ITTL "B" tunes
file created 5.20.25
= = = = = = = = = = =

# Entries preceded by %% are primarily for typesetting purposes. Disregard them.
# Tunes are not in alphabetical order.


I:abc-charset utf-8
%%subtitlefont ÒPalatinoBoldÓ 18
%%titleleft
%%printtempo 0
%%titlefont "PalatinoBold" 22


X:6
%
T:B & B (jig), The
T:(Bed and Breakfast)
C:RM 3/19/19
N:RM note: Beats a hotel any day, especially the breakfasts!
L:1/8
Q:1/4=180
M:6/8
%R:jig
K:D
"A7" ABc |"D" d2 A F2 A |"G" dcB "D" A2 F |"Em" EFG "A7" F2 E |"D" F2 D F2 A |
"D" d2 c d2 e |"Bm" f2 d B2 d |"E7" efe dcB |"A7" A3-A2 A |
"Em" B2 G EFG |"D" A2 F DEF |"Em" G2 E"D" F2 D |"A7" E2 A ABc |
"D" d2 c d2 e |"D" f2 d A2 A |"Em" Bcd"A7" e2 c |"D" d3:|
%
[K:G]
"D7"d2c |"G" B2 d "D7" A2 d |"G" G2 A BAG |"C" E2 A GFE |"D7" D3 DEF |
"G" G2 F G2 e |"G" d2 B A2 G |"D" A2 d "A7" ^cde |"D" d2 e "D7" fed |
"G" g2 d BAG |"D7" def "G" g2 e |"G" d2 B "Em" G2 B |"A7" A3- "D7" AGA |
"G" BAB "D7" cBc |"G" def "C" gfe |"G" d2 g "D7" agf |"G" g3:|

%%%
X:7
%
T:BACAN-BOUND BACHELOR (slip jig), The
T:The Tethered Bachelor
C:RM 2/29/04 
N:RM note: Sadie Hawkin's Day!
L:1/8
%R:slipjig
Q:1/4=165
M:9/8
K:G
 G/A/|"Em"B2 G GAG "B" FGA |"Em" B2 G "B" AGF"Em" E3 |
"G" B2 G dcB "D" AGA |"Em" BcB "B" AGF "Em" E2 :| 
F |"G"GFG BAG "D" ABc |"G" dge dBG "D" ABc |
"Em" B2 G GAG "B" FGA | "Em" BcB "B" AGF "Em" E2 :|

%%%
X:8
%%staffsep 60
T:BAG of CATS (polka), The 
C:RM 8/26/18
N:RM note: Dedicated To Mags Sheridan, one of those cats!
L:1/4
Q:1/4=220
M:C
%R:polka
K:G
D|"G"G/ z d/ B d |"G" e d B G |"D" D D/E/ F F/G/ |"D" A A/G/ F/E/ D |
"G" G/ z d/ B d |1 "G" e d B G |"D7" D A/B/ c/B/ A |"G" G B G:|
[2"G" e d g B|"Am" c/B/ A"D7" d/e/d/c/ |"G" B G G|:d/c/|"G"B/A/ G B d |
"G" g g/a/ b/a/ g |"D" d f/e/ d a/g/ |"D" f/g/a/g/ f d/c/ |"G" B/A/ G B d |
"G" g d/c/ B/c/ d |"Am" e a/g/ "D7" f/d/e/f/ |"G" g b g:|

%%% %%% %%% 
X:9
%
T:BALD IS BEAUTIFUL! (jig)
N:RM note: Dedicated to my good friend, Murray Schooner, for obvious
N:reasons!
C:RM 2/2/08
L:1/8
Q:1/4=160
%R:jig
M:6/8
K:A
E|"A"A2 f edc |"E" efg "A" agf |"A" e2 f ecA |"B7" FBA "E" GFE |
"A" AGA cBA |"A7" cde"D" f2 d |"E7" e^de "E7" gfe |"E7" dcB "A" A2:|
[K:D]
f/e/|"D"d2 A f2 d |"G" GAB "A" ABc |"D" def afd |"E7" Bed "A" cBA |
"D" d2 A fed |"Em" e2 B gfe |"D" a^ga "Em" b=ge |"A7" edc "D" d2:|

%%%
X:10
%
T:BATTERIN' THE FLOOR (polka)
N:RM note: Dedicated to Arlene Miller, superb Irish set dance teacher, CCE 
N:Hall of Fame.
C:RM 2/18/08
L:1/8
Q:1/4=200
M:C
%R:polka
K:G
P:A-B-A
Bc|"G" d2 dB "C" e2 ec |"D" dedc "G" BA G2 |\
"Am" A2 E2 A3 B |"Am" cBAG "D7" FE D2 |
"C" E2 GE "G" D2 G2 |"C" EFGE "G" D2 G2 |\
"A7" A^GAB ^cABc |"D7" d2 e2 fedc |
"G" B3 G "D7" A3 F |"G" GFGA BG D2 |\
"Am" E2 AB cBAG |"D7" FAd^c d2 ef |
"G" g2 gf gdBd |"Am" e^dec A2 AG |\
"D7" FGAB cdef |"G" g2 gf "_DC"g2||
%
[K:D]
|:fg|"D" a2 fa"A7" g2 eg |"D" f2 d2 Adfa |\
"A7" g2 ec Aceg |"D" b2 a^g"A7" a2 f=g |
"D" a2 fa"A7" g2 eg |"D" f2 d2 Adfa |\
"A7" g2 ed cAce |"D" d2 dc "_DC"d2:|

%%%
X:11
%
T:BE SHARP POLKA
C:RM 12/5/19 ("starting in B#")
N:RM note: Dedicated to Tony Scalise, Denise Carder, Jim Candela, and   
N:Debbie Dean - four sharp musicians.
L:1/8
Q:1/4=210
P:A-B-A
%R:polka
M:4/4
K:C
AB|"C" c2 G2 GAGF |"Am" E2 E2 EGEC |"G7" D2 G2 FE D2 |"C" E2 GA "G7" BGAB |
"C" c2 G2 GAGF |"Am" E2 E2 EGEC |"G7" D2 GA GFED |"C" C2 E2 C2 :|
[K:G]
FE|"G" D2 B,D G2 DG |"G" B2 GB d4 |"Am" cBAG "D7" FDFA |"D7" dcBA "G" G2 FE |
"G" D2 B,D G2 DG |"G" B2 GB d4 |\
"Am" cBAG "D7" FDEF |"G" "_DC after rpt"G2 B2 G2:|



%%%


X:12
%
T:BEAN COUNTER (rag), The
C:RM 1/31/08
L:1/8
Q:1/4=160
M:4/4
%R:hornpipe (rag)
K:D
cB|"D"AF B "D"A2 F ED |"G" Bc d "A7" A2 A Bc |
"D" dcde fedf |"E7" ^g2 ed "A7" cBAG |
"D" F=F^FG "D7" AFED |"G" B e2 B "G"dedB |
%%vskip .3in
"A7" cBAB cdeg |1"D" fd "A7" e2 "D" d2 :|
%%vskip .3in
[2 "D" fd "A7" e2 "D7" ded=c|:[K:G]"G"B2 B2"G7" g2 gd |
"C" ef g"D" d2 e dc |"G" B_B=Bc dedB |
"A7" ^cdeg "D7" fed=c |"G" B_B =B"G7" g2 a gd |
"C" e^d e"C" a2 g fe |"D7" d2 fe decA |
%%vskip .3in
[1"D7" DF A"G" G2edc:|2 "D7"Aed"G"g-g4|]

X:13
%
%
T:BEATING the ODDS (polka)
C:RM 12/8/24
N:RM note: Dedicated to Dawn Minch Lewis, courage personified.
L:1/8
Q:1/4=180
%R:polka
M:4/4
K:D
(3ABc|"D" dDcD BD^AD |"A7" A^GAB "D" AFDF |
"Em" G2 (3BAG"D" F2 (3AGF |"A" EA ^GB"A7" A2 (3ABc |
"D" dDcD BD^AD |"A7" A^GAB "D" AFDF |
"Em" (3GAB GE "D" (3FGA FD |"A7" FE DC"D" D2:|
% 
(3FED|"A7" CB,CD EF (3GFE |"D" FEDE FG (3AGF |
"E" EF^GA "E7" Bc (3dcB |"A" ceBe "A7" A2 (3ABc |
"D" dDcD BD^AD |"A7" A^GAB "D" AFDF |
"Em" (3GAB EG "D" (3FGA dB |"A7" AF EF"D" D2:|

%%%
X:14
T:BEE'S KNEES (jig), The
N:RM note: When Pat Briody, my father-in-law, likes something, he says, "That's 
N:the bee's knees!"
C:RM 9/20/07
L:1/8
%R:jig
Q:1/4=160
M:6/8
K:D
A |:"D"ABA AFA |"G" Bcd "A" A3 |"A" ABc "Bm" def |"Em" g2 f "A7" edB |
%%vskip .3in
"D" ABA AFA |"G" Bcd "A" A3 |"A" ABc "D" daf |1"A7" e3 "D" dcB :|\
[2 "A7" e3 "D" def ||
|:"G"g3 "D" faf |"A" e3 "G" dcB |"A" ABc "D" daf |"E7" fed "A7" e2f |
%%vskip .3in
"G" g3 "D" faf |"A" e3 "G" dcB |"A" ABc "D" daf |1"A7" e3 "D" def :|\
[2 "A7" e3 "D" Hd3 |]

%%%
X:15
%%staffwidth 650
T:BEEN THERE, DONE THAT (reel)
C:RM 9/6/22
N:RM note: Dedicated to Ben Hockenberry, amazing musician of many skills.
L:1/8
Q:1/4=180
M:4/4
%%R:reel
K:D
(3EFG|"D" ADFD ADFD |"D" Adcd "G" edcB |\
"D" ADFD Adcd |"Em" efgf "A7" eABc |
"D" dDFD ADFD |"D" ADdD "G" cD B2 |\
"D" ABAF AdAF |"A7" AFEF "D" D2 :|
%
[K:G]
GF|"Em" E2 EG BEGB |"D" AFDF ADEF |\
"Em" GFEF GEGB |"Em" e^def gf e2 |
"G" gfge dB G2 |"F" =F2 FG AcBA |\
"Em" B2 ef gf e2 |"D" gfe^d "Em" e2 :|
%
(3ABc|"G" d3 e dBAG |"C" cgfg agec |\ 
"G" dBde dBAG |"Am" EAAG "D" ABce |
"G" d2 ef gGAB |"C" cgfg agec |\
"G" Bgfg edBG |"D7" AcAF "G" G2:|

%%%
X:16
%
T:BELLE TAYLOR (waltz)
C:RM 7/28/24
N:RM note: Dedicated to Taylor Smith, the belle of the ball.
L:1/8
Q:1/4=150
P:A-B-A
%R:waltz
M:3/4
K:G
c2 |"G" B3 A G2 |"G" Bc BA BG |"C" EG cg fe |"D" d6 |
"D7" dc AF D2 |"G" ed BA G2 |"A7" A^c eg fe |"D7" d2 e2 f2 |
"G" gf gd Bd |"Am" ec A4 |"B7" B^d fa gf |"Em" gf e4 |
"C" cg ag fe |"G" dg B2 fe |"D7" dc Bc EF |"G" G4||
%
[K:D]cB|"A7" AB cg fe |"D" df A3 f |"A7" ag e2 fg |"D" ba fd cB |
"A7" AB cg Bc |"D" df bf a2 |"A7" ge cA fe |"_DC after rpt""D" d4:|

%%%
X:17
%%staffwidth 650
T:BEN'S BOX (rag)
C:RM 10/18/23
N:RM note: Dedicated to Ben Ford, on acquiring a piano accordion.
L:1/8
Q:1/4=160
M:4/4
%%R:reel
K:D
cBA|"D" D2 AF ABAF |"D" AdAF BAFD |"G" B,C D "G" E2 D B,2 |"A7" A,2 G2 F2 E2 |
"D" F2 AF AdAF |"D" Adcd edfd |"E7" Bc d "E7"e2 f e2 |"A" A6 ^A2 |
"G" BG B "G"d2 c B^A |"D" AB A "D"d2 A FD |"G" Gdcd e "G"d2c- |"A7" c2 A2 B2 c2 |
"D" de f "D"A2 f ed |"Em" Be f "Em"g2 f e2 |"D" ab a "D"f2 d ed |\
"A7" f e2 "D" d2:|
%
[K:G]
=cBA|:"G" G2 G2 d2 d2 |"C" cd e"D7" d2 c BA |"G" G2 GA BGAB |\
"A7" A^c e"D7" d2 =c BA |
"G" G2 dc"G7" BGAB |"C" cgfg agec |"D" de f"G" g2 d BG |"D7" AB A"G" G2 G AB |
"C" c2 gf agfe |"G" dG B "G"d2 e dB |"D" AD F"D" A2 B cA |"G" B^ABc "G7" dG=AB |
%%vskip .3in
"C" cgfg agfe |"D7" de f "G" g2 d BG |"C" E c2 E "G" DGBe |1"D7" dA B "G" G2 D EF :|
%%vskip .3in
[2"D7" dAB"G"G-G4 |] 
%

X:18
%%staffwidth 650
T:BERNIE'S TUNE (hornpipe - cut time)
N:RM note: Dedicated to Bernie Sullivan, fiddler and lover of Irish Traditional Music. 
C:RM 8/9/23
L:1/8
Q:1/4=150
M:4/4
%%R:hornpipe
K:D
F>G |"D" A>DF>A "G" B>DG>B |"A" c>Ac>e "D" d>cB>A |\
"G" B>dG>B "D" A>df>d |
"E7" (3efe (3dcB "A7" A2(3GFE |"D" F>DF>A "G" B>DG>B |\
"A" c>Ac>e "D"f>dA>d |
"G" B>dG>B "A7" c>Ae>c |"D" d2f2 d2c>d |\
"A7" e>cA>c e>gf>e |
"D" f>dA>d f>ed>A |"G" B>Gd>B A>FA>d |\
"E7" (3efe (3dcB "A7" A>B (3cBA |
"D" d>FA>d "A" e>Ac>e |"D" f>ga>g f>e (3def |\
"Em" g>bg>e "D" f>af>d |
"A7" f>ed>c "D" d2 d>=c ||[K:G]"G"B2 B>c "G7" d>GB>d |\
"C" e>gf>e "D" d>cB>c |
"G" d2 d>e d>GB>d |"Am" e>dc>B "D7" A>B (3cBA |\
"G" B2 B>c "G7" d>GA>B |
"C" c>gf>g a>ge>c |"G" d2 g>f g>dB>G |\
"D7" A>cB>A "G" G>AB>c |
"G" d>GA>G "C" e>GA>G |"G" d2 d>e d>GB>d |\
"C" e>cg>e d>gf>g |
"A7" a>gf>e "D7" (3ded (3cBA |"G" B2 d>B "C" (3cBc e>c |\
"G" d>gf>g e>dB>G |
%%stretchlast 0
"Am" c>ec>A "G" B>gd>B |"D7" A>cB>A "G" G2 z2 |]

%%%
X:19
%%staffwidth 650
T:BERNIE'S TUNE (hornpipe - straight time)
C:RM
L:1/8
Q:1/4=150
M:4/4
%%R:hornpipe
K:D
%swing .25
FG |"D" ADFA "G" BDGB |"A" cAce "D" dcBA |\
"G" BdGB "D" Adfd |"E7" e2dB "A7" A2GE |
"D" FDFA "G" BDGB |"A" cAce "D"fdAd |\
"G" BdGB "A7" cAec |"D" d2f2 d2cd |
"A7" ecAc egfe |"D" fdAd fedA |\
"G" BGdB AFAd |"E7" e2dB "A7" ABcA |
"D" dFAd "A" eAce |"D" fgag fe (3def |\
"Em" gbge "D" fafd |"A7" fedc "D" d2 d=c ||
[K:G]
"G"B2 Bc "G7" dGBd |"C" egfe "D" dcBc |\
"G" d2 de dGBd |"Am" edcB "D7" ABcA |
"G" B2 Bc "G7" dGAB |"C" cgfg agec |\
"G" d2 gf gdBG |"D7" AcBA "G" GABc |
"G" dGAG "C" eGAG |"G" d2 de dGBd |\
"C" ecge dgfg |"A7" agfe "D7" d2cA |
"G" B2 dB "C" c2ec |"G" dgfg edBG |\
"Am" cecA "G" BgdB |"D7" AcBA "G" G2 z2 |]

%%%
X:20
%
%
T:BETTY'S BUTTERFLY (waltz)
N:RM note: Dedicated to Betty Morley, dancer and dear friend who LOVES
N:butterflies!
C:RM 1/20/02
L:1/8
Q:1/4=160
%R:waltz
M:3/4
K:G
GA|"G" BA G2 cd |"C" ed c2 Bc |"G" dB G2 B2 |"D7" A4 dc |
"G" BA G2 cd |"C" ef g2 fe |"G" d2 g2 "D7" F2 |"G" G4 :|
G2|"C" e2 cd e2 |"G" de dc B2 |"A7" ^cd ef ge |"D7" d3 c Bc |
"G" dc B2 cd |"C" ef g2 fe |"G" d2 g2 "D7" F2 |"G" G4 :|

%%%
X:21
%
T:BINGO BINGE (jig), The
C:RM 2/20/19
L:1/8
Q:1/4=165
P:A-B-A
%R:jig
M:6/8
K:G
D|"G"GAB D2 G |"Am" ABc E2 G |"D7" FGA DEF |"G" GBe "D7" d2 c |
"G" Bcd G2 B |"C" cde gfe |"G" d2 B "D7" cAF |"D7" DEF "G" G2:|
A|"Em"B2 e e2 f |"Em" gfe "B7" f2 ^d |"B7" B2 f fef |"Em" g2 f e2 d |
"G" B2 A GAB |"C" c2 e gfe |"G" d2 B "D7" cAF |\
"D7" "_DC after rpt"DEF "G" G2:|%%%

%%%
X:22
%
T:BINGO BUS (jig), The
C:RM 11/23/99
L:1/8
Q:1/4=165
M:6/8
%%R:jig
K:D
A|"D" FGA Bcd |"Em" efd "A" cBA |"D" a2 f a2 f |"Em" efd "A" cBA |
"D" FGA Bcd |"Em" efd "A" cBA |"D" a2 f afd |"A7" efe "D" d2:| 
e |"Bm" f2 B Bde |"Bm" fgf fdB |"A" e2 A Acd |"A" eaf ecA |
"D" FGA Bcd |"Em" efd "A" cBA |"D" afg afd |"A" efe "D" d2:|

X:23
T:BLACK PUDDING (reel)
C:RM 11/16/05
N:RM note: An Irish black sausage made from the blood of a pig; also known  
N:as blood pudding.
L:1/8
Q:1/4=180
%R:reel
M:4/4
K:G
"G"GA B2 "D" A2 BA |"G" GABG "Em" AE E2 |"G" GABA G2 DE |"G" GABd efed |
"G" GBdB "D" ABGA |"Em" BEED EFGA |"G" BedB "D" AGED |"C" EG G2 G4 :|
"Em"Be e2 e3 f |"Em" gee^d efge |"D" d3 A d3 e |"D" fdd^c d3 ^d |
"Em" e2 B2 BcBA |"G" GBdB "D" ABGA |"Em" BEED "D" EFED |"C" EG G2 "G" G4 :|

%%%
X:24
%
T:BLACKTHORN CEILI BAND (reel)
C:RM 0/16/24 
N:RM note: Dedicated to the memory of Ted McGraw (1937-2024), the band's 
N:founder & accordionist.
L:1/8
Q:1/4=200
%R:reel
M:C
K:G
D |"G" G2 G2 GFGA | "G" B2 BA BdBG | "D7" AcAG FDEF |  "G" GFGA "D7" BcBA |
"G" G2 G2 GFGA | "G" B2 Bd BAGB | "D7" cBAG FDEF |"G" G2 GF G3:|
d|"C" e2 c2 g2fe | "G" dedc BAGB |  "D7" A2 D2 E2 F2 | "G" GABc dBcd |
"C" e2 c2 g2fe | "G" dedc BGBd |  "C" ecag "D7" fdef |"G" g2 gf g3:|

%%%
X:25
%
T:BLARNEY BLATHER (jig)
C:RM 2/28/19
N:RM note: Dedicated to the memory of old friend Murray Schooner, skilled  
N:in the art of conversation.
L:1/8
Q:1/4=165
P:A-B-A
M:6/8
%%R:jig
K:G
B/A/|"G"G3 d2 G |"C" cde gfe |"D7" def "G" gdc |"Em" BAG "D7" cBA |
"G" G3 dcB |"C" cde gfe|"D7" def "G" gdB |"D7" cBA"G" G2:|
F|"Em"E2 B BGE |"D" D2 F AFD |"Em" EGB efg |"B7" f^dB AGF |
"Em" E2 B GAB |"Am" cBc edc |"Em" BEF GFE |\
"D" "_DC after rpt"FED"Em"E2:|

%%%
X:26
%
T:BLESSED MAGGIE (reel)
N:RM note: Dedicated to my wife, Maggie Briody, a blessing indeed!
C:Rick Muir 11/18/99
L:1/8
Q:1/4=176
%R:reel
M:4/4
K:G
Bc |"G"dBcA G2 cd |"Am" ecdB A2 AG |"D" FGFE DEFA |"D7" de^ce d=cBc |
"G" dBcA G2 cd |"Am" ecdB A2 de |"D7" fgfe dcBA |"G" Bd"C" G2"G" G2 :|
[K:D]FG|"D"A2 de fedc |"G" BedB"A" A2 de |"D" f2 fd "Bm" gfed |"E7" cdef "A7" e2 de |
"D" fefg afed |"G" B2 gf g2 ag |"D" fadf "A7" egce |"D" d2 "G" dc "D" d2:|

%%%
X:27
%
T:BLUE-EYED BECKY (waltz)
C:RM 5/23/23
N:RM note: Dedicated to Becky for her birthday, 6/9/23
L:1/8
Q:1/4=120
P:A-B-A
M:3/4
%%R:waltz
K:G
FE |"G" D2 G3 A |"G" B3 d ef |"Am" g3 e cB |"Am" A3 G FE |
"D" D2 F3 G |"D" A3 d ^cd |"D7" fe d2 c2 |"G" B3 G FE |
"G" D2 G3 B |"G" d3 g fg |"G7" ba g2 =f2 |"C" e6 |
"C" ge c2 fe |"G" dB G3 E |"D7" D2 B3 A |"G" G3-G:|
%
[K:D]
FG|"D" AF A4 |"G" BG B4 |"A" cd eA Bc |"D" df A4 |
"G" Bd ed cB |"D" Ad f4 |"E7" ef ^ge fg |"A" ag ec A2 |
"D" de f2 A2 |"Em" GB e4 |"F#7" cF ^Ac fe |"Bm" dc B4 |
"G" Gd ed cB |"D" Ad F2 cB |"A7" AG FG B,C |\
"D" "_DC after rpt"D3-D:|

%%%
X:28
%
T:BOB and WEAVE (rag)
N:RM note: Dedicated to Bob Melech, the friend I've known the longest, since 
N:grade school! 
C:RM 10/2/08
L:1/8
Q:1/4=150
M:4/4
%%R:hornpipe
K:D
FG^G |"D" A d2 A"D7" fed=c |"G" B^A B "G" g2 d e^e |\
"D" fa^ga bafd |
"E7" Bd f "A7" e2 A BA |"D" fAeA "D7" ded=c |"G" Bdcd edBG |
"D" FA d"D" B2 A FD |"A7" FD E "D" D2:|^DEF|:"G" Gdcd edcB |
"D" AD F "D" A2 B AF |"A7" A^G A"A7" e2 A Bc |"D" dfbf "D7" afed |
"G" Bdcd ede^e |"D" fa^ga bafd |"G" B g2 B "D" Adfb |
%%stretchlast 0
%%vskip .3in
[1"A7" ae f "D" d2 =cBA :|2 "A7" ae f"D" !fermata!d2 z z2 |]

%%%
X:29
%
T:BONNIE JEAN BUCHANAN (waltz)
C:RM 8/25/05
N:RM note: Dedicated to Jean Harper, long ago classmate, long time friend.
L:1/8
Q:1/4=176
M:3/4
%%R:waltz
K:G
"G" B3 A G2 |"G" d4 D2 |"D7" c3 B A2 |"D" d6 |
"C" E c3 E2 |"G" D2 G2 B2 |"Em" d3 c B2 |"D7" B2 A2 GA |
"G" B3 A G2 |"G" d4 cd |"C" e3 d c2 |"C" g4 f2 |
"C" e3 f g2 |"G" d2 B2 G2 |"D7" D B3 A2 |"G" G6 :|
%
[K:D]
"D" A2 FG A2 |"D" A2 d2 d2 |"A" d2 c3 d |"A" e4 f2 |
"A7" gf ed cB |"D" A2 F2 D2 |"D" B2 A2 GF |"A7" F2 E4 |
"D" FG A2 F2 |"Em" GA BA G2 |"A7" A2 B2 c2 |"Bm" d4 Bc |
"G" d3 c B2 |"D" A d3 F2 |"A7" E3 D E2 |"D" D6 :|

%%%
X:30
%
T:BOUNCING BROGUES (polka), The
C:RM 10/3/22
L:1/8
Q:1/4=120
%%R:polka
M:2/4
K:G
"G"d>c Bd |"C" ef gf/e/ |"G" d>c BG |"Am" EA "D" F/E/D |
"G" d/e/d/c/ BG |"Am" EA cd/c/ |"G" B/A/G "D" DF |"C" G2"G" G2:|
"D"Ad "G" BG |"D" A/B/c/A/ "G" BG |"D" Ad "A" ^c/d/e |"D" fe de/f/ |
"G" g>d BG |"Am" EA cd/c/ |"G" B/A/G "D" DF |"C" G2"G" G2 :|

%%%
X:31
%%staffwidth 650
T:BOUNCING BUSKERS (reel), The
C:RM 6/5/22
N:RM note: Dedicated to Mark Gowman and his East Rochester Irish trad students.
L:1/8
Q:1/4=180
%%R:reel
M:4/4
K:G
gf|"G" g2 d^c d2 B^A |"G" B2 GF GBAG |\
"D7" FGAB cAFA |"G" GBeB "D7" dfaf |
%%vskip .3in
"G" g2 d^c d2 B^A |"G" B2 GF GBAG |1"D7" FGAB cAFA |\
%%vskip .3in
"G" G2 GF G2:|2"D7" FGAB cdef |
"G" g2 g2 g4 |:[K:D]"D" a2 fa "A7" gecA |\
"D" dfbf a4 |"A7" gfed cAce |
"A7" agfe "D" defg| "D" a2 fa "A7" gecA |\
"D" d2 Ad "G" BA G2 |"D" FAdf "A7" geBc |
%%vskip .3in
[1"D" dfec defg :|2"D" d2 d2 d=cBA |:[K:G]"G" G2 BG"Em" E2 GE |
"Am" A2 cA"D" F2 AF |"D7" DEFG ADEF |"G" GBeB "D7" dedB |"G" G2 BG "Em" E2 GE |
%%vskip .3in
"Am" A2 cA e2 fe |"D7" d2 fe dcBA |1"G" GBAF GDEF :|[2 [I:MIDI gchordoff] "G" G2 g2 G2 z2 |]

X:32
%
T:BRAM'S RAMBLE (reel)
N:RM note: Dedicated to young Bram Pomplas, talented drummer, fiddler,
N:dancer.
C:RM 7/19/08
L:1/8
Q:1/4=176
M:4/4
%%R:reel
P:A-B-A
K:G
D2|"G" GFGB dB GB |"C" cBce "D" d2 ef |\
"C" gfge "G" dBGB |"A7" Agfe "D7" dcBA |
"G" GFGA "G7" BGAB |"C" cege ag fe |\
"G" dbag "D7" fdcA |"G" GBAF G2:|
FE |"D7" DEFG ADEF |"G" GBeB d2ed |\
"A7" ^cBAB cgag |"D" fde^c "D7" d=cBA |
"G" GFGA "G7" BGAB |"C" cege ag fe |\
"G" dbag "D7" fdcA |"G" GB"_DC after rpt"AF "G"G2:|

%%%
X:33
%
T:BRASS RING (reel), The
N:RM note: Dedicated to Bill Black, a keeper on this musical merry-go-round!
C:RM 1/4/25
L:1/8
Q:1/4=180
%%R:reel
M:4/4
K:G
A2 |"G" BDGB "D" ADFA |"G" GdBd edBG |\
"C" c2 Ec "G" BdBG |"A7" A^cec "D7" d=cBA |
"G" BDGB "D" ADFA |"G7" GBcd "C" e2 fe |\
"G" dBeB dgdB |"D7" AcAF "G" G2 A2 :|
%
FG |"D7" A2 AB cAFA |"G" GDGB edBG |\
"A7" AB^cd egfe |"D" fde^c "D7" d2 =c2 |
"G" Bded gdBG |"Am" E2 AB cABc |\
"G" dBeB "G" dgdB |"D7" AcAF "G" G2:|

%%%
X:34
%
T:BRIGADE (reel), The
C:RM 10/16/21
N:RM note: Dedicated to Colin Powell, my role model.
L:1/16
Q:1/4=100
M:4/4
%%R:reel
K:G
GA|"G" B2G2 GBAG "Am" A2E2 A2AG |"D7" FDFG AcBA "G" GBeB "D7" dedc |
"G" B2G2 GBAG "Am" A2E2 c2dc |"G" BdBG "D7" AcAF "G" G2B2 G2:|
%
Bc|"G" d2B2 g2>d2 "Am" e2c2 a2ag |"D" f2d2e2f2 "G" gabg "D7" d2Bc |
"G" d2B2 g2>d2 "Am" e2c2 A2AG |"D7" FGAG FDEF "G" G2B2 G2 :|
%
[K:D]
FG|"D" A2FD A2FD "G" BcdB "A" A2FG |"D" A2FD ABAG "D" F2A2 "A"E2A2 |
"G" BcdB "D" A2d2 "G" edcB "D" A2d2 |"G" BcdB "A7" cdec "D" d2f2 d2:|
%
[K:G]
c2 |"G" B2d2 B2dB "Am" c2E2 A2>G2 |"D" F2A2 D2EF "G" GBeB "D7" dedc |
"G" B2d2 g2>d2 "Am" e2c2 ABAG |"D7" F2de dcBA "G" G2B2 G2:|

%%%

X:144
%
%
T:BRIGID, FROM SLAVE TO SAINT
C:RM 2/3/23
N:RM note: Dedicated to St. Brigid, Patron Saint of Ireland.
L:1/8
Q:1/4=140
%R:air
M:3/4
K:G
V:1
 D2 |"G" G4 dc |"G7" BA G2 AB |"C" c2 E2 FE |"D" EF D2 EF |
"G" G3 F Ge |"G" d2 B3 A |"A7" G3 A BG |"D7" A3 D EF |
"G" G3 F Ge |"G7" d2 BG AB |"C" c3 e ge |"C" ag f2 e2 |
"D" d3 e f2 |"G" g2 G3 A |"D7" B3 c A2 |"G" G3 G AB ||
%
"C" ce gf ag |"C" eg c2 fe |"G" dg B3 c |"G" d3 d ed |
"Am" ce A3 G |"D" FG AD EF |"G" G3 B eB |"G7" d3 G AB |
"C" c3 e ge |"C" ag f2 e2 |"G" ed g3 B |"G" d3 d ed |
"Am" ce AB AG |"D7" FA D2 EF |"C" G2 G3 F |"G" G4 z2 |]

%%%

X:35
T:BRING IT ON! (reel)
C:RM 2/17/10
L:1/8
Q:1/4=180
N:RM note: Dedicated to Chelsea Sheridan, chanpion goalie!
%%R:reel
M:4/4
K:D
P:A-B-A
FG|"A"A2 AA "D" AdAF |"A7" AGEC "D" DEFG |"A" A2 AA "D" Adcd |\
"E7" eBed "A7" cABc |
"D" d2 dc dAFD |"G" GDGB edcB| "D" A2 dc dAFD |"A7" EGFE "D" D2 :|
EF |"G"G2 GD GBdB |"D" AFDF A2GF |"E" EF^GA Bdcd |\
"E7" edcB "A7" A2 Bc |
"D" d2 dc dAFA |"G" GABc edcB |"D" A2 dc dAFD |1"A7" EGFE "D" D2 :|
[2 "A7" EGFE "D" DEF"_DC"G ||

%%%
X:36
%
T:BRING ON THE BASS! (polka)
N:RM note: Dedicated to Jim Candela, indispensible bassist.
C:RM 3/14/24
L:1/8
Q:1/4=200
M:C
%%R:polka
K:G
GA|"G" B2 G2 "C" E2 G2 |"G" D2 G2 "D" GFGA |\
"G" B2 G2 "Bm" d2 cB |"A7" A^GAB "D7" AD=GA |
"G" B2 G2 GBAG |"Am" E2 A2 c2 Bc |\
"G" d2 G2 BA G2 |"D7" AcAF "G" GD :| 
AB |"C" c2 EG AGFE |"G" D2 GA B2 d2 |\
"A" ^cB A2 "A7" e2 dc |"D" d^cde "D7" fdef |
"G" g2 GA BA G2 |"Am" E2 AB c2 Bc |\
"G" d2 GA BA G2 |"D7" AcAF "G" G2 :|

%%%
X:37
%%staffwidth 650
T:BROKEN SPOKES (reel), The
C:RM 3/20/02
L:1/8
Q:1/4=200
%%R:reel
M:4/4
K:D
A2|"D" DEFG ADFA |"G" BDGB "A" AGFE |\
"D" DEFG ABcd |"E7" edcB "A7" AGFE |
"D" DEFG ADFA |"G" BAGB "A" A2 Bc |\
"G" dcdB "D" AdAG |"D" FD E2 D2:|
A2|"D" fA "A7" e2 "D" d3 A |"A7" gA "D" f2 "A7" e3 A |\
"D" fAeA dAfA |"E7" edcB "A7" AGFE| 
"D" DEFG ADFA |"G" BAGB "A" A2 Bc |\
"G" dcdB "D" AdAG |"D" FD E2 D2:|

%%%
X:38
T:BROUGH OF BIRSAY (waltz), The
C:RM 10/22/16
N:RM note: An uninhabited little island off the west coast of Orkney Island 
N:(north of Scotland) containing a light house, sheep and the remains of a  
N:Viking settlement. Dedicated to Magnus & Shiona Spence & Christel  
N:Kirkpatrick, lovers of the Brough.
L:1/8
Q:1/4=120
M:3/4
%%R:waltz
K:D
DE |"D" F4 A2 |"A" E4 FE |"G" D G,3 B,2 |"D" A,4 B,C |
"D" D3 E F2 |"D" B A3 F2 |"E" E3 F ^GB |"A" A4 Bc |
"G" d2 G2 B2 |"D" A4 c2 |"G" d2 ed cB |"D" A4 A2 |
"G" B d3 B2 |"D" A2 G2 F2 |"A7" E3 F E2 |"D" D4 A2 |
"G" B2 G2 d2 |"D" A4 c2 |"G" d2 ed cB |"D" A4 A2 |
"G" B d3 B2 |"D" A2 d2 e2 |"Bm" f3 a gf |"A" e4 dc |
"G" B2 G2 dB |"D" A4 A2 |"G" Bd ed cB |"D" A4 F2 |
"G" G3 A B2 |"D" A d3 F2 |"A7" E3 D C2 |[I:MIDI gchordoff][D4F4A4d4] z2 |]

%%%
X:39
%
T:BUFFALO BUNCH (reel), The
C:RM 1/1/19
N:RM note: Dedicated to Bridget English, and the Buffalo Irish musicians.
L:1/8
%%R:reel
Q:1/4=190
M:4/4
K:G
Bc|"G" dGBG dG "C"eG |"G" dGde dBAG |\
"Am" EAAB cBAG |"D7" AGAB cBAe |
"G" dGBG dG "C"eG |"G" dGde dGAB |\
"D7" cAdc "G" BGcB |"D7" ADEF"G" G2 :|
ef|"G" g2 gf "C" edef |"G" gfge dBGd |\
"Am" edce "G" dBGB |"A7" A^ceg "D7" fd=cA |
"G" dGBG dG "C"eG |"G" dGBG dGAB |\
"D7" cAdc "G" BGcB |"D7" ADEF "G" G2 :|

%%%
X:40
%
T:BUILDING STOOKS (slide)
C:RM 10/22/16
L:1/8
Q:1/4=180
%%R:slide
N:RM note: Stooks = sheaves of grain set up in clumps to dry in the fields. 
N:Dedicated to Reiner Muir, the builder.
M:12/8
K:G
B|"G"G2 D"D7" A2 D "G" Bdc BAG |"D7" F2 D"G" G2 D "D7" AcA DEF |
"G" G2 D"D" A2 D "G" BdB "Em" G2 F |"C" EcB "D7" AGF "G" GBA G2:|
B|"G"d2 G "C" e2 G "G" ded dBG |"D7" A2 D c2 B ABA ABc |
"G" d2 G "C" e2 G "G"ded dBG |"D7" cAF DEF "G" GBA G2:|

%%%
X:41
%
T:BUMBLEBEE (slide), The
C:RM 9/11/03
N:RM note: Dedicated to Dick Bolt, fiddler, pianist, performer, teacher, one 
N:busy bee.
L:1/8
Q:1/4=165
M:12/8
%%R:slide
K:G
E |"G" DGG BGG "D" AGA "G" BGE |\
"G" DGG BGG "D" ABA "C" AGE |
"G" DGG BGG "D" AGA "G" Bcd |\
"D7" cAF DEF "G" GBA G2:|
F|"Em" GEE BEE GAB BAG |\
"D" FDD ADD ABc cAF |
"Em" GEE BEE GFE B2 c |\
"G" dBG "D7" DEF "G" GBA G2:|

%%%
X:42
%
T:BUNG THE KEG (polka)
C:RM 10/21/16
N:RM note: Dedicated to Daniel Bergerac - let the good times roll!
L:1/8
%%R:polka
Q:1/4=200
M:4/4
K:D
A2 |"D" d2 A2 "G" B2 AF |"D" DEFG A2 d2 |\
"G" B2 d2 "D" A2 de |"Bm" fdgf "A7" eABc |
"D" d2 A2 B2 AF |"G" GABc dedB |\
"D" A2 d2 fe d2 |"A7" cABc "D" d2:| 
[K:A]
f2 |"A" efed cEAc |"E7" dcBA GEFG |\
"A" A2 cf e2 c2 |"B7" Bc^dB "E7" e=dcB |
"A" A2 AB "A7" cB A2 |"D" dcde f2 ed |\
"A" c2 A2 E2 A2 |"E7" BdcB "A" A2:|

%%%
X:43
%
T:BUSY BESOM (reel), The
C:RM 6/24/04
N:RM note: Dedicated to Jenifer Hopkins, so busy raising and inspiring her  
N:two musically talented children. (Note: a "besom" is a broom.)
L:1/8
%%R:reel
Q:1/4=176
M:4/4
K:G
|:"Em" B2 GB EBGB |"D" A2 FG ADFA |\
"Em" B2 GB EBGA |"Em" B2 ef gf e2 |
"C" gfge "G" dBAG |"F" =F2 AF cFAF |\
"Em" E2 GE BEGE |"D" DEFD"Em" E4 :|
|:"G" G3 A BGAB |"D" A2 DE FDEF |\
"G" GFGA BcdB |"F" A=FCF A2 BA |
"G" G3 A BAGD |"C" EDCD EFGE |\
"D" FEDE FGAB |"D7" cAFD"G" G4 :|

%%%
X:44
%
T:BUSY BUSKER (reel), The
C:RM 11/21/22
N:RM note: Dedicated to Ed Bozek. He gets around.
L:1/8
Q:1/4=200
M:4/4
%%R:reel
K:D
P:A-B-A
FG |"D" A2 F2 d2 A2 |"G" B2 G2 e3 d |\
"A" cdcB Acec |"D" defd "A" A2 FG |
"D" A2 F2 d2 A2 |"G" G2 B2 e3 d |\
"A7" cdcB Acec |"D" d2 f2 d2:|
[K:A]
cd |"A" ecdB cABG |"A" A2 c2 E3 E |\
"D" F2 A2 de f2 |"E" e2 BA Bc d2 |
"A" ecdB cABG |"A" A2 EA "D" FE D2 |\
"A" CEAc "E7" dBFG |"A" "_DC after rpt"A2 c2 A2:|

%%%
X:45
%
T:BUTCHER'S COAT of MAIL (march), The
C:RM 9/2/16
N:RM note: Dedicated to Charlie Sheridan, butcher, Co. Meath.
L:1/8
Q:1/4=200
M:4/4
%%R:march
K:D
FA|"D" d4"A7" c3 B |"D" A2 d2 F2 B2 |"A7" A2 EF GF E2 |"D" ABAG FG A2 |
"D" d4"A7" c3 B |"D" A2 d2 f2 d2 |"E7" e2 B2 e2 d2 |"A" cdBc A4 |
"G" B2 Bc dc B2 |"D" A2 d2 f2 d2 |"E7" e2 B2 c2 d2 |"A7" f2 e2 c2 A2 |
"D" f2 ag f2 d2 |"Em" B2 G2 edcB |"A7" A2 EF GF E2 |"D" D2 F2 D2:|
%
D2|"A7" E2 EF GF E2 |"D" FEFG A2 d2 |"G" B2 d2"D" A2 de |"Bm" fagf "A" f2 e2 |
"Bm" f2 B2 dc B2 |"A" e2 AB cB A2 |"G" G2 B2"D" A2 de |"A7" f2 e2"D" d4 |
"A7" E2 EF GF E2 |"D" FEFG AG F2 |"E7" EF^GA B2 d2 |"A7" cdBc A2 Bc |
"D" d2 A2"A7" e2 de |"D" f2 f2"G" g2 fe |"D" d2 A2"A7" ed c2 |"D" d2 f2 d2 :|

X:2
%
T:BABES in the WOODS (polka)
S:S: JOB 
Z:Z: ABC/arr. BB
Q:1/4=110
L:1/8
M:2/4
%%R:polka
K:D
cB|A/B/A/G/ FA|def2|gf/e/ fe|dfA2|
A/B/A/G/ FA|def2|gf/e/ fe|d2:|
cd|ef ed|cea2|e^d ef|ge cA|
ef ed|ce a2|gf/e/ fe|d2 :|

%%%


%%%
X:4
%
T:BACK GARDEN* (polka), The
S:S: CRE.5 (unnamed) 
Z:Z: ABC/arr. BB
L:1/8
M:2/4
Q:1/4=120
%%R:polka
K:D
c/B/|AB Ad|BA FA|gf eg|ba fd|
AG AD|BA FD|EF/G/ Ac|dcd:|
e|fe dc/d/|BG A2|Bg gf/g/|ad cA|
fe dc/d/|BG Ac|dB AB/c/|dcd :|

%%%
X:5
%
T:BACK OF THE CHANGE (reel), The 
S:S: RC1.185
Z:Z: ABC/arr. BB
L:1/8
M:4/4
Q:1/4=180
%%R:reel
K:Dmix
G|A2AG Addc|A2AG EccG|A2AG Addc|AcGA EDD:|
B|:edd2 ecc2|edd2 abag|edd2 edcA|GAcd e2 d2|
edd2 ecc2|edd2 abag|egde cdcA|GAcd e2d2|]

%%%
X:6
%
T:BACK OF THE HAGGARD (hornpipe), The
S:S: ONMI.1742 < F.O'Neill 
Z:Z: Brennan/Black
%%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:D
%swing .25
Bc|dfdf ecAc|dcdB AFDF|GFGB Afed|c2A2 A2Bc|
dAA2 eAA2|fefg afdc|BdcB AGFE|D2D2 D2:|
Bc|dcdA FADF|BGFG BGFG|gefd ecdB|cdec dcBc|
Add2 cee2|dff2 egg2|fafd egec|d2d2 d2:|

%%%
X:7
%
%
T:BACK OF THE HOUSE (jig), The
C:© D. MacAdam 5/07
S:S: composer
N:N: additional info in ABC file
Q:1/4=160
L:1/8
%%R:Jig
K:G
D|GFG ABc|dBA G2 d|gfg ege|dBG A2D|
GFG ABc|dBA G2 d|gfg aga|bgg g2 :|
a|bef gab|age dBG|AGA Bee|dBB A2 a |
bef gab|age dBG|AGA B2 d |dBA G2 :|
%
% "Back of the House" refers to the back room at O'Shea's Olde Inne in 
% West Dennis on Cape Cod. The long running weekly BotHSS (Back of the 
% House Slow Session) was started there in 2006 by Mike Connolly, Clayton 
% March and others. This jig was one of my earliest attempts at composing 
% traditional tunes, and was written for the members of that session group." 

%%%
X:8
%
%
T:BACK OF THE PIPES* (reel)
S:S: CRE.4 < Sheahan MS (unnamed) 
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=180
M:4/4
%%R:reel
K:G
%%text source key A
%%vskip .3in
BA|B3A G2Bd|edBd efge|dcBA GcBc|AGFG ABcA|
B3A G2 Bd|edBd efge|dgfg edcB|1 ADFG Ac :|2 A2cB AG||
EF|GBdf g2 fg|afdf g2 dB|GBdf g2 dB|AGFG AcBA|
GBdf g2 fg|afdf g2 dB|GBdB ceAg|adef g2 :|

%%%
X:9
%
%
T:BACK TO CAMP* (march) 
S:S: MFC.104a (as unnamed)  
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:C|
%%R:march
K:G
Bc|dGBd G2AB|AGEG D2GA|BDGB d2cB|A2AB A2ge|
dGBd G2AB|AGEG D2GA|Bdge fdfa|g2gf g2:|
ef|gfga bgdB|cGce d2BA|GFGA Bdge|dc=cB A2Bc|
dedc BGD2|GEGc eddc|Bdge fdfa|g2gf g2 :|

%%%
X:10
%
%
T:BACK to CUIL AODHA (slide)
S:S: TIDT 2/34
C:J.Kelly 
Z:Z: ABC BB
M:12/8
L:1/8
%%R:slide
Q:1/4=180
K:G 
A|G2E G2A G2E D2D|EFG A2B c3 B2A|
[1 G2E G2A G2E D2G|E2A ABA G2A B2:|
[2 G2E G2A G2E D2E|G2A B/d/BA G3 G2||
|:A|B3 c2A B2A G2B|A3 BAG A2G E2c|
[1 B2B c2A BAG G2B|ABA E2F G3 G2:|
[2 B2d g2e d2B c2B|ABA E2F G3 HG3|]

%%%
X:11
%
%
T:BACK TO GWEEDORE (reel) 
S:S: MVBT < Dave Abe (DC) 
Z:Z: ABC/arr. BB
Q:1/4=180
%%R:reel
M:4/4
L:1/8
K:G
A|BcdB GABG|AD FD dcBA|BcdB GABG|ADFA G3 :|
A|B3 d gdBd|cBce agfe|fgaf defd|ed^ce d2 ef|
gfed eg a2|agfe dcBA|BcdB GABG|ADFA G3 :|

%%%
X:12
%
T:BACK to KILBAHA (jig)
S:S: TIDT 7
C:J.Kelly 
Z:Z: ABC<BB
M:6/8
L:1/8
%%R:jig
Q:1/4=160
K:D
d|EFG B2A|BGE E2d|EFG B2A|FEF ABd|
EFG B2A|BGE ABc|def afe|1 dcB AB :|\
[2 dcB AFD||
|:Bcd e2e|efe dBA|Bcd e2e|edB AFA|
Bcd e2e|1 edB ABd|g2e fed|Bec dBA :|
[2 efe def|g3 fed|edB ABc|Hd3z3|]

%%%
X:13
%
T:BACK to KILGARVIN (slide)
S:S: TIDT 2/36
C:J.Kelly 
Z:Z: ABC<BB
M:12/8
L:1/8
%%R:slide
Q:1/4=180
K:D
B|AFA d2c B3 g2f|efe dcd e3 e2f|
AFA d2c B3 g2f|efe d2c d3 d2:|
f|g2f efg f2e d2f|efe dcd e3 e2f|
[1 g2f efg f2e d2f|efe d2c d3 de:|
[2 A2f g2f efe d2B|ABA GFE D3 HD3|]

%%%
X:14
%
T:BACK WALL (reel), The 
S:S: TIDT 1/48 
Z:Z: ABC<BB
C:J.Kelly
M:C
L:1/8
%%R:reel
Q:1/4=180
K:D
AB|cA~A2 cAGE|AD~D2 FGAB|cA~A2 cAGA|d2eg fdBd|
cA~A2 cAGE|AD~D2 FGAB|cdec dfed|cAGF G2:|
zA|cdef g2fg|ad~d2 agfa|gGBd efed|1 cAGF G2:|
%%stretchlast 0
[2 cAGF EFGA|D4z4||

%%%
X:15
%
T:BACKED INTO A CORNER (jig)
C:Aidan Crossey, 2022
S:S: composer
M:6/8
Q:1/4=160
L:1/8
%%R:Jig
K:D Major
AFD EFG|AFD D2 F|G2 A B2 A|B2 A Bcd|
AFD EFG|AFD D2 F|G2 A BAG|AFD D3:|
fed edB|AFD D2F|G2 A B2 A|B2 A Bcd|
[1 fed edB|AFD D2F|G2 A BAG|AFD D3 :|
[2 fed edB|AdB AFD|G2 A BAG|AFD HD3|]

%%%
X:16
%
T:BACON AND BEANS* (hornpipe) 
S:S: CRE.5 (unnamed)  
Z:Z: ABC/arr. BB
M:4/4
L:1/8
N:N: Repeats added  
Q:1/4=150
%%R:hornpipe
K:D 
%%text source key = C
%%vskip .3in
%swing .25
fg|afdf ecAc|dAcB A2FG|Adcd Bede|c2A2 A2fg|
afdf ecAc|dAcB A2dc|Bcde fdec|d2f2d2:|
cd|efge cABc|dcde f2ef|gaba gfed|c2e2e2fg|
afdf ecAc|dAcB A2dc|Bcde fdec|d2f2d2:|

%%%
X:17
%
T:BAD IDEA (reel), The
S:S: arr. from ONMI.#465, "It Would Not Do At All"
Z:Z: ABC/arr BB
%%R:reel
Q:1/4=180
M:C
L:1/8
K:A
cd|efge fded|cABG E3D|CDEF GABG|ABcd e2cd|
efge aged|cedB A2BG|EFGA BGED|EAAG A2 :|
EG|ABcd e3f|gedc B2ed|cBAc BAGA|BGED E2FG|
ABcd edef|gfge a2ef|gedB cedB|cAAG A2 :|

%%%
X:18
%
T:BADGER'S FANCY* (hornpipe), The
S:S: CRE.4 < Grier MS (unnamed) 
Z:Z: ABC/arr. BB
N:N: Repeats added
L:1/8
Q:1/4=150
M:4/4
%%R:hornpipe
K:G
%swing .25
D|GABc dgge|feed e2AG|FGAB cedc|BGAF GFED|
GABc dgge|feed e2 AG|FGAB cedc|BGAF G3 :|
e|d2 Bd gdBd|gfgf gdBd|gfed cBAG|Ad^ce d2 ef|
gdBd GBdg|ecAF GFED|GBdg ecAF|G2GF G3 :|

%%%


%%%
X:20
%
%
T:BAG OF MONEY (reel), The
C:© C.Lennon 
Z:Z: ABC/arr. BB
S:S: CLMM.56
Q:1/4=180
M:4/4
L:1/8 
%%R:reel
K:D
A|DABA fzec|dAFA BGEG|FDFA defg|a2bg efge|
f2 e2 dAFA|dAFA BEEG|FDFA defg|abag ecd:|
f|afdf efdA|FAdA GAEA|afdf efdA|Eeef ecdf|
afdf efdA|FAdA GAeg|a3f gfeg|faag ecd :|
%%stretchlast 0
"coda"faag ecBA|d4z4|]

%%%
X:21
%
T:BAG OF POTATOES (reel), The
S:S: "Reavy Collection: Music of Corktown"
Z:Z: ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
%%R:reel
K:G
F|G2dG BGdG|GABc dBcA|F2 cF AFcF|FGAB BdcA|
G2 dG BGdG|GABc dBcA|GABc dcAB|cAFc AGG:|
f|g2 dg gfdf|g2af gfde|fdcB AFAc|fefg afd^f|
g2 dg gfdf|g2af gfdB|cBcd fefd|cAFG AGG^f|
g2 dg gfdf|g2af gfde|fdcB AFAc|fefg afd^c|
d^cdf gfga|bgaf gfdB|cBcd fefd|cAFG ABcA||
"coda"HG4z4|]
%
N:N: Source has B flats in mm 11 and 19 but I removed them after listening to 
N:the tune a few times - they were unnoticeable and didn't seem worth the effort.

%%%
X:22
%
T:BAG OF PRATIES (hornpipe), The
S:S: Levey1.52 
Z:Z: ABC/arr. BB
N:N: No help from Mr. Levey as to what type of tune this is supposed to be. 
N:Sounds almost N:like a march! (Note B part is not repeated in source.)
L:1/8
%%R:hornpipe
M:C
Q:1/4=160
K:D
%%text "quick"
%%vskip .2in
d3c d2AB|=c3A B2A2|d3c dAAF|AFEF D2D2 :|
B2D2 AFED|B2AF A2A2|B2AF AFED|EDEF D2D2:|

%%%
X:23
%
T:BAG OF SPUDS (reel), The
S:S: CRE.1  
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%%R:reel
K:Ador
A2eA cAeA|ABcd e2dB|G2dG BGdB|GBB2 GBdB|
A2eA cAeA|ABcd e2dB|ABcd egg2|dBGA BAA2:|
a2ea a2ea|agbg agef|gedc BGBd|gfga bgeg|
a2ea a2eg|agbg agef|gedc BGBd|gedB BAA2:|

%%%
X:24
%
T:BAGNAL'S FROLICK (slip jig) 
S:S: CIAJ  
Z:Z: ABC/arr. BB
L:1/8
M:9/8
%%R:slip jig
Q:1/4=150
K:G
%%text "vivace"
%%vskip .3in
e|dBG GAG BAG|dBG GAG efg|
dBG GAG BAG|ecA ABA cd :|
e|def gag gdB|G2B BGB deg|
def gag gdB|a2A ABA cd :|
e|dGG BGG dGG|dGG BGG deg|
gGG BGG dGG|eAA cAA cd :|
e|GBd gdB dBG|GBd gdB deg|
GBd gdB dBG|ecA ABA cd :|
"coda"ecB ABA HG3|]

%%%
X:25
%
T:BAILE AN tSAMHRAIDH (slide) (1) 
S:S: "Music of Ireland - The Big Session" (DJ Taylor) (folder38)
Z:Z: ABC/arr. BB
Q:1/4=180
N:N: This tune has many other names, e.g. 'Knocknagree', 'T.P. Teahan's,' 
N:'Ballintoura,' etc. This particular setting is D mix; others are usually E 
N:minor (= same note relationships but different starting point)
L:1/8
M:12/8
%%R:slide
K:D mix
d3 A2G F2D A2D|EDE G2E c2E G2E|
d3 A2 G F2 D A2 D|EDE G2 E D6:|
Add c2 d e2 g gfg|a2 e g2 e d2 c A2 G|
A2 d ded e2 g gfg|a2 e g2 e d3 d2 c|
A2 d ded e2 g gfg|a2 e g2 e d2 c ABc|
ded A2 G E2 D A2D|EDE G2 E D6|]
%

%%%
X:26
%
T:BAILE an tSAMHRAIDH* (jig) (2) 
S:S: CRE.2  
Z:Z: ABC/arr. BB
L:1/8
M:6/8
%%R:jig
Q:1/4=160
K:Em
d|efe B2A|G2E B2A|FEF A2F|D2F A3|
efe B2A|G2E B2A|FEF A2F|E3 E2:|
A|B2e ede|fag a3|baf a2f|efe dBA|
B2e ede|f2g a2a|baf a2f|e3 e2d|
B2e ede|fag a2a|baf a2f|e2d B2d|
efe B2A|G2E B2A|FEF A2F|E3 HE3|]

%%%
X:27
%
%
T:BAILEY'S REEL
C:Jimmy Keane 
B:© Cappal Beag Music BMI
M:C
S:S: composer (folder 66)  
Z:Z: ABC/arr BB
Q:1/4=180
L:1/8
K:C
AB|c2ed cAGc|AEGE DFED|C2 (3CCC GCEG|AEGE DCDE|   %%% pickup note changed
cGed cAGc|AEGE DFED|C2 (3CCC GCEG|1 AEGE C2:|2 AEGE CDEC||
|:Dddc d2cd|ecdB cAGE|Dddc d2cd|ecdB c2 (3GAB|
c2ed cAGc|AEGE DFED|C2 (3CCC GCEG|1 AEGE CDEC:|2 AEGE C4|]

%%%
X:28
%
%
T:BAILY VIEW (hornpipe), The  
C:© C.Lennon  
Z:Z: ABC/arr. BB
S:S: CLMM.75
Q:1/4=150
M:C|
L:1/8 % dotted
N:N: 1:Notated in cut time which I have omitted.
N:N: 2:Note A-B-A structure. Book has a segno - fine arrangement which ABC 
N:doesn't recognize.
N:N: 3:Normally I would have transposed this tune into a more player-friendly 
N:key, but I couldn't find one! (Fretted instrument types can capo on the first fret 
N:and play in A. Everybody else I leave to their own ingenuity!)
%%R:hornpipe
K:Bb
%%text A-B-A
%%vskip .3in
A|:B2dB eFAc|B2Ac B2fg|agaf bc=eg|
f2=eg f2ga|bf=ef dfbf|gfed edcB|
AfGe FdEc|1 B2Ac Bedc :|2 B2Ac B2||
K:F
|:AB|c=Bcf afaf|gbeg f2ef|g^fge ceg2|
=Bdgf ecde|fefc Acfc|dcBA BAGF|
EcDB CAB,G|F2EG "_DC"F2 :|
%
%

%%%
X:29
%
%
T:BAKER'S JIG 
S:S: "Collection of the Dance Music of Ireland" (P. McNulty) (folder 38)
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%%R:jig
K:G
D|GFG B2G|c2A F2D|GFG B2c|d2g B2c|
dge f2d|cAG FGA|d^cd cAF|G3 G2:|
d|g2d B2G|c2A F2D|g2d B2c|d2e f2e|
dge f2d|cAG FGA|d^cd cAF|G3 G2:|

%%%
X:30
%
%
T:BAKER'S REEL
S:S: CRE.4 < Rose Murphy (Galway)  
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=180
M:4/4
%%R:reel
K:G
d|g2dc BAG2|AGFA G2GE|DGFG ABc2|BAGB A3d|
g2 dc BA G2|AGFA G2 GE|DGFG AB c2|BAGF G3:|
B/c/|dBGB dBec|dBGB d2 ed|dBGB dBed|
cBAB c2 Bc|dBGB dBec|dBGB d2 ef|
gfed cBAG|FGAB c3:| "^coda"FGAB HG4|]

%%%
X:31
%
%%staffsep 70
T:BALD BISHOP (reel), The
S:S: T.Guiterrez (Prov RI)  
Z:Z: ABC/arr. BB
Q:1/4=180
%%R:reel
% I got this tune from Rhode Island fiddler Tony Guitterez many years ago. I know 
% nothing about it besides the fact that it's a lovely tune!
L:1/8
M:C|
K:D
A|"D"d3A "Bm7"BAFE|"D"F2AF EDB,A,|\
"Em"B,EE2 "D"DEFA|"Bm"BFAF "D"DEFA|
"D"d3A "Bm7"BAFE|"D"F2AF EDB,A,|\
"Em"B,EE2 "D"DEFA|"Bm7"BFAF "D"D3:|
A|"D"d3A "Bm7"BAFA|"D"fAdf "Em7"edBd|\
"D"ADAB "Em"ABde|"D"fAdf "A"e2 fe|
"D"d3A "Bm7"BAFA|"D"fAdf "Em7"edBd|\
"D"ADAB "Bm7"ABdB|"A"AFEF "D"D3:|
%

%%%


%%%
X:33
%
%
T:BALDHEADED BACHELOR (hornpipe), The
S:S: ONMI.1776  
Z:Z: Brennan/Black
%%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:G
%swing .25
EF|GFGe fdAG|FGAB cBcA|GBcf gfgb|agfe dcBA|
GFGe fdAG|FGAB cBcA|f2dF ecAF|G2G2G2:|
ga|b2b2 bagf|e2ed e2fg|a2ag abag|f2dd d2ef|
gfga bgdB|cBAB cdef|afdf ecAF|G2G2G2:|

X:34
%
T:BALFE'S (hornpipe)   
S:S: ONMI.1736 < Early  
Z:Z: Brennan/Black
%%R:hornpipe
% Original is way out of trad range. Balfe wasn't a trad composer but the Chief has 
% several of his pieces in the 1850. Not sure why . . .
Q:1/4=150
M:C
L:1/8
K:G
%swing .25
%%text source key = D; simplified version
%%vskip .3in
EF|GAFG ECDB,|C2Be Bedc|BcBG ABAF|Gdge d2cA|
GAFG ECDB,|C2Be Bedc|BccA ABAF|G2B2G2:|
EF|GBdf gfgf|edef ecAG|FGAB cBce|d^cde d2EF|
GBdf gfgf|edef e2dc|BcBG ABAF|G2B2G2:|
%

%%%
X:35
%
%
T:BALL OF MALT (reel), The 
C:Joe Liddy
S:S: Liddy2.30  
Z:Z: ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
%%R:reel
K:G mix
DF|G2dG FGAF|G2Ac defg|agaf gfde|fdcA FGAF|
G2 dG FGAF|G2 Ac defg|ag af gfde|fdcA G2 :|
Ac|dg af dg af|dg af dcAB|cf f2 cfef|cfag fdcf |
dg af df f2|afge fdcf|bgaf gfde|fdcA G2 :|

%%%
X:36
%
%
T:BALLAHABOY FAIR (jig), The  
S:S: ONMI.0790  
Z:Z: Brennan/Black
Q:1/4=160
%%R:jig
M:6/8
L:1/8
K:D
e|d2A AFA|BGB Afe|d2A AFA|g3 f2d|
d2A AFA|Bdg bab|aba agf|e3 d2 :|
a|fga bag|fga bag|fga fga|efg gfe|
fga bag|fga baa|aba agf|e3 d2 :|

%%%
X:37
%
T:BALLINA BARNDANCE, The 
M:C
S:S: Jimmy Keane < Martin Hayes  
Z:Z: ABC/arr BB
L:1/8
Q:1/4=150
K:G
EF|"G"G2GB d2Bd|"Em"e2dB "G"d2BA|"G"G2GB "D"dedc|"G"B2 "Am"A2 "D"A2BA|
"G"G2GB d2Bd|"Em"e2dB "G"d3c|"G"B2AG "Am"E2DE|"G"G2G2G2 :|
g2|"C"e2de "G"g3e|"D"dedB "G"G3d|"C"e2de "G"g2d2|"D"B2A2A3g|
"C"e2de "G"g3e|"D"dedB "G"G3c|"Em"B2AG "Am"E2DF|"G"G2G2G2 :|

%%%
X:38
%
T:BALLINA LASS* (reel), The 
S:S: CRE.5 (unnamed)  
Z:Z: ABC/arr. BB
N:N: Repeats added
M:4/4
Q:1/4=180
%%R:reel
K:G
e|d2BG DGBd|egdg egge|dGBG DGBd|e2dc BGGB|
dGG2 DGBd|egdg edge|d2BG DGBd|e2dc BGG :|
d|g2bg egde|g2bg agab|gabg egdB|dega bggd|
g2bg egde|g2bg agab|gabg egdB|dega bgg :|

%%%
X:39
%
T:BALLINAFAD FANCY* (polka), The 
S:S: CRE.2 (unnamed) < L. McDonagh (Sligo)  
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:2/4
%%R:polka
K:G
BA Bc/A/|BA GB|AG FG|AB cd|
BA Bc/A/|BF GB|AG FE|D2 D||
B/c/|de dB|cA Ad/c/|BG GE|GF ED|
BA Bc/A/|BF GF|EA/G/ AF|G2 G||
d|ba bf|gf gd|fe fB|cB cd|
Bd gd|cA Bd|e2 fa|g2 Hg2|]

%%%
X:40
%
T:BALLINAFAD JIG, The 
S:S: "Amateur's Companion" [as "Balinafad"]  
Z:Z: ABC/arr. BB
L:1/8
M:6/8
Q:1/4=160
%%R:jig
K:D
%%text source key C
%%vskip .3in
e|d2B A2F|ABA A2e|d2B A2F|efe e2f|
d2B A2F|ABc ABc|def edc|dcd B2 :|
g|a2f a2f|aba a2f|b2b b2g|bab bag|
agf bag|agf edc|def edc|dcd B2 :|

%%%
X:41
%
%
T:BALLINAFAD POLKA, The 
S:S: Treoir.33/2  
Z:Z: ABC/arr. BB
Q:1/4=120
M:2/4
L:1/8
%%R:polka
K:G
B2 BA|BG GB|AG FG|AB cA|
BA Bc|BG GB|AG FE|D2 DB/c/||
%
de dB|cA Ad/c/|BG EF|GF ED|
BA Bc|BG GE|DG F/G/A|G2 G2|
b2 bf|g3 d|fe fB|c3 d/c/|
BG gd|cA B/c/d|e2 fa|g2 Hg2 |]

%%%
X:42
%
T:BALLINAFAD REEL, The 
S:S: Treoir  
Z:Z: ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
%%R:reel
K:D
A|dfec A2AB|cdef gfec|dfec A2AB|cAGF EDD :|
c|d2 fd adfd|Aceg fdec|d2 fd adfd|efge fddc|
d2 fd adfd|cdef g2 fe|defg abaf|gfeg fd d2|]

%%%
X:43
%
T:BALLINAHULLA POLKA #1, The 
S:S: "Where's the Crack v/1" (DJ Taylor) (folder 38)  
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:2/4
%%R:polka
K:G
A| B^A/B/ =AG|EG GA|BA GB|AB de|
dB AG|EG GA|B^A/B/ dB|AGG:|
z| ge dB|dB AG|gg/e/ dB|AB/c/ d2|
ge dB|dB AG|B^A/B/ dB|AGG:|

%%%
X:44
%
T:BALLINAHULLA POLKA #2, The 
S:S: "Where's the Crack v/1" (DJ Taylor) (folder38)
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:2/4
%%R:polka
K:G
D| GA GB|dB AB|c/d/c/B/ cA|ed Bd|
GA GB|dB AB|c/d/c/B/ cA|B/A/G G:|
e| g2 fa/f/|ed Bd|e/g/e/d/ cA|ed B/A/G|
gG fG|eG dB|c/d/c/B/ cA| B/A/G G:|

%%%
X:45
%
%
T:BALLINAKILL REEL, The 
S:S: MFC.006a  
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%%R:reel
K:D
z|FEDF A2FA|d2fd Bdd2|FEDF A2 FA|afeg fdd :|
c|d2 fd Adfd|ABdf eABc|d2 fd Adfd|ABde fdd2|
defg a3 b|afed Bcdg|fedB A2 FA|1 dcde fad:|
[2 dcde f2ge|d4z4|]

%%%
X:46
%
%
%
%
T:BALLINALACKEN REEL, The 
S:S: Treoir  
Z:Z: ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
%%R:reel
K:Em
BEE2 BEE2|DEFD ADFD|BEE2 B3F|AFDE FEE2|
BE E2 BE E2|defd Adfd|GBAF G2A^c|dBAF FEEF||
G2 AG dGBG|GABG AFDE|G2 AG d2 Bd|AFDE FEEF|
G2 AG dGBG|G2 BG AF D2|GAB^c d2 e2|dBAG EGAF||\
"coda"HE4z4|]

%%%
X:47
%
%
%
%
T:BALLINALARKEY MAIDS (reel), The 
S:S: CRE.4 < Jack Wade  
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%%R:reel
K:G
A|BGGB cBAG|GFDE F2GE|DGGA BABc|gdcA BGAF|
G2 BG cBAF|DGGB AGFD|dfe^c d=cAF|DGGF G3:|
f/g/|addc geBc|dgfa g2 ga|bgaf gfdc|ABcA G2 fg|
addc geBc|dggf gfga|bgaf gfdc|ABcA G3:|

%%%
X:48
%
%
%
%
T:BALLINAMORE REEL, The 
S:S: MFC.006c  
Z:Z: ABC/arr. BB 
N:N: I added a repeat to the second part.
Q:1/4=180
L:1/8
M:4/4
%%R:reel
K:G
D|G2 BG EFGE|FDFA dAFA|G2 BG EFGA|BGAF GE E2|
G2 BG EFGE|FDFA dAFA|G2 BG EFGA|BGAF GEE :|
d|eBB2 efge|fefg afdf|eBB2 efge|fedf e3 f|
eBB2 efge|fefg afdf|eBB2 dBAB|
%%stretchlast 0
[1 d3e fdc:|2 d3e fdAF|"^coda"E4z4|]

%%%
X:49
%
%
%
%
T:BALLINASLOE FAIR (reel) (1)
S:S: CRE.3  
Z:Z: ABC/arr. BB
%%R:reel
Q:1/4=180
M:C
L:1/8
K:Ador
A2AB cBcA|GFGA GECE|A2AB cBca|gedB cAdB|
A3B cBcA|G2GF EGCE|A2AB cBca|gedB cdef||
%
gccg gcac|gcc2 Bcdf|gcc2 agab|gedB cdef|
gcc2 acc2|gcc2 B3c|AGAB cBca|gedB cdef|
g2gf gbaf|gcc2 Bcdf|gcc2 agab|gedB cdef|
gcc2 acc2|gcc2 B3c|AGAB cBca|"^thru"gedB c4||
"coda"gedB cBAG|HA4z4|]

%%%
X:50
%
%
%
%
T:BALLINASLOE FAIR (reel) (2) 
S:S: ONMI.1285 < McFadden  
Z:Z: Brennan/Black 
Q:1/4=180
%%R:reel 
M:C
L:1/8
K:Ador
cB|AGAB cBcA|GECE GFGB|AGAB cBca|1 gedB ce:|
[2 gede cde|:f|gcc2 gcac|gcc2 Bcdf|gcc2 agaa|
gede cdef|gcc2 gcac|gcc2 BcdB|AGAB cdea|gede cedB||
"coda"A4z4|]
%
% In book as AA-B-A but usually just AA-BB today. Should end on an 
% A at some point, hence my "coda".

%%%
X:51
%
%
T:BALLINCOLLIG in the MORNING (hornpipe)
S:S: ONMI.1691 < F.O'Neill  
Z:Z: Brennan/Black 
%%R:hornpipe
Q:1/4=150
M:C
L:1/8
K:G
%swing .25
Bc|dBAB G2AB|cBAG F2Bc|dBge dBGA|B2A2 A2Bc|
dBAB G2AB|cBAG F2Bc|dBge dBAB|G2GG G2:|
Bc|dBge dBGB|dBge d2Bc|dBge dBGA|B2A2 A2ge|
dcBA G2AB|cBAG F2Bc|dBge dBAB|G2GG G2:|

%%%
X:52
%
T:BALLINTORE FANCY (reel), The 
S:S: "Music of Ireland - The Big Session" (DJ Taylor) (folder 38) 
N:N: as "Balintor"
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%%R:reel
K:Em
GB B2 GBdB|GBBG FGAF|GB B2 GBdg|
[1 ecAG FGAF:|2 ecAG FGAc ||:BE E2 BAFA|
BE E2 ADFA| BE E2 cABG|1 AGFG AcBA:|
%%stretchlast 0
[2 AGFG ADFA|"^coda"HE4z4|]

%%%
X:53
%
T:BALLINTOURA (slide), The 
% a/k/a/ Baile an tSamhraidh, Teahan's, Knocknagree, others
S:S: CRE.3  
Z:Z: ABC/arr. BB
N:N: CRE2 has a different version as BAILE an tSAMHRAIDH (above)
%%R:slide
Q:1/4=180
M:12/8
L:1/8
K:Dmix
A|ded A2G E2D A2D|EDE G2E c2E G2E|
ded cAG E2D A2D|1 EDE G2E D3 D2:|\
[2 EDE G2E D3 DE||
G|A2d dcd e2g gfg|a2e g2e d2c A2G|
[1 A2d dcd e2g gfg|a2e g2e d3 d2:|
[2 ded cAG E2D A2D|EDE G2E D3 HD3|]

%%%
X:54
%
%
%
%
T:BALLROOM FAVORITE (barn dance), The 
S:S: Treoir  
Z:Z: ABC/arr. BB
Q:1/4=170
M:4/4
L:1/8
%%R:hornpipe
K:D
B|A2F2 A4| B2G2 B4|cBcd edcd|e2dB AGFG|
A2F2 A4| B2G2 B4|cBcd edcd|e2dc d3 :|
g|a2ba f2d2|cdef g3e|gfge B2AB|defg a3e|
A2F2 A3G|B2G2 B2de|gfge cABd|e2dc d3 :|

%%%
X:55
%
%
%
%
T:BALLY PATRICK 
S:S: ONMI.0235 < J.O'Neill  
Z:Z: Brennan/Black
M:3/4
L:1/8
K:G
%%text "with spirit"
%%vskip .3in
D2|D2G2G2|G3FGA|B2B2B2|B3zBA|
G2G2G2|G3cBG|A2F2D2|D3zBc|
d2d2d2|g2d2B2|B2A2B2|c3def|
d2B2G2|G3ABG|F2D2D2|D4||
DE|G4GA|B2B2cB|A2G2AG|FE D2zB/c/|
d2d e=fe|dc B2cA|A2G2G2|G3EDC|
B,2C2D2|G4GA|B2B2cB|A2G2Bc|
d2d e=fe|dcB2cA|A2G2G2|G6|]

%%%
X:56
%
%
T:BALLYARRA POLKA, The    
C:V.Broderick
S:S: Turoe.38a  
Z:Z: ABC/arr. BB
M:2/4
L:1/8
Q:1/4=120
%%R:polka
K:G 
Be dB|AG ED|GA Be|dB A2|
Be dB|AG ED|DF AG/F/|ED D2:|
Be Be|gf ed|Be Bd/e/|gf e2|
Be Be|gf ed|DF AF|1 ED D2:|
[2 FD HE2|]

%%%
X:57
%
%%staffsep 70
T:BALLYBAY TAILOR, The 
C:© BB
%S:S: BBMG
Q:1/4=160
% With thanks to Peadar Murnane for his genealogical assistance.
L:1/8
M:6/8
%%R:jig
K:G
D|"G"DGB "D"ABA|"G"GBd "Em"e2f|"G"gfg "C"edc|"G"BdB "D7"cAF|
"G"DGB "D"ABA|"G"GBd "Em"efg|"Am"age "D"dBA|"G"G3 G2 :|
e|"Em"gfe "D"dfa|"G"gfg "Am"a^ga|"Em"b2g "D"afd|"C"ece "D"dBA|
"G"DGB "D"ABA|"G"GBd "C"e2f|"G"gdB "D"AFD|"G"G3 G2 :|

%%%
X:58
%
T:BALLYBOLEY HORNPIPE, The 
S:S: GSTC  
Z:Z: ABC/arr. BB
Q:1/4=150
M:C
%%R:hornpipe
K:G 
%swing .25
Bc|dgfe dcBA|GABG E2 Bc|dgfg dBGB|A^GAB A2 Bc|
dgfe dcBA|GABG E2 GA|BgdB ADFA|GFGA G2 :|
ga|bgba gfed|Bdef e2 Bc|dgfg dBGB|ADFG AcBA|
dgfe dcBA|GABG E2 Bc|BgdB ADFA|GFGA G2 :|

%%%
X:59
%
T:BALLYCARROLL JIG, The 
C:Conor McCarthy
S:S: MVBT
D:D: "Ace & Deuce"  
Z:Z: ABC/arr. BB
%%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
%%text source key F
%%vskip .3in
c|dBA G2B|cAG F2D|dBA G2B|GAe dBc|
dBA G2B|cAG F2D|ECE Ddc|BGF G2 :|
d|gdB G2G|Ace Ace|gdB G2G|FAD FAD|
gdB G2G|Ace Ace|ECE Ddc|BGF G2 :|

%%%
X:60
%
%
%
%
T:BALLYCASTLE PRIDE* (reel), The 
S:S: MFC.047d (unnamed) 
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%%R:reel
K:A
B|cBAc BAFE|FBBA B2 ed|cBAc BAFE|FdcB A2ed|
cBAc BAFE|FBBA B2 ed|cBAc BAFE|FdcB A2||
(3efg|a2ge (3fga ec|B2BA BdcB|A2ge (3fga ec|\
dfed cAA2|
a2ge (3fga ec|B2BA BdcB|A2ge (3fga ec|\
dfed cAA2||

%%%
X:61
%%staffsep 70
%
T:BALLYCONEELY JIG, The 
C:© BB 2005
%S:S: BBMG
N:N: In memory of Mike Connolly (RIP). 
L:1/8
M:6/8
%%R:jig	
K:A
A|"A" cBc "Bm" BAB|"A" cBA "D" FEF|"A" Ace "D" faf|"A" ecA "E7" B2d|
"A" cBc "Bm" BAB|"A" cBA "F#m" FEF|"D" DFA "E" EGB|"A" cAA A2 :|
B| "A" Ace aba|"D" fga "A" ecA|"Bm" Bcd "E"efg|"A" aec "E"B2d|
"A" cea aec|"Bm" BAB "F#m" cAF|"D" DFA "E" EGB|"A" cAA A2 :|

%%%
X:62
%
T:BALLYCOTTON JIG, The 
D:D: "Highs and Bellows" (M.McCauley 2017) (folder 66)
Z:Z: ABC/arr.BB
Q:1/4=160
%%R:jig
M:6/8
L:1/8
K:A
f/g/|aec dBA|ABc d2f|ece ABc|dBA GFE|
ece dBA|ABc d2f|ece aec|1 def e2:|2 dcB A2||
d/c/|B2E GFE|B2E GAB|cAF F2c|d2B c2A|
B2E GFE|GBc d2f|ece aec|1 dcB A2 :|2 def efg||\
"coda" a3z3|]

%%%
X:251003
%
T:BALLYDESMOND POLKA "#1" (c2 B2) 
M:2/4
%%text setting: Foinn Seisiun (FS1.36b) 
%%vskip 30 
%Z:Z: ABC/arr. BB
L:1/8
%%R:Polka
Q:1/4=120
K:Ador
B|c2 B2|A2 GA|Bd ed|g2 ed|
ea g/a/g/e/|dB GA/B/|ce dB|A2 A :|
d|ea ag/e/|dg gd|ea ab|g2 ed|
ea g/a/g/e/|dB GA/B/|ce dB|A2 A :|
%%vskip 30
%%text setting: Johnny O Leary (JOL.059)
%X:31007
%Z:Z: ABC/arr. BB
%Q:1/4=120
%L:1/8
%M:2/4
%%R:polka
K:Ador
B|c2 Bc/B/|AB/A/ GA|B/c/d/B/ ed|g2 fg|
ea gg/e/|dB GA/B/|ce dB|A2A :|
ea ag/e/|dg gf/g/|ea ag/a/|g2 fg|
ea g/a/g/e/|dB GA/B/|ce dB|A2A :|

%
%
X:251004
T:BALLYDESMOND POLKA "#2" (EA AB) 
M:2/4
%%text setting: Foinn Seisiun (FS1.36a)
%%vskip 30  
%Z:Z: ABC/arr. BB
L:1/8
Q:1/4=120
%%R:Polka
K:A dorian
z|EA AB|cd e2|GF GA|GE ED|
EA AB|cd ef|ge dB|A2 A :|
z|ag ab|ag ef|gf ga|ge ed|
ea ab| ag ef|ge dB|A2 A :|
%
%X:31006
%%vskip 30
%%text setting: Johnny O Leary (JOL.058)
%Z:Z: ABC/arr. BB
%Q:1/4=120
L:1/8
M:2/4
%%R:polka
K:Ador
D|EA AB|cd eg|G2 GA|GE ED|
EA/G/ AB|cd ef|ge dB|A2A :|
g|a2 ab/a/|ag ef|gf ga|ge df/d/|
ea ag|ag ef|ge dB|A2A :|

%%%
X:251005
%
T:BALLYDESMOND POLKA "#3" (GA Bd) 
M:2/4
S:S: FS1.37c  
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=120
%%R:Polka
K:Ador
GA Bd|gf ed|eA AB|cd/c/ BA|
GA Bd|gf ed|ea ef|g2 g2 :|
ae ae|ae ef|gd gd|gd dg|
ae ae|ae ef|ge dB|A2 A2 :|

%%%
X:31005
T:BALLYDESMOND POLKA "#4" (A2 AG - Dmix)
S:S: JOL.057  
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:2/4
%%R:polka
K:Dmix
z|A2 AG|EF GE|A2 AG|Ad d^c|
AG AG|EF GF/G/|AB cE|EDD :|
d|ed d^c/d/|eB c2|ed cd|ea ag|
[1ed d^c/d/|eB c/d/c/B/|AB c/d/e/f/|ef g:|
[2e/f/g/e/ d/e/d/^c/|ce dd/c/|AB cE|EDD2|]

%%%

X:69
%
T:BALLYEMON MAZURKA, The 
C:Sean Quinn 1993
S:S: composer  
Z:Z: ABC/arr BB    
%%R:waltz
Q:1/4=100
L:1/8
M:3/4
K:D
Ad|f2 fe dB|AF D2 DF|EF GE CE|DF A2 Ad|
f2 fe dB|AF D2 DF|EF GE CE|D4 :|
ED|CE GE CE|DF A2 A2|CE GE CE|DF A,2 A,2|
CE GE CE|DA e2 ed|c2 cA GE|D4 :|

%%%
X:70
%
%
%
%
T:BALLYGAR HERMITAGE (jig), The  
C:Joe (Fr. Francis) Kelly
S:S: composer  
Z:Z: ABC/arr. BB
Q:1/4=160
%%R:jig
M:6/8
L:1/8
K:Gm
A|BAG FDC|DGG DGG|BAG ABc|
d^cd gd=c|BAG FDC|DGG GAB|
AGF DCA,-|A,G,G, G,2 :||:A|BGd BGd|
BAB dcB|AFc fcB|AFA cBA|
BGd BGd|BAB dcB|1 AFA cBc|
AG^F G2:|[2 AGF DCA,-|A,G,G, G,2||
%
|:B|dgg dgg|g^fg bag|c=ff cff|
c=Bc ag=f|dgg dgg|g^fg bag|
afd cAF|AGF G2 :|

%%%
X:71
%
%
%
%
T:BALLYGAWLEY JIG*, The 
S:S: NFID.230c ("untitled jig") < PT  
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%%R:jig 
K:D
E|FAD FAD|fed cAG|EG=C EGC|=cBd cAG|
FAD FAD|fed cAG|EFG BAG|FAD D2:|
g|fed ceA|ceA cBA|fed fed|cec d2e|
fed ceA|ceA cBA|EFG BAG|FAD D2:|

%%%
X:72
%
%
%
%
T:BALLYGOUGHLIN JIG, The 
C:M. Mulvihill
S:S: MVBT   
Z:Z: ABC/arr. BB
Q:1/4=160
%%R:jig
M:6/8
L:1/8
K:D
A/G/|FEF GE=C|Ddc Ade|fed cAG|FAF GE=C|
FEF GFG|Adc d2 e|fed cAG|Adc d2 :|
A|def gfg|aba ged|fef gfg|agf g2 e|
fef gfg|afd cAG|FEF GFG|Adc d2 :|

%%%
X:73
%
%
%
%
T:BALLYHOOLEY JIG, The 
S:S: ONMI.0877 < F.O'Neill  
Z:Z: Brennan/Black
Q:1/4=160
%%R:jig
M:6/8
L:1/8
K:G
GAG Bcd|ABA cde|GAG dBd|gfe dcB|
cec BdB|ABA cde|dBG cAF|G3 G3 :|
gfe dBd|edB GBd|gfe dBd|ecA Aef|
gbg afd|ege dBG|BdB cAF|G3 G3 :|

%%%
X:74
%
%
%
%
T:BALLYKEAL JIG, The 
S:S: CRE.3  
Z:Z: ABC/arr. BB
%%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
B|AEG A2c|AEA dBc|BGG DGG|BGB dcB|
AEG A2c|AEA A2g|bag fdc|1 BGB dc:|\
[2 BGG GB||
|:d|g2f gag|fde fdc|dgg bag|fec def|
g2f bag|fde fga|bag fdc|"^thru"BGF G2:|\
"^coda"BGB dcB|HG3z3|]

%%%
X:75
%
%
%
%
T:BALLYKETT REEL, The 
S:S: Treoir  
Z:Z: ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
%%R:reel
K:D
fe|dcAG F2D2|G2AG EFG2|dcAG F2D2|Addc d2 :|
ed|cdef g2 fg|agfa g2 ed|cdef g2 ec|Addc d2 ed|
cdef g2 fg|agfa g2 fg|afge fdec|Addc Hd4|]

%%%
X:76
%
%
%
%
T:BALLYORAN HORNPIPE, The  
S:S: SRHI.15a
C:Seán Ryan  
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:C
%%R:hornpipe
K:G
%swing .25
Bc|dBcA BGAF|G2 af GABc|dgg2 bgdB|cA BG ADFA|
dcBd cBFA|GDB,D GABc|dgg2 fg af|g2 af g2:|
Bc|dgg2 bgg2|dgg2 edBG|FGAB cBce|af GE dcBc|
dgg2 bgg2|dgg2 edBG|FGAB cADF|AGGF G2:|
dc|BDGB dgfg|ecc2 Gceg|fdd2 fg af|dgg2 bgdc|
BDGB dgfg|ecc2 Gceg|fdd2 fg af| g2 af g2:|

%%%
X:77
%
%
%
%
T:BALLYVOILE HOUSE (slip jig)  
S:S: OFPC2.87 ("Irish")  
Z:Z: ABC/arr. BB
Q:1/4=160
M:9/8
L:1/8
%%R:slipjig
K:D
d|: AGF DED D2d|AGF E2F G2E|
AGF DED D2d|e2E E2F G2E :|
ded dcB A2A|BcB d2e f2e|
ded dcB AGF|e2E E2F G2E :|\
"^coda"D6z3||

%%%
X:78
%
%
%
%
T:BALLYVOURNEY POLKA, The 
T:Cuil Aodh (Coolea)
S:S: Mally.HIP.047  
Z:Z: ABC/arr. BB
Q:1/4=120
%%R:polka
L:1/8
M:2/4
K:Em
F|EF/G/ FE|FD F/G/A|EF/G/ FE|F2A2|
EF/G/ FE|FD F/G/A|BA B/^c/d|e3:|
f/e/|dA FA|DA FA|^cB GB|A2 AB/^c/|
dA FA|DA FA|BA B/^c/d|e3:|
%%%

X:79
%
%
%
%
T:BALTIMORE SALUTE (reel), The 
C:Josie McDermott
S:S: Treoir  
Z:Z: ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
%%R:reel
K:G
A|B2eB dBAc|B2GB AGEG|DGG2 GABd|egfB ABGA|
B2 eB dBAc|B2 GB AGEG|DG G2 GABd|egdB G3 :|
A|BG G2 gG G2|gdeg dG G2|G2 GA BABd|eaag a2 ga|
bgab ge e2|gdeg dG G2|G2 EG DGge|dBAB G3 :|

X:80
%
%
%
%
T:BALTIORUM (slip jig) (a) 
S:S: ONMI.1128  
Z:Z: Brennan/Black
N:N: Additional info in the ABC file
%%R:slip jig
Q:1/4=160
%No one (including the Chief) seems too sure what the name means! In ONMI the Gaelic title over the tune is "Bal-tigh-abhran" but unfortunately that doesn't help matters unless "ford of the house of songs" makes sense to you!
M:9/8
L:1/8
K:G
d|g2g ege dBG|g2g ege f2d|g2g ege dBG|
A2g ege f2:|d|BAG cBA dBG|BAG cBA d2G|
BAG cBA dBG|A2g ege f2:|
%%stretchlast 0
"coda"A2g ege def|g6z3|]
%

X:81
%
%
%
%
T:BALTIORUM (slip jig) (b-1)  
N:N: in OFPC as "Baulthy Oura"
S:S: OFPC4.152 ("Irish")  
Z:Z: ABC/arr. BB 
Q:1/4=150
M:9/8
L:1/8
%%R:jig
K:Dmix
E|FAd FAd AFD|FAD FAD c2E|
FAd FAd AFD|BGG AGF c2E :|
FGA AFd AFD|FGA AFd c2E|
FGA AFd AFD|BGG AGF c2E :|
ded dcB AFD|ded def g2e|
ded fdB AFD|GFG EcB c2e :|
FFF GGG AFD|FFF GGG c2E|
FFF GGG AFD|BGG AGF c2e :|\
"coda"d6z3||

X:82
%
%
%
%
T:BALTIOURA (slip jig) (b-2)  
S:S: ISQT.29c  
Z:Z: ABC/arr. BB
%%R:slip jig
Q:1/4=160
L:1/8
M:9/8
K:Gmix
A|Bdg Bdg dBG|Bdg Bdg f2c|
Bdg Bdg dBG|cBc Afe f2 :|
A|BAB cBc dBG|BAB cBc f2A|
BAB cBc dBG|1 cBc Afe f2 :|
[2 cBc A=fe fcA|G6z3|]

X:83
%
%%staffsep 70
T:BALTRASNA Reel, The 
C:© BB
%S:S: BBMG
%For Tony Smith and his family
L:1/8
M:4/4
%%R:reel
K:D
dB|"D"AF ~F2 "Em" EB, ~B,2|"D"A,DFA "Bm"BAFE|"D"AF ~F2 "Em" EB, ~B,2|\
"D"A,DFD "A"E2 dB|
"D"AF ~F2 "Em" EB, ~B,2|"D"A,DFA "Bm"BcdB|"D"AFDF "A7"GECE|"D"DF"A"EC "D"D2 :|
GA|"Bm"BF ~F2 "G"GBdg|"A"eage "D"fd ~d2|"Bm"BF ~F2 "G"GBdg|"A"ecAc "D"d2 FA|
"Bm"BF ~F2 "G"GBdg|"A"eage "Bm"fB ~B2|"G"dBBG "Bm"FAdB|"A7"AGEC "D"D2 :|

X:84
%
%%staffsep 70
T:BANAGHER BRIDGE (jig) 
N:N: Tune 3 of the "Tribute to Martin Mulhaire" (1936-2020)
C:© B.Black 10/20 
%S:S: BBMG
%%R:jig
M:6/8
K:D
D|"D"FED "G" GFE | "D" AFA "Bm" Bcd |\
"Em" egf "A" ece | "D" dAF "A7" GFE |
"D" FGA "G" GAB | "A" Ace "D" dfa |\
"Em" bge "D" afd | "A" cBA "D" d2 :| 
e| "Bm"fdB fdB | "A" ecA ecA |\
"Bm" fdB "A" cde | "D" fdc "G" B2G|
"D"FED "G" GFE | "D" AFA "Bm" Bcd |\
"Em"efg "D" aba | "A7" gfe "D" d2 :|

X:85
%
T:BANARD JIG, The
S:S: CRE.5  
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%%R:jig
K:D
B|AFA daf|edA BdB|AFA dfe|fdc dcB|
AFA a2f|edA BdB|AFA d2e|fdc d2:|
e|fef afe|dBA d2e|faf ede|fdB d2e|
fef afe|dBA d2e|faf ede|fdc d2:|

X:86
%
T:BANDON BRIDGE (1) 
T:"1st Setting" 
S:S: ONMI.0580 < J.O'Neill  
Z:Z: Brennan/Black
% 
Q:1/4=120
M:2/4
L:1/16
K:Am
%%text "moderate"
%%vskip .3in
EG|A3d cAGE|c3e d2cd|ea2g edcA|G4 G2EG|
A2d2 cAGE|c3e d2cd|e3c dcA^G|A4 A2||
e^f|g3a gedB|c3d e2AB|c3d cAGE|G4 G2EG|
A2d2 cAGE|c3e d2cd|e3c dcA^G|A4-A4 |]

X:87
%
T:BANDON BRIDGE (2) 
T:"2nd Setting" 
S:S: ONMI.0581 < F.O'Neill  
Z:Z: Brennan/Black 
M:2/4
L:1/16
K:D
%%text "moderate"
%%vskip .3in
FG|A3c BAGE|c3e d2cA|G3E D2D2|D6FG|
A2d2 dcde|f3a gfed|e3f gedc|d6FG|
A2d2 dcde|f3a gfec|d3e dcAF|G6FG|
A2g2 f2e2|d3e dcAF|G3F D2D2|D4-D4|]

X:88
%
T:BANDON BRIDGE (3)
S:S: RC3.011  
Z:Z: ABC/arr. BB
L:1/8
M:2/4
K:Dm
%%text "andante con moto"
%%vskip .3in
E/G/|Ad c/A/G/E/|ce dc/d/|ed c/A/G/E/|D3 E/G/|
Ad d/c/d/e/|fa a/g/e/d/|ef g/e/d/c/|d3 E/G/||
Ad d/c/d/e/|fa a/g/e/d/|ed c/A/G/E/|A3 E/G/|
Aa =b/a/g/e/|de d/c/A/G/|AG/E/ DD|D4|]

X:89
%
T:BANISH MISFORTUNE (jig) (1)  
S:S: CRE.1  
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%%R:jig
K:Dmix
e|f2d cAG|Add cAG|F2D D3|FEF GFG|
A3 cAG|AGA cde|fed cAG|Add d2:|
e|f2d d^cd|f2a agf|e2c cBc|e2f gfe|
f2g afd|e2f gfe|fed cAG|Add d2:|
e|f2d e2c|d2e c2d|A3 GAG|F2A GED|
c3 cAG|AGA cde|fed cAG|Add d2:|

X:90
%
T:BANISH MISFORTUNE (jig) (2)  
S:S: ONMI.0776 < Cronin  
Z:Z: Brennan/Black
Q:1/4=160
%%R:jig
M:6/8
L:1/8
K:D
G|F2D DED|DEF GFG|A3 cAG|ABc dAG|
F2D DED|DEF GFG|AdB cde|d3 d2:|
%
e|f2e dcd|dfa agf|ecd cBc|e2f gfe|
[1 f2e dcd|dfa agf|ged cde|d3 d2 :|
[2 fga gab|afd ecA|fed cde|d3 d2||
%
e|fdf ece|dAB cAG|F2D DED|DEF GFG|
A2B cAG|AdB cde|fed cde|d3 d2:|
%
% This version - with its "classical" ornamentation (not reproduced
% here) and no C naturals - is recognizable (but just barely) as a 
% relative of today's session tune.

X:91
%
%
T:BANISH MISFORTUNE (jig) (3) 
T:"1st setting"
S:S: DMWC.137  
Z:Z: ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
%%R:jig
K:D mix
e|fed cAG|Add cAG|F2D D3|F3 G3|
[1 AcA cAG|AGA cde|fed cAG|AcA d2 :|
[2 A3 cAG|AGA cde|fed cAG|Add d2||
%
e|f2d d^cd|f2g afd|e2c cBc|e2f ged|
f2g afd|e2f ged|fed cAG|Add d2 :|
%
e|f2g e2f|d2e c2d|A2B G2A|F2A GED|
c3 cAG|AGA cde|fdd cAG|Add d2 :|

X:92
%
%
T:BANISH MISFORTUNE (jig) (4) 
T:"2nd setting"
S:S: DMWC.148  
Z:Z: ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
%%R:jig
K:D mix
e|f3 g2e|f2d cAG|F3 DFD|DEF GDG|
[1 A3 A2D|A3 cde|fed ece|dcA d2 :|
[2 A3 cAG|A3 cde|fed ece|dcA d2||
%
e|f3 dcd|efg agf|geA c2d|eAf gfe|
[1 f3 dcd|fdg agd|eAA gec|ded d2 :|
[2 f3 g3|aga gfe|fed cAG|AcA d2e|
"coda"
fed ece|dcB cAG|F3 DFD|D3 GDG|
AcA cAG|AcA cde|fed ece|dcA Hd3 |]

X:93
%
%
T:BANISHED TO AMERICA 
S:S: WSGM.049 < Rice-Walsh manuscript  
Z:Z: Kinder/Black
M:4/4
L:1/8
K:D
%%text "moderato"
%%vskip .3in
(3ABc|d2 de dcAF|G2 GF GBAG|F2 GFD2 D2|D4-D2 DE|
F2 FE FGAF|G2 GF G2 Ac|d2 dc ABce|d4-d2||
DE|F2 FE FGAF|G2 GF G2 Ac|d2 dc ABce|d4-d2 fe|
d2 de dcAF|G2 GF GBAG|F2 GF D2 D2|D4-D2||

X:94
%
%
T:BANJO MAN (reel), The 
C:Joe Derrane
S:S: composer  
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%%R:reel
K:G
%%text A-B-A
%%vskip .3in
d|g2 bg efge|dBGB AGEF|GEDB, DEGA|BedB A2Bd|
[1 gbag efge|dBGB AGEF|GEDE GABG|AGEF G3 :|
[2 gbag eage|dBGB AGEF|GEDE GABG|AGEF G3||
%
|:A/B/|cABG ABcd|eage dged|cedc BdcB|ABcA BGEG|
c2Bc ABcd|eage dged|c2Bc AGEG|EDCB, "_DC"A,3:|

X:95
%
%
T:BANK OF IRELAND (reel) (1), The
S:S: FS1.08a  
Z:Z: ABC/arr. BB
M:4/4
L:1/8
Q:1/4=180
%%R:Reel
K:Dmix
ed|c2 AB cABG|EGDG EGAB|c2 AB cABG|Add^c dfed|
c2 AB cABG|EGDG EGAB|c2AB cABG|Add^c d2 ||
e2|f2 df e3 c|dfed cAAg|fedf e2 fg|afge d2 cd|
eaag egfe|dfed cAGB|Addc defg|afge d4|]

X:96
%
%
T:BANK OF IRELAND (reel) (2), The
S:S: ONMI.1186 < J.O'Neill  
Z:Z: Brennan/Black
N:N: Source has no C naturals but this is clearly a modal tune.
Q:1/4=180
%%R:reel 
M:C|
L:1/8
K:Dmodal
ed|cAAB cABG|EGDG EGDB|cAAB cABG|Addc d2:|
de|f2fd e2ec|dfed cAAg|f2fe e2ed|eaag edd2|
fgaf efge|dfed cAAG|Addc defg|afge dfec||"final"Hd4z4|]

X:97
%
%
T:BANK OF TURF (hornpipe), The 
S:S: CRE.3  
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=150
M:4/4
%%R:hornpipe
K:G
%swing .25
EF|G2GF GABc|dBcA GBAG|EFGE FEDE|F2fe dcAF|
G2AF GABc|dBcA GBAG|EFGE dcAF|A2 G2 G2:|
%
Bc|dgg2 g3a|bgg2 gbag|f2dc d2dc|BdBG AcAF|
Ggg2 dgg2|bgg2 gbag|f2dc dAFG|A2 G2 G2:|
%
EF|G2GA B3c|d2GF G2Ac|d2G2 c2Bc|ADFD dcAF|
GFGA B3c|dBcA GBAG|F2ed cAFD|A2 G2 G2:|

X:98
%
%
T:BANK OF TURF (jig), The
S:S: BSMI.4  
Z:Z: ABC/arr. BB
L:1/8
%%R:jig
M:6/8
Q:160
K:D
B|A3 DFA|BAF DFA|dcd ede|
fef def|g2f gab|afd Bcd|
[1 e2d e2d|cBA Bc:|2 ABc dfe|d3 dc||
d|e2A e2g|f2d f2a|g2g fef|edB ABd|
e2A e2g|f2d f2a|gfe dcB|1 A3 ABd :|
[2 AFA Bcd |]

X:99
%
%
T:BANK OF TURF (slide), The
S:S: Treoir  
Z:Z: ABC/arr. BB
Q:1/4=180
M:12/8
L:1/8
%%R:slide
K:D
G|A3 DFA BAF DFA|d3 ede f3 def|
g2 f gab afd B2d|e2 f e2 d cBA Bcd|
A3 DFA BAF D2A|dcd ede fef def|
g2 f gab afd B3|ABc dfe d3 d2 ||
d|e2 A e2 g f2 d f2 a|gfe fed edB ABd|
e2 A e2 g f2 d f2 a|1 gfe dcB A3 A2 :|
[2 gfe ABc D3-D3|]

X:100
%%staffsep 70
%
T:BANKS HORNPIPE (1), The 
S:S: GSTC  
Z:Z: ABC/arr. BB
% From the Scots fiddle tradition.
N:N: 
Q:1/4=150
M:C|
%%R:hornpipe
K:G 
%%text source key = Eb
%%vskip .3in
%swing .25
F|G2B2 B2dG|F2A2 A2cF|C2e2 e2fg|^cded =cBAG|
B,2 d2 d2 ef|C2 e2 e2 fg|FGAB cAFA|G2 B2 G3 :|
%
^a|b2g2 g2b2|a2f2 f2a2|g2e2 e2ag|fed^c d2 Dz|
Fdad Fdad|Gdgd Gdgd|^cdef gece|d^cde d=cBA|
GBdB gBAG|FAdA fAGF|EGBG edcB|ABAG FEDC|
B,GdG B,GdG|CGeG CGeG|FGAB cAFA|G2 B2 G3 :|

%%%
X:101
%%staffsep 70
%
%
T:BANKS HORNPIPE (2), The
C:? "Parazotti"
S:S: MVBT  
Z:Z: ABC/arr. BB
%%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:G
%swing .25
%%text source key = Eb
%%vskip .3in
F|G2 B2 B2dG|F2 A2 A2AF|C2 e2 e2 fg|\
^cded =cBAG|
B,2 d2 d2 ef|C2 e2 e2 fg|FGAB cAFA|G2 B2 G2 :|
ba|b2 g2 g2b2|a2 f2 f2 a2|g2 e2 e2 ag|\
fed^c d2 D2|
Fdad Fdad|Gdgd Gdgd|^cdef gece|d^cde d=cBA|
GBdB gdAG|FAdA fAGF|EGBG edcB|ABAG FEDC|
B,GdG B,GdG|CGeG CGeG|FGAB cAFA|G2 B2 G2 :|

%%%
X:102
%
%
T:BANKS OF AVONMORE (reel), The   
S:S: Levey2.6  
Z:Z: ABC/arr. BB 
Q:1/4=180
L:1/8
M:C
%%R:reel
K:G
%%text "quick and well-marked"
%%vskip .3in
dc|B2GF G3c|BGGA Bdgd|B2GF G3B|AGFG AB :|
dc|B3c d3c|Bdef gfgd|BdAc d3B|AGFG ABcd|
B3c d3c|Bdef gfga|bgaf gedB|AGFG AB :|
"coda" AGFG ABcd|g4z4|]
%
% This is basically parts 1 and 2 of "The Flogging Reel". 
% Note the 8-16 measure structure shared with many other 
% Levey tunes.

%%%
X:103
T:BANKS OF BANNA (1), The
S:S: CGI.078  
Z:Z: ABC/arr. BB
L:1/8
M:C
K:C 
%%text "slow & with feeling"
%%vskip .3in
c3d e2ed|c2G2 G4|A2G2 c2Bd/c/|B3A G4|
c3c ceeg|G3A AGFE|FGAB cdcF|E2D2 C4 ||
E3D E3F|G2 GA/G/ G3^G|A2G2 c2Bd/c/|\
B/b/a/g/ ^f/d/c/A/ G^F/G/ ^G/A/^A/B/|
c3c ceeg|G3A AGFE|FGAB cc/d/ HeF|E2D2 HC4 |]

%%%
X:104
T:BANKS OF BANNA (2), The
S:S: ONMI.0128  
Z:Z: Brennan/Black
M:C
L:1/8
K:C
%%text "slow"
%%vskip .3in
c3d e2ed|c2G2 G4|A2G2 c2Bc|B2A2 G4|
c3c ceeg|G3A AGFE|FGAB cdcF|E2D2 C4||
E3D E2F2|G2AG G4|A2G2 c2Bc|B2A2 G4|
c2c2 ceeg|G3A AGFE|FGAB cdcF|E2D2 C4|]

%%%
X:105
T:BANKS OF CLAUDY, The 
S:S: ONMI.0430 < J.O'Neill  
% Brennan/Black
M:C
L:1/8
K:Dm 
%%text "slow with feeling"
%%vskip .3in
fe|d3c d2DE|F2FA c2dc|A2GF/E/ D2D2|D6FG|
AB/A/ GA d2e2|f3d e2dc|A2B/A/G A2^c2|d6FG|
AB/A/ GA d2e2|f3d fedc|A2G2 Ad^ce|d6fe|
d3c d2DE|F2FA c2dc|A2GF/E/ D2D2|D4-D2|]

%%%
X:106
%
T:BANKS OF DUNMORE, The 
S:S: ONMI.0542  
Z:Z: Brennan/Black
% Only first occurrence of 16th-note ornamentation is included.
M:6/8
L:1/8
K:G
%%text "with feeling"
%%vskip .3in
G/B/|ede/d/ BG/B/A/G/|EDD D2G/B/|edB/G/ BAA|A3-A2G/B/|
ede/d/ BG/B/A/G/|EDD D2G/B/|ed B/G/ AGG|G3-G2||
B/A/|Bde/f/ gfe/d/|Bdd d2e/f/|gfe/d/ Bd  (3f/e/d/|e3e2 (3d/e/f/|
g e/f/g/e/ dG A/G/|EDD D2G/B/|ed B/G/ AGG|G3-G3|]

%%%
X:107
%
T:BANKS OF INVERNESS (polka) (1), The
S:S: OFPC2.84  ("Scotch")
Z:Z: ABC/arr. BB
% Played today as a polka (sometimes with a third part). 
% Closely related to "Lakes of Sligo".
Q:1/4=120
M:4/4
L:1/8
%%R:polka
K:G 
%%text source key = C
%%vskip .3in
DEDB, DEGA|BdAB GEEG|DEDB, DEGA|BdAB G2G2 :|
Bdd2 Bee2|dBAB GEE2|Bdd2 Beef|gfe^d e2e2|
Bdd2 Bee2|dBAB GEEG|DEDB, DEGA|BdAB G2G2|]|

%%%
X:108
%
T:BANKS OF INVERNESS (polka) (2), The
S:S: JOB  
Z:Z: ABC/arr. BB
Q:1/4=200
L:1/4
M:C|
%%R:polka
K:G
DE DB,|DEGA|BdAB/A/|GEEG|
DE DB,|DEGA|BdAB/A/|G2G2 :|
BddB|ceed/c/|BdAB/A/|GEED|
BddB|ceed|gfed|e2-ef|
gfed|e/f/e/d/ Bd|cBAB/A/|GEEG|
DE DB,|DEGA|BdAB/A/|G2G2 |]

%%%
X:109
%
T:BANKS OF LOUGH ALLEN (reel), The 
C:Joe Liddy  
Z:Z: ABC/arr. BB
S:S: Liddy1.46
Q:1/4=180
L:1/8
M:4/4
%%R:reel
K:G
ge|d2BG AGED|BGAG EGDB,|DEGA BAGA|Beed e2ge |
d2 BG AGED|BGAG EDB,C|DEGA BABd|egga g2 :|
ga|bgag egdg|egdB AGEG|DEGA BAGA|Beed e2 dg |
bgag egdg|egdB AGEG|DEGA BABd|egga g2 :|

%%%
X:110
%
T:BANKS OF LOUGH FOYLE, The 
S:S: ONMI.0311 < J.O'Neill  
Z:Z: Brennan/Black
M:6/8
L:1/8
K:C
%%text "gaily"
%%vskip .3in
G/A/|c2c dcd|ege dcd|edc cAG|GAc d2e/d/|
c2c dcd|ege dcd|edc cAG|GAc c2:|
d/e/|f2g age|g2e d2e|fga age|e/g/f/e/d/c/ d2e/d/|
c2c dcd|ege dcd|edc cAG|GAc c2:|

%%%
X:111
%
%
T:BANKS OF LOUGH GOWNA (jig) (1), The
S:S: DMWC.113  
Z:Z: ABC/arr. BB
N:N: Also played in Bm
M:6/8
L:1/8
Q:1/4=160
%%R:jig
K:Ador
G|A3 AGD|EDE G3|A3 AGE|c2d edc|
AcB AGD|EDE G2A|cde ged|cAA A2 :|
z|cde g2a|g2a ged|Bcd g2a|geg a3|
cde g2a|gea ged|cde e2d|cAA A2 :|

%%%
X:112
%
%
T:BANKS OF LOUGH GOWNA (jig) (2), The
S:S: FS3.21a  
Z:Z: ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
%%R:jig
K:Ador
ABA AGE|EDE CEG|ABA AGE|c2d edc|
ABA AGE|EDE CEG|cde fdf|ecA A3 :|
cde g2a|gea ged|cEG cde|fdf ecA|
cde g2a|gea ged|cde fdf|ecA A3 :|

%%%
X:113
%
%
T:BANKS OF LOUGH GOWNA (jig) (3), The
S:S: ONMI.1060 < O'Reilly  
Z:Z: Brennan/Black
Q:1/4=160
%%R:jig
M:6/8
L:1/8
K:Am
ABA AGE|EDE G3|ABA AGE|c2d ecA|
ABA AGE|EDE G3|cde ged|cAA A3:|
cde g2a|gea ged|cde g2a|ge^g a3|
cde g2a|gea ged|cde fed|ecA A3:|

%%%
X:114
%
%
T:BANKS OF MY OWN LOVELY LEE, The
S:S: JOB  
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/4
M:3/4
%%R:waltz
K:D
A/G/|F^EF|GFG|Afe|d2d|c^Bc|EF^G|A3-|A2A/G/|
F^EF|GFG|Afe|d2d/d/|c^Bc|EF^G|A3-|A2A|
ecA|GFG|BAG|F2F/F/|FED|DCD|F3|E2A|
ded|cEF|GcB|A2A/A/|AEF|GAG|F3-|F2A|
ded|cEF|GcB|A2A/A/|A^GA|cBc|d3-|d3|]

%%%
X:115
%
%
T:BANKS OF NEWFOUNDLAND (jig) (1), The
S:S: CRE.1  
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%%R:jig
K:G
d/c/|BAG AGF|GBd gfg|ded BGA|BAA Adc|
BAG AGF|GBd gfg|ded BGA|BGG G2:|
B/c/|dgg ged|eaa aga|bge dBG|BAA ABc|
[1 dgg ged|eaa aga|bge dBA|BGG G2:|
[2 BAG AGF|GBd gfg|ded BGA|BGG HG3|]

%%%
X:116
%
%
T:BANKS OF NEWFOUNDLAND (jig) (2), The
S:S: "Crossroads Dance" (Taylor/Mallinson) (folder66)
Z:Z: ABC/arr. BB
Q:1/4=160
%%R:jig
M:6/8
L:1/8
K:G
A|B2G AGE|GBd g3|ded BGA|BAA Adc|
B2G AGE|GBd g3|ded BGA|BGG G2:|
B|d2g gfg|eaa aga|bge dBG|BAA ABc|
d2g gfg|eaa aga|bge dBA|BGF G2:|

%%%
X:117
%
%
T:BANKS OF NEWFOUNDLAND (jig) (3), The
S:S: JOB  
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%%R:jig
K:G
c|BGG AGD|GBd gfg|ded BGA|BAA Adc|
BGG AGD|GBd gfg|ded BGA|BGG G2:|
c|dgg gfg|eaa aga|bge dGA|BAA ABc|
[1 dgg gfg|eaa aga|bge dGA|BGG G2:|
[2 BGG AGD|GBd gfg|ded BGA|BGG HG3|]

%%%
X:118
%
%
T:BANKS OF THE BARROW (1), The
S:S: ONMI.0425  
Z:Z: Brennan/Black
M:6/4
L:1/8
K:Dm
%%text "moderate"
%%vskip .3in
DE|FEFG A3=B c2c_B|A2AG E3D C3D|Ec=Bc A3G E2GE|D2 D2 D6:|
%
A2|"^5"d^cde f3d e2a2|ge^ce d3=c A2z2|d^cde f3d e2a2|aged d3e d3e|
"^9"fgfe d3c AB3|cdcA G3E C3D|Ec=Bc A3G E2GE|D2D2D6:|
%
DE|"^13"FEFG A3=B c2Bc|d2AG G3E C3D|ED (3EFG A3G C2GE|D2D2D4z2DE|
"^17"FEFG A3=B c2 (3cde|A3^F G3E A,3D|ED  (3EFG A3G E2GE|D2D2D4z2:|
%
(3A=B^c|"^21"d^cde f3d e3a|agfe d3c A3z|d^cde f3d e3a|ggfe d4d3e|
"^25"fgfe d3B G2zA|dedc ABAG EDCD|ED (3EFG ABAG E2GE|D2D2D6:|

%%%
X:119
%
%
T:BANKS OF THE BARROW (2), The
S:S: RC3.004  
Z:Z: ABC/arr. BB
L:1/8
M:5/4
K:C
%%text "andante con espress."
%%vskip .3in
DE|FEFG ABc2 cB|A2AG ED C3D|EcBA AG E2GE|D2D2 D4:|
%
A2|dcde fd e3a|a/g/e/d/ ce dc A3c|dcde fd e3a|aged de d3e|
f/a/g/f/ ed dc A3c|d/e/d/c/ AG GE C3D|EcBA AG E2GE|D2D2 D4:|
%
DE|FEFG AB c2 (3cde|(3ded (3cAG AG G/E//D//C/A,/ G,/A,/C/D/|\
(3EDE FG AG E2GE|D2D2 D4:|
%
Ac|dcde fd e3a|(6dedged ed d/c/A/G/ A3c|dcde fd e3a|\
A2 (3ged de d3e|
f/a/g/f/ ed dc A3c|(3ded (3cAG (3AGE (3GED CD|\
(3E/D/E/ F/G/ A/B/A/G/ AG E2 GE|\
D2D2 HD4:|
%
N:N: This highly-ornamented piece is 5/4 looks like an Arthur Darley attempt (never 
N:successful) to notate a slow air. I had to change a note here and there to try and get 
N:the sound file right (but probably wasn't worth the effort).

%%%
X:120
%
%
%
%
T:BANKS OF THE BLACK WATER, The 
S:S: ONMI.0050 < J.O'Neill  
Z:Z: Brennan/Black
M:3/4
L:1/8
K:G
%%text "moderate"
%%vskip .3in
GA|B2 d2 ge|d2 B2 (3Bdg|ed cB AG|
BD EF GA|B2 d2 d/e/f|g3b a/g/f/e/|\
de dB AG|G4||
GE|D3 EGD|E2 G2 AB|cB dB AG|E4 d/e/f|
g2 G2 G/A/B|A2 B2 dg|fe dc Bc|B2 A2 GA|
B2 d2 d/e/f|g3b a/g/f/e/|de dB AG|E4 GA|
Bcd DEF|GAB dge|ded BAG|G6|]

%%%
X:121
%
%
%
%
T:BANKS OF THE ERNE (jig), The 
S:S: "Reavy Collection: Music of Corktown" (folder 38)
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
%%R:jig
K:D
F|A2d cAG|A2d cAG|FEF GFE|FED EFG|
A2d cAG|Ade f2a|ged cAG|Adc d2:|
e|fag fed|egf edc|dcd fed|cAG A2g|
fag fed|ef^g a2f|ged cAG|Adc d2:|

%%%
X:122
%
%
%
%
T:BANKS OF THE HUDSON* (reel), The 
S:S: CRE.5 (unnamed)  
Z:Z: ABC/arr. BB
N:N: Repeats added
M:4/4
Q:1/4=180
%%R:reel
K:G
B|dfed B2AG|FDAD BDAD|dfed B2AG|DEGA BGGB|
dfed B2AG|FDAD BDAD|dfed B2AG|DEGA BGG :|
d|gedB cBcd|eaag agef|gedc BcBA|Ggga bggf|
gedB cBcd|eaag agef|gedc BcBA|DEGA BGG :|

%%%
X:123
%
%
T:BANKS OF THE ILEN (hornpipe), The 
S:S: ONMI.1592 < F.O'Neill  
Z:Z: Brennan/Black
N:N: This tune is occasionally played as a reel.
%%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:D
%swing .25
AG|FDFA d2fe|d2fd ecAG|FDFA d2fd|ecAF GBAG|
FDFA d2fe|d2fd ecAG|FDFA d2fd|ecAF G2:|
de|f2fd g2ge|abag fdde|f2fd g2ge|abaf g2fg|
abaf gage|fgfd ecAG|FDFA defd|ecAF G2:|

%%%
X:124
%
%
T:BANKS OF THE NILE (hornpipe), The 
S:S: ONMI.1625 < F.O'Neill  
Z:Z: Brennan/Black 
%%R:hornpipe
Q:1/4=150
M:C|
L:1/8
N:N: mm 1-5 dotted in source
K:D
%swing .25
FE|DFAF ABdA|Beef e2dB|dfaf gfed|fgab a2gf|
gabg fgaf|gfed e2Bc|dfaf gfeg|f2d2 d2:|
de|fdec dABF|Eeef e2fa|bafb agfe|fgab a2gf|
gabg fgaf|gfed e2Bc|dfaf gfeg|f2d2 d2:|

%%%
X:125
%
T:BANKS OF THE SHANNON (a-1), The 
S:S: CGI.160  
Z:Z: ABC/arr. BB
% Only second part is repeated in source.
L:1/8
M:3/8
K:A 
%%text "amoroso"
%%vskip .3in
A/F/||EF A/B/|cc/B/A|F/G/AA|BA/F/ E|
F/G/ AB|ca (3g/f/e/|f2 e/f/|f2 e/f/|e2 ||
e/f/|aa f/e/|fa f/e/|fc B/A/|A/F/HE (3A/c/e/|
f2 e/d/|c/B/c B/A/|Fc B/A/|A2 :|

%%%
X:126
%
%
T:BANKS OF THE SHANNON (a-2), The 
S:S: ONMI.0310 < O'Brien  
Z:Z: Brennan/Black
M:3/8
L:1/8
K:G
%%text "slow"
%%vskip .3in
G/E/|DE G/A/|BB A/G/|E/F/ GG|AG E/D/|
E/F/ GA|Bg (3f/e/d/|e2d/e/|d2||
d/e/|gg e/d/|eg e/d/|eB A/G/|G/E/ HD (3GBd|
e2 d/c/|B/A/ B A/G/|EB A/G/|G3|]

%%%
X:127
%
%
T:BANKS OF THE SHANNON (hornpipe) (b), The
S:S: NCIT.12a  
Z:Z: ABC/arr. BB
L:1/8 
N:N: Simplified version, my setting. Cut time in source.
M:C|
%%R:hornpipe 
Q:1/4=140
K:D 
%swing .25
c|defe dBcd|ABAF E2E2|def2 dBBd|ABAF D2Bc|
defe dBcd|ABAF EGAB|def2 dBBd|ABAF D3:|
E|FGAd FGAd|Adgf e2e2|fdec dFB2|Adef d2BA|
FGAd FGAd|Adgf ecde|fdec dFB2|Adef d3:|

%%%
%%%
X:128
%
%
T:BANKS OF THE SUIR (1), The 
S:S: RC1.011  
Z:Z: ABC/arr. BB
N:N: "from [collector P.W.] Joyce"
L:1/8 
M:3/4
K:A
%%text "slow"
%%vskip .3in
AB|c2 f2 f2|e2 cB AF|F2 EF AB|c2 e2 cA|B2 A2 A2|A4:|
AB|c2 e2 fg|a2 fa ge|fe c2 (3efg|a2 g2 fe|
c2 e2 e2|f4 (3efg|a2 b2 af|e2 cB AF|
F2 EF AB|c2 e2 cA|B2 A2 A2|HA6|]

%%%
X:129
%
%
T:BANKS OF THE SUIR (2), The
S:S: RC1.012  
Z:Z: ABC/arr. BB 
L:1/8 
M:3/4
K:G
%%text "slow"
%%vskip .3in
GA|B2 e2 d2|e2 G2 A2|E2 D2 GA|B2 e2 dB|
A2 G2 A2|B4 GA|B2 e2 d2|e2 G2 A2|
E2 D2 GA|B2 e2 dB|A2 G2 G2|G4||
GA|B2 d2 ef|g2 f2 e2|f2 d2 ef|g2 f2 ed|
B2 e2 f2|e4 (3def|g2 f2 ed|B2 d2 GF|
E2 D2 GA|B2 He2 dB|A2 G2 G2|HG6|]

%%%
X:130
%
%
T:BANKS OF THE SUIR (3), The 
S:S: ONMI.0517 < F.O'Neill  
Z:Z: Brennan/Black
% 12 measures in each part
M:3/4
L:1/8
K:G
%%text "slow"
%%vskip .3in
GA|B2e2ed|e2d2BA|G2E2GA|B2d2BA|B2G2A2|B4GA|
B2e2ed|e2d2BA|G2E2GA|B2d2BA|B2G2A2|G4||
%
GA|B2d2ef|g2f2e2|f2d2ef|g2f2ed|B2e2f2|e4ef|
g2f2ed|e2d2BA|G2E2GA|B2d2BA|B2G2A2|G6|]

%%%
X:131
%
%
T:BANKS' BRAE (jig)  
C:Joe Liddy  
Z:Z: ABC/arr. BB
S:S: Liddy1.14
Q:1/4=160
L:1/8
M:6/8
%%R:jig
K:Ador
d|cAB c2d|cAG AGE|GEG AGA|cde ged |
cAB cde|dcA GEG|AGA cde|dBG A2 :|
d|eaa aba|age cde|age ged|cBc BAG |
EAB cde|dcA EFG|AGA cde|dBG A2d |
eaa aba|ged efg|age cde|dcA EFG |
AGA cde|geg age|AGA cde|dBG A3|]

%%%
X:132
%
%
T:BANNER JIG, The 
S:S: GSTC  
Z:Z: ABC/arr. BB
N:N: Clareman Chris Droney's version of "Gallagher's Frolics".
M:6/8
Q:1/4=160
%%R:jig
K:Em
B,|E2F GFE|BAB dBA|BdB B2A|GBG AFD|
EB,E GEG|BAB dBA|BAG FAF|GEE E2 :|
B|e2f gfe|g2a bge|d^cd fed|fag fed|
e2f gfe|bge dBA|BAG FAF|GEE E2 :|

X:133
%
%
T:BANQUET, The
S:S: ONMI.0548  
% Brennan/Black
M:3/4
L:1/8
K:G
%%text "moderate"
%%vskip .3in
de/f/|g2d2c2|B3A G2|A2d2c2|B3A G2|\
B2c2d2|e3f g2|g2f2e2|d4d2|
g2d2c2|B3A G2|A2d2c2|B3A G2|\
B2c2d2|e2a2g2|e2f2d2|g4||
%
g2|a2b2g2|f3e d2|f2bagf|e2d2B2|\
G2B2e2|d2f2g2|a2e2g2|f4zg|
a3b g2|f2e2d2|g2bagf|e2d2B2|\
G2B2e2|d2c2B2|A2G2F2|G6|]

X:134
%
%
T:BANSHEE REEL, The 
T:McMahon's 
S:S: FS1.15b  
Z:Z: ABC/arr. BB
M:4/4
Q:1/4=180
L:1/8
%%R:Reel
K:G
G3D EDB,D|GFGB d2Bd|efed BAGA|BAGE EDD2|
G3D EDB,D|GFGB d2Bd|efed BAGA|BAGE EDD2 :|
eaag efge|dBBA B3 d|eBB2 Bgfg|eBBA B3d|
eaag efge|dBBA B3d|efed BAGA|BAGE EDD2 :|
"^coda"BAGE EDEF|G4z4|]

X:135
%
%
T:BANSHEE'S CRY, The 
S:S: ONMI.0129 < J.O'Neill  
Z:Z: Brennan/Black
N:N: source m.5 = /c'2 d'2 c'2/
M:3/4
L:1/8
K:C
%%text "slow"
%%vskip .3in
c|e2g2ga|g3e c2|e2 g2 g/f/a|a3g e2|
c2 d2 c2|_b3a ag|e2 ed c2|d3B G2|
c2cdec|dcdefd|cBcdec|fdecdB|
c2cdec|e2g2 Hc'b|agfe dd|d3c c3|]

X:136
%
%
T:BANSHEE'S WAIL (jig), The  
C:V.Broderick
S:S: Turoe.30b  
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
%%R:jig
K:G
A|GED DED|GBd ege|dBA AGA|BGE E2G|
GED DED|GBd ege|dBA AGA|AGF G2:|
A|Bdd edd|g2d edB|BAG GAB|AGE E2G|
[1 Bdd edd|gdd edB|dBA AGA|AGF G2:|
[2 GED DED|GBd ege|dBA AGA|AGF HG3|]

X:137
%
%
%
T:BANTRY BAY BOYS (jig), The 
S:S: WSGM.115  
Z:Z: Kinder/Black
Q:1/4=160
M:6/8
%%R:jig
L:1/8
K:Ador
d|ecA AcA|ecA A2f|dBG GBG|dBG Bcd|
ecA AcA|ecA c2d|e2a g2e|dBG A2:|
B|cdc cBA|GEG GAB|cdc cBA|e3 B2B|
cdc cBA|GEG GAB|e2a g2e|dBG A2:|

X:138
%
%
T:BANTRY BAY HORNPIPE (1)
S:S: ONMI.1573 < F.O'Neill  
Z:Z: Brennan/Black
Q:1/4=150
%%R:hornpipe
L:1/8
M:C|
L:1/8
K:G
%swing .25
dc|BGAG EGDE|G2GG G3B|AGAB cBAG|Bdde d3d|
edef gage|dedB A2GA|BGAG EGDE|G2GG G2:|
Bc|dBGB dBGB|e2ed e2de|f2fe defd|g2gf g2z2|
d2ef gage|dedB A2GA|BGAG EGDE|G2GG G2:|

X:139
%
%
T:BANTRY BAY HORNPIPE (2)
S:S: AIF  
Z:Z: Brennan/Black
Q:1/4=150
M:C|
L:1/8 % dotted 
%%R:hornpipe
K:G
%swing .25
GA|BABG AFDF|G2GF G2AG|EAAB cBAG|A2GB A2AB|
cecA BdBG|ABAG E2D2|BABG AFDF|G2GF G2:|
Bc|dBGB dBGB|e2e2 e2ef|g2ed BGBd|g2fa g2ef|
gbgf efed|BAGB AFD2|BABG AFDF|G2GF G2:|

X:140
%
%
%
T:BANTRY HORNPIPE (1), The
S:S: DMI.0937  
Z:Z: Nordberg/Black
%%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:G 
%%text simplified version
%%vskip .3in
%swing .25
dc|BAGB cBcA|dbge dedB|cecA (3Bcd BG|FGAG FDEG|
BABG cBcA|dbge dedB|cedc BGAF|G2B2G2:|
%
cB|AGAB cBce|dfge dcdB|cecA (3Bcd BG|FGAG FDEF|
GFGA BGFD|GABG ABcA|dgfe d2cA|G2B2G2:|
%
Bc|dgBg dgBg|g2bg fdef|gage dedc|BGAF GDB,D|
Ggge dBGB|cBcd efge|dgfe d2cA|G2B2G2:|
%
dc|BGGF GDB,D|(3GFG BG ABcA|dcde fdcA|d2cA d2cA|
BGGF GDB,D|G2BG ABcA|dgfe d2cA|G2B2G2:|

X:141
%
%
%
%
T:BANTRY HORNPIPE (2), The
S:S: ONMI.1779 < Cronin  
Z:Z: Brennan/Black
%%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:G
%swing .25
dc|BAGB cBcA|dbge dedB|cecA BdBG|FGAG FDEF|
BABG cBcA|dbge dedB|cedc BGAF|G2B2G2:|
%
cB|AGAB cBce|dfge dcdB|cecA BdBG|FGAG FDEF|
GFGA BGFD|GABG ABcA|dgfe d2cA|G2B2G2:|
%
Bc|dgBg dgBf|g2bg fdef|gage dedc|BGAF GDB,D|
Ggge dBGB|cBcd efge|dgfe d2cA|G2B2G2:|
%
dc|BGGF GDB,D|G2BG ABcA|dcde fdcA|d2cA d2cA|
BGGF GDB,D|G2BG ABcA|dgfe d2cA|G2B2G2:|

X:142
%
%
%
%
T:BANTRY LASSES (a) (reel), The  
S:S: ONMI.1190 < F.O'Neill  
Z:Z: Brennan/Black
Q:1/4=180
%%R:reel 
M:C|
L:1/8
K:D 
%%text source key = G
%%vskip .3in
A2FD DFAF|G2FG EFGE|FGFE DFAd|cAGE FDDB|
A2FD DFAF|G2FG EFGE|FGFE DFAd|cAGE FDD ||
B|Addc dfed|cdef gefd|Addc dfed|cAGE FDDz|
Addc dfed|cdef g2ag|fafd efed|cAGE FDHD2|]

X:143
%
%
%
%
T:BANTRY LASSES (b), The 
S:S: ONMI.0404  F.O'Neill  
Z:Z: Brennan/Black
M:3/4
L:1/8
K:G
%%text "moderate"
%%vskip .3in
D2|G2B2d2|G2B2d2|c2A2d2|B4BA|
G2B2d2|G2B2d2|c2A2F2|G4D2|
G2B2d2|G2B2d2|c2A2d2|B4BA|
G2B2d2|g2d2B2|c2A2F2|G4||
%
de|=f2d2B2|c2 B2c2|d2e2f2|g4 de|
=f2d2B2|c2B2c2|d2B2G2|=F4de|
=f2d2B2|c2B2c2|d2g2a2|g4ag|
f2d2c2|B2G2B2|A2G2F2|G6|]

X:144
%
%
%
%
T:BANTRY WAVES* (polka), The   
S:S: RC2.292 (as "Waves of Torey")  
Z:Z: ABC/arr. BB
Q:1/4=110
N:N: "Waves of Tor[e]y" is the "long dance" this tune belongs to. It isn't the name 
N:of the tune itself (which is "gan ainm" in that case, since Roche doesn't supply 
N:any other information).
L:1/8
M:2/4
%%R:polka 
K:Edor
d/c/|BE Ed/c/|Bc dB|AD FD/E/|FA Ad/c/|
BE Ed/c/|Bc dB|AD FD/E/|FE E:|
%
B/A/|Be ed/c/|Bc dB|AD FD/E/|FA AB/A/|
Be ed/c/|Bd/e/ fd/B/|AD FD/E/|FE E:|
%

X:145
%
%
%
%
T:BAPTIST JOHNSTON 
S:S: CAR-OS 
Z:Z: Gilb/Brennan/Black
C:O'Carolan
M:6/8
L:1/8
K:C
%%text "allegretto"
%%vskip .3in
G|c2c B2A|G2F E2G|D2G C2c|B2A G3|
e2d c2d|e2f g2a|g2e c2d|B2c d2e|
dBG dBG|A2B c2d|c2E DcB|c3c2:|
z|gef g2c|B2c dab|c'2a b2g|a2f def|
g2g gag|e2e efe|cdc B2c|dBG GAB|
cBA GFE|E3 E2c|d2d ded|dBG G2f|
ege faf|ege fdf|ece dBG|c3 c2:|

X:146
%%staffsep 70
%
T:BARBARA MAGONE'S FANCY (reel) 
S:S: TIDT 1/45  
Z:Z: ABC BB
C:J.Kelly
M:C
L:1/8
%%R:reel
Q:1/4=180
K:D
C|D2dB AFED|B,EEF EDB,C|D2dB AFED|1 B,DA,C DFE:|
[2 B,DA,C DEF||A|d2fd cdBd|c/B/AeA fAce|d2fd cdBd|
c/B/ABG A2Bc|defd cdBd|cAeA fAec|defd cdec|
ABcG EFGE||"^coda"D4z4|]

X:147
%
%
%
%
T:BARBARA'S RETURN (hornpipe)
C:B.Tonra
S:S: compsoer
Z:Z: ABC/arr. BB
N:N: Dotted rhythm in source. This is my "triplet free" simplified version!
Q:1/4=150
M:C|
%%R:hornpipe 
K:G
%swing .25
EF|G3A BABc|dgfa gbag|fed2 edcd|e2dB A2DF|
G3A BABc|dgfa gbag|fdd2 edcB|ADFA G2 :|
ga|bgdg agdf|gece dBGg|bgdg afdf|e2dB A2DF|
G3A BABc|1 fdd2 edcB|dgfa gbag|ADFA G2 :|
[2 dgfa g2bg|fdd2 edcB|ADCA, G,4|]

X:148
%
%
%
%
T:BARD OF ARMAGH, The 
S:S: ONMI.0363 < Mary O'Neill  
Z:Z: Brennan/Black
M:3/8
L:1/16
K:D
%%text "plaintive"
%%vskip .3in
A2|d2f2d2|e2a3g|f2e2d2|c2A3A|d2f2d2|e2a3g|f2d2ef|g4fg|
a2f2a2|g2f2e2|d3fed|c2A3A|d3efd|e2a3g|f2d2ef|g4ef|
a2f2a2|g2f2e2|d2e2d2|c2A3A|d3efd|e2a3g|f2d2e2|d4|]

X:149
%
%
%
%
T:BARD of CASTLEBARNAGH (reel), The 
S:S: TIDT 1/47  
Z:Z: ABC BB
C:J.Kelly
M:C
L:1/8
%%R:reel
Q:1/4=180
K:Gmix
BG~G2 BGdc|AF~F2 ABcA|BG~G2 BGdG|
EGDB, CEAC|BG~G2 BGdc|AF~F2 ABcA|
FGAc fgag|1 fdcA ^FGAc:|2 fdcA G4||
gagf d3c|A/B/cde fgag|gagf d2ge|fdcA FGAc|
gagf d3e|fdcA cdfg|a_baf gbag|fdcA AGG2:|

X:150
%
%
%
%
T:BARD'S LEGACY (jig), The 
S:S: OFPC3.114 ("Irish")  
Z:Z: ABC/arr. BB 
N:N: as "Bards" (no apostrophe). I have doubled the first part to get a standard 
N:16/16 jig.
Q:1/4=160
M:6/8
L:1/8
%%R:jig
K:G
G2F GDB,|d2e dBG|G2A BAB|E2F G2A|
G2F GDB,|d2e dBG|G2A BAB|E2F G3 :|
GBd g2g|fed edB|GBd g2g|fed e2f|
g2g fdB|e2e dBG|G2A BAB|E2F G3 :|

X:151
%
%
%
%
T:BARD'S WHIM (jig), The   
S:S: OFPC4.157  
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
%%R:jig
K:Em
d|B2A G2A|B2d dec|B2A G2A|B2e e2d|
B2A G2A|B2d dec|B2e efg|B2e e2 :|
d|B2g gab|B2d dec|B2g gfg|B2e e2d|
B2g gab|B2d dec|B2A G2A|B2e e2 :|

X:152
%
%
%
%
T:BAREFOOT BOY (jig), The 
S:S: ONMI.1074 < Kerwin  
Z:Z: Brennan/Black
%%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
E|DGG A2G|FDD FEF|DGG A2G|Add cAF|
DGG A2G|FDD FGA|BdB cAF|AGG G2:|
c|B2B cAA|BAG FGA|BdB cAc|BGB c2A|
[1 B2B cAA|BAG FGA|BdB cAF|AGG G2:|
[2 GBd gfe|dec Bcd|ecA FGA|BGG G3|]

X:153
%
%
%
%
T:BARGAIN IS OVER (jig), The 
S:S: NFID.181 < DOD  
Z:Z: ABC/arr. BB
N:N: A version of "Behind the Bush in the Garden"
Q:1/4=160
L:1/8
M:6/8
%%R:jig
K:Am 
%
B|c2A AGE|c2A AGE|edc dcB|cBA GAB|
c2d e2a|g2e ded|cBA BAG|[A3E3] [A2E2]B|
c2A AGE|c2A AGE|G2G GAE|G3 E2G|
c2d e2a|g2e ded|c2A BAG|EA2 A2||
%
B|c2B c2d|ege e2d|c2B c2d|e3 GAB|
c2B c2d|ege e2d|cBA BAG|[A3E3] [A2E2]B|
c2B c2d|e2e e2d|c2B c2d|e3 GAB|
c2d e2a|g2e ded|c2A BAG|EA2 HA3|]

X:154
%%staffsep 70
%
T:BARKING SEAL (jig), The
C:© BB
% For Bumper & LuSeal, RIP in Pinniped Heaven
Q:1/4=160
L:1/8
M:6/8
%%R:jig
K:G
D|"G"DGB AGB|"Am7"AGB AGE|"G"DGB "D"ABd|"Em"edB "D"A3|
"G"DGB AGB|"Am7"AGB AGE|"G"DEG DB,C|"D"DGF "G"G2 :|
d|"Em"edg edg|"C"edc "G"BAG|"Em"edg "C"edc|"G"BdB "D"A2d|
"Em"edg edg|"C"edc "G"BAG|"Am"ABc "D7"dcB|"D"AFA "G"G2 :|

X:155
%
%
%
%
T:BARLEY BRAE (hornpipe), The
S:S: OFPC4.158
Z:Z: ABC/arr. BB
N:N: The usual silence from Mr.O. but the triple quarter notes in mm 8 and 16 
N:cry out "hornpipe"! So let it be!
Q:1/4=140
M:C|
L:1/8
%%R:hornpipe
K:D
%swing .25
FG|A2dB A3F|B2ed c2BA|d3c BAGE|F2E2E2 FG| 
A2dB A3F|B2ed c2A2|d3B A3G|F2D2D2 :|
de|f3d e3c|dcBA d3F|G3A BAGE|F2E2 E2de|
f3d e3c|dcBA d3F|G3B A3G|F2D2D2 :|

X:156
%
%
%
%
T:BARLEY GRAIN (air), The 
S:S: ONMI.0100 < F.O'Neill  
Z:Z: Brennan/Black
M:3/4
L:1/8
K:G
%%text "moderate"
%%vskip .3in
GA|B4B2|d4e2|B4A2|G4A2|B4B2|d4A2|B6-|B4GA|
B4B2|e4d2|B4A2|G4F2|E2F2E2|B4A2|G6-|G4||
GF|E4E2|E2F2G2|F4E2|D4F2|E4E2|E2F2E2|B6|A4F2|
E4E2|E2F2G2|F4E2|D4c2|B4G2|A4F2|G6-|G4|]

X:157
%
%
%
%
T:BARLEY GRAIN (jig) (1), The
S:S: "Ancient Irish Music"  
Z:Z: ABC/arr. BB 
N:N: "James Quain - jig time." Petrie spells it "Quane" (see next entry).
L:1/8
M:6/8
Q:1/4=160
%%R:jig
K:G
%
A|BAB G2D|GAG GAB|BAB GFG|A2B c2A|
BAB G2D|GAG GAB|ded dcB|A2B c2 :|
A|B2d ded|ded ded|B2d ded|e2f g3|
B2d ded|ded def|gfe dcB|A2B c2 :|
[2 "^coda" A2B AGF|HG3z3|]

X:158
%
%
%
%
T:BARLEY GRAIN (jig) (2), The  
S:S: Petrie.293  
Z:Z: ABC/arr. BB
N:N: "from James Quane, a farmer, from Coolfree Co.Limerick"  
N:N: A-B-A structure in source; I have supplied repeats and a coda.
Q:1/4=160
M:6/8
%%R:jig
K:G
%%text "allegro"
%%vskip .3in
A|BAB G2D|GAG GAB|BAB GFG|A2B c2A|
BAB G2D|GAG GBc|ded dcB|A2B c2 :|
%
A|B2d ded|ded ded|B2d ded|e2f g3|
B2d ded|ded def|gfe dcB|A2B "_DC"c2 :|
"coda" A2B AGF|HG3z3|]

X:159
%
%
%
%
T:BARMAID (reel) (1), The 
S:S: CRE.3  
Z:Z: ABC/arr. BB
N:N: This is (not surprisingly) a version of "Maid Behind the Bar"
%%R:reel 
L:1/8
Q:1/4=180
M:C
K:D 
%%text source key = C
%%vskip .3in
FG|A3B AFEF|DFF2 ABde|feed BABd|
edfd edBd|AFF2 GEFE|DFF2 ABde|
feed BdAF|1 GFEF DE:|2 GFEG FD||
D2|:faga fdd2|fbab fdd2|Beed efga|
bgaf gfeg|fdd2 AdFd|BGG2 B,DA,D|
ABcd efga|1 "thru"fgec dfag:|2 "final"fgec Hd4|]

X:160
%
%
%
%
T:BARMAID (reel) (2), The 
T:Little Judy
S:S: GSTC  
Z:Z: ABC/arr. BB
N:N: "Little Judy" was Jerry O'Brien's and Joe Derrane's name for this.
Q:1/4=180
M:C
%%R:reel
K:D
A2AB AFEF|DFF2 ABde|fBBA Bcde|f2af e2dB|
AF F2 AFEF|DF F2 ABde|fBBA BcdB|AFEG FD D2 :|
fa^ga fd d2|fdad fddf|efga be e2|gebe geeg|
fa a2 bfaf|defd e2de|fBBA BcdB|AFEG FD D2 :|

X:161
%
%
%
%
T:BARMAID (reel) (3), The
S:S: AIF  
Z:Z: Brennan/Black
Q:1/4=180
M:C
%%R:reel
L:1/8
K:D
%
E|FAAB AFED|FAAB A2de|fBBA Bcde|f2ef edBA|
FAAB AFED|FAAB A2de|fdBc dedB|AFEF D3:|
g|faag fdde|fdad feef|gbba geef|gebe geea|
fgaf b2af|defd e2de|fdBc dedB|AFEF D3:|

X:162
%
%
%
%
T:BARMAN'S DELIGHT* (reel), The 
S:S: HOC.079 (unnamed)  
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
L:1/8
%%R:reel
K:A dorian
AB|cBAB cdef|gfge dBGB|cBAB cdef|gedB A2 :|
AB|cdef g2eg|f2df g2AB|cdef g2eg|gedB A2AB |
cdef g2eg|f2df g2fg|afge fdef|gedB A2 :|

%%%
X:163
%
%
%
%
T:BARN OWL* (jig), The 
C:Paddy Fahey (as "gan ainm")
S:S: MVBT
D:D: Dervish "Live in Palma" 
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
%%R:jig
K:D
A|DFA dfe|dcA GFG|AFD =cBc|ed^c AcA|
DFA dfe|dcA GFG|AdB cAG|E2D D2 :|
A|d2 e fed|c2 A A2 B|=cBc edc|B2 G GAB|
d2 e fed|c2 A EFG|AdB cAG|E2D D2 :|

X:164
%
%
%
%
T:BARNACLE REDOWA (measures 1-8) , The 
S:S: RC3.152  
Z:Z: ABC/arr. BB
L:1/8 
M:3/4
%%R:waltz
K:D
DF|A2 AFAB|d2 dAdf|e2 edef|a2 afef|
A2 AFAB|d2 dAdf|e2 edef|d4:|

X:165
%
%
%
%
T:BARNDOOR JIG, The 
S:S: ONMI.0939 < F.O'Neill  
Z:Z: Brennan/Black
Q:1/4=160
M:6/8
% Could be Ador too!
L:1/8
K:Amix
EAA AGA|Bcd e2f|gfg ege|dBA GAG|
EAA AGA|Bcd e2f|gfg edB|cAA A3 :|
aea aea|aga b2a|gdg gdg|gdg gfg|
aea aea|aga b2a|dfd dcB|cAA A3 :|

X:166
%
%
%
%
T:BARNEY BRALLAGHAN (slip jig) (1) 
S:S: ONMI.1145  
Z:Z: Brennan/Black
% Many variations of the name (e.g."Brannigan")
Q:1/4=160
%%R:slip jig
M:9/8
L:1/8
K:D
F2A ABA ABA|F2A ABA d2f|F2A ABA ABA|
B2B e2d cBA:|f2a f2a f2d|f2a f2a gfe|
f2a f2a f2d|g2f e2d cBA:|f3 a3 d3|
g2f e2d cBA|f2d e2c d2B|A2B A2G FED|
f3 a3 d3|g2f e2d cBA|fga efg d2B|
AFA dAG FEC|D6z3|]

X:167
%
%
%
%
T:BARNEY BRALLAGHAN (slip jig) (2) 
S:S: RC2.259  
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:9/8
%%R:jig
K:D
F2A ABA ABA|F2A ABA d2f|
[1 F2A ABA ABA|B2B e2d cBA:|
[2 F2A ABA ABA|B2B Bcd ecA||
%
|:f2a f2a f2d|f2a f2a gfe|
f2a f2a f2d|g2f e2d cBA:|
%
f3 a3 d3|g2f e2d cBA|
[1 f2d e2c d2B|A2B A2G FED:|
[2 fga e2f d2B|AFA dAG D3|]

X:168
%
%
%
%
T:BARNEY O'FINNEGAN 
S:S: ONMI.0046 < F.O'Neill  
Z:Z: Brennan/Black
M:6/8
L:1/8
K:G
%%text "slow"
%%vskip .3in
c|Bdc BAG|D3 D2c|Bdc BAG|Bcd dzc|
Bdc BAG|c3-c2c/c/|cBA BAG|FED Dz||
D|G2G/G/ GAG|F3 F2D|G2G/G/ GAB|cBA Azd|
G2G/G/ GAG|F3-F2G|A2A/A/ ABG|FED D3|]

X:169
%
%
%
%
T:BARNEY O'NEILL (jig) 
S:S: ONMI.1106 < O'Reilly  
Z:Z: Brennan/Black
%%R:jig
Q:1/4=160
M:6/8
L:1/8
K:D
B|AFD DFA|B2d F2A|AFD DEF|GFG EFG|
AFD DFA|B2d F2A|Bdd F2E|FDD D2:|
g|fed dAd|efe efg|fed faa|agf eag|
fed B2d|A2d F2A|Bdd F2E|FDD D2:|

X:170
%
%
%
%
T:BARONY JIG (slip jig) (1), The
S:S: DMI.0970  
Z:Z: Nordberg/Black
N:N: "Set dance". Normally the two parts of a slip jig would not be repeated. 
Q:1/4=150
M:9/8
L:1/8
K:Am
B|c2A c2A AGE|c2A ABd e2d|c2A c2A AGE|GED DEG A2B|
c2A c2A AGE|c2A ABd e2d|c2A efd cBA|GED DEG A2||
B|c2d ecA AGE|c2d e2d e2d|c2d ecA AGE|GED DEG A2B|
c2d ecA AGE|c2d e2d e2d|cde ged ecA|GED DEG HA3|]

%%%
X:171
%
%
%
%
T:BARONY JIG (slip jig) (2), The 
S:S: RC2.260  
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:9/8
%%R:jig
K:D
FAA FAA FDD|FAA FAA B2A|
FAA FAA FDD|BAF EFA B2A||
FAA dBd AFD|FAA dBd A2G|
FAA dBd AFD|BAF EFA B2A||
"coda"D6z3|]

%%%
X:172
%
%
%
%
T:BARR NA CUILE (reel) 
C:N. Mulligan (Dublin)
S:S: MVBT  
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%%R:reel
K:D
AG|FA A2 Bdde|f2 df ef d2|FA A2 GBdg|fdef d2 :|
de|f2 af g2 bg|faaf e2d2|faaf gabg|fdef d2 :|

%%%
X:173
%
%
%
%
T:BARRACK HILL (jig) (1)  
S:S: DMI.0410  
Z:Z: Nordberg/Black
% A jig version of "Tralee Jail"!
%%R:jig
Q:1/4=160
M:6/8
L:1/8
K:Adorian
e2A A2f|e2d Bcd|e2A A2B|G2A Bcd|
e2A A2f|e2d Bcd|e2d g2B|A3 A3:|
e2d efg|a2b g2e|d2e d2B|d2e dcB|
[1 e2d efg|a2b g2e|d2B g2B|A3 A3:|
[2 e2d e2f|g2a b2a|g2e d2B|A2a agf||\
"final"HA3z3|]

%%%
X:174
%
%
%
%
T:BARRACK HILL (jig) (2)  
S:S: RC2.250  
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%%R:jig
K:Ador
e2A AAA|e2d B3|e2A AAA|G2A B3|
e2A AAA|e2d B3|d2B g2B|A3 A3:|
e2d efg|a2f gfe|d2B g2B|d2B d3|
e2d efg|a2f gfe|d2B g2B|A3 A3:|

%%%
X:175
%
%
%
%
T:BARRACK HILL (slide) (3)  
S:S: JOL.320  
Z:Z: ABC/arr. BB
Q:1/4=180
M:12/8
N:N: Gotta love another name for this: "The Cat Jumped Into the Mouse's Hole 
N:and Didn't Come Out Till the Morning"!
L:1/8
%%R:slide
K:Adorian
f|e3 ABd e2d Bcd|e2A dBA G2A Bcd|
e2A ABd e2d B2d|edB G2B A3A2 :|
d|e2d efg agf gfe|dcB g2B d2B dBd|
e2d efg a2a gfe|d2B G2B A3A2:|
%

%%%
X:176
%
%
%
%
T:BARRADUFF HORNPIPE*, The  
S:S: JOL.017 (unnamed)
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:C|
%%R:hornpipe
K:D
%swing .25
zA|B2FA def2|B2FA defd|e3d c2B2|A2FA B2A2|
D2FA def2|D2FA dcdf|geb2 abaf|e2 d2 d2 :|
fg|a2 a2 fedf|a2 a2 f2df|g2 g2 ecea|g2 g2 e2 fg|
a2 a2 fedf|a2 a2 f2 (3def|g2 b2 abaf|e2 d2 d2:|

%%%
X:177
%
%
%
%
T:BARREL OF WASH (reel), The 
S:S: CRE.4 < Donnelly < P. Nugent  
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=180
M:4/4
%%R:reel
K:D
fe|dBBd AFAB|defd efde|faag bgaf|defd e2fe|
dBBd AFAB|defd efde|faag bgaf|edef d2:|
eg|faag bgaf|defd edBd|faag bgaf|defd e2 de|
faag bgaf|g2 fg efdB|AFFG ABdf|afef d2:|

%%%
X:178
%
%
%
%
T:BARREL RAFFERTY'S JIG 
S:S: MVBT  
Z:Z: ABC/arr. BB
Q:1/4=160
%%R:jig
M:6/8
L:1/8
K:Am
D|E2A AGE|A2B c2E|EDE G^FG|A2A GED|
E2 A AGE|A2 B c2 d|ege dBG|A3 A2 :|
d|e2 a aga|b2 a g2 f|ede g2 g|a2 e ged|
e2 a aga|b2 a g2 e|age dBG|A3 A2 :|

%%%
X:179
%
%
%
%
T:BARREL RAFFERTY'S REEL 
S:S: MVBT < "Down in Doolin" (K.Crawford 1997)
Z:Z: ABC/arr. BB
Q:1/4=180
%%R:reel
M:4/4
L:1/8
K:D
A|D2ED FAAB|d2 fe dB B2|AF F2 DF A2|BFAF EAFE|
D2 ED FAAB|d2 fe dB B2|AF F2 D2 AF|EGFE D3 :|
A|df f2 dfaf|g2bf affe|dBBA Bcde|fdgf e2 de|
faaf g2bf|affe dB B2|AFF2 D2 AF|EGFE D3 :|

%%%
X:180
%
%
%
%
T:BARREL RAFFERTY'S SLIDE* 
S:S: CRE.2 (unnamed) < Tom Gaffey, Galway  
Z:Z: ABC/arr. BB
L:1/8
M:12/8
%%R:slide
Q:1/4=180
K:A dorian
G|E2G AGE A2B c2G|EDE G2E A2E GED|
E2G AGE A2B c2d|efg dBG A2B A2:|
d|e2g aga bag a2g|ede g2e a2e ged|
e2g aga bag a2g|efg dBG A3-A2:|

%%%
X:181
%
%
%
%
T:BARREN ROCKS OF ADEN (polka), The 
S:S: JOB  
Z:Z: ABC/arr. BB
Q:1/4=110
L:1/8
M:2/4
%%R:polka
K:D
A/d/|fa fe|df Ad|ce Ad/e/|fA de|
fa fe|df Ad|ce AB/c/|d2d :|
f/g/|ag df|ef Ae/f/|ge ce|fd Af/g/|
ag df|ef Ae/f/|ge cA|d2d :|

%%%
X:182
%
%
%
%
T:BARRONSTOWN RACES (jig), The 
S:S: ONMI.1038 < Cronin  
Z:Z: Brennan/Black
Q:1/4=160
%%R:jig
M:6/8
L:1/8
K:G
F|DGG GFG|BGc BAF|DFE FEF|A2d cAF|
DGA GFG|BAG Bcd|fed cAF|AGG G2:|
%
d|dgg gfg|abg fed|cBc fef|abg fed|
dgg gdc|BAG Bcd|fed cAF|AGG G2:|
%
F|DGA BAG|dBd cAG|FGA cAF|cAc BAF|
GFG BAB|cBc dag|fed cAF|AGG G2:|
%
d|gdg gbg|fdf faf|ede ege|dBG GAc|
BAB cBc|dcd eag|fed cAF|AGG G2:|

%%%
X:183
%
%
%
%
T:BARROW BANKS (hornpipe), The 
S:S: SRHI.22b  
Z:Z: ABC/arr. BB
C:Seán Ryan
Q:1/4=150
L:1/8
M:C
%%R:hornpipe
K:G
%swing .25
dc|BDGB cBce|dB gf agfg|ecGc egfg|af GE dedc|
BDGB cBce|dB gf agfg|ecGc egfe|dcAF G2:|
B,C|DGBd gfag|bg af gdBG|EG AB cBce|af GE dedc|
BDGB cBce|dB gf agfg|ecGc egfe|dcAF G2:|

%%%
X:184
%
%
%
%
T:BARRY'S FANCY (reel) 
S:S: "The Piper's Dream" 
C:P. McNulty
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%%R:reel
K:G
d2cd BGFG|EAAG A2 GE|DGBG dGBG|A2GA BGGB|
d2dc dedB|AGAB A2 GE|DGBG dGBG|A2GA BGG2:|
Bdd2 edBd|eaab agef|gage dGBd|gfga bg g2|
g2e2 d2Bd|eaab agef|gage dGBd|gfga bg g2:|

%%%
X:185
%
%
%
%
T:BARTHOLOMEW FAIR 
S:S: CCCD  
Z:Z: ABC/arr. BB
M:6/4
L:1/8
K:G
d2|B3A G2 G3A B2|c4B2 A4G2|F2A4 A4B2|
c3d e2 d2 B2 G2|c3d B2 A3B c2|B2 G4-G4 :|
B2|c3 def g3f e2|d2 B2 c2 A4G2|F2A2 A2A4B2|
c3d e2 d2B2G2|c3B c2A2 d2c2|B2 G4-G4 :|

%%%
X:186
%%staffsep 70
T:BARTRAM'S GARDEN ("hybrid" jig)
S:S: composer  
Z:Z: ABC/arr. BB
%Q:1/4=160
%%R:jig
C:Rick Gagne  
N:N: "d/o/c/ 1989 on tenor banjo; meter switches between 9/8 and 6/8 time, but it's 
N:double jig length"
M:9/8
Q:1/4=160
K:Am
A | "Am"ABc "G"dcB "Am"cAE |[M: 6/8] "Am"ABc "G"dcB | "Am"cAE "F"FAF |\
"Am"ABc "D"dBa | 
"Em"geg "Am"aec | "G"dBd "Em"eBG |[M: 9/8]"Em"EGE "G"BGE "F"A2 :|g |\
"G"gdc Bcd "Em"g^fg |
[M: 6/8] "Am"aed ceA | "F"aed ceA | "G"gdc Bcd | "Em"g^fg "F"aec | 
ABc "D"d2A |[M: 9/8] [1 "F"ABc "G"dBe "Am"A2 :|2 "F"ABc "G"dBe "Am"HA3 |]

%%%
X:187
%
%
%
%
T:BASHFUL BACHELOR (hornpipe) (1), The 
S:S: CRE.3  
Z:Z: ABC/arr. BB
%%R:hornpipe
L:1/8
Q:1/4=150
M:C
K:G
%swing .25
C2|B,DGA BGDB,|C2EA cAFD|B,DGB cBcB|A2GE DCB,A,|
B,DGA BGDB,|CEAB cAFD|B,DGB cdBc|A2G2 G2:|
ga|bgg2 dgBg|dgBg dgBg|bgfg dgBg|eaag a2ga|
bgg2 dgBd|BccB cdef|gdBG FGAc|B2G2 G2:|

%%%
X:188
%
%
%
%
T:BASHFUL BACHELOR (hornpipe) (2), The 
S:S: CRE.3  
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=150
M:4/4
%%R:hornpipe
K:G
%swing .25
dc|BdGA BGdB|cega dAFD|Bd GA BGcB|A2GE D2 BA|
GBdg bgdB|c2eg cAF2|Bd gB A2FA|G2AF G2:|
a2|bgeg dgBG|dgbg dgb2|bgg2 dgbd|ecae afga|
bgg2 dgdB|cBAB cde2|g2dB DGAc|BGAF G2:|

%%%
X:189
%
%
%
%
T:BASHFUL BACHELOR (hornpipe) (3), The 
S:S: AIF  
Z:Z: Brennan/Black
Q:1/4=150
N:N: 1: Source m.4 = |(3ABA  (3GFE  (3DED  (3CB,A,|
M:C|
L:1/8 
N:N: 2: dotted in source 
%%R:hornpipe
K:G
%swing .25
DC|B,DGA BGDB,|CEAB cAFD|B,DGA BGcB|A2GE D2B,A,|
G,B,DG BGDB,|CEAB cAFD|B,DGB ADEF|G2B2G2:|
ga|bgeg dgBg|dgBg dgBg|afdf dgBg|eaag a2ga|
bgeg dgBd|cBAB cdef|gdBG EcAF|G2B2G2:|

%%%
X:190
%
%
%
%
T:BASHFUL BACHELOR (reel), The  
S:S: ONMI.1443 < J.O'Neill  
Z:Z: Brennan/Black 
% Repeats added.
Q:1/4=180 
%%R:reel
M:C|
L:1/8
K:D
D2FA d2AF|d2fd ecAc|d2Ad BAGF|EFGE FDD2|
D2FA d2AF|d2fd ecAc|defg a2af|bgeg fdd2 :|
d2dg fafd|g2bg e2cA|d2dg fafd|ecAc d2FA|
d2dg fafd|g2bg e2fg|afge fdec|dBAG FDD2 :|

%%%
X:191
%
%
%
%
T:BASHFUL BEAU (reel), The 
S:S: WSGM.224 < Rice-Walsh manuscript  
Z:Z: Kinder/Black (arr.)
N:N: I'm guessing that is E dorian (= c's sharp), although there are no accidentals in the source.
M:4/4
L:1/8
Q:1/4=180
%%R:reel
K:Edor
defg fcdB|ADFD FAdc|BEEF GABc|dBAc BEE2|
Bdef d2dB|ADFD FAdc|BEEF GABc|dBAc BEE2 ||
e2ef g2fe|defg afdf|e2ef gfge|dBAc BEE2|
e2ef g2fe|defg afdf|gabg fagf|egfa g2fd|He4z4|]

%%%
X:192
%
%
%
%
T:BASHFUL LOVER, The 
S:S: ONMI.0550  
Z:Z: Brennan/Black
M:3/4
L:1/8
K:G
%%text "slow"
%%vskip .3in
GA|BB B2AG|G2D2GA|B2B2ge|d4ge|
ed dB AG|G2D2GA|B2B2AG|G4||
de|g3 aba|g2d2de|gd cB AG|A4 Bd|
g2 ga ba|g2d2Bc|dg b2ag|g4fg|
gd cB AG|G2D2GA|B2B2AG|G6|]

%%%
X:193
%
%
%
%
T:BASHFUL MAID (jig), The 
S:S: ONMI.1037 < Fielding  
Z:Z: Brennan/Black
Q:1/4=160
%%R:jig
M:6/8
L:1/8
K:D
A|FAA AFA|AFA d2B|GBB FAA|EFE E2A|
FAA AFA|AFA d2B|ABc dcB|AFD D2 :|
d|ecA ABA|ecA d2A|GBB FAA|EFE E2d|
ecA ABA|edc d2B|ABc dcB|AFD D2 :|

%%%
X:194
%
%
%
%
T:BASKET OF EGGS (jig) (1), The  
S:S: CRE.2  
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%%R:jig
K:G
E|D2B ABd|edB AGE|GBG ABG|AGF GED|
D2B ABd|edB AGE|GBG ABG|AGF G2:|
f|edf edf|edf edB|dcd def|gfe def|
gbg faf|edB AGE|GBG ABG|AGF G2:|

%%%
X:195
%
%
%
%
T:BASKET OF EGGS (jig) (2), The
S:S: CRE.2  
Z:Z: ABC/arr. BB
N:N: This version dates back to 1666!
Q:1/4=220
L:1/4
M:6/4
%%R:jig
K:G
GBB B2e|deB A2G|G/A/BB B2A|BGG [G3B3d3g3]:|
eeg eeg|eeg edB|dde dde|d2e dBG|G/A/BB BcB/c/|
dBc/d/ e3|de/d/c/B/ A2G|G/A/BB B2A|BGG [G3B3d3g3]:|

%%%
X:196
%
%
%
%
T:BASKET OF OYSTERS (jig) (1), The    
S:S: Levey2.78  
Z:Z: ABC/arr. BB
N:N: Repeats added. The A sharps in mm 4,7 and 15 are nice but won't be missed 
N:if you play A natural instead!
Q:1/4=160
L:1/8
M:6/8
%%R:jig
K:Bm
A|dcd def|e2d c2c|d2c Bcd|c2^A F2c|
dcd def|e2d cde|d2B c2^A|B3 B2 :|
B|A2F FEF|A2F F2B|A2F FEF|D2B, B,2B|
A2F FEF|A2F F2d|dcB c2^A|B3 B2 :|

%%%
X:197
%
%
%
%
T:BASKET OF OYSTERS (jig) (2), The 
S:S: OFPC4.80 ("Irish")  
Z:Z: ABC/arr. BB 
Q:1/4=160
M:6/8
L:1/8
%%R:jig
K:Em
f|gag gab|abg fga|gfg eag|fdB BAB|
gag gab|abg fga|gfe afd|e3 e2 :|
g|dec BcA|GBd gfe|dec BcA|BGE E3|
dec BcA|GBd g2a|bge afd|e3 e2 :|
a|bgg dgg|a2f dfa|gfg efg|fdB B2g|
bgg dgg|a2f dfa|gfe afd|e3 e2 :|
g|dBB GBB|dBB gfe|dBB GBA|BGE E2e|
dec BcA|GBd g2a|b[ac']b agf|e3 e2 :|\
"^coda"g3 Hg3|]
%

X:198
%
%
%
%
T:BASKET OF OYSTERS (reel), The 
Z:Z: ABC/arr. BB
Q:1/4=180
%%R:reel
N:N: additional info in ABC file
M:C
K:D mix
d|cAAB cded|cAAG FDDd|cAAB cdeg|fdec d2ed|
cAAB cded|cAAG FDDd|cAAB cdeg|fdec d3||
A|dfaf g2eg|fded cAA2|dfaf gbag|fdec d2eg|
a2af g2eg|fded cAA2|fgaf gbag|fdec d4|]
%
% This is the version in Treoir 49/2, originally from "the Goodman collection". 
% I am not familiar with this tune so I'm not sure if the first part - with its accented 
% C's - is modal or not. You can try it both ways and see which one you like (or 
% you can find it online somewhere and see how somebody else plays it). Also note 
% there are tunes with this name in the Levey and O'Farrell collections, but they 
% are not related to this one.

%%%
X:199
%
%
%
%
T:BASKET OF TURF (jig) (1), The 
T:Sligo Lasses/Lassies 
S:S: CRE.2
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%%R:jig
K:Em
%
EBB BAB|FEF AFD|EBB BAB|AFD E3|
EBB BAB|FEF AFD|EBB EBB|AFD E3:|
Bee ede|feB dBA|Bee ede|fdB d3|
Bee ede|fde dBA|FGA BGB|AFD E3:|

%%%
X:200
%
%
%
%
T:BASKET OF TURF (jig) (2), The
S:S: CRE.5
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%%R:jig
K:Edorian
%
D|EBA BAG|FDF AGF|EBA Bcd|AGF E2D|
EBA BAG|FDF AGF|G2A Bcd|AGF E2:|
%
D|Eed efg|dcB AGF|Eed efg|fdf e2d|
Eed efg|dcB AGF|G2A Bcd|AGF E2:|
%
F|GBE GBE|FAD FAD|GBE GBd|AGF E2F|
GBE GBE|FAD FAD|GAG GBd|AGF E2:|

%%%
X:201
%
%
%
%
T:BASKET OF TURF (jig) (3), The
S:S: ONMI.0735 < J.O'Neill
Z:Z: Brennan/Black 
Q:1/4=160
%%R:jig
M:6/8
L:1/8
K:Em
%
E|EBB BAG|FDF AGF|EBB Bcd|AGF E2E|
EGB BAG|FDF AGF|GAB Bcd|AGF E2 :|
B|Bee efg|dcB AGF|Eee efg|f^df e2e|
Eee efg|dcB AGF|GAB Bcd|AGF E2 :|

%%%
X:202
%
%
%
%
T:BASKET OF TURF (jig) (4), The 
S:S: Treoir.32/2  
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%%R:jig
L:1/8
K:E dorian
%
D|GBB BAG|FAA AFD|GBB Bcd|AGF E2 D|
GBB BAG|FAA AFD|BAB Bcd|AGF E2 :|
A|Bee efg|fef dBA|Bee eag|fdc d2 A|
Bee efg|fef dBA|BAB Bcd|AGF E2 :|

%%%
X:203
%%staffsep 70
%
T:BASS RIVER HORNPIPE, The 
C:© BB
S:S: BBMG
%%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:D
%swing .25
A|"D"dcdA "D"(3Bcd AF|"G"GFGB "Bm"AFDB,|"D"A,DFA "D"dcdA|"Bm"(3Bcd AF "A"E3 A|
"D"dfec "D"dAFA|"G"GBAF "Em"EDB,E|"D"DF ~F2 "A"EAce|"D"dBAF D3 :|
A|"D"fdfa "G"gB ~B2|"A"cBce "D"dF ~F2|"G"GB"A"Ac "G"Bd"A"ce|"D"dfaf "A"e3 g|
"D"fdfa "G"gB ~B2|"A"cBce "D"dF ~F2|"G"GB~B2 "A"Acec|"D"dBAF D3 :|

%%%
X:204
%
%
%
%
T:BAT FOWLING (jig)
C:Aidan Crossey
S:S: composer
M:6/8
Q:1/4=160
L:1/8
%%R:Jig
K:D Major
%
d|DEF A2A|BAG A2A|DEF A2A|BAF E2D|
DEF A2A|BAG ABc|dfd cAF|GBc d2 :|
c|def a2a|cde g2g|fef afd|c2d e2e|
def a2a|cde g2g|fef afd|efe d2 :|

X:205
%
%
%
%
%
T:BAT IN THE BELFRY* (jig), The
S:S: CRE.2 (unnamed)  
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%%R:jig
K:D
%
c|AGA g2g|aba efg|fef ded|cAG EFG|
A2A gfg|aba efg|efd cAG|AGA d2:|
e|f2d e2c|ded cAG|AGA EFG|f2d ecA|
f2d e2d|dec d2e|fed cAG|ABc d2:|

X:206
%
%
%
%
%
T:BATH MEDLEY (jig) (1), The 
S:S: CRE.5  
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%%R:jig
K:G
D|G2g fdB|ecg dBG|EGc BGB|ABG FED|
G2g fdB|ecg dBG|EGc BGB|AEF G2:|
A|FAd fdA|GBd gdB|A^ce a2g|fAe def|
g2b fdB|ecg dBG|AGc BGB|AEF GF:|
"^coda"AEF HG3|]

X:207
%
%
%
%
%
T:BATH MEDLEY (jig) (2), The 
S:S: OFPC2.76 ("Irish")  
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%%R:jig
L:1/8
K:G
%
D|G2g fed|efg dBG|ecA dBG|F2G AFD|
G2g fed|efg dBG|ecA dBG|DEF G2 :|
g|f2g afd|e2f g3|B2c dBG|F2G AFD|
G2g fed|efg dBG|ecA dBG|DEF G2 :|

X:208
%
%
%
%
%
T:BATH ROAD HORNPIPE, The
S:S: ONMI.1682 < J.O'Neill  
Z:Z: Brennan/Black
Q:1/4=150
M:C| % source=2/4
L:1/8 %original = 1/16
K:G
%swing .25
GABc d2ef|g2dc B2G2|FGAB cedc|B2AG F2D2|
GABc d2ef|g2dc B2G2|FGAB cedc|BGAF G4:|
d2dd d2d2|defg agdB|c2cc c2c2|cBAG FAFD|
GABc d2ef|g2dc B2G2|FGAB cedc|BGAF G4:|



X:210
%
%
%
%
%
T:BATTERING RAM (jig) (1), The
S:S: BSMI.1  
Z:Z: ABC/arr. BB
%%R:jig
M:6/8
Q:1/4=160
L:1/8
K:G
%
B|dBG BAG|dBG G2B|dBG AGE|GED D2B|
dBG BAG|dBd BAG|AGA BAB|GED D2 :|
B|deg aga|bge edB|deg aga|bge ega|
bag age|ged ege|dBG AGE|GED D2 :|
d/c/|B2G A2G|B2D Ddc|BAG AGE|GED Ddc|
B2G A2G|BdB BAG|AGA BAB|GED D2 :|
"coda"GED G3|]

X:211
%
%
%
%
%
T:BATTERING RAM (jig) (2), The
S:S: FS2.07a  
Z:Z: ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
%%R:Jig
K:G
%
B|dBG BAG|dBG G2 B|dBG AGE|GED D2 B|
dBG BAG|BdB BAG|AGA BAB|GED D2 :|
B|deg aga|bge edB|deg aga|bge ega|
bag age|ged ege|dBG AGE|GED D2 :|
c|B2 G A2 G|B2 D D2 c|BAG AGE|GED Ddc|
B2 G A2 G|BdB BAG|AGA BAB|GED D2 :|
"coda"GED G3|]

X:212
%
%
%
%
%
T:BATTERING RAM (jig) (3), The
S:S: GSTC  
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%%R:jig
K:G
c|dBG BAG|dBG G2e|dBG AGE|GED D2B|
ded BAG|dBG BAG|AGA BAB|GED D2 :|
%
c|deg aga|bge edB|deg aga|bge e2a|
b2g age|ged ege|dBG AGE|GED D2 :|
%
d|B2G A2G|BDD D2c|BAG AGE|GED D2B|
B2G A2G|BAG BdB|AGA BAB|1 GED D2 :|\
[2 GEF HG3|]

X:213
%
%
%
%
%
T:BATTLE EVE (a), The 
S:S: ONMI.0253 < F.O'Neill  
Z:Z: Brennan/Black
M:C
L:1/8
K:Gm 
%%text "animated"
%%vskip .3in
D2|G3^F G2A2|G4 B3B|AF3 F3F|F4 ^F3F|
D2G2 G2A2|B4 A2G2|D4 E4|D6f2|
f3d B2d2|f4 =e2d2|c3A F2A2|c4 B3c|
d3B c3A|D4 G3^F|G4 A4|B4 B2c2|
d3d c2B2|f4 F3F|B6|] % 19 measures

X:214
%
%
%
%
T:BATTLE EVE (march) (b), The  
S:S: RC3.068  
Z:Z: ABC/arr. BB
N:N: 1: The primary name of this tune in Roche is "Contented I Am". Definitely a 
N:naming  glitch, since this tune and the jig "Contented I Am" aren't even close (and 
N:the jig is at least 100 years older than anything Frank Roche could have composed).
N:N: 2: The tune of this title in O'Neill's (previous tune) is also unrelated.
N:N: 3: This composed piece consists of an Intro, theme, and four sets of "classical" 
N:variations. Only the Intro and Theme are included here.
C:Frank Roche
L:1/8
M:6/8
%%R:jig
K:A
%%text "allegro"
%%vskip .3in
P:Intro
%
c'b|afe cBA|cec BAF|EAB cea|bc'b ha2||
P: Theme
%%text "con spirito"
|:c/B/|ABc cBA|cBB B2A/B/|cAF ECE|FAA A2:|
c/B/|Ace ecA|Ace e2c/B/|Ace ecB|cef f2 (3e/f/g/|
agf ece|fec B2A/B/|cAF ECE|FAA A3|]

X:215
%
%
%
%
%
T:BATTLE OF AUGHRIM (march) (1), The
S:S: DMWC.119  
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=160
%%R:march
K:Adorian
%
AG|E2A2 A2 Bd|e2d2 c2A2|B2G2 GFGA|BGAG EGDG|
E2A2 A2 Bd|e2df e2ag|e2dB cedB|A4 A2 :|
fg|a3g e2fg|abag e2fg|a2f2 g2e2|d2BA G2fg|
a3g e2fg|abag e2ed|B2e2 d2B2|A4 A2 :|

X:216
%
T:BATTLE OF AUGHRIM (march) (2), The 
S:S: ONMI.1845  
Z:Z: Brennan/Black
%%R:march
Q:1/4=70
M:2/4
L:1/16
K:G
ABAG ABAE|ABAG ABAE|ABAG ABAE|ABAG ABAE|
(3AGA (3AGA (3AGA AE|(3AGA (3AGA (3AGA AE|
(3AGA (3AGA (3AGA AE|B3c d3e|d2e2 d2f2|
d2e2 d2f2|d2e2 d2e2|d8|cBAG HE4|
ABAG ABAE|ABAG ABAE|ABAG A3E|(3AGA (3AGA (3AGA AE|
(3AGA (3AGA (3AGA AE|
GABc d3e|d3e d2f2|d2e2 d4|cBAG HE4|]
%
N:N: This "piperly" version bears no relationship to any other "Battle of Aughrim" 
N:that I have come across.

X:217
%
%
%
%
%
T:BATTLE OF AUGHRIM (polka) (3), The
S:S: BSMI.2  
Z:Z: ABC/arr. BB
%%R:polka
M:2/4
Q:1/4=120
L:1/8
K:Am
%
G|EA A/B/c/d/|ed cA|BG G/F/G/A/|BA/G/ ED|
EA AB/d/|ed ea/g/|ed B/e/d/B/|A2 A :|
e|ag e^f/g/|a/b/a/g/ ef/e/|a/b/a/^f/ ge|d/e/d/B/ Ge|
ag e^f/g/|a/b/a/g/ ed|Be dB|A2 A :|

X:218
%
%
%
%
%
T:BATTLE OF AUGHRIM (polka) (4), The
S:S: CRE.2  
Z:Z: ABC/arr. BB
Q:1/4=100
L:1/8
M:2/4
%%R:polka
K:Am
%
A/G/|EA Ad|eA A2|dB/A/ GB/c/|dG G2|
EA Ad|eA a2|ef ed|1 eA A:|2 BA A2||
ae eb|ae e2|ge de/f/|gB/c/ d2|
ae eg|ag/f/ ed|cB/A/ GA|BA A2:|

X:219
%
%
%
%
%
T:BATTLE OF CREMONA (march), The
S:S: BSMI.1  
Z:Z: ABC/arr. BB
%%R:march
M:C
Q:1/4=120
L:1/8
K:G
BA|B2D2 D2E2|G3A G2B2|A3B cBGF|B2E2 E2BA|
B2D2 D2E2|G3A G2B2|e3e dedc|B2 G2 G2 :|
Bc|d2d2 d2cB|c2c2 cedB|c2B2 A2G2|B2E2 E2BA|
B2D2 D2E2|G3A G2B2|e3e dedc|B2 G2 G2 :|

X:220
%
%
%
%
%
T:BATTLE SHIP SINN FEIN, The
S:S: JOB  
Z:Z: ABC/arr. BB
N:N: In 6/8 time but not a dance tune. There's at least one song (the Dubliners' 
N:"Hot Ashfelt") set to this  melody.
Q:160
M:6/8
%%R:jig
K:B dorian
FGA|B2B B2c|B2A F2A|d2e f2d|e3 fga|
b2a f2d|e2e f2e|d2B A2F|A3 FGA||
B2B B2c|B2A F2A|d2e f2d|e3 fga|
b2a f2d|e2e f2e|d2B B2A|B3-B2f||
a2a a2b|a2f d2f|a2a a2f|a3 fga|
b2a f2d|e2e f2e|d2B A2F|A3 FGA||
B2B B2c|B2A F2A|d2e f2d|e3 fga|
b2a f2d|e2e f2e|d2B B2A|B3-B3|]

X:221
%%staffsep 70
%
T:BATTLING JERRY (jig) 
C:© BB 2007
S:S: BBMG
M:6/8
% This tune was composed for fiddler Jerry Holland, a battler indeed 
% as he struggled against cancer. He lost the battle in July 2009 but 
% his legacy lives on in many ways. 
L:1/8
%%R:jig
K:G
D|"G"GFG "D"ABA| "G"GFE "D"DAB|"C"cBc edc|"G"BcB "D"A2D|
"G"GFG "D"ABA| "G"Bdg "Am"ecA|"Em"BGE "D"DFA|"G"BGF "G"G2 :|
e|"G"ged "D"agf|"G"gab d2B|"C"cde "Am"a^ga|"D"fdd d2e|
"G"gfg "D"aba|"Em"gfe "G"d^cd|"C"efg "D7"a^ga|"G"bgg g2 :|
% For Jerry Holland RIP

X:222
%%staffsep 70
%
T:BAWNARD SLIDE, The 
C:© BB 2007
S:S: BBMG
L:1/8
M:12/8
Q:1/4=180
%%R:slide
K:D
D|"Bm" F2B BAB d2B BAB|"G"g2A "D"f2A "A"efe cBA|
"Bm" F2B BAB d2B BAG|"D" F2A "A"G2E "D"D3-D2 :|
D|"D" FEF d2F "G"GFG d2D|"D" FEF d2f "A" efe cBA|
"D" FEF d2F "G"GFG d2e|"D"fed "A7"c2e "D"d3-d2 :|

X:223
%
%
T:BAY OF BISCAY O, The
S:S: ONMI.0329  
Z:Z: Brennan/Black 
M:C
L:1/8
K:D
%%text "quick and spirit(ed)"
%%vskip .3in
A|Addf d2Bc/d/|ef a/g/f/e/ d2cA|
Addf afdd/e/|fdec d2||
dc|BAGF E3e|ef g/f/e/d/ dcAB/c/|
d2Bc/d/ e2de/f/|a/g/f/g/ fed4|]

X:224
%
%
T:BAY SHORE JIG*, The
S:S: CRE.5 (unnamed)  
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%%R:jig
K:D
F|D2d dAF|dAF D2F|D2d dcd|eED E2F|
D2B dAF|ABc dAF|GeG FdF|EDF E2:|
%
B|d2f afb|afe d2f|dfg afa|bgd efe|
[1 d2f afa|bag fed|gbg faf|ABc e2 :|
[2 fga efg|fed edA|Bcd AFd|AFD HD3|]

%%% %%% %%%

X:225
T:BE EASY YOU ROGUE! (jig)
S:S: ONMI.1109 < Gillan  
Z:Z: Brennan/Black
N:N: a/k/a/ "Stop It You Rogue Stop Stop" (and similar; cf. O'Farrell)
%%R:jig
% Some ornamentations removed.
Q:1/4=160
M:6/8
L:1/8
K:A
%
E|AcA BAF|d3 d2z|AcA BAF|B3 B2z|
AcA BAF|ded dfa|ecA BAF|A3 A2:|
%
d|ecA ecA|d3 dfa|ecA ecA|B3 B2z|
AcA BAF|DFA dfa|ecA BAF|A3 A2:|
%
d|cAA BFF|AEE dfa|ecA BAF|B2zB2d|
cAA BGG|AEE dfa |ecA BAF|A3 A2:|
%
e|aga fdA|dcd d2f|aga ecA|BAB Bfg|
aga fdA|DFA dfa|ecA BAF|A3 A2:|

X:227
%%staffsep 70
%
T:BEACH AVENUE RAMBLE (hornpipe), The
C:© B.Black 6/20
S:S: BBMG
%%R:hornpipe
Q:1/4=150
M:C|
K:G
%swing .25
EF|"G"GFGA "Em"BEED|"G"GFGA BGBd|"Am"cA"G"BG "Am"AG"C"EG|\
"Am"(3ABA (3GFE "D"(3DFA (3dAF|
"G"GFGA "Em"BEED|"G"GFGA BGBc|"G"(3dcB gB "A"(3e^cA ag|"D7"fdcA "G"G2:|  
Bd|"Em"eBBA "G"GFED|"C"GFED "Em"B,EE2|"Em"eBdB "Am"ABGA|"G"BAGF "Em"E2Bd|
"Em"eBBA "G"GFED|G"C"FED "Em"B,EE2|G"G"ABd "A"^caeg|"D7"(3fed (3cBA "G"G2:|

X:228
%%staffsep 70
%
T:BEACH HOUSE (reel), The
C:© BB 2014
S:S: BBMG
%%R:reel
Q:1/4=180
M:C
K:Am
%
"Am"eABA eaab|"Am"eABA "D"de^fg|"Am"eA (3cBA eaa^f|"G"g^fge dBGB|
"Am"eABA eaab|"Am"eABA "G"G^FEG|"Am"Aege "G"dBcB|"Am"Ac"Em"GE "Am"A4:|
"Am"ea~a2 ABce|"G"dg~g2 GABd|"Am"ea~a2 "Em"bae^f|"G"gedB GBdg|
"Am"ea~a2 ABce|"G"dg~g2 GABd|"C"cBcd "Em"ede^f|"G"gbag "Am"eAA2:|

X:229
T:BEACH PLUM JELLY* (jig) 
S:S: Petrie.115 (unnamed)  
Z:Z: ABC/arr. BB
% Repeats added.
Q:1/4=160
M:6/8
L:1/8
%%R:jig
K:D
%
G|ABA FGA|d2e f2g|ecA AGF|G3 F2G|
ABA FGA|d2e f2d|ecA ABc|d3 d2 :|
e|fef def|g3 f2g|ecA AGF|G3 F2G|
ABA AFA|d2e f2g|ecA ABc|d3 d2 :|

X:230
T:BEAMISH'S GOAT (reel) 
S:S: ONMI.1332 < Beamish  
Z:Z: Brennan/Black
% Source has |^g| at the beginning of m.15, which seems out of place ...?
Q:1/4=180
%%R:reel
M:C|
L:1/8
K:Ador
%
dB|A2AB GFGB|AGAB e2dB|A2AB GFGB|dBGB d2dB|
A2AB GFGB|AGAB cBcd|edef gfge|dBGB A2 :|
Bd|e2ef gfgf|edcd efgf|e2ef gfge|dBGB d2Bd|
e2ef gfge|efge a2ef|gaba gfef|gedB A2 :|

X:231
%
T:BEAN A TI AR LAR (reel) (1) 
S:S: CRE.2  
Z:Z: ABC/arr. BB
L:1/8
M:C
%%R:reel 
Q:1/4=180
K:D
dB|AGFE D2FD|GEFE Ddcd|AGFE D2FD|E2=cA BGEd|
AGFE D2FD|GEFE Ddcd|AGFE D2FD|E2=cA BGE||
d|cdec A2AB|cdec AFEd|cdec A2AF|E2cA BGEd|
cdec A2AB|cdec AFEd|cdeg faec|A2Bc d3B||
"^coda" A2Bc AGEF|HD4z4|]
N:N: There has been discussion over the years as to the exact meaning of the  
N: Gaelic."Mistress on the Floor" (dancing, one would hope) is probably pretty 
N:close.

X:232
%
%
T:BEAN A' TI AR LAR (reel) (2) 
S:S: BSMI.1  
Z:Z: ABC/arr. BB
%%R:reel
M:4/4
Q:1/4=180
L:1/8
K:D
B|AGFE D2FD|GEFE DBB2|AGFE D2FD|E2=cE BGE :|
d|cdec A2Ad|cdec AFEd|cdec A2AF|E=ccA BGEd|
cded A2Ad|cdec AFEd|cdeg f2ec|ABcA BdcB||
AGFE D2FD|GEFE DBB2|AGFE D2FD|E2=cE BGEB :|
"^coda"E2=cE B2GE|HD4z4|]
%
%%%

X:233
%
%
T:BEAN PHÁIDÍN (slip jig) 
S:S: "The Ted Furey Collection of Irish Traditional Tunes" (folder 66)
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:9/8
%%R:slip jig
K:G
d|BAG Bdd Bdd|BAG BdB A2 G|BAG Bdd Bdd|
edd gdB A2:|G|def gbg age|def gbg a2 g|
def gbg agg|[1 edd gdB A2:|2 edd gdB A3|G6 z3|]

X:234
%
T:BEANS in the POT (polka) 
C:© BB
S:S: BBMG
%%R:polka
M:2/4
Q:1/4=140
L:1/8
K:D
"D"dA Ac|"Bm"de fe|"D"dA dA|"A"FE E2|
"D"dA Ac|"G"de fg|"D"af "G"dB|"Bm"BA "A"A2|
"D"dA Ac|"Bm"de fe|"D"dA dA|"A"FE Ec|
"G"dG AG|"D"Fd "G"BG|"D"FG AF|"A"EC "D"D2||
"Bm"fd fb|"A"ae ac'|"Bm"bc' ba|"A"fe a2|
"Em"bg eg|"Bm"af dB|"F#m"cd ef|"Bm"dc B2 :|

X:235
%
%
T:BEAR'S PAJAMAS* (slip jig), The   
S:S: Levey1.36 (unnamed)  
Z:Z: ABC/arr. BB
N:N: second part not repeated in source.
Q:1/4=170
L:1/8
%%R:slip jig
M:9/8
K:D
%%text "very quick"
%%vskip .3in
d3 faf gfe|d3 fdf ecA|d3 fdf efg|
agf efd cBA :|fge fdB B3|fge fdB cde|
fge fdc Bcd|e3 efd cBA :|"final"B6z3|]

X:236
%
%
T:BEARDED FIDDLER (jig), The
C:© E.Reavy 
S:S: "Ed Reavy Collection" 
Z:Z: McKenty/Black
%%R:jig
Q:1/4=160
M:6/8
L:1/8
K:D
%%text "allegretto"
%%vskip .3in
G|FAd fAF|GBd gAG|FAd fAF|GEF GFE|
FAd fAF|GBd gag|fed edc|d3 d2:|
g|afd Adf|gec Afg|afd AGF|G3 GAG|
FAd fAF|GBd gag|fed edc|d3 d2:|

X:237
%
%
T:BEARDLESS BOY (jig), The  
S:S: CGI.105  
Z:Z: ABC/arr. BB
% Probably a song but can be played as a "standard" jig.
Q:1/4=160
L:1/8
M:6/8
%%R:jig
K:D
%%text "Vivace"
%%vskip .3in
A|def fef|d3 B2z|def afd|e3-e2z|
b2b a2a|g2g fed|fdf dBA|B3 d2 :|
z|AFA AFA|d3 d2z|AFA AFA|e3-e2z|
b2b a2a|g2g fed|fef dBA|B3 d2 :|

X:239
%
%
T:BEARE ISLAND (reel) (1) 
T:An Bheara
S:S: BSMI.1  
Z:Z: ABC/arr. BB
C:Finbarr Dwyer 
%%R:reel
M:4/4
Q:1/4=180
L:1/8
K:Edorian
%
z|EBGB AGEe|dBcA Beec|d2fd AFDF|GEFD EDB,A,|
B,EEF GFGA|BdGA Bdef|g2fg egfe|dBAF E3 :|
A|Beef gefd|BGAG FADA|Beef gefd|efdf e2ef|
edBc decd|BcdB AFDF|GBB2 AFDF|GEFD E3 :|
% I'm pretty certain this is a Finbarr Dwyer tune. The Dwyers were from 
% around the lovely (Irish-speaking) part of Ireland referred to in the title (Inis 
% Beara). Island name is also speled "Bere".

X:238
%
%
%
%
T:BEARE ISLAND (reel) (2)
S:S: MFC.050b (as "Fahy's")  
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%%R:reel
K:Em
%
B,|EBGB AGEe|dBcA Beec|d2fd AGFA|GEFD EDB,A,|
B,EEF GFGA|BdGA Bdef|g2fg egfe|dBAF E3:|
d|Beef gefd|BdAG FDDc|Beef gefd|e2df e3f|
edBc dece|BcdB AGFD|GBB2 AGEF|GAFG E3:|
% Not sure why Martin Mulvihil called this "Fahy's" since it's pretty certain
% that Paddy didn't compose it. (But there are other Fahys around besides Paddy. . . )

X:240
%
%
%
%
T:BEARS of BAFFIN (hornpipe), The
N:N: Tune 3 of "The Baffin Island Suite"
% for Dave Macadam
C:© BB 2009
M:4/4
L:1/8
%%R:hornpipe
K:Em
%swing .25
F|"Em"EFGA BEGE|"D"DEFG ABAF|"Em"EFGA "Bm"BABd|"Em"edBd "C"e3f|
"Em"gfed edBd|"Am"cBAG "D"FGAF|"Em"EFGA BedB|"D"AGFD "Em"E3 :|
B|"Em" efge bage|"D"defd agfd|"Em"efgb "Am"ceag|"D"(3fgf df "Em" e3f|
"G"ge ~e2 Bege|"D"fd ~d2 Adfa|"Em"gebe "D"fdad|"Em"edBd "Em"e3 :|
%%%

X:242
%
%
%
%
T:BEAUS OF KILDARE (reel), The
S:S: OFHC9.01  
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
N:N: source key = C
%%R:reel
M:4/4
K:D % 
D3D F2A2|defe dcBA|BcBA B2b2|afde fee2|
D3D F2A2|defe dcBA|BcBA BcdB|AGFE FDD2 :|
a3b agfa|gfeg fedc|BcBA B2b2|afde fee2|
a3b agfa|gfeg fedc|BcBA BcdB|AGFE FDD2 :|

X:243
%%staffsep 70
%
T:BEAUTIES of BROCKTON (jig), The  
C:© BB 2007
M:6/8
L:1/8
%%R:jig
K:Dmix
F| "D"Ade fed|"D"AFA DFG|"D"Ade fed|"C"cBc GEC|
"D" DFA def|"D" a^ga "G" =g2e|"D"fed "A7"^cAG|"D" FDD "D"D2 :|
A|"D"def a2^g| "D"aba fed|"C"cBc e2f|"C"gfg ecG|
"D"Ade fef|"A7"age efg|"D"afd "A"^cde|"D"fdd "D"d2 :|

X:244
%
%
%
%
T:BEAUTIES OF IRELAND (jig), The 
S:S: ONMI.0980  
Z:Z: Brennan/Black
%%R:jig
Q:1/4=160
M:12/8
L:1/8
K:D
G|F2D DFD DFD DFD|E2A, A,EA, A,EA, A,EA,|
F2D DFD DFD DFD|1 Bcd edc d2B A2 :|
[2 Bcd edc d2zd2 ||:A|f2d def gag fgf|
ecA AcA ecA AcA|f2d def gbg faf|
[1 ecA ABc d2zd2 :|\
[2 ecA ABc d2B A2G|D6z3z3|]

X:245
%
%
%
%
T:BEAUTIFUL ARAGLEN (jig) 
S:S: RC3.013  
Z:Z: ABC/arr. BB
% From the "Star of the County Down" family, a song air that can be played 
% as a jig.
L:1/8
M:6/8
%%R:jig
K:Am
G|A2B AGA|c3 d2d|ede dcA|G3-G2G|
A2B AGA|c3 d2d|ede d2c|BAG A2 :|
e|ged cde|a3 g3|A2A AGE|G3-G2G|
A2B AGA|c3 d2d|ede d2c|BAG A2 :|

X:246
%
%
%
%
T:BEAUTIFUL BOY (jig), The
S:S: ANSB  
Z:Z: ABC/arr. BB
L:1/8
M:6/8
Q:1/4=160
%%R:jig
K:G
F|GAG gfg|agf g2b|agf efg|dec B2F |
GAG gfg|agf g2b|agf efg|dec B2:|
d|ecA Ace|e3 c3|dBG GBd|d3 B3|
ecA Ace|a3 fef|gdB cAF|G3 G2:|

X:247
%
%
%
%
T:BEAUTIFUL ERIN (jig)  
S:S: OFHC27.03  
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
K:G
A|gfe edc|d2c A2F|Gdc BGA|B3-B2d|
gfe edc|d2c A2A|Bdc BGA|G3-G2:|
%
e|fed dcB|Ag^c dcd|eBA G2F|E2e f2f|
gfe edc|d2c A2A|Bdc BGA|G3-G2:|
%
e|d3 c2c|B3 B2c|d2e d2c|B3 B2c|
d3 c3|Bdc d2e|ded fef|g3 g2:|

X:248
%
%
%
%
T:BEAUTIFUL GLEN (jig), The
S:S: TIDT 9  
Z:Z: ABC BB
C:J.Kelly
% This sounds to me like it should be Amix, in which case the final note should be 
% A and not G as in the source.
M:6/8
L:1/8
%%R:jig
Q:1/4=160
K:G 
A2a e^cA|d^cd ecA|G2g dBG|AEF GAB|
A2a e^cA|dfa gdc|1 BAG e/f/ge|dec BAG :|
[2 Bcd efg|edB gdB||:EAA c2A|B^cd ecA|
BGG B2G|edc BAG|1 EAA c2A dcd e2f|
gdB dfa|gfe dBG :|2 cBc BcA|d^cd e2f|
gag ffa|gdB ef^g||:a2g efg|a2g e2f|
gag gdB|1 GBd efg|a2g e2d|Bee def|
gag fga gdB efg :|2 GBd efg|gfg e2f|
gdB def|gbg fga|gdB BAG|HA6|]

X:249
%
%
%
%
T:BEAUTIFUL MARY McKEON 
S:S: ONMI.0434  
Z:Z: Brennan/Black
% Measure 10 of the D version can be played |a2f g2a/g/| if the high 
% C is a problem.
M:6/8
L:1/8
K:A
%%text "gaily"
%%vskip .3in
c/B/|Ace edB|AAB cEA|GG/E/D C2D|E=cB A2^c/B/|
Ace edB|AA/G/A/B/ cEA|GG/E/D C2C/D/|EAA A2||
c/B/|A3/c/d eef|=gec d2e/d/|ccA dcB|AGE E2c/d/|
eec dBG|AAB cEA|GG/E/D C2C/D/|EAA A2|]

X:250
%
%
%
%
T:BEAUTIFUL MOLLY McKEON (jig)  
S:S: Petrie.325  
Z:Z: ABC/arr. BB
N:N: "Set in the Co.of Derry". Repeats added. Pretty much the same tune as  
N:"Beautiful Mary McKeon" above.
Q:1/4=160
M:6/8
L:1/8
%%R:jig
K:Am
B|Aee deB|A2B cBA|GED C2D|EAA A2A|
Aee deB|AGA cBA|GED C2D|EAA A2 :|
G|Acd ede|fed e2d|cBA dcB|AGF E2d|
edc dcB|A2B cBA|GED C2D|EAA A2 :|

X:251
%
%
%
%
T:BEAUTY IN TEARS 
S:S: CAR-ON  
Z:Z: Brennan/Black
C:O'Carolan
Q:1/4=100
M:3/4
L:1/8
K:D
A2|d2f2a2|f2d2B2|efg fed|fed cBA|
d2fd ec|d2B2G2|A2B2c2|d4:|
d2|d2f2a2|d'2a2f2|ede fga|b2g2e2|
dcd efg|a2gfed|e2a2^g2|a4f2|
f2d2B2|B2c2d2|efg fed|fed cBA|
d2fd ec|d2B2G2|A2B2c2|d4|]

X:252
%
%
%
%
T:BEAUTY SPOT (reel), The  
S:S: CRE.1  
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%%R:reel
K:Dmix
dB||A2AF A2dB|cAAG EFGc|A2AF A2dB|cAGE EDD2|
A2AF A2dB|cAAG EFGc|A2AF A2dB|cAGE FDD2||
edd2 edcd|edd2 eaag|edd2 edcA|ABcd edd2|
edd2 edcd|edd2 eaag|afge fde^c|Addc dedc||
"coda"HD4z4||

X:253
%
%
%
%
T:BECAUSE I WAS A BONNIE LAD (reel) 
S:S: WSGM.225 < "Aird's Selections" 1782-97  
Z:Z: Kinder/Black 
M:4/4
L:1/8
Q:1/4=180
%%R:Reel
K:A
e|cBAa faec|dfec B3B|cBAa faec|dfec A3 :|
e|cBAc defd|cAec B2B2|cBAc defg|afec A2A2|
cAeA fAea|cAec B2fg|afge fdec|dfec HA4|]

X:254
%
%
%
%
T:BEDFORD CROSS* (jig)
S:S: CRE.2 (unnamed) < Tom Barrett  
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:12/8
K:D
efe ede f2e d2f|edB d2B A2B d3|
efe ede f2e d2f|edB d2B A3 A3:|
a2e ede f2e d2f|edB d2B A2B d2f |
[1 a2e ede f2e d2f|edB d2B A3 A3:|
[2 A2B d3 efe ede|f2e d2f edB d2B|A3 HA3|]

X:255
%
%
%
%
T:BEDPAN REEL, The
C:Jimmy Keane
N:N: © Cappal Beag Music BMI
M:C
S:S: composer   
Z:Z: ABC/arr BB
Q:1/4=180
L:1/8
K:G
d2Bd GABd|eGce d2de|d2Bd gBdB|cBAc BGBc|
d2Bd GABd|eGce d2dc|BdAd GABG|AGFA G2AG||
%
FAAB cAFA|G2eG dGBG|FAAB cAdc|BdAF G2AG|
FAAB cAFA|G2eG dGBG|FAAB cAdc|BGAF G2Bd||
%
geeg dBGB|ABcA Bdef|geeg dBGB|cAFA G2ef|
geeg dBGB|ABcA Bdef|gece dBGB|cAFA G2FG||
%
ADEA DEAD|BDEB BDEB|ADEA DEAD|BdcA G2FG|
ADEA DEAD|BDEB BDEB|ADEA DEAD|BdcA G4 |]

X:256
%
%
%
%
T:BEE FLAT WALTZ
T:Bb Waltz
C:Jimmy Keane 
N:N: © Cappal Beag Music BMI
S:S: composer  
Z:Z: ABC/arr BB
M:3/4
Q:1/4=120
L:1/8
K:Bb
B,2 D3B,| C2E3C| D2F3D| E2 F2 G2 |
F2 D3E| F2 E2 D2|C6 |A,2 B,2 C2|
%
B,CD B,F,B,|CDE CG,C|DEF DB,D|E2 F2 G2|
F2 D3 B,|E2 D2 C2|E2 D2 C2|1 B,3 FGF:|2 B,4 ||
%
|:Bc|d2 F2 (3FFF|f2 F2 f2|c2 F2 (3FFF|f2 F2 c2|
B2 E2 (3EEE|B2 A2 G2|F2 C2 D2|E2 D2 C2|
B,CD B,F,B,|CDE CG,C|DEF DB,D|E2 F2 G2|
F2 D2 B,2|E2 D3C|E2 D2 C2|1 B,4 :|2 B,6|]

X:257
%
%
%
%
T:BEE PARK (reel), The  
C:J.Jiddy
S:S: Liddy1.42  
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%%R:reel
K:Dm
C|A,DDE FEFG|AcGc Fdde|fdec dcAc|dcAG FGEF |
D3E F3G|cAGc Adde|fdec dcAG|F2 EF D3 :|
c|d3c Adad|c2 gc acgc|dedc Aceg|abag eddc |
d2 ad bdad|c2 gc acgc|fgef dcAG|F2 EF D3 :|

X:259
%
%
%
%
T:BEE'S NEST (reel), The
C:Joe Liddy
S:S: Liddy2.40  
Z:Z: ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
%%R:reel
K:G
dc|BGGF GDB,D|GBAG FGAc|BGBd ceag|fgef decd |
BGGF GBAG|FGAB cdeg|fdge fdcA|FGAF G2 ||
%
dc|BGGF GDB,D|GBAG FGAc|BGBd ceag|fgef decd |
BGGF GEDE|GBdB cdeg|fdge fdcA|FGAF G2 ||
%
Bc|dedB GBdB|cecA FGAc |1 BGBd edcB|AGFE D2Bc |
dedB GBdB|cecB cdeg|fdge fdcA|FGAF G2 :|
[2 BGBd ceag|fgef d2cd|Bdgf gedB|cBAG FGAc |
%%stretchlast 0
BGBd eceg|fgaf g4 |]

X:260
%
%
%
%
T:BEE'S WINGS (hornpipe), The
S:S: GSTC  
Z:Z: ABC/arr. BB
M:C|
Q:1/4=150
%%R:hornpipe
K:G 
%swing .25
%%text source key Bb
%%vskip .3in
F|GdBG FcAF|DBGD B,GDB,|CEGc B,DGB|A2GE D2EF|
GdBg FdAB,|CGEc B,GDB,|CEAc BAGF|G2 B2 G3 :|
c|BGdB gdBG|AFdA fdAF|ECGE cABG|A2GE D2 EF|
GdBg FdAB,|CGEc B,GDB,|CEAc BAGF|G2 B2 G3 :|

X:261
%
%
%
%
T:BEECH TREE (hornpipe), The 
C:Joe Liddy
S:S: Liddy2.17  
Z:Z: ABC/arr. BB 
Q:1/4=150
L:1/8 % 
N:N: dotted rhythm in source
M:C|
%%R:hornpipe
K:Am
%swing .25
AG|E2 A2 ABcd|ecdB cBAG|E2 G2 GABc|dedB GABG |
E2 A2 ABcd|eged cBGE|ABcd gedB|c2A2A2 :|
Bd|e2a2a2 ga|ba bg edBc|d2 g2 gaba|gedB ABcd |
e2a2a2 ba|gedc BAGE|ABcd gedB|c2A2A2 :|

X:262
%
%
%
%
T:BEECH TREE (reel), The  
S:S: BSMI.4  
Z:Z: ABC/arr. BB
C:Neil Sharpley
L:1/8
%%R:reel
M:C
Q:1/4=180
K:D
BA|FABc dDFA|BEE2 BAGF|EB,B,2 EDB,A,|B,DDE D2DE|
FABc dAFA|BEE2 Bcde|fedc BAFE|FBBA B2 :|
Bc|dcBA c2cA|B2Bc BAFE|FBB2 dcBA|cea^g a2ab|
fBB2 gfed|fBB2 edcA|d2eg fdec|BdcA B2 :|

X:263
%
%
%
%
T:BEEF TO THE HEEL (jig)
C:Aidan Crossey
S:S: composer
%%R:jig
Q:1/4=160
M:6/8
L:1/8
K:D Major
Adf fdf|Ace ece|Bcd efe|dcB A3|
Adf fdf|Ace ece|Bcd efe|d2c d3:|
%
fed fed|ecA ecA|Bcd efe|dcB A3|
fed fed|ecA ecA|Bcd efe|d2c d3:|
%
Adf a^ga|gec gec|Adf a^ga|gec Ace|
Adf a^ga|gec gec|Bcd efe|d2c d3:|

X:265
%
%
%
%
T:BEER DRINKER (jig), The   
S:S: Levey1.46 
Z:Z: ABC/arr. BB
N:N: a/k/a/ "Larry the Beer Drinker" 
Q:1/4=170
L:1/8
%%R:jig
M:6/8
K:D
%%text "very quick"
%%vskip .3in
F/E/|DEF FEF|AFF F2E|DEF FEF|AFE E2F|
DEF FEF|AFA d2d|cBA BAF|AFD E2:|
f|ecA ABA|ecA A2f|ecA Ace|fdA B2f|
ecA fdB|ecA a^gf|ecA BAF|AFD E2 :|
"^coda" AFD EDC|D6|]

X:266
%
%
%
%
T:BEES IN THE CHERRY TREE (jig) 
S:S: CRE.4 < L.Donnelly < J.McMahon  
Z:Z: ABC/arr. BB
L:1/8
M:12/8
Q:1/4=160
%%R:jig
K:G
d|gfg d2B G2B c2e|d2B BAG B2A A2d|
gfg d2B G2B c2e|d2B ABA G3 G2:|
d|g2g bag aba a2g|faf def g2d B2d|
gfg bag aba a2g|faf def g3 g2:|

X:267
%
%
%
%
T:BEES IN THE HEATHER (jig), The 
S:S: DFW 
Z:Z: ABC/arr. BB 
L:1/8
M:6/8
Q:1/4=160
%%R:jig
K:D
E|D2E DFA|BAB BAF|ABA AFD|E3 EDB,|
D2E DFA|BAB A2g|fed B2A|Bdc d2 :|
e|fef def|gfg efg|fef dBA|Bee dBA|
fef def|gfg efg|fef dBA|Bdc d2 :|

X:268
%
%
%
%
T:BEESOM (slip jig), The
S:S: Levey1.81  
Z:Z: ABC/arr. BB 
Q:1/4=160
L:1/8
%%R:slip jig
M:9/8
K:D
%%text "very quick"
%%vskip .3in
g|f2a a2f g2e|f2a a2f g3|
f2a a2f g2e|d2c d2e f2 :|
f|g2f e2d c2B|A2d d2e f2a|
g2f e2d c2B|A2d c2e d2 :|

X:269
%
%
%
%
T:BEFORE I WAS MARRIED (jig) 
S:S: ONMI.0999 < F.O'Neill  
Z:Z: Brennan/Black
%%R:jig 
Q:1/4=160
M:6/8
L:1/8
K:D
%%text A-B-A
%%vskip .3in
G|FGA Afe|dBB BAG|FGA Ade|fdd dAG|
FGA Afe|dBB BAG|FGA Aag|fdd d2 :|
e|fef afe|dBd d2e|fgf e^de|fdB Bde|
fef afe|dBc d2e|faf e^de|fdB "_DC"B2:|

X:270
%
%
%
%
T:BEGGARMAN'S REEL, The 
S:S: CRE.5  
Z:Z: ABC/arr. BB
M:4/4
Q:1/4=180
%%R:reel
K:Em
A|G2BG dGBG|ABcA BEEA|Bdef gfed|Bded BEED|
G2BG dGBG|ABcA BEEA|Bdef gfed|BdeB BEE :|
e|g3a bgeg|fgag fddf|g3a bgef|gfed Beef|
g3a bgef|fgag fddf|bgaf gfed|Bded BEE :|

X:271
%
%
%
%
T:BEHIND THE BUSH IN THE GARDEN (jig) (a) 
S:S: ISQT.05b  
Z:Z: ABC/arr. BB
% Same name, totally different tune from the one in O'Neill's 1850 (next 
% entry).
Q:1/4=160
M:6/8
%%R:jig
K:G
c|B2G BdB|A2F AcA|B2G BdB|d3 g2c|
B2G BdB|A2G FED|G2c BdB|G3 G2 :|
f|gag fgf|e2d B3|gag f2g|a3 d2B|
c2a B2g|ABG FED|GAB cAF|G3 G2 :|

X:272
%
%
%
%
T:BEHIND THE BUSH IN THE GARDEN (jig) (b)
S:S: ONMI.1114 < Conners  
Z:Z: Brennan/Black
Q:1/4=160
M:6/8
L:1/8
K:Am
B|c2A AGE|c2A AGE|G2G GAE|G3 E2B|
c2d e2a|g2e d2e|c2A BAG|A3 A2:|
B|c2B c2d|efe e2d|c2B c2d|e3 G2G|
[1 c2B c2d|efe e2d|cBA BAG|A3 A2:|
[2 c2d e2a|g2e d2e|c2A BAG|A3 A3|]

X:273
%
%
%
%
T:BEHIND the COUNTER (jig)
S:S: arr. of ONMI #113, "Were I A Clerk"  
Z:Z: ABC/arr. BB
Q:1/4=160
%%R:jig
M:6/8
L:1/8
K:G
c|d2e d2c|BAB G2A|Bdc BAG|FGE DBc|
dcd edc|BAB G2A|Bdc BAG|FED G2 :|
E|DEF G2A|BAG FAc|B2c dcd|edB ABc|
dcd efg|bab g2a|geg bag|fed g2 :|

X:274
%
%
%
%
T:BEHIND THE HAYSTACK (jig) (1) 
S:S: BSMI.1  
Z:Z: ABC/arr. BB
%%R:jig
M:6/8
Q:1/4=160
L:1/8
K:D
A|d2e fdB|d2e fdB|AFE EFE|AFE EFA|
d2e fdB|d2e fdB|AFD DED|AFE D2 :|
A|B3 BAF|ABc d2B|AFE EFE|AFE EFA|
B3 BAF|ABc d2B|AFD DED|AFE D2 :|
e|g3 f3|ede fdB|AFE EFE|AFE EFA|
gfg fef|ede fdB|AFD DED|AFE D2 :|

X:275
%
%
%
%
T:BEHIND THE HAYSTACK (jig) (2)  
S:S: FS2.15c  
Z:Z: ABC/arr. BB
N:N: a/k/a/ "Munster Buttermilk"
M:6/8
L:1/8
Q:1/4=160
%%R:Jig
K:D
F/A/|d2e fdB|d2e fdB|AFE EFE|AFE EFA|
d2e fdB|d2e fdB|AFD DED|AFD D2 :|
%
F/A/|BcB BAF|ABc d2B|AFE EFE|AFE EFA|
B2B BAF|ABc d2B|AFD DED|AFD D2 :|
%
f|g3 faf|ede fdB|AFE EFE|AFE E2f|
g3 faf|ede fdB|AFD DED|AFD D2 :|

X:276
%
%
%
%
T:BEHIND THE HAYSTACK (jig) (3) 
S:S: ONMI.0893 < F.O'Neill  
Z:Z: Brennan/Black 
% This is an "upside-down" version of a well-known session tune (part 3
% of this setting is usual part 1 elsewhere).
Q:1/4=160
%%R:jig
M:6/8
L:1/8
K:G
d|efe edB|def gfe|dBA ABA|dBA ABd|
efe edB|def gfe|dBG GAG|dBG G2 :|
%
d|gbg faf|ege dBG|dBA ABA|dBA ABd|
gbg faf|ege dBG|dBG GAG|dBG G2 :|
%
d|g2a bge|g2a bge|dBA ABA|dBA ABd|
g2a bge|g2a bge|dBG GAG|dBG G2 :|

X:277
%
%
%
%
T:BELFAST BOAT (jig), The 
S:S: CRE.4  
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%%R:jig
K:G
GBd g2g|agf efg|GBd g2g|ecA A3|
GBd g2g|agf efg|ded cBA|BGG G3:|
DGG BGG|dGG BAG|DGG BGG|EAA A3|
DGG BGG|dGG cde|ded cBA|BGG G3:|

X:278
%%staffsep 70
%
%
%
T:BELFAST HORNPIPE (a), The 
S:S: ONMI.1647 < J.O'Neill  
Z:Z: Brennan/Black 
%%R:hornpipe
Q:1/4=150
M:C|
L:1/8 
K:G
%%text A-B-A
%%vskip .3in
%swing .25
ga|bgdB GBdg|fecA E2e2|dcAF DcBA|GABc d2ga|
bgdB GBdg|fecA E2e2|dcAF DcBA|G2B2G2 :|
%
K:D
a2|gecA GABc|defg a2b2|agec Agfe|fdAF D2a2|
gecA GABc|defg a2b2|agec Agfe|1 d2f2d2:|\
[2 d2"_DC"c2=c2||
% Repeat of Part A is played as written (16 measures). Source's second
% ending to part 2 doesn't seem to fit anywhere so probably better avoided.

X:279
%%staffsep 70
%
%
%
T:BELFAST HORNPIPE (b-1), The 
T:Sweep's
S:S: AIF  
Z:Z: Brennan/Black  
% All the quarter notes in part 3 are normally
% played as triplets, e.g. /f2/=/(3fgf)
Q:1/4=150
M:C|
L:1/8
N:N: Cut time in source; part C: triplets removed (cf FS3 setting with triplets 
N:intact). 
%%R:hornpipe
K:D
%swing .25
ag|f2df AdFA|DFAd f2ef|gbec dfAF|GABG E2ag|
f2df AdFA|DFAd f2ef|g2ed cABc|d2f2d2:|
(3DEF|GFGA Bcde|fgfe dcdB|A2f2fe f2|G2e2 edeF|
GFGA Bcde|fgfe dcdB|Afed cABc|dfec d2:|
ag|f2e2d2c2|B2A2 G2ba|g2f2 e2d2|c2B2 A2ag|
f2e2d2c2|B2A2 G2F2|Eged cABc|d2f2 d2:|

X:280
%
%
%
%
T:BELFAST HORNPIPE (b-2), The 
T:Sweep's 
S:S: FS3.30c  
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=150
%%R:hornpipe
K:D
%swing .25
ag|(3faf df AdFA|DFAd f2ef|gbeg dfAF|GABG E2ag|
(3faf df AdFA|DFAd f2ef|gfed cABc|d2f2 d2 :|
%
z2|GFGA Bcde|fgfe dcdB|A2f2 fe f2|G2e2 ed e2|
GFGA Bcde|fgfe dcdB|Afed cABc|dfec d2 :|
%
ag|(3fgf (3efe (3ded (3cec|(3BcB (3ABA G2ba|
(3gag (3fgf (3efe (3ded|(3cdc (3BcB A2 ag|
(3fgf (3efe (3ded (3cdc|(3BcB (3ABA (3GAG (3FGF|
Efed cABc|d2f2 d2 :|

X:281
%
%
%
%
T:BELFAST LASSES (reel), The  
S:S: ONMI.1385 < J.O'Neill  
Z:Z: Brennan/Black
N:N: aka "Humors of Castlecomer"
Q:1/4=180
%%R:reel
M:C|
L:1/8
K:G
G2BG dGBG|EAAG FAFD|G2BG dGBG|EcAF G2G2|
G2BG dGBG|EAAG FAFD|G2BG dGBG|egea g2g2 ||
gddc BdBG|FAAG FAFD|gddc BdBG|EFAF G2G2|
gddc BdBG|EAAG FAFD|gdec BdBG|egfa g2Hg2 |]

X:282
%
%
%
%
T:BELFAST LOUGH HORNPIPE*, The 
S:S: OFHC19.02  
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
N:N: I added "Lough" to the title to differentiate this "Belfast Hornpipe" from 
N:all the other "Belfast Hornpipes"!
M:C|
%%R:hornpipe
K:G 
%%text source key = A; A-B-A
%%vskip .3in
%swing .25
AB|ScBdA BAcA|GFAF G2D2|EGFA GBAc|BgfB A3B|
cBdA BAcA|GFAF G2D2|EGFA Gfec|BAGF G2 :|
Bc|dcBc d2ef|gfaf g2df|gfed edcA|B2A2 A2Bc|
dcBc d2ef|gfaf g2df|gfed fedc|dcde dc"_DS"BA||

X:283
%
%
%
%
T:BELFAST MARCH, The 
C:Sean Quinn 1964
S:S: composer  
Z:Z: ABC/arr BB   
%%R:march
Q:1/4=120
L:1/8
M:2/4
K:D
AG|F2 GE|D2 Ad|f2 ge|d2 FG|AB cd|FA GF|E4-|E2 AG|
FA GE|D2 Ad|f2 ge|d2 FG|AB cd|FA GE|D4-|D2 :|
cd|e2 ed|c2 de|fg fe|d2 FG|A2A2|Bc d2|e4-|e2de|
f2 fe|d2 cd|ed BG|B2 FG|AB cd|FA GE|D4-|D2 :|

X:284
%
%
%
%
T:BELGRAVE SQUARE HORNPIPE, The 
C:Joe Liddy
S:S: Liddy1.23  
Z:Z: ABC/arr. BB 
Q:1/4=150
L:1/8 % dotted
M:C|
%%R:hornpipe
K:G
%swing .25
ge|dBAB G2GA|BGAG EGDE|GABd edBd|egdB A2ge |
dBAB G2 DG|BGAG EGDE|GABd edBd|egdB G2 :|
BA|GABd edBd|egdB AGEF|GABd edBd|egdB A2 BA |
GABd edBd|egaf gedB|dega bgag|egdB G2 :|

X:285
%
%
%
%
T:BELHAVEL LOUGH (reel) 
C:Joe Liddy  
Z:Z: ABC/arr. BB
% C sharps in mm 1 and 4 are in the original, not typos!
S:S: Liddy1.30
Q:1/4=180
L:1/8
M:4/4
%%R:reel
K:A dorian
fg|a2ed ^ce A2|BGAF GABd|cA A2 eAcA|GABc defg |
a2 ed ^ce A2|BGAF GABd|cA A2 agaf|gedB A2 :|
AB|caeA cAeA|cAeA cA A2|BGdG BGdG|BGEf GABG |
A2 eA fded|BGAF GABd|cA A2 a^gaf|gedB A2 :|
cd|ea a2 eaba|bgef gdBd|eg g2 dgba|gede gabg |
ea a2 eaba|gedB GABd|cA A2 agaf|gedB A2 :|
AB|ce e2 efec|d2 BG dGBd|e2 de g2 ba|gedB ABcd |
eA A2 eABA|GEDE GABd|cA A2 agaf|gedB A2 :|

X:286
%
%
%
%
T:BELHAVEL TRIO (hornpipe), The  
C:Joe Liddy
S:S: Liddy1.20  
Z:Z: ABC/arr. BB
N:N: I have inserted a repeat in the fourth part, otherwise Liddy's 1st and 2nd  
N: ending make no sense.
Q:1/4=150
L:1/8 % dotted
M:C|
%%R:hornpipe 
K:G
%swing .25
dc|BGGF GFDF|BGFG Bcdf|gfdB cfdc|BGAF GFDF |
GBAF DEFD|BGFG Bcdf|gfdc BGFG|D2 G2 G2 ||
%
dc|BGAF DEFD|BGFG Bcdf|gfdB c2 Bc|dBcB GFDF |
GABG DEFD|BGAF GABc|dgfd cBGF|D2 G2 G2 ||
%
Bc|dgaf dcBc|dBfB GBFB|dgfd cdBc|d2 g2 g2 a2 |
bgaf gfdc|BcAB GABc|dgfd cBGF|D2 G2 G2 ||
%
Bc|dgaf dcBc|dBfB FBDB|dgfd cdBc|dg (3agf g2 ga |
[1 bgaf gagf|dfcd Bcdf|gfdc BGFG|D2 G2 G2 :|
[2 bgaf gagf|dfcd BcAB|GABc dcBG|D2 G2 HG4 |]

X:287
%
%
%
%
T:BELHAVEL WALTZ, The
C:Joe Liddy  
Z:Z: ABC/arr. BB
S:S: Liddy2.45 
Q:1/4=200
M:3/4
L:1/4 % dotted
%%R:waltz
K:G
A|:d3|c2A|F3|E2D|B2d|Bd B/A/|
B2G|E2D |1 d3|c2A|F3|E2D|E2G|
EG F/B/|B2G|E2 :|2 ede|BAB|gfe/d/|
B2A|D2G|EG F/B/|G3|-G2 ||:D|B,2D|E2G|
EGE/D/|B,3|B,2D|E2G|EGE/D/|B3 |
B2d|e2g|edB/G/|G2E|D2G|EGF/B/|G3|G2 :|
%
D|B2d|e2g|ege/d/|B3|B2d|e2g|
edB/G/|A2B |GAB/d/|e2g|bag/e/|ag e/d/|
ged/B/|edB/A/|G3 |1 E2 :|2 G/A/B/ d/e/g/ ||
%
|:bag/e/|age/d/|ged/B/|e2a|ag e/d/|ged/B/ |
edB/G/|A2B|GAB/d/|e2g|bag/e/|age/d/|ged/B/|
edB/A/|G3-|G3 |]

X:288
%
%
%
%
T:BELIEVE ME IF ALL  
S:S: RC3.039  
Z:Z: ABC/arr. BB
N:N: "From [Thomas] Moore".  Source has a third part (not included here) which is  
N:basically a "florid" setting of part 2.
L:1/8
M:6/8
Q:1/4=130
K:A
%%text "Andante con espress.": source key = A
%%vskip .3in
c/B/|ABA Ace|dfa a2 g/f/|edc BAB|c3-c2c/B/|
ABA Ace|dfa a2 g/f/|eac BAB|A3-A2||
e/d/|cea a2e/e/|fdf a2g/f/|edc BAB|c3-c2c/B/|
ABA Ace|dfa a2 g/f/|eac BAB|A3-A2||
%
%

X:289
%
%
%
%
T:BELIEVE YOU ME! (jig)
S:S: arr. of ONMI #328, "Do You Mistrust Me?"   
Z:Z: ABC/arr. BB
%%R:jig
Q:1/4=160
M:6/8
L:1/8
K:Am 
d|edc Bcd|A2B GBd|ede fed|ecB A2d|
edc Bcd|A2B GBd|ede fed|eAA A2 :|
E|GAB cBc|dcd ecA|GAB cBc|def e2d|
edc dcB|A^GA c2d|efe dcd|eAA A2 :|

X:290
%
%
%
%
T:BELLE of the BALL (barn dance)
Z:Z: S.Bliven  
M:C
Q:1/4=150
L:1/8
K:D
%swing .25
DE|F2F2 GFGB|A2d2 dcBA|F2F2 GFGA|E6 DE|
F2F2 GFGB|A2d2 f3e|dAFA BGEF|D2F2D2 :|
(3Bcd|e2d2 F3d|c2B2 E3D|EDEF GA (3Bcd|\
(3efe (3dcB A2 (3Bcd|
e2d2 F3d|c2B2 E3D|EDEF GA (3Bcd|(3efe dc d2:|

X:292
%
%
%
%
T:BELLES OF BALLINDERRY (polka), The
S:S: Mally.HIP.072  
Z:Z: ABC/arr. BB
Q:1/4=120
%%R:polka
L:1/8
M:2/4
K:G
B|dG Bc|d2 de|f/e/d dc|AB c/B/A|
dG Bc|d2 ed|f/e/d cA|AG G :|
B|dg ga|b2 ag|f/e/d de|fg af/e/|
dg ga|b2 ag|f/e/d cA|AG G :|

X:293
%
%
%
%
T:BELLES OF CLONALLAN (hornpipe), The 
S:S: ONMI.1714  
Z:Z: Brennan/Black
%%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:D
%swing .25
DDD2 DFAF|dFAF dFAF|EE E2EGBG|eGBG eGBG|
DDD2 DFAF|dFAF dFAF|Egfg edce|d2d2 d2z2:|
fdd2 fdad|fddf a2ed|cAA2 cAeA|cAAc egfe|
fdd2 fdad|fddf a2A2|Bbag fedc|d2d2 d2z2:|

X:294
%
%
%
%
T:BELLES OF LISCARROLL (jig), The  
S:S: DMI.0339  
Z:Z: Nordberg/Black 
%%R:jig
Q:1/4=160
% I have opted to treat this near-relative of "Walls of Liscarroll" as a Dmix tune. To  
% hear what the source version sounds like, replace G with D in the ABC K: field.
M:6/8
L:1/8
K:Dmix
c2c dfd|ecA GED|c2c dAF|
GEE GAB|c2c dfd|ecA ABc|
d^cA GEA|1 DED DFA:|[2 DED dAG||
|:F2F DGG|DFA GFE|DFF DFA|
BGE EAG|F2F G2G|AGA fdf|
ecA GEA|1 DFA dAG:|2 DED D2||
c|:d2d DFA|G2G EFA|Bcd DFA|
BGE EFA|dfd cec|BdB AFD|
DFA DdB|ABG FED:|
%

X:295
%
%
%
%
T:BELLES OF SAINT LOUIS (reel) (1), The
S:S: "Collection of the Dance Music of Ireland" (P. McNulty)
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%%R:reel
K:D
N:N: source key = F
A,2|D2 A,D FDCD|FABc dAFD|E2 B,E GEB,E|GBcd eBGE|
D2 A,D FDCD|FABc dAFD|GBEG FADF|EDB,C D2:|
c2|d2 Ad fdcd|Adfe dcBA|e2 Be ge^de|Begf edcB|
Adcd fdcd|Adfe dcBA|GBEG FADF|EDB,C D2:|

X:296
%
%
%
%
T:BELLES OF SAINT LOUIS (reel) (2), The
S:S: CRE.3 (as "St. Louis")
Z:Z: ABC/arr. BB
L:1/8
%%R:reel
Q:1/4=180
M:C
K:G
G2DG BGG2|Bdef gdBG|A2EA cAA2|Bdef gdBA|
GBDG BGG2|Bdef gdBd|ceAc BAGB|AGFA G4:|
g2dg bgg2|dgba gfed|a2fa caa2|eacg agfa|
gbeg bgeb|dgba gfed|cEAc BAGB|AGFA G4:|
%
N:N: 1: This tune is sometimes played in F. I thought it might be a Lad O'Beirne 
N:tune but Brian Conway says no and thinks it's Canadian.
N:N: 2: Breathnach's Gaelic title has "clocha" = "bells", not "belles".

X:297
%
%
%
%
T:BELLES OF TIPPERARY (reel), The 
S:S: MVBT  
Z:Z: ABC/arr. BB
Q:1/4=180
%%R:reel
M:4/4
L:1/8
K:D
D2FD FAAB|d2 fe dBBA|B2 AF ABde|fafd fe e2|
D2FD FAAB|d2 fe dBBA|B2 AF ABdB|FAEG FD D2 :|
agab afdf|gfed cdef|g2 gf gbag|faaf egfe|
dB B2 AF F2|DF F2 ABde|fedc dBAF|A2ag fdd2 :|

X:298
%
%
%
%
T:BELLHARBOUR REEL, The
C:Chris Droney (Clare) 
S:S: MFC.019 (as "Chris Droney's")  
Z:Z: ABC/arr. BB
% Source version has no F sharps.
Q:1/4=180
L:1/8
M:4/4
%%R:reel
K:Adorian
Bd|eA (3cBA a2 bg|agef gedc|BG G2 DG G2|Bdef gedg|
eA (3cBA a2 bg|agef gabg|agab gedB|GABG A2 :|
z2 |a2 ea agbg|agef gedc|BG G2 DG G2|Bdef gedg|
eaag a2 bg|agef gabg|agab gedB|GABG A2 :|

X:299
%
%
%
%
T:BELLTABLE WALTZ, The 
S:S: FS1.42a  
Z:Z: ABC/arr. BB
M:3/4
L:1/8
Q:1/4=150
%%R:waltz
K:D
d3 e d2|d2 c2 B2|A3 B A2|A2 G2 F2|
G2 GA BG|A2 AB cA|G2 GA BG|A2 B2 c2|
d3 e d2|d2 c2 B2|A3 B A2|A2 G2 F2|
G2 GA BG|A2 AB cA|G2 F2 E2|D6 :|
%
a3 b a2|a4 g2|f3 g f2|f2 e2 f2|
g3 a g2|g2 f2 g2|a3 b a2|a2 f2 g2|
a3 b a2|a4 g2|f3 g f2|f2 e2 d2|
B4 g2|f a3 c2|e d3 c2|1 d3 A df :|2 d6 ||

X:300
%
%
%
%
T:BENBO (reel), The 
C:Joe Liddy
S:S: Liddy 1.35  
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%%R:reel
K:Em
GA|BE E2 BAFA|BE E2 DB,A,B,|D3E FDFA|BFAF DEFA |
BE E2 BAFA|BE E2 DB,A,B,|D3E FDFA|BFAF E2 :|
%
FA|Bdef g2 ag|f2 af gfed|B2 AF GAB^c|dBAF EFGA |
Bdef g2 ag|f2 af gfed|B2 AF DEFA|BFAD FE E2 ||
%
Bdef g2 ag|f2 af gfed|B2 AF GAB^c|dBAd Beef |
g2 eg f2 ed|B2 AG FEDB,|E3D EFGA|BFAF E4 |]

X:301
%
%
%
%
T:BENCROY (reel), The  
C:Joe Liddy
S:S: Liddy 1.37  
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%%R:reel
K:Adorian
gf|eA A2 edBd|eA A2 GEDE|G3A BABd|eBdB GABd |
eA A2 edBd|eA A2 GEDE|G2 GA BABd|eBdB A2 :|
%
Bd|ea a2 bgag|egde gedB|A2 Bd eABd|egaf gedg |
ea a2 bgab|gedB GABd|eA A2 GEDE|GABG A2 Bd |
ea a2 bgag|egde gedB|A2 Bd eABd|egaf gedg |
eage agab|gedB GABd|eA A2 GEDE|GABG A4 |]

X:302
%
%
%
%
T:BEND OF THE RIVER, The 
S:S: ONMI.0597 (no source) 
Z:Z: Brennan/Black
Q:1/4=120
Z:Z: ABC  
M:6/8
L:1/8
K:Dm 
%%text "slow"
%%vskip .3in
F/G/|A-A/B/A/G/ F2A|G-G/A/F/D/ C2A/G/|FED CA,C|F2A G2F/G/|
A-A/B/A/G/ F2A|G-G/A/F/D/ C2A/G/|FED CA,^C|D3D2||
D/E/|F-F/A/F/D/ F2A|c-c/d/c/A/ c2A/G/|F-F/A/F/D/ FAc|d3d2e|
fed/c/ A2F/A/|G-G/A/F/D/ C2A/G/|FED CA,^C|D3D2|]

X:303
%
%
%
%
T:BENEDICT'S RAMBLES (jig)
C:Aidan Crossey
S:S: < composer
M:6/8
Q:1/4=160
L:1/8
%%R:Jig
K:D Major
F|D2d dAF|GFG Bcd|AFA dAF|EFG ABc|
dcd dAF|GFG Bcd|AFA GEC|DFA dA :| 
F|d2e fdf|gdB BdB|d2e fdf|ecA Ace|
d2e fdf|gdB BdB|AFA GEC|1 "thru"DFA dA :|
[2 "final"DFA dAc|Hd3z3|]

X:304
%
%
%
%
T:BEREHAVEN (reel), The
C:Finbarr Dwyer
S:S: MFC.032c  
Z:Z: ABC/arr. BB
% Repeats added
Q:1/4=180
L:1/8
M:4/4
%%R:reel
K:G
D|GBB2 AGEG|DEGe dBAB|GDB,D GFGA|BdAd BGGA|
BGdB gdBd|cABG AGEF|G2DC B,DGe|dBAd BGG:|
e|dBB2 GBB2|DBB2 AGFA|DAFG ABcA|dedc AGFG|
G2BG DGB,D|GBB2 cBAG|Bdgd BGDe|dBAd BGG:|

X:305
%
%
%
%
T:BERKS OF ENDERMAY (strathspey), The 
S:S: CNIM.51  
Z:Z: ABC/arr. BB
% I'm not sure what "berks" refers to, so I have kept Mr. O's spelling. (? Birch
% trees ? ) 
Q:1/4=1/4=140
M:C|
L:1/8
%%R:hornpipe
K:G 
%swing .25
%%text Source key = D
%%vskip .in
Bc|d3e dBAG|AGAB E3G|DEDB, D2 GD|B,2 DE D2Gc |
dBde dBGF|cBAG E2 BA|GEDB, DEGA|B2 AG G2 :|
zD|B,3D EDEG|AGAB E3e|dedB cBAG|cdeB A3d |
Bdef g3e|dBAG E2 A2|GEDB, DEGA|B2 AG G2 :|

X:306
%
%
%
%
T:BERKSHIRE HEIGHTS (reel) 
S:S: CRE.2  
Z:Z: ABC/arr. BB
L:1/8
M:C
%%R:reel
Q:1/4=180
K:D
B|ABAF ABde|fefd egdB|A2AF GFGB|AF~F2 dF~F2|
ABAF ABde|fdaf efdB|ABdB ABdf|afeg fdd :|
e|fdad bdad|fdag fedf|ebba b2ba|fbba fede|
fdad bdad|dfaf egdB|ABFB ABdf|afeg fdd:|

X:308
%
%
%
%
T:BERRIES ON THE BUSH* (polka) 
S:S: CRE.5 (unnamed)  
Z:Z: ABC/arr. BB
% Repeats added
M:2/4
L:1/8
Q:1/4=120
%%R:polka
K:G
A|B2 BA|GE ED|FA AB/A/|GB d2|
B2 BA|GE ED|FA AB/A/|G2 G :|
A|Bc de|dB gB|dB gB|BA A2|
Bc de|dB gB|dB AB/A/|G2 G :|

X:309
%
%
%
%
T:BERWICK JOCKEY (slip jig), The  
S:S: RC2.261  
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:9/8
%%R:slip jig
K:D
A2A AGF AGF|A2A AGF Bcd|ABA AGF AGF|
B2E E2F G2:|A2D D2d AGF|A2D D2E F2B|
A2D D2d AGF|G2E E2F G2B|ABc ded cBA|
d2F F2G A2B|A2D D2d AGF|B2E E2F GFE||\
"^coda"HD6z3|]

X:310
%
%
%
%
T:BESIDE A RATH (hornpipe)
S:S: DMI.0943  
Z:Z: Nordberg/Black 
%%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:G
%swing .25
BA|GEDE G2GA|Bdde dcBA|BGED EFGA|BGcB AGEF|
GEDE G3A|Bdef gage|fdce dBGB|A2G2G2:|
ef|gfef dfag|fdeB d3e|dBAF GABd|cBAG EGFA|
GEDE G3A|Bdef gage|fdce dBGB|A2G2G2:|

X:311
%
%
%
%
T:BESIDE A SILVERY STREAM 
S:S: ONMI.0362 < J.O'Neill  
Z:Z: Brennan/Black
M:3/4
L:1/8
K:D
%%text "animated"
%%vskip .3in
fed|c2 A2 G2|F4 GE|D2 E2 c2|d4 ed|
c2 A2 G2|F4 GE|D6|D3 fed|
c2 A2 G2|F2 F2 GE|D2 E2 c2|d2 c2 ed|
c2 A2 G2|F4GE|D6|D3||
EFG|A2 d2 c2|d4 cd|e2 d2 c2|d4 AG|
F2 AB cA|d2 cd ec|d4 f2|e3 fed|
c2 A2 G2|F4 GE|D2 E2 c2|d3 fed|
c2 A2 G2|F4 GE|D6|D6|]

X:312
%
%
%
%
T:BESIDE THE WHITE ROCKS 
S:S: ONMI.0603  
Z:Z: Brennan/Black 
M:6/8
L:1/8
K:D
%%text "animated"
%%vskip .3in
F/G/|ABc d2e|f2d ecA|AGE GAB|=c3 A2G|
ABc d-d/e/f/g/|f2d ecA|AGE GAE|D3D2||
G|AGE GAB|=c2B A2G|AGE GAB|=c3A2G|
ABc d-d/e/f/g/|f2d ecA|AGE GAE|D3D3|]

X:313
%
%
%
%
T:BESOM IN BLOOM (jig), The  
S:S: ONMI.0797 < F.O'Neill  
Z:Z: Brennan/Black  
Q:1/4=160
%%R:jig
M:6/8
L:1/8
K:G
%%text source key = A
%%vskip .3in
c|BAG B2G|cAG G2c|BAG B2c|dcB cdc|
BAG B2c|dcd g2a|gag fdB|dcB c2 :|
d|efe edc|ded d2c|BAG B2G|cAG G2d|
efe edc|ded def|gag fdB|1 dcB c2 :|2 dcA G3||
%
% A neat tune but a little unusual in that both parts end on a IV cadence! My 
% 2nd ending to part 2 is intended to fix that (if it needed fixing).

X:314
%
%
%
%
T:BESSIE MURPHY (jig) 
S:S: ONMI.0953 < Ennis  
Z:Z: Brennan/Black
%%R:jig 
Q:1/4=160
M:6/8
L:1/8
K:G
%%text Source key D
%%vskip .3in
G|F2G ABc|ded cAG|FGA cAG|FGA A2G|
F2G ABc|ded cAG|FDF GAG|FDF G2 :|
g|fed cde|fed cAG|FGA cAG|FGA A2g|
fed cde|fed cAG|FDF GAG|FDF G2 :|
%
%%%

X:315
%
%
%
%
T:BEST GIFT OF ALL (reel), The 
S:S: arr. of ONMI #423 "Girl I Love"   
Z:Z: ABC/arr. BB
%%R:reel
Q:1/4=180
M:C
L:1/8
K:D
DF|A2AB AFEF|ABde d3B|AFdB AFEF|DEFG A2dc|
BdAF EGFE|DEFA d2dc|B2AF A2FD|E4D2 :|
DF|A2Bc dfge|dafe dafg|abaf efde|fedf e2de|
fedf edBc|BAdF A2dc|B2AF A2FD|E4D2 :|

X:316
%
%
%
%
T:BEST IN THE BAG (jig), The 
S:S: ONMI.0852 < F.O'Neill  
Z:Z: Brennan/Black 
Q:1/4=160
%%R:jig
M:6/8
L:1/8
K:G
D|GAG AGA|Bge dBA|GFG AGA|BGE E2D|
GAG AGA|Bge dBG|c2A BGE|GAG G2 :|
d|gfg efg|fag fed|gfg efg|afd def|
g2e a2f|g2e dBG|c2A BGE|GAG G2 :|

X:317
%
%
%
%
T:BEST of GOOD FORTUNE (reel), The  
S:S: ONMI #34 "Lucky Lover" 
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
L:1/8
K:Edor
EF|GEEF GABc|dedA F2DF|GEEF GBAF|GEFD E2EF|
GEEF GABc|dedA F2DF|GEEF GdBA|GEFD E2:|
cd|efeB efeB|dcde fdcd|efeB efeB|efgf e2dc|
defd ecdB|AFDE FDEF|GEBE GdBA|GEFD E2 :|

X:318
%%staffsep 70
%
T:BEST OF THE BANNER (reel), The
C:© BB 2008
%S:S: BBMG
L:1/8
M:4/4
Q:1/4=180
%%R:reel
K:Em
D|"Em" EDEF "C"GFGA|"G"BedB "Em"edBA|"C"GFGA "Em"Bdef|"G"gfed "Bm"B3D|
"Em"EDEF "C"GFGA|"G"Bdeg "Bm"fdBd|"Em"e2 ge bged|"Bm"Bdef "Em"e3 :|
g|"G"bggb "Am"a^gaf|"Em" efge "Bm" fdBd|"Em"e2ge "Am"a2ba|"G"gBde "Bm"f3a|
"G"bggb "Am"a^gaf|"Em"eBdB "D"AGFA|"G"BDGB "Bm" ABdf|"Em" eg"D"fd "Em"e3 :|

X:319
%
%
%
%
T:BETSY BAKER (polka)
S:S: ANSB  
Z:Z: ABC/arr. BB
L:1/8
M:2/4
Q:1/4=120
%%R:polka
K:G
g|dB BG|FA Ac|BG Bd|g2 ge|
dB BG|FA Ac|BG dB|G2 G :|
d|ef ge|fa dc/d/|ef ga|f2 dc/d/|
ef ge|gf ga|gf ed|ef ge|
dB BG|FA Ac|BG Bd|g2 ge|
dB BG|FA Ac|BG dB|G2 HG2|]

X:320
%%staffsep 70
%
T:BETTY ANN DALY'S (jig) 
%S:S: BBMG
C:© BB
%%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
D|"G"GFG "D"Adc|"Em"BEE EDB,|"G"DGB "Am"ABc|"Em"edB e2 f|
"C"gfe "D"dBA|"Bm"BAF "Em"GED|"C"CEG "D"Fdc|"G"BGF G2 :|
A|"G"BdB "C"cec|"D"dfa "G"gdB|"Em"efg dBG|"Am"AGA "Em"B2E|
"G"Bcd "C"cde|"D"def "G"gab|"D"afd "C"gec|"D"dAF "G"G2 :|

X:321
%
%
%
%
T:BETTY COME TRIP WITH ME (slip jig)  
S:S: GEI.017  
Z:Z: ABC/arr. BB
M:9/8
Q:1/4=160
%%R:slip jig
K:G 
%%text source key = C
%%vskip .3in
GAG DED B,2D|G2G GAB AFD|
GAG DED B,DG|EAG FEF G3 :|
ded dBg gdB|AcB ABG FED|
ded dBg gdB|AcB cAF G3 :|

X:322
%
%
%
%
T:BETTY MACNEILL 
S:S: CAR-OS  
Z:Z: Gilb/Brennan/Black
C:O'Carolan
M:C|
L:1/8
K:Am
%%text "allegretto"
%%vskip .3in
ABcd e2f2|edcB cBcA|GEDC DEGA|c2 d2e4|
A2ca cAca|gdBG Bddg|e2dc BcBA|GEGA A4||
e2Ac/d/ edcA|dBGB GBdB|cGEC EGGc|A2GE E4|
EGGG EAAA|GBBG A/B/ccA|B2g2 agab|g3e e4|
gece gdBd|ecAB/c/ dBGg|e2dc BcBA|GEGA A4|]

X:323
%
%
%
%
T:BETTY O'BRIEN
S:S: CAR-OS  
Z:Z: Gilb/Brennan/Black
C:O'Carolan 
M:C|
L:1/8
K:G 
%%text "allegretto"
%%vskip .3in
B2d2 d2g2|edc2 B2A2|G2G2 A2G2|E4 D4|
BBd2 d2g2|edeg a2g2|edcB cBAG|G4 G4|
DDD2 D2GG|EEE2 E2G2|ABAG AGAB|d4 d4|
efed B2d2|efed cBAG|G2G2GABG|A4 A4|
B2d2 d2ef|g4 g4|efed B2d2|e3f g2Bc|
d2BA G2B2|G2AB d2D2|E2G2ABAG|G4-G4|]

X:325
%
%
%
%
T:BETWEEN THE BUOYS* (polka) 
S:S: MFC.124e (unnamed)  
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:2/4
%%R:polka
K:G
GB de/f/|gg f/e/d|FA AB|cc B/A/G|
GB de/f/|gg f/e/d|FA Ac|BGG2 :|
bg bg|ga a/g/f/a/|af af|aa a/g/f/a/|
bg bg|ba a/g/f/g/|ad ef/g/|ag g2:|

X:326
%%staffsep 70
%
T:BEV & the REAPER (hornpipe) 
C:© BB 2007
%S:S: BBMG
M:C|
L:1/8
%%R:hornpipe
K:D
%swing .25
(3ABc|"D"dfed "A"cedc|"G"BGBd "A7"cAGE|"D"DEFA "G"BGFG| "D"AdAF "A"E2 Bc|
"D"dfed "A"cedc|"G"BGBd "A7"cAGE|"D"DFAF "G"GBAG|"D"FD "A"EC "D"D2 :|
DE|"Bm"Fdcd "A"EcBc|"G"DBGB "A"CEAG|"D"FDFA "Em7"Bdeg|"D"fagf "A7"e2 AG|
"Bm"Fdcd "G"Gdcd|"D"Adcd "G"Bdgb|"D"afdc "Em"Begd|"A"cdec "D"d2 :|

X:327
%
%
%
%
T:BEYOND BALLYBAY (jig) 
C:© E.Reavy  
Z:Z: McKenty/Black
S:S: "Ed Reavy Collection"
%%R:jig
Q:1/4=160
M:6/8
L:1/8
K:D
%%text "allegretto"
%%vskip .3in
A,|DFA dcd|fed cAF|DFA =cBc|=cBA GE=C|
DFA dcd|DFA =cBc|d=cB cGE|DED D2:|
g|afd dcd|Bcd efg|bge efd|ced cBA|
[1 afd dcd|Bcd efg|fed gec|edc d2:|
[2 fed gfe|agf bag|fed cAG|FDD D3|]

X:328
%
T:BEYOND the SEAS (jig)
S:S: ONMI #397 "America Lies Far Away"
Z:Z: ABC/arr. BB
%%R:jig
Q:1/4=160
M:6/8
L:1/8
K:Am
c|BAA ABG|Ad2 eg2|afd B2A|G2F G2d|
BAA ABG|Ad2 efg|a2d B2G|A3-A2 :|
f|ged ega|g2b a2e|a2g b2a|gfe dBA|
BAA ABG|Ad2 efg|afd B2G|A3-A2 :|


%%% %%% %%% 

X:329
%
T:BICYCLE (reel), The  
C:Denis Murphy (arr.)
S:S: JOL.016  
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%%R:reel
K:D
FA|BEEF GEE2|BEEF A4|BEEF GFGA|BcdB A2 :|
FA|Beef dcdA|Beef d4|Beed BcBA|BcdB A2 :|

%%%
X:330
%
%
T:BICYCLE (slide), The  
S:S: JOL.015  
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:12/8
%%R:slide
K:Em
A|B2E E2F B2E E2F|B2E E2F A3 F2A|
BEE E2F G2E E2A|B2^c d2B A3 F2:|
A|Bee e2d B2A F2A|Bee e2f d3 B/^c/BA|
Bee ede B2d d2B|A2F D2F A3 F2 :|

%%%
X:331
%
%
T:BIDDY BARRY (hornpipe)
S:S: RC3.158  
Z:Z: ABC/arr. BB
N:N: Repeats added.
L:1/8 
M:C
%%R:hornpipe
Q:1/4=150
K:G
%swing .25
EF|GBD2 GBD2|GABc B2AG|FAD2 FAD2|FGAB cBAF|
GBD2 GBD2|GABc B2AB|cdef gedB|A2G2 G2:|
Bc|d2g2 g2fe|defg bged|c2e2 e2dc|BdAF G2Bc|
d2g2 g2fe|defg afdB|cBAG FDEF|G2G2 G2:|

%%%
X:332
%
%
T:BIDDY EARLY (hornpipe) 
S:S: DMI.0946  
Z:Z: Nordberg/Black 
%%R:hornpipe
Q:1/4=150
M:C
L:1/8
K:A dorian
%swing .25
B|c2cB cdeg|dedB GABd|cAA2 ecAc|dcBA GABd|
c2cA cdeg|dedB GABd|cBAg edcB|c2A2A2:|
ef|gfga gedc|BcdB GABd|agab agea|gede cdef|
geaf gedB|cBAB cdea|gfge dfed|c2A2A2:|

%%%
X:333
%
%
T:BIDDY FROM LIMERICK (slip jig) 
S:S: ONMI.1161  
Z:Z: Brennan/Black 
Q:1/4=160
%%R:slip jig
M:9/8
L:1/8
K:D
F2D A2F def|F2D A2F GFE|F2D A2F def|
g2f e2d cBZ:Z: |ABA d2A def|ABA d2A GFE|
ABA d2A def|g2f e2d cBZ:Z: |"^final"D6z3|]

%%%
X:334
%
%
T:BIDDY I'M NOT JESTING (hornpipe) (1) 
S:S: ONMI.1817 < F.O'Neill  
Z:Z: Brennan/Black
%%R:hornpipe
Q:1/4=150
M:C!
L:1/8
K:G
%swing .25 
E|DEGA B2AG|AGAB d2BG|E2DB, DEGA|B2AG A2D2|
DEGA B2AG|AGAB d2BG|E2DB, DEGA|B2G2 G3:|
F|GABd e2ge|dBGE c2Bc|dBGE DEGA|B2AG A2D2|
DEGA B2AG|AGAB d2BG|E2DB, DEGA|B2G2 G3:|

%%%
X:335
%
%
T:BIDDY I'M NOT JESTING (hornpipe) (2) 
S:S: Petrie.307  
Z:Z: ABC/arr. BB
N:N: "Set from Paddy Conneely". Repeats added. 
Q:1/4=150
M:C|
L:1/8
%%R:hornpipe
K:G
%swing .25
%%text Source key Ab (!!!)
%%vkip .3in
FE|DEGA B2AG|AcBc dBAF|EDDB, DEGA|BdBG A2DE|
DEGA B2AG|AcBc dBAF|EDDB, DEGA|G4-G2 :| 
EF|GABd e2ge|dBGE c2Bc|dBGE DEGA|BdBG A2DE|
DEGA B2AG|A2Bc d2AF|EDDB, DEGA|G4-G2 :

%%%
X:336
%
%
T:BIDDY I'M NOT JESTING (reel) (3) 
S:S: WSGM.067 < F.O'Neill  
Z:Z: Kinder/Black 
M:4/4
L:1/8
%%R:reel
Q:1/4=180
K:G
D2|DEGA B2AG|AGAB d2BG|E2DB, DEGA|B2AF A2D2|
DEGA B2 AG|AGAB d2 BG|E2 DB, DEGA|B2GF G2:|
D2|GABd e2 ge|dBGE c2Bc|dBGE DEGA|B2AF A2 D2|
DEGA B2 AG|AGAB d2BG|E2DB, DEGA|B2GF G2:|

%%%
X:337
%
%
T:BIDDY IS MY DARLING 
S:S: ONMI.0564 < F.O'Neill
Z:Z: Brennan/Black 
M:6/8
L:1/8
K:G
%%text "cheerfully"
%%vskip .3in
d|BzG czA|BdB Gzd|ezc ezf|gfe d2f|
gfe dcB|edc BAG|1 FGA ABc|BcB A2:|\
[2 FGA ABA|G3G2||
d|gzd Bcd|efg dzd|gzf efg|age dzd|
gza bag|efg d2c|BAG FGA|G3G2 :|

%%%
X:338
%
%
T:BIDDY MALONEY (jig) 
S:S: ONMI.1010 < Gillan
Z:Z: Brennan/Black 
Q:1/4=160
%%R:jig
M:6/8
L:1/8
K:D
G|FGA AFA|AFA AFA|BGG AGF|BGE EGE|
FGA AFA|AFA d2A|B/c/dB AFd|AFD D2 :|
%
d|ecA AcA|ecA d2A|GBG FGA|BGE Ecd|
ecA dfa|gfe d2A|dcB AFd|AFD D2 :|
%
g|a3 g3|fed cBA|GBG FGA|BGE Efg|
agf gbg|fed cBA|dcB AFd|AFD D2 :|
%
g|aff dfg|aff dga|bgg ega|bgg efg|
aff bgg|aff d2A|BdB AFd|AFD D2 :|
%
A|d2c dAF|d2c dAF|GBG FGA|BGE E2A|
d2c dAF|d2c dAF|dcd efg|fdd d2 :|
%
g|fab afd|f2g afd|g2e f2d|efe efg|
fab afd|f2g afd|gfg eag|fdd d2 :|
%
g|fdf ece|dcB AGF|GBG FGA|BGE E2g|
fdf ece|dcB AGF|BdB AFd|AFD D2 :|
%

%%%
X:339
%
%
T:BIDDY MARTIN (polka) 
S:S: CRE.2
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:2/4
%%R:polka
K:D
fe/d/ ce|ef ed|fe/d/ cd|eA d2:|
fa/f/ ef/g/|af ed|fa/f/ ef/g/|af e2|
fa/f/ ef/g/|af ed|fe/d/ ce|eA d2|]

%%%
X:340
%
%
T:BIDDY THE DARLING (slide)
S:S: CRE.5 < Tom Barrett
Z:Z: ABC/arr. BB
Q:1/4=180
M:12/8
%%R:slide
K:D
A|D2F A2d f2d A2F|G2B e2d cBA GFE|
D2F A2d f2d A2F|Ged cBc d3 d2:|
B|A2c e2c A2d f2d|A2e g2e fed cBA|
d2A e2A f2A g2A|fed cBc d3 d2:|

%%%
X:341
%
%
T:BIDDY'S WEDDING (jig) 
S:S: ONMI.0985 < ?
%%R:jig
Q:1/4=160
Z:Z: Brennan/Black 
M:6/8
L:1/8
K:C
cdc c2c|ceg gec|cdc c2c|Bcd dBG|
cdc c2c|ceg gec|faf ege|Bcd dBG :|
cdc g2c|e2c g2c|cdc g2c|Bcd dBG|
cdc gec|edc gec|faf ege|Bcd dBG :|"^coda"Hc3z3|]

%%%
X:342
%%staffsep 70
%
%
%
T:BIG * DEAL (polka), The
C:© BB
M:2/4
L:1/8
Q:1/4=140
%%R:polka
K:G
"G"BA GA|"Em"Be "D"dA|"G"BA GD|"C"EG "D"A2|
"G"BA GA|"Em"Bg ed|"G" Bc/d/ "Am"cA|"G"BG G2 :|
"G"ge de|"Em"gb "D"af|"G"ge dg|"C"eg "D"a2|
"G"ge de|"Em"gb "D"af|"G"gd "Am"cA|"G"BG GB|
"G"ge de|"Em"gb "D"af|"G"ge dg|"C"eg "D"a2|
"G"bg "D"af|"Em"ef/g/ dB|"Am"Ac BA|"G"BG G2|]

%%%
X:343
%
%
T:BIG BANK OAK (strathspey), The
S:S: TIDT 2/46
C:J.Kelly
Z:Z: ABC BB
M:C|
L:1/8
%%R:hornpipe  
Q:1/4=140
K:G
%swing .25
D|G2DG B,GA,G|G/G/G/G/ B,DEA A,/B,/A,/G,/|
G2DG B,GA,C|B,D D/C/B,/A,/ B,G,G,:|
c|BGGB ABcd|e/f/g d/c/B cAAc|
BGGB ABcd|e/f/g f/g/a gedc|
BGGB ABcd|e/f/g d/c/B cAAc|
B/c/d F/G/A E/F/G D/E/F|C/D/E B,/C/D A,/B,/C G,/B,/D|
G2DG B,GA,G|G/G/G/G/ B,DEA A,/B,/A,/G,/|
G2DG B,GA,C|B,D D/C/B,/A,/ B,G,HG,2|]

%%%
X:344
%
%
T:BIG BARNEY'S JIG  
S:S: CRE.4
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=160
M:6/8
%%R:jig
K:G
E|GBd gfe|dec B2c|dBA G2A|BGF E2F|
GBd gfe|dec B2c|dBG ABc|BGF G2:|
d|gfg efe|dec BAG|gfg efg|fdc d2f|
efg gfe|dec B2c|dBG ABc|BGF G2:|

%%%
X:345
%
%
T:BIG BOW WOW (jig) (1), The 
S:S: ISQT.27c (with "Bigg")
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%%R:jig
K:G
c|B2c d2=f|e2e d2c|B2c d2=f|e2e d2c|
B2c d2d|def g2e|dcB cBA|G2F G2 :|
z|B2G GAB|c2c c3|B2G GAB|A2A A3|
B2G GAB|c2c c2e|dcB cBA|G2F G2 :|

%%%
X:346
%
T:BIG BOW WOW (jig) (2), The
S:S: CGI.180
Z:Z: ABC/arr. BB
% Title in source is "Big, Bow, Wow" - I dropped the commas.
% Probably a song but can be played as a "standard" jig.
Q:1/4=160
L:1/8
M:6/8
%%R:jig
K:A 
%%text "allegro"
%%vskip .3in
d|c2d e2=g|f2f e2d|c2d e2=g|f2f e2d|
c2d e2e|efg a2f|edc dcB|A2A A2 :|
z|c2A ABc|d2d d3|B2A ABc|B2B B3|
c2A ABc|d2d d2f|edc dcB|A2A A2 :|

%%%
X:347
%
%
T:BIG DAN O'MAHONY (hornpipe) 
S:S: ONMI.1585 < F.O'Neill
Z:Z: Brennan/Black 
N:N: Key could be Amix too
%%R:hornpipe
Q:1/4=150
L:1/8
M:C|
L:1/8
K:Ador
%swing .25
GB|AGAB A2Bd|edBA G2Bd|edef gfea|edBA G3B|
AGAB A2Bd|edBA G2ed|B2AG gdBd|c2A2A2:|
Bd|edef g2fe|a2a2 g2ea|edef gfea|edBA G2Bd|
edef gfge|abag e2ea|gedg edBd|c2AA A2Bd||
%
edef gfge|a2 ag e2ea|edef gfea|edBA G2AB|
c2Bc d2cd|efge a2a2|gfea edBd|c2A2 A4|]

%%%
X:348
%
%
T:BIG HOUSE (reel), The 
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy1.29
Q:1/4=180
L:1/8
M:4/4
%%R:reel
K:G
A|B2dB GBdB|cBAG FDEF|GBdB cdeg|fgaf gedB |
GBdB GBdB|cBAG FGAB|defg afge|dBcA BGG :|
A|Bdgf gdBd|cBAG FGAB|cdef gefg|abag fdBc |
[1 dggf gdBd|cBAG FGAB|defg afge|dBcA BGG :|
[2 dgfg bgdB|cBAG FGAB|defg afeg|d2 cA BGHG2 |]

%%%
X:349
%
%
T:BIG JOHN'S REEL
S:S: CRE.5 < John Cathcart (Fermanagh)
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=180
M:C
%%R:reel
K:D
AF|DFAd fdAF|G2AF GABc|defd ecAF|E2B,D EGFE|
DFAd fdAF|G2AF GABc|defd edBc|d2ec d2:|
ef|gebe gee2|gebe gee2|fdad Bdd2|d2ad Bdd2|
gebe gee2|gebe gee2|fafd egec|d2ec d2:|

%%%
X:350
%
%
T:BIG MAN (set dance), The  
T:An Fear Mór
S:S: RC2.279 
Z:Z: ABC/arr. BB
L:1/8 
M:6/8
%%R:jig 
K:D
G|FGA ABc|ded cBA|Bcd AGF|B2E E2G|
FGA ABc|ded cBA|Bcd AGF|A2D D2:|

%%%
X:351
%
%
T:BIG MIKE THE BUTCHER
S:S: OFHC 34.02
Z:Z: ABC/arr. BB
L:1/8
% 
M:C
K:Am
%%text "allegro"; source key = Gm
%%vskip .3in
cd|e3e d2cB|A3B cBcA|GFED C2^D2|EAA^G A2 :|
A2|G2E2 E2B2|c3d B2A2|d2^c2 d2e2|^f2d2 e3d|
ef ^g2 a3=g|f2ef g2A2|A3G EDE^G|A2A^G A4 |]
% I'm guessing that this is another "song" and not a "tune". Lyrics are probably
% lost forever . . .

%%%
X:352
%
T:BIG PAT'S REEL (1)
S:S: ONMI.1192 < F.O'Neill
Z:Z: Brennan/Black 
Q:1/4=180
%%R:reel 
M:C|
L:1/8
K:Em
dc|BGEF G2BG|G2BG FAD2|BGEF G2Bd|g2fg e2dc|
BGEF G2BG|G2BG FAD2|BGEF GAB^d|egfg e2 ||
ef|gfga bgag|faag fddz|gfga bgag|fe^df e2ef|
gfga bgag|faag fddz|g2ge f2fd|egfg He4 |]

%%%
X:353
%
%
T:BIG PAT'S REEL (2)
S:S: L.Mallette 
D:D: "First Steps" (The Jig Is Up / 2011)
Z:Z: ABC/arr.BB
Q:1/4=180
M:C
L:1/8
%%R:reel
K:Em
dc|BEEF G2EF|GBAG FDD2|BEEF G2 (3Bcd|gefd e2dc|
BEEF G2EF|GBAG FDD2|BEEF G2 (3Bcd|gefd e2||
ef|g2ga bgag|faag fdd2|g2ga bgag|fedf e2ef|
g2ga bgag|faag fdd2|gfeg fedf|egfd e4||

%%%
X:354
%
%
T:BIG RED (reel) 
T:Danny's Favorite
C:Philippe Varlet (DC)
S:S: composer
Z:Z: ABC/arr. BB
Q:1/4=180
%%R:reel
M:4/4
L:1/8
K:Am 
%%text source key F#m
%%vskip .3in
AG|EA A2 dcAc|egga gece|d2 ad edad|
d2 ad EdcG|Acec dcAc|egga gece|
d2 ad ecge|1 dcBG A2 :|[2 dcBG ABcd||
|:ea-a2 fgac'|geed c3 d|egga gecd|
eddc BdGd|ea-a2 fgac'|geed cGcd|
egc'b agec|1 dcBG ABcd :|[2 dcBG A4|]

%%%
X:355
%
%
T:BIG REEL OF CALLIGHTOWN (reel) 
S:S: BSMI.1
Z:Z: ABC/arr. BB
Q:1/4=180
%%R:reel
M:4/4
L:1/8
K:G
g2gf g2gf|g2ag fdd2|g2fg abag|fdcA BGBd|
g2 fg a=ffe|=fgfd e3^c|d2 de fdcB|AGFG AG G2||
DGGB A2 dc|AGFG AGGF|DGGB A2 dc|AGFG AGGF |
DGGB A2 dc|AGFG ABcA|d^cde fdd2|dedc AG HG2 |

%%%
X:356
%
%
T:BIG ROAD TO SLIGO (jig), The  
T:Tar Road to Sligo 
S:S: CRE.1
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%%R:jig
K:D
e|fdB Bcd|ecA BAG|FAA ABc|dcd ede|
fdB Bcd|ecA BAG|FAA Aag|fdd d2:|
B|Aff fef|gfg efg|afd dcd|Bed cBd|
Aff fef|gfg efg|afd bge|edc dcB|
Aff Aff|gfg efg|afd dcd|Bed cBA|
fdB gec|afd bge|aga bge|edc Hd3|]

%%%
X:357
%
%
T:BIG SHOWER (reel), The 
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy 1.45
Q:1/4=180
L:1/8
M:4/4
%%R:reel
K:Edorian
AF|E2BE FEBE|FEDF ADFD|E2BE FEBE|DB,DE FBAF |
E2 BE FEDE|FEBF AF D2|B2 BA BAFE|DFBA FEAF||
%
E2 BE FEBE|FEDF ADFD|E2 BE B,EFE|DB,A,B, DEFD |
E2 BE FEBE|B,EBE AF D2|B2cA BAFE|DFBA FE E2 ||
%
efed BABc|dcdf adfd |e2 fa bafe|dfba fe e2 |
[1 Befg edBc|dfed BdAF|E2 FA BAFE|DFBA FE E2 :|
[2 e2 ef befe|dBAF E2 FA|B2 ef g2 fd|ecdB ADFD |
%%stretchlast 0
E2 FA BAFA|BdAF E4 |]

%%%
X:358
%
%
T:BIG SNUG'S REEL
C:John Whelan
S:S: composer
Z:Z: ABC/arr. BB
Q:1/4=180
%%R:reel
M:4/4
L:1/8
K:D
f2 ed f2 ed|BdAd BdAd|f2 ed f2 ed|BABc dAFA|
f2 ed f2 ed|BdAd BdAd|f2 ed f2 ed|BABc dAFE||
FA A2 FADd|cA A2 EFGE|FA A2 FADd|cded cAGE|
FD D2 A,DFA|GE E2 =CEGE|FD D2 A,DFA|Bded cAGE :|\
"^coda" HD4z4|]

%%%
X:359
%
%
T:BIG SQUEEZE (jig), The
C:Jimmy Keane 
N:N: @ Cappal Beag Music BMI
Z:Z: ABC/arr BB
S:S: composer 
N:N: Source version is in Am but it contains notes way too low for any trad 
N:instrument that isn't a piano accordion!
L:1/8
M:6/8
Q:1/4=160
K:Edor
GF|EFG B2A|Bcd BdA|FDD ADD|BAF DEF|
EFG B2A|Bcd BdA|FDD BAF|E4 :|
ze|fed eEe|fed edB|dBA ABd|BAF AFD|
[1 fed eEe|fed edB|dBA ABd|e3-e:|
[2 EFG B2A|Bcd BdA|FDD BAF|E3z3 |]
%

%%%
X:360
%
%
T:BIG THREE-FOUR (waltz), The 
C:© BB 10/03
S:S: BBMG
% I should rename this "The Big Five-Five" but I won't.
L:1/8
M:3/4
%%R:waltz
Q:1/4=160
K:D
FE|"D" D2 F2 G2|"A"A3-ABc|"D" d2 f2 g2|"Em" e3 d e2|
"Bm" f2 d2 B2|"G" g3 a b2|"D" ag f2 d2|"A" e4 fe|
"Bm" d2 B2 F2|"Em" E3 G B2|\
"A" A3 c e2|"Bm" f4 ef|
"G" g2 B2 d2|"D" f2 A3 d|"A" e2 cB A2|"D" d4 :|
AB|"F#m" c2 BA F2|"D" d2 cB A2|"A" e2 cB A2|"D" f4 "E7"^g2|
"A" a3 e c2|"Bm" B3 A F2|"F#m" c2 fe cA|"E"B3 A B2|
"F#m" c2 BA F2|"D" d2 cB A2|"A" e2 cB ce|"D" f4 "E"^g2|
"A" a3 c e2|"Bm" f2 d2 B2|"E"^G3 E B2|"A" A4 :|

%%%
X:361
%
%
T:BIG TREE (hornpipe), The 
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy1.24 
Q:1/4=150
L:1/8
N:N: Dotted rhythm in source
M:C|
%%R:hornpipe
K:G
%swing .25
F|GFGA BABd|edef g2fe|dedB cdcA|BdBG FDEF |
GFGA BABd|edef g2 fe|dgfg dBcA|B2 G2 G2 :|
Bc|dgge dBGB|cdef g2 fe|dedB cdcA|BdBG A2 Bc |
[1 dggc dBGB|cdef g2 fe|dgfg dBcA|B2 G2 G2 :|
[2 dedB GBdg|ecdB cege|dgge dBcA|B2 G2 G4 |]

%%%
X:362
%%staffsep 70
%
T:BIG WHITE BOAT (slide), The
C:© B.Black 6/20
S:S: BBMG
M:12/8
Q:1/4=200
%%R:slide
K:D
A|"D"dcB AFE "Bm"F2B B2A|"Bm"FBB dBB "D"def "A"ecA|
"D"dcB AFE "Bm"F2B Bcd|"D"ABA "A7"GFE "D"D3-D2 :|   
A|"Bm"dBd "A"cAc "G"BGB "D"A3|"G"BAG "A"A3 "G"BAG "A"A3|
"Bm"dBd "A"cAc "G"BGB "A"A2E|"Bm"FAB "A"AGE "D"D3-D2 :|
%
% Dedicated to the crew and shore staff of the ferry "Island Queen", 
% which does summer runs between Falmouth on Cape Cod and Oak Bluffs
% on Martha's Vineyard.

%%%
X:363
%
%
T:BIG WILLIE'S WEDDING (hornpipe)
C:© E.Reavy
S:S: "Ed Reavy Collection"
%%R:hornpipe
Z:Z: McKenty / Black 
Q:1/4=140
M:C|
L:1/8
K:D
%swing .25
%%text "andantino"
%%vskip .3in
FE|DAFA DAFA|BGEd cAFA|fdAf gece|dfed cAGE|
DAFA DAFD|A,CEF GECE|DFAc Bdce|d2dc d2:|
ed|cdeg fdcd|fgaf bged|cBAB cdef|gbed cAGE|
DFAc BGEd|cAFA fdAf|gecA ^GAce|d2 dc d2:|

%%%
X:364
%
%
T:BILBERRY TIME (reel) 
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy 1.41
Q:1/4=180
L:1/8
M:4/4
%%R:reel
K:G
dc|BGGA BGAc|BGFE FGAc|BGGF BGBc|defg fdcA |
BGGA BGcA|BGFD FGBc|defg fdcA|GBAF G2 dc ||
%
BGGA BGcA|BGBd cAFA|B2AF GABc|defg fdcA |
G3B dGBG|F2 CD FGAc|fgag fdcA|GBAF G2 ||
%
Bc|dgaf dcBc|dBfB gBfB|dgaf gfdc|BdcA BG G2 |
gage fgfd|c2 AG FGAc|fgag fdcA|GBAF G2 :|

%%%
X:365
%
%
T:BILL BLACK'S HORNPIPE  
S:S: ONMI.1678 < J.O'Neill
Z:Z: Brennan/Black (no relation!) 
%%R:hornpipe
Q:1/4=150
M:C|
L:1/8 % dotted
K:G
%swing .25
dc|BGBd gdcB|Acbg fedc|BGBd gdBG|AGFE D2dc|
BGBd gdcB|Acbg fedc|B2 GB A2 FA|G2G2G2:|
Bc|dcBA GBdg|e2c2 c2cd|edcB Acag|f2dd d2ef|
g2 ge f2 fd|efge dcBA|B2 GB A2 FA|G2G2G2:|
%
N:N: For obvious reasons I wish I knew more about this Bill Black but O'Neill 
N:doesn't mention him in any of his reference works!

%%%
X:366
%
%
T:BILL CLANCY'S DELIGHT (reel)
S:S: ONMI.1465 < J.O'Neill
Z:Z: Brennan/Black 
Q:1/4=180
%%R:reel  
M:C|
L:1/8
K:D
d2fd AFDF|d2fd egfe|d2fd AFDF|GEFD EDB,A,|
d2fd AFDF|d2fd egfe|d2fd AFDF|dfeg fd d2 ||
FDAD BDAD|FDAD CEEG|FDAD BDAD|GEFD A,DDG|
FDAD BDAD|FDAD CEEG|FAdf ecdB|Agfe fd Hd2 |]

%%%
X:367
%
%
T:BILL COLLINS' JIG (1)
T:Dan Collins' Father's
S:S: MVBT
Z:Z: ABC/arr. BB
N:N: The first person I ever heard play this tune - in the Eagle Tavern, I think -
N:was New York fiddler Dan Collins (RIP). I think the subtitle was his idea. 
N:(The tune has other names.)
Q:1/4=160 
%%R:jig
M:6/8
L:1/8
K:D
A|ded BAB|def a2 a|baf ede|fdB BAB|
ded BAB|def a2 a|baf ede|fdc d2 :|
e|faa faa|afe f2 f|aba f2 e|dBA BAB|
ded BAB|def a2 a|baf ede|fdc d2 :|

%%%
X:368
%
%
T:BILL COLLINS' JIG (2) 
T:Dan Collins' Father's
Z:Z: ABC/arr. BB
S:S: FS2.14a
M:6/8
L:1/8
Q:1/4=160
%%R:Jig
K:D
A|dAA BAB|def a3|aba f2e|dBB gfe|
dAA BAB|def a3|aba f2e|edc d2 :|
e|faa fab|afe f3|aba f2e|dBB gfe|
dAA BAB|def a3|aba f2e|edc d2 :|

%%%
X:369
%
%
T:BILL ELLIS' HORNPIPE   
S:S: ONMI.1722 < J.O'Neill
%%R:hornpipe
Q:1/4=150
Z:Z: Brennan/Black 
M:C|
L:1/8 
N:N: dotted rhythm in source
K:D 
%swing .25
%%text source key A
%%vskip .3in
FG|A^GAF dcdA|fefA dcdA|BcBA GFED|B,EAe a2FG|
A^GAF dcdA|fefA dcdA|BcBG FEDC|E2D2D2:|
EF|GFGE ecBG|FEFD dBAF|EDEG cAGE|DFAB A2FG|
A^GAF dcdA|fefA dcdA|BcBG FEDC|E2D2D2:|

%%%
X:370
T:BILL FLYNN'S (jig) 
C:© BB 2011
%S:S: BBMG
% A local singer of Irish songs. RIP.
M:6/8
%%R:jig
Q:1/4=160
K:G
A|"G"BGG dBd|"C"ece "D"d2c|"Em"BGE GAB|"Am" AGE "D"D2c|
"G"BGG dBd|"A"ed^c "D"def|"G"gdB "Am" ABc|"G" BGF G2 :|
A|"G"Bdg "D7"fdc|"G"BdB "D7"cBA|"G"Bcd "C" efg|"D"afe d2f|
"G" ged Bcd|"Am" edc "D"ABc|"G"BAB "C"cBc|"D" dAF "G"G2 :|

%%%
X:371
%%staffsep 70
%
T:BILL GLEESON'S (reel)
T:The Wooden Wedding
C:© BB 2009
%S:S: BBMG
% A local character who never missed a session or an opportunity
% to discuss Irish politics. "The Wooden Wedding" was Bill's "party
% piece". RIP.
M:C
L:1/8
Q:1/4=180
%%R:reel
K:G
A| "G"BGFG D2 de|"D7"fdcA "G"BG ~G2| "F"A=FFE F3G| "F"A=FcF "Dm7"dcAc|
"G"BAGB "C"cGEc|"G"d^cde "D7"fd=cA|"G"BcdB "F"cA=FE| "G"DGGF G3 :|
B|"G"dggf gdBd|"G"gfga "Em"bged|"F"c=ffe fdcA|"F"c=ffe fgaf|
"G" dggf gdBd|"G"gfga bgdB|"C"cdeg "D"fgaf| "G"gb"D"af "G"g3 :|

%%%
X:372
%
T:BILL HART(E)'S [FAVORITE] (jig) (1) 
S:S: "The Ted Furey Collection of Irish Traditional Tunes" (folder 66)
% For some reason Furey doesn't have this as a modal tune.
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%%R:jig
K:Amix
G|ABA ede|fed efe|ABA ede|fed B2G|
ABA ede|fed efg|aba g2e|fed B2:|
g| aba gfe|fed efg|aba gfe|fed B2G|
aba gfe|fed efg|aba gfe|1 fed B2:|
%%stretchlast 0
[2 fed B3|A6|]

%%%
X:373
%
T:BILL HARTE'S (3)
S:S: BSMI.1
% a/k/a/ "Sonny Brogan's"
Z:Z: ABC/arr. BB
%%R:jig
M:6/8
Q:1/4=160
L:1/8
K:Dmix
E|DED A2A|BAG ABA|DED A2A|BAG EGE|
DED A2A|BAG ABc|d2d cBA|BAG EG :|
D|ded c2A|BAG ABc|d2B c2A|BAG E2D|
cB cBA|BAG ABc|dcB cBA|BAG E2 :|
"^coda"BAG E3|HD6|]

%%%
X:374
%
%
T:BILL HARTE'S (jig) (2)  
S:S: CRE.2
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%%R:jig
K:Dmix
z|DED A2A|BAG ABA|DED ADD|BAG E2D|
[1 DED ADD|BAG A3|AdB A2c|BAG E2 :|
[2 DED ADD|BAG A2A|AdB A2c|BAG E2||
%
|:D|AdB A2c|BAG A2A|AdB A2c|BAG E2D|
AdB A2c|BAG A2A|AdB Ace|ABG EDD|
d2B A2c|BAG A2A|AdB AcA|BAG E2D|
AdB A2c|BAG ABc|ded AcA|BAG E3|HD6|]

%%%
X:375
%%staffsep 70
%
T:BILL HARTE'S REEL 
S:S: CRE.1 
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%%R:reel
K:G
DEGA BGG2|BGdB ABGE|DEGA Beed|BAAB A2GE|
DEGA BGG2|BGdB ABGE|DEGA Beed|BAAB A2Bd||
eAA2 Bdeg|dGGF GABd|eAA2 Bdeg|dBGB A2Bd|
eAA2 Bdeg|dGGF GABd|egg2 edef|gedB ABGF||\
"final"HG4z4|]

%%%
X:376
%
%
T:BILL LAMEY'S (jig)
S:S: MVBT
Z:Z: ABC/arr. BB
% Named for the great Cape Breton fiddler. I don't know if he composed 
% it or not.
Q:1/4=160
%%R:jig
M:6/8
K:Am
E|ABG A2B|edg edB|ABA G2B|d2e dBG|
ABG A2B|edg edB|Acg edG|ABA A2 :|
e|a2e e^fg|a2e edB|ABA G2B|d2e dBG|
a2e e^fg|a2e edB| Acg edG|ABA A2 :|

%%%
X:377
%
%
T:BILL MCEVOY'S #1 (reel)
S:S: SRHI.38a
Z:Z: ABC/arr. BB
C:Seán Ryan
Q:1/4=180
L:1/8
M:C
%%R:reel
K:Gmix
gf|d2cA dGG2|DGBd gdBd|c2 Bd cFF2|CFAc fagf|
d2cA dGG2|DGBd gdBd|c2Ac fage|fdcA G2:|
K:G
Bd|gfga bgaf|gbag fdd2|ecc2 gceg|fgag fdef|
gfga bgaf|gbag fdd2|ecc2 gceg|fdcA G2:|

%%%
X:378
T:BILL MCEVOY'S #2 (reel)
S:S: SRHI.38b
Z:Z: ABC/arr. BB
C:Seán Ryan
Q:1/4=180
L:1/8
M:C
%%R:reel
K:Gmix
GF|DGBd g3e|fdcB AFF2|CFF2 dFcF|BAGF DGG^F|
DGBd g3e|fdcB AFF2|CFF2 dFcF|BAGF DG:|
K:G
Bd|g2bg dgbg|fgag fdef|g2bg dgbg|agfa g3a|
bgag gfde|fgag fdcA|DGBd gbag|fdcA G2:|

%%%
X:379
%%staffsep 70
%
T:BILL McEVOY'S FANCY (hornpipe)
%S:S: BBMG
% For a leading light in the US trad scene. RIP.
C:© BB
%%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:D
%swing .25
de|"D"f2 ed A2 AB|"A"cA"G"BG "Em"EF"D"DE|"D"FAde fede|fagf "A"e2 de|
"D"faef "G"dcBc|"Bm"dBAF "Em"EFDE|"D"FABA "Bm"FDB,D|"D"FA"A"GE "D"D2 :|
DF|"D"ADFA d2 cd|"A"eAce "Bm"f2 fg|"D"af"Em"ge "Bm"fdcd|"Em"edcB "A"A2 FG|
"D"ADFA d2 cd|"A"eAce "Bm"f2 fg|"Bm7"abaf "G"gdBd|"A"ceAc "D"d2 :|

%%%
X:380
%
%
T:BILL O'KEEFFE'S REEL #1 
Z:Z: ABC/arr. BB
S:S: JOL.162
Q:1/4=180
L:1/8
M:4/4
%%R:reel
K:Em
fe|dB ~B2 dB ~B2|dB ~B2 f2 fe|dB ~B2 dB ~B2|^cBAc e2 fe|
dB ~B2 dB ~B2|dB ~B2 g2 fe|dB ~B2 dBBA|FADF E4 ||
g3e fgfd|edB^c d2ef|g3e fede|fbba feef|
g3e fgfd|edB^c d3e|f2ed B2AB|AFDF HE4 ||

%%%
X:381
%
%
T:BILL O'KEEFFE'S REEL #2 
Z:Z: ABC/arr. BB
S:S: JOL.163
Q:1/4=180
L:1/8
M:4/4
%%R:reel
K:Bm
dBBA BcdB|AFED A3B|dBBA Bcde|
fbba fe e2|dBBA BcdB|AFED A2Bc|
d3B cBAc|B3A B2 fg :|a3b afef|
afef a2fa|b3a bafa|bafa b[ac']ba|
a3b afef|afef a2fa|bafe dfed|
%%stretchlast 0
[1 B3A B2eg :|2 B2BA HB4|]

%%%
X:382
%
%
T:BILL SULLIVAN'S (polka)  
Z:Z: ABC/arr. BB
S:S: FS3.35c
M:2/4
L:1/8
Q:1/4=120
%%R:polka
K:A
z|a2 af|ec af|ec af|ec BA|
a2 af|ec ae|ce Bc|BAA :|
B|ce ec|df fe|ce eA/B/|cB BA/B/|
ce ec|df fe|ce Bc|BAA :|

%%%
X:383
%
%
T:BILL THE WEAVER'S (slide) 
T:The Weaver
S:S: BSMI.2
Z:Z: ABC/arr. BB
%%R:slide
M:12/8
Q:1/4=180
L:1/8
K:D
g|fed B2d A2d F2B|A2F D2F E3 E2g|
fed B2d A2d F2B|A2F EFE D3 D2 :|
e|fdf a3 baf a3|fdf a2f g3 f2e|
[1 fdf a3 baf a3|fdf a2f d3 d2 :|
[2 faf ege dfd BdB|ABA GFE D3 D3|]

%%%
X:384
%
%
T:BILL THE WEAVER'S JIG (a) 
Z:Z: ABC/arr. BB
S:S: JOL.060
Q:1/4=160
L:1/8
M:6/8
%%R:jig
K:Em
D|BdB EFA|B2A BAd|B2E EFG|A2G FED|
BEE EFA|B2A BAd|AFA DEF|A2G FE :|
e|g2e fed|e2B BAF|BAB EFG|A2G FED|
gfe fed|edB d2B|AFD DEF|A2G FE :|
D|E3 E2D|EGE E2D|EGE EFG|A2G FED|
EGE E2D|EGE EFG|AGA DEF|A2G FE :|

%%%
X:385
T:BILL THE WEAVER'S JIG (b) 
Z:Z: ABC/arr. BB
S:S: JOL.211
Q:1/4=160
L:1/8
M:6/8
%%R:jig
K:D
z|dAF EFE|DFD A,2A,|FEF ABc|dAF EFA|
dAF EFE|DFD A,CG|FEF BAF|EDC D2 :|
c|dcd fef|afd edB|AGA DFA|BAF EFA|
A2d fef|afd edB|A2B AFA|Bdc ddA|
d2e fdd|add edB|AGA DFA|BAF EFA|
Azd fef|afd edB|A2B AFA|Bdc Hd3|]

%%%
X:386
T:BILL THE WEAVER'S POLKA (a) 
Z:Z: ABC/arr. BB
S:S: JOL.219
Q:1/4=120
L:1/8
M:2/4
%%R:polka
K:D
FA GB|A/F/G/A/ f/e/d/B/|AF ED/E/|FE ED/E/|
F/G/A/F/ GB|AF/A/ f/e/d/B/|AF EF/E/|D2 D2 :|
e/f/e/d/ BA|de f/g/f/e/|dB AF/A/|BE E2|
e/f/e/d/ BA|de f/g/f/e/|dB AF/A/|D2 D2 :|

%%%
X:387
%
T:BILL THE WEAVER'S POLKA (b) 
Z:Z: ABC/arr. BB
S:S: JOL.269
Q:1/4=140
L:1/8
M:2/4
%%R:polka
K:D
af df|A/B/c/d/ e2|ed ed|cA BA|
af df|A/B/c/d/ ef|g/f/e/d/ cA|Bc d2 :|
f/d/B/d/ fd|dB fe/d/|c/B/A/F/ eA|c/B/A/B/ ce|
fb ba|fb ba|fg fe|dA B2 :|

%%%
X:388
%
%
T:BILLY & NANNY (jig)
S:S: arr. of ONMI #480 "The Goat's Song"
%%R:jig
Q:1/4=160
Z:Z: ABC/arr. BB
M:6/8
L:1/8
K:Bm 
A|FAB AFE|DFG AFA|BcB ABc|d2c B2A|
FAB AFE|DEF AFE|FGA Bcd|edc B2:|
d|AFF dFF|fFF AEE|AFF dFF|fd^A B2d|
[1 AFF dFF|fFF AGA|FGA Bdf|edc B2:|
[2 ABc def|edc dcB|AGA Bdf|edc HB3|]

%%%
X:389
%
%
T:BILLY BARLOW (jig) 
S:S: ONMI.0840 < Cronin
Z:Z: Brennan/Black 
Q:1/4=160
%%R:jig
M:6/8
L:1/8
K:Ador 
d|ecA ecA|ecA ABc|dBG dBG|dBG GAB|
cBc dcd|efg a za|age edB|cAA A2 :|
d|e3 efd|ecA ABc|d2d dge|dBG GAB|
cBc dcd|efg a za|age edB|cAA A2 :|
%
N:N: Source key is A major but I think A dorian is a better sound. (Use K:A in 
N:the ABC if you want to hear the difference.)

%%%
X:390
%
%
T:BILLY BROCKER (reel) 
S:S: BSMI.4   
Z:Z: ABC/arr. BB
L:1/8
%%R:reel
M:C
Q:180
K:D
AFF2 AFdB|AFF2 G3B|AFF2 Add2|egfe fddB :|
d3f a2af|eA (3cBA eA (3cBA|d3f a2ag|faeg fddA|
d3f a2af|eA (3cBA eA (3cBA|f3f g2fg|afge fdd2 |]

%%%
X:391
%
%
T:BILLY BYRNE OF BALLYMANUS (1) 
S:S: ONMI.0117
Z:Z: Brennan/Black 
M:2/4
L:1/16
K:D
%%text "moderate"
%%vskip .3in
fe|d2d2 F2G2|A3G F2EF|GFEF D2D2|D6FG|
A2A2 d3e|f2gf e2fe|dcAG ABce|d6FG|
A2A2 d2e2|f2gf e2fe|dcAG ABce|d6fe|
d2d2 F2G2|A3G F2EF|GFEF D2D2|D6|]

%%%
X:392
%
%
T:BILLY BYRNE OF BALLYMANUS (2) 
S:S: RC3.048
Z:Z: ABC/arr. BB
L:1/8
M:2/4
K:C
%%text "allegretto"
%%vskip .3in
e/d/|cc EF|GF ED/E/|F/E/D/E/ CC|C3 E/F/|
GG cd|ef/e/ de/d/|c/B/G/F/ G/A/B/d/|c3 E/F/|
GG cd|ef/e/ de/d/|c/B/G/F/ G/A/B/d/|c2 ed|
cc EF|GF ED/E/|F/E/D/E/ CC|C4|]

%%%
X:393
%
T:BILLY CAPLES' (reel) 
S:S: MVBT < Mike Reynolds
Z:Z: ABC/arr. BB
N:N: Billy Caples was a Boston box player who, like Joe Derrane, was a graduate 
N:of the prestigious Berklee School of Music.
Q:1/4=180
%%R:reel
M:4/4
L:1/8
K:G
e|dG G2 cBce|dGGA GEDE|GFGA BABc|dega bage|
dG G2 cBce|dGGA GEDE|GFGA dcde|dggf g3 :|
e|g2 bg efge|dBGB AGED|g2 bg egdg|eaab agef|
e2 ge cdec|dBGB AGED|GFGA BABc|dggf g3 :|

%%%
X:394
%
%
T:BILLY McCORMICK'S (jig) (1)
S:S: DMI.0341
Z:Z: Nordberg/Black
%%R:jig
Q:1/4=160
M:6/8
L:1/8
K:Ador
E|ABA ABd|edB gfe|GAG BAG|dBG AGE|
ABA ABd|edB def|gfe fdB|BAG A2:|
e|aga age|aba age|gfg gdB|GBc deg|
aba gag|edB cde|gfe fdB|BAG A2:|

%%%
X:395
%
%
T:BILLY McCORMICK'S (jig) (2)  
S:S: CRE.3
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=160
M:6/8
%%R:jig
K:A dorian
ABc ABg|edB gdB|G3 BAG|dBG AGE|
ABc ABg|edB def|gfe fdB|BAG A3:|
a3 age|aba age|g3 gdB|GAB def|
a3 age|edB def|gfe fdB|BAG A3:|

%%%
X:396
%
%
T:BILLY O'ROURKE (slip jig) 
S:S: NCIT.06-2b
Z:Z: ABC/arr. BB
M:9/8
%%R:slip jig
Q:1/4=160
K:D
d2d dfd cBA|d2d dfa gec|
d2d dfd cBA|BcB Bcd ecZ:Z: |
fag fed cBA|fag fed efg|
fag fed cBA|BcB Bcd ecA:|\
"coda"HD6z3|]

%%%
X:397
%
T:BILLY O'ROURKE IS THE BOY (jig) 
S:S: DMI.0987
Z:Z: Nordberg/Black
%%R:jig
Q:1/4=160
M:6/8
L:1/8
K:D
e|d2B BcB|A2A A2A|B2B BcB|g3 f2e|
d2B BcB|A2A A2c|Bcd ecA|d3 d2:|
A|d2e f2g|aba a2f|d2e f2g|a3 f2a|
bab a2f|gag f2e|d2B BcB|g3 f2e|
d2B BcB|A2A A2A|b2B BcB|g3 f2e|
d2B BcB|A2A A2c|Bcd ecA|d3 Hd3|]

%%%
X:398
%
%
T:BILLY O'ROURKE THE PIPER (jig)
S:S: JOB
Z:Z: ABC/arr. BB 
Q:1/4=160
M:6/8
%%R:jig
K:G
A|G2E EDB,|D2D DEF|G2G GAB|c3 B2A|
G2E EDB,|DED DB,D|EFG A2F|G3 G2 :|
D|G2A B2c|d2e d2D|G2A B2c|d3-dBc|
e2e d2d|c2c B2A|G2G GAB|c3 B2A|
G2E EDB,|D2D DEF|G2G GAB|c3 B2A|
G2E EDB,|DED DB,D|EFG A2F|G3 HG3|]

%%%
X:399
%
%
T:BILLY RUSH'S JIG (1)
S:S: NFID.182a < DOD
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%%R:jig
K:A
D|EFE ECE|FAA BAB|cec dfB|cBA BAF|
EFE ECE|FAA BAB|cec BAB|cAA A2 :|
B|cee ecA|dcB cBA|BcB BAB|cec dcB|
cee ecA|dcB cAF|EFE ECE|FAA A2:|

%%%
X:400
%
%
T:BILLY RUSH'S OWN (2) (jig)
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
%%R:jig
K:D 
%%text source key = A
%%vskip .3in
B|ABA AFA|Bdd ede|faf bge|fdd edB|
ABA AFA|Bdd ede|faf ede|fdd d2:|
e|faa afd|gfe fdd|efe ede|faf gfe|
faa afd|gfe fdd|1 efe ede|fed ed :|
[2 ABA AFA|Bdc Hd3|]

%%%
X:401
%
%
T:BILLY TAYLOR'S FANCY (hornpipe) 
S:S: ONMI.1726 < Gillan
%%R:hornpipe
Q:1/4=150
Z:Z: Brennan/Black 
M:C|
L:1/8
K:G
%swing .25 
DF|GABc dBec|dgfg bgdB|cAec BGdB|AGFE DcBA|
GABc dcec|dgfg bgdB|cAec BGAF|GBAF G2:|
fg|agfe defg|afge defg|afbg afge|dggc BGAF|
GABc dcec|dgfg bgdB|cAec BGAF|GBAF G2:|

%%%
X:402
%
%
T:BILLY'S TRIFLE (reel) 
Z:Z: ABC/arr. BB
S:S: GEI.073
M:C
L:1/8
Q:1/4=180
%%R:reel
K:G
GFGA cBAG|BdBd cAGF|GFGA cBAG|EGFA G2G2 :|
dgBg egcg|dgBg cBcA|dgBg egcg|dbaf g2g2 :|

%%%
X:403
%
%
T:BIMID AG OL (jig) 
T:Let's Be Drinking!
S:S: DMWC.7
Z:Z: ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
K:G
A|DGG ABB|cBc d2A|DGG B2d|cAG AGF|
DGG ABB|cBc def|gbg afd|cAF G2 :|
A|GBd g3|"10"gfd f3|GBd g3|gfd cAG|
GBd g3|"14"gag f2g|abg afd|cAF G2 :|
N:N: I'm pretty sure the accented F's in mm.10 or 14 should be natural, but the 
N:source doesn't show them as such since piper Willie would probably have 
N:preferred to avoid them. You can hear what they sound like by replacing /f/ 
N:with /=f/ in the ABC.

%%%
X:404
%
%
T:BIMIS AG OL (jig) 
S:S: "Ag Deanamh Ceoil" (CCE)
% Gaelic = "Let's Be Drinking!"
N:N: See note to "Bimid Ag Ol" above.
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
K:G
A|DGA B3|cBc d2A|BGA B2d|cAG AGF|
DGA B3|cBc def|gbg afd|cAF G2:|
A|GBd g3|gfd f3|GBd g3|gfd cAG|
GBd g3|abg f2g|abg afd|cAF G2:|

%%%


%%%


X:407
%
%
T:BIONIC BANJOIST (jig), The
C:D. MacAdam 1/13/25 
S:S: composer (with thanks from me!)
M:6/8
Q:1/4=160
L:1/8
K:Am
B|cec ABA|ABc ecA|BdB GFG|GAB dBd|
cec BdB|cAB cde|gec dcB|cAA A2:|
d|e2 a aba|ece aec|gag dBd|gdB Bcd| 
e2 a aba|ece aec|gec dcB|cAA A2:|

%%%
X:408
%
%
T:BIRCH HILL SLIDE, The
C:D. MacAdam
S:S: composer
M:12/8
L:1/8
Q:1/4=180
K:G
D|G2A BAG A2B cBA|Bcd edc d2f gdB| 
G2A BAG A2B cBA|Bcd efg dBA G2:|
d|e2 d BAG g2d BAG|d2 e dBG ABd e2d| 
e2 d BAG g2d BAG|A2B cde d2f g2:|
%

%%%
X:409
%
%
T:BIRD IN THE BUSH (reel) (1), The
T:Bird in the Tree
Z:Z: ABC/arr. BB
M:4/4
S:S: FS1.11c
L:1/8
Q:1/4=180
K:G
d2eB dBB2|dBAB G2AG|EAA2 BG~G2|BGBd g3e|
d2eB dBB2|dBAB G2GE|DEGA B2Bc|dBAc BG G2 :|
Bdef g2fg|afdf gfed|Bdef gfgb|agab g2ga|
bgg2 agef|g2ge dBAB|DEGA B2Bc|dBAc BG G2 :|

%%%
X:410
%
%
T:BIRD IN THE TREE (reel) (2), The  
T:Bird in the Bush
S:S: CRE.1
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
K:G
B|dfe^c dBB2|cBAB G2AG|EAA2 BGG2|BGBd g2Bc|
dfe^c dBB2|cBAB G2FE|DEGA BABc|dBcA BGG:|
A|Bdef g2fg|afdf gfed|Bdef gabg|agab g2ga|
bgg2 agef|gage dBGB|DEGA B2Bc|dBcA BGG :|

%%%
X:411
%
%
T:BIRD IN THE TREE (reel) (3), The 
T:Bird in the Bush 
S:S: GSTC
Z:Z: ABC/arr. BB
M:C
Q:1/4=180
K:G
d2e^c dBB2|cBAB G2 AG|EAA2 BG G2|BGBd gage|
dge^c dBB2|cBAB G2 GE|DEGA BABc|dBcA BGG2 :|
Bdef g2fg|agef gdBA|Bdef gabg|a^gab =g2 ga|
bgg2 agef|g2fg edBG|DEGA BABc|dBcA BGG2 :|

%%%
X:412
%
%
T:BIRD'S CALL (jig), The
S:S: TIDT 1/10
C:J.Kelly
Z:Z: ABC BB
M:6/8
L:1/8
Q:1/4=160
K:F#m
E|Fec cAF|ABc e^dc|BcB EFG|BeB GFE|
Fec cAF|ABc e^dc|1 BcB EFG|AFF F2 :|
[2 Bcd BAG | AFF F2 ||:G|A2c ecA|fec ecA|
B2^d fdB|agf ecB|1 A2c eca|fga c2B|
ABc ecB|AFF F2 :|2 cfg agf|eAe cBA|
Bcd GAB|AFF HF3|]

%%%
X:413
%
%
T:BIRTHDAY JIG (a), The
S:S: CTWT
C:L.Edelman
Z:Z: ABC/arr.BB
Q:1/4=160
L:1/8
M:6/8
K:D
D3 FED|GBd A3|A3 FGA|FED E3|
D3 F3|GBd A3|1 dcd AFE|FDD D3:|\
[2 dcd efg|fdc d2||
|:f|ecA ecA|e3 def|ecA cde|dAF GFE|
D3 FED|GBd AFA|dBd efg|fdc d2:|
"^coda"d3 AFE|FDD HD3|]

%%%
X:414
%
%
T:BIRTHDAY JIG (b), The
C:Max Bruecher 08/01/13
Q:1/4=160
Z:Z: ABC/arr. BB
M:6/8
L:1/8
K:A
ABA ABc|ecB ABc|dBB Bcd|e2e efg |
a2 f ecA | def ecA | def efg |1 aec AEF :|\
[2 aec Ace ||
|:a2 b aec | def ecA | def efg | agf efg |
a2 b aec | def ecA | def efg |1 aec Ace :|\
[2 aec A2 z|]

%%%
X:415
%
%
T:BISCUIT (jig), The
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy2.8
Q:1/4=160
M:6/8
K:D
e|dcd BAF|AFE DFA|B2B BAF|AFE EFA |
BdA BAF|DFA fed|edB dAF|DED D2 :|
B|AFA def|afd edB|AFA ded|BAF E2B |
[1 AFA def|afe fdB|fed BAF|DED D2 :|
[2 BAF Adf|gfe fdB|BAB ded|BAF D3 |]

%%%
X:416
%
%
T:BIT O' GINGER (jig), The
T:Lilting Fisherman
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
K:G
c|dBG GBd|gfg efg|dBG GFG|AFD DFA|
dBG GBd|gfg efg|dBG FGA|BGG G2 :|
K:D
B|ABA AFA|fgf f2e|dfe dcB|AFF F2G|
ABA AFA|BcB Bcd|cec ABc|dfe dc:|
"^coda"dfe d3|]

%%%
X:417
%
%
T:BITTEN TWIG (jig), The
S:S: composer
C:Rick Gagne  
Z:Z: ABC/arr. BB
N:N: "d/o/c/ 2001 on whistle"
Q:1/4=160
M:6/8
K:Edor
D | "Em"EDE BEd | BEd "Bm"BAF | "D"ABA DED | BAB "Bm"dBA | 
"Em"BAB EFE | BAB "Bm"dBA | "D"ABA DFA |1 BAF "Em"E2 :|2 BAF "Em"e2 ||
|:B | "Em"e2f gfe | "D"fef dBA | ABA DFA | "Bm"BAB dBA | 
"Em"Bef gfe | "D"fef dBA | ABA DFA |1 "Bm"BAF "Em"e2 :|\
[2 "Bm"BAF "Em"HE3|]

%%%
X:418
%%staffsep 70
%
T:BITTERSWEET (reel), The
C:© BB
%S:S: BBMG
Q:1/4=180
M:4/4
L:1/8
K:D
A|"D"D2 FA "Bm"Bdef|"D"afef "Bm"dcBA|"G"BGBd "D"AFAd|"C"=cBAG E=CEG|
"D"D2 FA "Bm"Bdef|"A"afge "D"fdfa|"G"bagb "D"afed|"A"Acec "D"d3 :|
B|"C"=cG~G2 "D"dA~A2|"C"e=ceg "Am"afge|"D"d2AB "C"=cBAG|"D"FGAB"C"=c2 AB|
"Am7"=cBAc "D"d^cdf|"Am"abag "D"fgfd|"C"=cBAG EF~G2| "D"AF"A7"GE "D"D3 :|

%%%
X:419
%
T:BITTERSWEET JIG (a), The
C:Aidan Crossey
S:S: composer
M:6/8
Q:1/4=160
L:1/8
K:D Major
A|d2d cBA|FGB AFD|d2d cBA|FGB ABc|
d2d cBA|FGB AFD|FGB AFD|AFD DF :|
D|EAA FAA|EAc BAF|EAA FAA|EA^G A2F|
EAA FAA|EAc BAF|EAc BAF|EA^G AF:|
"^coda"EA^G AFE|HD3z3|]

%%%
X:420
%
%
T:BITTERSWEET JIG (b), The
S:S: TIDT 1/12
C:J.Kelly
Z:Z: ABC BB
M:6/8
L:1/8
Q:1/4=160
K:G dorian
d3 cAG|Add fed|cdc cAG|FGA cAc|
d3 cAG|Add fed|cAG FDC|1 DGG GAc :|
[2 DGG GBd||:g3 def|gab a2g|f3 cde| 
fef def|g3 def|gab a2g|fed cAF|
AGG GBd|g3 def|gab a2g|f3 e/f/ge|
fdd def|g2b age|fgf d2c|A=Bc AGF|DGG HG3|]

%%% %%% %%%


X:421
%
%
T:BLACK BIRD (hornpipe), The 
S:S: OFHC22.03
Z:Z: ABC/arr. BB
N:N: Interesting version of this well-known set dance. This setting has no C naturals. 
N:Other settings are included in this file under "Blackbird" (one word).
Q:1/4=150
L:1/8
%R:hornpipe
M:C|
K:D
%%text A-B-A
%%vskip .3in
%swing .25
A|B2 A^G A2 (3ABc|dc dA G2 FG|A2 fd cABG|\
F2DE D3:|
A|defg a2fa|gfga g2fe|defg agfe|f2de defg|
"9"agfa g2fe|fdcA f2ed|cABG FBAG|F2DE D4|]

%%%
X:422
%
%
%
%
T:BLACK DONALD THE PIPER (jig)
S:S: ONMI.0946 < F.O'Neill
Z:Z: Brennan/Black 
Q:1/4=160
M:6/8
L:1/8
K:G
dBB efg|dBB BAG|dBB efg|dBG A2G|
dBB ecc|dBB BAG|A2B cde|dBG A2G :|
gdd gee|gdc BAG|gddgee|dBG A2G|
gdd gee|gdc BAG|A2B cde|dBG A2G :|

%%%
X:423
%
%
%
%
T:BLACK EYED SAILOR (reel) (1), The  
S:S: ONMI.1475
Z:Z: Brennan/Black 
% aka "Sheehan's"
Q:1/4=180
M:C|
L:1/8
K:G
G2BG DGBG|ABcA BGGB|AGAB cBcA|EAAG FDEF|
G2BG DGBd|cBAB cdef|gedB cBce|dBcA BGG2 :|
g2bg dgbg|f2ag fdde|f2af dfaf|gbag fdef|
g2bg dgbg|f2ag fddf|gedB cBce|dBcA BGG2 :|

%%%
X:424
%
%
%
%
T:BLACK EYED SAILOR* (reel) (2), The 
S:S: CRE.2 (unnamed) < Tommy Hunt (Sligo)
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
K:G
A|G2BG DGBG|A2AB cdec|A2DF G2AG|FADA FAA2|
G2BG DGBG|A2AB cdef|gfed cdeg|fdAF GFG :|
e|g2 bg dgbg|g2 ag fd d2|f2 af dfaf|gbag fd d2|
g2 bg dgbg|g2 ag fddf|gfed cdeg|fdAF GBd :|
"^coda" fdAF HG4|]

%%%
X:425
%
%
%
%
T:BLACK GARDENS (jig), The 
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy1.16
Q:1/4=160
L:1/8
M:6/8
K:A dorian
B|c2A BAG|ABA GED|EAA BAG|AGE GAB |
c2B BAG|AGE GED|ABd edB|dBG A2 :|
%
d|eaa eaa|ged efg|a2b g2a|edB deg |
bge aba|ged BAG|ABd efg|dBG A2 :|
%
B|cec BdB|ABA GED|ABA edB|ABA GAB |
cec BdB|ABA GAB|ABd efg|dBG A2 :|
%
g|a2b age|ged cde|age ged|edB AGE |
A2B AGE|cec deg|age ded|cAG A2 :|
%
d|eAA BAG|ABA GED|eAA edB|ABG A2f |
gab age|dBA GAB|cde dBG|ABG A2 :|

%%%
X:426
%
%
%
%
T:BLACK HAIRED DARLING (1st Setting) (1), The
S:S: ONMI.0453
Z:Z: Brennan/Black 
M:6/8
L:1/8
K:D
%%text "airily"
%%vskip .3in
A/A/Bc ddg||f-f/e/f/g/ fed|cAg fed|cAd D2D/E/|
FF/G/A/B/ cAA|d-d/e/f/g/ fed|c<A G/F/ G-G/B/A/G/|FDD D3||
dd/e/f/g/ a2a||aag f2e|f/f/fg a2g|fef D2D/E/|
FF/G/A/B/ cAA|dd/e/f/g/ f-f/e/d|c<A G/F/ G-G/B/A/G/|FDD D3|]

%%%
X:427
%
%
%
%
T:BLACK HAIRED DARLING (2nd Setting) (2), The  
S:S: ONMI.0454
Z:Z: Brennan/Black 
M:6/8
L:1/8 % dotted rhythm in source
K:Dm 
%%text "spirited"
%%vskip .3in
A2^c d2e|fgf fed|cAf fed|cAd D2D/E/|
FGF cAc|def fed|cAF GAG|FDD D3:|
dDD D2E|FGA Ac=B|cCC CDE|FGA Ad^c|
dDE F2G|AGA f2d|cAF GAG|FDD D3:|

%%%
X:428
%
%
%
%
T:BLACK HAIRED GIRL, The 
S:S: ONMI.0509 < F.O'Neill
Z:Z: Brennan/Black 
M:2/4
L:1/16
K:G
%%text "moderate"
%%vskip .3in
D2|G4G2E2|G4A2B2|c4dcBA|cBAG Ezz2|
G4G2E2|G4A2B2|c4dcBA|B4B2:|
A2|G3A B2c2|d3d e2f2|g3f agfe|d3B edcB|
c3A dcBA|GDEF G2GB|AGAB G2G2|G4G4|]

%%%
X:429
%
%
%
%
T:BLACK HAIRED LASS (reel) (1), The 
S:S: NFID.066 < JD 
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:C
K:Amix
ed|cBAG Acec|Bdgd BGGB|cBAB cdeg|\
[1 dfec A2:|
[2 fded cAA||B|cdef gfeg|fdfa gfed|\
cdef gfeg|
fded cAAB|cdef gfeg|fdfa gfgb|afge fdec|
dfec A4|]

%%%
X:430
%
%
%
%
T:BLACK HAIRED LASS (reel) (2), The  
S:S: ONMI.1326 < F.O'Neill
Z:Z: Brennan/Black 
Q:1/4=180
M:C
L:1/8
K:A mix
ed|c2AB cdec|d2gd BGGB|cBAB cdec|dfec Aced|
cBAB cdec|d2gd BGGB|cBAB cdec|dfec A2||
AB|cdef g2eg|fddf gfed|cdef gfeg|fdec A2AB|
cdef gfeg|fddf e2fg|afge fdec|dfec HA4|]

%%%
X:431
%
%
%
%
T:BLACK HEADED DARLING ("long dance") (3), The 
S:S: ONMI.1836
Q:1/4=120
Z:Z: Brennan/Black 
M:6/8
L:1/8
K:D
A|A2c d2e|fag fed|cAg fed|cAd D2D/E/|
F-F/G/A/B/ cBA|d/c/d/e/f/g/ fed|c B/A/G/F/ G-G/B/A/G/|FDD D2:|
z|f2g a2 (3g/a/b/|agf edc|fed gfe|agf edc|
a b/a/g/f/ g a/g/f/e/|f g/f/e/d cB/c/A/|
a (3b/a/g/ (3a/g/f/ g (3a/g/f/ (3g/f/e/|
f g/f/e/d/ cBc|dDD D2E|F2G AcB|cCD EFG|A^GA D2D/E/|
F-F/G/A/B/ cBA|d/c/d/e/f/g/ fed|c B/A/G/F/ G-G/B/A/G/|FDD D2|]

%%%
X:432
%
%
%
%
T:BLACK HORSE (hornpipe), The   
S:S: RC2.237
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:C|
K:D
% 
%swing .25
Bc|d2 d2 defd|e2 e2 efge|f2 f2 fagf|edcB AGFE|
FDFA defd|ecAc efge|fafd egec|d2 d2 d2:|
fg|afdd fagf|edcd efge|fdAd fagf|edcB AGFE|
FDFA defd|ecAc efge|fafd egec|d2 d2 d2:|

%%%
X:433
%
%
%
%
T:BLACK JOKE, The   
S:S: OFPC2.58 % ("Irish"; "with variations")
Z:Z: ABC/arr. BB
N:N: Note the odd structure. Somewhere in here is a nice little jig! I have omitted  
N:variations 4 and 5.
Q:1/4=160
M:6/8
L:1/8
K:G
G|DEG GFG|ABA AGA|BcB BAG|AcB AGF|G3 E3|DEF G2 :|
c|BGB d2d|ege d2c|BGB def|gfe dcB|c2g B2g|
ABA AGA|BcB BAG|AcB AGF|GAB EFG|DEF G2 :|
P:variation 1
G|DGB DGB|DFA DFA|GBd GBd|DFA DFA|G3 E3|\
DEF G2 :|
P:variation 2
c|Bge dBG|fag fed|gbg dgb|aff dfa|g3 e3|def g2 :|
P:variation 3
e|ddB dBG|eec ecA|ddB dBG|ege dBG|
ceg dcB|ABA AGA|BcB BAG|AcB AGF|GAB EFG|
DEF HG3 ||

%%%
X:434
%
%
%
%
T:BLACK LETTERED LIST, The  
S:S: ONMI.0214 < J.O'Neill
N:N: dotted rhythm in source 
Z:Z: Brennan/Black 
M:6/8
L:1/8 
K:G
%%text "animated"
%%vskip .3in
D/D/|GDB BAG|ADc cBA|dBG GAB|AGF/E/ D2D/D/|
GDB BAG|ADc cBA|dBG DEF|GDB G2||
B|BFd dcB|ABc cBA|GAB BAG|AGF/E/ D2D|
GDB BAG|cde edc|BdG GAF|GDB G3|]

%%%
X:435
%
%
%
%
T:BLACK MARE OF FANAD (reel), The 
S:S: NFID.065 < JD
Z:Z: ABC/arr. BB
% Close relative of "Nine Points of Roguery"
Q:1/4=180
L:1/8
M:C
K:Dmix
A,|D2FD GFED|AdAF AdAF|D2FA GFED|cEE2 cEEF|
DEFD GFED|AdAF AdAF|D2FA GFEc|dDD2 dDD:|
%
B|c2cA B2BG|A2Ad AGFE|D2FA GFEd|cEe2 ceed|
cecA BdBG|Adcd fdAF|D2FA GFEc|dDD2 dDD:|
%
c|d2fa gfec|defg abaf|d2fa gfga|be e2 beef|
d2fa gfec|defg abaf|d2fa gfeg|fage fdAB : |
%
B|cecA BdBG|Adcd fdAF|D2FA GFEd|cEE2 ceed|
c2ca B2BG|A2Ad AGFE|d2 FA GFEc|d2D2 dDDB|
%
c2cA B2BG|A2Ad AGFE|d2 FA GFEd|cEE2 ceed|
cecA BdBG|Adcd fdAF|d2 FA GFEc|dDD2 dDHD2|]

%%%
X:436
%
%
%
%
T:BLACK MATHEW 
S:S: ONMI.0551 < O'Brien
Z:Z: Brennan/Black 
M:6/8
L:1/8
K:Gm 
%%text "with spirit"
%%vskip .3in
F|F=EF DE^F|G2G G2A|BAG AFD|D2C B,2B,/D/|
BAG FDC|DDC B,2B,/C/|DGF G2^F|DGF G2|]

%%%
X:437
%
%
%
%
T:BLACK MOUNTAIN (jig)
C:© Larry Mallette
Z:Z: ABC/arr.BB
S:S: composer
Q:1/4=160
M:6/8
K:Am
G|EAA EBB|EAA G2E|EGA B2c|BAG A2G|
EAA EDE|GAB c2e|efe dcB|BAG A2 :|
e|efe d2e|dcB c2c|BAB d3|ede a2a|
efe d2e|dcB A3|e3 dcB|BAG A2e|
efe d2e|dcB c2c|BAB e3|geg a2e|
efe d2e|dcB A3|e^de =dcB|BAG HA3|]



%%%
X:439
%
%
%
%
T:BLACK ROAD (jig), The   
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy1.10
Q:1/4=160
L:1/8
M:6/8
K:Am 
%%text source key = Gm
%%vskip .3in
B|cBc dcd|efg age|cBc edc|dBG GAB |
cBc dcd|efg gfg|aga aed|cAA A2 :|
d|eaa age|dcd ecA|cde ged|cBc AGE |
AGA cBc|dcd efg|aga aed|cAA A2 :|

%%%
X:440
%%staffsep 70
%
T:BLACK ROAD to LOUGHREA (reel), The
C:© BB 
S:S: BBMG
M:4/4
Q:1/4=180
L:1/8
K:Dm
"Dm"A,DGF DdcA|"Am"aged cAGF|"Dm"A,DGF DdcA|"Am"aged "Dm"cd ~d2|
"Dm"A,DGF DdcA|"Am"aged cAGA|"Dm"defe dcAd|"Am"cAGE "Dm"D4 :|
"F"a3 g f3 e|"Dm"dedc Adde|"F"f2 ed "C"cAGc|"Am"Acde "Dm"fdde|
"F"af~f2 "C"ge ~e2|"Dm"dedc Adde|"F"f2 ed "C"cAGA|"Am"cAGE "Dm"D4 :|

%%%
X:441
%
%
%
%
T:BLACK ROCK (reel), The 
S:S: OFPC4.140 ("Irish")
Z:Z: ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
K:G
A|B2AG E2 D2|GBdB eAAB|cBAG E2D2|GBdA BGG :|
c|Bdde gBdB|eBgB eAAc|Bdde gBdB|efdc BGGc|
Bdde gBdB|eBgB eAAc|B2AG E2 D2|GBdA BGG2|]

%%%
X:442
%
%
%
%
T:BLACK ROCK (slip jig), The 
S:S: NCIUP.15e
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:9/8
K:A dorian
e2f d2e c2A|B2e e2A Bcd|
e2f d2e c2A|B2G G2A Bcd:|
c2A ABA c2A|B2e e2A Bcd|
c2A ABA c2A|B2G G2A Bcd:|\
"^coda" HA6z6|]

%%%
X:443
%
%
%
%
T:BLACK ROGUE (jig) (1), The   
Z:Z: ABC/arr. BB
S:S: Levey2.13 
Q:1/4=160
L:1/8
M:6/8
K:Em
%%text "moderately quick and well marked"
%%vskip .3in
g|dBA BAB|dBB B2g|dBB BAB|GED E2g|
dBA BAB|dBA BAG|A2A BAB|GED E2 :|
d|gfg aga|bge dBG|gfg aga|bge e2a|
bag agf|gfe dBG|A2A BAB|GED E2 :|

%%%
X:444
%
%
%
%
T:BLACK ROGUE (jig) (2), The 
S:S: ONMI.0915 < J.O'Neill
Z:Z: Brennan/Black 
Q:1/4=160
M:6/8
L:1/8
K:Em
g|dBB BAB|dBB B2g|dBB BAB|GEE E2g|
dBB BAB|dBB BAG|ABc BAB|GEE E2 :|
d|gfg aga|bge edB|gfg aga|bgf efg|
bag agf|gef g2e|dBB BAB|GEE E2 :|

%%%
X:445
%
%
%
%
T:BLACK SLENDER BOY (1st setting), The  
%S:S: not attributed
N:N: a/k/a/ "Dark Slender Boy" 
S:S: ONMI.0024
Z:Z: Brennan/Black 
M:3/4
L:1/8
K:G
%%text "tenderly"
%%vskip .3in
G/A/ Bc|d//c//B//c//d//e//f//g// fdcB|AG/F/ GD GA|Bd c/A/G/F/ AG|G3:|
(3d/e/f/ ga|b2ag b/a/a/g/|fd de/f/ ga|b2 ag ba|Ha3 a/g/ fd|
f/g/a/g/ fd cB|B/A/G/F/ GDGA|Bd c/A/G/F/ AG|G3|]

%%%
X:446
%
%
%
%
T:BLACK SLENDER BOY (2nd setting), The  
S:S: ONMI.0025
Z:Z: Brennan/Black 
M:3/4
L:1/8
K:G
%%text "tenderly"
%%vskip .3in
G/A/ Bc||dg g/f/d/c/ Bc/A/|BA GF/G/ A/B/c/A/|dg g/f/d/c/ AG|G3 G/A/ Bc|
dg g/f/d/c/ Bc/A/|BA GF/G/ A/B/c/A/|dg g/f/d/c/ AG|G3||
B/c/ dd||b2 ab/a/ g/f/b/a/|gf dc dd/e/|=fa g/f/d/c/ d/g/^f/a/|g2 G/c/f/a/ ba|
ga (3b/a/g/  (3f/d/c/ Bc/A/|BA G/F/G A/B/c/A/|dg g/f/d/c/ AG|G6|]
%
% In measure 12 appears this gem: |G//A//B//c//d//e//f//g//a//| I have
% simplified it to |G/c/f/a/|

%%%
X:447
%
%
%
%
T:BLACK SLENDER BOY (3rd setting), The  
S:S: ONMI.0026
Z:Z: Brennan/Black 
M:3/4
L:1/8
K:G
%%text "tenderly"
%%vskip .3in
c/A/ G/A/B/c/|dg ba g/f/d/c/|BA GG G/A/B/c/|dA c/A/G/A/ GG|
G3c/A/ G/A/B/c/|dg ba g/f/d/c/|BA GG G/A/B/c/|dA c/A/G/A/ GG G3||
de/f/ g/a/|ba/g/ gg a/g/f/d/|d3d/e/ =f/d/c/B/|c3B/c/ dg|g3g/a/ b/g/=f/e/|
=f2ag g/^f/d/c/|BA GG G/A/B/c/|dA c/A/G/A/ GG|G6|]

%%%
X:448
%
%
%
%
T:BLACK STICKS* (reel), The
S:S: CRE.4 (unnamed)
C:Martin Rochford
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=180
M:4/4
K:G
ag|:e2dB GABd|edBd eaa2|edBA G2GA|BcBA GED2:|
%
edef geeg|a2 ba gedB|edef g2 ef|a2 ed BABd|
edef g2 eg|a2 ba geef|gaba geef|gedB A2||
%
GA|BdAG E2 GA|BABd efge|dBAG E2 GA|BcBA GE D2|
BdAG E2 GA|BABd efge|dBAG E2 GA|BcBA GEEd|HG4z4|]

%%%
X:449
%
%
T:BLACK SWAN (hornpipe), The 
S:S: BSMI.2
Z:Z: ABC/arr. BB
M:C|
Q:1/4=150
L:1/8
K:D 
%%text source key = F
%%vskip .3in
%swing .25
FG|ADFA BDGB|A2FA dcdf|egce gefd|efeB A2FG|
ADFA BDGB|A2FA dcdf|eAge cAfe|d2ce d2 :|
cd|eAce g2fe|fAde f2ed|ea^gf edcB|A2^GB A2F,G,|
A2FA DFAF|B2Gd g2fe|fAdf eAce|d2ce d2 :|

%%
X:450
%
%
T:BLACK-EYED SUSAN (1st Setting) (1) 
S:S: ONMI.0053 < J.O'Neill
Z:Z: Brennan/Black 
M:6/8
L:1/8
K:Bm
%%text "slow"
%%vskip .3in
F|B2c dcB|^A2B F2F|B2c dcB|^A2B Hc2f|
f2c BAF|F2E D2E|F2B Bdc|B2^A B2||
z|B2A A2F|d2c B3|def ecB|A3-A2F|
B2c dcd/e/|Hf3 Hg2e|d2c B^Ac|B2^A B2|]

%%%
X:451
%
%
T:BLACK-EYED SUSAN (2nd Setting) (2)  
N:N: Note 7 measures in part 2.
S:S: ONMI.0054 < F.O'Neill
Z:Z: Brennan/Black 
M:6/8
L:1/8
K:Cm 
%%text "slow"
%%vskip .3in
G|c2d edc|=B2c G2G|B2A AGF|E2F HG2G|
c2d e2B|e2f Hg3|fdB B2d/e/|f2d e2||
B|g2e f2d|edc =B2c|G3-G2F|EFG/A/ BG z/G/|
c2d egf|edc Gc=B|c3-c2|]

%%%
X:452
%
%
%
%
T:BLACK-EYED SUSAN (jig) (3)
S:S: ONMI.0053
Q:1/4=160
Z:Z: ABC/arr BB
M:12/8
L:1/8
K:Bm
F|B2c dcB A2B F2A|B2c dcB A2B c2e|
f2c BAG F2E D2E|F2B Bdc B3- B2:|
z|B2A A2F d2c B3|def ecB A3-A2F|
B2c d2e f3 g2e|d2c BAc B3- B2:|

%%%
X:453
%
%
%
%
T:BLACKBERRY BLOSSOM (reel) (1), The
S:S: AIF
Z:Z: Brennan/Black 
Q:1/4=180
M:C
L:1/8
%%R:reel
K:Adorian
ge|dBAc BGGA|BcBA B2ge|dBAc BGGB|Aaag a2ge|
dBAc BGGA|BcBA B2ge|dBAc BGGB|Aaag a2ef||
gfga bgaf|gfga bgef|gfga bgag|eaag a2ef|
gfga bgaf|gfga bgdg|bgaf gefd|eaag Ha4|]

X:454
%
%
%
%
T:BLACKBERRY BLOSSOM (reel) (2), The
Z:Z: ABC/arr. BB
S:S: FS3.16c
M:4/4
L:1/8
Q:1/4=180
%%R:Reel
K:Adorian
ge|dBAc BGGA|BcBA B2ge|dBAc BGGB|Aaag a2 :|
ef|g2gf gbaf|gfga beef|gfga bagf|eaag a2ef|
g2gf gbaf|gfga beeg|bgaf gfed|eaag Ha4|]

X:455
%
%
%
%
T:BLACKBERRY BLOSSOM (reel) (3), The
S:S: ONMI.1295 < F.O'Neill
Z:Z: Brennan/Black 
Q:1/4=180
%%R:reel
M:C|
L:1/8
K:Adorian
ge|dBAc BAGA|BcBA B2ge|dBAc BGGB|Aaa^g a2:|
ef|gfge gbag|gfga beef|gfga bagf|eaa^g a2ef|
gfge gbaf|gfga beeg|bgaf gfed|eaa^g Ha4|]

X:456
%
%
%
%
T:BLACKBIRD ("long dance") (7), The
S:S: ONMI.1793 < J.O'Neill 
%%R:hornpipe
Q:1/4=60
Z:Z: Brennan/Black 
M:2/4
L:1/16
K:D
% 
%swing .25
dc|B2d2 c2B2|ABAG ABcA|dcde dcAF|GAGF d2DE|
F2FG A2fe|dcde dcAF|GAGF d2D2|D6:|
de|f2d2 f2g2|abag fgaf|g2gf gbaf|
gagf d2de|f2de f2g2|abag fgaf|
gagf d2d2|defg abag|fgaf gage|
f2ed cA2B|c2de defg|a4 A3G|
FGAB =c3e|d^cAF GAGF|D2D2d2:|

X:457
%
%
%
%
T:BLACKBIRD ("set dance") (5), The
S:S: RC2.270
Z:Z: ABC/arr. BB
Q:1/4=130
L:1/8 
N:N: dotted rhythm in source 
M:C|
%%R:hornpipe 
K:D
% 
%swing .25
dc|B2Bd c2Bc|ABAG ABcA|d^cde d=cAF|GAGF D2DE|
FEFG A2fe|d^cde d=cAF|GAGF D2D2|D6:|
de|fede f2g2|abag fgaf|g2gf gbaf|gagf d2de|
fede f2g2|abag fgaf|gagf d2dd|d3e f3g|
abag fgaf|gage f3e|dcAG ABde|fefg a2FG|
A2AB AGFD|cBce dcAF|GAGF D2D2|HD4z4|]

X:458
%
%
%
%
T:BLACKBIRD ("set dance") (8), The
S:S: AIF
Z:Z: Brennan/Black 
Q:1/4=100
M:2/4
L:1/16 
K:D
% 
%swing .25
d3c|B4 B3d|=c4 B3c|A3B A3G|A3B =c3A|\
d3^c d3e|d3c A3F|G3A G3F|E4 E3F|
F3E F3G|A4 f3e|d3c d3e|d3c A3F|\
G3A G3F|D4 D4|D4 :|2 D4-D3||
%
|:e|f3e d3e|f4 g4|a3b a3g|f3g a3f|\
[1 g4 g3f|g3b a3f|g3a g3f|d4 d3 :|
[2 g3a g3f|d4 d4|d8|z4 f3||\
%
|:g|a3b a3g|f3g a3f|g3a g3f|f4 e4|
d3c A3G|A3B d3e|f3e f3g|a4 a4|\
A3B A3G|F3G A3B|=c3B c3e|d3^c A3F|
G3A G3F|D4D4|D4z4|]

X:459
%
%
%
%
T:BLACKBIRD (11), The
S:S: RC1.056 
Z:Z: ABC/arr. BB
L:1/8
M:4/4
K:G
%%text "slow"
%%vskip .3in
(3FGA|B3Bc2Bc|A3G F/G/A/B/ cA|d2de d=cAF|G2GFD2zD/E/|
"5" F2FGA2fe|d3ef/e/d/c/ A/G/F/A/|G3FD2D2|D4 z2:|
de|"9"fAde f3g|a4-ag f/g/a/f/|g3f g2af|gfgf d3A|
"13"d3e f3g|a2 b/a/g fgaf|g3fd2d2|d4 zA/B/d/e/f/g/|
"17"a4-ag f/g/a/f/|g3e f3e|d3c A3e|
"21"fefg Ha2 b/g/d/B/|A3B A/G/F/D/ F/G/A/B/|c3e d/c/A/G/ FA|\
"24"G3F D2D2|D4z4|]

X:460
%
%
%
%
T:BLACKBIRD (1st Setting), The
S:S: ONMI.0199 < J.O'Neill
Z:Z: Brennan/Black  
M:C
L:1/8
K:D
%%text "very slow"
%%vskip .3in
D/E/F/G//A//||B2BA/G/ A2AB/c/|dcdA GA/G/ FE|DEFG ABAG|\
F2D2D2 D/E/F/G//A//|
B2BA/G/ A2fe|dcdA GA/G/FE|DEFG ABAG|F2D2D2||
D/E/F/G/|Adde fd ef/g/|fdec dcAG|Adde fd ef/g/|f2d2 defg|
agf<a g2fe|dcde f2gf/e/|dc A/G/F GBAG|F2D2D2|]

X:461
%
%
%
%
T:BLACKBIRD (2nd Setting), The
S:S: ONMI.0200 < J.O'Neill
Z:Z: Brennan/Black  
M:2/4
L:1/8
K:D
%%text "slow"
%%vskip .3in
A|B2 A^G|A2 (3ABc|dc dA|G2 FG|A2 fd|cA BG|F2 D>D|D2z:|
A|de fg|a2 fa|gf ga|g2 fe|de fg|ag fe|f2 dd|de fg|
ag fa|g2 fe|fd cA|f2 ed|cA BG|FB AG|F2DD|D4|]

X:462
%
%
%
%
T:BLACKBIRD (3rd Setting), The
S:S: ONMI.0201 < J.O'Neill
Z:Z: Brennan/Black  
M:C
L:1/8 % 1/16 in source
K:D
%%text "moderate"
%%vskip .3in
DE/F/GA|B3d c2B2|A3G AB=cA|d2c2 d=cAF|GAGF D2DE|
F2FG A2fe|d3c d=cAF|GAGF D2D2|D4:|
FG/A/Bc|d3e f2g2|a3g f2a2|g3f g2a2|g3f d2a2|
d3e f2g2|a3g f2a2|g3f d2d2|d4defg|
a3g fgaf|g3b agfd|=c2AB c2de|defg Ha2 FG|
A3G FGAB|=c3e dcAF|G3F D2D2|D4|]

X:463
%
%
%
%
T:BLACKBIRD (hornpipe) (10), The
S:S: MSIST.02a
Z:Z: ABC/arr BB
Q:1/4=150
M:C
L:1/8
%%R:hornpipe
K:Dm
% 
%swing .25
GA|B2Bc AGA^c|d^cdA F2D2|F2fd cAGA|F2D2D2 :|
A2|defg a2gf|gfga f2d2|defg a2ga|f2d2d2 fg|
agfa gfgd|cBcA f2a2|A2GF GBAG|F2D2HD4 |]

X:464
%
%
%
%
T:BLACKBIRD (hornpipe) (4), The
S:S: CRE.1
Z:Z: ABC/arr.BB
Q:1/4=150
L:1/8
M:C
%%R:hornpipe
K:D
% 
%swing .25
DE|F3A GFDA|d2 fd d=cAF|G2 AF GFDE|FGAF G2GA|
F3A GFDA|defd d=cAG|Ad=cA GcAG|F2 D2 D2:|
fg|agfa gfeg|dfec dBAg|afga gfeg|fedf e2 fg|
afge f2ec|dcde f2 ec|d=cAF GcAG|F2 D2 D2:|

X:465
%
%
%
%
T:BLACKBIRD (hornpipe) (6), The
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=130
L:1/8
M:C|
%%R:hornpipe
K:D
% 
%swing .25
zd|B2d2 =c2B2|ABAG AB=cA|dcde dcAF|GAGF D2DE|
FEFG A2fe|dcde dcAF|GAGF D2D2 |D4-D2:|
de|fede f2g2|abag fgaf|g2gf gbaf|gagf d2de|
fede f2g2|abag fgaf|gagf d2d2|defg abag|
fgaf gage|f2ed c2AB|cdec defg|a3z ABAG|
FGAB =cBce|dcAF GAGF|D2D2 HD4|]

X:466
%
%
%
%
T:BLACKBIRD (set dance) (9), The
S:S: CTWT < J.Kelly Sr.
Z:Z: ABC/arr.BB
%%R:hornpipe
Q:1/4=120
L:1/8
M:4/4
K:Dmix
% 
%swing .25
dc|:B3d cBAG|A3G ABc/B/A|d^cde f/e/dAF|G3F D3E|
F3G Adfd|efed cAGF|GBAF D2D2|1 D6 GA:|2 D6||
|:de|f3e defg|a3g fgag/f/|g2 ag/f/ gbaf|gage dBA2|
gf/e/ de f2 g2|a3g fgag/f/|g3e gf/e/ d^c|defg a3g|
fgaf g3e|f3e dcAG|AB c/B/A defg|a3z ABAG|
EF/G/ AB c3e|dcAF G3F|D2D2 D2:|

X:467
%
%
%
%
T:BLACKBIRD and the HEN (jig), The 
S:S: ONMI.1837
%%R:jig
Q:1/4=160
Z:Z: Brennan/Black 
M:6/8
L:1/8
K:A
d|c2d B2c|ABc d2B|fdB cec|BAA Aed|
c2d B2c|ABc d2B|fdB cea|baa a2:|
c|def =gec|de^g a2a|=gee dBA|Bee e2d|
cec BdB|AcA d2B|fdB cec|BAA A2:|
% I don't think this is really a dance tune but let's make it one!

X:468
%
%
%
%
T:BLACKBIRD REEL, The
Z:Z: ABC/arr. BB
S:S: Treoir
Q:1/4=180
M:4/4
L:1/8
%%R:reel
K:D
dcAF G2 FG|Adde fded|dcAF G2 FG|AFGE FD D2|
dcAF G2 FG|Adde fded|dcAF G2 FG|AFGE FDDA||
defg agfa|gfga gfef|defg a2eg|afge fddf|
agfe gfec|dcde f2 ec|dcAF G2 FG|AFGE FDDA||\
"^coda"HD4z4|]

X:469
%
%
%
%
T:BLACKEYED BIDDY (jig) 
S:S: ONMI.0820 < J.O'Neill
Z:Z: Brennan/Black 
Q:1/4=160
%%R:jig
M:6/8
L:1/8
K:A
E|ABA Ace|eac B2A|cBA d2B|cAA aec|
ABA Ace|eac B2A|cBA d2B|cAA A2 :|
a|e2a f2a|e2a fed|efg aec|eac ecA|
cBc dcd|eac B2A|cBA d2B|cAA A2 :|

X:470
%
%
%
%
T:BLACKHAIRED LASS (reel), The  
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%%R:reel
K:Amix
ed|cAAB cdec|d2ed BGGB|cAAB cdec|dfec A2AB|
cAAB cdec|d2ed BGGB|cAAB cdec|dfec A2AB|
cAEA cdec|d2ed BGGB|cAEA cdec|dfed cAAB|
cAEA cdec|d2Bd cAAB|cAEA Bceg|faec A3||
B|cdef g2eg|fdd2 fded|cdef g2eg|fgec A3B|
cdef g2eg|fdec defg|afge faec|dfec A3:|

X:471
%
%
%
%
T:BLACKROCK SHORE (hornpipe), The
C:© E.Reavy
%%R:hornpipe
Z:Z: McKenty / Black
S:S: "Ed Reavy Collection"
Q:1/4=140
M:C|
L:1/8
K:D
%%text "andantino"
%%vskip .3in
%swing .25
g|fedc dAFA|GFGF EDCE|DFAF EGBG|FAdf gfed|
fefd gfec|defd AGFA|GFEG FEDF|EDCE D3:|
F|GFED CEA,C|DFAc d2 cd|edef gfga|bgec dAFA|
dfaf bgec|defd AGFA|GFEG FEDF|EDCE D3 :|

X:472
%
%
%
%
T:BLACKSMITH (reel) (1), The
S:S: CRE.1
Z:Z: ABC/arr.BB
Q:1/4=180
L:1/8
M:4/4
%%R:reel
K:G
dBB2 dBGB|dBB2 ABcA|dBB2 dBGB|cABG ABcA:|
G2 BG DGBG|G2 BG ABcA|G2 BG DGBG|cABG ABcA:|\
"^coda"HG4z4|]

X:473
%
%
%
%
T:BLACKSMITH (reel) (2), The
S:S: "Ag Deanamh Ceoil" (CCE)
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%%R:reel
K:G
G2 BG DGBG|G2 Bd cAFA|G2 BG DG B2|AGFG ABcA:|
d2 Bd dGBG|d2 cB ABcA|d2 Bd dBGB|AGFG ABcA|
d2 Bd dGBG|d2 cB AB c2|dBcA BGAF|DEFG ABcA||\
"^coda"HG4z4|]

X:474
%
%
%
%
T:BLACKSMITH REILLY'S REEL 
S:S: CRE.5
Z:Z: ABC/arr. BB
N:N: Repeats added
M:4/4
Q:1/4=180
%%R:reel
K:D
e|dAAF AFFD|Dffe fBBc|dAAF AFFD|EDEF D2Bc|
dAAF AFFD|Dffe fBBc|dAAF AFFD|EDEF D3:|
e|defg afdf|edef g2fe|defg afdf|edef d2dA|
defg afdf|eBde g2fg|afdf abeg|fdec dgf :|\
"^coda"fdec Hd4|]

X:475
%
%
%
%
T:BLACKSMITH'S FANCY (reel), The
S:S: CRE.5
Z:Z: ABC/arr. BB
M:4/4
Q:1/4=180
%%R:reel
K:D
B|A2GE FDDF|G2E=C GCEG|A2GE FDDF|DEFG Addc|
A2GE FDDF|G2E=C GCFE|DEFG Acde|fage fdd:|
g|fddc dfaf|ecAG FDDg|fddc dfaf|efga fddg|
fddc dfaf|ecAG FGEF|DEFG Adde|fage fdd:|

X:476
%%staffsep 70
%
T:BLACKSTONE VALLEY HORNPIPE, The
C:© BB 2006
%S:S: BBMG
%%R:hornpipe
M:4/4
Q:1/4=150
L:1/8
K:G
% 
%swing .25
GA|"G"BABe dcBA|"G"GABG "Am"AGEF|"G"GBdB gfed|"C"ce"G"Bd "D"A2 GA|
"G"BABe dcBA|"G"GABG "D7"FEDC|"G"B,DGB "C"CEGc|"D"(3ABA FA "G"G2 :|
EF| "Em"GFEG BGEF|"C"GFGA "D"BdAF|"Em"GFED "G"B,DGB|"D"ABGF "Em"E2 ga|
"G"bgfg "Em"edBd|"Am7"ecAG "D"FA (3DEF|"G"GB (3BAB "C"cedc|"D"(3ABA FA "G"G2 :|



X:478
%
%
%
%
T:BLACKTHORN STICK (b), The
S:S: ONMI.0458 < F.O'Neill
Z:Z: Brennan/Black  
M:6/8
L:1/8
K:Dm 
%%text "playfully"
%%vskip .3in
F/G/|ADD DcE|EDD D2d/e/|fed edc|AB^c d2d/d/|
edc dcA|GFE F2G/G/|ADD DcE|EDD D2||
%
(3A/=B/^c/|ded dcA|GFE F2G/G/|GEC CEF|\
GAG E2 (3A/=B/^c/|
ded dcA|GFE F2G/G/|ADD DcE|EDD D2||
%
(3A/=B/^c/|d2e fed|ed^c d2A/=B/|cdc cBA|\
GEC C2 (3A/=B/^c/|
d2e fed|ed^c d2A/=B/|cBA GFG|AFD D2|]

X:479
%
%
%
%
T:BLACKTHORN STICK (jig) (a-1), The
Z:Z: ABC/arr. BB
S:S: FS3.23b
M:6/8
L:1/8
Q:1/4=160
%%R:jig
K:G
d|gfg ege|dBG AGE|DGG FGA|BGB A2d|
gfg age|dBG AGE|DGG FGA|BGF G2 :|
d|edd gdd|edd gdd|ede gfg|edB A2d|
gfg age|dBG AGE|DGG FGA|BGF G2 :|

X:480
%%staffsep 70
%
%
T:BLACKTHORN STICK (reel) (1), The
T:The Rising Sun
S:S: CRE.1
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%%R:reel
K:D
d2FB AFEF|Dddc BABc|dFF2 AFF2|EDCE Dgfe|
d2FB AFEF|Dddc BABc|dFF2 AFF2|EDCE D2||
(3ABc|defd egfd|A2cA eAcA|defd e2fg|abag fdec|
defd egfd|A2cA eAcA|defg abag|fdec dgfe||\
"^coda"Hd4z4|]

X:481
%
%
%
%
T:BLACKTHORN STICK (reel) (2), The
T:Rising Sun 
S:S: GSTC
Z:Z: ABC/arr. BB
M:C
Q:1/4=180
%%R:reel
K:D
fe|d2FB AFEF|D2dc BABc|dFF2 AFED|EGAD Dgfe|
dF F2 AE E2|DF F2 BABc|d2 FB AFED|EGFE D2 :| 
Bc|d2 fd edfd|A2cA eAcA|defd e2 fg|afge fdec|
defd edfd| A2cA eAcA|defg afbf|afef d2 :|

X:482
%
%
%
%
T:BLACKTHORN STICK (set dance) (c), The
S:S: RC2.274
Z:Z: ABC/arr. BB
N:N: Note fifteen measures in this version.
L:1/8
M:6/8
%%R:jig 
K:G
de|fed B2d|A2A Bdd|d2A def|g2g fed|faf e2A|
def g2g|fed faf|ede fed|BdB AFA|Bdd d2A|
def g2g|fed faa|bag fed|B2d A2A|Bdd d3|]

X:483
%
%
%
%
T:BLACKTHORN[E] STICK (a-2) (jig), The 
S:S: AIF
Z:Z: Brennan/Black 
Q:1/4=160
M:6/8
%%R:jig
L:1/8
K:G
d|gfg ege|dBG AGE|DGG FGA|BAG A2d|
gfg age|dBG AGE|DGG FGA|BGG G2:|
d|edd gdd|edd gdd|ede gfe|dcB A2d|
gfg age|dBG G2E|DGG FGA|BGG G2:|

X:484
%
%
T:BLACKWATER POLKA #1, The
S:S: "Where's the Crack? v/1" (DJ Taylor) (folder 38)
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:2/4
%%R:polka
K:G
g|fe fg/e/|fe dg|fg/e/ fe|d2 ef|
ga/g/ fg/e/|ed Bd|ce/c/ BA|G2G:|
A|Bd/A/ Bd| ce/B/ ce|de/^c/ dg|f/g/a g2|
e/d/e/f/ ge|dB Bd|ce/c/ BA|1 G2G:|2 G4||

X:485
%
%
%
%
T:BLACKWATER POLKA #2, The 
S:S: "Where's the Crack v/1" (DJ Taylor) (folder 38)
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:2/4
%%R:polka
K:G
E|DE GA|Bd Bd/B/|AG/A/ BA|BA/G/ EG|
DE GA|Bd Bd/B/|AG/A/ BA|BA/F/ G:|
e|ga/g/ eg/e/|dB dB/A/|GF/G/ AB|AG EG|
ga/g/ eg/e/|dB dB/A/|GF/G/ AB|1 AG E:|\
[2 AF G2-|G4|]

X:486
%
%
%
%
T:BLACKWATER REEL, The 
S:S: GSTC
C:? L.Redican
Z:Z: ABC/arr. BB
M:4/4
Q:1/4=180
%%R:reel
K:G
DGBG A2BA|GEE2 cEE2|DGBG AcBA|GEDB, DEGA|
BcBG AcBA|GEcE dEcE|DEGB AGBA|GEED EG G2||
G2Bd efge|dB B2 dBAB|GABd edge|dBAG EG G2|
GABd edge|dB B2 dega|bgag efge|dBAG EG HG2|]



X:488
%
%
%
%
T:BLARNEY CASTLE 
S:S: ISQT.15a
Z:Z: ABC/arr. BB
N:N: A version of "Orange Rogue". I've set this up so that it can be played as a 
N:"standard" jig (use Q:160 into the ABC header if you're interested in hearing 
N:it that way).
M:6/8
K:Dm
%%text "slow"
%%vskip .3in
d|cAA AGF|cAA Aed|cAA ABA|FDD D2B|
cAA AGF|cAA Aed|cAA ABA|FDC D2:|
e|f3 g3|afd cBA|f3 g3|afd d2g|
afa geg|fdd dfd|cAG ABG|FDC D2 :|
%

X:489
%
%
%
%
T:BLARNEY PILGRIM (jig) (1), The
S:S: FS1.23b
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
L:1/8
%%R:Jig
K:Dmix
DED DEG|A3 ABc|BAG AGE|GEA GED|
DED DEG|A3 ABc|BAG AGE|GED D3 :|
ded dBG|AGA BGE|d3 dBG|ABA G3|
g2e dBG|AGA BGE|B2G AGE|GAG G3 :|
A2D B2D|A2D ABc|BAG AGE|GEA GED|
A2D B2D|A2D ABc|BAG AGE|GED D3 :|

X:490
%
%
%
%
T:BLARNEY PILGRIM (jig) (2), The
S:S: ONMI.1099 < Cronin
Z:Z: Brennan/Black 
%%R:jig
Q:1/4=160
M:6/8
L:1/8
K:Dmix
DED DEG|A2G ABc|BAG AGE|GEA GED|
DED DEG|A2G ABc|BAG AGE|GED D3:|
%
ded dBG|AGA BGE|ded dBG|ABA G3|
g2e dBG|AGA BGE|B2G AGE|GAG GED:|
%
A2D B2D|A2D ABc|BAG AGE|GEA GED|
A2D B2D|A2D ABc|BAG AGE|GED D3:|
%
N:N: I think it's a tribute to the Chief and his colleagues that musicians of today 
N:play this tune pretty much note-for-note the way it appears in "the 1850"!

X:491
%
%
%
%
T:BLARNEY STONE, The  
S:S: CGI.120
Z:Z: ABC/arr. BB
Q:1/4=120
%%R:jig
L:1/8
M:6/8
K:G 
%%text "allegro"; A-B-A
%%vskip .3in
D|G2B d2B|G2A D3|B2B BAG|A3-A2D|
G2B d2B|G2A D2G|BcB AGA|G3-G2 :|
K:D
d|czA Azf|ezA Azd|czA Azf|e3-e2d|
cde dcB|ABA GFE|DCD E2A|F2f e2d|
ced cdB|AGF BGE|DCD F2E|D3-"_DC"D2||

X:492
%
%
%
%
T:BLASKET ISLAND POLKA, The
S:S: Patrick Murray
Z:Z: ABC/arr BB
Q:1/4=140
M:2/4
L:1/8
K:G
FG AB | c2 cA | B2 Bc/B/ | AG AG |
FG AB | c2 cA | B/c/d cA |1 G2 GA/G/ :|2 G2 G2 ||
|: de/d/ cA | GB BG | FA AF | GB Bc |
de/d/ cA | GB BG | FA AF | G2 G2 :|]

X:493
%
%
%
%
T:BLAST OF WIND (slip jig), The 
S:S: ONMI.1123
Z:Z: Brennan/Black 
%%R:slip jig
Q:1/4=160
M:9/8
L:1/8
K:D
d3 dAG FED|d2d dAF G2E|ABc dAG FGA|
=cBc E2F G2E:|d2g fdf ece|d2g fdf g2e|
d2g fdf ece|=cBc E2F G2E|d2g fdf ece|
d2g fdf g2e|afd gec d2B|=cBc E2F G2E ||
"^coda"D6z3|]

X:494
%
%
%
%
T:BLAZING TURF FIRE (jig), The
S:S: ONMI.0780 < Cronin
Z:Z: Brennan/Black 
Q:1/4=160
%%R:jig
M:6/8
L:1/8
K:D
A|ded dfd|cAB cBc|ded afd|ecA ABc|
ded dfd|cAB cde|fde dcA|GED D2 :|
G|EDF GAG|EDE G2A|EDF GAc|BAG A2G|
EDF GAG|E2E Geg|fde dcA|GED D2 :|

%%% %%%
X:495
%
%
%
%
T:BLESS TIPPERARY (march)
S:S: OFPC1.15
Z:Z: ABC/arr. BB
Q:1/4=100
M:C
L:1/8
%%R:march
K:D
fg|agfe d2c2 |d4 A3d|g4 gbag| f4 e2fg|
agfe d2c2| d4 A3d|c3A B2AB |A6 ||
cd|e2e2 e2f2| g4g2f2|b3a b3c'| b3a g2f2|
b2f2 f2ef| g4 f2e2|d2B2 dcBA| B6 fg|
agfe d2c2| d4 A3d|g4 gbag| f4 e3A|
d2dd d2dd| d2dd f2a2|d2dd d2dd| d2dd f2a2|
d2dd f2a2| d2dd f2a2|bagf b2a2| g4 f3d|
e3f gfed| c2Bc A3g|f2ga A3g| f2ga A3g|
f2ga A2c2| Hd4z4 |]

%%%


%%%
X:497
%
%
%
%
T:BLESSINGS OF SILVER (reel), The
C:© E.Reavy
S:S: "Ed Reavy Collection"
%%R:reel
N:N: Reavy's measures 10 and 14 have B naturals, which sound awful and have 
N:been replaced here. I couldn't decide what if anything to do with the various
N: F's, so I left them alone.
Z:Z: McKenty/Black 
Q:1/4=180
M:4/4
L:1/8
K:Gdor
%%text "allegro moderato"
%%vskip .3in
G/A/|BdBF DGGF|DFCF DFCF|DFFA Bcdg|g^fdf fdcA|
Bdce dcBA|DGBG ^FDCA,|DFFA Bcdg|^fdcA G3:|
g|bfa^f gfdc|Bcde fdcd|bgae f2 ge|fdcA BGGg|
bga^f gfdc|Bcde fefa|gbag ^fage|=fdcA BGG:|
%

%%%
X:498
%
%
%
T:BLEWIT'S JIG (slip jig) 
T:Barney Brallaghan
Z:Z: ABC/arr. BB
S:S: Levey1.111  
Q:1/4=160
L:1/8
%%R:slip jig
M:9/8
K:D
%%text "very quick"
%%vskip .3in
F2A ABA ABA|F2A ABA d2f|
F2A ABA ABA|B2B e2d cBA :|
%
f2a f2a fed|f2a f2a g2e|
f2a f2a fed|g2f e2d cBA :|
%
f2z a2z d2z|g2f e2d cBA|
f2z e2z d2z|B2B A2G FED :|

%%%
X:499
%
%
%
%
T:BLIND BILLY (slip jig) 
S:S: ONMI.1129
Z:Z: Brennan/Black 
%%R:slip jig
Q:1/4=160
M:9/8
L:1/8
K:A
dec A2f ecA|dec A2g f2e|dec A2f ecA|fBB Bce f2e:|
a2a a2f ecA|ada a2e f2e|fga ada ece|fBB Bce f2e|
ada ada ecA|ada a2e f2e|fga ada ece|fBB Bce f2e ||
"coda"a6z3|]

%%%
X:500
%
%
%
%
T:BLIND MARY 
S:S: CAR-ON
C:O'Carolan
Z:Z: Brennan/Black 
M:2/4
L:1/16
K:D
%%text "very slow"
%%vskip .3in
A2|d4d3c|B4A2FG|A3B A2F2|E6FG|
A2f2 f3e|d2B2 A2DE|F3G E3D|D6||
de|f3g f2B2|e3c A2Bc|d3D D2EF|E6AG|
F3G A2d2|f3e d2 DE|F3G E3D|D6|]

%%%
X:501
%
%
%
%
T:BLINK OF AN EYE (jig), The  
S:S: arr. of ONMI #227 "Wink Of Her Eye" 
Z:Z: ABC/arr. BB
Q:1/4=160
%%R:jig
M:6/8
L:1/8
K:D
e|f2d dcB|AGF GAB|AFA dcB|AFD Ede|
fed dcB|AGF GAB|AdB AGF|GFE D2 :|
d|e2f gfe|dcB A3|GFE FGA|edB A2d|
e2f gfe|faf d2B|AdB AGF|GFE D2 :|

%%%
X:502
%
%
%
%
T:BLOCKERS (reel), The
S:S: SRHI.26b
Z:Z: ABC/arr. BB
C:Seán Ryan
Q:1/4=180
L:1/8
M:C
%%R:reel
K:G
A2|Bcdc BGG2|=FDCD FGAc|dgg2 fgag|fdc_B A=FF2|
Bcdc BGG2|=FDCD FGAc|dgg2 fgag|fdcA G2:|
Bd|g2dg BgdB|cBcd cAFA|DGG2 FGAc|Bcde fdef|
[1 g2dg BGdB|cBcd cAF2|DGG2 FGAc|BGAF G2:|
[2 g2 af gBdB|cBcd cAF2|DGG2 FGAc|BGAF G4|]

%%%
X:503
%
%
%
%
T:BLOOD-RED ROSE, The 
S:S: ONMI.0383 < J.O'Neill
Z:Z: Brennan/Black  
M:C
L:1/8 
N:N: dotted rhythm in source
K:F 
%%text "slow"
%%vskip .3in
A^c|d2GA G2cB|ABGA F2fg|agfd fdcA|AGGA B2A^c|
d2GA G2cB|ABGA F2fg|agfd fdcA|G2FF F2||
AG|F2fg f3g|agfd c2fe|d2ga g3a|bagf d2fg|
a2ba g2ag|fgfd cdfg|agfd fdcA|G2FF F2|]

%%%
X:504
%
%
%
%
T:BLOODY HOLLOW (jig), The
C:Joe Mills (Galway)
S:S: IRTRAD post
Z:Z: ABC/arr. BB
Q:1/4=160
%%R:jig
M:6/8
L:1/8
K:G
D|DGG GFG|FEF DFA|BAB GBd|cAG FGA|
DGG GFG|FEF DFA|ded cAF|G3 G2:|
B/c/|dgg dff|dgd cBc|dgg dcA|GFG ABc|
def gfg|agf gfe|ded cAF|G3 G2:|

%%%
X:505
%
%
T:BLOOM OF YOUTH (reel) (1), The  
S:S: ONMI.1215 < Lawson
Z:Z: Brennan/Black 
Q:1/4=180
%%R:reel 
M:C|
L:1/8
K:G
G2DG EGDF|G2BG AGEF|G2DG EGBc|dBcA BGAF|
G2DG EGDF|G2BG AGEF|G2DG EGDc|dBAc BGG2||
gdd2 edcA|BdAc BEE2|gdd2 edcA|dBAc BGG2|
gdd2 edcA|BdAc BEE2|cBcd efge|dBAc BGHG2|]

%%%
X:506
%
%
T:BLOOM OF YOUTH (reel) (2), The
S:S: GSTC
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
L:1/8
%%R:reel
K:G
DE|G2DG EGDE|GABG AGEF|G2DG EGAB|cedc B2AF|
G2 DG EGDE|G2 BG AGEF|G2 DG EGAB|cedc BG G2||
gd d2 edBG|BdBG AGEG|g2 dg egdg|cedc BG G2|
gGfG eGdc|BdBG AGEG|cBcd egfa|gedc B2AF||\
"coda" HG4z4|]

%%%
X:507
%
%
%
%
T:BLOOMING MEADOWS (jig) (1st Setting), The
S:S: ONMI.0917 < F.O'Neill
%%R:jig
Z:Z: Brennan/Black 
Q:1/4=160
M:6/8
L:1/8
K:G
F|D2G G2A|BdB cAG|F2D DED|F2G AFD|
D2G G2A|BAG ABd|fed cAF|GAF G2:|
f|g2d def|g2a bag|f2d ded|f2g afd|
[1 g2d def|g2a bag|fed cAF|GAF G2 :|
[2 g2e f2d|edc Bcd|fed cAF|GAF G3 |]

%%%
X:508
%
%
%
%
T:BLOOMING MEADOWS (jig) (2nd Setting), The
S:S: ONMI.0918 < J.O'Neill
%%R:jig
Z:Z: Brennan/Black 
Q:1/4=160
M:6/8
L:1/8
K:G
F|D2G G2A|B2d cAG|F2D DED|F2F E2D|
D2G G2A|BAG Ade|fed cAF|AGF G2 :|
%
c|def g2a|bag afd|fef afd|efg afd|
def g2a|bag afd|fed cAF|AGF G2 :|
%
A|B3 c3|dcB cAG|F3 DED|FEF AFD|
B3cBc|dcB cde|fed cAF|AGF G2 :|
%
% Source version m.12: |d-d/e/f/g/ afd|

%%%
X:509
%
%
%
%
T:BLOOMING MEADOWS (jig) (3), The
S:S: GSTC
Z:Z: ABC/arr. BB
N:N: This is Chris Droney's version of "Out in the Ocean".
Q:1/4=160
M:6/8
%%R:jig
K:G
E|D2B BAG|BdB ABA|GED G2A|BdB AGE|
D2B BAG|BdB ABA|GED G2A|BGG G2 :|
d|efe edB|efe edB|ded dBA|ded dBA|
G2A B2d|efe dBA|GED G2A|BGG G2d|
efe edB|efe edB|ded def|gfe dBA| 
G2A B2d|efe dBA|GED G2A|BGG HG3|]

%%%
X:510
%
%
%
%
T:BLOSSOM of BALLISLAND (jig), The
S:S: TIDT 1/13
C:J.Kelly
Z:Z: ABC BB
M:6/8
L:1/8
%%R:jig
Q:1/4=160
K:F#m
G|A3 BAB|cAA ABc|BGE E3|
BGE EFG|A3 BAB|cAA ABc|
BGE dcB|AFF F2 :|B|cff fga|
gbg a2f|ecA ABA|ecA A2B|
cff fga|gbg a2f|1 ecA BAB |cAA A2 :|
[2 ecA BAG|AFF EFG||A3 BAB|
cAA ABc|B3 cBc|dBB BAG|
A3 BAB|cAA ABc|BGE dcB|
AFF F2G|A3 BAB|cAA ABc|
Bcd cde|dBB BAG|A3 BAB|
cAA ABc|BGE dcB|AFF HF3 |]

%%%
X:511
%
%
%
%
T:BLOSSOM OF THE RASPBERRY (march), The
S:S: CGI.147
Z:Z: ABC/arr. BB
N:N: I'm not sure what this tune was originally but I thought it would make 
N:a nice march.
Q:1/4=120
L:1/8
M:C
%%R:march
K:D
A|dedc B2A2|dcde f2A2|dedc B2A2|BABc dedB|
dedc B2A2|dcde f2A2|dedc B2A2|BABc d3 ||
A|G2BG F2GE|D2EA B2A2|de f2 Bc d2|FGEF D2AF|
G2BG F2GE|D2EA B2A2|de f2 Bc d2|FGEF D4|]

%%%
X:512
%
%
%
%
T:BLOSSOM TREE (reel), The
C:Laoise ní Chinnéide
S:S: Treoir 55/3 < composer
Z:Z: ABC/arr.BB
%%R:reel
M:C
Q:1/4=180
L:1/8
K:A
AB|c2ag gedB|BAGB AEDC|A,CEC DFBA|GEE^d e2ef|
aecB Aaga|F2fg fdAB|c/B/A aA gAfd|BAGB A2 :|
%
zB|cA A/B/A EDCB,|A,2B,A, CEEA|Fdce dBBA|GEE^d e2ef|
aecB Aaga|F2fg fdAB|c/B/A aA gAfd|BAGB A2 :|
%
zB|cA A/B/A aAbg|gedB A2Bc|dBBA G2gf|e2^df e2fg|
aecB Aaga|F2fg fdAB|c/B/A aA gAfd|BAGB A2 :|

%%%
X:513
%%staffsep 70
%
T:BLOW DOWN THE TREES (reel)
S:S: composer
%%R:reel
C:Rick Gagne 
Z:Z: ABC/arr. BB
N:N: "d/o/c/ 1997? on whistle"
Q:1/4=180
M:4/4
K:Em
Bd | "Em"edBe dBeB | "G"GABG "D"AFDF | "Em"Eeed efgf | "Bm"edBA F2GA |
"Em"BGG2 FGeB | "D"AFF2 EFdA |"Em"BGAF GFEB |"D"AFDF "Em"E2 :|
GA|:"Em"Bgg2 fgef | "C"g2bg fgeg | "D"f2df afdf | "Em"gfeg "Bm"fedc | 
"Em"Bgg2 fgef | "C"g2bg fgeg | "D"f2df afdf |1 "^thru" "Em"gefd e2dc :|\
[2 "^final""Em"gefd He4 |]

%%%
X:514
%
%
T:BLOW THE CANDLE OUT 
S:S: ONMI.0330
Z:Z: Brennan/Black  (arr.)
M:2/4
L:1/16
K:G
%%text "moderate"
%%vskip .3in
dc|B3c B2G2|E3F G2A2|B2c2 A3G|G6 GA|
B3c B2A2|B2e2 e2f2|g2a2 f3e|e4-e2 GA|
B3c B2A2|B2e2 e2f2|g3b agfg|e2ef g2e2|
d3c BAGF|E3F G2A2|B3c BAGF|G6|]

%%%
X:515
%
%
T:BLUE BALL REEL, The
S:S: SRHI.40a
Z:Z: ABC/arr. BB
C:Seán Ryan
Q:1/4=180
L:1/8
M:C
%%R:reel
K:D
B,C|D2FD CDEG|FDFA dAFD|G2BG FGAF|GE FD EDCA,|
D2FD CDEG|FDFA dAFD|G2BG FGAF|GECE D2:|
de|fgaf gfec|dcde fdAF|G2BG FGAf|gfed cdeg|
fgaf gfec|dcde fdAF|G2BG FGAF|GECE D2:|

%%%
X:516
%
%
T:BLUE BELLS (reel)
N:N: a/k/a/ Master Crowley's, Miss Patterson's [Slippers]
S:S: CRE.2
Z:Z: ABC/arr. BB
M:C
%%R:reel
Q:1/4=180
K:Em
z|B,EGE B,EGE|FDA,D A,DFD|B,EGE B,EGE|FDA,D FEE2|
B,EGE B,EE2|FDA,D A,DFD|B,EEF G2GA|BAdA FEE:|
B|ebge faea|fdd2 adbd|ebge f2ef|dBAd BEE2|
ebge faea|fdd2 dfaf|G3A BAB^c|dBAF GEE:|

%%%
X:517
%
%
T:BLUE BONNET (jig), The
S:S: OFPC3.106 ("Irish") (as "Bonnett") 
N:N: As is the case with many of Mr. O'Farrell's entries, I'm not 100 pct sure if 
N:this is a dance tune or not. But cf. next entry from "the 1850".
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
K:G
%%text 
D|GAG AGA|B3 g2e|ded dBG|E3 D2E|
GAG AGA|B3 g3|fag fed|e3-e2 :|
B|ded def|g3 B2e|ded dBG|E3 D2E|
GAG AGA|B3 g2e|dBG AGA|G3-G2 :|

%%%
X:518
%
%
T:BLUE BONNETS JIG, The          
S:S: ONMI.1064 < F.O'Neill
Z:Z: Brennan/Black 
Q:1/4=160
%%R:jig
M:6/8
L:1/8
K:A
%%text "Irish version"
%%vskip .3in
G|ABA c2e|aba a2e|gag fgf|ecA B2e|
ABA c2e|aba a2e|fed cde|fac B2 :|
G|Ace ece|fed cBA|Ace efa|ABc B2A|
Ace ece|fed cBA|agf ece|fac B2 :|
"^coda"fac BcB|A3z3|]

%%%
X:519
%
%
T:BLUE EYED MAID, The
S:S: ONMI.0450
Z:Z: Brennan/Black  (arr.)
M:C
L:1/8
K:G
%%text "moderate"
%%vskip .3in
GA|B2ge dBAB|G2de d2GA|B2ge dBAG|B2ef e2z||
g|dega b2ag|agab d2ga|g/a/bag e2ge|dB AG G4|]

%%%
X:520
%
%
T:BLUE GARTERS (reel)
S:S: ONMI.1514 < McFadden
Z:Z: Brennan/Black  
%%R:reel
Q:1/4=180
L:1/8
M:C|
K:D 
%%text source key = F; simplified
e|dAA2 f2ed|egfe dBBc|1 dAA2 f2ed|egfe d2d:|
[2 defe dBAF|GEAF D3|:A|FDAD FDAD|GEBE GEBE|
FDAD FDAD|GEAF D2DA|FDAD FDAD|
GEBE GEBE|DFAc dBAF|GEAF HD4|]

%%%
X:521
%
%
T:BLUE IDOL (jig), The
S:S: MFC.085c
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%%R:jig
K:E dorian
dc|:BEE cEE|def edB|AFD A,CE|
D3 AGA|BEE cEE|def edB|
[1 BAB dAF|EFE EFA :|2 BdB AGF|
BAF E3 ||:efe Bdg|bge gfe|
dcd Adf|afd edB|1 ege Bdg|
bge gfe|B/c/dB AGF|BAF E3 :|
[2 gfg aga|bag egf|edc BdB|AGF E3 |]

%%%
X:522
%
%
T:BLUE PANTALOONS (reel), The
S:S: CRE.4 < Madigan MS
Z:Z: ABC/arr. BB
% Another "short" reel - shame it's not longer because I like the name!
L:1/8
Q:1/4=180
M:4/4
%%R:reel
K:D
f2fd e2ed|cdef geeg|f2fd e2ed|cAGE D2D2:|
Addc dfed|cdef ge e2|Addc dfed|cAGE D2D2:|

%%%


%%%
X:524
%
%
T:BLUE-EYED RASCAL (hornpipe), The
S:S: Treoir.32/4
Z:Z: ABC/arr. BB
Q:1/4=150
M:4/4
L:1/8
%%R:hornpipe
K:G
% 
%swing .25
F|GFGA Bgfg|egde d2BA|GFGA BdBG|Ad^ce d2BA|
GFGA Bgfg|egce d2eg|gBGd cgbe|f2ef g3 :|
d|e2 e2 e2 B2|e2 e2 e2 d2|d2 A2 d2 A2|d2^ce d2BA|
[1 GFGA Bgfg|egce d2BA|GFGA BdBG|Ad^cd dB=c :|
[2 GFGA Bgfg|egce d2ef|gBGB cgBe|f2ef Hg4|]

%%%
X:525
%
%
T:BLY'S JIG 
S:S: MFC.069E
Z:Z: ABC/arr. BB
% "Jim Bly, flute player from Roscommon, who I often played  with in 
% England." (Mulvihill). 
N:N: No F sharps in MFC version.
Q:1/4=160
L:1/8
M:6/8
%%R:jig
K:A dorian
A/G/|EAA ABd|ege dBA|GEF GAB|dBA GED|
EAA ABd|ege def|g2 d ege|dBG A2 :|
d|eag e2 d|eaa bag|efg d2 f|egg ged|
eag e2 d|eaa bag|ege dBG|BAG A2 :|

%%%

X:526
%
%
%
%
T:BOAT ON THE STRAND* (jig)
S:S: CRE.4 < Grier MS (unnamed)
Z:Z: ABC/arr. BB
L:1/8
M:12/8
Q:1/4=160
%%R:jig
K:G
G2E DED GED G2A|BGF EGE c2A Bcd|
e2f gdB cBA BGE|GAB GED E2F G3:|
d2B d2B gfe dcB|d2B d2B AGA BGE|
d2B d2B gfe dcB|1AGA BGD E2F G3:|

%%%
X:527
%%staffsep 70
%
T:BOATLOAD of HERRING (reel), The 
C:© BB Feb. 2020
S:S: BBMG
M:C
Q:1/4=180
%%R:reel
K:D 
A|"D"D2dB "A"c3B|"D"ABAF "G"GFE2|"D"FAdf "A"ecAc|"G"dBGB "A"AFGE|
"D"D2dB "A"c3B|"D"ABAF "G"GFE2|"D"FABA "G"GBdg|"D"fd"A"ec "D"d3 :|
d|"Em"efed "A"cAAc|"G"BdBG "D"AFFE|"D"DFAd "A"ecAc|"G"dedB "A"A3d|
"Em"efed "A"cAAc|"G"BdBG "D"AFFE|"Bm"FABA "G"GBdg|"D"fd"A"ec "D"d3:|

%%%
X:528
%
%
%
%
T:BOB AND JOAN  
S:S: CGI.103
N:N: I added an ending (mm 12-13).
Z:Z: ABC/arr. BB
Q:1/4=100
L:1/8
M:3/4
%%R:waltz
K:D
%%text "con spirito"
%%vskip .3in
fd dB d2|fd dB ce|fd dB d2|ef ed ce|
df ag f2|df ag fa|ba gf gf|ef ed ce|
fd dB d2|fd dB ce|fd dB d2|ef ec ed- |d3|]

%%%
X:529
%
%
%
%
T:BOB AND JOAN (slip jig) (1) 
S:S: RC2.345
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:9/8
%%R:slip jig
K:G
B2G G2D G2A|B2G G2D FGA|
B2G G2D G2F|E2A A2G FGA:|
D2d d2c B2A|D2d d2c Bcd|
e2f g2e d2B|c2B A2G FGA:|\
"coda"HG6z3||

%%%
X:530
%
%
%
%
T:BOB AND JOAN (slip jig) (2)
Z:Z: ABC/arr.BB
Q:1/4=160
L:1/8
M:9/8
%%R:slip jig
K:G
B2F G2E G2A|B2F G2E FGA|B2F G2E F2E|
D3 F2D F2A:|G3 B2G d3|G3 A2G FED|
G3 B2G d3|e2c A2G FGA:|"coda"G3-G3z3|]

%%%
%%%
X:531
%
%
%
%
T:BOB LE SUEUR'S FANCY 
C:Kirk Lynch (St.Louis)
S:S: composer
Z:Z: ABC/arr. BB
Q:1/4=160
%%R:jig
M:6/8
L:1/8
K:Dmix
ded cAG|A3 BGE|D3 DEG|A3 cAG|
ded cAG|A3 BGE|D3 AGE|FGA D3 :|
ded fed|cAG c2 d|ded cAG|F3 AFD|
ded fed|cAG c2 d|fed cAG|FGA D3 :|

%%%
X:532
%
%
%
%
T:BOB OF FATERCAIRN (reel)
S:S: "Gentleman's Musical Repository" 
Z:Z: ABC/arr. BB
L:1/8
M:C
Q:1/4=180
%%R:reel
K:G
%%text "Scotch"
%%vskip .3in
c|dBGB dBGB|dBde f2df|e^cAc ecAc|edef g2fe|
dBGB dBGB|dBde f2dg|aefd edBa|A2Bd e2g2 :|
dgBg dgBg|dgBg f2df|ea^ca aeca|edef g2fe|
dgBg dgBg|dgBg f2dg|aefd edBa|A2Bd e2g2 :|

%%%
X:533
%
T:BOB'S GARDEN OF EARTHLY DELIGHTS (reel)
C:John Whelan 
S:S: composer
Z:Z: ABC/arr. BB
Q:1/4=180
%%R:reel
M:4/4
L:1/8
K:Ador 
%%text source key Gm
%%vskip .3in
AB|cA A2 cAed|cABG DGBG|cA A2 EAcd|edef gedB|
cA A2 gedB|GB B2 dBGB|cABG AGFD|EAAG A2 :|
AB|ea a2 gaba|ge e2 dBGB|cA A2 cAef|gfgb agba|
ge e2 bage|dg g2 edcB|cABG AGFD|EAAG A2 :|

%%%

X:534
%
%
%
%
T:BOB'S PARTING GLASS (reel) 
S:S: "The Open Door" [Sean Nua 1993]
Z:Z: ABC/arr.BB
Q:1/4=180
%%R:reel
M:C
L:1/8
K:G
g2dg g2dg|gddB cAA2|g2dg gddB|FGAB cdBA|
g2dg g2dg|gddB cAA2|FGAB c2Bc|dBcA BGG2 :|
DGBG DGBG|DFAB AFD2|DGGG BdBG|FGAB cdBA|
DGBG DGBG|DFAB AFD2|FGAB c2Bc|dBcA BGG2 :|

%%%
X:535
%
%
%
%
T:BOBBING CORK (hornpipe), The
C:© Larry Mallette
S:S: composer 
Z:Z: ABC/arr.BB
Q:1/4=150
%%R:Hornpipe
M:C|
L:1/8
K:Em
% 
%swing .25
BA|GAFG E3G|DEGB AFF2|GFGA BABd|egfd e2ef|
gfed eBB2|dBGB AFF2|EGDE GedB|AGFG E2:|
ef|gafg eBB2|eBGB AFF2|EGDE GABd|egfd e3f|
gfed eBB2|dBGB AFF2|EGDE GedB|AGFG E2:|

%%%
X:536
%
%
%
%
T:BOBBY CASEY'S (reel) (1) 
S:S: BSMI.2
%%R:reel
Z:Z: ABC/arr. BB
M:C
Q:1/4=180
L:1/8
K:D
DEFA B2AB|d2fd edBA|DFAc B2AB|dfaf edBA|
DEFA B2AB|d3f e2eg|fgaf g2fe|defd edBA :|
d3f eAA2|defg afge|d2fd eBB2|gBB2 dBAB|
d2fd efge|fddf edBd|ABdf bafb|afeg fdd2 :|

%%%
X:537
%
%
%
%
T:BOBBY CASEY'S (reel) (2)   
T:Farewell to Miltown Malbay
S:S: BSMI.4
Z:Z: ABC/arr. BB
L:1/8
%%R:reel
M:C
Q:1/4=180
K:Ador
AG|EAAG A2AB|cAAG AGEF|G2DG EGDG|EGGF G2ED|
EAAG A2AB|cdBc AGEF|G2dG eGdG|BedB A2 :|
cd|eaag a2ab|c'aag agef|gfga gfef|gbaf gedB|
eaag a2ab|c'aag agef|gfgf edBA|GABG A2 :|

%%%
X:538
%
%
%
%
T:BOBBY CASEY'S (reel) (3)
S:S: Treoir
Z:Z: ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
%%R:reel
K:Ddor
DE|FEDE FGAG|FEDF ECCE|FEDE FGAG|FDEC A,DDE|
FEDE FGAB|cAGF ECCE|DEFG AddB|cAGc AD D2||
d2Ad dcAG|FEDF ECCc|d2Ad dcAG|Addc d2 de|
fdec dcAG|FEDF ECCE|DEFG AddB|cAGF ED D2|]

%%%
X:539
%
%
%
%
T:BOBBY CASEY'S JIG (1) 
S:S: BSMI.3 
Z:Z: ABC/arr. BB
Q:1/4=160
%%R:jig
M:6/8
L:1/8
K:Adorian
B|c2A BAG|EAA EAA|cBc dcd| eaf ged|
c2A BAG|EAA EAA|cBc dBG|BAA A2 :|
B|cBc dcd|eaf ged|efg aba|aba ged |
[1 cBc dcd|eaf ged|cBc dBG|BAA A2 :|
[2 eab c'ba|gea ged|cBc dBG|BAA HA3 |]

%%%
X:540
%
%
%
%
T:BOBBY CASEY'S JIG (2) 
S:S: MVBT
Z:Z: ABC/arr. BB
%%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
e|ged B2A|BGE G2A|BdB ABA|GBd e2f|
ged B2A|BGE G2A|BdB ABc|BGF G2 :|
z|def g3|eaa a3|bag e2d|e2g egg|
def g3|afd e2g|edB A2A|AGF G2 :|

%%%

X:541
%
%
T:BOG BLOSSOM, The 
S:S: ONMI.0074 < J.O'Neill
Z:Z: Brennan/Black 
M:C
L:1/8
K:G
%%text "gaily"
%%vskip .3in
d/c/|BGGB c2Ac|BGAG FD2d/c/|BGGB c2Ac|BGAB c3d/c/|
BGGB c2Ac|BGAG FD2B/c/|dBcA BG Hcc/|BGAF G3||
G|GBAG FDDE|FGAB c2AF|GBAG FEFG|ABcA d3c/A/|
GBAG FDDE|FGAB c3B/c/|dBcA BG Hcc|BGAF G4|]

%%%

X:542
%
%
T:BOG BLOSSOM (reel), The 
S:S: ONMI.0074
Q:1/4=180
%%R:reel
Z:Z: ABC/arr.BB
M:C
L:1/8
K:G
d/c/|BGGB c2Ac|BGAG FEFA|BGGB cBAc|BGAF G3A|
BGGB c2Ac|BGAG FABc|dBcA BGAc|BGAF G3:|
A|GBAG FDDE|FGAB c2AF|GBAG FEFG|ABcA G3F|
GBAG FDDE|FGAB c2Bc|dBcA BGAc|BGAF G3:|

%%%


%%%

X:543
%
%
%
%
T:BOG CARROT (reel), The 
S:S: MVBT
Z:Z: ABC/arr. BB
Q:1/4=180
%%R:reel
M:4/4
L:1/8
K:D
D|FAdA BdAd|BdAF E2 DE|FAdA BdAd|BdAF E2 D :|
e|f2 fe defg|afdf e2 de|f2 fe dfef|dBAF E2 D :|
e|afdf afdf|ge=ce gece|afdf afdf|ge^ce d3e|
afdf afdf|ge=ce gece|afge fdec|dBAF D4|]
%
% According to Andrew Kuntz' tunesearch site, this is a version of a 
% Scots tune called "Captain Francis Wemyss" to which Jackie Daly added 
% a third part (not included in this setting) before renaming it "The 
% Bog Carrot".

%%%
X:544
%
%
%
%
T:BOG DOWN IN THE VALLEY (polka), The
T:Rattlin' Bog
Z:Z: ABC/arr. BB
M:2/4
L:1/8
Q:1/4=120
%%R:Polka
K:D
e/|f2 fe|dB B2|Ad d/c/d/e/|fe ea|
f2 fe|dB B2|Aa af|ed d:|
e/|fd ed|fd ed|fa af|ed ee|
fd ed|fd ed|fa af|ed d:|

%%%
X:545
%
%
%
%
T:BOG OF ALLEN (jig), The 
S:S: CRE.5
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%%R:jig
K:D
G|F2G FED|FAG A2d|Bdd Add|Bdd Add|
F2G FED|FAG A2d|BdB AGE|FGE D2:|
g|f2g fed|fab a2f|e2d ecA|Bgf gag|
f2g efe|ded cBA|BdB AGE|FGE D2:|

%%%
X:546
%
%
%
%
T:BOG OF ALLEN (reel), The
C:© E. Reavy
S:S: "Ed Reavy Collection" 
Z:Z: McKenty / Black 
Q:1/4=180
M:4/4
L:1/8
%%R:reel
K:G
%%text "allegro moderato"
%%vskip .3in
dc|BFAF G=FDE|=F2AF ^FDCB,|DGAF GABc|dgfa gfdc|
BGG2 G=FDE|=F2AF ^FDCB,|DGAF GABc |dged c2:|
Bc|dgg2 bfag|dggf dcBc|dgg2 agg2|defd c2 Bc|
dgg2 bgag|dggf dcBA|GABc defa|
%%stretchlast 0
gefd c2:|"^coda"gefd c2BA|HG4z4|]
%
N:N: 1: Notation of this tune is suspect, particularly with regard to F's, but I have 
N:kept the book version here (against my better judgement!)
N:N: 2: I added the second ending.

%%%
%%%
X:547
%
%
%
%
T:BOGAN'S (reel)
S:S: CRE.4 < Donnelly < Jones
Z:Z: ABC/arr. BB
% Repeats added
L:1/8
Q:1/4=180
M:4/4
%%R:reel
K:D
A|D3E FEFG|AFBF ABde|faef dB~B2|
AFF2 EDB,A,|D3E FEFG|AFBF ABde|
faef dfBd|AFEG FDD :|B|defg agab|
afdf edBc|defg afbf|afeg fddA|
defg aff2|gefd edBd|gfge fagf|
%%stretchlast 0
egfe dBA :|"^coda"egfe dBAF|HD4z4|]

%%%
X:548
%
%
%
%
T:BOHOLLA JIG #1, The
S:S: CTWT
Z:Z: ABC/arr.BB
%%R:jig
Q:1/4=160
L:1/8
M:6/8
K:G
d|edB d2e|edB d2e|edB GAB|AGF E3|
edB d2e|edB d2e|edB GFG|AGF G2:|
z|d3 GBd|g3 ege|dBd edB|BAG A3|
d3 GBd|g3 e3|dBd edB|AGF G2 :|

%%%
X:549
%
%
%
%
T:BOHOLLA JIG #2, The
S:S: CTWT
Z:Z: ABC/arr.BB
%%R:jig
Q:1/4=160
L:1/8
M:6/8
K:D
e|f3 d2B|A3 AFA|e3 edB|efd ede|
f3 d2B|AFA DFA|e3 edB|ded d2:|
e|f3 a3|fdd agf|e3 edB|e3 ede|
fef aga|fef agf|ecd edB|d3 d2:|

%%%
X:550
%
%
%
%
T:BOIL THE BREAKFAST EARLY (reel)
S:S: DMI.789
Z:Z: Nordberg/Black 
%%R:reel
Q:1/4=180
M:C|
L:1/8
K:G
GBBG AFDF|GBBd c2BA|GBBG AFDF|GEEG c2BA|
GBBG AFDF|GBBd c2Bc|dBcA BGAF|GEEG c2Bc||
dAA2 dAFA|dAA^c defe|dAA2 dAFA|GEEG c2Bc|
dAA2 dAFA|d^cde dgfe|dBcA BGAF|GEEG c2BA||\
"^coda"HG4z4|]

%%%
X:551
%
%
%
%
T:BOIL THE KETTLE EARLY (reel) 
S:S: CRE.5
Z:Z: ABC/arr. BB
M:4/4
Q:1/4=180
%%R:reel
K:D
A2AB AGEF|GE=cE GEcB|D2AB AGEF|GE=cE EDD2:|
Addc d2ed|=c2 cB cde^c|Addc d2cd|efge fdd2|
f2fa gfed|e2ef edcB|Acde f2ed|cAGE ADD2|]

%%%
X:552
%
%
%
%
T:BOILED GOATS' MILK (jig) 
S:S: ONMI.0884 < Cronin
Z:Z: Brennan/Black 
Q:1/4=160
%%R:jig
M:6/8
L:1/8
K:G
c|BGA B2d|cAG A2B|cAF G2B|def gdc|
BGA B2d|cAG A2c|BdB cAF|AGG G2 :|
d|geg fdc|BAB dBG|gag fdc|BAB def|
geg fdc|BAB dBG|BdB cAF|AGG G2:|

%%%
X:553
%
%
%
%
T:BOLD DESERTER (1), The 
S:S: ONMI.1791 < Mrs.Cantwell
Z:Z: Brennan/Black 
%%R:hornpipe 
Q:1/4=80
M:2/4
L:1/16
K:D
%%text "long dance"
%%vskip .3in
fe|d2A2 B2AF|ABde fedB|AFdB AFDF|E2EE EGFE|
d2A2 B2AF|ABde fedB|AFdB AFEF|D2DD D2:|
DE|F2A2 d2ef|gfge d2de|fedB AFEF|A2AA A2DE|
F2A2 d2ef|gfge d2de|fedB AFDF|E2EE EGFE|
d2A2 B2GF|ABde fedB|AFdB AFEF|D2DD D2:|

%%%
X:554
%
%
%
%
T:BOLD DESERTER (2), The
S:S: ONMI.0291 < Mrs.Cantwell
%
Z:Z: Brennan/Black 
M:C
L:1/8
K:D
%%text "moderate"
%%vskip .3in
fe|d2A2 B2AF|ABde fedB|AFEF D2D2|D6||
DE|F2A2 d2ef|g2f2 e2de|fedB AFEF|A6 DE|
F2A2 d2ef|g2f2 e2de|fedB AFEF|A6 fe|
d2A2 B2AF|ABde fedB|AFEF D2D2|D4-D4|]

%%%
X:555
%
%
%
%
T:BOLD DESERTER (3), The
S:S: RC1.074
Z:Z: ABC/arr. BB
L:1/16
M:2/4
K:D
%%text "march"
%%vskip .3in
fe|d2A2 B2AF|ABde fedB|AFEF D2D2|D6 DE|
F2A2 d2ef|g2f2 e2de|fedB AFEF|A6 AG|
F2A2 d2ef|g2f2 e2de|fedB AFEF|A6 fe|
d2A2 B2AF|ABde fedB|AFEF D2D2|D8|]

%%%
X:556
%
%
%
%
T:BOLD DRAGOON, The
S:S: ONMI.0500 < F.O'Neill
% 
Q:1/4=140
Z:Z: Brennan/Black 
M:C
L:1/8
K:D
%%text "spirited"
%%vskip .3in
AA|Adcd d2cd|edef d2de|fgfe dcBc/d/|edcB A3G|
FGFE DEDF|AGFA d2 (3Ade|fdec d2cd|B2Bc BAFA|
d2DF A2AA|B2B=c BA z^c|d2DF A2AA|BecA d4|]

%%%
X:557
%
%
%
%
T:BOLD JOHN O'LEARY (jig) 
S:S: ONMI.1055 < Mahoney
Z:Z: Brennan/Black 
Q:1/4=160
%%R:jig
M:6/8
L:1/8
K:D
a|ged cAG|FDE F2G|FED def|gfg eag|
fed cAG|cAG FDE|DFA eag|fdc d2:|
g|a3 dfa|agb afd|g2g gef|ged cAG|
FED dcd|edc d2e|fed cAG|Adc d2:|

%%%
X:558
%
%
%
%
T:BOLD RAPPAREE (jig), The  
S:S: RC3.204 (as "Rapperee")
Z:Z: ABC/arr. BB
% Very close to "Brian Boru's March"
L:1/8 
M:6/8
%%R:jig
Q:1/4=160
K:Am
e|cBc Aed|cBc ABc|dBA GAG|dBG GAB|
cBc Aed|cBc AGE|ceg ede|cAG A2:|
B|c2c deg|deg ecA|B2c ded|ded dBG|
c2c deg|deg a2a|geg ede|cAG A2:|

%%%
X:559
%
%
%
%
T:BOLD SOLDIER BOY (1), The
S:S: OFHC30.05 (as "Bold Soger Boy")
Z:Z: ABC/arr. BB
N:N: I'm not sure if this is supposed to be a dance tune or not, but IMO it makes 
N:a pretty good reel!
Q:1/4=180
M:C
%%R:reel
K:G
GA|BDDE G2FG|A2GA B2GA|BDDE GABG|A2GF G2 :|
zd|e^def g2GB|BAGF G2Ed|e^def g2GA|BGFB E3D|
EGFA GBAc|Bdce dBgd|BDDE G2AG|A2GF G4|]

%%%
X:560
%
%
T:BOLD SOLDIER BOY (2), The 
S:S: ONMI.0079 < F.O'Neill
Z:Z: Brennan/Black 
M:2/4
L:1/8
K:D
%%text "moderate"
%%vskip .3in
de|fA AB|d2 cd|e2 de|f2 de|
fA AB|de fd|e2 dc|d2:|
ef|gf ga|b2 af|af ed|e2 ef|
gf ga|b2 af|f2 e2|e2 ef|
gf ga|b2 af|af ed|e2 de|
fA AB|de fd|e2 dc|d4|]

%%%
X:561
%
%
T:BOLD THADY QUILL (jig) 
Z:Z: ABC/arr. BB
N:N: This tune is also used today for the song "Nell Flaherty's Drake" but it 
N:differs from the "NFD" in "the 1850".
M:6/8
Q:1/4=160
%%R:jig
K:D
F/G/|ABF AFE|DED DFA|dcd BAF|FED E2G|
ABF AFE|DED DFA|dcd BAF|EDC D2:|
F/G/|ABc dcd|edc B2c|dcd BAF|FED E2G|
ABF AFE|DED DFB|dcd BAF|EDC D2:|

%%%
X:562
%
%
T:BOLEY HILL (reel) 
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy 2.35
Q:1/4=180
M:4/4
L:1/8
%%R:reel
K:Em
BA|GEED E2BA|GEED EFAG|FDDB, DFAG|FDGA BGAF|
GEED E2BA|GEE2 GABd|edge dBAB|GEED E2 BA|
GEED E2BA|GEGA BGAG|FDAD BcAG|FDGA BGAF|
GEED E2BA|GEE2 GABd|edge dBAB|GEED E2||
%
GA|Beed e2ge|dBAB GEEF|G2BG dGBd|edBA GEGA|
Beed e2ge|dBAB GABd|edge dBAB|GEED E2 :|
%
GA|Bee2 efga|bgfg edBd|efga bgaf|gafg efde |
Bee2 dega |1 gedB ABGA|Bdge dBAB|GEED E2 :|
[2 gedB GABd|edge dBAB|GEED E2 ||
%
|:DE|B,EED EFGA|BGAF GEFD|EFGA BEFE |1 DEFE E2 ED |
B,EEF GEBA|GEDE GABd|gdge dBAB|EGFD E2 :|
[2 DEFE E2 ef|gafg efde|BdAB GAFG|EFGA B2Bd |
eBAF E4 |]

%%%
X:563
%
%
T:BOLGER'S (hornpipe) 
S:S: BSMI.2
Z:Z: ABC/arr. BB
%%R:hornpipe
Q:1/4=150
M:4/4
L:1/8
K:A
% 
%swing .25
(3efg|a2gf e2cB|AGAB cEED|EAA2 cAA2|dBBA B2ed|
a2 gf e2 cB|AGAB cEED|EFGA Bagf|ecdB A2 :|
ed|cEAc eaga|fAde fdaf|eagf ecAc|dBBA B2 ed |
cEAc eaga|fAde fdaf|eagf ecdB|A2 c2 A2 :|

%%%

X:564
%
%
%
%
T:BOLT FROM THE BLUE* (reel)
Z:Z: ABC/arr. BB
S:S: Levey 2.94 (unnamed)
Q:1/4=180
L:1/8
M:4/4
%%R:reel
K:D
%%text "dashingly quick" (!) 
%%vskip .3in
f|d2dA FGAF|d2dB cdef|d2dA FGAF|E2ed cde :|
c|d2ad fdad|d2fd cdec|d2fd fdfa|bged cdec|
d2fd adfd|d2fd cdec|bagf edcB|Abag fedc||\
"final"Hd4z4|]
%
% 
N:N: 1: "Bolt" is Usain Bolt, as "dashingly quick" as anybody I can think of!
N:N: 2: I'm sure this has another name, probably Scots since it sounds very much 
N:like a tune from that tradition.

%%%

X:565
%
%
%
%
T:BOLT THE DOOR (jig) 
S:S: ONMI.0957 < Delaney
%%R:jig
Z:Z: Brennan/Black 
Q:1/4=160
M:6/8
L:1/8
K:Am
f|ecA A2B|G2E E2B|c2A B2G|A2B c2d|
ecA A2B|G2E E2B|c2A B2G|ABA A2 :|
B|cBA G2B|e3d2B|c2A B2G|A2B c2d|
[1 ecA A2d|e3d2B|c2A B2A|G3 g2e|
[2 ecA A2d|e2a a2^f|g2e d2B|A6 |]

%%%
X:566
%
%
T:BOLTON STREET (reel)
S:S: CRE.4 < Grier MS
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=180
M:4/4
%%R:reel
K:Edorian
B2BA FAAF|EBBA Beef|dBAF DEFA|
BdAF FEE2:|Eeef defd|BABc defe|
dBAF DEFA|BdAF FE E2|Eeef defd|
BABc defe|dBAF DEFA|1 BdAF Edcd:|
[2 BdAG FEHE2 |]

%%%
X:567
%
%
%
%
T:BONAPARTE CROSSING THE RHINE (march)
S:S: ONMI.1824
%%R:march 
Q:1/4=120
Z:Z: Brennan/Black 
M:4/4
L:1/8
K:Ador
EF/^G/|ABcB AGEG|cdec d2ef/^g/|aged cAGE|GFGA G2EF/^G/|
ABcB AGEG|cdec d2ef/^g/|aged cAGE|A2AB A2||
ef/^g/|aged cdef|gega g2ef/^g/|aged cAGE|GFGA G2EF/^G/|
ABcB AGEG|cdec d2ef/^g/|aged cAGE|A2AB A4|]

%%%
X:568
%
%
%
%
T:BONAPARTE'S ADVANCE (long dance)
S:S: ONMI.1788 < J.O'Neill
%%R:hornpipe
Q:1/4=120
Z:Z: Brennan/Black 
M:4/4
L:1/8
K:A
ed|c2cB cecA|d2dc dfdB|Aceg agaf|e2ef edcB|
c2cB cecA|dcde fgaf|ecAc dBGB|A2A2A2:|
cB|Aceg agaf|e2df edcB|Aceg agaf|e2ef edcB|
ceAe ceAe|dfBf dfBf|ceAe ceAe|GBEB GBEB|
ceAe ceAe|dcde fgaf|ecAc dBGB|A2A2A2:|

%%%
X:569
%
%
%
%
T:BONAPARTE'S DEFEAT (hornpipe) 
S:S: ONMI.1710 < Carey
%%R:hornpipe
Q:1/4=150
Z:Z: Brennan/Black 
N:N: see note in ABC file
M:C|
L:1/8 
N:N: dotted rhythm in source
K:Amix
%swing .25
AG|EAA^G AcBA|^GABc d2ef|=gfge dcBd|cAB^G EFGB|
EAA^G AcBA|^GABc d2ef|=gfgd edBG|A2AG A2:|
ef|=gfge agae|=gfge dBcd|c2cB A2^GA|BcBA ^GEFD|
EAA^G AcBA|^GABc d2ef|=gfgd edBG|A2AG A2:|
%
%There are no accidentals in the Chief's version of this, so I'm taking the liberty of N: making it an A-modal tune! (Or 'A quasi-modal' since not all the G's are natural.) You N:can revert to the original by changing "K:D" to "K:A" in the file header.

%%%
X:570
%
%
%
%
T:BONAPARTE'S GRAND MARCH 
S:S: WSGM.059 < J.O'Neill
Z:Z: Kinder/Black 
%%R:March
N:N: I'm guessing this is A-B-C-A.
M:4/4
L:1/8  % dotted
Q:1/4=120
K:D
A2|d2dd d2 A/B/c/d/|e2ee e2 de|f2ef g2f2|e2ee e2A2|
ddAA FFAA|ddAA FFAA|d3 f edef|d2dd d2||
P:part 2
f2|edcB ABcA|dcde defd|edcB ABcA|dcde defd|
B2gg g2B2|A2ff f2af|e2e2 edef|d2dd d2||
P:part 3
fg|a2a2 b2b2|a3g f2a2|g2g2 f2af|edef e2ef|
g2 g/f/e/d/ c2A2|aaff d2A2|f2fa gfed|a2aa a4||

%%%
X:571
%
%
%
%
T:BONAPARTE'S MARCH (hornpipe)  
S:S: RC2.231
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8  
N:N: dotted rhythm in source. Pretty much identical to "Bonaparte Crossing 
N:the Rhine".
M:C|
%%R:hornpipe
K:Ador
% 
%swing .25
EG|A2AB AGED|cdec d2eg|aged cAGE|GEcE G2EG|
A2AB AGED|cdec d2eg|aged cAGE|A2AG A2:|
eg|aged cdef|geaf g2eg|aged cAGE|GEcE G2EG|
cABG AGED|cdec d2eg|aged cAGE|A2AG A2:|
% 

%%%
X:572
%
%
%
%
T:BONAPARTE'S RETREAT (1) ("set dance") 
S:S: RC2.280
Z:Z: ABC/arr. BB
L:1/8 
M:C|
%%R:hornpipe 
K:G
% 
GF|DGGF GBAG|FGAd f2fg|agfa gfeg|fdcA BGAF|
DGGF GBAG|FGAd f2fg|agfd cAGF|A2G2G2:|
%
de|fefg f2df|gfga g2de|fefg afge|gdcA BGAF|
fefg f2df|gfga g2fg|abag fgaf|gfga g2fg|
%
a2ab agfd|f2fa gfed|fefg afge|fdcA BGAF|
DGGF GBAG|FGAd f2fg|agfa gfeg|fdcA BGAF|
DGGF GBAG|FGAd f2fg|agfd cAGF|A2G2G2:|

%%%
X:573
%
%
%
%
T:BONAPARTE'S RETREAT (2) ("set dance") 
S:S: RC3.187
Z:Z: ABC/arr. BB
N:N: see note in ABC file
L:1/8
M:4/4
K:C
DC|B,DD/D/D DEDC|B,DGA B/c/B/A/ Bc|edcA dcAB|cAGE FDEC|
B,DD/D/D DEDC|B,DGA B2Bc|edcA GECE|D2 DD/D/ D2:|
K:G
dc|Bdd/d/d dBcB|Add/d/d defd|Bdd/d/d dBcB|AGFG ABcA|
Bdd/d/d dBcB|Add/d/d defg|afge fdec|Add/d/d d2de|
fefg f2ef|gfga g2fg|abaf gecA|GEDE =FDEC|
K:C
B,DD/D/D DEDC|B,DGA B2Bc|edcA dcAB|cAGE FDEC|
B,DD/D/D DEDC|B,DGA B2Bc|edcA GECE|D2 DD/D/ D2:|
%
%This is a very strange-sounding tune that I've transcribed exactly as Roche published N:it! (It almost looks like the Roches gave up on trying to get this to make sense.) I N:have no idea why they included this version in volume III when they had a sensible one N:in Roche 2.

%%%
X:574
%
%
%
%
T:BONAPARTE'S RETREAT (3) ("long dance") 
S:S: ONMI.1789 < Hartnett
%%R:hornpipe
Q:1/4=120
Z:Z: Brennan/Black 
M:4/4
L:1/8 
N:N: dotted rhythm in source
K:Em
B,2|B,EEF GFED|EFAB d^cde|fde^c dB=cA|BGAF GE=FD|
B,EEF GFED|EFAB d^cde|fedB AFDF|E2EF E2:|
%
B^c|d^cde d2 (3Bcd|e^def e2B^c|d^cde d2B=c|BGAF GE E2|
d^cde d2 (3Bcd|e^def e2ef|gfeg fe^df|e2ef e2B^c|
gfga gfeg|fefg fedf|d^cde d2A=c|BAGF GE=FD|
B,EEF GFED|EFAB d^cde|fde^c dB=cA|BGAF GE =FD|
B,EEF GFED|EFAB d^cde|fedB AFDF|E2EF E4|]

%%%
X:575
%
%
%
%
T:BONAPARTE'S RETREAT (4) ("set dance") 
Z:Z: ABC/arr. BB
S:S: JOL.317
M:4/4
L:1/8
Q:1/4=120
%%R:hornpipe
K:G
GF|DGGF GBAG|FAde f2 g2|agfa gfde|fdcA BGAF|
DGGF GBAG|FAde fdeg|agfd cAFG|AGAF G2 :|
ze|f3e f2ef|gfga gfde|fdeg afge|fdcA BGAF|
Dffe fadf|gfga g2eg|abag fdfa|g3a g2eg|
a2ba agfd|gfga gfde|fdeg afge|fdcA BGAF|
DGGF GBAG|FAde fdeg|agfa gfde|fdcA BGAF|
DGGF GBAG|FAde fdeg|agfd cAFG|A2 G2 G4|]

%%%
X:576
%
%
%
%
T:BONNET (reel), The
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy 1.48
Q:1/4=180
L:1/8
M:4/4
%%R:reel
K:Am
%%text source key = Gm
%%vskip .3in
G|A2GA EAGA|EABd gedB|G2dg EGdG|edBA GEGB|
A2 GA EAGA|EABd gedg |b2 ag aged|BAGA BAA :|
d|eaa2 babg|eaa2 babg|eg g2 bgag|dgbg aged |
ea a2 babg|e2 ^dB =dega|b2 ag aged|BAGA BAA :|

%%%
X:577
%
%
%
%
T:BONNIE ANNE (hornpipe) 
S:S: ONMI.1771 < J.O'Neill
%%R:hornpipe
Q:1/4=150
Z:Z: Brennan/Black 
M:C|
L:1/8 
K:G
% 
%swing .25
GABc dBAG|gfge d2BA|BdBG cecA|BdBG GFED|
GABc dBAG|gfge d2BA|BdBG ceAF|G2G2 G2z2:|
defg fafd|gbge fafd|defg afed|BdBG FAFD|
BdBG cecA|fafd gbge|dgfe dcBA|G2G2 G2z2:|

%%%
X:578
%
%
%
%
T:BONNIE ANNIE (reel) 
S:S: "Music of Ireland - The Big Session" (DJ Taylor) (folder 38)
Z:Z: ABC/arr. BB
N:N: see note in ABC file
Q:1/4=180
L:1/8
M:4/4
%%R:reel
K:D
FEFA cBAB|cAdA cAGE|F3 d cA A2|cAGE FD D2:|
defg afdf|efed cA A2|defg af a2|ABAG FD D2|
defg afbf|gfed cdef|a4 g3 c|dcBA FD D2|]
%
%I'm not sure if the C's in the first part are natural or sharp. I would tend towards N:natural (although source doesn't have them that way), but the tune doesn't sound right N:(although it doesn't really sound right with C sharp either). In any case I've left it N:as per source.

%%%
X:579
%
%
%
%
T:BONNIE BLUE FLAG (jig), The
S:S: WSGM.070 < F.O'Neill
Z:Z: Kinder/Black 
M:6/8
L:1/8
Q:1/4=160
%%R:jig
K:G
A|B2A BAB|c2B cBc|dcd B2G|A3-ABd|
g2e f2g|e2d B2G|A2F G2F|G3-G2 :|
f|g2e gfe|f2e fed|ede gfe|d3 -def|
g2e f2g|e2d B2G|A2F G2F|G3-G2 :|

%%%
X:580
%
%
%
%
T:BONNIE BOY (reel)
S:S: ONMI.1438 < J.O'Neill
Z:Z: Brennan/Black 
Q:1/4=180
%%R:reel
M:C|
L:1/8
K:A 
%%text simplified
%%vskip .3in
ed|cBAa faec|dfec B2Bd|cBAa faec|dgec A2Ad|
cBAa faec|dfec B2Bd|cefg agbg|afed cAAd||
cAec fAeA|cAec B2Bd|cAec fAeA|dfed cAAd|
cAec fAeA|dfec B2Bd|cefg agbg|afec HA4|]

%%%
X:581
%
%
%
%
T:BONNIE BUNCH OF ROSES, The 
S:S: ONMI.0126 < Ennis
Z:Z: Brennan/Black 
M:C
L:1/8
K:D
%%text "moderate"
%%vskip .3in
A2|d3e f2e2|d3c A2F2|G2AB cABG|A2D2D2:|
FG|A2A2 cAGB|A2AG A2de|f2g2 agfe|dcAG A2de|
f2g2 agfe|d3e f2AF|G2AB cABG|A2D2D2|]

%%%
X:582
%
%
%
%
T:BONNIE CHERYL (reel)
C:D. MacAdam 9/15
S:S: composer
Q:1/4=180
%%R:Reel
M:4/4
L:1/8
K:G
BGDG Bdgf|edAB cd c2|AFDF Acfe|dcAB cd B2|
BGDG Bdgf|edAB cd c2|cdfe dcAB|cAdc AF G2 :|
Bdga gBde|dBed cB A2|FAfg fdde|dAAB cd B2 |
Bdga gBde|dBed cB A2|FAcB Aced| cefe df g2:|

%%%
X:583
%
%
%
%
T:BONNIE GREEN TREE, The
S:S: RC3.007
Z:Z: ABC/arr. BB
L:1/8
M:3/4
K:D
%%text "allegretto"
%%vskip .3in
A2|f4 ed|d4 cd|B4 cB|A2F3A|
A4 BF|A4 de|f2e2d2|e4-eA|
f4 ed|d3c d2|B4 cB|AF3 FF|
A4 BF|A2d2e2|fg3e2|d4||
%
F2|B4 Bc|d4 F2|d4 cB|AF3 A2|
A4 BF|A4 de|f2e2d2|e4 A2|
f4 ed|d4 cd|B4 cB|AF3 A2|
A4 BF|A2 d3e|fg3 e2|Hd6|]

%%%


%%%
X:585
%
%
%
%
T:BONNIE KATE ("first version") (reel) (2)
S:S: CRE.1
Z:Z: ABC/arr.BB
M:C
Q:1/4=180
%%R:reel
K:D
dB|AFA2 (3Bcd AF|DFAF GFEF|DFAF DGBd|cABc dcdB|
AFA2 (3Bcd AF|DFAF GFEF|DFAF DGBd|cABc defg||
a2fa Adef|gfed cdef|g2gf gbag|fdec defg|
a2fa Adef|gfed cdef|g2gf g2ga|fdec Hd4|]

%%%
X:586
%
%
%
%
T:BONNIE KATE ("original version") (reel) (1) 
S:S: CRE.1
Z:Z: ABC/arr.BB
M:C
Q:1/4=180
%%R:reel
K:D
AFdA BdAF|DFAF E2FG|AFAd BGBd|cdAc dedB|
AFdA BdAF|DFAF E2FG|AFAd BGBd|ceAc dcde||
fdad fadb|adfd efgb|fddf gbeg|faef dedB|
fdad fadb|adfd efge|dAFA ceAg|faef dedc|\
d4z4|]

%%%
X:587
%
%
%
%
T:BONNIE KATE ("second version") (reel) (3)
S:S: CRE.1 
Z:Z: ABC/arr.BB
M:C
Q:1/4=180
%%R:reel
K:D
A2dA BdAF|DFAF EA,CE|DFAF GBed|ceAc d3B|
ADFA (3Bcd AF|DFAF EA,CE|DFAF GBed|ceAB d3 B/c/|
dBcA BAGF|GEFD EA,CE| DFAF GBed|ceAc d3B|
AF F2 DF F2|AF F2 EA,CE|DFAF GBed|ceAc defg||
P:B
a2 fd Adef|g3e cdef|g2fa gbag|fgfe defg|
a2 fd Adef|g3e cdef|g2-gf gbag|fgfe defg|
a2 fd Adef|g3e cdef|g2fa gbag|fgfe defg|
a2 fd Adfd|Adfd cdef|gfed cbag|fgfe dcdB||
P:C
AFGA (3BcB AG|EA,DF EA,CE|DFAF GBed|ceAc dcdB|
AF F2 DF F2|dF F2 EA,CE|DFAF GBed|ceAc d3 B/c/|
(3dcB cA BAGF|GEFD EA,CE|DFAF GBed|ceAc d3B|
A2 df edcB|AGFD EA,CE|DFAF GBed|ceAc defd||
P:D
ad d2 bd d2|ad d2 cdef|g2fa gbag|fgfe defd|
ad d2 bd d2|ad d2 cdef|gfed cbag|fgfe defd|
ad d2 bd d2|ad d2 cdef|g2-gf gbag|fgfe defd|
ad d2 bd d2|ad d2 cdef|gfed cbag|fgfe Hd4|]

%%%

X:588
%
%
%
%
T:BONNIE KATE (reel) (4)
S:S: RC1.182
Z:Z: ABC/arr. BB
L:1/8
M:C
Q:1/4=180
%%R:reel
K:D
dB|A2FA BdAF|DFAF E2EB|AFAd BGBd|cABc d2 :|
fg|a2fd fafd|eafd e2ef|gfef gbag|1 fedc de:|
[2 fedc Hd4|]

%%%

X:589
%
%
%
%
T:BONNIE KATE (reel) (5)  
S:S: RC1.183
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8 % Dotted
M:C
%%R:reel
P:
K:D
%%text A-B-A
%%vskip .3in
dB|AFAd BGAF|DFAF EDEG|FDEF GABd|cABc dcdB|
AFAd BGAF|DFAF EDEG|FDEF GABd|cABc defg||
%%text m.8 2nd time through: /cABc d4/
a2fd fafd|gfed cdef|g2gf gbag|fdec defg|
a2fd fafd|gfed cdef|g2gf gbag|fdec dcdB||

%%%

X:590
%
%
%
%
T:BONNIE KATE (reel) (6)
S:S: ONMI.1277 < J.O'Neill
Z:Z: Brennan/Black 
Q:1/4=180
%%R:reel
M:C|
L:1/8
K:D
%%text simplified version
%%vskip .3in
dB|AFdB ABAF|DFAF E2EB|AFAd BGBd|cABc dedB|
AFdB ABAF|DFAF E2EB|AFAd BGBd|cABc defg||
a2fd fafd|fafd e2ef|gfef gbag|fedc defg|
a2fd fafd|fafd e2ef|gfef gbag|fedc Hd4|]

%%%

X:591
%
%
%
%
T:BONNIE LAD (reel), The
S:S: WSGM.226 < F.O'Neill
Z:Z: Kinder/Black 
N:N: Repeats added
M:4/4
L:1/8
%%R:reel
Q:1/4=180
K:D
G|FEDF AdAF|GBAF E2EG|FEDF AdAF|GBAF DBAG|
FEDF AdAF|GBAF E2 EG|dBcA BGAF|GBAF D3 :|
G|FDAD BDAD|FDAF E2 EG|FDAD BDAD|EFGA BdcA|
FDAD BDAD|FDAF E2 EG|dBcA BGAF|GBAF D3 :|

%%%
X:592
%
%
%
%
T:BONNIE SCOTLAND (hornpipe)
S:S: RC2.289
Z:Z: ABC/arr. BB
N:N: Repeats added; dotted rhythm in source
Q:1/4=150
L:1/8 
M:C|
%%R:hornpipe 
K:D
% 
%swing .25
E|D2DE FAA2|GEFD EDCA,|D2DE FAA2|Bdce dgfe|
D2DE FAA2|GEFD EDCA,|D2DE FAA2|Bdce d3 :|
c|defd edcA|BcdB AGFD|defd edcA|Bdce d2ef|
gefd edBd|AFdF GDEF|D2D2 FAA2|Bdce d3 :|

%%%
X:593
%
%
%
%
T:BONNIE TRAVELLER* (strathspey), The
S:S: NFID.192c ("untitled strathspey") < DOD
Z:Z: ABC/arr. BB
Q:1/4=140
L:1/8
M:C|
%%R:hornpipe
K:Em
%%text simplified version
%%vskip .3in
B,|EFGA BEGB|A^cdB AEDF|EFGA BEGB|AdBF GEE:|
f|gfeB efge|dfAd FAdf|gafg efge|dBBF GEEf|
gfeB efge|afdA dgaf|gBBA BdAF|dBBF GEE2-|HE4z4|]

%%%
X:594
%
%
%
%
T:BONNY ANNE (reel) 
S:S: CRE.3
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=180
M:4/4
%%R:reel
K:D
e|f2ed cAAB|cAdB cAAe|fded cAAB|cAGE FD D2|
f2ed cAAB|cAdB cAGE|DEFG AddB|cAGE FDD :|
G|Addc defg|abaf g2Ac|d2dc dfed|cAAG EFGB|
Addc defg|abaf g2eg|afge dfed|cAGE FDD :|

%%%
X:595
%
%
%
%
T:BONNY BLACK IRISH MAID
S:S: MSIST.23c
Z:Z: ABC/arr BB
L:1/8
M:3/4
%%R:waltz
K:G
%%text "allegretto"
%%vskip .3in
GF|GA Bc de|=fe dc BA|GA Bc de|=fe d2 ef|
g2e2g2|=f2d2B2|c2A2^f2|dc BA :|
F2|G2 GABG|A2 ABcA|G2 GABG|c2A2F2|
G2 GABG|A2 g3 e|f2d2B2|1 c2A2 :|\
[2 c2A2F2|HG6|]

%%%
X:596
%
%
%
%
T:BONNY CATHERINE (reel) 
C:B. Tonra (Boston)
S:S: composer
Z:Z: ABC/arr. BB
Q:1/4=180
%%R:reel
M:4/4
L:1/8
K:D
df f2 edBc|dfed BFDE|F3 E DEFD|E2 DF ED B,2|
df f2 edBc|dfed BFDE|F3 E DFBd|efde fd d2 :|
%
f3 e defg|adfa dfec|f3 e dfaf|defd edeg|
f3 e defg|adfa dfec|dBcA BcdB|e2de fd d2 :|
%
defd egfg|afeg f3 e|dcBA BAFA|BdAF DEFD|
defd egfg|afeg f3 e|dcBA BAFA|E2DE FD D2 :|

%%%
X:597
%
%
%
%
T:BONNY GREY-EYED MORN (hornpipe)
S:S: "Amateur's Companion"
Z:Z: ABC/arr. BB
N:N: see note in ABC file
L:1/8
M:C
Q:1/4=150
%%R:hornpipe
K:C
%%text source key = D
%%vskip .3in
%swing .25
G|cBcd e2dc|efga g3a|gage fedc|Bcde dgfe|
fedc B3B|cBAG ^F3D|GBAc Bded|cBA2 G3 :|
e|dBdB GBdf|gege c3e|fAdB ^G2Bd|edB^G A3E|
ABcA fAcd|eAdc BGAB|cedf egag|fedB c3 :|
%
%The accidentals are nice but they make this tune sound much more classical than traditional. I'm guessing at "hornpipe" but could be anything. Source key = D.

%%%
X:598
%
%
%
%
T:BONNY HIGHLANDER (jig), The
S:S: OFPC3.112 (as "Boney Hilander")
% 
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%%R:jig
L:1/8
K:G
N:N: "Irish" (??) says Mr. O'Farrell
c|BGG AGG|BGG AGG|EAA A2B|EAA A2c|
BGG AGG|BGG F2E|DGG G2A|DGG G2 :|
c|Bcd ABc|Bcd AGF|EAA A2B|EAA A2c|
Bcd ABc|BAG AGE|DGG G2A|DGG G2 :|

%%%
X:599
%
%
%
%
T:BONNY JEAN (hornpipe)
S:S: "English Irish and Scottish Airs"
Z:Z: ABC/arr. BB
L:1/8
M:C|
Q:1/4=150
%%R:hornpipe
K:G
% 
%swing .25
BA|GABG DEGA|GFGA BABG|cBce BdgB|ABAG DcBA|
GABG DEGA|BGBd g2fe|degB cAdc|B2A2 G2 :|
ba|gabg fedf|gfga baga|bgae gdgB|ABAG DcBA|
GABG DEGA|BGBd g2fe|degB cAdc|B2A2 G2 :|
N:N: Again a guess on my part as to what type of tune this was intended to be.

%%%
X:600
%
%
%
%
T:BONNY KATE (reel) (7 - others "Bonnie") 
S:S: AIF
Z:Z: ABC Brennan/Black (arr.)
Q:1/4=180
M:C
%%R:reel
L:1/8
K:D
FG|AFdB ABAF|DFAF E2EB|AFAd BGBd|cABc dcdB|
AFdB ABAF|DFAF E2EB|AFAd BGBd|cABc def||
|:g|a2fd fafd|gfed cdef|gfef gbag|fgec defg|
a2fd fafd|gfed cdef|gfef gbag|1 faec def:|\
[2 A3c Hd4|]

%%%
X:601
%
%
%
%
T:BONNY LABORING BOY, The 
S:S: ONMI.0195 < F.O'Neill
% "Scribal error" (/B2 B2 A2G/) in m.7 of source. Probably not
% a dance tune.
Z:Z: Brennan/Black  (arr.)
M:6/8
L:1/8
K:D
%%text "tenderly"
%%vskip .3in
D|G2F G2A|d2c AGF|G2F D2D|D3-D2A|
d2e =f2e|d2B cdc|B2B A2G|A3 ABc|
d2e =f2e|d2B cdc|B2B A2G|A3 AGF|
G2F G2A|d2c AGF|G2F D2D|D3-D2|]

%%%
X:602
%
%
T:BONNY LAD & BONNY LASS 
S:S: CCCD
Z:Z: ABC/arr. BB
L:1/8
M:C
K:A
d2|c2e4c2|d2f4d2|c2e4dc|f2B4d2|
c2e4dc|d2f4ed|cde2Bcd2|c2A4 :|
d2|c2e4fg|agfe a4|c2e4dc|f2B4d2|
c2e4fg|agfe a4|cde2B2d2|c2A4 :|

%%%
X:603
%
%
%
%
T:BONNY WOODS AND BRAES (hornpipe)  
S:S: WSGM.108 < F.O'Neill
Z:Z: ABC Kinder/Black (arr.)
N:N: Repeats added
M:4/4
L:1/8
%%R:hornpipe
Q:1/4=150
K:G
% 
%swing .25
EF|G2GA Bdd2|cABG AGFD|G2GA Bd d2|egfa g2b2|
G2 GA Bd d2|cABG AGFD|G2GA Bd d2|egfa g2 :|
ef|gaba gfed|efge dcBA|gaba gfed|egfa g3 d|
gaba gfed|efge dcBA|G2FA Bd d2|egfa g2 :|

%%%
X:604
%
%
%
%
T:BOODIE MAN (reel), The
S:S: DFW
Z:Z: ABC/arr BB
N:N: See note in ABC file
%Version of "Molly McAlpin". No specifics in source as to type so I'm going with reel. You can try this tune as a hornpipe (150) or a march (120) too.
M:4/4
L:1/8
Q:1/4=180 		
K:Em
BA|GEED E2GA|BAGE D2GA|B2AB AGED|E2ED E2BA|
GEFD E2FG|AGFE D2GA|B2AB AGED|E2ED E2 :|
Bc|d2de dBAB|dBAB d2Bd|e2ef edBd|edef e2ed|
B2ed B2BA|GABd e2ed|B2AB AGED|E2ED E2 :|

%%%
X:605
%
%
%
%
T:BOODULUM (slip jig) 
S:S: C.K.Sharpe's Ms Music Book c1835 (folder 39)
% 
Z:Z: ABC/arr. BB
Q:1/4=160
%%R:slip jig
M:9/8
L:1/8
K:D
%%text "Irish"
%%vskip .3in
Bcd ABG FED|Bcd ABG FGA|
Bcd ABG FEF|DED AGF EFA:|
BEE BAG FED|BEE BAG FGA|
BEE BAG FEF|DED AGF EFA:|
d2d dfd cBA|d2d dfa gfe|
d2d dfd cBA|dcB ABG FGA:|\
"^coda"D6z3|]

%%%
X:606
%
%
%
%
T:BOOGIE REEL, The 
C:John Nolan (NY)
S:S: composer
Z:Z: ABC/arr. BB
Q:1/4=180
%%R:reel
M:4/4
L:1/8
K:D
FE|DEFA dcdA|BAFB AFEF|DEFA dfec|dBAF EGFE|
DEFA dcde|fd d2 BAFA|e2 ef gece|dAFA d2 :|
cd|eA A2 EA A2|ecef g2 fe|fd d2 Ad d2|fgaf d2 cd|
Be e2 Beed|cdef g2 fg|afdf gece|dAFA d2 :|

%%%
X:607
%
%
%
%
T:BOOK OF RIGHTS (jig)
S:S: ONMI.0783 < Cronin
Z:Z: Brennan/Black 
Q:1/4=160
%%R:jig
M:6/8
L:1/8
K:D
A,|DED D2F|Add AFA|Bcd AGF|EDE FDB,|
DED D2F|Add AFA|Bcd AGF|EDD D2 :|
A|dfa a2a|aba afd|gbg faf|ede fdB|
dfa agf|ede fdA|Bcd AGF|EDD D2 :|

%%%
X:608
%
%
%
%
T:BORING THE LEATHER (jig)  
S:S: CRE.1
Z:Z: ABC/arr.BB
Q:1/4=160
L:1/8
M:6/8
%%R:jig
K:Dmix
d|cAG A2G|FDE F2d|cAA BAG|Ade ged|
cAG A2G|FDE F2G|Add fdd|ecA G2:|
B|Add fdd|cAB cAG|Add fdd|ecA G3|
Add fdd|cAG cde|fag ecA|AGF G2:|
"^coda"AGE D3|]

%%%
X:609
%
%
%
%
T:BORRIS REEL, The
S:S: SRHI.35a
Z:Z: ABC/arr. BB
C:Seán Ryan
Q:1/4=180
L:1/8
M:C
%%R:reel
K:G
d|Bdgf edcB|AEE2 cBAG|FGAB cdef|g2 af gfed|
Bdgf edcB|AEE2 cBAG|FGAB cdef|g2af g3:|
a|bg af gedc|BGG2 DG,B,D|CDEG ceag|fa ge fdga|
bg af gedc|BGG2 DG,B,D|CDEG ceag|faef g3:|

%%%
X:610
%
%
%
%
T:BOSTON BOYS (reel), The 
S:S: BSMI.4
Z:Z: ABC/arr. BB
L:1/8
%%R:reel
M:C
Q:180
K:D
DFDF ABAF|Eeed edBd|AdFd ABdb|afea fddB :|
d2fd adfd|defb afef|d2fd adfd|ABda fddB|
d2fd adfd|defb afef|dedB ABdb|afea fd~d2 |]

%%%
X:611
%
%
%
%
T:BOSTON POLKA, The
Z:Z: ABC/arr. BB
Q:1/4=100
S:S: JOB
N:N: see note in ABC file
L:1/8
M:2/4
%%R:polka
K:D
e|fg/e/ de/B/|AD FA|GE Ed|cB cA|
fg/e/ de/B/|AD FA|GE ec/d/|ed d:|
B|Af f/e/f|Ag g/f/g|Af f/e/f|gf/e/ dB/c/|
Af f/e/f|Ag g/f/g|fg/f/ ec/d/|ed d:|
%
%This is pretty much the same tune as "Denis Murphy's Polka", but whether it's an "ancestor" or a "descendant" is a matter of debate! Quite possibly Murphy heard it while living in the US and brought it home with him when he returne to N:Ireland. . .possibly!

%%%
X:612
%
%
%
%
T:BOSTON-SLIGO REEL, The 
C:B. Tonra
S:S: composer
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
%%R:reel
K:D
FA|BAFA BABd|AFF2 ED B,2|BAFA BAdB|AFDF E3A|
BAFA B2 dB|AFF2 EDB,E|DG,G,2 DEFA|dBAF D2 :|
de|fa a2 bafb|afdf eB B2|fa a2 bafa|1 bfdf efde|
fa a2 bafb|afdf edBd|DEFA BAdB|AFEF D2 :|2 bfdf e2de|
fa a2 b3b|afdf eB B2|DEFA BAdB|AFEF D4|]

%%%
X:613
%
%
%
%
T:BOTH MEAT AND DHRINK (jig) 
C:© E.Reavy
S:S: "Ed Reavy Collection"
Z:Z: McKenty / Black 
N:N: "Dhrink" in title is Ed's spelling.
Q:1/4=160
M:6/8
L:1/8
%%R:jig
K:G
%%text "allegretto"
%%vskip .3in
DGB d^cd|edB cAF|GBd gfg|bag fga|geg fdf|
edB cde|fdf agf|1 gdB cAF:|2 cAF G2||
e|gfg gfg|dBG FGA|=fef fef|ag^f agf|
gfg bag|fga gfd|cAF DEF|AGF G2:|

%%%
X:614
%
%
%
%
T:BOTTLE OF CLARET (jig), The
S:S: ISQT.10c
Z:Z: ABC/arr. BB
N:N: Source says "Jackson", meaning I presume that it's one of Squire Jackson's 
N:tunes (or that somebody thought it was!) 
Q:1/4=160
M:6/8
%%R:jig
K:D
D2d AFD|EFE GFE|D2d AFD|EDE FDB,|
D2d AFD|EDE FGA|BdB AFD|EDE FDB, :|
dfd cec|BdB ABc|dcd efg|faf ecA|
dfd cec|BdB ABc|dcB AGF|EDE FDB, :|
"^coda"EDE FDC|D6|]

%%%
X:615
%
%
%
%
T:BOTTLE OF PORTER (reel), The
S:S: ONMI.1336 < Mrs.Cantwell
Z:Z: Brennan/Black 
Q:1/4=180
%%R:reel
M:C|
L:1/8
K:G
B|d2fg BGdB|Aaag fefd|gfgd ecdB|cedc BGG:|
c|BGDG EGDB|cBAB cedc|BGDG EGDB|cedc BGGc|
BGDG EGDB|cBAB cedc|Bggf eaag|fdcA BGHG2|]

%%%
X:616
%
%
%
T:BOTTLE OF PUNCH (jig), The
Z:Z: ABC/arr. BB
S:S: Levey1.23
N:N: This is Jackson's "Bottle of Claret" under a different name.
Q:1/4=160
L:1/8
%%R:jig
M:6/8
K:D 
%%vskip .3in
%%text "very quick"; source key = A
%%vskip .3in
D2d AFD|EDE GFE|D2d AFD|EDE FDB,|
D2d AFD|EDE FGA|BdB AGF|EDE FDB, :|
dfd cec|BdB ABc|dcd efg|faf ecA|
dfd cec|BdB ABc|dcB AGF|EDE FDB, :|
"^coda"EDE FDC|HD6|]

%%%
X:617
%
%
%
%
T:BOTTOM OF THE PUNCH BOWL (hornpipe), The
S:S: RC2.232
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:C|
%%R:hornpipe
K:D
%swing .25
% 
FE|D2Bc d3e|d2D2 FGAF|E2e2 efgf|e2E2 FGAF|
D2Bc dgfe|fedB dcBA|BdBF ABAE|F2D2D2:|
de|fedB ABde|fedB d2A2|BABd ABde|fagf e2de|
fedB ABde|fedB d2A2|BdBF ABAE|F2D2D2:|

%%%
X:618
%
%
%
%
T:BOTTOMLESS WELL (polka), The
C:Aidan Crossey
S:S: composer
M:2/4
Q:1/4=120
L:1/8
%%R:Polka
K:D Major
F/G/|AF dF|AF D F/G/|AF dF| GF E F/G/|
AF dF|AF D F/A/|GE CE|D2 D:|
F/G/|AF de|fd d c/B/|AF dF|GF E F/G/|
AF de|fe d c/B/|AF GE| D2 D:|

%%%
X:619
%
%
%
%
T:BOUCHALEEN BAWN (jig)
N:N: a/k/a/ Little Blonde Boy, Fairhaired Boy
S:S: RC1.120
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%%R:jig
K:Am
D| EAA AGE|GAB c2d|ege dcB|ABA GED|
EAA AGE|GAB c2d|ege d2c|BAB A2:|
e|eaa aga|bag ged|eaa e2e|BAB GED|
EAA AGE|GAB c2d|ege d2c|BAB A2:|

%%%
X:620
%
%
%
%
T:BOUNCING BABY* (slip jig), The
S:S: Petrie.103 % unnamed
Z:Z: ABC/arr. BB
N:N: Repeats added 
Q:1/4=150
M:9/8
L:1/8
%%R:slip jig
K:Gmix
%%text source key = F
%%vskip .3in
d|Bcd d2g dBG|Bcd dBg f2A|
B2c d2g dBG|Ade fcA c2 :|
A|BAB cBc dBG|B2d c2e d2c|
BGd cAe dBG|Ade fcA c2 :|
"coda"Ade fcA HG3|]

%%%
X:621
%
%
%
%
T:BOUNCING BOY (reel), The
S:S: ONMI.1506  < O'Reilly
Z:Z: Brennan/Black 
Q:1/4=180
M:C|
L:1/8
K:G
EF|G2BG A2cd|edcA BEEF|G2BG A2cd|edcA BGGD|
G2BG A2cd|edcA BEEF|G2BG A2cd|egfa g2||
ef|g2ge f2fd|e2fg afd2|g2ge f2fd|efaf g2g2|
gabg fgaf|edeg fd d2|g2fg eAAB|dcAF HG4|]

%%%



%%%
X:624
%
%
%
%
T:BOW-LEGGED TAILOR (jig) (1), The
S:S: DMI.0131
Z:Z: Nordberg/Black 
%%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
G|GAG gfg|edc B2A|GAG BAG|FAA cBA|
GAG gfg|afd cAF|DEG Adc|BGG G2:|
d|dBG dBG|ecA dBG|gba gBd|cAA ABc|
dBg dBG|EFG AFD|GFG Adc|BGG G2:|

%%%
X:625
%
%
%
%
T:BOW-LEGGED TAILOR (jig) (2), The 
S:S: ONMI.0878 < Early
Z:Z: Brennan/Black 
Q:1/4=160
%%R:jig
M:6/8
L:1/8
K:G
F|GAG gfg|edc B2A|GAG BAG|FAA cBA|
GAG gfg|afd cAF|DEG Adc|BGF G2 :|
c|dBG dBG|ecA dBG|gba gBd|cAA ABc|
dBg dBG|EFG AFD|GFG Adc|BGF G2 :|

%%%
X:626
%
%
%
%
T:BOWELS OF THE EARTH (jig), The
C:Peter Fitzgerald (Balto.)
S:S: composer
Z:Z: ABC/arr. BB
Q:1/4=150
%%R:jig
M:6/8
L:1/8
K:D 
%%text source key = C
%%vskip .3in
B|Adc A2 B|c2 d edc|BAA GEE|FEF EFG|
Adc A2 B|c2 d edc|Ace gee|1 ecA G2 :|2 ecA d2||
e|fed cAA|GAB A2 B|AFF D2 F|GEE E2 A|
FDF EAB|cAF G2 E|Ace gee|ecA d2 :

%%%
X:627
%
%
%
%
T:BOWLING GREEN (reel), The
S:S: MVBT < Jimmy Kelly < Bill Lamey
Z:Z: ABC/arr. BB
Q:1/4=180
%%R:reel
M:C
K:Dmix 
%%text source key C miz
%%vskip .3in
A,2|DddA FDDF|EccG ECCE|DddA FDDF|f2 e2 d3E|
FAdA FDDF|EccG ECCE|DddA FDDF|f2 e2 d2|]
FG|AFDF A3F|GECE G2 FG|AFDE FGAF|AGEC D2 FG|
AFDF A3F|GECE G2 FE|DFEG FAGB|AFGE D4|]

%%%
X:628
%
%
%
%
T:BOWNA SLIDE, The
S:S: "Music of Ireland - The Big Session" (DJ Taylor) (folder 38)
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:12/8
%%R:slide
K:G
d2 B BAB c2 B A2 B|c2 c cBc ged B2 c|
d3 BAB cBc A2 B|cBc e2d G6:|
g3 gfg a2 g fed|e3 ede f2 e def|
g3 gfg a2 g f3|efg a2g fef g3:|

%%%
X:629
%
%
%
%
T:BOX I LEFT BEHIND (polka), The 
C:Sean Quinn 2007
S:S: composer
Z:Z: ABC/arr BB   
%%R:polka
Q:1/4=120
L:1/8
M:2/4
K:D
dB|AF EF|D2 DE|FD FA|BA dB|
AF EF|D2 DE|FD F/G/A|B2 :|
AF|AB de|dc BA|Be ef|ed BA|
Bd de|dc BA|FA dc|1 B2:|2 B2B2|]

%%%
X:630
%%staffsep 70
%
T:BOX in the BASEMENT, The 
T:Lucky Mike's
C:© BB 2/21
S:S: BBMG
M:6/8
Q:1/4=160
%%R:jig
K:G
A|"G"BAB dcB|"G"GAB "C"GFE|"G"DB,D GFG|"Bm"Bcd "C"efg|
"D" def "C" gfe | "G" dBd "Am"cBA|"G"GAB "Am"AGE | "D"DEF "G" G2 :|
A|"Em" B2G EFG | "G"BGB "D" AFA |"Em" BAG "Am" cBA | "Bm" def "Em" e2f |
"C" gfe "G" dBd | "Em" edB "D"AGF |"Em" EGB "D7" FAc | "Em" BGF E2 :|

%%%
X:631
%
%
%
%
T:BOY FROM HOME (jig), The
S:S: WSGM.113 < Patrick Stack, Chicago
Z:Z: Kinder/Black 
M:6/8
L:1/8
Q:1/4=160
%%R:jig
K:G
D|GBA G2B|def gdB|GBA G2B|AFD DEF|
GBA G2 B|def gfg|ecA GAG|FEF G2:|
B|d3 dcd|e2f gfe|dec Bcd|ecA GFE|
d3 dcd|e2f gfg|ecA GAG|FEF G2:|

%%%
X:632
%
%
%
%
T:BOY FROM THE GLENS (jig), The
S:S: ONMI.0892 < F.O'Neill
Z:Z: Brennan/Black 
Q:1/4=160
%%R:jig
M:6/8
L:1/8
K:D
%%text A-B-A
%%vskip .3in
e|dBA ABA|def dBA|dBA ABA|BdA B2g|
ada gfe|d/e/fe dBA|dBA eag|fdd d2 :|
%
A|def gfg|agf fef|def gfg|f2d edB|
def gfg|agf fef|dBA B2g|ada g"_DC"f ||

%%%
X:633
%
%
%
%
T:BOY FROM THE MOUNTAIN (hornpipe), The
S:S: RC2.346
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:C|
%%R:hornpipe
K:G
%
%swing .25 
f|efed B2 e2|dBAB G2 GE|GABd efed|BedB A2 gf|
efed B2 e2|dBAB G2 GE|GABd gfed|edBA G3:|
A|Bdef g2 fg|agfg edBc|defg abag|fgfe d2 gf|
eged B2 e2|dBAB G2 GE|GABd gfed|edBA G3:|

%%%
X:634
%
%
%
%
T:BOY FROM THE MOUNTAIN (jig), The
S:S: ONMI.0974 < Dillon
%%R:jig
Z:Z: Brennan/Black 
Q:1/4=160
M:6/8
L:1/8
K:D
G|F2F G2G|A2D GED|F2F G2G|Adc dAG|
F2F G2G|A2A Ade|fed cAG|Adc dA :|
%
c|d2e f2g|e2d cAG|d2e f2g|faf gec|
[1 d2e f2g|e2d cde|fed cAG|ABc d2 :|
[2 d2e fef|edc d2e|fed cAG|Adc Hd3 |]
%
% Source m.4,8,16: |Adc d-d/c/A/G/|

%%%
X:635
%
%
%
%
T:BOY FROM THE TOP OF THE WORLD, The
S:S: ONMI.0345 < F.O'Neill
Z:Z: Brennan/Black 
M:3/4
L:1/8
K:D
%%text "slow"
%%vskip .3in
fe|d2 A2 B2|d2 A2 B2|=c3 edc|B3 =cdB|
BA GF EF|D2 F2 A2|B2 d2 f2|e4 fe|
d2 A2 B2|d2 A2 B2|=c3 edc|B2 c2 d/c/d/B/|
BA GF EF|D2 F2 A2|B3 gec|d4||
(3def|g2 g2 a/g/f/e/|f2 f2 g/f/e/d/|\
ed ef de|B3 cdB|
BA GF EF|D2 F2 A2|B2 d2 d2|d4 ef|
gf gb ag|fe fa gf|ed ef g/e/f/d/|
B3c dB|BA GF EF|D2 F2 A2|B3d d2|d6|]

%%%
X:636
%%staffsep 70
%
T:BOY GENIUS (reel), The 
C:© BB
S:S: BBMG
%%R:reel
Q:1/4=180
M:4/4
L:1/8
K:G
D|"G"GFED "Am"EGAc|"G"BAGF GABd|"G"gede "F"=fc ~c2|"Bb"_BAGB "Dm"AG=FD|
"G"GFED "Am"EGAc|"G"BAGF GABd|"G"gabg "Am"afge|"D"dcAF "G"G3 :|
A|"G"dega b2de|"F"=fafe dfdc|"G"=B3d "Am"c3A|"G"=Bcde "F"=fefa|
"G"g2 dg Bgdg|"F"=f2 cf AfcA|"G"=BcdB "F"=ce=fd|"D"cAFA "G"G3 :|

%%%
X:637
%
%
%
%
T:BOY IN HIS PANTS (jig), The
S:S: MFC.080A
C:Liam Donnelly
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%%R:jig
K:D
G|EAA AB=c|BAB GEE|EDE GED|ABA GED|
EAA AB=c|BAB G2A|BAB A2G|EDD D2:|
e|fdd edd|fdd d2e|fef e2d|BAA A2e|
fga efg|fef d2A|BAB A2G|EDD D2:|

%%%
X:638
%
%
%
%
T:BOY IN THE BOAT (reel), The
S:S: CRE.1
Z:Z: ABC/arr. BB
N:N: see note in ABC file
M:C
L:1/8
Q:1/4=180
%%R:reel
K:D
A2AF DFAF|GFEF GFGB|ADD2 ADD2|AFGE D3F|
A2AF DFAF|GFEF G3B|AFAd BGBd|cAGE D2||
K:D modal
(3ABc|d2fd cAAB|cAdA cAA2|d2fd cAAB|cAGE EDD2|
d2fd cAAB|cAdA cAA2|f3d eged|cAGE EDHD2|]
%
% The key signature in CRE is G, which if not a "scribal error" %indicates that all C's are natural. However to me this sounds like a %straight D tune in part A and D mix in part B. If you want to play it %as CRE presents it, replace D with G in the first K: field of the 
%above.

%%%
X:639
%
%
%
%
T:BOY IN THE GAP (reel), The
S:S: CRE.3
Z:Z: ABC/arr. BB
N:N: see note in ABC file
% [1] Breathnach's notation for this tune is confusing: there's an "orphan"  measure between the A and B parts, and the B part only has 7 measures. I've drafted this file on the presumption that the "orphan" should really be the first measure of part B. 
%
% [2] I have taken the liberty of lowering the |c| in measures 2 and 6 from sharp to natural, since 99/100 of the time that a |cEGE| figure appears in a D tune, the |c| is natural. If you don't like the modal sound, replace the G with D in the K: field above>
%%R:reel
L:1/8
Q:1/4=180
M:C
K:Dmix
D2FA dedc|A2GE cEGE|D2FA dedc|A2GF EFGE|
D2FA dedc|A2GE cEGE|DEFA dedc|A2GE EDD2:|
fefg ged2|e2fd edcB|ABcd e2dc|eaag eaag|
fgfa fedf|egfd edcB|ABcd e2dc|A2GE EDD2:|

%%%
X:640
%
%
%
%
T:BOY IN THE GAP (reel), The
S:S: DMWC.47
Z:Z: ABC/arr. BB
N:N: The /=c/ in m.51 is per source. It's the only C natural in Willie's setting.
M:C
L:1/8
Q:1/4=180
%%R:reel
K:D
D2FA dedc|A2GE A2GE|D2FA dedc|A2GE E2GE|
D2FA dedc|A2GE cEGE|DEFA dedc|A2GE EDD ||
%
G|f2fe fedf|egfd edcA|Addf edcd|eaag eaag|
[1 f2fe fedf|egfd edcA|ABcd gedc|ADGE EDD :|
[2 f2f2 fedf|egfd edcA|ABcd gedc|A2GE E2G ||
%
|:E|D2FA d2dc|A2GE cEGE|D2FA dedc|A2GE E2GE|
[1 D2FA dedc|A2GE A2GE|DEFA dedc|A2GE FDD :|
[2 D2FA d2cA|GEcE GEcE|EDFA dedc|A2GE FDD ||
%
e|f4 fedf|egfd edcA|Addf edcd|eaag eaag|
f2fe fedf|egfd edcA|ABcd gedc|ADGE EDDg|
f2fe fedf|egfd edcA|=c3d edcd|eaa2 agag|
f2f2 fedf|egfd edcA|ABcd gedc|ADGE FDHD2 |]

%%%
X:641
%
%
%
%
T:BOY IN THE GAP (reel), The
T:Boys of Cappoquin
S:S: CRE.1
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%%R:reel
K:D
D2FA d2cB|A2GE A2GE|D2FA decB|A2GE EDD2|
D2FA d2cB|A2GE A2GE|D2FA d2cB|A2GE EDD2||
fefg fedf|edef edcB|ABcd edcd|eaag eaa2|
fefg fedf|edef edcB|ABcd efdB|A2GE EDHD2|]

%%%
X:642
%
%
%
%
T:BOY IN THE TREE (reel), The
S:S: CRE.4 < Jack Wade
Z:Z: ABC/arr BB
L:1/8
M:4/4
Q:1/4=180
%%R:reel
K:Adorian
Bd|e2dB GABd|eB B2 AGED|EBAG ABcd|eage d2 Bd|
eBdB AGED|GDBD GABd|egdB GABd|egdB A2:|
Bd|e2ae beae|dedB GABd|e2ae beae|dBGB ABcd|
eAaA gAfA|BcdB GABd|e2 af gedB|GABG A2:|

%%%
X:643
%
%
%
%
T:BOY OF MY HEART
S:S: ONMI.0261 < J.O'Neill
Z:Z: Brennan/Black 
M:6/8
L:1/8
K:G
%%text "gaily"
%%vskip .3in
D2|DEG A2A|ABG A2E|GAB cBA|BGE E2c|
cdc B2G|A2E G2E|DcB cBA|GED D2||
G/E/|DGG DAA|DBB A2E/F/|GAB cBA|B2G E2B|
cdc B2B|A2E G2E/E/|DcB cBA|GED D3|]

%%%
X:644
%
%
%
%
T:BOYLAN'S JIG
C:Sean Quinn 2018
S:S: composer
Z:Z: ABC/arr BB   
%%R:jig
Q:1/4=160
L:1/8
M:6/8
K:D
F|A2A AGF|GFG E2F|GFG BAG|FGE DFG|
A2A AGF|GFG B2c|dAF BGE|FGE D2:|
F/G/|A2d dcd|efd cde|fed ecA|BcB ABc|
d2d dAF|GAB Afe|dAF BGE|FGE D2:|

%%%
X:645
%
%
%
%
T:BOYNE HUNT (jig), The  
S:S: OFPC1.36 ("Irish") 
Z:Z: ABC/arr. BB
% No relation to reel of same name.
Q:1/4=160
M:6/8
L:1/8
%%R:jig
K:G
A|G2d dBd|dBd dBd|ege dcB|cAA A2D|
G2d dBd|dBd dBd|c3 A2d|BGG G2 :|
g|a2g  fdd|g2f ecc|ege dcB|cAA A3|
GBd g3|fed efg|fga ABc|BGG G2:| 

%%%
X:646
%
%
%
%
T:BOYNE HUNT (reel) (1), The
S:S: DMWC.142
Z:Z: ABC/arr. BB
N:N: Willie Clancy's 52-bar "florid" version of this fine old tune can be found 
N:in the tunefolder 22 ABC file.
M:C
L:1/8
Q:1/4=180
%%R:reel
K:D
B|BA (3FGA D2 (3FGA|DAFA BEE2|BAFA DFF2|
ABde fded|BA (3FGA F2 (3FGA|DAFA BEE2|BAFA D3B|
ABde fdd2||faa2 agaf|g3a bgeg|faa2 agaf|
efde fdd2|faa2 agaf|g3a bgeg|"^see note below"f2fe dedB|. . .

%%%
X:647
%
%
%
%
T:BOYNE HUNT (reel) (2), The
Z:Z: ABC/arr. BB
M:4/4
S:S: FS1.06a
L:1/8
Q:1/4=180
%%R:Reel
K:D
A|BAFA DAFA|DAFA BEE2|BAFA DAFA|ABde fdd :|
e|faaf a2 af|g2ga bee2|1 faaf a2 af|e2 de fdd :|
%%stretchlast 0
[2 f2 fe d2 dB|ABde fd Hd2 |]

%%%
X:648
%
%
%
%
T:BOYNE HUNT (reel) (3), The
S:S: ONMI.1241 < F.O'Neill
Z:Z: Brennan/Black 
Q:1/4=180
M:C|
L:1/8
K:D
BAFA DAFA|DAFA BEEB|BAFA DAFA|ABde fddB|
BAFA DAFA|DAFA BEEB|BAFA DAFA|ABde fdd ||
g|faa2 bgaf|dfaf gfeg|faa2 bgaf|ABde fdde|
faa2 bgaf|dfaf gfeg|fgef dedB|ABde fdd||
g|fdad bdad|fdad ceeg|fdad bdad|ABde fddg|
fdad bdad|fdad ceeg|fgef dedB|ABde fdBc|Hd4z4|]
%

%%%
X:649
%
%
%
%
T:BOYNE WATER (hornpipe), The
T:Battle of the Boyne
S:S: CRE.2
Z:Z: ABC/arr. BB
N:N: "Played as a hornpipe for the last figure of a set."
Q:1/4=150
L:1/8
M:4/4
%%R:hornpipe
K:Adorian
% 
%swing .25
d|e3f efge|dBAF G2 AB|cAGB cdeB|ABAG E2 D2|
e3f e2gd|edBA G2 AB|cAGA edBd|A4 A3:|
g|a3b a2g2|abag e2de|g2fe gage|dBAF G3 z|
B2 e2 efge|edBA G2AB|c2A2 edBG|A4 A3:|

%%%
X:650
%
%
%
%
T:BOYNE WATER (march) (1), The
Z:Z: ABC/arr. BB
S:S: Levey1.107 
Q:1/4=160
L:1/8
%%R:march 
M:C|
K:A dorian
%%text "not too quick"
%%vskip .3in
AG|E2e2 efge|dcBA G2AB|c2BA edcB|A3G E2AG|
E2e2 efge|dcBA G2AB|c2BA edcB|A4 A2 :|
Bc|d2ef g2fg|agfe d2d2|e2a2 a2b2|a3g e2f2|
gfga g2fe|dcBA G2AB|c2BA edcB|A4 A2 :|

%%%
X:651
%
%
%
%
T:BOYNE WATER (march) (2), The
T:Praises of Limerick
S:S: RC1.004
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:C
K:G
%%text "lively"
%%vskip .4in
dB|A2Bd efge|dBAB G2AB|c2Bd efdB|A3G E2dB|
A2Bd efge|dBAB G2AB|c2Bd efdB|A3A A2||
B2|dBde g2b2|abge d3d|e2aa a2b2|a3g e2ga|
b2ba gfge|dBAB G2AB|c2Bd efdB|HA8|]

%%%
X:652
%
%
%
%
T:BOYNE WATER (march) (3), The
S:S: ONMI.0260 < F.O'Neill
Z:Z: Brennan/Black 
M:C
Q:1/4=120
L:1/8
K:G
%%text "moderate"
%%vskip .3in
AG|E2e2 efge|dcBA G2AB|c2BA edcB|ABAG E3D|
E2e2 efge|dcBA G2AB|c2BA edcB|A4 A2||
K:A
cd|e2a2 a2b2|agec d2cd|e2a2 gabg|a3g e2f2|
=gfga g2fe|dcBA G2AB|c2BA edcB|A4-A4|]

%%%
X:653
%%staffsep 70
%
%
%
T:BOYS at BOLAND'S MILL (hornpipe), The 
C:© BB
%S:S: BBMG
%%R:hornpipe
Q:1/4=150
M:4/4
L:1/8
K:G
%swing .25
(3EDC|"G"B,DGB "C"cecA|"G"Bd (3BAG "C"EDCE|"G"DG"D"FA "G"GB"Am"Ac|\
"Em"Be"A"d^c "D"d2 (3EDC|
"G"B,DGB "C"cecA|"G"Bd (3BAG "C"EDCE|"G"DGBG "Am"EcAF|"G"G2 GF G2 :|
(3Bcd|"Em"edBd gdBd|"G"gaba "Em7"gedg|"G"bg"D"af "G"gedg|"A"ed^ce "D"d2(3EDC|
"G"B,DGB "C"cecA|"G"Bd (3BAG "C"EDCE|"G"DGBd "Am"ceag|"D"fdcA "G"G2 :|

%%%
X:654
%
%
%
%
T:BOYS FROM KERRY, The
S:S: ONMI.0459 < F.O'Neill
Z:Z: Brennan/Black 
M:C
L:1/8
K:G
%%text "moderate"
%%vskip .3in
GA|B3A BBce|d2A2 B2AG|E2DE G2G2|G6d2|
e2de g2ge|d3B G2Bc|d2d2 edBG|A6d2|
e2de g2ge|d3B G2Bc|d2d2 cABG|E6 GA|
B3A BBce|d2A2 B2AG|E2DE G2G2|G4-G4|]

%%%
X:655
%
%
%
%
T:BOYS FROM MULLINGAR, The
S:S: ONMI.0589 < J.O'Neill
N:N: Note 8/16 measure structure.
Z:Z: Brennan/Black 
M:6/8
L:1/8
K:D
%%text "moderate"
%%vskip .3in
F/G/|A2A F2A|d2e fgf|e2A A2F|G3 G2F/G/|
A2A F2A|d2e fgf|e2A A2c|d3d2||
a/g/|f2f f^ef|g2f e^de|f2d A2F|G3 G2a|
f2f f2A|d2e fgf|e2A A2c|d3 d2a/g/|
f2f f^ef|g2f e^de|fdA AGF|G3 G2F/G/|
ABA AFA|d2e fgf|ecA ABc|d3d3|]

%%%
X:656
%
%
%
%
T:BOYS FROM SCART (hornpipe), The
S:S: ONMI.1574 < F.O'Neill
Z:Z: Brennan/Black 
Q:1/4=150
%%R:hornpipe
L:1/8
M:C|
L:1/8
K:G
% 
%swing .25
dc|BGBd BGBd|gfge dBGB|ecdB cABG|EAAB A2dc|
BGBd BGBd|gfge dBGB|ecdB cABG|D2G2G2:|
Bc|dgg2 dgg2|dgba gfed|eaad eaa2|eaaf gfef|
dgg2 dgg2|dgba gfef|dfaf gfef|g2gf g2:|

%%%
X:657
%
%
%
%
T:BOYS FROM THE EAST (hornpipe), The
S:S: ONMI.1664
Z:Z: Brennan/Black 
Q:1/4=150
M:C| % source 2/4
L:1/8 % source 1/16
K:A
% 
%swing .25
EG|AGAE CEAc|e^dec Acea|faea daca|BABc dBGE|
AGAE CEAc|e^dec Acea|faed cBAG|A2A2 A2:|
EG|BABG EGBc|dcdB GBed|cBcA EAcd|ecef e2fg|
agae fdBG|ABcd eaec|dfed cBAG|A2A2 A2:|

%%%
X:658
%
%
%
%
T:BOYS FROM THE WEST (jig), The
S:S: RC1.114
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%%R:jig
K:G
D|GBd gdB|ded d2B|GBd gdB|ABA A2B|
GBd gdB|def gfe|ded BcA|BGG G2:|
d|gfg edB|ded def|gfg edB|ABA A2d|
gfg edB|def gfe|ded BcA|BGG G2:|

%%%
X:659
%
%
%
%
T:BOYS IN THE GAP, The 
S:S: ONMI.0157 < F.O'Neill
Z:Z: Brennan/Black 
N:N: see note in ABC file
% Hard to tell at this point why O'Neill didn't include this in the Jig section of the 1850. My guess is that it was better known as a song back in his day. I put a jig version of it in folder 497 as "Cumberland Lads", #497021.
M:6/8
L:1/8
K:Gm 
%%text "with spirit"
%%vskip .3in
D|GAG BcB|AFF F2A|GAG gag|fdd d2=e|
fgf fed|cdB ABc|ded d2c|BGG G2||
d|gag gab|aff f2a|g=e^f gab|afd d2=e|
fgf fed|cdB ABc|ded d2c|BGG G2|]
%

%%%
X:660
%
%
%
%
T:BOYS OF '45 (reel), The
S:S: Treoir.39/1
Z:Z: ABC/arr. BB
L:1/8
M:4/4
%%R:reel
Q:1/4=180
K:Am
GA|BcBA GEED|G2 BG cGBG|BcBA GEED|EAAG A2:|
GA|Bded g2 ed|g2 ed BGGA|Bded g2 ed|eaag aged|
Bded g2 ed|g2 ed BG G2|BcBA GEED|EAAG A4|]

%%%
X:661
%
%
%
%
T:BOYS OF '45 (reel), The
T:Doonagore 
Z:Z: ABC/arr. BB
S:S: FS3.13c
M:4/4
L:1/8
Q:1/4=180
%%R:Reel
K:G
DG G2 FGAc|BG G2 ABcA|d2cA BGG2|(3Bcd cA BGAF|
DG G2 FGAc|BG G2 ABcA|d2cA BGG2|(3Bcd cA G3z :|
g3e fdde|fdgd fdd2|g3e fddc|defd g3z|
g2ag fddc|B2BG ABcA|d2cA BGG2|(3Bcd cA G3z :|

%%%
X:662
%
%
%
%
T:BOYS OF BALLINAFAD (jig), The
S:S: DMI.0195 / ONMI.0978 < J.O'Neill
Z:Z: Nordberg/Brennan/Black
% Same tune in two of the Chief's volumes. He must have liked it! 
%%R:jig
Q:1/4=160
M:6/8
L:1/8
K:A
f|ecA AcA|ecA F2A|EFA ABc|edc B2f|
ecA AcA|F2A E2c|d2f ecA|BAA A2:|
f|ecA Ace|fde fga|ecA AGA|BGE Ecd|
ecA Ace|fde fga|edc BAB|cAA A2:|

%%%
X:663
%
%
%
%
T:BOYS OF BALLINAHINCH (reel) (1), The
T:Strawberry Blossom
S:S: BSMI.2
Z:Z: ABC/arr. BB
%%R:reel
M:C
Q:1/4=180
L:1/8
K:D
g|f2df edBA|Bdef g2ag|f2df edBA|dBAF EFD :|
e|faaf d3e|faaf g3e|faaf gfef|gfed Bdde|
faaf d2de|faaf g2ga|bgaf gfed|Bdef gage ||
"^coda"dBAF EDD2|]

%%%
X:664
%
%
%
%
T:BOYS OF BALLINAHINCH (reel) (2), The
T:Strawberry Blossom
Z:Z: ABC/arr. BB
S:S: FS3.12c
M:4/4
L:1/8
Q:1/4=180
%%R:Reel
K:D
ag|: f2df edBA|(3Bcd ef g2ag|f2df edBA|dBAG FA D2 :|
faaf d3e|faaf g3e|faaf gfef|gfed Bdde|
faaf d3e|faaf g2ga|bgaf gfed|(3Bcd ef||"^coda"g2af|d4z4|]

%%%
X:665
%
%
%
%
T:BOYS OF BALLINAMORE (jig), The
S:S: ONMI.0937 < West
%%R:jig
Z:Z: Brennan/Black 
Q:1/4=160
M:6/8
L:1/8
K:Dmix
%%text A-B-A
%%vskip .3in
d|cAF G2G|ABc AdB|cAF GFG|Ade fed|
cAF G2G|ABc AdB|cAF GFG|Adc d2 ||
g|fed efg|ecc gcc|fed efg|age d2e|
fed efg|ecc gcc|faf ege|d2e f"_DC"e ||
%
N:N: In ONMI as D major but I think this sounds better as a "modal" tune. To 
N:hear the source version, remove "mix" from "K:Dmix" in the ABC.

%%%
X:666
%
%
%
%
T:BOYS OF BALLINCHALLA (reel), The
S:S: ONMI.1227 < Dunlap
Z:Z: Brennan/Black 
%%R:reel
Q:1/4=180
M:C|
L:1/8
K:G
%%text A-B-A
%%vskip .3in
dc|SBGG2 BGdc|BGG2 d2cB|cAA2 cAeA|cAA2 e2dc|
BGG2 BGdc|BGG2 d2cB|cedc BGAF|DGGF G2||
BA|Gggf gedB|Gggf gedB|Aaa^g aecB|Aaa^g aecA|
Gggf gedB|Gggf gfga|gfef gfeg|bgaf ged"_DS"B||

%%%
X:667
%
%
%
%
T:BOYS OF BALLISODARE (reel) (1), The
S:S: BSMI.1
Z:Z: ABC/arr. BB
Q:1/4=180
%%R:reel
M:4/4
L:1/8
K:G
B||dGG2 dGeG|dGGA BAA2|dGG2 dedB|AcBA GED2|
dGG2 dGeG|dGGA BAA2|Bdd2 edB2|AcBA GED2 ||
gfga bgaf|gfga bee2|gfga bgaf|gfed ^cdef|
gfga bgaf|gfga bee2|bgaf gedB|AcBA GED2 ||
Bdd2 Bdgd|Bdgd BAA2|Bdd2 e2dB|AcBA GED2|
Bdd2 Bdgd|Bdgd BAA2|eBB2 gBB2|AcBA GED2 ||\
"^coda"G4z4|]

%%%
X:668
%
%
%
%
T:BOYS OF BALLISODARE (reel) (2), The
S:S: DMWC.52: "unknown" (!)
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%%R:reel
K:G
g2ge||dGG2 dfec|dGG2 BAA2|dGG2 dedB|cABG AGEA|
dGG2 dz ge|dGG2 BAA2|GBB2 dedB|cABG AGE||
%
f|g3a bgaf|g3a bee2|g3a bgaf|ge ed ef|
g3a bgaf|g2g2 bee2|bgaf ge ed|Bd ef g2||
%
ge|dGG2 dfec|dGG2 BAA2|dGG2 dedB|cABG EGDA|
dGG2 dfge|dGG2 BAA2|GBB2 B2dB|cABG AGE||
%
f|g3a bgaf|g3a bee2|g3a bgaf|ge ed Bd ef|
g2g2 bgaf|g3a bee2|bgaf ge ed|Bd efg2||
%
ge|dGG2 dfge|dGG2 BAA2|dGG2 dedB|cABG AGEA|
dGG2 dGG2|dGG2 BAA2|GBB2 dedB|cABG AGE||
%
f|g3a bgaf|g3a bee2|g3a bgaf|ge ed Bd ef|
g2g2 bgaf|g3a bee2|bgaf feed|Bd efg3||\
"^coda" dBAF HG4 |]

%%%
X:669
%
%
%
%
T:BOYS OF BALLISODARE (reel) (3), The
S:S: FS3.08c
Z:Z: ABC/arr. BB
M:4/4
L:1/8
Q:1/4=180
%%R:Reel
K:G
dGG2 dGeG|dBGA BAA2|dGG2 dedB |AcBA GED2|
dGG2 dGeG|dBGA BAA2|Bdd2 eBdB|AcBA GED2 ||
g3a bgaf|gfga bgef|g3a bgaf|gfed Bdef|
g3a bgaf|gfga bge2|bgaf gedB|AcBA GED2 ||
Bdd2 Bdgd|Bdgd BAA2|Bdd2 eBdB|AcBA GED2|
Bdd2 Bdgd|Bdgd BAA2|eBB2 e2dB|AcBA GEDF |\
"^coda"G4z4|]

%%%
X:670
%
%
%
%
T:BOYS OF BALLYCAHILL (hornpipe), The
S:S: RC3.180
Z:Z: ABC/arr. BB
L:1/8
M:C|
%%R:hornpipe
Q:1/4=150
K:D
% 
%swing .25
AG|FAdf ecAG|FAdf gecA|FAdB cdec|dcdf ecAG|
FAdf ecAG|FAdf gecA|FAdB cdec|dfec d2:|
de|f2ef fgfe|decA d2 cB|ABAG FAdf|edcB Acde|
f2ef fgfe|decA d2 FA|Bdgf edce|dAFE D2:|

%%%
X:671
%
%
T:BOYS OF BALLYCASTLE (hornpipe), The
S:S: WSGM.321 < Pat Dunne ms
Z:Z: ABC Kinder/Black 
M:C|
L:1/8
Q:1/4=150
%%R:hornpipe
K:Em
% 
%swing .25
ef|gfed edBd|edeg B2BA|G2 GA BABd|e2A2 A2ga|
bagf gfed|edeg B2 BA|G2 GA BcBA|G2E2 E2:|
gf|e2B2 B2gf|e2B2 B2 gf|e2 ef gfga|b2e2 e2ga|
bagf gfed|edeg B2BA|G2 GA BcBA|G2E2 E2:|

%%%
X:672
%
%
T:BOYS OF BALLYSADARE (slip jig), The
S:S: ONMI.1134 < McFadden
Z:Z: Brennan/Black 
Q:1/4=160
%%R:slip jig
M:9/8
L:1/8
K:G
D2G G2A B2d|ege d2e g3|D2G G2A d2B|
ABA B2G E2G|D2G G2A B2d|ege d2e g2a|
b2a g2e d2B|ABA B2F E2G||d2d d2c d2B|
d2d e2f g3|B2d d2B d2B|A2G B2G E2D|
d2d d2B d2B|d2d e2f g2a|b2a g2e d2B|
ABA B2G E2F|G6z3|]

%%%
X:673
%
%
%
%
T:BOYS OF BALLYSCALLY (jig), The
S:S: CRE.4 < Bogue
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=160
M:6/8
%%R:jig
K:G
d/c/|BGG DGG|EGE DB,G,|CEG B,DG|EFG A2c|
BGG DGG|EGE DB,G,|CEG DGB|AFD G2:|
B/c/|dgd ecA|dBG AFD|dgd eag|fef gfg|
afd gdB|ecA dBG|EFG Adc|BGF G2:|

%%%
X:674
%
%
%
%
T:BOYS OF BALLYSIMON (hornpipe), The
S:S: ONMI.1594
Z:Z: Brennan/Black 
%%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:D
% 
%swing .25
dc|BAGB ABcA|dcAF G2FG|AFDE FAGF|D2DE D2dc|
BcBG ABcA|dcAF G2FG|AFDE FAGE|D2DE D2:|
%
FG|Addg fgfd|efed cBcA|Addg fgfd|efec d2dc|
BAGB ABcA|dcAF G2FG|AFDE FAGE|D2DE D2:|
%
dc|BcBG AGFG|ABcA g2ed|ecAF GBAF|D2DE D2dc|
BGGB cBAG|AGFG g2fg|ecAF GBAF|D2DE D2:|
%
FG|Adeg fgfd|efed cAGF|Adde fgfd|efec defg|
agfa gfef|defd cBAG|AFDE FAGE|D2DE D2:|

%%%
X:675
%
%
%
%
T:BOYS OF BALLYSODARE (reel) (4), The
T:Dublin Lasses
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
%%R:reel
K:G
B|dGG2 dGeG|dBGA BAA2|dGG2 dedB|AcBA GED2|
dGG2 eGG2|dGG2 BAA2|dGG2 dedB|AcBA GED2 ||
%
gfga bgaf|gfga beef|gfga bgaf|gfed Bdef|
gfga bgaf|gfga beea|b2ab gedB|AcBA GED2 ||
%
Bdd2 Bdgd|BdgG BAA2|Bdd2 gedB|AcBA GED2|
Bdd2 Bdd2|Bdd2 BAA2|gBB2 GBdB|AcBA GED2 ||"coda"HG4z4||

%%%
X:676
%
%
%
%
T:BOYS of BLUE HILL (hornpipe) (1), The
S:S: AIF
Z:Z: ABC Brennan/Black 
Q:1/4=150
M:C|
L:1/8 % dotted
%%R:hornpipe
K:D
% 
%swing .25
dB|BAFA D2FA|BABd e2de|fgaf egfe|dfed B2dB|
BAFA D2FA|BABd e2de|faaf egfe|d2dc d2:|
fg|afdf a2gf|efga b2ag|fgaf egfe|dfed B2dc|
BAFA D2FA|BABd e2de|faaf egfe|d2dc d2:|

%%%
X:677
%
%
%
%
T:BOYS OF BLUE HILL (hornpipe) (2), The
S:S: GSTC
Z:Z: ABC/arr. BB
Q:1/4=150
M:C|
%%R:hornpipe
K:D
% 
%swing .25
A2|BAFA D2FA|BABd e2 de|fbaf e2ge|dfed B2 Bd|
BAFA DAFA|BABd e2de|faaf egfe|d2 dc d2 :|
fg|afdf a2af|gfga b2ag|faaf egfe|dfed Bcdc|
BAFA DAFA|BABd e2de|faaf egfe|d2dc d2 :|

%%%
X:678
%
%
%
%
T:BOYS OF BLUE HILL (hornpipe) (3), The
Z:Z: ABC/arr. BB
M:4/4
S:S: FS1.34a
L:1/8
Q:1/4=150
%%R:Hornpipe
N:N: Spelled as "Bluehill" in source
K:D
% 
%swing .25
FA|BAFA D2FA|BA (3Bcd e2de|faaf egfe|dfed B2dB|
BAFA D2FA|BA (3Bcd e2de|faaf egfe|d2 f2 d2 :|
fg|afdf a2af|gfga b2ag|faaf egfe|dfed B2dB|
BAFA D2FA|BA (3Bcd e2de|faaf egfe|d2 f2 d2 :|

%%%
X:679
%
%
%
%
T:BOYS OF BLUE HILL (hornpipe) (4), The
S:S: ONMI.1700 < West
Z:Z: Brennan/Black 
%%R:hornpipe
N:N: Spelled as "Bluehill" in source
Q:1/4=150
M:C| % source 2/4
L:1/8 % source 1/16
K:D
%
%swing .25 
FA|BAFA D2FA|BABd e2de|faaf egfe|dfed B2dB|
BAFA D2FA|BABd e2de|faaf egfe|d2dd d2:|
fg|afdf a2gf|gfga b2ag|faaf egfe|dfed B2dB|
BAFA D2FA|BABd e2de|faaf egfe|d2dd d2:|

%%%
X:680
%
%
%
%
T:BOYS OF BLUE HILL (hornpipe) (5), The
S:S: RC3.183 
Z:Z: ABC/arr. BB
L:1/8
M:C|
%%R:hornpipe
N:N: Spelled as "Bluehill" in source
Q:1/4=150
K:D
% 
%swing .25
FA|BAFA D2FA|BABd e2de|faaf egfe|dfed B2dA|
BAFA D2FA|BABd e2de|faaf egfe|d2dc d2:|
fg|afdf a2gf|gfga b2ag|faaf egfe|dfed B2dA|
BAFA D2FA|BABd e2de|faaf egfe|d2dc d2:|

%%%
X:681
%
%
%
%
T:BOYS OF CAPPOQUIN (reel), The  
S:S: ONMI.1364
Z:Z: Brennan/Black 
% First |fe| replaces |/f/g/f/e/| in mm. 5 and 9.
Q:1/4=180
%%R:reel
M:C|
L:1/8
K:D
FDFA d2cA|ABGA EFGE|FDFA d2cA|AcGE EDD2:|
fefg fedf|efgf edcB|ABcd efge|fage edd2|
fefg fedf|edef edcB|ABcd efge|fage edHd2|]

%%%
X:682
%
%
%
%
T:BOYS OF CARRIGALLEN, The
S:S: ONMI.0210 < J.O'Neill
Z:Z: Brennan/Black  
M:6/8
L:1/8
K:Am
%%text "cheerfully"
%%vskip .3in
E|A2E A-A/B/c/d/|ede A2B/A/|G2D G-G/A/B/c/|dcd G2B|
A2E ABd|e2^f gfg|edc Bcd|ecA A2:|
a|a^ga A2a|a^ga A2g|g^fg G2=g|g^fg G2B|
c2c d2d|e^fg a3|edc Bcd|ecA A2:|

%%%
X:683
%
%
%
%
T:BOYS OF COOMANORE (jig), The
S:S: ONMI.1073 < F.O'Neill
Z:Z: Brennan/Black 
%%R:jig
Q:1/4=160
M:6/8
L:1/8
K:D
G|F2E FDD|Ddc dAG|F2E FDD|FAF GFE|
FEG FDD|Ddc dAG|FAG FGE|FDD D2:|
G|ABc d2e|fdf ecA|ABd efg|faf gfe|
ABc d2e|fdf ecA|AGF EAG|FDD D2:|

%%%
X:684
%
%
%
%
T:BOYS OF CURRAGHMORE (hornpipe), The
S:S: WSGM.314 < Rice-Walsh manuscript
Z:Z: ABC Kinder/Black 
M:C|
L:1/8 
Q:1/4=150
%%R:hornpipe
K:D
%swing .25
FE|D2DF A2FA|defe dBAD|GABG F2DE|F2E2 E2FE|
D2DF A2DA|defe dBAD|GABG AcBG|F2 D2 D2:|
cd|e2 ec A2DA|d2 dc defd|d2 dB AFDE|F2 E2 E2 FE|
ADDF A2DA|defe dBAD|GABG AcBG|F2 D2 D2:|

%%%
X:685
%
%
%
%
T:BOYS OF DUNDRUM (reel), The
C:Sean Quinn 2006
S:S: composer
Z:Z: ABC/arr BB   
%%R:reel
Q:1/4=180
M:C
K:D
defe dBAF|E2eA fAeA|defe dBAF|GBAG FDD2|
defe dBAF|E2eA fAeA|defe dBAF|GBAF D2de||
fgag fdef|gefd ecBA|fgag fdef|gbag fdde|
fgag fdef|gefd ecAf|gefd ecAF|GBAG FDD2||
fgag fd~d2|efgf e=c~c2|fgag fdef|gbag fdd2|
fgag fdef|gefd ecAf|gefd edcB|AFGE D4 |]

%%%
X:686
%
%
%
%
T:BOYS OF GALWAY (reel), The
S:S: ONMI.1341 < Early
Z:Z: Brennan/Black 
% Close relative of "My Maryanne"
Q:1/4=180
%%R:reel
M:C|
L:1/8
K:C
B|cded cBAG|Addc dcAB|cded cBAG|AcGE EDDB|
cded cBAG|Addc dcAB|cABG AFGE|FDGF ECC||
f|gage cBcd|eaag agef|gage cBcd|eaag edde|
gage cBcd|eaag agef|gefd ecdc|Bcdf ecHc2|]

%%%
X:687
%
%
%
%
T:BOYS OF GLANLOUGH, The  
S:S: ONMI.0356 < F.O'Neill
Z:Z: Brennan/Black  
M:C
L:1/8
K:Gm 
%%text "spirited"
%%vskip .3in
G/A/|Bcdg cedc/A/|GBAG F3G/A/|Bcd=e fdc_e|dgg^f g3G/A/|
Bcdg cedc/A/|GBAG F3G/A/|Bcdg gddB|cBGG G2z||
G/A/|BABc dedc|db a/g/f/a/ g3G/A/|BABc d2gf|
dedc B2cd|dggf dBcA|GBAG F3G/A/|Bcdg gddB|cBGG G3|]

%%%
X:688
%
%
%
%
T:BOYS OF KILSARNE (reel), The
S:S: CRE.1 
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%%R:reel
K:G
D|G3B A3F|GBAG FDD2|DGGF GABc|d^cde fd=cA|
G3B A3F|GBAG FDD2|DGGF GABc|dBcA BGGA||
%
B2GB DBGB|AGFG ABcA|B2GB DBGB|cAFG AGG2|
B2GB GBdB|AGFG ABcA|B3c d^cde|fdcA BGBd||
%
g2gf gdBd|cBAB cdef|g2gf gdBd|cedc BGGd|
g2gf gdBd|cBAB cdef|gbaf gedB|cedc BGAF|\
HG4z4||

%%%
X:689
%
%
%
%
T:BOYS OF MALIN (reel) (1), The
S:S: CRE.2
Z:Z: ABC/arr. BB
L:1/8
N:N: Usually played A-B-C-A
M:C
%%R:reel
Q:1/4=180
K:A
ABcd edce|fdfa edcB|ABcd eAce|fdBc dfed|
ABcd edce|fdfa edcB|ABcd eAce|fdBc defg||
%
aAA2 eAce|aAGA fefg|aAGA eAce|fdec dcBg|
aAGA eAce|aAAg fefg|afge fdec|dfBc d2cB||
%
Aece Aece|Aece d2cB|Aece Aece|fdBc dfec|
Aece Aece|Aece d2cB|Aece Aece|fdBc defg||
%
ABcd edce|fdfa edcB|ABcd eAce|fdBc dfed|
ABcd edce|fdfa edcB|ABcd eAce|fdBc defg||"^coda"a4z4|]

%%%
X:690
%
%
%
%
T:BOYS OF MALIN (reel) (2), The
S:S: FS3.06b
Z:Z: ABC/arr. BB
M:4/4
L:1/8
Q:1/4=180
%%R:Reel
K:A
cB|ABcd eAce|fedf edcB|ABcd eAce|1 fdBc d2:|
%
fg|aAAA cAce|abag fefg|aAAA cAce|dcBc defg|
aAAA cAce|abag f3g|affe fedc|dcBc d2cB||
%
cB|Aece Aece|Aece d2cB|Aece Aece|fdBc d2cB|
Aece Aece|Aece d2cB|Aece Aece|fdBc d2cB|A4z4|]

%%%
X:691
%
%
%
%
T:BOYS OF PORTAFERRY (reel), The
S:S: ONMI.1249 < O'Reilly
Z:Z: Brennan/Black 
%%R:reel
Q:1/4=180
M:C
L:1/8
%%text A-B-A 
%%vskip .3in
BA|G2BG AcBA|G2BG GEDE|G2BG ABce|dBgB c2BA|
G2BG AcBA|G2BG GEDE|G2BG ABce|dBAB G2||
GA|Bdgd edgd|Bdgd e2dc|Bdgd edef|gedB c2BA|
Bdgd edgd|Bdgd e2dc|Bdgd egfa|gedB "_DC"c2 ||

%%%
X:692
%
%
%
%
T:BOYS of the 25 (reel), The 
%%R:reel 
D:D: Tommy Keane: "The Piper's Apron"  
Z:Z: henrik.norbeck@mailbox.swipnet.se 
M:C
L:1/8 
K:Dmix 
cAAF G2AB|cABG AddB|cAAF G2eg|1 fded AddB:|
[2 fded Adde||:f3g a2ag|f3g afde|1 fefg a2ge|
fde^c Adde:|2 fgaf g2ag|fde^c AddB||"^coda" d4z4|]

X:693
%
%
%
%
T:BOYS OF THE LAKE (reel), The
S:S: CRE.2
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%%R:reel
K:G
D|G2 BG AGBG|G2Bd gfge|fAAG FG A2|BcAF GFED|
G2 BG AGBG|G2Bd gfgd|egAG FG A2|BcAF G3:|
A|Bdef gfed|Bdef gfdc|Befa g2 dg|egdc BG G2|
Bded gfed|Bdef g2 ga|bgag gfed|Bdef gdB :|
"^coda"Bdef gedB|HG4z4|]

%%%
X:694
%
%
%
%
T:BOYS OF THE LOUGH (reel) (1), The
S:S: AIF
Z:Z: Brennan/Black  
Q:1/4=180
M:C
L:1/8
%%R:reel
K:D
dB|ADFD FAAB|defd efdB|A2FA BdAF|EDEF E2dB|
ADFD FAAB|defd efdB|A2FA BdAF|EDEF D2:|
de|faag fgfe|defd efdB|A2FA (3Bcd AF|EDEF E2de|
faag fgfe|defd efdB|A2FA BdAF|EDEF D2:|

%%%
X:695
%%staffsep 70
%
%
%
T:BOYS OF THE LOUGH (reel) (2), The
S:S: CRE.1
Z:Z: ABC/arr.BB
Q:1/4=180
L:1/8
M:4/4
%%R:reel
K:D
dB||AF F2 AFAB|defd efdB|AF F2 DF F2|dF F2 EFGB|
AF F2 AFAB|defd efdB|AF F2 dF F2|GFEG FDEG||
%
AFGB ADFA|decd BcdB|AFDF AFDF|GEFD EFGB|
A2GB ABcA|defd BcdB|AF F2 DF F2|GFEG FDFE||
%
Daag fgec|defd BcdB|AF F2 dF F2|E3F E2 FE|
Daag fgec|defd BcdB|AF F2 dF F2|GFEG FD D2||
%
Daag fgec|defd BcdB|AF F2 dF F2|E3F E3D|
f2gf egfe|defd cdBc|AF F2 DF F2|GFEG FDDC|HD4z4|]

%%%
X:696
%
%
T:BOYS OF THE TOWN (jig) (a-1), The
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%%R:jig
K:G
D|G3 GBd|edB dBA|GAG GBd|edB AFD|
GAG GBd|edB gfg|edB AGA|BGG G2 :|
B|def gfg|agf edB|def gfg|agf e2B|
[1 def gfg|agf efg|edB AGA|BGG G2 :|
[2 def gbb|faa efg|edB AGA|BGG HG3 |]

%%%
X:697
%
%
T:BOYS of the TOWN (jig) (a-2), The
S:S: ONMI.0825 < J.O'Neill
Z:Z: Brennan/Black 
Q:1/4=160
%%R:jig
M:6/8
L:1/8
K:G
D|GFG GBd|edB dBA|GFG GBd|edB AFD|
GFG GBd|edB gfg|edB AGA|BGG G2 :|
B|def gfg|afd edB|def gfg|afd e2d|
[1 def gfg|afd efg|edB AGA|BGG G2 :|
[2 def gbb|faa efg|edB AGA|BGG G3 |]

%%%
X:698
%
%
T:BOYS OF THE TOWN (jig) (b-1), The
Z:Z: ABC/arr. BB
S:S: FS2.13c
M:6/8
L:1/8
Q:1/4=160
%%R:Jig
K:G
ged B2A|BGE G2A|B3 ABA|GBd e2f|
ged B2A|BGE G2A|BdB AGA|BGF G3 :|
def gfg|eaa eaa|bag e2d|efg efg|
def gfg|afd efg|edB AGA|BGF G3 :|

%%%
X:699
%
%
T:BOYS OF THE TOWN (jig) (b-2), The
S:S: NFID.229a < JMcK
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%%R:jig
K:G
f|ged B2A|BGE G2A|BdB ABA|GBd e2f|
ged B2A|BGE G2A|BdB AGA|BGG G2:|
B|def gfg|eaa eaa|bag e2d|efg efg|
def gfg|afd efg|edB AGA|BGG G2:|

%%%
X:700
%
%
T:BOYS of the TOWN (jig) (b-3), The
S:S: RC1.118
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%%R:jig
K:G
d|ged B2A|BGD G2A|BdB AGA|GBd efg|
ged B2A|BGD G2A|BdB AGA|BGG G2:|
B|def gfg|eaa eaa|bag e2d|egg egg|
def gfg|afd efg|edB AGA|BGG G2:|

%%%
X:701
%
%
T:BOYS of the WEST (jig), The
S:S: ONMI.1035 < Fr. Fielding
Z:Z: Brennan/Black 
Q:1/4=160
%%R:jig
M:6/8
L:1/8
K:G
g|fed edB|dBG GAB|cBc edc|BAA A2g|
fed edB|dBG GAB|cBc edc|BGG G2 :|
c|def gfg|eaa aga|bag bag|fdd d2g|
ecc efg|dBG GAB|ABA gfe|BGG G2 :|

%%%
X:702
%
%
%
%
T:BOYS OF THOMASTOWN (jig), The
S:S: CRE.1 
Z:Z: ABC/arr.BB
Q:1/4=160
L:1/8
M:6/8
%%R:jig
K:G
A/B/|cBA GED|EDE GED|B2B BAG|EAA ABc|
BAB GED|EDE GED|B2G AGE|GAG G2:|
A|BAG Bcd|ege dBG|ABA BAG|EAA ABc|
BAG Bcd|ege dBG|A2A AGE|GAG G2:|

%%%
X:703
%
%
%
%
T:BOYS OF TRALEE (jig), The
S:S: DMAC.81
Z:Z: ABC/arr.BB
Q:1/4=160
L:1/8
M:6/8
%%R:jig
K:G
G/E/| DEF GAB|egd efg|dBG AGF|GAB A2E|
DEF GAB|egd efg|dBG AGF|GBA G2 :|
f| gfe agf|gfg edB|egf gdB|A2G A2e |
DEF GAB|egd efg|dBG AGF|GBA G2 :|

%%%
X:704
%
%
%
%
T:BOYS OF WEXFORD (march) (1), The
S:S: ONMI.0081
Z:Z: Brennan/Black  
M:C
%%R:march
Q:1/4=120
L:1/8
K:G
%%text "spirited"
%%vskip .3in
D2|G3A GFED|d3e d2c2|B2G2 BAGF|E6F2|
G3A GFED|d3e d2c2|B2A2 GABc|d6d2|
e2B2g3e|d3c B2G2|c2B2 A2G2|E4z2EF|
G3A GFED|d3e d2c2|B2G2 BAGF|G4-G4|]

%%%
X:705
%
%
%
%
T:BOYS OF WEXFORD (march) (2), The
S:S: RC3.042
Z:Z: ABC/arr. BB
C:R.D.Joyce (?)
L:1/8
M:4/4
%%R:march
Q:1/4=120
K:G
%%text "with spirit"
%%vskip .3in
D2|G3A GFED|d3e d2c2|B2G2 BAGF|E4 -E2F2|
G3A GFED|d3e d2c2|B2A2 GAB^c|d4 -d2||
d2|e3c g2e2|d3c B2d2|c2B2 A2G2|E4 -E2F2|
G3A GFED|d3e d2c2|B2G2 BAGF|HG4z4|]

%%%
X:706
%
%
%
%
T:BOYS ON THE HILLTOP (reel), The 
S:S: CRE.3
Z:Z: ABC/arr. BB
%%R:reel
Q:1/4=180
M:C
L:1/8
K:Adorian
G|A3c B2AG|EGG2 G2AG|EAcA BABd|dbgA B2dB|
A3c B2AG|EGG2 G2AB|c2ed B2AB|e2GA BAA :|
B|A2Bd egdB|GBdB defg|a2ed egdB|GBdB BAA2|
a2ed egdB|GBdB defg|afge fdef|gbaf ged :|
"^coda"gbaf gedB|HA4z4|]

%%% %%% %%%

%%textfont Palatino Bold 16
%%musicspace 0.5in
%%titlespace 40
%%printtempo 0
%%titleleft
%%textfont Palatino Bold 16
%hide_information_labels
%%titlefont Palatino Bold 22
%%subtitlefont Palatino Bold 18
%%composerfont Palatino Bold 16
%%historyfont Palatino Bold 16
%%partsfont Palatino Bold 16
%add_all_playback_links 25 0 0 fatboy
%add_all_playback_volumes 64 80
%%staffsep 50

X:707
%
%
T:BRAES OF BUSBY (reel), The
S:S: DMWC.48
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%%R:reel
K:G
DGG2 BdAF|DADF AGFD|G3B dGBd|cAdc AGG2|
DGG2 BdAF|DEFG AGFD|G3B dGBd|cAdc AGG2||
%
g2dB dgbg|f2cB cfaf|g2de dGBd|cAdc AGGf|
g2dB dgbg|f2cB cfaf|gefd ecdB|cAFG AGG2||
%
BdGB GBdG|AcFA FAcA|BdGB GBdG|cAdc AGG2|
BdGB GBdG|AcFA dFAd|BGBc dGBd|cAdc AGHG2|]

%%%
X:708
%
%
%
T:BRAES OF MAAS (reel), The
D:D: Bua: "Down the Green Fields" [2011]
Z:Z: ABC/arr.BB
Q:1/4=180
M:C
%%R:reel
K:D
FE|DFAc defe|d2BG BABd|DFAc defg|bagf e2dB|
DFAc defe|d2BG BA (3Bcd|DFAc defg|bagf e2d2 ||
faaf dfaf|g2ba gfeg|faaf dfaf|gbaf e2d2|
faaf dfaf|g2ba gfec|Adce dfeg|bgec e2Hd2|]

%%%
X:709
%
%
T:BRAES OF MORAN (hornpipe), The
S:S: OFPC4.172
Z:Z: ABC/arr. BB
% Repeats added
Q:1/4=120
M:C|
L:1/8
%%R:hornpipe
K:D
% 
%swing .25
B|DEFA defe|dBAF BEEF|DEFA defe|dBAG ADDB|
DEFA defe|dBAF BEEG|AdcB dafe|dBAG ADD :|
A|defg abaf|defa beef|defe dBAF|A2BF ADDc |
defg abaf|defa beef|afge dBAF|A2BF ADD :|

%%%


X:711
%
%
%
%
T:BRANCH LINE POLKA, The 
D:D: "The Branch Line" (Jack & Charlie Coen 1977)
Z:Z: ABC/arr. BB
Q:1/4=120
M:2/4
L:1/8
%%R:polka
K:G
g/e/|dG BG|FG Ae|dG Bd|g2 fe|
dG BG|FG Ae|ed cA|G3 :|
g/a/|bg/g/ af/f/|gf ed|bg/g/ af/f/|g3 a|
bg/g/ af/f/|gf ed|Bd ef|g3 :|

%%%

X: 712
%
%
T: BRANDAN CARROLL'S (hornpipe)
M: 4/4
C: © Liz Carroll
Z:Z:  Steve Bliven 
Q: 1/4=150
%%R: Hornpipe
K: D
%%text source key C
%%vskip .3in
%swing .25
de|\
f2ec dfed|B2A2 A2de|f2ec dfaf|b2a2 a2ba|
f2ec dfed|B2A/B/c dfed|BAdB A/B/cdF|E2D2 D2:|
FG|\
AFEF DEFE |D2d2 B2BG|AFdB ABDE|F2E2 E2DF|
AFEF D2F/G/A|Bcdc d2dc|BAdB A/B/cdF|E2D2 D2:|

%%%
X:713
%
%
T:BRANDY WITH BREAKFAST* (reel) 
S:S: CRE.4 < Grier MS
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=180
M:4/4
%%R:reel
K:D
%%text source key F
%%vskip .3in
E|Fdcd fd~d2|BdAF GEEG|Fdcd fdd2|BdAG FDDE:|
A2DA FDAD|GBAF GEEF|A2DA FABc|dABG FAdB|
A2DA FDAD|GBAF GEEG|Fdde fdec|dBAG FDDE|HD4z4|]

%%%
X:714
%
%
T:BRANT POINT Jig, The
C:© BB 2006
S:S: BBMG
Q:1/4=160
L:1/8
M:6/8
%%R:jig
K:D
E|"D"DFA dcd|"D"dfe dAF|"Em"EGB ede|"A7"egf ecA|
"D"DFA dcd|"Em"Bef gfg|"D"afd "G"Bcd|"A"edc "D"d2 :|
A|"Em"Bee gfe|"Bm"fdB "A"ecA|"Em"Bef g2a|"Bm7"baf "A"e2d|
"Em"Bee gfe|"D"fda fga|"Em"bag "D"fdf|"A"edc "D"d2 :|
%

%%%
X:715
%
%
%
%
T:BRASS BAND MARCH, The
S:S: NFID.156 < CC
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:C|
%%R:march
K:G
G4 G3A|B2 d4 g2|e2eg e2d2|B2.D2.E2.F2|
G4 GFGA|G2 (3FGF e2 D2|G4 GFGA|G2 F/G/F E2D2|
A4 A^GAB|A2F2 E/F/E D2|A4 A^GAB|c6 B/c/B|
A2 D/E/F/G/ A2 D/E/F/G/|A2F2 E/F/E D2|B4 BABc|d6||
%
g2|e2eg e2d2|[B6G6] (3BcB|A2c2 ABcA|B2G2 E4|
e2 ef e2d2|[B6G6][B2G2]|ABc2 AB^c2|d6||
%
c2|B2c2^c2d2|b2ag a^gab|a2B2^c2d2|g4 gfga|
g2B2^c2d2|b2ag a^gab|a2B2c2 de|B2D2E2F2|
G2 F/G/F E/F/E D2|B2c2^c2d2|b2ag a^gab|A2B2^c2d2|
g4 gfga|g6G2|A2B2c2d2|e2f2g2^g2|
a2ba g2f2|g2ag f2g2|a2ba g2ag|e2ge d2e2|
c2e2 B/c/B A2|G4 GFGA|G2 e2 D2E2|G6 (3BcB|
A2aa a2e2|g6 eg|a2 eg a2ef|g2 c4 g2|
e2ee e2^d2|e2=d2 c/B/c A2|G2gg g2a2|g2eg e2f2|HG4z4|]
%
% I'm not expecting too many traditional musicians to spend
% much time on this, but there might be some parts of it worth 
% adapting.

%%%


%%%
X:717
%
%
%
%
T:BRAVE LADS of TYRONE (reel), The
S:S: BBMG
C:© BB
L:1/8
Q:1/4=180
M:4/4
%%R:reel
K:Amix
AF|"A"EAcA eAcA|"G"GABd edBG|"A"EAcA "D"FAdf|"A"efec "E"B2 AF|
"A"EAcA eAcA|"G"GABd "Em"edeg|"A"aece "G"dcBG|"E"EAcB "A"A2 :|
cd|"A"eaaf "G"gfed|"A"eaab "G"g2 ed|"A"eaaf "G"gedB|"A"ce "E"dB "A"A2 ed|
"A"eaaf "G"gfed|"A"eaab "G"g2 ed|"A"cdec "Bm"BcdB|"A"Ac "E"B^G "A"A2 :|

%%%
X:718
%
%
%
%
T:BRAVE VOLUNTEERS (1), The
S:S: ONMI.0080 < F.O'Neill
Z:Z: Brennan/Black 
M:2/4
L:1/8
K:D
%%text "slow"
%%vskip .3in
fe|dB AF|AB de|f2 ed|BA de|
ea ab|af de|ff fe/d/|e2 de||
fa ab|af de|f2 ed|BA zA|
Bc dB|AB de|f2 df/e/|d4|]

X:719
%
%
%
%
T:BRAVE VOLUNTEERS (2), The
S:S: ONMI.0080 < F.O'Neill
Q:1/4=120
%%R:polka
Z:Z: ABC/arr.BB
M:2/4
L:1/8
K:G
B/A/|:GE DB,|DE GA|B2 AG|ED2G|
Ad de|dB GA|1 B2 AG| A3 E/F/:|2  B2A2|G3||
|:A|Bd de|dB GA|BA GF|ED zD|
EF GE|DE GA|1 BA Bc| d3:|
[2 B2 A2|G4|]

%%%
X:720
%
%
%
%
T:BRAVE YOUNG BRIAN (jig) 
T:"Brian the Brave"
S:S: BBMG
N:N: see note in ABC file
C:© BB
%%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
D|"G"GFG BAG|"C"efg "D"dBA|"G"GFG BAG|"Em"EAB "D"A2 D|
"G"GFG BAG|"C"efg "D"def|"G"gdB "Am"cAF|"D"DEF "G"G2 :|
e|"G"gfg "Am"aga|"G"bag "C"efg|"G"dBd gdB|"Em"GAB "D"A2 e|
"G"gfg "Am"aga|"G"bag "Em"edB|"G"GAB "Am"AGE|"D"DEF "G"G2 :|
%
% For Brian Reynolds. I had to rename the tune when I discovered another 
% one of the same name in an older collection. But both names are appropriate!
% (And his dad Larry Jr. prefers "Brian the Brave"!)

%%%
X:721
%
%
%
%
T:BRAW BOLD WOOER (jig), The 
S:S: HOC.171
Z:Z: ABC/arr. BB
N:N: see note in ABC file
% HOC's name for this tune is "The Braw Wooer". There's no second part to 
% this tune in HOC, so I added one and changed the name just in case there's a 
% real 2nd part to "Braw Wooer" out there somewhere!
Q:1/4=160
M:6/8
L:1/8
%%R:jig
K:G
%%text "jig - Scotch"
%%vskip .3in
D|GAG BcB|AGA G2A|BAB GBd|e3 d2e/f/ |
gfe dgB|AGA BGE|DED DGB|A3 G2 :|
A|Bcd d^cd|efg dcB|efg fga|f3 d2g|
bgg aff|gfg edB|DED DGB|A3 G2 :| 
%

%%%
X:722
%
%
%
%
T:BRAY SHORE* (reel), The
S:S: DMAC.50 (unnamed)
Z:Z: ABC/arr.BB
Q:1/4=180
L:1/8
M:4/4
%%R:reel
K:Dm
cA|GEcA GEEF|GEcA G4|GEcA GAcd|edcA d2 cA |
GEcA GEEF|GEcA G4|GEcA GAcd|edcA d2 ||
cA|cdef g2ge|a2 af g2 ge|cdef g2 ge|agec d2 cA|
cdef g2 ge|a2 af g2 ge|cdef g2 ge|agec d2 |]

%%%
X:723
%
%
%
%
T:BREAKFAST WITH JERRY (jig) 
C:Joe Derrane
S:S: composer
Z:Z: ABC/arr. BB
%%R:jig
Q:1/4=160
M:6/8
K:D
AFA dAF|A^GB AFD|GEE =cEE|GAG GFE|
FED EFG|Ad=c A2G|FED EAG|EDC D3 :|
fdd dcd|ade fed|e^de Beg|bge gfe|
faf gfe|dcA =cGE|FED EAG|FDC D3 :|

%%%
X:724
%
%
%
%
T:BREECHES FULL OF STITCHES (polka), The
S:S: RC2.240
Z:Z: ABC/arr. BB
N:N: Slightly different from today's session version. Other versions of this 
N:well-known polka use the spelling "Britches".
Q:1/4=120
L:1/8
M:2/4
%%R:polka
K:G
GA BG|AG AB|GA BG|AG ED|
GA BA/G/|Ad dB/A/|GA GE/D/|ED D2:|
dd dB|AG AB|dd dB|AG E2|
dd dB|gg ge|1 de dB|AG GE:|
[2 dc dB/A/|GE ED|G4|]

%%%
X:725
%
%
%
%
T:BREECHES MARY (jig) 
S:S: ONMI.0990 < J.O'Neill
%%R:jig
Z:Z: Brennan/Black 
Q:1/4=160
M:6/8
L:1/8
K:Am
d|eAA BGG|GBd dcB|egg dgg|BGB dcB|
eAA BGG|GBd dcB|ege dcB|cAA A2 :|
d|eaa a^ga|egg ged|eaa a^ga|BAB dcB|
eaa a^ga|egg ged|ege dcB|cAA A2 :|

%%%
X:726
%
%
%
%
T:BREED'S HILL (jig)
S:S: TIDT 1/14
C:J.Kelly
Z:Z: ABC BB
M:6/8
L:1/8
%%R:jig
Q:1/4=160
K:Em
B|e2e ede|gdB GAB|ded BAG|A3 ABd|
efe ede|gdB GAB|Add BAF|1 E3 EG :|2 E3 E2||
F|G2B dBG|efg dBG|A2^c ecA|gfe dBA|
[1 G2B dBG|efg B2A|GAB dBA|GEE E2 :|
[2 Bef gfe|dgd BAG|ABc AGF|GEE HE3 |]

%%%
X:727
%
%
%
%
T:BREEM DOG (reel), The
Z:Z: ABC/arr. BB
Q:1/4=180
N:N: see note in ABC file
% This is from the "Scots via Cape Breton" tradition but I don't know much 
% more about it. I'm not even sure where I got it - maybe a Bill Lamey 
% recording?
%%R:reel
L:1/8
M:C
K:D
A|d2Ad fedc|BAGF EDCE|1 D3F DEFG|
AFGE FDD:|2 D2dA BGdB |AFGE FDD||
|:A|d2Ac BGG^d|e2Bd cAAc|dedc BcdB|
AFGE FDDA |dAFA BGG^d|eB^Ge cAAg|
%%stretchlast 0
fage dBAG|FAGE FDD2|]
%

%%%
X:728
%
%
%
%
T:BREEN'S HORNPIPE 
T:Sports at/of Listowel
S:S: CRE.3
Z:Z: ABC/arr. BB
%%R:hornpipe
L:1/8
Q:1/4=150
M:C
K:A
% 
%swing .25
AF|E2EF A2FA|dcdA BAFA|dcde faec|dcBA FBAF|
E2EF A2FA|d2dc dfaf|e2cA BAFE|A2AG A2:|
eg|afec efea|afec efec|dcde faec|dcBA FBAF|
E3F A2FA|d2dc dfaf|e2cA BAFE|A2AG A2:|

%%%
X:729
%
%
%
%
T:BREEZE ACROSS the LAKE (jig), The
C:© BB
S:S: BBMG
L:1/8
M:6/8
%%R:jig
Q:1/4=160
K:G
D|"G"G2B d^cd|"Em"edB "G"d2B|"F"cBA =FEF|"Dm"D=FA "F"cBA|
"G"G2B d^cd|"Em"edB "D"def|"G"gdB "D7"ABc|"G"BGF G2 :|
e|"G"gfg dcB|"G"gfg dcB|"F"=fef cBA|"F"=fef cBA|
"G"gfg dcB|"G"GBd "F"=fef|"G"gdB "D7"ABc|"G"BGF G2 :|

%%%
X:730
%
%
%
%
T:BREFFNI CASTLE (set dance) 
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy1.27 
Q:1/4=150
L:1/8 % 
N:N: dotted rhythm in source
M:C|
%%R:hornpipe 
K:A
cd|egec d2 ed|cABc AGEG|ABcd edcB|A2 E2 E2 cd |
egec d2 ed|cABG ABcd|edcB AGED|E2 A2 A2 :|
ed|c2 cB cdec|dedB GABG|ABcd edcd|e2 a2 a2 ab |
aged cedB|cABG EFGE|ABcd edcB|A2 E2 E2 cd |
eabg aged|c2Bc EFGE|ABcd eged|c2 A2 A4 |]

%%%
X:731
%
%
%
%
T:BREFNI O'REILLY (reel) 
C:© E.Reavy
S:S: "Ed Reavy Collection"
Z:Z: McKenty / Black 
N:N: see note in ABC file
Q:1/4=180
M:4/4
L:1/8
%%R:reel
K:Gmix
E|G2dG FDCD|GAcd fgaf|gdd2 cAGA|dcAG FDCD|
G2dG FDCD|GAcd fgaf|gbag fagf|dcAF DGG:|
A|B2ga fagf|dcBc AFF2|GABc defg|agfa gfga|
bgaf gfdc|BGdG AFF2|GABc dgbg|gdcA BGG :|
%
% Another Reavy tune with "ambiguous" F's. I'm not sure what Ed had in mind 
% but I'm considering this a modal tune (= all F's natural). If you want to hear what 
% the source version sounds like, remove "mix" from the "K:" field in the ABC.

%%%
X:732
%
%
%
%
T:BRENDAN BEGLEY'S (jig)  
S:S: JOL.040
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%%R:jig
K:G
B|ded BGB|dBG A2A|ded BGB|dBG G2B|
ded BGB|dBG A2g|faf gfe|dBG G2 :|
B/d/|eAA fAA|edB GBd|eAA g2A|dBG GBd|
eAA fAA|edB A2g|faf gfe|dBG G2 :|

%%%
X:733
%
%
%
%
T:BRENDAN BEGLEY'S SLIDE
Z:Z: ABC/arr.BB
S:S: MVBT < Jerry O'Sullivan
M:12/8
Q:1/4=180
K:G
A3 AGA B2A G2B|ABA G2E D2E G2B|
A3 AGA B2A G2B|ABA G2E D3-D3 :|
d2A AGA B2A G2B|ABA G2E D2E G2B|
d2A AGA B2A G2B|ABA G2E D3-D3 :|

%%%
X:734
%
%
%
%
T:BRENDAN MULHAIRE'S*  (reel) 
S:S: BSMI.4 (unnamed) 
Z:Z: ABC/arr. BB
L:1/8
%%R:reel
M:C
Q:1/4=180
K:Em
B,EE2 B,EGF|EDA,D FdAF|GEE2 dEE2|FAdA BAGF|
EB,B,2  GB,B,2|EDA,D FdAF|GEE2 dEE2|FdAF GEE2 :|
(3efe de fAde|fdad bdaf|e^def gfga|(3bag (3agf ebaf|
(3gfe fd edBd|ADFA dAFD|B,EE2 GEE2|FdAF GEE2 :|

%%%
X:735
%
%
%
%
T:BRENDAN MULVIHILL'S (reel) 
S:S: TIDT 1/49
C:J.Kelly
Z:Z: ABC BB
M:C
L:1/8
%%R:reel
Q:1/4=180
K:D
B|AD~D2 ADFA|dfec dcBA|BE~E2 Bcdf|g/f/efd cAdB|
AD~D2 ADFA|dfec dcBA|GABG ABdf|1 edBc d3:|2 edBc d2||
|:eg|fd~d2 fdef|ge~e2 geag|fd~d2 fdef|gfed cdeg|
fd~d2 fdef|ge~e2 gece|1 gfed cdec|dfaf gbag:|
[2 defd cdeg|fged cABG||"^coda"HD4z4|]

%%%
X:736
%
%
T:BRENDAN'S FANCY (hornpipe) 
Z:Z: ABC/arr. BB
S:S: MFC102a
Q:1/4=150
L:1/8
M:C|
%%R:hornpipe
K:G
% 
%swing .25
D/F/|GABc defa|g2 dc BG G2|FGAB cedc|BGAG F2D2|
GABc defa|g2 dc BG G2|FGAB cAGF|DGGF G3 :|
B/c/|d2 dc dcBc|defa gedB|c2 cB cBAG|FGAB cAFA|
d2 dc dcBc|defa gedc|Bdgd cAGF|DGGF G3 :|

%%%
X:737
%
%
%
%
T:BRERETON'S REEL 
S:S: Treoir.44a < F. Brereton
Z:Z: ABC/arr. BB
% "Attributed to Tipperary accordion player Francie Brereton".
M:C|
L:1/8
%%R:reel
Q:1/4=180
K:D
DE|FAA2 GFEF|DFF2 ABde|fdad bdad|e2ge cABc|
dBBA BAFE|D2FD ADFA|BGG2 BGBd|faec d2 :|
de|f2fe fafe|dff2 adfa|d2dc dAFA|e2ef eABd|
f2fe fafe|dff2 adfa|dggf gbag|fgec d2 :|
zE|FAA2 FADF|ADFA bafa|geed edcB|ABGB A2AG|
FAA2 FADF|ADFA bafa|geed edcB|ABGE D2 :|

%%%
X:738
%
%
%
%
T:BRESNAHAN'S FROLICS*  
S:S: CRE.4 < Grier MS (unnamed)
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%%R:jig
K:Em
BEE BEE|BEG BAF|BEE BEE|FDF AFD|
BEE BEE|BEG BAF|AB^c dfd|BAF AFD :|
DFA d2A|BAB d2A|DFA d2A|BAF AFD|
DFA d2A|BAB d2e|fed edB|BAF AFD :|"^coda"E6|]

%%%
X:739
%
%
%
%
T:BRIAN BORU'S MARCH (a-1) 
Z:Z: ABC/arr. BB
S:S: FS2.38a
M:6/8
L:1/8
Q:1/4=160
%%R:jig
K:Am
e/d/|cBA A2e/d/|cBA A2d/c/|BAG G2d/c/|\
BAG G2e/d/|
cBA A2e/d/|cBA A2A|Acd e2d|cBA A2 :|
E|Acd e2d|e2d e2d|GAB d2B|d2B d2B|
Acd e2d|e2d e2d|Acd e2d|cBA A2 :|
B|cBA a2a|cBA a2a|BAG g2g|BAG g2g|
cBA a2a|cBA a2a|Acd e2d|cBA A2 :|

%%%
X:740
%
%
%
%
T:BRIAN BORU'S MARCH (a-2)
S:S: NFID.175a < F&MB
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:6/8
%%R:jig
K:Amix
e/d/|cAA Aed|cAA ABc|dBG BGB|dBG Ged|
cAA Aed|cAA A2B|=cde fdf|1 eAA A2: |2 ecA A2||
%
|:B|cdf g2a|g2a gfg|GA=c d2B|d2e dBG|
Bdg a3|aba ged|=cde fdf|ecA A2:|
%
B|=cBA a3|^cBA a3|BAG dBG|BAG dBG|
=cBA abg|aba ged|=cde fdf|ecA A2:|
%
% An interesting setting of a well-known tune from the Byrne Brothers.

%%%
X:741
%
%
%
%
T:BRIAN BORU'S MARCH (a-3) 
S:S: ONMI.1801
%%R:march
Q:1/4=130
Z:Z: Brennan/Black 
M:6/8
L:1/8
K:Ador
e/d/|cBA A2e/d/|cBA A2d/c/|BAG G2d/c/|BAG G2e/d/|
cBA A2e/d/|cBA A2a|efe e2d|cAA A2:|
%
P:B
G|Acd e2d|e2d edB|GBc d2B|d2B dBG|
Acd e2d|e2d ecA|cBA e2d|cAA A2:|
%
P:C
B|cBA a^ga|cBA a^ga|BAG gfg|BAG gfg|
cBA a^ga|cBA a2b|c'ba gfe|dcB A2:|
%
P:D
B|cde/f/ g2a|g2a gec|GAB/c/ d2e|dge dBG|
cde/f/ g2a|g2a geB|cBA e2d|cAA A2:|

%%%
X:742
%
%
%
%
T:BRIAN BORU'S MARCH (a-4)
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%%R:jig
K:Ador
D|cAA Aed|cAA Adc|BGG Gdc|BGG Ged|
cAA Aed|cAA a3|efe e2d|cAA A2 :|
G|ABd e2d|e2d e2d|GAB d2B|d2B d2B|
ABd e2d|e2d e2d|GBd e2d|cAA A2 :|
B|A^GA a^ga|A^GA a^ga|GFG gfg|GFG gfg|
A^GA a^ga|A^GA a3|efe e2d|cAA A2 :|

%%%
X:743
%
%
%
%
T:BRIAN BORU'S MARCH (a-5)  
Z:Z: ABC/arr. BB
S:S: Levey 2.100 (as "Brian's March")
Q:1/4=140
L:1/8
M:6/8
%%R:jig
K:Am 
%%text source key Bm
%%vskip .3in
e|cBA A2e|cBA A2d|BAG G2d|BAG G2e|
cBA A2e|cBA A2E|Acd e2d|cAA A2 :|
%
E|ABc ef/e/d|ef/e/d e2c|GBc de/d/B|de/d/B d2G|
ABc ef/e/d|ef/e/d e2E|Acd e2d|cAA A2 :|
%
e|cBA a2A|cBA a2A|BAG g2G|BAG g2G|
cBA a2E|cBA a2E|Acd e2d|cAA A2 :|
%

X:744
%
%
%
%
T:BRIAN BORU'S MARCH (b) 
S:S: CGI.196
Z:Z: ABC/arr. BB
N:N: see note in ABC file
Q:1/4=100
L:1/8
M:C
%%R:march
K:D 
%%text "maestoso"
%%vskip .3in
f2fg edef|d2AA A2FG|A2Bc defd|e^def e4|
f2fg edef|d2BB Bcdf|efAB c2B2|A2AA A2z2||
A2AA AB c/d/e/f/|g3f e2de|f2Bc d2ef|A2^GA Bcde|
f2 fg edef|dd/d/ cd edcB|A2dd cdef|d2dc Hd4|]
%
% [1] This isn't the session "Brian Boru's March" (A minor, 6/8) There's a good
% chance that this was erroneously named in the source.
% [2] Source has a repeat mark at the end, which I took to mean that only the B 
% part was repeated (?) In my version neither part is repeated.

%%%
X:745
%
%
%
%
T:BRIAN MAGUIRE 
S:S: CAR-OS
C:O'Carolan
Z:Z: Gilb/Brennan/Black 
% Source measure 22 is |bc'c'd' b2ag|
M:C
K:G
M:2/4
L:1/16
M:C
%%text "Moderato"
%%vskip .3in
D2GF G2EF|G2FE D2B,2|c2cA B/c/ddB|G2B2 d2g2|
gfga gfga|b4 agf2|e3b e3b|a3g f2ef||
gdef gdef|gfed c2BA|B2EB A2DF|G2GF G4:|
B/c/d/B/GB GBdB|c2ce c2ce|dcBA BcdB|G2GB G2GB|
ABAG ABc2|BcBA Bc d2|cBAG FGAB|G2FE E4|
defg gaab|gabg b2ag|abgb g2fe|d2f2 g4:|

%%%
X:746
%
%
%
%
T:BRIAN O LAIMHIN (reel) 
S:S: CRE.1
Z:Z: ABC/arr.BB
Q:1/4=180
L:1/8
M:4/4
%%R:reel
K:G
F|G2Bd gedB|GBdB cBAB|G2Bd gfga|bage dBAB:|
d|efeB dedB|efeB dBAB|efeB dega|bage dBAB:|
"^coda"bage dBAF|HG4z4|]

%%%
X:747
%
%
%
%
T:BRIAN O'KANE'S FANCY (reel) 
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy 2.31
Q:1/4=180
M:4/4
L:1/8
%%R:reel
K:Edorian
ed|B2AF E2FA|BdAB dBAF|D2A,B, DEFA|BFAF DEFA |
B2AF E2FA|BdAB de f2|afef dfed|dBAF E2 ||
%
ed|B2AF E2FA|dBAB defd|e2fe d2ed|BdAG FEDF |
E2BE B,EFE|BdAB de f2|afef dBde|dBAF E2 ||
%
FA|B2ed BABc|d2fd adfg|edBc dfed|BdAF E2FA |
Beed BABc|dfaf e2fa|fdec dBeB|dBAF E2 ||
%
Bd|e2ed BABc|d2fd adfa|edBc dfed|BdAF EFGA |
Beed BdAB|dfaf g2 a2|bf ef dBeB|dBAF HE4 |]

%%%
X:748
%
%
%
%
T:BRIAN O'KANE'S MARCH #1 
Z:Z: ABC/arr. BB
S:S: MFC.106b
N:N: see note in ABC file
Q:1/4=120
L:1/8
M:2/4
%%R:march
K:G
D|B3D|cAFA|dgBe|dccA|BDGB|dccB|ABAG|FDFA|
BABc|dgfg|eGce|d2Bc|dfed|cDBA|G2GF|G3:|
K:D
(3F/G/A/|defa|g/f/e/c/ Ae|fgab|agfe|
defa|gfed|cA c/A/c/e/|dd/c/d :| 
K:A
c/B/|AECA|F2AF|EAce|a2fg|afed|cAdc|BFBA|GEFG|
A2EA|F2AF|ECEA|f3g|afef|cBAB|A2AGA3:|
%
% Part 2 in source had seventeen measures and part 3 eighteen. This version 
% represents my best guess based on the source material as to how it should be 
% reshaped.

%%%
X:749
%
%
%
%
T:BRIAN O'KANE'S MARCH #2 
Z:Z: ABC/arr. BB
S:S: MFC.106c
Q:1/4=150
L:1/8
M:2/4
%%R:march
K:D
%%text A-B-A 
%%vskip .3in
D2FE|DF Ad|fg fe|d2 dc|BA Bd|
[1 AF GF|E2EF|EA, B,C:|2 cg ec|
d2dc|d2||[K:G]Bc|d2BA|G2gf|
ef ge|dD EF|GG/F/ GB|ed cB|
A2 AB|A2 Bc|dG Bd|g2 ba|
gd BG|E2 fe|de dB|cD EF|
G2 GF|GA, B,"_DC"C||

%%%
X:750
%
%
%
%
T:BRIAN O'LYNN (jig)
S:S: DMWC.125
Z:Z: ABC/arr. BB
N:N: In Willie's setting the high F's in mm 7 and 15 are sharp
M:6/8
L:1/8
Q:1/4=160
%%R:jig
K:Am
AB||cAd cAG|E3 GAB|cAd cAG|EAA A2B|
cAd cAG|E3 GAB|cde fed|cAA A2B|
c3 cAG|E3 GAB|cAd cAG|EAA A2B|
cAA cAA|GE^F GAB|cde ged|cAA A2||
e|g3 ged|cAB cde|a3 age|edc de^f|
gea ged|cAB cde|fed cAG|EAA A2 :|

%%%
X:751
%
%
%
%
T:BRIAN QUINN'S (reel) 
C:© E.Reavy
S:S: "Ed Reavy Collection"
Z:Z: McKenty / Black 
Q:1/4=180
L:1/8
M:4/4
%%R:reel
K:G
GF|DGGB dBGB|A=FFE FGAF|DGGB dBGE|=FGAF DGG^F|
DGGB dBGB|A=FFE FGAF|GABc dgbg|fdcA BG:|
GA|Bdgd Bdgd|BABd cA=FA|Bdgd Bdga|bgfa gfga|
bgaf gfdc|Bd=fd cA=FD|GABc dBcA|BdcA BG:|
"^coda"BdcA BGGF|HG4z4|]

%%%
X:752
%
%
%
%
T:BRIAN THE BRAVE 
S:S: ONMI.0255 < McFadden
Z:Z: Brennan/Black 
M:C
L:1/8
K:A
%%text "tenderly"
%%vskip .3in
ed|c2AB A2G (3A/B/c/|dcAG/F/ G2Ac/d/|edcA dcAG|A6:|
ef|gfga g2ef|gage d2 (3efg|abag ed (3efg|a6 ba/g/|
f2fe/d/ e2ed/c/|dcde a3g|eage d2ed|c2AG A4|]
%
% simplified version of mm 1-4: 
% ed|c2AB A2GB/c/|dcAF G2Ac/d/|edcA dcAG|A6:|

%%%
X:753
%
%
%
%
T:BRIAN THE BRAVE (hornpipe)  
T:Poll Hapenny
S:S: RC2.212
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:C|
%%R:hornpipe
K:Am
% 
%swing .25
cd|edcG A2 Bc|dcA^F G2 cd|edcA dcAG|A2AB A2 de|
f2 fd e2 ec|dcde g2 eg|aged cAdc|A2AG A2:|
ef|gfga g2 fe|gede g2 ed|eaab aged|eaab a2 ag|
f2 gf e2 fe|dcde g2 eg|aged cAdc|A2AG A2:|

%%%
X:754
%
%
%
%
T:BRICKYARD (jig), The
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy 1.10
N:N: C sharp in second measure is in the original.
Q:1/4=160
L:1/8
M:6/8
%%R:jig
K:G
F|DGG DGG|A^cd fga|gfd dcA|cAG FEF |
DGG DGG|Acd fga|gfd cAF|AGG G2 :|
c|dgg gfg|aga gfd|cff Aff|cff agf |
[1 dgg gfg|aga fga|gfd cAF|AGG G2 :|
[2 dgg fga|gfd cdf|gfd cAF|AGG G3 |]

%%%
X:755
%
%
%
%
T:BRID HARPER'S (reel) 
S:S: "Traditional Irish Music" (K.Tweed)
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%%R:reel
K:D
%%text source key = C
%%vskip .3in
F|Ad d2 BdAd|fdad fadf|gfed cABc|defb a2 FG|
Ad d2 BdAd|fdad fadf|gfed cABc|eddc dBA:|
F|D2 D2 B,DA,B,|DFAd BAFA|dBAF BGED| CDEF ECA,C|
D2 D2 B,DA,B,|DFAd BAFA|dBAF BGED|
%%stretchlast 0
[1 CDEC D3 :|2 CDEC DEFG|HD4z4|]

%%%
X:756
%
%
%
%
T:BRIDAL JIG (1), The 
S:S: AIF
Z:Z: Brennan/Black 
Q:1/4=160
M:6/8
L:1/8
%%R:jig
K:G
D|G2G BGB|def gfg|ecA dBG|FAG FED|
GFG BGB|def gfg|ecA dBG|FEF G2:|
A|Bee edB|def g2a|bag agf|geg fdB|
[1 Bee edB|def g2a|bag afa|gee e2:|
[2 Bee edB|def g2a|bag agf|g2g gdB|\
"^coda"HG3z3|]

%%%
X:757
%
%
%
%
T:BRIDAL JIG (2), The  
S:S: DMI.0310 
Z:Z: Nordberg/Black 
%%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
%%text A-B-A
%%vskip .3in
D|G3 BGB|def gdB|ecA dBG|FAG FED|
G2G BGB|def gdB|ecA dBG|FEF G2:|
B|Bee edB|def g2a|bgb afa|geg fdB|
Bee edB|def g2a|bgb afa|gee "_DC"e2:|

%%%
X:758
%
%
%
%
T:BRIDAL JIG (3), The
Z:Z: ABC/arr. BB
S:S: JOL.311
M:6/8
L:1/8
Q:1/4=160
%%R:jig
K:G
D|GFG BAB|def gfg|eAA BAG|FAG FED|
G2G BAB|def g2f|eAA BAG|FAF G2 :|
d|e2e edB|def g2a|bgg agf|gfg edB|
efe edB|def g2a|bgg agf|e3 e2 :|

%%%
X:759
%
%
%
%
T:BRIDAL JIG (slip jig), The
Z:Z: ABC/arr. BB
S:S: MFC.108c
Q:1/4=150
L:1/8
M:9/8
%%R:slip jig
K:G
D|GAG Gge dBG|ABA ABd e2g|GAG gfe dBG|
ABc BAG E2 :|d|gdg gag fed|edB gab a2b|
gab abg fed|efg dBG A2 :|"^coda"efg dBA G3|]
%
N:N: Source version ends on |efg dBG A2|, which sounds a little strange. I 
N:added the coda to bring everything back to G.

%%%
X:760
%
%
%
%
T:BRIDAL POLKA, The
S:S: CRE.5
Z:Z: ABC/arr. BB
M:2/4
L:1/8
Q:1/4=120
%%R:polka
K:D
%%text A-B-A
%%vskip .3in
FA AB/c/|df gf|Ae fe|Ad ed|
FA AB/c/|df gf|Ae fe|dcd2||
K:G
gf e^c/d/|ed dc|dc cB|cB AG|
gf e^c/d/|ed dc|dc cF|GF "_DC"G2||

%%%
X:761
%
%
%
%
T:BRIDE OF MALAHIDE, The
S:S: ONMI.0249
Q:100
Z:Z: Brennan/Black 
M:3/4
L:1/8
K:G
%%text "moderate"
%%vskip .3in
d/e/f|g2gfed|d2edcB|c2B2AG|E4A/B/d|
e2fedB|AB d2D2|E2A3G|G4:|
D/E/F|G2A2BA|B2B2AG|c2d2ef|g4d/e/g|
a2b2a/g/e|d2e2e/d/B|A2dB AB|A4 cB|
c2d2ef|g2g2gf/e/|d2B2AG|E4D/E/F|
G2FEDC|B,2A,B, G,2|E2A3G|G6|]

%%%
X:762
%
%
%
%
T:BRIDE OF THE WIND (jig), The
M:6/8
L:1/8
C:Jim Magill, Canada
Z:Z: ABC/arr. D.MacAdam
%%R:Jig
Q:1/4=160
K:Dmaj
a|a^ga bag|afd A2d|cBc ABc|dcB A2a|
a^ga bag|afd A2d|cBc ABc|edc d2:|
|:A|A^GA dcd|BGB e2d|caa ba^g|ba^g a2A|
A^GA dcd|BGB e2d|caa baf|gfe d2:|

%%%
X:763
%
%
%
%
T:BRIDE'S FAVORITE (jig) (1), The 
Z:Z: ABC/arr. BB
S:S: FS3.25b
M:6/8
L:1/8
Q:1/4=160
%%R:jig
K:G
D|G3 BAB|GBd gdB|AFD cBA|GBd gdB|
G3 BAB|GBd gdB|AFD cBA|1 AGF G2 :|2 AGF GB||
%
|:d|g2a f2a|gdB GBd|g2e fed|egf e2f|
g3 gaf|gdB GBd|AFD cBA|1 AGF GB :|2 AGF G2 ||
%
D|:GBd gfg|edc BcA|GBd g2g|faf g2a|
bgb afa|g3 fdf|ed^c def|1 gaf gdB :|2 gaf gdB|G6|]

%%%
X:764
%
%
%
%
T:BRIDE'S FAVORITE (jig) (2), The
S:S: BSMI.1
Z:Z: ABC/arr. BB
%%R:jig
M:6/8
Q:1/4=160
L:1/8
K:G
D|G3 BAB|GBd gdB|AFA cBA|GBd gdB|
G3 BAB|GBd gdB|AFA cBA|GFA GB :|
d|g2a f2a|gdB GBd|gfe fed|egf e2f|
g2a f2a|gdB GAB|AFA cBA|GFA G2:|
D|GBd gfg|edc BcA|GBd g3|eaf g2a|
bgb afa|geg fdf|egg def|gaf gB :|
"^coda"gaf gdB|HG6|]

%%%
X:765
%
%
%
%
T:BRIDGE OF ATHLONE ("long dance" mm 1-40), The
% mm 1-40
S:S: AIF
Z:Z: Brennan/Black 
Q:1/4=130
M:C
L:1/8
%%R:march
K:G
P:MARCH (title unknown)
D2|"1"G2GA B2gf|edef e2dc|B2GB A2FA|G2GF E3F|
"5"G2GA B2gf|edef e2dc|B2GB A2FA|G2GG G2:|
G2|"9"e2ed BAGF|d2dB AGFE|B2BA GFED|d2DE D2D2|
"13"EDEF GFGA|BABd edef|gfed B2AB|G2GG G2:|
%
P:JIG "Trip to the Cottage"
Q:1/4=150
M:6/8
%%R:jig
d|"17"d^cd BGB|cBc AFD|DGG FGA|BGB ABc|
"21"d^cd BGB|cBc AFD|DGG FAA|BGG G2:|
%
P:MARCH (title unknown)
M:C
%%R:march
Q:1/4=130
"25"D2DE G2G2|AGAB A3G|EcBc d2B2|GGAB A2GE|
"29"D2DF A2A2|AGAB A2G2|E2c2 BcdB|G2GG G4:|
"33"B3c d2B2|c2B2 A2G2|B3c d2B2|cBAG E2z2|
"37"B3c d2B2|c2B2 A2G2|E2c2 BcdB|1 GGG2 G4:|\
[2 "_return to m.1"G2GA BAGE||

%%%
X:766
%
%
%
%
T:BRIDGE OF ATHLONE ("long dance" mm 41-64), The
% mm 41-64
S:S: AIF
Z:Z: Brennan/Black 
Q:1/4=150
M:6/8
L:1/8
%%R:jig 
K:G
P:JIG "Trip to the Cottage"
d|"41"d^cd BGB|cBc AFD|DGG FGA|BGB ABc|
"45"d^cd BGB|cBc AFD|DGG FAA|BGG G2:|
%
P:MARCH "CAPTAIN'S WHISKERS" ("Officer on Guard")
M:2/2
Q:1/4=130
%%R:march
GA|"49"Bdgg g2fe|dBBB B2AG|Bdce dBGB|A2AA A2GA|
"53"Bdgg g2fe|dBBB B2AG|Bdge dBAB|G2GG G2:|
fg|"57"afdd d2ga|bgef e2ga|bgaf gedB|A2AA A2GA|
"61"Bdgg g2fe|dBBB B2AG|Bdge dBAB|G2GG G2:|

%%%
X:767
%
%
%
%
T:BRIDGE OF ATHLONE ("long dance" mm 65-88), The
T:(section 3, mm 65-88) 
S:S: AIF
Z:Z: Brennan/Black 
Q:1/4=150
M:6/8
L:1/8
%%R:jig 
K:G
P:JIG "TRIP TO THE COTTAGE"
d|"65"d^cd BGB|cBc AFD|DGG FGA|BGB ABc|
"69"d^cd BGB|cBc AFD|DGG FAA|BGG G2:|
P:MARCH "O'DONNELL ABU"
M:C
Q:1/4=120
%%R:march 
"73"G2Bc d2Bd|b2ge d2cB|A2AB c2BA|G2Bc d4|
"77"G2Bc d2Bd|b2ge d2cB|A2ag fdef|g2ga g2z2:|
"81"b2ba ge d2|g2ge dB G2|c2cc B2dB|A2AB A2A2|
"85"G2Bc de d2|b2ge dcBc|A2ag fdef|g2ga g2z2:|

X:768
%
%
%
%
T:BRIDGE OF ATHLONE ("long dance)" (1), The
S:S: RC3.140
Z:Z: ABC/arr. BB
L:1/8
M:6/8
P:A-B-C-D-A
K:D
A2A ABc|d2A FDF|A2G EFG|B2A FDF|
"5"A2A ABc|dfd A2F|GBA GFE|D3D2||
P:PART B
A|"9"f2d AFA|f2d AFA|g2e cde|dcB A2A|
"13"f2d AFA|f2d A2A|Aef gfe|dfe dcB||
P:PART C
"17"A2A A2A|ABA ABA|A2d dcd|edB AFG|
"21"A2A A2A|ABA Acd|e3 efe|d3d2||
P:PART D
e/f/|"25"g3 efg|f3 fed|e2d dcd|ecA Aef|
"29"g3 efg|f3 fed|ecA Acd|efe d"_DC"cB||

%%%
X:769
%
%
%
%
T:BRIDGE OF ATHLONE (hornpipe), The
S:S: ONMI.1721 < J.O'Neill
% 
%%R:hornpipe
Q:1/4=150
Z:Z: Brennan/Black 
M:4/4
L:1/8
K:G 
%  
%%text Simplified version; source key = Bb
%%vskip .3in
%swing .25
EF|G2G2 DGBG|AGAB cBAG|FGAB AGFE|DAde dcBA|
GBDG B,GBG|ceAc DAcA|GAGE D2EF|G2B2G2:|
FG|Adfe dedc|Bdgf e2ed|^cABG AFGE|DAde dcBA|
GBDG B,GdG|ceAc DAcA|GAGE D2EF|G2B2G2:|

%%%
X:770
%
%
%
%
T:BRIDGE OF PORTUMNA (reel), The 
C:M.Mulhaire
S:S: MVBT
Z:Z: ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
%%R:reel
K:G
%%text source key = A
%%vskip .3in
dc|B2 dB cBAG|DGGF G3 A|BG G2 dG G2|A=F F2 CFAc|
B2 dB cBAG|DGGF G3 A|BGdG gGdG|Ac=FA c2||
%
Bc|d2 gd adgd|d2 gd c2 Bc|A=f f2 af f2|dcAB c2 Bc|
d2 gd adgd|d2 gd c2 Bc|A=f f2 af f2|dcAB c2||
%
dc|BdGB dGBd|gdBg dBgd|edcB cBAG|FGAB cedc|
BdGB dGBd|gdBg dBgd|edcB cege|dBcA HG4|]

%%%
X:771
%
%
%
%
T:BRIDGET CRUISE (1st Setting)
S:S: CAR-OS
C:O'Carolan
Z:Z: Gilb/Brennan/Black 
M:3/4
L:1/8
Q:80
K:G
%%text "andante"
%%vskip .3in
(3ABc|B2 GA  (3B/A/G/ E|E2 E3 E|AG A2 B2|c2 A2 B/G/A/B/|
d2 e2 eg|e3 d e/d/B|B<A GA/B/ AG|G4||
B/A/G/E/|G2 Bd eg|e2 d2 d/B/A/G/|A2 (3B/A/G/ E EG|\
E4 G/E/G/A/|
B2 e2 d/B/A|G2 EG/A/ B/A/G/E/|D2 E2 EG|E4 :|

%%%
X:772
%
%
%
%
T:BRIDGET CRUISE (2nd Setting) 
S:S: CAR-OS
C:O'Carolan
Z:Z: Gilb/Brennan/Black 
M:3/4
L:1/8
Q:80
K:G 
%%text "andante maestoso"
%%vskip .3in
e2 de gf|e2 de gf|d2 eB A/B/A/G/|DE GA G2:|
DE GA BG|A2 (3ABd e/d/B/A/|AB de f/e/d/B/|A2 (3def e2|
e2 de gf|e2 de gf|d2 eB A/B/A/G/|DE GA G2|]

%%%
X:773
%
%
%
%
T:BRIDGET CRUISE (3rd Setting) 
S:S: CAR-OS
C:O'Carolan
Z:Z: Gilb/Brennan/Black 
Q:80
M:3/4
L:1/8
K:G 
%%text "andante con moto"
%%vskip .3in
GA|Bd e2 dB|A2 G2 (3GAB|A2 G2 G2|G4 GA|
Bd e2 dB|A2 G2 AB|d2 B2 de|d4 de|
fe fg ag|ed eg (3age|d2 B2 AG|A4 GA|
Bd e2 dB|A2 G2 (3GAB|A2 G2 G2|G6|]

%%%
X:774
%
%
%
%
T:BRIDGET CRUISE (4th Setting) 
S:S: CAR-OS
C:O'Carolan
Z:Z: Gilb/Brennan/Black
M:3/4
Q:80
L:1/8
K:G
%%text "andante" 
%%vskip .3in
(3def|g2 [ac']b ag|g4 gf|e2 gf ed|e4 gf|
ed cB AG|FE FG AG|G6|G4 (3def|
g2c'b ag|g4 gf|e2 gf ed|e4 gf|
ed cB AG|FE FG AG|G6|G4 (3cBA|
G3A Bc|d4 gf|e2 gf ed|e4 (3cBA|
GA Bc de/f/|g2 gb ag|f2 e3d|d4 (3def|
g2 gb af|g4 fg|f2 gf ed|e4 gf|
ed cB AG|FE FG AG|G6|]

%%%
X:775
%
%
%
%
T:BRIDGET FLYNN'S (reel) (1)
S:S: CRE.3
Z:Z: ABC/arr. BB
C:Martin Mulvihill
%%R:reel
L:1/8
Q:1/4=180
M:C
K:Em
FA|BEE2 DEFA|BEE2 D2FA|BEE2 BAFA|ABAF E2:|
FA|Beed e3d|Bdef gfec|dBBA B3A|BcdB AGFA|
Beed e3d|Bdef gfef|g2eg f2dc|BcdB AGFA||
"^coda"BcdB AGFG|E4z4|]

%%%
X:776
%
%
%
%
T:BRIDGET FLYNN'S (reel) (2) 
S:S: MVBT < M.Mulvihill 1977
Z:Z: ABC/arr. BB
Q:1/4=180
%%R:reel
M:4/4
L:1/8
K:Em
FA|BE E2 DEFA|BE E2 D2 FA|BE E2 BAFA|ABAF E2 FA|
BE E2 DEFA|BE E2 D2 FA|BE E2 BAFA|ABAF E2 :|
FA|Beed e3d|Bdef gfed|Bdd^c d4|B^cdB ADFA|
Beed e2 ed|Bdef gfef|g4 f3 d|B^cdB A2 :|
"^coda"B^cdB A2GF|E4z4|]

%%%
X:777
%
%
%
%
T:BRIDGET McBRIDE (reel) 
S:S: ONMI.1254 < T.Cronin
Z:Z: Brennan/Black 
%%R:reel
Q:1/4=180
M:C|
L:1/8
K:G
d|gedc BGBd|cBcA ABcA|BGGF GBdB|cBAG FGBd|
gedc BGBd|cBcB ABcA|BcdB Bdeg|fdcA G2||
de|fefg fedB|cBAG FGAd|g2ga gfdg|fgaf g2de|
f2fg fedB|cBAG FGAc|BcdB cdeg|fdef Hg4|]

%%%
X:778
%
%
%
%
T:BRIDGET McRORY (jig) 
S:S: ONMI.0933 < F.O'Neill
%%R:jig
Z:Z: Brennan/Black 
Q:1/4=160
M:6/8
L:1/8
K:G
g|dBG GFG|BAB GFG|dBG ABd|e2A A2g|
dBG GFG|BAB GAB|gfe dBA|B2G G2:|
g|gAg gfe|aAa agf|gag gfe|a2e e2g|
gAg gfe|aAa agf|gfe dBA|B2G G2:|

%%%
X:779
%
%
%
%
T:BRIDGET'S DANCE (reel)
S:S: composer
%%R:reel
C:Rick Gagne 
Z:Z: ABC/arr. BB
N:N: "d/o/c/ 1992 on whistle; also works as a hornpipe"
M:4/4
Q:1/4=180
K: D
gf | "A"efde "D"f2df | "Em"e2de "Bm"fedf | "A"efde "D"fAdf | "G"gfeg "D"fedf | 
"A"efde "D"f2df | "Em"e2de "Bm"fedf | "Em"gbeg "D"fadf | "A"egce "D"d2 :|
AG | "D"FEFG A2GA | "Bm"FEFG Adfa | "Em"gfeg "D"fedf | "A"efde "D"fedA | 
FEFG A2GA | "Bm"FEFG Adfa | "G"bgaf "Em"gefd | "A"Adce "D"d2 :|

%%%
X:780
%
%
%
%
T:BRIDGIE CON MATT'S (polka)  
Z:Z: ABC/arr. BB
S:S: JOL.101
Q:1/4=120
L:1/8
M:2/4
%%R:polka
K:G
D/F/|GB BA/c/|BG GF|GB B2|AD FD/F/|
GB Bc|BG G2|AG AB|AD F :|
A|Be ef/e/|d/e/f/a/ g2|Be f/e/d/B/|AD FD/A/|
Be ef/e/|d/e/f g2|ge d/e/d/B/|AD F :|
"^coda"AD EF|G4|]

%%%
X:781
%
%
%
%
T:BRIDGIE CON MATT'S FAVORITE (polka)  
Z:Z: ABC/arr. BB
S:S: JOL.293
Q:1/4=120
L:1/8
M:2/4
%%R:polka
K:D
d/B/|AF FE |DF FD/F/|AD AF|E2 Ed/B/|
AF A/F/E|DF AF|AF/A/ Bc|d2 dB|
AF FE|DF AF|AD AF|E2 E2|
FE F/E/D|CD EG/E/|FA Bc|d3 f/e/||
dc/d/ fe|cB/c/ ec|BA Bc|BA FA|
df fe|ce f/e/c|BA Bc|d2 dB/c/|
d2 fe|ce f/e/c|BA Bc|BA FA|
dc/d/ fe|ce fe/c/|BA Bc|Hd4|]

%%%
X:782
%
%
%
%
T:BRIDIE MORLEY'S (reel)
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
%%R:reel
K:Ador
A2AB AGEG|ABcd e2dB|G2GA GEDE|
GABG DGBG|A2AB AGEG|ABcd e2dB|
ABcd eaag|1 eBGA BedB :|\
[2 eBGA BAA2||
|:eaag eaag|eaab aged|eggg eggg|
agga gedf|eaag eaag|eaab aged|
ABcd eaag|1 eBGA BAA2 :|\
[2 eBGA BedB|HA4z4|]

%%%
X:783
%
%
%
%
T:BRIDIE'S FANCY (reel)
C:B.Tonra
S:S: composer
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
%%R:reel
K:D
AFF2 DEDB,|A,B,DE F3A|BdeB dBAF|BAGF E3F|
AFF2 DEDB,|A,B,DE F3B|edBe dBAG|FAEG FD D2 :|
defd BcdB|A2FB ABde|faaf a3f|fedf egfe|
[1 defd BcdB|A2FB ABdf|bafb afef|dBAG FD D2 :|
[2 d3c B3B|BA^GB ABdf|bafb afec|dBAF HD4|]

%%%
X:784
%
%
%
%
T:BRIDIE'S FAREWELL (reel)
C:Meibh Dooley (Spring 2019)
S:S: Treoir 52/3
Z:Z: ABC/arr.BB
M:4/4
%%R:reel
Q:1/4=180
K:A
B|AecA B2af|eAcA BAGB|ABca fddf|eacA Bddc|
AecA BecB|Aagb afec|defa cdeg|afea fec :|
e|fgab geec|defa eacA|EFAc dBcd|efac' baga|
(3efg ab gfec|defa eacA|EFAB cdec|
%%stretchlast 0
[1 BecB ABc:|2 BecB A4|]

%%%


%%%
X:786
%
%
%
%
T:BRIGHT BLACK ROSE (1), The
T:An Rós Geal Dubh
S:S: RC1.027
Z:Z: ABC/arr. BB
% 
L:1/8
M:3/4
K:Dm
%%text "gracefully"
%%vskip .3in
(3DG=B|c2 de fd|ed cA d/c/A/E/|D2 D2 EC|D4 (3Ade|
f2 fa gf|f2 eg fe|d2 ed d/c/A/G/|A4||
(3Ace|f2 fa gf|f2 eg fe|d2 ed d/c/A/G/|E4 (3DG=B|
c2 de fd|ed cA d/c/A/E/|D2 DF E/D/C/E/|HD6|]

%%%
X:787
%
%
%
%
T:BRIGHT BLACK ROSE (2), The
S:S: ONMI.0137
Z:Z: Brennan/Black 
M:3/4
L:1/8
K:D
%%text "gracefully"
%%vskip .3in
D//E//F//G//A/B/||=c2 de fd|ed cA d//B//A//G/E|D2 D2 EC|\
D4 A//B//c/d/e/|
f2 fa gf|f2 eg fe|d2 ed d/c/A/G/|A4||
A//B//c/d/e/||f2 fa gf|f2 eg fe|d2 ed d//c//B/A/G/|\
E4 D//E//F//G//A/B/|
=c2 de fd|ed cA d///c///B//A//G//E/D/|D2 DF E/D/C/D//E//|D6|]

%%%
X:788
%
%
%
%
T:BRIGHT EVENING 
S:S: ONMI.0438 < M.O'Brien
% 
Z:Z: Brennan/Black 
M:2/4
L:1/16
K:G
%%text A-B-A; "with spirit"
%%vskip .3in
DE|G3A B2d2|e2g2 d2BA|G2ED G2G2|G6||
%
Bd|g2f2 e2fg|a2f2 d2Bd|e2dB defa|g6Bd|
g2f2 e2fg|a2f2 d2Bd|e3d BABd|"_DC"e6||

%%%
X:789
%
%
%
%
T:BRIGHT LAKE POLKA*, The
Z:Z: ABC/arr. BB
S:S: CRE.4 < Barrett < Collins (unnamed)
L:1/8
M:2/4
Q:1/4=120
%%R:polka
K:G
B/d/|gB dG|BE D2|DG Ad|ec df|
gB dG|BE D2|DG AB|GB/A/ G:|
F|ED EA|BA Be|Be BA|GF ED|
ED EA|BA Be|Be BA|GF G:|

%%%
X:790
%
%
%
%
T:BRIGHT LOVE OF MY HEART (1) 
S:S: ONMI.0379 < J.O'Neill
Z:Z: Brennan/Black 
M:C
L:1/8
K:D
%%text "moderate"
%%vskip .3in
FG|AB A/G/F/D/ Adcd|FGAB =c2 d/^c/B/c/|ABAG FDGF|D2G2 G2FG|
AB A/G/F/D/ Adcd|FGAB =c2 d/^c/B/c/|ABAG FDGF|D2D2D2||
(3ABc|d2de f2ed|e2 d/c/A/G/ A2 (3ABc|d2dd e2 d/c/A/B/|=c2dd d3A|
d2d2 de=cA|AGFD cdcA|ABAG FDGF|D2D2 D4|]

%%%
X:791
%
%
%
%
T:BRIGHT LOVE OF MY HEART (2) 
S:S: ONMI.0043 < J.O'Neill
Z:Z: Brennan/Black 
M:3/4
L:1/8
K:Gm 
%%text "gracefully"
%%vskip .3in
dc|B2A2G2|F2D3C|B,3CDE|F2G2A2|
B2A2G2|d3cBA|G2A2G2|F2D2dc|
B2A2G2|F2D3C|B,3CDE|F2G2A2|
B2c d=e^f|g4dc|B2G2G2|G4||
GA|B3cd=e|f2d2f2|g3aba|g2f2ga|
b2a2g2|f2d2c2|d2g2a2|g4ba|
gbagfe|d4dc|B2A2G2|F2D2GA|
B2c d=e^f|g4dc|B2G2G2|G4|]

%%%
X:792
%
%
%
%
T:BRIGHT MAY MOON (reel), The
S:S: CRE.5
Z:Z: ABC/arr. BB
Q:1/4=180
M:4/4
%%R:reel
K:A
E|A2cA BAcB|A2cA BAFE|A2cA BAcd|efed cBAF|
A2cA BAcB|A2cA BAFA|d2cd B2AF|EFAB cAA2||
%
ceae ceae|ceae cBB2|ceae ceae|faed cAA2|
ceae ceae|ceae cBB2|ceef a2af|efed ceaf||
%
e2cA eAcA|e2cA BEE2|e2cA eAcA|BdcB AFF2|
a2ga f2eg|fddf ecAc|dfed c2ec|B2Bc BAFE||\
"^coda"HA4z4|]

%%%
X:793
%
%
%
%
T:BRIGHT MAY MORNING (reel), The 
S:S: ONMI.1228 < MacNamara
Z:Z: Brennan/Black 
%%R:reel
Q:1/4=180
M:C|
L:1/8
K:G
Gged B2AG|FDAD BDAD|Gged B2AF|DEGA BGG2:|
gedB cBcd|eaa^g aeef|gedc BcBA|Ggga bgg2:|

%%%
X:794
%
%
%
%
T:BRIGHT MORNING, The
S:S: ONMI.0426 < J.O'Neill
Z:Z: Brennan/Black 
M:2/4
L:1/16
K:G
%%text "moderate"
%%vskip .3in
BA|G3A B2AB|defd e2dB|cBAB GBAG|F4E2DE|
G3A B2AB|defd e2dB|cBAB G2G2|G6||
(3def|g2e2 f2d2|e3d B2A2|BABd egfd|e6 (3def|
g2e2 f2d2|e3d B2A2|BABd fagf|e6BA|
G3A B2AB|defd e2dB|cBAB G2G2|G6|]

%%%
X:795
%
%
%
%
T:BRIGHT SKIES (hornpipe) 
S:S: Treoir
Z:Z: ABC/arr. BB
C:Noel Strange
M:C
Q:1/4=160
L:1/8
%%R:hornpipe % triplets removed
K:G
% 
%swing .25
Bc|dGBG dGBG|DGBd gdBG|ecc2 dBB2|ceag faef|
gGBG dGBG|DGBd gdBG|ec c2 dB B2|cdfa g2 :|
Bc|dgfg egfg|afdf gdBd|ec c2 dB B2|ceag faef|
gdBG DGBd|ecag faef|gG G2 DG G2|egfa g2 :|

%%%
X:796
%
%
%
%
T:BRIGHTON CAMP (march)
S:S: ANSB (as "march")
Z:Z: ABC/arr. BB
L:1/8
M:2/4
Q:1/4=120
%%R:march
K:G
g|ec BA|BG EF|GA G/A/B/c/|dc Bg|
ec BA|BG EG|FA DE/F/|G2G :|
A|Bd ef|gd BG|Bd ef|g2 fg|
ec BA|BG EG|FA DE/F/|G2G :|

%%%
X:797
%
%
%
%
T:BRIGID OF KNOCK (hornpipe)
C:© E.Reavy
S:S: "Ed Reavy Collection"
Z:Z: McKenty / Black 
Q:1/4=140
M:C|
L:1/8
%%R:hornpipe
K:G
% 
%%text "andantino"
%%vskip .3in
%swing .25
F|GFGA Bdgf|agfc ed^cd|BGDG cAFG|ABcB AGFD|
G,B,D=F ECEG|FDFA GBAc|Bgfd cAFA|G2 GF G3:|
g|afdg bgfa|gfge dcBd|ceAc BcdA|FAcA FDCA,|
G,B,D=F ECEG|FDFA GBAc|Bgfd cAFA|G2 GF G3:|

%%%
X:798
%
%
%
%
T:BRINDLED COW (barn dance), The
S:S: TIDT 1/1
C:J.Kelly
Z:Z: ABC BB
M:4/4
L:1/8
%%R:hornpipe
Q:1/4=140
K:D
% 
%swing .25
e|f2d2 ABAF|G2c2 e3G|F2d2 f3F|E2c2 edeg|
f2d2 ABAF|G2c2 e3G|F2d2 cdeg|1 f2d2d3 :|\
[2 f2d2d4||
f2d2 a2d2|e2b2 b3a|g2e2 c2e2|d2f2 a3g|
f2d2 a3f|efga b3a|gfed cABc|d2f2 d4 :|

%%%

%%%
X:801
%
%
%
%
T:BRING ON THE HECKLERS! (march)
C:D. MacAdam
S:S: composer
Q:1/4=120
M:2/4
L:1/8
%%R:March
K:G
d/ | ce Ac | ee e d/c/ | Bd GB | dd d c/B/ | 
ce Ac | ee e c/d/ | e/d/c/B/ A/B/c/d/ | cA A :| 
d | ea ag/e/ |dg gd | ea ab/a/ | g/f/e/d/  ed |
ea ag/e/ |dg gd | e/d/c/e/ d/c/B/d/ |cA A :|

%%%
X:802
%
%
%
%
T:BRINGS A SMILE (slip jig)
C:© Larry Mallette
S:S: composer
Z:Z: ABC/arr.BB
Q:1/4=160
M:9/8
%%R:Slip Jig
K:D
E2G BGB eBG|A2F DFA dAF|G2E EDE FGA|
B2e def gfe :|f2d dcd fed|e2c Ace gfe|
d2B BAB F3|1 GFE FGA Bde :|2 GFE FGA BGF|
"^coda"E6z3|]

%%%
X:803
%
%
T:BRINK OF THE WHITE ROCKS ("1st setting"), The   
S:S: ONMI.0083
Z:Z: Brennan/Black 
M:6/8
L:1/8
K:G
%%text "gaily" 
%%vskip .3in
A/B/|c2d B2G|AGE D2B/A/|GFE DB,D|E3E2||
E/F/|G2F GAB|d2e B2A|G2E GAB|e-e/f/e/d/ d2A/B/|
c2d B2G|AGE DBA|GFE DB,D|E3E3|]

%%%
X:804
%
T:BRINK OF THE WHITE ROCKS ("2nd Setting"), The
%|^d| replaced in m.1,5,13
S:S: ONMI.0084
Z:Z: Brennan/Black 
Q:120
M:6/8
L:1/8
K:Em
%%text "gaily" 
%%vskip .3in
B2d e2f|g2f e2d|BdB AFA|d3B2A|
B2d e2f|g2f e2d|BdB AFG/F/|E3E3||
BdB AFD|d2e f2z|e2d BAB/^c/|d3B2A|
B2d e2f|g2f e2d|BdB AFG/F/|E3E3|]

%%%
X:805
%
%
%
%
T:BRINK OF THE WHITE ROCKS (1), The
S:S: RC1.007
Z:Z: ABC/arr. BB
N:N: see note in ABC file
L:1/8 
M:6/8
K:G
%%text "moderato"
%%vskip .3in
(3D/G/B/|c2d B2G|AGE D2B/A/|GFE DB,D|E3 E2:|
E/F/|G2F GAB|d2e B2A|G2E GAB|ef/e/d d2 (3D/G/B/|
c2d B2G|AGE D2B/A/|GFE DB,D|E3 E3|]
%
% I have simplified some of the classical ornamentation. As noted above, this tune 
% is used for the well-known emigration ballad "A Stor Mo Chroi".

%%%
X:806
%
%
%
%
T:BRINK OF THE WHITE ROCKS (2), The
S:S: RC1.008
Z:Z: ABC/arr. BB
L:1/8 
M:6/8
K:Am
%%text "andante con espress."
%%vskip .3in
A/B/c/d/|ef/e/d c2g/e/|dcA G2e/d/|cBA GEG|A3 A2 c/d/|
ef/e/d c2g/e/|dcA G2e/d/|cBA GEG|A3 A2||
c|dBA cde|g2a/g/ e2d|cBA cde|Ha3 g2e|
.f.f.f e<ge|dcA G2 e/d/|cBA GEG|A3 HA3|]

%%%
X:807
%
%
%
%
T:BRITCHES FULL OF STITCHES (polka), The
Z:Z: ABC/arr. BB
M:2/4
% Also played in A
S:S: FS1.37a
L:1/8
Q:1/4=140
%%R:Polka
K:G
GA BG|AG BG|GA BG|AG E2|
GA BG|AG Bd|GA GE|ED D2 :|
de dB|AG AB|de dB|AG E2|
de dB|AG AB|GA GE|ED D2 :|

%%%
X:808
%
%
%
%
T:BRITTAINE, The
S:S: CCCD
Z:Z: ABC/arr. BB
N:N: See note in ABC file
% I have no idea how this tune is to be played. It's included in this collection on   
% the off chance that someone will recognize it (or fall madly in love with it). 
% Tempo indication is strictly a guess on my part!
L:1/8
Q:1/4=100
M:3/8
K:C
E|AAB|cA/B/c/d/|eea|^g^f/g/e|
aaa|eef/e/|d/e/f/e/d/c/|B2 :|
%
g|ga/g/f/e/|fg/f/e/d/|ef/e/d/c/|BA/G/g|
g-g/a/g/f/|ecd|ef/e/d/e/|c2d|
ef/e/d/c/|de/d/c/B/|cd/c/B/A/|BEA|
A/B/ B2|cde|d/c/BA|A2 :|
%
M:2/4
ccBA|e/d/e/f/ e^f/^g/|acBe|cB/c/ AE|
ccBA|e/d/e/f/ e^f/^g/|ac d/c/B/c/|A4 :|
aaAa|ggGg|^fe e^d|e2e2|
eeea|d3g|cccf|B3B|
cB A/B/c/d/|e/d/e/f/ ea|^ga bg|a4 :|

%%%
X:809
%
%
%
%
T:BROADSTONE REEL, The 
C:John Whelan 
S:S: MVBT
Z:Z: ABC/arr. BB
Q:1/4=180
%%R:reel
M:4/4
L:1/8
K:Am
%%text source key = Gm
%%vskip .3in
AB|cABG AGED|EAAG AGED|CAce gedc|BGG^F G2 ed|
cABG AGED|EAAG A2 AB|cEE2 cEE2|edcB A2 :|
AB|cABe edcB|Aaag aged|cAed cBAG|EAAG A2 AB|
cege aged|cedc BG G2|cAag ed d2|edcB A2 :|

%%%
X:810
%%staffsep 70
%
T:BROKEN BOW HORNPIPE, The
C:© BB 2009
S:S: BBMG
M:4/4
%%R:hornpipe
K:G
% 
%swing .25
A2|"G"BG~G2 DG~G2|"G"BABd gfed|"Am"cA~A2 "C"EGcB|"D"AGFE D3A|
"G"BGFG "Am"cA^GA|"G"dgfg "D7"afdc|"G"BdgB "D"AcBA|"G" B2GF G2 :|
A2|"Em"BGEG edBA|"Em"GB "D"AF "Em"E3E|"D"AF~F2 dF~F2|"D"fed^c d3e|
"G"gabg "D"fgaf|"C"efge "G"B3A|"C"cdeg "D"fdfa|"G"g2gf g2 :|

%%%
X:811
%%staffsep 70
%
%
%
T:BROKEN BRIDGE HORNPIPE, The
S:S: NFID.194b < DOD
Z:Z: ABC/arr. BB
Q:1/4=140
L:1/8
M:C|
%%R:hornpipe
K:G 
%swing .25
%%text source key = A
%%vskip .3in
dc|B2GB AGEG|DGBd gdBG|FGAB cBcd|fecB ADFA|
BAGB AGEB,|DGBd gd^cd|fecA EGBA|Ggfg G2:|
Bc|d2^cd gdBd|fecA E2e2|d2^cd edcB|AGFE D2Bc|
d2^cd gdBd|fecA E2e2|dgfe d2cA|Ggfg G2:|

%%%
X:812
%
%
T:BROKEN LANTERN (jig), The
S:S: CRE.5 < Larry Redican/Jack Coen 
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%%R:jig
K:D
F|ABc dcd|Bcd ede|fdB AFA|BAF DFG|
ABc dcd|Bcd ede|fdB ABc|dfe d2:|
a|fdB dfa|fga b2a|gea fdA|ecA A2a|
fdB dfa|fga b2a|gea fdA|ecA d2:|

%%%
X:813
%
%
%
%
T:BROKEN MILESTONE (polka), The
S:S: Liddy 2.23
Z:Z: ABC/arr. BB
C:Joe Liddy
Q:1/4=200
M:2/4
L:1/16
%%R:polka
K:Em
ge|d2B2 B2AB|d2B2 B2ge|d2B2 B2AB|G2E2 E2ge |
d2B2 B2AB|d2B2 e3f|gfdB edBA|G2E2 E2 :|
BA|B2e2 e2fa|gfed edBA|B2e2 agfg|e2B2 B2BA |
B2e2 e2ga|bgfg edBd|g2ed edBA|G2E2 E2 :|

%%%
X:814
%
%
%
%
T:BROKEN PLEDGE (reel) (1), The 
S:S: ONMI.1178 < McFadden
Z:Z: Brennan/Black 
Q:1/4=180
%%R:reel
M:C|
L:1/8
K:D dorian
%%text source key D major
%%vskip .3in
e|dcAG ADD2|cAGF ECCE|DEFG Addc|ABGB Adfe|
dcAG A2dB|cAGF ECCE|DEFG Addc|A2GE ED D2||
dcAG A2de|fefd ecAB|cAGE GAcd|egdf ecAc|
dcAG A2de|fefd ecAG|FEFG Addc|AcGE ED HD4|]
%


%%%
X:815
%
%
%
%
T:BROKEN PLEDGE (reel) (2), The 
S:S: GSTC
Z:Z: ABC/arr. BB
Q:1/4=180
M:4/4
%%R:reel
K:Dm
dcAG AD D2|cAGF EC C2|DEFG Ad d2|AcGc Adfe|
dcAG A2 dc|A2GF EC C2|DEFG Addc|A2GE ED D2 :|
dcAG A2 de|f2df ecA=B|cAGE GAcd|ec c2 eage|
dcAG A2 de|fefd ecAG|FEFG Ad d2|A2GE ED D2 :|

%%%


%%%
X:817
%
%
T:BROOK REEL, The
S:S: MFC.008b
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%%R:reel
K:G
c|d2 eB dBGB|c2 Bc AcGE|D2 B,D GABc|dgg2 egdg|
bgg2 dBGB|c2Bc ABGE|D2 B,D EDB,D| (3EFG Ac BGG :|
c|dGBd GBdg|bgg2 dBGB|c2 ec BcdB|cABG AGEG|
bgg2 agfa|gfge dBGB|c2 ed BcdB|cAFA G3 :|

%%%
X:818
%
%
T:BROSNA REEL, The
S:S: composer
C:© E.Flynn
Z:Z: ABC/arr. BB
Q:1/4=180
%%R:reel
M:4/4
L:1/8
K:Em
ED|B,E~E2 FEDE|(3FGA B^c dBcd|BeeB dBAF|(3GFE FD EDB,A,|
B,E~E2 FEDE|(3FGA B^c dBcd|BeeB dBAF|(3GFE FD E2:|
FA|Be~e2 Bgfe|dAeA dBAd|BA (3FGA dBAF|edB^c d2cd|
Be~e2 Bgfe|dAeA dBAd|BA (3FGA dBAF|(3GFE FD E2:|

%%%
X:819
%
%
%
%
T:BROSNA SLIDE (a-1), The 
S:S: CRE.3
Z:Z: ABC/arr. BB
N:N: [1] Source's key signature (G) is incorrect. 
N:N: [2] This isn't the session "Brosna Slide".
%%R:slide
Q:1/4=180
M:12/8
L:1/8
K:A
f|e3-efe d2d fed|c2A B2A a3 a2f|
e3-efe ded e2d|cBA Bcd A3 A2:|
K:D
e|:e2a a2g e2d Bcd|e2a a2g e2f def|
e2a a2g e3-efe|d3-def g2e fed:|
K:A
f|e3-efe d2d fed|c2A B2A a3 a2f|
e3-efe ded e2d|cBA Bcd HA6|]

%%%
X:820
%
%
%
%
T:BROSNA SLIDE (a-2), The 
S:S: "Music of Ireland - The Big Session" (DJ Taylor) (folder 38)
Z:Z: ABC/arr. BB
N:N: This has other names but it's not related to the session "Brosna Slide".
Q:1/4=180
L:1/8
M:12/8
%%%R:slide
K:Edorian
e3 efe d2 d fed|c2 A B2 A a3 a2 g|
e3 efe d2 d fed|c2 A B2 c A3-A2 f|
e3 efe d2 d fed|c2 A B2 A a3 bag|
e3 efe ded e2 d|cBA BcB A3-A2 e||
e2 a a2 g e2 d Bcd|e2 a a2 g e2 g deg|
e2 a a2 g e3 ege|d3 def g2 e fed:|"^coda"He6z6|]

%%%
X:821
%
%
%
%
T:BROSNA SLIDE (b), The
Z:Z: ABC/arr. BB
M:12/8
S:S: FS1.35a ("session version")
L:1/8
%%%R:Slide
Q:1/4=180
K:G
D2G G2A BAB d2B|A2D FED A2D FED|
G2G G2A BAB d2B|A2D FED G3 G3 :|
g2f efg f2e d2B|c2B A2B c2d e2f|
g2f efg f2e d2B|c2A FED G3 G3 :|

%%%
X:822
%
%
%
%
T:BROTHER (jig), The
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy1.15
Q:1/4=160
L:1/8
M:6/8
K:Adorian
g|edB dBG|ABA GED|EAA BAG|ABd efg |
edB dBG|ABA GED|GBd efg|BAG A2d ||
%
edB dBG|ABA GED|EAA GAB|ABd efg |
age ded|cAG EfG|ABd efg|BAG A2 ||
%
d|eaa aba|ged cde|dcd efg|age deg |
eaf ged|cAG EfG|ABd efg|BAG A2 :|

%%%
X:823
%
%
%
%
T:BROTHER GILDAS' JIG* 
S:S: CRE.4 < Sean Reid < Bro. Gildas (unnamed)
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
K:D
F|AFA DFA|dcB AFD|GAG FAd|cde fdA|
gfe fed|cdc BFD|GFE FED|DFA d2 :|
E|FGA BAG|FAd fed|cef gfe|dfd AFA|
BGB efg|AFA def|ABA GFE|DFA d2 :|

%%%
X:824
%
%
%
%
T:BROTHER'S PIPES* (reel) 
S:S: CRE.4 < Sean Reid < Bro. Gildas (unnamed)
Z:Z: ABC/arr. BB
N:N: Repeats added
L:1/8
Q:1/4=180
M:4/4
%%R:reel
K:D
FG|A2DF A2DF|A2AF G2FG|ADDE FGAB|=cBcA G2FG|
A2 DF A2 DF|A2 AF G2 FG|ADDE FGAB|=cBcA G2 :|
Bc|d2 fd cd e2|BcdB AGFA|d2 fd cd e2|BcdB A2 Ac|
d2 fd cd e2|BcdB AGFA|d2 ef gfge|dBAG FA :|
%%stretchlast 0
"^coda"dBAG FABc|d4z4|]

%%%

%%%
X:826
%
%
%
%
T:BROWN BOG (jig), The
S:S: Treoir
C:Noel Strange
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
K:D
A|dcd AFD|DED FED|dcd fed|Bcd ecA|
dcd AFD|DED FED|fag fed|cBc d2 :|
A|f2 f gfg|afd cBA|dcd fed|cee e2 A|
f2 f gfg|afd cBA|dcd AFD|EDC D2 :|

%%%
X:827
%
%
%
%
T:BROWN BREAD AND CHEESE* (polka)
Z:Z: ABC/arr. BB
S:S: CRE.4 < Barrett < Collins (unnamed)
L:1/8
M:2/4
Q:1/4=120
K:D
F2 GF/G/|BA Dd|cA Bc|BA FD|
F2 GF/G/|BA Dd|cA GE|ED D2:|
|:f2 fg|fd Ad|cA Bc|BA FD|
[1 f2 fg|fd Ad|cA Bc|d2 de:|
[2 F2 GF/G/|BA Dd|cA GE|ED HD2|]

%%%
X:828
%
%
%
%
T:BROWN CHEST (hornpipe), The
S:S: CRE.1 < Sonny Brogan
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=150
K:D
% 
%swing .25
FG|ABAG FAde|fgfe dedA|BcdB AFDF|GEED E2FG|
ABAG FAde|fgfe dedA|BcdB ABAG|F2D2 D2:|
fg|agfd gfec|dcde fdAF|GABG FADF|EGgf eAdf|
agfd gfec|dcde fdAF|GABG FAEG|F2D2 D2:|

%%%
X:829
%
%
%
%
T:BROWN HAIRED BOY, The 
S:S: ONMI.0155 < F.O.Neill
Z:Z: Brennan/Black 
M:3/4
L:1/8
K:G
%%text "moderate"
%%vskip .3in
GA|B2 d2 ef|g2 ga b2|d2 ed cB|B2 A2 GA|
B2 d2 ef|g2 ga b2|de dB AB|B4||
ga|b2 c'b ag|fg af ed|ef gd cB|B2 A2 GA|
B2 d2 ef|g2 ga b2|de dB AB|G6|]

%%%
X:830
%
%
%
%
T:BROWN IRISH GIRL (1), The 
S:S: CGI.082
Z:Z: ABC/arr. BB
Q:80
L:1/8
M:C
K:G
%%text "moderato; dolce"
%%vskip .3in
gf|efdd B2GB|ceAB G2gf|efdd B2GB|
ceAB G2zB/c/|dBde/f/ g2eg|fad^c d2zB/=c/|
dB de/f/ g2eg|fafd B2gf|efdd B2GB|ce Ac/B/ HG4|]

%%%
X:831
%
%
%
%
T:BROWN IRISH GIRL (2), The 
S:S: OFHC31.01
Z:Z: ABC/arr. BB
N:N: Unlikely to be a dance tune.
M:C
Q:1/4=60
K:D
dc|BcAA F2DF|GBEF D2dc|BcAA F2DF|GBEF D3F/G/|
AF AB/c/ d2Bd|ceA^G A3F/=G/|AF AB/c/ d2Bd|cecA F2dc|
BBAA F2DF|GBEF D4||

%%%
X:832
%
%
%
%
T:BROWN MAID (1), The 
S:S: CGI.038
Z:Z: ABC/arr. BB
Q:80
L:1/8
M:C
K:G 
%%text "pensively - dolce"
%%vskip .3in
edBd cBAG|ABGF G3B|cBAG B2cd|egfe d2gf|
edBd cBAG|ABGF G3B|cBAG B2cd|egfe d3B|
cBAF G2AB|dgfg He2gf|edBd cBAG|EGGA G3d|
cBAF G2AB|dgfg He2gf|edBd cBAG|EGGA HG4 |]

%%%
X:833
%
%
%
%
T:BROWN MAID (2), The  
S:S: ONMI.0154 < J.O'Neill
Q:100
Z:Z: Brennan/Black 
M:C
L:1/8
K:G 
%%text "with expression"; source key = F
%%vskip .3in 
gf|edBd cBAG|ABGG G2zG|cBAG Bcdd|(3efg fe d2zd|
cBAG GzAB|dgfg e2gf|edBd cBAG|EGGA G2||
GA|Bcde dBAG|Bdef g2zd|gfed BedB|EFGB A2GA|
Bcde dBAG|Bdef g2gf|edBd cBAG|EGGA G2|]

%%%
X:834
%
%
%
%
T:BROWN MALLET, The  
S:S: ONMI.0448
Z:Z: Brennan/Black 
M:2/4
L:1/16
K:G
%%text "moderate"
%%vskip .3in
D2|G2G2 B3G|B2 d6|G2G2 B2AG|F2 A6|
G2G2 B3G|B2 d6|e2dB G2A2|G6:|
(3def|g2f2 e2f2|e2d2 z2 (3def|g2f2 e2f2|\
d6 (3def|
g2f2 e2d2|B2 e6|d3B G3A|HG6:|

%%%
X:835
%
%
%
T:BROWN THORN ("1st setting") (1), The
S:S: ONMI.0031 < F.O'Neill
Z:Z: Brennan/Black 
M:3/4
L:1/8
K:G
%%text "slow"
%%vskip .3in
cBc|d2 Bd ef|gf/g/ dd ed/c/|B2 GB AG|G2 Gc Bc|
d2 Bd ef|gf/g/ dd ed/c/|B2 GB AG|G3||
cBc|d2 Bd ef|g2 b2 a/g/f/e/|e4 zd|d3c Bc|
d2 Bd ef|g2 dd ed/c/|B2 GB AG|G6|]

%%%
X:836
%
%
%
%
T:BROWN THORN ("2nd setting") (2), The
S:S: ONMI.0032 < J.O'Neill
Z:Z: Brennan/Black 
M:3/4
L:1/8
K:D
%%text "slow"
%%vskip .3in
DE|FE FA Bc|d3 cBA/F/|E4 D2|HD2 z2AB/c/|
d2 de fd|e2 dc BA|FA B3c|BA A2 AB/c/|
d2 de fd|e2 dc BA|FA Bd c/d/e/f/|d2z2A,B,|
DE FE FA|Bc dc BA/F/|E4D2|HD6|]

%%%
X:837
%
%
%
%
T:BROWN THORN ("3rd Setting") (3), The
S:S: ONMI.0033 < Mrs.Lavin
Z:Z: Brennan/Black 
M:3/4
L:1/8
K:G
%%text "slow"
%%vskip .3in
D2|G2 B/d/f/a/ g2|fe dB/G/ A2|B2 (3cAF GG|G4||
de/f/|gf ga b<g|af d3f/a/|ge fd (3edB|d4 de/f/|
gf ga b<g|af d3f/a/|ge fd (3edB|d4 BA|
G2 B/d/f/a/ g2|fe dB/G/ A2|B2 (3cAF GG|G6|]

%%%
X:838
%
%
%
%
T:BROWN THORN (4), The 
S:S: CGI.065
Z:Z: ABC/arr. BB
Q:60
L:1/8
M:3/4
K:G
%%text "largo"
%%vskip .3in
c|d2 Bdef|g2dd e/d/c|B2 GBAF|G3 cBc|
d2 Bdef|g2dd e/d/c|B2 GBAF|G3 cBc ||
d2 Bdef|g2ag a/g/f/d/|e4 dd|d3 cBc|
d2 Bdef|g2dd e/d/c|B2 GBAF|G6|]

%%%
X:839
%
%
%
%
T:BROWN THORN (5), The
N:N: "An Sean Bhoithrín Fothineach or Cahirciveen"
S:S: RC1.010 
Z:Z: ABC/arr. BB
L:1/8 
M:3/4
K:F
%%text "moderato"
%%vskip .3in
FG|AG Ac de|fe dc AF|G4 F2|F2F z (3cde|
f2 fg af|g2 fe dc|Ac de dc|c2c z (3cde|
f2 fg af|g2 fe dc|Ac df ga|f2 z2 CD|
FG AG Ac|de fe dc/A/|G4 F2|HF6|]

%%%
X:840
%
%
%
%
T:BROWN'S HORNPIPE* 
S:S: CRE.4 < Grier MS (unnamed)
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=150
M:4/4
K:D
% 
%swing .25
AF|GFED FAAF|GFGA BABc|dcBA BAGF|B2E2 E2AF|
GFED FAAF|GFGA Bdef|gfed cdeg|f2 d2 d2:|
Ac|dfdB cecA|Bcdc BAGF|GABc dcBA|B2 E2 E2|
[1 Ac|dfdB cecA|BcdB A2 f2|gfed cdeg|f2 d2 d2 :|
[2 ce|f2 fd e2 ec|dcdB A2 f2|gfed cdeg|f2 d2 Hd4 |]

%%%
X:841
%
%
%
%
T:BRUISE THE PEASE (jig)  
S:S: RC3.108
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=160
M:6/8
K:Ddor
DAG F3|A2G F3|DAG F2G|A2G AFD|
A2G F3|A2G F2E|DED c2A|d2A GED:|
A2d d3|edc d3|A2d d2e|f2d ecA|
[1 A2B c3|BdB c3|A2=B c2d|e2d cAG:|
[2 d2B c2A|ABG F2E|DED c2A|d2A GFE|HD3z3||

%%%
X:842
%
%
%
%
T:BRYAN O NEIL (jig) 
S:S: ISQT.10c
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
K:D
B|AFE D2d|B2d B2d|AFE D2F|EFE E2B|
AFE D2d|B2d B2d|F2A E2F|DED D2 :|
f/g/|afd d2a|f2a f2a|afd d2f|efe efg|
afd B2d|A2d F2A|B2d F2E|DED D2 :|

%%%
X:843
%
%
%
%
T:BRYAN O'LYNN (jig) (a-1) 
S:S: DMI.0221
Z:Z: Nordberg/Black 
Q:1/4=160
M:6/8
L:1/8
K:Am
B|cAd cAG|EGE GAB|cAd cAG|EAA A2B|
cAd cAG|EGE GAB|cde fed|cAA A2:|
^f|gag ged|cAB cde|eaa age|edd d2^f|
gag ged|cAB cde|fed cAG|EAA A2:|

%%%
X:844
%
%
%
%
T:BRYAN O'LYNN (jig) (a-2) 
S:S: ONMI.0881
Z:Z: Brennan/Black 
Q:1/4=160
M:6/8
L:1/8
K:Am
B|cAd cAG|EGE GAB|cAd cAG|EAA A2B|
cAd cAG|EGE GAB|cde fed|cAA A2 :|
f|gag ged|cAB cde|eaa age|edd de^f|
gag ged|cAB cde|fed cAG|EAA A2 :|

%%%
X:845
%
%
%
%
T:BRYAN O'LYNN (jig) (b) 
T:Humors of Ballinafad
S:S: RC1.090
Z:Z: ABC/arr. BB
N:N: see note in ABC file
Q:1/4=160
L:1/8
M:6/8
K:Am
B|cEE GEE|cEE GAB|cEE GED|EAA A2B|
cEE GEE|cEE GAB|cBA GED|EAA A2:|
B|cde ged|eaa ged|cde ged|eaa a2B|
cde ged|eaa ged|cBA GED|EAA A2:|
%
% This tune is called "Geese in the Bog" these days. It bears no relationship 
% (except key) to O'Neill's "Brian O Lynn". Or, for that matter, to the other 
% "Geese in the Bog" (D major).

%%%
X:846
%%staffsep 70
%
T:BRYANT'S BARBECUE (reel) 
C:© BB
S:S: BBMG
M:4/4
Q:1/4=180
L:1/8
K:Am
AB|"Am"cedc A^GAc|"G"BGBd edcB|"Am"cA^GA "G"dcBd|"Em"edcB "Am"A3B|
"C"cde^f gece|"Am"agec "G"BdBG|"Em"EGAB "C"cEBE|"Am"AGEG A2 :|
eg|"Am"aABc ABcA|eABc ABcA|"G"gd^cd Bd^cd|g^fgb ageg|
"Am"aABc ABcA|eABc ABcA|"G"gdBG "Em"E^FGB|"Am"cA"G"BG "Am"A2 :|

%%% %%% %%%

%%textfont Palatino Bold 16
%%musicspace 0.5in
%%titlespace 40
%%printtempo 0
%%titleleft
%%textfont Palatino Bold 16
%hide_information_labels
%%titlefont Palatino Bold 22
%%subtitlefont Palatino Bold 18
%%composerfont Palatino Bold 16
%%historyfont Palatino Bold 16
%%partsfont Palatino Bold 16
%add_all_playback_links 25 0 0 fatboy
%add_all_playback_volumes 64 80
%%staffsep 60%%%
X:847
%
%
T:BUACHAILL DREOITE (hornpipe)
S:S: DMWC.135
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=150
K:G
% 
%swing .25
GF|DGGB d2GB|d2GF GBAF|DGGB d2GB|dBcA FGAF|
DGGB d2GF|DGGF G3e|fgaf gbag|fdcA G2 :|
dc|B2BG c3e|d2G2 G3A|B2BG cBce|dADE F2GA|
B2BG c2ce|d^cde f2ed|g2gf gbag|fdcA G2 d^c|
BABd cBce|d3G G3A|B2BG c3e|dADE F2GA|
B2GB c3e|d^cde f2ed|g2gf gbag|fdcA HG4 |]
%
N:N: According to my Dineen's, "dreoite" means "withered", but I'm guessing 
N:there's another (maybe local) meaning to the word. Pronounced "DROH-cha".

%%%
X:848
%
%
%
%
T:BUACHAILL DREOITE (jig)
S:S: DMWC.136
Z:Z: ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
K:G
A|DGG AcG|AcG G2F|DGG AcG|dcG FDc|
DGG AcG|AcG GBd|f3 gfd|cAG FG :|
A|B3 c2e|dcA G2F|GBB GBd|cAD F2A|
B3 cBc|d^cd f2g|agg gfd|cAG G2:|

%%%
X:849
%
%
%
%
T:BUACHAILL�N BRUITHE (jig)
S:S: Petrie.096 (as "Buachalin")
Z:Z: ABC/arr. BB
N:N: Pronounced "Boo-ka-LEEN BROO-ee"
Q:1/4=160
M:6/8
L:1/8
K:G
A|G2A BAG|AGF GFD|G2A Bdd|cAG F2D|
G2A BAG|AGF G2e|fag f2d|cAG F2 :|
%
c|ded dcA|d2G GAc|ded dcA|cAG FGA|
ded dcA|d2G G2e|fag f2d|cAG F2 :|
%
A|B2G A2G|d2G G2A|B2G A2G|cAG FGA|
BAG AGF|GFD FGA|fag f2d|cAG F2 :|
"^coda"cAG FEF|HG6|]

%%%
X:850
%
%
%
%
T:BUAILTEOIR AERACH (reel) 
T:Merry Thresher, Fairy Reel
S:S: Treoir
Z:Z: ABC/arr. BB
N:N: 1: Note the /^c/ in this version - optional but a nice sound!
N:N: 2: Pronounced "BOOL-chore AY-ruck"
Q:1/4=180
M:4/4
L:1/8
K:G
dc|B3A GBdB|cBAG FAD2|BGG2 dcAG|FDAD GFED|
B2 BA GBdB|cBAG FAdc|BG G2 dcAG|FDEF G2 :|
c|d3 g e2 ed|^cA A2 d2 d=c|BG G2 dcAG|FDAD GFED|
d3 B e2 ed|^cA A2 ded=c|BG G2 dcAG|FDEF G2 :|

%%%
X:851
%
%
%
%
T:BUCK FROM THE MOUNTAIN (hornpipe), The
S:S: Treoir 48/1 < John McKenna
Z:Z: ABC/arr. BB
L:1/8
M:C
Q:1/4=150
K:D
% 
%swing .25
B|AFAd BGBd|AFAd f2fe|dfgf edBc|dBAG FEDF|
AFAd BGBd|AFAd f2fe|dfgf edBc|dgfe d3:|
f|gfge cABc|dcde f2ef|gfge cABc|dBAG FEDF|
AFAd BGBd|AFAd f2fe|dfgf edBc|dgfe d3:|

%%%
X:852
%
%
%
%
T:BUCK IN THE WOOD (jig), The  
S:S: CRE.1
Z:Z: ABC/arr.BB
Q:1/4=160
L:1/8
M:6/8
K:G
d|BGB dBG|cAG FGA|BGB dBG|cAF G2A|
BGB BGB|AFA AFA|def gdB|cAF G2||
A|GBd ded|cAG FGA|GBd GBd|cAF G2d|
G2d ded|cAG FGA|def gdB|cAF G2||
A|BGB dBG|cAG FGA|BGG dBG|cAF G2A|
BGB dBG|cAG FGA|d2e fdB|cAF HG3|]

%%%
X:853
%%staffsep 70
%
T:BUCKET o' NAILS (polka), The 
C:© BB 
S:S: BBMG
M:2/4
Q:1/4=140
L:1/8
%%R:polka
K:D
"D"AB AF|"Em"ED EF|"Bm"A/F/A/B/ dB|"A"AF E2|
"D"AB AF|"A" EA ce|"G"dB A/B/A/G/|"D"FD D2 :|
"D"fa fd|"C"ge =ce|"D"fa fd|"A"cd e2|
"D"fa fd|"C"ge =ce|"D"f/g/a/f/ "A"g/e/c/e/|\
"D"fd d2 :|

%%%
X:854
%
%
%
%
T:BUCKLEY THE FIDDLER* (reel)
S:S: CRE.5 (unnamed)
Z:Z: ABC/arr. BB
M:4/4
Q:1/4=180
K:G
e|dBcA GABc|dBGB e3e|dBcA GABc|dBcA G3:|
A|Bdef gfgd|Bdef g3a|bgaf gefB|dBcA G3A|
Bdef gfgd|Bdef g3a|bgaf gefd|Bdef gfge||
"^coda" dBcA HG4|]

%%%
X:855
%
%
%
T:BUCKLEY'S FANCY (reel) 
S:S: ONMI.1211 < McFadden
Z:Z: Brennan/Black 
Q:1/4=180
M:C
L:1/8
K:G
zD|G2BG dGBG|ABcd egdB|G2BG dGBG|ABAG FDEF|
G2BG dGBG|ABcd e2g2|bgaf gedB|GBAF G2||
ef|gfga gede|gabg ageg|agab agef|gabg e2de|
gfga gede|gabg agef|gfga gedB|GBAF HG4|]

%%%
X:856
%
%
%
%
T:BUCKS OF DUBLIN (jig), The  
S:S: CRE.4 < Grier MS
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
K:G
D|GBd dBG |GBd efg|dBG ABc |BGE AFD|
GBd dBG |GBd efg|dBG ABG| E2F G2:|
D|GBd g2b |afd dBG|GBd gfg |afd e2f|
gfg aga |bge ege|dBG ABG| E2F G2:|

%%%
X:857
T:BUCKS OF ORANMORE (reel) (5 settings)
%hide_rhythm_tag
%hide_cautionary_ks
%%vskip 30
%%text [1] source CRE.2 (4 parts) 
L:1/8
M:C
Q:1/4=180
K:D
dB||ADFD ADFD|ADFD BEED|ADFD A2Bd|egfd eddB|
ADFD ADFD|ADFD BEED|ADFD A2 (3Bcd|egfd AddB||
P:B
Adfd edfd|Adfd edBd|Adfd edef|gefd edBd|
Adfd edfd|Adfd edBA|faa2 bgfe|defd Aaag||
P:C
f2df e2de|f2df edBd|fddc edef|gefd AdBe|
f2df e2de|f2df edBA|faa2 bgfe|defd AddB||
P:D
AFFG AFdB|BAFD EFED|FAFG A2Bd|efge fded|
AFFG A2dB|BAFD EFED|FAFG A2Bd|gefd AdBA||\
"^coda"HD4z4|]
%
%%vskip 30
%%text [2] source: DMWC.32 (7 parts)
K:D
%%vskip 30
%%text "A"
dB|A2fA A2dB|A2fA BEE2|A2FA A2Bd|egfd e2dB|
ADFA A2dB|ADFA BEGA|DADF ADFA|dgfd gedB||
%%vskip 30
%%text "B"
ADD2 ADD2|ADD2 BEE2|ADD2 ADFA|egfd e2dB|
ADD2 ADBD|ADD2 BEE2|ADD2 ADFA|dgfd efge||
%%vskip 30
%%text "C"
fafd eddg|fafd edBd|fafd eddf|fafd edBd|
fafd eddg|fafd edBd|faa2 agaf|defd efgd||
%%vskip 30
%%text "D"
f2df ecdg|f2df eBBd|f2df ecdf|f2df edBd|
f2df ecdg|fAdf edBd|faa2 bgaf|f2df e2dB||
%%vskip 30
%%text "E"
A2A2 A2A2|A2FA BEE2|A2fA A2Bd|egfd e2dB|
ADF2 AFDB|ADFA BGEA|DADF ADFA|dgfd gedB||
%%vskip 30
%%text "F"
ADD2 ADD2|ADD2 BEE2|ADD2 ADFA|egfd e2dB|
ADD2 ADBD|ADD2 BEE2|ADD2 ADFA|dgfd efge||
%%vskip 30
%%text "G"
fafd eddg|fafd edBd|fafd eddf|fafd edBd|
fafd eddg|fafd edBd|faa2 bgaf|defd eaaf||
%%vskip 30
%%text "H"
f2df e2de|f2df edBd|f2df ecdf|gefd edBd|
f2df efde|fAdf eBB2|eaa2 b2af|gefd edHd2|]
%%vskip 30
%%text [3] source: FS2.22b (5 parts)
dB|A2FA A2dB|A2FA BEE2|1 A2FA A2Bd|
egfd ed :|[2 D3F ADFA|defd ef||
|:dB|ADD2 ADBD|ADFA BEE2|1 ADD2 ADFA|
defd ef :|[2 D3F ADFA|defd ef||
|:df|a2fd efdf|a2fd edBd|1 a2fd efdf|
gefd ec :|[2 faa2 bfaf|defd e2 ||
|:de|f2df efde|f2df edBd|1 f2df efdf|
gefd ec :|[2 faa2 bfaf|defd e2 ||
|:dB|Adfd edfd|Adfd edBd|Adfd edef|
gefd edBd|Adfd Adfd|Adfd edBd|
faa2 bfaf|defd e2dB |"^coda"d4z4|]
%%text
%
%
%
%%text [4] source: ONMI.1199 (4 parts)  
dB|A2FA A2dB|A2FA BEEz|A2FA A2Bd|egfd ecdB|
A2FA A2dB|A2FA BEEF|DEFG AFAB|defd ecdB||
%
ADFD A2dB|ADFA BEEz|AD FD A2Bd|egfd ecdB|
AD FD A2dB|AD FD BEEz|DEFG AFAB|defd efge||
%
a2fd eddf|a2fd eBBg|a2fd eddf|egfd eBBg|
a2fd eddf|a2fd eBBg|a2fd eddf|gefd eBBd||
%
f2df e2 de|f2df eBBe|f2df e2df|egfd eBBd|
f2df e2de|f2df eBBe|faaf bfaf|egfd "_DC"ec||\
"^coda"D4z4|]
%
%
%%text [5] source: RC1.149
%%vskip 30
dB|A2FB A2dB|A2FA BEFD|A2FB A2Bd|egfd ecdB|
A2FB A2dB|ABFA BEE2|DEFG AFAB|defd ec :|
dB|Adfd edfd|Adfd eBcA|Adfd edfd|egfd eBB2|
Adfd edfd|Adfd eBcA|agab afdf|egfd ec :|
%%stretchlast 0
"^coda"defd egfc|Hd4z4|]
%%text


%%%
X:862
%
T:BUCKS OF TIPPERARY (jig), The  
S:S: OFPC1.24 ("Irish")
Z:Z: ABC/arr. BB
D:D: "O'Sullivan Meets O'Farrell 1" track 11b
N:N: Should end on a final /d/ somewhere.
Q:1/4=160
M:6/8
L:1/8
K:D
A|dfd B2B|AGF A2B|ded def|g3 f2e|
dfd B2B|AGF A2B|d2g fge|d3 d2:|
A|:d2g faf|gbg faf|d2d faf|g3 f2e|
dfg aff|bgg agf|edB BAB|g3 f2e:|

%%%
X:863
%
%
%
%
T:BUCKS OF WESTMEATH (jig) (1), The  
Z:Z: ABC/arr. BB
S:S: GEI.015
N:N: Repeats added. In measure 13 you can replace the source's |c'| with |a|.
M:6/8
Q:1/4=160
%%R:jig
K:G
e|d3 BdB|G2A B2c|d3 BdB|cAB c2e|
d3 BdB|G2A B2d|gfe dcB|A2B c2 :|
d|gfg dcB|gfg dcB|gfg dcB|A2B c2f|
"^13"gfg ab[ac']|bag fga|gfe dcB|A2B c2 :|
"^coda"A2B cAF|HG6|]

%%%
X:864
%
%
%
T:BUCKS OF WESTMEATH (jig) (2), The    
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
K:D 
%%text "very quick"; source key = A
%%vskip .3in
B|A3 FAF|D2E F2G|A3 FAF|GEF G2B|
A3 FAF|D2E F2A|dcB AGF|GEF G2 :|
A|dcd AGF|dcd AGF|dcd AGF|E2F G2A|
dcd efg|fed cde|dcB AGF|E2F G2 :|
B|AFD D2B|AFD D2B|AFD D2F|E2F G2B|
AFD D2B|AFD D2A|dcB AGF|E2F G2 :|
"^coda"EFG FEC|D6|]

%%%
X:865
%
%
%
%
T:BUCKS OF WESTMEATH (jig) (3), The  
S:S: ONMI.0979 < Delaney
Z:Z: Brennan/Black 
Q:1/4=160
M:6/8
L:1/8
K:G
e|d3 BdB|G2A B2^c|d3 BdB|cAB c2e|
d3 BdB|G2A B2d|gfe dcB|A2B c2 :|
%
d|gfg dcB|gfg dcB|gfg dcB|A2B c2f|
gfg abc'|bag gfe|gfe dcB|A2B c2 :|
%
e|dBG G2e|dBG G2e|dBG G2B|A2B c2e|
dBG G2e|dBG G2d|gfe dcB|A2B c2 :|\
"^coda"AFA HG3|]

%%%
X:866
%
%
%
T:BUCKSKIN BREECHES (slip jig), The   
S:S: RC3.117
Z:Z: ABC/arr. BB
L:1/8
M:9/8
Q:1/4=160
K:G
G2B AGF AGF|G2B AGF GED|
G2B AGF AGF|EGE c2A GED:|
fed ded d2d|fed dfa gfe|
[1 fed ded cBA|EGE c2A GED :|
[2 dDD ADD GED|EGE c2A GFE|D6z3|]

%%%
X:867
%
%
%
%
T:BUDDY FUREY'S (polka) (1) 
S:S: CRE.3
Z:Z: ABC/arr. BB
Q:1/4=120
M:2/4
L:1/8
K:A
d/e/ |cA Ac|dB Be/d/|cA Ac|BE Ed|
cA Ac|dB Bd|cA/c/ BE|A2 A:|
z|ce ee|fg ae|ce ee|Bc d/c/B/A/|
ce ee|fg ae|cA/c/ BE|A2 A:|

%%%
X:868
%
%
%
%
T:BUDDY FUREY'S (polka) (2) 
S:S: MVBT < Mulvihill 1977 
Z:Z: ABC/arr. BB
Q:1/4=120
M:2/4
L:1/8
K:D 
%%text source key = A
%%vskip .3in
A/G/|FD D/E/F/D/|GE EA/G/|FD D/E/F/D/|EA AG|
FD D/E/F/D/|GE EA/G/|FD/F/ E[AA,]|D2 D :|
E|FA AA|Bc d/B/A/G/|FA AF|EF G/F/E/D/|
FA AA|Bc d/B/A/G/|FD/F/ E[AA,]|D2 D :|

%%%
X:869
%
%
%
%
T:BUDDY O'REILLY (jig)
C:© D. MacAdam 3/17
S:S: composer
Q:1/4=160
M:6/8
L:1/8
K:G
B|d2B G2B|d2B gfe|c2A F2A|c2A fed|
d2B G2B|d2B gfe|ABc edc|cBA G2 :|
P:B
|: B|dBB GBB|dBB gfe|cAA FAA|cAA fed |
dBB GBB|dBB gfe|ABc edc|cBA G2 :|
P:C
|: B|dBB Ggf|ecc A2B|cAA Ffe|dBB G2B |
dBB Ggf|ecc A2G|FAc fed|cBA G2 :|
P:D
|: B|dBd dBd|GBd gfe|cAc cAc|FAc fed |
dBd dBd|GBd gfe|ecd dBc| cBA G2 :|
P:E
|: B|gBd GBd|gBd gfe|fAc FAc|fed fAc |
gBd GBd|gBd gfe|fAc eAc|dBA G2 :|

%%%

X:870
%
%
%
%
T:BUFF THE BLANKET (jig)  
S:S: CGI.177
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
K:D 
%%text "allegro"
%%vskip .3in
DED DFD|DFD B3|ABc def|ged cBA|
DED DFD|dAF B3|ABc dcB|ABA AFD :|
%
ABA AcA|AcA f3|ef^g agf|efd cBA|
ABA ecA|AcA B3|ABc dcB|ABA AFD :|
%
D2d F2d|D2d B3|ABc def|ged cBA|
d3 B3|AFD HB3|ABc dcB|ABA AFD :|

%%%


%%%
X:873
%
%
%
T:BULLAUN SLIDE, The 
C:V.Broderick
S:S: Turoe.27b
Z:Z: ABC/arr. BB
M:6/8
L:1/8
Q:1/4=180
K:G
e2d B2A|B2A G2E|D2E G2A|B2A Bcd|
e2d B2A|B2A G2E|D2E G2A|BGG G3:|
e2d e2f|g2f g3|b2g a2f|g2e f2d|
e2d B2A|B2A G2E|D2E G2A|BGG G3:|

%%%


%%%
X:875
%
%
%
T:BUMBLEBERRY PIE (hornpipe)
C:© D. MacAdam 9/07 
S:S: composer
Q:1/4=150
M:4/4
L:1/8
K:G
% 
%swing .25
Bc|d^cde dBAG|cBce g2 fe|d^cde dBAG|B2 A2 A2 Bc |
d^cde dBAG|cBce g2 fe|dg (3fge dcAc|B2 G2 G2 :|
Bc|dgfg bgfg|egce d2 Bc|dgfg bgfg|b2 a2 a2 Bc |
dgfg bgfg|egce d2 gf|(3efe dc ABcd|B2 G2 G2 :|

%%%
X:876
%
%
T:BUMPER ALLEN'S DELIGHT (reel) 
S:S: RC3.079
Z:Z: ABC/arr. BB
L:1/8
M:4/4
Q:1/4=180
K:D
dB|AFF2 AFF2|AFF2 GEE2|A2FA B2AF|1 EDEF Ee:|2 EDEF D2||
|:A2|defg afdf|gefd edBA|defg afdf|edef e2 dB|
defg afdf|gefd edBA|defg a2 ag|f2 fe dfdB||"^coda"D4z4|]

%%%
X:877
%
%
%
T:BUMPER SQUIRE JONES 
S:S: CAR-ON
C:O'Carolan
Z:Z: Brennan/Black 
M:6/8
L:1/8
K:D
%%text "spirited"
%%vskip .3in
A|FDD D2E|FDD D2E|F/G/AF G/A/BA|BEE G2A|
FDD d2e|eg/f/e/d/ edc|dBe cAc|dDD D2||
a|af/g/a/f/ df/g/a/f/|bg/a/b/g/ eg/a/b/g/|\
afd e/f/ge|cAA A2g|
f/g/af geg|af/g/a/f/ geg|fed cBc|dDD D3|]

%%%
X:878
%
%
%
T:BUMPY ROAD TO CHATHAM (jig), The 
C:© D. MacAdam 9/11
S:S: composer
L:1/8
Q:1/4=160
M:6/8
K:Bm
c|Bcd f2g|afb afd|Bcd f2g|fdB ecA| 
Bcd f2g|fdb afd|gfe fdB|ecA B2 :|
c|afb afd|ceg fdB|dfb aeg|fdg e2f |
geb afd|ceg fdB|gfe fdB|ecA B2 :|

%%%
X:879
%
%
%
T:BUNCH OF CURRANTS (jig), The    
Z:Z: ABC/arr. BB
S:S: Levey1.21
L:1/8
M:6/8
Q:1/4=160
K:G
%%text "very quick"
%%vskip .3in
c|B2A B2d|c2B A2c|B2A G2B|AFE D2D|
B2A B2d|c2B A2c|B2G AGF|G3 G2 :|
e|=f2c d2e|=f2d c2A|G2=f f2g|a=fc d2e|
f2a g2e|f2d c2A|G2B AGF|G3 G2 :|

%%%
X:880
%
%
%
T:BUNCH OF GREEN RUSHES (jig), The  
S:S: CGI.033
Z:Z: ABC/arr. BB
N:N: Repeats added. 
% This is a version of "Orange Rogue" (with a defective first part in the source, 
% repaired here).
Q:1/4=160
L:1/8
M:6/8
K:Em
%%text "allegro con spirito"
%%vskip .3in
g|dBA BAB|dBA B2g|dBA BAB|GED E2g|
dBA BAB|dBA B2g|dBA BAB|GED E2 :|
f|g3 aga|bge dcB|g3 aga|bgd e2a|
bge afd|gfe dcB|A3 B2A|GED E2 :|

%%%
X:881
%
%
%
%
T:BUNCH OF GREEN RUSHES (reel), The   
S:S: ONMI.1202 < Fielding 
Z:Z: Brennan/Black
N:N: see note in ABC file  
Q:1/4=180
M:C|
L:1/8
K:Dm
d|cAFA GEFG|cAGB Adde|cAGA FEFG|fdec Adde|
cAFA GEFG|cAGB Adde|cAGA FEFG|fdec Add||
d|defg abaf|gece gage|defg abaf|gece edd2|
defg bged|^cdef g2fg|afge fdec|dcAG Adde||\
"^coda"Hd4z4|]
%
% This is one of ONMI's "ambiguous" tunes. It's in 2 sharps in the book but
% I can't imagine anyone playing it that way, even in the Chief's time. Frankie 
% Gavin plays a three-part version of this tune, with parts 1 and 2 in D minor 
% and part 3 D modal. (Reminder: to hear what this tune sounds like as D 
% modal, change "K:Dm" to "K:G" in the file header above.)

%%%
X:882
%
%
%
T:BUNCH OF HAWS (slip jig), The   
S:S: ONMI.1156 < Early
Z:Z: Brennan/Black 
Q:1/4=160
M:9/8
L:1/8
K:G
dBG GBG AGE|dBG GBd efg|dBG G2B AGE|
gbg faf e2g:|def gfg edB|def gfg a2c|
def gfg edB|gbg faf edB|def gfg edB|
def gfg a2c|bag agf gfe|dBG GBd e2f|Hg6z3|]

%%%
X:883
%
%
%
T:BUNCH OF KEYS (reel), The 
S:S: BSMI.1
Z:Z: ABC/arr. BB
N:N: a/k/a/ "Paddy on the Railway", "Yellow Tinker"
Q:1/4=180
M:4/4
L:1/8
K:G
E|DGGF G2GA|BGdG eGdG|D=FFE F2FG|A=FcF dFcF|
DGGF G2GA|BAGA Bcde|=fgfd cBAc|1 BGAF G3 :|2 BGAF GAB||
|:c|dggf gfga|bgag bgaf|d^cde =fefg|a=fgf afge|
dgfa gfga|bgag fdde|=fgfd cBAc|BGAF G3 :|
A|BGG2 BGdG|BGG2 Bdgd|A=FF2 AFcF|A=FF2 ABcA|
BGG2 BGdG|BGGA Bcde|fage fdcA|GBAF G3 :|

%%%
X:884
%
%
%
%
T:BUNCH OF ROSES (jig), The   
S:S: ONMI.1054 < F.O'Neill
Z:Z: Brennan/Black 
Q:1/4=160
M:6/8
L:1/8
K:Edor 
%%text source key = Gm
%%vskip .3in
A|G2G GAB|A2F FGA|G2E EFG|FDB, B,EF|
G2G GAB|A2F FGA|GFE FED|E3 E2:|
c|d2B Bcd|e2B BAF|E2d d2e|fdB B2c|
def edc|dcB AGF|EFG FED|E3 E2:|

%%%
X:885
%
%
%
T:BUNCH OF RUSHES (reel), The  
S:S: OFPC4.163 ("Irish")
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
L:1/8
K:Em
%%text source key = Dm
%%vskip .3in
ef|g3a bagf|efed B3c|d2gf edBA|BdcA B2Bf|
g3a bagf|e4 B3c|d2gf edBA|F3D E2 :|
EF|G3A BABc|BAGF G2Bc|dfeg edBA|BdcA B2Bf|
g3a bagf|ebag fedB|d2gf edBA|F3D E2 :|

%%%
X:886
%
%
%
T:BUNDLE AND GO (jig) (1)  
T:Larry O'Gaff
S:S: NFID.085a < JD
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
K:Adorian
a|gee edB|gfg B2a|gee edB|dBG A2a|
gee edB|gfg a2b|age edB|dBG A2:|
B/c/|d2B d2B|gfg age|d2B d2B|dBG ABc|
d2B d2B|gfg a2b|age edB|dBG A2:|

%%%
X:887
%
%
%
T:BUNDLE AND GO (jig) (2)
T:Larry O'Gaff 
S:S: RC1.117
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
K:D
c|dAF AFD|ABA AFD|GBG FAF|EFA B2A|
dAF AFD|ABA AFD|GBG FAF|EDE D2:|
E|DFA dcd|efe ecA|Bee ede|fdd d2A|
ded dcB|AdB AFD|GGG FEF|EDE D2:|

%%%


%%%
X:889
%%staffsep 70
T:BUNGAY JAR (jig), The
S:S: composer
C:Rick Gagne 
Z:Z: ABC/arr. BB
N:N: "d/o/c/ 1999 on tenor banjo"
Q:1/4=160
M:6/8
K:Am
e | "Dm"fed "Am"cBA | "Em"GEG "Am"AcE | "Dm"FAD "Am"EAc | "Em"BeB "Am"cde | 
"Dm"fed "Am"cBA | "Em"GEG "Am"AcE | "Dm"FAD "Am"EAc | "Em"BeG "Am"A2 :|
e | "Am"age A2a | "C"gea gfe | "Dm"def "Am"ece | "G"dBd "Em"eBe |
[1 "Am"age A2a | "C"gea gfe | "Dm"def "Am"ece | "Em"dBe "Am"A2 :|
[2 "F"f2e "Am"cBA | "Em"GEG "Am"AcE | "Dm"FAD "Am"EAc | "Em"BeG "Am"HA3|]

%%%
X:890
%
%
%
%
T:BUNKER HILL (reel) (1)
S:S: DMI.0787
Z:Z: Nordberg/Black 
Q:1/4=180
M:C|
L:1/8
K:G
GEEG D3E|FGAB c2Bc|ABAG EFGB|ABcA d2cA|
GEE2 D3E|FGAB c2Bc|dBcA BGEG|ABcA d2cA||
Gcc2 ecc2|Gccd eAGc|Add2 fdd2|AddB cAGA|
FGAB cAdB|cAdB c2Bc|dBcA BGEG|ABcA d2ag||
fdd2 fdad|fddf a2gf|gee2 gebe|gbeg b2ag|
fdd2 fdad|fdAB c2Bc|dBcA BGEG|ABcA d4|]

%%%
X:891
%
%
%
T:BUNKER HILL (reel) (2)  
S:S: RC1.186 (as "Bunker's")
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8 
M:C
K:G
BA|GEDE G2GA|GEDB c2Bc|AGFG A2AB|AGEB cBcA|
GEDE G2GA|GEDB c2Bc|dBcA BGAF|GEDB c2||
BA|GBdB GBdB|GBdB edcB|Acec Acec|Acec fedc|
GBdB GBdB|GBdB c2Bc|dBcA BGAF|GEDB c2BA||\
"final"HG4z4|]

%%%
X:892
%
%
%
T:BUNRATTY BOYS (slide), The
S:S: MVBT
Z:Z: ABC/arr. BB
Q:1/4=180
M:12/8
L:1/8
K:D
e3 efe d2 f a2 f|e3 efe d2 c B2 A|
e3 efe d2 f a2 f| efe f2 e d3 d3:|
A2 a f2 a A2 a f2 a|efe f2 e d2 c B2 A|
A2 a f2 a A2 a f2 a|efe f2 e d3 d3 :|
%
N:N: This tune is called "Nellie Mahony's" in the Johnny O Leary book.

%%%
X:893
%
%
%
%
T:BUONAPARTE'S MARCH
S:S: ANSB
Z:Z: ABC/arr. BB
L:1/8
M:C|
K:G
%%text "maestoso"
%%vskip .3in
D|G3F GBAc|B2GF GABc|d3e dedc|A2AG AFGA|
BAGF GBAc|dBGF GABc|dBec B2A2|G2GF G2z2 ||
c3B cde=f|d2GF G2z2|d3c de=fg|e2cB c2ge|
a2a=f d2fd|g2ge c2ec|A2=fd dccB|c2cB c^FGA|
BAGF GBAc|dBGF GABc|dBec B2A2|G2GF HG4|]

%%%
X:894
%
%
%
%
T:BURKE'S (jig) (a-1)
T:Pete Kelly's
S:S: BSMI.2
Z:Z: ABC/arr. BB
N:N: see note in ABC file
M:6/8
Q:1/4=160
L:1/8
K:D
dAF AGF|dAF AGF|A,CE GFG|A,CE GFE|
DFA DGB|Ace d2e|fed cBA|GFE D3 :|
fdf a^ga|fdc d2f|e=ce gfg|efd cde|
fef gfg|aga bag|fed cBA|GFE D3 :|
%
% This tune has other names and has been attributed to Joe Burke, Lad O'Beirne, 
% and others. However Galway/NY fiddler Pete Kelly told us he wrote it for a 
% junior ceili band many years ago, so it should really bear his name or the 
% band's ("Shannonaires" if I remember correctly).

%%%
X:895
%
T:BURKE'S (jig) (a-2)
T:Pete Kelly's  
S:S: MFC.081D 
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
K:D
ABc|:dAF AFD|dAF AFD|A,CE GFE|A,CE GFE|
DFA DFA|dfe d2g|fed cBA|1 GFE D3:|2 GFE D2||
g|fdf aga|fdd d2f|ece gfg|efd cde|
fdf gfg|aga b2a|fed cBA|GFE D2:|

%%%
X:896
%
%
T:BURKE'S (jig) (b)
S:S: MFC.073A
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
K:Ddorian
B|ABA DED|AGA c2A|AGE CB,C|EDC EFG|
ABA DED|AGA cde|dcA GEG|ADD D2:|
B|A2d ded|cde gec|ded cAG|A2c cAG|
A2d ded|cde gec|dcA GEG|ADD D2:|

%%%
X:897
%
T:BURN THE MAY BUSH 
S:S: CGI.130
Z:Z: ABC/arr. BB
Q:% ? 1/4=80
L:1/8
M:2/4
K:G 
%%text A-B-A; "with spirit"
%%vskip .3in
B/c/|dd/c/ Bg|dd/c/ Be/d/|c/d/B/c/ Ad/c/|B/c/A/c/ G/A/B/c/|
dd/c/ Bg|d/e/d/c/ B/d/e/d/|c/d/B/c/ A/G/F/A/|G/B/d/B/ G :|
%
K:D
F/G/|A/B/A/B/ Ad|A/B/A/B/ Af|e/d/c/B/ AB/c/|d/e/f/g/ aF/G/|
A/B/A/B/ Ad|Bg/f/ ee/d/|cc/B/ A/G/F/E/|d/F/A/F/ "_DC"D:|

%%%
X:898
%
%
%
%
T:BURNETT'S RONDO  
S:S: OFPC3.108
Z:Z: ABC/arr. BB
N:N: see note below
Q:1/4=120
M:6/8
L:1/8
K:G
B/c/|ded gfe|ede d2c|Bdg dBG|FAA A2 B/c/|
ded gfe|ede d2c|BdG AGA|G2F G2 :|
%
B/A/|GFG G2A|BAB B2 G/B/|dcB dcB|A^GA A2B/A/|
GFG G2A|BAB B2c|dcB dcB|AGA A2 d/c/|
Bdg gfg|ABc dcB|afd ge^c|d2^c d2||
%
|:B/c/|ded gfe|edc d2c|Bdg dBG|FAA A2 B/c/|
ded gfe|edB d2c|Bdg ag b/a/|g2f g2 :|
%
a|bgd BGg|afd AFf|g2e f2e|dce A2G|
FAd GBe|Adf egb|afd ge^c|1 d^cd d2 :|2 dAF HG3||
%
% A nice tune with a Carolan feeling to it. I tried to arrange it as a standard jig, 
% but the tune doesn't really lend itself to that. So enjoy it as it stands!

%%%
X:899
%
%
%
%
T:BURNS' FAREWELL (1)  
S:S: NCIUP.21b
Z:Z: ABC/arr. BB
Q:% ? 1/4=150
L:1/8
% This is the tune of the well-known song "Parting Glass"
M:4/4
%%R:% ? march
K:C
ed|c2A2 A2GA|c2c2 d2cd|e2e2 efed|e2A2 G2ed|
c2A2 A2GA|c2c2 d2cd|e2a2 gede|c2A2 A2:|
ef|g2g2 gbc'a|g2g2 g2de|f2e2 d2c2|e2A2 G2ed|
c2A2 A2GA|c2c2d2 cd|e2a2 gede|c2A2 A2:|

%%%
X:900
%
T:BURNS' FAREWELL (2) 
S:S: ONMI.0269 < J.Kennedy
Z:Z: Brennan/Black 
M:C
L:1/8
K:Am
%%text "moderate"
%%vskip .3in
ed|c2A2 A2GE|c2e2 d2^cd|e2e2 d2^cd|e2G2 G2ed|
c2A2 A2GE|c2e2 d2^cd|e2a2 gede|c2A2 A2:|
e^f|g2a2 g2^fg|a2g2 g2ag|f2e2 d2^cd|e2G2 G2ed|
c2A2 A2GE|c2e2 d2^cd|e2a2 gede|c2A2A2:|

%%%
X:901
%
%
%
%
T:BURNS' REEL
Z:Z: ABC/arr. BB
S:S: MFC.042b
Q:1/4=180
L:1/8
M:4/4
K:G
A|Bdde gdea|gded BAAc|Bdde gded|BGAG EGGA|
Bddg egde|gded BAAc|Bdde gded|BGAG EG G2 ||
egdg bgag|egdg eaag|egdg bgag|edef gfg2|
egdg bgag|egdg eaag|bgaf gded|BGAG EG G2 ||

%%%
X:902
%
T:BURNT OLD MAN (1st Setting), The  
S:S: ONMI.0090 < F.O'Neill
%Q:1/4=160
Z:Z: Brennan/Black 
M:6/8
L:1/8
K:D
%%text "moderate"
%%vskip .3in
D|DEF AFE|DEF F2E|DEF BAF|AFE E2F|
DEF AFE|FEF dcd|edB BAF|AFE E2:|
F|AFF dFF|AFF F2G|AFF dcd|eEE E2F|
DEF AFE|FEF dcd|edB BAF|AFE E2:|

%%%
X:903
%
%
%
%
T:BURNT OLD MAN (2nd Setting), The  
S:S: ONMI.0091
%Q:1/4=160
Z:Z: Brennan/Black 
N:N: see note in ABC file
% Although neither of these settings are in the Jig section of ONMI, they make
% respectable dance tunes with both parts doubled and a Q:1/4=160 field in the 
% file header bove.
M:6/8
L:1/8
K:D
%%text "moderate"
%%vskip .3in
DFG AFF|DFG F2E|DFG AFD|FEE E2F|
DFd AFD|DFA d2e|fdB Bcd|AFD E2D||
Ddd dAF|BAA A2A|Bee efg|fdB B2A|
ABc def|DFA d2e|fdB Bcd|AFD E2D|]

%%%
X:904
%
T:BURNT OLD MAN (3rd Setting), The 
S:S: ONMI.0092
Z:Z: Brennan/Black 
M:6/8
L:1/8
K:D
%%text "moderate"
%%vskip .3in
DFd B/A/G/F/E/D/|DFF F2E|DFd B/A/G/F/E/D/|FEE EGF/E/|
DB,C DEF|ABc d2e|fdB Bcd|B/A/G/F/E/D/  E2D||
Ddd dAF|BAA A2A|Bee efg|fdB B2 (3A/B/c/|
df/e/d/c/ dfa|DFA d2e|f/e/d/c/B/A/ Bcd|B/A/G/F/E/D/ E2D |]

%%%
X:905
%
T:BURNT POTATO, The
T:Little Burnt Potato
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
K:D
%%text "Canadian" 
%%vskip .3in
g|a^ga bag|afd A2e|fef g2f|e3-e2d|
e2f e2d|c2e a2a|a^ga ba=g|f3-f2g|
a^ga bag|afd A2e|fef g2f|e3-e2d|
e2f e2d|c2e a2a|aba gfe|d3-d2||
%
A|f2A f2A|f3-f2e|def agf|g3-g2g|
[1 gba gfe|dcB A2g|a^ga ba=g|f3-f2 :|
[2 gba gfe|dcB A2g|a^ga b=ge|Hd6|]

%%%
X:906
%
%
%
T:BURREN (reel), The 
S:S: BSMI.4 
Z:Z: ABC/arr. BB
L:1/8
M:C
Q:1/4=180
K:Em
d|B3A B2ed|BdAc BEE2|BAGA Bdef|gfed Bde :|
f|g3e dBB2|dgg2 d2ef|gfga bgaf|gfed Bdef|
g3e dBB2|dgg2 d2ef|gfga bgaf|gfed Bded ||"^coda"e4z4|]

%%%
X:907
%
%
%
%
T:BURY FAIR 
S:S: CCCD
Z:Z: ABC/arr. BB
M:C|
L:1/8
K:F
d2|c2 A4 GF|G2 D4 f2|c2 A4 GA|F6 :|
f2|c2 f2 F2 f2|g2 G4 f2|c2 f2 efge|f6 :|

%%%
X:908
%
%
%
%
T:BUS TO MULLAHORAN (reel), The  
C:V.Broderick
S:S: Turoe.22a
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
K:D
E|D2DE FDFA|B2BA BAFE|D2DE FAAF|GFEF DB,B,2|
D2DE FDFA|B2BA Bdde|fdef dBAF|AFEF D3:|
e|fdef dBAF|AFED DEFG|Add2 faaf|gfed B2AB|
D2DE FDFA|B2BA Bdd2|fdef dBAF|AFEF D3:|

%%%
X:909
%
%
%
%
T:BUSH HORNPIPE, The
S:S: Treoir
Z:Z: ABC/arr. BB
Q:1/4=150
M:4/4
L:1/8
K:Adorian
% 
ed|cABG A2 BA|GEDE G2 Bd|egfa gedc|B2G2 G2ed|
cABG AcBA|GEDE G2 Bd|egfa gedB|A2 AG A2 :|
d2|eaab agef|gedB G2 ef|g2 gf gfef|gedB GBAG|
EAAG AcBA|GEDE G2 Bd|egfa gedB|A2 AG A2 :|

%%%
X:910
%
%
%
%
T:BUSH IN BLOOM (reel) (1), The
S:S: AIF
Z:Z: Brennan/Black  
M:C
L:1/8
Q:1/4=180
K:G
ge|d2BG AGEF|G2Bd efge|d2BG AGEd|eaag fdec|
d2BG AGEF|G2Bd efge|d2BG AGEF|GBAF G2:|
ef|g2dg Bgdf|gabg agef|g2dg Bgdg|egfa g2ga|
bgfg abaf|gage dega|bgaf gfed|
%%stretchlast 0
[1 edef g2:|2 edef gage|Hg4z4|]

%%%
X:911
%
%
%
%
T:BUSH IN BLOOM (reel) (2), The  
S:S: ONMI.1242 < McFadden 
Z:Z: Brennan/Black 
Q:1/4=180
M:C|
L:1/8
K:G
ge|d2BG AGEF|G2Bd efge|d2BG AGEd|eaag fde^c|
d2BG AGEF|G2Bd efge|d2BG AGEF|GBAF G2||
ef|g2fg Bgdg|g2bg agef|g2dg Bgdg|egfa g2ga|
bgg2 agef|gage dega|bgaf gfed|edef gage||"coda"g4z4|]

%%%
X:912
%
%
%
%
T:BUSH IN BLOOM (reel) (3), The  
S:S: RC1.144
Z:Z: ABC/arr. BB
L:1/8
M:4/4
Q:1/4=180
K:G
ge|d2BG AGEF|G2Bd efge|d2BG AGEd|eaag fde^c|
d2BG AGEF|G2Bd efge|d2BG AGEF|GBAF G2||
ef|g2dg Bgdg|g2bg agef|g2dg Bgdg|egfa g2ga|
bgfg agef|gage dega|bgaf gfed|edef gagf||\
"coda"Hg4z4|]

%%%
X:913
%
%
%
%
T:BUSH IN BLOOM (reel) (4), The 
S:S: GSTC
Z:Z: ABC/arr. BB
Q:1/4=180
M:4/4
K:G
ge|d2 BG AGEF|G2Bd efge|d2 BG AGEG|ea a2 efge|
d2 BG AGEF|GABd efge| d2 BG AGEF|GBAF G2|| 
cd|g2 dg egde|gabg agef|g2 dg egdg|agef g2 ga|
bg g2 agef|gagd Bd d2|eg g2 ea a2|dgba Hg4|]

%%%
X:914
%
%
%
%
T:BUSH ON THE HILL (jig), The 
Z:Z: ABC/arr. BB
% Composer ? Brendan McGlinchy
S:S: FS2.10c
M:6/8
L:1/8
Q:1/4=160
K:G
G,2G, DB,D|GFG Bdg|edc B2A|BGE DB,D|
G,2G, DB,D|GFG Bdg|edc BcA|BGF G3 :|
GBd gfg|ece dBG|cdc BcB|AGA BGE|
GBd gfg|ece dBG|cdc BcB|AGF G3 :|

%%%
X:915
%
T:BUSH ON THE HILL, The 
S:S: ONMI.0520 < F.O'Neill
Q:1/4=120
Z:Z: Brennan/Black 
M:C
L:1/8
K:G
%%text "moderate"
%%vskip .3in
G|dBAG g2fe|dBAG B2AB|cdef gfed|f3e d2zG|
d2cB e3d|cBAG A3B|cdef gdec|B2AG G2z||
G|gac'b gfed|BABc B3d|efga gfed|Bdgf e2ge|
dBAG Bdge|dBAG A3B|cBcd ~efge|dBAG G4|]

%%%


%%%
X:918
%
%
%
%
T:BUSY STREET (reel), The 
S:S: TIDT 1/50
C:J.Kelly
Z:Z: ABC BB
M:C
L:1/8
Q:1/4=180
K:E dorian
BedB AFEA|AFEG FDD2|BcdB AFEA|AFDF E2FA|
BedB AFEA|AFEG FDD2|BcdB ABde|fgfd e4 ||
efab afeg|faeg fd3|efab afef|g2fe defg|
efab afeg|faeg fd3|fedc Beed|BdAF E4||
|: g2fe dBAd|BdAd Bdef|g2fe dBAd|dBAF FEE2|
g2fe dBAd|BdAd BdAd|1 B/c/def g2fe|dBAF FEE2:|
%%stretchlast 0
[2 B/c/dec dfba|fafd He4|]

%%%
X:919
%
%
%
%
T:BUTCHER'S APRON (reel), The  
S:S: ONMI.1482 < J.O'Neill
Z:Z: Brennan/Black 
Q:1/4=180
M:C|
L:1/8
K:D
d2AF d2AF|Efed cABc|defe dcdB|AdAF EFGE|
d2AF d2AF|Efed cABc|defe dcdB|ABAG FDD2||
a2fa dafa|b2gb ebgb|a2fa dafa|gefd ceef|
a2fa dafa|b2gb ebgb|agfe dcdB|ABAG FDHD2|]

%%%
X:920
%
%
%
%
T:BUTCHER'S CAVE (jig), The 
S:S: ONMI.1067 < J.O'Neill
Z:Z: Brennan/Black 
Q:1/4=160
M:6/8
L:1/8
K:D
G|FDD FDD|FAG FED|ABA AGF|GAG GFG|
ABA cAG|Ade fed|cAF EAG|EDD D2:|
e|fdd add|fdd ded|fdd add|ged cde|
fdd add|faf ecA|cAF EAG|EDD D2:|

%%%


%%%
%%%
X:922
T:BUTCHER'S MARCH (jig) (7 settings)
%hide_rhythm_tag
%hide_cautionary_ks
%
%
%%text [1] source: CRE.2
%%vskip 30
Q:1/4=160
L:1/8
M:6/8
K:G
f|eAA eAA|edB Agf|eAA eAA|edB G2f|
eAA eAA|edB A2f|gaa baf|edB G2:|
A|Bcd BAB|edB A2A|BcB BAB|edB G2A|
Bcd BAB|edB A2f|gaa baf|edB G2:|
%
%%vskip 30
%%text [2] source CRE.2
K:G
d|eaa egg|edB A2d|eaa egg|edB G2 B/d/|
eaa egg|eaa egg|fgf gag|edB G2:|
A|BAA BeB|BAB A2A|BAA BeA|BAB G2A|
BAA BeB|BAB A2B|def gfg|edB G2:|
f|eAA eAA|edB A2f|eAA eAA| edB G2f|
eAA fAA|eAA fAA|fgf gfg|edB G2:|
B|d2B d2B|d2B A2B|d2B d2B|d2B G2B|
d2B d2B|d2B A2d|faf gfe|dBA G2:|
%%text
%
%
%
%%text [3] source: CRE.2
%T:BUTCHER'S MARCH (jig) (3), The 
K:G
g|faa eaa|dcB A2g|fAA eAA|dcB G2:|
B|ded dGB|ded A2B|dcB dGB|dcB G2:|
g|f2a e2a|dcB A2g|f2a e2a|dAF G2:|
B|d2B e2B|ded A2B|dBB eBB|dcA G2:|
g|faf gea|edB A2g|fgf gea|edB G2:|
B|dGB dGB|dcB A2B|dGB dGB|dBA G2:|
%%text
%
%
%
%%text [4] source OFPC.3
g|fAA eAA|deB A2G|fAA eAA|deB G2 :|
B|deB dgB|deB A2B|deB dgB|deB G2 :|
g|f2Ae2A|deB A2g|f2Ae2A|deB G2 :|
B|d2Be2B|deB A2B|dBB eBB|deB G2 :|
g|faf gea|edB A2g|fga gea|edB G2 :|
B|dGB dGB|deB A2B|dGB dGB|deB G2 :|
%%text
%
%
%
%%text [5] source: ONMI.0867 
g|fAA eAA|d2B A2g|fAA eAA|d2B G2g|
fAA eAA|fAA efg|faf gfe|d2B G2 :|
c|ded BAB|d2B A2B|ded BAB|d2B G2B|
ded BAB|d2B A2g|faf gfe|d2B G2 :|
%%text
%
%
%
%%text [6] source: JOB (with parts reversed)
B|ded BAB|dAA ABc|ded BAB|dBG G2B|
ded BAB|dAA Aeg|faf gfe|dBG G2:|
c|eAA fAA|edB ABd|eAA gfe|dBG GBd|
[1 eAA fAA|edB A2g|faf gfe|dBG G2 :|
[2 eAA fAA|eAA efg|faf gfe|dBG HG3|]
%%text
%
%
%
%%text [7] source CRE.2 (unnamed; with parts reversed)
K:G
A|Bdd edB|dBG AGA|dBB edB|dBF G2A|
Bdd edB|dBG A2g|faf g2e|dBF G2:|
d|eAA fAA|gAA efg|eAA gfe|dBA GBd|
eAA fAA|gAA efg|faf gfe|dBA G2:|
%%text


%%%
X:929
%
%
%
%
T:BUTLERS OF GLEN AVENUE (jig), The
C:Tony Sullivan
Z:Z: ABC/arr.BB
M:6/8
L:1/8
Q:1/4=160
K:G
DEG EDB, | DEG ABB | DEG ABe | dBe dBA |
DEG EDB, | DEG ABB | ede gfe | dBA G3:|
gab age | deg B3 | gab gab | dBd e3 |
gab age | dBd BEE | ede gfe | dBA G3:|

%%%
X:930
%
%
%
%
T:BUTTER BOYS* (hornpipe), The
S:S: RC3.176
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:C|
K:G
% 
%swing .25
df|g2gf gdga|bage dBGA|Bd G2 Bd GA|BdcB cdef|
g2gf gdga|bage dBGA|Bdge dBAB|G2 GF G2:|
DF|G2GF GABd|edgf edBd|edge dBGA|BGAF GFED|
G2GF GABd|edge dBGA|Bdge dBAB|G2 GF G2:|

%%%
X:931
%
%
%
T:BUTTER IN THE PAN* (jig) 
Z:Z: ABC/arr. BB
S:S: Levey2.19 (unnamed)
N:N: Repeat added to first part. Levey doesn't have any C naturals in the 
N: second part.
Q:1/4=160
L:1/8
M:6/8
K:D
E|F3 AGF|=c2A AGF|GFG GBG|A2d cAG|
F3 AGF|=c2A AGF|GFG GBG|AFE D2 :|
e|d2e fed|cAF G3|Agg gfg|afd d2z|
fag fed|cAA AGF|GFG GBG|AFE D2 :|

%%%
X:932
%
T:BUTTERCUPS AND DAISIES 
S:S: ONMI.0516 < O'Reilly
Z:Z: Brennan/Black  
M:C
L:1/8
K:Gm 
%%text "moderate"
%%vskip .3in
Bc|d2G2d3c|cBAG G3A|B3c dcdf|g2cd c2Bc|
d2f2edcB|d2d2b3a|gbgf dcdf|A2BA G2||
d=e|f3g gfed|b2fg f2ba|g3a babc'|d'2ga g2fe|
d2b2fdcB|c2d2b3a|gbgf dcdf|A2BA G2|]

%%%
X:933
%
%
%
%
T:BUTTERFLY (slip jig), The 
S:S: BSMI.3 
Z:Z: ABC/arr. BB
L:1/8
M:9/8
Q:1/4=160
K:Em
D|B2E B2E F3|B2E G2E FGA|B2E B2E F3|B2^c d2B AF :|
A|B2c e2f g3|B2c g2e dBA|B2c e2f g2a|b2a g2e dB :|
A|B3 B2A G2A|B3 BAB dBA|B3 B2A G2A|1 "thru"B2d g2e dB :|
[2 "final"B2c BAG HE3|]

%%%
X:934
%
%
%
%
T:BUTTERFLY POLKA (measures 1-8), The  
S:S: RC3.146
Z:Z: ABC/arr. BB
Q:1/4=100
L:1/8 
M:2/4
K:D
A/d/|ffff|f/g/f/e/ e/c/A/c/|eeee|e/f/e/d/ d/A/d/e/|
ffff|f/g/f/e/ e/B/e/g/|ba g/e/c/e/|ddd:|

%%%
X:935
%
%
%
%
T:BUTTERFLY REEL, The 
C:Billy McComiskey
% Use coda the last time through.
S:S: MVBT
Q:1/4=180
M:4/4
L:1/8
K:G
B3A GEE2|EBEB dBAd|BdBA GABe|dBAd BEE2 :|
Bdef gefA|Bdge dBAd|Bdef g3a|bage dBAd :|
"coda"bage dBAd|He4z4|]

%%%
X:936
%
%
%
%
T:BUTTERMILK MARY (jig) 
S:S: ONMI.1002
Z:Z: Brennan/Black 
Q:1/4=160
M:6/8
L:1/8
K:A
B|cAE FEC|EAc ecA|def edc|cBB Bed|
cea ecA|daf ecA|dfd ced|cAA A2 :|
d|eaa agf|ecA Ace|fbb b2a|gee efg|
aba gag|fgf efg|aec Bed|cAA A2 :|

%%%
X:937
%
%
%
%
T:BUTTERMILK MARY (reel) 
T:Sweeney's Buttermilk
Z:Z: ABC/arr. BB
S:S: Mally.EsIST:034
Q:1/4=180
L:1/8
M:C
K:Bm
A|FB~B2 fB~B2|dcBc AEED|FB~B2 ABce|afec B3a|
f2ec f2ec|BABc BAFE|FB~B2 ABce|afec B3 :|
A|FBdc BFFA|EAcB AEED|FBdc Bdfb|afec B2dc|
Bcde fBBd|afec ABce|f3a b2bf|afec B3 :|

%%%
X:938
%
T:BY THE BROOKSIDE 
S:S: ONMI.0373 < J.O'Neill
Z:Z: Brennan/Black  
M:C
L:1/8 
N:N: dotted rhythm in source: simplified version
K:C
%%text "moderate"
%%vskip .3in
d|edcA GEDC|EGGc c3d|edeg Bcfe|e2d2 z2cd|
edcA GEDC|EGGc c3d|edeg Bcfe|d2c2z2||
e2|d^cde A3e|d^cde A3B|=cdcA Gcfe|e4 d2d2|
efed ABc2|fgfd Bcd2|gage cdec|agge d2c2|
EDC2 cde2|FED2 def2|GFE2 efgf|ecfe d2c2|]

%%%
X:939
%
%
%
T:BY THE FORT HOW SAD WAS I (march) 
S:S: NFID.245a < JMcK
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:C| 
K:D
AG|FDFG A2FG|Adde dcAG|F2FF F2DE/F/|GFEE E2AG|
FDFG A2FG|Adde dcAG|F2FD GE=CE|D2DD D2||
zA|dcde f2 f/a/g/f/|edce d2cA|dcde fde2|d2dd d2de|
fdcA dcAG|F2FD GE=CE|DEFA dcAG|F2DD HD4|]

%%%
X:940
%
T:BYRN'S MARCH 
S:S: OFPC1.26 ("Irish")
Z:Z: ABC/arr. BB
N:N: Source has both parts repeating. 
M:C
L:1/8
K:D
%%text "a very old tune - rather slowish"
%%vskip .3in
A|d2dc ABcA|d2dc A2GF|d2dc ABcA|d2dc A2GF|
BcBA F3A|BcBA F2Ec|d2dA BcBF|A2AE F2ED|
D3E DEFD|EDEG F2EC|D2DE DEFD|EDEF D3E|
D3E DEFD|EDEG F2EC|D2DE DEFD|EDEF D3||
%
z|ABAG F2F2|ABAG F2ED|BcBA F3A|BcBA F2ED|
A2Bc d3c/B/|A2D2 F2ED|dedA BcBF|ABAE F2ED|
d3e defd|edeg f2ed|d3e defd|edef dBAB|
d2d2 defd|edeg f2ed|d3e defd|edef d4|]

%%%
X:941
%
%
T:BYRNE'S HORNPIPE (1)  
S:S: ONMI.1638 < Early
Z:Z: Brennan/Black 
Q:1/4=150
M:C
L:1/8
K:D
% 
%swing .25
AG|FEFG AFDc|dBcd ecAg|fdge fdec|dBcd ecAG|
FEFG AFDc|dBcd ecAg|f2df e2ce|dfec d2:|
cd|ecAc efge|afdf bgeg|afdf geaf|gefd ecAG|
FEFG AFDc|dBcd ecAg|f2df e2ce|dfec d2:|

%%%
X:942
%
%
T:BYRNE'S HORNPIPE (2) 
S:S: CRE.1 < John Potts
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=150
K:D
%swing .25
AG|F2GE AFD2|dABd ecAg|fdge fdec|dcdf ecAG|
F2GE AFD2|dABd ecAG|FAdA Bdec|d2dd d2:|
cd|ecAc efgf|ecAc efge|fdge fdec|dcdf ecAG|
F2GE AFD2|dABd ecAG|FAdA Bdec|d2dd d2:|

%%%
X:943
%
%
T:BYRNE'S MILL (slip jig)
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy2.13
Q:1/4=160
M:9/8
K:D
c|dcA G2A FDD|GFG A2G ABc|dcA G2A FDD|dcd edc d2 :|
c|A2d dcd fga|gfg afd cAG|A2d dcd fga|fgf edc d2 :|
c|f2d edc dcA|dcA cAG FGA|f2d edc ABc|dcd edc d2e |
f2g e2f dcA|dcA G2A FDD|dfd edc dcA|  dcA GEC D3 |]

%%%
X:944
%
%
T:BYRNE'S REEL 
S:S: NFID.235a < JMcK
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:C 
K:G
Bd^cd edgd|edgd BAA2|Bd^cd edgd|BGAG EG G2:|
g2dg agbg|g2dg eaa2|g2dg agbg|edef gfg2|
g2dg agbg|g2dg eaa2|bgaf gdec|BGAG EGG2|]

%%% %%% %%%