAAG|GBB2 cde^c|dBGB A2G2|
GBB2 cded|dBGA BAAG|"7"c2cB cege|dBGA A2G2 ||"8B"dBGA A2G4|]
P:Part B
G2Bd g2gf|edBd deg2|G2Bdg3d|gedB A2G2|
G2Bd g2gf|edBd dega|bgaf gefd|ge dB A2G2|]
%%textoption
%%begintext
After part B, repeat mm 1 - 7, finish with m.8B.
%%endtext

source version:
G2||!segno!GBB2 cded|dBGA BAAG|GBB2 cde^c|dBGB (3ABA G2|
"5"GBB2 cded|dBGA BAAG|c2cB cege|"8"dBGA (3ABA G2 ||\
"FINE" dBGA (3ABA G4|]
P:Part B
"9"G2Bd g2gf|edBd deg2|G2Bdg3d|ge dB (3ABA G2|
"13"G2Bd g2gf|edBd dega|bgaf ge fd|ge dB (3ABA G2 "_DS"|]

%%%

X:22050
T:FLING NO.2 (hornpipe)
%C:Willie Clancy setting
B:DMWC.149
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=150
R:hornpipe
K:G
dB|ADD2 FDD2|ADD2 dedB|ADD2 FDDA|DEFD G2FG|
ADD2 FDD2|ADD2 dedB|ADD2 FDDA|DEFD G2 ||
FG|ABAG F3G|Addd cAG2|A2AG F2EF|DEFD G2FG|
A2AG F3G|Ad^cd =cAGc|A2FA EADF|DEFD G2 ||
P:PART 2 with key change
K:D
ag|eAA2 =cAA2|eAA2 a2ag|eAA2 cAAG|ABcA d2Ad|
eAA2 =cAA2|eAA2 a2ag|eAA2 cAAG|ABcA d2 ||
cd|efed =c3d|eaa2 gedf|gefd cABG|ABcA d2Bd|
e2ed =cBcd|eaa2 gedf|efdB cABG|ABcA d4 |]

%%%

X:22109
T:NORA CRIONA (Wise Nora) (1)
%C:Willie Clancy setting
B:DMWC.150 (as "piece")
C:ABC/arr. BB
M:6/8
L:1/8
%Q:1/4=160
R:jig
K:G
G2G G2A|BGB dcA|G2F G2B|A2B cBA|
G2F G2A|BAG ABc|d2e fef|A2B dcA|
G2A G2A|BGB dcA|G2G GAB|A2B cBA|
G2F G2A|BAG ABc|d2e fef|A2B dcA||
%
g2f gdc|BGB dcA|g2f gdB|A2B cBA|
g2f f2e|ece dcA|d2e fef|A2B dcA|
GBd GBd|FAc FAc|GBd GBd|eaf gdB|
G2F GBd|F2E FAc|d2e fef|A2B dcA||\
"FINAL" G6 |]

%%%

X:22110
T:NORA CRIONA (Wise Nora) 2
%C:Willie Clancy setting 
B:DMWC.151
C:ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
G3 G2A|B2G d2B|G3 G2A|A2B c2A|
G3 G2A|B2G d2B|A2e fef|A2B cBA :|
ded d2c|(3BcB G d2B|ded d2c|A2B c2A|
ded d2c|BAG ABc|dcd f3|AAB cBA :|
G3 G2A|B2G d2B|G3 GBG|A2B c2A|
G3 G3|BAG d2B|A2f fef|A2B cBA :|
d3 d2c|B2G d2A|ded d2c|A2B cBA|
[1 d3-d2c|B2G d2B|A2f fef|A2B cBA|
[2 ded d^cA|BAG ABc|d2e f3|A2B cBA||\
"final" HG3z3 |]

%%%

X:22111
T:NORA CRIONA (Wise Nora) (3)
%C:Willie Clancy setting 
B:DMWC.152
C:ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
G3 BAG|A2B cBA|dBd gdB|ABA d^cA|
G3 BAG|dcB ABd|fgf gdB|A2B cBA :|
dBd gdB|deD dBG|dBd gdB|A2B cBA|
dBd eBd|fBd g3|bge d^cB|cAB cBA :|\
"final" HG32z3|]

%%%

X:22102
T:MERRILY DANCE THE QUAKER
%C:Willie Clancy setting
B:DMWC.91
C:ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
D|GAB D2B|c2A BGE|GAB D2E|A3 AGE|
GAB D2B|c2A BGE|GAB D2E|G3 G2 :|
c|BGG AGG|BGG AGE|GAB D2E|A3 A2c|
BGG AGG|BGG AGE|GAB D2E|G3 G2 :|
z|g3 aga|bge dBd|g3 gab|a3-aba|
gbg faf|ege dBA|GAB D2E|G3 G2 :|

%%%

X:22011
T:BOYS OF BALLISODARE (reel), The
%C:Willie Clancy setting
B:DMWC.52: "unknown" (!)
C:ABC/arr. BB
N:"Unknown"? I guess Willie and Pat both had memory lapses 
on the day this was recorded!
M:C
L:1/8
Q:1/4=180
R:reel
K:G
g2ge||dGG2 dfec|dGG2 BAA2|dGG2 dedB|cABG AGEA|
dGG2 dz ge|dGG2 BAA2|GBB2 dedB|cABG AGE||
%
f|g3a bgaf|g3a bee2|g3a bgaf|ge ed ef|
g3a bgaf|g2g2 bee2|bgaf ge ed|Bd ef g2||
%
ge|dGG2 dfec|dGG2 BAA2|dGG2 dedB|cABG EGDA|
dGG2 dfge|dGG2 BAA2|GBB2 B2dB|cABG AGE||
%
f|g3a bgaf|g3a bee2|g3a bgaf|ge ed Bd ef|
g2g2 bgaf|g3a bee2|bgaf ge ed|Bd efg2||
%
ge|dGG2 dfge|dGG2 BAA2|dGG2 dedB|cABG AGEA|
dGG2 dGG2|dGG2 BAA2|GBB2 dedB|cABG AGE||
%
f|g3a bgaf|g3a bee2|g3a bgaf|ge ed Bd ef|
g2g2 bgaf|g3a bee2|bgaf feed|Bd efg3||\
["final" dBAF HG4 |]


source version:
g2ge||dGG2 dfec|dGG2 BAA2|dGG2 dedB|cABG AGEA|
"5"dGG2 dz ge|dGG2 BAA2|GBB2 dedB|cABG AGE||
f|"9"g3a bgaf|g3a bee2|g3a bgaf|ge ed Bd ef|
"13"g3a bgaf|g2g2 bee2|bgaf ge ed|Bd ef g2||
ge|"17"dGG2 dfec|dGG2 BAA2|dGG2 dedB|cABG (3EFG (3DFA|
"21"dGG2 df (3ege|dGG2 BAA2|GBB2 B2dB|cABG AGE||
f|"25"g3a bgaf|g3a bee2|g3a bgaf|ge ed Bd ef|
"29"g2g2 bgaf|g3a bee2|bgaf ge ed|Bd efg2||
ge|"33"dGG2 df (3ege|dGG2 BAA2|dGG2 dedB|cABG AGEA|
"37"dGG2 dGG2|dGG2 BAA2|GBB2 dedB|cABG AGE||
f|"41"g3a bgaf|g3a bee2|g3a bgaf|ge ed Bd ef|
"45"g2g2 bgaf|g3a bee2|bgaf feed|Bd efg3||\
"FINAL" |dBAF HG4 |]

%%%

X:22039
T:DUBLIN REEL (2), The
%C:Willie Clancy setting 
B:DMWC.52
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=180
R:reel
K:C
A|cEE2 cEdE|cEE2 GEDB|cEE2 cEdB|cABD GEDB|
cEE2 c2ed|cEE2 GED2|cEE2 cEdB|cABD GED||
%
A|dGG2 dgeA|dGG2 bgEA|dGG2 d2ed|cABE GEDA|
dGG2 dgfe|dGG2 AGEA|dEcE deed|cABD GED||
%
B|c3B cEE2|c3A GEDB|c3B ced2|cABD GEDB|
c3B cEE2|c3A GEDB|c2Ac d2Ad|"24"ecAB cee2||\
"final" "24"ecAB cegB|"25"Hc4z4|]

source version of mm 22:
c2 (3ABc d2 A/B/c/d/

%%%

X:22054
T:FOWLER ON THE MOOR, The
%C:Willie Clancy setting
B:DMWC.64
C:ABC/arr. BB
M:12/8
L:1/8
Q:1/4=160
R:jig
K:G
A|G2E E3 c2A B2G|AcA G2E A2c B2A|
[1 G2E E3 c2A B2G|AcA G2E D3 D2:|
[2 G2A B2c d2G B2G|AGE G2E D2||
E|G2A B2c d2G B2G|AcA G2E A2c B2A|
2A B2c d2G B2G|1 "thru"AGE G2E D3D2 :|
[2 "final"AGE DEF G3G3|


%%%

X:22004
T:BANISH MISFORTUNE (2)
%C:Willie Clancy setting 
B:DMWC.148
C:ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
"D mix"
e|f3 g2e|f2d cAG|F3 DFD|DEF GDG|
[1 A3 A2D|A3 cde|fed ece|dcA d2 :|
[2 A3 cAG|A3 cde|fed ece|dcA d2||
%
e|f3 dcd|efg agf|geA c2d|eAf gfe|
[1 f3 dcd|fdg agd|eAA gec|ded d2 :|
[2 f3 g3|aga gfe|fed cAG|AcA d2e|
"coda"
fed ece|dcB cAG|F3 DFD|D3 GDG|
AcA cAG|AcA cde|fed ece|dcA Hd3 |]


source version:
de|f3 gge|f2d cAG|F3 DFD|DEF GDG|
"5"A3 A2D|A3 cde|fed ed/c/e|dcA d2e|
"9"f3 (3gag e|f2d cAG|F3 DFD|DEF G3|
"13"A3 cAG|A3 cde|fed ed/c/e|dcA d2||
e|"17"f3 dcd|efg agf|geA c2d|eAf gfe|
"21"f3 dcd|fdf/g/ agd|eAA gec|ded d2e|
"25"f3 dcd|f3 agf|geA c2d|eAf gfe|
"29"f3 g3|aga gfe|fed cAG|AB/c/A d2||
e|"33"fed ed/c/e|dc/A/B cAG|F3 DFD|D3 GDG|
"37"Ac/A/A cAG|Ac/A/A cde|fed ed/c/e|dcA d3 ||


%%%

X:22152
T:YELLOW WATTLE, The
%C:Willie Clancy setting
B:DMWC.147
C:ABC/arr. BB
N:Note that only second part repeats in Willie's 
version.
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
"D mix"
dcA A2D|FAD GED|dcA A2B|dcA GED|
dcA A2D|FAD GED|dcA A2B|dcA GED:|
D3 c2A|dfd cBc|D3 c2e|dcA GED|
D3 c2A|dfd cde|fed dce|dcA GED :|

%%%


X:22010
T:BOYNE HUNT (reel), The 
%C:Willie Clancy "florid" setting
B:DMWC.142
C:ABC/arr. BB
N:Willie's "florid" version of this fine old tune.
M:C
L:1/8
Q:1/4=180
R:reel
K:D
B|BA (3FGA D2 (3FGA|DAFA BEE2|BAFA DFF2|
"5"ABde fded|BA (3FGA F2 (3FGA|DAFA BEE2|BAFA D3B|
"9"ABde fdd2||faa2 agaf|g3a bgeg|faa2 agaf|
"13"efde fdd2|faa2 agaf|g3a bgeg|f2fe dedB|
"17"ABde fdd||c|dfAd Bd Ad|dfAd fee2|dfAd BdAF|
"21"ABde fddc|dfAd Bd Ad|dfAd feef|ge fd e^cdB|
"25"ABde ge dB||BA (3FGA D2 (3FGA|DAFA BE E/D/E|BA (3FGA DADB|
"29"ABde fded|BA (3FGA d2 (3FGA|D2 (3FGA BE E/D/E|BAFA DFF2|
"33"ABde fdd2||faa2 agaf|dfaf gfeg|faa2 bgaf|
"37"efde fddg|faa2 agaf|g3a bgeg|f2fe d3B|
"41"ABde fdd||c|dfAd Bd Ad|dfAd fee2|dfAd Bd AF|
"45"ABde fddc|dfAd Bd Ad|dfAd feef|
"49"ge fd eAdB|ABde ge dB||\
"final" BA (3FGA d2 (3FGA|D4 D4 |]

%%%


X:22129
T:RODNEY'S GLORY (set dance)
B:DMWC.138 ("set dance")
%C:Willie Clancy setting
C:ABC/arr. BB
N:Note irregular number of measures in second part.
Source has this part repeating which I'm not sure is
correct.
M:C|
L:1/8
Q:1/4=120
R:hornpipe
K:G
"A dorian"
"slow hornpipe tempo"
ed|c2Bc ABcA|BGEF G2cd|efed cdef|gfge dfed|
c2Bc ABcA|BGEF G2ed|c2BA GABG|A2A2 A2 :|
Bd|eaab aged|efed c3f|g2fg agef|dcAF G3B|
AGAB cBcd|edeg a3b|aged cdef|gfge dfed|
c2Bc ABcA|BGEF G2ed|c2BA GABG|A2A2 A2 :|

%%%

X:22015
T:BUACHAILL DREOITE (jig) (2), An
T:Willie Clancy setting
N:According to my Dineen's, "dreoite" means "withered", 
but I'm guessing there's another (maybe local) meaning 
to the word.
B:DMWC.136
C:ABC/arr. BB
M:6/8
L:1/8
%%Q:1/4=160
R:jig
K:G
A|DGG AcG|AcG G2F|DGG AcG|dcG FDc|
DGG AcG|AcG GBd|f3 gfd|cAG FG :|
A|B3 c2e|dcA G2F|GBB GBd|cAD F2A|
B3 cBc|d^cd f2g|agg gfd|cAG G2:|


source version:
GF|: DGG AcG|AcG G2F|DGG AcG|dc/A/G FDc|
DGG AcG|AcG GBd|f3 gfd|cAG FGA :|
B3 c2e|dcA G3-|GBB GBd|cAD F2 (3F/G/A/|
B3 cBc|d^cd f2g|agg gfd|cAG G3 :|

%%%

X:22142
T:TA 'N COILEACH AG FÓGAIRT AN LAE
T:The Rooster is Crowing for Day
%C:Willie Clancy setting
C:ABC/arr. BB
B:DMWC.99.134
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
D|GAB AGE|c2E c2D|GAB AGE|A2D A2D|
[1 GAB AGE|c2d ege|dBG AGE|G3 G2 :|
[2 GAB AGE|c2d ege|dBG AGE|G3 GB||
d|g2e dBG|c3 c2d|e3 dBG|A3 A2d|
g3 dBG|c2d ege|dBG AGE|1 G3 GB :|\
[2 G3 G3|]

%%%

X:22001
T:ARD AN BHÓTHAIR 
T:High Part of the Road
%C:Willie Clancy setting
B:DMWC.98.133 
C:ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
A|B3 cBc|ded cAG|F3 DEF|DGD FGA|
B3 cBc|dcA Bde|ged cAd|G3 G2A|
B3 c2e|d2G cAG|F3 DEF|DGD EGA|
BGG cAA|dcA Bde|ged cAd|G3 G2||
d|g3 dgg|gdg bag|f3 deg|afd cAG|
[1 g3 dgg|gdg b2g|f2d cAG|AGG G2 :|
[2 g3 g3|g3 a2g|f2d cAG|AGF HG3 |]


source version:
A|B3 cBc|ded cAG|F3 DEF|DGD FGA|
"5"B3 cBc|dcA Bc/d/e|gf/e/d cAd|G3 G2A|
"9"B3 c2e|d2G cAG|F3 DEF|DGD EF/G/A|
"13"BGG cAA|dcA Bc/d/e|gf/e/d cAd|G3 G2||
d|"17"g3 dgg|gdg bag|f3 def/g/|afd cAG|
"21"g3 dgg|gdg b2g|f2d cAG|AGG G3|
"25"g3 dgg|gdg bag|f3 de/f/g|afd cAA|
"29"g3 g3|g3 aag|f2d cAG|AGG fdc||\
"FINAL" AGG G3 |]

%%%

X:22062
T:GALTEE REEL, The
%C:Willie Clancy setting
B:DMWC.132 
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=180
R:reel
K:Am
g|aged c2AG|EAA2 EAA2|aged c2AG|EGG2 EGG2|
aged c2AG|Agg2 a2ga|bgag egdg|ecAG EAA :|
B|c2AB cded|cAA2 dcAB|cAA2 B2ed|cAAG EGG2|
cAA2 B2ed|cAA2 a2ga|bgag e^fdg|ecAG EAA :|

%%%

X:22034
T:DERRY HORNPIPE, The
T:Willie Clancy setting
B:DMWC.131 
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=150
R:hornpipe
K:D
AG|F2Ad fdAF|G2Bd gdBG|F2Ad fdAF|E2Ad ecAG|
F2Ad fdAF|G2Bd gaag|f2df ge ce|1 dfec d2 :|\
[2 dfec dg||
%
fg|a2fd Adfa|g2ec Adfg|adfd cfgf|e2dB A2fg|
a2fd Adfa|ge ce gaag|f2df ge ce|1 dfec dg :|\
[2 dfec d2||
%
AG|FDAD BDAB|dcdf ecAG|FDAD BDAF|EGFA GBAG|
FDAD BDAB|dcdf ecAg|f2df ge ce|1 dfec d2 :|\
[2 dfec dg||
%
fg|a3b afdf|g3a gecf|a3b afdf|ge (3dcB A2fg|
afbg afdf|ge ce gaag|fadf ge ce|1 dfec dg :|\
[2 dfec d2||
%
FG|AFAd ge dc|BGBd gfed|cAcf afge|fedB ADFG|
AFAd ge dc|BGBd gaag|f2df gece|dfec d2 :|


source version:
AG|F2Ad fdAF|G2Bd gdBG|F2Ad fdAF|E/D/E Ad ecAG|
"5"F2Ad fdAF|G2Bd gaag|(3fgf df ge ce|1 dfec d2 :|\
[2 dfec dgfg||
"9"(3aba fd Adfa|g2ec Adfg|adfd cfgf|(3ege (3dcB (3ABA fg|
"13"(3aba fd Adfa|ge ce gaag|(3fgf df ge ce|1 dfec dgfg :|\
[2 dfec d2||
AG|"17"(3FED AD BDAB|dcdf ecAG|(3FED AD BDAF|EGFA GBAG|
"21"(3FED AD BDAB|dcdf ecAg|(3fgf df ge ce|1 dfec d2 :|\
[2 dfec dgfg||
"25"a3b afdf|g3a gecf|a3b afdf|ge (3dcB A2fg|
"29"(3agf bg afdf|ge ce gaag|fadf ge ce|1dfec dgfg :|\
[2 dfec d3z ||
"33"AFAd ge dc|BGBd gfed|(3cBA cf afge|fedB ADFG|
"37"AFAd ge dc|BGBd gaag|(3fgf df ge ce|dfec d4 :|

%%%

X:22113
T:OLD MAN ROCKING THE CRADLE (waltz), The
%C:Willie Clancy setting
B:DMWC.130 (as "piece"
C:ABC/arr. BB
N:To simplify Willie's triplets, use this pattern:
(3xyz = xz (if x and z are the same note, = x2
M:3/4
L:1/8
%%Q:1/4=120
R:waltz
K:G
P:Part 1
dc/A/|B2B2 dB|c2c2 dc/A/|B2B2d2|(3ABA G2 dc/A/|
"5"B2B2 dB|c2c2 dc/A/|AG G2G2|G4 :|
%
P:Part 2
de|"9"f4 ae/d/|e2e2dB|d>e g2BG|A2G2de|
"13"fa e2d2|e2d2 BA/B/|d>e g3 (3a/b/a/|g4 ga|
"17"b2g3g|(3aba g2 e/d/c/A/|B2d2 BG|(3ABA G2 dc/A/|
"21"B2B2 cA|d2- (3ded cA|G4G2|G4||
%
P:Part 3
g2|"25"B2B2 (3gag|c2c2g2|B2B2 (3dcB|A4 (3gag|
"29"B2B2dB|c2c2d>B|G3A BG|(3ABA G3A|
"33"G4g2|B2B2g2|c2c2g2|B2B2 d/c/B|A4-AA|
"37"G3A BG|A2d2 e/c/A/G/|(3ABA G2G2|A2GG G2|
"41"f2 fa e/f/e/d/|e3e dB|d>e g2BG|A2G2G2|
"45"f2 fa ed|ee g2 ag/e/|d2e2g2|g4 ga|
"49"b2g2g2|(3aba g2 e/d/B/A/|B2d2 BG|A2G2 dA|
"53"B2B2 cA|d2 (3ded cA|G6-|G6 |]

%%%

X:22053
T:FOLLOW ME UP TO CARLOW (reel)
%C:Willie Clancy setting
B:DMWC.127 
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=180
R:reel
K:G
"A dorian"
A2AG EFG2|A2cd edcB|A2AG EFG2|A2BG A2Az :|
efgf efg2|B2BA GAB2|efgf efg2|B2BG A2A2|
efgf efgz|B2BA GABd|efge afgz|B2BG A4 |]

%%%

X:22068
T:GIVE US A DRINK OF WATER
%C:Willie Clancy setting 
B:DMWC.123
C:ABC/arr. BB
M:9/8
L:1/8
Q:1/4=150
R:slip jig
K:G
G3 gdc BAG|BdB cAA A2D|GBd fdc BAG|cBA BGE D3|
GBd gdc BAG|BdB cAA A2D|GBd gdc BAG|BcA BGG G2 ||
d|g3 efg afd|g3 efg a2d|g2a bag fed|efg agf g2d|
g3 efg afd|g3 efg ab[ac']|bag agf ged|efg agf g3 |]


source version:
G3 gdc BAG|Bc/d/B cAA A2D|GB/c/d fdc BAG|cBA BGE D3|
GB/c/d gdc BAG|Bc/d/B cAA A2D|GB/c/d gdc BAG|BcA BGG G2 ||
d|g3 efg afd|g3 efg a2d|ga/g/g bag fed|efg agf g2d|
g3 efg afd|g3 efg ab[ac']|bag agf ged|efg agf g3 |]

%%%

X:22117
T:OVER THE MOOR TO MAGGIE (reel)
%C:Willie Clancy setting
B:DMWC.120
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=180
R:reel
K:G
BA|G3A BABd|egg2 dBAG|EAAA BABG|EAAG ABB2|
G3A BABd|egg2 dBAG|EGG2 BGAG|EGG2 G2 :|
ga|bgg2 agef|g3e d2Bd|eaa2 a2a2|eaag abga|
bgg2 agef|g3e dG Bd|egg2 bgag|edef g3a|
bgg2 agef|g3e edBd|eaa2 baa2|eaag abba|
bgg2 agef|g3e d2 Bd|egg2 bgag|egge dBBA||"final"HG4z4|]

%%%

X:22006
T:BATTLE OF AUGHRIM (march), The
%C:Willie Clancy setting (edited)
B:DMWC.119
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=160
R:march
K:G
"A dorian"
AG|E2A2 A2 Bd|e2d2 c2A2|B2G2 GFGA|BGAG EGD>G|
E2A2 A2 Bd|e2df e2ag|e2dB cedB|A4 A2 :|
fg|a3g e2fg|abag e2fg|a2f2 g2e2|d2BA G2fg|
a3g e2fg|a>bag e2ed|B2e2 d2B2|A4 A2 :|

%%%

X:22030
T:COURTNEY'S FANCY JIG* 
B:DMWC.57 
C:ABC/arr. BB
%C:Willie Clancy setting
N:This is evidently Willie's version of "Courtney's Favorite" 
(O'Neill's DMI #71). I think it's different enough to justify 
the slight renaming.
M:6/8
L:1/8
Q:1/4=160
R:jig
K:D
BEE B2d|BEE BAF|BE2 B2d|BAF AFD|
[1 BE2 B2d|BE2 BAF|DFA ded|BAF AFD|
[2 BE2 BE2|BE2 BAF|DFA ded|BAF AFE||
%
DFA ded|BAB dAF|DFA ded|cAG FEF|
DFA ded|e3 efg|e2f ede|fdB AFA|
DFA d3|A2B dAF|DFA ded|cAG FEF|
DFA ded|e3 efg|e2f ede|fdB AFA||"final" HD3z3|]

%%%

X:22148
T:WILL YOU COME DOWN TO LIMERICK? (2) 
%C:Willie Clancy setting
B:DMWC.58 
C:ABC/arr. BB
M:9/8
L:1/8
Q:1/4=160
R:slip jig
K:G
P: Part 1
d2|:cAG GFG G2d|cAG GFG Add|cAG GFG G2d|
[1 Bde ged cAd :|2 Bde fed cAG||
%
P: Part 2
"5"def gaf g3|def gbg afd|cde fgf f2d|cde ged cAG|
def gaf g3|def gbg ega|bgb afa g2e|ged cAG E2A ||
%
P: Part 3
"13"BGB AFA G3|B3 GBd cAG|D3 AFA G2D|B2e g2d cAd|
BGd AFA G3|B3 GBd cAG|D3 AFA G2D|B2e g2d cAd ||
%
P: Part 4
"21"cAG GFG G2d|cAG GDE F2d|cAG GFG G2d|g2d cAG F2d|
cAG G3 G3|cAG GFG Add|cAG GFG G2d|B2e g2d cAG||
%
P: Part 5
"29"def gaf g3|def gbg afd|B2e fge f2d|
[1 B2e fed cAG:|2 B2e g2d cAd||
%
P: Part 6 
"33"BGd AFA G3|B3 GBd cAG|D3 AFA G2D|
B2e g2d cAd|B3 A3 G3|B3 GBd cAG|
D3 AFA G2D|B2e g2d cAd||"final" cAG HG6 ||

%%%

X:22067
T:GARRETT BARRY'S JIG (2)
B:DMWC.59
%C:Willie Clancy setting
C:ABC/arr. BB 
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
"D mix"
A|DEF GFG|AGA c2e|dcA d2e|fed cAG|
F3 G3|AGA B2e|dcA GEA|D3 D2 :|
d|dcA d2e|fed ege|dcA c2d|egd ecA|
dcA d2e|f3 e3|dcA GEA|D3 D2 :|

%%%

X:118
T:PADDY O'RAFFERTY (1)
%T:Paidin O Raifearta
%C:Willie Clancy setting
C:ABC/arr. BB
N:I added the 2nd ending to the last part.
M:6/8
L:1/8
Q:1/4=160
R:jig
K:D
A|dff cee|dff gfe|dff cee|dfe dBA|
[1 dff cee|def g3|afd gec|dfe dB :|
[2 dfA ceA|def g3|afd gec|dfe dc||
%
B|AFA A2f|g3 fdB|A3 D3|dfe dcB|
ADA B3|ege efg|f3 gec |1 dfe dc :|\
[2 dfe dB||
%
A|fAA eAA|fAf gfe|fAA eAA|dfe dBA|
fAA eAA|faf g3|afd gec|1 dfe dB :|\
[2 dfe dBA|HD6|]

source version:
A|dff cee|dff gfe|dff cee|dfe dBA|
[1 "5"dff cee|def g3|afd gec|dfe dB :|
[2 "5A"dfA ceA|def g3|afd gec|dfe dc||
|:B|"9"AFA A2f|g3 fdB|A3 D3|dfe dcB|
"13"ADA B3|ege efg|f3 gec |1 dfe dc :|\
[2 dfe dB||
|:A|"17"fAA eAA|fAf gfe|fAA eAA|dfe dBA|
"21"fAA eAA|faf g3|afd gec|1 dfe dB :|\
[2 dfe dBA|D6|]


%%%

X:22119
T:PADDY O'RAFFERTY 2
%T:Paidin O Raifearta
%C:Willie Clancy setting
C:ABC/arr. BB 
N:No repeats in DMWC.
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
BDD EDD|cBA GED|BDD EDE|GAG GED|
BDD EDD|cBA GED|B3 cBA|GAG GED||
%
GBB GAA|GBB cBA|GBB GAA|GAG GED|
GBB GAA|GBB cBA|B3 cBA|GAG GED||
%
dcd efg|ded dBG|dcd efg|GAG GED|
dcd efg|ded def|gfe dcB|A3 GED||
%
B2G A2G|B2G AGE|B2G AGE|GAG GED|
BGG AGG|BGG AGE|B3 cBA|GAG GED||"final" HG6|]

%%%

X:22025
T:CONNACHT HEIFERS (reel), The
B:DMWC.62 
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=180
R:reel
K:G
FEFG A2BG|AGBG AGFD|F3G AGGF|DGG2 cAAG|
FEFG A2BG|A2BG AGFD|F3G AGGF|DGG2 AGG2||
fdec d2cA|A2BG ABdg|fdge dBcA|BGG2 dGG2|
fdec d2cA|A2BG ABdg|f2fd edcA|BGG2 AGFD||
"final m16"FEFG A3B|G4 G4|]

%%%

X:22127
T:RAKISH PADDY (reel)
%C:Willie Clancy setting
B:DMWC.63 
C:ABC/arr. BB
N:No repeats in source version.
M:C
L:1/8
Q:1/4=180
R:reel
K:G
"D mix"
AB|c3B c2AB|cAAG EGG2|Addc dfeg|dcAG FGAB|
[1 c3d cAAB|cAAG EGGE|DEFG ABcA|dcAG FD :|
[2 cAdB c2AB|cAAG EGG2|DEFG ABcA|GEcE EDD||
d|egg2 agg2|egg2 edBd|eaa2 baa2|eaa2 edBd|
[1 efg2 agg2|effe defg|afge fdcA|GEE2 ADD :|
[2 egg2 agg2|efge defg|afge fdcA|GEE2 ADHD2|]

%%%

X:22139
T:STAR OF MUNSTER (reel), The
%C:Willie Clancy setting
B:DMWC.64 
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=180
R:reel
K:G
"A dorian"
B|cBAc BGG2|AGEA GEED|EAAA BABd|eaa2 gedB|
cBAc BGG2|EAA2 GEED|EAAA BABd|gedB BAdB||
%
P:Part 2
"9"A3e BcdB|A3B GEED|EAA2 BABd|eaa2 gedB|
c2BA AGG2|AcBA AGED|EAA2 BABd|gedB BAA2||
%
P:Part 3
"13"eaa2 agea|a2ba agef|g2gf g2ef|g2af gd Bd|
eaa2 a2ea|a2ba agef|g2g2 agab|1 c'baf gedf :|\
[2 c'baf gedB||
%
P:Part 4
"21"c2Ac BGG2|AGEA GEED|EAGA BABd|eaa2 gedB|
BAA2 AGG2|ADD2 GDAD|EAGA BABd|gedB BAdB|
%
P:Part 5
"29"A3d B3d|A3B GEED|EAA2 Bdef|a3b gedB|
c2BA BGG2|AcBA AGED|EFGA BABd|gedB eAA2||
%
P:Part 6
"33"eaa2 agea|a2ba agef|g2gf g2ef|g2af gdBd|
eaa2 a2ea|a2ba agef|g2g2 agab|1 c'baf gedf :|\
[2 c'baf gedB||"final"HA4z4|]

%%%

X:22038
T:DUBLIN REEL (1), The
%C:Willie Clancy setting
B:DMWC.52
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=180
R:reel
K:D
ge|dFF2 dfeA|dFF2 AFEA|dFF2 dfed|cABG AFEA|
dFF2 d2ge|dFF2 AFEA|dFF2 dfed|cABG AFE||
%
f|eABA eAfA|eABA BAFA|eABA e2ge|dBcA BAFA|
eABA eAfA|eABA BAFA|e2df efge|dBcA BAF||
%
A|dfec dFF2|dedB AFEA|d2dc dfed|cABG AFEA|
d3c dFF2|dedB AFEA|dcdf eaag|fdBc Hd4 |]

%%%

X:22104
T:MILLINER'S DAUGHTER (reel), The
B:DMWC.55
%C:Willie Clancy setting
C:ABC/arr. BB
N:Single in source.
M:C
L:1/8
Q:1/4=180
R:reel
K:G
A|G2BG DGBG|A2eg fdcA|G2BG DGBG|ADF2 ABcA|
G2BG DGBG|A2g2 fdcA|G2BG DGBG|cAFG AGG :|
B|dgg2 dgg2|def2 def2|dgg2 dgg2|d^cde fd=cA|
dgg2 bgag|fdde f3g|af ge fde^c|1 "thru"d^cde fdc :|\
[2 d^cde fdcA|HG4z4|]

%%%

X:22078
T:HUMOURS OF GLIN, The
B:DMWC.54 
%C:Willie Clancy setting
C:ABC/arr. BB
N:This is my very simplified version of Pat Mitchell's "piperly" 
setting. Note that there are no repeats in the source.
M:6/8
L:1/8
Q:1/4=160
R:jig
K:D
A|d2A BFA|f2e dFA|d2A BAF|EFA B2A|
d2A BFA|f2e dFA|G2B FAF|EFA B2 :|
F|Add fdd|e2d f2d|g2e fdB|AFd B2A|
dfa b3|abg a2f|g2e fdB|1 AFA B2 :|
[2 AFA GFE|D6|]


%%%

X:22018
T:CEOL NA GCEÁRTAN (reel) 
T:Music of the Forges
B:DMWC.050
C:ABC/arr. BB
N:Single in source
M:C
L:1/8
Q:1/4=180
R:reel
K:G
A|G2AG Adde|fdgd fdcA|G2AG Adde|fdcA GFEF|
G2AG Adde|fdgd fdcA|G2AG Adde|fdcA AGG :|
f|g3f g2de|fdgd fdcA|g2df g2de|fdcA AGGf|
g3f g2de|fdgd fdcA|dgg2 bgag|fdcA AGG :|

%%%

X:22073
T:HAG YOU HAVE KILLED ME!
%T:Chailleach do Mhairis Mé
%C:Willie Clancy setting
C:ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
G|FDD cBc|dfd cAG|AcA ABG|AcA A2G|
FDD cBc|dfd cAD|G3 GcA|G3 GA:|
d|f2d g2e|ged cAG|AcA dcG|AcA Acd|
f3 g2e|ged cAD|G3 GcA|1 "thru"G3 GA :|
[2 "final"GFE HG3 |]

%%%

X:22012
T:BRAES OF BUSBY (reel), The 
%C:Willie Clancy setting
B:DMWC.48
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=180
R:reel
K:G
DGG2 BdAF|DADF AGFD|G3B dGBd|cAdc AGG2|
DGG2 BdAF|DEFG AGFD|G3B dGBd|cAdc AGG2||
%
g2dB dgbg|f2cB cfaf|g2de dGBd|cAdc AGGf|
g2dB dgbg|f2cB cfaf|gefd ecdB|cAFG AGG2||
%
BdGB GBdG|AcFA FAcA|BdGB GBdG|cAdc AGG2|
BdGB GBdG|AcFA dFAd|BGBc dGBd|cAdc AGHG2|]

%%%

X:22009
T:BOY IN THE GAP (reel), The
%C:Willie Clancy setting
B:DMWC.47
C:ABC/arr. BB
N:The /=c/ in m.51 is per source.
M:C
L:1/8
%%Q:1/4=180
R:reel
K:D
D2FA dedc|A2GE A2GE|D2FA dedc|A2GE E2GE|
"5"D2FA dedc|A2GE cEGE|DEFA dedc|A2GE EDD ||
G|
f2fe fedf|egfd edcA|Addf edcd|eaag eaag|
[1 f2fe fedf|egfd edcA|ABcd gedc|ADGE EDD :|
[2 f2f2 fedf|egfd edcA|ABcd gedc|A2GE E2G ||
%
E|
D2FA d2dc|A2GE cEGE|D2FA dedc|A2GE E2GE|
[1 D2FA dedc|A2GE A2GE|DEFA dedc|A2GE FDD :|
[2 D2FA d2cA|GEcE GEcE|EDFA dedc|A2GE FDD ||
%
e|
f4 fedf|egfd edcA|Addf edcd|eaag eaag|
f2fe fedf|egfd edcA|ABcd gedc|ADGE EDDg|
f2fe fedf|egfd edcA|=c3d edcd|eaa2 agag|
f2f2 fedf|egfd edcA|ABcd gedc|ADGE FDHD2 |]


source version:
D2FA dedc|A2GE A2GE|D2FA dedc|A2GE E2GE|
"5"D2FA dedc|A2GE cEGE|DEFA dedc|A2GE EDD ||
G|"9"f2fe fedf|egfd edcA|Addf edcd|eaag eaag|
"13"f2fe fedf|egfd edcA|ABcd gedc|ADGE EDDG|
"17"f2f2 fedf|edfd edcA|ABcd edcd|eaag eaag|
"21"f2f2 fedf|egfd edcA|ABcd gedc|A2GE E2GE||
"25"D2FA d2dc|A2GE cEGE|D2FA dedc|A2GE E2GE|
"29"D2FA dedc|A2GE A2GE|DEFA dedc|A2GE FDD2|
"33"D2D2 d3c|A2GE cEGE|EDFA dedc|A2GE E2GE|
"37"D2FA d2cA|GEcE GEcE|EDFA dedc|A2GE FDD||
e|"41"f4 fedf|egfd edcA|Addf edcd|eaag eaag|
"45"f2fe fedf|egfd edcA|ABcd gedc|ADGE EDDg|
"49"f2fe fedf|egfd edcA|=c3d edcd|eaa2 agag|
"53"f2f2 fedf|egfd edcA|ABcd gedc|ADGE FDD2 ||

%%%

X:22147
T:WILL YOU COME DOWN TO LIMERICK? (1)
B:DMWC.46
%C:Willie Clancy setting
C:ABC/arr. BB
M:9/8
L:1/8
Q:1/4=150
R:slip jig
K:G
d|cAG G3 G2d|cAG G2B cAd|cAG GAG G2d|cAA fed cA :|
G|def gaf g3|dgg gfg ab[ac']|bag aga gfd|1 cAA fed cA :|
[2 "final" CAA fed cAF|HG6z3|]

%%%

X:22105
T:MOUNTAIN LARK (reel), The 
B:DMWC.45
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=180
R:reel
K:G
dc|AGG2 AGFD|AGG2 Addc|AGG2 AGFD|F3G Addc|
AGG2 AGFD|AGG2 Addc|A2GB AGFD|F3G ABcA||
dgg2 agg2|dgg2 fdcA|dgg2 agg2|dcde fdcA|
dgg2 ageg|abag f3g|afge fdec|dfeg fdcA||\
"final"HG4z4|]

%%%

X:22071
T:GREEN GROVES OF ERIN (reel), The  
C:ABC/arr. BB
%C:Willie Clancy setting
M:C
L:1/8
R:reel
Q:1/4=180
K:G
"A dorian"
A2BA eABA|G2Bd gdBG|A2BA eABA|BGEF G2BG|
A2BA eABA|G2Bd gdBG|A2BA eABA|GEED EAA2||
eaa2 eaa2|egg2 egg2|eaaa eaag|edef gdBg|
eaa2 bgag|edef g3e|dgg2 bgaf|egfa gedB||\
"final"HA4z4|]

%%%

X:24
T:CONCERTINA REEL, The
B:DMWC.72
C:ABC/arr. BB
N:The source has this as AA-BB-A. 
M:C
L:1/8
Q:1/4=180
R:reel
K:G
ef|g2gf g2dg|g2fg edBd|edfd edfd|edfd edBd|
g3f g2dg|g2fg edBA|Bdef g3e|dBAB GB :|
zA|Bd^cd Bdcd|Bd^cd edBd|edfd edfd|edfd edBA|
Bd^cd Bdcd|Bd^cd edBA|Bdef g3e|dBAB G3 :|

%%%

X:22044
T:FASTEN THE LEG IN HER
B:DMWC.73
C:ABC/arr. BB
%C:Willie Clancy setting
N:A/K/A/ "Fasten the Leggin[g]"
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
c|BGG BcA|GBd gdB|A3 B2A|GBd dBA|
BGG BBA|GBd gab|a3 age|fdd d2 :|
e/f/|g3 f3|ege edB|A3 ABA|GBd dBA|
g3 f3|efg fdB|A2g a2g|1 "thru"fdd d2 :|
[2 "final"edB HG3|]

%%%

X:22150
T:WILLIE'S SINGLE
B:DMWC.75
%C:Willie Clancy setting
C:ABC/arr. BB
M:12/8
L:1/8
Q:1/4=160
R:jig
K:D
G|F2E DFD FED FED|F2G ABA G2F E3|
EGF GFE F2E DFA|Bcd ecA dec d2 :|
e|f2e d2c d2f afd|ecB ABA ecB AcA|
[1 f2e d2c d2f afd|ecB ABc d3 d2 :|
[2 f2e faf g2e g3|a2f g2e f2d cAG||\
"final" F2E DFE D3-D3|


source version:
AG|: F2D D3 FED FED|F2A AcA G2E E3|
"5"E3 GFE F2D D3|1 Bcd ecA ded dcA/G/ :|\
[2 Bcd ecA ded d2g||
"9"f2d d2c d2f afd|ecA AcA ecA AcA|
"13"f2d d2c d2f afd|ecA ABc d3 d2e|
"17"f2d d2c d2f afd|ecA AcA ecA AcA|
"21"f2z f3 g2z g3|a2f g2e f2d cAG||\
"final" F2D D3 D3-D3|]

%%%

X:22121
T:PETTICOAT LOOSE
%C:Willie Clancy setting
B:DMWC.76
C:ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
d/c/|BGG AGG|BGG AGF|DGA G2F|DGA G2c|
BGG AGG|BGG AGF|D2E F2G|ADE F2 :|
B|dcB cAA|dcB cAd|DGF G3|DGE G2c|
dcB cAA|dcB cAF|D2E F2G|ADE F2 :|
A|B3 cBc|d^cd dGB|g3 gfd|gba gfd|
B3 cBc|dcd d2e|f3 fdg|1 fdg f2 :|
[2 "final" fdc BAF|HG6

%%%

X:22037
T:DOWN THE BROOM (reel)
B:DMWC.77
C:ABC/arr. BB
%C:Willie Clancy setting
M:C
L:1/8
Q:1/4=180
R:reel
K:G
"A dorian"
G|EAAG A2Bd|e2dg eABA|GEDE G2AB|cABG AGED|
EAAG A2Bd|egfa gedB|BABd egfa|gedB BAA :|
d|eaa2 b2bg|agbg agef|g2bg g2bg|g2ba geed|
eaa2 bgea|a2ba aged|BABd egfa|gedB BAA :|

%%%

X:22041
T:Ellen Killeen's Delight*
B:DMWC.79 % unnamed
C:ABC/arr. BB
%C:Willie Clancy setting
N:Ellen Killeen is Willie's mother.
M:12/8
L:1/8
Q:1/4=160
R:jig
K:G
A|G2A B3 G2B dBA|G2A B2G F2G AFD|
G2A B3 G2B dBG|e^cB A2G F2G AF :|
D|B2G E3 B2E G2A|B2G E3 AFD G2A|
B2G EFG c3 B2c|A2G F2G AFD G2 :|


%%%

X:22093
T:LANGSTERN PONY 
T:Langstrom's Pony
%C:Willie Clancy setting
B:DMWC.80
C:ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
R:jig
K:D
"A mix"
e|ged cAA|cAc ecA|ged cAA|BGB dBG|
ged cAA|cAc efg|f3 gec|dBG Bc :|
%
d|cee dff|cee ecA|cee dff|dBG Bcd|
[1 cee dff|cee efg|f3 gfe|dBG Bc :|
[2 ceA dfA|cee efg|f3 gfe|dBG Bc ||
%
d|ged cAA|eAA cAA|ged cAA|BGG Bcd|
[1 ged cAA|eAA cAA|faf gec|dBG Bc :|
[2 ged cAA|GAA FAA|EAA gfe|dBG Bc ||
%
d|cee dff|cee ecA|cee dff|dBG Bcd|
cee dff|cee efg|f3 gfe|dBG Bc :|
%
B|Ace a3|edc edc|GBd g3|dcB dBG|
f3 gfe|ged ecA|fAf gfe|dBG Bc :|
%
B|A3 A2e|cAc ecA|AEA AB=c|BGB dcB|
AEA A2e|cAc efg|f3 gfe|1 "thru"dBG Bc :|
[2"final" ged cBG|HA3z3|


source version:
ged cAA|cAc ecA|ged cAA|BGB dBG|
"5"ged cAA|cAc efg|f3 gec|dBG Bcd :|
%
"9"cee dff|cee ecA|cee dff|dBG Bcd|
[1"13"cee dff|cee efg|f3 gfe|dBG Bcd:|
[2"13a"ceA dfA|cee efg|f3 gfe|dBG Bcd||
%
|:"17"ged cAA|eAA cAA|ged cAA|BGG Bcd|
[1 "21"ged cAA|eAA cAA|faf gec|dBG Bcd:|
[2 "21a"ged cAA|GAA FAA|EAA gfe|dBG Bcd ||
%
|:"29"cee dff|cee ecA|cee dff|dBG Bcd|
"33"cee dff|cee efg|f3 gfe|dBG Bcd :|
%
|:"37"Ace a3|edc edc|GBd g3|dcB dBG|
"41"f3 gfe|ged ecA|fAf gfe|dBG Bcd:|
%
|:"57"A3 A2e|cAc ecA|AEA AB=c|BGB dcB|
"61"AEA A2e|cAc efg|f3 gfe|dBG Bcd:|\
"final" ged c2d|B2d HA3|]

%%%

X:22031
T:CROOKED ROAD TO DUBLIN (reel), The
T:Smiles and Tears of Erin
B:DMWC.81 
C:ABC/arr. BB
%C:Willie Clancy setting 
M:C
L:1/8
Q:1/4=180
R:reel
K:G
G2G2 FGAF|G2AG AdcA|G2AG FGAg|fdcA dBcA|
G2G2 FGAD|G2AG AdcA|G2AG FGAg|fdcA dBcA ||
A|dgg2 egaf|dgg2 agfe|dgg2 egag|fdcA dBcA|
dgg2 egaf|dgg2 a2ga|bgag faag|fdcA dBAF|\
[HG4z4|]

%%%

X:22091
T:LADIES' PANTALETTES (reel), The
%C:Willie Clancy setting
B:DMWC.82 
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=180
R:reel
K:G
cA||BdcA G3c|AFF2 dFF2|BdcA G2g2|fdcB AGG2|
BdcA BGG2|AFF2 dFF2|B3c A3e|fdcB AGG2 ||
fgaf g2g2|egag fdde|fgaf gaag|fdcA BGG2|
fgaf g3b|a2ag fdde|f3g a3g|fdcA BGHG2|]

%%%

X:22107
T:MY LOVE IS IN AMERICA (reel) 
%C:Willie Clancy setting
B:DMWC.83
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=180
R:reel
K:G
"D mix"
E|FEFG ABcB|Addc AddG|F3G ABcA|G2AG FDD2|
FEFG ABcB|A2dc defg|afge fdcA|GBAG FDDE|
FEFG A2A2|A2A2 A2dG|F3G ABcA|G2AG FDD2|
FEFG ABcB|A2dc defg|afge fdec|dcAG FDD||
%
g|fdeg fde^c|Add^c Addg|f2eg fdcA|GBAG FDDg|
fdeg fde^c|Add^c defg|afge fdcA|GBAG FDDg|
fdeg fde^c|ABcB A2dg|fdeg fdcA|G2AG FDDg|
f2eg fde^c|Add^c defg|afge fde^c|dcAG FDHD2|]

%%%

X:22080
T:HUNT (hornpipe), The 
%C:Willie Clancy setting
B:DMWC.84 ("set dance")
C:ABC/arr. BB
N:Note that no F naturals occur in Willie's version 
(tough note for pipers!)
M:C|
L:1/8
Q:1/4=150
R:hornpipe
K:G
EF|GABG AGED|cBcA BAGD|GABG AGED|EAAG AcBA|
GABG AGED|cBcd efge|dBAG AGED|G2GF G2 :|
BA|GFGA dcde|=fefd e2d2|ecde g2df|e2dB dBGB|
c2cB cegd|B2BA BcdB|AGBG AGEf|gfgb afge|
dcBG AGEB|cBcd edge|dBAG AGED|G2GF G2 :|


source version:
z2|GABG AGED|cBcA BA (3GED|GABG AGED|EAAG AcBA|
GABG AGED|cBcd efge|dBAG AGED|G4 G2 :|
BA|GFGA dcde|fe (3fed (3efe d2|(3efe de g2df|(3efe dB dBGB|
c2cB ce (3fed|B2BA BddB|AGBG AGEf|gfgb afge|
dcBG AGEB|cBcd ed ge|dBAG AGED|G2GG G2 :|

%%%

X:22022
T:COLONEL FRAZER (reel)
%C:Willie Clancy setting
B:DMWC.87
C:ABC/arr. BB
N:I have left the ornamentations in this "piperly" setting.
To simplify Willie's numerous triplets, use this pattern:
(3xyz = xz (if x and z are the same note, = x2
M:C
L:1/8
Q:1/4=180
R:reel
K:G
d2cA||BGG2 DGG2|ABcA dBcA|BGG2 DGBd|cAdc AGG2|
BGG2 DGG2|AFF2 cFF2|BGGF GBdg|fdcA AGG2||
dggf g2g2|fdcB ABcA|dgg2 a3g|fdcA AG Bd|
g2g2 dedc|(3BcB Gc (3AcA FA|GBAc Bd eg|fdcA AGG2||
Bd (3dcd BGdB|AFcF (3ABc AF|Bddd Bd Bd|cAdc AGG2|
Bd (3dcd BGdB|AFcF (3ABc AF|(3GAB Ac Bd (3efg|fdcA AGGc||
(3BcB Gc (3BcB Gc|(3AcA Fc (3AcA Fc|(3BcB Gc (3BcB Gd|\
cADF AGGc|
(3BcB gB gBgc|(3AcA fA fAfA|(3GAB Ac Bd eg|fdcA AGG2||
Bd gd Bd gd|(3AcA fc (3AcA fd|Bd gd Bd gd|\
cAFG AGGc|
(3BcB gB gBgB|(3AcA fA fAfA|(3GAB Ac Bd (3efg|\
(3fed cABG AG|"final"G8|]

%%%

X:22052
T:FLOWERS OF EDINBURGH (hornpipe), The
%C:Willie Clancy setting
C:ABC/arr. BB
N:Evidently Willie played this as AAB. It's called
a "country dance" in DMWC.
M:C
L:1/8
Q:1/4=150
R:hornpipe
K:G
GE|D3E G3A|BGBd cBAG|FAEA DEFG|AFdA EGGE|
D3E G3A|BGBd efge|dcBA GFGA|B2G2G2 :|
Bd|g2gd gbag|fdfd fagf|edef gfed|Bded efge|
dBGB dcdf|edef gfge|dcBA GFGA|B2G2G2 ||

%%%

X:22133
T:SEÁN O DUIBHIR AN GHLEANNA (set dance)
T:John Dwyer of the Glen
%C:Willie Clancy setting  
B:DMWC.89
C:ABC/arr. BB
N:1:The entire transcription of this tune in DMWC is in
cut time. As accurately as that might capture Willie's
piping, it makes for a very unhelpful ABC playback.
I did another setting in straight time that I had 
hoped would address the problem, but it still sounds
pretty bad. ABC does a lot of things well but capturing
slow airs isn’t one of them.
N:2:Note the irregular structure of this tune:
6 measures first part, 12 measures second part.
DMWC shows them both repeating and I have followed
that here. 
M:C|
L:1/8
Q:1/4=120
R:hornpipe
K:G
de|f2g2 abag|fdec dcde|fdcG A2AB|cBcd edcG|
AdAF G2G2|A2AG A2 :|
B2|cBAB cdef|g4 a2ag|abaf g2ag|fefg abag|
fdec dcde|fdcG A2de|f2g2 abag|fdec dcde|
fdcG A2AB|cBcd edcG|AdAF G4|A2AG A2 :|


source version
d>e|f2g2 a>ba>g|f>d (3edc d>cde|f>d (3cAG A2AB|c>Bc>d e>d (3cAG|
A>d (3cAF G2 (3GFG|1 A2AG A2 :|2 A2AG A3||B|cBAB cdef|
g2 (3gfg a2ag|ab (3agf g2ag|fefg abag|fdec dcde|
fd (3cAG A2de|f2g2 abag|fd (3edc dcde|fd (3cAG A2AB|
cBcd ed (3cAG|Ad (3cAF G2 (3GFG|A2 (3AcA A3 :|

%%%

X:22079
T:HUNDRED PIPERS, The
%C:Willie Clancy setting
B:DMWC.90 ("unknown")
C:ABC/arr. BB
N:Hard to believe this well-known jig was "unknown" to
Willie and Pat! (It's usally played in A but that's a
tough key for pipers because of the G sharps.)
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
A|B2E D3|E2F G2e|d2c BAG|AcB AGA|
BAG DB,D|E2F G2e|dBG ABA|G3 G2 :|
A|d2c dBd|e2f g2e|dcB BAG|ABA AGA|
[1 B2c dBd|ege gfe|dBG ABA|G3 G2 :|
[2 B2E DB,D|E2F G2e|dBG ABA|G3 HG3 |]


%%%

X:22019
T:CHERISH THE LADIES
%C:Willie Clancy setting
B:DMWC.94
C:ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
R:jig
K:D
c|dFF AFF|DFA AFA|B3 A3|GEF GFE|
dFF AFA|D3 AFA|Bcd efg|fdd d2 :|
e|dfd cec|BdB AFA|B3 E3|BAG FGA|
dfd cec|B3 AFA|Bcd efg|fdd d2 :|
%
c|dcd ged|faf ged|B3 g3|ece gfe|
dcd ged|faf gfe|fdB AGF|GEF GFE|
ded ged|fad fed|B2f gfg|ece gfe|
afa bgb|afa gfe|fdB AGF|GEF GFG||
%
ADD AGF|AGF A2B|ADD AGF|GEF GFE|
ADD AGF|AGF AB=c|BGB AFA|GEF GFE|
ADD AGF|AGF A2B|A2D A2F|GEF GFE|
A2D AGF|AGF A2=c|B3 A3|GEF GFE||\
"final" H[D6d6]|]


source version:
(3A/B/c/|dFF AFF|DFA AFA|B3 A3|GEF GFE|
"5"dFF AFA|D3 AFA|Bcd efg|fdd d2 :|
(3A/B/c/|: "9"dfd cec|BdB AFA|B3 E3|BAG FGA|
"13"dfd cec|B3 AFA|Bcd efg|fdd d3 :|
"17"dcd gf/e/d|faf gf/e/d|B3 g3|ece gfe|
"21"dcd gf/e/d|faf gfe|fdB AGF|GEF GFE|
"25"ded gd/e/d|fad fed|B2f gfg|ece gfe|
"29"afa bgb|afa gge|fdB AGF|GEF GFE||
"33"ADD AGF|AGF A2B|ADD AGF|GEF GFE|
"37"ADD AGF|AGF AB=c|BGB AFA|GEF GFE|
"41"ADD AGF|AGF A2B|(3ABA D A2G|GEF GFE|
"45"(3ABA D AGF|AGF A2=c|B3 A3|GEF GFE||\
"final" [D6d6]|]

%%%

X:22084
T:IVY LEAF (reel), The
%C:Willie Clancy setting
B:DMWC.96
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=180
R:reel
K:G
"A dorian"
G|A2eA BAec|A2ec dBGc|A2eA BAec|BEEF GABG|
A2eA BAec|A2ec dBGc|A2eA BAeA|BEEF GABd||
%
eaa2 edBd|efge dGBd|eaa2 edcA|BEE2 GABd|
eaa2 edBd|efge dzBG|A3B cdef|g2af gedc||
%
A2ed cdec|A2ec dBGc|A2ed cded|BEEF GABG|
A2ed cdec|A2ec dBGc|A2ed cded|BEEF GABG||
%
eaa2 edBd|efg2 dGBd|eaa2 edcA|BEE2 GABG|
eaag a2ef|g3e dGBG|A3B cdef|g2af gedc|\
"final" HA4z4|]

%%%

X:22072
T:GROVES HORNPIPE, The
%C:Willie Clancy setting
C:ABC/arr. BB
N:Note absence of the usual F naturals in Willie's setting.
I have put them in parts 1,4 and 5 as they appear in the ONMI
setting (which has only 4 parts - Willie's part 5 is his idea).
M:C|
L:1/8
Q:1/4=150
R:hornpipe
K:G
DA|G2GF GABG|dGBG ADFD|=F2FE FGAB|cdge dcAF|
GBAF GABc|dGBG AGFA|dfeg fdcA|AGGF G2 :|
%
dc|B2BA Bcde|fdcF AFF2|BFF2 cFF2|ABcA dGG2|
B2BA Bcde|fdcA dBcA|Bdeg fdcA|AGGF G2 :|
%
Ac|d2g2 g2fg|abag fgfe|d^cde ge fg|abag f2ec|
dgg2 g3a|bf ge fdec|dfeg fdcA|AGGF G2 :|
%
EF|GdBd GdBd|=FcAc FcAc|GdBd GdBc|d^cde fd=cA|
GdBd GdBd|=FcAc FcAc|d^cde fd=cA|AGGF G2 :|
%
ef|gdBd gdBd|=fcAc fcAc|gdBd gdBd|AGAc ADFA|
dedB cdcA|BdBG ABcA|dfeg fdcA|AGGF G2 :|


source version:
D>A|G2GF GA (3BAG|dGBG ADFD|F2FE FGAB|cd ge dcAF|
"5"GBAF GABc|dGBG AGFA|dfeg fdcA|AGGF G2 :|
d>^c|"9"(3BcB BA Bcde|fdcF AFF2|BFF2 cFF2|ABcA dGG2|
"13"(3BcB BA Bcde|fdcA dBcA|Bd eg fdcA|AGGF G2 :|
(3ABc|"17"d2g2 g2fg|abag fgfe|d^cde ge fg|abag (3fgf ec|
"21"dgg2 g3a|bf ge fdec|dfeg fdcA|AGGF G2 :|
z2|: "25"Gd Bd Gd Bd|Fc (3ABc Fc (3ABc|Gd Bd GdBc|\
d^cde fd=cA|
"29"Gd Bd Gd Bd|Fc (3ABc Fc (3ABc|d^cde fd=cA|1 AGGF G3D :|\
[2 AGGF G4||
"33"gd Bd gd Bd|fc (3ABc fc (3ABc|gd Bd gd Bd|\
AG (3ABc AD (3FGA|
"37"dedB cdcA|Bd BG ABcA|dfeg fdcA|AGGF G4|]

%%%

X:22090
T:KNOCKERRA PIPER* (hornpipe), The
B:DMWC.98 ("unknown")
%C:Willie Clancy setting
C:ABC/arr. BB
N:Knockerra (near Kilrush, Co. Clare) was the home of the 
Maloney Bros., famous 19th-century pipemakers. Willie had 
parts of one of their sets.
M:C|
L:1/8
Q:1/4=150
R:hornpipe
K:D
Ac|dAFA GBAG|FEFA dFGE|ge dc dcBA|BGEF GABc|
dAFA GBAG|FEFA dFGE|ge df gecd|eddc d2 :|
cd|edcd efge|fdcd gaa2|edcd efge|gedB ADFA|
BGG2 AGAc|AFAc defd|A2fd cdef|dfec d2 :|

%%%

X:22126
T:POLL HAPENNY (hornpipe)
%C:Willie Clancy setting 
B:DMWC.99 (as "Poll Halpenny")
C:ABC/arr. BB 
N:This is a mix tune but the source doesn't have any
C naturals. If you want to hear what the original sounds
like, replace the G with D in the K: field.
M:C|
L:1/8
Q:1/4=150
R:hornpipe
K:G
"D mix"
A|B2AG A2Ac|dAGF G2FG|AFDE FAGE|DEFG A2dc|
B2AG A2Ac|dcAF G2EG|AFDE FAGE|D2D2 D2 :|
G|Adde f2ef|dcAG A2FG|Adde f2ef|gfef d2eg|
afge fdec|dcAG A2FG|AFDE FAGE|D2D2 D2 :|


source version:
(3dcA|B2 bgA2 (3ABc|(3dcA (3AGF G2 (3EFG|A>FD>E F>AG>E|\
D>EF>G A2dc|
(3BcB bgA2 (3ABc|d>cA>F G2 (3EFG|A>FD>E F>AG>E|D2D2 D2 :|
(3EFG|Adde f2ef|dcAG A2 (3EFG|Adde f2ef|gfef d2 (3efg|
af ge fdec|dcAG A2 (3EFG|AFDE FAGE|D2D2 D2 :|

%%%

X:22070
T:GREEN FIELDS OF AMERICA (reel), The
%C:Willie Clancy setting
B:DMWC.95
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=180
R:reel
K:G
AB|c2cA B2dB|AGBG AGEA|G3E DEGA|BAGB AEED|
c3A B2dB|AGBG AGEA|G3E DEGA|BGAB G2 :|
GF|GABc d2ef|g2ge dBGB|c3A B2dB|AGBG AGEf|
g2g2 afge|dcBG ADE2|G3E DEGA|BGAB G2GF|
GABc dGBd|g3e dBB2|c3A B2dB|AGBG AGEf|
g2g2 afge|dcBG AGEF|G2GE DEGA|BGAB HG4 |]

%%%


X:22082
T:I'LL MEND YOUR POTS AND KETTLES O (air)
%C:Willie Clancy setting
B:DMWC.92
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=80
K:G
D|G2G2 B2B2|d2d2 d3A|B2d2 c3A|A3G G3A|
B2AB c2Bc|d2g2 gg (3efg|a3b (3aba ge|f3d d3A|
%B
(3BcB AB c2Bc|d2g2 g3a|(3bc'b g2 (3aba fa|g4 g3a|
(3bc'b g2 (3aba fa|gzgz d3z|d3c A3c|(3BcB G2G2||
%C
|:Bc|d2g2 (3gag fg|(3aba fa g2gf|d2g2 (3gag e2|\
f2d2 d3c|
d2g2 (3gag fg|a2 (3fga g2gf|d3c A3c|B2G2G2 :|

%%%

X:22099
T:MAID OF MOUNT KISCO (reel), The 
%C:Willie Clancy setting 
C:ABC/arr. BB
N:This tune is attributed to fiddler Paddy Killoran. 
Mount Kisco is in Westchester County, a northern 
suburb of New York City. (Misspelled as "Montcisco"
in the book.)
M:C
L:1/8
%%Q:1/4=180
R:reel
K:G
"A dorian"
AG|EAA2 BAA2|EAA2 B2AG|EGG2 BGAG|EGG2 EGDF|
EAA2 BAA2|EAA2 BA Bd|egg2 afge|dBGA BA :|
dB|A3B dBBA|G2BG dGBG|A3B dGBd|egg2 gedB|
A3B dBBA|G2BG dGBG|A3B dGBd|efge d2 Bd||
eaa2 bgag|egdB GABd|eaa2 bgaf|gee2 g3b|
a3f g2g2|dedB GABd|eAA2 efge|dBGA BAA2 |]

%%%


X:22055
T:FRAHER'S JIG
%C:Willie Clancy setting
B:DMWC.86
C:ABC/arr. BB
N:No repeats in source.
M:12/8
L:1/8
Q:1/4=160
R:jig
K:G
"D mix"
B|A2F GEA D3 FED|AcA GEA D3 DEG|
A2c GEA D3 FED|ABA GEC D3 D2 :|
G|ABA d2A d2A AGE|GAB c2A BGF E2G|
Adc def dcA AGE|ABA GEC D3 D2 :|

%%%

X:22064
T:GARRAÍ NA SAILEOG (hornpipe), An
T:"The Willow Gardens" 
B:DMWC.85
%C:Willie Clancy setting
C:ABC/arr. BB
N:This tune is quite close to "Woodford Fling" (in folder 38)
but I think it has other names too.
M:C
L:1/8
Q:1/4=150
R:hornpipe
K:D
e|dBcA GEFE|D2FA D2FA|dBcA GEDE|dcde fdec|
d2cA GEFE|D2FA D2FA|dBcA GEDE|dfec d3 :|
e|:fgaf d2de|fgaf gbag|fgaf dcAB|cAA2 g2gf|
fgaf d2de|fgaf gbag|f2e2 dcAB|cdef gece :|Hd8|]

%%%

X:22094
T:LARK IN THE MORNING (1), The
%C:Willie Clancy setting 
B:DMWC.78
C:ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
R:jig
K:D
F|A3 AdB|A3 D3|AFA gfe|fdc BAF|
A3 AdB|AFA DAD|gfe fed|edc BA :|
F|Adf a2f|b2f a2d|Adf a2f|gfe fdB|
Adf a2f|abf a2f|gfe fed|1 "thru"edB BA :|
[2 "final"edB BAF|HD3z3|]

%%%

X:22075
T:HARVEST HOME (hornpipe), The
%C:Willie Clancy setting
B:DMWC.44
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=150
R:hornpipe
K:D
DAFA DAFA|dgfe dcBA|eafa gafd|e2dB A2ge|
DAFA DAFA|dgfe dcBA|eAfA gece |1 dgfe d2A2 :|\
[2 d2ge d2 ||
cd|eAA2 fAA2|gAA2 fAA2|eAfA gAfA|e2dB A2ge|
D2FA ADFA|GBfe dcBA|eAfA gece|dgfe d2gf|
eABA fAcA|gaBA fAcA|eAfA gAfA|e2dB A2ge|
D2FA DAFA|dgfe dcBA|eAfA gece|dgfe dAA2 ||\
["final"HD4z4|]|

source version:
DAFA DAFA|dgfe dcBA|eafa gafd|(3ege (3dcB (3ABA ge|
"5"DAFA DAFA|dgfe dcBA|eAfA ge ce |1 dgfe d2A2 :|2 (3dcd ge d2 ||
cd|"9"eAA2 fAA2|gAA2 fAA2|eAfA gAfA|(3ege (3dcB (3ABA ge|
"13"D2 (3FGA AD (3FGA|GBfe dcBA|eAfA ge ce|dgfe d2gf|
"17"eA (3BcA fA (3BcA|ga (3BcA fA (3BcA|eAfA gAfA|(3ege (3dcB (3ABA ge|
"21"D2 (3FGA DAFA|dgfe dcBA|eAfA ge ce|dgfe dA A2 ||
%%%

X:22027
T:COPPERPLATE (reel), The
%C:Willie Clancy setting
B:DMWC.65 
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=180
R:reel
K:G
A|G2dG BGdG|G2dG BGG2|A2eA cAeA|A2eA cAGF|
[1 G2dG BGdG|G2dG BGG2|ABcd efge|aged cAB :|
[2 G2dG B2dG|G2dG B2dG|A2Bd egg2|aged Bde||
%
f|g2gf gbaf|gedc BGBd|eaa2 a2ea|aged Bdef|
g2gf gbaf|gedc BGG2|ABcd efge|aged Bdef||
g2fg g2ef|g3d BGBd|eaa2 eaa2|a2ed Bdef|
g3b a3b|g3d BGG2|ABcd efg2|aged cABA||
"final"HG4z4|]

%%%

X:22100
T:MAIDEN THAT JIGS IT IN STYLE, The
B:DMWC.66
%C:Willie Clancy setting
C:ABC/arr. BB
N:Single in source 
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
"A dorian"
e|dcA GEG|GEG G2A|B2e ede|cAA A2e|
dcA GEG|GEG G2A|B2e ede|cAA A2:|
f|g3 ged|cAB c2d|eaa age|ged deg|
age fed|cAB c2d|ede ged|cAA A2:|

%%%

X:22040
T:DUBLIN LADS (reel), The
B:DMWC.67
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=180
R:reel
K:G
Bd|g3d BGG2|ABcA DFAd|g3d Bcde|fdcA G2Bd|
gfgd BGG2|ABcA DFAd|g3d Bcde|fdcA GFGA ||

BGAF DEFE|F2df ecdc|BGAF DFeg|fdcA G3A|
BGAF DEFE|F2df ecdc|BGAF DFeg|fdcA G2Ac ||
%
dgg2 dgg2|dffe fgfe|dgg2 dcde|fdcA G2Ac|
dgg2 dgg2|dffe f2fe|defg a2ag|fdcA HG4 |]

%%%

X:22035
T:DOREEN HEALY'S*
B:DMWC.68 ("unknown")
C:ABC/arr. BB
%C:Willie Clancy setting
N:1:Doreen (Healy) was Willie's wife. They were married in 1962.
N:2:I'm not sure what type of tune this is. Could be a reel, hornpipe,
or polka (or a barn dance).
M:C|
L:1/8
Q:1/4=180
R:polka 
K:G
dc|B2BA BAGB|d2dd d4|defe dcBd|g2gf g2d2|
g2gf g3a|b2g2 d3e|f2fe dcAF|1 G2GF GB :|\
[2 G2GF G4 ||
G2Bd g4|f2eg f2f2|A2Ag f2fe|deed B2BA|
G2Bd faag|f2eg f2ge|dGG2 B2A2|1 G4 G3A :|\
[2 G4 G4 |]

%%%

X:22101
T:MAYO LASSES (reel), The
B:DMWC.69 
%C:Willie Clancy setting
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=180
R:reel
K:G
GBdg e2dB|A2GA BddB|GBdg e2dB|A2GA BGG2|
GBdg e2dB|A2GA Bddg|eaag e2dB|A2GA BGG2||
g2fg efdf|g2fg eaaf|g2fg efdB|ABGA BGGf|
g2fg efdg|g2fg eaaf|gbag e2dB|A2GA BGHG2|]

%%%

X:22083
T:ISLANDBAWN JIG*, The
B:DMWC.70 ("unknown")
C:ABC/arr. BB
%C:Willie Clancy setting
N:Islandbawn is an area about 4 miles east of Miltown 
Malbay. Willie's father Gilbert was from there.
M:12/8
L:1/8
%%Q:1/4=160
R:jig
K:G
B|d2B G2B AGE G2E|D2G BAG A3 B2c|
d2B G2B AGE G2E|D2G BAG A3 G2 :|
e|c2d e2f g3 e2d|B2d g2e d2B G2B|
c2d e2f g2f gfe|d2B G2B A3- A2G|
Bcd e2f g3 e2d|Bcd g2e d2B G2A|
Bcd e2f g3 gba|g3- g2b agf Hg3|]


X:22138
T:SRUTHAN A' CHAIT (hornpipe) 
T:The Cat's Stream % ? place name
B:DMWC.43
%C:Willie Clancy setting
C:ABC/arr. BB
N:A close relative of "Humors of Tullycrine"/"I Furnished Up My House" 
(181205)
M:C
L:1/8
Q:1/4=150
R:hornpipe
K:G
"A dorian"
AG|EAAB cBcd|eaag e2dB|cAA2 BAGF|GBde dBAE|
A3B cBcd|eaag e2dB|cAA2 BAGA|cAA2 A2 :|
Bd|eaa2 aged|eaa2 aged|efg2 gedf|efg2 gedB|
A3B cBcd|eaag e2dB|cAA2 BAGA|cAA2 A2 :|

%%%

X:22130
T:ROLLING WAVE, The
%C:Willie Clancy setting
B:DMWC.42
C:ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
R:jig
K:D
E|FEF D2E|D2B cAG|FEF D3|A2F GFE|
[1 FEF D2E|D2B cAG|A2F G3|A2F GF :|
[2 FEF D2E|D2B cAG|A2F GBG|A2F GF ||
E|D2d cAd|cAd cAG|F2d cAG|A2F GFE|
[1 D2d cAc|ded cAG|FAF GBG|A2F GF :|
[2 D2d cde|f2d cAG|EFF G3|A2F GFE |\
"final"HD6|]

%%%

X:22020
T:CLARE JIG, The
%T:Paddy in London
%C:Willie Clancy setting
B:DMWC.39
C:ABC/arr. BB
N:This is Willie's setting of the tune also known as 
"Paddy in London".
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
"A dorian"
f|eAA fAA|gaf gfe|dBG GFG|BAG Bcd|
"5"eAA fAA|fgg age|dBd gdB |A3 A2 :|
%
d|efg a3|aba age|dBd g3|gea ged|
efg a3|aba age|dBd gdB|A3 A3|
efg afg|aba age|dBd g3|gea ged|
efg a3|a3 a2g|ede gdB|A3 AB ||
%
d|eAA fAA|g3 age|dBG GFG|BAG ABc|
eAA fAA|fgg age|edB gdB |ABG AB :|
%
d|efg a2g|a2b age|dBd g3|gea ged|
efg a2g|a2b age|dBd gdB|ABG ABd|
efg a3|aba age|dBd g3|b3 ged|
efg a2b|c'ba gfe|dBd gdB|ABG HA3 |]


source version:
gf|:eAA fAA|gaf gfe|dBG GFG|BAG Bcd|
"5"eAA fAA|fgg age|dBd gdB |1 A3 AGF :|\
[2 A3 A3||
"9"efg a3|aba age|dBd g3|gea ged|
"13"efg a3|aba age|dBd gdB|A3 A3|
"17"A3 A3|aba age|dBd g3|gea ged|
"21"efg a3|a3 a2g|ede gdB|A3 AGF||
"25"eAA fAA|g3 age|dBG GFG|BAG ABc|
"29"eAA fAA|fgg age|edB gdB |1 ABG ABd :|\
[2 AcA ABd ||
"33"efg a3|aba age|dBd g3|gea ged|
"37"efg a3|aba age|dBd gdB|ABG ABd|
"41"efg a3|aba age|dBd g3|b3 ged|
"45"efg a2b|[ac']ba gfe|dBd gdB|ABG A3 |]

%%%

X:22028
T:COPPERS AND BRASS
T:Willie Clancy setting
B:DMWC.41
C:ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
c|BGB BGB|AFA AFA|BGB AFA|GBd gdc|
BGB BGB|AFA AB^c|dfd cAF|AGF G2 :|
%
e|fdd fdd|cAG AGF|g3 gag|gfd dcA|
Bde fed|cAG FGA|BGB cAF|AGF G2 :|
%
A|BGB BGB|AFA AFA|BGB AFA|GBd gdc|
[1 BGB BGB|AFA AB^c|dfd cAF|AGF Gd :|
[2 B2B BAG|A2A AGF|dfd cAF|AGF GB ||
%
d|f3 fed|cAA AGF|g3 gag|gfd dcA|
Bde fdB|cAG EGA|BGB cAF|1 "thru"AGF GB :|
[2 "final"AGF HG3|]



X:22122
T:PHIS FHLIUCH, An
T:Wet Pea, Choice Wife, O'Farrell's Welcome to Limerick 
%C:Willie Clancy setting
B:DMWC.39
C:ABC/arr. BB
M:9/8
L:1/8
Q:1/4=150
R:slip jig
K:G
"D mix"
FGA AFA c3|BAG FAF GED|FGA AFA d3|dfe dcA GED|
FGA AFA c2A|BAG FAF GED|FGA AFA d2^c|dfe dcA GED||
d2d efe d2A|d2d egf ged|aba ged c2A|BAG FAF GED :|
FGA AFd AFd|Afd Afd GED|FGA Afd c2A|BAG FAF GED :|
D3 D3 c3|c2B c2A GED|D3 D3 d3-|dfe dCA GED :|
d2d ege d2A|d^cd faf ged|aba ged c2A|BAG FAF GED :|

%%%

X:22106
T:MOUNTAIN ROAD (reel), The
%C:Willie Clancy setting
B:DMWC.38
C:ABC/arr. BB
N:Key signature in source (G) is incorrect.
M:C
L:1/8
Q:1/4=180
R:reel
K:D
F2AF BFAF|F2AF EFDE|F2AF BFAF|GFGF EDBF|
F2AF BFAF|F2AF EFDE|EFF2 AFF2|ABde fdd2 ||
dcdB ADFA|dcde fgfe|defd AFDF|GEFD EBB2|
dcdB ADFA|dcde fgfe|defd AFDF|GEFD EBB2|
dcde fgfe|dcde fBB2|defd ecdB|AGFD EBB2|
dcde fgfe|dcde fBB2|g2f2 e2dB|ABde feHd2 |]

%%%


X:22021
T:COLLIER'S REEL, The
%C:Willie Clancy setting
B:DMWC.37
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=180
R:reel
K:G
"D mix"
FDEG A3B|BAdB cAG2|Add^c defd|gece dcAF|
FDEG A3B|BAdB cABG|Add^c A2AG|EFGE ADD2|
D2D2 A3B|BAdB cAG2|Add^c defd|gece dcAG|
FDEG A2AB|BAdB cAG2|Add^c A2AG|EFGE ADDG||
f2eg fde^c|Addc Addg|f2eg fdec|A3B cBcd|
eaag efge|dfed cAG2|Add^c A2AG|EFGE ADDg|
f2eg fde^c|Addc Addg|f2eg fdec|ABcB c2eg|
agfa g2eg|fdge dcAG|Add^c A2AG|EFGE ADD2 |]

%%%

X:22066
T:GARRETT BARRY'S JIG (1)
B:DMWC.36
%C:Willie Clancy setting
C:ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
"D mix"
A|DEF G3|A3 c2e|dcA d2e|ged cAG|
F3 G3|A3 Bde|dcA GEA|D3 D2 :|
A|dcA d2e|ged ege|dcA c2d|e2d ecA|
dcA d2e|ged ege|dcA GEA |DFA D2 :|

%%%

X:22132
T:SEÁN BUÍ 
T:Yellow John
B:DMWC.35
%C:Willie clancy setting
C:ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
R:jig
K:D
z|D2A FGA|BGB AFA|D3 AFA|Bec d2A|
D3 AFA|BGB AFA|dfd ecA|B2c d2 :|
%
A|dfd ecA|dcB AFA|dfd ecA|B2c d2A|
[1 dfd ecA|dcB AFA|DAD AFA|Bec d2 :|
[2 g|afd gec|dcB AFA|D3 AFA|Bec Hd3 |]

%%%


X:22131
T:SCATTER THE MUD
%C:Willie Clancy setting
B:DMWC.34
C:ABC/arr. BB
M:6/8
L:1/8
%%Q:1/4=160
R:jig
K:G
%"A dorian"
d|eAA B2A|eAA ABd|eAA BAB|dBG GBd|
eAA BAA|eAA AGE|GAB Bge|dBA AB :|
%
d|eaa egg|dBA ABd|eaa agg|dBG GBd|
eaa g2e|dBA AGE|GAB Bge|dBA ABd|
eaa egg|dBA ABd|eaa agg|dBG GBd|
eaf g2e|dBA AGE|GAB Bge|dBA A2||
%
d|eAA B2A|eAA ABd|eAA B3|dBG GBd|
eAA B2A|eAA AGE|GAB Bge|dBA AB :|
%
d|eaa egg|dBA ABd|eaa agg|dBG GBd|
eaa g3|dBA AGE|GAB Bge|dBA ABd|
eaa egg|dBA ABd|eaa g3|dBd g3|
a2f g2e|dBA AGE|GAB Bge|dBA HA3 |]

%%%

X:22146
T:WEST WIND (reel), The
%C:Willie Clancy setting
B:DMWC.33
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=180
R:reel
K:G
BdgA BGdB|cAFG ABcA|BdgA BGdB|cAFG AGG2|
BdgA BGdB|ADF2 ABcA|G2Bd gbag|fdcA BGcA||
%
G2Bd g3e|f2f2 ABcA|G2Bd g2de|fdcA BGcA|
G2Bd g3e|f2f2 ABcA|g3a bgag|fdcA AGG||
%
c|B2GA AGdB|A2Fc A2FB|B2GA BGdg|fdcA AGGc|
B2GA AGdB|ADF2 ABcA|G2Bd gbag|fdcA AGHG2 |]

%%%

X:22016
T:BUCKS OF ORANMORE (reel), The
%C:Willie Clancy setting
B:DMWC.32
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=180
R:reel
K:D
dB|A2fA A2dB|A2fA BEE2|A2FA A2Bd|egfd e2dB|
ADFA A2dB|ADFA BEGA|DADF ADFA|dgfd gedB||
%
ADD2 ADD2|ADD2 BEE2|ADD2 ADFA|egfd e2dB|
ADD2 ADBD|ADD2 BEE2|ADD2 ADFA|dgfd efge||
%
fafd eddg|fafd edBd|fafd eddf|fafd edBd|
fafd eddg|fafd edBd|faa2 agaf|defd efgd||
%
f2df ecdg|f2df eBBd|f2df ecdf|f2df edBd|
f2df ecdg|fAdf edBd|faa2 bgaf|f2df e2dB||
%
A2A2 A2A2|A2FA BEE2|A2fA A2Bd|egfd e2dB|
ADF2 AFDB|ADFA BGEA|DADF ADFA|dgfd gedB||
%
ADD2 ADD2|ADD2 BEE2|ADD2 ADFA|egfd e2dB|
ADD2 ADBD|ADD2 BEE2|ADD2 ADFA|dgfd efge||
%
fafd eddg|fafd edBd|fafd eddf|fafd edBd|
fafd eddg|fafd edBd|faa2 bgaf|defd eaaf||
%
f2df e2de|f2df edBd|f2df ecdf|gefd edBd|
f2df efde|fAdf eBB2|eaa2 b2af|gefd edHd2|]

%%%

X:22089
T:KITTY'S GONE A-MILKING (reel)
%C:Willie Clancy setting
B:DMWC.31
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=180
R:reel
K:G
dGG2 d3e|dBcA EFAG|dGG2 dcde|fdcA GABG|
dGG2 dge2|dBcA EFAG|G2BG G2dg|fdcA AGG2 :|
dgg2 bgaf|dgg2 decA|dgg2 abag|fdcA GABd|
g3b a3b|bgag f3g|afge fdeg|1 fdcA G2Ac :|\
[2 fdcA G4 |]

%%%

X:22047
T:FIRST SLIP, The
T:Ride a Mile
%C:Willie Clancy setting
B:DMWC.30
C:ABC/arr. BB
M:9/8
L:1/8
Q:1/4=160
R:slip jig
K:G
dBG GDG G2B|dBG GBd gfe|\
dBG GDG G2B|cAG FGA cBA :|
GBd dBd d2B|GBd dBd gdB|\
GBd dBd ded|cAG FGA cBA|
GBd dBd d2B|GBd dBd gdB|\
GBd dBd d2d|cAG FGA c2e||
"final"HG6z3|]

%%%

X:22140
T:STROP THE RAZOR
B:DMWC.29 
%C:Willie Clancy setting
C:ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
d|cAG GBG|AFD D3|DGG GFG|A2d cAG|
G3 GBG|AFD D3|D2E F2G|AdB cA :|
%
F|GBd f2g|aga gfd|cAG EGB|cAD cAG|
GBd f2g|aga gfd|cAG EGB|cAD cA :|
%
F|G3 G3|EFF FEF|G3 GFG|A2d cAG|
G3 G3|EFF FEF|dcA EGB |1 c2d cA :|
[2 "final"ced cAF |HG6||]

%%%


X:2204
T:FAREWELL TO ERIN (reel) 
B:DMWC.27 % ("unknown")
C:ABC/arr. BB
%C:Willie Clancy setting
N:A setting of this was recorded under this name by De Danann 
in the mid-1970's. I'm not sure why it appears in DMWC as an
"unknown" (or "gan ainm", as Breandan Breathnach would call it).
M:C
L:1/8
Q:1/4=180
R:reel
K:D
d2FD FAAg|f2df edBc|dFF2 GBB2|AFF2 EBB2|
D2FD FAAg|f2df edBc|dBAF GFGB|AGFD EDD2 :|
defg afdf|gefd eBB2|dcdg fadf|gefd eABc|
dcdf a3f|g3e fdBc|dBAF G3B|AGFD EDD2 :|

%%%

X:22116
T:OLLISTRUM'S MARCH
%T:"Máirseáil Alasdruim"
%C:Willie Clancy setting
B:DMWC.26 
C:ABC/arr. BB
M:6/8
L:1/8
Q:1/4=140
R:jig
K:G
c|ABG AGF|G2g fdc|ABG AGF|Ggf d2c|
ABG AGF|G2g fdc|ABB cBc|dgf d2 :|
c|Aff Agg|age fdc|Aff Agg|age dfc|
Aff Agg|bag fde|gef g3|agf d2 :|

%%%


X:22076
T:HUGH CURTIN'S REEL*
B:DMWC.24 (unnamed)
C:ABC/arr. BB
N:Hugh Curtin was one of Willie's early teachers.
M:C
L:1/8
Q:1/4=180
R:reel
K:G
"A dorian"
A3c B2AG|EGGF G2AG|EAA2 BABd|e2dB BAdB|
A3G BABG|EGGF G2AB|c2cA B2B2|dBGA BAA2 ||
A2Bd e2dB|GBdc defg|a2ed e2dB|GBdA BAAg|
a2ed e2dB|gfge d2ef|g2af gedB|GBdA BAA2||

%%%


X:22145
T:VIRGINIA REEL, The
%C:Willie Clancy setting
B:DMWC.24
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=180
R:reel
K:D
DBBA B3A|BAdB AFEF|DEF2 A3B|AFBF AFEF|
DBBA B3A|BAdB ABde|f3e defe|dBAF BEE2 :|
defe d3A|BAFA dBAB|defe defg|a2bf afeg|
f2df efdB|AFF2 ABde|f3e defe|dBAF BEE2 :|

%%%

X:22092
T:LADY'S BONNET (reel), The 
B:DMWC.28 
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=180
R:reel
K:Em
E2BE dEBE|E2BE AFDE|E2BE dEBd|efdB AFDE|
E2BE dEBE|E2BE AFDE|E2BE E2BE|E2dB A2FA||
BABd eAAg|fdd^c dfaf|gfef g3e|faa2 afdf|
g2be f2af|gefd eBBA|GBB2 c3A|B2dB AFFD |\
"final"HE4z4|]

%%%

X:22065
T:GARRETT BARRY'S REEL
T:Mr. McCloud's, Sligo Duke
B:DMWC.23
%C:Willie Clancy setting
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=180
R:reel
K:G
G3B d3e|edBe dBAB|G3B dedB|AEGE DABA|
G3B dGBd|gdBA G2Bd|edcB cdef|ge dB AGEF :|
g3b afge|dBAB GBde|g3f gedf|eaa2 ageg|
b2ga afge|dABA G2Bd|edcB cdef|ge dB AGEF :|
"final"HG4z4|]

%%%


X:22077
T:HUMORS OF DERRYKISSANE, The
B:DMWC.22
%C:Willie Clancy setting
C:ABC/arr. BB
N:Other sources show the name as "Derrycrossane".
M:9/8
L:1/8
Q:1/4=160
R:slip jig
K:G
d||B3 BGB c2A|BAG Bdg ABc|BAG BdB c2e|dBG GAG G2d|
B3 BcA B2A|BAG Bdg ABc|BAG BdB ceg|dBG G3 G3||
g3 edc Bcd|ecA AcA AcA|g3 edc Bcd|gdB G3 G2d|
BcB BcA B2A|ecA A3 A3|def gfe def|gbg agf gdA ||
"final"HG6z3|]

%%%

X:22149
T:WILL YOU COME HOME WITH ME?   
%T:"Tiocfaidh Tu Abhaile Liom" 
%C:Willie Clancy setting
C:ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
B|d2e fcA|B2d cAF|G3 AcA|GBG ABc|
dge fcA|B2d cAF|G3 GcA |G3 G2 :|
B|d2e c2d|B2d cAF|G3 AcA|GBG ABc|
d2e c2d|BdB cAF|G3 GcA|G3 G2 :|

%%%

X:22036
T:DOWN THE BACK LANE 
%C:Willie Clancy setting
B:DMWC.103
C:ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
"D mix"
d2||cAG AAG|FDE F2d|cAA BAG|Ade gf/e/d|
cAG AcG|FDE F2G|Add gf/e/d|ecA G3|
ABG AcG|FDE F2 d|cAA BAG|Ade gf/e/d|
cAG AcG|FDE F2G|Add gf/e/d|ecA G3||
Add fdd|cAB cAG|Add g/f/ed|ecA G3|
Add fdd|cAB cde|fag ecA|AGF G3|
Add fdd|cAB cAG|Ade fed|ecA G3|
Add fdd|cAB cde|fag ecA|AGF G3||
"FINAL" A3 A2G|EF2 D3 |]

%%%

X:22120
T:PASTRY CHEF*, The
B:DMWC.104 ("unknown")
C:ABC/arr. BB
%C:Willie Clancy setting
N:The first part of this reminds me of "Cook in the Kitchen" 
(without the F naturals), hence my name for it! 
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
A|BAB GAG|FDE F2G|AGA fed|cAG EFA|
BAB GAG|FDE F2G|AGA gfd |cAG G2 :|
d|g3 afd|gfg a2d|gfg b2g|a2g fga|
geg fed|ged cde|gef ded|cAG G2 :|

%%%

X:22026
T:COOK IN THE KITCHEN, The 
%C:Willie Clancy setting
B:DMWC.105
C:ABC/arr. BB
N:Willie doesn't play the usual F naturals in 
mm 2 and 6.
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
d|GDG GAG|=FDE F2A|GDG GDG|Add cAG|
GDG GAG|=FDE F2d|cAG EGA|BGF G2 :|
z|B3 BAG|A2B AGF|G3 GFG|Add cAG|
B3 BAG|A2B A2d|cAG EGA|BGF G2 :|
A|d2e f2g|aag f2d|cAG EGA|BdB cAG|
d2e f2g|abg f2d|cAG EGA|BGF G2 :|

%%%

X:22032
T:CUP OF TEA (reel), The
%C:Willie Clancy setting
B:DMWC.107
C:ABC/arr. BB
M:C
L:1/8
%%Q:1/4=180
R:reel
K:D
BAGF GEDE|GEBE GEE2|BAGF GEE2|gebg FDD2|
BAGF GEDE|geBE GEDE|BAGF GBB2|dcAG FDD2|
BAGF GEDE|geBE GEDE|B2BA G2AG|FDD2 ADD2|
bgGF GEDE|E2DF GEE2|BAGF GBB2|dBAG FDD2||
%
d2eg fdec|dfeg fBB2|d2eg fdec|dcAG FDD2|
d2eg fdec|dfaf g2fg|afge fdec|dcAG FDD2 :|
FAA2 FAA2|A2A2 BEE2|FAA2 FABc|dcAG FDD2|
FAA2 FAdA|FAdf feeg|fdec dBAF|ge AG FDD2 :|

%%%

X:22088
T:KILLIMOR JIG, The
%C:Willie Clancy setting
B:DMWC.109 (as "Killimer")
C:composer: Seán Ryan 
C:ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
A|DEF G3|BAG ABc|dcd faf|ded cAF|
DEF G3|BAG ABc|dcd ged|cAF G2 :|
D|GBd g3|dgb gdB|GBd g2e|gfd cAF|
GBd g3|dgb gdB|GBd gfd|cAF G2 :|

%%%

X:22141
T:SWEEP'S HORNPIPE, The
%C:Willie Clancy setting
B:DMWC.108
C:ABC/arr. BB
N:Willie's version does not repeat the last part.
M:C|
L:1/8
Q:1/4=120
R:hornpipe
K:D
AG|FAdf AdfA|DFAd f2ef|gaef dfaF|GABG EAAG|
FAdf AdfA|DFAd f2ef|gefd cAge|dFDA dz AG|
FAdf AdfA|DFAd f2ef|gaef deaF|GABG EAAG|
FAdf AdfA|DFAd faef|ge fd cA ge|d2 ge d2||
%
P:Part 2
EF|GFGA Bcde|fgfe dcdB|Affe faef|geed e3F|
GFGA Bcdg|f2e2 dfdB|Afed cABc|d2ge dDEF|
GFGA Bd Bd|fgfe dfdB|AFF2 F2F2|AFE2 E2E2|
GFGA Bcde|fgfe dcdB|Afed cABc|d2ge dfag||
%
P:Part 3
ag|f2e2 d2c2|B2A2 g2ba|g2f2 e2d2|c2B2 a2ag|
f2e2 d2c2|B2A2 G2F2|Efed cABc|1 "thru"d2ge d2:|\
[2 "final" d2ge Hd4|]



source version:
P:Part 2
EF|"17"GFGA Bcde|fgfe dcdB|Affe faef|gee^d e3F|
"21"GFGA Bcdg|(3fgf (3ege dfdB|Afed cABc|(3dcd ge dDEF|
"25"GFGA Bd Bd|fgf//g//f//e dfdB|AFF2 F2F2|(3AFE E2 E2E2|
"29"GFGA Bcde|fgfe dcdB|Afed cABc|(3dcd ge dfag||
%
P:Part 3
"33"(3fgf (3ege (3ded (3cdc|(3BcB (3ABA g2ba|(3gag (3fgf (3ege (3ded|\
(3cdc (3BcB a2ag|
"37"(3fgf (3ege (3ded (3cdc|(3BcB (3ABA (3GAG (3FGF|Efed cABc|\
(3dcd ge d2 ag |] % total 40 measures
%%%

X:22042
T:EWE REEL, The 
%C:Willie Clancy setting
B:DMWC.106
C:ABC/arr. BB
N:This is played as a G mix tune today, but Willie's 
pipe setting has no F naturals.
M:C
L:1/8
Q:1/4=180
R:reel
K:C
"G mix"
GF|DGGF DGGE|F2AF cFAF|DGGF DGGe|fdcA BGAF|
DGGF DGGE|F2AF cFAF|DGG2 GBde|fdcA BGG2||
g2bg dgbg|f2af dfaf|g2bg dgbg|agfa g3a|
bgaf gfde|fefd cAFA|dggf gaag|fdcA BGAF||\
"final"HG4z4|]

%%%

X:22086
T:JENNY TIE YOUR BONNET (reel)
%C:Willie Clancy setting
B:DMWC.20
C:ABC/arr. BB
N:Also called "Tie the Bonnet". Usually played with C sharp 
in the second part but there are none in Willie's version.
M:C
L:1/8
Q:1/4=180
R:reel
K:D
"A mix"
A3g fdec|A3c BGG2|A2ag fdef|gfge dGBG|
ABAg faec|A3c BGG2|A2eg fdef|gf ge dGBG||
%
eaaf gfed|cAeA cAA2|egag gfef|g3d BGG2|
egaf gefd|cAeA cAA2|egaf gbaf|gedc BGG2|
%
A3g fdec|A3c G3B|A2Ag fdef|gfge dGBG|
ABAg faec|A3c BGG2|A2eg fdef|gfge dGG2 ||
%
egaf gfed|cAeA cAA2|egag gfef|g3d BGG2|
egaf gfed|cAeA cAA2|egaf bgef|gfge dGG2||
"finish" A3g fdec|A3B G3B|HA4z4 |]



source version:
A3g fdec|A3c BGG2|A2ag fdef|gfge dGBG|
"5"(3AcA Ag (3fga ec|A3c BGG2|A2Ag fdef|gf ge dGBG||
%B
"9"eaaf gfed|(3cBA eA cAA2| (3efg ag gfef|g3d BGG2|
"13"(3efg af ge fd|cAeA cAA2|(3efg af gbaf|gedc BGG2|
%C
"17"A3g fdec|A3c G3B|A2Ag fdef|gfge dGBG|
"21"(3AcA Ag (3fga ec|A3c BGG2|(3AcA Ag fdef|gfge dGG2 ||
%D
"25"(3efg af gfed|(3cBA eA cAA2|(3efg ag gfef|g3d BGG2|
"29"(3efg af gfed|(3cBA eA cAA2|(3efg af bgef|gfge dGG2||
"finish" A3g fdec|A3B G3B|A8 |]

%%%

X:22108
T:NELLIE DONOVAN (reel)
B:DMWC.19
C:ABC/arr. BB
%C:Willie Clancy setting
M:C
L:1/8
Q:1/4=180
R:reel
K:G
B3d cAA2|BGG2 d2cA|B3d cAAg|fdcA AGG2|
B3d c2cA|B2GB dBcA|GBB2 BAeg|fdcA AGG2||
egaf g2fd|cAAB c2de|fgaf g2eg|fdcA AGG2|
egaf gefd|cAAB c2de|fgaf bgag|fdcA AGG2||
%
B3B A3A|BGG2 d2cA|B2B2 cAAg|fdcA AGG2|
B3d cAA2|BGG2 d2cA|B3d cAAg|fdcA AGG2||
egaf g2fd|cAAB c2de|fgaf g2eg|fdcA AGG2|
egaf gefd|cAAB c2de|fgaf bgag|fdcA AGG2 |]

%%%

X:22136
T:SIXPENNY MONEY
%C:Willie Clancy setting
B:DMWC.18
C:ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
R:jig
K:D
P:simplfied setting
d|fAA fAA|BAG FEF|DFG AFA|dfd gfe|
AA f2A|BAG FEF|DFG AFA|dfd e2 :|
d|fdf g3|afd fed|fdf g3|afd e2d|
fdf g3|afd gfe|ABA AFA|dfg f2d|
fdf g3|afd ecA|fdf gfe|afd e2d|
fdf g3|afd gfe|ABA AFA|dfg e2d-|d6|]



%%vskip
P:source setting
fAA fAA|BAG FEF|DF/G/A AE/F/A|dfd gf/e/d|
"5"fAA g/f/AA|BAG FEF|DF/G/A AFA|dfd ef/e/d :|
"9"fdf g3|afd gf/e/d|fdf g3|afd eAd|
"13"fdf g3|afd gf/e/d|Ac/A/A AFA|dfg ef/e/d|
"17"fdf g3|afd ecA|fdf gfe|afd eAd|
"21"fdf g3|afd gf/e/d|Ac/A/A AFA|dfg ef/e/d||

%%%

X:22114
T:OLD TIPPERARY JIG, The
B:DMWC.17
C:ABC/arr. BB
%C:Willie Clancy setting
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
"D mix"
d|cAF G3|A2A G3|cAG GFG|ABc FAd|
[1 cAF G3|A2A G3|fdd edd|fdd cA :|
[2 cAF G3|A3 G3|fdd edd|fdd cA||
%
B|GBd g3|gag g2f|dgg gfg|a2g fga|
[1 bag agf|gfe f2e|dcA Bde|ged cA :|
[2 bag agf|gfe f2e|dcA a2g|fed cAd ||
"finish" cAd G2d|A2d HG3 |]

%%%

X:22045
T:FERMOY LASSES (reel), The
%C:Willie Clancy setting
B:DMWC.16
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=180
R:reel
K:G
BA|GEE2 cEE2|GEE2 B3A|GEE2 E2BG|ADD2 A2GF|
GEE2 dEE2|GEE2 B3A|G2GF GBdB|ADD2 AcBA|
GEE2 cEE2|GEE2 B2BA|GEE2 dEE2|FADF AcBA|
GEE2 cEE2|GEE2 B3A|G2GF GBdB|ADD2 ABBA||
G2bg dGBG|G2Bd efg2|g2af dGBG|ADD2 ABBA|
G2bg dGBG|G2Bd efg2|fagf gedB|ADD2 ABBA|
G2bg dGBG|G2Bd egdB|GBB2 dedB|ADD2 ADD2|
G2G2 dGBG|G2Bd efg2|fagf gedB|ADD2 bgG2 |]

%%%


X:22134
T:SEÁN REID'S (reel)
B:DMWC.15
%C:Willie Clancy setting
C:ABC/arr. BB
N:This tune is also played (not by pipers) with F naturals 
in the second part. I have appended this version to the audio file.
M:C
L:1/8
Q:1/4=180
R:reel
K:G
A|DGG2 BGG2|cAFA dGGF|DGG2 BGBd|cAFG AGGF|
DGG2 AB2G|cBcA dcAF|g3a gfde|1 fdcA BGc :|\
[2 fdcA AGG ||
P:Accented F's in this part can be played as natural
A|dgg2 gfde|f2fe fdcA|dgg2 gfde|fdcA BGBd|
g3a gfde|f2fe fdef|g3a bgag|1 "thru"fdcA BGc :|\
[2 "final"fdcA AGHG2 |]


%%%


X:22143
T:TARBOLTON (reel), The
%C:Willie Clancy setting
B:DMWC.14
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=180
R:reel
K:Em
Beed e2BA|GBAF GEE2|Add^c d2AG|FDBD ADFD|
Bee2 e2e2|fedf eBBA|GBB2 FAA2|bgAF GEE2|
Beed eBBA|GBAF GEE2|d2Ac dBAG|FDBD ADFD|
Beed ef ge|fded eBB2|GBB2 FAA2|bgAF GEE||
f|g2ef ge be|ge bf gfe^c|defg afdf|gefd eBBA|
G2BG F2AF|e3f gfed|B2cB A2GA|bgFA GEEf|
g2ef gebe|gebf gfe^c|d2eg afdf|gefd eABA|
GBAB FAAG|e3f gefd|BcdB A2GA|bgFA GEHE2 |]


source version:
Beed e2BA|GBAF GEE2|Add^c d2AG|(3FED BD AD(3FED|
"5"Bee2 e2e2|fedf eBBA|GBB2 FAA2|bgAF GEE2|
"9"Beed eBBA|GBAF GEE2|d2 (3ABc dBAG|(3FED BD ADFD|
"13"Beed ef ge|fd (3fed eBB2|GBB2 FAA2|bgAF GEEf||
"17"g2ef ge be|ge bf gfe^c|defg afdf|(3gef fd eBBA|
"21"G2BG F2AF|e3f gfed|B2cB (3ABA GA|bg(3FGA GEEf|
"25"g2ef ge be|ge bf gfe^c|d2 (3efg afdf|ge fd eABA|
"29"GBBB FAAG|e3f gefd|B2B2 (3ABA GA|bg(3FGA GEE2 |]

%%%

X:22098
T:LUCY CAMPBELL (reel)
%C:Willie Clancy setting
B:DMWC.13
C:ABC/arr. BB
M:C
L:1/8
Q:1/4=180
R:reel
K:D
dB|ADD2 D2dB|ADFA BEE2|ADFA dgfe|dBAF ADD2|
ADD2 ADBD|ADFA BEE2|ADFA dgfe|dBAF ADD2||
dBAB dgfe|dBAd BEE2|dBAB dgfe|dBAF ADD2|
dBAB dgfe|dBB2 fBB2|dBAB dgfe|dBAF ADD2||
A2FA defd|A2fd eBB2|faaf dfge|dBAF ADD2|
A2FA defd|A2fd eBB2|faa2 bgaf|egfe dBAB||
dff2 dfeA|dff2 afeA|dffe f3e|dBAF ADD2|
dff2 cee2|Bff2 afef|g2f2 egfe|dBAF ADD2|]

%%%

X:22060
T:FRIEZE BREECHES (4), The
T:Willie Clancy setting (4th of 4)
B:DMWC.102
C:ABC/arr. BB
M:6/8
L:1/8
%%Q:1/4=160
R:jig
K:G
"D mix"
A/G/|FED EFG|A2B cAG|Ac/A/A BAG|FAF GFE|
"5"FED EFG|Add cAG|FAF GEA|D3 D2 :|
A|"9"d2g f2f|e2d cAG|ADA BAG|FAF GFE|
"13"d2g fg/f/d|efd cAG|FAF GEA D3 D2 :|
A|"17"DAD c3|AdB cAG|ABc dfd|dfd dc/A/D|
"21"DAD c2G|AB/c/B cAG|FAF GEA|D3 D2 :|
A|"25"dcd fdc|Add fdd|Bcd eAA|fAA eAA|
"29"dcd fdd|Adc fdd|faf gec|ded d2 :|
e|"33"gf/e/d ecA|dfd cAG|ADA BAG|FAF GED|
"37"gf/e/d ecA|dfd cAG|F2A GEA |1 D3D2 :|2 D3 dAG||
"41"FED EFG|AdB cAG|A3 BAG|FAF GFE|
"45"FED EFG|AdB cAG|FAF GEA|DF/G/A d2G|
"49"F2D EFG|Add cAG|Ac/A/A gAA|fAA GFE|
"53"F2D EFG|AdB cAG|FAF GED D3 D2||
A|"57"d2g fg/f/d|ef/e/d cAG|A3 BAG|FAF GED|
"61"ded fg/f/d|efd cAG|FAF GEA|DF/G/A D2 :|
A|"65"DAD c3|AB2 cAG|ABc dA/B/c|dA/B/c dAF|
"69"DAD c3|AdB cAG|FAF GEA|1 D3 D2 :|2 D3 DFA/B/||
"73"dcd fdd|Add fdd|Bcd eAA|fAA eAA|
"77"dcd fdd|Add fdd|faf gec|1 ded dA/B/c :|2 ded d2||
e|"81"gf/e/d ecA|ded cAG|A3 BAG|FAF GED|
"85"gf/e/d ecA|dfd cAG|FAF GEA|D3D2e|
"89"gf/e/d ecA|ded cAG|ADA BAG|FAF GFe|
"93"f3 g3|afd cAG|FG/A/F GEA|DFA d3||

%%%

X:22059
T:FRIEZE BREECHES (3), The
%C:Willie Clancy setting
B:DMWC.101
C:ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
"D mix"
A/G/|FEF DAD|Add cAG|AcA BAG|F3 GFE|
"5"FEF DAD|Add cAG|FAA GEA|D3 D2 :|
|:(3A/B/c/|"9"d2d d2e|fed cAG|AcA BAG|FAF GED|
"13"Add d2e|fed cAG|FAA GEA|D3 D2 :|
|:A|"17"DAD c3|AdB cAG|ABc d2e|g2d cAG|
"21"DAD c3|AdB cAG|FAA GED|D3 D2 :|
|:(3A/B/c/|"25"d2e f2g|a2f ged|c2d e2f|g3 ecA|
"29"dcd f2g|a2f ged|faf gec|ded d2 :|
e|"33"fed edc|ded cAG|A3 BAG|FAF GED|
"37"g2d ecA|ded cAG|FAA GEA|D3 D3|
"41"g2d edc|ded cAG|A2A BAG|FDF GFE|
"45"g2f gge|f2d cAG|F2A GEA|D3 D2 (3E/F/G/|
"49"A2B c2B|c2d cAG|A2d dcd|gf/e/d cAG|
"53"A2B cBA|dcB cAG|FAA GEA|D3 D3 |]

%%%

X:22008
T:BIMID AG OL 
T:Let's Be Drinking!
B:DMWC.7
C:ABC/arr. BB
N:1:Source gives second beat of measures 1 and 5 as "AB2" 
but this doesn't sound right on playback, so I have changed 
it slightly.
N:2:I'm pretty sure the F's in mm.10 or 14 should be natural, 
but the source doesn't show them as such. You can hear what 
they sound like by typing in a = before the /f/ in those 
measures.
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
A|DGG ABB|cBc d2A|DGG B2d|cAG AGF|
DGG ABB|cBc def|gbg afd|cAF G2 :|
A|GBd g3|"10"gfd f3|GBd g3|gfd cAG|
GBd g3|"14"gag f2g|abg afd|cAF G2 :|

%%%


X:22124
T:PIPE ON THE HOB, The
B:DMWC.5
C:ABC/arr. BB
%C:Willie Clancy setting
M:6/8
L:1/8
Q:1/4=160
R:jig
K:Am
B|c3 edc|edc BAG|A3 g3|eaa ged|
c3 edc|edc deg|age dBe|A3 A2 :|
^f|g3 gea|age dBe|A3 g3|eaa ge^f|
g3 gea|age deg|age dBe|A3 A2 :|
B|c3 dcd|ecA AGE|c2A dcd|ecA A2B|
c3 dcd|ede gab|age dBe|A3 A2:|