X:44001 
T:ARDARA CIRCUS* (march), The 
B:NFID.110c ("untitled march")
C:ABC/arr. BB
S:SD
Q:1/4=150
L:1/8
M:C
R:march % A-B-A
K:Amix
ABcd|e2dB gedB|e2dB GABc|e2BG dGBc|d2[B2E2] ABcd|
e2dB gedB|e2dB GABd|e2ed B2A2|1 A2[A2E2]:|2 A2aa||
a2a2|e2ef gedB|e2ef g2g2|d2BG dGBd|g2fg a2a2|
e2ef gedB|e2dB GABd|e2ed B2A2|1 A2fg:|2 A4 A4|]

%%%

X:44002 
T:ATLANTIC ROAR (hornpipe), The 
B:NFID.083b
C:ABC/arr. BB
S:JD
Q:1/4=150
L:1/8
M:C|
R:hornpipe
K:G
DF|G2GF G2Gf|gefd e^cAG|F2FE F2D2|G2GF GDB,D|
G2GF G2Gf|gefd e^cAG|F2FE F2DF|ABAF GA:|
Bc|ded^c d2B=c|dfga bgdc|de^ce d2=cB|A2D2A2 FA|
ded^c d2B=c|dfga bgdc|B2GB A2FA|G2GF G2:|

%%%

X:44003 
T:BALLYGAWLEY JIG*, The 
B:NFID.230c ("untitled jig")
C:ABC/arr. BB
Q:1/4=160
S:PT
L:1/8
M:6/8
R:jig 
K:D
E|FAD FAD|fed cAG|EG=C EGC|=cBd cAG|
FAD FAD|fed cAG|EFG BAG|FAD D2:|
g|fed ceA|ceA cBA|fed fed|cec d2e|
fed ceA|ceA cBA|EFG BAG|FAD D2:|

%%%

X:44004 
T:BARGAIN IS OVER, The 
B:NFID.181 
C:ABC/arr. BB
S:DOD
N:A version of "Behind the Bush in the Garden"
Q:1/4=160
L:1/8
M:6/8
R:jig
K:Am 
B|c2A AGE|c2A AGE|edc dcB|cBA GAB|
c2d e2a|g2e ded|cBA BAG|[A3E3] [A2E2]B|
c2A AGE|c2A AGE|G2G GAE|G3 E2G|
c2d e2a|g2e ded|c2A BAG|EA2 A2||
%
B|c2B c2d|ege e2d|c2B c2d|e3 GAB|
c2B c2d|ege e2d|cBA BAG|[A3E3] [A2E2]B|
c2B c2d|e2e e2d|c2B c2d|e3 GAB|
c2d e2a|g2e ded|c2A BAG|EA2 HA3|]

%%%

X:44005 
T:BILLY RUSH'S JIG 
B:NFID.182a 
C:ABC/arr. BB
S:DOD
N:Almost identical to the Jerry O'Brien setting in "Irish Folk 
Dance Music" (in the "misc" folder).
N:2:Second ending on part B suggests this might be an A-B-A
version.
Q:1/4=160
L:1/8
M:6/8
R:jig
K:A
D|EFE ECE|FAA BAB|cec dfB|cBA BAF|
EFE ECE|FAA BAB|cec BAB|cAA A2 :|
B|cee ecA|dcB cBA|BcB BAB|cec dcB|
cee ecA|dcB cAF|EFE ECE|FAA A2:|

%%%

X:44006 
T:BLACK HAIRED LASS (reel), The 
B:NFID.066 
C:ABC/arr. BB
S:JD
Q:1/4=180
L:1/8
M:C
R:reel
K:Amix
ed|cBAG Acec|Bdgd BGGB|cBAB cdeg|1 dfec Aa:|\
[2 fded cAAB||
cdef gfeg|fdfa gfed|cdef gfeg|fded cAAB|
cdef gfeg|fdfa gfgb|afge fdec|dfec A4|]

%%%

X:44007 
T:BLACK MARE OF FANAD (reel), The 
B:NFID.065
C:ABC/arr. BB
S:JD
N:Close relative of "Nine Points of Roguery"
Q:1/4=180
L:1/8
M:C
R:reel
K:Dmix
A,|D2FD GFED|AdAF AdAF|D2FA GFED|cEE2 cEEF|
DEFD GFED|AdAF AdAF|D2FA GFEc|dDD2 dDD:|
%
B|c2cA B2BG|A2Ad AGFE|D2FA GFEd|cEe2 ceed|
cecA BdBG|Adcd fdAF|D2FA GFEc|dDD2 dDD:|
%
c|d2fa gfec|defg abaf|d2fa gfga|be e2 beef|
d2fa gfec|defg abaf|d2fa gfeg|fage fdA:|
%
B|cecA BdBG|Adcd fdAF|D2FA GFEd|cEE2 ceed|
c2ca B2BG|A2Ad AGFE|d2 FA GFEc|d2D2 dDDB|
%
c2cA B2BG|A2Ad AGFE|d2 FA GFEd|cEE2 ceed|
cecA BdBG|Adcd fdAF|d2 FA GFEc|dDD2 dDHD2|]

%%%

X:44008 
T:BONNIE TRAVELLER* (strathspey), The 
B:NFID.192c ("untitled strathspey")
C:ABC/arr. BB
S:DOD
Q:1/4=140
L:1/8
M:C|
R:hornpipe
K:Em % simplified version
B,|EFGA BEGB|A^cdB AEDF|EFGA BEGB|AdBF GEE:|
f|gfeB efge|dfAd FAdf|gafg efge|dBBF GEEf|
gfeB efge|afdA dgaf|gBBA BdAF|dBBF GEE2-|HE4z4|]

Source version:
%X:440082
T:BONNIE TRAVELLER* (strathspey), The 
B:NFID.192c ("untitled strathspey")
C:ABC/arr. BB
S:DOD
Q:1/4=140
L:1/8
M:C|
R:hornpipe
K:F#m
C|FGAB cFAc|B^dec B/A/G/F/ EG|FGAB cFAc|Be c/B/A/G/ AFF:|
g|agfc fgaf|egBe GBeg|abga fgaf|ec c/B/A/G/ AFFg|
agfc fgaf|bgeB e/f/g/a/ bg|accB ceBG|ec c/B/A/G/ AFF||

%%%

X:44009 
T:BOYS OF THE TOWN, The  
B:NFID.229a 
C:ABC/arr. BB
S:JMcK
Q:1/4=160
L:1/8
M:6/8
R:jig
K:G
f|ged B2A|BGE G2A|BdB ABA|GBd e2f|
ged B2A|BGE G2A|BdB AGA|BGG G2:|
B|def gfg|eaa eaa|bag e2d|efg efg|
def gfg|afd efg|edB AGA|BGG G2:|

%%%

X:44010 
T:BRASS BAND MARCH, The 
B:NFID.156 
C:ABC/arr. BB
N:I'm not expecting too many traditional musicians to spend
much time on this, but there might be some parts of it worth 
adapting.
S:CC
Q:1/4=150
L:1/8
M:C|
R:march
K:G
G4 G3A|B2 d4 g2|e2eg e2d2|B2.D2.E2.F2|
G4 GFGA|G2 (3FGF e2 D2|G4 GFGA|G2 F/G/F E2D2|
A4 A^GAB|A2F2 E/F/E D2|A4 A^GAB|c6 B/c/B|
A2 D/E/F/G/ A2 D/E/F/G/|A2F2 E/F/E D2|B4 BABc|d6||
%
g2|e2eg e2d2|[B6G6] (3BcB|A2c2 ABcA|B2G2 E4|
e2 ef e2d2|[B6G6][B2G2]|ABc2 AB^c2|d6||
%
c2|B2c2^c2d2|b2ag a^gab|a2B2^c2d2|g4 gfga|
g2B2^c2d2|b2ag a^gab|a2B2c2 de|B2D2E2F2|
G2 F/G/F E/F/E D2|B2c2^c2d2|b2ag a^gab|A2B2^c2d2|
g4 gfga|g6G2|A2B2c2d2|e2f2g2^g2|
a2ba g2f2|g2ag f2g2|a2ba g2ag|e2ge d2e2|
c2e2 B/c/B A2|G4 GFGA|G2 e2 D2E2|G6 (3BcB|
A2aa a2e2|g6 eg|a2 eg a2ef|g2 c4 g2|
e2ee e2^d2|e2=d2 c/B/c A2|G2gg g2a2|g2eg e2f2|HG4z4|]

%%%

X:44011 
T:BRIAN BORU'S MARCH 
B:NFID.175a 
C:ABC/arr. BB
S:F&MB
N:An interesting setting of a well-known tune from the
Byrne Brothers.
Q:1/4=120
L:1/8
M:6/8
R:jig
K:Amix
ed|cAA Aed|cAA ABc|dBG BGB|dBG Ged|
cAA Aed|cAA A2B|=cde fdf|1 eAA A:|2 ecA A2||
%
B|cdf g2a|g2a gfg|GA=c d2B|d2e dBG|
Bdg a3|aba ged|=cde fdf|ecA A2:|
%
B|=cBA a3|^cBA a3|BAG dBG|BAG dBG|
=cBA abg|aba ged|=cde fdf|ecA A2:|

Source version:
%X:440112
T:BRIAN BORU'S MARCH 
B:NFID.175a 
C:ABC/arr. BB
S:F&MB
N:An interesting setting of a well-known tune from the
Byrne Brothers.
Q:1/4=120
L:1/8
M:6/8
R:jig
K:Amix
ed|: cAA Aed|cAA ABc|dBG BGB|dBG Ged|
cAA Aed|cAA A2B|=cde fdf|1 eAA A:|2 ecA A2||
B|cde/f/ g2a|g2a gfg|GAB/=c/ d2B|d2e dBG|
Bd (3e/f/g/ a3|aba ged|=cde fdf|ecA A2:|
B|=cBA a3|^cBA [A3a3]|BAG dBG|BAG dBG|
=cBA ab/a/g|aba ged|=cde fdf|1ecA A2:|2 ecB A3-|A6|]

%%%

X:44012 
T:BROKEN BRIDGE HORNPIPE, The  
B:NFID.194b 
C:ABC/arr. BB
Q:1/4=140
S:DOD
L:1/8
M:C|
R:hornpipe
K:G % source key = A
dc|B2GB AGEG|DGBd gdBG|FGAB cBcd|fecB ADFA|
BAGB AGEB,|DGBd gd^cd|fecA EGBA|Ggfg G2:|
Bc|d2^cd gdBd|fecA E2e2|d2^cd edcB|AGFE D2Bc|
d2^cd gdBd|fecA E2e2|dgfe d2cA|Ggfg G2:|


Source version:
%X:440122 
T:BROKEN BRIDGE HORNPIPE, The  
B:NFID.194b 
C:ABC/arr. BB
Q:1/4=140
S:DOD
L:1/8
M:C|
R:hornpipe
K:A 
ed|c2 Ac BAFA|EAce aecA|GABc dcde|gfdc BEGB|
cB Ac BAFC|EAce ae^de|gfdB FAcB|Aaga A2:|
cd|e2 ^de aece|gfdB F2f2|e2 ^de fedc|BAGF E2cd|
e2 ^de aece|gfdB F2f2|eagf e2 dB|Aaga A2:|

%%%

X:44013 
T:BUNDLE AND GO  
B:NFID.085a
C:ABC/arr. BB
S:JD
Q:1/4=160
L:1/8
M:6/8
R:jig
K:Ador
a|gee edB|gfg B2a|gee edB|dBG A2a|
gee edB|gfg a2b|age edB|dBG A2:|
c|d2B d2B|gfg age|d2B d2B|dBG ABc|
d2B d2B|gfg a2b|1 age edB|dBG AB:|\
[2 age edB|dBG HA3|]

%%%

X:44014 
T:BY THE FORT HOW SAD WAS I (march) 
B:NFID.245a 
C:ABC/arr. BB
S:JMcK
Q:1/4=120
L:1/8
M:C|
R:march 
K:D
AG|FDFG A2FG|Adde dcAG|F2FF F2DE/F/|GFEE E2AG|
FDFG A2FG|Adde dcAG|F2FD GE=CE|D2DD D2||
zA|dcde f2 f/a/g/f/|edce d2cA|dcde fde2|d2dd d2de|
fdcA dcAG|F2FD GE=CE|DEFA dcAG|F2DD HD4|]

%%%

X:44015 
T:BYRNE'S REEL 
B:NFID.235a 
C:ABC/arr. BB
S:JMcK
Q:1/4=180
L:1/8
M:C
R:reel 
K:G
Bd^cd edgd|edgd BAA2|Bd^cd edgd|BGAG EG G2:|
g2dg agbg|g2dg eaa2|g2dg agbg|edef gfg2|
g2dg agbg|g2dg eaa2|bgaf gdec|BGAG EGG2|]

%%%

X:44016 
T:CAMERONIAN'S KILT* (reel), The 
B:NFID.067a (as "Cameronian")
C:ABC/arr. BB
S:JD
N:This isn't related to the D-major "Cameronian", 
so I renamed it a bit to distinguish it. I don't
know if the accidentals belong here or if this
represents the way somebody heard the tune being
played.
Q:1/4=180
L:1/8
M:C
R:reel
K:G
c|Bdgd BGGB|Ac=fc A=FFc|Bdgd BGGB|Ac =Fc AGGc|
Bdgd BGGB|Ac=fc A=FFc|_B2BA Bd=fd|cAFB AGG:|
A|_B2BA B2GA|_BABd cBAB|G^fga gfga|=bgaf defd|
gagf d^cde|fdc_B A=FEF|Gg^fg dg=bg|1fdcA AGG:|\
[2fdcB AGHG2|]

%%%

X:44017 
T:CANAMINE HIGHLAND, The 
B:NFID.107 (SD)
C:ABC/arr. BB
Z:Robinson/Black
Q:1/4=140
L:1/8
M:C
R:hornpipe
K:Amix
ed|cAA2 EAAB|cBAB cded|cAAA EAAc|BAGB d2ed|
cAA2 EAAB|cBAB cded|cAAA EAAc|BAGB d2ed||
%
K:Ador
c2ce g2ge|c2 eg a2ab|c2ce g2ge|dBGB A2AB|
c2ce g2ge|c2 eg a2ga|b2af g2e2|dBGB A2AB|
c2ec gcec|c2 eg a2aB|c2ec gce2|dBGB A2AB|
c2ec gcec|c2 eg a2ab|afgf e2e2|dBGB A4|]

%%%

X:44018 
T:CAPTAIN CADBURY'S* (strathspey)
B:NFID.192a ("untitled strathspey")
C:ABC/arr. BB
Q:1/4=140
S:DOD
L:1/8
M:C|
R:hornpipe
K:D % source key = Bb
AFFE DEFB|AFFf ecB2|AFFE DEFB|fedB AF E2:|
FAdA BAdA|FAdA BAF2|FAdA BAdA|fedB AF E2|
FAdA BAdA|FAdf afg2|fgaf gefd|ecdB AFEF|HD4z4|]

%%%

X:44019 
T:CARNDONAGH HORNPIPE*, The 
B:NFID.081b  ("untitled highland")
C:ABC/arr. BB
S:JD
Q:1/4=140
L:1/8
M:C|
R:hornpipe
K:D
B2BG A2AB|defd edBG|B2Bd A2Ag|fae2 d2dc|
B2Bd A2AB|defd edBG|B2Bd A2Ag|faec d2dg||
faaf gabg|afdf edBg|faaf gabg|afef d2dg|
faaf gabg|afdf edBG|B2Bd A2Ag|faef d2D2|]

%%%

X:44020 
T:CARRIGMORE ROAD*  
B:NFID.232a  ("untitled jig")
C:ABC/arr. BB
S:JMcK
N:I should know the actual name of this tune but
it escapes me at the moment.
Q:1/4=160
L:1/8
M:6/8
R:jig 
K:D
E|DB,A, DFA|dcd ecA|BdB AFD|EDE FDB,|
A3 DFA|dcd ecA|BdB AFA|Bdd d2 :|
%
B|AFA dfa|bfb afd|g3 fdf|ede fdB|
AFA dfa|bfb afd|BdB AFA|Bdd d2:|
%
A|dAF AFE|DFE DFA|dcd ede|fdB BAc|
dAF AFE|DFE DFA|d2f ede|fdd d2 :|
%
B|AFA dcd|BAB dAF|DEF EDE|FDB, B,A,B,|
AFA dcd|BAB dAF|DEF EDE|FDD D2:|

%%%

X:44021 
T:CASSIDYS OF TEELIN* (hornpipe), The 
B:NFID.109a ("untitled highland")
C:ABC/arr. BB
N:A version of "All the Way to Galway"
S:SD
Q:1/4=150
L:1/8
M:C|
R:hornpipe
K:Dmix
A2AG ABcA|G2EC GCEG|A2AG ABcA|BGAG FDD2:|
defd cAAc|BGBd cAA2|1 defd cAAc|BGAG FDD2:|
[2 defd cAAA|Bd AG FDEG|HD4z4|]


%%%

X:44022 
T:CAT THAT KITTLED IN JAMIE'S WIG (hornpipe), The 
B:NFID.079a 
C:ABC/arr. BB
S:JD
N:Version of "Loch Leven" ("Women's Rock" or "Cliff" in other 
collections) - but I like Doherty's name better! (I'm hoping
that "kittle" means "having kittens"!)
Q:1/4=140
L:1/8
M:C|
R:hornpipe
K:Ador
cB|: AA,A,B, CDEF|GA GE G2cB|AA,A,B, CDEd|cA BG AecB|
AA,A,B, CDEF|GA GE G2cd|ec Bd c2 eg|
[1 Ac BG ABcB:|2 Ac BG ABcd|:eaaf gfgd|eaaf g2 Bd|
eaaf gfed|eg dB A2cd|eaaf gfgd|eaaf gfga|
BG fa g2 Bd|1 eg dB c2 B2:|2 egdB cBAG|HA4z4|]

%%%

X:44023 
T:CLEAR INTO MORNING*  
B:NFID.160b ("untitled slip jig")
C:ABC/arr. BB
S:F&MB
Q:1/4=150
L:1/8
M:9/8
R:slip jig
K:G
BdB BAB g3|BdB BAB dcA|
BdB BAB g3|gfe fed ecA:|
K:D
afd def g2b|afd dfa gfe|
afd def g2a|gfe fed e^cA:|"final"HD6z3|]

%%%

X:44024 
T:CON CASSIDY'S REEL  
B:NFID.153a 
C:ABC/arr. BB
N:I have removed the "florid" anacrusis at the start
of the tune.
S:CC
Q:1/4=180
L:1/8
M:C
R:reel
K:G % source key = F
FE|DGG2 DGBG|dGeG dGB^d|eage dBGB|A2BG AGEC|
DGG2 DGBG|dGeG dGB^d|eage dBGB|A^GAB =G2:|\
GA|B2ba gage|dbba bagb|abag fgfe|daag af^ga|
b2ba gage|dbba bagb|abag fgfe|Bbaf g2f^d|
e2ed edB^d|egfa gfg^d|eage dBGB|A2BG AGEC|
DGG2 DGBG|dGeG dGB^d|eage dBGB|A^GAB =G4|]

%%%

X:44025 
T:CON'S BASKET OF TURF*  
B:NFID.152a ("untitled jig")
C:ABC/arr. BB
S:CC
Q:1/4=160
L:1/8
M:6/8
R:jig
K:Ador
G|Aee edc|BGB dBG|Aee efg|dBG A2G|
Aee edc|BGB dBG|c2d efg|dBG A2:|
G|Aaa aga|baf ged|eaa aga|baf g2d|
eaa aga|baf geB|c2d efg|dBG A2:|

%%%

X:44026 
T:CONNAUGHT MAN VISITS TYRONE*, The  
B:NFID.229b 
C:ABC/arr. BB
S:PT
N:An interesting version of "Connaughtman's Rambles"
from Tyrone fiddler Peter Turbit.
Q:1/4=160
L:1/8
M:6/8
R:jig
K:Ador
G|EGG BGG|AGG BGG|Agg fed|cAA A2G|
EGG BGG|AGG BGG|Agg fed|cAA A2:|
e|eaa efg|eaa ged|eaa efg|age dcd|
eaa efg|eaa ged|cde ged|cAA A2:|


%%%

X:44027 
T:CONNIE HAUGHEY'S* (reel) 
B:NFID.244b ("untitled reel")
C:ABC/arr. BB
S:PT
N:1:First part not repeated in source.
N:2:I'm sure this tune has other names, but I can't
N:come up wth any of them at the moment!
Q:1/4=180
L:1/8
M:C
R:reel 
K:Edor 
E2GE BEGE|D2FD ADFD|E2GE BEGA|BdAc BEE2:|
gfef gfeg|fdDd fdDf|g2ef gfed|efga baef|
gfef gfeg|fdDd fdD2|efga bage|dBAc BEHE2|]

%%%

X:44028 
T:CONTENTED MIND* (hornpipe), The   
B:NFID.174b ("untitled highland")
C:ABC/arr. BB
S:?
N:M.11 in source: /(3gbg (3faf e2 (3dBA/
Q:1/4=140
L:1/8
M:C|
R:hornpipe
K:Em 
GA|BEBA BEBA|BdFA DEFA|BEBA BEBA|Bd fa BE:|
Ba|gfef gebe|fede fdad|gfef gebe|fede feef|
gbeb gbag|fded fgaf|g2af e2dA|Bdfa BEED|E4z4|]


%%%

X:44029 
T:CREGG'S PIPES (reel) 
B:NFID.169a ("untitled reel")
C:ABC/arr. BB
S:F&MB
N:A nice setting of this "chestnut" from the Byrne
Brothers. Hard to believe nobody could come up with
the name. . .?
Q:1/4=180
L:1/8
M:C
R:reel
K:G
B3d BAGA|B2GB AGED|B2GA BGdG|AdBG AGED|
B3d BAGA|B2GB AGED|Eeed BcdB|AdBe AGFE||
%
DGBG DGBG|DGBG AGEG|DGBA BABc|dBAd BGG2|
DGBG DGBG|DGBG AGEG|DGGA BABc|dBAd BGGB||
%
d2Bd efge|dBGB AGED|d2Bd efgb|agbg ageg|
d3d efge|d2GB AGED|d2Bd efgb|agbg agef|Hg4z4|]

%%%

X:44030 
T:CROAGH LASSES* (hornpipe), The 
B:NFID.108b("untitled highland")
C:ABC/arr. BB
S:SD
Q:1/4=150
L:1/8
M:C|
R:hornpipe
K:G
G2GD G2 Ac|G2G2 EDEF|G2GD G2AB|cAGE DcBA|
G2GD G2 Ac|G2G2 EDEF|G2GD G2AB|cAGE D2Bc||
d2dc d2 eg|d2d2 BABc|d2dc d2d2|cAGE D2Bc|
d2dc d2 eg|d2d2 cA Bc|d2dc d2cd|cAGE DcBA|HG4z4|]

%%%

X:44031 
T:CRUGAMORE STRATHSPEY*, The 
B:NFID.194a ("untitled strathspey")
C:ABC/arr. BB
S:DOD
N:I changed "Cruihagmore" to "Crugamore" as being easier
to spell and pronounce!
N:This tune is almost identical to a reel called "The
Watchmaker"
Q:1/4=140
L:1/8
M:C|
R:hornpipe
K:Ador % source key = F
B|cAAc BGGB|cAAB cdec|cAAc BGGB|cA BG EAA:|
B|c2ec gcec|G2BG dGBG|c2ec gced|eaag eaab|
geeg fddf|ecce dBGB|1 ABcd e2ed|cABG EAA:|
[2 ABcd efab|geeB A4|]

%%%

X:44032 
T:CRUIT ISLAND REEL* 
B:NFID.188c  ("untitled reel")
C:ABC/arr. BB
S:DOD
N:Part 1 resembles "Man of the House"
L:1/8
M:C
R:reel
Q:1/4=180
K:Em 
D|E2BE GABe|E2BG FDDF|E2BE GABG|FdAd FBAF|
E2BE GABe|E2BG FDDF|EFGE FGAF|GdBG FDDF||
EeeB GBAF|EddA FAFD|EedB cABG|FDFA dAFD|
EeeB GBAF|EedA FDDF|Eege fde^c|d^cBA FDDF||
"final"HE4z4|]

%%%

X:44033 
T:DANCING ON THE DOOR* (hornpipe) 
B:NFID.091b ("untitled barndance")
C:ABC/arr. BB
S:JD
Q:1/4=150
L:1/8
M:C|
R:hornpipe % A-B-C-A
K:D
F3E|:D2A,2D2F2|A^GAB A=GFE|D2A,2D2F2|E2cB AGFE|
D2A,2D2F2|A^GAB A2F2|GFEF GABc|d4 d2zg||
P:"B"
fefg agfe|fedc dAdf|e^def efgf|eABc defg|
fefg abag|fgfe dcdf|e^def e=dcB|ABcd efgb|
P:"C"
a^gab aAdf|gfga gAcd|fedc Bgec|dDFA d2eg|
fefg abag|fgfe dcdA|BcdB cdec|d2cB AGFE||
P:"A2"
D2A,2D2F2|A^GAB A=GFE|D2A,2D2F2|E2cB AGFE|
D2A,2D2F2|A^GAB A2F2|GFEF GABc|dBAF HD4|]

%%%


X:44034 
T:DARBY GALLAGHER'S  
B:NFID.057a
C:ABC/arr. BB
S:JD
N:Variant of "East at [Humors of] Glendart" 
Q:1/4=160
L:1/8
M:6/8
R:jig
K:D
A|BAF ADD|FEF DFA|BAF AFD|AFE EFA|
BAF AFE|DFA d2g|fed Bcd|AFD DF:|
c|def d2B|AFA ABc|def def|ede fdB|
def d2B|AFA AFA|gfe fdB|1 "thru"AFD DF:|\
[2 "final"AFE GEC|D6||

%%%

X:44035 
T:DERRYLAHAN HARBOR* (reel) 
B:NFID.169b ("untitled reel")
C:ABC/arr. BB
S:F&MB
N:Source has |dG (3GGG dGBG| in mm 1,3,5, and 7
Q:1/4=180
L:1/8
M:C
R:reel
K:Ador
DGFG dGBG|dGBG ABcA|DGFG dGBG|cBAG ABcA|
DGFG dGBG|dGBG ABcA|DGFG dGBG|cBAG ABcd||
e2df eAAG|egdB GBdf|edef gage|dBgB GABd|
e2df eAAf|e2dB GBdA|Bdef gage|dBgB GABG||
"final"HA4z4|]

%%%

X:44036 
T:DISPUTE AT THE CROSSROADS (reel), The 
T:Doctor Gilbert's 
B:NFID.067b (JD)
C:ABC/arr. BB
S:JD
N:1:This is Doherty's setting of this "big tune".
Michael Coleman's is the definitive version (if
there is such a thing!)
N:2:I have replaced the single-note triplets 
with rolls (e.g./3EEE/  /E2/)
Q:1/4=180
M:C
R:reel
K:Edor
gf|eBBe BABc|d2AF AFDG|eBBA Bdgb|afdf efgf|
eBBe BABc|d2AF AFDd|Bee2 Begb|afdf efgf||
%
eBB2 BABc|d2AF AFDg|eBB2 Begb|afdf egfg|
eBB2 BABc|d2AF AFDd|Bee2 Begb|afdf efgf|
eBB2 gB B2|defg afdf|g2bg f2af|gefd edBb|
afdf edBc|dBAF AFDd|ge e2 Begb|afdf He4|]


%%%

X:44037 
T:DOCTOR PETER'S HORNPIPE 
B:NFID.194c 
C:ABC/arr. BB
S:DOD
N:Bottom note of the double stop ([AF], [ec]) is the
melody note.
Q:1/4=150
L:1/8
M:C|
R:hornpipe
K:D
cB|AD [AF]A BG Bd|AD [AF]A d2cd|eA[ec]e fd fa|\
edcB AGFG| 
AD [AF]A BG Bd|AD [AF]A d2cd|eA[ec]e faec|d2f2d2:|
cd|eA [ec]e fd fa|eAce f2f^e|=ea^gf edcB|A2 ^GB A3=G|
FEFA dfaf|g2b2g2ag|f2 df e2 ce|dfec d2:|

%%%

X:44038 
T:DROPS OF BRANDY 
B:NFID.061b ("untitled slip jig")
C:ABC/arr. BB
S:JD
L:1/8
M:9/8
R:slip jig
Q:1/4=150
K:Amix
fed cBA eAA|fed cBA BGB|
fed cBA eAA|faf gfg BGB:|
Ace aec aec|Ace aec dBG|
Ace aec aec|dcd BGB dcB:|\
"final" HA6z3|]

%%%

X:44039 
T:DROWSY MAGGIE setting 1 (reel) 
B:NFID.235b 
C:ABC/arr. BB
S:Peter Turbit setting
Q:1/4=180
L:1/8
M:C
R:reel
K:Edor
EDBE dEBE|EDBc dAFD|EDEc d2ed|cABc dAFD|
EDBE dEBE|BABc dAFD|EDEc d2ed|cABc dAFD||
dffe dfBf|dffe ceAc|dffe dfff|fefg aece|
dffe dfBf|dffe ceAc|afge fded|BABc dAFD||
"final"HE4z4||

%%%

X:44040 
T:DROWSY MAGGIE setting 2 (reel) 
B:NFID.162a 
S:Byrne Brothers setting
N:First notes of measures 1,2,3,5,6,7,9,11, and 13 are ornamented 
by rolls. I have omitted most of them here as they tend to clog 
up the playback. 
N:1:This setting seems to use D as the tonic instead of the usual
E.
Q:1/4=180
L:1/8
M:C
R:reel
K:Edor
E2BE cEBE|E2Bc AGFD|E2BE cEBA|FABc dAFD|
E2BE cEBE|E2Bd AGFD|E2BE cEBA|FABc dAFA||
d2fd dcBe|cA eA ceAc|d2fe dcBd|cefg aece|
d2fe dcBd|cA eA cdeg|f2ec dcBb|gebg aecA||
"final"HD4z4|]

%%%

X:44041 
T:DROWSY MAGGIE setting 3 (reel) 
B:NFID.068a 
C:ABC/arr. BB
C:John Doherty setting
N:Single-note triplets replaced by quarter-notes.
Q:1/4=180
L:1/8
M:C
R:reel
K:Edor
E2BE ceBe|E2 BG FADF|E2Bd cEBc|dfec dAFD|
E2Bd cEBE|E2BG FADF|E2Bd ceBc|dfec dAFA||
%
d2fd dcBd|cAea ceAc|d2fd dcBA|gbeg aecA|
d2fd dcBd|cdef gbag|fgec dcBA|GABc dAFA|
d2fd dcBd|cA eA ceAc|d2fd dcBA|GABc dAFA|
d2fd dcBd|cdef gbag|fgec dcBA|GABc dAFD||
"final"HE4z4|]

%%%

X:44042 
T:DRUNKEN PIPER (reel), The 
B:NFID.236a
C:ABC/arr. BB
S:JMcK
Q:1/4=180
L:1/8
M:C
R:reel
K:Edor 
BEE2 BEdE|BEE2 BAFB|ADD2 ADBD|ADD2 Bdcd|
BEE2 BEdE|BEE2 BAFE|DEFA BcdB|AFDE FEE2:|
e2de feef|afed Bdd2|f2ef d2ef|dBAF EFGB|
e2de feef|dfaf bfaf|1 gbge fefA|dBAF EFGB:|
[2 gbge fgfe|dBAF EFGA|BEED HE4|]

%%%

X:44043 
T:DRUNKEN REEL, The 
B:NFID.236b 
C:ABC/arr. BB
S:PT
Q:1/4=180
L:1/8
M:C
R:reel
K:Edor
GA|BEE2 BEdE|BEE2 AGFG|ADD2 ADFA|ADD2 ADFA|
BEE2 BEdE|BEBc dcBA|dcde fgfe|dcBA EF:|
GB|Acec d2cB|Acec d2cB|Acec d2dB|A2FD EFGB|
Acec d2cB|Acec d2cB|Acec d2dB|A2FD EFGB||
"final"HE4z4||
 
%%%

X:44044 
T:ERRIGAL BRAES (reel), The 
B:NFID.236c 
C:ABC/arr. BB
S:PT
N:1:The source shows measure 4 and 8 as 2/4 (cAGG and A,G,=CE). 
I have added a version with all measures in 4/4 (the effect
on dancers of a 2/4 measure in a reel can only be imagined). 
N:2:The source doesn't show any accidentals in the A part, but
I think C natural sounds better than C sharp in measures 4
and 8. (You can restore them to C sharp by deleting the =).
L:1/8
M:C
R:reel 
Q:1/4=180
K:D
Addc d3B|Adeg fdec|BcBA G2AB|=c3A cBAG|
Addc d3B|Adeg fdec|BcBA G2AB|=cAGE FDD2||
FDAD FDD2|ED=CE FDED|FDAD ED=CG,|A,G,=CE FDED|
FDAD FDD2|ED=CE FDED|FDAD ED=CG,|A,3B, =C2E2||
"final"HD4z4|]

Source version:
Addd d2DD|Adeg fdec|BcBA G2AB|[M:2/4] cA GG|
[M:C]Addd d2dd|Adeg fdec|BcBA G2AB|cAGE FD (3DDD||
FDAD FD (3DDD|ED=CE FD (3DDD|FDAD ED=CG,|A,G,=CE FD (3DDD|
FDAD FD (3DDD|ED=CE FD (3DDD|FDAD ED=CG,|[M:2/4] A,G, =CE||

%%%

X:44045 
T:EWE WITH THE CROOKED HORN (hornpipe), The 
B:NFID.079b 
C:ABC/arr. BB
S:JD
N:Source structure A-B-A, no repeats.
Q:1/4=150
L:1/8
M:C|
R:hornpipe 
K:Gmix
P:"A"
E|G2DG B,GDE|F2CF _BFA^F|G2DG B,GDG|Bd cA BGGD|
G2DG B,GDE|F2A,F CFA,^F|G2DG B,GDG|Bd cA BGGf||
P:"B"
gdBd gbag|fcAc fagf|gdBd gbag|fdcA BGGf|
gdBd gbag|fcAc fagf|g2gg gbag|fdcA BGAF||
P:"A2"
G2DG B,GDE|F2CF _BFA^F|G2DG B,GDG|BdcA BGGD|
G2DG B,GDE|F2A,F CFA,^F|G2DG B,GDG|BdcA BGHG2|]



source version:
(3DEF|G2DG B,GDE|=F2CF _BFA^F|G2DG B,GDG|Bd cA BGGD|
G2DG B,GDE|(3=FGF A,F CFA,^F|G2DG B,GDG|Bd cA BGGf||
gdBd gbag|=fcAc fagf|gdBd gbag|(3=fed cA BGGf|
gdBd gbag|=fcAc fagf|g2gg gbag|FD cA BGAF||
P:Part A repeat
G2DG B,GDE|=F2CF _BFA^F|G2DG B,GDG|Bd cA BGGD|
G2DG B,GDE|(3=FGF A,F CFA,^F|G2DG B,GDG|Bd cA BGG2|\
"final"HG4z4||

%%%

X:44046 
T:FAIR DAY IN CARRICK*  
B:NFID.151b ("untitled jig")
C:ABC/arr. BB
S:CC
N:I'm not sure if this is supposed to be in A dorian
or A mix (or both), since the C's as notated in the 
source seem to be a little ambiguous. In any event
the ABC reproduces what's in the book (note I added
a second ending to the B part).
Q:1/4=160
L:1/8
M:6/8
R:jig
K:Am 
d|cBA BAG|EAA A2B|cBc Adc|BGG G3|
g^fg age|dcB g2^f|edc Bcd|1 e^cA ^fe :|2 e^cA A2||
|:g|ae^c ae^c|A^GB A2^f|gdB gdB|G^FA GAB|
=cBc d^cd|e^de a2g|edc Bcd|1 e^cA A2 :|
[2 "final"e^cA ^fed|cBA BAG|A6|]

%%%

X:44047 
T:FAIR DONEGAL* (waltz) 
B:NFID.094 (as "Mazurka")
C:ABC/arr. BB
S:JD
N:There are an additional two measures in part C of 
the original. I have removed them in my edited version.
Q:1/4=160
L:1/8
M:3/4
R:waltz
K:A
P:"A"
EA cd ce|Ac ea ce|df B2 Ba|gf fe e2|
EA cd ce|Ac ea ce|df Bc BA|GB A2 AE|
P:"B"
AB cd cE|Ac ea ec|df B2 ba|gf fe e2|
EA cd cE|Ac ea ec|df Bc BA|BG A2 AE||
P:"C"
Ac e2 ec|eg a2 ab|(3agf e2 ea|FD c2 cB|
Ac e2 ec|eg a2 ab|(3agf e2 ea|cd e2 B2||
P:"D"
|:e^d eB ge|fa fB ^df|e^d eB ge|1 fa fB ^df:|2 e4|
P:"E" 
|:B2|cd BA eA|cd BA eA|Bc B=G dG|Bd B=G dG|
cd BA eA|cd BA eA|GA Bc (3dBG|1 A2 B=G:|2 A6||


Source version:
z2|EA cd ce|Ac ea ce|df B2 Ba|gf fe e2|
EA cd ce|Ac ea ce|df Bc BA|GB A2 AE|
P:Part B
AB cd cE|Ac ea ec|df B2 ba|gf fe e2|
EA cd cE|Ac ea ec|df Bc BA|BG A2 AE||
P:Part C, 10 measures
Ac e2 ec|eg a2 ab|(3agf e2 ea|GE d2 dg|FD c2 cB|
Ac e2 ec|eg a2 ab|(3agf e2 ea|GE d2 cB|cd e2 B2||
%D 4m
|:e^d eB ge|fa fB ^df|e^d eB ge|1 fa fB ^df:|2 ef dc|| 
%E
|:AB|cd BA eA|cd BA eA|Bc B=G dG|Bd B=G dG|
cd BA eA|cd BA eA|GA Bc (3dBG|1 A2 B=G:|2 A6||
%%%

X:44048
T:FALCARRAGH HOUSE* (hornpipe) 
B:NFID.246c (PT) ("untitled hornpipe")
C:ABC/arr. BB
S:PT
N:I wasn't sure what the source notation was trying to tell
me about pickup notes and first endings, so I simplified 
things a little. 
Q:1/4=150
L:1/8
M:C|
R:hornpipe 
K:G % source key = A
BA|GBAB GBdB|cBAB cdef|gdBc dcBG|=FGAB cAF2|
GBAB GBdB|cBAB cdef|gdBA GBdc|B2A2G2:|
ef|g2dB GBdB|cBAB cdef|gdBc dcBG|=FGAB cAF2|
GBAB GBdB|cBAB cdef|gdBA GBdc|B2A2G2:|

%%%

X:44049 
T:FIDDLER DOYLE'S* (reel) 
B:NFID.105b ("untitled reel")
C:ABC/arr. BB
S:SD
N:Lower note of the double-stop is the melody note.
Q:1/4=180
L:1/8
M:C
R:reel
K:Dmix
d|A2AG Addc|A2AG ECCE|A2AG Adde|f3e fdd2|
A2AG Addc|A2AG ECCE|A2 AG Adde|f3e fdd:|
e|:fd^cd [eA][fB]ce|fd^cd efge|fd^cd [eA][fB]ce|eaag edde|
fd^cd [eA][fB]ce|fd^cd efge|a2ag egfg|1 aged ^cAAG:|\
[2 aged ^cAGE|HD4z4|]

%%%

X:44050 
T:FIVE MEADOW CHASE (reel), The 
B:NFID.068b 
C:ABC/arr. BB
S:JD
N:1:Since this tune is closer to "New Mown Meadows" than 
to the "Five Mile Chase" (O'Neill's "Four Hand Reel") 
that I know, I took the liberty of renaming it.
N:2:|A2| replaces |(3AAA|.
N:3:I removed the anacrusis |ga| because it seems incorrect. 
I also added a second ending.
Q:1/4=180
L:1/8
M:C
R:reel
K:D
d|eAA2 BGBd|egfd edBg|eAA2 BGBc|d2ec dBAG|
eAA2 BGBd|egfd edBa|g2bg faec|dfec dBA:|
g|fdad BdAd|fafd cdeg|fdad BdAd|dfec dBAG|
fdad BdAd|fafd cdef|gbag faec|1 dfec dBA:|\
[2 dfec AGFE|HD4z4|]

%%%

X:44051 
T:FLORA MCDONALD'S REEL 
B:NFID.187a
C:ABC/arr. BB
N:I added the second ending.
Q:1/4=180
S:DOD
L:1/8
M:C
R:reel
K:Edor
E2EF BAFD|E2Ec dAFD|E2EF EFGA|BdAd FDDF:|
Eeed eEEF|Eeec dDDF|Eeed Bcde|1 faef dDDF:|
[2 faef dBAF|HE4z4|]

%%%

X:44052 
T:FOLLOW ME DOWN TO LIMERICK  
B:NFID.099a 
C:ABC/arr. BB
S:SD
Q:1/4=160
L:1/8
M:9/8
R:slip jig
K:Gmix
d|cAG GDG G2F|DGG GFG Bcd|
cAG GDG G2E|1 FGA fed cA:|\
[2 FGA f2d cA||
%
^F|GBd ga^f g2f|de^f gbg afd|
[1 cde fge f2d|cde f2d cA :|
[2 bag agf g2d|cde f2d cA ||
%
G|BGB AFA G2A|B2B GBd cBA|
f2f ece d2E|1 "thru"FGA f2d cA :|
[2 "final" FGA EFG ABA|HG6z3|]

%%%

X:44053 
T:FOUR COURTS (reel), The 
B:NFID.237a 
C:ABC/arr. BB
S:JMcK 
L:1/8
N:Use upper note of the double stop as the melody note.
Q:1/4=180
M:C
R:reel
K:G
ADD2 ADBD|ADD2 G2FG|ADD2 BGFG|Bd cA G2FG|
ADD2 ADBD|ADD2 G2FG|ADD2 BGFG|Bd cA  G3||
%
F|E2BE dEBE|B3A GAGF|E2BE dEBE|BcBA GAGF|
E2BE dEBE|BABA GABc|d2^cd dBGA|Bd cA G3||
%
B|A2D2 [G2B2][G2B2]|[F2A2][F2A2] GFED|[A4D4] [G2B2][G2B2]|\
[G3B3]c B2dB|
A4B2B2|ABAF GABc|d^cde dBGA|Bd cA HG4|]

%%%

X:44054 
T:FRANCIE QUINN'S*  
B:NFID.185b ("untitled slip jig")
C:ABC/arr. BB
S:DOD
Q:1/4=160
L:1/8
M:9/8
R:slip jig
K:A 
c2A ABA ecA|cec aec fga|
c2A ABA ecA|BcB fdB Bcd:|
cde aec aec|cec aec fga|
cec aec aec|BcB fdB Bcd:|
"final"HA6z3|]

%%%

X:44055 
T:FRANCIE WELSH'S BARNDANCE  
B:NFID.092a 
C:ABC/arr. BB
S:JD
Q:1/4=160
L:1/8
M:6/8
R:jig
K:D
F2G|: [A3F3] d3|DFA d2f|e^d2 eg2|[B3G3] c2B|
A2B c2d|eg2 B2c|dfe dcB|A3 F2G|
[A3F3] d3|DFA d2f|e^d2 eg2|[B3G3] c2B|
A2B c2d|eg2 B2c|d3 d3|1 d3z D/F/G/^G/:|2 d3 ^d2||
%
f|ecA EAc|e3 a2g|fdA FAd|f3 a3|
^gbg [f3d3]|efe d3|cac B2c|A3 F2G|
[A3F3] d3|DFA d2f|e^d2 eg2|[B3G3] c2B|
A2B c2d|eg2 B2c|d3 d3|Hd6|]

%%%

X:44056 
T:FRUIT OF THE VINE* (reel), The 
B:NFID.104c ("untitled reel")
C:ABC/arr. BB
S:SD
N:Note that only Part 2 repeats.
Q:1/4=180
L:1/8
M:C
R:reel
K:Edor
A|BAFD E2ED|E2BE DEFA|BAFD EGFD|E2EG ADDA|
BAFD E2ED|E2BE DEFA|BAFD EGFA|BAGE FDD||
A|cdeg faec|d2Ad BEE2|d2eg faec|dBAG FDFA|
cdeg faec|d2Ad BEEB|agfa gfec|1dBAF DEF:|
[2 dBAF DEFD|HE4z4|]

%%%

X:44057 
T:GALLAGHER'S MARCH (1)  
B:NFID.085b 
S:JD
Q:1/4=160
L:1/8
M:6/8
R:jig 
N:Source structure A(16)-B(8 repeated)-A(16)
K:Amix
d|cBA eAA|fed cBA|def gfg|BcB Bcd|
[1 cBA eAA|fed cBA|c2e dB^G|ABA A2:|
[2 e3 ef^g|aed cBA|c2e dB^G|ABA A2||
%
^g|afa geg|fed cBA|def gfg|BcB B2^g|
afa geg|fed cBA|c2e dB^G|1 ABA A2:|\
[2 "final"ABG HA3|]

%%%

X:44058 
T:GALLAGHER'S MARCH (2)    
B:NFID.175b 
C:ABC/arr. BB
Q:1/4=160
S:F&MB
L:1/8
M:6/8
R:jig
K:Amix
d|cBA ecA|fed cBA|dfa gfg|BdB Bed|
cBA ecA|fdf ecA|c2e dBe|ABA A2:|
d|agf g2e|fdf ecA|dfa gfg|BcB B2^g|
agf g2e|fdf ecA|cec dBe|ABA A2:|

%%%

X:44059 
T:GANDER'S STRUT (hornpipe), The 
B:NFID.246a 
C:ABC/arr. BB
S:PT
N:An unusual "single" hornpipe (16 bars instead
of 32). Maybe the gander got tired?
Q:1/4=150
L:1/8
M:C|
R:hornpipe
K:G
BAGE D2D2|BAB^c d2d2|cBAG E2E2|D2EF G2G2:|
Bdef gfed|Bd eg a2a2|Bdef gfed|BGAF G2G2:|

%%%

X:44060 
T:GHOST OF BUNGLASS (air), The  
B:NFID.091a 
C:ABC/arr. BB
S:JD
Z:Robinson/Black
Q:1/4=80
L:1/8
M:6/8
R:jig
K:G
DEF|: G2G G2D|G2G G2B|d2B g2B|A2G E2D|
G2G G2D|G2G G2E|D2C B,2A,|1 G,3-G,2D:|2 G,3-G,2f||
|:g2a b2g|e2d B2d|g2a b2g|e3 e2g|
fga d2g|fga d2f|ecA dAF|1 G3-GBd:|2 HG6|]

%%%

X:44061 
T:GLENHEAD REEL*, The 
B:NFID.242c ("untitled reel")
C:ABC/arr. BB
S:JMcK 
Z:Robinson/Black
Q:1/4=180
L:1/8
M:C
R:reel 
K:D 
B,C|D2ED ADBA|f2fe dBB2|AFEF DFAF|BFAF EGFE|
D2ED ADBA|f2fe dBB2|AFEF DFAF|EDEF D2 :|
Bc|defe dfaf|g2bg affe|dBBA FAde|f2gf efde|
fgaf g2bg|affe dBB2|AFEF DFAF|EDEF D2:|

%%%

X:44062 
T:GLORY REEL, The 
B:NFID.162b 
C:ABC/arr. BB
S:F&MB
Z:Robinson/Black
N:An unusual 3-part reel from the Byrne Brothers
Q:1/4=180
L:1/8
M:C
R:reel
K:G
G2BG dGBG|G2BG AFDF|GBBG dGBG|c2Bc AFDF:|
%
K:Edor
E2B2B2 cA|BGEG AFDF|[B4E4] [B2E2] cA|BdcB AFDF|
[B4E4] [B2E2] cA|BGEG AFDF|[B4E4] [B2E2] cA|BdcB AFD||
%
K:G
f|gagf edef|g2fg ecAF|gagf e2af|1gefd ecA:|
[2 gefd ecAF|HG4z4|]

%%%

X:44063 
T:GORTMORE JIG*, The 
B:NFID.232b ("untitled jig")
S:PT
Z:Robinson/Black
C:ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
R:jig 
K:Ador
G|ABA A2B|G2G G2B|ABA ABd|e2d efg|
ABA A2B|G2G GAB|c2A BAG|A3A2:|
f|g2e e2f|gfe dBA|g2e e2f|g2a b2a|
g2e e2f|gfe dcB|c2A BAG|A3A2:|

%%%

X:44064 
T:GRANIA'S WELCOME HOME part 1 (march) 
B:NFID.086-1 
F:file ID nfid/064gwh1
C:ABC/arr. BB
S:JD
Z:Robinson/Black
Q:1/4=160
L:1/8
M:C
R:march
K:Amix
d|e3d c2A2|e2A2 Bcd2|e3d c2A2|G2D2 GBc2|
e3d c2A2|e2A2B2A2|G2Bd gfge|d2G2 G2B :|
f|edc2 agfa|e2A2 Bcdf|ed c2 gfeg|d2G2 Bcdf|
edc2 agfa|gfeg f2ec|1d2ef gfge| d2G2 Bcd:|\
[2 d2ef gfgd|e2A2 A4|]

%%%

X:44065 
T:GRANIA'S WELCOME HOME part 2  
B:NFID.086-2 
C:ABC/arr. BB
S:JD
Z:Robinson/Black
N:Related to "The Mooncoin"
Q:1/4=160
L:1/8
M:6/8
R:jig
K:Amix
eAA cBA|eAA fga|eAA d2e|dBG Bcd|
eAA cBA|edc B2A|GBd gfe|dBG Bcd:|
cBA aga|ecA Bcd|cBA gfg|dBG Bcd|
cBA aAA|gAA f2e|def gfe|1dBG Bcd:|\
[2 dBG Bcd|HA6||

%%%

X:44066
T:GRANIA'S WELCOME HOME part 3 (reel) 
B:NFID.086-2 
C:ABC/arr. BB
S:JD
Z:Robinson/Black
Q:1/4=180
L:1/8
M:C
R:reel 
K:A modal
ed|cdBc ABcd|eaec eaed|cdBc A2Bc|1 d3c d2:|\
[2 dedc d3||
e|:fdfa ecAc|e^def ecAg|fdfa ecAc|dedc d2eg|
[1 fdfa ecAc|e^def ecAg|fdfg aece|dcde faed:|
[2 fdfa ecAc|e^def e^gfg|aece fdBA|^GABc dfed|
"final"ceBe A2HA,2|]

%%%

X:44067 
T:GRAVEL WALKS TO GRAN(N)IE (reel), The 
B:NFID.161 
C:ABC/arr. BB
S:F&MB
Z:Robinson/Black
N:The first setting of this tune is the version most
usually heard today. The second setting is the A-modal
source version. 
Q:1/4=180
L:1/8
M:C
R:reel 
K:Ador
A2eA BAeA|A2ed BAGB|A2eA BAfa|gedc BAGB|
A2eA BAeA|A2ed BAGB|A2eA BAfa|gedc BAGB||
%
A2 aA gAfA|A2 eA BAGB|A2 aA gAfa|gedc BAGB|
A2 aA gAfA|A2 eA BAGB|ABcd egfa|gedc BAGB ||
%
cA A2 AGAB|cA A2 BGBd|cA A2 A2fa|fage dBGB|
cA A2 AGAB|cA A2 BGBd|cA A2 A2eg|fage dBGB||
%
c2gc acgc|c2gc BAGB|c2gc acef|gedc BAGB|
c2gc acgc|c2gc BAGB|ABcd egfa|gedc BAGB||\
"final"HA4z4||


Source version:
%X:440672 
T:GRAVEL WALKS TO GRAN(N)IE (reel), The 
B:NFID.161 
C:ABC/arr. BB
S:F&MB
Z:Robinson/Black
Q:1/4=180
L:1/8
M:C
R:reel 
K:A modal
AAeA BAeA|Aaed BAGB|AAeA BAfa|gedc BAGB|
AAeA BAeA|Aaed BAGB|AAeA BAfa|gedc BAGB||
A2aA gAfA|A2eA BAGB|A2aA gAfa|gedc BAGB|
A2aA gAfA|A2eA BAGB|ABcd egfa|gedc BAGB:|
cAA2 AGAB|cAA2 BGBd|cAA2 A2fa|fage dBGB|
cAA2 AGAB|cAA2 BGBd|cAAG A2eg|fage dBGB||
=c2gc acgc|=c2gc BAGB|=c2gc acef|ged=c BAGB|
=c2gc acgc|=c2gc BAGB|AB=cd egfa|ged=c BAGB:|


%%%

X:44068 
T:GUSTY'S FROLICS  
B:NFID.058a
C:ABC/arr. BB
Q:1/4=160
S:?
L:1/8
M:9/8
R:slip jig
K:D 
A,DD A,DD FEF|A,DD DFA GE=C|A,DD DCD FDF|GAG E=CE GE^C|
A,DD DCD FEF|A,DD DFA GE=C|A,DD DCD FEF|GAG E=CE GFE||
%
FDF ABG A2G|FDF ABc dAG|FDF ABG A2F|GFG E=CE GFE|
FDF ABG A2G|FDF ABc dAG|FED dcB A2F|GFG E=CE GFE||
%
Add Add fdf|Add dfa gec|Add Add fdf|gag ece gec|
Add Add fdf|Add dfa gec|Add dcd fdf|gag ece gfe||
%
dfd cec d2B|AFD DED AFD|GBd d=cB cBc|1 GEB, =CEF GED:|\
[2 GEB, =CEF GE^C|"final"D6z3||

%%%

X:44069 
T:HAMMER THE TIN*  
B:NFID.100c ("untitled jig")
C:ABC/arr. BB
Q:1/4=160
S:SD
L:1/8
M:6/8
R:jig
K:Dmix
G|FED EFG|A2G FED|f2d efd|cAG FED|
F2D EFG|A2G FED|f2d cAG|1 Add d2:|\
[2 fad fa||
d|faa agf|egc egc|egg gfe|fef gfe|
aba gfe|fed cAG|f2d cAG|Add d2:|

%%%

X:44070 
T:HARDIMAN'S FANCY  
B:NFID.182b 
C:ABC/arr. BB
S:DOD
N:This tune is notated with cut time throughout. 
De Danann recorded it as "Joe Derrane's". 
Q:1/4=160
L:1/8
M:6/8
R:jig
K:Bm
A|BdB BAF|AFE EFE|DFA def|afe dBA|
B2A BAF|AFE EFE|DFA def|edB B2:|
d|efe edB|AFF dFF|def afa|bc'b afa|
bff afa|baf edB|def afd|edB B2:|

%%%

X:44071 
T:HARE IN THE CORN (reel), The 
B:NFID.069a 
C:ABC/arr. BB
N:1:This is a version of "Curragh Races"/"Maid in the Cherry
Tree" that only makes sense if it's considered an A dorian mode) 
tune instead of the source's A major.
N:2:Source shows a /g2a/ anacrusis that I replaced with /g/
S:JD
Q:1/4=180
L:1/8
M:C
R:reel
K:Ador
g|eABA eABA|GBde dBGg|e2 cA eAcA|dBGB Agfa|
e2 cA eAdB|GBde dBGB|c2Ac B2GB|1 dBGB Agf :|\
[2 dBGB AGA||
B|c2ec gece|c2 ec dBGB|c2ec gcec|dBGB AGAB|
cdef g2fg|afge dBGB|c2Ac B2GB|1 dBGB AGA :|\
[2 dBGB HA4|]

%%%

X:44072
T:HARVEST MOON (reel), The 
B:NFID.103a
C:ABC/arr. BB
N:To me this sounds better as a modal tune, although 
it isn't presented that way in the source. I have
raised it a step from the original to facilitate
performance by instruments that don't handle F
naturals easily.
S:SD
Q:1/4=180
L:1/8
M:C
R:reel
K:Amix % source key Gmix
F|EAAF GABG|AEEF GEDG|EAAF GABd|e2dB A2AG|
EAAF GABG|A2AF GEDG|EAAF GABd|e2dB BAA:|
f|g2ef gdBA|g2ef g2ba|g2ef gdBf|gage d2ef|
g2ef gdBf|g2ef g3a|b3a gafg|e2dB BAA:|


Source version:
K:Gmix
z2|:E|DGGE FGAF|GDDE FDCF|DGGE FGA^c|d2cA G2GF|
DGGE FGAF|G2GE FDCF|DGGE FGA^c|d2cA AGG:|
e|f2de fcAG|f2de f2ag|f2de fcAe|fgfd c2de|
f2de fcAe|f2de f3g|"15"a_bag fgef|1d2cA AGG:|
[2 d2cA AGG2- | HA4z4|


%%%

X:44073 
T:HAWK'S NEST* (hornpipe), The 
B:NFID.082a  ("untitled highland")
C:ABC/arr. BB
S:JD
Q:1/4=150
L:1/8
M:C|
R:hornpipe 
K:Dmix % source key = C
B|ABAG ABcA|G2EF GCEG|A2AG AcBd|cAGE EDDG|
ABAG ABcA|G2EF GCEG|A2A^G AcBd|cAGE FDD:|
K:D
c|d2dc dfed|cdef gece|d2dc dfed|cA GE FDDc|
d2dc dfed|cdef gece|agfa gedB|cAGE FDD:|

Source version:
K:C
(3AB^c||ded^c defd|(3cdc AF cFA^c|(3ddd d^c dfeg|fdcA AGGc|
ded^c defd|(3cdc AF cFA^c|ddd^c dfeg|fdcA BGG^f||
K:G
g2gf gbag|fgab c'afa|g2gf gbag|FD cA BGGf|
g2gf gbag|fgab c'afa|d'c'bd' c'age|fd cA Ggfg||

%%%

X:44074 
T:HAY FOR THE COW*  (barn dance) 
B:NFID.109c ("untitled barndance")
C:ABC/arr. BB
S:SD
N:I have replaced the second part of the source version
because its range and accidentals make it pretty much
unplayable to 99% of musicians! (The cow didn't have
any problems with that.)
Q:1/4=150
L:1/8
M:C|
R:hornpipe
K:D
FG|AFAd f2d2|edef B3d|c2EF G3A|BAAB A2F2|
AFAd f2d2|edef B3d|c2EF GABc|d2e2d2:|
ag|fdad f2f2|egdc B2Bd|cBGA c3d|e2dB A2a2|
fdad f2f2|egdc B2Bd|cBGA c3d|e2 dc d2:|

Source version:
FG|AFAd f2d2|e^def B3d|c2EF G3A|BAAB A2F2|
AFAd f2d2|e^def B3d|c2EF GABc|d2e2d2:|
ag|fdad f2f2|e^de^a b2bd'|c'bge c3d|e2 dB A2a2|
fdad f2f2|e^de^a b2bd'|c'bge c3d|e2 dc d2:|

%%%

X:44075 
T:HEART OF ME KITTY 
B:NFID.099b 
C:ABC/arr. BB
S:SD
Z:Robinson/Black
N:A close relative of "Swallowtail Jig".
Q:1/4=160
L:1/8
M:6/8
R:jig
K:Em % source key = Am
F|GEE BEE|FEE BAG|FDD ADD|d2d AFD|
GEE BEE|FEE B2^c|d2d AFD|GEE E2 :|
z|e3 e2f|edf edB|d3 def|ged edB|
e3 e2f|g2g fe^c|d2d AFD|GEE E2:|

Source version:
N:Source has Part 2 measure 11 as |def g3 gab|. Since a stray
9/8 measure doesn't seem to fit, I have removed the |def|.
K:Am 
B|cAA eAA|BAA edc|BGG dGG|g2g dBG|
cAA eAA|BAA e2^f|g2g dBG|cAA A2:|
z|a3 a2b|agb age|"11"g3 gab|c'ag age|
a3 abc'|c'2c' ba^f|g2g dBG|cAA A2:|


%%%

X:44076 
T:HIGH ROAD TO NAVAN*  
B:NFID.061b ("untitled slip jig")
C:ABC/arr. BB
S:JD
Q:1/4=150
L:1/8
M:9/8
R:slip jig
K:Em
G2A Bee ege|GFG BGB AFD|
G2A Bee Bee|d^cd A2G FED:|
d^cd fdf ecA|d^cd fdf gec|
d2e f^ga e^cA|B^cd ABG FED:|\
"final" E6z3||

%%%

X:44077 
T:HIGHLAND MAN WHO KISSED HIS GRANNIE (reel), The 
B:NFID.237b 
C:ABC/arr. BB
S:PT
N:This is a version of "Tie the Bonnet" (ONMI #1350). Source
has the drone note as D, which I'm sure is the way that Turbit
played it. I personally think it should be E, so in the ABC 
I changed measures 5-7 accordingly. See which version you prefer!
(And if you don't care about drones, just play A.)  
N:2:Source version has repeats which I have removed.
Q:1/4=180
L:1/8
M:C
R:reel
K:Ador
[A2D2] [AD]g fdec|[A2D2] [AD]A BAGB|[A2D2] Ag fdef|g2gd BGGB|
[A2E2] [AE]g fdec|[A2E2] AA cA GB|[A2E2] Ag fdef|g2gd BGGB|
K:Amix
eaaf gfed|cAeA cAeA|eaaf gfef|g2gd BGGB|
eaaf afed|cAeA cAeA|afge fdef|g2gd BGGB|"final"HA4z4|]

%%%

X:44078 
T:HOLLY BUSH (reel), The 
B:NFID.238a 
C:ABC/arr. BB
S:PT
Z:Robinson/Black
L:1/8
M:C
R:reel
Q:1/4=180
K:Dmix
FG|A2FA DAFA|Adde fded|cGFG EGAG|cded cABG|
A2 FA DEFG|Adde fded|cGFG cded|cAGE D2:|
FG|Addc defg|adde dcAB|c2cB cd eg|aged cAG2|
Addc defg|adde dcAB|cGFG cded|cAGE D2:|\
"final"cAGE HD4|]

%%%

X:44079 
T:HOUSE WITH NO ROOF*, The 
B:NFID.186a  ("untitled slip jig")
C:ABC/arr. BB
S:DOD
Q:1/4=160
L:1/8
M:9/8
R:slip jig
K:D
F|E2B BAF Bcd|E2B BAF A2F|
E2B BAF Bcd|edB BAF A2:|
c|d2f fdB Bcd|c2e ecA ABc|
[1 d2f fdB Bcd|cBA BAF A2:|
[2 a2a aec Bcd|edB BGE HD3|]

%%%

X:44080 
T:HUMORS OF FINNTOWN* (reel), The 
B:NFID.244a ("untitled reel")
C:ABC/arr. BB
S:JMcK 
Q:1/4=180
L:1/8
M:C
R:reel 
K:Dmix
A3c BGGB|AFFD EDD2|A3c BGGB|efec d4|
A3c BGGB|AFFD E2D2|A3c BGGB|efec d2||
K:D
Ac|d2fd gdfd|efec dcBA|d2fd gdf2|efec d2 Ac|
d2fd gdf2|efec dcBA|A3=c BGGB|efec d4|]

%%%

X:44081 
T:HUMORS OF GLENDART, The  
B:NFID.230a
C:ABC/arr. BB
S:JMcK
Q:1/4=160
L:1/8
M:6/8
R:jig
K:D
A|BAF AFD|FEF DFA|BAF AFD|FEE E2A|
BAF AFD|FEF DFA|dcB AFE|FDD D2:|
A|def d2B|AFA AFA|def def|ede fBA|
def d2B|AFA AFA|dcB AFE|FDD D2:|

%%%

X:44082 
T:HUMORS OF WHISKEY, The 
B:NFID.159a 
C:ABC/arr. BB
S:F&MB
Q:1/4=150
L:1/8
M:9/8
R:slip jig
K:D
gfe fBB fBB|gfe fBB fga|
gbe fBB fBB|agf efd cBA:|
d2e fdf ecA|d2e fdf gfe|
d2e fdf efg|agf efd cBA:|
"final"HD6z3|]

%%%

X:44083 
T:IDLE ROAD, The  
B:NFID.100b ("untitled jig")
C:ABC/arr. BB
S:SD
Q:1/4=160
L:1/8
M:6/8
R:jig
K:G
E|DBB Dcc|DBB c2e|dBG FGA|BGB AFD|
DBB Dcc|DBB c2e|dBG FGA|BGG G2:|
G|GBd efg|fed cAF|G2G g2g|afd cAF|
DBB Dcc|DBB c2e|dBG FGA|BGG G2:|

%%%

X:44084 
T:IRISH HIGHLAND, The 
B:NFID.108a
C:ABC/arr. BB
S:SD
N:NFID has only the low A at the end of each phrase.
L:1/8
Q:1/4=150
M:C
R:hornpipe
K:Amix
A2AB c2e2|dcBA G2D2|A2AB c2BA|B2e2 [A4A,4]|
A2AB c2A2|B2BA G2E2|e2ed c2BA|1 B2e2 [A4A,4]:|\
[2 B2e2 [e4A4]||
A3B c2A2|B2BA G2E2|A2AB c2BA|B2e2 [A4A,4]|
A3B c2A2|B2BA G2E2|e2ed c2BA|B2e2 [A4A,4]|
e2ed c2A2|B2BA G2E2|e2ed c2BA|B2e2 [A4A,4]|
[e3A3]d c2A2|B2BA G2[B,2E2]|e2ed c2BA|B2e2 [A4A,4]||

%%%

X:44085 
T:IRISH STEW* (reel) 
B:NFID.172 ("untitled reel")
C:ABC/arr. BB
S:F&MB
N:This reel seems to be comprised of parts of other tunes -
maybe "Morning Dew" in part A, "Glass of Beer" in part B, 
"Miss Patterson's Slippers" in part D!
Q:1/4=180
L:1/8
M:C
R:reel
K:Edor
P:"A"
E2E2 BAFD|E2 E2 dAFD|E2E2 BAFA|BdAB FADF:|
P:"B"
Beed BcdA|Beec dAFA|Eeed Bcde|eg ef dAFA|
Eeed BcdA|Beef dAFD|Eeed Bcde|faef dAFE||
P:"C"
fB B2 fece|fBfb eAce|fB B2 fece|faef ceAG|
fB B2 fece|fBfb eAce|fB B2 fece|faef ceAD||
P:"D"
B,EEF GEFD|A,DDE FDED|B,EEF GFGB|AFdf FEED|
B,EEF GEFD|A,DDE FDED|GBGB FBFB|AFdF HE4|]

%%%

X:44086 
T:IVY LEAF (reel), The 
B:NFID.103b 
C:ABC/arr. BB
S:SD
Z:Robinson/Black
Q:1/4=180
L:1/8
M:C
R:reel % A-BB
K:Ador
E|A2eA BAe2|fgfa gedB|A2eA BAeA|BAGD EAA:|
B|a2ag abaf|g2gf gagB|a2ag abaf|gedB A4|
a2ag abaf|g2gf gage|b2af gedg|1 "thru"eaa2 ged:|\
[2 "final"eaa2 gedB|HA4z4|]

%%%

X:44087 
T:JIMMY LYONS' HIGHLAND* (hornpipe)
B:NFID.155b ("untitled highland")
C:ABC/arr. BB
S:CC 
Q:1/4=150
L:1/8 % dotted rhythm in part A
M:C|
R:hornpipe
K:Amix
cAAG EAAB|cAAa a^gae|cAAG EAA=c|BAGB dged:|
%
K:Ador
cEef gedB|cBAb aged|cBcd efge|dBGB dged|
cEef gedB|c2Bb a2ga|bgaf gage|dBGB dged|\
"final"HA4z4|]

%%%

X:44088 
T:JOHN MCNEIL'S REEL 
B:NFID.187b 
C:ABC/arr. BB
N:Sometimes called "Big John McNeill's"
S:DOD
Q:1/4=180
L:1/8
M:C
R:reel
K:A
B,|A,2CE FECE|AECE FECE|A,2CE FECE|FCEC B,DCB,|
A,2CE FECE|AECE FECE|B,DCE DFE=G|FA=GB cAA||
f|eAfA e2af|eAfA eAcd|eAfA e2af|dfca B2cd|
eAfA eAcd|eAfA e2fg|1 agag fedc|BAGF EDC:|\
[2 agag fece|fagb Ha4|]

%%%

X:44089 
T:JUDE'S BUSH (reel) 
B:NFID.238b 
C:ABC/arr. BB
S:JL
N:A setting of "Saint Ruth's Bush". No idea how Jude
got involved. Let me ask him: "Hey, Jude . . ."
Q:1/4=180
L:1/8
M:C
R:reel
K:Ador
Bd|eAAB cBcA|GEE2 E2EG|A^GAB cBcd|eaag egd2|
eAAB cBcA|GEE2 E2EG|A^GAB cd=ge|dBGB A2:|
Bd|eaag a2ag|eaag baag|edef g2gg|eggf edBd|
eaag a2ag|eaag baag|e2ef gage|dBGB A2:|

%%%

X:44090 
T:KILCAR FIDDLERS* (hornpipe), The 
B:NFID.083a ("untitled highland")
C:ABC/arr. BB
S:JD
N:I have repeated the three parts (in source only parts
B and C repeat).
Q:1/4=180
L:1/8
M:C|
R:hornpipe 
K:D
AG|FADA FADF|ABAG FEED|FGAF G2Dg|fdec dABG|
FEDF AdAF|GBAG FEED|FGAF G2Dg|fdec dB:|
%
eg|a2fa dafa|g2eg =cge^g|a2fa dafa|gbag fdfg|
a2fa dafa|g2eg =cgeg|fage fde^c|dABG FD:|
%
AG|FEDF AdAF|GBAG FEED|FGAF D2Dg|fdec dABG|
FEDF AdAF|GBAG FEED|FGAF D2Dg|1 "thru"fdec dB :|\
[2 "final"fdec dBAF|HD4z4|]

%%%

X:44091 
T:KILDARE FANCY (hornpipe), The 
B:NFID.245b 
C:ABC/arr. BB
S:PT 
Q:1/4=150
L:1/8
M:C|
R:hornpipe 
K:D
dB|AFDF AFdB|A2Ad fedc|BAef gefd|edcB A2 dB|
AFDF AFdB|A2Ad fedc|BAef gefd|ec Ac d2:|
de|fdcd Bd AF|Ddcd fdcd|eAA2 fAA2|e2dB A2de|
fdcd Bd AF|Ddcd fdcd|eAfA gAfA|ec Ac d2:|

%%%

X:44092 
T:KILTYFANAD REEL, The 
B:NFID.163 
C:ABC/arr. BB
S:F&MB
Z:Robinson/Black
N:Very similar to "Nine Points of Roguery"/"Black
Mare of Fanad"
Q:1/4=180
L:1/8
M:C
R:reel
K:D
P:"A"
DEFD GEFE|Ddd2 ABAF|DEFD GFEG|=cedB cGE=C|
DEFD GEFE|Ddcd ABAF|DE FD GFEd|cABc dADB||
P:"B"
[=c4E4] [B4G4]|A2BG AGFE|DEFD GFEG|=cedB cGEG|
=cBAc BAGB|Ad^cd f=cAF|DE FD GFEd|cABc dADB|
=cedB cGEG|A=cBe AGFE|DE FD GFEG|=cedB cGEG|
=cBAc BAGB|Ad^cd fdAF|DEFD GFEd|cABc dADc||
P:"C"
d2fa gefc|defg abaf|defa gfga|bede bgec|
d2fa gefc|defg abaf|dgfa gfeg|f2ge fdAF||
P:"D"
G2eG F2dF|EDEG FEDd|Bd ef gfea|fage fdAF|
G2eG F2dF|EDEG FDEC|DE FD GFEd|cABc dADB||
%
P:"A2"
DEFD GEFE|Ddd2 ABAF|DEFD GFEG|=cedB cGE=C|
DEFD GEFE|Ddcd ABAF|DEFD GFEB|cABc dAFD||
"final" EDCE HD4|]

%%%

X:44093 
T:KING BILLY'S MARCH 
B:NFID.110b
C:ABC/arr. BB
S:SD
Q:1/4=160
L:1/8
M:6/8
R:jig
K:Amix
d|eAA BAA|eAA Bcd|eAA fed|BGG Bcd|
eAA BAA|eAA Bcd|faf gfe|1 dBG Bc:|\
[2 dBG Bd||
B|A3 a3|ged e2A|A2A a2c|BAG BdB|
A2A a2a|gef g2f|gba g2e|1 dBG Bd:|\
[2 dBG BAG|HA3z3|]

%%%

X:44094 
T:KING GEORGE IV HIGHLAND 
B:NFID.173a 
C:ABC/arr. BB
S:F&MB
Q:1/4=160
L:1/8
M:C|
R:hornpipe
K:Ador % simplified
A3B cAeA|A2eA BdBG|A2eA cAEA|Bdge d2BG|
A4 cdeB|A2eA d2BG|A3B cAEA|Bdge dfgd||
e2AB cA eA|e2Af g2 FD|e2AB cA ed|Bdge d2 BG| 
e2AB cA eA|e2Af g2 FD|a2fg efdA|Bdge d2BG|HA4z4|]


Source version:
%X:440942 
T:KING GEORGE IV HIGHLAND 
B:NFID.173a 
C:ABC/arr. BB
S:F&MB
Q:1/4=160
L:1/8
M:C|
R:hornpipe
K:A dorian
A,A,A,B, (3CB,A, EA,|A,2EA, (3B,A,D (3B,A,G,|A,2EA, (3CB,A, ED|\
B,DGE (3DA,D (3B,A,G,|
A,4 CDEB,|A,2EA, (3DB,D (3B,A,G,|A,3B, (3CB,A, ED|\
B,DGE (3DE^F (3GBd||
e2AB cA eA|e2A^f (3gag FD|e2AB cA ed|Bdge d2 BG| 
e2AB cA eA|e2A^f (3gag FD|a2^fg efdA|Bdge d2 BG||

%%%

X:44096 
T:KING OF THE KILRANE PIPERS, The    
B:NFID.057b
C:ABC/arr. BB
S:JD
N:1:The source shows the sixth measure of the B part in 9/8 time,
as follows /geg fdg eAG/. On the presumption that this is a
performer or scribal error, I have removed the first triplet.
N:2:Not sure what "Kilrane" is doing in the title. I moved it
around a little so it makes more sense (?)
Q:1/4=160
L:1/8
M:6/8
R:jig
K:Dmix
E|A2D B2G|ABG FED|A2D B2D|GcG GFE|
A2D B2G|ABG FDB,|CEG cBA|GcG GF :|
%
e|dfa afd|dfd cAG|F2A cAF|GAG GFE|
dfa afd|fdg eAG|F2A cAF|GAG GF:|
%
e|dfd dfd|dfd cAF|dfd dAF|GFE GFE|
dfd cec|Bcd AFD|CEG cBA|GcG GF :|
%
e|dDD cDD|BDD ADD|dDD cDD|GcG GFE|
dDD cDD|BDD ADD|CEG cBA|1 "thru"GcG GF:|
[2 "final" GcG GFE|HG3z3|]

%%%

X:44095 
T:KING OF THE PIPERS, The  
B:NFID.177a
C:ABC/arr. BB
S:F&MB
N:According to NFID, this tune is played with a return to
Part B from part F. 
N:If your  instrument can't manage the double stops in
part 6, play whichever note make you happiest!
Q:1/4=160
L:1/8
M:6/8
R:jig
K:G
A2F B2F|A2G FED|A2F B2F|GAG GFE|
A2F B2F|A2G FED|G2B cAF|GAG GFE:|
P:"B"
dfg age|d^cd e=cA|GAB cAF|GAG GFE|
dfg afa|geg fdA|GAB cAF|GAG GFE:|
P:"C"
d2e d3|ded ^cBA|d2e d2A|GFG AFD|
d2e d3|ded ^cBA|GAB cAF|GAG GFE:|
P:"D"
def def|def e^cA|def def|GAG GFE|
def def|def e^cA|GAB cAF|GAG GFE:|
P:"E"
D3D3|D3 ABc|D3D3|GAG GFE|
D3D3|D3D3|GAB cAF|GAG GFE:|
P:"F"
[e3A3][f3B3]|BAG FED|[e3A3][f3B3]|GAG GFE|
[e3A3][f3B3]|BAG FED|G2B cAF|GAG GFE:|
P:"B2" 
dfg age|d^cd e=cA|GAB cAF|GAG GFE|
dfg afa|geg fdA|GAB cAF|1GAG GFE:|\
[2 GAG GFE|G6|]

%%%

X:44097 
T:KING WILLIAM'S RAMBLES  
B:NFID.176 
C:ABC/arr. BB
S:F&MB
N:In the "Langstrom's Pony"/"Mooncoin" family. The source has a
9/8 measure (ecA-AcA-Af=g) after measure 5 in the F part. 
L:1/8 % dotted rhythm in part G
Q:1/4=160
M:6/8
R:jig
K:Amix
ecA cBA|ecA Bcd|ecA c2e|dBG Bcd|
ecA cBA|eAA BAB|GBd gfe|dBG Bcd:|
P:"B"
ecA a2a|ecA Bcd|ecA gfg|dBG Bcd|
ecA a2a|gba gef|gba gfe|dBG Bcd:|
P:"C"
eAA fAA|eAA Bcd|eAA fAe|dBG Bcd|
eAA fAA|eAA BAB|GBd gfe|dBG Bcd:|
P:"D"
eAA a2A|eAA Bcd|eAA gAe|dBG Bcd|
eAA aAA|gAA faf|dfa gfe|dBG Bcd:|
P:"E"
fed cBA|ecA Bcd|fed cBA|dBG Bcd|
fed cBA|cBA BAB|GBd gfe|dBG Bcd:|
P:"F"
gaf g2f|ecA Bcd|gaf g2e|dBG Bcd|
gaf g2f|ecA Afg|agf gfe|dBG Bcd:|
P:"G"
cee cee|cee Bcd|cee c2e|dBG Bcd|
cee cee|cee BAB|GBd gfe|1 dBG Bcd:|\
[2 dBG BdB|HA6|]

%%%

X:44098 
T:KISS THE MAID BEHIND THE BYRE  
B:NFID.058b 
C:ABC/arr. BB
Q:1/4=160
S:JD
L:1/8
M:6/8
R:jig
K:Ador
c2B|: ABA AGE|cBc d^cd|efe edB|gfg a2b|
age c2e|dBG GAB|c2e dcB|1 A3 E3:|2 A3 A2||
|:g|aba aef|gfg efg|aba aef|gfg efg|
age c2e|dBG GAB|c2e dcB|1 A3 A2:|2 A3 HA3|]

%%%

X:44099 
T:KITTY GORDON'S (reel) 
B:NFID.238c 
C:ABC/arr. BB
S:PT
Q:1/4=180
L:1/8
M:C
R:reel
K:Dmix
DFAc BGAF|DFAF EDEF|DFAc BGAF|Agfe d2d2|
DFAc BGAF|DFAF EDEF|DFAc BGAF|Agfe d^cBA||
d2fd adfd|^cdec gcec|d2fd adfd|eg fe d^cBA|
d2fd adfd|^cdec gcec|DFAc BGAF|Agfe d2Hd2|]

%%%

X:44100 
T:KITTY IN THE LANE (reel) 
B:NFID.153b 
C:ABC/arr. BB
S:CC
N:NF version has |d/e/d/c/ df edcA| as first measure.
Q:1/4=180
L:1/8
M:C
R:reel
K:A
d2df edcA|fBB2 fecA|defa edca|eAAa eAAe|
d2fa eAce|fBB2 fecA|defa edca|eAAa eAA||
|:e|a2ga fbea|fBB2 fece|a2ga fbaf|1 eAAa eAc:|\
[2 e^dea faec|HA4z4|]

%%%

X:44101 
T:KITTY IN THE LANE BARNDANCE  
B:NFID.093a
C:ABC/arr. BB
Q:1/4=140
S:JD
L:1/8
M:C
R:hornpipe
K:G
dc|: BGBd cBce|dgbg d2 ^cd|fecA FD^CD|GFGc ed^cd|
BGBd cBce|dgbg d2 ^cd|1 fecA FD^CD|GG,B,D G2Ac:|\
[2 fecA FDEF|GgdB G2d2||
P:"B"
[M:3/4][R:waltz] g4gg|f6|e3fg2|d6|B3AG2|B2d2g2|f4e2|e2^d2e2|
a6|g4 a2|g2f2e2|f6|f2e2^d2|e2g2f2|e4d2|B4d2|
P:"C"
g6|f4=f2|e2f2g2|d6|B2A2G2|B2d2g2|f4e2|e2^d2e2|
a6|g4a2|g2f2e2|f4e2|d2e2f2|g2b2a2|[g6B6]|d4c2||
P:"D"
[M:4/4][R:hornpipe][Q:1/4=150] |:BGBd cBce|dgbg d2 ^cd|
fecA FDEF|GFGc ed^cd|
BGBd cBce|dgbg d2 ^cd|fecA FDEF|1 GgdB G2Ac:|\
[2 G4 e2f2||
P: Part E
|:gfga gdBg|e^def ecAe|d^cde dBGB|A^GAB AFDf|
gfga gdBg|e^def ecAe|dBGc EcAF|1 GG,B,D G2Bd:|\
[2 GG,B,D G4-|G6||

%%%

X:44102 
T:KNIGHTS OF ST. PATRICK (1), The    
B:NFID.059
C:ABC/arr. BB
S:?
N:A-B-A per source; final m.8 = /A,CE D3/
Q:1/4=160
L:1/8
M:6/8
R:jig 
K:D
c|def gfe|dcd AFD|GBG FAF|A,CE GFE|
dcd faf|dcd AFD|GBc dAF|A,CE D2 :|
^g|a^ga fdf|Adf agf|gfg e^de|Ace gfe|
fef gfg|a^ga ba=g|fed cBA|1 dAF D2:|\
[2 dAF EDC|HD4z4|]

%%%

X:44103 
T:KNIGHTS OF ST. PATRICK (2), The  
B:NFID.100a
C:ABC/arr. BB
S:SD
N:Source contains two extra measures in the second 
part which I have rearranged into a first and second 
ending.
Q:1/4=160
L:1/8
M:6/8
R:jig
K:D
A|dff f2f|dAG FED|GBG FAF|E=CE GFE|
DFA ABc|dfd cBA|f2a gec|dAF D2:|
e|aba fdf|aba agf|g2g ece|gag gfe|
def gfg|aba gfe|1 dfa gfe|aba gf :|
[2 dfa gfe|fge Hd3|]

%%%

X:44104 
T:LADIES OF GORMOND, The 
B:NFID.080a (as "L o G Highland")
C:ABC/arr. BB
N:Cut time in original has been removed.
S:JD
Q:1/4=150
L:1/8
M:C|
R:hornpipe
K:Amix
c|A2cA dBed|A2cA dBGB|A2cA dBec|fa ea cAA:|
g|aefd faec|df ec dBBG|aefd faec|df ed cAAg|
aefd faec|df ec dBBa|A2cA dBec|fa ea cAHA2|]

%%%

X:44105 
T:LADS OF LAOIS (reel), The 
B:NFID.170  ("untitled reel")
C:ABC/arr. BB
S:F&MB
Q:1/4=180
L:1/8
M:C
R:reel
K:Em
G|EB, B,2 E2FE|DA, A,2 DEFD|GEED EFGA|B2e^c dBAF|
EB, B,2 E2FE|DA, A,2 DEFD|Eeed B^cdA|Bd ec BFAF||
%
EB, B,2 E2FE|DA, A,2 DEFD|GEED EFGA|Bbe^c dBAF|
E2 B,E GB,EG|D2A,D FA,DF|E2BE dEBE|A2 FA BEE2||
%
eB B2 egfe|defa gfed|Bdef gfge|fgaf gfed|
ebed BAFA|BE E2 BAFA|Bd ef gefd|gbfb edBd||
%
eB B2 egfe|defa gfed|Bdef g2ge|fgaf gfed|eBB2 GBFB|
Eeed egfa|gbgb fafa|egfd eGFD|HE4z4|]

%%%

X:44106 
T:LASS OF KILLIECRANKIE (hornpipe), The 
B:NFID.247b (as "L o K Highland")
C:ABC/arr. BB
S:JL
Q:1/4=150
L:1/8
M:C|
R:hornpipe 
K:Amix
eAA2 Bd ef|eAA2 Bcd2|eAA2 Bd ef|gedB A2A2:|
eg ag afef|gage dBe2|eg ag afef|gedB A2A2|
eg ag afef|gage dBe2|A2 Bd efef|gedB A2HA2|]

%%%

X:44107 
T:LAST HOUSE OF (IN) CONNAGHT (reel), The 
B:NFID.104b
C:ABC/arr. BB
S:SD
N:This sounds more like the tune usually called 
"Dinny O'Brien's".
Q:1/4=180
L:1/8
M:C
R:reel
K:Dmix
g|fd d2 dcAB|c2Bd cAGE|D2Ad eg AB|c3e dcAg|
fd d2 dcAB|c2Bd cAGE|D2Ad eg AB|cAGE D3:|
e|fd d2 defd|ad d2 bdad|c2Bc cdef|gcec aceg|
A2 ga faec|d2AB cAGE|D2Ad eg AB|cAGE D3:|

%%%

X:44108 
T:LILLIE MCEVOY'S*  
B:NFID.110a ("untitled barndance")
C:ABC/arr. BB
N:This has another name (or names). Might be part of
a quadrille somewhere . . .
S:SD
Q:1/4=180
L:1/8
M:6/8
R:jig
K:G % source key = C
E|D2B A2G|DGB A2G|E^DE A2c|e3 c2d|
efe d2B|A2F E2F|1 [G2B2]G AGE|D3 B2:|
[2 GFG B2A|G2A B2|:"Part 2"A|BAG D3|BAG D2B|
cBA E3|cBA E2G|F2E ^D2E|1 F3 DEF|
GAG GFE|D3 G2:|2 F3 [F3D3]|GAG F2A|G3 D2||
P:Part A repeat
E|D2B A2G|DGB A2G|E^DE A2c|e3 e2d|
efe d2B|A2F E2F|G3d3|HG6|]

%%%

X:44109 
T:LOUGHRAN'S #1* (reel) 
B:NFID.242a  ("untitled reel")
C:ABC/arr. BB
S:JL
Q:1/4=180
L:1/8
M:C
R:reel 
K:G
dc|BGAF DGG2|ABcA defg|(3agf ge fdec|dcAG Addc|
BGAF DGG2|ABcA defg|(3agf ge fdAf|1 dcAF G2:|\
2 dcAF G3||
|:B|defg a2fa|gede dcA2|defg add2|cdef g2fe|
defg a2fa|gfde dcAG|1 FEFG A2BA|dcAF G3:|
[2 FEFG A2fe|dcAF HG4|]

%%%

X:44110 
T:LOW PARK REEL, The
T:Hare's Paw
B:NFID.239a
C:ABC/arr. BB
S:JMcK 
Q:1/4=180
L:1/8
M:C
R:reel
K:G
G2BG ABGA|BEEF GED2|GFGA BABd|eg fd edBA|
G2BG ABGA|BEEF GED2|G2GA BABd|eg fd e3||
f|g2fg edBc|d2dc Bdd2|eg fg edBd|eg fd e3f|
g2fg edBc|d2dc Bdd2|eg fg edBd|egfd edBA|\
"final"HG4z4||

%%%

X:44111 
T:MAKE YOUR BREAKFAST (reel) 
B:NFID.239b  
C:ABC/arr. BB
S:PT
Q:1/4=180
L:1/8
M:C
R:reel
K:Dmix
BA|dAA2 dAFA|deef g2fe|dAA2 dAFD|[E2G,2]E2 c2BA|
dAA2 dAFA|deef g2fe|dAA2 dAFD|EGAB c2:|
BA|d2fd adfd|d2fd g2fe|d2fd adfd|edcB c2BA|
d2fd adfd|d2fd g2fg|afge fdec|1[E2G,2]E2 c2:|\
[2 "final"dBcA BGAE|HD4z4||

%%%

X:44112 
T:MARCH OF THE MEEATOITEEN BULL, The 
B:NFID.087a
C:ABC/arr. BB
S:JD
N:As A-B-C-B in source.
Q:1/4=140
L:1/8
M:C|
R:march 
K:Amix
e2|A2BA e2ef|edBd e2g2|G2GB d2e2|dBGB d2e2|
A2BA e2ef|edBd e2a2|gfed efed|B2A2A2:|
P:B
e2|a3g e2a2|edef g2a2|G2GB d2de|dBGB d2e2|
a3g e2a2|edef g2a2|gfed eaed|B2A2A2:|
P:C
e2|A2AA eAA2|cAAA e2g2|G2GG dGG2|BAGB d2e2|
A2AA eAA2|cAAA e2a2|gfed eaed|B2A2A2:|
P:B2
e2|a3g e2a2|edef g2a2|G2GB d2de|dBGB d2e2|
a3g e2a2|edef g2a2|gfed eaed|B2A2A2:|


%%%

X:44113
T:MARGARET STUART'S REEL 
B:NFID.188a 
C:ABC/arr. BB
S:DOD
Q:1/4=1/4=180
L:1/8
M:C
R:reel
K:Am % source key Bm
e2Ae cAeA|egdg BGdB|e2Ae cAeA|1 dBgB BAAd:|2 g2dB cAA2||
EAAB cAGB|D2GA BGAG|EAAB cdea|gedB cAAG|
E2AB cAGB|dGGA BGAG|cAca BABg|dBGA BGAd|HA4z4|]


%%%

X:44114 
T:MARY KATE CASSIDY'S* (hornpipe) 
B:NFID.247a ("untitled hornpipe")
C:ABC/arr. BB
S:PT
Q:1/4=150
L:1/8
R:hornpipe 
M:C|
K:D
AG|FDFA dAFA|GEFD A,CEG|FAdf afdf|e2 dB AGFE|
FDFA dAFA|GEFD A,CEG|FAdA BGEC|D2FD D2:|
zd|cdef gece|dfaf bafa|agBg gfAc|e2 dB AGFE|
FDFA dAFA|GEFD A,CEG|FAdA BGEC|D2FD D2:|

%%%

X:44115 
T:MARY O' THE WISP (reel) 
B:NFID.164 
C:ABC/arr. BB
S:F&MB
Q:1/4=180
L:1/8
M:C
R:reel
K:D
dB|Add2 ecdB|Addc dedB|Acde fdeg|fbge fdB^G|
Add2 ecdB|Addc dedB|Acde fbed|cAA2 cA :|
de|fAge fdge|fdge fdB2|fage fefg|aAA2 aAA2|
fAge fdge|fbge fefg|abaf egfd|1 "thru"cAA2 cA:|
[2"final"cAA2 cAGE|HD4z4|]

%%%

X:44116 
T:McALEER'S JIG* 
B:NFID.231a ("untitled jig")
C:ABC/arr. BB
S:JL
Q:1/4=160
L:1/8
M:6/8
R:jig 
K:D
f|a2f def|gfg efg|afd def|ecA A2e|
aff def|gfg efg|agf afe|d3 d2:|
A|dAA AFA|BAA FGA|dcd ede|fed def|
gag fgf|ecB ABA|Bdg fdB|Adc d2:| 

%%%

X:44117 
T:McENESPIE'S KITCHEN*  
B:NFID.231b  ("untitled jig")
C:ABC/arr. BB
S:PT
Q:1/4=160
L:1/8
M:6/8
R:jig 
K:D
E|DFA AFA|BGB A2B|=cEE EFG|AFE D2E|
DFA AFA|BGB AFA|dcd ecA|d3 d2:|
g|fde fdf|ecA A2g|fde fdf|g3 e2g|
fde fdf|ecB AGA|Bcd ecA|d3 d2:|

%%%

X:44118 
T:MEENAFANAD REEL* 
B:NFID.189 ("untitled reel")
C:ABC/arr. BB
N:A northern version of "Otter's Hole"!
Q:1/4=180
S:DOD
L:1/8
M:C
R:reel
K:D
f|dBBA FEFA|dcde fgfe|dBBA FEFA|Bd cA Bafe|
dBBA FEFA|dcde fa fe|dBBA FEFA|Bd cA B3||
c|d2Bc dcde|fbbf afea|fdBc dcde|fbaf e2de|
fdBc dcde|fbbf a2fa|bfef afef|bfaf eafe|\
"final"Hd4z4|]

%%%

X:44119 
T:MERRILY KISSED THE QUAKER (2 settings)  
B:NFID.183a2 
C:ABC/arr. BB
S:DOD
N:Two interesting settings of this well-known 
session tune from Donegal fiddler Danny O'Donnell.
Q:1/4=160
L:1/8
M:6/8
R:jig
K:D
P:setting 1
A|def A2f|g2f e3|def A2A|B3 d3|
def A2f|agf e2c|def ecA|B3 d2:|
A|def A2f|b2f a2f|def a2g|f3 a2f|
[1 def a2f|b2f a2f|def ecA|B3 d2:|
[2 b2g efg|a2f d2A|def [e2A2]A B3 d2||
%%vskip
P:setting 2
A|def A2A|BGB A2A|def A2g|f2a gfe|
def A2A|BGB A2A|fed faf|e3d2:|
A|def f2a|f2a fed|def faf|efe ecA|
def f2a|f2a fed|fed faf|e3d2:|

%%%

X:44120 
T:MICK MCSHANE'S HIGHLAND* (hornpipe)
B:NFID.155a ("untitled highland")
C:ABC/arr. BB
S:CC
Q:1/4=150
L:1/8
M:C|
R:hornpipe
K:Amix
ed|: cAAB cAAF|G2GF GABd|cAA2 cAAg|fa fd gfed:|
K:Ador
cdef gage|dBGB dedB|cdef gage|fa fd gfed|
cdef gage|dBGB dgfg|A2 fa gfed|cdef gfed||
"final"HA4z4||


%%%

X:44121 
T:MICKEY NUGENT'S* (hornpipe) 
B:NFID.081c ("untitled highland")
C:ABC/arr. BB
S:JD
N:1:Source has this as A-BB (=first part not repeated).
I "crafted" another 4 measures to fill out the first
part. (Source version follows so you can decide if my
efforts are an improvement or not.)
N:2:Source has /^g/ as first note of this measure.
Q:1/4=150
L:1/8
M:C|
R:hornpipe
K:Amix
ed|cAAd BGGB|A2AB cded|cABc dBGB|ce dB A2ed|
cAAd BGGB|A2AB c2ed|e2fg agfe|ce dB A2:|
zB|cdef gedB|G2GB dGBd|cdef gedg|a2a^g abc'a|
geea fddf|edce dBGB|ABcd eg af|1gedB A2:|2gedB A4-|HA4z4|

Source version:
ed|cAAd BGGB|A2AB cded|cA Ac dBGB|ce dB A2:|
zB|cdef gedB|G2GB dGBd|cdef gedg|a2a^g abc'a|
geea fddf|edce dBGB|ABcd eg af|gedB A2:|

%%%

X:44122 
T:MILESTONE JIG, The 
B:NFID.184
C:ABC/arr. BB
S:DOD
C:Arthur Darley
H:Darley (1873-1929) was a Dublin-area musician who was equally at home in
both the classical and traditional modes. He collaborated with P.J.McCall to 
produce a collection of traditional tunes. He was also head of the Irish Music 
Club and was the first music director for the Abbey Theater. The "Swedish Jig"
is probably his best-known composition.
Q:1/4=160
L:1/8
M:6/8
R:jig
K:G
P:"A"
c|BAG DGA|Bcd dBG|cBc AFD|ABc cBA|
BAG DGA|B/c/dB efg|dcB ABc|BGG G2:|
P:"B"
|:B|AFD DEF|GBc d2B|BAc BAG/B/|AGF FED|
AFD DEF|GBd g2e|dcB ABc|1 BGG G2:|2 BGG GB||
P:"C"
|:d|g2d BGG|Bcd dBG|c2B AFD|cBA def|
g2d efg|age d2e|dcB ABc|1 BGG GB:|2 BGG G2||
P:"D"
|:A|D2A cBA|DEF GAB|D2B cBA|DEF G2A|
D2A Bcd|efg age|dcB ABc|1 BGG G2:|2 BGG Gd||
P:"E"
|:c|B3 BAG|dcB BAG|A3 AFD|AGF ABc|
B3 BAG|Bcd efg|edc BcA|1 BGG Gd:|2 BGG G2||
P:"F"
|:B|A3 AFD|ABc AFD|B3 Bcd|edc BAG|
A3 ABc|AFD Bcd|edc BdA|1 BGG G2:|2 BGG GB||
P:"G"
|:d|g3 gdB|gdB BAG|A3 dAF|DFA cBA|
g3 gdB|gfe dcB|edc BcA|1 BGG GB:|2 BGG G2||
P:"H"
|:A|D3 DFA|cBA AGF|GFG Bcd|edc BAG|
D3 DFA|Bcd efg|age dcA|1BGG G2:|2BGF G3- | G6 |]

%%%

X:44123 
T:MINESTRONE JIG*, The 
B:NFID.101  ("unidentified jig")
C:ABC/arr. BB
S:SD
N:1:Not to be confused with the "Milestone Jig"! As far as I 
can tell, this tune is a combination of three other jigs:
Part A & B = "Shandon Bells"
Part C = not sure
Part D = 2nd part of "Kitty Lie Over"
Part E = 1st part of "Kitty Lie Over"
N:2:It looks like this tune is played A-B-C-D-E-D-E!
Q:1/4=160
L:1/8
M:6/8
R:jig
K:D
P:"A"
B|AFD DFA|dfd cBA|BEE EDE|B2A Bcd|
AFD DFA|dfd cBA|Bcd ecA|d3 d2:|
P:"B"
g|fdd dcd|faa afd|cAA eAA|cAc efg|
fdd dcd|faa afd|cAA ABc|d3d2:|
P:"C"
D|DFA BAF|ABd edB|B2B AFD|FED E2E|
DFA BAF|ABd edB|B2B AFD|ADD D2:|
P:"D"
g|fdd dcd|fdd d2g|fdd def|gfg e2g|
f2a e2g|B2A A2F|ABA GFE|FDD D2:|
P:"E"
B|AFD DFA|BcB BAF|ABA AFD|FEE E2B|
AFD DFA|BcB BAF|ABA AFE|1FDD D2:|\
[2 "final"FDC HD3|] 


%%%

X:44124 
T:MISS JOHNSON'S (reel) 
B:NFID.069b
C:ABC/arr. BB
N:This is recognizable as a relative of "Miss Johnson" in 
O'Neill's (ONMI.1376). I did some editing.
S:JD
Q:1/4=180
L:1/8
M:C
R:reel
K:D
G|F2FE DFAF|DFED CDEG|FGFE DCDF|EDEF GBAG|
F2FE DFAF|DFED CDEG|AFGE FDED|CDEF GBA:|
|:G|FGAB A2GB|AFdF eFdF|FGAB A2GF|GBec dcBG|
[1FGAB AGFG|AFdF efde|fdec dcBA|Bdce dAB:|
[2FGAB AGFG|AFdf efdg|fdec dcBA|GBec dBAF|HD4z4|]

Source version:
AG|:F2FE DFA,F|DFED CDEG|FGFE DCDF|EDEF GBAG|
F2FE DAA,F|DFED CDFG|AFGE FDED|CDEF GBAG:|
FGAc BA^GB|AFdF eFdF|FGAc BAGF|GBec dcBG|
FGAB AGFG|AFdF eFde|fdec dcBA|Bdce dABG|
FGAB AGFG|AFEF eFdF|FGAc BAGF|GBec dcBG|
FGAB AGFG|AFdf eFdg|fdec dcBA|^GBec dBA=G|HD4z4|]
%%%

X:44125 
T:MISS PATTERSON'S (reel) 
B:NFID.071
C:ABC/arr. BB
S:JD
N:1:In the book, this tune is combined with the "Roscommon Reel".
Playing the two tunes together became standard procedure following
Coleman's recording of them that way. The folks notating the tune 
evidently weren't aware that Doherty (following Coleman) was playing 
two reels and not one. 
Q:1/4=180
L:1/8
M:C
R:reel
K:Em
E3D|: B,GEG B,GEG|F2DF A,DFD|B,GEG B,EGB|AFdF E3D|
B,GEG B,GEG|F2DF A,DFD|B,GEG FGAB|AFdF E4:|
ebgb faeg|fd^cd Adf^d|ebgb fae^c|dBAF EFGA|
ebgb faeg|f^cde fgaf|GAB^c dcdB|AFdF E4:|

%%%

X:44160
T:ROSCOMMON (reel), The 
B:NFID.071
C:ABC/arr. BB
S:JD
N:Per Coleman's setting, this was the usual second tune played 
after "Miss Patterson's". The folks notating the tune evidently 
weren't aware that Doherty was playing two reels and not one. 
(Maybe Doherty didn't realize it either!)
Q:1/4=180
L:1/8
M:C
R:reel
K:Em
EFGA BA^GB|AFEF dFAF|EFGA B2dB|1 AFdF EDDB,:|\
[2 AFdF EBfg||
%
eBB2 efge|faa2 bgaf|eBB2 efge|fagf egfg|
eBB2 efge|faa2 bgaf|fagf egfe|dBAF EFGA||
%
B2BA B^cdB|AD FD ADFA|B2BA B^cdB|AFEF E^cdc|
B2BA B^cdB|AD FD ADFA|d^cBA BcdB|AFdF HE4|]

%%%

X:44126 
T:MISS PERCY'S (reel) 
B:NFID.104a 
C:ABC/arr. BB
S:SD
Z:Robinson/Black
Q:1/4=180
L:1/8
M:C
R:reel
K:Ador
ed|:cAA2 BAeA|BAeA dBGB|eAA2 Bdef|g2ge dBGB:|
c2ec gcec|c2gc dBGB|c2ec gcef|g2ge dBGB|
c2ec gcec|c2gc dBGB|Aaag efge|dBGB A4|]

%%%

X:44127 
T:MOLL AN TIARNA (reel) 
B:NFID.165 
C:ABC/arr. BB
S:F&MB
N:1:Parts of this tune remind me "An Deontanach" (The Volunteer).
N:2:According to source, this is played A-B-C-D-E-B (with B repeating 
N:and ending on |G2GF G4| instead of the second ending.)
Q:1/4=180
L:1/8
M:C
R:reel
K:C
P:"A"
|:EF|Gccd ecBc|d2ec dcAc|G2cd ecfe|A2GA AGED|
Gccd ecBc|d2ec dcAg|fafd ecBA|G2GF GF:|
P:"B"
|:EF|Gccd e2ce|d2Bd c2cd|ecfd ecfe|1 A2GA AG:|\
[2 G2GF G2||
P:"C"
ef|gbge fafd|egdB cBcd|egfd ecdc|AA2^G A2ef|
g2 f2 e4|dd2B cBcd|egfd ecdB|G2GF G2||
P:"D"
ef|gage fafd|egdB cBcd|egfd ecdc|AA2^G A2ef|
gage fafd|egdB cBcd|egfd ecdB|G2GF G2||
P:"E"
EF|Gccd e3c|d3B c3d|egfd ecdc|AA2A AGE^F|
Gccd e2ce|d2Bd c2cd|ecfd ecdB|GG2^F G4||
P:"B2"
|:"9A"Gccd e2ce|d2Bd c2cd|ecfd ecfe|1 AA2A AGEF:|\
[2 G2GF G4-|HG4z4|]

%%%

X:44128 
T:MOLLOY'S (reel) 
B:NFID.077a  ("untitled reel")
C:ABC/arr. BB
S:JD
Q:1/4=180
L:1/8
M:C
R:reel 
K:D
P:"A"
zAB|:c|d2Ad fdAF|GFEF GABc|d2Ad fdAF|GBAG FEDc|
d2Ad fdAF|GFEF GABc|dcde fdAF|GBAG FDD:|
P:"B"
g|fgaf bgag|fgaf gbeg|fgag bagf|gbag fddg|
fgaf bgag|fgaf gfeg|fedc dcBA|^GABc dfec||
P:"A2"
|:d2Ad fdAF|GFEF GABc|dBAd fdAF|GBAG FEDc|
d2Ad fdAF|GFEF GABc|dcde fdAF|GBAG F2E2|HD4z4|]

%%%

X:44129 
T:MONAGHAN SWITCH (reel), The
T:Ladies of Tullybardee 
B:NFID.070 
C:ABC/arr. BB
S:JD
N:As A-B-C-A in source, final measure |FDGE D4|
Q:1/4=180
L:1/8
M:C
R:reel 
K:D
P:"A"
Bc|dAAG FDGE|FDGF E2Bc|dAAG FDGE|FDGE D2Dc|
dAAG FDGE|FDGF E2FG|ABAG FDGE|FDGE D3||
P:"B"
c|dAAG FDGE|FDGF E2Bc|dAAG FDGE|FDGE Dgfe|
dAAG FDGE|FDGF E2FG|ABAG FDGE|FDGE D2D||
P:"C"
|:d|cAAB cAGE|cABG E2ED|cABc dAAG|FDGE D2Dd|
cABd cAAB|cBcd efga|fded cABd|cAGE D3:|
P:"A2"
|:c|dAAG FDGE|FDGF E2Bc|dAAG FDGE|FDGE D2Dc|
dAAG FDGE|FDGF E2FG|ABAG FDGE|FDGE HD4|]

%%%

X:44130 
T:MORNING DEW (reel), The 
B:NFID.166 
C:ABC/arr. BB
S:F&MB
Q:1/4=180
L:1/8
M:C
R:reel
K:Em
P:"A"
d^c|B2EB FBed|B2GB ADFA|B2EB FBEA|dedB ADFA|
B2EB FBed|B2GB ADFA|B2EB FBEA|dedB AGFD||
P:"B"
EBEB BAFA|EBEe ADFA|EBEB BAFA|dfdB ADFA|
EBEB BAFA|EBEe ADFA|EBEB BAFA|dfdB AGFA||
P:"C"
B2eB fBeB|B2eB ADFA|B2eB fBeB|dedB ADFA|
B2eB fBed|B2eB ADFA|Bd ea fbec|B^cdB ADFA||
P:"D"
BAGF EFGA|BEE2 BAFA|BAGF EFGE|FB,DE FGED|
BAGF EFGA|BEE2 BAFA|Bd ea fbec|B^cdB ADFA|HE4z4|]
%%textoption left
%%begintext
P:variation part A, mm 6-8
EBGB AGFD|BAGF EFGA|BABd ADFA|
P:variation part B, m.15
[B3E3]e BAFA|
%%endtext

%%%

X:44131 
T:MOSEY MCGINLEY'S REEL* 
B:NFID.243b ("untitled reel")
C:ABC/arr. BB
S:JMcK  
L:1/8
M:C
R:reel 
Q:1/4=180
K:Ador
DEGA BGFG|AGBG A2GE|DEGA e2ed|BABG A2GE|
DEGA BGFG|AGBG A2GE|DEGA e2ed|BABG A2||
Bd|eAA2 Bd eg|fGGF GABd|eAA2 Bdeg|\
dBGB A2Bd|
eAA2 Bdeg|fGGF GA Bd|egg2 eaaf|gedB A4-|HA4z4|]

%%%

X:44132 
T:NED GALLAGHER'S* (reel) 
B:NFID.076b  ("untitled reel")
C:ABC/arr. BB
S:JD
Q:1/4=180
L:1/8
M:C
R:reel
K:G
DGBG dGBF|G2BG cAFA|DGBG dGGe|fdcA BGFE|
DGBG dGBF|G2BG cAFA|DGBG dGBd|ceAc BGAF||
gfga gbag|fdfg afdf|g2fa gbag|fdcA BGAf|
g2gf gbag|fed^c dfag|bagf gbag|fd cA BGAF|HG4z4|]

%%%

X:44133 
T:NEIL GOW'S STRATHSPEY  
B:NFID.191b 
C:ABC/arr. BB
N:I apologize for not knowing which of the notes in the double-stops is 
the melody note. I'm guessing that it's the bottom note in m.5 and the 
top note in m.6.
S:DOD
Q:1/4=140
L:1/8
M:C|
R:hornpipe
K:D 
"simplified version"
E|DEFD CED2|FDAD FAA2|BdAd GdFd|1 fdcB AGF:|2 fdce dDD||
|:E|[FD][GE][AF]G F[dF] [d2F2]|[cA][dB][ec]c df f2|gefd ecde|
[1 fdcB AGF:|2 fdce fdHd2|]

Source version:
K:F
FGAF EGF2|AFcF Acc2|dfcf BfAf|
[1 (3agf (3efd (3cdB (3ABG:|2 (3agf eg fF [A2F2]||
[AF][BG][cA]B A[fA] [f2A2]|[ec][fd][ge]e fa a2|bgaf gefg|
[1 (3agf (3efd (3cdB (3ABG:|2 (3agf eg af Hf2|]

%%%

X:44134 
T:NEILI BOYLE'S HIGHLAND 
B:NFID.191a 
C:ABC/arr. BB
S:DOD
Q:1/4=160
L:1/8
M:C|
R:hornpipe
K:Amix
gf|eAA2 eAfA|eAA2 g2fg|eAA2 ecge|dBGB d2fa|
eAA2 egfd|eAA2 g2fg|afge fdec|dBGB d2||
fg|aAA2 BAA2|aAA2 g2fg|aAA2 edge|dBGB d2fg|
aAA2 eAA2|aAA2 g2fg|afge fdeB|dBGB Hg4|]

%%%

X:44135 
T:NINE PINT COGGIE (reel), The 
B:NFID.072a 
C:ABC/arr. BB
S:JD
N:1:A thought: could this title be the inspiration
behind "Nine Points of Roguery"? Granted the two
tunes don't sound anything alike, but still . . .
N:2:According to "Electric Scotland", a "coggie" is
"a wooden dish or bowl".
Q:1/4=180
L:1/8
M:C
R:reel
K:A
E|A2cA GABc|dcBA GEGB|A2cA Bcdf|ecBd cAAa|
A2cA GABc|dcBA GEFG|AcEc ABcd|ecdB cAA:|
f|a2Aa fddf|b2Bb geeg|a2Aa fdfa|ecBd cAAa|
a2Aa fddf|b2Bb gefg|agae fdfa|1 "thru"ecdB cde:|\
[2 "final"ecdB cAEG|HA4z4|]

%%%

X:44136 
T:ON THE ROAD (reel) 
B:NFID.167
C:ABC/arr. BB
S:F&MB
N:Played in Donegal as A-B-C-D-E-A.
Q:1/4=180
L:1/8
M:C
R:reel 
K:D
P:"A"
FDDE FDGE|FDDF ABAG|FDDE FDGF|EdcA GBAG|
FDDE FDGE|FDDF ABAG|FDDE FDGF|EdcA GEF||
P:"B"
|:G|Addd ABAF|Add2 A2FG|Add2 A2FG|EdcA GEFG|
Add2 ABAF|Add2 A2Bc|defd AFED|1 EdcA GEF:|\
[2 EdcA GBe ||
P:"C"
g|fdd2 fdge|fdfg afge|fdd2 fdef|g2bg ebge|
fdd2 fdge|fdfg afge|fdd2 fdgf|edcd efg||
P:"D"
e|fbec dBAF|Add2 edBc|defd AFED|EdcA G2eg|
fbec dBAF|Add2 edBc|defd AFED|EdcA GAB ||
P:"E"
|:c|dDED ADFD|dDED ADBc|dDED ADED|EdcA GABc|
dDED ADFD|dDFD A2Bc|defd AF FD|1 EdcA GAB:|\
[2 edcA GBA||
P:"A2"
E|FDDE FDGE|FDDF ABAG|FDDE FDGF|EdcA GBAG|
FDDE FDGE|FDDF ABAG|FDDE FDGF|EdcA GBAF|HD4z4||

%%%

X:44137 
T:OUL' JIGGY THING*  
B:NFID.230b  ("untitled jig")
C:ABC/arr. BB
S:JL
Q:1/4=160
L:1/8
M:6/8
R:jig 
K:Ador
ABA GFG|A2B cBc|dcd e2f|gfg edB|
ABA GFG|A2B cBc|dcd efe|dcB A3:|
eag aga|efg dcd|e2f gfg|bag afe|
eag aga|efe dcd|e2f gfg|edB A3:|

%%%

X:44138 
T:PADDY IN LONDON  
B:NFID.231c ("untitled jig")(!!)
C:ABC/arr. BB
S:PT
Q:1/4=160
L:1/8
M:6/8
R:jig 
K:Ador
f|eAA fAA|gfg age|dBG GFG|BAG Bcd|
eAA fAA|gfg age|dBd gdB|ABA A2:|
d|efg a2a|aba age|def g2g|gba ged|
efg a2a|aba age|dBB gBB|ABA A2:|

%%%

X:44139 
T:PADDY QUIGLEY'S BARNDANCE*  
B:NFID.092b ("untitled barndance")
C:ABC/arr. BB
S:JD
N:The source has an eight-measure section labelled "Last" after the
tune - I'm not sure how it fits in with the rest of the tune, so I've
included it here and in the sound file exactly as the source has it
(except for raising some of the bass notes).
L:1/8
Q:1/4=150
M:C|
R:hornpipe
K:G
c|B2BA Bdge|d2de dBGA|B2BA Bdge|dBAB G3 :|
f|gfed edBd|gfed e3f|gfed efge|dBAB G2ef|
gfed edBd|gfed e2ef|gabg efge|dge^c dBG ||
P:"LAST"
A|B2BA Bage|d2eB dBGA|B2BA Bdge|dBAB d2GA|
B2BA BDGE|BDEB DBGA|B2BA BDGE|DBAB G4|[g2B2]z2z4||


Source version of "last" section:
B2BA Bage|d2eB dBGA|B2BA Bdge|dBAB d2G,A,|
B,2B,A, B,DGE|B,DEB, DB,G,A,|B,2B,A, B,DGE|\
DB,A,B, G,4|[g2B2]z2z4||

%%%

X:44140 
T:PADDY RYAN'S DREAM (reel) 
B:NFID.077b ("untitled reel")
C:ABC/arr. BB
S:JD
N:John Doherty's version of this classic reel. I kept
the C sharps in mm 3 and 7 but they can be replaced by
C natural.
L:1/8
Q:1/4=180
M:C
R:reel
K:Ador
ed|cAA2 cABG|EGDC B,CDB,|CA,B,G, A,B,^CD|EAGB Aced|
cAGA cABG|EGDC B,CDB,|CA,B,G, A,B,^CD|EAGB A2:|
fg|a^gae ceAf|gfgd BGFB|Agae cBAc|BGED CEAg|
agae ceAf|gfgd BGBd|cBcd edcB|1Aagb ae:|2Aagb [a4A4]||

%%%

X:44141 
T:PADDY'S RAMBLES THROUGH THE PARK (air)  
B:NFID.096b
C:ABC/arr. BB
S:JD
Q:1/4=80
L:1/8
M:3/4
R:blank
K:Ador
A/G/F/G/|[E2A,2][A2E2][A2E2]|G2 B2 BA|BG3 G2|G4 AG|
[E2A,2][A2E2][AE]B|c4 BA|^GE3 [E2B,2]|[E4B,4]||^cd|
e2ed ^ce|d2 d^c Bd|^c2 cB Ac|B4 EF|
G3B e^c|d3e f^d|e2 E2 ^G2|[A4E4] z2|]


P:Variations on mm 1-8:
[E2A,2]|"1"[A2E2]a2a2|[M:C]A2g2g2BA|[M:3/4]BG3G2|G4B^A|
A2a2a2|[M:C] A2g2g2BA|[M:3/4] ^GE3 [E2B,2]|[E4B,4]z2 "_etc"||

%%%

X:44142 
T:PADDY'S VISION* (reel) 
B:NFID.077c ("Paddy Ryan's Dreams?" - otherwise untitled)
C:ABC/arr. BB
S:JD
N:Part 2 resembles Part 2 of "Paddy Ryan's Dream" but the first part
doesn't even come close (for one thing, it's in a major key) 
Q:1/4=180
L:1/8
M:C
R:reel
K:D % simplified version
ADD2 ADBD|ADCD A,DFA|G2EG B,EGE|1 B,EGB AGFG:|\
[2 B,EGB AGFE||
Dddc dBAF|Dddc dB^Ac|Be^de gef=d|Be^de gef=d|
B^ABc dB=AF|Dddc dBc^d|e2Be e2Be|gefe dfec|HD4z4|]

Source version:
N:Key signature in source is C (no flats or sharps) but result doesn't
sound right, so I've changed it to F.
K:F
cF (3FFF cFdF|cFEF CFAc|(3BcB GB DGBG|1 DGBd cBAB:|2 DGBd cBAG||
Fffe fdcA|Fffe fd^ce|dg^fg bgaf|dg^fg bgaf|
d^cde fdcA|Fffe fde^f|(3gag dg (3gag dg|bgag fafd||



%%%

X:44143 
T:PAIDIN O'RAFFERTY
T:florid version
B:NFID.060
C:ABC/arr. BB
S:?
Q:1/4=160
L:1/8
M:6/8
R:jig
K:A
D|EAc EAd|EAc BAF|EAc EAd|AGB AFD|
EAc EAd|EAc efg|aec BAG|AcB AF:|
|:d|e^de fga|eae ecA|e^de fga|AcB AFE|
e^de fga|eae efg|1 aec B2G|AcB AF:|\
[2 aec BAG|ABA AB||
c|dAF E2F|ABc BAB|cAF E2F|ABA AFE|
cAF E2F|ABc dcd|fed c2B|AcB AFE|
cAF E2F|ABc dfd|cAF E2F|ABA AFE|
cAF E2F|ABc dcd|fed cdB|AcB AF||
|:E|Ace Adf|Ace cBc|Ace Adf|AcB AFE|
Ace Adf|Ace agf|eac BAG|1 AcB AF:|\
[2 ABA AB||
c|dAF E2F|ABc BAB|cAF E2F|ABA AFE|
cAF E2F|ABc dcd|fed c2B|AcB AFE|
cAF E2F|ABc dfd|cAF E2F|ABA AFE|
cAF E2F|ABc dcd|fed c2B|AcB AFE|HA4z4|]


X:44144 
T:PAPS OF GLENCOE (march), The 
B:NFID.087b 
C:ABC/arr. BB
S:JD
L:1/8
Q:1/4=160
M:C|
R:march
K:Amix
ec|ABAc e2cd|eada e2cA|BdGB d2Bd|eAce dGBG|
A2BA e2cd|eada eAcA|1 B2GB e2dB|B2A2A2:|\
[2 B2GB e2dB|c2A2A2||
|:ef|gaga eAcA|e2df eABA|g2fg dGBd|eAce dGBf|
gaga eAcA|e2dg eABA|BdGB e2dB|c2A2A2:|

%%%

X:44145 
T:PARISH OF KILCAR* (reel), The 
B:NFID.243c  ("untitled reel")
C:ABC/arr. BB
S:JMcK
Q:1/4=180
L:1/8
M:C
R:reel 
K:Em 
BEED E2DF|G2AG FGAc|BEDE B2ef|gfed g2fg|
BEED E2DF|G2AG FGAc|BEDE B2ef|gfed e2||
ef|gfga bgeg|fefg afdf|gfga bgeg|fedf e3f|
gfga bgeg|fefg afdf|g2bg fgaf|gfed eg fg|HE4z4|]

%%%

X:44146 
T:PASSING SHIP*  (reel), The 
B:NFID.075b ("untitled reel")
C:ABC/arr. BB
S:JD
Q:1/4=180
L:1/8
M:C
R:reel
K:Ador
AG|EAAB c2BA|GBdc BAGD|EAAB cdef|gedB eAAG|
EAAB c2BA|GBdc BAGD|EAAB cdef|gedB eAAg||
eaag edBd|g2bg edBd|g2bg efge|dBgB BAAg|
eaag edBd|g2bg edBd|gabg efge|dBgB cBAG|HA4z4||

%%%

X:44147 
T:PAT HARVEY'S MAZURKA* 
B:NFID.177b (as "Mazurka")
C:ABC/arr. BB
S:F&MB
N:A-B-A in source
Q:1/4=120
L:1/8
M:3/4
R:waltz 
K:G
P:"A"
ga|bg d2 B2|GB e2 g2|fd (3cdc A2|GB e2 g2|
bg d2[c2E2]|Ac e2 g2|fe [D2d2]f2|a2 g2:|
P:"B"
|:gd|Bd g2 ge|fg a2 g2|fg e3f|ge[G,2G2d2][D2B2]|
d2g2-ge|fg a2 g2|fe [D2d2]f2|a2g2:|
P:"A2"
ga|bg d2 B2|GB e2 g2|fd (3cdc A2|GB e2 g2|
bg d2[c2E2]|Ac e2 g2|fe [D2d2]f2|a2 g4-|g6|]

%%%

X:44148 
T:PENNY DANCING*  
B:NFID.160c  ("untitled slip jig")
C:ABC/arr. BB
S:F&MB
Q:1/4=160
L:1/8
M:9/8
R:slip jig
K:G
A2G FEF G2B|A2G E2G cAG|
A2G FEF G2A|deg fed cAG:|
Add d^cd f3|Ade ded cAG|
Add d^cd f2g|1agf ged cAG:|\
[2agf ged cAF|G6z3|]

%%%

X:44149 
T:PIPE MARCH, The 
B:NFID.178 
C:ABC/arr. BB
S:F&MB
Q:1/4=160
L:1/8
M:4/4
R:march
K:Amix
P:"A"
A3c B2GB|A2D2 D3B|AGFE DEFG|A4-AGFG|
A3c B2GB|A2D2 A4|GFED CDEF|G4 F2G2|
A3c B2GB|A2D2 D3B|AGFE DEFG|A4-AGFG|
A2d2 c2Ac|B2G2 A4|GFED CDEF|G4 F2E2||
P:"B"
D2d2F2d2|A2D2D4|D2d2 DEFG|A3B AGFE|
D2d2F2d2|A2D2A4|GFED CDEF|G4 F2 e2|
D2d2F2d2|A2FA DEFE|D3A DEFG|A6 Bc|
dcBd cBAc|B2G2A4|GFED CDEF|G4 F2 e2||
P:"C"
D3E F2D2|A2D2F2D2|A3B AFDF|A2B2 AGFE|
D3E F2D2|A2D2F2D2|G3E GECE|G2A2 GECE|
D3E F2D2|A2D2F2D2|A3B AFDF|A4 B3c|
dcBd cBAc|B2G2A4|GFED CDEF|G4F2E2||
"FINAL" [HD4z4HD4z4]|
 
%%%

X:44151 
T:PIPING JIG, The 
B:NFID.185a 
C:ABC/arr. BB
S:DOD
N:1:Cut time is notated in Part A only but is in fact continued 
"simile" through the tune. 
N:2:G's in source are natural - I have sharpened them.
Q:1/4=160
L:1/8
M:6/8
R:jig
K:Ador % source key A (B dorian)
P:"A"
d|e2A ABG|ABd e2g|dBd edB|GAB d2e|
gBB ABG|ABd e2d|egg egd|edB A2:|
P:"B"
f|g2e gee|deg f2d|dBd edB|GAB d2e|
[1 g2e gee|deg f2B|egg egd|edB A2 :|
[2 gBB ABG|ABd e2d|egg egd|edB A2||
P:"C"
|:e|ABG A3|ABd efg|BGA B2A|B2G Bde|
ABG A3|ABd e2d|egg egd|edB A2:|
P:"D"
e|g2e dee|Aee e2d|egg dee|Gdd d2B|
[1 g2e dee|Aee e2d|egg ege|edB A3|
[2 A2A BAB|ABd e2d|egg egd|edB HA3|]


%%%

X:44152 
T:POLICEMAN'S HOLIDAY, The  
B:NFID.061a 
C:ABC/arr. BB
S:JD
Q:1/4=160
L:1/8
M:6/8
R:jig
K:G
e|dBG B,DG|Bdd dBG|ecA A,CE|Ace gfe|
dBG B,DG|Bdd dcB|Ace agd|fed d2 :|
%
f|gea fdg|ece dBG|GBd gfe|dBG GBd|
gea fdg|ece dcB|Ace agd|fed d2 :|
%
A|B=c^c dbf|agd fe^d|dbf agd|fed bge|
dbf agd|Bag gdB|Ace agd|fed d2 :|

%%%

X:44153 
T:PORT CLIFFS REEL*, The 
B:NFID.154  ("untitled reel")
C:ABC/arr. BB
S:CC?
N:The last measure of the original first part is not shown as 
a second ending and doesn't seem to belong where it is. 
My version tries to help with that by dropping that measure
entirely.
Q:1/4=180
L:1/8
M:C
R:reel
K:G
d|Bdgd BGdG|cBAc BGdG|Bdgd eg ec|BGAc BGG:|
B|dedB cBAB|cdef gabg|dedB dedc|BGAf gabg|
dedB cBAB|cdef g2fa|gedg egfa|gedc BGHG2|]

Source version:
Bdgd BGdG|cBAc BGdG|Bdgd eg ec|1BGAc BGdG:|\
[2 cdef gabg||
dedB cBAB|cdef gabg|dedB dedc|BGAf gabg|
dedB cBAB|cdef g2fa|gedg egfa|gedc BGdG||

%%%

X:44154 
T:RAKISH PADDY  (reel) 
B:NFID.072b 
C:ABC/arr. BB
S:JD
N:John Doherty's setting of this session 'chestnut'.
As A-B-A in source.
Q:1/4=180
L:1/8
M:C
R:reel 
K:Dmix
ed|:cded c2Bd|AdGd ADDd|d2d^c d3e|fdeg fded|
[1 c2Bd c2B2|A2Gd ADD2|DEFG Adde|cAGd ADDB:|
[2 c2Bd cGBd|cAGF ECB,C|DFEG FAdB|cA GE D3g||
|:efgb afg2|gagf eBce|d2ad bdad|abag fddf|
efgb afg2|gagf eBce|defg abag|1 fage dcdf:|\
[2 faec dfed-|HD4z4||

%%%

X:44155 
T:REEL OF RATHLIN*, The 
B:NFID.076a ("untitled reel")
C:ABC/arr. BB
S:JD
Q:1/4=180
L:1/8
M:C
R:reel
K:Amix
ed|ceAe cAec|BdGd BGdG|ceAd cBce|1 dBgB Aa:|\
[2 dBgB BAA||
B|:cBcd efgf|dcdf edcB|A^gab a=gfa|gedg e2fg|
abag fage|dcdf edcB|Aa^ga e=gfa|gedB Aaed:|
cA eA ceAc|BGdG BdGd|cAeA ceAc|dBgB Aaed|
cA eA ceAc|BGdG BdGd|cBcd efga|gedB HA4|]

%%%

X:44156 
T:RIGHT LOCK OF FIDDLERS* (hornpipe), A 
B:NFID.246b ("untitled hornpipe")
C:ABC/arr. BB
S:PT
Q:1/4=150
L:1/8
M:C|
R:Hornpipe 
K:D
ag|f2de fade|fgaf bagf|e2cA eAcA|Bd ef geag|
f2de fcde|fgaf bagf|e2ce ABcd|e2d2d2:|
zA|BcdA BcdA|BcdA Bcd2|cdef gfe2|defd A2AA|
BcdA BcdA|BcdA Bcd2|cdef gfec|e2d2d2:|

%%%

X:44157 
T:ROAD TO BRIGHTON (reel), The 
B:NFID.240a 
C:ABC/arr. BB
S:JL
Q:1/4=180
L:1/8
M:C
R:reel 
K:G
dc|BGGF G3E|DGGA BcdB|ABAG F2AF|DAFA DAFA|
BGGF G3E|DGGA Bcd2|Bcdf efec|dcAF G2:|
GA|B2d^c d3e|fdd2 add2|BddB Adef|gfe^c Bd=cB|
Add^c d3e|fdd2 add2|Bddf efe^c|dcAF G2:|

%%%

X:44158 
T:ROBBIE'S COTTAGE* (strathspey) 
B:NFID.109b ("untitled strathspey")
C:ABC/arr. BB
S:SD
N:Note extra measure in second ending of B part.
Q:1/4=150
L:1/8
M:C|
R:hornpipe
K:D
A2|DEFG AFD2|B,2ED CA,A,2|DEFG AFD2|1 E2E2D2:|2 E2EA D2D||
|:B|AFFd BGGB|cBAa fddB|AFFd BGGB|1 cAce fdd :|
[2 cAce FD cA|"extra"eg eg FD HD2|]

%%%

X:44159 
T:RORY O'MORE  
B:NFID.159c 
C:ABC/arr. BB
S:F&MB
N:This isn't presented in NFID as an A-B-A tune,
but I have a feeling it should have been!
Q:1/4=160
L:1/8
M:6/8
R:jig
K:G
e|dBG BAG|dBG g2e|dBG BAG|FAA ABc|
dBG BAG|Bdd edc|Bd^c def|1 gfa gf :|\
[2 gdB dB||
P:"B"
|:d|g2e dcB|cBA BGE|DGG FAF|GBd e2f|
gfe dcB|cBA BGE|1DGG AGA|BGG GB:|\
[2 DGG FAF|GBd gfe||
P:"A2"
dBG BAG|dBG g2e|dBG BAG|FAA ABc|
dBG BAG|Bdd edc|Bd^c def|g3 G3-|G6||

%%%

X:44161 
T:SAINT JOHN'S EVE*  
B:NFID.186b ("untitled double jig")
C:ABC/arr. BB
S:DOD
N:This sounds like a few other jigs, especially
in the second part.
Q:1/4=160
L:1/8
M:6/8
R:jig
K:D
c|def edB|BAF FEF|BAF DFA|d2f edB|
def edB|BAF FEF|BAF DEF|1 EDB, DA:|\
[2 EDB, DB||
|:G|AFA d2e|faf fed|efe edB|dcd edB|
AFA d2e|faf fed|edB ABd|1 "thru"edc dB:|2 "final"edc Hd3|]

%%%

X:44162 
T:SALLY KELLY'S REEL 
B:NFID.188b
C:ABC/arr. BB
S:DOD
Q:1/4=180
L:1/8
M:C
R:reel
K:Em 
F|GEed e2eg|fede fgab|gefd e2BG|AcBA GEEF|
Eee^d e2eg|fede fgab|gefd e2BG|Ac BA GEE||
|:F|GABd G2GB|GABd cAAa|gefd e2BG|1 AcBA GEE:|\
[2 AcBA GEHE2|]

%%%

X:44163 
T:SCOTCH MARY (reel) 
B:NFID.168a 
C:ABC/arr. BB
S:F&MB
N:Other settings of this tune only have two parts.
I suspect the Byrne Brothers added Part 3 so they
could show off their C sharps!
Q:1/4=180
L:1/8
M:C
R:reel
K:Ador
cEEB cded|cEEF G2AB|cEEB cded|cBAG EAAB|
cEEB cded|cEEF G2AB|c2cd ebed|cBAG EAAd||
%
eaag edBd|egfa g2gd|eaag edBd|cBAG EAAd|
eaag edBd|egfa g2fg|afge fded|cBAG EAAB||
%
cded ^cded|cAGF G2Bd|cded ^cded|cBAG EAAB|
cded ^cded|cAGF G2Bd|cdea fged|cBAG EAAG|HA4z4|]

%%%

X:44164
T:SCOTSMAN OVER THE BORDER*, The  
B:NFID.233a  ("untitled jig")
C:ABC/arr. BB
S:PT
Q:1/4=160
L:1/8
M:6/8
R:jig
K:D
E|D2D FDF|AFA dcB|BdB BAB|def edB|
ADD FDF|AFA dcA|BdB AFA|1 dAF ED:|\
[2 dAF EF||
A|dfa afa|bag f2e|dfa afd|dfd ecA|
[1 dfa afa|bag f2e|fdA BdB|AFD EF :|
[2 dfa afa|bag f2e|fdA BdB|AFD EDC|HD3z3|]

%%%

X:44165 
T:SEAMUS SEÁN MÓR'S STRATHSPEY* 
B:NFID.193 ("untitled strathspey")
C:ABC/arr. BB
S:DOD
Q:1/4=150
L:1/8
M:C|
R:hornpipe
K:A 
E|ABGA FAEC|DFCE B,Deg|ABGA FAEd|c2BG AedB|
ABGA FAEC|DFCE B,Deg|AfGe FdEd|cABG  A3:|
B|AaBb aece|dfec Bdc>G|AaBb aced|c2BG AedB|
AaBb aece|dfec Bdc>G|AECE FDB,d|c2B2 A3 :|

source version:
E|ABGA FAEC|DFCE (3B,CD eg|ABGA FAEd|(3cAc (3BGB (3Afe dB|
ABGA FAEC|DFCE (3B,CD eg|AfGe FdEd|cABG A3:|
B|: AaBb aece|dfec Bd c/B/A/G/|AaBb aced|(3cAc (3BGB (3Afe dB|
AaBb aece|dfec Bd c/B/A/G/|AECE FDB,d|1(3cAc (3BGB A2 [c2E2]:|\
[2 (3cAc (3BGB A4-|HA4z4|]

%%%

X:44166 
T:SKIRL OF THE PIPES* (march), The 
B:NFID.088b (untitled)
C:ABC/arr. BB
S:JD
Q:1/4=160
L:1/8
M:C
R:march
K:Amix
ag|e2A2 ABcd|e2ec d2ef|g2B2 d3e|dcBA G2g2|
e2A2 ABcd|e2ec d2fa|g2B2 edBG|A4A2:|
%
ag|e2d2e2 fg|a2af g2ge|d2FA G2Bc|dcBA G2g2|
[1 e2d2e2 fg|a2af g2eg|d2B2 edBG|A4 A2 :|
[2 e2A2 ABcd|e2ec d2fa|g2B2 edBG|A4HA4|]


%%%

X:44167
T:SLEEPY MAGGIE (reel) 
B:NFID.240b 
C:ABC/arr. BB
S:PT
Q:1/4=180
L:1/8
M:C
R:reel 
K:Am % source key = Bm
A2a2 eAAG|A2ge dcBG|A2a2 g3e|ede^f gdBd:|
ceAe ceAe|BdGd BdGd|ceAe ceAe|egge dcBd:|
|:eAAG EAAe|eAAG dcBd|eAAG EAAe|1 egge dcBd:|\
[2 egge dcBG|HA4z4|]



X:44168 
T:SPORTING DAYS OF EASTER (reel), The 
B:NFID.240c 
C:ABC/arr. BB
S:JL 
Q:1/4=180
L:1/8
M:C
R:reel 
K:G
BGG2 DGFG|Bdef gded|BGG2 DGGA|BGAG EDD2:|
g3e fgaf|g2ge fdd2|g2ge fga2|bgaf gfed|
gage fgaf|g2ge fdd2|g2fg a2ga|bgaf gfed||\
"final"HG4z4||

%%%

X:44168 
T:SPUD GATHERING* (reel) 
B:NFID.242b  ("untitled reel")
C:ABC/arr. BB
S:JL
N:1:Presence of a "DC" in source indicates that
this is probably an A-B-A tune.
N:2:This tune has another name which escapes me
at the moment.
Q:1/4=180
L:1/8
M:C
R:reel 
K:G
D|G2BG dGBd|cBcd efga|bgfg agef|gedB AGED|
G2BG dGBd|cBcd efga|bgfg agef|gedc BGG:|
a|bgfg agef|gedB AGEG|DB,B,C DEGA|Bdgb age2|
bgfg agef|gedB AGEG|DB,B,C DEGA|Bdgd "_DC"BGG:|
P:"A2"
D|G2BG dGBd|cBcd efga|bgfg agef|gedB AGED|
G2BG dGBd|cBcd efga|bgfg agef|gedc BGHG2|]

%%%

X:44170 
T:STEEPING THE FLAX* (polka)
B:NFID.247c  ("untitled polka")
C:ABC/arr. BB
S:PT
Q:1/4=240
L:1/8
M:C
R:polka % A-B-A
K:G
f|g2B2 d2G2|B2d2 d3B|c2A2 F2A2|e2d2 d2ef|
g2B2 d2G2|B2d2 d3B|c2A2 F2A2|A2G2G3:|
B|A2d2 d^cdf|a2f2 f3a|g2e2 edeg|f2d2 d^cdB|
A2d2 d^cdf|a2f2 f2a2|g3f g2e2|d4 d3:|
P:"A2"
f|g2B2 d2G2|B2d2 d3B|c2A2 F2A2|e2d2 d2ef|
g2B2 d2G2|B2d2 d3B|c2A2 F2A2|A2G2G4-|G4z4||

%%%

X:44171 
T:STORMY WEATHER (reel) 
B:NFID.075a 
C:ABC/arr. BB
S:JD
Q:1/4=180
L:1/8
M:C
R:reel
K:D
CE|D2FE DFAF|DGBG FGAc|dcdA Bede|fdgf ecAF|
[1 D2FE DFAF|G2BG FABc|dcdA BGBd|AGFE D2:|
[2 FAEA DFAF|G2BG FABc|dcdA BGBd|AFEF D2||
|:ag|fgab agfa|gfed fdBc|dBAF ABde|fagf e^deg|
[1 fgab agfa|g2f2 edBc|dBAF AdAF|EDEF D2:|
[2 fgab agfa|g2ba gfec|dcBA BcdB|AGFE DA,B,C|HD4z4|]

%%%

X:44172 
T:STRATHY POINT* (hornpipe) 
B:NFID.082b ("untitled highland")
C:ABC/arr. BB
S:JD
Q:1/4=140
L:1/8
M:C|
R:hornpipe
K:Amix
e|A2eA BAef|g2dg BABG|A2 eA Beea|gedB Aaga|
A2 eA BAef|g2dg BABG|A2 eA Beea|gedB cAA :|
e|a2ea caef|g2Bg dgB^g|a2ea cafa|gedB cAA^g|
a2ea caef|g2Bg dgB^g|afGE FD fa|GEdB cAA :|

%%%

X:44173
T:STRENGTH IN THE BOW* (strathspey)  
B:NFID.192b ("untitled strathspey") 
C:ABC/arr. BB
Q:1/4=150
S:DOD
L:1/8
M:C|
R:hornpipe
K:G % source key = F
dGBG dGBG|dGBG EAA2|DGBG dBge|1 dcBA GA[B2G2]:|\
[2 dcBA GAGB||
dgbg agbg|dgbg faa2|dgbg agbg|agab gf[g2B2]|
dgbg agbg|dgbg faa2|gbeg dgBe|dcBA G4|]

%%%

X:44174 
T:TARTAN ON THE HEATHER, The  
B:NFID.080b (as "T on the H Strathspey")
C:ABC/arr. BB
S:JD
Q:1/4=150
L:1/8
M:C
R:hornpipe
K:A % simplified version
B|AFFA EA,CE|AFFA dfeB|AFFA EA,CA|1 dfeA GAc:|\
[2 dfec BcA||
f|ecca fddf|eAce a2gf|ecca fdec|d2c2 BEGB|
ecca fddf|eAce fagb|afae fdcA|egae fdcB|HA4z4||


Source version:
B|AFFA EA,CE|AFFA df (3ecB| AFFA EA,CA|1 df (3ecA GAc:|2 df (3ecA BcA||
f|ecca fddf|eAce a2gf|ecca fdec|(3dfd c2 BEGB|
ecca fddf|eAce fagb|(3agf (3afe FD cA|eg (3aga FD (3cdB||

%%%

X:44175 
T:TEELIN HIGHLAND (1), The 
B:NFID.080c 
C:ABC/arr. BB
S:JD
Q:1/4=140
L:1/8
M:C|
R:hornpipe
K:Amix
A|Bdeg fdeA|Bdef gfga|Bd eg fdeA|gedB A3:|
^g|a2ea fAed|cABA cee^g|a2ea fdea|gedB A3:|

%%%

X:44176 
T:TEELIN HIGHLAND (2), The 
B:NFID.173b 
C:ABC/arr. BB
S:F&MB
Q:1/4=150
L:1/8
M:C|
R:hornpipe
K:Amix
d|cdeg fdeA|cdef gfgA|Bdea fdfa|gedB cAA:|
g|a2ea fd[ge][fd]|[ec]AcA cefg|a2ea fdfa|gedB cAAg|
[A2a2]ea fd[ge][fd]|[ec]AcA cefg|(3agf ge fdfa|gedB cAA2||

%%%

X:44177 
T:TEMPLEHOUSE (reel), The 
B:NFID.105a 
C:ABC/arr. BB
S:SD
Q:1/4=180
L:1/8
M:C
R:reel
K:Em 
D|EFGA BGFE|D2ED ADED|EFGA BEE2|BAFA BEE:|
d|gfef g2eg|fede fgaf|gfef g2ed|BAFA BEEB|
gfef g2eg|fede fgaf|edef gfed|BAFA BEE2|]

%%%

X:44178 
T:TIN FIDDLE* (hornpipe), The   
B:NFID.174a ("untitled highland")
C:ABC/arr. BB
S:?
N:Single in source.
Q:1/4=150
L:1/8
M:C|
R:hornpipe
K:G
E|DGGF DGGE|=F2cF dFcF|DGGE DGGg|fdcA BdAF|
DGGF DGG=F|E=FcF dFcF|DGGF DGGg|1fdcA BGD:|2fdcA G3|
f|g2bg dgbg|faag bgaf|g2bg dgbg|agfa gfga|
bgag fdeg|fdcA BGBd|g2gf gbag|1 "thru"fdcA BGA:|\
[2 "final"fdcA BGAF|HG4z4|]

%%%

X:44179 
T:TINKER'S YELLOW PONY* (reel), The 
B:NFID.106a ("untitled reel")
C:ABC/arr. BB
S:SD
N:Variant of "Yellow Tinker". This is played 
A-B-C-D-E-B.
Q:1/4=180
L:1/8
M:C
R:reel 
K:Gmix
P:"A"
A|DGG2 DEFC|DGG2 AdcA|DGG2 DEFG|AFFG ABc:|
P:"B"
e|dgg2 dge^c|dgga gedc|dGG2 dGBd|cAFA c2Bc|
dgg2 dge^c|dgga ^fdce|g2de ^fgaf|gbag ^fdcA||
P:"C"
B2BG BdBA|BdBA c2Bc|d2GA BGBd|cAFA c2cA|
B2BG BdBA|BdBA c2Bc|d^cde fefd|cFEF AdcA||
P:"D"
G2GE FDFD|G2 Ac fdcA|G2GE F2FG|AFFG AdcA|
DGG2 DEFC|DGG2 AdcA|DGG2 DEFG|AFEF ABc2||
P:"E"
G2GE FDB,D|GA^fg fdcA|G2GE F2FG|AFEF AdcA|
G2GE FDB,D|GA^fg fdcA|G2GE F2FG|AFEF ABc2||
P:"B2" 
dgg2 dge^c|dgga gedc|dGG2 dGBd|cAFA c2Bc|
dgg2 dge^c|dgge ^fdce|gbag ^fdcA|HG4z4|]

%%%

X:44180 
T:TOSS THE FEATHERS (reel) 
B:NFID.168b 
C:ABC/arr. BB
S:F&MB
N:Note that the source shows twelve measures in second part.
In my version the second part consists of four bars plus
two four-bar endings - in other words, same amount of measures
arranged a little differently. 
Q:1/4=180
L:1/8
M:C
R:reel 
K:Em 
%"BB version with amended second part"
EBB2 EBEB|EeBA FADF|EBB2 EBEB|eAge dBAF|
E2 BE E2 BE|EeBA FADF|E2BE E2BE|eage edBd||
|:Bdef gfge|fede feef|gebe gebe|fede fbef|
[1 gbb2 faa2|efge dBAF|gfed efge|fede feef:|
[2 gebe gebe|fede feef|gbb2 faa2|efge dBAF|HE4z4|]

Source version:
D|EBB2 EBEB|EeBA FADF|EBB2 EBEB|eAge dBAF|
E2 BE E2 BE|EeBA FADF|E2 BE E2 BE|eage edBd||
Bdef gfge|fede feef|gebe gebe|fede fbef|
gb b2fa a2|efge dBAF|gfed efge|fede feef||
gebe gebe|fede feef|gb b2fa a2|efge dBAF|]

%%%

X:44181 
T:TURNISKEY LASSES (reel), The
B:NFID.241 
C:ABC/arr. BB
S:PT
Z:Robinson/Black
N:Also spelled "Tirnaskea"
Q:1/4=180
L:1/8
M:C
R:reel 
K:Em 
B2BA G2AG|FADA FADA|B2BA GAB^c|dBA=c BGE2|
B2BA G2AG|FADA FADA|B2BA GAB^c|dBA=c BGE2:|
e2ge bege|defg afdf|e2ge bege|BdAc BGE2|
e2ge bege|defg afdf|gfed egfe|dBAc BGE2:|
"final"dBAc B2G2|HE4z4||

%%%

X:44182 
T:TWENTY ONE HIGHLAND, The 
B:NFID.081a 
C:ABC/arr. BB
S:JD
Q:1/4=140
L:1/8
M:C|
R:hornpipe
K:Am % simplified version
AB|ceAB cABc|BdGd BdAG|ceAB cec2|B2GB A2:|
zd|c2ec acec|c2ec e2dG|c2ec acec|e2dB A2AB|
c2ec acec|c2ec e2dG|a2ag eg^fa|g2^fd cBAG|HA4z4||

Source version:
CEA,B, CA,B,C|B,DG,D B,DA,G,|CEA,B, CEC2|1 B,2G,B, A,2A,B,:|\
[2 B,2G,B, A,DDd||
c2ec acec|c2ec e2 (3dBG|c2ec acec|e2 dB A2AB|
c2ec acec|c2ec e2 (3dBG|(3aaa ag (3e^fg (3^fga|\
(3gag (3^fed cA (3GED||
= = = 


%%%

X:44183
T:TWO CHIMNEYS*, The  
B:NFID.152b ("untitled jig")
C:ABC/arr. BB
S:CC
Q:1/4=160
L:1/8
N:Last measure of the original second ending (**) seems
to call for a repeat of the first part, although the
tune isn't presented in NFID as A-B-A.
M:6/8
R:jig
K:Am 
P:"A"
B|:c2B c2e|d3 d2B|c2B c2e|d2B G2B|
c2B c2e|d2d ^c2d|1 e2a a2b|a2g e2d:|\
[2 e2a a2^g|a3 b2||
P:"B"
|:a|g2e e2d|^c2d e2^f|g2e e2d|^c2A A2B|
ag^f e2d|^c2d e2^d|1 e2a a2^g|a3 b2:|\
[2 e2a a2b|"**"a2g e2d||
P:"A2"
c2B c2e|d3 d2B|c2B c2e|d2B G2B|
c2B c2e|d2d ^c2d|e2a a2b|a6||

%%%

X:44184 
T:UNCLE NED THE RAMBLER*  
B:NFID.233b ("untitled jig")
C:ABC/arr. BB
S:PT
Q:1/4=160
L:1/8
M:6/8
R:jig
K:Amix
A/B/|c2A BAG|EAA EAB|cBc dcd|eaf ged|
c2A BAG|EAA EAB|ceg dBG|EA^G A2:|
B|cBc dcd|eaf ged|ef^g a2a|aba ged|
cBc dcd|eaf ged|ceg dBG|EA^G A2:| 

%%%

X:44185 
T:UP AT DAWN* (march) 
B:NFID.088a  ("untitled march")
C:ABC/arr. BB
S:JD
Q:1/4=140
L:1/8
M:C
R:march
K:Ador
BG|A2e2 e2dB|d2ef gea2|A2e2e2 dB|g2ed B2AG|
A2e2e2 dB|d2ef gea2|gedB g2ed|B2A2A2:|
BG|A2a2a2 ge|d2ef gea2|A2a2a2 ge|dged B2A2|
A2a2a2 ge|d2ef gea2|gedB g2ed|B2A2A2:|

%%%

X:44186 
T:WATCHDOG AT THE GATE* (hornpipe), The
B:NFID.155c ("untitled highland")
C:ABC/arr. BB
S:CC
Q:1/4=150
L:1/8
M:C|
R:hornpipe
K:Ador % simplified version
B|A2AG edBA|GABG dGBG|A2AG edBA|GABG A3:|
d|ebag e^def|g2fg dgBG|Abag e^def|gdBG A3G|
Abag e^def|g2fg dgfg|afge dBAf|GBAG A4|] 

Source version:
GB|AA B/A/G/A/ ed B/c/B/A/|GABG dGBG|
AA B/A/G/A/ ed B/c/B/A/|GABG A2:|
Gd|ebag e^de^f|gggg dgBG|Abag e^de^f|gdBG A2 ^GA|
Abag e^de^f|gggg dg^fg|(3ag^f GE dfA^F|\
GEDB, (3A,B,A, G,2||
%


%%%

X:44187 
T:WILD IRISHMAN (reel), The  
B:NFID.106b
C:ABC/arr. BB
S:SD
Q:1/4=180
L:1/8
M:C
R:reel
K:Amix
gf|edcB A2 cA|eA cA e3f|edcB ABce|f2ge d2:|
Bc|defd gefd|dged cABc|defd gefd|gage d2Bc|
defd gefd|dged cABc|defg a2ag|fa ec dcdg||
"final"edcB HA4|]

%%%

X:44188
T:WILLIE CORRIGAN'S*  
B:NFID.062 ("untitled double jig")
C:ABC/arr. BB
S:JD
Q:1/4=160
L:1/8
M:6/8
R:jig
K:Dmix
B|cAG A2D|DED A2d|cAG A2D|DED GED|
cAG A2D|DED AGE|FDF ECE|DED GE :|
%
B|d2e fdg|ecA AFA|d2g fdg|eaa gec|
d2e f^ga|ecA AGE|FDF EFE|DEF GE :|
%
c|B2G ABG|BGE Edc|B2G ABE|GED Ddc|
B2G ABG|BGE E2c|dcd A2G|1 FDD Dd:|\
2 FDD HD3|]

%%%

X:44150 
T:YOU'RE WELCOME HOME ROYAL CHARLIE (march) 
B:NFID.089
C:ABC/arr. BB
S:JD
Q:1/4=150
L:1/8
M:C
R:march
K:Amix
ED|E2A2 ABcd|e2A2 B2A2|GAGF GABc|d2G2 dBAG|
E2A2 ABcd|e2f2 g2a2|g2e2 d2B2|1 A4 AG:|\
[2 A4 A2ag||
%
|:e2a2a2 ga|b3a g2e2|d2ef g2a2|g2e2d2 cd|
e2a2a2 ga|b3a g2ed|c2e2 dcBc|1 A4 A2cd:|\
[2 A4 G2AB||
%
|:c2cB c2c2|cdef g2dc|B2G2 d2G2|BcdB GABG|
c2cB c2G2|cdef g2fg|a2e2 dcBc|1 A4A2B2:|\
[2 A4 HA4|]

%%%
]


= = = = = end of Northern Fiddler Tunes file = = = = =