ITTL "C" tunes
file created 5.20.25
= = = = = = = = = = =

# Entries preceded by %% are primarily for typesetting purposes. Disregard them.
# Tunes are not in alphabetical order.


I:abc-charset utf-8
%%titlefont "PalatinoBold" 22
%%subtitlefont "PalatinoBold" 18
%%printtempo 0
%%titleleft

X:46
T:CANALSIDE POLKA, The
C:RM 2/20/24
N: RM note: Dedicated with gratitude to Bill Black and his tune website, The 
N:Irish Traditional Tune Library (www.capeirish.com/ittl/index.html)
N:BB note: Thanks, Rick!
L:1/8
Q:1/4=200
%%R:polka
M:4/4
K:D
A2 |"D" F2 D2B3 A |"Em" G2 E2"A"c3 B |"A" Acec Acec |"D" defd "A7" ABAG |
"D" F2 D2 B3 A |"Em" G2 E2 "A"c3 B |"A7" Acec gece |"D" d2 f2 d2:| %9
|:A2|"G" d2 B2 GdcB |"D" A2 DE F2 B2 |"A7" A2 EF G2 B2 |"D" ABAG "D7" FDFA |
"G" d2 B2 GdcB |"D" A2 DE F2 GA |"Em" B2 ed "A7" cABc |\
"D" d2 f2 d2:|

%%%
X:47
T:CANTMAN'S CALL (waltz), The
C:RM 1/26/08
N: RM note: A cantman is a male auctioneer in Ireland.
L:1/4
Q:1/4=160
M:3/4
%%R:waltz
K:D
"D" A2 F |"D" A3 |"D" F A3/2 F/ |"D" B A2 |\
"D" d A A |"G" B3/2 A/ G |"E7" F E D |"A7" E3 |
"D" A2 c/B/ |"D" A3 |"G" G B A/G/ |"D" G F2 |\
"Em" E G B |"D" A/ d3/2 F |"A7" E3/2 D/ E |"D" D3 ||
[K:A]
"A" E A A |"E" G/A/ B d |"A" c/d/ e A |"E" A G2 |\
"A" e A A |"Bm" f d/c/ B |"A" e/c/ A c |"E" c B2 |
"F#m" c F B |"E" G/F/ E F/G/ |"A" A/B/ c A |"E" c B2 |\
"A" A/B/ c A |"D" D/E/ F D |"E7" E c3/2 B/ |\
[I:MIDI gchordoff] [A,CEA]3 |] 

%%%
X:48
T:CAROLAN REMEMBERED (air)
C:RM 3/25/05
L:1/8
Q:1/4=120
%R:air
M:3/4
K:D
"D" A2 FG AF |"Bm" D2 E2 F2 |"Em" EF GF ED |"A" D2 C2 A,2 |
"D" F3 E DC |"G" B,2 G,2 B,2 |"D" A,3 D GF |"A7" E6 |
"D" FG A2 D2 |"Em" GA B2 E2 |"D" FA dc BA |"A" AG FG E2 |
"D" A2 D2 D2 |"Em" B2 G2 E2 |"D" FG A2"A7" C2 |"D" D6 ||
%
"D" A2 d2 d2 |"A" cd ed cB |"D" A2 f2 f2 |"Bm" f3 g fe |
"G" dB G2 B2 |"D" AG FE DF |"Em" G3 A BG |"A7" E6 |
"D" AF D2 D2 |"Em" BG E2 E2 |"A" A2 BA Bc |"Bm" d3 c de |
"G" d2 c2 B2 |"D" AG FE D2 |"D" A,2 D2"A7" C2 |"D" D6 |]
N: RM note: Dedicated to Turlough O'Carolan on the 267th Anniversary of his 
N: death. Also dedicated to harpist Roxanne Zeigler in gratitude for her many 
N: years of making lovely music here in Rochester, NY. (8/8/17)

%%%

X:49
T:CARRY ON (reel) 
C:RM 3/1/19
N: RM note: Composed the day after learning I had glaucoma in both eyes.
L:1/8
Q:1/4=190
M:4/4
%%R:reel
K:G
Bc|"G"d2 dG "C" edce |"G" d2 gd "C" edce |"G" d^cde dBGB |"Am" cBAG "D7" A2 Bc |
"G" d2 dG "C" edce |"G" dgfg "C" edce |"G" dgfe dBGB |"D7" cAFA "G" G2:|
|:FE|"D7"DEFG ADEF |"G" GBeB dGAB |"Am" cBAc "G" BAGB |"A7" Ad^ce "D7" d=cBc |
"G" d2 dG "C" edce |"G" dgfg "C" edce |"G" dgfe dBGB |"D7" cAFA"G" G2:|

%%%
X:50
T:CARRY ON, CAOLÁN! (reel)
C:RM 8/29/16
N: RM note: Dedicated to Caolán Fegan, talented young Irish banjo player.
L:1/8
Q:1/4=200
%R:reel
M:4/4
K:G
"G" GABG "C" ~E2 GE |"G" ~D2 GD "C" ~E2 GE |"G" DEGB dGeG |"G" dBGB "D7" AcBA |
"G" GABG "C" EFGE |"G" DGBG "C" AGEG |"G" DEGe ~d2 BG |"D7" ABGE "G" G4 :|
|:"C" ~e3 G"G" ~d2 BA |"G" GABG"C" ~E2 GE |"G" ~D2 GA ~B2 e2 |\
"G" dBGB"D7" A2 Bd |
"C" ~e3 G "G" ~d2 BA |"G" GABG "C" AGEG |"G" ~D2 GA ~B2 e2 |\ 
"D7" dBAB "G" G4 :| 

%%%
X:51
T:CASTLE QUEST (jig), The
C:RM 10/12/22
N: RM note: Dedicated to my wife, Margaret Briody, on her birthday.
L:1/8
Q:1/4=180
M:6/8
%%R:jig
K:D
ABc |"D" d2 c d2 A |"G" Bcd"D" A2 F |"Em" EFG"A7" F2 E |"D" F2 D F2 A |
"D" d2 c d2 e |"Bm" f2 e d2 f |"E7" efe dcB |"A7" A2 B cBA |
"G" B2 c dcB |"D" A2 G F2 A |"E7" B2 e e2 d |"A7" cde ABc |
"D" d2 e f2 d |"G" Bcd"D" A2 A |"G" Bcd"A7" e2 c |"D" d3 :|
[K:A]
c2d|"A" e2 c "E" dcB |"A" A2 c E2 E |"D" F2 A d2 f |"E7" e2 f gfe |
"A" a2 g "D" a2 f |"A" e2 c A2 c |"B7" B2 a g2 f |"E7" e2 f gfe |
"A" a2 e "D" fed |"A" c2 B c2 A |"D" F2 A d2 f |"A" e2 d cde |
"Bm" f2 d Bcd |"A" e2 c"D" A2 F |"A" E2 c"E7" c2 B |"A" A3:|

%%%
X:52
T:CATHY'S CAPER (hornpipe - cut time)
N: RM note: Dedicated to Cathy McGrath, clever, talented, dedicated musician,  
N: CCE Hall of Fame.
C:RM 1/9/01
L:1/8
%%R:hornpipe
Q:1/4=150
M:C
K:G
G>A|"Em"B>E E>D E3F |"Em" G>F G>A B>G F>E |\
"D" D2 D>E F>E F>G
A>F D>F A2 G>F |"Em" E>D E>F G>A B>c |\
"G" d>B g>e d>B A>G |
"Am" A>c B>A "Em" G>B A>G |"B7" F>A G>F "Em" E2:|\
B>c|"G"d>B A>G d>B "C" e>c |
"G" d>B A>G d>B "C" e>c |"Em" B>G E>D E>F G>A |\
"G" B>G c>B "D7" A2 B>c |
"G" d>B A>G d>B "C" e>c |"G" d>B A>G "C" e2 d>c |\
"G" B>d e>f "C" g>e d>c |"D7" B>G A>F"G" G2:|

%%%
X:53
%%staffsep 70
T:CATHY'S CAPER (hornpipe - straight time)
C:RM 1/9/01
L:1/8
%%R:hornpipe
Q:1/4=150
M:C
K:G
%swing .25
GA|"Em"BEED E3F |"Em" GFGA BGFE |\
"D" D2DE FEFG |AFDF A2GF |
"Em" EDEF GABc |"G" dBge dBAG |\
"Am" AcBA "Em" GBAG |"B7" FAGF "Em" E2:|
Bc|"G"dBAG dB "C" ec |"G" dBAG dB "C" ec |\
"Em" BGED EFGA |"G" BGcB "D7" A2Bc |
"G" dBAG dB "C" ec |"G" dBAG "C" e2dc |\
"G" Bdef "C" gedc |"D7" BG AF "G" G2:|

%%%
X:54
T:CATSKILLS ROMP (polka), The
N: RM note: Dedicated to The Catskills NY Irish Arts Week.
C:RM 7/24/08
L:1/8
Q:1/4=200
M:4/4
%%R:polka
K:D
FE|"D" D2 d2 "A" cB A2 |"D" d2 fd "A" cB A2 |\
"D" dcde fafd |"Em" gfed "A7" cABc |
"D" d2Bd "A" cB A2 |"D" defg adef |\
"Em" gfeg "D" fedf |"A7" edce "D" d2 :|
[K:G]
ef|"G" g2 G2 BA G2 |"C" cBce "D" dcBA |\
"G" G2 g2 ba g2 |"Am" fgab "D7" adef |
"G" g2 G2 BA G2 |"C" cGce agfe |\
"D7" d2 AB cAFD |"G" GB "D"AF "G"G2:|

%%%
X:55
T:CAVAN COLLEENS (slide), The
C:RM 2/27/04
L:1/8
Q:1/4=165
M:12/8
%R:slide
K:D
%
"D" D2 d A2 F "G" GFE "A" A2 F |"D" D2 d "Bm" dcd "E7" Bed "A7" cBA |
"D" fed cBA "Em" Bed "A7" cBA |"D" d2 A "G" BAG "A7" FGE "D" D3 :|
%
[K:A]
"A"E2 A AGA "Bm" BcA "E7" GFE |"A" e2 c "D" f2 d "B7" cBA "E7" Bcd |
"A" e2 c "F#m" cBA "Bm" f2 d "E7" Bcd |"A" c2 A "D" d2 c "E7" BAG "A" A3 :|%%%

%%%
X:56
%%staffsep 70
T:CEILI KING (reel), The
N: RM note: Dedicated to Mike Deniz, the center stage fiddler. 
C:RM 3/13/23
L:1/8
Q:1/4=200
%%R:reel
M:4/4
P:A-B-A
K:G
Bc |"G"dBGB dgfg |"G" dBde dBGB |"Am" cecA "G" BdBG |
"D7" cAFA "D7" DABc |"G" dBGB "G" dgfg |"C" egfg "C" agec |
"G" dBeB "G" dBAG |1"D7" AcAF "G" GA :|2"D7" AcAF "G" G2||
|:FE|"D7"DFAB cAFA |"G" GBd^c edBG |"A7" AB^cd egfg |
"A7" afge "D7" dcBc |"G" dBGB "G7" dGAB |"C" cgfg agec |
"G" dBeB dBAG |1"D7" AcAF "G" G2:|2"D7" AcAF "G" G2 z2 ||
%
[K:A]
"A"e2 cA e/e/e cA |"D" fAdf "E7" edcd |"A" e2 cA e/e/e cA |
"B7" Bagf "E7" eBcd |"A" e2 cA c/d/e cA |"D" dAde "Bm" f2 gf |
"A" eaec "A" fecA |1 "E7" GEFG "A" ABcd :|2"E7" BEFG "A" "_DC"A2 ||

%%%
X:57
T:CELTIC CEOL (reel)
C:RM 12/31/22
N: RM note: Dedicated to CELTIC CEOL, my group of musicians in Rochester, NY.
L:1/8
Q:1/4=200
M:4/4
%%R:reel
K:G
Bc|"G" dGAG dG"C"eG |"G" dGFG "D" ABce |\
"G" dGAG dGAG |"F" cA=FG ABce |
"G" dGAG dG "C"eG |"G" dGFG "C" e2 dc |\
"G" BdBG "F" cA=FA |"C" G2 GF "G" G2:|
%
FE |"D7" DFAF cAFA |"G" GBdB edBG |\
"A7" A^cef gfeg |"D" fd "A"e^c "D" d=cBc |
"G" dGAG dG "C"eG |"G" dGFG "C" e2 dc |\
"G" BdBG "F" cA=FA |"C" G2 GF "G" G2:|
%
[K:A]
cd|"A" e2 cA e2 cA |"D" fedf "E" edcd |\
"A" e2 cA fecA |"B" BFGA "E" Bcdf |
"A" e2 cA eABc |"D" dAde f2 ed |\
"A" cecA "E7" BdBG |"A" A2 "D" AG "A" A2 :|
%
GF |"E7" EGBG dBGB |"A" Ace^d fecA |\
"B" Bc^de fBcd |"E" e2 f2 "E7" gefg |
"A" agae fecA |"D" defg a2 gf |\
"A" eaga fecA |"E7" BdBG "A" A2:|

%%%
X:58
T:CELTIC KNOT (reel), The
C:RM 3/19/08
N: RM note: Dedicated to my inlaws, Dale and Terry Hultz, in honor of their 
N:wedding. (A celtic knot has no beginning or end, unlike this tune.)
L:1/8
%R:reel
Q:1/4=176
M:4/4
K:G
dc|"G" B2 GB "D7" c2 Ac |"G" B2 GB "D7" dedc |"G" BAGB "D7" cBAc |"G" BdcB "D7" A2dc |
"G" B2 GB "D7" c2 Ac |"G" BAGB "D" d2 ef |"C" gece "G" dBGB |"D7" cAFA "G" G2:|
FE|"D7" D2 FA cAFA |"G" GFGB d2 cB |"A7" A2 ^ce gfeg |"D" fde^c "D7" ded=c |
"G" B2 GB "D7" cBAc |"G" BAGB "D" d2 ef |"C" gece "G" dBGB |"D7" cAFA "G" G2 :|

%%%
X:59
%%historyfont 15
T:CHAP with the CAP (polka), The
C:RM 4/2/24
N: RM note: Dedicated to Ted McGraw, the cornerstone of Irish Traditional Music  
N: here in Rochester.
L:1/8
Q:1/4=220
M:C
%%R:polka
K:D
A2|"D" D2 F2 A2 d2 |"D" B2 A2 FEFB |\
"A7" A2 E2 EFGA |"D" B2 A2 FAFE |
"D" D2 F2 A2 d2 |"D" B2 A2 FEFB |\
"A7" A2 EF GF E2 |"D" D2 F2 D2:|
A2|"G" d2 B2 GdcB |"D" A2 F2 DEFB |\
"A7" A2 E2 EFGA |"D" B2 A2 "D7" FDFA |
"G" d2 B2 GdcB |"D" A2 F2 DEFB |\
"A7" A2 EF GF E2 |"D" D2 F2 D2:|

%%%
X:60
T:CHARLIE'S HER CHAP (jig)
C:RM 11/27/22
N: RM note: Dedicated to Sarah Halpin, Charlie's charmer.
L:1/8
Q:1/4=160
M:6/8
%%R:jig
K:D
"D"DED DFG |"D" ABF A3 |"G" Bcd "D" AFD |"Em" GFG "A7" EFG |
"D" ABA AFD |"G" GAB dcB |"D" ABA fed |"A7" cBc "D" dcd |
"A7" efe ecA |"D" def A3 |"G" GAB Add |"Em" Bed "A7" cBA |
"D" DED DFA |"G" GAB dcB |"D" ABA fed |"A7" cBc "D" d3 ||
[K:A]
"A"ecA AGA |"D" FAF "E7" EFG |"A" ABc fec |"B" Bc^d "E" e3 |
"Bm" dfd Bcd |"A" cec ABc |"E7" dcB "A" cBA |"E7" EAG "A" A3 |
"D" FAF "A" EAA |"D" FAF "E" E3 |"D" DEF "A" EAA |\ %27
FBA "E7" GFE |
"A" AGA fec |"D" dFA"D" BAF |"A" EAc"A" fec |"E7" BAG"A" A3 |]

X:61
T:CHIN FEATHERS (hornpipe - cut time)
C:RM 3/31/19 
L:1/8
Q:1/4=150
M:4/4
K:D
F>G |"D"A2 F>G A>d c>d |"Em" B2 G>A B>e ^d>e |"A7" c>e B>e A>c e>c | 
"D" d>e f>d"A7" A2 F>G |"D" A>G F>G A>d c>d |"Em" B>A G>A B>e ^d>e| 
"A7" c>e B>e A>c e>c |"D" d2"G" d>c"D" d2:|c>d |"A7"e>f e>d c>A d>e |
"D" f>g f>e f>d e>f |"Em" g2 e>g"D" f2 d>f |"E7" e>d c>B "A7" A2 F>G |
"D" A>G F>G A>d c>d |"Em" B>A G>A B>e ^d>e |"A7" c>e B>e A>c e>c |
"D" d>e d>c d2:|

%%%
X:62
T:CHIN FEATHERS (hornpipe - straight time)
C:RM 3/31/19
L:1/8
Q:1/4=150
%R:hornpipe
M:4/4
K:D
%swing .25
FG |"D"A2 FG Adcd |"Em" B2 GA Be^de |"A7" ceBe Acec |\
"D" defd "A7" A2 FG |
"D" AGFG Adcd |"Em" BAGA Be^de |"A7" ceBe Acec |\
"D" d2 "G" dc "D" d2:|
cd|"A7"efed cAde |"D" fgfe fdef |"Em" g2eg "D" f2df |\
"E7" edcB "A7" A2FG |
"D" AGFG Adcd |"Em" BAGA Be^de |"A7" ceBe Acec |"D" dedc d2:|

%%%
X:63
%%historyfont 15
T:CHRISTMAS CEILI HORNPIPE (cut time), The
N: RM note: Dedicated to the late Marla Friedrich, fine flutist, and faithful attendee  
N:at the Celtic Music Learning Sessions.
C:RM 8/25/08
L:1/8
Q:1/4=150
%R:hornpipe
M:4/4
P:A-B-A
K:D
F>G |"D" (3ABA F>A f>e d>c |"Em" (3BcB G>B g>f e>d |
"A" (3cdc (3BcB A>c e>c |"D" (3dfe (3dcB"A7" A2 F>G |
"D" (3ABA F>A f>e d>c |"Em" (3BcB G>B g>f e>d |
"A7" c>e B>e A>c e>c |"D" d2 "G" d>c"D" d2:|
f>g |"D" a>f d>A "A7" g>e c>A |"D" (3dcd f>d A2 e>f |
"A7" g>e c>e A>c e>g |"A7" b>a ^g>b a2 f>=g |
"D" a>f d>A "A7" g>e c>A |"D" (3dcd f>e "D7" d>=c B>A |
"G" B>G B>d "A7" c>A c>e |"D" d2 "G" d>c "D" "_DC after rpt"d2:|%%%

X:64
T:CHRISTMAS CEILI HORNPIPE (straight time), The
C:RM 8/25/08
L:1/8
Q:1/4=150
%R:hotnpipe
M:4/4
P:A-B-A
K:D
%swing .2
FG |"D" A2FA fedc |"Em" B2GB gfed |\
"A" c2B2 Acec |"D" dedB "A7" A2 FG |
"D" A2FA fedc |"Em" B2GB gfed |\
"A7" ceBe Acec |"D" d2 "G" dc "D" d2:|
fg |"D" afdA "A7" gecA |"D" d2fd A2ef |\
"A7" gece Aceg |"A7" ba^gb a2f=g |
"D" afdA "A7" gecA |"D" d2fe "D7" d=cBA |\
"G" BGBd "A7" cAce |"D" d2 "_DC after rpt""G" dc "D"d2:|

%%%
X:65
T:CHRISTMAS CEILI JIG, The
N: RM note: Dedicated to Bill Hallahan, editor of Rochester's CCE Newsletter, 
N: chairman of our annual CCE Workshops.
C:RM 8/24/08
L:1/8
Q:1/4=165
%R:jig
M:6/8
K:G
B/d/|"G" gbg "D" faf |"C" ege "G" dBG |"Am" EAB c2B |"Am" ABc "D7" def |
"G" gbg "D" faf |"C" ege "G" dBG |"Am" ABc "G" BAG |"D7" DGF "G" G2:| 
A|"G" B2B GBd |"Am" cBc "D" ABc |"G" d^ce dBG |"A7" ABG "D" FED |
%%vskip .3in
"G" B2B GBd |"C" efg age |"D" ~d3 "Am" ~e3|1 "D7" fed cB :|2"D7" fed "G" g3|]

%%%
X:66
%%historyfont 15
T:CHRISTMAS CEILI POLKA, The
N: RM note: Dedicated to Brianna Adams, competition step dancer, up and coming 
N:fiddler.
C:RM 8/24/08
L:1/8
Q:1/4=190
M:C
%%R:polka
K:D
E|"D" F2 FE DEFE |"D" DFAF "A7" GECE |\
"D" F2 AD BDAD |"A7" GECE "D" D3 E |
"D" F2 FE DEFE |"D" DFAF "A7" GECE |\
"A7" ABcd edcA |"A7" GECE "D" D3:|
F|"A7" ABcd edcB |"A7" AGFG E2 FG |\
"A7" ABcd e2 ed |"A7" cAGE "D" D3 F |
"A7" ABcd edcB |"D" AFDF "A7" GEFG |\
"A7" ABcd efed |"A7" cAGE "D" D3:|

%%%
X:67
T:CHRISTMAS CEILI REEL, The
C:RM 8/23/08
N: RM note: Dedicated to Debbie Deane, who toots the flute.
L:1/8
Q:1/4=200
%R:reel
M:4/4
K:G
(3ABc|"G" d2 BG "C" AGFE |"G" DGBG "C" AGFE |"D" D2 EF "G" GABc |"G" dBGB"D7" A2 Bc |
"G" dBGB "C" AGFE |"G" DGBd "C" efgf |"Am" e2 cA "G" d2 BG |"D7" BAGF "G" G2 :|
FE |"D7" DFAF cAFA |"G" GBeB dedB |"A" AB^cd egfg |"A7" agfe "D7" dcBc |
"G" d2 BG "C"AGFE |"G" DGBd "C" efgf |"Am" e2 cA "G" d2 BG |"D7" BAGF "G" G2 :|

%%%
X:68
T:CHRISTMAS CEILI WALTZ, The
C:RM 2/27/19
N: RM note: Dedicated to Cathy McGrath, super singer, guitarist, flutist,  
N:  whistle player, dancer; spark plug of the CCE Tom Finucane Branch,  
N:Rochester, NY; CCE Hall of Fame.
L:1/8
Q:1/4=160
M:3/4
%%R:waltz
K:G
GFE|"G" D2 G3 A |"G" B3 d ef |"C" g3 e cB |"Am" A3 G FE |
"D" D2 F3 G |"D" A3 d ^cd |"D7" fe dA Bc |"G" B3 G FE |
"G" D2 G3 A |"G" B3 d ef |"G7" ag ba g=f |"C" e6 |
"C" ge cG ce |"Bm" fd B3 d |"D7" cA FD BA |"G" G6 ||
"G" DG BD GB |"G" DG BD GB |"G" DG Bd cB |"D" A6 |
"D7" DF AD FA |"D7" DF AD FA |"D7" DF Ac BA |"G" G6 |
"G" DG BD GB |"G" DG BD GB |"G7" DG Bd e=f |"C" e6 |
"C" gf ag ec |"G" Bd g2 B2 |"D7" dc AD BA |"G"G6 |] %%%

%%%
X:69
T:CHRISTMAS MAGIC (polka)
C:RM 12/25/22
%%score [ 1 | 2 ]
L:1/4
Q:1/4=180
%R:polka
M:4/4
K:D
V:1
A |: "D" d d "A" c d/f/ | "G" g e "D" d A | "E" G/B/ e e/f/e/d/ |  "A7" c e A B/c/ |
"D" d d "A" c d/c/ | "G" B/c/d/B/ "D" A F | "G" B/c/d/B/ "A7" c/d/e/c/ |  "D" d f d e/f/ |
"Em" g g/e/ "D" f f/d/ | "A" e/d/c/B/ "D" A d/c/ | "E" B e e/f/e/d/ |  "A7" c/d/e/c/ A/B/c/A/ |
"D" d f/d/ "A" c e/c/ | "G" B/A/G/B/ "A" A/g/f/e/ | "D" f/g/a/d/ "A7" f/e/d/c/ |1  "D" d d d/A/B/c/ :|2 "D" d d d/B/=c/A/ |:
[K:G] "G" G d/c/ B d | "C" e/f/g/e/ "D" d/c/B/A/ |  "G" G d/c/ B G | "A" A/B/^c/e/ "D" d/=c/B/A/ |
"G" G d/c/ B/A/ G | "Am" A c e/g/f/e/ |  "D" d e/f/ "G" g/d/B/G/ | "D7" A/c/B/A/ "G" G A/B/ |
"C" c/G/c/d/ e c | "G" B/A/B/c/ d B |  "A7" A/B/^c/d/ e/g/f/e/ | "D7" d d/e/ f/d/e/f/ |
"G" g d/c/ B/A/ G | "Am" A c e/g/f/e/ |  "D" d e/f/ "G" g/d/B/G/ |1 "D7" A/c/B/A/ "G" G B/A/ :|2 "D7" A/c/B/A/ "G" G z |]
V:2
G |: F F/G/ A F/A/ | B/d/c/B/ A/G/ F | E ^G/B/ d B |  A c/d/ e/c/ A |
F A/F/ A/B/A/F/ | G/A/B/d/ f/e/ d | G/A/B/G/ A/B/c/A/ |  d/A/F/A/ D F/D/ |
E/G/ B F/A/ d | A E/G/ F2 | e B ^G/A/G/B/ |  A/B/c/A/ G/F/E/A/ |
d/A/F/G/ A/e/c/A/ | G B c/e/d/c/ | d/e/ f A B/c/ |1  d/A/F/A/ D G :|2 d/A/F/A/ D F |:
[K:G] G/A/B/c/ d G | c e d e/f/ |  g/f/e/d/ e/d/c/B/ | A G F/D/E/F/ |
G/A/B/c/ d/c/ B | c e A B/c/ |  d/A/F/A/ G B/G/ | F d G F/G/ |
E/G/E/F/ G/F/G/E/ | D G B/A/ G |  E A/B/ ^c/e/c/A/ | F/G/A/F/ A d |
B/G/B/c/ d/c/ B | c e/d/ c/B/ A |  A/B/c/A/ B/G/d/B/ |1 c/A/F/D/ G F :|2 c/A/F/D/ G z |]

%%%
X:70
T:CIRCLE the CHAIRS ("rag")
N: RM note: Dedicated to Jim Kimball, musician, scholar, and an inspiration to us all.
C:RM 2/10/08
L:1/8
%R:hornpipe
Q:1/4=152
M:4/4
K:D
%
cde|"D"fedc "D7" dedA |"G" Bc d "A" A2 B AG |\
"D" FAde fedf |"E7" e2 d2 "A7" cABA |
"D" fedc "D7" dedA |"G" Bc d "G"e2 d cB |\
"D" Adfd bfaf |"A7" ed c "D" d2:|
K:G
edc|"G" B d2 B "G7" eBdB |"C" cB c "C"g2 a ge |\
"G" d2 ga ba g2 |"A7" ba _a "D" =a2 f e_e |
"G" d2 b2 "G7" a2 g2 |"C" eceg agfe |\
"D" d2 AG FE D2 |"C" E G2 "G" G2:|
%%%

X:71
T:CLADDAGH CLUB (hornpipe - cut time), The
C:RM 12/21/16
N: RM note: Dedicated to everyone who wears a Claddagh ring.
L:1/8
Q:1/4=150
M:C
%%R:hornpipe
K:G
P:A-B-A
B>c |"G" d2 B2 g2 B>e |"G" d2 B2 B2 A>G |"D7" F>GA>B c>de>f |
"C" (3efe d2"D7" d>cB>c |"G" d2 B2 g2-g>f |"Am" e2 c2 a2-a>g |
%%vskip .3in
[1"D7" f>gf>e d>ef>g |"D7" a2 g2"G" g2:|2 "D7" f>ed>c B>AG>F|
%%vskip .3in
"D7" A2 G2"G" G2 |[K:D]|:c>B|"A" (3ABA ^G>A "A7" B>AB>c |
"D" d>ef>d A4 |"Em" g>fe>d "A7" c>Ac>e |"D" a>gf>e d>ef>d |
"A" (3ABA ^G>A "A7" B>AB>c |"D" d>fb>f a>de>f |"Em" g>fe>d "A7" c>Ac>e |
"D" d2 "_DC after rpt"f2d2:|

%%%
X:72
T:CLADDAGH CLUB (hornpipe - straight time), The
C:RM 12/21/16
L:1/8
Q:1/4=150
M:C
%%R:hornpipe
K:G
P:A-B-A
%swing .2
Bc |"G" d2 B2 g2 Be |"G" d2 B2 B2 AG |\
"D7" FGAB cdef |
"C" e2 d2 "D7" dcBc |"G" d2 B2 g3f |\
"Am" e2 c2 a3g |
%%vskip .3in
[1 "D7" fgfe defg |"D7" a2 g2 "G" g2:|\
[2 "D7" fedc BAGF|"D7" A2 G2 "G" G2 ||
%
[K:D]
|:cB|"A" A2^GA "A7" BABc |"D" defd A4 |\
"Em" gfed "A7" cAce |
"D" agfe defd |"A" A2^GA "A7" BABc |\
"D" dfbf adef |
"Em" gfed "A7" cAce |"D" d2 "_DC after rpt"f2 d2:|

%%%
X:73
%%staffwidth 650
T:CLARSACH REMEMBERED (air)
C:RM 6/20/21
N: RM note: To Roxanne Ziegler, superb harpist.
L:1/8
Q:1/4=120
%R:air
M:3/4
K:G
"G" dB G2 dB |"Am" ec A3 G |"D" FA DF Ac |"C" e2"G" d2 Bc |"G" dB G3 =F |"C" EG cg fe |$ %6
"D7" dc AD BA |"G" G4 Bc |"G" dB g3 f |"Am" f2 e2 AB |"D7" cA f3 e |"G" dg B2 BA |$"E" ^GE e=f ed | %13
"Am" ce AB AG |"D7" FD BA EF |"G" G6 ||[K:D]"D" AB AF BF |"A7" A_A G4 |$"A7" ed cE FG | %19
"G" B2"D" A4 |"F#" F^G ^AF GA |"Bm" Bc d4 |"E" ef eB cd |"A" ce Be AG |$"D" FG AF BF |"A7" A_A G4 | %26
"F#" F^G ^AF fe |"Bm" df B4 |"G" Gd cd BG |"D" FA d4 |$"A7" cB AG B,C |"D" D3 D FA || %32
[K:G]"G" dB G2 dB |"Am" ec A3 G |"D7" FA DF Ac |$"G" Bc d3 c |"E" BE ^GB ed |"Am" ce AB AG | %38
"D7" FE Dc EF |"G" G6 |"G" DG FG AG |"C" EG FG cA |$"G" Bg fg dB |"C" cd e4 |"C" EG FG ec | %45
"G" Bg fg dB |"Am" ec Ae "D7" dF |[I:MIDI gchordoff] "G" [GBdg]6 |]

%%%
X:74
T:CLATTERING CRIGS  (polka)
C:Rick Muir 5/28/04
N: RM note: Dedicated to Mike Leach, member of the Blackthorn Ceili Band, 
N:accomplished musician, singer and dancer, official of the Sisters Cities 
N:Program linking Rochester, NY, with Waterford, Ireland; CCE Hall of  
N:Fame. "Crigs" = the sounds made by hobnail boots dancing on flagstones.
L:1/16
Q:1/4=110
%%R:polka
M:2/4
K:G
(3DEF|"G" G2G2 "D" FGAF |"G" G2BG D2AB |"Am" cded cBAG |"D7" FGAG FDEF |
"G" G2G2 "D" FGAF |"G" GABc d4 |"C" e2ce "G" dBG2 |"D7" BAGF "G" G2:|
F2|"Em" E2B2 B2>A2 |"Em" GABG EFGE |"D" D2A^G ABA=G |"D" FGFE D2>F2 |
"Em" E2B2 B2>A2 |"G" GABc d4 |"C" e2ce "G" dBG2 |"D7" BAGF "G" G2:|

%%%
X:75
%%historyfont 15
T:CLOCKWORKS (polka), The
C:RM 10/3/15
N: RM note: Dedicated to Peter & Elisabeth Affolter - Switzerland's loss, America's 
N:gain.
L:1/8
Q:1/4=200
%%R:polka
M:4/4
K:G
P:A-B-A
ABc|"G" d2 d2 B2 B2 |"G" GDB,D G2 BG |"D7" F2 FA cAFA |
"G" G2 "C" e2 "D7" dcBc |"G" d2 d2 B2 B2 |"G" GDB,D G2 BG |
%%vskip .4in
[1"D7" F2 fe dcBA |"G" G2 "C" G2"G" G :|2"D7" FGAB cdef |"G" g2 "C" g2 "G" g||
[K:D]
|:efg|"A" (3aba ^ga =gecA |"D" dfbf a4 |"A" g2 ed cd e2 |
"D" abaf defg |"A" (3aba ^ga =gecA |"D" d2 Ad "G" BA G2 |
"D" FAdf "A7" geBc |"D" d2 "G" "_DC after rpt"d2 "D" d:|

%%%
X:76
%%historyfont 15
T:COLIE'S SESSIONEERS (march)
N: RM note: Dedicated to the musicians at Colie's Cafe, Nazareth College campus. 
C:Rick Muir 3/29/23
L:1/4
Q:1/4=220
M:4/4
%%R:march
K:G
"G" "^INTRO"G D/D/ G D/D/ |"G" G z|: B c |"G" d2 d3/2 e/ |"G7" d B A G |"C" E A G E |
"D7" D2 B c | "G" d2 G3/2 A/ |"G" B G c B |"A" A2 A3/2 B/ |"D7" A2 B A |
"G" G2 G3/2 A/ |"G7" B G A B |"C" c g f g |"C" a g e c |"G" d g f g |\
"G" e d B G |
"D7" A c A F |"G" G2:|: F G |"D7" A2 A3/2 G/ |\
"D7" F A B c |"G" d2 d3/2 c/ |"G" B G A B |
"Am" c2 c A |"G" B2 B G |"D" A d"A" ^c e |\
"D" d c"D7" B c |"G" d2 G3/2 A/ |
"G7" B G A B |"C" c E F G |"C" A G F E |"G" D2 G3/2 A/ |"G" B d B G |
"D7" A c A F |"G" G2 :|%%%

%%%
X:77
T:COPPER KETTLE (jig), The
C:RM 3/7/19
N: RM note: Dedicated to Helen Doherty. Knock on her door and she puts the 
N:kettle on.
L:1/8
Q:1/4=165
M:6/8
%%R:jig
K:G
D|"G" G2 D"C" E2 F |"G" G2 d B2 G |\
"C" EFG AGE |"D7" D3-D2 D |
"G" G2 F G2 A |"G" B2 d "Em" BAG |\
"D" A2 d "A7" ^cde |"D" d3-d2 d |
"Am" e2 c"D7" ABc |"G" d2 B G2 F |\
"Am" E2 A c2 c |"G" BAG "D7" ABc |
"G" d2 B "D7" cBA |"G" B2 G"C" E2 G |\
"G" D2 G "D7" AGF |"G" G3- G2:| 
%
F |"Em" E2 B BGE |"D" D2 A AFD |\
"Em" E2 B efg |"B" f2 ^d B2 B |
"Am" c2 e ABc |"Em" B2 G E2 G |\
"Am" A2 G "Em" F2 E |"B" ^D2 F B2 A |
"G" G2 D"C" E2 F |"G" G2 d BAG |\
"C" E2 G c2 B |"G" BAG "D7" ABc |
"G" d2 B "D7" cBA |"G" B2 G "C" E2 G |\
"G" D2 G "D7" AGF |"G" G3- G2:|

%%%
X:78
%%staffsep 70
T:CORN CRAKE (rag), The
C:RM 7/23/08
N: RM note: That's a bird in Ireland more often heard than seen.
L:1/8
Q:1/4=160
%%R:hornpipe
M:4/4
K:D
FG|:"D" A2 dA "G" B2 dB |"D" A2 fd "G" efdB |"D" [DA]2 dA "G" Bcde |
"D" fa f "A7" e2 d cB |"D" A2 dA "G" B2 dB |"D" ABdf "A" [Aa]2 fg |
"D" afbf afed |1 "A7" eB c"D" d2 c B_B :|2 "A7" eB c "D7" d2 d ef|| [K:G]
|:"G" gBdB edBG |"C" cgfg agec |"G" Bd g"G" e2 d BG |
"A7" BG _B "D7" A2 =B c^c |"G" dBeB "G7" dGAB |"C" cege agfe |
"D7" d2 AB cAFD |1"C" E G2"G" G2 A Bd :|2"C" E G2"G" HG4|]

%%%
X:79
T:CRACKLIN' CRAIC! (polka)
C:RM 1/9/22
N: RM note: "Ah, the music was brilliant, and so was the craic!"
L:1/8
Q:1/4=190
M:C
%%R:polka
P:A-B-A
K:G
Bc|"G" d2 d2 B2 BA |"G" GFGA "Em" BdBG |\
"Am" A2 E2 A2 AB |"Am" cBAG "D7" FDGB |
"G" d2 d2 B2 BA |"G" GABd "C" efge |\
"G" d2 g2 G2 BG |"D7" AcBA "G" G2 :|
%
[K:D]
cB|"A" A2 ce "D" dafd |"A7" gece "D" df A2 |\
"A7" gfed cAce |"A7" agfe "D" d2 cB |
"A7" ABce "D" dafd |"A7" cAfe "D7" ded=c |\
"G" BGBd "A7" cAce |"D" d2 "_DC after rpt"dc d2:|

%%%
X:80
T:CRATHAN (waltz)
T:Final Touch
C:RM 10/22/16
N: RM note: Dedicated to Mark and Kate Ballard, two solid pillars of Celtic  
N:music here in Rochester.
L:1/8
Q:1/4=120
%R:waltz
P:A-B-A
M:3/4
K:D
FG |"D"AF D2 dc |"Em" c2 B2 EF |"A7" GE c3 B |"D" B2 A2 FG |
"D" AF d2 cd |"Em" ed BG E2 |"A7" cB AG EF |"D" D4 :|
[K:A]
GF|"E7"EF GB FG |"A" Ac E3 c |"E7" ed B2 cd |"A" fe c2 A2 |
"E7" EF GB FG |"A" Ac fc ec |"E7" dB GE cB |"A""_DC"A4:|

%%% %%% %%%
X:81
T:CROSSING (reel), The
C:RM 3/5/00
N: RM note: Dedicated to the many Irish immigrants who made the crossing to  
N:North America.
L:1/8
Q:1/4=190
M:4/4
%R:reel
K:G
dd|"G" d2 BA GABc |"G" dBeB dBAc |"Em" B2 ED EFGA |"G" BGcB"D7" A2 dd |
"G" d2 BA GABc |"G" de^ce dge=c |"Em" BEED EFGA |"G" BGAF G2:|
GF|"Em" E2 E^D EFGA |"Em" BcBA GFGE |"D" D2 D^C DEFG |"D" AFGE D2 EF |
"G" G2 GF GABc |"G" dBeB dBAc |"Em" BEED EFGA |"G" BGAF G2:|

%%%
X:82
T:CROSSROADS CEILI (reel), The
C:RM 3/3/19
N: RM note: Dedicated to Lynn Pilaroscia, fine fiddler FOREVER in Rochester NY.
N:CCE Hall of Fame.
L:1/8
Q:1/4=190
M:4/4
%R:reel
K:G
Bc|"G" dcBc d2 ed |"D7" cDBD AGFG |"D7" ADBD cAFD |"G" GBeB "D7" dABc |
"G" dcBc d2 ed |"D7" cDBD AGFE |"D7" DEFG AcBA |"G" G2 B2 G2:|
FE|"D7" DEFG ADEF |"G" GBeB dGAB |"Am" cecA "G" BdBG |"A7" Ad^ce "D7" dAB=c |
"G" dcBc d2 ed |"D7" cDBD AcBA |"G" BdBG "D7" AcAF |"G" G2 GF G2:|

%%%
X:83
%%staffwidth 650
T:CRUBACH COW (hornpipe - cut time), The
C:RM 10/22/16
N: RM note: Dedicated to Bernie Sullivan, fiddler and father of an outstanding violin 
N:maker. "Crubach" = worthless.
L:1/8
%R:hornpipe
Q:1/4=150
M:4/4
K:D
f>e|"D"d>c d>A F2 A2 |"Em" B>^A B>e g4 |"A7" A>c e>c a>g f>e |
"Bm" (3ded c>d "A7" e>A (3gfe |"D" d>c d>A B>A F>D |\
"G" G>B d>B e>d c>B |
"D" A>f e>d "A7" (3cBA (3GFE |"D" D>B A>F D2 :|\
(3DEF |"G"G>d c>d e>d c>B |
"D" A>d F>G A2 G>F |"E7" E>F ^G>A B>c (3dcB |"A7" (3cdc (3BcB A2 (3ABc |
"D" d>c d>A F>D F>A |"G" B>d c>d e>d c>B |"D" A>f e>d "A7" (3cBA (3GFE |"D" D>B A>F D2:|

%%%
X:84
T:CRUBACH COW (hornpipe - straight time), The
C:RM 10/22/16
L:1/8
Q:1/4=150
%R:hornpipe
M:4/4
K:D
%swing .25
fe|"D"dcdA F2 A2 |"Em" B^ABe g4 |"A7" Acec agfe |"Bm" d2cd "A7" eAge |
"D" dcdA BAFD |"G" GBdB edcB |"D" Afed "A7" cAGE |"D" DBAF D2 :|
EF |"G"Gdcd edcB |"D" AdFG A2 GF |"E7" EF^GA BcdB |"A7" c2B2 A2Bc |
"D" dcdA FDFA |"G" Bdcd edcB |"D" Afed "A7" cAGE |"D" DBAF D2:|

X:85
T:CUPPA TEA (mazurka), The
C:RM 2/21/19
L:1/8
Q:1/4=130
M:3/4
%%R:waltz
P:A-B-A
K:D
ABc |"D" dF Ad ed |"Em" BG E3 F |"A7" GA cB AG |"D" G2 FA Bc |
"D7" dA fe d=c |"G" =cB dB Gd |"A7" cB AG EF |"D" D3:|
[K:A]
EF^G |"A" Ac ec fc |"Bm" e2 d3 c |"E7" BA Gf ed |"A" d2 cB cd |
"A7" ec A2 =G2 |"D" FA de f2 |"E7" ed BE cB |"_DC""A" A3:|
%%%

%%%
X:86
T:CURRACH'S RETURN (reel), The
C:RM 5/09
N: RM note: Reel from the "Currach's Return Suite". Dedicated to John and Joe 
N:Dady, Rochester's ultimate Irish entertainers!
L:1/8
Q:1/4=190
M:4/4
%%%R:reel
K:G
GA|"G" BABG "C" c2 dc |"G" BABG "F" A2 GA |\
"G" BABG "C" cedc |"G" BAGB "D7" AFGA |
"G" BABG "C" c2 dc |"G" BABG "F" A2 B,C |\
"G" DGFE DGBG |"D7" cAFA "G" G2 GA |
"G" BAGB "C" cedc |"G" BAGB "F" AG=FA |\
"G" BAGB "C" cedc |"G" BAGB "D7" AF D2 |
"G" BAGB "C" cedc |"G" BAGB "F" AG=FA |\
"G" BGdG eGdG |"D7" dcAF "G7" G2 ||
[K:C]
|:F2|"C" E2 GE GAGE |"F" FAcA dcBA |\
"C" GcBc AcGE |"D7" DE^FA "G7" BAG=F |
"C" E2 eG dGc_B |"F" AcBc dcAF |\
"C" EF^FG AGAc |"G7" BGBd "C" c2:|
%
AG |"F" F2 cF BFAF |"C" GEAE GEDC |\
"D7" DE^FA cBAc |"G" BdBA G2 ^F2 |
"F" F2 cF BFAF |"C" GEAE GcGE |\
"D7" DE^FD "G7" GdBG |"F" cAFA "C" c2:|

%%%

X:1
%
%
%
T:CABAR FEIGH (reel)
T:Deer's Horns
S:S: WSGM < John Kelly, SFO
Z:Z: Kinder/Black 
M:4/4
L:1/8
Q:1/4=180
%R:Reel
K:Dmix
A|c2dB cGAB|cBAG ECC2|d2ec d2Ac|dABG FGAB|
c2dB cGAB|cBAG ECCE|D2EG ABce|dcAG FDD :|
d|ecgc acgc|egfg ecce|fdad bdad|faga fddf|
ecgc acgc|egfg ecce|dcBc ABce|dcAG FDD :|

X:2
%
%
%
T:CABIN HUNTER (reel), The 
S:S: CRE.1
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:Em
EF|GEFD E3F|GEE2 dAFD|GEFD E3F|DFAF DFAF|
GEFD E3F|GEE2 dAFD|GEFD E3F|DFAF DFAF||
Beed efed|Bdef gfed|Bee^c dedB|AFF2 DFAF|
Beed efed|Bdef g2fg|egg2 efge|d^cdB ADFA||"coda"E4z4|]

X:3
%
%
%
T:CAFFLER'S COURTSHIP (jig), The  
S:S: RC3.090
Z:Z: ABC/arr. BB
% I have no idea what a "caffler" is!
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
c|BAB GED|DED GED|GED AGE|ABA ABc|
BAB GED|DED GED|GEG AGE|DED D2:|
c|BAB GBd|ege dBG|cBA BGE|ABA ABc|
BAB GBd|ege dBG|cBA BGE|DED D2:|
"coda"DEF HG3|]

X:4
%
%
%
T:CAHER ROE (reel) 
S:S: BSMI.1
Z:Z: ABC/arr. BB 
%R:reel
M:4/4
Q:1/4=180
L:1/8
K:D
c|d3A BAFA|FA2B AFEF|DEFA BAFB|ABde feef|
dAA2 BAFB|AFBF AFEF|DEFA BAFB|ABde fdd :|
c|dDD2 A2FA|dcde fdef|g2eg fcdf|e2ef edBc|
[1 dDD2 A2FA|dcde fdef|gfge fcdB|AFGE D2S:S: |
[2 dDD2 ADFA|dcde fdef|gfge fdfa|g2bg fgfe||
|: defd cdec|BcdB AFEF|DEFA BAFB|ABde feef|
dAA2 BAFB|AFBF AFEF|DEFA BAFB|ABde fdd2 :|

X:5
%
%
%
T:CAHERCONNELL JIG, The 
S:S: "The Ted Furey Collection of Irish Traditional Tunes" (folder 38)
Z:Z: ABC/arr. BB
N:N: Furey's title is "The Kerry Jig". I renamed it to distinguish it from the 2,376 
N: other "Kerry Jigs" out there. I also altered it from A major to A mix (Furey's  
N: book is not a model of accurate notation).
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:A mix
A/B/|cBA eBd|cAA A2 B|cBA efg|dBG G2 B|
cBA eBd|cea e2 d|cBA GAB|cAA A2:|
e|aeg fdB|cAA A2 B|cBA efg|dBG G2 e|
aeg fdB|ecA e2 d|cBA GAB|cAA A2:|
e|aeg fdB|cAA A2 B|cBA efg|dBG G2 e|
aeg fdB|ecA BGE|Ace dBG|EDB, A,2:| 
%

X:6
%
%
%
T:CAHILL'S COURTSHIP (reel) 
S:S: ONMI.1303 < Cahill 
Z:Z: Brennan/Black 
Q:1/4=180
N:N: Since the original D version of this neat tune includes notes below the 
N:normal range of treble instruments, I've transposed it to G. 
%R:reel
M:C|
L:1/8
K:G 
%%text A-B-A
%%vskip .3in
D2|G2BG AGED|G2BG gedB|G2BG AGEe|dcBA GcBA|
G2BG AGED|G2BG gedB|G2BG AGEe|dcBA G2||
df|gdBd edBd|gdBG AGED|gdBd edBe|dcBA G2 df|
gdBd edBd|gdBG AGED|GABc dgfe|dcBA Gc"_DC"BA||\
"^coda"G4z4|]
%

X:7
%
%
%
T:CAHILL'S WORKSHOP (jig) 
S:S: DMI.0408
Z:Z: Nordberg/Black 
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:Am
B|A3 AGE|G2E E3|A3 Bcd|ecA A2B|
A3 AGE|G2E G2E|D2E G2A|1 B2G G2:|\
[2 B2A A2||
c|B2d d2B|G2E E3|c2A Bcd|ecA A2c|
B2d d2B|G2E G2E|D2E G2A|1 B2G G2:|\
[2 B2A A3|]

X:8
%
%
%
T:CAHIRAMEE JIG, The 
S:S: DMI.0445
Z:Z: Nordberg/Black 
%R:slip jig
Q:1/4=150
M:9/8
L:1/8
K:G
D|D2G G2A B3|A2A A2B c3|BcB B2A G3|ABA A2G F2D|
D2G G2A B3|A2A A2B c3|ded d2c B2G|ABA A2F G2||
z|B2d d2d d3|e2e e2f g3|d2d d2c B2G|ABA A2G F2D|
B2d d2d d3|e2e e2f g3|ded d2c B2G|ABA A2F G3|]

X:9
%
%
%
T:CAHIRCIVEEN 
S:S: ONMI.0098 < F.O'Neill
Z:Z: Brennan/Black 
M:6/8
L:1/8
K:G
%%text "slow with expression"
%%vskip .3in
D|G>AG FGA|B>AG AD>E|FED CB,C|DGA G2D|
G>AG FGA|BAG AD>E|FED CB,C|DGA G2||
B/c/|dBd cBA|GAG F<DB/c/|dBd cBA|GFG B2A|
G>AG FGA|B>AG AD>E|FED CB,C|DGA G3|]

X:10
%
%
%
T:CAILÍN DEAS RUA 
S:S: MFC.132C
Z:Z: ABC/arr. BB
N:N: Gaelic = "The Pretty Red-Haired Girl"
L:1/8
M:3/4
K:G
%%text "slow"
%%vskip .3in
z2|g2|g3f d2|c4 dc|B4 c2|A2 G3F|G6-|G4 A2||
|: B3GA2|B4 c2|d3c d2|f3g a2|1 g6-|g4 GA:|\
[2 b6-|b4ba|
g3f d2|c4 dc|B4 c2|A2 G3F|G6-|G6|]

X:11
%
%
%
T:CAILLEACH AN tAIRGID (jig) 
T:Hag with the Money
Z:Z: ABC/arr. BB
S:S: FS3.25a
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:D mix
Adc A2A|AGE G3|Adc A2A|GEA GED|
Adc A3|AGE G3|AGE cde|dcA GED :|
K:D
ABc dcd|fed edc|ABc dcd|eag edc|
ABc dcd|fed efg|age cde|dcA GED :|
"^coda"dcA GEC|D3z3|]

X:12
%
%
%
T:CAILLEACH O THUAIDH (slip jig)
T:Hag from the North 
Z:Z: ABC/arr. BB
S:S: MFC.017c
Q:1/4=160
L:1/8
M:9/8
%R:slip jig
K:D
ABd efe edB|AFA faf e2 d|
ABd efe edB|ABc dAF E2 D :|
FED FAD FAD|FED FAF E2 D|
FED FAD FAD|ABc dAF E2 D :|

X:13
%
%
%
T:CAILÍN DEAS DONN (jig)
S:S: OFPC4.136 ("Irish")
Z:Z: ABC/arr. BB
N:N: Gaelic = "Pretty Brown-Haired Girl"
Q:1/4=160
N:N: OFPC D version seemed a little low, so I moved it up to G. I wouldn't bet
N: a  lot of money that O'Farrell really intended this tune as a jig, but it makes a 
N:nice one anyway!
M:6/8
L:1/8
%R:jig
K:G
%%text source key = D
%%vskip .3in
d|B2g cAA|BGG cAF|B2g cAA|BGE G2d|
B2g cAA|BGG cAF|B2g cAA|BGF G2 :|
d|gee fdd|ecc dBG|gag fdd|ecc d2a|
bag fdc|dec dBG|B2g cAA|BGF G2 :|
%

X:14
%
%
%
T:CAILÍN DUBH DILIS (jig)
S:S: OFHC24.02
Z:Z: ABC/arr. BB
Q:1/4=160
N:N: [1] I'm pretty sure that "Clean" in the book title is supposed to be "Cailín" 
N: (Mr. O'F was obviously not a native Gaelic speaker). "Dubh Dilis" is "Black 
N: [Dark-Haired] Dear", so the title then transates to "My Dear Dark-Haired 
N: Girl".
%
N:N: [2] The source has six measures in the second part. I repeated 5-6 to complete 
N: the eight measures.
L:1/8
M:6/8
%R:jig
K:Dm
A2^c d2e|fgf fed|cAf fed|cAd D2E|
FGF cAc|def fed|cAF G2A|FDD D3 :|
dDD D2E|FGA Ac=B|cCC CDE|FGA Ad^c|
dDE F2G|AGA D2z|dDE F2G|AGA D3 :|
%

X:15
%
%
%
T:CALDER FAIR (reel)
S:S: CGI.041
%R:
Z:Z: ABC/arr. BB
% My setting as a "standard" reel.
Q:1/4=180
L:1/8
M:C|
%R:reel
K:D 
%%text "with spirit"
%%vskip .3in
c|dcBA d3F|ABAF A2Bc|dcBA d2F2|EBB^A B3c|
dcBA d3F|ABAF Agfe|dcBA d2F2|EFGA B3 :|
A|Fdde dfed|Bee^d e2df|gfec dcBA|Bece d2cB|
Addc dfed|Bee^d e2fg|agfe dcBA|Bdce d3:|

X:16
%
T:CALEDONIAN BEAUTY (hornpipe), The
S:S: AC
Z:Z: ABC/arr. BB
L:1/8
M:C|
Q:1/4=150
K:G
%swing .25
GA|B3g dBAG|B2d2 d2g2|cBce dBAG|B2A2 A2GA|
B3g dBAG|B2g2 g2b2|Bcdg ABcA|B2G2 G2 :|
de|gfga bage|d2g2 g2GA|B2ge dBAG|B2A2 A2GA|
BABG EGAB|cBce defg|afge fdec|d2g2 g2 :|

X:17
%
%
T:CALEDONIAN HUNT (reel), The
S:S: WSGM < "Aird's Selections" 1782-97
Z:Z: Kinder/Black 
Q:1/4=180
M:4/4
L:1/8
K:D 
%%text source key G
%%vskip .3in
A|FAdA BdAF|GBAF BEEA|FAdA BdAF|GBAG FDDG|
FAdA BdAF|GBAF BEEG|FAdA BdAG|ABde fdd :|
f|dfaf bgaf|dfaf geef|dfaf bgaf|Aaag feef|
dfaf bgag|dfaf geeg|fdef dBAF|ABde fdd :|

X:18
%
%
%
T:CALEDONIAN LADDIE (reel), The
S:S: OFPC2.88
Z:Z: ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
%R:reel 
K:D
E|D3E FEFA|BABd e3f|dcBA BdAF|GB E2 EFGE|
D3E FEFA|BABd e3f|dcBA BdAG|FAD2 D3 :|
d/e/|f2f2 gfed|cdec A2 Bc|d2 B2 Bcde|f2f2 B2 cd|
A3B AFEF|D2d2 d2cB|A3B BAGF|B2E2 E2F2|
D3E FDFA|d2d2 f3D|E3F GEGB|e2e2 g2 ef|
gfe^d eBe=d|cBce A2 Bc|d3F EFGA|F2 D2 D3 :|

X:19
%
%
%
T:CALENDAR JIG, The
S:S: BSMI.2
Z:Z: ABC/arr.BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:E dorian
F|:EFE EFA|BAB d2B|DED DFA|BAG FED|
EFE EFA|BAB d2e|fef d2c|BAG FED:|
%
e2B BAF|ABc dcd|Bee Bee|BAG FED|
e2B BAF|ABc def|edc d2c|BAG FED:|
%
BEE BEE|BEB d2A|BEE Bdc|BAG FED|
BEB BEB|BEB d2e|fef d2c|BAG FED:|
%
E3 F3|GAG F3|DFA d2A|BAG FED|
E3 F3|GAG F3|DFA dfe|dAG FED:|
"^coda"dAG FED |E6|]

X:20
%
%
%
T:CALF LEA (jig), The  
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy1.11
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
E|DEG B2d|gbg aba|gag ege|dBG BGE |
DEG B2d|gbg age|ged edB|AGE G2 :|
e|dBd g2a|bag age|ged ege|dBA BGE |
GBd g2b|bag age|ged edB|AGE G2 :|

X:21
%
%
%
T:CALIFORNIAN GIRL (reel), The   
C:Martin Mulhaire
S:S: "Where's the Crack? v/1" (DJ Taylor) (folder 38)
Q:1/4=180
N:N: This is an abbreviated version of "Carmel Mahoney Mulhaire". I made  
N:a few tweaks in the transposed version to keep the tune from straying out  
N:of normal trad instrument range.
Z:Z: ABC/arr BB
L:1/8
M:4/4
%R:reel
K:D 
%%text source key = C
%%vskip .3in
dB|AFF2 DFAF|AFAB ABde|fdaf bdad|eafe dBBc|
dfcA BAFA|D2 FD ADFA|BG G2 Bcde|faea fd:|
df|dffe fgfe|df f2 af f2|dfec d2af|gbfa edef|
df f2 fgfe|df f2 af f2|dggf gbag|fgec dc:|
df|aAA2 FAde|fdcd bagf|geed edcB|A2GB AdFA|
aAA2 FAde|fdcd bagf|ge e2 edcB|AFGE D2:|
%

X:22
%
%
%
T:CALLAGHAN FROM CLARE* (slide) 
S:S: CRE.2 (unnamed)
Z:Z: ABC/arr. BB
% Another close relative of "Patsy Geary's". The parts are reversed in CRE.
Q:1/4=180
L:1/8
M:12/8
%R:slide
K:D
A2G AFA B2c BAG|F2A d2e f3-f2f|
g2g f2f efe d2B|ABG AFD E3 E2F|
DFG A2A BcA BAG|F2A d2e f3-f2f|
g2g f2f efe d2B|ABA GFE D3 cde|
%%
f2d fef a2g a2A|ABA BAF A3-A2z|
efd e2d efe dfa|b2a afe d3 d2e|
faf d2f a2g a3|ABA BAF A3-A2z|
e2f efg efe dfa|b2g afe Hd6|]

X:23
%
%
%
T:CALLAGHAN'S (hornpipe) (1) 
S:S: BSMI.1
Z:Z: ABC/arr. BB
% Also known as "O'Callaghan's"
%R:hornpipe
M:C
Q:1/4=150
L:1/8
K:G
%swing .25
Bd|efgf eABA|GABc dBGE|DEGA BABd|egfg edBd|
g2fg edBd|geaf gfed|B2GB A2FA|G2GF G2 :|
fg|afge dega|bBBA G2fg|afge dega|beed e2eg|
f2df gfeg|f2de gfef|gbaf gfed|Bded e2 :|

X:24
%
%
%
T:CALLAGHAN'S (hornpipe) (2) 
Z:Z: ABC/arr. BB
S:S: JOL.061
Q:1/4=150
L:1/8
M:C|
%R:hornpipe
K:G
%swing .25
(3Bcd|egfg edBA|GABc dBGE|DEGA BABd|egfg edBd|
gdfd edBd|egfa gedc|B2GB A2FA|G2 GF G2 :|
(3efg|afge dega|bBBA G2eg|afge dega|beed e3e|
f2df gfeg|fadf gfeg|fgaf gfed|Beed e2 :|

X:25
%
%
%
T:CALLAGHAN'S (reel) (a) 
S:S: BSMI.1
Z:Z: ABC/arr. BB
N:N: Only second part is repeated in source.
%R:reel
M:4/4
Q:1/4=180
L:1/8
K:G
BA|B2dB cAAc|d2cA BGBA|B2dB cAAc|d2cA BG :|
Bc|:dggf gfde|dcAB cAGB|dggf gfde|=f2ed c2Bc|
dggf g2fe|dcAB cABc|dggf g2bg|g2bg fdcA :|"^coda"G4z4|]

X:26
%
%
%
T:CALLAGHAN'S (reel) (b-1)
S:S: BSMI.4
Z:Z: ABC/arr. BB
L:1/8
%R:reel
M:C
Q:1/4=180
K:G
G3A Bdgd|BcBG AEE2|G3A BABd|egfa gedB|
GFGA Bdgd|BcBG AEE2|G2GA BABd|egfa gdef ||
g3a bgaf|gbaf gfed|B3A GABd|(3efg fa gfed|
g2ga bgaf|gbaf gfed|B2BA GABd|egfa gedB ||"^coda"HG4z4|]

X:27
%
%
%
T:CALLAGHAN'S (reel) (b-2) 
S:S: "Play 50 Reels" (Armagh Pipers' Club)
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G
G3A Bdgd|BABG AEE2|GBAF GABd|e2af gedB|
G3A Bdgd|BABG AEE2|GBAF GABd|egfa g4||
gfga b2 af|gaba gfed|(3Bcd AB GABd|e2 af gfed|
gfga b2 af|gaba gfed|(3Bcd AB GABd|e2 af gedB||"^coda"HG4z4|]

X:28
%
%
%
T:CALLAGHAN'S (reel) (c)
Z:Z: ABC/arr. BB
S:S: JOL.295
Q:1/4=180
N:N: "Doon - another Doon reel. Padraig O'Keeffe got it from Cal Callaghan, a 
N:fiddle-player, Padraig's uncle and a farmer in Doon. All Doon reels come 
N:from him." [quote from Johnny O Leary]
P:A-B-A
M:4/4
L:1/8
%R:reel
K:D
AG||F3A GEED|EDDF ABAG|F3A GEEG|A2 GE D3E|
F2 AF GEED|EDDF ABAG|F3A GEEG|A2 GE D2||
(3ABc|d2dc dcAG|AGFG ABcA|d3c dcAB|=cBAB G4|
Addc dcBG|AGFG ABcA|d2fe d2dc|d2fe ecAG||
%

X:29
%
T:CALLAGHAN'S PROGRESS* (jig)
S:S: CRE.2 (unnamed)
Z:Z: ABC/arr. BB
% Close relative of "Patsy Geary's"
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
G|AFB AFA|BAF A2G|AdB AFA|d3 d2e|
fef g2f|efe d2B|AFE DED|1 E2D EF:|\
[2 EFG Ac||
|:e|f2e f2e|f2e fga|AGA BAF|A3 ABd|
e2f e2f|e2f efg|agf gfe|d3 d2:|

X:30
%
%
%
T:CALLAGHAN'S SLIDE (1) 
S:S: CRE.3
Z:Z: ABC/arr. BB
%R:slide
Q:1/4=180
M:12/8
L:1/8
K:D
B|A2B A2B ABA F2E|DFA B2A B2A F2e|
dcd a2g f2d B2A|BcA BAB d3 d2:|
A|dcd a2g f2d B2A|BcA BcA B2A F2e|
dcd a2g f2d B2A|BcA BcA d3 d2:|

X:31
%
%
%
T:CALLAGHAN'S SLIDE (2) 
S:S: "Music of Ireland - The Big Session" (DJ Taylor)
Z:Z: ABC/arr. BB
Q:1/4=170
L:1/8
M:12/8
%R:slide
K:D
A2A A2A ABA GFE|DFA B2A B2A F3|
ded a2 a f2 d B2 d| A2 A BAB d6:|
d3 a2 a f2 d B2 A| BdA BdA B2 A F3|
ded a2 a f2 d B2 d| A2 A BAB d6:|

X:32
%
%
%
T:CALLAN LASSES (reel) (a-1), The
S:S: TREOIR 45a
Z:Z: ABC/arr. BB
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:D
E|F2FE FGAB|AddB Adfd|e2ef edcB|Adfd efdB|
AFFE FGAB|Addc defg|afdf eBB2|ABGE EDD :|
c|defd BcdB|cBAc BFFE|dFFE cFBF|AFEF DEFE|
FADE FAAF|Addc defg|afdf eBB2|ABGE EDD :|

X:33
%
%
%
T:CALLAN LASSES (reel) (a-2), The  
T:Donnelly's
S:S: CRE.5
Z:Z: ABC/arr. BB
M:4/4
Q:1/4=180
%R:reel
K:D
E|F2FE FGAB|A2FA defd|e2df efdB|AGFA dBAG|
FADE FGAB|Adef defa|afef dBAF|GFEG FDD:|
e|defd BcdB|cBAc BFF2|dcBd cBAc|BAFE FADE|
defd BcdB|ABdc defa|afef dBAF|GFEG FDD:|

X:34
%
%
%
T:CALLAN LASSES (reel) (b), The  
S:S: ONMI.1493 < Fielding
Z:Z: Brennan/Black 
%R:reel
Q:1/4=180
M:C|
L:1/8
K:D
ADD2 ADFD|ADFA BcdB|ADD2 ADFA|GFEF GABd|
ADD2 ADFD|ADFA BcdB|ADD2 ADFA|GFEF GABc||
d2fd AdFA|d2fd cdec|d2fd BdAF|GFEF GABc|
d2fd AdFA|d2fd cdeg|fdec dBAF|GFEF GABc|\
"coda"d4z4]|

X:35
%
%
%
T:CALLINETT JIG, The
S:S: "Amateur's Companion"
Z:Z: ABC/arr. BB
N:N: I don't know who/what/where is "Callinett".
L:1/8
M:6/8
Q:1/4=160
%R:jig
K:G
c|B2d BGB|c2e c3|AcA FDF|G2B D2c|
B2d BGB|c2e c3|AcA FDF|G3 G2 :|
d|e2c c2e|d2d B2d|c2B A2G|FEF D2d|
e2e c2e|d2d B2d|c2B A2G|d3 dec||
B2d BGB|c2e c3|AcA FDF|G2B D2c|
B2d BGB|c2e c3|AcA FDF|G3 HG3|]

X:36
%
T:CALLIPYGIAN JIG, The
C:Jimmy Keane % 
N:N: © Cappal Beag Music BMI
S:S: composer
M:6/8
L:1/8
Q:1/4=160
K:Am
B|cBc Ace|f3 fed|ege edc|BdB E^GB|
cBc Ace|fag fed|edc BdB|cAA A2:|
a|c'ba e3|def eAA|c'ba e3|def e3|
ec'a bag|e^fg dBG|cde dBG|BAA A2:|

X:37
%
%
%
T:CALLOCH A THEUSA (jig) 
S:S: OFPC2.69 ("Irish")
Z:Z: ABC/arr. BB
N:N: The title is probably O'Farrell's version of "Cailleach a Túirne" (= Hag at 
N: the Spinning Wheel) but it's impossible to know for sure! (Even the native  
N: Irish speaker Chief O'Neill couldn't make much sense of it!)
Q:1/4=160
M:6/8
%R:jig
L:1/8
K:G
G|A2B cBc|EFE c2A|B2G AFD|GAG BAG|
A2B cBc|EFE c2A|BdB cAF|G3 BA :|
%
|:G|FGA AFd|AFd AFd|FGA AEd|GAF BAG|
FGA AFd|AFd ABc|BdB cAF|G3 BA :|
%
|:G|FGA AFD|DED AFD|FGA AFD|GAG BAG|
FGA AFD|DED ABc|BdB cBA|G3 BA :|\
"^coda"G3AFE|G6|]

X:38
%
%
%
T:CAMBRIDGE HORNPIPE, The 
S:S: "Where's the Crack? v/1" (DJ Taylor) (folder 38)
Z:Z: ABC/arr. BB
Q:1/4=140
L:1/8
M:C|
%R:hornpipe
K:D 
%%text source key = A
%%vskip .3in
(3ABc|d2 AF DFAc|d2 dc dAFA|BGFD FEDG|FDED CDB,C|
A,DDC DFAc|d2 dc dAFA|BGFD CDEG|FDEC D2:|
(3EFG|A2 d2 AF D2|G2 e2 EFGE|ceAc eAce|dfAd fAdf|
a2 f2 d2 A2|B2 GB ADFD|Edcd AFEF|GECE D2:|

X:39
%
%%staffsep 70
%
T:CAMEL'S HUMP (reel), The 
C:© BB
S:S: BBMG
N:N: An Arabic scale to an Irish structure. What's not to like?
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:C
"E"B,E E2 B,E^GE|"E"B,E^GA "Bb"_BAFD|"E"B,E E2 B,E^GA|"Bb"_BAFD "E"E2 ED|
"E"B,E E2 B,E^GE|B,E^GA "Bb"_BAFD|"E"FEEF ^GEFG|"Bb"_BAFD "E"E4 :|
"E"eB B2 ^gB~B2|"Am"(3c=BA eA fAeA|"E"eBcB ^gBcB|"Am"afef e2 fe|
"E"eB B2 ^gB~B2|"Am"cAeA fAeA|"E"B^G G2 "F"AF F2|"Bdim"BA^GF "E"E4 :|
%

X:40
%
%
%
T:CAMERON HOUSE (reel)
S:S: WSGM <"Aird's Selections" 1782-97
Z:Z: Kinder/Black 
% Playing /B,/ in mm 1 and 3 would be fine if you can manage it.
Q:1/4=160
M:4/4
L:1/8
%R:Reel
K:Em 
%%text source key Am
%%vskip .3in
A|BEEF GFE2|D2FE FAGD|BEEF GABc|dBAF GEE:|
B|efge Bde2|dBAd FDDB|efge Bdec|dBAF GEEB|
efge Bde2|dBAd FDDF|GBEB efge|dBAF GEE2 |]

X:41
%
%
%
T:CAMERONIAN (reel) (1), The
S:S: DMWC.140 
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:D
dAFA DAFA|GFEF GBd2|A2FA DAFA|GBAG FDD2|
A2FA DAFA|GFEF GBdc|A2FA DAFA|ge AG FDD2 ||
%
Addc dfed|Bdef gfed|cAeA fAed|Bdef gfeg|
faeg faeg|faec defg|afge fdec|dBcA FAd ||
%
B|A3d B2B2|dBcA FAdc|AGAd B2B2|dcAG FDD2|
AGBd B2B2|dABA FAd2|A2cA DAFA|GEAG FDHD2 |]
%
%

X:42
%
%
%
T:CAMERONIAN (reel) (2), The
Z:Z: ABC/arr. BB
M:C|
S:S: FS1.17b
Q:1/4=180
L:1/8
%R:reel
K:D
A2FA DAFA|GFEF GBdB|A2FA DAFA|GBAG FDD2|
AF F2 DF F2|GE E2 GBdB|A2FA DAFA|GBAG FDD2 :|
Addc d2dA|Bdef gfed|cAeA fAeA|cdef gfeg|
faeg faeg|fddc defg|afge d2cA|BdAG FDD2 :|
%
%

X:43
%
%
%
T:CAMERONIAN (reel) (3), The  
S:S: ONMI.1512 < F.O'Neill 
Z:Z: Brennan/Black 
%R:reel
Q:1/4=180
M:C|
L:1/8
K:D
%%text A-B-A
%%vskip .3in
dB|A2FA DAFA|GFEF GBdB|BAFA DAFA|GBAG FDdB|
A2FA DAFA|GFEF GBdB|BAFA DAFA|GBAG FDD2||
Addc d2cd|edef gfed|cAeA fAeA|fdef gfed|
fgaf bage|dfec defg|(3agf ge fdec|dABG FAd"_DC"B||

X:44
%
%
%
T:CAMERONIAN'S KILT* (reel), The 
S:S: NFID.067a <JD (as "Cameronian")
Z:Z: ABC/arr. BB
Q:1/4=180
N:N: This isn't related to the D-major "Cameronian", so I renamed it a bit to 
N: distinguish it. I don't know if the accidentals belong here or if they are a
N: representation of the way somebody heard the tune being played.
L:1/8
M:C
%R:reel
K:G
c|Bdgd BGGB|Ac=fc A=FFc|Bdgd BGGB|Ac =Fc AGGc|
Bdgd BGGB|Ac=fc A=FFc|_B2BA Bd=fd|cAFB AGG:|
A|_B2BA B2GA|_BABd cBAB|G^fga gfga|=bgaf defd|
gagf d^cde|fdc_B A=FEF|Gg^fg dg=bg|fdcA AGG:|
%

X:45
%
T:CAMPBELLS ARE COMING (jig), The 
S:S: OFPC1.48
N:N: OFPC has "Cambles". There's some dubious notation in the source which I 
N:have changed. However, even with the change, this tune only slightly resem-
N:bles the "Campbells Are Coming" we're familiar with today.
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
G|B2e dBG|ABA A2G|B2e dBG|dBB B2A|
B2e dBG|A>BA g2a|geg dBG|BcB B2 :|
A|g2g gab|ded dBG|gfe gab|gee e2d|
def gfe|def gab|geg dBG|BcB B2 :|\
"^coda"BAF HG3|]
%

X:46
%
T:CAMPBELLS of MEENAHULLA (reel), The 
S:S: TIDT 1/51
C:J.Kelly
Z:Z: BB
M:C
L:1/8
%R:reel
Q:1/4=180
K:D
E|F2ED FD~D2|F2ED EFGE|F2ED FD~D2|
FGED EFG:|B|A3G FAdA|FADF GFEF|
ABAG FAdF|GEFD EFG:|e|:fd~d2 f2ef|
gfe^d efge|fd~d2 f2ed|cdef gbag:|
add/e/d agfg|afd efgb|aff/e/f agfa|
[1 g2fd efga :|2 gfe^d efge||:fgec d2ed|
c2AB cdeg|fage dfed|1 cAGF EFGe :|
%%stretchlast 0
[2 cAGF EFGE|"coda"HD4z4|]

X:47
%
%
%
T:CAMPFIRE REEL, The 
S:S: arr. of ONMI #504 "Sit Around The Cheerful Hearth"  
Q:1/4=180
%R:reel
Z:Z: ABC/arr. BB
M:C
L:1/8
K:Em
A|BcBA BEEF|GAGE A2GA|BcBA BEEF|GBAF E3A|
BcBA BEEF|GAGE A2GA|Bdce fdAF|GBAF E3 :|
F|GABc dedB|edef g2fe|dBGA BEEF|GBAF E2DF|
GABc dedB|edef g2fe|dbga bgef|gefd e3 :|

X:48
%
%
%
T:CAMPTOWN RACES (polka), The  
Z:Z: ABC/arr. BB
S:S: JOL.346 [as "Campdown"]
% The Sliabh Luachra version of an American classic!
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:A
c/e/|fe ce|fe cA|cB c/B/A/B/|ce Bc/e/|
f/g/f/e/ ce|fe ce | B/c/B/A/ Bc|A2 A :|
d|e>d ef/g/|a2 ag/a/|fd a>f|e2-e c/e/|
fe cA|fe ce|B/c/B/A/ Bc|A2 A :|

X:49
%
%
%
T:CAMSTRODEN'S RANT (slip jig)  
S:S: OFHC4.05
Z:Z: ABC/arr. BB
M:9/8
L:1/8
Q:1/4=150
%R:slip jig
K:D
D2d D2E F3|=C2=c B2A GEC|
D2d D2E F3|D2d cBc d3 :|
d2e f2g e3|c2d e2f gfe|
agf gfe d3|A2d c2B AFD :|

X:50
%
%
%
T:CANADIAN (barn dance), The
S:S: JOB
Z:Z: ABC/arr. BB
% Odd structure with no repeats [?]
Q:1/4=150
L:1/8
M:C|
%R:hornpipe
K:G
D2|:G4 d3g|eged edBA|GFGA B2G2|d2D2E2F2|
G4 d3g|eged edBG|A^GAB cBc^c|defe d2cA|
G4 d3g|eged edBA|GFGA B2G2|e6 Bd|efe_e d2Bd|
efe_e d2ef|gfga gfef|g2d2B2A2:|"coda"HG4z4||

X:51
%
%
%
T:CANAL BANK POLKA*, The 
S:S: Petrie.157 % unnamed
Z:Z: ABC/arr. BB
Q:1/4=120
N:N: No repeats in source. As with other tunes in Petrie's collection, it's hard to 
N: tell whether or not a "modal" tune is intended. I'm going with modal (= "mix") 
N: on this one. If you don't like that sound, remove "mix" from the K: field in the 
N: ABC.
M:2/4 
L:1/8
%R:polka
K:Gmix
D|G>A Bd/e/|fg ag|fd/e/ fc/A/|GA F2|
d>e fg|ag ed/c/|dg g>f|g3 :|
g|ag fd/e/|fg d>e|fa/g/ fc/A/|GA F>A|
BG Bd/e/|fa gd/c/|AG G>F|G3 :|
%

X:52
%
%%staffsep 70
%
T:CANAL BRIDGES (jig), The
C:© BB 2016
S:S: BBMG
%R:jig
L:1/8
M:6/8
K:Bm
B/c/|"Bm"dBB fBB|"D"def "A"ece|"Bm"dBB fBB|"D"dBA FED|
"Bm"dBB fBB|"D"dcd "A"AFA|"Bm"Bcd "A"cBc|"Bm"dFA B2:|
e|"Bm"fab "D"afd|"A7"egf ecA|"Bm"dBB "F#m"fec|"Bm"dBA FAB|
"Bm"fab afd|"A7"egf ece|"D"def "A"cde|"Bm"dBB B2:|
%
% Our two Cape Cod canal bridges will eventually be replaced, but we 
% probably won't be around to see the new ones.

X:53
%
%
%
T:CANALSIDE LADIES (jig), The  
S:S: arr. of ONMI #574, "Girls Of Our Town"
Z:Z: Brennan/Black 
%R:jig
Q:1/4=160
Z:Z: ABC/arr. BB
M:6/8
L:1/8
K:G
D|GAG BcB|AGA G2A|BAB GBd|e3 d2f|
gfe dBG|AGA BGE|D2E DGB|A3G2 :|
c|dBA Ggf|edB dcd|BAG GFG|AcB A2d|
dBA Ggf|edB d2c|dBG DGB|A3G2 :|

X:54
%
%%staffsep 70
%
T:CANALSIDE WALTZ, The
C:© BB Jan 2019
M:6/8
Q:1/4=120
K:D
f/e/|"D"d>cB "F#m"AFA|"D"dfA "G"B2 f/e/|"D"d>cB AGF|"G"GBF "A"E2 F/E/|
"D"D>FA "Bm"Bdf|"Em7"edB "A"e2 f/g/|"D"a>fd "A"cBe|"A7"AGE "D"D2:|
B/c/|"Bm"d>cB fdB|"Bm"fdc B2 c/B/|"A"A>ce ece|"A"agf e2 f/e/|
"D"d>cB "F#m"AFA|"Bm"Bfd "G"B2 f/e/|"D"d>cB "F#m"AGF|"A7"GFE "D"D2 :|
%
% This is the instrumental portion of "The Cape Cod Canal Shantata" that I 
% wrote for the New Bedford Sea Shanty Chorus.

X:55
%
%
%
T:CANAMINE HIGHLAND, The 
S:S: NFID.107 <SD
Z:Z: Robinson/Black
Q:1/4=140
L:1/8
M:C
%R:hornpipe
K:Amix
ed|cAA2 EAAB|cBAB cded|cAAA EAAc|BAGB d2ed|
cAA2 EAAB|cBAB cded|cAAA EAAc|BAGB d2ed||
%
K:Ador
c2ce g2ge|c2 eg a2ab|c2ce g2ge|dBGB A2AB|
c2ce g2ge|c2 eg a2ga|b2af g2e2|dBGB A2AB|
c2ec gcec|c2 eg a2aB|c2ec gce2|dBGB A2AB|
c2ec gcec|c2 eg a2ab|afgf e2e2|dBGB A4|]

X:56
%
%
%
T:CANNON BALL JIG*, The  
Z:Z: ABC/arr. BB
S:S: Levey1.98 (unnamed) 
Q:1/4=160
L:1/8
%R:jig
M:6/8
K:D
%%text "quick"
%%vskip .3in
c|BAB c2A|BAB c2A|BdB AFD|EFE E2c|
BAB c2A|BAB c2A|BdB AFD|DED D2 :|
A|F2A AFA|AFA AFA|BdB AGF|EFE E2G|
F2A AFA|AFA ABc|dcB AFd|DED D2 :|

X:57
%
%
%
T:CANOE CREEK REEL*, The
S:S: Petrie.145 % (unnamed) 
% 
Z:Z: ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:Edor 
N:N: source key = Gm. Only part 2 repeats in source. 
B,EED B,EEC|DEFG AFDF|B,EED B,EEc|dBAF FEE2 :|
efge fdec|dcdB AFDF|efge fdec|dBAF FEEe|
efge fdec|dcdB AFDF|B,EED B,EEc|dBAF FEE2 |]

X:58
%
%%staffsep 70
%
T:CAPE COD HORNPIPE, The
C:© BB
S:S: BBMG
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:A
"A"cBAB ceae|"F#m"f2ae f3e|"A"cBAB "F#m"ceaf|"A"ecBA "Bm"FB (3BcB|
"A"cBAB ceae|"F#m"f2ae faa2|"A"EFAB "F#m"ceaf|"E"edBG "A"EAA2 :|
K:Dm 
"Dm"dcAc defa|"F"f2 ed "Am"cAGE|"F"FEFG "Am"AGAc|"Dm"d^cde fed=c|
"Dm"d2 ad edad|"C"c2 ec gcec|"Gm"BG~G2 "F"=FAcA|"C"GEDC "Dm"D4 :|
K:Gm 
"Gm"GD~D2 "Dm"FDFA|"Gm"Bcdg "Dm"fdcA|"Gm"BGdG "F"AFcF|"Gm"BAGF GABc|
"Gm"dg~g2 bag=f|"F"cf~f2 afdc|"Bb"BdcB "F"AcBA|"Gm"GFDF G4 :|
K:D 
"D"FEDE FAdA|"Bm"B2dA B3 A|"D"FEDE "Bm"FAdB|"D"AFED "Em"B,E~E2|
"D"FEDE FAdA|"Bm"B2dA Bd~d2|"D"A,B,DE "Bm"FAdB|"A"A2GE "D"FD D2 :|

X:59
%
%
%
T:CAPRICORN (jig)  
C:Max Bruecher 21/11/2012
S:S: composer
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
ABd efg|fed def|gfe efg|fed e2A|
ABd efg|fed def|gfe fed|BAG A3 :|
%
afd def|gee efg|fed def|fed e2e|
afd def|gee efg|fed edc|dec d2f|
afd def|gee efg|fed fed|fed e2e|
afd Adf|gdB deg|fed edc|dec d3 |]
"^coda"afd Adf|gdB GBd|fed edc|dAF D3 |]

X:60
%
T:CAPT. CORBETT'S HORNPIPE 
S:S: WSGM < F.E. Walsh, SFO
Z:Z: Kinder/Black 
Q:1/4=150
M:4/4
L:1/8
%R:Hornpipe
K:D
fg|afge dfed|ceAA ABAG|FAdf gecd|e2dB A2fg|
afge dfed|ceAA ABAG|FAdf gece|d2 dc d2:|
cd|eAGA fAgA|eAGA f2ef|gfge dfec|dcdB A2 AG|
FAA2 GBB2|AFAd gfed|cdef gece|d2 dc d2:|

X:61
%
T:CAPT. KELLER'S REEL 
S:S: WSGM <"McGoun's Repository" c.1803
Z:Z: Kinder/Black 
M:4/4
L:1/8
%R:Reel
Q:1/4=180
K:Em 
F|G2BG dBgB|G2BG FDAF|G2Bc dBgB|AFDF GEE:|
E|B,EGE BEGE|B,EGE FDAF|B,EGE BEGE|AFDF GEDC|
B,EGE BEGE|B,EGE FDAF|B,EGE BGeB|afdf geHe2|]

X:62
%
T:CAPT. MacDONALD'S FAVORITE (slip jig) 
S:S: OFPC4.166 ("Irish")
Z:Z: ABC/arr. BB
Q:1/4=150
M:9/8
L:1/8
%R:jig
K:Em
g|dBB BAB GEE|dBG ABd e2g|
dBB B2A GAB|BAG ABd e2 :|
f|gfg ege dBB|gfg agf e2f|
gfg agf efg|dBG ABd e2 :|

X:63
%
T:CAPT. ROSS' FAVORITE (polka)  
S:S: OFPC4.136 ("Scotch")
Z:Z: ABC/arr. BB
Q:1/4=120
M:2/4
L:1/8
%R:polka
K:Edor
N:N: source key = Dm
E>F Ee|dc/B/ d2|AF Fc|dF F>G|
EF Ee|Bd/B/ e2|GE Ed|eB B2 :|
ef ge|af ge|f>e d>f|af d2|
e>f ga|b2 ba|ge fa/f/|ge e2 :|

X:64
%
T:CAPTAIN BLUETT'S (hornpipe) 
S:S: RC2.319
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8 % dotted
M:C|
%R:hornpipe
K:D
AG|F2DF A2FA|d2Ad f2df|abaf gfed|feef edBG|
F2DF A2FA|d2Ad f2ef|gfed cABc|d2dc d2:|
Bc|defd BcdB|AFdB AFED|FAdc BAGF|EDEF E2AG|
F2DF A2FA|Bgfe dcBA|Bcde f2ge|d2dc d2:|

X:65
%
T:CAPTAIN BYNG (polka) 
S:S: BSMI.2
Z:Z: ABC/arr. BB
%R:polka
M:2/4
Q:1/4=120
L:1/8
K:G
d|g>f gd|BG GA/B/|c/B/A a>g|fd ef|
g>f gd|BG GA/B/|c/B/A dF|G3 :|
A|BG dG|BG GA/B/|c/B/A eA|cA A>c|
BG dG|BG GA/B/|c/B/A dF|G3 :|

X:66
%
T:CAPTAIN BYNG (reel)
S:S: DMI.0736
Z:Z: Nordberg/Black 
% Not quite identical to the session polka but close enough!
% Single in DMI.
%R:reel
Q:1/4=180
M:C
L:1/8
K:G
d|gfgd BGG2|eaag fdef|gfgd BGGB|cAdB G2Gd|
gfgd BGG2|eaag fdcA|Bdef gage|dBAB G2 :|
c|BGdG BGGB|cAeA cAAc|BGdG BGGB|cAdB G2GA|
BGdG BGGB|cAeA cAAc|Bdef gage|dBAB G2 :|

X:67
%
T:CAPTAIN CADBURY'S* (strathspey)
S:S: NFID.192a < DOD ("untitled strathspey")
Z:Z: ABC/arr. BB
Q:1/4=140
L:1/8
M:C|
%R:hornpipe
K:D 
%%text source key = Bb
%%vskip .3in
AFFE DEFB|AFFf ecB2|AFFE DEFB|fedB AF E2:|
FAdA BAdA|FAdA BAF2|FAdA BAdA|fedB AF E2|
FAdA BAdA|FAdf afg2|fgaf gefd|ecdB AFEF|HD4z4|]

X:68
%
T:CAPTAIN DUNNE'S MARCH (1) 
Z:Z: ABC/arr. BB
S:S: MFC.106A
Q:1/4=150
L:1/8
M:2/4
%R:march
K:G
dB|G2G>F|GBdB|c2A>G|A3c|Bdef|gdBG|d2d>e|d>cBA|
G2G>F|GBdB|c2A>G|A3c|BdBG|(3ABc AF|G2GF|G2:|
(3def|g2gf|gdBG|c2A>G|A2fg|a2ab|agfe|defe|dcBA|
G2GF|GBdB|c2A>G|A3c|BdBG|(3ABc AF|G2GF|G2:|

X:69
%
T:CAPTAIN DUNNE'S MARCH (2)  
S:S: RC3.208
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8 
M:C
%R:march
K:D
AF|D2DD DFAF|G2EE E3G|FABc dAFD|A2AB AGFE|
D2DD DFAF|G2EE E3G|FAFD (3EFG EC|D2DD D2:|
A2|d2dd dAFD|G2EE E2 cd|e2ef edcB|ABcB AGFE|
D2DD DFAF|G2EE E2G2|FAFD (3EFG EC|D2DD D2:|

X:70
%
T:CAPTAIN FROM CAVAN* (polka), The
S:S: CRE.2 (unnamed) < Hugh McManus (Cavan)
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:D
E|FD AD|FD DE/F/|GE BE|GE EG|
FD AD|FD DE/F/|GE BE/G/|FD D:|
B|d2 c>B|AF D2|EB/d/ ed|cB A2|
d2 c>B|AF DE/F/|GE BE|FD D:|

X:71
%
T:CAPTAIN HAWKER'S FAVORITE (march)  
S:S: OFPC3.121
Z:Z: ABC/arr. BB
Q:1/4=100
M:2/4
L:1/16
%R:march
K:G
dcBA G3B|G2B2 G2B2|A3B A2B2|ABAB c2e2|
dcBA G3B|G2B2 G2B2|e2c2 BAGF|G4 G4 :|
P:Part 2
L:1/8
dcBA|cBAG|BAGF|GG D2|
dcBA|cBAG|BAGF|G2G2 :|
P:Part 3
B2 B>c|B2 Be|BAGF|E>F EG/A/|
B2 Bc|B2 Be|BAGF|E2E2 :|
P:Part 4
d2 BG|F/G/A/F/ G2|d2 A>c|BG z2 :|
P:Part 5
BcBe|edcB|dcBA|Bdgb|
BcBe|edcB|dcBA|G2G2 :|

X:72
%
T:CAPTAIN HAWKER'S MARCH 
S:S: OFPC2.96
Z:Z: ABC/arr. BB
Q:1/4=120
M:4/4
L:1/8
%R:march
K:G
BA|G2GF G2DG/B/|A2AG A2DA/c/|Bdgf edcB|A2AB A3c|
Bdga bgdB|ceab a2fd|B>df>c B2 A2|G2GF G2 :|
GA|BcdB edcB|ABcA dcBA|Bdgf edcB|A2AB A3A|
Bdga bgdB|ceab a2fd|B>df>c B2 A2|G2GF G2 :|

X:73
%
%
T:CAPTAIN HIGGINS 
C:O'Carolan
S:S: CAR-OS
Z:Z: Gilb/Brennan/Black 
M:C|
L:1/8
K:Em 
%%text "allegretto"
%%vskip .3in
E2B2 A2B2|G2AG F2ED|EFGA B2e2|d2B2 B4|
c2cd B2g2|f2e2 def2|edBA GAB2|G2FE E4||
%
B2B2 cBAG|F2EF GFE^D|E2B,2 E2F2|G2AG F2ED|
E2F2 GFGA|B2e2 Bedf|Beg2 fga2|f2ed B2GB|
dBGB eBAG|F2ED B2BA|GABG d2dA|d2dA BABc|
dcBA G2FE|FGAF D2EF|GEEA F^DFB|G3F/E/ E4||
%
P:JIG
M:6/8
%R:jig
G3  E2B|G2F AFD|GBe GBe|FAd FAd|
B3G2B|c2B AGF|GFE AF^D|E3 E3||
BGB BGB|dGd dGd|eAe eAe|g3 f3|
bg/a/b afa|bg/a/b afa|gfe ^dBd|e3 e3|]

X:74
%
T:CAPTAIN JAMES M'KEON'S QUICK STEP (jig)
C:C.O'Hara
S:S: GMR
Z:Z: ABC/arr. BB
N:N: A little history lesson in the ABC file!
L:1/8
M:6/8
Q:1/4=160
%R:jig
K:Em
N:N: source key = Am
D|B,EF G2A|FDF B2A|GBc d2B|AFd AFD|
B,EF G2A|FDF B2A|GBc d2B|AFD E2 :|
d|edf g2e|fef d2B|GBc d2B|AFd AFD|
edf g2e|fef d2B|GBc d2B|AFD E2 :|
A|GFE DB,D|GBG AcA|Bcd efg|fef d2B|
e2B AFD|GBG AFD|d2B AFD|FED E2 :|
%
% "Composed for Capt. M'keon's gallant defence of the Fort which 
% he commanded, when bombarded by the enemy on the frontiers." 
% The Fort was Fort Niagara (which M'keon, in charge of the 3rd 
% US Artillery Regiment, actually did not command). The engagement 
% - which, alas, was won by the British - took place in July 1812.

X:75
%
T:CAPTAIN JINKS (jig)  
S:S: RC2.249
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
%%text A-B-A
%%vskip .3in
B|d2D D2D|E2D G3|A2G E2F|G2A B2^c|
d2D D2D|E2D G3|A2G E2F|G3 G2:|
B|c2c c2A|B2B B2G|A2A A2F|G2B d3|
c2c c2A|B2B B2G|A2A AB^c|d3 "_DC"d2:|

X:76
%
T:CAPTAIN KEELER (reel) 
S:S: HOC.022
Z:Z: ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:Em 
N:N: source key = Gm 
D|G2 (3BAG dGgG|G2 (3BAG FDAF|G2 (3BAG dGgG|AFDF GEE :|
G|B,EGE BEGE|B,EGE FDAF|B,EGE BEGE|AFDF GEE :|

X:77
%
T:CAPTAIN KELLY (reel) 
S:S: AIF
Z:Z: Brennan/Black 
M:C
L:1/8
%R:reel
Q:1/4=180
K:D
DFEF D2dB|AFDF EB,B,2|DFEF D2dB|AFEG FDD2|
DFEF D2dB|AFDF EB,B,2|DFEF D2dB|AFEG FDD||
c|:d2fd edfd|BdAd BdAc|d2fd edfd|Bdce d2A2|
d2dc dfed|cAeA fAeA|decd BcAc|Bdce dBAF:|\
"^coda"Bdce Hd4|]
%
%

X:78
%
T:CAPTAIN KELLY'S REEL 
S:S: ONMI.1330 < F.O'Neill 
Z:Z: Brennan/Black 
Q:1/4=180
%R:reel
M:C|
L:1/8
K:G
%%text A-B-A
%%vskip .3in
D|GBAF G2ge|dBAc BEE2|GBAF G2ge|dBcA BGG2|
G2ef gfge|dBAc BEE2|G2Bd gfge|dBAB G3||
d|g2bg agbg|egdg egdf|g2bg agbg|dgfa g2d2|
g2bg agbg|egdg egdf|gafg efdf|eg fa ged"_DC"B||

X:79
%
%
T:CAPTAIN MAGAN 
C:O'Carolan
S:S: CAR-OS
Z:Z: Gilb/Brennan/Black 
M:6/8
L:1/8
K:Am
%%text "allegretto"
%%vskip .3in
ABA cde|dBd GAB|c/d/ec dBG|AEC A,CE|
ABA cde|dBd GAB|c/d/ec dBG|ABA A3||
efe edc|ded d2d|e^f^g aeg|a3a2g/a/|
bg/a/b ge/f/g|dB/c/d GAB|cd/e/c dBG|ABA A3|]

X:80
%
%
T:CAPTAIN MAGUIRE (polka) 
Z:Z: ABC/arr. BB
S:S: Mally.HIP.063
Q:1/4=120
%R:polka
L:1/8
M:2/4
K:D
FG|A/B/A/G/ FA|dA/d/ fe/f/|ga/g/ f/g/f/e/|df AF/G/|
A/B/A/G/ FA|dA/d/ fe/f/|ga/g/ fe|d2 :|
K:A
d2|: e>f ed|ce af|e>d ef|=ge c/B/A|
e>f ed|ce af|e/f/e/d/ cB|A2 A2 :|

X:81
%
%
T:CAPTAIN McCANN 
S:S: CCCD
Z:Z: ABC/arr. BB
M:6/8
%R:% dance 6/8
L:1/8
% Looks like Carolan's "Captain Magan" in a different key.
Q:% 1/4=140
K:Em
N:N: source key = Gm
E>FE G>AB|AFA DEF|G/A/BG AF^D|E/E/EE E2E :|
B>cB B>AG|ABA A2A|B^c^d eBd|e3 e2d/e/|
fd/e/f dB/c/d|AF/G/A D>EF|G/A/BG AF^D|E2E E2E :|

X:82
%
%
%
%
T:CAPTAIN O KANE (jig) 
S:S: CIAJ
Z:Z: ABC/arr. BB
N:N: spelling in source "O Kain"
L:1/8
M:6/8
K:Am
%%text "andante"
%%vskip .3in
A/G/|EAB c2A|BdB GAB|cec eBG|EAG A2G|
EAB c2A|BdB GAB|cec ecA|EAG A2 :|
A/B/|cee e2c|Bdd d2g|ea^g ab[c'a]|eag a2b|
[c'a]ba g2f|ecA GAB|cec ecA|EAA A2 :|"^coda"EFG HA3|]
%
%

X:83
%
%
T:CAPTAIN O'CLERY'S FANCY (hornpipe)   
S:S: ONMI.1719 < J.O'Neill
%R:hornpipe
Q:1/4=150
Z:Z: Brennan/Black 
M:C|
L:1/8  
K:A
%%text dotted in source
%%vskip .3in
E2|ABcd ecaf|edcB A2BA|GABc dcfe|dcBA GBEG|
ABcd ecaf|edcB Aceg|agfe gfe^d|eBgf e2:|
fg|agaf ecaf|edcB A2BA|GABc dcfe|dcBA GBeg|
agaf ecaf|edcB Aceg|agfe gfe^d|eBgf e2:|

X:84
%
%
T:CAPTAIN O'KANE (1) 
C:O'Carolan
S:S: CAR-ON
Z:Z: Brennan/Black 
M:6/8
L:1/8
K:G
%%text "moderate"
%%vskip .3in
E/D/|B,EF G2F/E/|F/G/A/G/F/E/ DEF|GBG B/A/G/F/E/D/|B,EE E2E/D/|
B,EF G2F/E/|F/G/A/G/F/E/ DEF|GBB B/A/G/F/E/D/|B,EE E2||
E/F/|GBB B2A/G/|FAA A2d/c/|Be^d e>fg|Be^d e2e/f/|
g>fe d>cB|AFd DEF|GBG B/A/G/F/E/D/|B,EE E3|]
%
%

X:85
%
%
T:CAPTAIN O'KANE (2)
T:The Wounded Hussar 
S:S: WSGM <"McGoun's Repository" 1803
Z:Z: Kinder/Black 
M:6/8
L:1/8
K:G
%%text "moderato"
%%vskip .3in
E/D/|B,EF G2F/E/|F/G/A/G/F/E/ DEF|
GBG B/A/G/F/E/D/|B,EE E2 E/D/|B,EF G2F/E/|
F/G/A/G/F/E/ DEF|GBB B/A/G/F/E/D/|
B,EE E2||E/F/|GBB B2A/G/|FAA A2d/c/|
Be^d e>fg|Be^d e2e/f/|g>fe d>cB|AFd DEF|
GBG B/A/G/F/E/D/|B,EE HE3|]

X:86
%
%
T:CAPTAIN O'NEILL (a)
C:O'Carolan
S:S: CAR-OS
Z:Z: Gilb/Brennan/Black 
N:N: "Present in Ossian and other copies, not in O'Sullivan's original work." 
N:N: (Brennan) ("Ossian" referring to the publisher of the reprint).
M:C
L:1/8
K:Am 
%%text "moderato"
%%vskip .3in
eaab gee>d|cB/A/ c/B/A/G/ EGGe/d/|
cB/A/ GE/^F/ G2Ge/d/|cAAG E2F/E/D/C/|
DD E/D/E/G/ A2A2|c/B/c/d/ c/d/e/^f/ g2g2|
c/d/e/f/ gf/e/ c/d/e/f/ gf/e/|
d>e d/c/d/e/ c2A2|c/d/e/f/ gf/e/ a/g/a/b/ c'b/a/|
ged/c/B/A/ A2A2|eA dc/B/ cB/A/ GE|
gg/a/ g/f/e/d/ c2c2|AaBg cgge/d/|
ec'ba/g/ a2a2|c'c' bb aa gf/e/|ae f/e/d/c/ B2c/B/A/G/|
cc/B/ cd e/d/e/f/ gf/e/|ae d/c/ B>A A2A2|]
%

X:87
%
%
T:CAPTAIN O'NEILL (b) (reel)
S:S: ONMI.1221 < F.O'Neill
Z:Z: Brennan/Black 
Q:1/4=180
%R:reel 
M:C|
L:1/8
K:G
ge|dGBG FGAc|BGBd g2fe|dGBG FGAc|BGAF G2:|
fe|dgg2 agg2|dgg2 a2a2|dgg2 agfd|egfa g2g2|
dgg2 agg2|dgg2 a2ga|bgaf gfed|egfa Hg4|]

X:88
%
%
T:CAPTAIN PADDY (1) (hornpipe)
Z:Z: ABC/arr. BB
S:S: Levey1.79 
% Kind of a "half hornpipe" in Levey which I have attempted to remake as 
% a "standard" hornpipe. (Cf. next entry)
Q:1/4=180
L:1/8
%R:hornpipe 
M:C
K:D
%%text "very quick"
%%vskip .3in 
N:N: source key = F
zA|BAFA DB,DA|BAFA EFGA|BAFA DdcA|BAFD E2Bc|
BAFA D2Ac|BAFA EFGA|BAFA DdcA|BAFD E2:|
ze|d2fd edBc|d2BA Bcde|fdfe dcBA|BcdF E2 :|
%%stretchlast 0
"^coda"BcdF E2F2|D4z4|]
%
%

X:89
%
%
T:CAPTAIN PADDY'S HORNPIPE (2)
S:S: CGI.172
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:4/4
%R:hornpipe
K:G
%%text "vivace"
%%vskip .3in
d|edBd G2G2|edBd A2A2|edBd Ggfd|edBG ABcd|
edBd G2G2|edBd A2A2|edBd Ggfe|dBAF G3:|
e|g2ba gfeg|G2ed efga|bgba gfed|efgB ABcd|
g2ba gfeg|G2ed efga|bgba gfe^c|dBAF G3:|

X:90
%
%
T:CAPTAIN ROCK (reel)
T:The Old Bush, Long Hills of Mourne
S:S: DMI.0781
Z:Z: Nordberg/Black
N:N: Source shows no naturals but this is usually played as a Dmix tune today. 
N:Single in DMI.
%R:reel
Q:1/4=180
M:C|
L:1/8
K:Dmix
G|AGAB cAGB|Adde fdec|AGAB cAGc|dfed cAGB|
ADED cAGB|Adde f2fg|afge fdec|dfed cAA :|
f|g2ge c3e|g2ge d3e|f2fd e2ec|dfed cAAf|
g2ge a2af|gfge abag|f2fd efec|dfed cAA :|

X:91
%
%
T:CAPTAIN SUDLEY 
T:Carolan's Dowry
C:O'Carolan
S:S: CAR-OS
Z:Z: Gilb/Brennan/Black 
M:C
L:1/8
K:D
%%text "allegro"
%%vskip .3in
D2D2 DEFG|A4 A3c|d2c2 d2e2|f4 A2z2|
f2g2 a2f2|e2f2 g2e2|f2d2 e2c2|d4 d2z2|
D2D2 DEFG|A4 A3A|d3c d2e2|f3g a2z2|
A2F2 G2FG|A2F2 G2FG|BAGF AGFE|D4 D2z2||
f3e f2g2|a4 f2z2|e3d cdef|g4 e2z2|
f2fg a2f2|edef g2e2|f2d2 e2c2|d4 d2z2|
D2D2 DEFG|A4 A3c|d2c2 defd|e2c2 A2z2|
A4 G2F2|G3A B2G2|F2A2 AGFE|D4D2z2|]

X:92
%
%
T:CAPTAIN TOM CONNOLLY'S (reel) 
C:© E.Reavy
A:McKenty / Black 
S:S: "Ed Reavy Collection"
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:G
%%text "allegro moderato"
%%vskip .3in
Bc|dBgB cAFA|DGBG FGAF|DGBd gdBd|cBAG FGAF|
DGBG B,DFA|GABd cABc|dgg2 defd|cAFA G2:|
ef|g2dg Bgdg|Bcde fdde|fgaf defa|gfge fddf|
gbag fagf|d^cde fefg|afge defd|cAFA G2:|

X:93
%
%
T:CAPTAIN'S WHISKERS (march) 
Z:Z: ABC/arr. BB
N:N: A march that's played with "Shane O'Neill's" (q.v.) by the Connacht Ceili Band
N:(Boston mid-60's). This tune is also called "Officer on Guard"
% and undoubtedly has other names as well.
Q:1/4=100
L:1/8
M:4/4
%R:march
K:G
G>A|Bdg>f g2 fe|dBB>A B2 GA|Bdce dBAB|A2 A>B A2 GA|
Bdg>f g2 fe|dBB>A B2 GA|Bdce dBAF|G2 G>F G2 :|
f>g|afd>^c d2 ga|bge>d e2 ga|bgaf ged>B|A2 A>B A2 GA|
Bdg>f g2 fe|dBB>A B2 GA|Bdce dBAF|G2 G>F G2 :|
%

X:94
%
T:CARA'S SONG (air)
C:© E.Reavy
S:S: "Ed Reavy Collection"
Z:Z: McKenty / Black 
Q:1/4=60
M:C
L:1/8 % source 1/16
K:G
D2EF G2FG|A2FD B2GE|c2AG F2A,B,|C2B,A, HB,2B,C|
D2B,D G2FG|A2FD B2GE|c2AG F2EF|G3G- HG2||
Bc|d2ed B3G|Ec c/B/A/G/ F2DF|G2FG A2FD|c2BA B2Bc|
d2 ^c/d/e/d/ B2G2|Ec c/B/A/G/ F2DB,|C2B,C D2EF|G>G HG6|


X:95
%
T:CARAVAT AND SHANAVEST (hornpipe)   
S:S: RC2.207
Z:Z: ABC/arr. BB
Q:1/4=140
L:1/8 
M:C|
%R:hornpipe
K:C
%%text % dotted in source
FG|AGFE FGAB|cBcd f2ef|dfed cAGE|DFED CDFG|
AGFE FGAB|cBcd f2ef|dfed cAGE|D2D2D2:|
FG|Adde f3e|dccB A2AG|Adde f3e|dBAc dcAG|
Add^c defg|fedc dfec|dfed cAGE|D2D2D2:|

X:96
%
%
T:CARBRAY'S FROLICS (jig) 
S:S: DMI.0407
Z:Z: Nordberg/Black 
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:D
d|c2A Bcd|AGF E2D|EFE E2D|EFE E2d|
c2A Bcd|AGF E2D|F2D GEC|DED D2:|
G|A3 AFD|FED AFD|EFE E2D|EFE E2G|
A3 AFD|FED AFD|F2D GEC|DED D2:|

X:97
%
%
T:CARDIAC HILL (jig)
C:Aidan Crossey
S:S: composer
%R:Jig
Q:1/4=160
M:6/8
K:A Major
aec AEA|cea ecA|Bcf Bdf|Bcf Bdf|
aec AEA|cea ecA|Bcf Bdf|efg a3:|
cef ecA|cec c2A|Bcf Bdf|Bcf Bdf|
cef ecA|cec c2A|Bcf Bdf|efg a3:|

X:98
%
%
T:CAREY REEL, The
C:Sean Quinn 1993
S:S: composer
Z:Z: ABC/arr BB
%R:reel
Q:1/4=180
M:C
K:G
G2 (3BAG dGBG|cBcd efge|d2 (3BAG dGBG|AGAB cedB|
G2 (3BAG dGBG|cBcd efga|bg (3agf gedB|cBAB cedB :|
dg~g2 dgBg|dg~g2 edcB|ca~a2 eaca|ea~a2 fdcA|
dg~g2 dgBg|dg~g2 edcB|cdec BcdB|Aafd cAFA:|\
"^coda"G4z4|]

X:99
%
%
T:CAREY'S DREAM (reel)  
T:Cameronian
S:S: CRE.1
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:D
dB|A2FA DFAF|GFEF GABd|A2FA DFAF|GEAG FDD2|
A2FA DFAF|GFEF GABd|A2AF A2AF|(3ABc AG FDD2||
Adcd dfed|cdef gfed|(3cBA eA fAeA|edef gfed|
faeg fae2|fgaf defg|afge fdec|dABG FAdB||
"^coda" dABG FDHD2|]

X:100
%
%
%
T:CARL'S COUCH (reel)
C:Johnny Harling
S:S: composer
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:Em
D|EBAF G2 eB|B2 GB FBeB|dF F2 D2 dB|AF F2 DFAF|
EBAF G2 eB|B2 GB FBeB|dF F2 DFdB|AF F2 E3 :|
f|g3 f gB B2|GB B2 dBeB|f3 e fA A2|fgaf gfef|
g3 f gB B2|GB B2 dBeB|f3 e defe|dBAF E3 :|

X:101
%
%
%
T:CARLOW TINKER (reel), The 
Z:Z: ABC/arr. BB
S:S: CRE.4 < Sheahan MS
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:A mix
gf|eAcA g2 fg|eABA GBdg|eAcA g2 fg|afge d2 gf|
eAcA g2 fg|eABA GBdg|eAcA g2 fg|afge d2:|
cd|eaag eg g2|eaag edcd|eaag eg g2|afge d2 cd|
eaag eg g2|eaag edcd|B2cd efge|afge d2:|
"coda"dcBG HA4|]
N:N: I added "Carlow" to distinguish this from all the other "Tinker's Reels".

X:102
%
%
T:CARMAN'S JIG, The  
S:S: DMAC.45
Z:Z: ABC/arr.BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:Em
B2E EFE|B2^c d3|B2E EFE|G2F EFG |
B2E EFE|B2^c d3|a2f g2e|f2d B^cd :|
e2a a2f|e2f g3|e2a a2f|d3 B^cd |
e2a a2f|e2f g3|a2f g2e|f2d B^cd :|"^coda"He6|]

X:103
%
%
T:CARMEL MAHONEY MULHAIRE (reel)   
S:S: BSMI.4 
Z:Z: ABC/arr. BB
C:Martin Mulhaire
% Carmel is Mrs. Mulhaire! A shortened version of this is called "California Girl".
L:1/8
%R:reel
M:C
Q:1/4=180
K:D
dB|AFF2 DFF2|A,FF2 ABde|fdad bdad|efge cABc|
d2cd BAFE|D2CD d3c|BGGF GBed|cABc d2 :|
ze|f2fe fgfe|dff2 aff2|dfaf b^gaf|=geed eAce|
f2fe fgfe|dff2 aff2|bgaf gfed|ceAc d2 :|
fg|a2fa b2gb|affe fgaf|geed efge|baa^g a2fg|
a2fa b2gb|affe fgaf|gefd ecdB|cABc d2 :|
fg|add2 Adfg|adfa bagf|geed edcB|(3ABA ^GB A2fg|
add2 Adfg|adfa bagf|geed edcB|Agfe d2 :|
fg|a2fa b2gb|affe fgaf|geed efge|baa^g a2fg|
a2fa b2gb|affe fgaf|gefd ecdB|cABc d2 :|
%
%

X:104
%
%
T:CARMEL'S BIRTHDAY (reel) 
C:Peter Fitzgerald (Balto.)
S:S: composer
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:Amix
ed|: c2 AE FAEC|ACEC FCEC|A,B,CE A2 cA|G2 eG dGed|
c2 AE FAEC|AC C2 FCEC|A,CEF EGBd|1 BdBG A^GAB :|\
[2 cecA A2||
ae|e2 defa|gedB cAGE|A2 ED CECA,|G,2 EG, DG,EG|
AE E2 GABG|AECA G,B,DE|^GBEF DGBd|BdBG A2:|

X:105
%
%
T:CARNABAN REEL, The  
S:S: MVBT < "Fiddlecase" (Miller/Perron) (#57)
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G
G2 BG dGBG|F2 AF dFAF|G2 BG dGBG|cBAG FADF:|
Bdgd BG G2|ABcd edBd|Bdgd BG G2|cBAG FA D2|
Bdgd BG G2|ABcd e3d|Bdgd BABd|cBAG FADF||"coda"G4z4|]

X:106
%
%
T:CARNAPTIOUS CURMUDGEON (reel), The 
T:Gill the Gob
C:Jim Dorans © July 2012  
Q:1/4=180
S:S: composer (folder66)
L:1/8
M:C
%R:reel
K:D
EBBA Bege|bege agfe|[Dd]cdA BdAG|[AF][DA][FA][AD] GFED|
EBBA Bege|bege gfed|=cGEG cdec|[Dd]efd e4 :|
bege Bege|{c}B2A {B}G2 FED|[AF][DA][FA][AD] [GA][DA][AF][DA]|\
[_Ed][dE][=E_e][_Ed] [F=f][^fG] z2|
bege Bege|B2A G2 FED|=CB,CD EDEG|FEDF E4 :|
bgeb geee|bgeb geee|feAe dAd=c|AcBA B=cde|
bgeb geee|bgeb geee|=c'2 gc'/g/ e=ceg|fdfd e4 :|
%
% The second-to-last |e| in mm 17, 18 21, and 22 is actually |e'|. I have 
% lowered it here because who can handle a note that high?

X:107
%
%
T:CARNDONAGH HORNPIPE*, The  
S:S: NFID.081b < JD  ("untitled highland")
Z:Z: ABC/arr. BB
Q:1/4=140
L:1/8
M:C|
%R:hornpipe
K:D
B2BG A2AB|defd edBG|B2Bd A2Ag|fae2 d2dc|
B2Bd A2AB|defd edBG|B2Bd A2Ag|faec d2dg||
faaf gabg|afdf edBg|faaf gabg|afef d2dg|
faaf gabg|afdf edBG|B2Bd A2Ag|faef d2D2|]

X:108
%
%%staffsep 70
T:CAROL & SID'S WALTZ
T:The Pinebrook Waltz
C:© BB 2/21 
M:3/4
Q:1/4=120
L:1/4
K:A
G/F/|"E"E> F G| "A"A2 f|"A"e2 d/c/|"E"B2 c/B/|
"D"A> F A|"A"E2 C/D/| "F#m7"E c A |"E"B2 c/d/|
"A"e> a "E"g| "D"f2 "A"e/c/| "Bm"d F B|A/G/ F/E/ C/D/|
"A"E> F G| "D"A2 B/c/| "E"B2 A/G/| "A"A2:|%%
A/B/|"A"c d e|"F#m"f2 g/a/|"E"g f e|"F#m"c2 B/c/|
"D" d e f |"A" c d e | "Bm"B B/c/ B/A/|"F#m" F2 G/F/|
"E"E F G|"A" A2 f|"A"e2 d/c/|"E"B2 c/d/|
"A" e c A| "Bm" f d B|"E" G/A/ B/c/ d/B/|"A"A2 :|
%
% Another "anniversary" waltz, this one for our niece Carol and her husband
% Sid, celebrating forty-two years of domestic bliss thia year (2024).

X:109
%
T:CAROLAN'S FAREWELL TO MUSIC 
S:S: CNIM.26
Z:Z: ABC/arr. BB
% 13 measures in second part per source. This version doesn't correspond to either 
% O'Neill's or O'Sullivan's "Farewell to Music" (cf. ITTL tunefolder 14).
Q:1/4=100
M:4/4
L:1/8
K:Ador
N:N: source key = Gm
E2|AGAB c2BA|B2de g2ed|gedB edBA|G4 E3A|
AGAB cBcA|B2gb a3g|e3g d3e|cBAG A2 :|
e2|a3b agab|agab a2ef|g4 gfga|gaga g2 e2 |
a3b agab|agab a2ef|gfga b2ga|bage gedB|
edBA G2E2|AGAB cBcA|B2ab a3g|e2eg d2de|cBAG A4 |]
%

X:110
%
%%staffsep 70
%
T:CAROLAN'S PASTICCIO (waltz)
%R:waltz
C:Rick Gagne 
S:S: composer
Z:Z: ABC/arr. BB
N:N: "d/o/c/ 1987 (in C) on whistle and anglo concertina"
M:3/4
L:1/8
K:D
A2|"D"F4 A2 | d4 B2 | A3 F D2 | D2 "A"E2 "Bm"F2 |\
"G"G3 A B2 | "D"A3 G F2 | 
"G"G3 FED | "A"E4 A2 |"D"F4 A2 | d4 B2 |\
A3 F D2 | D2 "A"E2 "Bm"F2 |
"G"G3 A B2 | "D"A d3 A2 | "A"G3 F E2 |"D"D4:|\
d2 ||"A"c3 d e2 | 
"A7"g2 f2 e2 | "D"d3 A F2 | "Bm"F2 "Em"G2 "D"A2 |\
"G"B3 G E2 |\ 
"Em"E2 B2 d2 | "A"c3 B A2 | 
"A"A2 "Bm"B2 "A"c2 |"D"d3 c d2 | "G"B2 c2 d2 | "D"A2 F2 D2 |\
D2 "A"E2 "Bm"F2 |
"G"G3 A B2 | "D"A d3 A2 | "A"G3 F E2 |"D"D4:|

X:111
%
%
T:CAROLAN'S RECEIPT 
S:S: RC2.317
Q:1/4=120
Z:Z: ABC/arr. BB
L:1/8
M:4/4
K:G
%%text "spirited"
%%vskip .3in
gf|edcB cBAG|E2GA G2gf|edcB cBAG|e2AB A2Bc|
dBde d2ef|gfga g2fe|dcAG AGED|E2GA G2:|
Bc|dBde dBAG|E2GA G2Bc|dBde dABd|e2fa g2 (3gab|
G2 G/A/B/G/ A2 A/B/c/A/|Bd e/g/f/a/ g2ga|bage dega|\
b2a2 g2ga|
babg agaf|gfgd edcB|cBcd efge|a2AB A2ge|
dcBA G2ge|dcBA G2GA|BAGE AGED|E2GA G4|]

X:112
%
%
%
T:CAROLINE O'NEILL'S HORNPIPE 
S:S: ONMI.1780 < Cronin
%R:hornpipe
Q:1/4=150
Z:Z: Brennan/Black 
M:C|
L:1/8
K:G
%swing .25
Bc|d2gd BGAB|c2ec AGFA|DGBG FGAF|GBdf gdBc|
dedc BGAB|cBAG FGAF|GBdg fdcA|BGGF G2:|
%
Bd|gfef gdBd|e2ce dBGc|edce dcBd|gage d2ef|
gedB cBAG|FGAB cdef|gbge dcBA|BGGF G2:|
%
Bc|dBGB AFDC|B,CDE FGAB|cBdB cBAG|F2AB cedc|
BGAF GDEC|B,DEF GABc|dfeg fdcA|BGGF G2:|
%
Bd|g2dg e2ce|dedc BGAB|cBcA dcBd|gage d2ef|
gbaf gedB|cedB cBAB|dfeg fdcA|BGGF G2:|

X:113
%
%%staffsep 70
T:CAROLINE'S FANCY (polka)
C:© BB
S:S: BBMG
L:1/8
M:2/4
Q:1/4=120
%R:polka
K:A
E|"A"A>B cB|"F#m"Aa fe|"A"cA "E"dB|"A"c>A "E"FE|
"A"A>B cB|"F#m"Aa fe|"A"cB/A/ "D"FA/d/|"E"BG "A"A :|
e|"A"a>e ce|"Bm"d>B FB|"A"A>B cA|"D"fd/c/ "E"Be/g/|
"A"a>e ce|"Bm"d>B FB|"A"Ac ed|"E"BG "A"A :|
%
% For Caroline Doherty Roddy, a good friend and a very talented 
% lady, known and loved in the Boston area and beyond.

X:114
%
%
T:CAROLINE'S REEL
C:Sean Quinn 2007
S:S: composer
Z:Z: ABC/arr BB  
%R:reel
Q:1/4=180
M:C
K:C
cA|GE~E2 DCED|C2G,C EGcG|Addc dedc|AdcA GEDE|
"5"GE~E2 DCED|C2G,C EGcG|Addc decA|GEDE C2 :|
EG|"9"cG~G2 EGce|gede cAGc|dffe fede|fdBd cBAG|
"13"cG~G2 EGce|gede cAGc|Addc decA|GEDE C2:|
cd|"17"eG~G2 eGce|fA~A2 fAdf|eG~G2 eGce|dcBc defd|
"21"eG~G2 ecdB|cBcA GECG|Addc decA|GEDE C2:|
cA|"25"GE~E2 CDEG|ecdB caGE|Dddc dedc|AdcA GEDE|
"29"GE~E2 CDEG|ecdB cAGc|Addc decA|GEDE C2:|
ef|"33"gc~c2 gceg|ac~c2 acfa|gc~c2 gceg|(3fed ec defa|
[1 "37" gc~c2 gefd|cBcA GECG|Addc decA|GEDE C2:|
[2 "41" (3gfe fd ecdB|cBcA GECG|Affe fedc|(3BAG FD C4 |]

X:115
%
%
%
T:CAROUSEL HORNPIPE, The 
C:Aidan Crossey
S:S: composer
%R:Hornpipe
Q:1/4=150
M:4/4
L:1/8
K:G Major
ed|cFDF c2 dc|BGAG B2 ed|cFDF AcBA|GDB,D GBed|
cFDF AcBA|GDB,D GBcd|ecAF DCB,C|DFAF G2:|
ed|cfaf d2 dc|Bdga g2 gf|edeg agfe|d2 ^ce d2 ed|
cfaf d2 dc|Bdga gdBG|ecAF DCB,C|DFAF G2:|

X:116
%
%
T:CARRAIG DONN  
S:S: RC3.041 
N:N: Gaelic = "The Brown Rock"
Z:Z: ABC/arr. BB
L:1/8
M:3/4
Q:1/4=100
K:A
zF|Ecc3B|B>AA3A|GFE2FG|B>AA3F|
Ecc3B|B>AA3A|GFE2FG|B>AA2 ||
zF|Ed d3c|dcc3B|Ace3d|c2HB3F|
Ecc3B|B>AA3A|GFE2FG|B>AA2 |]
%
% This is a 19th-century song (spelled "Carrigdhoun") by Cork poet Denny Lane. 
% Its original name was "Lament for the Irish Maiden".

X:117
%
%
T:CARRAIGÍN RUADH (reel) 
C:B.Tonra
S:S: composer
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
%R:reel
K:D
dff2 eBdB|AFF2 EDB,A,|dBAF DEFA|Bded BAFA|
f2df e2dB|AFF2 EDB,A,|B,EFE DEFA|BdAG FDD2 :|
faa2 afde|faaf bfaf|gfed Bdag|faed BAF2|
[1 faa2 afde|faaf bfaf|gfef gbag|faeg fdd2 :|
[2 gbb2 afde|f3d eB B2|Bded BAFA|dBAG FDHD2|]

X:118
%
%
T:CARRAMORE POLKA, The     
C:V.Broderick
S:S: Turoe.38a
Z:Z: ABC/arr. BB
M:2/4
L:1/8
Q:1/4=120
%R:polka
K:G
d>c BA|BG EF/E/|DG BG|dB A2|
d>c BA|BG EF/E/|DF A>B|AG G2:|
Bd ef|g2-gd|ed BA|BA/G/ ED|
[1 Bd ef|g2-gd|ed BA|Be e2 :|
[2 d>c BA|BG EG|DE/F/ AB|AG HG2|]

X:119
%
%
T:CARRAROE (1) (jig), The
S:S: BSMI.3
Z:Z: ABC/arr. BB
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:D
%
F|DED F2A|dfe d2B|AFA def|afd e2F|
DED F2A|dfe d2B|d2B AFA|dAF E2 :|
z|dfa afa|bgf edB|dfa afa|bge e2f|
dfa afa|bgf edB|d2B AFA|dAF E2 :|
"^coda"dAF EFE|HD3z3||
%
%

X:120
%
%
T:CARRAROE (2) (jig), The 
Z:Z: ABC/arr. BB
M:6/8
S:S: FS1.26c
L:1/8
Q:1/4=160
%R:Jig
K:D
E|DED F2 A|dfe d2A|BAF Adf|afd e2 E|
DED F2 A|dfe d2 B|d2 B AFA|dAF E2 :|
D|dfa afa|bge edB|dfa afa|bge e2f|
dfa afa|bge edB|d2 B AFA|dAF E2 :|
"^coda"BGE HD3|]

X:121
%
%
T:CARRIGALINE (reel) 
T:Steeplechase
S:S: ONMI.1226 < F.O'Neill
Z:Z: Brennan/Black 
%R:reel 
Q:1/4=180
M:C|
L:1/8
K:C
B,|CB,CD EGG2|Adde dcAB|cBcA GEcA|GFED ECA,B,|
CB,CD EGG2|Adde dcAB|cBcA GEcA|GEDE C4||
c2ec gcec|agfd BcdB|c2ec gcec|agfd BGAB|
c2ec gcec|agfd BcdB|cBcA GEcA|GEDE C4|]

X:122
%
T:CARRIGALLEN FANCY (jig), The    
S: < ONMI #210, "Boys Of Carrigallen" 
Q:1/4=160
%R:jig
Z:Z: ABC/arr BB
M:6/8
L:1/8
K:Ador
E|A2E ABd|ede ABA|G2D GBc|dcd G2B|
A2E ABd|e2f gfg|edc Bcd|ecB A2:|
e|a^ga A2a|a^ga A2f|gfg G2f|gfg G2B|
c2c d2d|efg a3|edc Bcd|ecB A2:|

X:123
%
%
T:CARRIGMORE ROAD* (jig), The 
S:S: NFID.232a < JMcK  ("untitled jig")
Z:Z: ABC/arr. BB
% I know I should know the actual name of this tune but it escapes me at 
% the moment.
Q:1/4=160
L:1/8
M:6/8
%R:jig 
K:D
E|DB,A, DFA|dcd ecA|BdB AFD|EDE FDB,|
A3 DFA|dcd ecA|BdB AFA|Bdd d2 :|
%
B|AFA dfa|bfb afd|g3 fdf|ede fdB|
AFA dfa|bfb afd|BdB AFA|Bdd d2:|
%
A|dAF AFE|DFE DFA|dcd ede|fdB BAc|
dAF AFE|DFE DFA|d2f ede|fdd d2 :|
%
B|AFA dcd|BAB dAF|DEF EDE|FDB, B,A,B,|
AFA dcd|BAB dAF|DEF EDE|FDD D2:|

X:124
%
%
T:CARROLL'S (polka)
Z:Z: ABC/arr. BB
S:S: Mally.HIP.034
Q:1/4=120
%R:polka
L:1/8
M:2/4
K:G
z|G>E DE|GA Bd|e/f/g/e/ dB|B/A/G EF|
G>E DE|GA Bd|e/f/g/e/ dB|B/A/G G :|
z|ef/e/ Bd|f/e/d Bd|e/f/g/e/ dB|B/A/G EF|
G>E DE|GA Bd|e/f/g/e/ dB|B/A/G G :|

X:125
%
%
T:CARRYIN' ON AGAIN (jig)
C:N.Bowen 8/24
S:S: composer
M:6/8
%R:jig
L:1/8
Q:1/4=160
K:Em
A|BEE BEE|dBA GAB|ADD AFA|FAF AcA|
BEE B3|GEG AcA|BEE GAB|AFD E2 :|
A|Bee Bee|cAA BGE|EBB GBd|faf e2f|
afe dBA|edB AFD|EBB GAB|AFD E2:|

X:126
%
%
T:CARTHY'S REEL 
S:S: CRE.4 < J.Wade < T. Matthews
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Dmix
ADD2 FGAB|cAdB cAGE|ADD2 FGAB|cAGE FD D2|
ADD2 FGAB|cAdB cdeg|fage d^cAF|cAGE FD D2:|
defg adfa|gefd edB^c|defg adfd|gfed Beef|
gfe^c d2fd|defd e^cAe|fage d^cAG|FAGE FDD2:|

X:127
%
%
T:CARTY'S REEL 
Z:Z: ABC/arr. BB
S:S: CRE.2 < Micho Russell (Clare)
L:1/8
M:C
%R:reel
Q:1/4=180
K:E dorian
%%text A-B-A
%%vskip .3in
N:N: "fine" |ABAF D4|
GA|BEEF G2GA|BEEA Bede|Beec d2dB|ABAF DEFD|
BEEF G2GA|Bee2 Bede|Beec d2dB|ABAF DE:|
FA|B2BA G2GA|BcBA Bdgd|BcBA G2FG|ADED ADed|
B2BA GFGA|B2BA Bdg2|gbaf g2ge|dedB "_DC"A2:|

X:128
%
%
T:CASEY THE WHISTLER (reel) 
S:S: ONMI.1333 < F.O'Neill
Z:Z: Brennan/Black 
% I'm calling D mix on this one!
Q:1/4=180
%R:reel
M:C|
L:1/8
K:Dmix 
AddB cBAG|AcGF EFG2|AddB cBAG|AcGE EDD2:|
FEFG ABcA|d2dc AGFD|FEFG ABcA|d2cA G2AG|
FEFG ABcA|d2dc ABc2|d2cA G2FG|AcBd cAGE|\
"^coda"HD4z4|]

X:129
%
%
T:CASEY'S PIG (fling) 
T:Jim Conway's 
Z:Z: ABC/arr. BB
N:N: Brian Conway is the source of this tune. He called it "Jim Conway's" after 
N:his father, and as such it appeared in MVBT-1. I have since discovered this 
N:alternate name - there are probably others!
%R:hornpipe
Q:1/4=150
M:4/4
L:1/8
K:G
%swing .25
G2 GD EDGD|GBdB A2 A2|G2 GD EDGD|EGDB, A,2 G,2 :|
gabg d2 d2|gabg e4|gbeg dgBg|AGAB G2 G2 :|
%

X:130
%
%%staffsep 70
T:CASH IN HAND (jig)  
C:© BB 2006
S:S: BBMG
% In honor of a musician's favorite form of compensation.
L:1/8
M:6/8
Q:1/4=160
%R:jig
K:A
e|"F#m"fec ABA|"A"cBA "D"F2E|"E"EFG "A"ABc|"D" dfe "E"B2 e|
"F#m"fec ABA|"A"cBA "D"F2E|"A"EAc "Bm"Bdc|"E"BAG "A"A2 :|
D|"A" EAA "D"FAA|"E"GBc B2A|"A" cee "D" dff|"A" aec "E"B2A|
"A" EAA "D"FAA|"E" GBd "A" cea|"Bm" fdB "A" cde|"E" dBG "A"A2 :|

X:131
%
T:CASHELDOO SLIDE*
S:S: CRE.5 (unnamed)
Z:Z: ABC/arr. BB
Q:1/4=160
M:12/8
%R:slide
K:D 
N:N: source key = G
B|dcd BAF D2d B2A|F3 EDE FAF ED[B,E]|
dcd BAF dcd B2c|dcd edc d3 d2:|
e|f3 fed e2e edc|d3 dcB AFA AFA|
f3 fed ede edc|d3 edc d3 d2:|

X:132
%
%
T:CASHENBRIDGE POLKA* 
Z:Z: ABC/arr. BB
S:S: CRE.4 (unnamed) < Barrett < Collins
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:D
aA AG/A/|Bg g>f|gB cB|Af ff/g/|
aA AG/A/|Bg g>f|gB cB/c/|ed d2:|
K:A
ed/e/ f2|ed/e/ c2|ed/e/ fe/f/|gc c2|
ed/e/ f2|ed/e/ c2|dc BA|1a2 a2:|2 agfe||
K:D
|:dA AF/A/|Bg g>f|gB cB|Af ff/e/|
dA AF/A/|Bg g>f|gB cB/c/|ed d2:|

X:133
%
%
T:CASHMERE SHAWL (reel), The  
S:S: ONMI.1344 < Kennedy
Z:Z: Brennan/Black 
Q:1/4=180
%R:reel
M:C|
L:1/8
K:C
BG|A2AB AGED|EGAB c2BG|AcBG AGEa|gedB c2:|
cd|ecgc eccg|ecge d2cd|ecgc eccg|a^fge d2cd|
ecgc eccg|ecge d2cd|e^fg2 eaa2|gedc c4|]

X:134
%
%
T:CASSERLY SISTERS (reel), The  
C:Mary Coogan 2002
S:S: MVBT
Z:Z: ABC/arr. BB
% The sisters are Mary's mom (Celia) and aunt (Gloria).
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Dm
dcAG FGAB|c2 ec gcec|dcAG FGAB|cAGE FD D2|
dcAG FGAB|c2 ec gcec|DFAc dcAG|FDEC D4 :|
A,DFD B,DFA|GE E2 BAGE|A,DFD B,DFB|AGFE FEDC|
A,DFD B,DFA|GE E2 BAGE|A,DFA dcAF|DFEC D4 :|

X:135
%
T:CASSIDYS OF TEELIN* (hornpipe), The  
S:S: NFID.109a < SD ("untitled highland")
Z:Z: ABC/arr. BB
% A relative of "All the Way to Galway"
Q:1/4=150
L:1/8
M:C|
%R:hornpipe
K:Dmix
%swing .25
A2AG ABcA|G2EC GCEG|A2AG ABcA|BGAG FDD2:|
defd cAAc|BGBd cAA2|1 defd cAAc|BGAG FDD2:|
[2 defd cAAA|Bd AG FDEG|HD4z4|]

X:137
%
%
T:CASTLE (reel), The  
S:S: BSMI.2
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:Em
BEE2 G3A|BEE2 Bded|BEE2 d^cdB|ABAF DEFA :|
BcBA G3 A|BG G2 Bdgd|BcBA G2 FG|AD D2 ADFA |
BcBA G3 A|BG G2 Bdef|gbaf gfge|dedB A2FA|HE4z4|]

X:138
%
%
T:CASTLE BRAY (hornpipe) 
C:© E.Reavy
S:S: "Ed Reavy Collection"
Z:Z: McKenty / Black 
Q:1/4=130
M:C|
L:1/8
%R:hornpipe
K:Adorian
%%text "andantino"
%%vskip .3in
FG|A2Bd edcA|A,B,CE DB,G,B,|A,2B,D EDCD|EAce dBGB|
A2 Bd edcA|A,B,CE DB,G,B,|A,B,CD EAce|dBGB A2:|
K:A
Ad|ceac dcBA|GABa gedB|ceac dcBA|GABd cAAB|
ceac dcBA|GABc d2 fg|a2g2 f2ec|dfec A2:|
%
N:N: The only way I could get this to sound right is by considering the first part as 
N:A dorian and the second part as A major. (Book has three sharps all the way 
N:through). It might in fact be a "superb" tune as the book's editor contends, but 
N:I'll leave it to you to decide after you hear it.

X:139
%
%
T:CASTLE DALY (reel)  
Z:Z: ABC/arr. BB
S:S: Levey2.8
Q:1/4=180
L:1/8
M:C
%R:reel
K:D
dB|A2FA BGGB|A2FA B2EB|A2FA BGGc|dBAG F2DB|
A2FA BGGB|A2FA B2EB|A2FA BGGc|dBAG F2D2 ||
dAFA dAFA|gefd c2de|dAFA BABc|dBAG F2DB|
dAFA dAFA|gefd c2ec|dfaf dgbg|fgeg fddB||\
"^coda"d4z4|]

X:140
%
%
T:CASTLE DONOVAN (a)
S:S: ONMI.0473 < F.O'Neill
Z:Z: Brennan/Black 
M:3/4
L:1/8
K:Am  
%%text "moderate"
%%vskip .3in 
N:N: source key = Gm
A>G|E2A2AB|c2dc A>B|c2d2 e^g|a4b>a|
g2e2dB|c2B2A2|A6-|A4AG|
E2A2AB|c2dc AB|c2d2 (3e^f^g|a4ba|
g2e2d2|c2A2B2|A6|A2z2||
%
cd|e2a2bg|a2e2ed|c2d2e^f|g4ed|
c2A2AB|c3 ded|c2A2A2|G4ED|
E2A2B2|c2dc A>B|c2d2 (3e^f^g|a4b>a|
g2e2d2|c2A2B2|A6|A2z2|]

X:141
%
%
T:CASTLE DONOVAN (b) (jig)
S:S: ONMI.0727
Z:Z: Brennan/Black 
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
A|B3 ABA|GAG GBd|edd gdB|BAG Adc|
BcB ABA|GAG GBd|edd gdB|cAF G2 :|
d|gfg efg|fag fed|gfg dfg|afd d2c|
BcB ABA|GAG GBd|edd gdB|cAF G2 :|

X:142
%
%
T:CASTLE HORNPIPE, The  
S:S: GSTC
Z:Z: ABC/arr. BB
Q:1/4=150
M:C|
%R:hornpipe
K:G
DC|B,DGD B,DGD|B,DGB dBGB|cBAB cdef|gdBG AGEG|
B,DGD B,DGD|CEGE CEGE|DFAF DFAF|G2BA G2 :|
%
Bc|dcBc dgfg|e2cB A2GB|cBAB cBcd|e2dc B2Ac|
dgfg egfg|daga faga|dBAB cdef|g3a g2 :|
%
Bc|dBGD B,DGB|ecAF D2GB|cAFD A,DFA|BGDB, G,2Ac|
dcBc dgfg|ecBc eaga|fdcd cAFA|G2BA G2 :|

X:143
%
%
T:CASTLE HYDE 
S:S: ONMI.0229 < F.O'Neill
Z:Z: Brennan/Black 
M:3/4
L:1/8
K:G
%%text "tenderly"
%%vskip .3in
BA>G|G2 Bdef|g3 edB|A2GBAG|E3BAG|
G2Bde>f|g3edc|B2 G>B A>G|G3:|
d d>B|g3fed|e>d BB dB|g3fed|e3def|
gagf e^d|e>f g>edB|A2G>BA>G|G3|]

X:144
%
%
T:CASTLE ISLAND (reel), The  
S:S: ONMI.1409 < Dillon
Z:Z: Brennan/Black 
Q:1/4=180
%R:reel
M:C|
L:1/8
K:D
%%text A-B-A
%%vskip .3in
FAA2 dcAc|dcAc dcAG|FAA2 dcAc|1 defd dcAG:|
[2 dgfe d2d2||faa2 geeg|fddf ecAc|faa2 geeg|
fded cAAz|affa geeg|fddc defg|afge fdec|
defe dc"_DC"AG||

X:145
%
%%staffsep 70
T:CASTLE ISLAND HOLIDAY (reel)
%R:reel
C:Rick Gagne 
S:S: composer
Z:Z: ABC/arr. BB
N:N: "no G or G sharp notes; d/o/c/ 1988 on whistle"
Q:1/4=180 
M:4/4
K:F#m
ce | "F#m"fecB AFF2 | "D"AFF2 c2f2 | "Bm"fedc BcAc | "D"BcAF "E"ecec | 
"F#m"fecB AFF2 | "D"AFF2 c2f2 | "A"edcA "Bm"BdcB | "D"AFFE "F#m"F2 :|
fc | "E"eBB2 cBAB | "C#m"EBB2 cBAB | "F#m"fcBc dcBc | "D"FcBc dcBc | 
"E"eBB2 cBAB | "C#m"EBB2 cBAB | "F#m"fecf ecfe |"C#m"cBAc "D"f2 :|\
"^coda""C#m"cBAc "E"He4 |]

X:146
%
%
T:CASTLE JIG (a-1), The    
S:S: GSTC
C:Sean Ryan 
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%R:jig
K:Am 
B|cBA BAG|AGE DB,G,|A,G,A, EDB,|DEG AGE|
c2A BdB| AGE DB,G,|A,G,A, ECE|DB,G, A,2 :| 
B|cBA aga|bag edB|GBd gfg|G,B,D GBd|
cBc dcd|ede gab|age dBG|EFG A2 :|

X:147
%
%
T:CASTLE JIG (a-2), The 
S:S: SRHI.10b
Z:Z: ABC/arr. BB
C:Seán Ryan
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:Am
B|cBA BAG|AGE DB,G,|A,3 EDB,|DEG AGE|
c2A BdB|AGE DB,G,|A,3 ECE|DB,G, A,2:|
B|cBA a3|bag edB|GBd g3|G,B,D GBG|
cBc d^cd|ede gab|age dBG|E^FG A2:|

X:136
%
%
T:CASTLE JIG (b), The 
T:The Kesh  
S:S: BSMI.1
Z:Z: ABC/arr. BB
%R:jig
M:6/8
Q:1/4=160
L:1/8
K:G
D|GFG GAB|A2G ABd|edd gdd|eBB dBA|
GFG GAB|A2G ABd|edd gdB|AGF G2 :|
A|BGB dBd|ege dBA|BGB dBG|A2B AGA|
BGB dBd|ege dBd|gfg aga|bgf g2 :|

X:148
%
%
T:CASTLE KELLY (reel) (1) 
S:S: CRE.1 
Z:Z: ABC/arr. BB
% CRE shows this as an ABB tune but I don't think anyone plays it that way.
M:C
L:1/8
Q:1/4=180
%R:reel
K:A dorian
E|A2cA A2cA|GBEF G2EG|A2cA GAcd|egdB cAAE|
A2cA A2cA|GBEF G2EG|A2cA GAcd|egdB cAA :|
e|age^c d2ed|cAGE G3e|age^c d2^cd|eaab a2bg|
age^c d2ed|cAGE GFEG|A2cA GAcd|egdB cAA:|
%
%

X:149
%
%
T:CASTLE KELLY (reel) (2) 
Z:Z: ABC/arr. BB
S:S: FS2.25b
M:C
L:1/8
Q:1/4=180
%R:reel
K:Ador
z|A2cA A2cA|GBEF G2EG|A2cA GAcd|e2dB cAAz|
A2cA A2cA|GBEF G2EG|A2cA GAcd|e2dB cAA :|
g|agec d2ed|cAGE G3g|agec d2cd|eaag a2ba|
agec d2ed|cAGE G2EG|A2cA GAcd|e2dB cAA :|

X:150
%
%
T:CASTLE KNOCK (slip jig)
S:S: CIAJ (as "Nock")
Z:Z: ABC/arr. BB
% In measure 12, you can substitute /gfe aba gec/ if the /c'/ presents problems.
M:9/8
%R:slip jig
Q:1/4=160
K:Dm
D|: A3 ABG FGA|DA2 ABG AFD|DA2 ABG FGA|
EFE cBA GEC :|fd2 faf d2e|fd2 faf gec|
fd2 faf dcB|BGc cBA GEC :|da2 abg fga|
d2d abg agd|dfa abg fga|"^12"gfe c'ba gec :|
Dd2 Dd2 Fd2|Dd2 Dd2 GEC|Dd2 Dd2 Fd2|
%%stretchlast 0
GFE cBA GEC :|"^coda"D6z3|]

X:151
%
%
T:CASTLE O'NEIL  
S:S: CGI.142
Z:Z: ABC/arr. BB
L:1/8
M:3/4
K:D 
%%text "maestoso"
%%vskip .3in
gf|e2d2 ef|g4 fg|a2 fagf|e2d2d2|d4 z2|
d2ef a2|b4 ab|a2 edef|g2g2g2| g4 ||
gf|e2d2d2|d4 e/f/g|b4 ab|a2 e2 g2|g4 gf|
e2 d2 ef|g4 fg|a2 fagf|e2 d2 d2|Hd6 |]

X:152
%
%
T:CASTLE OF DROMORE, The   
S:S: ONMI.0052 < J.O'Neill
Z:Z: Brennan/Black 
M:6/8
L:1/8
K:D
%%text "with feeling"
%%vskip .3in
F/G/|A2A A2A|B2A ABc|d2G F2G|A3-A2B/c/|
d2D D2D|E2D DEF|G2B A2G|F3-F2B/c/||
ded cdc|BcB A2G|F2A GFE|D3F2A|
GAG E2G|FGA D2F|G2E D2C|D3-D3|]

X:153
%
%
T:CASTLE OF GOLD (hornpipe), The 
S:S: CRE.3 
Z:Z: ABC/arr. BB
C:Junior Crehan
%R:hornpipe
L:1/8
Q:1/4=150
M:C
K:E dorian
FA|BEED E2FA|BABc d2ef|edBA FBAF|E3C DB,B,A,|
B,EED E2FA|BABc d2ef|edBA FBAF|E2ED E2:|
FA|Beef g2fd|edBc d2ef|edBA FBAF|E3C DB,B,A,|
B,EED E2FA|BABc d2ef|edBA FBAF|E2ED E2:|

X:154
%
%
T:CASTLE TOWN HUNT (jig), The  
S:S: OFPC1.14
Z:Z: ABC/arr. BB
N:N: Structurally a little weird with only eight measures in parts A and C. This
N:might be a set dance of some kind.
Q:1/4=160
M:6/8
%R:jig
L:1/8
K:D 
%%text simplified version
%%vskip .3in
P:A
B|ABd dfa|dfa B2A|ABd fad|ede d2 :| % X 2 :|
%
P:B
f|gbg faf|efe edB|gbg faf|edB A2f|
gbg faf|efe edB|ABd fad|ede d2 :|
%
P:C
B|ABd fdd|edd fdB|ABd fad|ede d2 :| % X 2 :|
%
P:D
f|gbg faf|efe edB|gbg faf|edB A2f|
gbg faf|efe edB|ABd fad|ede d2 :|

X:155
%
%%staffsep 70
T:CASTLE VIEW (jig), The 
S:S: BBMG
C:© BB
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:Ador
E|"Am"EcA "Em"B2 c|"G"ded BAG|"Am"EcA "G"Bcd|"Em"ecB "Am"A2 G|
"Am"EcA "Em"B2 c|"G"ded "Am"cBA|"G"GAB "F"FAc|"Em"BGE "Am"A2 :|
e|"Am"eaf "Em"g2 a|"G"bag "D"fed|"Am"eaf "G"gab|"Am"age a2 e|
"Am"eaa "Em"b2 a|"G"gfe "Am"cBA|"G"GAB "F"=FAc|"Em"BGE "Am"A2 :|
%
% So you stay in a place with this name and then you can't see
% the castle? What's up with that?

X:156
%
%
T:CASTLEBAR BOY (jig), The   
S:S: MFC.078E
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
f|gBB BAB|GBA GBd|gBB BAB|GBd e2 f|
gBB BAB|GBA GBd|g2 e fdB|GBd e2 :|
f|g3 bge|fdf afd|gfg bge|fed e2 f|
g3 bge|fdf afd|g2 e fdB|GBd e2 :|

X:157
%
%
T:CASTLEBAR TRAVELLER (reel), The 
S:S: Treoir
Z:Z: ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:A dorian
a2ag e2dc|BGG2 BABd|eaag e2dc|BAGA BAA2|
eaag e2 dc|BGG2 BABd|edef g2af|gedB BAA2 :|
eaag e2 dB|BGGA BABd|eaag a2ga|baga baa2|
abag eBdc|BGGA BABd|edef gbaf|gedB BAA2 :|

X:158
%
%
T:CASTLEBLANEY PIPER (jig), The   
C:© E.Reavy
S:S: "Ed Reavy Collection"
Z:Z: McKenty / Black 
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:D
%%text "allegretto"
%%vskip .3in
G|FDF ABc|dfd AGF|GBG EFG|FDF GFE|
FDF ABc|dfd cde|faf gec|edc d2:|
%
e|fed gfe|fed cAF|GBG FGA|BGE EFG|
[1 f2d g2e|fed cde|faf gec|edc d2 :|
[2 FDF ABc|dfd cde|faf gec|edc Hd3|]

X:159
%
%
T:CASTLEISLAND IVYLEAF (reel), The  
C:T.O Canainn
S:S: NTFO.014
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
%R:reel
K:D
fedc dAA2|fAA2 BAFA|fedc dAA2|Bd eg fdd2|
fedc dAA2|fAA2 BAFA|fedc AGFG|ABAG FDD2:|
D2 FA BAFA|g2gf edBd|D2 FA BAFA|edBA FAEA|
D2 FA BAFA|gAfA edBd|fgfe dBAF|A2AG FDD2:|

X:160
%
%
T:CASTLEMAHON LASSES (reel), The 
S:S: CRE.5 < James McEnery (Limerick)
Z:Z: ABC/arr. BB
M:4/4
Q:1/4=180
%R:reel
K:G
DF|G2BG AGBd|gedB AGEF|G2BG AGBd|gedB A2BA|
G2BG AGBd|gedB dega|bgag efge|dBAB G2:|
Bd|g2bg agba|gedB dega|g2bg agea|gedB A2Bd|
g2bg agba|gedB dega|bgag efge|dBAB G2:|

X:161
%
%
T:CASTLES IN THE AIR (hornpipe) 
S:S: RC3.145 ("schottische")
Z:Z: ABC/arr. BB
N:N: Dotted rhythm in source. Repeats added.
L:1/8 
Q:1/4=120
M:C|
%R:hornpipe
K:A
E2|A2Ac B2E2|AGAB c3c|dcdf ecA2|BcBA F2E2|
AAAc B2E2|AGAB c3e|fgaf ecAc|BdcB A2:|
ce|f2fa e2c2|dcdf e4|dddf ecA2|BcBA F2E2|
A2Ac B2E2|AGAB c2de|fgaf ecAc|BdcB A2:|

X:162
%
%
T:CASTLETOWN CONNERS (jig) 
S:S: DMI.0324
Z:Z: Nordberg/Black 
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:Em
B|Bee B^cd|ABG FED|GFG A2A|B2A B^cd|
Bee B^cd|ABG FED|DFA dAF|FEE E2:|
B|BEF G2A|BAG FED|BEF G2A|B2A Bee|
BEF G2A|BAG FED|DFA dAF|FEE E2:|

X:163
%
%
T:CAT and the BACON (jig), The  
S:S: DMI.0308
Z:Z: Nordberg/Black 
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:Dmix
G|Add Add|efd c2A|Add Add|efd cAG|
Add Add|efd c2d|ecA G2E|FDD D2:|
g|aba gag|fed ecA|AcA c2d|cAd cAG|
Add Add|efd c2d|eaa gec|edd d2:|
%
N:N: DMI shows no C naturals but this sounds to me very much like a D mix  
N:tune. To hear O'Neill's version, replace G with D in the K: field of the ABC. 
N:(Got all that?)

X:164
%
%
%
T:CAT and the SNUFF (jig), The 
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy2.3
Q:1/4=160
M:6/8
%R:jig
K:G
e|dBA BGE|GED GBd|egd edB|ABG ABd |
edB dBA|BGE deg|edB dBA|GAG G2 :|
B|deg aga|bge edB|efg edB|dBA BGE |
Bee ega|bge edB|efg edB|GAG G2 :|
A|Bee efa|gfg edB|dBd edB|dBA GEE|
Bee ega|bge age|ged edB|GAG G2 :|

X:165
%
%
%
T:CAT in the CORNER (1) (jig)
Z:Z: ABC/arr. BB
Q:1/4=160
N:N: This is the late Joe Derrane's setting of this well-known tune.
L:1/8
M:6/8
%R:jig
K:Dmix
A/G/|FEF DFA|dAF AFD|EGE CEC|EGE CEG|
FEF DFA|dAF AFD|GBG EFG|AFD D2 :|
a/g/|f2d dfa|afd dfa|e2c ceg|gec efg|
f2d dfa|afd dfa|fdB ABd|fdd d2 :|
%

X:166
%
%
%
T:CAT in the CORNER (2) (jig)
S:S: ONMI.0871
Z:Z: Brennan/Black 
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:Dmix
G|F2D DFA|dAF AFD|EGE CEC|EGE CEG|
F2D DFA|dAF AFD|GBG EFG|AFD D2 :|
g|f2d dfa|afd dfa|e2c ceg|gec efg|
faf edc|dcB AFA|BdB ABG|FDD D2 :|
%
N:N: No C naturals in this setting. 
%

X:167
%
%
%
T:CAT in the CORNER (3) (jig)
S:S: GSTC
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig
M:6/8
K:Dmix
A|FGF DFA|dAF AFD|EGE CEG|cGE CAG|
EGF DFA|dAF AFD|GBG EFG|AFE D2 :|
g|f2d d^cd|afd d2f|e2c cBc|gec efg|
a2f gfe|fdB AFD|GBG EFG|AFE D2 :|
%

X:168
%
%
T:CAT in the CORNER (slide), The   
Z:Z: ABC/arr. BB
S:S: JOL.348
% Not related to the jig of the same name.
Q:1/4=180
L:1/8
M:12/8
%R:slide
K:G
A|BGG G2B ded d2c|BAB GBd e2f g3|
GBd gfe fdB cBA|BGE EDE c3 B2 :|
A|B2E EDE GED D2A|BEE EDE c3 B2A|
BGE EDE GED D2E|GBA GBA G3 G2 :|

X:169
%
%
%
T:CAT in the WELL (jig) 
C:Martin Mulhaire
Z:Z: Stuart Peak  
S:S: MVBT < Sean Quinn from Martin Mulhaire
M:6/8
%R:Jig
Q:1/4=160
K:D
ABc|:dcd ecA|GFG AFD|A,CD GFG|Aec ABc|
dcd ecA|GFG AFD|A,CD GFE|1 EDC DFA:|2 FDC D2||
|:B|Adc dfg|aba gag|faf ged|ecA GFG|
Adc dfg|aba gag|fed cAG|FAD D2:|

X:170
%
T:CAT RAMBLES TO THE CHILD'S SAUCEPAN (slide) (1)  
Z:Z: ABC/arr. BB
S:S: FS3.40c
M:12/8
L:1/8
Q:1/4=170
%R:slide
K:D
A|d2e f2e dcd B3|g2A cBA e2A cBA|
d2e f2e dcd B3|g2A cBA d3 d2 :|
A|d2e f2a baf a2f|e2A cBA efe cBA|
d2e f2a baf a2f|e2A cBA d3 d2 :|
%
N:N: This silly title is the Kerry musician's alternative to "I have no idea" or "I  
N:know but I'm not telling you!" when asked for a tune name.

X:171
%
T:CAT RAMBLES TO THE CHILD'S SAUCEPAN (slide) (2)
S:S: Johnny Cronin
Z:Z: ABC/arr. BB
Q:1/4=180
%R:slide
M:12/8
L:1/8
K:D
A|d2e f2a baf a2f|e2A cBA e2A cBA|
d2e f2a baf a2f|e2A cBA d3 d2 :|
A|d2e f2e dcd B3|g2A cBA e2A cBA|
d2e f2e dcd B2e|g2A cBA d3 d2 :|
% See note to setting (1)

X:172
%
%
T:CAT THAT ATE THE CANDLE (reel), The  
S:S: CRE.1
Z:Z: ABC/arr.BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D mix
G|A2GB ADDE|FGAB c2dB|A2GB AGAB|cAGE FEFG|
A2GB ADDE|FGAB cAdB|A2 GB A3B|cAGE F3 :|
B|Adde fedf|edce dcAd|Adde fefg|afge fde^c|
Adde fedf|edce dcAd|Adde f3g|afge fde :|
"^coda"afge fde^c|HD4z4|]

X:173
%
T:CAT THAT KITTLED IN JAMIE'S WIG (hornpipe), The  
S:S: NFID.079a < JD
Z:Z: ABC/arr. BB
N:N: Version of "Loch Leven" ("Women's Rock" or "Cliff" in other collections) 
N:but I like Doherty's name better! (I'm hoping that "kittle" means "having 
N:kittens"!)
Q:1/4=140
L:1/8
M:C|
%R:hornpipe
K:Ador
cB|AA,A,B, CDEF|GA GE G2cB|AA,A,B, CDEd|cA BG AecB|
AA,A,B, CDEF|GA GE G2cd|ec Bd c2 eg|
Ac BG AS:S: |cd|:eaaf gfgd|eaaf g2 Bd|
eaaf gfed|eg dB A2cd|eaaf gfgd|eaaf gfga|
bgfa g2 Bd|1 eg dB c2 B2:|2 egdB cBAG|HA4z4|]
%

X:174
%
T:CAT'S MEOW (jig), The  
C:Joanie Madden
S:S: MVBT
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:D
D|FAd fef|afe dBA|BdB BAF|dAF E2 E|
FAd fef|afe dBA|Bde fdB|AFE D2 :|
%
e|fdB AFA|DFA d2 e|gef ged|ced cBA|
fdB AFA|DFA d2 e|gec age|edc d2 :|
%
d|FAd fef|agf agf|Ace g2 g|gfe gfe|
fef gfg|aga bag|faa gec|edc d2 :|
"^coda"fdB gec|dAF HD3|]
%
% A fine jig composed (and - wait for it - actually named!) 
% by Joanie. It's been recorded by Jerry O'Sullivan and others.

X:175
%
%
T:CAT'S RAMBLES (jig), The 
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:D
D|FAF EFE|DFA dAG|FAF EDE|F2E DFA|
B2 d A2 d|F2 A AFD|FAF EDE|F2E D2 :|
E|DFA ded|ABF AFD|DFA d2 c|Bcd ecA|
Aff d2 e|fdf ecA|FAF EDE|F2E D2 :|
%
% Transcribed from the CD "The Dance Music of Ireland" (Jack 
% Coen and others). Note that rambling cats have a way of getting 
% their names on otherwise nameless tunes!

X:176
%
%
T:CATERPILLAR (jig) 
S:S: LMC
C:Larry Mallette
L:1/8
%R:jig
N:N: "Not 'THE Caterpillar'. Named after a discriminating kitten who would  
N:curl up contentedly in my lap when I played the whistle." (composer's note)
M:6/8
Q:1/4=160
K:A dorian
A3 AGA|cde dcA|G3 GDE|GDE G3|
A3 AGA|cde ged|c2A BAG|EFG A3:|
e3 edB|dBA BAG|AEF G3|EFG A2e|
d3 def|gfe dBA|BAG E3|DEG A3:|
%

X:177
%
%
T:CATHAL McCONNELL'S (reel) (1)
Z:Z: ABC/arr. BB
S:S: Mally.EvIST:043
Q:1/4=180
%R:reel
L:1/8
M:4/4
K:G
c|dGG2 d3c|BdeB dBAB|cFAF c3A|BdeB dBAB|
dGG2 d3c|BdeB dBAG|FGAd f3e|dBAB GAB :|
A|dggf g3e|dgbg agfe|dffe f3e|defg agfe|
dggf g3e|dgbg agfa|bggb agfe|defd cAF :|
"^coda"defd cAFA|HG4z4|]
%

X:178
%
%
%
T:CATHAL McCONNELL'S (reel) (2)
S:S: L.Mallette 
D:D: "First Steps" (The Jig Is Up / 2011)
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
L:1/8
%R:reel
K:G
Bc|dGG2 d3A|BdeB dBAB|cFF2 c3A|BdeB dBAB|
dGG2 d3A|BdeB dBAG|FAde f3d|edcA G2:|
Bc|:dggf g2bg|dgg2 agfe|dffe f3e|defg agfe|
dggf g2bg|dgg2 agfg|bgfg agfe|defd cAFA:|\
"^coda"G4z4|]

X:179
%
%
%
T:CATHERINE MARTIN 
C:O'Carolan
S:S: CAR-OS
Z:Z: Gilb/Brennan/Black 
M:C
L:1/8
K:Am
%%text "moderato"
%%vskip .3in
ABAG A2Bd|efed e3a|a2ge edBA|A4 G4|
B3A A3A|B3d e2ef/g/|abag efge|a4 a2||
ga|b3a a3e|g2ed e3a|a2ge edBA|A4 G4|
B3A A2AB|cded c2BA|BcdB A2 BA/B/|A4A4|]

X:180
%
%
%
T:CATHERINE NOWLAN 
C:O'Carolan
S:S: CAR-ON
Z:Z: Brennan/Black 
M:3/4
L:1/8
K:D
%%text "slow"
%%vskip .3in
AB/c/|d2F zdc|B2A zAB/c/|d4 c2|B4dc|
BA GF ED|Dz D2 DF/A/|B2 ez cz|d4||
de|fz az fe|dz dc BA|d4 cz|B4 dc|
BA GF  ED|Dz D2 DF/A/|B2 ez cz|d6|]

X:181
%
%
%
T:CATHERINE TYRRELL ("1st Setting")  
S:S: ONMI.0336
Z:Z: Brennan/Black 
M:3/4
L:1/8
K:G 
%%text "slow with feeling"; source key D
%%vskip .3in
G>E|D2 E2 G2|G3 ABA|G2 g2 f2|e3 fge|
edcBAG|G2 G2 A2|B2 cBAG|F2 E2 G>E|
D2 E2 G2|G3 ABA|G2 g2 f2|f2 e2 ge|
edcBAG|G2 E2 G/A/B|A2 G2 G2|G4||
d2|g2 f2 g2|e3f g2|a3 gfe|d4 de/f/|
g2 gf ed|B2 cBAG|A2 G/A/B AG|E3 FGE|
D2 E2 G2|G3 ABA|G2 g3f|f2 e2 ge|
edcBAG|G2 E2 G/A/B|A2 G2 G2|G6|]

X:182
%
%
%
T:CATHERINE TYRRELL ("2nd Setting") 
S:S: ONMI.0337 < F.O'Neill
Z:Z: Brennan/Black 
M:3/4
L:1/8
K:G
%%text "slow"
%%vskip .3in
GE|D2 E2 F2|G4 GA|B2 g2 f2|e4 ge|
d2 e2 d2|B2 A2 B2|G2 AG F2|E4 GE|
D2 E2 F2|G4 GA|B2 g2 f2|e4 ge|
d2 e2 d2|B2 A2 B2|G2 AG F2|G4||
GA|B2 A2 B2|g2 f2 g2|a3 gfe|d4 gf|
e2 d2 B2|B2 A2 B2|G2 AG F2|E4 GE|
D2 E2 F2|G4 GA|B2 g2 f2|e4 ge|
d2 e2 d2|B2 A2 B2|G2 AG F2|G6|]

X:183
%
%
%
T:CATHERINE WHEEL (reel), The 
C:Aidan Crossey
S:S: composer
M:4/4
Q:1/4=180
L:1/8
%R:Reel
K:D Major
Ac|d2 AF DEFA|d2 fe dcBA|d2 AF DEFA|BdAF E2 FA|
d2 AF DEFA|d2 fe dcBA|d2 cd BdAd|edfe d2:|
fg|a2 fd Adfd|Adfd edBA|a2 fd Adfd|Adfd e2 fg|
a2 fd Adfd|Adfd edBA|d2 cd BdAd|edfe d2 :|

X:184
%
%
%
T:CATHLEEN HEHIR'S (jig)  
S:S: MVBT < "De Danann" [1975]
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:D
A|dcd e2d|c2E EFG|BcB BAG|F2D DFA|
dcd e2 d|c2 E EFG|ABA GFE|D3-D2 :|
%
E|F2 A dcd|c2 B G3|ABA GFE|B2 A F3|
DFA dcd|c2 B G2 F|EFG ABc |d3-d2 :|
%
A|dcd d2 e|f2 d A3|fgf fed|c2 d ecA|
dcd d2 e|f2 d A2 F|EFG ABc|d3-d2 :|
%
e|a2 f d2 d|Adf agf|g2 e c2 c|Ace gfe|
a2 f d2 d|Adf agf|gec ABc|d3-d2 :|
%
% Also spelled "Kathleen"

X:185
%
%
T:CATHLEEN HEHIR'S* (slide)
S:S: BSMI.2 
Z:Z: ABC/arr. BB
%R:slide
M:12/8
Q:1/4=180
L:1/8
K:G
gfg a2g f2A ABc|e2e d2c B2G GBd|
gfg a2g f2A ABc|ded cBA G3 G3 :|
B2d g3 f2d c3|ded c2A e2d B3|
B2d g3 f2d c2B|ABc def g3 g3 :|

X:186
%
%
T:CATHOLIC BOYS (a), The   
S:S: ONMI.0018 < J.O'Neill (song version)
Z:Z: Brennan/Black 
N:N: No repeats in ONMI. 
M:6/8
L:1/8
K:G
%%text "with spirit" 
%%vskip .3in
D|DG>G GFG|DB>B cBc|de>d cBA|BGE =F2D|
DGG GFG|DBB cBc|d>ed cBA|BG>G G2||
f|gdB gGg|gdc BAG|=F=f>f f>ef|A=FA c_BA|
Gg>g g>=fe|dcd/e/ =fdc|B/c/dB cAF|AG>G G3|]

X:187
%
%
%
T:CATHOLIC BOYS (jig) (b), The  
S:S: RC3.091
N:N: as "Boy". Additional notes in ABC file.
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:Ador
D|EAA AGA|Ecc dcd|efe dcB|cAF G2F|
EAA AGA|Ecc dcd|efe dcB|cAG A2:|
g|aec aca|aed cBA|Ggg gfg|BGB dcB|
Aaa agf|e2f ged|cec dcB|cAG A2:|
%
% Roche has B flat in measures 12, 15, and 16. Resulting sound is pretty heinous 
% UNLESS this is intended to be in G minor (which his key signature doesn't 
% indicate). After playing it back both ways - "corrected" G major and G minor 
% - I decided to keep it G minor. Only problem is that most trad instruments can't 
% play comfortably in that key, so I transposed G minor to A minor.

X:188
%
%
%
T:CATHOLIC BOYS (jig) (c), The 
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%R:jig
K:G
N:N: source key = A
A|BGG dGG|BGG ded|cAA eAA|egf edc|
BGG dGG|BGG ded|c2d ege|dBG A2 :|
G|Bdd d^cd|Bdd d^cd|cee e^de|fag ged|
Bdd d^cd|Bdd dBG|GBd ege|dBG A2 :|

X:189
%
T:CATHOLIC BOYS (jig) (d), The  
S:S: GSTC
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%R:jig
K:A
F|E2A AGE|d2d dcd|efe dBA|B2A GED|
E2A AGE|d2d dcd|efe dBA|1 BAG AG :|\
[2 BAG A2||
|:e|aga bag|eaa aga|AGA gfg|B^AB dcB|
Ace a2g|e2f ged|Bec dBA|BAG A2 :|

X:190
%
%
%
T:CATTY NELL'S #1 (jig) 
S:S: MVBT < Alan Morrisroe
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:D
A|DED FEF|ABc d2A|B2B BAF|AFE E2A|
DED FEF|ABc d2A|BdB AFE|FDD D2 :|
A|B2B BAF|AFA d2A|BdB A2F|AFE EFA|
B2B BAF|ABc def|edB AFE|FDD D2 :|
%
N:N: Catty Nell Gallagher (who I presume was christened Catherine or Kathleen
N:Elizabeth) was a Mayo musician who supplied many fine tunes to Morrisroe. 
N:(I still don't know what happened to #3!)
%

X:191
%
%
%
T:CATTY NELL'S #2 (jig)
S:S: MVBT < Alan Morrisroe
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%R:jig
K:D
E|D2A, DFA|BdB ABA|DFA BAF|E3-E2E|
DFA BAB|ABA ABc|dcB AGF|GFE D2 :|
e|d2c BAB|ABA DFA|d2c BAF|E3-E2e|
d2c B3|AdB ABc|dcB AGF|GFE D2 :|

X:192
%
%
%
T:CATTY NELL'S #4 (jig) 
S:S: MVBT < Alan Morrisroe
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%R:jig
K:D
e|fef def|gfg e2g|fdc def|ecB A2e|
fef def|gfg e2g|fdB ABd|e3 d2 :|
B|Add dcd|fdc d2A|B2A Bcd|ecB A2e|
f3 ede|fef d2e|fdB ABd|e3 d2 :|

X:193
%
%
%
T:CATTY NELL'S #5 (jig) 
T:Flogging Your Top
S:S: MVBT < Alan Morrisroe
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%R:jig
K:D
F|ABA ABc|dfd A2G|FEF DFA|GFG EFG|
ABA ABc|dfd A2A|Bcd efe|d3 d2 :|
e|f2f fed|efe A2e|f2f fed|efe a3|
f2f fed|efe A2A|Bcd efe|d3 d2 :|

X:194
%
%
%
T:CATTY NELL'S #6 (jig)
S:S: MVBT < Alan Morrisroe
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%R:jig
K:D
B|A2D FED|FAA BdB|ADD FED|EFG E2B|
A2D FED|FAA BdB|AGF GFE|DFD D2 :|
F|A2D B2D|A2F FED|A2D B2D|AFD E2F|
DFA B2d|AFF FED|DEF G2B|ADD D2 :|

X:195
%
%
T:CAVAN REEL, The 
S:S: CRE.2
Z:Z: ABC/arr. BB
L:1/8
M:C
%R:reel
Q:1/4=180
K:D
D2FD A2FG|ABcA dBcA|D2FD A2AB|cAGE EDD2|
D2FD ADFG|ABcA dBcA|D2FD A2AB|cAGE EDD2:|
f2df fddf|e2cA BGe2|f2de fddB|cABG EFD2|
fdde f2df|e2cA BGe2|Addc defg|a2ge edd2:|

X:196
%
%
%
T:CAVAN TOWN (hornpipe)
C:© E.Reavy
S:S: "Ed Reavy Collection"
Z:Z: :McKenty / Black 
Q:1/4=150
M:C|
L:1/8
%R:hornpipe
K:D
e2|fece dAFA|EFGE CDEG|FDFA ^GABD|cdef gece|
dfAd FADF|EFGE CDEG|FAce gece|d2dc d2:| 
fg|afdA FAdf|gecA EAce|fgaf efge|cdef gece|
fadc dfaf|egcA EAce|ba^ge cABc|d2dc d2:|

X:197
%
%
%
T:CAVAN'S OWN HORNPIPE
C:© E.Reavy
S:S: "Ed Reavy Collection"
Z:Z: McKenty / Black 
Q:1/4=150
M:C|
L:1/8
%R:hornpipe
K:A
%%text Upper staff notes for treble instruments
%%vskip .3in
ED|CE[AA,][cC] EAce|dcBa gece|faec dcdf|edcd BGED|
CE[AA,][cC] EAce|dcBc defg|aece dBGB|A2GB A2:|
cd|eAce aece|fdd2 bagf|eAce aecA|BEDE BEGB|
cAce aece|fdcd bagf|eAce dBGB|A2GB A2:|

X:198
%
%
T:CAVES OF CONG, The   
S:S: ONMI.0161
Z:Z: Brennan/Black 
M:3/4
L:1/8
K:D
%%text "with feeling"
%%vskip .3in
A2|d>e fg ec|dz d2 ec|Az A2 GF|G3A Bc|d2-d2 AB/c/|
d>e fg ec|dz d2 e>c|A3B GF|E2 D2 D2|D4||
dB|cB AG EF|Dz =c2 BA|Gz A2 GF|G3A Bc|d2-d2Ac|
d>e fg ec|d3 c/d/ ec|A3 B/A/ GF|E2 D2 D2|D6|]

X:199
%
%
%
T:CAWLEY'S FROLICS (reel)
S:S: JOB
Z:Z: ABC/arr. BB
% Version of "Man of the House"
Q:1/4=180
M:C
%R:reel
K:Edor
E2BE GABE|E2BA FBAF|E2BE FABc|dBAF BAFA|
E2BE B,EGE|E2BA FBAF|E2BE FABd|edBA GEE2 ||
efge fgaf|g2fg edBd|e^def gabg|agdf geef|
geBd gabg|agbg a2ga|bgag egdg|eBBA GBAF||\
"^coda"HE4z4|]


%%% %%% %%%

X:200
%
T:CEANGULLA SLIDE (1), The  
Z:Z: ABC/arr. BB
S:S: JOL.308a
Q:1/4=180
L:1/8
M:12/8
%R:slide
K:D
d2B AFA d2c d2f|e2f g2e fed B2A|
dcB AFA d2c d2e|f2b afd e3 d3 :|
gfg bag fdf afd|e2f a2g fed B2A|
dcB AFA d2A d2e|fbg afd e3 d3 :|

%%%
X:201
%
T:CEANGULLA SLIDE (2), The 
Z:Z: ABC/arr. BB
S:S: JOL.308b
Q:1/4=170
L:1/8
M:12/8
%R:slide
K:G
G2D DED G2F G2B|A2B cBA BAG E2D|
G2D DED GFG G2A|BAB d2B A3 G3 :|
c3 e2d B2d edB|A2B cBA BAG E2D|
GED DED G2F G2A|BAB d2B A3 G3 :|

%%%
X:202
%
T:CECILIA (hornpipe)
S:S: OFPC3.109
Z:Z: ABC/arr. BB
% "Irish - ? hornpipe" Original measure 11: |db a/g/f/g//e// dBAB|
Q:1/4=150
M:C|
L:1/8 % dotted
%R:hornpipe
K:G
%swing .25
Bc|dedB dedB|G2ga g3e|dedB degB|B2AB A2Bc|
dedB dedB|G2 g2 agfe|defg dBAB|G6 :|
zd|fgfd fgfd|g2 gb agfe|dedB degc|B3G A2GA|
BcBG dedB|cBce agfe|dbaf dBAB|G6 :|

%%%
X:203
%
%%staffsep 70
T:CEDAR BLUFFS (hornpipe), The 
%R:hornpipe
C:Rick Gagne 
S:S: composer
Z:Z: ABC/arr. BB
N:N: "d/o/c/ 1991 on whistle"
M:4/4
Q:1/4=160
K:D
%swing .25
de | "D"fAA2 "A"eAA2 | "Bm"fAaA "A7"gAeA | "D"fAA2 "A"eAA2 |\
"Bm"dfec "G"dcBA | 
"D"fAA2 "A"eAA2 | "Bm"fAaA "A7"gAeA | "D"fAA2 "A"eAA2 | "G"dfec "D"d2 :|
ef | "Em"gfga "G"bgab | "F#m"c'afe "D"fdef | "Em"gfga "G"bgab | "F#m"c'afe "D"f2ef | 
"Em"gfga "G"bgab | "F#m"c'afd "Bm"bfdB | "G"gdBG "F#m"fcAF | "Bm"BdcA B2 :|

%%%
X:204
%
%
T:CEDARS OF LEBANON (reel), The  
S:S: SRHI.29a
Z:Z: ABC/arr. BB
C:Seán Ryan
Q:1/4=180
L:1/8
M:C
%R:reel
K:D
EA,A,2 A,CEC|D2FA dcde|fdd2 AFDF|GEFD EGFG|
EA,A,2 A,CEC|D2FA dcde|fdd2 AFDF|GBAG FDD2:|
dcde fdd2|Adfa bagf|e^def gfga|bgaf gfec|
d3e fdd2|Adfd AFDF|GFGA BcdB|AFGE FDD2:|

%%%
X:205
%
%
T:CEILIER (reel), The 
C:© E.Reavy
S:S: "Ed Reavy Collection"
Z:Z: McKenty / Black 
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:G
%%text "allegro moderato"
%%vskip .3in
Bc|dGBd c=FAc|BGBd gfdc|Bcde =fdeg|^fdBd c=FAc|
BGGF GABc|dGBd c2 Bc|dgfa gbag|fdcA G2:|
Bc|dggf g2 gf|dgBg dcBc|de=fe f2 fe|d=fcf dcBc|
dggf gfga|bgaf gfde|=f2 fe fdeg|^fdcA G2:|

%%%
X:206
%
%
T:CELIA CONNELLAN 
S:S: ONMI.0596
Z:Z: Brennan/Black 
M:2/4
L:1/16
K:Dm
%%text "slow"
%%vskip .3in
A/B/AG|A2d2 d2 d/e/f/e/|d4 d2=cA|c4 GFGA|c4 dcAG|
A2d2 d2 d/e/f/e/|d4 d2=cA|c4 E3D|C2A,2 C2DE|F4z4||
F2GA c2A/G/F|E4 AGFE|D3E D2A,2|D2E2 FGFG|A2de f2e2|
d4 d2=cA|c4A2GE|GFED D3D|D4-D4|]

%%%
X:207
%
%
%
T:CELIA O'GARA 
S:S: ONMI.0366 < F.O'Neill
Z:Z: Brennan/Black 
M:3/4
L:1/8
K:G
%%text "moderate"
%%vskip .3in
BA|G2B2B2|A2c2c2|G2B2B2|c4BA|
G2B2d2|c2A2d2|B2G2G2|G4||
D2|GABcde|=f4ag|^f2d2B2|c4BA|
G2B2d2|g4ag|f2d2f2|g4BA|
G2B2B2|A2c2c2|G2B2B2|c2e2g2|
edcBAG|FGABcA|B2G2G2|G6|]

%%%
X:208
%
%
%
T:CELIA O'GARA* (jig)
S:S: CRE.5 (unnamed)
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%R:jig
K:G
D|GBB Acc|Bdd c2e|dBB cAA|BGG A2D|
GBB Acc|Bdd c2e|dBB cAA|BGF G2:|
D|GBd gfg|ecB c2B|Ace a2g|fdc d2B|
GBd gfg|ecB c2e|dBB cAA|BGF G2:|

%%%
X:209
%
%
%
T:CELIA'S FANCY (reel) 
C:Mary Coogan
S:S: composer
% The Celia of the title is Mary's mom.
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Am
EA A2 cBAc|BAGB ABcd|ea a2 gedB|c2 Bc AGED|
EA A2 cBAc|dcAG ABcd|ea a2 gedB|AcBG A4 :|
e^fge a3b|agea gedB|cBcd eaae|dBGB AGED|
ea a2 ba a2|agea gedB|cBcd eage|dBGB A4 :|

%%%
X:210
%
%
%
T:CENTENARY JIG, The  
S:S: "Collection of the Dance Music of Ireland" (P. McNulty)
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
A|FGA F2D|A,CE D2e|fed dcB|AEF GFG|
A2B G2A|FAd fed|cBA GEC|D3 D2:|
C/B,/|A,2F FED|fAd f2e|dFA dcB|AEF GAG|
FGA ABc|dAG FGA|BGB AFA|GEC D2:|

%%%
X:211
%
%
%
T:CENTENARY MARCH, The  
C:Arthur Kearney
S:S: MVBT
Z:Z: Paul de Grae via IRTRAD
Q:1/4=120
M:2/4
L:1/8
%R:March
K:D
FG|A2 A>B|AF ED|f2-f>d|ed Bd|
A2 A>B|AF ED|E2 E>F|E2 DF|
A2 A>B|AF ED|f2-f>d|ed Bd|
A2 d>e|fe dc|d2 d>e|d2||
%
Ad|f>e fa|Ad fa|g2 f2|e2 f>g|
af dA|FA GF|E2 E>F|E2 FG|
AD FA|dF Ad|fa gf|ed cB|
Aa ^ga|ge cA|d2 d>e|d2|]
%
% This tune was posted on the IRTRAD list by Paul de Grae. Arthur Kearney 
% is from Omagh, County Tyrone. "A lot of his family can play music or sing 
% a song," according to Arthur's grand-daughter Emma O'Neill.

%%%
X:212
%
%
%
T:CENTURY REEL, The   
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy1.51
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:A dorian
AB|cAAB cAeA|cAec dBGB|cAGA cdef|gedc d2 ed |
cAAB cAeA|BAGA cdeg|agec dged|c2 BG A2 :|
zg |a2 ed cdef|g2 gf gefg|aged cAcd|efge d3e |
aged cAGB|ABcd efge|agec dged|c2 BG A2 ||
AB|cdcB cdef|gage dBGB|ABcB cdef|gabg a2 bg |
agec dfed|c2 AB cdef|gabg efed|cdBG A4 |]

%%%
X:213
%
%
%
T:CEOL AN MALA (jig) 
S:S: "Collection of the Dance Music of Ireland" (P. McNulty)
Z:Z: ABC/arr. BB
% Title = "Music of the Bag" (? pipe tune)
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
A|BAB G2 D|GAG GFG|BAB GFG|A2 B c2 A|
BAB G2 D|GAG GBc|ded dcB|A2 B c2:|
A|B2 d ded|ded ded|B2 d ded|e2 f g2 d|
B2 d ded|ded def|gfe dcB|A2 B c2:|
"^coda"A2B cAF|G6|]

%%%
X:214
%
%
%
T:CEOL NA gCEÁRTAN (reel) 
T:Music of the Forges (?)
S:S: DMWC.050
Z:Z: ABC/arr. BB
% Repeats added
M:C
L:1/8
Q:1/4=180
%R:reel
K:G
A|G2AG Adde|fdgd fdcA|G2AG Adde|fdcA GFEF|
G2AG Adde|fdgd fdcA|G2AG Adde|fdcA AGG :|
f|g3f g2de|fdgd fdcA|g2df g2de|fdcA AGGf|
g3f g2de|fdgd fdcA|dgg2 bgag|fdcA AGG :|

%%%
X:215
%
%
%
T:CHAIN THE PONY (slide) 
S:S: CRE.5
Z:Z: ABC/arr. BB
Q:1/4=180
M:12/8
%R:slide
K:D
G|FAB dcd eAG A2g|fAB dcd eAG A3|
fef geB d2c dcB|ABA GFE D3D2:|
g|a2b a2g faf efd|e2d efe gfe dcB|
A2z a2g fga efd|ede gfe d3d2:|
%
N:N: Breathnach's Gaelic title translates to "Put the Chain on the Pony". I have 
N:"traditionalized" it a little (using the "Verb the Noun" template)!

%%%
X:216
%
%%staffsep 70
T:CHALK & CHEESE (reel) 
C:© BB
S:S: BBMG
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:D
(3A,B,C|"D"D2 FD "Em"EFGB|"E"^GBeB "A"A2 Bc|"D"d2 cd "Bm"BAGF|"Em7"GEFD "A"EA~A2|
"D"D2 FD "Em"EFGB| "E"^GBeB "A"A2 Bc|"D"dF~F2 "G"GBdB|"A"AFEC "D"D2 :|
zE|"D"FABc dfaf|"E"e^gbg "A"a2 a=g|"D"fdcd "Bm"bdcd|"Em"fged "A"cABc|
"D"d2 fd adfd|"Bm"ba^gb "A"a2 a=g|"D"fddc "Em"BEGB|"A"AFEC "D"D2 :|
%
% Dedicated with great love to our two fine sons, Tedd and Chris

%%%
X:217
%%staffsep 70
%
T:CHAMBERS of MELODY (jig)
S:S: BBMG
C:© BB 12/06
L:1/8
M:6/8
Q:1/4=160
%R:jig
K:Em
D|"Em"EDB, DGA|"Em"BAG E2A|"G"Bdc "Em"BGE|"Bm"FAB "D"AFD|
"Em"EB,E "C"GFG|"D"AFA "Em"B2c|"G"dcB "D"AFD|"Em"E3 "Em"E2 :|
B|"Em"edB g2f|"Em"edB d2c|"G"BGB "D"def|"G"gab "D"afd|
"Em"edB g2a|"Em"bgf e2f|"C"gfe "D"def|"Em"e3 "Em"e2 :|
%
% Dedicated to Boston musician and computer tech John Chambers, 
% responsible for the great "TuneFinder" program that has been 
% so helpful to so many musicians.

%%%
X:218
%
T:CHAMPAGNE JIG GOES TO COLUMBIA (jig)
% "From the playing of Darren Breslin"  
C:Liz Carroll
S:S: Mike McHale 2020
Z:Z: Gary Martin 
Q:1/4=160
%R:Jig
L:1/8
M:6/8
K:D 
A|f2 f dAF|ABd F2 E|EDd dcd|ecA gfe|
f2 f dAF ABd F2 E|EDf dAF|EDC D2:|
A|dcd afd|BAB gec|AFA dAF|GFG EFA|
f2 f dAF|ABd F2 E|EDf dAF|EDC D2:|

%%%
X:219
%
%
%
T:CHAMPION HORNPIPE, The  
Z:Z: ABC/arr. BB
S:S: GSTC
Q:1/4=140
M:C|
L:1/8
%R:hornpipe
K:G
%%text source key = Bb
Bc|d^cde d=cBA|GFGA BGDB,|CEAc B,DGB|A2GE D2 Bc|
d^cde d=cBA|GFGA BGDB,|CEAc BAGF|G2 B2 G2 :|
FG|Ad^cd fdcd|Be^de gede|BgAf GeFd|Ee^de =d2 FG|
Ad^cd fdcd|Be^de gede|BgAf GeFc|dcAf g2 :|

%%%
X:220
%
%
%
T:CHAMPION POLKA*, The   
S:S: RC3.210 ("Mo Ceoil Sibh a Laochra")
Z:Z: ABC/arr. BB
% Gaelic = "My Music to/for You, Champions" (or thereabouts). This is
% probably a march but we'll say it's a polka. (You can play /a/ if the 
% /c'/ in m.17 is a problem.)
Q:1/4=120
L:1/8 
M:2/4
%R:polka
K:Ador
A/G/|EA AB|c2 AG/A/|BA GB|d>B GA|
EA AB|cB/c/ d2|ef/g/ dB|BA A:|
d|ea ag|e>f ge|dB GB|A>G ED|
ea ag|e>f gg/a/|ba gb|a2 ab|
c'b ag|e^f ge|dB gd|BA AG|
EA AB|c2 d2|ef/g/ dB|BA HA2|]

X:221
%
%
%
T:CHANCE OF RAIN* (jig), A
S:S: Petrie.168 (unnamed)
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8 
L:1/8
K:G
D|EDE DGB|ABc d2c|B2A G2F|EFG FED|
EGG DGB|ABc d2c|B2A G2F|G3-G2 :|
e|=fed ede|=fga fdc|B2A G2A|FGA FED|
E2D DGB|ABc dec|B2G BAF|G3-G2:|

%%%
X:222
%
%
%
T:CHANTER'S TUNE (a)  
S:S: ONMI.0143
Q:40
Z:Z: Brennan/Black 
M:2/4
L:1/8
K:G
%%text "slow"
%%vskip .3in
c/A/|GG dc/A/|GG =fe/f/|gd dc/A/|=fe dc/A/|
GG dc/A/|GG =fe/f/|gd dc/A/|G2-G||
B/c/|dd/e/ =fe/f/|d/c/d/e/ =fe/f/|gd dc/A/|\
=fe/f/ dc/A/|
GG dc/A/|GG =fe/f/|gd dc/A/|G3|]

%%%
X:223
%
%
%
T:CHANTER'S TUNE (b) (march)
S:S: BSMI.2
Z:Z: ABC/arr. BB
%R:march
M:C|
Q:1/4=150
L:1/8
K:Dmix
A2GE D2D2|ABGE D2AB|c2Bc d2A2|AB/A/ GE c3B|
A2GE D2D2|ABGE D2AB|c2Bc d2A2|AFGE D4 :|
D2FG A3B|c2Bc AGAB|c2Bc d2A2|AB/A/ GE c3B|
A2GE D2D2|ABGE D2AB|c2Bc d2A2|AFGE D4 :|

%%%
X:224
%
%
%
T:CHAPEL BELL (jig), The  
S:S: MFC.083A
Z:Z: ABC/arr. BB
C:F. McCollum
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D mix
G|ADD DEG|Add c2 e|dcA AGE|c2 A GED|
ADD DEG|Add c2 e|dcA AGE|EDD D2 :|
G|Adc ded|cAB c2 e|dcA AGE|c2 e dcA|
Adc dea|ged e2c |dcA AGE|EDD D2 :|

%%%
X:225
%
%
%
T:CHAPEL GATE (reel), The   
C:© E. Reavy
S:S: "Ed Reavy Collection"
Z:Z: McKenty / Black 
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:Amix
FG|A2EA cdef|gfga gede|aged cdeg|aged cAGD|
EGAB =cBAG|EGGF G2 AB|cde^g aged|cAGB A2:|
cd|eaag a2ag|eaa2 bgag|edBd gfgf|eg dg edcd|
eaag a2ag|bg af gfed|cdef gfec|dBGB A2:|
%
% As is unfortunately not uncommon in other presentations of Reavy's
% tunes, there seems to be some confusion in as to how and when accidentals 
% should be employed. I have opted to treat this as an A mix tune.

%%%
X:226
%
%
%
T:CHARLES MAC HUGH 
S:S: ONMI.0369
Q:80
Z:Z: Brennan/Black 
M:3/8
L:1/16
K:Gm 
%%text "plaintive"
%%vskip .3in
GF|D2G2G2|G4AB|cdcBAG|F2G2A2|B2Bcde|f2d2cB|A2F2F2|F4GF|
D2G2G2|G4AB|cdcBAG|F2G2A2|B2Bcde|f2d2 dc|B2G2G2|G4||
de|f2d2 de|f2d2 d2|cdcBAG|F2FGAz|B2Bcde|f2d2dc|d2c2c2|c4de|
f2d2 de|f2d2 d2|cdcBAG|F2FGAz|B2Bcde|f2d2dc|B2G2G2|G4|]

%%%
X:227
%
%
%
T:CHARLES O'CONOR 
C:O'Carolan
S:S: CAR-OS
Z:Z: Gilb/Brennan/Black 
M:6/8
Q:1/4=130
L:1/8
K:D 
%%text "allegretto"
%%vskip .3in
d2A d2A|BAG FAA|B/c/dd ecA|daa a2g|
fd/e/f BdB|e/d/c/d/e AcA|dcB AFA|d3 d3:|
A2D F/G/AF|BG/A/B AF/G/A|D2A F/G/AD|GEe c2A|
f2f faf|faf fdB|c/d/ee eae|eae ecA|
dcB AFE|FAA f2e|c2B AFA|d3 d3:|

%%%
X:228
%
%
%
T:CHARLES O'REILLY 
S:S: ONMI.0528 < J.O'Neill
Q:1/4=80
Z:Z: Brennan/Black 
M:3/4
L:1/8
K:G
%%text "mournful"
%%vskip .3in
EF|GG G2BG|EE E2FG|AA A2FA|DD D2Bc|
dd d2gd|ec B2GA|BB c2AF|GG G2||
BG|EE E2BG|DD D2Bc|dd d2gB|cB A2BG|
EE E2BG|DD D2Bc|dd c2AF|GG G2|]

%%%
X:229
%
%
%
T:CHARLESTON REEL, The
C:Jimmy Keane
S:S: composer
%R:reel
Q:1/4=180
M:C
K:A
AB|c3B cBAB|cABA FAEA|EAAB cAce|decd BcdB|
c3B cBAB|cABA FAEA|EAAB ceaf| ecBc A2:|
fa|bafa efcf|efce fcef|aeea fece|fcec BcdB|
c3B cBAB|cABA FAEA|EAAB ceaf| ecBd A2:|

%%%

X:230
%
%
%
T:CHARLEY THE PRAYERMASTER (jig) 
S:S: ONMI.0862 < F.O'Neill
Z:Z: Brennan/Black 
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
A|GED G2A|Bee dBA|GED GAB|cBA BGE|
GED G2A|Bee dBA|GED G2A|BGG G2 :|
d|e2d e2d|efe edB|d2B d2B|dge dBG|
e2d e2f|gfe dBA|GED G2A|BGG G2 :|

%%%
X:231
%
%
%
T:CHARLIE BURNS' (jig)
S:S: ONMI #91 "Burnt Old Man, 2nd Setting"
%R:jig
Q:1/4=160
Z:Z: Brennan/Black 
M:6/8
L:1/8
K:Edor
E|DFG AFF|DFG F2E|DFG AFD|FDE E2F|
DFd AFD|DFA d2e|fdB Bcd|AFD E2 :|
B|Ddc dAF|BAG A2A|Bed efg|fdc B2A|
ABc def|DFA d2e|fdB Bcd|AFD E2 :|

%%%
X:232
%
%
%
T:CHARLIE HARRIS' REEL 
Z:Z: ABC/arr. BB
S:S: FS3.14c
M:4/4
L:1/8
Q:1/4=180
%R:Reel
K:D
B|AFDF EFDF|AFAB e2dB|AFDF EFDF|AFAB d3 :|
A|d2fd efdB|AFAB e3f|defd efdB|AFAB d3A|
d2fd efdB|AFAB e3f|dff2 aff2|afef d2dB||\
"^coda"d4z4|]

%%%
X:233
%
%
%
T:CHARLIE HUNTER'S (jig)
C:Bobby MacLeod
Z:Z: Gary Martin 
% "Composed by piper and accordion player Bobby MacLeod from the
% Scottish island of Mull, this tune is also popular in Cape Breton." [Martin]
S:S: MMH
%R:Jig
Q:1/4=160
L:1/8
M:6/8
K:D 
DFA DGB|Adf a2 g|fef dcd|ecA GFE|
DFA DGB|Adf a2 g|fef gec|[1 edc d3:|[2 edc dfg||
|:afd dcd|BGF G2 F|EGB e2 d|cec Aag|
fdA DFA|GBd g2 g|fef gec|[1 edc dfg:|[2 edc d3|]

%%%

X:234
%
%
%
T:CHARLIE LENNON'S (reel) (a) 
S:S: BSMI.2
Z:Z: ABC/arr. BB
%R:reel
M:C
Q:1/4=180
L:1/8
K:D
A|BdA=c BEED|E2BE E2BE|BAFA D3D|EDAD EDFA|
BdA=c BEED|E2BE E2BE|BAGF GABc|dBAG FDF :|
e|d2ef gfed|fBB2 ABB2|d2ef gfed|ceae ceae|
dfef gfed|fBB2 FBB2|afge fdec|dBAG FDF :|
%%stretchlast 0
"^coda"dBAG FDFE|HD4z4|]

%%%
X:235
%
%
%
T:CHARLIE LENNON'S (reel) (b)
Z:Z: ABC/arr.BB
C:C.Lennon
S:S: CTWT (< M.Molloy)
%R:reel
Q:1/4=180
L:1/8
M:C
K:Em
A|BEED E2BE|E2BE BAFA|DE (3FED ADFE|DEFA BAFA|
BEED E3B|E2BE BAFA|GAB^c dBAG|FADA BEE:|
A|defd gfed|fB~B2 fB~B2|defd gfed|^ceae cea2|
defd g2fe|fBBA Befg|afge fdec|1 dBAG FDF :|
[2 dBAF HE4|]

%%%
X:236
%
%
%
T:CHARLIE McDEVITT'S (reel) 
C:© E. Reavy
S:S: "Ed Reavy Collection"
Z:Z: McKenty / Black 
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:D
%%text "allegro moderato"
%%vskip .3in
ed|=cAAG FDEF|GDEF G2 AB|=cBAG EDEG|Addc dfed|
=cAAG FDEF|GDB,D G2AB|=cBAG EDEG|Addc d2:|
ed|cdef gfge|a^gaf =gfge|cdef gfge|fage d2 ed|
cdef gfge|a^gaf =gfed|Bd ef gfge|fage d2:|
%
N:N: I think the C's in mm 1 and 5 sound better as C natural (and seem more 
N:consistent with mm. 3 and 7, where they are so indicated in the book).

%%%
X:237
%
%
%
T:CHARLIE MULVIHILL'S (hornpipe) 
S:S: Treoir
Z:Z: ABC/arr. BB
Q:1/4=150
M:4/4
L:1/8
%R:hornpipe
K:G
EF|GABc d2Bd|efgf edBd|ceAc BdGB|cBAG FDEF|
GABc d2Bd|efgf edBd|ceAc BdGB|cAFA G2 :|
Bd|gfga bgdg|edef gdBd|gfga bgdg|edcB A2 Bd|
gfga bgdg|edef gdBG|DGBd gdBd|cAFA G2 :|

%%%
X:238
%
%
%
T:CHARLIE MULVIHILL'S (reel)
C:© E. Reavy
S:S: "Ed Reavy Collection"
Z:Z: McKenty / Black 
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:D
%%text "allegro moderato"
%%vskip .3in
A2FA DAFA|G2E=C EFGB|A2FA DAFA|defd cAGE|
A2FA DAFA|GFE=C EFGB|AB^cd fded|cAGE DEFG :|
d2fd fafd|e=cc2 efge|d2 fd fafd|cAGE EDDc|
d2fd fafd|e=cc2 efge|defg abag|eaag eddc :|
"coda"Hd4z4|]

%%%
X:239
%
%
%
T:CHARLIE STEWART (jig) 
S:S: ONMI.0935 < J.O'Neill
% In mm 7,10, & 14: /faf/ originally / f-f/g/a/f/ /
%R:jig
Z:Z: Brennan/Black 
Q:1/4=160
M:6/8
L:1/8
K:A
d|cee Ace|dfa ecA|def ecA|GBB B2d|
cee efg|agf ecA|faf ecA|BAA A2 :|
d|cAA eAA|faf ecA|cAA eAA|GBB B2d|
cAA eAA|faf ecA|agf eac|BAA A2 :|

%%%
X:240
%
%
%
T:CHARLIE'S FANCY* (reel)
Z:Z: ABC/arr. BB
S:S: MFC.010C (unnamed)
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Em
B,EEF GBAG|FADA FDED|B,EEF GABc|dBAF FEED|
B,EEF GBAG|FADA FDED|B,EEF GABc|dBAF FEE||
B|e2Be edBc|dcBc dcBc|e2Be edBc|dBAF FEEB|
e2Be edBc|d2de dcBd|e2ef edBc|dBAF FEE2|]

%%%
X:241
%
%
%
T:CHARLIE'S RAMBLES (jig)
T:Síle na Gadhra, Drunken Parson
S:S: Mike McHale
Z:Z: Gary Martin 
%R:Jig
Q:1/4=160
L:1/8
M:6/8
K:G 
D|GBB Acc|Bdd c2 e|dBB cAA|BGG A2 D|
GBB Acc| Bdd c2 e|dBB cAA|BGG G2:|
D|GBd gfg|ecc c2 B|Ace a2 g|fdd d2 B|
GBd gfg|ecc c2 e|dBB cAA|BGG G2:|

%%%
X:242
%
%
T:CHARMER WITH THE FAIR LOCKS, The    
S:S: CGI.157
Q:60
Z:Z: ABC/arr. BB
Q:1/4=60
L:1/8
M:3/4
K:A 
%%text "maestoso"
%%vskip .3in
A/G/F/E/ ABcd|e2 fdec|A>Bc AGF|F2E2 cd|
e2 fdec|a2 g/a/b ae|d>edc B>A|A4 zc/B/|
A/G/F/E/ ABcd|e2 f/e/d cB|A>Bc AGF|F2E2 cd|
e2 d/e/f ec|ea g/a/b ae|d>e fdBG|A6 |]

%%%
X:243
%
%
T:CHARMING FAIR MAID, The    
% Nine measures in each part 
S:S: ONMI.0241 < J.O'Neill
Q:80
Z:Z: Brennan/Black 
M:3/4
L:1/8
K:D
%%text "slow"
%%vskip .3in
dc|A2A2Bc|d4de|f4ed|
e2d4|f4gf|e4a2|d2c2d2|e2d4||
ed d2cB/A/|AB c2z2|ed dc BA|AG F2ED|
C4DE|F4AG|D2C2D2|E2D4|]

%%%
X:244
%
%
%
T:CHARMING MARY KELLY (reel)
S:S: WSGM < F.O'Neill
Z:Z: Kinder/Black 
Q:1/4=180
N:N: Repeats added.
M:4/4
L:1/8
%R:reel
K:D
A|FDD2 d2AB|cAGF EFGE|FDD2 d2AB|cAGE FDD2|
FDD2 d2AB|cAGF EFGE|DFEG FABd|cAGE FDD :|
B|Addc d2ed|cAGF EFGE|Addc d2cd|eaag edd2|
Addc d2ed|cAGF EFGE|DFEG FABd|cAGE FDD :|

%%%
X:245
%
%
%
T:CHARMING MARY O'NEILL 
S:S: ONMI.0184 < F.O'Neill
Z:Z: Brennan/Black 
M:3/4
L:1/8
K:G
%%text "tenderly"; A-B-A
%%vskip .3in
d2e2f2|g4g2|a4g2|f4d2|d2c2A2|c4A2|G4G2|G6||
G2A2B2|c4A2|c4e2|d4c2|A2B2^c2|d4d2|e2d2^c2|"_DC"d6|]

%%%
X:246
%
%
%
T:CHARMING MOLLY (polka) 
S:S: OFPC4.135 ("Irish")
Z:Z: ABC/arr. BB
Q:1/4=100
M:2/4
L:1/8
%R:polka
K:Ador
eA A>B|ef/d/ B2|eA AB|de/c/ BG|
eA A>B|ef/d/ B>A|G>A Bg|e>d BA :|
de ga|ba/g/ a2|de g>a|ba/g/ a>e|
gf/a/ b>a|ge/d/ B>A|G>A Bg|ed BA :|

%%%
X:247
%
%
%
T:CHARMING YOUNG WIDOW (jig), The   
S:S: ONMI.0872 < F.O'Neill
Z:Z: Brennan/Black 
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:D
A|Add dcd|efg afd|Add dcd|edc d2c|
Add dcd|efg aga|bab afd|gec d2 :|
A|dfa afd|Bgd gec|dcd Bgd|edc d2A|
dfa afd|Bgd gec|dBF DFA|Bec d2 :|

%%%

X:248
%
%
%
T:CHASE (reel), The
S:S: "Music of Ireland - The Big Session" (DJ Taylor) (folder 38)
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Em
G2 FG EAAB|cABG AGEF|G2 FG EA A2|DEFG E4:|
ae e2 de e2|ceBe AE E2|ae e2 de e2|defg e3 f|
g2 fg eA A2|cABG AFEF|G2 FG EA A2|DEFG HE4|]

%%%
X:249
%
%
%
T:CHASE ME CHARLIE (jig) (1)
T:Cock of the North
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%R:jig
K:G
A|B2B BAG|B2d efg|BdB BAG|ABA AGA|
B2B BAG|B2d efg|BdB AGA|G3-G2 :|
d|g2d e2d|g2d e2d|BdB BAG|ABA ABd|
g2d e2d|g2d e2d|BdB AGA|G3-G2 :|

%%%
X:250
%
%
%
T:CHASE ME CHARLIE (slide) (2) 
T:Cock of the North 
% with parts reversed
S:S: "Music of Ireland - The Big Session" (DJ Taylor) (folder 38)
Z:Z: ABC/arr. BB
Q:1/4=170
L:1/8
M:12/8
%R:slide
K:G
A|B3 BAB GBd e2 g| ABB B2 G A2 A AGA|
B3 BAB GBd e2 g| BdB ABA G3-G2:|
d|g2 d e2 d g2 d e2 d| ABB B2 G ABA A2 d|
g2 d e2 d g2 d e2 d| BdB ABA G3-G2:|

%%%
X:251
%
%
%
T:CHASING the HARE (jig / slide)
S:S: Petrie.413 (as "Chasing The Hare Down The Hill") 
% ; a/k/a/ Humors of Milltown
Z:Z: ABC/arr. BB
Q:1/4=160
M:12/8
L:1/8
K:G 
%%text source key = Ab (!!!); repeats added
DED G2A B2G cAG|F2D DED F2D DED|
DED G2A B2G ABc|ded cAF G3-G3 :|
B2G c2A B2G cAG|F2D DED F2D DED|
B2G c2A d2B ABc|ded cAF G3-G3 :|

%%%

X:252
%
%
%
T:CHOULIS JIG, The 
S:S: "Music of Ireland - The Big Session" (DJ Taylor) (tolder 38)
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
A|BdG GdB|ceA Adc|BdG GdB|cAG FGA|
BdG BdG|ceA ceA|ded cAd|GAG A2:|
%
d|f2d efg|afd dcA|gfg bag|afd d2 e|
fed e^fg|afd dcA|BdB cAd|GAG G2:|
%
B|d^cd gdB|d2 d gdB|cBc ABc|ABc ABc|
d^cd gdB|d2 d gdc|BdB cAd|GAG G2:|
%
N:N: I have no idea what the title refers to and would be grateful for any 
N:enlightenment!
%%%
X:253
%
%
%
T:CHRISTENING (jig), The  
S:S: ONMI.0952
%R:jig
Q:1/4=160
Z:Z: Brennan/Black 
M:6/8
L:1/8
K:Amix
a|cAA cAA|BGG d2B|cAA cAA|cAA g2e|
dBB cAA|BGG d2B|cec d2B|cAA A2 :|
e|d2e g2a|BGB d2B|d2e g2a|gfe g2e|
dBB cAA|BGG d2B|cec d2B|cAA A2 :|
%
N:N: Another "ambiguous A" tune - mix, dor, plain? I went with "mix". To play 
N:this back in the source key, remove "mix" from the K: field of the ABC.

%%%
%%%
X:254
%
%
%
T:CHRISTENING (reel) (1), The   
S:S: CRE.1
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:D
A|d2ed BAFA|ABdA BAFA|BEED E2FA|Bdce dcS:S: |
e|d2dc d3A|d2ef gece|d2fd adfa|b2af gec:|
"^coda"b2af gece|HD4z4|]

%%%
X:255
%
%
%
T:CHRISTENING (reel) (2), The   
S:S: ONMI.1286 < Cronin
Z:Z: Brennan/Black 
Q:1/4=180
%R:reel
M:C|
L:1/8
K:D
%%text A-B-A
%%vskip .3in
c|d3B BAFA|BcdB BAFA|BEED EFGe|fgec dcBc|
dDED FDFA|Bcdc BAFA|BEED EFGe|fgec d3||
c|d2fd Adfd|Adfd cdec|d2fd Adfd|fgaf gfec|
d2fd Adfd|Adfd cdeg|f4 e4|a3f gf"_DC"e||"^coda"d4z4|]

%%%
X:256
%
%%staffsep 70
T:CHRISTINA REID'S (jig) 
C:© BB 
S:S: BBMG
% My wife's aunt and a "Dublin Angel" if there ever was one!
L:1/8
M:6/8
%R:jig
Q:1/4=160
K:A
E|"A"EAc "Bm"BAF|"A"EAc "D"dcd|"A"ecA "Bm"fdB|"A"ecA "E"B2G|
"A"EAc "Bm"BAF|"A"Ace "D"agf|"A"ecA "D"dAF|"E"EFG "A"A2 :|
c/d/|"A"ece "D"agf|"A"efe "F#m"ecA|"D"dcB "A"cBA|"E"FGA B2 c/d/|
"A"ece "D"agf|"A"efe ecA|"F#m"FAc "Bm"BAF|"E"EFG "A"A2 :|

%%%
X:257
%
%
T:CHRISTMAS AT THE MAHERS' (slip jig) 
C:© BB  
S:S: BBMG
% With thanks to Aidan and Gerry
%R:slipjig
Q:1/4=150
M:9/8
L:1/8
K:G
E|"G"DGB "D"Adc "G"BGG|"G"DGB "D"ded "Am"A2 E|
"G"DBG "D"Adc "G"BGD|"C"ECE "D"DEF "G"G2 :|
e|"G"gdg "C"ece "G"dBG|"G"gfg "C"efg "Am"a2 e|
"G"gdg "Am"ecA "Em"BGE|"G"DGB "D"AFA "G"G2 :|

%%%
X:258
%
%
%
T:CHRISTMAS CÉILÍ (reel), A
C:Sean Quinn 1992
S:S: composer
Z:Z: ABC/arr BB 
%R:reel
Q:1/4=180
M:C
K:D
DF (3EDC DEFA|dafd gece|dfec dBAF|GFEF GBAF|
DFEC DEFA|dafd gece|df (3edc dBAF|1 GFEF GBAF :|\
[2 GECE D2||
|:FG|Addc defg|af (3gfe dcBA|Beed efga|(3bag (3agf gfeg|
(3fed ec dBAF|GFEF GABc|dBAF G2FG|1 AECE D2:|2 AECE D4|]

%%%
X:259
%
T:CHRISTMAS EVE (a) 
S:S: ONMI.0494 < F.O'Neill
% Hornpipe setting (as "Christmas in Trim") below
Z:Z: Brennan/Black  (arr.)
M:C
L:1/8
K:G
%%text "moderate"
%%vskip .3in
BA|G3E D2EG|A2A2 Bdge|d3c BAGA|B2E2 E2BA|
GEDE G2GA|B2d2 efge|d2B2 A2GA|B2G2G2||
Bc|d3c BAGA|B2d2 egfa|g3e d3B|A2E2EcBA|
G3E D2EG|A2A2 Bdge|d3c BAGA|B2G2G4|]

%%%
X:260
%
%
%
T:CHRISTMAS EVE (b-1) (reel)
S:S: BSMI.2 
Z:Z: ABC/arr. BB
C:Tommy Coen
%R:reel
M:C
Q:1/4=180
L:1/8
K:G
GE|D3E GFGA|B2dB ABGB|ABGE DB,DE|G2BG ABGE|
DB,DE GFGA|B2dB ABGA|BAA2 GEBG|ABGE G2 :|
%
GA|BABd edeg|abge g2eg|a2ge gage|dedB A2GA|
BABd edeg|abge g2eg|a2ge d2BG|ABGE G2 :|
%
dc|BGG2 dGBd|egg2 egdc|BGG2 B2AG|EAA2 EAA2|
BGG2 dGBd|egg2 egga|bgaf gedB|ABGE G2 :|

%%%
X:261
%
%
%
T:CHRISTMAS EVE (b-2) (reel)
C:T.Coen (Galway)
Z:Z: ABC/arr. BB
S:S: FS3.08a 
M:4/4
L:1/8
Q:1/4=180
%R:Reel
K:G 
G/E/|D2DE GFGA|B2dB ABGB|ABGE DB,DE|G2BG ABGE|
DB,DE GFGA|B2dB ABGA|BA (3ABA GEBG|ABGE G3 :|
%
A|BABd edeg|abge g2 (3efg|a2ge gage|dedB A2GA|
BABd edeg|abge g2 (3efg|a2ge d2BG|ABGE G3 :|
%
d/c/|BGG2 DGBd|egg2 egdc|BGG2 B2AG|EAA2 EAA2|
BGG2 DGBd|egg2 egga|bgaf gedB|ABGE G3 :|

%%%
X:262
%
%
%
T:CHRISTMAS IN AMERICA (reel) 
C:B. Tonra
S:S: composer
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
%R:reel
K:G
EF|G2 BG EDB,E|DEGB AE E2|D2 B,D GABd|g2fg edBA|
GABG EDB,E|DEGB AGEG|DEGA Bdeg|dBcA G2 :|
Bd|g2fg edBd|gfga bgab|gage edge|d3B AGEG|
g2 fg edBd|g3a bgab|gbag edge|dBcA G2 :|

%%%

X:263
%%staffsep 70
%
T:CHRISTMAS in JULY (reel)
C:© BB
S:S: BBMG
L:1/8
M:4/4
Q:1/4=180
%R:reel
K:D
B/c/|"D"d2 BA FADF|"Em"EDB,E GFEG|"Bm"F2 BF ABdf|"G"g2 ed "A"cdec|
"D"d2 BA FADF|"Em"EDB,E GFEG|"D"FABA "G"Bged|"A" ceAc "D" d3 :|
e|"D" fd ~d2 "A7" ecAc|"D" dfed "Em" BAGE|"Bm" FB ~B2 "A"Aceg|"D"fdcd "Bm"B3 e|
"D"fd ~d2 "A7" ecAc|"D" dfed "A" cedc|"Bm" BF ~F2 ABdf|"A7" ecAc "D"d3 :|
%
% When you've been waiting for someone for a long time, and then she finally 
% arrives, it's Christmas regardless of what the calendar says!

%%%
X:264
%
%
T:CHRISTMAS in TRIM (hornpipe) 
S:S: ONMI #494 "Christmas Eve"
Z:Z: ABC/arr BB
Q:1/4=150
%R:hornpipe
M:C
L:1/8
K:G
BA|G3E D2EG|A2A2 Bdge|d3c BAGA|B2E2 E2BA|
GEDE G2GA|B2d2 efge|d2B2 A2GA|B2G2G2 :|
Bc|d3c BAGA|B2d2 egfa|g3e d3B|A2E2EcBA|
G3E D2EG|A2A2 Bdge|d3c BAGA|B2G2G2 :|

%%%
X:265
%
%
%
T:CHRISTMAS JIG, A
C:Sean Quinn 2004
S:S: composer
Z:Z: ABC/arr BB
%R:jig
Q:1/4=160
M:6/8
K:G
d2B AGA|BGE DB,C|DEG GAB|dBG ABc|
dgB AGA|BGE DB,C|DEG GAB|AGF GBc :|
dBG GBd|ecA A^cd|e^cA Afg|afe dga|
bge dBG|cBc AGE|DEG GAB|1 AGF GBc:|\
[2 AGF G3 |]

%%%
%%%
X:266
%
%
%
T:CHRISTMAS NIGHT (jig) 
S:S: CRE.1  
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%R:jig
K:D
g|f2A d2f|e2d B2g|f2A d2f|g3 a2g|
f2A d2f|e2d B2c|d2A B2G|E2F D2:|
f/g/|a2b a2f|d3-d2f|g2f e2d|B3 A2f/g/|
a2b a2f|d2f g2f|e2d c2e|a3-a2:|

%%%
X:267
%
%
%
T:CHRISTY BARRY'S #1 (jig)  
T:Seán Coughlan's #2
Z:Z: ABC/arr. BB
N:N: I don't recall where I got the alternate title from - probably IRTRAD - ?
S:S: FS2.12b
M:6/8
L:1/8
Q:1/4=160
%R:Jig
K:G
D|G2G BAG|A2B d2e|ged BGG|AGA BGE|
DGG BAG|A2B d2e|ged BGG|AGF G2 :|
d|g3 gfg|a2g d2e|ged BGG|AGA BGE|
DGG BAG|A2B d2e|ged BGG|AGF G2 :|

%%%

X:268
%
%
%
T:CHRISTY BARRY'S #2 (jig) 
T:Butlers of Glen Avenue 
C:Tony Sullivan
Z:Z: ABC/arr. BB
S:S: FS2.12b
M:6/8
L:1/8
Q:1/4=160
%R:Jig
K:G
DEG EDB,|DEG B3|DEG B2e|d2e dBA|
DEG EDB,|DEG B3|d2d gfe|dBA G3 :|
gab age|deg B3|gab gab|dBd e2d|
gab age|deg B3|d2d gfe|dBA G3 :|

%%%
X:269
%
%
%
T:CHURCH HILL (jig) (a)  
S:S: CRE.2
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
age e2B|e2B dBA|age fed|efe dBA|
age e2B|e2B dBA|age fed|efe dBA:|
BAB gfg|aba geg|BAB gfg|age dBA|
BAB gfg|aba geg|dBB gfg|age dBA:|\
"^coda"HG3z3|]

%%%
X:270
%
%
T:CHURCH HILL (jig) (b) 
S:S: DMI.0343
Z:Z: Nordberg/Black 
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:Dmix
dcA A2D|FAD FED|dcA A2B|dcA GED|
dcA A2D|FAD FED|dcA ABc|dcA GED:|
DED c2A|ded c2c|DED c2e|dcA GED|
DED cBc|ded cde|fdf e2e|dcA GED:|
%
N:N: No accidentals in source but I suspect that C's should be natural. Replace  
N:G with D in the K: field of the ABC to hear the source version.

%%%
X:271
%
%
%
T:CHURCH OF DROMORE, The  
S:S: ONMI.0270 < F.O'Neill
N:N: "Miscellaneous" in the 1850 but it makes a nice jig too!
Z:Z: Brennan/Black  (arr.)
M:6/8
L:1/8
Q:1/4=150 % for jig
K:Am
%%text "moderate"
%%vskip .3in
D|EAA ABc|BAB G2A|Bee dBA|BAB GED|
EAA ABc|BAB G2A|Bee dBG|BAA A2|| % :| for jig
d|g^fg edB|BAA A2d|g^fg edc|BAB GED|
EAA ABc|BAB G2A|Bee dBG|BAA A2|] % :| for jig

%%%
X:272
%
%
%
T:CHURCH ON THE HILL (jig), The 
S:S: SRHI.11b
Z:Z: ABC/arr. BB
C:Seán Ryan
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
A|BdB cAF|GDB, G,B,D|E^DE cBc|dBG AFD|
BdB cAF|GDB, G,B,D|E^DE cBc|AFD G2:|
d|gfg bag|fdf afd|g3 edB|cBc AFA|
gfg bag|fdf afd|cBc EFG|AFD G2:|

%%%
X:273
%
%
%
T:CHURCH STREET POLKA (1), The 
S:S: BSMI.2
Z:Z: ABC/arr. BB
%R:polka
M:2/4
Q:1/4=120
L:1/8
K:G
d/c/|BG D>D|Ec cA/B/|cE FE|Dd d/e/d/c/|
BG D>D|Ec cA/B/|c/B/A/G/ F/D/E/F/|GB G :|
B/d/|: g2 f2|c3d|ee dd|B2 B>c|
[1 d>e dB|A2 AB/A/|G>A Bc|d3 e/f/ :|
[2 d>e dc|A2 G>F|Gg fa|g2 Hg2 |]

%%%
X:274
%
%
%
T:CHURCH STREET POLKA (2), The  
Z:Z: ABC/arr. BB
S:S: JOL.321
Q:1/4=120
M:2/4
L:1/8
%R:polka
K:G
d/c/|: BG D>D|Ec2d|cE F>E|Dd2c|
BG D>D|Ec cA/B/|cA FA|GB G2 :|
g2 f2|c2 cd|e2 ed|B2 Bc|
d>c dB|A2 BA|GA Bc|d2 de/f/|
gg ff|c2 cd|e>f ed|B2 Bc|
d>e dB|A>B cA|Gg f/g/a|g2 g2|]

%%% %%% %%% 

%%%
X:275
%
T:CIARAN COLLINS' (slip jig) 
S:S: TIDT 2/39
C:J.Kelly
Z:Z: ABC/arr BB
M:9/8
L:1/8
%R:slip jig
Q:1/4=150
K:G
G2A BcA BcA|B2A ABc dcA|G2A BcA BcB|
AGF ABG FED|gfe def g2d|B2G ABG FED|
[1 gfe def g2d|A2A ABG FED :|2 gfe agf g2d|
ABc dcB AFD||: AGG AGE F2G|AGG ABc BAG|
AGG AGE F2A|1 GAB cAG EFG:|2 GAB cAG EFD||
"^coda"HG6z3|]

%%%
X:276
%
T:CILLIAN'S BRILLIANT REEL
C:Sean Quinn 2007
S:S: composer
Z:Z: ABC/arr BB   
%R:reel
Q:1/4=180
M:C
K:G
BA|GEDE GABG|cABG AGEG|DEGA BGBd|gedB AGAB|
c2ec B2dB|AGBG AGEG|DEGA Bdge|dBAB G2 :|
Bc|defg bgaf|gedB GABd|eaag ac'ba|gedB Adef|
[1 gfgb agab|gedB AGEG|DEGA Bdge|dBAB G2:|
[2 g2bg a2ba|gedB AGEG|DEGA Bdge|dBAB G4|]

%%%
X:277
%
T:CIRCUS HORNPIPE, The 
S:S: MFC.097C
Z:Z: ABC/arr. BB
N:N: Simplified version. Repeats added.
Q:1/4=150
L:1/8
M:C|
%R:hornpipe
K:G 
A|G2 GF GABc|d2 fd gdBG|E2 cB AGFA|GFGE DEFA|
GAGF GABc|d2 fd gdBG|EG G2 AGFE|DGGF G3 :|
A|Bdgd cBcd|ecc2 AGAB|ceaf gdBd|cAFA DAFA|
Bdgd cBcd|egfa gecG|EGG2 AGFE|DGGF G3 :|

%%%
X:278
%
%
T:CITY (reel), The
T:Walking into the Devil's Pocket
S:S: composer
C:Rick Gagne 
Z:Z: ABC/arr. BB
N:N: "d/o/c/ 1992 on tenor banjo; second part only half length"
%R:reel
M: 4/4
Q:1/4=180
K: Dm
G,2 | "Dm"A,DDE FEDF | "C"EDCE "Bb"DCA,G, | "Dm"A,DDE FEDF | 
"Am"EAcA "C"edcA | "Dm"A,DDE FEDF | "C"EDCE "Bb"DCA,G, | 
"Dm"A,DDE FEDF | "C"EDCE "Dm"D2 :|FA |: "Dm"d2de dcAd | 
"C"c2cd cBA2 | "Bb"ABBc BAGF | "Am"GAAB ABcA :|
"Dm"defd "C"efge | "Bb"afdf "C"efge | "Dm"defd "C"efge | 
"Bb"afdf "C"eaae | "Dm"defd "C"efge | "Bb"afdf "C"efge | 
"Bb"afge fdec |"Dm"dcAc d2Ac :|"^coda""Dm"dcAF HD4|]

%%%
X:279
%
%
T:CIUINEAS NA h-OIDHCHE
T:Castle Hyde  
S:S: RC3.062
Z:Z: ABC/arr. BB
L:1/8
M:3/4
K:G
%%text "tranquillo"
%%vskip .3in
gfe|d2 BGBA|A2 Bded|B2 GBA>G|G3 g/f/fe|
d2 BGBA|A2 Bded|B2 GBA>G|G2z||
G/A/Bc|d2 feed|e>dBBdB|g3 fdf|e3 def|
g>a gf e>d|e/f/g/a/ Hbg ed|B2 GBA>G|G2z||
%
N:N: [1] The Gaelic title means "Silence {Quiet] of the Night".
N:N: [2] There's a "classical" third part that goes up into cocker spaniel range. 
N:On the presumption that most users of the ITTL are non-canine, I decided  
N:to leave it out.

%%%
X:280
%
%
%
T:CLAN MARCH 
T:Hibernian Jig
S:S: WSGM.058 < "Aird's Selections" 1782-97
Z:Z: Kinder/Black 
M:6/8
L:1/8
Q:1/4=120
%R:march 
K:Am 
%%text source key Bm (out of range)
E|G>EG G>EG|G>EG G2c|A>cA A>GA|c>de e2d|
d>eg aba|ged c>de|e>ag e>de|c>AA A2||
g|gag geg|aba a2g|geg agf|e2d c2a|
a2g age|ged cde|eag ede|c>AA A3|]
%
% Makes a nice jig with parts doubled and the dots removed! 

%%%
X:281
%
%
%
T:CLANCY'S DREAM (jig) 
S:S: Treoir
Z:Z: ABC/arr. BB
% "Upside down" version of "Down the Meadow"/"Up Leitrim"
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:D
d|faf gab|faa afd|faf gab|afd e2d|
faf gab|faa afd|fef dBA|Bdf e2 :|
d|f2e dAA|BAA dcd|gfe dAA|Bdf e2 d|
f2 e dAA|BAA dcd|gfe dAA|Bdf e2 :|
"^coda"Bdf ecA|D6|]

%%%
X:282
%
%
%
T:CLANCY'S FANCY REEL 
S:S: DMI.0801
Z:Z: Nordberg/Black 
N:N: Repeats added
%R:reel
Q:1/4=180
M:C|
L:1/8
K:G
dc|BGG2 dBGA|BGBd egdB|cAA2 ecAB|cdef gedc|
BGG2 dGG2|BGBd egdB|cdef gedc|BGAF G2 :|
Bc|dgg2 bgg2|dggf egdB|cAA2 eAA2|cdef gfef|
dgg2 bgg2|dgfg ecdB|cdef gedc|BGAF G2 :|

%%%
X:283
%
%
%
T:CLAR HORNPIPE*, The 
S:S: CRE.2 (unnamed)
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:4/4
%R:hornpipe
K:G
EF|G2AG EDEF|G2Bd efge|d2 BG AGEG|AcBG AGED|
G2 AG EDEF|G2 Bd efge|d2 BG AGEF|G2 GF G2:|
ef|g2 fd edBd|g2 af gfef|g2 fd edBG|AcBG AGED|
G2 AG EDEF|G2 Bd efge|d2 BG AGEF|G2 GF G2:|

%%%
X:284
%
%
%
T:CLARA MOUNTAIN (slide), The
C:© BB
S:S: BBMG
L:1/8
M:12/8
%R:slide
Q:1/4=180
K:D
E|"D"DEF AFA "Em"B2E EFE|"D"DFA def "Em"e2B BAB|
"D"d2f "A"c2e "Bm"BAB dAF|1 "G"GFG B2A "A"F2A G2 :|\
[2 "G"GFG B2d "A"AFE "D"D2||
|:e|"Bm"f2B Bcd "A"e2A Ace|"Bm"f2d "Em"g2e "A"age cBA|
"Bm"f2B Bcd "A"e2A Ace|"D"def "Em"g2b "A"edc "D"d2 :|
%
% Clara Mountain overlooks Millstreet, a nice little town in Co. Cork on the
% western side of the Sliabh Luachra area.

X:285
%
T:CLARE DRAGOONS (march), The 
S:S: FS3.33b
Z:Z: ABC/arr. BB
M:4/4
L:1/8
Q:1/4=130
%R:march
K:D
AG|F2A2 A2Bc|d3e d2A2|F2A2 A2f2|gfed B2AG|
F2A2 A2B2|d3e f2fg|a2d2 B2g2|f3e d3e|
f2a2 e2f2|d3e f3d|f2a2 e2f2|gfed B3e|
f2a2 e2f2|d3e f2fg|a2d2 B2g2|f3e d2 ||
z2|F2A2 A2B2|d3e d2A2|F2A2 A2f2|gfed B2AG|
F2A2 A2B2|d3e f2fg|a2d2 B2g2|f3e d4|]

%%%
X:286
%
%
T:CLARE JIG (1), The
T:Paddy in London (Willie Clancy setting)
S:S: DMWC.39
Z:Z: ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:A dorian
f|eAA fAA|gaf gfe|dBG GFG|BAG Bcd|
eAA fAA|fgg age|dBd gdB |A3 A2 :|
%
d|efg a3|aba age|dBd g3|gea ged|
efg a3|aba age|dBd gdB|A3 A3|
efg afg|aba age|dBd g3|gea ged|
efg a3|a3 a2g|ede gdB|A3 AB ||
%
d|eAA fAA|g3 age|dBG GFG|BAG ABc|
eAA fAA|fgg age|edB gdB |ABG AB :|
%
d|efg a2g|a2b age|dBd g3|gea ged|
efg a2g|a2b age|dBd gdB|ABG ABd|
efg a3|aba age|dBd g3|b3 ged|
efg a2b|c'ba gfe|dBd gdB|ABG HA3 |]

%%%
X:287
%
%
%
T:CLARE JIG (2), The 
T:Paddy in London
S:S: RC1.128
Z:Z: ABC/arr. BB
L:1/8
M:6/8
%R:jig
Q:1/4=160
K:Ador
f|eAA fAA|gfg age|BAB G2A|BAB dBd|
eAA fAA|gfg age|dBg dBG|EAA A2:|
e|eaa a2a|agb age|def gfg|gfa ged|
eaa a2b|[ac']ba gfe|dBg dBG|EAA A2:|

%%%
X:288
%
%
%
T:CLARE REEL (a), The
S:S: CRE.2
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
F|D3E FGAF|G2FA BGAF|D2 DE FGAG|Addc AGG:|
A|Bcde fgaf|g2 g2 gbaf|d3e fgag|fdcA G2B :|
"^coda" fdcA GBAF|HD4z4|]

%%%
X:289
%
%
%
T:CLARE REEL (b), The
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
%R:reel
K:Amix
FG|A3B AGFD|A2AG Addc|A^GAB A=GFG|DGGF G2FG|
A^GAB A=GFG|Adde f2ed|eaga efge|dcAF G2 :|
GA|BAeA fAef|dcAB cded|cA eA fAef|dcAF G2GA|
cA eA fAef|dcAB cBcd|eaga efge|dcAF G2 :|
"^coda"dcAF EGFE|D4z4|]

%%%
X:290
%
%
%
T:CLARK'S (hornpipe) 
S:S: ONMI.1663
Z:Z: Brennan/Black 
%R:hornpipe
Q:1/4=150
M:C| % source 2/4
L:1/8 % source 1/16
K:D
%swing .25
Bc|d2AG FDFA|BGBd cAce|fdge afed|c2e2 egfe|
d2AG FDFA|BGBd cAce|dbag fgec|d2f2 d2:|
EG|a2fd Adfa|g2ec Acdg|fafd Bged|cedB Agfe|
d2AG FDFA|BGBd cAce|dbag fgec|d2f2 d2:|

%%%
X:291
%
%
%
T:CLARKSON'S REEL 
S:S: ONMI.1530 < J.O'Neill
Z:Z: Brennan/Black 
%R:reel
Q:1/4=180
M:C|
L:1/8
K:D
A,2|D2DG FEDF|ABAF Acdc|BABc dBAF|EGFD EDB,E|
D2DG FEDF|ABAF Acdc|Bdce dBAF|EGFE D2 :|
eg|fddf afdf|edcd efge|fddf afdf|edef d2 (3ABc|
defg afdf|edcd efge|faec dBAF|G2FD ED :|
"^coda"G2FD EDB,E|HD4z4|]

%%%
X:292
%
%
T:CLASSIC JIG, The 
S:S: GSTC
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig
M:6/8
K:Am
C|EAB cBA|eAB cBA|B^GE BGE|BdB AGF|
EAB cBA|eAB cBA|efe dcB|cAA A2 :|
F|G^FG =FEF|EGc edc|BdB GAB|ced cBA|
Gce FBd|EGc edc|BdB GAB|c3c2 :|
%
% Unusual tune about whose history I know nothing. Sounds like it should
% be played A-B-A.

%%%
X:293
%%staffsep 70
%
T:CLASSICAL HORNPIPE, The
C:© BB
S:S: BBMG
%R:hornpipe
Q:1/4=150
M:C
L:1/8
K:Dm
%swing .25
%%text Upper notes for treble instruments
cB|"Dm"A2 BA "C"G2 AG|"Dm"FED[EC] [dD][cC][AA,][GG,]|\
"Am"[AA,][cC][dD][eE] "F"[fF]AcA|"Dm"defa "C7"gecB|
"Dm"A2 BA "C"G2 AG|"F"FAce f3 g|"Dm"afef "Gm"dBGB|"Dm"AFEC D2 :|
DE|"F"FAcA "Gm"GBdB|"Am"Acec abag|"Dm7"fdcd "Am"ecAc|"Dm"dAAG FEDE|
"F"FA~A2 "Gm"GB~B2|"Am"Ac~c2 agfe|"Dm7"fdec "Gm"dBAG| "Dm"FD"C"EC "Dm"D2 :|

%%%

X:294
%
%
T:CLAUDINE'S POLKA 
C:T.O Canainn
S:S: NTFO.012a
Z:Z: ABC/arr. BB
Q:1/4=150
M:C
%R:polka
K:D
A>BAF d>edB|A>BAF FEE2|
A>BAF d>edA|cAGA GED2:|
Add2 edfd|Bd ef gfe2|
Add2 edfd|Bd AG FDD2:|

%%%
X:295
%
%
T:CLAUDY'S FANCY (reel) 
C:Peter Fitzgerald (Balto.)
S:S: MVBT
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:G
F|GEEF GE E2|AB B2 A2 BG|D3 A BGED|FD D2 DFGA|
GEEF GE E2|AB B2 A2 BG|E2 BE dEBd|1 dBcA dAB :|\
[2 dBcA BEE||
|:e|dBcA G3 e|dBcA GBdG|FDAD FADA|Adfg feed|
dBcA G3 e|dBcA GBde|fedB AGFE|ADEG FDD :|
"^coda"ADEG GEHE2|]
%
% Composed in honor of Peter's flute-playing friend 
% Dr. Frank Claudy.

%%%
X:296
%
%
T:CLEANING THE HENHOUSE (reel) (1) 
S:S: "Music of Ireland - The Big Session" (DJ Taylor)
Z:Z: ABC/arr. BB
L:1/8
M:4/4
Q:1/4=180
%R:reel
K:D
G|AF F2 dF F2|BAFB AF F2|AF F2 dfdB|AFDF E2 FG|
AF F2 dF F2|BAFB AF F2|BABc dfef|dBAF E3|]
A|BABc dfef|d2 ef dBBA|BABc dfef|dBAF E3 A|
BABc dfef|d2 ef df f2|bfaf egfe|dBAF E3|]
"coda"cAGE D4|]

%%%
X:297
%
%
%
T:CLEANING THE HENHOUSE (reel) (2) 
S:S: CRE.3
Z:Z: ABC/arr. BB
%R:reel
L:1/8
Q:1/4=180
M:C
K:D
G|AFF2 dFF2|BAFB AFF2|AFF2 dedB|AFDF E2FG|
AFF2 dFF2|BAFB AFF2|BABc dfef|dBAF E3 ||
A|BABc dfef|d2ef dBBA|BABc dfef|dBAF E3A|
BABc dfef|d2ef dff2|bfaf egfe|dBAF EFGA ||
"coda"dBAG FAGE|HD4|]

%%%
X:298
%
%
%
T:CLEAR INTO MORNING* (slip jig) 
S:S: NFID.160b < F&MB ("untitled slip jig")
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:9/8
%R:slip jig
K:G
BdB BAB g3|BdB BAB dcA|
BdB BAB g3|gfe fed ecA:|
K:D
afd def g2b|afd dfa gfe|
afd def g2a|gfe fed e^cA:|
"^coda"HD6z3|]

%%%
X:299
%
%
%
T:CLERGY'S LAMENTATION, The
C:O'Carolan
S:S: CAR-ON
Z:Z: Gilb/Brennan/Black 
M:C
L:1/8
K:G
%%text "andante"
%%vskip .3in
B,A,B,D E2EF|G2GA B2ed|efed B2AG|FGAF EFED|
B,A,B,D E2EF|G2GA B2ed|efed B2AG|FGAB B,2E2|E4z4||% 9 measures
e2dB BABd|e2ef g2ga|g2B2 fefg|f2ed edef|
e2dB g2fe|e3d BdAB|G2GF E2EF|GFGA BABd|
efed B2AG|FGAB B,2E2|E4z4|]% 11 measures
%%

%%%

X:300
%
%
%
T:CLEVER COLLEEN (reel), The
S:S: WSGM.264 < Rice-Walsh manuscript
Z:Z: Kinder/Black  
% Repeats added
M:4/4
L:1/8
Q:1/4=180
%R:Reel
K:G 
%%text source key = A
%%vskip .3in
A|G2BG ADDA|G2BG BdgB|G2BG ADDd|gedB G2D2|
G2BG ADDA|G2BG BdgB|G2BG ADDd|gedB G3 :|
e|g2df edBd|g2fg afdf|g2df edBd|gedB G2df|
gfed edcB|cBAG FGAc|BdGg fadf|gfaf gfd :|
"^coda"gfaf gfdB|HG4z4|]

%%%
%%%
X:301
%
%
%
T:CLIFF FROM OVER BY MOHER (jig), The
C:Jimmy Keane % @ Cappal Beag Music BMI
S:S: composer
L:1/8
M:6/8
Q:1/4=160
K:Dm
G|A2d edc|AGE D3|A,DF A,DF|EDC DEG|
A2d edc|AdA cAG|F2A G2A|AGE D2:|
G|A2A BAG|A2A DEF|G2G AGF|EGE CEG|
[1 A2A BAG|A2D DEF|GCG AGF|EDD DE:|
[2 A3 G3|F3 E3|DED A,=B,C|EDD D3|]

%%%
X:302
%
%
T:CLIFF HORNPIPE (1), The 
S:S: AIF
Z:Z: Brennan/Black 
M:4/4
L:1/8 % dotted
Q:1/4=150
%R:hornpipe
K:D
AF|DFAF DGBG|FAde fdAF|GBed cegf|e2dB A2GE|
DFAF DGBG|FAde fdAF|GBdg fdce|d2f2d2:|
cd|eAA2 eAA2|gefd eAA2|gefd edcd|e2dB A2GE|
DFAF DGBG|FAde fdAF|GBdg fdce|d2f2d2:|

%%%
X:303
%
%
%
T:CLIFF HORNPIPE (2), The 
S:S: Treoir.32/4 < Noel Strange
Z:Z: ABC/arr. BB
Q:1/4=150
M:4/4
L:1/8
%R:hornpipe
K:D
E|DFAF DGBG|FAde fdAF|GBed cegf|e2dB A2GE|
DFAF DGBG|FAde fdAF|GBdg fdec|d2 dc d2 :|
cd|eAGA fAGA|gfed eABA|gefd edcd|e2dB A2GE|
DFAF DGBG|FAde fdAF|GBdg fdec|d2 dc d2 :|

%%%
X:304
%
%
%
T:CLIFFS OF MOHER (jig) (a), The  
S:S: FS1.29b
Z:Z: ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
%R:Jig
K:A dorian
a^ga ba=g|eaf ged|c2A BAG|EFG ABd|
eaa bag|eaf ged|c2A BAG|EFG A3 :|
efe dBA|efe dBA|GAB dBA|GAB dBd|
[1 efe dBA|efe dBA|GAB dBG|EFG A3 :|
[2 efe dee|cee Bee|EFG BAG|EDB, A,3||

%%%
X:305
%
%
%
T:CLIFFS OF MOHER (jig) (b), The 
S:S: ONMI.0861 < F.O'Neill
Z:Z: Brennan/Black 
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
d|gfg agf|dgg fdc|AGG AFE|DGG AGG|
gfg agf|dgg fdc|AGG AFE|DGF G2 :|
A|ded cAA|ded cAG|FAB cAG|FAB c2A|
ded cAA|ded cAG|FAB cAG|FGF G2 :|

%%%
X:306
%
%
%
T:CLIMBING VINE (reel), The
T:An Gabhrán
S:S: CRE.2
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
B2BA Bced|B2BA BE E2|B2BA Bdef|gefd eged|
B2 BA Bced|B2 BA BE E2|B2 BA Bcef|gefd e4 :|
BE E2 GFGE|D2FD BEDE|BE E2 GFGA|B^cBA BE E2|
BE E2 GFGE|D2FD BEDE|BE E2 GFGA|B2BA BEE2:|

%%%
X:307
%
%
%
T:CLINTON'S IRISH JIG* (slip jig)
S:S: CGI.100 as "Irish Jigg"
Z:Z: ABC/arr. BB
L:1/8
M:9/8
%R:slip jig
Q:1/4=160
K:G 
%%text "with spirit"
%%vskip .3in
g2f efg dcB|e2A ABG FED|
g2f efg dcB|c2B AGF G3 :|
B2c dcB dcB|e2A ABG FED|
B2c dcB dcB|c2B AGF G3 :|

%%%
X:308
%
%
%
T:CLOCK IN THE STEEPLE (reel), The  
S:S: ONMI.1248
Z:Z: Brennan/Black 
%R:reel
Q:1/4=180
M:C|
L:1/8
K:A
g|a2ec defg|afec dBBg|a2ec defg|afec A2Ag|
a2ec defg|afec dBBc|Ac eg abaf|ecBd cAA :|
B|c2cA d2dB|efec dBBd|c2cA defg|afed cAAB|
c2cA d2dB|efec dBBd|Ac eg abaf|ecBd cAA :|

%%%

X:310
%
%
%
T:CLOGHMORE JIG, The
C:Sean Quinn 2000
S:S: composer
Z:Z: ABC/arr BB    
%R:jig
Q:1/4=160
M:6/8
K:G
D|GFG BAG|cBc efg|dcB gdB|AcB AFD|
GFG BAG|cBc efg|d2e dBG|cAF G2 :|
d|gfg bag|ege dBG|ceg dBG|AcB AFD|
gfg bag|ege dBG|d2e dBG|cAF G2 :|

%%%
X:311
%
%
%
T:CLONMACNOISE (reel)
S:S: SRHI.36b
Z:Z: ABC/arr. BB
C:Seán Ryan
Q:1/4=180
L:1/8
M:C
%R:reel
K:G
DEGA Bdge|dBGB AEE2|gfge dega|bgag eaa2|
DEGA Bdge|dBGB AEE2|gfge dege|dBAc BGG2:|
dBB2 cBce|dBge dBGE|DEGA Bdga|bgag eaa2|
dedB cBce|dBge dBGE|DEGA Bdge|dBAc BGG2:|

%%%
X:312
%
%
T:CLONMEL FIDDLER* (polka), The
Z:Z: ABC/arr. BB
S:S: CRE.2 (unnamed) < Tom Barrett (Clonmel)
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:D
Bc/B/ AF|AF EF/A/|Bc/B/ AF|E2 EF/A/|
Bc/B/ AF|AF EF/A/|Bc/B/ AF|D2 D2 :|
f>e dc|B>c de|ff/e/ dc|Bc/d/ e2|
ff/e/ dc|B>c de|ff/e/ dc|BG/E/ D2 :|

%%%
X:313
%
%
%
T:CLONMEL LASSES (reel), The  
Z:Z: ABC/arr. BB
S:S: Levey2.86
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
A|d2df ecdB|A2FD FAA2|dcdf ecdB|AGFE FDD :|
e|d2eg fdec|d2fd adfd|Bdeg fdec|dBAG FDD2|
d2eg fdec|d2fg afdf|g2bg f2af|edcB ABce||\
"coda"Hd4z4|]

%%%
X:314
%
%
%
T:CLONTARF PLACE* (jig) 
S:S: RC2.303 ("Old Set Tune" 5)
Z:Z: ABC/arr. BB
N:N: Repeats added.
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
d|dgB dBA|GBA G2E|DGA B2A|Bee edB|
dgB dBA|GBA G2E|DGA B2d|dcA G2:|
z|DGA B2G|Bee edB|DGA B2G|Bee edB|
dgB dBA|GBA G2E|DGA B2d|dcA G2:|

%%%
X:315
%
%
%
T:CLOONE HORNPIPE (1), The  
S:S: ONMI.1558 < Early
Z:Z: Brennan/Black 
%R:hornpipe
Q:1/4=150
%swing .25
M:C| % source 2/4 
L:1/8 % source 1/16, 
N:N: dotted rhythm in source
K:G
Bc|dded B2cA|GGAF G2Bc|dgfg edcd|ecAF GFED|
dded B2cA|GGAF G2dc|B2GB A2FA|G2GF G2:|
Bc|dgfg edcd|edef g2bg|edcB AGFG|A2D2 D2 EF|
GBAc B2GB|c2Ac g2dc|B2GB A2FA|G2GF G2:|

%%%
X:316
%
%
%
T:CLOONE HORNPIPE (2), The  
S:S: RC2.213
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
N:N: dotted rhythm in source 
M:C|
%R:hornpipe
K:G
%swing .25
Bc|d^ced =cBAG|BAGF GABc|dgfg edcB|AGFE D2Bc|
d^ced =cBAG|BAGF GABc|dgfg ecAF|A2G2G2:|
Bc|dgfg edBd|edef g2fg|edcB cBAG|AGFE D2EF|
G2G2 FAA2|GBdB c2dc|B2GB A2FA|G2F2G2:|

%%%
X:317
%
%
T:CLOONE REEL, The 
S:S: CRE.3
Z:Z: ABC/arr. BB
%R:reel
M:C
L:1/8
Q:1/4=180
K:Ddorian
dcAE G3A|GEcE G3d|dcAE GBAF|GEcE EDD2|
dcAE G3A|GEcE G3B|c2ec egge|dcAG EDD2:|
c2ec gcec|gdef gede|c2ec gcef|gedc AGEG|
c2ec gcec|g2af gedf|gedc dfed|cAGE EDD2:|

X:318
%
%
%
T:CLOSE QUARTERS JIG*  
S:S: Petrie.288 (unnamed) < "From J.S.Close"
Z:Z: ABC/arr. BB
N:N: Repeats added.
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:Edor
%%text "allegro"
%%vskip .3in
F|E2e eBc|d2B AFD|E2e e2B|efg fdB|
E2e eBc|d2B AFD|GFG AGA|BAB E2 :|
f|g2e efg|fef def|g2e efg|fed e2f|
g2e efg|fef def|g3 a3|bgf e2 :|

%%%
X:319
%%staffsep 70
%
T:CLOSE the DOOR BEHIND YOU! (reel)
C:© BB 2009
S:S: BBMG
M:4/4
Q:1/4=180
%R:reel
K:Dm
A| "Dm"d3c AFDE|FDAD "C"EGce|"Dm"fgfe dcAd|"Am7"c=BAG A2 GE|
"Dm"D3E FGAF|"C"Gc=Bc "Am7"Aceg|"Dm"fdec AdcA|"C"GFEC "Dm"D3 :|
e|"Dm"f3e dfed|"Am"e=BcA agfe|"Dm"d^cde fefg|"Dm"afdf "C"eceg|
"Dm"d3e fdef|"Am"A3=B cAGc|"Dm"Ad d/^c/d "Am"eage|"Dm"dcAc d3 :|

%%%

X:320
%
T:CLOTHIERS MARCH OR LIMERICK'S LAMENTATION 
S:S: RC2.318
Z:Z: ABC/arr. BB
Q:1/4=120
M:3/4
K:A
%%text 3/4 "moderato", 6/8 "quicker"
%%vskip .3in
AB|c2c2 (3Bcd|c2B2 AB|c2e2 ac|B4AB|
cAdcBA|F2 EFAB|c2A2AB|A4AB|
c2 c>Bcd|c2B2 AG|c2 ec/e/aA|B4AB|
cAdcBA|F2 EFAB|c2A2A2|A4||
ed|c2e2a2|fedcBA|A2c2e2|e3 fed|
cd/c/ Bcea|fedcBc|ABceab|a4ef|
=gfgaga|fef=gfg|edceac|B4AB|
cAdcBA|F2 EFAB|c2A2A2|A4||
M:6/8
%R:jig
Q:1/4=140
|:A/B/|c>dc BAB|c/e/ac B>AB|c>Ad cAF|EFA A2:|
e/d/|cea fec|eac e>fe|cea fec|eab a>ef|
=g>fa fec|eac B2A/B/|cBd cAF|EFA HA3|]

%%%

X:321
%
T:CLOUDBURST (polka), The 
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy2.21
Q:1/4=200
M:2/4
L:1/16
%R:polka
K:G
BA|G2DE GABd|e2de g3a|gedB dege|d2BG ABGE |
D3E GABd|egdB d2ga|bage dBGA|B2G2 G2 :|
BA|G2Bd g2ag|egde gedB|G2Bd gedB|c2A2 A2BA |
G2BA GBdB |1 c2ec Bcd2|gedB cedc|B2G2 G2 :|
[2 cdef g2ba|gedB dedc|B2G2 G4 |]

%%%

X:322
%
T:CLOUDY MORNING (reel), The  
S:S: ONMI.1335
Z:Z: Brennan/Black 
Q:1/4=180
%R:reel
M:C|
L:1/8
K:D
A|d2dA BdAF|AFAg fdBc|d2dA BdAF|GFEF GABc|
dcdA BdAF|ABde fdef|gfge fedf|edce dAF :|
g|abaf afdf|gefd edBd|afdf abaf|edef d2df|
afdf abaf|gbfa edBe|d2dA BdAF|ABde fdd :|

%%%

X:323
%
T:CLOUGHER (reel) (a), The
Z:Z: ABC/arr. BB
S:S: MFC.022B
N:N: Repeats added
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:A dorian
Bd|eAcA eAfA|eAcA BGBd|eAcA egfa|gedB GABd|
eAcA eAfA|eAcA BGBd|eAcA egfa|gedB GA:|
Bd|eaa2 baa2|eaa2 egdg|eaag a2ba|egdB GABd|
eaa2 eaa2|eaaf g3a|bgbg a3g|egdB GA:|
"^coda" egdB GABG|A4z4|]

%%%
X:324
%
%
T:CLOUGHER (reel) (b), The
T:Tear the Calico 
Z:Z: ABC/arr. BB
S:S: FS2.16c
M:C|
L:1/8
Q:1/4=180
%R:Reel
K:D
d3c  d2Bd|edBd egfe|d3c d2 B/c/d|eBdB A3B :|
dBB2 g2 fg|edBd egfe|dBB2 g2 fg|e/f/g dB A3B :|
faaf g2 fg|edBd e3 e|faaf g2 fg|e/f/e dB A3z|
faaf g2 fg|edBd e3 e|faa2 bfaf|e3f g2 fe||"^coda"d4z4|]

%%%
X:325
%
%
%
T:CLOUT (slip jig), The
S:S: CCCD
Z:Z: ABC/arr. BB
M:9/8
%R:slip jig % "dance" 9/8
L:1/8
Q:1/4=160
K:D
d2g fdf A3|d2g fdf gec|
dfd fdf A3|=c3 c2a ge^c :|
afd dfd A3|afd dfd gec|
afd dfd A3|=c3 c2a ge^c :|
"^coda" d6z3|]

%%%
X:326
%
%
T:CLOVER BLOSSOM (hornpipe), The  
S:S: DMI.0869
Z:Z: Nordberg/Black 
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:A
g|aece Acea|fdBG A2Bc|defe dcBA|GBAF E2eg|
aece Acea|fdBG A2Bc|dfed cABG|E2A2A2:|
ed|ceAe ceAe|dfBf dfBf|ceAe ceAc|BAGF E2ed|
ceAe ceAc|dcde fgaf|eaed cABG|E2A2A2:|

%%%
X:327
%
%
%
T:CLOVERLEAF (jig), The
C:© Larry Mallette
Z:Z: ABC/arr. BB
S:S: composer
Q:1/4=160
%R:jig
M:6/8
K:G
d|edB G3|DEG A3|dBe dBe|dBA GED|
dBG E3|DEG A3|dBg edB|1 dBA G2 :|\
[2 dBA GAB||
|:deg e3|dBA G3|ABG ABG|AGE D2G|
ABd e3|dBA G3|dBg edB|1 dBA GAB :|\
[2 dBA HG3 |]
%
% "Named in honor of the group I used to sit in with at 
% the Bristol Renaissance Faire."

%%%
X:328
%
%
%
T:CLOWN IN THE ATTIC (polka), The
C:© D.MacAdam 7/10 
S:S: composer
%R:polka 
Q:1/4=190
L:1/8
M:2/4
K:Em
Ac/d/ ec|dB GB|Ac/d/ eg|fd ec |
Ac/d/ ec|dB GB|Ac/d/ eg|fd e2 :|
gf/g/ fd|ec BA|gf/g/ fd|ef ga |
gf/g/ fd|ec BA|GA/B/ ce|fd e2 :|]
%
% "My friend Lynn Sarver was a party clown in an earlier life. When asked 
% what became of her clown outfit, she replied it was in her attic. 
% Immediately I pictured a disembodied clown outfit doing a solitary polka 
% in the attic. This is the polka."

%%%
X:329
%
%
%
T:CLUB CEILI (jig) (1), The 
T:The Old Favorite 
Z:Z: ABC/arr. BB
S:S: FS1.22c
M:6/8
L:1/8
Q:1/4=160
%R:Jig
K:G
A|B2B BAB|dBA G2B|d2d d2B|ded B2A|
BcB BAB|dBA G2B|ded cBA|1 G3 G2:|2 G3 GB||
|:d|g2g f2f|e2e edB|d3 d2B|ded B2d|
g2g f2f|efe edB|1ded cBA|G3 GB :|
[2 dge dge|dge dBA|G6|]

%%%
X:330
%%staffsep 70
%
T:CLUB CEILI (jig) (2), The
T:The Old Favorite
Z:Z: ABC/arr. BB
S:S: FS3.27b
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:G
A|BcB BAB|dBA G2B|ded d2B|ded B2A|
BcB BAB|dBA G2B|ded cBA|1 G3 G2 :|2 G3 GB ||
|:d|g2g f2f|efe edB|d3 d2B|ded B2d|
g2g f2f|efe edB|1 ded cBA|G3 GB :|2 dge dge|
dge dBA|"^coda"HG6|]

%%% %%% %%%

X:331
%
%
T:COACH ROAD TO SLIGO (jig), The 
N:N: a/k/a/ Blackthorn Stick, Humors of Bantry 
S:S: CRE.3
Z:Z: ABC/arr. BB 
%R:jig
Q:1/4=160
M:6/8
K:G
d|g3 ege|dBG AGE|DGG FGA|B3 ABd|
gbg ege|dBG AGE|DEG FGA|BGF G2:|
%
d|Bdd edd|gdd edd|Bcd edd|gdB AGA|
Bdd edd|gdd edB|GAB AGA|BGG G2d|
Bdd edd|gdd edd|Bcd gfg|edB ABd|
gbg ege|dBG AGE|D2G F2A|BGG HG3|]

%%%
X:332
%
%
T:COACHMAN'S WHIP (reel) (1), The 
Z:Z: ABC/arr. BB
C:V. Broderick
S:S: BSMI.3
N:N: Compare this version with Broderick's own setting below.
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:G
B|d2BG DGBG|E2BE dEGB|d2BG DGBG|FGAd BGGB|
d2BG DGBG|E2BE dEBE|DEGA Bdef|gdcA BGG :|
e|d3e G3E|DGBG DGBG|E2BE dEGB|dBAG EGGB|
d3e G3E|DGBG DGBG|F2AB cdef|gdcA BGG :|

%%%
X:333
%
%
T:COACHMAN'S WHIP (reel) (2), The
C:V. Broderick
S:S: Turoe.05a
Z:Z: ABC/arr. BB
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:G
GE|D2DE G2GB|d2BG DGBG|E2cE dEcE|d2AG FAGE|
D2DE G2GB|d2BG DGBG|FGAB cdef|gdcA AG:|
Bc|d2BG DGBG|E2cE dEcE|d2BG DGBG|F2Ad BGGB|
d2BG DGBG|E2cE dEBG|FGAB cdef|gdcA AG:|
"^coda" gdcA AGGF|HG4z4|]

%%%
X:334
%
T:COAGH JIG*, The 
S:S: GSTC
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig
M:6/8
K:Em
A|BEE BAB|def edB|BAF FEF|DFA BAF|
BEE BAB|def edB|BAF dAF|EFE E2 :|
B|e2f geg|faf edB|BAF FEF|DFA BAF|
e2f geg|faf edB|BAF dAF|EFE E2 :|
%
% This is my name for a "gan ainm". Coagh [KOH-ah] is a town 
% in Co. Tyrone where my great-grandmother Annie was christened 
% (she was born across the border in Derry, but her family's 
% closest Methodist church was in Tyrone!)

%%%
X:335
%
%
T:COBBLER (jig) (1), The  
N:N: "Dan the Cobbler" and "Cobbler's Jig" are alternate names for this tune
N:and the two following.
S:S: AIF
Z:Z: ABC Brennan/Black (arr.)
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:D
D|DFA B2A|def gfe|fdf ecA|BGB AFD|
DFA B2A|def gfe|fdf ecA|Add d2:|
g|fad fad|faa agf|eg=c egc|efg gfe|
fef gfg|agf efg|fed cAG|Add d2:|

%%%

X:336
%
%
T:COBBLER (jig) (2), The  
Z:Z: ABC/arr. BB
S:S: FS2.14c
M:6/8
L:1/8
Q:1/4=160
%R:Jig
K:D
DFA B2A|def gfe|fdf ecA|BGB AFE|
DFA B2A|def gfe|fdf ecA|1 Adc BAF :|2 Adc d2||
|:e|fad fad|faa agf|eg=c egc|efg gfe|
fef gfg|agf efg|fed =cAG|Adc d2 :|

%%%

X:338
%
%
T:COBBLER (jig) (3), The 
S:S: "Trip to Sligo" (B.Flaherty)
Z:Z: ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:D
A|DFA B2A|def g2e|fdf ecA|BdB AFE|
DFA B2 A|def g2 e|fdf ecA|Bdc d2:|
e|fad fad|faa agf|egc egc|egg gfe|
fef gfg|agf efg|fed cAG|Adc d2:|
%

X:337
%
%
T:COBBLER (polka), The 
S:S: JOL.080 
% recorded by De Danann as "O'Keeffe's"
S:S: "Music of Ireland - The Big Session" (DJ Taylor)
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:Am
%%text source key = Bm
%%vskip .3in
cA aA|cc e/g/e/d/|cA aA|B/A/G/B/ de/d/ |
cA aA|cd e/g/e/d/|cd e/d/c|A2 A2 :|
ge ae|ed e/g/e/d/|cA aA|B/A/G/B/ de/d/ |
ed/e/ ag|ed e/g/e/d/|cd e/d/c|A2 A2 :|

%%%



%%%
X:339
T:COCK and [the] HEN, The  
S:S: ONMI.0567 < F.O'Neill
Z:Z: Brennan/Black 
M:6/8
L:1/8
K:G
%%text "playfully"
%%vskip .3in
d/c/|BAB GAB|cBc d2g|cAA BGG|
cAA A2d/c/|BAB GAB|cBc d2g|
fdd c2A|BGG G2||B/A/|GBd gfg|
agf g2e|ddc BAB|cAA A2d/c/|
BAB GAB|cBc d2g|fdd c2A|BGG G3|]

%%%

X:340
%
T:COCK AND THE HEN* (slip jig) (1), The
S:S: BSMI.2
Z:Z: ABC/arr. BB
%R:slip jig
M:9/8
Q:1/4=150
L:1/8
K:D
B3 B2B f2A|B3 B2B dBA|B3 B2B f2g|
afd edB dBA :|afd def g2e|afd def edB|
afd def g2e|afd edB dBA:|"coda"Hd6z3|]

%%%

X:341
%
%
T:COCK and the HEN (slip jig) (2), The  
S:S: RC2.252
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:9/8
%R:slip jig
K:G
BcB BAB g2A|BcB BAB dBA|
BcB BAB g2e fed edB dBA:|
afd def g2e|afd def gfe|
afd def g2e|fed edB dBA|
afd def g2e|afd def gfe|
a2a agf g2e|fed edB dBA||\
"^coda"HG6z3|]

%%%


%%%

X:342
%
%
T:COCK IN THE HEATH (slip jig), The
S:S: OFPC2.83 ("Irish")
Z:Z: ABC/arr. BB
%R:
Q:1/4=160
M:9/8
L:1/8
%R:jig
K:Dmix
A2d FDD F2E|FDD G2B AFD|
A2d FDD F2E|FDD FAF GEC :|
G2c BdB c2A|BAG GAG cAF|
G2c BdB c2A|BAG FAF GEC :|\
"^coda"D6z3|]

%%%

X:343
%
%
T:COCK ROBIN (reel)
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy2.32
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:Em
ef|g2eg fedB|edBA GE FD|G2GF GABd|edBA Beef |
g2eg fedB|edBA GEGA|BedB edBA|BEFD E2 :|
EF|G2GF GABd|ABGA Beef|g2eg fedB|egfd e2ef |
gefd edBd|edBA GEGA|BedB edBA|BEFD E2 :|
GA|Beed efga|bgaf gefg|eB dA gedB|edBA GEE2 |
Befa g2fg|agfg edBA|GEGA BdBA|BEFD E2 :|

%%%
X:344
%
%
T:COCK UP YOUR BEAVER 
C:O'Carolan
S:S: CAR-OS
% "Variations on the Scottish Air". "The air is from 'The Scots Musical 
% Museum'" (Brennan). Variations are in the folder ABC file.
Z:Z: Gilb/Brennan/Black 
M:6/4
L:1/8
K:G
%%text "allegretto"
%%vskip .3in
e2|d d3G2B3A G2|A3B A2c4e2|d d3G2B3A B2|G2g2d2B3c d2|
e3d ef g2d2B2|A3B A2c4e2|d4c2B3c A2|G2g2d2B4d2||
G2g2d2B2d2B2|A2a2A2c4B A|G2g2d2B2d2B2|G2g2d2B4B2|
c3d ef g2d2B2|A3B A2c4e2|g3f e2d2B2d2|e2g2d2B4d2|]

%%%
X:345
%
%
T:COCK YOUR PISTOL CHARLIE (polka) (a)
S:S: RC2.242
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:Ador
D|E>A AB|cd ec|d>B cA|GE ED|
E>A AB|cd ef|g>e dB|BA A:|
g|a>g eg|ag ef|g>e df|ga bg|
ag eg|ag ef|ge dB|BA Af/g/|
a>g eg|ag ef|g>e df|ga bf|
g>a bg|ag ef|g>e dB|BA HA2|]

%%%
X:346
%
%
T:COCK YOUR PISTOL CHARLIE (polka) (b) 
S:S: RC2.243
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:Em
E2e e2f|g2f e2^c|d2B A2F|D2E F2D|
E2e e2f|g2f e2^c|d2B A2F|E3 E3:|
E2B B2A|B2A F2A|d2B A2F|D2E F2D|
E2B B2A|B2A F2A|Bcd A2F|E3 E3:|

%%%
X:347
%
%
T:COCKLE MAN (reel), The  
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy1.30
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Em
AF|E2BE FEDE|FEBd AGFD|E2BE FEFA|dBAG FEDF |
E2 BE dEBE|BdAG FE D2|B2 AB dfed|BdAF E2 :|
FA|Beed egfe|d2 Bd Adfd|Befd edfe|dBAF E2 FA |
Beed fded|BdAF DEFA|B2 AB dfed|BdAF E2 de |
fded BdAB|defb afed|B2 Ad fded|BdAF E2 de |
fded Bdfe|fbaf edBd|fdeB dfed|BDAF E4 |]

%%%
X:348
%
%
T:COCKLED OLD MAN (jig) (a), The  
S:S: RC1.127 ("setting 1," "An Sean Fear Cochailleach")
Z:Z: ABC/arr. BB
N:N: "cockled" = "cuckold" = "marital problems". This is a version 
N:of "Brian O Lynn".
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:Ador
B|cAd cAG|EDE GAB|cAd cAG|EAA A2B|
cAd cAG|EDE cde|efe ded|cAG A2:|
f|gfa ged|cAB cde|eaa age|edd d2f|
gfa ged|cAB cde|efe ded|cAG A2:|

%%%
X:349
%
%
T:COCKLED OLD MAN (jig) (b), The  
S:S: RC3.102
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:Am
f|gea ged|cAB c2d|eaa age|edd de^f|
gea ged|cAB cde|fed e2d|cAG A2:|
B|cBc A2G|ecB cde|ded cAG|Add ded|
cBc A2G|ecB cde|1 fed ecA|G^FE D2:|
[2 fed e2d|cAG HA3||
N:N: I'm not sure what the last measure of the first ending is supposed to indicate. Might 
N:just be better to ignore ending 1 altogether.

%%%
X:350
%
%
T:COCKSTEP in the DUNGHILL (reel) 
C:V.Broderick
S:S: Turoe.18b
Z:Z: ABC/arr. BB
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:Em
gfed edBA|GBBB GEDG|Beee Beef|gfed B2ef|
gfed edBA|GBBB GED2|Beed efg2|agfa gee2:|
eBdB A2GA|BAGA Bdd2|BAGA Bdd2|eBdB A2A2|
eBdB A2GA|BAGA Bdd2|Beed efga|agfa gee2:|

%%%
X:351
%
%
T:COEY'S HORNPIPE  
S:S: ONMI.1604 < J.O'Neill
Z:Z: Brennan/Black 
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:G
%swing .25
EF|GdBG FcAF|GABG D2GF|EGAB cBAG|FAd^c fd=cA|
GdBG FcAF|GABG D2GF|Eedc BAGF|A2G2G2:|
AG|FAd^c dBAG|FAd^c dfed|^cdef gecg|d^cde d2d=c|
BcBA GBec|ABAG FAdf|egfe dcBA|G2B2G2:|

%%%
X:352
%
%
T:COIS LEASA agus ME GO hUAIGNEACH  
S:S: RC1.006
Z:Z: ABC/arr. BB
N:N: Only first part repeats in source
N:N: Additional info in ABC file
% The first part of the title ("cois leasa")
% doesn't make much sense in translation - "leas" can
% mean a few things ("benefit", "wisp of hay") which
% make no sense here. However if "leasa" is a misprint
% for "leaba" the title might then mean "I'm Lonely Here 
% By the Bedside" (best I can do - sorry!)
L:1/8 
M:4/4
K:D
%%text "andante con moto"
%%vskip .3in
A>G|F>DF>G A2FG|Add>e d>cAG|F2FF F2DE|GFEE E2AG|
FDFG A2FG|Add>e dcAG|F2FD GECE|D2DD D2:|
A2|dAde f2 f/a/g/e/|edce de/d/ c<A|dAde fece|d2dd d2de|
fece d>cAG|F2FD GEC>E|DEFA dcAG|E2D>D HD4|]
%

%%%
X:353
%
%
T:COLCLOUGH'S (hornpipe)
S:S: NCIUP.19e
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:C|
%R:hornpipe
K:G
%swing .2
GA|B2G2 GABc|dBcA G2Bc|dBgf edcB|c2A2 A2GA|
B2G2 GABc|dBcA Gedc|BdBG AcAF|G2G2G2:|
ef|gdBd gbag|afdf egfe|dBcA Bdeg|f2d2d2 ef|
gdBg dcge|dBGB cAec|ecdB cAGF|G2G2G2:|
dc|BGdG BGdG|cAeA cAeA|BGdG BGdB|AGFE D2GA|
BGdG BGdG|cAeA cAea|gfge dBcA|G2G2G2:|

%%%
X:354
%
%
T:COLD BEGINS TO STRENGTHEN ("slow reel"), The
%R:reel
C:Rick Gagne 
S:S: composer
Z:Z: ABC/arr. BB
N:N: d/o/c/ 1999 on bouzouki
M:4/4
Q:1/4=150
K: Em
B|"Em"e2gb e2gb | "Am"agfe "Bm"fdBd | "Em"e2gb e2gb | "Am"agfe "Bm"f2fg | 
"Em"e2gb e2gb | "Am"agfe "Bm"fdBd | "C"eB cA "Bm"BG AF | [1"Am"GE FD "Em"E3 :|\
[2 "Am"GEFD "Em"EGBe ||
"Em"gBcA Bege | "D"fagf "Am"edBd | "Em"gBcA "D"FAde | "Bm"fdAG FADF | 
"Em"EedB efge |"D"fagf "C"edBd | "Em"eBcA "Bm"BGAF | "Am"GEFD "Em"EGBe :|
"^coda""C"cege "D"dfaf | "G"gBB2 "C"ceag | "D"gfef "G"Hg4 |]

%%%
X:355
%
T:COLD FROSTY MORNING (hornpipe)
Z:Z: ABC/arr. BB
S:S: MVBT
Q:1/4=160
M:C|
%R:hornpipe
K:A dorian
D|EDEG AGEG|ABcd e2 A2|G2 BA GFED|GABc d2 D2|
EDEG AGEG|ABcd e2 d2|e2de ceBG |EAAG A3:|
z|ea2^g a2 ab|ageg afge|dg2fg2 ga|gede gedB|
[1 ea2g a2 ab|ageg aged|e2de ceBG |EAAG A3:|
[2 AEEE cEEE|dEEE e2 ed|cBAc BAGB|A2AB A4|]
%
N:N: This is an American traditional tune that I thought might make a good 
N:hornpipe.

%%%
X:356
%
%
T:COLEMAN'S (slip jig) (a-1)
S:S: "Sully's Irish Banjo Book" (T.Sullivan)
N:N: a/k/a/ "Coleman's Favorite" (see below)
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:9/8
%R:slip jig
K:G
B|e2 A ABA E2 D|E2 A A2 B c^cd|
e2 A ABA E2 D|E2 G G2 F G2:|
B|:e2 a a2 g a2 g|e2 a a2 f g2 e|
d2 g g2 f gag|agf g2 e d2 g:|

%%%
X:357
%
%
T:COLEMAN'S (slip jig) (a-2)
S:S: BSMI.3 (as "Coleman's #1")
Z:Z: ABC/arr. BB
L:1/8
M:9/8
%R:slip jig
Q:1/4=160
K:A dorian
e2A A3 E2D|E2A A2B c2d|
e2A A3 E2D|E2G G2F G2B :|
e2a a2g a2g|e2a a2a g2e|
d2g g2f g3|a2g g2e d3 :|
"^coda"a2e dBG HA3|

%%%
X:358
%
%
T:COLEMAN'S (slip jig) (b) 
S:S: BSMI.3 as "Coleman's #2")
Z:Z: ABC/arr. BB
Q:1/4=150
%R:slip jig
M:9/8
L:1/8
K:E dorian
B2E E2F G2A|Bcd e2c d2A|
B2E E2F G2A|Bcd A2F G2E :|
g2e e2f e2g|f2d d2c d2f|
2e e2f e2d|Bcd A2F G2E :|
"^coda"Bcd A2F G3|E6z3|]

%%%
X:359
%
%
T:COLEMAN'S CROSS (jig)  
S:S: BSMI.3
Z:Z: ABC/arr. BB
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
d|B2e efe|B2e efe|A2d dcd|A2d dcd|
B2e efe|Bef ega|bag agf|ged e2 :|
f|gdB G3|FDF AGF|GBd g3|fdc def|
gdB G3|FDF AGF|GBd gag|fdc d2 :|
"^coda"fdc Bdf|He3z3|]

%%%
X:360
%
%
T:COLEMAN'S CROSS (reel) (1) 
S:S: CRE.3
Z:Z: ABC/arr. BB
%R:reel
L:1/8
Q:1/4=180
M:C
K:Em
gf|edBA G3E|DEGB AEE2|GEDB, DEGA|B3d efge|
edBA GFGE|DEGB AEE2|GEDB, DEGA|Bdgf e2ef||
g2gf gfed|Bcdf edBd|gabf gfed|Bdgf e2ef|
g3e fafa|eafd edBd|dBAF GFGA|B3d efgf||
"^coda"edBA HG4|]
%
% Kathleen Collins' recording of this is on Tune Vault
% (www.capeirish.com/tune_vault). I've never heard anyone
% else play it! (Another setting at #41062.)

%%%

X:361
%
%
T:COLEMAN'S CROSS (reel) (2) 
S:S: MVBT
D:D: "Kathleen Collins" (1976)
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:Em
edBA GFGE|DEGB AE E2|GEDB, DEGA|BABd efgf|
edBA GFGE|DEGB AE E2|GEDB, DEGA|Bdgf e2 ef||
g2 gf gfed|Bdef edBd|gbaf gfed|Bdgf e2 ef|
g2 ge f2 fd|eafd edBd|dBAF GFGA|BABd efgd|\
"^coda"e4z4|]

%%%
X:362
%
%
T:COLEMAN'S FANCY (reel)
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
%R:reel
K:Ador
e2BA eABA|G2BG dGBd|eABA eABA|dBGA BABd|
eABA eABA|GABG dGAB|c2ec dBAc|dBGA BAA2 :|
c2ec gcec|c2ec dBGB|c2ec gcec|dBGA BAAB|
c2ec Gcec|Gcec dBGB|c2ec dBB2|dBGA BAA2 :|

%%%
X:363
%
T:COLEMAN'S (slip jig) (3) 
S:S: CTWT (as "Coleman's Favorite)
N:N: same as version a-2 above
Z:Z: ABC/arr.BB
%R:slip jig
Q:1/4=160
L:1/8
M:9/8
K:A dorian
d|e2A A3 E2D|E2A A2B c2d|e2A A3 E2D|
E2G G2F G2:|g|e2a a2g a2g|e2a a3 g2e|
d2g g2f g3|a2g g2e d2:|"^coda"a2g g2e deg|a3-a3z3|]

%%%
X:364
%
%
T:COLEMAN'S MAID ON THE GREEN (jig)
S:S: J. O'Sullivan < A. Morrisroe
D:D: "The Killasser Flute" tr.1B
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%R:jig
K:G
G3 dGG|edB dBA|G3 dGG|edB AFD|
G3 dGG|edB d3|gfe dBG|1 Bee dBA:|2 Bee def||
|:gfg bag|fef afd|gfg bge|edB GBd|
gfg bag|fef afd|bag agf|1 egf edB :|\
[2 ege dBA|G6|]

%%%
X:365
%
%
T:COLLEEN DHAS DUN  
T:Cailín Deas Donn 
N:N: "Pretty Brown-Haired Girl". Repeats added.
Z:Z: ABC/arr. BB
S:S: Levey2.53 
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
A|B2d cAc|BGB FGA|B2d cAc|BGG G2A|
B2d cAc|BGB ABc|B2d cAc|BGG G2 :|
d|geg fdf|ece dBG|gfg fef|ece def|
geg fdf|ece dBG|B2d cAc|BGG G2 :|

%%%
X:366
%
%
T:COLLEGE GROVE (reel) (1) 
T:Cottage Grove(s)
S:S: DMI.0485
Z:Z: Nordberg/Black 
%R:reel
Q:1/4=180
M:C|
L:1/8
K:Dmix
D2FD ADFD|Ecc2 edcA|D2FD Eddc|ABGF EDCE|
D2FD ADFD|Ecc2 edcA|DEFG Addc|ABGE EDD2||
%
fed^c Acdf|ed^cd efge|edd^c dcdf|eaag edd2|
f2df f2df|e2ce e2ce|dfeg fagb|afge fdd2||
%
faag fddf|efgf eccg|faag fddB|cAGE EDD2|
faag fddf|efgf ecce|dfeg fagb|afge fdd2||
%
f2df f2df|e2ce e2ce|f2df f2dB|cAGE EDD2|
f2df dfdf|e2ce cece|dfeg fagb|afge fdHd2|]
%
N:N: This is another instance where the C's that are played as natural today are not 
N:indicated as such in the source. I have taken the liberty of changing this in this 
N:setting. (To hear the source version, replace G with D in the ABC K: field.)

%%%
X:367
%
%
T:COLLEGE GROVE (reel) (2) 
T:Cottage Grove(s)
S:S: CRE.2
Z:Z: ABC/arr. BB
L:1/8
M:C
%R:reel
Q:1/4=180
K:D mix
D2FD ADFD|E2cB dBcB|AFFA dfed|cAGE EDCE|
D2FD ADFD|E2cB dBcB|AFFA dfed|cAGE EDe||
g|fdd2 fgaf|ecc2 efge|fdd2 dfed|cAGE EDeg|
fdd2 fgaf|ecc2 efge|dBeg fagb|afge fdHd2|]

%%%
X:368
%
%
T:COLLEGE GROVE[S] (reel) (3) 
Z:Z: ABC/arr. BB
S:S: FS2.29b
% Also known as 'Cottage Groves'
M:C
L:1/8
Q:1/4=180
%R:reel
K:Dmix
A|D2FD ADFD|E2cE dEcE|D2FA dfed|
cAGE EDCE|D2FD ADFD|E2cE dEcE|
D2FA dfed|cAGE EDD :|
%
e|fdd2 fagf|ec c2 efge|1 fdd2 dfed|
cAGE EDD :|2 dfeg fagb|afge fdd||
%
|:e|fgag fdd2|efgf ecc2|1 fgag fddB|
cAGE EDD :|2 dfeg fagb|afge fdd||
%
|:e|f2df f2df|e2ce e2ce|f2df f2ed|
cAGE EDD2|f2df dfdf|e2ce cece|
%%stretchlast 0
dfeg fagb|afge fdd :|

%%%
X:369
%
%
T:COLLEGE HORNPIPE, The 
S:S: NCIUP.17a
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:C|
%R:hornpipe
K:D
de|d2D2 D2AG|FAdc d2fd|e2E2 E2AG|FAdf a3f|
gfga bagf|gfec dcBA|Bdce dfeg|f2d2 d2:|
AG|FAdA FAdA|B2G2 G2ed|cded cded|c2A2 A2df|
gfga bagf|gfec dcBA|Bdce dfeg|f2d2 d2:|
%
% This might remind you of "Jack's the Lad" ("Sailor's 
% Hornpipe - Popeye Theme Song")

%%%
X:370
%
%
T:COLLEGIANS OF GLASGOW (reel), The 
S:S: CRE.5
Z:Z: ABC/arr. BB
M:4/4
Q:1/4=180
%R:reel
K:Em
g|dGBG dGAB|dGBG Eeec|dGBG dGBd|cABG Eee:|
d|efge dGBd|efge fgab|efge dGBd|cABG Eeed|
efge dGBd|efge fga2|bgae dgBd|cABG E4|]

%%%
X:371
%
%
T:COLLIER'S DAUGHTER (polka/march), The
S:S: CCCD
Z:Z: ABC/arr. BB
%R:polka % dance 2/2
% This doesn't seem to be a dance tune in the source but with a few tweaks 
% (e.g. time signature 2/4 instead of 2/2) it seemed to make a good polka or march.
L:1/8
Q:1/4=120
M:2/4
K:G
d|B>A G G|G2 D2|=F2 F2|A c2 d|
B>A G G|G2 D2|f e/f/ g G|B d2 :|
e/f/|g>e dB|c2 g2|B>c AG|FA2d/c/|
BGAD|BGAD|1 g>agG|Bd2 :|2 g>agf|g4|]

%%%
X:372
%
%
T:COLLIER'S REEL (1), The
T:Willie Clancy setting
S:S: DMWC.37
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:Dmix
FDEG A3B|BAdB cAG2|Add^c defd|gece dcAF|
FDEG A3B|BAdB cABG|Add^c A2AG|EFGE ADD2|
D2D2 A3B|BAdB cAG2|Add^c defd|gece dcAG|
FDEG A2AB|BAdB cAG2|Add^c A2AG|EFGE ADDG||
%
f2eg fde^c|Addc Addg|f2eg fdec|A3B cBcd|
eaag efge|dfed cAG2|Add^c A2AG|EFGE ADDg|
f2eg fde^c|Addc Addg|f2eg fdec|ABcB c2eg|
agfa g2eg|fdge dcAG|Add^c A2AG|EFGE ADD2 |]

%%%
X:373
%
%
T:COLLIER'S REEL (2), The  
S:S: ONMI.1404 < J.O'Neill
Z:Z: Brennan/Black 
N:N: No C naturals in source.
Q:1/4=180
%R:reel
M:C|
L:1/8
K:D mix
G|FDEG A2AB|c2cd cAGB|Addc d2eg|fded cAGE|
FDEG A2AB|c2cd cAGB|AddB cAGE|FAGE D3 :|
g|fdeg fdec|Addc Addg|fdeg fdec|ABcd c2fg|
a2af g2ge|fgfe d2dc|AddB cBAG|FAGE D3:|

%%%
X:374
%
%
T:COLLIGAN BANK (jig), The
C:E. Dooley
S:S: composer
Q:1/4=160
%R:jig
L:1/8
M:6/8
K:A mix
D|"A"EAB cBA|"A"ece a3|"A"efe cBA|"Em"BEF G3|
"A"EAB cBc|"D"def fef|"A"aec "G"BGB|"A"cAA "A"A2 :|
z|"A"ecA ecA|"G"Bdg Bdg|"A"aec "D"def|"F#m"eaf "E7"edB|
"A"ecA ecA|"G"Bdg gfg|"A"aec "G"BGB|"A"cAA "A"A2 :|

%%%
X:375
%
%
T:COLLINS' CHOICE* (reel)
Z:Z: ABC/arr. BB
S:S: MFC.034C < Gus Collins (unnamed)
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
c|d2cA BEE2|FDAD FABc|dBcA BEE2|1 Bged cAB:|
[2 Bgec d2||c|:d2fd addc|d2fd cdec|1 d2fd adfd|
dBAF EFAc :|2 defd cdec|dBAF EFAc|Hd4z4|]

X:376
%
%
T:COLONEL FRASER (reel) (1)
T:"McFadden setting" (AA-B-C-D-A)
S:S: ONMI.1246 < McFadden
N:N: This is a "party piece" so I've left the ornamentation alone. If you're not a  
N:piper (or a fiddler named McFadden), you can ignore it. (A sanitized setting 
N:is below.)
Z:Z: Brennan/Black 
%R:reel
Q:1/4=180
M:C|
L:1/8
K:G
P:A
dc|:BGAF DG (3GFG|AFcF dFcF|BGAF DGGg|
[1 fdcA d2cA:|2 FD cA BGG2||
P:B
dggf g2bg|fdcB ABcA|Gggf gbag|fdcA BGG2|
gfge d2dc|(3Bcd BG ABcA|GBAc (3Bcd eg|fdcA BGG2||
P:C
Bdd2 BGdG|AFcF (3ABc AF|Bdd2 BGdG|cAFG AGG2|
Bdd2 BGdG|AFcF (3ABc AF|(3GAB (3ABc (3Bcd eg|fdcA BGG2||
P:D
(3BcB GB (3BdB GB|a2 FA (3AcA FA|(3BcB GB (3BdB GB|
cAFG AGG2|(3BcB GB GBGB|a2 FA FAFA|
GBAc (3Bcd eg|fdcA d2cA||"coda"HG4z4|]
%

%%%
X:377
%
%
T:COLONEL FRASER (reel) (1)
T:plain setting
S:S: ONMI.1246 < McFadden
Z:Z: Brennan/Black 
%R:reel
Q:1/4=180
M:C|
L:1/8
K:G
dc|:BGAF DG~G2|AFcF dFcF|BGAF DGGg|fdcA d2cA:|
FD cA BGG2||dggf g2bg|fdcB ABcA|Gggf gbag|
fdcA BGG2|gfge d2dc|BdBG ABcA|GBAc Bdeg|fdcA BGG2||
%
Bdd2 BGdG|AFcF AcAF|Bdd2 BGdG|cAFG AGG2|
Bdd2 BGdG|AFcF AcAF|GBAc Bdeg|fdcA BGG2||
%
B2GB B2GB|A2FA A2FA|B2GB B2GB|cAFG AGG2|
B2GB GBGB|A2FA FAFA|GBAc Bdeg|fdcA d2cA||"^coda"HG4z4|]

%%%
X:378
%
%
T:COLONEL FRAZER (reel) (2)
T:Willie Clancy setting 
S:S: DMWC.87
Z:Z: ABC/arr. BB
N:N: I have left the ornamentations in this "piperly" setting.
M:C
L:1/8
Q:1/4=180
%R:reel
K:G
d2cA||BGG2 DGG2|ABcA dBcA|BGG2 DGBd|cAdc AGG2|
BGG2 DGG2|AFF2 cFF2|BGGF GBdg|fdcA AGG2||
dggf g2g2|fdcB ABcA|dgg2 a3g|fdcA AG Bd|
g2g2 dedc|(3BcB Gc (3AcA FA|GBAc Bd eg|fdcA AGG2||
Bd (3dcd BGdB|AFcF (3ABc AF|Bddd Bd Bd|cAdc AGG2|
Bd (3dcd BGdB|AFcF (3ABc AF|(3GAB Ac Bd (3efg|fdcA AGGc||
(3BcB Gc (3BcB Gc|(3AcA Fc (3AcA Fc|(3BcB Gc (3BcB Gd|\
cADF AGGc|
(3BcB gB gBgc|(3AcA fA fAfA|(3GAB Ac Bd eg|fdcA AGG2||
Bd gd Bd gd|(3AcA fc (3AcA fd|Bd gd Bd gd|\
cAFG AGGc|
(3BcB gB gBgB|(3AcA fA fAfA|(3GAB Ac Bd (3efg|\
(3fed cABG AG|"^coda"G4z4|]
%
 

%%%
X:379
%
%
T:COLONEL HOPKINS (reel) 
S:S: ONMI.1260 < F.O'Neill
Z:Z: Brennan/Black 
%R:reel
Q:1/4=180
M:C|
L:1/8
K:G
ge|dBGB d2ef|g2af gfed|bgaf gfed|1 BedB A2:|\
[2 egfa g2||
GA|B2dB A2BA|GABG AGFD|B2dB A2BA|GABG A2ge|
dBGB d2ef|g2af gfed|bgaf gfed|egfa g4|]

%%%
X:380
T:COLONEL IRWIN 
C:O'Carolan
S:S: CAR-OS
%R:march
Z:Z: Gilb/Brennan/Black 
M:C
L:1/8
K:Em
%%text "allegretto"
%%vskip .3in
EBBd cBBA|FDDD FAAA|GEBE GEEc|d2dc/d/ e2B2|
c/d/e d/e/f e/f/g fe|dBeB AFDF|A2AG/A/ B2d2|c>BAF E3||
G/A/|BGAF DFAF|EDEF DB,DF|B2AF DFAF|B2Bc/d/ e2f2|
gf/e/ fe/d/ eBBc|dBec fBAF|BEFE DB,B,d|cBAF/E/ E4|]

%%%
X:381
%
%
T:COLONEL JOHN IRWIN 
C:O'Carolan
S:S: CAR-OS
Z:Z: Gilb/Brennan/Black 
M:6/8
L:1/8
K:D
%%text "allegretto"
%%vskip .3in
B/c/|d2c Bcd|A2G FED|G2E FGA|C2D E2A|
d2c Bcd|A2G FED|G2E FGA|D3D2||
A|ded ded|efe ecA|fgf efd|c2B A>Bc|
d2c Bcd|A2G FED|G2E FGA|D3D2|]
%
% This is a 6/8 version of the tune better known as "Planxty Irwin". Note no repeats.

%%%
X:382
%
%
T:COLONEL MANUS O'DONNELL 
C:O'Carolan
S:S: CAR-OS
Z:Z: Gilb/Brennan/Black 
M:6/8
L:1/8
K:Em 
%%text "allegretto"
%%vskip .3in
efg f2e|d2B dFD|BEE EFG|FDA B/A/B/c/d|
BGe e2d|e/d/e/f/g afd|ebb a2g|f/g/af gdB|
ddf eeg|fdf dBA|d2e dcB|AFD F/G/AF|
EF/G/B BGE|EGB BGE|F/E/F/G/A AFD|DFA AFD|
B2E F/G/AF|GDB, B,ED|E/F/GE F/G/AF|G/A/BG B/c/dB|
GBB B2A|Gee e2f|gdB afd|e/f/ge dBG|
d2F FBA|G2E EAB|FDD DEF|EFG FDB,|
B2A A/B/cd|BAB Ged|B2c dFE|D3 F3|E6|]

%%%
X:383
%
%
T:COLONEL McBAIN (reel) (1)
S:S: ONMI.1403 < F.O'Neill
Z:Z: Brennan/Black 
N:N: Repeats added. Name in source has "Col."
Q:1/4=180
%R:reel
M:C|
L:1/8
K:Em
EF|GBEF GEBE|FADE FDAD|GBEF GEBE|FADF E2EF|
GBEF GEBE|FADE FDAD|G2GF GBdB|AFDF E2 :|
EF|G2GF GBdB|ABAG FAAF|Eeed e2ef|gefd Beef|
gfge dedB|ABAG FGAF|Beed BcdB|AFDF E2 :|

%%%
X:384
%
%
T:COLONEL McBAIN (reel) (2) 
S:S: WSGM.262 < Rice-Walsh manuscript
% as COLONEL McBAIN'S REEL
Z:Z: Kinder/Black 
Q:1/4=180
M:4/4
L:1/8
%R:Reel
K:Edor
EF|GEBE GABG|FDAD FGAF|GEBE GABc|dBAF E2EF|
GEBE GABG|FDAD FGAF|GEBE GABc|dBAF E2 :|
ef|gefd edBc|dBAG FDD2|gfed edBA|Beed e2ef|
gefd edBc|dBAG FDD2|EFGA B2Bc|dBAF E2 :|

%%%
X:385
%
%
T:COLONEL O'HARA 
C:O'Carolan
S:S: CAR-OS
Z:Z: Gilb/Brennan/Black 
N:N: I have made a few changes to remove high c's and d's in mm 22,23, & 28
M:C|
L:1/8
K:G
%%text "allegretto"
%%vskip .3in
g2d2 gfed|e2dc c2ag|gfed d2dc|cBAG G2D2|
"5"BABG cBcA|dcdB edec|cBAG FAEA|D4z4|
"9"GFGE CDEC|AGAF DEFD|BABG EFGE|cBcA FGAF|
"13"GABc d2ef|g2fg agfe|d2Bc dcBA|G2g2G4||
"17"D2G2 GFGA|GFGA G2D2|B2B2 BcBA|GABc d2cB|
"21"c2g2 fga2|gfed d2d2|bagb abag|f2e2 d2ef|
"25"gfge cdec|agaf defd|babg efge|cBcA FGAf|
"29"b2g2 g2g2|f2 d4 d2|gfgd cBAG|G4-G4|]

%%%
X:386
%
%
T:COLONEL RODNEY (reel) 
S:S: ONMI.1263 < J.Kennedy
Z:Z: Brennan/Black 
% Repeats added
%R:reel
Q:1/4=180
M:C|
L:1/8
K:A
cAA2 eAce|eaga fedc|dBB2 fBde|fefg afed|
cAA2 eAce|eaga fedc|defg abaf|eg ae cAA :|
e2ce Aece|aAgA fAeg|f2df Bfdf|bBaB gBfB|
e2ce aece|eaga fedc|defg abaf|eg ae cAA :|

%%%
X:387
%
%
T:COLONEL ROGERS (reel) 
S:S: CRE.1
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G
EF|G2dB cAFA|GABc dBcA|G2dB cAFA|GBAF G2DG|
GABd cAFA|GABc defg|afge fdcA|GBAF G2:|
ag|fdge fdcA|dggf gbag|fdge fdcA|GBAF G2 ag|
fdge fdcA|dggf g2 ag|f2 eg fdcA|GBAF G2:|

%%%
X:388
%
%
T:COMB YOUR HAIR AND CURL IT (slip jig) 
S:S: DMI.0447
Z:Z: Nordberg/Black 
%R:slip jig
Q:1/4=150
M:9/8
L:1/8
K:Em
B2E E2F G2A|B2e e2^c dBA|B2E E2F G2A|
B2G A2G FED|B2E E2F G2A|B2e e2^c dBA|
B2E E2F G2A|BAG A2G FED||g2e efe e2f|
g2e e2g afd|g2e efe edc|d2B A2G FED|
g2e efe e2f|gfg e2g afd|gfg agf g2e|
d2B ABG FED||"coda"E6z3|]

%%%
X:389
%
%
T:COME ALONG WITH ME (jig)
N:N: a/k/a Fahy's, Kilhouries, Green Forest, Ballinakill Ditch, The Hideout
Z:Z: Gary Martin 
N:N: "Not a Paddy Fahy composition" [< Martin]
S:S: Mike McHale
%R:Jig
Q:1/4=160
L:1/8
M:6/8
K:G
G|dBG GAG|GBd efg|dBG GBd|ecA ABc|
dBG EFG|DGB ABc|ded BcA|BGF G2:|
G|gfg GBd|gfg afd|gdB GBd|ecA Aaf|
gfe dBd|cBc ABc|ded BcA|BGF G2:|

%%%
X:390
%
%
T:COME ALONG WITH ME (march?)
S:S: ONMI.0343 < J.O'Neill
Z:Z: Brennan/Black 
M:2/4
L:1/8
K:G
%%text "with force"
%%vskip .3in
D|G2 A>F|G2 A>c|d2 c>A|G>F D>F|
G2 A>F|G2 (3ABc|d2 e>c|d2d||
B/c/|d2 f>d|g2 d>c|B2 c>A|G>F D>F|
G2 A>F|G2 (3ABc|d2c>A|G2G2 |]

%%%
X:391
%
%
T:COME BACK TO ERIN (1) 
S:S: ONMI.0194 < J.O'Neill
Z:Z: Brennan/Black 
M:C
L:1/8
K:C
%%text "slow"; A-B-A in source
%%vskip .3in
G2c>B c2^F>G|B2A>F A2G2|E2F>G A3A|A2d>c Bc/B/A^G|
G2c>B c2^F>G|B2A>F A2G2|E2F>G A2B>c|d2AB c4||
E2c>B A2^D>E|F2E>D D2C2|B,2B>A G2^F>E|G2^F>F E3z|
E2c>B A2^D>E|F2E>^G B2A2|c2A>^F d2BG|D^DE^F G3_"DC"F|]

%%%
X:392
%
%
T:COME BACK TO ERIN (2) 
S:S: RC1.068
Z:Z: ABC/arr. BB
C:"Claribel" % no, not THAT one!
L:1/8
M:4/4
K:D
%%text "moderato"
%%vskip .3in
A2d>c d2G>A|c2B>G B2A2|F2G>A B2B>^A|B2e>d c3A|
A2d>c d2G>A|c2B>G B2A2|F2G>A B2c>d|e2B>c d4||
%%text (dotted rhythm in source omitted after this point)
F2dc B2^EF|G2FE E2D2|C2cB A2^GF|A2^GF F4|
F2dc B2^EF|G2Fc c2B2|d2cB e2cA|E2BA HA3A|
A2dc d2GA|c2BG B2A2|F2GA B2B^A|B2ed c2B^A|
A2dc d2GA|c2BE B2A2|FAdf agBe|f2 ed/e/ Hd4|]

%%%
X:393
%
%
T:COME IN FROM THE RAIN (jig) 
S:S: ONMI.1104 < J.O'Neill
Z:Z: Brennan/Black 
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:Em
A|B2E EFE|d3A2G|F2D DED|F2G A2c|
B2E EFE|d3e2f|g2e f2^d|e3 e2:|
f|gfe b2e|gfe b2e|f2d A2g|f2g a2f|
gfe b2e|gfe b2e|f2d Bc^d|e3 e2:|

%%%
X:394
%
%
T:COME NOW OR STAY (jig) 
S:S: ONMI.1001 < F.O'Neill
Z:Z: Brennan/Black 
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:D
G|ABA d2f|afb afd|ege dfd|ecA AFG|
ABA d2f|afb afd|faf gec|ded d2 :|
f|edc BAG|F2D GFE|A2F Bcd|cee egf|
edc BAG|F2D GFE|ABd ege|fdd d2 :|

%%%
X:395
%
%
T:COME O'ER THE STREAM TO CHARLIE (jig) 
S:S: HOC.196
Z:Z: ABC/arr. BB
% Repeats added.
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:G
%%text "dance - Scotch"
%%vskip .3in
D|GBd dBe|dBg dBA|GBd dBG|DBA G2D |
GBd dBe|dBg dBA|GBd dBG|DBA G2 :|
d|gfg efg|eag fed|gfg edc|BAG d2d |
cec Bdg|dBG Adf|gdB dBG|DBA G2 :|

%%%
X:396
%
%
T:COME TO DINNER (jig) (1) 
S:S: DMI.0228
Z:Z: Nordberg/Black 
%Note nice mode change between parts!
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:Am
e|cAA A2A|EAB cBA|BGG G2G|BGB gdB|
cAA A2B|cde ag^f|gec Bed|cAA A2:|
K:A
e|aga bag|aec Ace|dBG EGB|Acf efg|
aga bag|aec Ace|dBG EGB|cAA A2:|

%%%
X:397
%
%
T:COME TO DINNER (jig) (2) 
S:S: ONMI.1013 < J.O'Neill
Z:Z: Brennan/Black 
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:Amix
e|cAA A2A|EAB cBA|BGG G2G|BGB gdB|
cAA A2B|cde agf|gec Bed|cAA A2 :|
e|aga bag|aec Ace|dBG EGB|Acf efg|
aga bag|aec Ace|dBG EGB|cAA A2 :|

%%%
X:398
%
%
T:COME TO THE BOTTLE HOUSE (reel)
S:S: ONMI.1377 < Mrs.Cantwell
Z:Z: Brennan/Black 
Q:1/4=180
%R:reel
M:C|
L:1/8
K:A
%%text A-B-A
%%vskip .3in
ed|cBAc BAFE|FBBA B2ed|cBAc BAFE|EdcB A2:|
eg|a2ge fgec|B2BA BdcB|A2ae fgec|dfec "_DC"A2:|

%%%
X:399
%
%
T:COME TO THE BRIDAL (slip jig) 
S:S: WSGM.195 < "Aird's Selections" 1782-97
Z:Z: Kinder/Black 
M:9/8
L:1/8
%R:slip jig
Q:1/4=150
K:G
D|GAG Gge dBG|ABA ABd e2g|
GAG gfe dBG|ABc BAG E2:|
d|gdg gag fed|edB gab a2b|
gab abg fed|efg dBG A2:|
"^coda"efg dBA HG3|]

%%%
X:400
%
%
T:COME TO THE DANCE (reel) 
S:S: ONMI.1250 < Cronin
Z:Z: Brennan/Black 
%R:reel
Q:1/4=180
M:C|
L:1/8
K:G
zD|GBdB cAFA|G2ge dBGB|cdec BcdB|ABcA GFED|
GBdB cAFA|Ggfg edBd|cedc BcdB|cdef g2 :|
zd|gdBd cBcd|edef gfga|bgaf gfed|egfa g2ga|
bgaf gage|dBGB dBcd|egfa gedB|cdef g2 :|

%%%
X:401
%
%
T:COME UP IN THE ROOM (I Want You) (reel) 
S:S: "Trip to Sligo" (B.Flaherty)
Z:Z: ABC/arr. BB
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:G
dcBG DGBd|egdg egdB|dcBG DGBd|egdc BG G2|
dcBG DGBd|egdg efge|d2BG DGBd|egdc BG G2|]
g2 bg egde|g2 ag ea a2|g2 bg egdB|dega bg g2|
g2 bg egde|g2 ag ea a2|g2 fg egdB|dega bg g2|]

%%%
X:402
%
%
T:COME UP STAIRS WITH ME (slip jig) (1)
S:S: ONMI.1172 < Carey
Z:Z: Brennan/Black 
Q:1/4=160
%R:slip jig
M:9/8
L:1/8
K:G
D|G2c BAG Bcd|ecA ABG FED|G2c BAG Bcd|
efg faf g2:|g|fed d2g fed|ecA ABG FED|
fed d2g fed|efg faf g2g|fed d2g fed|
ecA ABG FED|G2c BAG Bcd|efg faf Hg3|]

%%%
X:403
%
%
T:COME UPSTAIRS WITH ME (slip jig) (2) 
S:S: CRE.5 < Jim Mulqueeny (Clare)
Z:Z: ABC/arr. BB
Q:1/4=160
M:9/8
%R:slip jig
K:G
D|GFG BAG Bcd|efg def gdB|GFG BAG Bcd|
ecA ABG FE:|e|gfg edc Bcd|gfg efg aba|
g2f edc Bcd|ecA ABG FED|g2g edc Bcd|
gfg efg aba|g2f edc Bcd|efg def Hg3|]

%%%
X:404
%
%
T:COME WEST ALONG THE ROAD (reel) (1)
S:S: DMI.0793
Z:Z: Nordberg/Black 
%R:reel
Q:1/4=180
M:C|
L:1/8
K:G
d2BG dGBG|G2Bd efge|d2BG dGBG|ABcd edce|
d2BG dGBG|G2Bd efge|d2BG dGBG|ABcd edBd||
g2bg egdg|egdg edBd|g2bg egdB|BABd edBd|
g2bg egdg|egdg edBd|gabg efge|dega bage||"^coda"Hg4z4|]

%%%
X:405
%
%
T:COME WEST ALONG THE ROAD (reel) (2)
Z:Z: ABC/arr. BB
M:4/4
S:S: FS1.05b
L:1/8
%R:Reel
Q:1/4=180
K:G
d2 BG dGBG|G2Bd efge|d2 BG dGBG|ABcd edce|
d2 BG dGBG|G2Bd efge|d2 BG dGBG|ABcd edBd||
g2 bg egdg|egdg edBd|g2 bg egdg|ABcd edBd|
g2 bg egdg|egdg edBd|gabg efge|dega bage||"^coda"Hg4z4|]

%%%
X:406
%
%
T:COME WEST ALONG THE ROAD (reel) (3) 
S:S: GSTC
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
%R:reel
K:G
d2BG dGBG|G2Bd efge|d2BG dGBG|ABcd edBc|
d2BG dGBG|G2Bd efge|dGBG dGBG|ABcd edBd||
g2bg egdg|egdg edBd|g2bg egdB|ABcd edBd|
g2bg egdg|g2dg edBd|gabg efge|dega bgg2||"^coda"Hg4z4|]

%%%
X:407
%
%
T:COME WITH ME NOW (jig) 
S:S: DMI.0312
Z:Z: Nordberg/Black 
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:D mix
G|FDD F2d|cAA BAG|AFD F2d|cAF GAG|
FDD F2d|cAA cde|fge cAG|EDD D2:|
A|cBA fed|cAA A2B|cBA fed|cAF G2A|
cBA fed|cAA cde|fge cAG|EDD D2:|

%%%
X:408
%
%
T:COMELY JANE DOWNING (reel) 
S:S: ONMI.1461 < F.O'Neill
Z:Z: Brennan/Black 
Q:1/4=180
%R:reel  
M:C|
L:1/8
K:G
G2BG BddB|c2ec efg2|G2BG Bddg|edcB ABcA|
G2BG BddB|cBcd efga|bgaf gfeg|edcB A2G2 :|
g2bg afed|edef gdBd|g2bg afed|edef g2ga|
bagf gfed|edef gdBd|cBcd efge|dBGB A2G2 :|

%%%
X:409
%
%
T:COMELY MAIDEN (reel), The  
S:S: ONMI.1353 < O'Reilly
Z:Z: Brennan/Black 
Q:1/4=180
%R:reel
M:C|
L:1/8
K:D
c| d2dc dAFA|dbab fbaf|d2dc dAFA|Beed cABc|
d2dc dAFA|dbab fbaf|bagf edcB|Aeed cAB :|
c|d2a^g afdf|abaf e^def|d2a^g afdf|efed cABc|
d2a^g afdf|abaf e^deg|bgaf gfed|efed cAB :|\
"^coda"cABc Hd4|

%%%
X:410
%
%
T:COMERAGH HEATHER (reel), The
C:Andy Murphy
S:S: composer
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
L:1/8
%R:reel
K:Am
D|"Am"EGAc "G"BAGB|"Am"ABce "G"dcBd|"Am"eaag "Em"egdB|"Am"A2 (3cBA "G"GBdB|
"Am"EGAc "G"BAGB|"Am"AEE^F "G"GFGB|"Am"AGAB "C"cege|"G"(3dcA GB "Am"A3 :|
B|"Am"cBAe "G"dcBd|"Am"ea^ga "Em"ba=ge|"Am"agec "G"BcdB|"Am"Aece "G7"fedB|
"Am"cBAe "G"dcBd|"C"eceg "Dm"fedf|"Am"eAce "G"dcBd|"Am"EGAB A3 :|

%%%
X:411
%
%
T:COMET HORNPIPE, The  
S:S: GSTC
Z:Z: ABC/arr. BB
Q:1/4=150
M:C|
%R:hornpipe
K:D 
%swing .25
FG|ADFA BDGB|A2FA dcd2|eAce gAfe|d2cB A2FG|
ADFA BDGB|A2FA dcd2|ecge cAGE|FABc d2 :|
cd|eAce gcfe|dFAd f2ed|ea^gf edcB|Aeae A2FG|
AGAF DFA2|BABd GBdg|fadf egce|d2f2 d2 :|

%%%
X:412
%
%
T:COMIN THRO' THE BROOM MY JO (march) 
S:S: OFPC4.151 ("Scotch")
Z:Z: ABC/arr. BB
Q:1/4=140
M:C
L:1/8
%R:march
K:Ador
G2|E2A2 A2G2|A2B2 e4|d3e g2B2|A2G2 E4|
G3A B2A2|G2A2 B4|D4 EDEG|B2A2A2 :|
de|a3b a2e2|a3b a2e2|g3a b2a2|g2e2d2 ef|
g2e2 g2B2|d2e2 g4|e4 d2B2|B2A2A2 :|

%%%
X:413
%
%
T:COMIN' THRO' THE RYE (jig) 
S:S: CRE.5 
Z:Z: ABC/arr. BB
N:N: Repeats added
M:12/8
Q:1/4=160
%R:jig
K:D
B|ABc A2f e2d e2f|A2A BAB d3 d2B|
ABc A2f e2d e2f|A2A BAB d3 d2 :|
f|a2f d2f e2d e2f|a2f dfa b3 b3|
a2f g2e fed e2f|A2A BAB d3 d2 :|

%%%
X:414
%
%
T:COMING FROM THE WEDDING (hornpipe) 
S:S: ONMI.1621 < Cronin
Z:Z: Brennan/Black 
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:A
%swing .25
EG|A2ce agfe|dcBA GBEc|B2GB EBGB|AABc dcdB|
A2ce agfe|dcBA GBEB|Aceg agaf|edcB A2:|
cd|e2ce Aece|f2df Bfdf|e2ce Aece|dcBA GABc|
e2ce Aece|dcde fgaf|eagf edcB|AdcB A2:|

%%%
X:415
%
%
T:COMING HOME FROM THE BOG (reel) 
S:S: CRE.2
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G
GE|D2 DE GABG|cGBG AGEG|DFDE GABG|AGEF G2 GE|
D2 DE GABG|cGBG AGEG|DFDE GABG|AGEF G2 :|
zA|Bd d2 edBc|d2 BG AGED|Bd d2 edBc|dedc BGGA|
Bd d2 edBc|d2 BG AGED|gfgd egge|dBAB G2 :|

%%%
X:416
%
%
T:COMING IN (barn dance)
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:C|
%R:hornpipe
K:G 
D2|G2BG A2Bc|dedB cBAF|G2BG A2Bc|dcAB GFED|
G2BG A2Bc|dedB cBA2|AB^cA B=c^cd|eAB^c d2||
Bc|d2dB c2AF|G4-G2gf|e2dB GABG|A4-A2df|
g2gf efge|dedB d2Bc|d2dB c2AF|G4-G4|]

%%%
X:417
%
%
T:COMING OVER THE HILLS (reel) 
S:S: ONMI.1448 < Stack
Z:Z: Brennan/Black 
Q:1/4=180
%R:reel
M:C|
L:1/8
K:G
BdcA d2cA|DGFG ABcA|BdcA G2GF|DFEF ABcA:|
K:D
Addc d2dc|Add2 efge|fdec d2dc|AGFG AB=cB|
Addc d2dc|Add2 efge|faef d2dc|AGFG AB=cA||\
"coda"G4z4|]

%%%
X:418
%
%
T:COMING THRO' THE FIELD (hornpipe)  
Z:Z: ABC/arr. BB
S:S: Levey1.47
% This is a version of "Miss Thornton's Reel"
Q:1/4=160
L:1/8
%R:hornpipe 
P:A-B-A 
M:C
K:G
%%swing .25
%%text "moderately quick - hornpipe"
%%vskip .3in
D|G2Bd gdBd|cBAB cedc|BGGA BcdB|ecAF GFED|
G2Bd gdBd|cBAB cedc|BGGA BcdB|ecAF G3 :|
a|b2ag b2ag|egdg egdg|b2ag b2ag|egfa g2ga|
b2ag b2ag|egdg egdg|bgaf gefd|cdef "_DC after rpt"geg :|

%%%
X:419
%
%
T:CON CARTHY'S FAVORITE (slide)  
Z:Z: ABC/arr. BB
S:S: JOL.013
Q:1/4=180
L:1/8
M:12/8
%R:slide
K:D
E|B2A Bcd B2A F2A|B2A Bcd e3 e2d|
B2A Bcd B2A F2A|AGF D2F E3 E2 :|
e|f2e dcd B2A d2e|f2e dcd e3 e3|
f2e dcd B2A d2B|AFA D2F E3 E2 :|

%%%
X:420
%
%
T:CON CASEY'S JIG 
S:S: ONMI.0801
Z:Z: Brennan/Black 
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:Ddor
F|EAE AEA|G3 GEG|EAE AEd|AGE EDC|
EAE AEA|G3 GAB|cBA BGE|EDD D2 :|
e|fed ecA|GEE Gce|fed ecA|GEG A2e|
fed ecA|G2E GAB|cBA BGE|EDD D2 :|
%
N:N: I tried a number of key signatures for this odd tune and none of them 
N:worked too well!

%%%
X:421
%
%
T:CON CASSIDY'S (jig) 
S:S: "Traditional Irish Music" (K.Tweed)
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
A|BAB cBc|dgg d2g|fed cAF|Ggg d2c|
BAB cBc|dgg dgg|fed cAF|1 G3 G2:|\
[2 G3 GB||
|:c/d/|g2 G fGG|efg d2 c|BA^G Aag|fe^d efg|
a2 f gfe|fed fga|gfe def|g3 g2:|

%%%
X:422
%
%
T:CON CASSIDY'S REEL  
S:S: NFID.153a < CC 
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:C
%R:reel
K:G
%%text source key = F
%%vskip .3in
FE|DGG2 DGBG|dGeG dGB^d|eage dBGB|A2BG AGEC|
DGG2 DGBG|dGeG dGB^d|eage dBGB|A^GAB =G2:|
%
GA|B2ba gage|dbba bagb|abag fgfe|daag af^ga|
b2ba gage|dbba bagb|abag fgfe|Bbaf g2f^d|
e2ed edB^d|egfa gfg^d|eage dBGB|A2BG AGEC|
DGG2 DGBG|dGeG dGB^d|eage dBGB|A^GAB =G4|]
%
N:N: I have removed the "florid" anacrusis at the start of the tune. (Nothing worse than a 
N:florid anacrusis - ask any dermatologist)

%%%
X:423
%
%
T:CON CRONIN'S (polka)  
Z:Z: ABC/arr. BB
S:S: JOL.010
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:G
F/E/|DD/E/ GG|AA/B/ AG|Ec B/c/d/B/|G>A B/A/G/E/|
DD/E/ GG|AA/B/ AG|Ec B/c/d/B/|G2 G :|
A|B>c dB|cB AG|B>c dB|cB A2|
B>c dB|cB AG|Ec B/c/d/B/|G2 G :|

%%%
X:424
%
%
T:CON CURTIN'S BIG BALLOON (jig)  
S:S: CRE.3
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
d|BGD EFE|BGD EdB|AFE DFA|DFA ded|
B2F EDE|BAB d2e|fdc BAF|GED E2:|
d|eBe gfe|bgd efe|dAd fed|afe dgf|
[1 eBe gfe|bgd edc|BGB ABA|BGF E2 :|
[2 g2g aga|bge gfg|edc BAF|GED HE3|]
%
N:N: "The Big Balloon" was the name of Con's pub in London.

%%%
X:425
%
%
T:CON McCARTHY'S FAVORITE (hornpipe)
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=150
M:C|
%R:hornpipe
K:D
AF|D2 d2 DFAB|defe dcBA|FDAF BFAF|G2ED CDEF|
D2 d2 DFAB|defe dcBd|AdFB AFEF|D2DE D2 :|
de|fdd2 Add2|fdad bdaf|g2ed cdef|g2bg agfg|
Add2 AdFd|Add2 AdFd|Adfa gece|d2dc d2 :|

%%%

X:426
%
%
T:CON MULLANE'S (reel) 
S:S: MVBT < M.Mulvihill 1977
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:D
DFAd BABc|d2 cA BE E2|DFAd BABc|d2 AG FD D2|
DFAd BABc|d2 cA BE E2|DFAd BABc|d2 AG FDFA||
d2 fd edfd|d2 cA BE E2|d2 fd edfd|dBAG FDFA|
d2 fd edfd|d2 cA BE E2|gfed edBc|dBAG FD HD2|]

%%%
X:427
%
%
T:CON O'FLYNN'S JIG*
S:S: CRE.5 (unnamed)
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%R:jig
K:G
A|Bgg bgg|bgg fdc|AFF cFF|AFF cFF|
Bgg bgg|bgg fdc|AFF AGc|AGF G2:|
e|fef ede|dcA cAG|AFF cFF|AFF cFF|
fef ede |dcA cAG|AFF AGc|AGF G2:|

%%%
X:428
%
%
T:CON THADHGO'S JIG   
T:Con Cronin's
Z:Z: ABC/arr. BB
S:S: JOL.121
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
AFE F2E|F2E EDE|AFE F2E|EDD D2B|
AFE F2E|EDE DdB|AFE F2E|EDC D3 :|
Adc dcd|ede fdB|A2A dAA|BAF E3|
Adc dcd|ede fdB|AFE F2E|EDC D3 :|

%%%
X:429
%
%
T:CON THADHGO'S POLKA 
Z:Z: ABC/arr. BB
S:S: JOL.158
Q:1/4=130
L:1/8
M:2/4
%R:polka
K:D
AD FA|dc AB|=c2 cA|EF GF/G/|
AD FA|dc AB|=c>B cE|ED D2 :|
fd ed|cA Ae|fd ed|ea a>g|
fd ed|cA AB|=c>B cE|ED D2 :|

%%%
X:430
%
%
T:CON'S BASKET OF TURF* (jig)  
S:S: NFID.152a < CC ("untitled jig")
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:Ador
G|Aee edc|BGB dBG|Aee efg|dBG A2G|
Aee edc|BGB dBG|c2d efg|dBG A2:|
G|Aaa aga|baf ged|eaa aga|baf g2d|
eaa aga|baf geB|c2d efg|dBG A2:|

%%%
X:431
%
%
T:CON'S LIMERICK LASSES (reel)  
S:S: CRE.5 < McDermott MS
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:A dorian 
Bc|dBGB dBBc|dBGB d2Bc|dBGB DEGA|BAGB A2 GE|
dBGB dBBc|dBGB d2Bc|dBGB GABe|dBGB A2 :|
EF|GABc dedB|efed BcBA|GABc dedB|ecdB A2 GE|
GABc dedB|efed BcBA|GABA Beef|ecdB A2 :|\
"^coda"ecBA G4|]
%
N:N: I added "Con's" (from "Con McGinley" in Breathnach's tune notes) to avoid 
N:confusion with the "other" "Limerick Lasses". Second ending is mine.

%%%
X:432
%
%
T:CON'S RETURN (reel)
C:© E.Flynn
S:S: composer
Z:Z: ABC/arr. BB
%R:reel
M:C
Q:1/4=180
L:1/8
K:D
AG|FDFA dA (3Bcd|edef g2ag|faea dcAB|cded cAGE|
FDFA dA (3Bcd|edef g2ag|faea dcAG|EDCE D2:|
FA|dcde fd (3efg|abaf gfec|dAfd adfd|Beed cABc|
dcde fd (3efg|abaf g2fg|agaf cBAc|dfec d2:|

%%%
X:433
%
%
T:CONCERT HORNPIPE (a), The 
C:Noel Strange
S:S: Treoir.44b
Z:Z: ABC/arr. BB
M:4/4
L:1/8
Q:1/4=160
%R:hornpipe
K:D
AG|FAfA FAfA|GBeA GBef|g2fg efde|cdBc ABAG|
FAfA FAfA|GBeA GBef|g2fg efde|cABc d2 :|
zf|fFeF dF c2|BGBd fdBc|A2Ac fdAF|B2Bd fdBF|
fFeF dF c2|BGBd fdBF|A2Ac fedc|BABc d2 :|

%%%

X:434
%
%
T:CONCERT HORNPIPE (b), The  
S:S: GSTC
Z:Z: ABC/arr. BB
Q:1/4=150
%R:hornpipe
M:C|
K:G
FE|DGBG DGBD|CEA2 DGB2|ceBd AcGB|FAEG DFCE|
DGBD DGBD|CE A2 DG B2|c2B2 A2G2|FEDF G2 :|
D2|BDAD GDFD|EDEG BGEG|A2FA BAGF|E2 F2 G2 A2|
BDAD GDFD|EDEG BGEG|FABd BAGF|EFGF E2 :|

%%%
X:435
%
T:CONCERT REEL, The 
S:S: DMWC.9
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:A dorian
eAAB ADE2|GABG A3B|dBAB G3B|d2eB dBAd|
BAGB AEE2|GABG A2Bd|eaa2 gedB|GBdB BAA2 :|
eaa2 baag|edef gedB|dgg2 a2ga|bgab gedg|
eaa2 eaa2|edef gbaf|gedB GBdf|gedB BAA2 :|

%%%
X:436
%
%
T:CONCERTINA REEL (1), The   
S:S: CRE.2
Z:Z: ABC/arr. BB
M:C
%R:reel
Q:1/4=180
K:D
F|A2FA BAFA|A2FA BAFA|B2cA BAcA|BAcA BAFA|
A2FA BAFA|A2FA BAFE|FABc d2dB|AFEF D3 :|
B|AddB Addd|Addc BAFA|B2cA BAcA|BAcA BAFA|
AddB AddB|ADFA BAFE|FABc d2dB|AFEF D3 :|

%%%
X:437
%
%
T:CONCERTINA REEL (2), The 
Z:Z: ABC/arr. BB
M:4/4
S:S: FS1.05a
Q:1/4=180
L:1/8
%R:Reel
K:D
dB|A2 FA BAFA|A2 FA BAFA|B2 cA BAcA|B2 cA BAFB|
A2 FA BAFA|A2 FA BAFE|FABc d2 dB|AFEF D2 :|
zB|Add2 Add2|Add2 BAFA|B2cA BAcA|B2 cA BAFB|
Add2 Add2|Add2 BAFE|FABc d2 dB|AFEF D2 :|

%%%
X:438
%
%
T:CONCERTINA REEL (3), The 
S:S: DMWC.72
Z:Z: ABC/arr. BB
% The source has this as AA-BB-A. 
M:C
L:1/8
Q:1/4=180
%R:reel
K:G
ef|g2gf g2dg|g2fg edBd|edfd edfd|edfd edBd|
g3f g2dg|g2fg edBA|Bdef g3e|dBAB GB :|
zA|Bd^cd Bdcd|Bd^cd edBd|edfd edfd|edfd edBA|
Bd^cd Bdcd|Bd^cd edBA|Bdef g3e|dBAB G3 :|

%%%
%%%
X:439
%
T:CONDON'S FROLICS (jig) 
S:S: ONMI.0838 < Cronin
Z:Z: Brennan/Black 
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:Ador
g|ecA c2d|edc BAG|ABA c2d|e^de efg|
ecA c2d|edc BAG|ABA gfg|ecA A2 :|
d|eaa efg|dec BAG|cBc dcd|efe e zd|
eaa efg|dec BAG|ABA gfg|ecA A2 :|
%
N:N: Another of O'Neill's "ambiguous A" tune. My setting is A dorian; to hear 
N:the source version, remove "dor" in the ABC's K: field.

%%%
X:440
%
%
T:CONGRESS (reel), The  
S:S: CRE.1
Z:Z: ABC/arr. BB
% Composed by Joe Mills?
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:A dorian
Bd|eAAF A2Bd|eaag e3d|eAA2 fAA2|BAGA Bcdf|
eAAF A2Bd|eaag e2 dB|cBcd e2 ed|cABG A2:|
Bd|eaab a3g|eaag e2 dg|e2 dg e2 dg|egga ge d2|
eaab a3g|eaag e2 dB|cBcd e2 ed|cABG A2:|

%%%
X:441
%
%
T:CONLON'S (jig) 
S:S: MVBT
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:D
A|d2B AFA|BdB AFA|def ede|faf edB|
d2 B AFA|BdB AFA|def ede|fdd d2 :|
e|fdf afa|b3 afe|dff ede|faf ecA|
[1 def afa|b3 afe|def ede|fdd d2 :|
[2 d2B AFA|BdB AFA|def ede|fdd Hd3|]
%
% A happy tune from P.J. Conlon, well-known 1920's melodeon player.
% Conlon was born in Galway but spent most of his life (and all his recording 
% career) in New York.

%%%
X:442
%
%
T:CONLON'S DREAM (reel) (1) 
S:S: Treoir
Z:Z: ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:Em
GABG FGAF|EBBA BGEF|GABG FGBd|dBAG FDDF|
G2BG F2AF|EBBA BGEF|GABG FGAc|dBAG FDD2||
f2ec dBAF|EBBA BGEg|f2ec dBAd|BdAG FDDg|
fdec dBAF|EBBA BGEg|f2ec dBAG|BGAG FDDF||"^coda"HE4z4|]

%%%
X:443
%
%
T:CONLON'S DREAM (reel) (2) 
T:Sword in Hand
S:S: BSMI.1 (with spelling "Conolon")
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:D
G2BG F2AF|EBBA BEEF|G2BG FABc|dBAG FDD2|
dBGB AFDF|EFGA BEEF|G2BG FAAB|cdAG FDD2 :|
fdef dBAF|EBBA BEEg|fdef dBAF|GBAG FDDg|
fdec dBAF|EFGA BEEg|f2ec dBAF|GBAG FDD2 :|"^coda"HE4z4|]

%%%
X:444
%
%
T:CONNACHT HEIFERS (reel) (1), The  
S:S: CRE.1
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G
E|FEFG A2BG|A2BG AGFD|FEFG AGG2|DGG2 AGG2|
FEFG A2 BG|A2 BG AGFD|FEFG AG G2|DG G2 AGG:|
g|fde^c d3=c|A2BG ABde|fde^c d2 cA|BG G2 AGFD|
fde^c d3=c|A2 BG ABde|fefd edcA|BG G2 AGF:|
"^coda"BGG2 AGFD|HG4z4|]

%%%
X:445
%
%
T:CONNACHT HEIFERS (reel) (2), The 
S:S: DMWC.62 
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:G
FEFG A2BG|AGBG AGFD|F3G AGGF|DGG2 cAAG|
FEFG A2BG|A2BG AGFD|F3G AGGF|DGG2 AGG2||
fdec d2cA|A2BG ABdg|fdge dBcA|BGG2 dGG2|
fdec d2cA|A2BG ABdg|f2fd edcA|BGG2 AGFD||
"^coda"FEFG A3B|G4 z4|]

%%%
X:446
%
%
T:CONNACHT MOTHER'S SLUMBER SONG, The  
S:S: WSGM.028 < F.E. Walsh, SFO
Z:Z: Kinder/Black
% A version of "Star of the County Down"
M:4/4
L:1/8
K:Em
%%text "Moderato cantabile"
%%vskip .3in
B,D|E2 E2 E2 DE|G2 G2 A3 G/A/|\
B2 AG E2 D^C|D6 B,D|
E2 E2 E2 DE|G3 B A2 GA|B2 AG E2 E2|E6:|
Bc|d2 B2 B2 AG|A2 A2 A2 GA|B2 AG E2 DB,|D6 B,D|
E2 E2 E2 DE|G3 B A2 GA|B2 AG E2 E2|E6:|

%%%
X:447
%
%
T:CONNACHT OUTCRY (pipe solo), The  
S:S: not attributed
S:S: ONMI.1848
% sean-nos style - no fixed rhythm
Q:1/4=120
Z:Z: Brennan/Black
M:4/4
L:1/8
K:G
%1-4
"^anacrusis"D//E//F//G// A//B//c//d//|d>ed>e d>ed>e|d8|d8|cBAG E2 E/F/G/A/|
%5-8
"5"B4 B>dB>d|A>dB>d A>dB>d|Ad B6|cBAG E2G>E|
%9-12
"9"AG (3BAG AG (3BAG|A3B cBAG|E2GE AG (3BAG|AG G4A2|
%13-15
"13"(3BAG E2GE AG|(3BAG AG (3BAG A2|zB c/B/A/G/ E3z|
%16-19
"16"GEAG (3BAG AG|(3BAG AG G3A|(3BAG E3zz2|czc2 (3BAG E2|
%20-23
"20"BzB2 (3BAG E2|AzA2 (3BAG E2|Bz (3B>AG z (3A>GE z|\
(3B>AG z (3A>GE G2A|
%24-26
"24"(3BAG E2GE AG|(3BAG AG B/A/G/E/ (3DEG|A>G G4|]

%%%
X:448
%
%
T:CONNACHT REEL, The  
S:S: Treoir
Z:Z: ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:D
Adcd BAFB|AFF2 DFF2|Add2 Add2|eBB2 eBB2|
dcBA BAFB|AFF2 DFF2|ABde f2ec|dBAG FDD2 :|
a3g f3e|d3A BAFB|Add2 Add2|eBB2 eBB2|
a3g f3e|d3A BAFB|ABde f2ec|dBAG FDD2 :|

%%%
X:449
%
%
T:CONNACHTMAN (jig), The  
S:S: ONMI.1053 < J.O'Neill
Z:Z: Brennan/Black 
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
c|BGA B2g|fdd edc|BGA B2g|fdB cdc|
BGA B2g|fdc dga|bag fdc|dgf g2:|
a|bag a2g|fdc dga|bag a2g|fdf g2a|
bag a2g|fdc dga|bag aeg|fdf g2:|

%%%
X:450
%
%
T:CONNACHTMAN'S RAMBLES (jig) (1), The  
S:S: ONMI.1003
Z:Z: Brennan/Black 
% name is more commonly spelled "Connaughtman's" as in settings 
% 2, 3, 4, & 5.
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:D
G|FAA dAA|BAA dAG|FAA dfe|dBB BAG|
FAA dAA|BAB def|gfe dfe|dBB B2 :|
f|fbb faa|fef def|fbb faa|fed e2e|
fbb afe|dBc def|gfe dfe|dBB B2 :|

%%%
X:451
%
%
T:CONNAUGHT AIR, The  
S:S: NCIT.01-1a
Z:Z: ABC/arr. BB
L:1/8 
% Source measure 10 is |Ad F// D//E//F//G//A//B//c//| which I 
% have simplified just a bit! (You're welcome.)
M:2/4
K:D
B|AFF2|dFF2|AFF>G|A3d|
AFF2|dFFD|EDE>F|B3:|
c|dfBd|AdF>c|dcB>^A|B3c|
dedB|A>BAF|EDE>F|B3:|

%%%
X:452
%
T:CONNAUGHT MAN (jig), The   
Z:Z: ABC/arr. BB
S:S: Levey1.55
Q:1/4=170
L:1/8
%R:jig
M:6/8
K:D 
%%text "very quick"; source key = G
%%vskip .3in 
A/G/|FDE F2d|cAA BAG|FDE F2d|cAF G2A/G/|
FDE F2d|cAG Ade|fed cAG|Adc d2 :|
d/e/|fed e2d|cAG Ade|fed e2d|cAc d2d/e/|
fed e2d|cAG Ade|fed eBd|cAc d2 :|

%%%
X:453
%
%
T:CONNAUGHT MAN VISITS TYRONE* (jig), The     
S:S: NFID.229b < P.Turbit
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:Ador
G|EGG BGG|AGG BGG|Agg fed|cAA A2G|
EGG BGG|AGG BGG|Agg fed|cAA A2:|
e|eaa efg|eaa ged|eaa efg|age dcd|
eaa efg|eaa ged|cde ged|cAA A2:|
%
N:N: An interesting version of "Connaughtman's Rambles" from Tyrone fiddler 
N:Peter Turbit. I redid the name a bit!



%%%
X:454
%
%
T:CONNAUGHT MAN'S RABBIT* (jig), The   
Z:Z: ABC/arr. BB
S:S: Levey1.29 
N:N: Source title "Connaughtman's Rambles" but I renamed this to avoid
N:confusion between this version and the "session" tunes of that name.
Q:1/4=160
L:1/8
%R:jig
M:6/8
K:Am
%%text "quick"
%%vskip .3in
G/F/|EGG cGG|AGG cGG|EGG cde|dcB AGE|
EGG cGG|AGG cde|gfe fed|ecA A2 :|
g|eaa egg|eaa ged|eaa egg|eg^f ged|
eaa egg|eaa ged|cd/e/f ged|ecA A2 :|

%%%
X:450
T:CONNAUGHTMAN'S RAMBLES (jig) (5 settings)
%
%
%hide_rhythm_tag
%hide_cautionary_ks
%
%%vskip 30
%%text [1] source ONMI #1003 (as "Connachtman's Rambles")
Q:1/4=160
M:6/8
L:1/8
K:D
G|FAA dAA|BAA dAG|FAA dfe|dBB BAG|
FAA dAA|BAB def|gfe dfe|dBB B2 :|
f|fbb faa|fef def|fbb faa|fed e2e|
fbb afe|dBc def|gfe dfe|dBB B2 :|
%
%%vskip 30
%%text [2] source: Roche 1 #110
A|FAA dAA|BAA dAA|FAA dfe|dBB B2A|
FAA dAA|BAB def|afe dfe|dBB B2:|
A|fbb faa|fbb afe|fbb faa|fed e2f|
fbb faa|fbb afe|def afe|fdB B2:|
%%text
%%vskip 30
%%text [3] source J. O'Brien
K:D
A|FAA dAA|BAA dAA|FAA Afe|dBB BAG|
FAA dAA|BAA def|afe dfe|1 dBB BA :|\
[2 dBB B2||
e|fbb faa|afe d2e|fbb faa|afd ede|
fbb afe|dBc def|afe dfe|1 dBB Bd :|\
[2 dBB HB3 |]
%%text
%%vskip 30
%%text [4] source: AIF
A|FAA dAA|BAB dAG|FAA Afe|dBB BAG|
FAA dAA|BAB def|gfe dfe|dBA B2:|
f|faa gbb|afd dcd|faa gbb|afd e2g|
faa gbb|afd def|gfg efe|dBA B2:|
%%text
%%vskip 30
%%text [5] source: Foinn Seisiun 1.20
A|FAA dAA|BAB dAG|FAA dfe|dBB B2A|
FAA dAA|BAB def|gfe f2e|dBB B2 :|
g|fbb faa|fef d2e|fbb faa|fed ede|
fbb faa|fef def|gfe f2e|dBB B2 :|

%%%
X:459
%
%
T:CONNELL'S CONTRIBUTION* (reel)
S:S: CRE.5 (unnamed)
Z:Z: ABC/arr. BB
M:4/4
Q:1/4=180
%R:reel
K:D
AddB cABG|AddB cdeg|AddB cABG|AFEG FDD2:|
f2fe d2dB|A2AF ABde|f2fe d2dB|AFEG FDD2|
f2fe d2dB|A2AF ABde|fdec dBAF|AFEG FDD2|]

%%%
X:460
%
%
T:CONNEMARA JIG (slip jig), The     
Z:Z: ABC/arr. BB
N:N: Second part doubled per source
S:S: Levey1.100
Q:1/4=160
L:1/8
%R:slip jig
M:9/8
K:D
d/B/|A2F FEF d2A|B2e e2d cBA|
A2F FEF d2A|BdB AFE D2 :|
g|:f2d ded ded|e2c cdc cdc|
[1 d2B BcB BcB|c2A ABA ABA:|
[2 d2B c2A Bcd|ecA ABc d3||

%%%
X:461
%
%
T:CONNEMARA SKIES (hornpipe)
C:© E.Reavy
S:S: "Ed Reavy Collection"
N:N: Bottom note of the double stop is the source note, upper note for treble 
N:instruments
Z:Z: McKenty / Black 
Q:1/4=150
M:4/4
L:1/8
%R:hornpipe
K:D
%%text "andantino"
%%vskip .3in
FE|D[AA,][GG,][AA,] F[AA,][GG,][AA,]|GFGB ADFA|dAFA Bdgf|ecdB AFGE|
D[AA,][GG,][AA,] F[AA,][GG,][AA,]|GFGB AdcB|Adfa gece|dfaf d2:|
cd|edcd fage|fdd2 bagf|edcd efgf|ecdB AGFG|
fdcd fage|fdd2 bagf|edcB Acec|dfaf d2:|
%

%%%
X:462
%
%
T:CONNEMARA STOCKINGS (reel) (1) 
S:S: CRE.5
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:G
g2fg edBA|GABG AGFD|GABd eaag|fdef gdef :|
gbef gb e2|fade fa d2|gbef gbeg|fedf e2 ed |
ebba b2 ag|faag a2 gf|g2 ge f2 fd|edef gaba |Hg4z4|]

%%%
X:463
%
%
T:CONNEMARA STOCKINGS (reel) (2) 
Z:Z: ABC/arr. BB
S:S: FS2.16a
M:C
L:1/8
Q:1/4=180
%R:reel
K:G
g2fg edBA|GABG AGED|GABd eaag|fdef gdef :|
gbef gbeg|fade fadf|gbef gbeg|fedf e2ed|
ebba b2ag|eaag afdf|g2ge f2fd|edef gaba|g4z4|]

%%%
X:464
%
%
T:CONNEMARA STOCKINGS (reel) (3)  
S:S: RC1.151
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4 
%R:reel
K:G
d2|g2fg edBA|GFGB AGFD|GABd eaag|fdef gaba|
g2fg edBA|GFGB AGFD|GABd eaag|fdef g2||
ef|gbef gbeg|fada fadf|gbef gbeg|afdf fee2|
ebbb b2ag|faaa a2gf|gbag fagf|edef gaba||\
"coda"Hg4z4|]

%%%
X:465
%
%
T:CONNIE CONNELL'S REEL 
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:G mix
d3c d2cA|F2cF dFcF|Addc d3e|fdcA ABcA|
Addc d2cA|F2cF dFcF|Addc d3e|fdcA G4|]
K:G
g3e fdde|fgag fdd2|g2ag fdde|fdcA BGG2|
g3e fdde|fgag fdd2|fefg a3g|fdcA BGHG2|]

%%%
X:466
%
%
T:CONNIE FLEMING'S POLKA 
Z:Z: ABC/arr. BB
Q:1/4=120
S:S: JOL.145
L:1/8
M:2/4
%R:polka
K:G
G/A/G/F/ GA|Bd e/f/g|B2 B/c/B/A/|GE F/E/D|
G/A/G/F/ GA|Bd ed|e/f/g af|g2 g2 :|
ga ag/a/|gf ed|B2 B/c/B/A/|BE ED|
G>A GA|B/c/d/f/ ed|e/f/g/e/ af/a/|g2 g2 :|

%%%
X:467
%
%
T:CONNIE HAUGHEY'S* (reel) 
S:S: NFID.244b < PT ("untitled reel")
Z:Z: ABC/arr. BB
N:N: First part not repeated in source. I'm sure this tune has other names, but I 
N:can't come up with any of them at the moment!
Q:1/4=180
L:1/8
M:C
%R:reel 
K:Edor 
E2GE BEGE|D2FD ADFD|E2GE BEGA|BdAc BEE2:|
gfef gfeg|fdDd fdDf|g2ef gfed|efga baef|
gfef gfeg|fdDd fdD2|efga bage|dBAc BEHE2|]
%

%%%
X:468
%
%
T:CONNIE THE SOLDIER (jig) 
S:S: ONMI.0794 < F.O'Neill
Z:Z: Brennan/Black 
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:D
z|EAA A2d|cAG EFD|DGG DEE|DGG GED|
EAA A2d|cAG EFD|EFG AGE|EDD D2 :|
e|fdd ede|fdd d2e|fed ded|cAA Ade|
fdd ede|fed A2G|EFG AGE|EDD D2 :|
%
% IMO one of the more unusual tunes in ONMI!

%%%
X:469
%
%
T:CONNIE WALSHE'S (slide) (1) 
S:S: CRE.5
Z:Z: ABC/arr. BB
%R:slide
M:12/8
Q:1/4=180
L:1/8
K:D
Bcd Bcd c2B A2A|Bcd e2f g3 f2g|
a2f gfe f2d A3|Bcd e2c d3 d3 :|
a2f gfe f2d ABA|Bcd e2f g3 f2g|
agf gfe f2d A2A|Bcd e2c d3 d3 :|

%%%
X:470
%
%
T:CONNIE WALSHE'S (slide) (2)
S:S: Treoir
Z:Z: ABC/arr. BB
Q:1/4=170
M:12/8
L:1/8
%R:slide
K:D
d|Bcd Bcd c2B A2A|Bcd e2f g3 efg|
a2 f gfe f2 d A2 d|Bcd e2 c d3-d2 :|
z|a2 f gfe f2 d A3|Bcd e2 f g3 f2 g|
a2 f gfe f2 d A3|Bcd e2 c d3-d2 :|

%%%
X:471
%
%
T:CONNOLLY'S REEL (reel) 
T:Whistling Postman
S:S: CRE.3
Z:Z: ABC/arr. BB
N:N: From Seamus Connolly (Jan.2013): "I first heard Paddy Reynolds playing 
N:this on a tape in the early 1970s or late 1969. I believe it may be a Seán Ryan 
N:tune." Note however that it's not included in Seán Ryan's tunebook (tune-
N:folder 55). Another source attributes it to Joe Mills.
%R:reel
L:1/8
Q:1/4=180
M:C
K:D
ze|fdd2 edef|dBAF E3F|DEFD AFAB|defd g2ag|
fdd2 edef|dBAF E3F|DEFD FAdf|edBc d2:|
Ac|d2dc dfaf|bfaf gfec|dfaf gfgb|afdf e2de|
fddc dfaf|bfaf gfec|dBAF ABdf|edBc d2:|
%
 

%%%
X:472
%
%
T:CONOR O'REILLY 
C:O'Carolan
S:S: CAR-OS
Z:Z: Gilb/Brennan/Black 
%R:jig
M:6/8
L:1/8
K:A dorian
%%text "allegretto"
%%vskip .3in
d|eAA ABd|ef/e/d dBg|dBB/A/ GAB|BAA A2:|
d|ga/g/f ged|ef/e/d dBA|ga/g/f ged|eaa a2b|
ga/b/a ged|ef/e/d BAf/a/|gee dBA|BAA A2:|

%%%
X:473
%
%
T:CONSIDINE'S GROVE (reel) (1)
S:S: ONMI.1423 < Cronin
Z:Z: Brennan/Black 
Q:1/4=180
%R:reel
M:C|
L:1/8
K:Em
D|EDEF GFGA|BdAF DFAF|EDEF GFGA|BdAF BEE:|
d|efge fgaf|efge fddf|efge fgaf|gfed Beed|
efge fgaf|efge fddf|eBBA BcAF|GBAF BEE2 |]

%%%
X:474
%
%
T:CONSIDINE'S GROVES (march) (2) 
S:S: RC1.077
%R:
Z:Z: ABC/arr. BB
L:1/8
M:2/4
K:Em
%%text "moderato"
%%vskip .3in
D|E>D E>F|G>F G>A|d>B A>F|D>F A>F|
%%text dotted rhythm in source notation omitted hereafter
ED EF|GFGA|B^c/d/ A=c|BEE:|
d|efge|fgag|efge|fd e/d/B|
eB B/^c/A|BA FA|B^c/d/ A=c|1 BEE:|2 BE HE2|]

%%%
X:475
%
%
T:CONSOLATION JIG, The    
C:J.O'Sullivan
S:S: composer
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:Dm
G|A3 ABc|A3 GED|A3 ABc|d3 cAG|
A3 ABc|A3 GED|A3 ABc|1 d3 cA:|2 d3 d2||
e|f2 d cAG|A3 GED|f2 d cAc|d3 d2 d|
f2 d cAG|A3 GED|A3 ABc|d3 d2:|

%%%
X:476
%
%
T:CONSPIRACY REEL, The    
C:Joanie Madden
S:S: composer
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:G
g2ag fdcA|GAAG DEED|g2 ag fdcA|BdcA AG G2|
g2ag fdcA|GAAG DEED|DEGA B2 ge|dBAc BG G2 :|
dgg2 ag g2|aged BG G2|dg g2 ag g2|abag fd d2|
dgg2 ag g2|abag f3 g|a2 ge fdeg|fdcA AG G2 :|
%
% This is another of Joanie's tunes that was actually 
% given a name at birth!

%%%
X:477
%
%
T:CONSTANTINE MAGUIRE 
C:O'Carolan
S:S: CAR-OS
Z:Z: Gilb/Brennan/Black 
M:2/4
L:1/16
K:D
%%text "risoluto"; source key = G
%%vskip .3in
A4|GFED A2D2|FGA2 A2Bc|d2cB e2dc|d2E2 E2AG|
"5"GFED F2A2|g2f2 e2d2|cdcB A2Bc|d2D2 D2||
B2|"9"AFAB A2F2|AFAB A2F2|G2E2 E2F2|G2E2 E2A2|
"13"FGA2 D2A2|C2A2 B,2B2|cde2 B2e2|dcBc A2A2|
"17"B2c2 d2e2|f2d2 d2ef|g2e2 e2a2|gfef d4|
"21"ABAG F2A2|d2B2 G2B2|c2de A2c2|d2D2D4|]

%%%
X:478
%
%
T:CONTENTED I AM (jig) (a) 
S:S: OFPC3.99 ("Irish")
Z:Z: ABC/arr. BB
N:N: My "standard jig" setting
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:G
G/A/|BcB BAG|BAA AGA|BGE DFA|BGF G2A|
BcB BAG|BAA A2G/A/|BAG AGF|GEF G2:|
B/A/|GBc dcA|GBd e2g|ded ecA|B2c def|
gfe dcA|BAA A2 G/A/|BGE DFA|BGF G2:|
%


%%%
X:479
%
%
T:CONTENTED I AM (march) (b)
T:The Battle Eve  
S:S: RC3.068
N:N: [1] Probably a case of a naming glitch in the source here, since this tune and 
N:"Contented I Am" aren't even close (and the jig is at least 100 years older than 
N:anything Frank Roche could have composed).
N:N: [2] This composed piece consists of an Intro, theme, and four sets of "classical" 
N:variations. Only the Intro and Theme are included here.
Z:Z: ABC/arr. BB
C:Frank Roche
L:1/8
M:6/8
%R:jig
K:A
%%text Intro "allegro"
%%vskip .3in
c'b|afe cBA|cec BAF|EAB cea|bc'b ha2||
%%text Theme "con spirito"
%%vskip .3in
|:c/B/|A>Bc c>BA|cBB B2A/B/|c>AF ECE|FAA A2:|
c/B/|A>ce e>cA|A>ce e2c/B/|A>ce e>cB|cef f2 (3e/f/g/|
a>gf ece|fec B2A/B/|c>AF ECE|FAA A3|]
%
% 

%%%
X:480
%
T:CONTENTED MIND* (hornpipe), The      
S:S: NFID.174b ("untitled highland")
Z:Z: ABC/arr. BB
Q:1/4=140
L:1/8
M:C|
%R:hornpipe
K:Em 
%swing .25
GA|BEBA BEBA|BdFA DEFA|BEBA BEBA|Bd fa BE:|
Ba|gfef gebe|fede fdad|gfef gebe|fede feef|
gbeb gbag|fded fgaf|g2af e2dA|Bdfa BEED|E4z4|]

%%%
X:481
%
%
T:CONTENTMENT IS WEALTH (jig) (1)  
Z:Z: ABC/arr. BB
S:S: FS3.28a
N:N: This is occasionally played in Am.
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:Em
e|gfg edB|BAB EFG|FEF DFA|dAF AFD|
gfg edB|BAB EFG|BAB AFA|GED E2 :|
d|efe Beg|bge gfe|d^cd Adf|afd fed|
efe Beg|bge gfe|BdB AFA|GED E2 :|

%%%
X:482
%
%
T:CONTENTMENT IS WEALTH (jig) (2)  
S:S: ONMI.0729 < J.O'Neill
Z:Z: Brennan/Black  
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:Em
F|GFE Eed|BAB E2G|FED DdB|AFE Def|
gfe dfe|BAF d2B|AFD DEF|GEE E2 :|
%
A|BGE EGA|B^AB EFG|AFD DFG|A^GA DGA|
BGF EGA|Aed B2A|BAG FGA|GEE E2 :|
%
A|GBe GBe|GEE EAG|FAd FAd|FD^C DBA|
GFE e^de|fed e2A|BAG FGA|GEE E2 :|

%%%
X:483
%
%
T:CONTINENTAL (barn dance), The
S:S: TIDT 1/2
C:J.Kelly
C:ABC BB
M:4/4
L:1/8
%R:hornpipe
Q:1/4=140
K:D
fded cdef|edcB cdef|edBc cdec|defd e/f/e A2|
fded cdef|edcB cdef|edBc cdec|d2f2 d4 :|
edce efge|fdAd fagf|gfe^d efgb|agfg a2ba|
gfe^d efge|fdAd fagf|edcB cdec|d2f2 d4:|

%%%
X:484
%
%
T:CONTINENTAL (polka), The
S:S: "Highs and Bellows" (M.McCauley 2017)
Z:Z: ABC/arr. BB
Q:1/4=140
%R:polka
M:2/4
L:1/8
K:A
d|e2 ed|cd ec|B>c dB|c>d ec|
e2 ed|cd ec|Bc de|AB c :|
A|B>c de|ge de|ce ae|ce ae|
B>c de|ge af|1ge dB|AB c:|\
[2 ge dB|A4|]

%%%
X:485
%
%
T:CONTRADICTION REEL (1), The 
S:S: CRE.5
Z:Z: ABC/arr. BB
M:4/4
Q:1/4=180
%R:reel
K:A
ed|c3A BE E2|CEAc BEGB|cBAG ABce|fagb afed|
c3A BE E2|CEAc BEGB|cBAG ABce|f3g a2:|
%
g|a2ag aece|dcBA GBce|a2ag aece|dcBG EAA2|
agbg aece|dcBA GABd|ceAc defa|gbeg a2:|
%
e|cefe cefe|faec BEGB|cefe cefe|fabg afed|
cefe cefe|faec BEGB|e4 fede|faeg a2 :|

%%%
X:486
%
%
T:CONTRADICTION REEL (2), The 
S:S: WSGM.215 < J.O'Neill
Z:Z: Kinder/Black 
% "A variant of 'Miss Gunning's Delight'" (F.O'N.)
M:4/4
L:1/8
Q:1/4=180
%R:Reel
K:A
e|c2BA BEED|CEAc dfed|c2BA GABc|defg afed|
c2BA BEED|CEAc dfed|c2BA GABg|afec A3||
g|aAA2 aAcA|GBEB GBEg|aAA2 aAcA|GBEB cAAg|
aAA2 aAcA|GBEB EBEg|agfe fedc|dEFG A4|]

%%%
X:487
%
%
T:CONTRADICTION REEL (3), The  
S:S: ONMI.1503 < J.O'Neill
Z:Z: Brennan/Black 
N:N: A fiddler's "florid" version.
%R:reel
Q:1/4=180
M:C|
L:1/8
K:A
e|:c2 (3cBA BEED|CEAc dfed|c2 (3cBA GABc|defg afed|
"5"c2 (3cBA BEED|CEAc dfed|c2 (3cBA GABg|afec A3||
g|"9"aA A/A/A aAcA|GBEB EBEg|aA A/A/A aAcA|GBEB cAAg|
"13"aA A/A/A aAcA|GBEB EBEg|agfe fedc|dEFG A2||
e2|"17"aec'e aec'e|bed'e bed'e|c'ee'e c'ee'e|dcBA EAA2|
"21"aec'e aec'e|bed'e bed'e|c'ee'e c'ee'e|dcBA EAA2||
|:"25"cefe cefe|dcBA BEE2|cefe cefe|fagb afed|
"29"cefe cefe|(3fga ec BEE2|ecea fdfa|gbeg aefd:|"coda"a4z4|]
%
  

%%%
X:488
%
T:CONTROVERSIAL REEL (1), The 
S:S: CRE.3
Z:Z: ABC/arr. BB
C:Billy McComiskey (Balto.)
%R:reel
L:1/8
Q:1/4=180
M:C
K:G
A|B3e dBB2|gabg abge|dGBd gedB|A2GB ABGA|
Bdde dBB2|g3b abgf|edBd gedB|1 GBAF G3:|
[2 GBAF GAcA||:Bdd2 AdcA|GEDE GABd| eBae gedB|
A2GB ABGA|Bdd2 AdcA|GEDE GABd| bgaf gedB|
%%stretchlast 0
GBAF GAcA:|"^coda"GBAF HG4 |]

%%%
X:489
%
T:CONTROVERSIAL REEL (2), The  
C:B.McComiskey
S:S: MVBT
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:G
GA|B3e dBAG|gfgb a2ge|d2Bd gedB|A2BG AGEG|
B3 e dBAG|gfgb a2 ge|d2 Bd gedB|GBAF G2 :|
GA|B3 d A2 BA|GEDE GABd|gaba gedB|A2 BG AGEG|
B3 d A2 BA|GEDE GABd|gaba gedB|GBAF G2 :|

%%%
X:490
%
T:CONVENT REEL, The 
S:S: Treoir
C:Noel Strange
Z:Z: ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:D
DFEG FDDf|afef dBBd|Adde fddB|AFDE FEEF|
DFEG FDDf|afef dB B2|fdd2 BG G2|AFEG FD D2 :|
afdf gfef|afdf edBd|Addc dfaf|edef efge|
afdf gfef|afdf edBd|DFF2 Addc|Bgec d2 :|

%%%

X:491
%%staffsep 70
T:COOGAN'S BARN (barn dance)
C:© BB 
S:S: BBMG
% In memory of Jim Coogan RIP
L:1/8
M:C|
Q:1/4=150
K:G
z2|"G"GFGA BcBA|"G"GABG "C"E2 "D"D2|"G"GABd "Em"gedB|"Am"ABcA "D"F2 AF|
"G"GFGA BcBA|"G"GABG "C"E2 "D"D2|"G"BcdB "D"ABcA|"G"B2 G2 G2 :|
Bc|"G"dgfg "Em"edcB|"Am"ceae "A"^ceae|"D"fgfe defg|"Am"afge "D"d2 Bc|
"G"dgfg "Em"edcB|"Am"ceae "A"^ceae|"D"fdAF DFAc|"G"B2 G2 G2 :|

%%%
X:492
%
%
T:COOK in the KITCHEN (jig) (1), The 
T:Willie Clancy setting
S:S: DMWC.105
Z:Z: ABC/arr. BB
N:N: Willie's setting doesn't have the F naturals in mm 2 and 6 (tough note for 
N:a piper!).
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:G
d|GDG GAG|FDE F2A|GDG GDG|Add cAG|
GDG GAG|FDE F2d|cAG EGA|BGF G2 :|
%
z|B3 BAG|A2B AGF|G3 GFG|Add cAG|
B3 BAG|A2B A2d|cAG EGA|BGF G2 :|
%
A|d2e f2g|aag f2d|cAG EGA|BdB cAG|
d2e f2g|abg f2d|cAG EGA|BGF G2 :|
%

%%%
X:493
%
%
T:COOK in the KITCHEN (jig) (2), The  
Z:Z: ABC/arr. BB
M:6/8
S:S: FS1.23c
L:1/8
%R:Jig
Q:1/4=160
K:G
E|DGG GAG|=FDE F2 E|DGG GFG|Add cAG|
DGG GAG|=FDE F2 d|cAG FGA|BGG G2 :|
A|BcB BAG|ABA AGF|GAG GFG|Add cAG|
BcB BAG|ABA A2d|cAG FGA|BGG G2 :|
B|d2 e f2 g|a2 g fed|cAG FGA|BdB cAF|
d2 e f2 g|a2 g fed|cAG FGA|BGG G2 :|

%%%

X:494
%
T:COOK in the KITCHEN (jig) (3), The 
S:S: ONMI.1042 < Early
Z:Z: Brennan/Black 
N:N: The source version is lacking the F natural in mm 2 and 6. 
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
D|GDF GAG|=FDE F2A|GDG GFG|Add cAG|
GDF GAG|=FDE F2d|cAG FGA|AGG G2:|
%
A|BcB BAG|ABA AGF|GAG GFG|Add cAG|
BcA BAG|ABA A2d|cAG FGA|AGG G2:|
%
B|d2e f2g|a2g f2d|cAG FGA|Add cAG|
d2e f2g|a2g f2d|cAG FGA|AGG G2:|
%

%%%
X:495
%
T:COOK in the KITCHEN (jig) (4), The 
S:S: GSTC
Z:Z: ABC/arr. BB
N:N: A "hybrid" setting with only the second F's in mm 2 and 6 natural!
Q:1/4=160
%R:jig
M:6/8
K:G
D|GDG GAG|FDE =F2E|D2G GFG|A2d cBA|
GFG GAG|FDE =F2d|cAG FGA|AGF G2 :|
%
A|B2B BAG|ABA A2F|DGG GFG|A2d cBA|
BGB BdB|ABA A2d|cAG FGA|AGF G2 :|
%
B|d2e f2g|a2g fed|cAG FGA|dfe cBA|
d2e f2g|a2g fed|cAG FGA|AGF G2 :|


%%%
X:496
%
T:COOKE'S HORNPIPE
S:S: "Amateur's Companion"
Z:Z: ABC/arr. BB
L:1/8
M:C!
Q:1/4=160
%R:hornpipe
K:D
%swing .25
A|dfec dABG|FAEA D2zd|ceA2 ceAf|gefd cABc|
dfec dABG|FAEA D2zd|cABc dfec|d2dc d3 :|
B|Acec Adfd|Acec Adfd|faef gefd|gefd cABc|
dfec dABG|FAEA D2zd|cABc dfec|d2dc d3 :|

%%%
X:497
%
T:COOLEEN BRIDGE (reel)
T:Tarbolton
S:S: DMI.0780
Z:Z: Nordberg/Black 
%R:reel
Q:1/4=180
M:C
L:1/8
K:Em
F|Eeed e2BA|GBAF GEEF|Dddc d2AF|GBAG FDDF|
Eeed efga|fedf eBBA|G2BG FGAc|BGAF GEE||
f|gfef gebe|geba geec|defg a2fd|gefd edBA|
G2BG F2AF|Eeed e3f|gefd edBc|dBAF GEHE2|]

%%%
X:498
%
T:COOLEY'S (hornpipe) 
S:S: GSTC
C:P.O'Brien (Tipp)
N:N: Additional info in ABC file
Z:Z: ABC/arr. BB
% "Composed by Nenagh, County Tipperary, button accordion player Paddy 
% O'Brien  (1922-1991), in honor of renowned County Galway box player Joe 
% Cooley, a contemporary who also helped to popularize the tune." 
% This tune is also played in A.
Q:1/4=150
M:C|
%R:hornpipe
K:G 
%%text Upper notes are for treble instruments
%%vskip .3in
(3def|gG G2 EGD[CE]|[B,G][G,D][B,E][DF] GBdg|egce d2Bd|cABG A2df|
gG G2 EGD[CE]|[B,G][G,D][B,E][DF] GBdg|egfe dcBA|1 BGGF G3 :|2 G2 B2 G2||
dc|BGBd edef|g2bg egde|g2bg egdc|BAAG Ad^cd|
BG G2 EEcE|EEcE DGBd|gfge dBAc|1 BGGF G2 :|2 G2 B2 G4|]
%


%%%
X:499
%
T:COOLEY'S FAVORITE (reel)
S:S: CTWT [< S.Cooley]
Z:Z: ABC/arr. BB
%R:reel
Q:1/4=180
L:1/8
M:C
K:A dorian
B|e3f ecBA|G3A GEDG|EGAB cABd|efge dggd|
eAAA e2cA|GFGA GEED|EAAA ABcd|efge d3 :|
B|eggf eggf|eaag eaag|eggd egfg|afge d2cd|
eggf g3f|eaag a3g|e3d Bdef|gfge d3 :|\
"^coda"gfge dcBG|HA4z4|]

%%%

X:500
%
T:COOLEY'S JIG
S:S: Bua: "Down the Green Fields" [2011]
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%R:jig
K:D
e|f2e d2D|FAA BAF|ABd edB|efe efg|
f2e d2D|FAA BAF|ABd edB|ded d2:|
e|f3 a2f|abf afe|def edB|efe efg|
[1 fef a2f|abf afe|def edB|ded d2:|
[2 f2e d2D|FAA BAF|ABd edB|ded Hd3 |]

%%%
X:501
%
%
T:COOLIN (mm 1-48), The  
S:S: ONMI.0089 < J.O'Neill
% All you need to know about this piece is here:
% https://en.wikipedia.org/wiki/The_Coolin. There are various
% spellings of the name.
Z:Z: Brennan/Black  
M:3/4
L:1/8
K:G
%%text "slow"
%%vskip .3in
de/f/|"1"g2 g>b b/a/g/f/|g2 d2 (3GBd|g>f ga/b/ a>g|g2 f2 g>f|
"5"e2-ef/g/ a/g/f/e/|d2 B>d g>d|f/e/d/c/ B>G A>G|G4||
%
d>c|"9"B>A G>A B>^c|d>^c d>e f>d|g>f ga/b/ a>g|g2 f2g>f|
"13"e2-ef/g/ a/g/f/e/|d2 B>d g>d|f/e/d/c/ B>G A>G|G4||
%
P:variations 1
de/f/|"17"gz g2 ag|fz ed de/f/|gz g2 ba/g/|fz f2 gf|
"21"e4 dB|d4 Bd/e/|gd cB A>G|G4 de/f/|
"25"gz g2 ag|fz ed de/f/|gz g2 ba/g/|fz f2 ed|
"29"ez e2 dB|dz d2 Bd/e/|gd cB A>G|G4 GA/B/||
%
"33"dz d2e/d/B|dz d2 d/e/f|gz g2 ag|fz f2 gf|
"37"e4 dB|d4 Bd/e/|gd cB A>G|G4 GA/B/|
%
"41"dz e2 d>B|dz B/A/G G2|gz ga/b/ ag|fz f2 ed|
"45"ez e2 dB|dB G2 Bd|ed cB A>G|G6|]
%
% 
%%%

X:502
%
%
T:COOLIN (mm 49-80), The 
S:S: ONMI.0089b < J.O'Neill
Z:Z: Brennan/Black  
M:3/8
L:1/16
K:G
%%text "slow"
%%vskip .3in
de/f/|"49"gfgaga|fedefd|gfgbag|fefagf|
"53"edegeg|dBABde|gdeBAG|G2 G2||
GA/B/|"57"dBdede|dBdedG|gfgbgb|fefagf|
"61"edegeg|dBABde|gdeBAG|G2 G2||
%
M:3/4
L:1/8
D2|"65"G3 GF>E|F3 FE>D|G2 G/A/B A>G|Fz E>D B,z|
"69"Ez D>B, A,z|D>B, G,2 B,>D|Ez DB, A,>G,|G,4||
%
G,A,/B,/|"73"D2 E2 DB,|Dz D2 z2|G2 AB AG|Fz FE/D/ B,z|
"77"EzE D/B,/ A,z|D>D E/D/B,/A,/ B,D|Ez DB, A,>G,|G,4||

%%%
X:503
%
%
T:COOLIN (mm 81-112), The 
S:S: ONMI.0089C < J.O'Neill
Z:Z: Brennan/Black  (arr.)
M:3/8
L:1/16
K:G
%%text "slow"; mm 82,84,86,90,92,94 staccato
%%vskip .3in
D2EF|"81"GFGAGA|FGFEFA|GFGBAG|FGFEFD|
"85"EFEDEB,|DB,A,B,DE|GDEB,A,B,|G,8||
B,2A,B,|"89"DB,DEDE|DB,DEDB,|GFGBAG|FGFEDB,|
"93"EDEFEF|DB,A,B,DE|GDEB,A,B,|G,8||
%
M:3/4
L:1/8
D2|"97"G4 zB|A4 zc|B4 zB|A4 zF|
"101"E4 D>B,|D2 ED B,D|ED CB, A,>G,|G,4 G,A,/B,/|
"105"D6|D6|G2 GA/B/ A>G|F2 F2 D>B,|
"109"E2 E2 C>A,|Dz D2 G>F|ED CB, A,>G,|G,6|]

%%%
X:504
%
%
T:COOLING BREEZE (jig), The 
S:S: arr. of #510 "Southern Breeze" < J.O'Neill
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig
N:N: aka "The South Wind"
M:6/8
L:1/8
K:A
d|cBA cec|BGA B2d|cBA FEF|AGF A2d|
cBA cec|BEF GAB|cBA FEF|A2G A2 :|
e|a2b agf|e2f e2d|cBA cec|BGA B2e|
a2b agf|ecf e2d|cBA dBG|A2G A2 :|

%%%

X:505
%
%
T:COOLUN, The
S:S: OFHC39.03
Z:Z: ABC/arr. BB
L:1/8
M:3/4
Q:1/4=50
%R:n/a
K:G
de/f/|g2 g>b ag/f/|g2d2 (3GBd|g>f ga/b/ a>g|g2f2 g>f|
e2 ef/g/ gf/e/|d2 B>dg>d|ed/c/ BGA2|G4 :|
d>c|B>A G>A B>c|d>cd>e de/f/|g>f ga/b/ a>g|
g2f2 g>f|e2 ef/g/ gf/e/|d2 B>df>d|ed/c/ BAA2|G4 :|

%%%

X:506
%
%
T:COONEY'S HORNPIPE  
S:S: ONMI.1739 < J.O'Neill
%R:hornpipe
Q:1/4=150
Z:Z: Brennan/Black 
M:C % source 2/4
L:1/8 % source 1/16
K:G
D2|G2GF GBdB|A^GAB cdef|gfgf ecAG|FGAF DEFD|
GFEF GBdB|A^GAB cdef|gfgf ecAF|G2G2 G2:|
Bc|dedc Bcdf|efed ^cdef|gfgf ecAG|FGAF DEFD|
GFEF GBdB|A^GAB cdef|gfgf ecAF|G2G2 G2:|

%%%
X:507
%
%
T:COPEY'S JIGG 
S:S: CGI.115
N:N: [1] This is called by variations of this title (Cozy's, Cossey's) in other .
N:collections All versions are "ancestors" of today's "Maid in the Meadow". 
N:N: [2] I have omitted measures 9-16 of this version (variations)
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig
L:1/8
M:6/8
K:G
%%text "allegro"
%%vskip .3in
c3 B3|AGA BGE|DEG GBG|AGA BGE|
cec BdB|AGA BGE|DEG AGA|BGF G3 :|
GBd GBd|Gce Gce|GBd GBd|ecA A3|
GBd GBd|Gce efg|DEG AGA|BGF G3 :|
%
 
%

%%%
X:508
%
%
T:COPLEY POLKA, The
S:S: JOB
Z:Z: ABC/arr. BB
N:N: Named in honor of Jerry's (and Joe Derrane's) recording company.
Q:1/4=110
L:1/8
M:C|
%R:polka
K:D
E|A>B AF/G/|AF Ad|A>B AG/F/|GF E2|
DE FG|AB cd|ef/e/ ce|1 dA G:|2 d2 d||
|:e|f2 g>e|fd cB|Ad cd|fe ed/e/|
f2 g>e|fd cB|Ag ec|d2 d:|

%%%
X:509
%
%
T:COPPERPLATE (reel) (1), The
S:S: Willie Clancy
S:S: DMWC.65 
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:G
A|G2dG BGdG|G2dG BGG2|A2eA cAeA|A2eA cAGF|
[1 G2dG BGdG|G2dG BGG2|ABcd efge|aged cAB :|
[2 G2dG B2dG|G2dG B2dG|A2Bd egg2|aged Bde||
%
|:f|g2gf gbaf|gedc BGBd|eaa2 a2ea|aged Bdef|
g2gf gbaf|gedc BGG2|ABcd efge|aged Bdef||
g2fg g2ef|g3d BGBd|eaa2 eaa2|a2ed Bdef|
g3b a3b|g3d BGG2|ABcd efg2|aged cABA||\
"^coda"HG4z4|]

%%%
X:510
%
%
T:COPPERPLATE (reel) (2), The
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
%R:reel
K:Ador
D|G2dB G2dB|GBdc BGGB|A2ec A2ec|A2ec dDEF|
G2dB G2dB|GBdc BGGB|ABcd efge|ageG BAA :|
e|g2dg egde|gbaf gfdg|a2ea faea|abbg agef|
g2dg egde|gbaf gfdB|ABcd efge|ageG BAA :|

%%%

X:511
%
%
T:COPPERPLATE (reel) (3), The
T:"Old Copperplate" 
S:S: AIF
Z:Z: Brennan/Black 
N:N: Source has C sharp in mm 8b, 12, and 16a (locations marked "++")
Q:1/4=180
M:C
%R:reel
L:1/8
K:G
A|G2dG BGdG|G2dG BGGB|A2eA cAeB|A2eB cAFA|
G2dG BGdG|G2dG BGGB|ABcd efgb|1 aged cAF:|
[2 aged "^++"cde||:f|g2gf gfef|gedc BG G2|eaag ageg|
aged "^++"cdef|g2gf gbaf|gedc BGGB|ABcd efgb|
%%stretchlast 0
[1 aged "^++"cde:|2 aged BGHG2 |]
%


%%%
X:512
%
%
T:COPPERS AND BRASS (jig) (1)  
S:S: CRE.1
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%R:jig
K:G
d/c/|BGB BGB|AFA AFA|BGB AFA|GBd gdc|
BGB BGB|AFA ABc|ded cAF|AGF G2:|
%
e|f3 fed|dcA AGF|GBd gfg|afd dcA|
cde fed|cAG FGA|BGG cAF|AGF G2:|
%
d/c/|BAB GBd|cBc ABc|BAB GBd|cAG FGA|
BGG BGG|AFF ABc|ded cAF|AGF G2:|

%%%
X:513
%
T:COPPERS AND BRASS (jig) (2)
T:Willie Clancy setting
S:S: DMWC.41
Z:Z: ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:G
c|BGB BGB|AFA AFA|BGB AFA|GBd gdc|
BGB BGB|AFA AB^c|dfd cAF|AGF G2 :|
%
e|fdd fdd|cAG AGF|g3 gag|gfd dcA|
Bde fed|cAG FGA|BGB cAF|AGF G2 :|
%
A|BGB BGB|AFA AFA|BGB AFA|GBd gdc|
[1 BGB BGB|AFA AB^c|dfd cAF|AGF Gd :|
[2 B2B BAG|A2A AGF|dfd cAF|AGF GB ||
%
|:d|f3 fed|cAA AGF|g3 gag|gfd dcA|
Bde fdB|cAG EGA|BGB cAF|AGF GB :|
"^coda"AGF HG3|]

%%%
X:514
%
%
T:CORDAL JIG (1), The 
T:Julia Clifford's
Z:Z: ABC/arr. BB
S:S: JOL.333
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
BAF E2E|FAF DFA|BAF EFA|B2A Bcd|
BAF EDE|FAF DFA|d2f edc|B2A Bcd :|
dcd fed|cAc ecA|d2e fed|f2e fga|
dcd fed|cAc ecA|dfd cec|B2A Bcd :|"^coda"Hd3|]

%%%
X:515
%
%
T:CORDAL JIG (2), The  
T:Julia Clifford's
S:S: CRE.2
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
BAF EDE|FAF DFA|BAF DFA|B2A Bcd|
BAF EDE|FAF DFA|d2f edc|B2A Bcd:|
d2e fed|cBc ecA|dcd fed|f2e fga|
d2e fed|cBc ecA|dfd cec|B2A Bcd:|
"^coda"B2A GFE|D6|]

%%%
X:516
%
%
T:CORDAL REEL, The  
S:S: CRE.1
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
(3ABc|dcAG F2DE|FAGE F2ED|cAAG F2EF|Dddc defe|
dcAG F2 DE|FAGE FEED|cBcd cAGB|Addc d2 :|
de|fede fage|fedf a2 ge|fede fefg|agec d2 de|
fede fage|fedf a2 fg|afge f2de|dcAB c2 :|\
"^coda"dcAB cAGE|HD4z4|]

%%%
X:517
%
%
T:CORK 800 JIG, The   
C:T.O Canainn
S:S: NTFO.046
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%R:jig
K:G
d|gdB gfe|dBG AFD|G2G BAG|dgd cAF|
G2G dgd|BGB AFD|gdd fdd|efg af:|
f|g2g agf|efe dBA|B2B gdB|ded g2a|
bag fga|gfe dcA|B2B ded|1gdB cA:|\
[2 gdB cAF|G6|]

%%%
X:518
%
%
T:CORK CITY (slip jig)   
Z:Z: ABC/arr. BB
S:S: Levey1.73
Q:1/4=160
L:1/8
%R:slip jig
M:9/8
K:G 
%%text "moderately quick"; source key = F
%%vskip .3in
g|dec BcA GBd|dBG GBd e2g|
dec BcA GBd|dBG GBd e2 :|
d|gfg agf edB|gfg agf e2g/a/|
bgg agf efg|dBG GBd e2 :|
"^coda"dBG GAF G3|]

%%%
X:519
%
T:CORK HORNPIPE (1), The  
T:Harvest Home
S:S: FS1.34b
Z:Z: ABC/arr. BB
% Source version of mm 4 and 12: /(3efe (3dcB (3ABA (3GFE/
M:4/4
L:1/8
Q:1/4=150
%R:Hornpipe
K:D
A2|DAFA DAFA|defe dcBA|eAfA gAfA|"4"e2dB A2GE|
DAFA DAFA|defe dcBA|eAfA gece|d2f2 d2 :|
cd|eAA2 fAA2|gAfA eAA2|eAfA gAfA|"12"e2dB A2GE|
DAFA DAFA|defe dcBA|eAfA gece|d2f2 d2 :|
%


%%%
X:520
%
T:CORK HORNPIPE (2), The   
T:Harvest Home
Z:Z: ABC/arr. BB
S:S: Levey2.69 
% Source mm 4 and 12: |(3efd (3cdB (3ABG (3FGE|
Q:1/4=160
L:1/8
M:C|
%R:hornpipe
K:D
DAFA DAFA|dfec dcBA|eAfA gAfA|"4"edcB AGFE|
DAFA DAFA|dfec dcBA|efge aece|d2d2 d2z2 :|
eAAA fAAA|gAAA aAAA|eAfA gAaA|"12"edcB AGFE|
DAFA DAFA|dfec dcBA|dfaf bgec|d2d2 d2z2 :|
%


%%%
X:521
%
T:CORK RAMBLER (reel), The 
Z:Z: ABC/arr. BB
S:S: MFC.026D
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G
G2 BG FGAc|B2 Ac BE E2|G2 BG FABc|dBAG FDEF|
G2 BG FGAc|B2 Ac BEEF|GABG FABc|dBAc BE E2||
g2 fg edBA|G2 GA Bdef|g2fg edBc|dBAG FDDf|
g2 fg edBA|G2 GA Bdef|gfed efge|dBAG FDEF||\
"^coda" G4z4|]

%%%
X:522
%
T:CORN BOY (reel), The  
S:S: GSTC
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:C
K:D
D2FA d2cA|BEE^D EFGB|Adde dcAd|cAGF EDCA,|
DEFA dBcA|BEE^D EFGB|A2de dcAd|cAGF ED D2 :|
aged cded|=cBcd efge|aged cded|cAGF ED D2|
edeg agec|dcAB =c2 dc|A2GE DFAd|cAGF EDCA,:|\
"^coda" HD4z4|]

%%%
X:523
%
T:CORN STACK (reel), The  
S:S: SRHI.39a
Z:Z: ABC/arr. BB
C:Seán Ryan
Q:1/4=180
L:1/8
M:C
%R:reel
K:Em
B,EE2 B,EFA|B2ed BdAF|DFF2 BFAF|DEFD EDB,A,|
B,EE2 B,EFA|B2ed BdAF|DFF2 BFAF|DFAF GEE2:|
e2df eBB2|defg afdf|gbag fa gf|EG fg edBd|
e2df eBB2|defg afdf|gBdg fdec|dBAd BEE2:|

%%%
X:524
%
%
T:CORNCRAKE (air), The 
C:© E.Reavy
S:S: "Ed Reavy Collection"
Z:Z: :McKenty / Black 
% Reavy's (or his editor's) heroic attempt to notate a what is essentially a 
% "sean-nós" piece. 
Q:1/4=60
M:4/4
L:1/8
K:G
d>c|B G3 (3GFG BB|c2 c2 d g3|\
M:2/4
g>f d2|
M:4/4
cB G F3 d>c|B G3 (3GFG BB|c2 c2 d g3|\
M:2/4
gf d2|\
M:4/4
cB G2 G4||
M:6/8
e=f f2 c3|c2 de/f/ g2 |gf d2 c2|BG/D/ =F2 d>c|\
M:4/4
B G3 (3GFG BB|c2 c2 d g3|
M:2/4
gf d2|\
M:4/4
cB G2 HG4|]
%

%%%
X:525
%
T:CORNCRAKE (polka), The  
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy2.20
Q:1/4=120
M:2/4
L:1/8
%R:polka
K:D
A|FA DA|FA dA/G/|FA DF|E>A BA/G/ |
FA DA|GB/c/ dc/B/|Ad/B/ F>E|FDD :|
G|Ad df/a/|g>d c/B/A|f>f g>d|cA A>G |
FA de/f/|ge/d/ ce/g/|fd/B/ AG/E/|FDD :|

%%%
X:526
%
T:CORNER HOUSE (reel) (a-1), The   
S:S: CRE.1
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:A dorian
AG|EAAG ABcd|e2dB cBAG|EGGF G2AB|cABG AGED|
EAAG ABcd|eaag egge|d2Bd efge|dBGB A2:|
(3Bcd|eaa2 agef|g2af ged2|cBcd eged|Bdef gedB|
eaa2 agef|g2af ged2|cBcd eged|cABG A2:|

%%%
X:527
%
T:CORNER HOUSE (reel) (a-2), The 
Z:Z: ABC/arr. BB
S:S: JOL.335 [as "Cornerhouse"]
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:A dorian
EAA2 ABcd|egfd cBAG|EGGF G2 AB|cABG AGED|
EAGB ABcd|eaag efge|d2Bd efge|dBGB A4 :|
eaag a2 ga|bgab gedB|d2Bd edBd|egfg edBA|
eaag a2ga|b2ab gedB|d2Bd efge|dBGB A4 :|

%%%
X:528
%
T:CORNER HOUSE (reel) (b), The   
T:Dinny O'Brien's
C:Paddy O'Brien (Tipp.)
Z:Z: ABC/arr. BB
S:S: JOL.315 [as "Cornerhouse"]
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:G
GF|DGGF G2Bd|eged edBA|G3B dGBG|ABAG ED D2|
DGGF G2Bd|e3d efga|bg ~g2 agge|dBAB G2 :|
Bc|dggf gfga|bg ~g2 edBA|G3B dGBG|ABAG ED D2|
dggf gfga|bg ~g2 edBA|G3B dGBG|AGFA G2 :|

%%%
X:529
%
%
T:CORNEY DREW'S (hornpipe)  
S:S: ONMI.1713 < Hartnett
%R:hornpipe
Q:1/4=150
Z:Z: Brennan/Black 
M:C % source 2/4
L:1/8 % source 1/16
K:G
%swing .25
EF|G2GF GABd|e2de gedB|edef gedB|AGAB AcBA|
G2GF GABd|e2de gedB|egde BdAB|G2GG G2:|
EF|g2fg a2ga|bgaf gfed|cBcd agfe|d^cde d2 EF|
g2fg a2ga|bgaf gfed|EG de BdAB|G2GG G2:|

%%%
X:530
%
%
T:CORNEY IS COMING (reel) (1) 
S:S: ONMI.1548 < J.O'Neill
Z:Z: Brennan/Black 
N:N: No C naturals in source but played as a Dmix tune today.
%R:reel
Q:1/4=180
M:C|
L:1/8
K:D mix
Addc dfed|ABcA EFGE|Dddc defg|afge fdec|
Addc dfed|ABcA EFGE|Dddc defg|afge fdd2||
defg adfd|cdef gedc|defg adfd|gece fdd2|
defg adfd|cdef gedc|defg a2gf|gbag fdHd2|]

%%%
X:531
%
T:CORNEY IS COMING (reel) (2) 
S:S: CRE.3
Z:Z: ABC/arr. BB
%R:reel
N: N: CRE version has only one C natural in the whole tune (in measure 18). 
N:I have added a few more to correspond to my hearing of this tune over the 
N:years (cf. Planxty setting).
L:1/8
Q:1/4=180
M:C
K:Dmix
G|Addc defd|cABG EFGE|D2dc defg|afge fdec|
Addc defd|cABG EFGE|Dddc defd|gecd edd:|
A|defg afdB|cdef gece|dcdf afdf|gecd edde|
f2df afdf|gece gfge|defg a3f|gece eddc|
d3f afdB|c3d gece|d3g fadf|gece eddg|
fadf afdf|gece gfge|defg a3f|g2ag edcA|HD4z4|]
%


%%%
X:532
%
T:CORNEY IS COMING (reel) (3)
S:S: DMWC.8
Z:Z: ABC/arr. BB
M:C
L:1/8
N:N: No C naturals in Willie's version until measure 18.
Q:1/4=180
%R:reel
K:D mix
G|Addc defd|cABG EFGE|Dddc defg|af ge fdec|
Addc defd|cABG EFGE|Dddc defd|gece edd :|
A|defg afdB|cdef ge ce|defg afdf|gecd eddg|
f2df afdf|ge ce gfge|defg a3f|g2ag eddA|
d3g afdB|c3e ge^ce|dcdg fafd|gecd eddg|
f2df afdf|gece gfge|defg a3f|g2ag edHd2 |]
%


%%%
X:533
%
%
T:CORNHILL REEL, The  
S:S: CRE.2
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D dorian
A|D2 ED ADED|C2 EG cAGE|D2 ED ADFD|AFAG EDCE|
D3D ADED|C2 EG cAGE|DFAG A2FE|DEAG EDD :|
G|Addc d2 dc|AGAB cecB|Addc dcdf|eaag eddc|
Addc d3c|AGAB cecB|GAcd eged|cAGE EDD :|
g|add2 a2cd|gcc2 gcec|add2 a2 ag|eaag edde|
add2 adfd|gcc2 gedA|GAcd eged|cAGE EDD :|

%%%
X:534
%
%
T:CORNWALLIS JIG, The  
Z:Z: ABC/arr. BB
S:S: GEI.007
% A relative of "When Sick Is It Tea You Want?"
M:6/8
Q:1/4=160
%R:jig
K:D
z|A2d dcB|AFA AFA|dfd ege|fdB B3|
A2d dcB|A2A AFA|d3 e3|fdd d2 :|
f/g/|afd cBA|BGG G2a/g/|bge dcB|cAA A3|
G2d dcB|ABA AFA|d3 e3|fdd d2 :|
%


%%%
X:535
%
%
T:COROFIN SLIDE, The  
S:S: MVBT
Z:Z: ABC/arr. BB
Q:1/4=160
%R:slide
M:12/8
L:1/8
K:G
D|D2E G2A B3 BAB|c2B c2B A3-A2 G|
D2E G2A B2A B2d|edB dBA G3-G2 :|
B|ded B2c ded B2c|ded BAG E3-E2 B|
ded BAB ded B2d|edB dBA G3-G2 :|

%%%
X:536
%
%
T:CORRAGA BAWN
S:S: CNIM.36
Z:Z: ABC/arr. BB
N:N: Correctly "Carraige Bán" = "White Rock(s)". Also known as "Bruach na 
N:gCarraige Bana" (= The Brink of the White Rocks). This is melody of the 
N:emigation ballad "A Stór Mo Chroi".
M:6/8
L:1/8
K:Em
%%text source key = Am 
%%vskip .3in
G/A/|BcB/A/ G2B|A2G/E/ D2B/A/|GFE DB,D|E3 E2 :|
E/F/|G2G/E/ G2B|ded/B/ d2B/A/|G2G/E/ GBd|e3 e2f|
gfe/d/ B2G/B/|A2G/E/ D2B/A/|GFE DB,D|E3 HE3 |]
%

%%%
X:537
%
%
T:COSA BUÍ AIRDE (slip jig)
S:S: OFPC1.37 ("Irish" w/spelling "Cusabue Ord")
Z:Z: ABC/arr. BB
D:D: "O'Sullivan Meets O'Farrell 1" track 5a. 
N:N: Gaelic = "Up [Little] Yellow Legs" (as in bouncing a baby!)
Q:1/4=160
M:9/8
L:1/8
%R:jig
K:Dmix
FEF DED FED|FEF DED GEC|FEF DED FED|
EFE cBA GEC:|FDF A2d A2d|FDF A2d GEC|
FDF A2d AGF|EGE cBA GEC:|fef dfd g2e|
fef dfa gec|faf ged c2A|BAG FAF GEC|
AFF dFF AFF|AFF dFF GEC|AFF dFF AFF|
GEE cBA GEC|"^coda"D6z3||

%%%
X:538
%
T:COSEY JIG, The 
S:S: OFPC2.68 ("Irish") 
Z:Z: ABC/arr. BB
N:N: Occurs in other collections with similar names (e.g. "Copey's", "Cozy") 
N:These are all N:"ancestors" of today's "Maid in the Meadow".
% In mm 11 & 13: |g2e gdB| replaces |g a/g/f/e/ gdB|
Q:1/4=160
M:6/8
%R:jig
L:1/8
K:G
B|c3 B3|AGA BGE|DEF GBG|AGA BGE|
cec BdB|AGA BGE|DEG AGA|BGF G2 :|
d|gag gdB|cec dBG|g2e gdB|ecA A2f|
g2e gdB|cec dBG|DEG AGA|BGF G2 :|
z|GBd GBd|Gce Gce|GBd GBd|ecA A2B|
GBd GBd|Ace e>fg|dcB AGA|BGF G2 :|
%


%%%
X:539
%
%
T:COSSEY'S JIG
S:S: JCIT.01a (with "Jigg")
Z:Z: arr/ABC BB
Q:1/4=160
N:N: Repeats added. This is also called "Copey's" and has similar names in 
N:other 19th Century collections (none of which attribute the tune to Jackson). 
N:See my comment to "Cosey's Jig" above.
L:1/8
M:6/8
%R:jig
K:G
c3 B3|AGA BGE|DEG G/A/BG|AGA BGE|
cec BdB|AGA BGE|DEG AGA|BGG G3 :|
%
g3 edc|Bdg dBG|g2e dBG|ecA A2d|
geg fdf|ecg dBG|DEG AGA|BGG G3 :|
%
GBd GBd|Gce Gce|GBd GBd|ecA A3|
GBd GBd|Gce efg|DEG AGA|BGG G3 :|
%


%%%
X:540
%
%
T:COTILLION (long dance), The 
S:S: RC3.141
Z:Z: ABC/arr. BB
N:N: I'm not about the structure of this tune. It probably goes back to a "fine" 
N:in Part A somewhere but there's none shown in the book.
L:1/8
M:6/8
K:D
P:A
A|d2A AFA|d2A AFA|d2f a2f|ede f2e|
d2A AFA|d2A AFA|d2f a2f|ede d2||
P:B
A|d3 c3|B3 A2z|afd afd|cee e2A|
d3 c3|B3 A2f/g/|a2f a2f|edd d2||
P:C
D|D2E FDE|F2G AFG|ABA AGF|FEE E2D|
D2E FDE|F2G AFG|ABA AGF|EDE D2||
P:D
A/F/|D3 D2B/G/|E3 E2A/G/|F2D G2F|FEE E2A/F/|
D3 D2B/G/|E3 E2A/G/|F2D G2F|EDD D2||
%


%%%
X:541
%%staffsep 70
T:COTTAGE at LARRAGA (hornpipe), The  
C:© BB
S:S: BBMG
% Named for Mike and Terry Rafferty's summer retreat in East Galway
%R:hornpipe
Q:1/4=150
M:4/4
L:1/8
K:Em
%swing .25
A|"Em"BGEG Be d2|"Am"ecAd "D"fa "G"g2|"D"afdf "G"gdBd|"C"ecBc "D"(3ABc BA|
"Em"BGEG Be d2|"Am"ecAd "D"fa "G"g2|"D"afdf "G"gbag|"Am"ec"D"AF "G"G3 :|
B|"Em"edBd efge|"D"fd^cd fgaf|"G"g2 bg "Em"eBBA|"G"GAB^c "D"dcdf|
"Em"edBd efge|"D"fd^cd fgaf|"G"bg"D"af "G"gfed|"Em"Beed e3 :|

%%%
X:542
%
%
T:COTTAGE BY THE ROAD (jig), The 
C:P.McNulty
S:S: "The Piper's Dream" 
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D mix
Add Add|cAG AGE|FEF GFG|Adc A2 G|
Add Add|cAG AGE|FGA cAG|Adc d3:|
fed fga|efd ecA|BcB BAF|Adf e3|
fed fga|efd ecA|FGA cAG|Adc d3:|

%%%

X:543
%
T:COTTAGE in the GROVE (a-1) (reel), The 
S:S: WSGM.289 < Rice-Walsh manuscript
Z:Z: Kinder/Black 
N:N: Repeats added
M:4/4
L:1/8
Q:1/4=180
%R:Reel
K:Ador
B|AcBc A2GE|DEGB edd2|eaaf gedB|AcBc AGEG|
AcBc A2GE|DEGB edd2|eaaf gedB|AcBc A3 :|
g|abaf gede|gedB GBdB|eaaf gedB|AcBc A2fg|
agbg agbg|agbg fedf|eaaf gfec|dfaf ged :|
"^coda"dfaf gedB|HA4z4|]

%%%
X:544
%
%
T:COTTAGE in the GROVE (a-2) (reel), The
S:S: RC3.071
Z:Z: ABC/arr. BB
N:N: Repeats added
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Ador
G|AcBc A2EF|GABd edBd|eaab aged|cABG A2EG|
AcBc A2EF|GABd edBd|eaaf gedB|AcBG A3 :|
g|a2ba gede|gedB GABd|g2ga gedB|cABG A2EF|
a2ba gede|gedB GABd|egfa gedB|1 Aagf ged :|
[2 Aagf gedB|HA4z4|]

%%%
X:545
%
%
T:COTTAGE in the GROVE (b) (reel), The  
Z:Z: ABC/arr. BB
S:S: JOL.323
Q:1/4=180
M:C|
%R:reel
K:Em
D|EB,B,D E2FA|B2e^c dBAF|DEFD EFDB,|A,2 FD EFED|
B,EE2 DEFA|BeeB dBAF|DEFA BDAF|DEFD E3 :|
A|Bee2 fedB|d2fe dBAG|A3B d^cdf|edef d2BA|
Bee2 fedB|defe dBAF|DEFA BDAF|DEFD E3 :|

%%%
X:546
%
T:COTTAGE POLKAS, The
T:Glin Cottage, Glen Cottage
Z:Z: ABC/arr. BB
N:N: Additional info on this set in the ABC file
Q:1/4=120
% Four different versions of tunes with similar names. 1 and 2 are almost identical; 
% versions 3 and 4 sound closer to the "Tralee Jail" family. There are undoubtedly
% many more versions out there. (JOL = Johnny O'Leary, CRE = Ceol Rince na 
% hEireann)
% [tune 1] JOL (#236) as "Green Cottage" (and #160 "From Billy to Jack")
% [tune 2] CRE II/#130 unnamed
% [tune 3] JOL (#237) as "Glen Cottage"
% [tune 4] CRE III/#78 as "Glen Cottage" (1592)
L:1/8
M:2/4
%R:polka
K:Em
P:"tune 1"
z|GA/G/ ED|B,E E>F|GE ED|GA B/c/B/A/|
GE F/E/D|B,E EG/A/|BA GF|E2E:|
z|Be ef|eB c/B/A|B>e df|e2 e>f|
gf/g/ fe/f/|ed BA|BA/B/ E/F/G/A/|B2S:S: |
%
P:"tune 2"
B/A/|GE EE|B,E EF|GE EF|GA B/c/B/A/|
GE EE|B,E Ee|eB BA|GF E:|
B/A/|Be ee|Be e>d|Be ef|gf ef|
ge fd|eB d>B|AD DE|FA A:|
%
P:"tune 3"
z|ef/e/ Bd|e/f/e/d/ Bd|e2 B/^c/B/A/|G>A Bd|
eA Bd|e/f/e/d/ Bd|ea g/f/e/d/|BA A:|
z|e>d ef/g/|ae f/e/d/B/|d>^c de/f/|ge f/e/d/B/|
e>d ef/g/|ae f/e/d/f/|ea e/f/e/d/|BA A:|
%
P:"tune 4"
K:A dorian
d|: eA Bd|e/f/e/d/ Bd|eA BA|G>A Bd|
eA Bd|e/f/e/d/ Bd|ea e/f/e/d/|1 BA A/B/c/d/:|2 BA A2||
|:e2 ef/g/|ae fe|d2 de/f/|ge fd|
e2 ef/g/|ae fd|ea e/f/e/d/|BA A2:|
%


%%%
X:547
%
%
T:COUGHLAN'S MARCH 
S:S: OFPC1.47 ("Irish")
Z:Z: ABC/arr. BB
Q:1/4=120
M:C
L:1/8 
%R:march
K:G 
%%text simplified version
%%vskip .3in
G/A/|BcBe dGGB|A>BAd ecAG/A/|B>cBe dGG>g|
eBdA G3 :|B/c/|dede/f/ gdde/f/|gdec BA~A2|
BcBe dGGg|1 eBdA G3 :|[2 eBdA HG4|]

%%%
X:548
%
%
T:COULIN, The  
S:S: RC1.043 (usual spelling "Coolin" < "cuilfhionn")
% I have omitted the 16 measures of variations.
Z:Z: ABC/arr. BB
L:1/8
M:3/4
K:G
%%text "andantino con espress."
%%vskip .3in
de/f/|g2g2a>f|g>dB2 GB/d/|g>f ga/b/ a>g|ga/g/ f2g>f|
e2-ef/g/ a/g/f/e/|d2 Bdgd|f/e/d/c/ BGA>G|G4:|
%%text Dotted rhythm omitted from this point
dc|BAGABc|dd/c/ defd|gf g~A2g|ga/g/ f2gf|
e3 e/f/ a/g/f/e/|dcBdgd|f/e/f/g/ B>B AG|G6|]

%%%
X:549
%
%
T:COUNSELLOR DILLON 
C:O'Carolan
S:S: CAR-OS
Z:Z: Gilb/Brennan/Black 
N:N: Lowered to D from Gilb/Brennan's F. Note 6 measures in each part.
M:6/8
L:1/8
K:D 
%%text "moderato"
%%vskip .3in
F|BdB ABA|FDD E2E|EFA B2c|d/e/fd c/d/ec|
dcB AFD|DFD A2:|F|Gee efe|fga gfe|
f/g/af d2B|AFD AFD|dcB AFD|DFD A2:|

%%%
X:550
%
%
T:COUNT NOT THE HOURS 
S:S: ONMI.0258 < F.O'Neill
Z:Z: Brennan/Black 
M:6/8
L:1/8
K:G
%%text "cheerful"
%%vskip .3in
G>AB Bg>d|d2B A2B/A/|G>AB gdB|A3 z2B/A/|
G>AB Bg>d|def Hg2f/e/|dgB dcA|G3z2||
g/a/|b2g age|d2B B2g/a/|b2g age|d3 g2g/a/|
bag agf|def Hg2f/e/|dgB dcA|G3-G3|]

%%%
X:551
%
%
T:COUNTRY DANCE (slip jig) 
S:S: RC3.116
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:9/8
%R:slip jig
K:G
B|G2B BGB dBG|ecA ABG FED|
G2B BGB dBd|ece fdf g2:|
g|bag a2f g2f|gfg e2g fdB|
ece fdf gfe|dgf e2d ef:|
"^coda"dgf edc BcA|G6z3|]

%%%
X:552
%
%
T:COUNTRY FARMER ("dance"), The
S:S: CCCD
Z:Z: ABC/arr. BB
M:6/8
%R:jig 
L:1/8
Q:1/4=120
K:G
%%text source key = Bb
%%vskip .3in
D|EFG F2G|A2A ABc|BAG AGF|G2G G2 :|
A|Bcd efg|d2d dcB|cde dcB|A2A A2B|
cde dcB|A2B cdc|BAG AGF|G3 G2 :|

%%%
X:553
%
%
T:COURTING THEM ALL (reel) (a) 
S:S: CRE.3
Z:Z: ABC/arr. BB
%R:reel
M:C
L:1/8
Q:1/4=180
K:D
d2AF d2fe|dAFA GEED|dAFA d2ef|
gbag fdd2:|a2fd adfd|a2fa bgeg|
[1 a2fd adfd|gbag fdd2:|2 a2ge f2eg|
abag fdd2:|

%%%
X:554
%
%
T:COURTING THEM ALL (reel) (b) 
S:S: ONMI.1489 < Cronin
Z:Z: Brennan/Black 
%R:reel
Q:1/4=180
M:C|
L:1/8
K:D
F|DFBc d2Bc|d2fd ecAc|d2Ac BAGF|EFGE FDDF|
DFBc d2Bc|d2fd ecAc|d2Ac BAGF|EFGE FDD||
c|d2fd fafd|g2bg ecAc|d2fd fafd|efge fddc|
d2fd fafd|g2bg ecAc|d2Ac BAGF|EFGE FDHD2 |]

%%%
X:555
%
%
T:COURTNAY'S FAVORITE (jig)  
S:S: OFPC3.115 ("Irish")
Z:Z: ABC/arr. BB
N:N: [1] Not related to "Courtney's Favorite" in O'Neill's. 
N:N: [2] I'm guessing from the ending of part 2 that this is an A-B-A tune, 
N:although Mr. O'F doesn't specify that.
Q:1/4=160
M:6/8
L:1/8
P:A-B-A
%R:jig
K:D
A|d2d dcd|efe efg|f2d dfd|ede ABc|
d2d dcd|efe efg|fad edc|d3 d2 :|
g|aba f2f|gfg e2g|fdd fdd|cde A2 f/g/|
aba f2f|gfg e2g|fag fed|a3 "_DC"a2 :|
%


%%%
X:556
%
%
T:COURTNEY'S FANCY JIG* 
S:S: DMWC.57 (unnamed) 
Z:Z: ABC/arr. BB
M:6/8
N:N: This is Willie Clancy's version of "Courtney's Favorite". I think his setting is 
N:different enough to justify the slight renaming.
L:1/8
Q:1/4=160
%R:jig
K:D
BEE B2d|BEE BAF|BE2 B2d|BAF AFD|
[1 BE2 B2d|BE2 BAF|DFA ded|BAF AFD:|
[2 BE2 BE2|BE2 BAF|DFA ded|BAF AFE||
%
|:DFA ded|BAB dAF|DFA ded|cAG FEF|
DFA ded|e3 efg|e2f ede|fdB AFA|
DFA d3|A2B dAF|DFA ded|cAG FEF|
DFA ded|e3 efg|e2f ede|fdB AFA||
"coda" HD3z3|]
%


%%%
X:557
%
%
T:COURTNEY'S FAVORITE (jig) 
S:S: ONMI.0798 < Carberry
Z:Z: Brennan/Black 
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:Em
BEE BEE|BAc dAF|BEE BEE|
A2G FED|BEE cEE|dEE cEE|
1 BAc dcB|ABG FED :|[2 Bec dcB|
A2G FGE||DFA d2d|BA^c dAF|
DFA d^cd|BAG FED|DFG ABd|
Bee efg|fed e2d|BAG FED :|"coda"E6|]

%%%
X:558
%%staffsep 70
%
T:COUSIN MIKE'S (jig) 
C:© BB
S:S: BBMG
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
B|"G"dGG "C"Ecc|"G"BcG "C"E2C|"G"DEG "Am"AGA|"G"Bdg "Em"ede|
"G"dgd "C"ece|"G"BcG "C"E2C|"G"DEG "D7"Adc|"G"BGF "G"G2 :|
B|"Em"eBB gBB|b2a gfe|"D"dAA fAA|a2g fed|
"G"BGB "C"cAc|"G"dBd "C"efg|"G"DEG "D7"Adc|"G"BGF "G"G2 :|
%
% For another musical Rafferty, related (sort of) to "our" Mike

%%%
X:559
%
%
T:COUSINS (reel), The
S:S: BBMG
C:© BB
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:A
"A"EA~A2 cBAc|"F#m"efec "Bm"BcAF|"A"EFAB "F#m"cdef|"A"ecAc "E"B2 AF|
"A"EA~A2 cBAc|"A"eafe "F#m"cBAF|"E"EB~B2 "A"Aece|"E7"dBGE "A"A4 :|
"A"eaag abag|"F#m"fcce fcBc|"A"ec~c2 "F#m"faec|"D"dcBA "E"B2 cd|
"A"eaag abag|"F#m"fcce fcBc|"A"Acec "D"fgaf|"E7"edBG "A"A4 :|
%
% For Dublin's Reid family

%%%
X:560
%
T:COUSINS' DELIGHT (polka), The
Z:Z: ABC/arr. BB
S:S: Mally.HIP.070
Q:1/4=120
%R:polka
L:1/8
M:2/4
K:G
A|Bd Bd|g2 g>d|Bd Bd|cA AG/A/|
Bd Bd|g2 g>f|ge dB|AB/A/ G :|
g|bg/b/ ag|eg d/e/g|bg/b/ ag|ba af|
ga b/a/g|eg d>c|Bd dB|AB/A/ G :|

%%%
X:561
%
T:COW BEHIND the FENCE (polka), The
C:© BB 
S:S: BBMG
M:2/4
Q:1/4=140
L:1/8
%R:polka
K:D
"D"A>d cd|"Bm"BA FA|"D"DA FA|"Bm"DA B2|
"D"A>d cd|"Bm"BA FD|"Em"E>G "D"FD|"A"A,C "D"D2 :|
"A"E>A ce|"A"ae cA|"A"E>A ce|"G"gf "E"e2|
"A"E>A ce|"A"ae ce|"D"f>e dA|"G"Bc "D"d2 :|
"D"dA FA|"D"dA FD|"A"A,>C EF|"G"GF "A"E2|
"D"dA FA|"D"dA FD|"A"A,>C EG|"D" FE "D"D2 :|
%
% Long story but suffice it to say that a "midnight moo"
% will put the heart crossways into the bravest musician!

%%%
X:562
%
T:COW THAT ATE THE BLANKET (jig), The 
S:S: Treoir
Z:Z: ABC/arr. BB
% Worth learning just for the name!
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
A|B2A BGD|GAG GBd|ege dBG|ABA ABc |
B2 A BGD|GAG GBd|ege dBA|BGF G2 :| 
d|gfg efg|eag fed|gfg edB|BAG ABc |
B2 A BGD|GAG GBd|ege dBA|BGF G2 :|

%%%
X:563
%
%
T:COW WITH THE CROOKED HORN (reel), The 
S:S: "Reavy Collection:  Music of Corktown" (folder 38)
Z:Z: ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:D
AG|FGAG GFEF|DFAc dABG|FGAF GFGB|
AGFG EDCE|DFAF GFEF|DFAc dABG|
[1 FGAF GFGB|AGFE FD:|2 A2 AF GABd|
cdeg fdd|:g| f2 df gfeg|fedf ecAg|
f2 df gfec|dcde fdde|f2ef gfec|
defd ecAF|GABG FGAF|EDEG FDD:|

%%%
X:564
%
T:COW'S TIT (jig), The
C:© Luke O'Malley
Z:Z: ABC/arr. BB
S:S: "Luke O'Malley's Collection of Irish Music Vol.1", tune 78 (1976)
N:N: Additional info in the ABC file
M:6/8
Q:1/4=160
%R:jig
K:D 
%%text source key = Bb
%%vskip .3in
E| DFA dfa|gfe cBA|Bdg afa|gfg e2A|
DFA dfa | EGB efg | agf gfe | ABc d2 :|
A| Bdf bfd | fgf edc | dBd cAc | BcB A2 E|
DFA dfa | EGB efg | agf gfe | ABc d2 :|

%%  LOM note: "This was written by me [in Bb] for no good reason at all."
%%  BB note: While flat keys present no problem for Luke's Klingon 23-Row 
%%  Laser-Guided piano-accordion, I transposed this into a friendlier key 
%%  for the rest of us. In the process I had to do some arranging, so my 
%%  setting isn't a 100 pct. note-for-note transposition of the original 
%%  (which appears above for those interested). By the way - if you can manage 
%%  an A-sharp in m.11 of my setting, go for it! (Sub-note: this tune was in 
%%  my "Music's the Very Best Thing" tunebook in G, in which key it contained 
%%  bass notes of limited use to treble instruments.)
%%%
X:565
%
%
T:COWBOY'S REEL, The 
S:S: HOC.107
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
L:1/8
%R:reel
K:G
%%text source key = A
%%vskip .3in
DE|G2GB AGFA|GBdf gdef|gfgd BedB|ABcA GFED |
G2GB AGFA|GBdf gdef|gfgd BedB|AcBA G2 :|
Bc|dgfg d2Bc|dgfg d2Bc|dgfg edcA|BAAB A2Bc |
dgfg d2Bc|dgfg d2Bc|dgfg edBG|AcBA G2 :|
%
% 


%%% %%% %%% 





%%%
X:566
%
T:CRAB TREE (reel), The 
C:Joe Liddy
S:S: Liddy1.39
Z:Z: ABC/arr. BB
% 
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
%%text source key = Bb
%%vskip .3in
Bc|d2ec dBAF|EFDE FBB2|dBcA Bcdf|fdde fdaf |
d2 ec dBAF|EFDE FB B2|defa baab|afef d2 :|
de|fddc BdAd|BdAB defa|bffd e2dB|ABde fe e2 |
fded BdAd|BAFG ABde|defa baab|afef d2 de ||
fded BdAd|BdAB defa|bafd e2dB|A2 FA defa |
b3a bafe|dBAF ABde|defa baab|afef d4 |]

%%%
X:567
%
%
%
T:CRABBIT CHILDER (jig)
C:Aidan Crossey
S:S: composer
%R:Jig
Q:1/4=160
M:6/8
K:D Major
D2F FED|CDE CDE|D2F FED|CDE D3|
D2F FED|CDE CDE|c2c cBA|GEC D3:|
A2d dcd|ecA ecA|A2d dcd|efe dcd|
e2a age|dcd ecA|c2c cBA|GEC D3:|

%%%
X:568
%
%
%
T:CRABS in the GREASEPOT (jig)  
S:S: CRE.4 < Grier MS
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=160
M:6/8
%R:jig
K:A dorian
A2A A2A|Bcd efg|A2A ABc|dBG AGE|
A2A A2A|Bcd efg|def gfe|dBG AGE ||
%
e2A ABA|e2f gfg|e2A ABc|dBG AGE|
e2A ABA|e2f gfe|def gfe|dBG AGE ||
%
ABA BdB|cd/e/f BcB|ABA Bdg|dBG AGE|
ABA BdB|cd/e/f BcB|GBd gfe|dBG AGE|\
"coda"A6|]

%%%
X:569
%
T:CRABS in the SKILLET (jig) 
S:S: ONMI.1112
Z:Z: Brennan/Black 
% %R:jig
Q:1/4=160
M:6/8
L:1/8
K:Ador 
%%text source key = Gm
%%vskip .3in
E|A3 e2G|A2B c2d|efe dcB|edc BAG|
A3e2G|A2B c2d|dBd gfe|1 dBA GF :|2 dBG A2||
%
e|aba agf|gag gfe|def gfe|dBG A2e|
aba agf|gag gfe|def gfe|1 dBA G2:|2 dBA GF||
%
G|A2zB2z|c2zd2z|efe dcB|edc BAG|
A2zB2z|c2ze2z|dBd gfe|1 dBA GF :|2 dBG HA3|

%%%
X:570
%
%%staffsep 70
%
T:CRACKLY GRASS (reel)
%R:reel
C:Rick Gagne 
S:S: composer
Z:Z: ABC/arr. BB
% "d/o/c/ 1998 on whistle"
Q:1/4=180
M:4/4
K:E dorian
gf| "Em"eBAB GBec | "D"dBAF GBAF | "C"EGBe gfed | "Bm"BcdB egfg | 
"Am"eBAB GBec | "Bm"dBAF GBAF | "C"EGBG "D"AGFD |1 "^Em"EGFD Ef :|\
[2 "^Em"EGFD E2 ||
AB|"G"GFGA BGG2 | "D"FAEA D2DA | FEFG AFF2 | "Em"GBAF EBAB | 
"G"G2GA BGG2 | "D"FAEA D2DA | FEFG AFF2 |"Em"GBAF eB :|\
"^coda""^Em"GBAF HE4 |]

%%%
X:571
%
%
%
T:CRAIG'S POLKA
S:S: Rose Flanagan
Z:Z: ABC/arr. BB
Q:1/4=170
M:C|
L:1/8
%R:polka
K:Gmaj
G>FGD EGD2|EAAG/A/ BAA2|G>FGD EGD2|EAAG/A/ BGG2 :|
BddB e2e2|AeAe f2f2|BfBf g2fe|dBAG/A/ BGG2 :|

%%%
X:572
%
%
%
T:CRAIG'S REEL 
S:S: ONMI.1212 < Early
Z:Z: Brennan/Black 
% Repeats added
Q:1/4=180
%R:reel 
M:C
L:1/8
K:D
FDFA B2Bc|dBcA BEEG|FDFA BABc|dABG FDD2|
FDFA B2Bc|dBcA BEEG|FD EF GABc|dABG FDD2 :|
d2fd Adfd|Adfd eB B2|d2fd Adfd|faeg fdd2|
d2fd Adfd|Adfd eB B2|g2fd eg fe|dBAG FDD2 :|

X:573
%
%
%
T:CRAME DE MINTHY (jig) 
S:S: HOC.113
Z:Z: ABC/arr. BB
N:N: I'm sure this has other names that I can't think of!
M:6/8
L:1/8
%R:jig
Q:1/4=160
K:A dorian 
%%text "jig - Irish"
%%vskip .3in
%%text source key Bm
z|eAA eAA|BGG Bcd|eAA eAA|def gdB |
eAA eAA|BGG Bcd|e2f gdB|cAA A2 :|
z|eaa eaa|egg egg|eaa eaa|def gdB |
eaa eaa|egg egg|def gdB|cAA A2 :|

%%%

X:574
%
%
T:CRAN (jig), The 
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy1.15
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:Am
A/G/|EAA BAG|EAA ABd|e3 gab|age dBG |
EAA BAG|EAA ABd|e^fg age|dBG A2 :|
g|a2b age|aga bge|g2g bag|age deg |
a2b age|aga bge|deg age|dBG A2g |
a2b age|aga bge|g2g bag|age deg |
a2b age|gab c'2a|bag age|dBG A3 |]

%%%
X:575
%
%%staffsep 70
T:CRANBERRY BOG (reel), The
C:© BB
S:S: BBMG
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:G
A|:"G"Bdge dcBd|"C"ec~c2 "Bm"BAGF|"Em"EFGA "G"BGEG|"D"(3FED AF BDAD|
"G"Bdge dcBd|"C"ecdB "D"AGFD|"C"E2GE "G"DEGB|1 "D7"ABAF "G"GABc :|\
[2 "D7"cdAF "G"G4||
"G"dg~g2 bg~g2|"D"afdf "C"gece|"G"d2Bd "Am"cAEA|"D"(3FED AF BDAD|
"G"dg~g2 dgba|"Am"gecA "G"dBGF|"C"ECEG "G"B,DGB|1 "D7"cdAF "G"GABc :|\
[2 "D7"cdAF "G"G4|]
%
% Cranberry = a cherry that doesn't like you (quoting here)

%%%
X:576
%
%
%
T:CRAOIBHIN'S SALUTE (march), The
S:S: RC2.328
Z:Z: ABC/arr. BB
N:N: Additional info in the ABC file
C:G.O Kane
Q:1/4=120
L:1/8
M:C
%R:march
K:A
ag|f3a c3a|e3a c2a2|fece fece|B6 ag|
f2a2 c2a2|e2a2 c2a2|fece B2B2|A4 z2:|
cd|e2f2 e2c2|a4 a2cd|e2f2 e2c2|B6 cd|
e3f e2c2|1 a4 a2gf|efae c2B2|A4 A2:|
[2 d2f2 c2a2|fece B2B2|A4z4|]
%
% "Douglas Hyde (Irish: Dubhghlas de hÍde; 17 January 1860 – 12 
% July 1949), known as An Craoibhín Aoibhinn, was an Irish scholar 
% of the Irish language who served as the first President of Ireland 
% from 1938 to 1945. He was a leading figure in the Gaelic revival, 
% and first president of the Gaelic League, one of the most influential 
% cultural organisations in Ireland at the time." (< Wikipedia) 
% "Craoibhinn Aoibhinn" is pronounced "KREE-vin AY-vin". It means
% "the pleasant little branch" and was Hyde's pen name.

%%%
X:577
%
%
T:CRAPPLE POLKA, The
C:David MacAdam
S:S: composer
N:N: Additional info in the ABC file
%R:Polka
Q:1/4=120
M:2/4
L:1/8
K:Gmaj
Bd BG | Bd BG | A>B cd |cA A2 |
Bd BG | Bd BG | A>d cA |AG G2 :|
|: Bd g>d | Bd g>d | fA A2 | fA A2 |
Bd g>d | Bd g>d | fd cA/c/ | BG G2 :|
%
% "Crapple is John Alden's special cranberry apple jelly served alongside 
% Gene Clancy's legendary Irish Brown Bread during intermission at Rose 
% Clancy's House Concerts at The Chatham Fiddle Company. Somehow this 
% polka is supposed to capture the succulent essence of crapple."
% [2019.05.18]

%%%
X:578
%
%%staffsep 70
T:CRASHING at MIKE'S (reel) 
C:© BB
S:S: BBMG
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:D
D|"A"E2 AE "D"FD~d2|"Bm"d2 fd (3Bcd AF|"Em"EFGE "Bm"FAdB|"D"ABAF "Em"E2 GF|
"A"E2 AE "D"FD~d2|"Bm"d2 fd BdAF|"G"GBdB "D"Adef|"A"ecAc "D"d3 :|
A|"Bm"B2 fB "Bm7"aBfB|"G"dB"A"cA "Bm"BdAF|"Bm"B2 fB aBfB|"D"dB"A"Ac "D"d3 A|
"Bm"B2 fB "Bm7"aBfB|"G"dB"A"cA "Bm"BdAF|"A7"EGAc "D"defa|"A"gece "D"d3 :|
%
% Don't tell anybody - the key is under the geranium.

%%%
X:579
%
%
%
T:CRAWFORD ART GALLERY (reel), The   
C:T.O Canainn
S:S: NTFO.030
Z:Z: ABC/arr. BB
M:C
Q:1/4=180
%R:reel
K:G
D|G2 Bd gedB|dedB AGED|EAA2 AGED|EAA2 EAA2|
G2 Bd gedB|dedB AGED|EAA2 AGED|EGGF G3:|
A|G2 Bd g2ga|Bg ag edBd|e2ef edBd|edfd edBA|
G2 Bd g2ga|Bg ag edBd|e2ef edBA|DEGA BGG:|

%%%
X:580
%
%
%
T:CREAMER'S REEL
Z:Z: ABC/arr. BB
S:S: MFC.048A
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
e|A2 AB AFDF|AFAd f3 g|afef dBBc|dBAF FEDF|
AFAB AFDF|AFAd f3 g|afef dBAF|Adfe d3 :|
e|fded BAFA|dcdf a2 af|fefd edBc|dBAF FEDF|
A2 AB AFDF|AFAd f3 g|afef dBAF|Adfe d3 :|

%%%
X:581
%
%
%
T:CREEL OF PERCHES (reel), The 
S:S: "Trip to Sligo" (B.Flaherty)
Z:Z: ABC/arr. BB
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:D mix
A2 AB AGFD|AGAB cBcA|G2 dG BGdA|BAGB AGEG|
A2 AB AGFD|AGAB cABc|d2 ef dcAB|cAGE ED D2:|
df f2 af f2|dfaf ed^cB|AB^ce gece|ge^cA ^GABc|
df f2 af f2|dfaf ed^cB|AB^ce gfef|d^cAG FD D2:|

%%%
X:582
%
%
%
T:CREEL OF TURF (reel), The 
C:© E.Reavy
S:S: "Ed Reavy Collection"
% A-B-A
%R:reel
Z:Z: McKenty / Black 
Q:1/4=180
M:4/4
L:1/8
K:Dmix
%%text "allegro moderato"
dc|ADD2 AGAG|ECCD EDEG|ADD2 AGAG|EDCE DcBc|
ADD2 AGAG|ECCD EDEG|AGAB cBcA|GECE D2:|
%
zF|GAcd efed|cAGA cAAF|GAcd efed|cAGA c2 [E2c2]|
GAcd efed|cAGA cBcd|edec dedc|AGAc dedc|]

%%%
X:583
%
%
%
T:CREELAGHTA (reel), The
C:Darren Culliney
S:S: Treoir 55/3
Z:Z: ABC/arr. BB
%R:reel
M:C
Q:1/4=180
L:1/8
K:D
G|Adde fage|fage fddB|A2de fage|fdAG FAdB|
Adde fage|fage fdd=f|e=cAG FAdB|cAGE FDF :|
A|:B3d c2(3ABc|dedB AGFA|BEED E3F|GABd cAAd|
BABd cABc|dedB AGFA|(3Bcd ec dBAF|GBAG FDdc :|
"^coda"GBAG FDHD2|]

%%%
X:584
%
%
%
T:CREGG CASTLE (reel)
C:V.Broderick
S:S: Turoe.23a
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:G
BedB A2GE|D2BD DEGA|Beed e2dB|GBdB BAA2|
Beed e3f|gefd edBA|BAGE D2Bd|dBAB G4:|
Beed e4|efga bage|d2Bd d2Bd|egdB BAA2|
BAGE D2BD|D2BD DEGA|Beed e2dB|dBAB G4:|

%%%
X:585
%
%
%
T:CREGG'S PIPES (reel) (1) 
S:S: NFID.169a < Byrne Bros. ("untitled reel")
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:C
%R:reel
K:G
B3d BAGA|B2GB AGED|B2GA BGdG|AdBG AGED|
B3d BAGA|B2GB AGED|Eeed BcdB|AdBe AGFE||
%
DGBG DGBG|DGBG AGEG|DGBA BABc|dBAd BGG2|
DGBG DGBG|DGBG AGEG|DGGA BABc|dBAd BGGB||
%
d2Bd efge|dBGB AGED|d2Bd efgb|agbg ageg|
d3d efge|d2GB AGED|d2Bd efgb|agbg agef|Hg4z4|]
%
% A nice setting of this "chestnut" from the Byrne
% Brothers. Hard to believe nobody involved in putting
% the book together could come up with the name. . .?

%%%
X:586
%
%
%
T:CREGG'S PIPES (reel) (2)
T:Kerry Huntsman
Z:Z: ABC/arr. BB
S:S: FS1.10c
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:G
B3B BAGA|B2GB AGEG|B3 B BAGB|A2 BG AGEG|
B3B BAGA|B2GB AGEG|Beed BddB|AcBG AGEG||
DGG2 DGBG|DGBG AGEG|DGGF GABc|dBAc BG G2 :|
d2Bd efge|d2BG AGEG|d2Bd efge|a2bg ageg :|

%%%

X:587
%
%
%
T:CREHAN'S CHOICE (reel)
C:Junior Crehan
Z:Z: ABC/arr. BB
S:S: MFC.042A
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G
ge|dBB2 ABGE|DGG2 DGBd|egg2 agg2|agbg ag (3efg|
dBB2 ABGE|DGG2 DGBd|egg2 gedB|AGAB G2:|
Bc|dgg2 egdg|eaa2 abga|bgg2 egg2|agbg ag (3efg|
dBB2 ABGE|DGG2 DGBd|egg2 gedB|AGAB G2:|

%%%

X:588
%
%
%
T:CREHAN'S FIDDLE* (jig)
S:S: CRE.5 (unnamed)
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%R:jig
K:D
d|BAF AFE|DFD EDB,|A,B,D EDE|FED E2d|
BAF AFE|DFD EDB,|A,B,D EDE|FDC D2:|
%
D|DFA d3|ede fdB|def edB|ABd e2f|
edc BAF|DFD EDB,|A,B,D EDE|FDC D3|
DFA dcd|ede fdB|ABd ede|fed e2f|
edc BAF|DFD EDB,|A,B,D EDE|FDC HD3|]
%
% This tune (unnamed) is from Clare fiddler Junior Crehan. 
% Breathnach (or Jackie Small, who edited the last 2 
% volumes of CRE after Breathnach's death) doesn't 
% specify if Crehan composed it or not.

%%%
X:589
%
%
T:CREHAN'S GANDER (jig) 
C:Bobby Casey
Z:Z: ABC/arr. BB
S:S: Pat Reddan
% This is a composition of Clare fiddler Bobby Casey and named for
% another Clare fiddler, Junior Crehan. On the recording by box player Pat 
% Reddan that I transcribed this from, it's played at a set dance tempo (~130).
Q:1/4=130
L:1/8
M:6/8
%R:jig 
K:G
D|GBd dcB|A2E E2G|FEF DEF|G2D D2D|
GBd dcB|A2E E2G|FEF DEF|G3 G2 :|
%
D|GFG GBd|GBd G2F|EDE c2B|ABG FED|
GFG GBd|GBd G2F|EDE F2A|G3 G2 :|
%
B|d^cd e2B|d3 d2c|BAB c2A|B3 B2c|
d2A AFA|d2A A3|GBG FGF|EFE D2A|
d2d d^cd|e3 d2c|B2B BAB|c3 B2c|
d2B e2B|d2B G2B|dcB cBA|G3 HG3|]
%


%%%
X:590
%
%
T:CREMONEA 
S:S: CAR-OS
C:O'Carolan
Z:Z: Gilb/Brennan/Black
N:N: Additional info in the ABC file
% Not sure what the title refers to. Alternate title for this tune is "Heart of
% Munster", which in Irish would be "croí mumhan" (or close thereto - I won't 
% struggle with the longer Irish "m" word) which might sound like "Cremonea". 
M:3/4
L:1/8
K:Am
%%text "andante"
%%vskip .3in
AB|c2 dc Bc|A2-A2 ab|ag fe dc|d2 G2 AB|
c2 BA Bc|d2 G2 AB|c2 BA Bc|A2-A2:|
e^g|a2 a^g eg|a2 a2 de|ga ge de|g2 g2 c>d|
e2 fe dc|d2 ed cB|c2 dc Bc|A6|]
%


%%%
X:591
%
%
T:CRESCENT JIG*, The   
S:S: RC2.301 ("Old Set Tune" 3)
Z:Z: ABC/arr. BB
% Repeats added.
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
A|B2A G2g|f2g e2d|B2A G2B|A3-A2A|
BcB G2g|f2e d2c|ABc ecA|d3 d2:|
a|b2a g2f|e2f g2a|b2f gfg|a3-a2a|
b2a g2f|efg d2c|Bcd ecA|G3 G2:|

%%%
X:592
%
%
T:CRIB OF PERCHES (reel), The 
S:S: CRE.2
Z:Z: ABC/arr. BB
% I think Part B sounds better with C sharp instead of C natural. I've kept 
% the CRE original setting but you might want to try it with the C sharp.
%R:reel 
M:C
Q:1/4=180		 
K:D
A3B AGED|EGAB =cBcA|G2E=C GCEG|
=cAGc AGEG|A3B AGED|EGAB =c2Ac|
d2de d=cAB|1 =cAGE EDFG:|2 =cAGE EDD2||
%
|:dff2 aff2|dfgf ed=cA|Bdef gece|
ge=cA GABc|dff2 aff2|dfgf ed=cA|
Bdec d2cB|AFGE FDD2:|
%

%%%
X:593
%
%
T:CRICKET HORNPIPE, The 
C:Johnny Harling 
Z:Z: ABC/arr. BB
Q:1/4=150
%R:hornpipe
%swig .25
% This tune - not for the faint of heart - is intended, according to the composer, to 
% imitate the happy chirpings of the eponymous insect! (Not sure how a whistle 
% player gets those accidentals into a tune - must take a lot of "half-holeing".)
% This is my "simplified setting".
M:4/4
L:1/8
K:Bm 
F|Bdfd B2 FA|B2 dB cBAF|G3A BAGA|
^AcdB dcB=A|Bdfd B2 FA|B2 dB cBAF|
GFED EFGB|1 ^ABcA B3 :|[2 ^ABcA Bcd ||
|:e|f3 g fede|fedc BAFA|^ABcA dcBd|
cB^AG F3 D|E3 F GABd|cB^AB c2AF|
Bf^ef dcBG|1 FBB^A Bcde :|2 FBB^A B4|]
%

%%%

X:594
%
%
T:CRIMLIN CAT (reel), The
S:S: CRE.4 < L.Donnelly < W.Jones
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:A dorian
zG|A3G ABcd|efed cAAB|c2 cA B2 BG|AcBA GEED|
A3GA2 Bd|efed cA A2|g2 fg e2dc|BedB A2 :|
Bd|eaag a2 ga|b3a geef|g2 ef gfef|g2 af gfed|
c2 cA B2BG|AcBA GEED|g2 fg e2dc|BedB A2 :|

%%%

X:595
%
%
T:CROAGH LASSES* (hornpipe), The 
S:S: NFID.108b < SD ("untitled highland")
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:C|
%R:hornpipe
K:G
G2GD G2 Ac|G2G2 EDEF|G2GD G2AB|cAGE DcBA|
G2GD G2 Ac|G2G2 EDEF|G2GD G2AB|cAGE D2Bc||
d2dc d2 eg|d2d2 BABc|d2dc d2d2|cAGE D2Bc|
d2dc d2 eg|d2d2 cA Bc|d2dc d2cd|cAGE DcBA||\
"^coda"HG4z4|]

%%%

X:596
%
%
T:CROAGH PATRICK (reel)
C:© BB 2006
S:S: BBMG
L:1/8
Q:1/4=180
M:4/4
%R:reel
K:G
D|"G"GFGB "Am"AGAB|"C"cBAG "D7" FEDC|"G" B,DGB "Am" A^GAc|"Em" BedB "D" A3 c|
"G" BAGF "Em" GEDB,|"C" CDEG "D7" FAdc|"G" BGFG "Am7" A2GE|"D" DFAF "G"G3 :|
g|"D7"fedc AcdB|"Am7" ceag "D" fd ~d2|"G" BGBc "Em" Bdef|"G" gb "D" af "Em" e3f|
"G" gd^cd "Am" =cBAc|"G" BABd "D7" cAFA|"G" GFGB "Am7" ABce|"D7" fdcA "G" G3 :|
%
% Croagh Patrick is the mountain in Co. Mayo where St. Patrick 
% (according to the tradition) used to go to pray. It's a lovely spot 
% and even now continues to be a place of pilgrimage for locals and 
% visitors alike.

%%%

X:597
%
%
%
T:CROCK OF GOLD (reel), The 
C:V.Broderick
S:S: Turoe.28b
Z:Z: ABC/arr. BB
% Note that this is a single reel (= no repeats).
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:G
B2dB BAGD|G2GA GEDB,|DEGA BAGA|B2dB BAA2|
B2dB BAGD|G2GA GED2|g2fg egdB|DEGA BGG2||
eaa^g a3=g|a2ga bage|gedB G2Bd|gedB BAA2|
eaa^g a3=g|a2ga bage|g2fg egdB|DEGA BGG2|]

%%%

X:598
%
%
T:CROGHAN A VENEE  
S:S: CGI.014
Z:Z: ABC/arr. BB
% No clue what the title means.
% A-B-A
Q:1/4=72
L:1/8
M:3/4
K:Dm 
%%text "plaintive - with expression"; A-B-A
%%vskip .3in
A2|d2 defd|e2azag|f2d zd2|c2AzA2|
d2 defd|e2a-a2g|gf d2d2|d4 :|
e2|fe fa gf|e2c zA2|BA Bd cB|A2FzF2|
fe fa gf|e2c z A2|BA GF ED|"_DC"D4:|

%%%
X:599
%
%
T:CROGHAN HILL (reel)  
N:a/k/a/ Off in the Morning, Speed the Plough, Kane's
S:S: BSMI.4 
Z:Z: ABC/arr. BB
%R:reel
M:C
Q:180
K:G
D2|G3B dBB2|dBgB dBB2|c2ec BddB|Add^c dedB|
GFGB dBB2|dBgB dBB2|c2ec BddB|ADFA G2 :|
Bd|g3f gdBd|gBfB eBB2|c2ec BddB|Add^c defd|
g2gf gdBd|gBfB eBB2|c2ec BddB|ADFA G2 :|

%%%

X:600
%
%
T:CRONIN'S (reel) 
S:S: BSMI.4
Z:Z: ABC/arr. BB
L:1/8
%R:reel
M:C
Q:180
K:C
CB,CD EGG2|cded cAAG|AcGc Aaa2|gece edd2|
C3D EGG2|cded cAAG|AcGc Aaa2|gedf ecc2 :|
g^fga gee2|fedc ecc2|AcGc Aaa2|gecd edd2|
g^fga gee2|fedc ecc2|AcGc Aaa2|gedf ecc2 :|

%%%

X:601
%
%
T:CRONIN'S FAVORITE (hornpipe)
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=150
M:C|
%R:hornpipe
K:G
BA|GABc dBde|g2ge dega|bage dBGA|B2AG AcBA|
GFGB dBde|g2ge dega|bage dBAB|G2BG G2 :|
fg|add^c dega|beed efga|bgaf gfed|BABG AcBA|
GFGB dBde|g2fe dega|bage dBAB|G2AF G2 :|

%%%

X:602
%
%
T:CRONIN'S FAVORITE (jig)
S:S: CRE.5 < Paddy O'Brien (Offaly)
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%R:jig
K:A dorian
G|EAA ABd|ege dBA|GEF GAB|dBA GED|
E2B ABd|ege def|g2d ege|dBG A2:|
g|eag egd|eaa bag|efg d2g|e2f ged|
eag egd|eaa bag|efg edB|BAG A2:|

%%%

X:603
%
%
%
T:CRONIN'S FAVORITE (reel) 
S:S: ONMI.1555 < Cronin
Z:Z: Brennan/Black 
% This is straight G major in source, but as a Gmix tune it sounds like 
% "Yellow Tinker/Flowers of Limerick/Paddy on the Turnpike" etc etc. To hear 
% O'Neill's version, remove "mix" from the K: field.
%R:reel
Q:1/4=180
M:C|
L:1/8
K:G mix
z2|GF|DGGF G2GA|BGcA BGAF|DFFE F2FG|AGAc BGED|
DGGF G2GA|BAGA Bcde|fefd cAFA|BGAF G2||
%B
GA|Gggf g2ga|bgga bgaf|d^cde fefg|abag fdcA|
dggf g3d|BAGA Bcde|fefd cAFA|BGAF G2||
%C
GF|DGGA BAGB|dcBd cBAG|FGAB cAFA|cBcA BGAF|
GFGA BABd|cBAB cdeg|fefd cAFA|BGAF G2||
%D
df|gddf gbag|fede fgaf|eccd efge|dcBA GcBA|
G2GA BABd|cBAB cdeg|fefd cAFA|BGAF HG4|]
%


%%%
X:604
%
%
%
T:CRONIN'S FROLICS (jig) 
S:S: DMI.0338
Z:Z: Nordberg/Black 
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:D
G|FEF AFD|dcd ecA|fed gec|dcd ecA|
FEF AFA|dfa ece|fed gec|Add d2:|
%
c|ecA efg|afd bge|afd gec|dfd ecA|
FEF AFA|dfa ecA|faf gec|edd d2:|
%
g|afd dgf|ecA Afg|afd Bgf|efd cBA|
afd dcd|gfg ece|fed gec|edd d2:|
%
B|AFD DFA|dcd AFD|AFD DEF|GBG EFG|
ABA DFA|dfa ece|faf gec|edd d2:|

%%%

X:605
%
%
T:CRONIN'S HORNPIPE (1) 
Z:Z: ABC/arr. BB
S:S: CRE.2 < Seamus Ennis
L:1/8
M:C
%R:hornpipe
Q:1/4=150
K:G
%swing .25
BA|GABc dBde|g2ge dega|bage dBAc|BAAG AcBA|
GABc dBde|g2ge dega|bage dBAB|G2GF G2:|
fg|afdB dega|bged efga|bgaf gedc|BAAG A2BA|
GABc dBde|g2ge dega|bage dBAB|G2GF G2:|

%%%
X:606
%
%
T:CRONIN'S HORNPIPE (2) 
Z:Z: ABC/arr. BB
M:4/4
S:S: FS1.34c
Q:1/4=150
L:1/8
%R:Hornpipe
K:G
%swing .25
BA|GABd dBde|gage dega|bage dBGA|BAAG AcBA|
GABd dBde|gage dega|bage dBAB|G2GF G2 :|
(3efg|afd^c dega|beed efga|(3bag (3agf gedB|BAAG AcBA|
GABd dBde|gage dega|bage dBAB|G2GF G2 :|

%%%

X:607
%
%
T:CRONIN'S KITCHEN* (polka)
S:S: CRE.2 (unnamed) < Sean Keane (Kerry)
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:A dorian
%
A>B cd|ef g2|a>g ed|BA G2|
A>B cd|ef ge|ag/e/ dB|A2 A2:|
a>g ed|ef g2|ag/f/ ed|BA G2|
A>B cd|ef ge|ag/e/ dB|A2 A2:|

%%%

X:608
%
%
%
T:CRONIN'S RAMBLES (hornpipe) (1) 
S:S: ONMI.1622 < Cronin
Z:Z: Brennan/Black 
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:A
%swing .25
E2|AGAB cABc|dcdf edeg|aecA dfed|cABG EFGE|
AGAB cABc|dcdf edeg|aecA dBGB|A2A2A2:|
A2|Aceg aece|gefd efge|aecA dfed|cABG EFGE|
Aceg aecA|gfdf e2eg|aecA dBGB|A2A2A2:|

%%%
X:609
%
%
T:CRONIN'S RAMBLES* (hornpipe) (2) 
S:S: BSMI.3 (unnamed)
Z:Z: ABC/arr. BB
Q:1/4=150
%R:hornpipe
M:C|
L:1/8
K:G
%swing .25
(3DEF|GFGA BGAB|cBce d2ef|gdBd cedc|BGAF DEFD|
GFGA BGAB|cBce d2ef|gdBd cAFA|G2GF G2 :|
(3DEF|G2ef gdBd|gfe^c defd|gdBd cedc|BGAF DEFA|
GBef gdBd|fde^c d2ef|gdBd cAFA|G2GF G2 :|


%%%
X:610
%
%
%
T:CRONIN'S REEL (1)
S:S: "Play 50 Reels" (Armagh Pipers' Club) (folder 38)
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
%
E|DFAd f3 e|d2 de fdAF|GAFG E3 F|GAFG EF G2|
FDAD FGAd|BG G2 Bcde|fa a2 gecd|eddc d3:|
e|fddc dfaf|gfed cdeg|f2 fa gfed|cAAG A2 DG|
FDAD FADG|BG G2 Bcde|fa a2 gecd|eddc d3:|

%%%

X:611
%
%
T:CRONIN'S REEL (2)
T:Speed the Plough
Z:Z: ABC/arr. BB
S:S: FS2.27a
M:C
L:1/8
Q:1/4=180
%R:reel
K:D
%
z|d3A BAFB|AFF2 FEDE|F2AF G2BG|ABde fedc|
d2dA BAFB|AFF2 FEDE|F2AF G2BG|ABde fdd :|
e|faab afdf|g2fg edBd|faab afdB|ABde fee2|
faab afdf|g2fg edBA|F2AF G2BG|ABde fdd :|

%%%
X:612
%
%
%
T:CROOKED REEL, The 
T:Follow Me Down to Carlow
S:S: CRE.1
Z:Z: ABC/arr. BB 
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:A dorian
%
A2AG EFG2|AGAB cded|BABd eaaf|gedB BAdB|
A2AG EFG2|AGAB cded|BABd eaaf|gedB BAA2||
egdg egdc|BGG2 Bcd2|egdg eaaf|gedB BAA2|
agef gedB|cABG EFGB|AGAB cdef|gedB BAHA2|]

%%%
X:613
%
%
%
T:CROOKED ROAD TO DUBLIN (1) (reel)
T:Smiles and Tears of Erin
Z:Z: ABC/arr. BB
S:S: MFC.007C < "J.Cronin"
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G
%
G3G FGAF|G2AG AdcA|GBAG FGAg|fdcA dBcA|
G3G FGAF|DGG2 AdcA|GBAG FGAg|fdcA d2||
Bc|dgg2 fgaf|dgg2 agfg|dgg2 fgag|fdcA dBcA|
dgg2 fgaf|dgg2 a2ga|bgg2 gbag|fdcA dBcA||\
"^coda"G4z4|]

%%%
X:614
%
%
%
T:CROOKED ROAD TO DUBLIN (2) (reel)
S:S: DMWC.81 
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:G
%
G2G2 FGAF|G2AG AdcA|G2AG FGAg|fdcA dBcA|
G2G2 FGAD|G2AG AdcA|G2AG FGAg|fdcA dBcA ||
A|dgg2 egaf|dgg2 agfe|dgg2 egag|fdcA dBcA|
dgg2 egaf|dgg2 a2ga|bgag faag|fdcA dBAF|\
"^coda"G4z4|]

%%%

X:615
%
%
T:CROOKED STOVE PIPE (polka), The
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=220
L:1/4
M:C|
%R:polka
K:G
%
A|GB B/d/B|GB B/d/B|GB eB/c/|dc c/B/G|
FA A/B/A|FA A/B/A|dd/d/ ef|1 gd c :|2 g2 g||
a|b2 -ba|g2 -gf|ed/e/ fg|a2 -ab|
c'2 -c'a|f2 -fe|dB/d/ ef|g2 g :|

%%%

X:616
%
%
%
T:CROOKED WAY TO DUBLIN (a-1) (reel)  
Z:Z: ABC/arr. BB
S:S: Levey2.29 
% A-B-A
Q:1/4=180
L:1/8
M:4/4
%R:reel 
K:G
%
c|BGAG EGDE|GABd efgd|BGAG EGDE|GEDE G3 :|
c|Bdef g2fg|afdf edBA|Bdef g2fg|afdf e2e2|
Bdef g2fg|afdf edBd|bgaf gfed|egfa gfgd||\
"^coda"g4z4|]
%
% This sounds like a combination of at least two other 
% reels (e.g. 'Honeymoon', 'Morning Star') but NOT 'Crooked 
% Road to Dublin'!

%%%
X:617
%
%
%
T:CROOKED WAY TO DUBLIN (a-2) (reel)   
S:S: RC1.181 % ("setting 1")
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G
%
dc|BGAG EGDE|G2Bd edgd|BGAG EGDE|GABd efgd|
BGAG EGDE|G2Bd edgd|BGAG EGD>e|dcAF G2G2||
Bdd2 egdB|d2ef g2b2|Bdd2 egdB|AGAB AcBA|
Bdd2 egdB|d2ef gfga|bgaf gfed|egfa gedf||\
"^coda"Hg4z4|]
%
% Not the same tune as "Crooked Road to Dublin"

%%%
X:618
%
%
%
T:CROOKED WAY TO DUBLIN (b) (reel) 
S:S: RC3.087
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G
%
GEDB cABG|AGBG AE E2|GEDB cABG|AcBG A2G2|
GEDB cABG|AGBG AE E2|GEDE GABd|edcA G2 G2||
Bd d2 efge|d2 BG AE E2|Bd d2 efge|dBGB A2 A2|
Bd d2 efge|d2 BG AE E2|GEDE G2 AB|dBGB AcBA||\
"^coda"G4z4|]

%%%
X:619
%
%
%
T:CROPPIES' MARCH NO.1 
S:S: WSGM.060 < Patsy Touhey
Z:Z: Kinder/Black 
M:4/4
L:1/8
Q:120
%R:March
K:D
%
B|A3 B A2 F2|A2 B2 d3 e|f2 a2 e2 f2|d2 B2 BcdB|
A3 B A2 F2|A2 B2 d3 e|f2 a2 e2 f2|d4 d3:|
e|f2 a2 a3 f|g2 b2 b2 g2|f2 a2 e2 f2|d2 B2 B2 d2|
f2 a2 a3 f|g2 b2 b3 c'|d'2 c'2 c'2 a2|b4 b3 a|
f2 a2 a2 f2|g2 b2 b2 g2|f2 a2 e2 f2|d2 B2 BcdB|
A3 B A2 F2|A2 B2 d3 e|f2 a2 e2 f2|d4 d3:|
%
% This is known today as "Lakes of Sligo" or "Banks 
% of Inverness" (in G).

%%%
X:620
%
%
%
T:CROPPIES' MARCH NO.2 
S:S: WSGM.061 < F.O'Neill
Z:Z: Kinder/Black 
M:4/4
L:1/8
Q:1/4=120
%R:March
K:D
%
B|:A>BAF ABde|faef d/e/f/d/ Bd|A>BAF ABde|faef d2 d2:|
faag/f/ gbba/g/|faef d/e/f/d/ BA|
faag/f/ gbbc'|d'c'ba b2 ba|faag/f/ gbba/g/|
faef d/e/f/d/ Bd|A>BAF ABde|faef d2 d2||

%%%
X:621
%
%
%
T:CROPPY BOY, The  
S:S: ONMI.0198 < Hartnett
Z:Z: Brennan/Black  (arr.)
M:C
L:1/8
K:G
%%text "slow"
%%vskip .3in
D2|G2A>G AB2G|A2G>G G2 G/A/B/d/|g4 fdfe|d4 zD G/A/B/d/|
g4 fdfe|d3d e/d/B/A/ G>A|B3G A2G>G|G4z2|]
%
% This isn't related to either of the ballads known 
% under this title.

%%%

X:622
%
T:CROPPY TAILOR, The 
S:S: ONMI.0401 < J.O'Neill
Z:Z: Brennan/Black  (arr.)
M:3/4
L:1/8
K:A
%%text "gaily"
%%vskip .3in
A2|c2d2e2|e2d2e2|d2c2A2|A4A2|
c2d2e2|e2d2c2|g2e2c2|d4cd|
e2f2g2|a2c'2a2|g2e2d2|c4cd|
e2d2d2|d2e2f2|g6|a4||
%
e2|d3c A2|A6|B3A G2|G6|
c3d e2|d2c2B2|A2c2e2|a2e2d2|
c3A A2|A6|B3A G2|G6|
c3d e2|d2c2B2|A6|A4|]

%%%
X:623
%
%
T:CROSS IN THE WOOD (reel), The 
C:M. Mulvihill
S:S: MVBT
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:Em
%
dc|BE E2 B2 AF|DF F2 DFAd|BE E2 BdAF|DFAF E2 d^c|
BE E2 B2 AF|DF F2 ADFA|B3 d BAFA|BdAF E2 :|
cd|e2 ge e2 ge|df f2 afdf|e2 ge e2 ge|dBAF E2Bd|
e2 ge e2 ge|df f2 afdf|g3e fafe|dBAF E2 :|

%%%
X:624
%
%
%
T:CROSSES OF ANNAGH* (reel) (1), The 
S:S: CRE.2 < Paddy Ryan (Birmingham UK)
Z:Z: ABC/arr. BB 
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Am
%
GE|DGBG A2Bd|eaag gedB|GFGB AEGE|DGBG AGEG|
DGBG A2Bd|eaag gedB|GABd gedB|GABG A2:|
Bd|ea a2 bg g2|agab g2 ag|edef g2 gb|agab gedg|
ea a2 bg g2 |agab g2 ag|edef gedB|GABG A2:|
%
% This setting is associated with Clare fiddler 
% Bobby Casey and is sometimes called by his name.

%%%

X:625
%
%
T:CROSSES OF ANNAGH* (reel) (2), The 
Z:Z: ABC/arr. BB
S:S: CRE.2 < Felix Doran
M:C
%R:reel
Q:1/4=180
K:A dorian
%
AG|EABG A2Bd|egg2 edBA|G3B AEGE|DEGB AGED|
EABG A2Bd|egg2 edBA|G2Bd e2 dB|GABG A2:|
Bd|eaa2 bag2|a2ab gedB|d3e g3b|agab g2ag|
eaa2 bag2|a2ab g2ag|edea gedB|GABG A2:|

%%%

X:626
%
%
%
T:CROSSING THE CHANNEL (slip jig)  
S:S: CRE.4 < Bogue MS
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:9/8
%R:slip jig
K:D
%
A2G AFA B2d|f2e fed e2f|abg afd cBA|
def gec d3:|a2g aba fed|gfa ged cBA|
a2g aba fec|def gec d3:|

%%%
X:627
%
%
%
T:CROSSING THE FIELD (reel)
S:S: WSGM.276 < Rice-Walsh manuscript
Z:Z: Kinder/Black 
% Repeats added.
M:4/4
L:1/8
Q:1/4=180
%R:Reel
K:G
%
B|DGBG DGBG|DFAF DFAF|DGGA Bcde|fdcA BGAF|
DGBG DGBG|DFAF DFAF|DGGA Bcde|fdcA BGG :|
e|g2gf gfde|f2fe fdcA|fdde fgag|egfa gfga|
bgag fddg|fdcA BGAF|DGGA Bcde|fdcA BGG :|

%%%
X:628
%
%
%
T:CROSSING the GLEN (strathspey)
S:S: TIDT 2/48
C:J.Kelly
C:ABC BB
M:C|
L:1/8 % dotted
%R:hornpipe 
Q:1/4=140
K:Bm
%swing .25
F|Bcdc BFFE|DEFG ADD2|Bcdc BFFE|
DEFG AdcA|BFdc BF F/G/F/E/|DEFG ADDF|
[1 EFGB ABcd|edcd B3:|2 EFGB ABdg|edcd B3||
|:c|dcBA BFFG|AFEF DB,B,c|dcBA BFFG|AFdF E2Ec|
[1 dcBA BFFG|AFEF DB,B,F|DEFG ADDF|edcd B3:|
[2 BFdc BdFG|AFEF DB,B,F|GABG ABdg|fedc HB4|]

%%%

X:629
%
%
%
T:CROSSING THE SHANNON (reel) 
S:S: BSMI.3
Z:Z: ABC/arr. BB
C:Paddy Fahey
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:D
%
FG|Ad d2 AdFd|Ad d2 fdBd|Ad d2 AdFd|AGFD EFGB|
Ad d2 AdFd|Ad d2 fdBd|Adfa gefa|gece d2 :|
FG|Ad d2 fage|fage fdBd|Ad d2 AdFd|AGFD EFGB|
Ad d2 fage|fage fdBd|Adfa gefa|gece d2 :|

%%%

X:630
%
%
%
T:CROSSING THE STREAM
S:S: ONMI.0153 < J.O'Neill
Z:Z: Brennan/Black  (arr.)
M:3/4
L:1/8
K:G
%%text "playfully"
%%vskip .3in
G2|G3B d2|d2B2e2|d2B2g2|d2B2A2|
G3B d2|d2B2GE|D2B2A2|G4:|
d2|g3f g2|e2f2g2|e2a3g|f2d2d2|
g3f g2|e2d2c2|B2A2G2|d4B2|
c3d c2|B2d2g2|edcBAG|B2A2d2|
g3f e2|d2g2e2|d2g2f2|g6|]

%%%
X:631
%
%
%
T:CROSSMAGLEN REEL, The
C:© E.Reavy 
S:S: "Ed Reavy Collection"
%R:reel 
% The F sharps in mm 7 and 15 seem out of place, but I kept them in anyway. I have 
% a feeling nobody would miss them if you played F natural instead.
Z:Z: McKenty / Black 
Q:1/4=180
M:4/4
L:1/8
K:Dm
%%text "allegro moderato"
%%vskip .3in
de|fedc ADDE|FDAD FDDF|Ec=Bc ECCE|Ddd^c d2 de|
fgdf edce|dcAF EDCE|DE^FG AdcA|GECE D2:|
de|fefg afdf|ecc2 Gceg|fefg afdf|ed^ce d2 fg|
afdf ed^ce|dcAF EDCE|DE^FG AdcA|GECE D2:|
%

%%%
X:632
%
%
%
T:CROSSROADS DANCE (hornpipe), The 
S:S: ONMI.1568 
Z:Z: Brennan/Black 
%R:hornpipe
Q:1/4=150
% Original key G. In new key m.4 /GFEC DCB,A,/ has been changed to
% remove the bass notes.
M:C| % source 2/4
L:1/8 % source 1/16
K:D
%swing .25
%%text A-B-A
%%vskip .3in
%
E2|D2FE D2FE|DEFG A2Bc|dcBA BAGF|GFGA BcBA|
D2FE D2FE|DEFG A2Bc|dcBA Bdce|dfec d2:|
F2|B2Bc d2de|f2d2 c2B2|A2AB c2cd|e2c2 B2A2|
B2Bc d2de|f2d2 c2B2|f^efg f=edc|B2d2 "_DC"B2:|

%%%

X:633
%
%
%
T:CROSSROADS DANCE (jig), The
C:© E.Reavy 
S:S: "Ed Reavy Collection"
% This looks like an A-B-A tune but the book's use of segnos is confusing without 
% the corresponding "DS" or "fine" indications (which don't work in ABC anyway).
Z:Z: McKenty / Black 
Q:1/4=160
%R:jig 
M:6/8
L:1/8
K:G
%%text "allegretto"
%%vskip .3in
f|gfe dcB|A2E E2F|GFG DEF|G2D D2f|
gfe dcB|A2E E2F|GFG DEF|G3 G2:|
%
A|Bcd efg|dcB A2B|cBA a2g|fdf gdB|
GBd gfg|dcB A2B|cBA a2g|fdf g2:|
%

%%%
X:634
%
%
T:CROTON DAM REEL, The
C:Joanie Madden
S:S: MVBT
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:D
%
d2fe dBB2|AFF2 DFF2|dffe defg|afeg fBBA|
d2 fe dB B2|AF F2 AB d2|f2 ec dBAF|GAEA D4 :|
a2 af ge e2|fedf eAGA|abaf g2 ag|faeg fd d2|
a2 af ge e2|fedf eAGA|Bdef geag|faef d4 :|

%%%
X:635
%
%
T:CROTTY'S GLORY (reel) 
S:S: TIDT 2/1
C:J.Kelly
Z:Z: ABC BB
M:C
L:1/8
%R:reel
Q:1/4=180
K:D
%
B|AFEF DEFD|E2DE FBBd|AFEF DEFD|EGFE DB,B,B|
AFEF DEFD|E2DE FBBc|dcBA BAFD|EGFE DB,B, :|
%
C|D2A,D FDAF|EBBc BGEF|D2A,D FABc|dcBA FGEC|
D2A,D FDAF|EBBA B/c/dec|dcBA FGED|CDEF DB,B,:|
%
c|dcBA B3c|d2cd egfe|1 fbag fged|
cdef g2fe :|2 fbag fgec|dcBA HB4 |]

%%%

X:636
%
%
%
T:CROW'S NEST (slip jig), The 
S:S: ONMI.1167 < McFadden
Z:Z: Brennan/Black 
Q:1/4=160
%R:slip jig
M:9/8
L:1/8
K:D
%
d2A A2G FED|A2d dzg fed|c2A A2G FED|
A2B c2B cde:|d2g f2d ezc|A2d d2c dcA|
B2g f2d ezc|A2B c2B cde||d2g f2d ezc|
A2d d2c dcA|efg f2d e2c|A2B c2B c2e|d6z3|]

%%%%%%
X:637
%
%
%
T:CROWLEY'S #1 (reel) (1)
Z:Z: ABC/arr. BB
S:S: FS3.16a
M:4/4
L:1/8
Q:1/4=180
%R:Reel
K:D
B|A3d B2dB|AD (3FED AD (3FED |A3d B3c|dfeg fdd :|
e|f3a g2fg|eAcA eAcA|fefa g2fg|afge fdd :|

%%%
X:638
%
%
%
T:CROWLEY'S #1 (reel) (2) 
S:S: CRE.1
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:D
dB||AFdA B2dB|ADD2 ADD2|AFAd BGBc|d2eg fddB|
AFdA B2dB|ADD2 ADD2|AFAd BABc|d2eg fdd||
e|fafa g2fg|eAcA eAcA|Aff2 g2fg|afge fdde|
fgfa g2fg|eAcA eAcA|Aff2 g2fg|afge fdHd2|]

%%%
X:639
%
%
%
T:CROWLEY'S #2 (reel) (1) 
S:S: BSMI.3
Z:Z: ABC/arr. BB
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:D
fdd2 edBc|dBcA BFFA|B2dB AFDF|GEFD EB, B,2|
fdd2 ecc2|dBcA BFFA|B2dB AFDF|GBAG FDD2 :|
d2dc dAFA|BGBd cAA2|BGAF GEFD|EFGE FDDA|
dAA2 dAFA|GBGd cAA2|B2AF GBAF|EFGE FDD2 :|

%%%
X:640
%
%
%
T:CROWLEY'S #2 (reel) (2) 
Z:Z: ABC/arr. BB
S:S: FS3.16b
M:4/4
L:1/8
Q:1/4=180
%R:Reel
K:D
e|fedf edBc|dBBA BAFA|B2dB AFDF|GEFD EDB,e|
fedf edBc|dBBA BAFA|B2dB AFDF|EFGE FDD ||
A|d2de dAFA|BGBd cAA2|B2AB GAFG|EFGE FDFA|
d2de dAFA|BGBd cAA2|B2AB GAFG|EFGE FDD2|]

%%%
X:641
%
%
%
T:CROWLEY'S RECOLLECTION (jig) 
S:S: GSTC
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig
M:6/8
K:G
E|DGG GAG|FEF D2c|BAB GBd|cAG FDC|
DGG GAG|FEF D2c|ded cAG|AGF G2 :|
B|d2g fdc|ded cAG|dge dcA|GFG ABc|
def gfg|agf g2e|ded cAG|AGF GA :|
"^coda"AGF HG3|]

%%%
%%%
X:642
%
%
%
T:CRUACHA GORMA (hornpipe)
S:S: Treoir
Z:Z: ABC/arr. BB
% Repeats added
Q:1/4=150
M:4/4
L:1/8
%R:hornpipe
K:G
%swing .25
F|G2BG FADF|GBef gedB|AEEB cABG|A2GE D2DF|
G2BG FADF|GBef gedB|A2fe cFAF|A2FE G3:|
%
d|e2fd edBd|e2fd B2A^c|d2ec dAFG|AFGE D2DF|
G2BG FADF|GBef gedB|A2fe cFAF|A2FE G3:|

%%%
X:643
%
%
%
T:CRUGAMORE STRATHSPEY* 
S:S: NFID.194a < DOD ("untitled strathspey")
Z:Z: ABC/arr. BB
% I changed source spelling "Cruihagmore" to "Crugamore" as being easier to spell and 
% pronounce! This tune is almost identical to a reel called "The Watchmaker"
Q:1/4=140
L:1/8
M:C|
%R:hornpipe
K:Ador 
%%text source key = F
%%vskip .3in
B|cAAc BGGB|cAAB cdec|cAAc BGGB|cA BG EAA:|
B|c2ec gcec|G2BG dGBG|c2ec gced|eaag eaab|
geeg fddf|ecce dBGB|1 ABcd e2ed|cABG EAA:|
%%stretchlast 0
[2 ABcd efab|geeB A4|]
%


%%%
X:644
%
%
%
T:CRUISCÍN LÁN, An
S:S: OFHC35.04 (as "Crooskeen Lawn")
Z:Z: ABC/arr. BB
% Definitely a song. Title (in various spellings) means "full little jug".
L:1/8
M:2/4
K:Am
EE|A^GAB|c2BA|^GABG|E2EE|\
A2BB|c2dd|e2ze|ecce|
g2ee|dB^GB|d2ed|cBA^G|\
A2^G2|ABcd|e4|a3e|edcB|cBA^G|A4 ||
c>dce|g>ec2|d>ede|d>BG2|A>Bcd|eaa2|a2^g2|a4|
g>ece|g2g2|d>BGB|d2dB/B/|\
A>Bcd|eaa^g|a2^g2|a2af|e>dcB|cBA^G|A4||

%%%
X:645
%
%
%
T:CRUISKEEN LAWN 
S:S: ONMI.0254< J.O'Neill
% Note irregular 10/6 structure. 
Z:Z: Brennan/Black  
N:N: "Cruiscín" and variations mean "little jug". "Lawn" = "lán" = "full"
M:C
L:1/8
K:Am 
%%text "with expression"; source key = Gm
%%vskip .3in
A/^G/|EAAB c2Bc|dcBA G3E/D/|EAAB cBcd|e6 ze|ecce g2fe|
dcBc d2cd|edcA e2E2|A2B2 c2cd|edcA e2E2|A6||
A/B/|cBce geg2|dBGB dBd2|edcA e2E2|A2B2 c2cd|
eaed c2B2|A6z|]

%%%
X:646
%
%
%
T:CRUISKEEN LAWN 
S:S: CGI.013
Z:Z: ABC/arr. BB
L:1/8
M:4/4
K:Am 
%%text "moderato"
%%vskip .3in
D|EAAB c2Bc|dcBA ^G2zE|EAAA cBcd|e6e2|
ecce g2fe|dcBc Hd2 cd|edcB e2E2|
A2B2 c2cd|edcB e2E2|A4-A4 |]

%%%
X:647
%
%
T:CRUISKIN (An)
S:S: WSGM.088 < J.O'Neill
Z:Z: Kinder/Black   
M:4/4
L:1/8
Q:1/4=120
K:G
Bc|d2de dBAB|d2de d2BA|Beee efge|defa g2 g2|
abag fagf|egfe d2 BA|Beee egfe|defa g2 eg|
edcB AcBA|G2 GG G2||

%%%
X:648
%%musicspace 0.5in
%%titlespace 40
%%printtempo 0
%%titleleft
%%textfont Palatino Bold 16
%hide_information_labels
%%titlefont Palatino Bold 22
%%subtitlefont Palatino Bold 18
%%composerfont Palatino Bold 16
%%historyfont Palatino Bold 16
%%partsfont Palatino Bold 16
%add_all_playback_links 25 0 0 fluid
%add_all_playback_volumes 64 80
%%staffsep 70
%
%
T:CRUIT ISLAND REEL* 
S:S: NFID.188c < DOD  ("untitled reel")
Z:Z: ABC/arr. BB
L:1/8
M:C
%R:reel
Q:1/4=180
K:Em 
D|E2BE GABe|E2BG FDDF|E2BE GABG|FdAd FBAF|
E2BE GABe|E2BG FDDF|EFGE FGAF|GdBG FDDF||
EeeB GBAF|EddA FAFD|EedB cABG|FDFA dAFD|
EeeB GBAF|EedA FDDF|Eege fde^c|d^cBA FDDF||\
"^coda"HE4z4|]

%%%
X:649
%
%
T:CRUSHING THE TWIGS (reel) 
S:S: CRE.2
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D 
E|FDD2 FDGE|FDDF EDEG|FDD2 FDEF|G2 BG EFGE|
FDD2 FDEG|FDD2 EDEG|FDD2 FDEF|G2BG EFG||
%
B|A2 Ad BGAF|DFAF EFGB|A2Ac BGAF|G2BG EFGB|
A2 Ad BGAF|DFAF EFGB|A2Ac BGAF|G2BG EFG||
%
g|fdd2 fdeg|fdd2 edeg|fdd2 fdef|g2 bg efge|
fdd2 fdeg|fdd2 edeg|fdd2 fdef|g2 bg egf||
%
e|d2Ad BGAF|DFAF EFGB|A2Ac BGAF|G2BG EFGA|
d2Ad BGAF|DFAF EFGB|A2Ac BGAF|G2BG EFGA||"^coda"D4z4|]

%%%
X:650
%
%
%
T:CRY OF GALLEN, The
S:S: CGI.116
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:3/4
K:G
%%text "slow" 
%%vskip .3in
GE|E2 E2 GE|E4 GA/B/|c4 BA|B4 GA|
B2 e2 e2|ed cB AG|A4 BG|A4 GA|
B2 e2 e2|ed cB AG|E4 EF|G4 G/A/B/d/|e6|
ed cB AG|A3 BGE|^D4 E>F|E6 |]

%%% %%% %%%




X:651
%
%
T:CUBAN (polka), The  
Z:Z: ABC/arr. BB
S:S: JOL.007
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:G
d/B/|:A2 BA|A/B/c/A/ d2|E>D G/E/D|E>D G/E/D|
A>A BA|A/B/c/A/ d2|E/F/E/D/ GE|1 D2 DE/G/ :|2 D2 D ||
|:d/c/|BD BD|BD c>B|AA/G/ AG|FA dd/c/|
BD BD|BD c>B|A/B/A/G/ F/D/E/F/|G2 G :|

%%%
X:652
%
%
T:CUCKOO (air), The 
S:S: WSGM.031 < Miss Lucy Ray
Z:Z: Kinder/Black 
M:3/4
L:1/8
K:A
%%text "Moderato"
%%vskip .3in
C2|F2 F2 EC|FF F2 G2|B2 B2 GF|E4 C2|
F2 F2 EC|F2 F2 EC|F2 A2 B2|c4||
cB|A2 A2 ec|B2 B2 cB|A2 A2 GF|E4 C2|
F2 F2 EC|F2 F2 c2|cB A2 G2|F3-F3||

%%%
X:653
%
%%staffsep 70
T:CUCKOO HORNPIPE (1), The 
S:S: AIF
Z:Z: Brennan/Black 
%[1] dotted rhythm in source
%[2] Slightly different from the usual version heard today.
%[3] Source m.4 = |(3ABA (3GFE D2dc|
%[4] If you can possibly get the high C, go for it - really makes this a 
% unique tune! (If however you can't get up that high, play /a2ga/ instead.) 
Q:1/4=150
M:C|
L:1/8
N: 
%R:hornpipe
K:G
%swing .25
dc|BGDG cAFA|d^cde dBGF|EdcB AGFG|A2GE D2dc|
BGDG cAFA|d^cde dBGF|EdcB AGFA|1 G2B2G2:|2 GABd gfg||
|:a|bgfg dgBg|bgfg dgBg|=c'aga eaca|=c'aga eaca|
bgfg dgBg|bgfg dgBg|b2a2 g2fg|1 "^thru"egfa gfg:|
%%stretchlast 0
[2 "^coda"egfa gedc|B2A2HG4|]
%


%%%
X:654
%
%
T:CUCKOO HORNPIPE (3), The 
Z:Z: ABC/arr. BB 
Q:1/4=160
L:1/8
%R:hornpipe
M:C|
K:G
%swing .25
dc|BGBd cBce|d2 ge dBGF|E2 cB AGFG|A2FE DEFA|
BGBd cBce|d2 ge dBGF|E2 cB AGFG|A2EF G2:|
ga|bgg2 dgBg|bgg2 dgBg|[c'c][Aa] [A2a2] eaca|[c'c][Aa] [A2a2] eaca|
bgg2 dgBg|bgg2 dgBg|abga fgef|1 dedc B2:|2 d2ef g4|]

%%%
X:655
%
%
T:CUCKOO HORNPIPE* (2), The
T:Dublin Hornpipe 
Z:Z: ABC/arr. BB
S:S: CRE.2 < S.Ennis
L:1/8
M:C
%R:hornpipe
Q:1/4=150
K:G
%swing .25
GA|BGBd c2cA|d^cde dBGF|E2cB AGFG|AGFE D2dc|
BGDG cAFA|d^cde dBGF|EdcB AGFG|AGGF G2:|
%
ga|bgg2 dgBg|bgg2 dgab|c'aa2 eac'a|c'aa2 eac'a|
bgg2 dgBg|bgg2 dgBg|A2 ga fgef|1 decd Bd:|\
[2 dfef g4|]

%%%
X:656
%
%
T:CUCKOO IN THE GLEN (jig), The 
C:Sean Quinn 2015
S:S: composer
Z:Z: ABC/arr BB   
%R:jig
Q:1/4=160
M:6/8
K:G
b|gdc BAG|DGB AGE|GBd cde|dBG A2f|
gdc BAG|DGB AGE|GBd cec|dcA G2 :|
b|g2 d/e/ dBd|edB deb|g2 d/e/ dBd|edB A2b|
g2 d/e/ dBd|edB AGE|GBd cec|dcA G2:|

%%%
X:657
%
%
T:CUCKOO REEL, The
C:Sean Quinn 2015
S:S: composer
Z:Z: ABC/arr BB    
%R:reel
Q:1/4=180
M:C|
K:G
ef|gedB AGEG|DEGB AGEF|GABd ABce|dBAB A2Bd|
gedB AGEG|DEGB AGEF|GABd cdec|dBAB G2 :|
Bc|degb g2 ~d2|edce dBAB|degb g2 ~e2|dBAB A2Bc|
degb g2 ~d2|edce dBAB|GABd cdec|dBAB G2:|

%%%
X:658
T:CUCKOO'S NEST (hornpipe) (8 settings)
%
%hide_rhythm_tag
%hide_cautionary_ks
%
%%vskip 30
%%text [1] source: GSTC
Q:1/4=150
M:C
K:G
%swing .25
dc|B2A2 GABd|gdBG c2 dc|B2A2 G2 dc|BGdB A2 dc|
B2A2 GABd|gdBG c2 dc|B2AG FGAc|B2GF G2 :|
%
Bc|dBGB dBGB|d2cA G2 AB|cA=FA cAFA|c2_BG F2=Bc|
G2Bd gabg|afdB c2 dc|B2AG FGAc|B2GF G2 :|
%
Bd|g2 gf gabg|afd^c d2 de|fede fgaf|gfdB c2 BA|
G2 Bd gabg|afdB c2 dc|B2AG FGAc|B2GF G2 :|
%%vskip 30
%%text [2] source: CRE 3
A2|B2BA GBdf|gfdB c2dc|B3G FGAB|c2A2 A2dc|
BcBA GBdf|gfdB c2dc|B3G FGAc|B2G2 G2:|
%
Ac|dggf gabg|afdc d3e|=f2fe fgaf|gfdB c2dc|
BGBd gabg|afdB c2dc|B3G FGAc|B2G2 G2:|
%
Ac|dBGB dBGB|dcBA G2AB|cA=FA cAFA|cBAG =F2BA|
GABc dgg2|bgdB c2dc|B3G FGAc|B2G2 G2:|
%%vskip 30
%
%%text [3] source Roche 3 #170
dc|BABG gabg|afdB cedc|BABG FGAB|c2A2 A2dc|
BABG gabg|afdB cedc|BABG FGAc|B2GF G2:|
%
Bc|dBGB dBGB|dcBA G2AB|cAFA cAFA|cAGF G2dc|
BABG gabg|afdB cedc|BABG FGAc|B2GF G2:|
%
Bc|d2gf gabg|afdc d2de|=f2 fe fgaf|g=fdB c2dc|
BABG gabg|afdB cedc|BABG FGAc|B2GF G2:|
%%vskip 30
%%text [4] source ONMI #1734
dc|BABG GBdg|fdcB cedc|BABG FGAB|c2A2 A2dc|
BABG GBdg|fdcB cedc|BABG FGAc|B2G2 G2:|
%
Bc|dBGB dBGB|dcBA G2AB|cAFA cAFA|cBAG F2BA|
GABc d2g2|fdcB cedc|BABG FGAc|B2G2 G2:|
%
Bc|dggf gabg|afd^c d2de|=fede ^fgaf|gfdB cedc|
BABG GBdg|fdcB cedc|BABG FGAc|B2G2 G2:|
%%text
%%vskip 30
%%text [5] source BBMG ("composite version")
dc|BcBA GBdg|ecAB c2dc|B2BG FGAB|c2A2A2 dc|
B2A2 GABd|gdAB c2dc|B2AG FGAc|B2G2G2:|
%
Bc|dBGB dBGB|d2BA G2 AB|cAFA cAFA|c2AG F4|
GABc dgfg|afdB c2 dc|B2AG FGAc|B2GF G2:|
%
Bc|dggf gaba|gfd^c d2 de|f2fe fagf|eccB c2dc|
B2A2 GBdg|ecAB c2dc|B2AG FGAc|B2G2G2:|
%%text
%
%%vskip 30
%%text [6] source ONMI #1733
GA|BGEG BGEG|BAGF E2FG|AFDF AFDF|AGFE D2EF|
GFGE g2fe|dBGB d2cB|AGFE DEFA|G2E2 E2:|
GA|B2e2 efge|d2B2 B2dB|ABde faef|d2A2 A2z2|
B2e2 efge|dBGB d2cB|AGFE DEFA|G2E2 E2:|
%%text
%
%%vskip 30
%%text source [7] MFC #96
Bd|e2ef efge|dBBA B2dB|ABde fgfe|dBBd A2 (3Bcd|
e3f g2fe|dBBA Bcdc|BAGB AcBA|GEED E2:|
EG|BGEG BGEG|BAGF E2GE|DFAB A2FA|dBAF D2EF|
GFGA Bdgd|ABBA BcdB|ABB2 AcBA|GEED E2:|
%%vskip 30
%%text [8] source JOL #33
K:D
%swing .25
AG|F2 GE F2 ED|dcAG A2AB| cBAB cdec|dcAF GFAG|
F2 GE F2ED|dcAG A2AG|F2 EG DFAF|E2D2D2 :|
(3ABc|d2dc defe|dcAG A2AB| cBAB cdec|dcAF GFAG|
F2 GE F2ED|dcAF GFAG|F2 EG DFAF|E2D2D2 :|
%%text
X:666
%
%
T:CUCKOO'S NEST (reel), The
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
%R:reel
K:Amix
ed|c2B2 Acec|aecA d2cd|ecdc Bced|cAec Bfed|
c2 B2 Acec|aecA d2cd|ecdc Bfed|cAAG A2||
%
ce|a2af abc'a|beed e3f|g2ef gbag|fddd dfed|
c2B2 Acec|aecA d2 cd|ecdc Bced|cAAG A2 ||
%
Bd|e3c A2 Bd|efec A2Bc|dBGB dBGB|dBGG G2FG|
Aeef ed B2|Aeec d2 cd|ecdc Bced|cAAG HA4 |]
%
% Interesting re-casting of a hornpipe as a reel!

%%%
X:667
%
%
T:CUIL AODHA (jig), The
T:Coolea
S:S: "Traditional Irish Music" (K.Tweed) (folder 38)
Z:Z: ABC/arr. BB
% Title is pronounced "koo-LAY" in both English and Irish
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
%%text source key = A
%%vskip .3in
d|gdB cAF|G3 B2 c|dcB cAG|FDD cBA|
G3 GFG|AGA fga|gfd cAd|GAG GB :|
d|g2 g gfg|ade fga|gfd c2 d|cAG FGA|
g2 g gfg|ade fga|gfd cAd|G3 GA:|\
"^coda"G3 HG3|]
%


%%%
X:668
%
T:CUILCAGH MOUNTAINS (reel), The
C:© E.Reavy
S:S: "Ed Reavy Collection"
% [1] Another tune that suffers from "F ambiguity". I'm treating all accented F's as 
% natural but I have no idea if that's what Reavy intended.
% 
% [2] I have a feeling that Reavy intended this to be an A1-B-A2 tune, but whoever 
% did the notation didn't use the segno correctly so I'm not sure. You'd probably be 
% OK with playing this as a straight AA-BB tune with a long G at the end, per my 
% arrangement of the second ending.
Z:Z: McKenty / Black 
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:G
%%text "allegro moderato"
%%vskip .3in
DF|G2AG =FDCD|G2Ac defg|agfa gfdc|AcAG =FGAF|
G2dG =FDCF|G2Ac defg|agfa gfdc|AGFA G2:| 
ef|g2ag fdcd|=fefg fdcd|=fgag fdcA|
GBAF DGG2|gfag fdcd|cdfa g2fg|
agfa gbag|1=fefg fd:|2=fefg fdcA|HG4z4|]
%


%%%
X:669
%
%
T:CUILIN HOUSE (reel), The 
C:J.O'Sullivan
S:S: composer
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:D
DFAF dBAF|DFAF BFAF|DFAF dBAF|GBFB E3F|
DFAF dBAF|DFAF BFAF|GE E2 FD D2|EA, A,2 EFGE :|
af f2 bf f2|afef eB B2|af f2 bf f2|ebfb e3b|
af f2 bf f2|afef eB B2|dfaf bfaf|egfe d4 :|
%
% Piper Jerry O'Sullivan is our friend of long standing who is a 
% composer as well as instrumentalist. This particular tune is named 
% for a place in Dublin that he recalls fondly. Some of Jerry's other 
% tunes are in these files as well.

%%%
X:670
%
T:CUILLINN UI CHAOIMH (jig) 
S:S: Treoir
Z:Z: ABC/arr. BB
N:N: title = "O'Keeffe's something or other"
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:D
F|BdB BAF|Add dFA|BdB BAF|AFE E2A|
B3 BAF|Add dAF|G3 FAF|EDE D2 :|
E|DFA d3|dfd ecA|g3 fdB|AFA B3|
Adf a2 a|baf a2 f|gfe fdB|AFA B2||
g|fdd d3|dfd ecA|g3 fdB|AFA B3|
Adf a3|baf a2 f|gfe fdB|AFA HB3|]

%%%
X:671
%
%
T:CUISLE MO CHROI 
S:S: CGI.092 (as "Cuishlih Ma Cree")
% Title = "Pulse of My Heart". 
Z:Z: ABC/arr. BB 
L:1/8
M:6/8
K:Em 
%%text "andante malancolico"
%%vskip .3in
GEF G3|GFE F3|E2A B2A|G2E F3|
GAG G3|GFE F3|E2c B2A|G2E E2 ||
f|g2d e^de|g2d e^de|g2c BAG|^GAA A=GF|
GEF G3|GFE F3|E2A B2A|G2E F3|
GAB G3|GFG F2D|E2c B2A|G2E HE3|]
%

%%%
X:672
%
%
T:CULFADDA (reel), The 
N:N: a/k/a/ Killfodda, Cruel Father
C:Larry Redican
N:N: Culfadda (Co. Sligo) is the birthplace of the composer's mother.
Z:Z: ABC/arr. BB
S:S: BSMI.4
L:1/8
%R:reel
M:C
Q:1/4=180
K:G 
GA|BedB A2BA|GEAG EAGE|DB,B,2 DEGA|BGG2 ABcA|
BedB A2BA|GEAG EAGE|DB,B,2 DEGA|BdAF G2 :|
Bc|d2dB cBAF|G2BG AGEG|DGG2 DGG2|cBAG EAAc|
BGdG eGdG|edef gdBG|DGG2 DGBe|dBAB G2 :|
%


%%%
X:673
%
%
T:CULLEN SLIDE #2*, The 
S:S: CRE.2 (unnamed)
Z:Z: ABC/arr. BB
L:1/8
M:12/8
%R:slide
Q:1/4=180
K:G
B|d2g B2d G2B AGB|A2G ABd e2d B2d|
d2g B2d G2B AGE|A2G ABA G3 G2:|
B|A2G ABd e2d B2d|A2G ABd e2d B2d|
d2g B2d G2B AGB|A2G ABA G3 G2:|

X:674
%
T:CULTURLANN JIG, The
C:Sean Quinn 2006
S:S: composer
Z:Z: ABC/arr BB  
%R:jig
Q:1/4=160
M:6/8
K:D
dB|AFD EDB,|DED DdB|AFD EDB,|EFE EFG|
AFD EDB,|DFA d2e|1 fed BdB|AFE E :|
[2 fed cBA|B3 BFA||:BcB BAF|ABc d2B|
AFE EFA|BGE EFA|BcB BAF|ABc d2e|
[1 fed cBA|B3 BFA:|2 fed edB|AFD D3 |]

%%%
X:675
%
T:CUMAR NA CATHRACH (reel)  
S:S: RC3.075
Z:Z: ABC/arr. BB
N:N: Not sure what the Gaelic means - 'Low Road to the City"? This is a version 
N:of "Castle Kelly".
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Ador
G|A2cA ABcA|GEDE GEDE|A2 cA ABcd|efec dBA:|
g|agec d2 cd|edcA G3A|agec d2 cd|eaab aged|
agec d2 cd|edcA G3G|A2 cA ABcd|efec dcAG||\
"coda"A4z4|]
%


%%%

X:676
%
T:CUMBERLAND LADS (jig), The
S:S: arr. of ONMI #157 "Boys In The Gap" 
Q:1/4=160
%R:jig
Z:Z: Brennan/Black  
M:6/8
L:1/8
K:Edor
B,|EFE GAG|F2E DEF|EFE efe|d2c B2c|
ded dcB|A2G FGA|BAG FGA|G2F E2 :|
B|efe gag|f2e def|efg bag|fdc B2c|
ded GAB|A2G FGA|BAG FGA|G2F E2 :|

%%%
X:677
%
T:CUMBERNAULD HOUSE (jig)  
S:S: NCIT.13b
Z:Z: ABC/arr. BB
L:1/8
M:6/8
%R:jig
Q:1/4=160
K:A
%%text source key = D
%%vskip .3in
c|dfd cec|BAB cAF|EFA Adc|BAB cAF|
dff cee|BAB cAF|EFA BAB|cAA A2:|
%
z|agf edc|dfd ecA|agf edc|fdB B3|
agf edc|dfd ecA|EFA BAB|cAA A2:|
%
z|Ace Ace|Adf Adf|Ace Ace|fdB BAF|
Ace Ace|Adf Adf|EFA BAB|cAA A2:|

%%%

X:678
%
T:CUMMALUM (slip jig) 
S:S: CNIM.42 
Z:Z: ABC/arr. BB
% Alternate spelling "Cummilum". I'm guessing it's a phonetic version of 
% "Is Cuma Liom" (= "it's all the same to me!") Variations omitted here.
Q:1/4=160
M:9/8
L:1/8
%R:slip jig
K:D
E|A2d FDF FDF|A2d FDF G2E|A2d FDF FDF|
BAB G2F G2 :|E|D2d AGF AGF|D2d AGF G2E|
D2d AGF AGF|BAB G2F G2 :|e|d2f agf agf|
d2f agf g2e|d2f agf agf|bgf e2f g2 :| 
e|abg fdf fdf|abg fdf g2e|abg fdf agf|
gfg e2f gf :|e|dfe dAF dAF|dfe dAF GFE|
dfe dAF dAF|BAB E2F GF :|E|DFF dFF AFF|
DFF dFF GFE|DFF dFF AFF|BAB E2F GF :|\
"coda"HD6z3|]
%


%%%
X:679
%
T:CUMMILUM (slip jig) 
S:S: JCIT.07b
C:arr/ABC BB
Q:1/4=160
L:1/8
M:9/8
%R:slip jig
K:D
AGF F2F F2F |AGF F2F F2F |
AGF F2F F2F |E/F/GE E2F G2E :|
DEG A2F A2F |DEG A2F G2E |
DEG A2F A2F |EFE E2F G2E :|
DFA dAF dAF |DFA dAF G2E |
DFA dAF dAF |EFE E2F G2E :|
"coda"D6z3|]
%

%%%
X:680
%
T:CUNNINGHAM'S FANCY (reel) 
S:S: ONMI.1290 < Tuohy
Z:Z: Brennan/Black 
Q:1/4=180
%R:reel
M:C|
L:1/8
K:A dorian
BA|GEE2 cdef|gedB cAAz|GEE2 cdef|gedB c2:|
cd|efg2 eaaf|gedB cAA2|efg2 eaab|[ac']bag a2gf|
[1 efg2 eaaf|gedB cAA2|GEE2 cdef|gedB c2:|
[2 c'abg agef|gedB cAA2|GEE2 cdef|gedB Hc4|]
%
% Close relative of "Kerryman's Daughter", "Fisherman's Lilt"

%%%
X:681
%
T:CUP OF GOLD, The 
S:S: ONMI.0460 < J.O'Neill
% Note 10 measures in part 2.
Z:Z: Brennan/Black  (arr.)
M:6/8
L:1/8
K:G
%%text "Moderate"
%%vskip .3in
G2A|B2B B2G|A2G E2B/d/|e2d d2B|G3-G2G/A/|
B2B B2G|A2G EGE|D2E G2G|G3||
d>ef|g2e f2d|e2d B2B/c/|d2e d2B|d3 d>ef|
g2e f2d|e2d B2A/G/|E2G G2A|B3A2G|G3 E2D|G3-G3|]

%%%
X:682
T:CUP OF TEA (reel) (4 settings), The
%%vskip 30
%%text [1] source CRE.2
%%vskip 30
L:1/8
M:C
%R:reel
Q:1/4=180
K:D
BAGF GFef|gebe geec|BAGF GFEF|gdAG FDDA|
BAGF GFef|gebe geec|BAGF GABc|dBAG FDDc||
d2eg fdeA|d2eg gdBd|d2eg gfeA|BdAG FDDc|
d2eg f2eA|dfaf g2fg|afge fdeA|dBAG FDD2:|
%%text
%%vskip 30
%%text [2] source  DMI #792
K:D
A|BAGF GEEF|GEBE GEEA|BAGF GEEG|FDAG FDDA|
BAGF GEEF|GEBE GEEA|BAGF GABc|dBAG FDD||
%
A|d2eg fdec|d2eg fBBc|d2eg fdec|dBAG FDDA|
d2eg fdec|dfaf g2fg|afge fdec|dBAG FDD||
%
G|FAdA FABA|FAdA FEEG|FGdA FABc|dBAG FDDG|
FAdA FABA|FAdA FEEe|f2ec dBAF|GBAG FDHD2|]
%
%%text
%%vskip 30
%%text [3] source DMWC.107
BAGF GEDE|GEBE GEE2|BAGF GEE2|gebg FDD2|
BAGF GEDE|geBE GEDE|BAGF GBB2|dcAG FDD2|
BAGF GEDE|geBE GEDE|B2BA G2AG|FDD2 ADD2|
BAGF GEDE|E2DF GEE2|BAGF GBB2|dBAG FDD2||
%
d2eg fdec|dfeg fBB2|d2eg fdec|dcAG FDD2|
d2eg fdec|dfaf g2fg|afge fdec|dcAG FDD2 :|
FAA2 FAA2|A2A2 BEE2|FAA2 FABc|dcAG FDD2|
FAA2 FAdA|FAdf feeg|fdec dBAF|ge AG FDD2 :|
%%text
%%vskip 30
%%text [4] source FS2.23a
A|BAGF GEEF|GEBE GEE2|BAGF GEEG|FDAG FDD2|
BAGF GEEF|GEBE GEEA|BAGF GABc|dBAG FDD :|
%
e|d2eg fdec|d2eg fBBc|d2eg fdec|dBAG FDD2|
d2eg fdec|dfaf g2fg|afge fdec|dBAG FDD :|
%
E|FAdA FABA|FAdA FEE2|FAdA FABc|dBAG FDD2|
FAdA FABA|FAdA fee2|f2ec dfec|dBAG FDD :|
%%text

%%%
X:686
%
T:CURIOUS CAT (jig), The
S:S: "The Open Door" (Sean Nua 1993)
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:E dorian
D|E2G BAB|dBA B3|D2B dcd|AFD FGA|
E2G BAB|dBA B3|D2B dcd|AFD E2:|
A|B2d ede|fed fed|B2c dBA|Bde dBA|
B2d ede|fef afd|edB AFA|BEE E2:|

%%%

X:687
%
T:CURLEW HILLS (hornpipe), The 
T:Glenbeigh Hornpipe
C:J. Gannon
Z:Z: ABC/arr. BB
S:S: Mally.VIST:096
Q:1/4=150
M:4/4
%R:hornpipe
K:G
DE|GABc dgfa|g2B2 d2ed|ceAB c2dc|BdGA BDEF|
GABc dgfa|g2B2 d2cB|ceAB cAFG |A2GF G2 :|
A/B/c|d2b2 c2a2|Bggf gdBG|FGAB cAFA|GABc dBc^c|
d2b2 c2a2|Bggf gdBG|FGAB cAFG |A2GF G2 :|

%%%

X:688
%
T:CURLEWS (reel) (a), The
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy1.42
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:A dorian
AG|EAAG AdBG|EGFG EG D2|EA A2 ABcd|e2 de gedB |
A2 AG AdBG|EGFG EG D2|EA A2 GABd|efgd BA :|
cd|ea a2 bgaf|gefd edBG|A2 BA GEDG|EAAF GABd |
ea a2 bgaf|gefd edBG|A2 BA GEDG|EAAG A2 Bd ||
ea a2 bgaf|gefd edBG|A2 BA GEDG|EAAE GABd |
eagb aged|gedB GABG|A2 BA GEDG|EAAG A4 |]

%%%

X:689
%
T:CURLEWS (reel) (b), The 
C:Josephine Keegan
D:D: "Return to Inis Moir" (J. Derrane)
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:Am
%%text source key = Bm
%%vskip .3in
eAA2 ABcd|edBd g3d|egdc BGG2|BGBd g2ag|
eAA2 ABcd|edBd g3e|f3d e3d|cBAG EAA2:|
AcBc AEE2|CEE2 ABce|dBAB GDD2|B,DD2 cded|
AcBc AEE2|CEE2 ABce|c2Bc ecdB|cBAG EAA2:|

%%%
X:690
%
T:CURLY LOCKS 
S:S: ONMI.0436 < F.O'Neill
Z:Z: Brennan/Black  (arr.)
M:C
Q:1/4=120 
L:1/8
K:G
%%text "moderate"
%%vskip .3in
G>E|D>EGA B>AGA|Bdef g3e|dBAB G2AB|cBAG E2GE|
D>EGA BAGA|Bdef g3e|d>BAG A>cBA|G2G2G2||
GA|Bdef g3a|bgfe d3e|dBAG G2AB|cBAG E2GE|
D>EGA BAGA|Bdef g3e|d>BAG A>cBA|G2G2G4|]

%%%
X:691
%
T:CURLY MIKE (reel) (1) 
T:Piper's Despair
S:S: CRE.3
Z:Z: ABC/arr. BB
N:N: CRE has this tune in D minor, which would certainly result in a lot of desperate 
N:pipers!
%R:reel
L:1/8
Q:1/4=180
M:C
K:Em 
EFGA BAFA|BdAc dBAF|D2FD ADFA|Bddc dBAF|
EFGA BAFA|BdAc dBAF|D2FA dfaf|gfed Bee2:|
e2fe begf|efga baaf|d2gd adfe|dfaf edBd|
e2fe begf|efga bafe|d3f abaf|gfed Bee2:|
%


%%%
X:692
%
T:CURLY MIKE (reel) (2)
T:Piper's Despair 
S:S: WSGM.277 < Rice-Walsh manuscript
Z:Z: Kinder/Black 
N:N: Repeats added.
M:4/4
L:1/8
Q:1/4=180
%R:Reel
K:Em
D|E2GE BEFA|BdAd BdAF|D2FD ADFA|BdAd BdAF|
E2GE BEFA|BdAd BdAF|D2FD ADFA|BdAd Bee :|
f|e2ge bege|bege bege|defg afdf|afdf afdf|
e2ge bege|bege bege|g2gf gbag|fgaf bee :|

%%%

X:693
T:CURRAGH RACES (reel) (4 settings)
%%vskip 30
%%text [1] source CRE.2
L:1/8
Q:1/4=180
M:C
K:Am
B|cAA2 BAGB|EAA2 dBGB|cAA2 BABc| dcBG EAAB  |
cAA2 BAGB|EAcA dBGB|c3A Bdge|dBGB cAA:|
B|c2ec gcec|c2ge dBGB|c2ec gcec|dBGB cAAB|
c2ec gce^f|g3e dBGB|c2cA Bdge|dBGB cAA:|
%
%%text
%%vskip 30
%%text [2] source DMWC #116
d|eAcA eAcA|G2G2 dGBd|eAcA eAcA|dBGB cAA2|
eAcA eAcA|G2G2 dGBd|c3A BGG2|dBGA BAA :|
B|c2eA gAeA|cege dBGB|c2eA gAeA|dBGA BAAB|
c2eA gAeA|cege dBGB|c3A BGG2|dBGA BAA :|
%%text
%
%%vskip 30
%%text [3] source ONMI #1276 
K:Adorian
a|e2cA eAcA|G2Bc dBGg|eAcA efge|dBGB cAAa|
eAcA eAcA|G2Bc dBGB|cBcA B2ge|dBGB cAA||
B|c2ec gcec|c2ge dBGB|c2ec gcec|dBGB cAAB|
c2ec gcef|g2ge dBGB|cBcA B2ge|dBGB cAHA2|]
%%text
%%vskip 30
%%text [4] source WSGM #268
K:Edor
BEE2 BEFE|D2FD ADFD|BEE2 BABc|dBAc BEE2|
BEE2 BEFE|D2FD ADFD|G2GE F2FG|AFDF GEE2||
G2BG dGBG|G2BG FADF|G2BG dcBG|FADF GEE2|
G2BG dGBG|G2BG FADF|GABc dcdB|AFDF GEHE2|]
%%text

%%%
X:697
%
T:CURSE THE LAWS THAT GAVE ME CAUSE 
S:S: ONMI.0396 < Hartnett
Z:Z: Brennan/Black  
M:C
L:1/8
K:Am
%%text "moderate"
%%vskip .3in
E2|A2AB cA^GA|cde^f g2ed|c2cA GEDE|G4z2E2|
A2AB cA^GA|cde^f g2e^c|d3=c A2A2|A6||
e^f|g2ed cdef|e2a^g a2b=g|e2dB A2GE|G6E2|
A2AB cA^GA|cde^f g2e^c|d3=c A2A2|A4-A4|]

%%%

X:698
%%staffsep 70
T:CUSACK'S JIG
T:Richard Cusack
N:This is a Carolan harp tune that struck me as making a pretty serviceable 
N:D-mix jig (with a few tweaks, of course!)
C:Carolan
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%R:jig
K:Dmix
A|"D"dcd def|"C"c2c cBA|"G"B2B BGB|"Am"cAG A2A|  
"D"d2d def|"C"c2c cAc|"G"BGB "Am"A2G|"D"FDC D2:|
z|"D"A2F "A"AB^c|"D"dAG FEF|"D"DEF "G"GAB|"Am"cAG A2A|
"D"d2d def|"C"c2c cAc|"G"BGB "Am"ABG|"D"FDC D2:|
%


%%%
X:699
%
T:CUSHENDUN POLKA #1
C:Sean Quinn 1991
S:S: composer
Z:Z: ABC/arr BB  
%R:polka
L:1/8
Q:1/4=120
M:2/4
K:D 
A/F/A/d/ BA|DE FE/D/|CE GF/E/|DB A2|
A/F/A/d/ BA|DE FE/D/|CB AC|ED DF/G/:|
Ad d>c|Be e>d|cb ac|e/d/c/B/ AF/G/|
Ad d>c|Be e>d|cb ac|d2 d2 :|

%%%
X:700
%
T:CUSHENDUN POLKA #2
C:Sean Quinn 1991
S:S: composer
Z:Z: ABC/arr BB   
%R:polka
Q:1/4=120
L:1/8
M:2/4
K:G
ga/g/ ed|Bd GA/B/|cE FA|A/G/F/E/ D2|
ga/g/ ed|Bd GA/B/|cE FA|AG G2 :|
DB B>G|Ec c>d|ed cF|AG DB,/C/|
DB B>G|Ec c>d|ed cF|G2 G2 :|

%%%
X:701
%
T:CUSTOM HOUSE JIG, The 
S:S: Treoir
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:D
A|BAF ADD|FDD ADD|BAF ADD|FED EFA|
BAF ADD|FDF d2 e|fed dcB|AGE DF :|
A|def d2 B|AFd AFA|def d2 f|ede fdB|
def d2B|AFA ABd|gfe fdB|AGE DF :|
"^coda"AGF GFE|D6|]
%

%%%
X:702
%
T:CUTTIE SARK (reel), The 
S:S: WSGM.285 < J.O'Neill
Z:Z: Kinder/Black  
M:4/4
L:1/8
Q:1/4=180
%R:Reel
K:G
D2|G2BA G2DB|G2BG dGBg|G2BA G2DB|cABG ADFA|
G2 BA G2 DF|GABc dGBg|bagf g2 Bd|cABG ADFA||
dc g2 dc g2|edBc dcBA|GABc de g2|edcB ADFA|
dB g2 dB g2|edBc dBdg|bagf egdb|caBg ADFA||\
"coda"HG4z4|]

%%%
X:703
%
T:CUTTING THE BENCH (reel)
C:Joe Liddy
Z:Z: ABC/arr. BB
% I replaced some awkward first/second endings in the 2nd part.
S:S: Liddy2.44
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:D
dB|AFF2 AFEF|DB,A,B, DEFA|B2dB ABde|dBAF E2dB |
AFF2 AFEF|DB,A,B, DEFA|B2dB ABde|dBAF D2DE |
FEFD EDEF|DB,A,B, DEFA|B2dB ABde|dBAF E2dB |
AFF2 AFEF|DB,A,B, DEFA|B2dB ABde|dBAF D2 ||
%
de|faa2 bafa|bf ef dbb2 |fB cA Bcde|fdec dbb2 |
faa2 bafa|bf ef dBAB|dff2 af ge|dBAF D2de |
faa2 bafa|bf ef dbb2|fB cA FEFA|B2AF ABde|
f2af bfaf|egfe dBAB |effg afae|dBAF HD4 |]

%%%
X:704
%
T:CUTTS OF DERRYAGHEY (march), The 
C:Sean Quinn 2015
S:S: composer
Z:Z: ABC/arr BB   
%R:march
Q:1/4=100
L:1/8
M:2/4
K:D
FE|D2 DE|F2 dc|B>A Bc|BA FE|
D2 DE|F2 dc|BA FD|E2 DE|
F2 A2|BA GE|FA Bc|d2 de|
f>e dB|AF DF|ED FE|D2 :|
de|f2 A2|d2 de|f>e dB|BA de|
f>e dB|AF DE|FD AF|E2 de|
fa ge|f2 fe|dB gB|BA de|
f>e dB|AF DF|ED FE|D2 :|

%%%

X:705
%
T:CUZ TEAHAN'S SLOW REEL 
C:Terry Teahan
S:S: IRTRAD
Z:Z: D.Dahl
D:D: "The Windy Gap" (L. Nugent 2000)
Q:1/4=160
M:4/4
%R:reel
L:1/8
K:G
E|D3E G3A|ABdB AGed|e2 dB GABe|d2 BG A2GE|
DB,DE G3 A|ABdB AGed|e2 dB GABe|d2AB G3 :|
e|dBde g2fe|dBAG EGGA|B2 AD BAAD|BAAG EGGe|
dBde g2fe|dBAG EGGA|B2 AD BAAG|BdAB G3 :|


%%% %%% %%%