ITTL "D" tunes
file created 5.20.25
= = = = = = = = = = =

# Entries preceded by %% are primarily for typesetting purposes. Disregard them.
# Tunes are not in alphabetical order.

%%subtitlefont “PalatinoBold” 18
%%titleleft
%%printtempo 0
%%titlefont "PalatinoBold" 22


X:1
T:D.G.LYNCH'S (reel) 
C:Kirk Lynch (KC)
S:S: MVBT < composer 
Z:Z: ABC/arr. BB
N:N: Kirk Lynch, composer of this nice reel, is a piper who lives and works in 
N:the Kansas City area. The tune is named for his father.
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:D
e|dcAG A3B|GEFG AFDE|F3G AGAB|gedc AFGA|
dcAG A3 B|GEFG AFDE|F3 G AGAB|Addc d3 :|
e|fedf ecAB|=cABG AFDE|F3 G AGAB|gedc AFGA|
[1 fddf ecAB|=cABG AFDE|F3 G AGAB|Addc d3 :|
[2 dcAG A3 B|GEFG AFDE|F3 G AGAB|Addc Hd4|]

%%%

X:87
T:DAN the MAN (polka) 
C:RM 6/14/16
N: RM note: Dedicated to Dan Stiechler, fine fiddler with the Nazareth session 
N:group here in Rochester, NY.
L:1/4
%R:polka
Q:1/4=220
M:4/4
K:G
B/A/|"G"G3/2 A/ B G |"C" E C E/G/F/E/ |"G" D G B/d/c/B/ |"Am" c A"D7" A B/A/ |$ %5
"G" G3/2 A/ B G |"C" E C E/G/F/E/ |"G" D G"D" A/G/ F |"C" G2 G:|
|:d| "C"e3/2 f/ g e |"G" d G"C" e G |"G" d G"C" e d/c/ |"A7" B A"D7" A B/A/ |
"G" G3/2 A/ B G |"Am" E A c d/c/ |"G" B/A/ G"D7" D G/F/ |"C" G2"G" G:|
%%%

X:88
%%staffsep 75
T:DAUGHTER'S DEVOTION (waltz), A
C:RM 8/8/23
N: RM note: Dedicated to Niamh Uib, devoted daughter of the late Séamus 
N:Mac Mathúna.
L:1/8
Q:1/4=120
M:3/4
%R:waltz
K:G
V:1 %treble nm="Violin I" snm="Vln. I"
V:2 %treble nm="Violin II" snm="Vln. II"
V:1
B2 |:"G" D2 G3 A |"G" B2 G2 BG |"Am" A3 B cA |"Am" E3 G FE |
"D" D2 F3 G |$"D" A3 ^G AB | "D7" cB Ae dc |"G" B3 G FE |
"G" D2 G3 B |"G" d3 ^c dg |"Am" e3 c Ac |"Am" E3 G AG |
"D" FA D2 dc |"G" Bd G2 AB |"D7" cA FD BA |1"G" G3 G FE :|2"G" G4|| 
%
V:2
D2 |:BA G2 D2 | GA B2 G2 | E2 E2 A2 | cB A2 AG | 
FA D3 E |F2 D2 F2 | A3 D EF | GA B2 D2 |
BA BA GF | GB dG AB | cA E2 EA |cB A2 c2 | 
A2 F4 | G2 B4 | AF Dc EF |1 G4-G2 :|2 G4 ||
%
V:1
[K:D]
|:FG|"D" AF A4 |"Em" BG B4 |"A" cd eA Bc |"D" df A4 |
"G" Bd cd GB |"D" Ad fd cd |"E" eB e3 d |"A" cd e4 |
"D" fd A4 |"A" ec A4 |"G" Bd e2 d2 |"F#" c6 |
"G" Bd ed cB |"D" Ad f2 d2 |"A7" cB Ag Bc |1"D" d4 :|2"D" d6 |] 
V:2
[K:D]%35
|:D2|FA DF AF | GB EF ED | EA c2 E2 | FA dc BA | 
GD B2 DG | FD A2 DF |^G3 B AG | AB cB A2 |
F2 AF DF | A2 ED EF | GB c2 B2 | ^AB cB A2 |
GB cB AG | FA d2 A2 | AG E2 A2 |1 D4 :|2 D6 |] 

%%%
X:89
T:DAWN of the DAY (waltz)
N: RM note: Dedicated to Dawn Minch Lewis, the best part of any day!
C:RM 9/15/23
L:1/8
Q:1/4=160
%R:waltz
M:3/4
K:G
"G"D3 D D2 |"G" D2 G2 F2 |"Am" E3 E E2 |\
"Am" A3 B AG |$"D7" F3 G A2 |
"D7" D2 E2 F2 |"G" G2 B2 e2 |\
"D7" d3 c BA |"G" G3 G G2 |
"G7" B2 A2 G2 |"Am" E2 A2 B2 |\
"Am" c4 Bc |$"G" d2 g3 f |
"G" gd B2 GB |"D7" A4 GF |\
[1"G" G3 F E_E :|2"G" G6 ||
"D7"A3 ^G AB |"D7" cA F2 A2 |\
"G" G3 F GB |"G" d6 |
"A7" A2 ^c2 e2 |"A7" g2 f2 g2 |\
"A7" a3 g fe |"D7" d2 e2 f2 |
"G" g3 f gd |"G7" B2 G2 AB |\
"Am" c3 B ce |"Am" a3 g fe |
"G" d2 g3 f |"G" gd B2 GB |\
"D7" A4 GF |"G" G6 :|

%
X:90
T:DAWN OF THE DIMPLES (waltz)
C:RM 3/11/19
N: RM note: Dedicated to fiddler Dawn Felice (Hodges) Jenkins – she has 'em!
L:1/8
Q:1/4=152
M:3/4
%R:waltz
K:D
de |"D" f2 d2 AG |"D" FG A2 dc |"Em" B3 d BG |"Em" E3 d cB |
"A7" A2 E3 F |"A7" G2 c2 B2 |"A7" A3 B AG |"D" F4 de |
"D" f2 d3 c |"D7" =c3 d ed |"G" BA G2 B2 |"Em" e3 f ge |
"D" fe d2 A2 |"A7" ed cA GE |"D" ED CD FA |"D" d6 ||
[K:G]
"G" BA G3 B |"Am" cd e4 |"D7" FA ce dc |"G" Bc d4 |
"C" cE c2 dc |"G" BD Gd cB |"A7" AB ^cg fe |"D7" d2 e2 f2 |
"G" gd B3 d |"Am" ec A4 |"B7" ag fB ^df |"Em" gf e4 |
"C" cg fg ec |"G" Bd gf ge |"D7" fd ^cd =cA |[I:MIDI gchordoff]"G"[GBdg]6 |] 

%%%
X:91
T:DAWN'S WELCOME GLOW (waltz)
C:RM 6/9/18
N: RM note: Dedicated To Dawn Rivera, truly delightful!
L:1/4
Q:1/4=160
M:3/4
%R:waltz
K:G
"G" G3 |"G" d2 G |"C" c3/2 d/ e |"D" d3 |"G" g d c |"Em" B3/2 A/ G |
"A7" A ^c e |"D7" f e d |"Am" c2 E |"Am" c3/2 B/ A |"G" B c d |"Em" B A G |
"Am" E3/2 A/ c |"G" B A G |"D7" D G F |"G" G3 ||"G" D2 G |"C" E2 G |
"G" D3/2 G/ A |"G" B A G |"C" c3/2 d/ e |"G" d g B |"A7" B3/2 A/ G |"D" d3 |
"C" e g e |"G" d B G |"C" e/f/ a/g/ f/e/ |"G" d B G |"Am" E3/2 A/ c |\
"G" B A G |
"D7" D G F |[I:MIDI gchordoff]"G"[GBdg]3 |]

%%%
X:92
T:DAWNING (waltz), The
C:Rick Muir 9/28/19
N: RM note: Dedicated to Dawn Minch Lewis, like the start of a new day!
L:1/8
Q:1/4=160
%R:waltz
M:3/4
K:G
%%text INTRO
"D" DD D4 |"D" EE E4 |"Dm" =FF F2 F2 |"D7" F2 !fermata!d2 c2 ||"G" B3 d BA |"G7" BA G2 G=F | %6
"C" E2 EG ce |"D" d4 ef |$"C" g3 f ed |"G" ed B2 GA |"Em" B2 Bd cB |"D7" A3 e dc |
"G" B3 d BA | "G7" GA BG AB |"C" cB cd ef |"Am" gf ag fe |$"G" dB G2 AB |"D7" dc AD EF |
"G" AG FG Bd |"G" g4 =f2 ||[K:C]"C" e3 d cG |"Dm" FA d3 e |"G7" fd BG AG |"C" EG c2 ef |
"C7" gc gf ec |"Dm" AG FA de |"G7" fd BG ed |"C" c6 |"C" GE G2 cB |"Dm" AF Ac BA |
"G7" GA Bc d2 |"C" ce ae g2 |"C7" eG dG c_B |"Dm" Ad fA BA |"G7" GB df AB |[I:MIDI gchordoff]"C" [CEGc]6|]

%%%
X:93
T:DEAN of the FLUTE (reel)
C:RM 12/4/21
N: RM note: Dedicated to Debbie Dean, Super Flutist!
L:1/8
Q:1/4=200
%R:reel
M:4/4
K:G
D2 |\
"G"G2 B2 BAGB |"G" d2 de dc B2 |"Am" A2 E2 A2 FG |"D7" ABAG FE D2 |
"G" G2 B2 BAGB |"G" d2 de dcBd |"D7" cBAG FDEF |"G" G2 G2 G2 D2 |
"G" G2 Bc BAGB |"G" d^cde dBGB |"Am" A2 AB cB A2 |"D7" ABAG FEDF |
"G" G2 Bc BAGB |"G" d^cde dBGB |"D7" cBAG FDEF |"G" G2 GF G2|| 
[K:D]
FG |"D"A2 F2 d2 A2 |"G" BdcB "D" A2 F2 |"A7" G2 E2 ABcA |\
"D" d2 cB "A7" AGFG |
"D" A2 F2 d2 A2 |"G" GFGA BdcB |"D" A2 d2 A2 F2 |"A7" EGFE"D" D2 FG | 
"D" AGFA fedA |"G" BdcB "D" AGFA |"A7" GFEG ABcA |"D" d2 cB "A7" AGFG|
"D" AGFA fedA |"G" GFGA BdcB |"D" A2 d2 fe d2 |"A7" cABc"D" d4 |]

%%%
X:94
T:DEL'S DELIGHT (hornpipe - cut time)
N: RM note: Dedicated to Del Foppioni, age 95!
C:RM 2/5/07
L:1/8
Q:1/4=150
%%R:hornpipe
M:4/4
K:D
A>G |"D"F>A d>e f>e d>c |"G" B>G B>d "Em" g>f e>d |\
"A" c>d c>B "A" A>c e>c |
"D" (3dfe (3dcB "A7" A>B A>G |"D" F>A d>e f>e d>c |\
"G" B>G B>d "Em" g>f e>d |
"A7" c>d c>B A>c e>c |"D" d2 "G" d>c"D" d2:|\
f>g|"D" a>g f>d "A" g>f e>c |
"D" d>e f>d A2 e>f |"Em" g2 g>f e2 e>d |\
"A7" (3cde (3dcB A2 f>g |
"D" a>g f>d "A" g>f e>c |"D"d>e f>d "D" A2 d>c |\
"Em" B2 e>d "A7" c>A B>c |"D" d2 "G" d>c"D" d2:|

%%%
X:95
%%staffsep 75
T:DEL'S DELIGHT (hornpipe - straight time)
C:RM 2/5/07
L:1/8
Q:1/4=150
%%R:hornpipe
M:4/4
K:D
AG |"D"FAde fedc |"G" BGBd "Em" gfed |\
"A" cdcB "A" Acec |"D" (3dfe (3dcB "A7" ABAG |
"D" FAde fedc |"G" BGBd "Em" gfed |\
"A7" cdcB Acec |"D" d2 "G" dc "D" d2:|
fg|"D" agfd "A" gfec |"D" defd A2 ef |\
"Em" g2 gf e2 ed |"A7" (3cde (3dcB A2 fg |
"D" agfd "A" gfec |"D"defd A2 dc |\
"Em" B2ed "A7" cABc |"D" d2 "G" dc "D" d2:|

%%%
X:96
%%staffsep 70
T:DELIGHTFUL DANCER (waltz)
C:RM 1/17/01
N: RM note: Dedicated to Betty Morley.
L:1/8
Q:1/4=160
M:3/4
%%%R:waltz
P:A-B-A
K:G
de|"G" d2 B2 A2 |"G7" G2 A2 B2 |"C" c3 B ce |"D" d4 ef |
"C" g3 a ge |"G" d^c ed BG |"A7" A3 B ^ce |"D7" d4 Bc |
"G" d2 GA Bc |"G" d^c ed BG |"C" c3 d ef |"A7" g4 fe |
"D7" d2 A2 B2 |"D7" (3cdc B2 A2 |"G" AG FG Bd |"G" g4:|
%
[K:C]
|:gf|"C" e2 cd eg |"Dm" g2 f2 fe |"G7" d2 de fa |"C" a2 g4 |
[1"C" G3 c ec |"Dm" Ad f4 |"G7" G3 B dB |"C" c4:|
[2 "C" ed fe dc |"F" BA f3 A |"G7" G2 e3 d |"C" "_DC"c4 ||

%%%
X:97
T:DENISE'S DELIGHT (waltz)
C:RM 3/15/18
N: RM note: a/k/a/ "The Wandering Waltz". Dedicated to Denise Carder, fine 
N:fiddler with the "Fiddlers of the Genesee".
L:1/8
Q:1/4=160
M:3/4
%%%R:waltz
P:A-B-A
K:D
BAG ||"D" F3 G EF |"D" D2 F2 A2 |"G" dc ed cB |"D" A4 F2 |
"Em" GA B2 G2 |"D" FG A3 F |"E7" E^G Bd cB |"A7" A2 B2 c2 |
"D" d3 c dB |"D7" A2 FE D2 |"G" Gd cd ed |"F#" c4 =c2 |
"G" Bd cd BG |"D" FA df ed |"A7" cB AC FE |"D" D6||
%
[K:A]
"A" EC A2 G2 |"Bm" FD B3 A |"E7" GB df ed |"A" d2 c4 |
"D" dF d2 ed |"A" cE AG FE |"B7" ^DF Ac BA |"E7" G2 A2 B2 | %25
"A" cE A2 ED |"A7" CE A3 =G |"D" FA GA BA |"C#" G4 =G2 |
"D" Fd F2 GF |"A" EA c2 e2 |"E7" fe dE cB |"A" "_DC"A3||

%%%
X:98
T:DEXTERITY DOES IT! (reel)
C:RM 3/24/24
L:1/8
Q:1/4=180
M:4/4
%%R:reel
K:D
de|"D" fdAF DFAd |"Em" BGEG B,2 ED |\
"A7" CEA,B, CA^GA |"D" BAFD A,DFA |
"D" df=f^f "D7" afd=c |"Em" B^ABe gBcB |\
"D" Adfa bafd |"A7" egec "D" d2 :|
%
BA|"G" GDB,D GdcB |"D" AA,DF BAFD |\
"E7" EF^GA BdcB |"A7" ceBe A2 Bc |
"D" dAFA "D7" ded=c |"G" BGdB g2 fe |\ 
"D" fafd bafd |"A7" egec "D" d2 :|

%%%
X:99
T:DIAMOND RING (waltz), The
N: RM note: Dedicated to my wife, Margaret Briody
C:RM 5/21/04
L:1/8
Q:1/4=140
M:3/4
%%R:waltz
K:G
|"G"(3ded Bc d2 |"C" gf ag fe |"G" d2 GA Bc |"D" A3 e dc |
"G" Bd g2 d2 |"Am" ec A3 G |"D7" Fc BA GF |"G" G6 :|
|:"D"(3ABA FG A2 |"Em" (3BcB GA B2 |"A7" ^cd eA Bc |"D7" d3 e dc |
"G" Bd g2 d2 |"Am" ec A3 G |"D7" Fc BA GF |"G" G6 :|

%%%
X:100
%%staffsep 75
T:DICK'S DELIGHT (reel)
C:RM 12/6/1999
N:RM note: revised 5/11 & 12/08
L:1/8
Q:1/4=190
M:4/4
%%R:reel
K:D
dc|"Bm"BF^EF BFBc |"Bm" dcB^A BdcB |"A" A^GAB cBcd |"A" ecAc e2 dc |
"Bm" B^ABc dcde |"Bm" f=f^fg fdBd |"Em" egfe "Bm" dfed |"F#7" cedc "Bm" B2:|
fg|"D"adcd ad "G"bd |"D" adcd ad "G"bd |"D" a^gab afdf |"Em" gfed "A" e2 fg |
"D" adcd ad "G"bd |"D" adcd adba |"G" gbag "D" fagf |"A7" egfe "D" d2:|

%%%
X:101
T:DRAW THE DUDEEN (slide)
C:RM 10/25/16
L:1/8
Q:1/4=165
M:12/8
%%R:jig
K:D
"D"A2 F "G" G2 B "D" ABA AFD |"G" B2 G dcB "D" A6 |\
"G" Bcd "Em" GAB "A" ABc "D" d2 f |
"A" e2 c "E7" dcB "A" A6 |"G" BGB dcB "A" A2 G "D" F2 D |\
"A" E2 A "E7" Bcd "A" c2 d "A7" e2 A |
"D" f2 d "G" edB "A" A2 G "D" F2 A |"Em" Bcd "A7" e2 c "D" d6 ||[K:A]"A"ecA ecA "D" FGA "E" E3 |
"D" FED AGF "A" E6 |"E7" EFG "F#m" ABc "Bm" dcB "F#m" A2 c |"B" BcB "B7" A2 F "E" G2 A "E7" B3 |
"A" ecA ecA "D" FGA "E" E3 |"D" dcd Ade f6 |\
"D" def agf "A" ecf ecA |
"E7" dBG EFG "A" A6|] 

%%%
X:102
T:DRIPPING FAUCET (polka), The
C:RM 5/28/07
L:1/16
Q:1/4=110
M:2/4
%%R:polka
P:A-B-A
K:D
FG|"D".A2.F2 .d2.F2 |"D" .A2.F2 .d2.F2 |"Em" .e2ed .c2cB |"A7" .A2cB AGFG |
"D" .A2.F2 .d2.F2 |"D" ABAF .d2.F2 |"Em" edcB "A7" Acec |"D" d2.f2 d2 :|
[K:A]
cd|"A"edcB A2.c2 |"Bm" B2.d2 F2>A2 |"E7" GA.B2 E2FG |"A" A2.c2 "E7" e2cd |
"A" edcB A2.c2 |"Bm" d2.B2 f2gf |"E7" e2gf edcB |\
"A" "_DC after rpt"A2.c2 A2:|
N: RM note: Dots above and under notes indicate "staccato".

%%%
X:103
T:DUST IT OFF, TUNE IT UP (polka)
C:RM 12/1/22
L:1/4
Q:1/4=200
%R:polka
M:2/2
K:G
%%stretchlast true
V:1
|: "G" G, G, D D | "D" A A "C" e2 | "D" d A/G/ F/G/ A | "G" d/e/d/c/ B/c/ d |
"G" G, G, D D | "C" C E G F/E/ | "G" D G G, A,/B,/ | "D7" C/B,/ A, "G" G,2 :|
"D" D F/G/ A/G/ F | "G" G/F/G/A/ B/A/ G | "A7" A E A/B/A/G/ | "D7" F/G/A/F/ D/E/F/D/ |
"G" G, G, D D | "C" C E G F/E/ | "G" D G B/A/ G | "D7" A/G/ F "G" G2 :|
[K:D] "D" D A d A | "D" d/e/ f A3/2 d/ | "A" c/B/c/d/ e/c/ A | "D" d/c/d/e/ "A" f/g/f/e/ |
"D" d d A F | "G" G B d c/B/ | "D" A d D E/F/ | "A7" G/F/ E "D" D2 :|
"A7" E/D/E/F/ G/F/ E | "D" F/E/F/G/ A/G/ F | "E7" E/F/^G/A/ B/c/d/B/ | "A7" e/d/c/B/ A B/c/ |
"D" d d A F | "G" G B d c/B/ | "D" A d D E/F/ | "A7" G/F/ E "D" D2 :|

%%%
X:104
T:DUTY CALLS (march)
C:RM 4/8/23
N: RM note: Dedicated to Mason Fitch – thank you for your service.
L:1/4
%%R:march
Q:1/4=220
M:2/2
K:G
D |"G" G B/G/ D D |"G" G B/G/ D D |"G" G G/B/ d d |"D7" d D E D ||"G" B2 B3/2 A/ |"G" B d B/A/ G | %7
"C" E A G E |"D" D D G A |$"G" B2 d3/2 c/ |"G" B/A/ G c B |"A7" A3/2 B/ ^c e |"D7" d c B A | %13
"G" B2 d3/2 c/ |"G7" B/A/ G A B |"C" c e g e |"C" a g f e |$"D7" d2 e3/2 f/ |"G" g d B/A/ G | %19
"D7" A c A F |"G" G2 F G |"D7" A2 A3/2 G/ |"D7" F/E/ D F A |"G" d2 d3/2 c/ |$"G" B/A/ G A B | %25
"Am" c2 c A |"G" B2 B G |"D" A d"A" ^c e |"D7" f3/2 e/ d c |"G" B2 B3/2 c/ |"G7" d G B d | %31
"C" e g f g |$"C" a g f e |"D7" d2 e3/2 f/ |"G" g d B/A/ G |"D7" A c A F |"G" G2 F2 |: %37
[K:A]"A" E E/E/ A A/A/ |"E" G B G/F/ E |$"A" A C"D" D F |"E7" G3/2 F/ E D |"A" C E A, C | %42
"Bm" D F B3/2 A/ |"E7" G E F G |"A" A A A G/F/ |"A" E E/E/ A A/A/ |"E7" B d G/F/ E |$ %47
"A" A3/2 B/ c A |"Bm" F B"E7" G/F/ E |"A" c3/2 B/ A G |"Bm" F D B, C/D/ |"A" E A"E7" B G | %52
"A" A A/A/"A" A z :| 

%%%
X:105
T:DYNAMO DADYS (rag), The
C:RM 2/27/16
N: RM note: Dedicated to the Dady Brothers, champions of Celtic music.
L:1/8
Q:1/4=152
M:4/4
%%R:hornpipe
K:G
DED |"G"BDAD "G7" GAG=F |"C" EGFG AGEC |"G" B,C^CD EDB,G, |\
"Em" B,G, B,"D7" A,2 D ED |
"G" BDAD "G7" GAG=F |"C" EGFG AGA_B |"G" Bd^cd edBG |"D7" E F2 "G" G2:|
GAB |"C"cE G "C" c2 e dc |"G" BD G "G" B2 G FE |"D7" D^CDE FDEF |
"G" GBeB "G7" dGAB |"C" cE G "C" c2 e dc |"G" Bc ^c "G" d2 B AG |\
"C" E c2 E "G" DGBe |"D7" dA B"G" G2:|

%%%

%%%
X:2
T:DABCHICK (jig), The
C:Aidan Crossey
S:S: composer
%R:Jig
Q:1/4=160
M:6/8
K:G Major
A|BAG BAG|Add d2e|fed cAG|AGF E2D|
BAG BAG|Add d2e|fed cAG|AGF G2:|
e|fed fed|gag g2d|ecA ABG|AFD cBA|
BAG BAG|Add d2e|fed cAG|AGF G2:|

%%%
X:3
T:DAD'S 43RD (jig)
C:Ailish Moran
S:S: Treoir 52/3 < composer 
Z:Z: ABC/arr. BB
M:6/8
%R:jig
Q:1/4=160
K:G
GAB EFG|DBA BAG|e3 dcB|cBA BGE|
GAB EFG|DBA BAG|efg dcB|cBA G3 :|
dgg eaa|bag age|dgg eaa|bgf g2e|
dgg eaa|bag agf|e3 dcB|cBA G3 :|

%%%
X:4
T:DAFTY DILLY (reel)   
S:S: Levey2.79 
Z:Z: ABC/arr. BB 
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
%%text A-B-A to "fine"
%%vskip .3in
c|ADD2 FEFG|ADD2 FABd|ADD2 FDFA|B2GE FAB :|
c|d2dB AFAc|d3B cdef|dedB A2FA|B2GE FABc|
d2dB AFAc|d3B cde2|fdec dBAF|B2GE FAB||
"fine"B2GE FABc|d4z4|]


%%%
X:5
T:DAINTY DAVY (march)
S:S: OFPC4.140 (as "Danty") 
Z:Z: ABC/arr. BB
N:N: Variations not included here
Q:1/4=100
M:4/4
%R:march
L:1/8
K:Em
%%text "Scotch"
%%vskip .3in
g|dBB>A GF/E/ G2|GdBd/B/ G2Bg|
dBB>A GF/E/ Gf|gedf e3 :|
d|gagb gbba/g/|fdad fgag/f/|
gabg af ge/d/|eg/a/ bg/f/ e3 :|

%%%
X:6
T:DAINTY DAVY'S JIG 
S:S: NCIUP.18a2 
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
g|dcB BAB|AGF G2D|GBd BdB|GBd B2g|
dcB BAB|AGF G2A|Bdg agf|e3 g2:|
d|gab gab|abc' bag|fga dfa|gab agf|
gbg faf|ege fed|efg agf|e3 g2:|

%%%
X:7
T:DAINTY DAVY'S REEL 
S:S: NCIUP.18a1 
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G
f|gdec BcBA|GEDE G2FE|DGBG DGBG|DGBG B2df|
gdec BcBA|GFED E2Bd|efga bagf|e4 g3:|
d|gdBd gdBd|gdBd gbag|fdAd fdAd|fdAd fagf|
gfgd gbag|fe^de fagf|efga bagf|e4 g3:|

%%%
X:8
T:DAIRY MAID (jig) (1), The 
T:"1st setting" 
S:S: ONMI.1100 < J.O'Neill 
Z:Z: Brennan/Black 
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
%%text source key = F
%%vskip .3in
c|d2e d2B|AGG G2B|d2g edB|cAA ABc|
d2B AGA|BAB g2f|e2d gdB|AGF G2:|
d|g2e edg|d2B BAB|dgf edg|BAG ABc|
d2B AGA|BAB g2f|e2d gdB|AGF G2:|

%%%
X:9
T:DAIRY MAID (jig) (2), The 
T:"2nd setting" 
S:S: ONMI.1101 < F.O'Neill 
Z:Z: Brennan/Black 
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
G|FDD FEF|DGG G2A|BAB GBd|cAG F2A|
BAB Bcd|cBc ABc|dfd cAF|AGF G2:|
d|gfe fdc|BGG G2g|fef dfd|cAG F2c|
BAB Bcd|cBc ABc|dfd cAF|AGF G2:|

%%%
X:10
T:DAIRY MAID (jig) (3), The  
S:S: CRE.4 <Grier MS 
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:12/8
%R:jig
K:A dorian
AcA AcA BdB BAG|AcA AcA B3 g3|
[1 AcA AcA BdB BAG|gfe dcB A3 E3:|
[2 AcA AcA BdB BAG|gfe dcB A3 f3||
%
|:g2e e2f gfe dcB|f2e e2f g3 a2f|
g2e e2f gfe dcB|ege dcB A3 f3|
g2e e2f gfe dcB|g2e e2f g3 a3|
b2g a2f gfe dcB|gfe dcB A3 EFG|HA6z6|]

%%%
X:11
T:DAIRY MAID (jig) (4), The  
S:S: DMI.0292 
Z:Z: Nordberg/Black 
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
A/G/|FDD FEF|DGG G2A|BAB GBd|cAG F2A|
BAB Bcd|cBc ABc|dfd cAF|AGG G2:|
d|gfe fdc|BGG G2g|fef dfd|cAG F2c|
BAB Bcd|cBc ABc|dfd cAF|AGG G2:|

%%%
X:12
T:DAIRYMAID (reel) (1), The
S:S: BSMI.3 
Z:Z: ABC/arr. BB 
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:D
AB|AFF2 DFAF|AFDE FEE2|AFF2 DFAF|E2DE FDDB|
AFF2 DFAF|AFDE FEE2|AFF2 B2AF|E2DE FG :|
Ac|d3f abag|f2ef dBB2|dcdf abag|faeg fddc|
dfaf gbag|faed dBB2|dfaf gbag|faeg fd :|
"^coda"faeg fdHd2|]

%%%
X:13
%
T:DAIRYMAID (reel) (2), The 
S:S: CRE.3 
Z:Z: ABC/arr. BB
N:N: Single in CRE
%R:reel
L:1/8
Q:1/4=180
M:C
K:D
B|AFF2 DFAF|AFDE FEE2|AFF2 dFAF|EFDE FDDB|
AFEF AFdF|AFDE FEEF|G3E F2AF|E2DE FDD:|
B|d3e f2af|gefe dBBA|d3e f2af|gfeg fdd2|
dfaf g2ge|fgfe dBBA|dfag fgbg|faeg fed:|
"^coda"faeg fedc|d4z4|]

%%%
X:14
%
T:DAISY BELL  (jig)
S:S: JOB 
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%R:jig
K:Ador
d|e2A A2^G|A2B c2d|e2d e2f|g3-g2e|
G2A B2c|d2e d2c|dBG dBG|A2G A2 :|
g|a2b a2f|e2d e2f|gec def|g3-g2e|
a2f g2e|f2d e2^d|e2A A2^G|A2B ce :|
[2 "^coda"A3-A3|]

%%%
X:15
%
T:DAISY FIELD(S) (reel), The  
S:S: ONMI.1270 < McFadden 
Z:Z: Brennan/Black  
% Slightly different from the Coleman setting.
%R:reel
Q:1/4=180
M:C|
L:1/8
K:D
AG|FGAF DEFD|EA,A,G, A,2AG|FGAF DEFA|faec dBAG|
FGAF DEFD|EA,A,2 EA,A,2|FGAF DEFA|faec d2||
ag|fddc dcdf|edcd efge|fddc dfaf|ecBc d2ag|
fddc dfaf|edcd efge|fdef gbag|faec dBAG|HD4z4|]

%%%
X:16
%
T:DAISY FIELDS (reel), The 
S:S: CRE.1 
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
DE|F3E DEFD|EA,A,2 EA,A,2|F3E DEFA|Bdec dcBA|
F3E DEFD|EA,A,2 EA,A,2|F3E DEFA|Bdec d2 :|
de|fddc dfaf|edcd efge|fddc dfaf|gbeg fddA|
fddc dfaf|edcd efge|dfaf gbag|faec dc:|
"^coda"faec dcAE|HD4z4|]

%%%
X:17
%
T:DALAIGH'S (polka) 
S:S: BSMI.2 
Z:Z: ABC/arr. BB
%R:polka
M:2/4
Q:1/4=120
L:1/8
K:A dorian
g>f|eA BA|eA BA|eA BA|G2 GB/d/|
eA BA|eA BA|Be dB|A2 :|
A2|ed ef|g>a gf|ed eg|a2 g2|
ed ef|g>a ge|dB gB|A2 :|

%%%
X:18
%
T:DALKEITH MAIDEN (reel), The 
S:S: WSGM.066 < "Aird's Selections" 1782-97 
Z:Z: Kinder/Black  
M:4/4
L:1/8
%R:reel
Q:1/4=180
K:Em
DE|GFGA B2AG|AGAB d3e|dBAG AcBA|G2E2E2:|
ef|gfga g2 eg|agab a2 ge|g3 a bage|g2 d2 d2 ge|
dBAG A2 ge|dBcg E2 ge|dBAG AcBA|G2E2HE2|]

%%%
X:19
%
T:DAMN ME BUT (jig)
C:Joe Liddy
S:S: Liddy2.10 
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%R:jig
K:Em
d|efg edB|cBA BGE|EDE GAB|dBA Bcd |
efg edB|AGE GAB|ABd edB|AFD E2 :|
B|e2e def|afd edB|BAB ded|BAF EFA |
BeB def|gfe fdB|fed edB|AFD E2 ||
A|Bee def|afd edB|BAB ded|BAF EFA |
Bee def|baf afe|fed edB|AFD E3 |]

%%%
X:20
%
T:DAN AND LUCIA'S WEDDING REEL 
C:D. MacAdam 9/13
S:S: composer
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:G
DF|G2GF GABG|F2FE FEDF|G2GF EFGA|BAGF E2DF|
G2GF GABG|F2FE FEDF|GEBE FDAF|G2 F2 E2 :|
GB|d2BG e2Be|defg edBA|d2BG e2Be|dedc B2GB|
d2BG e2Be|defg edBA|d2Bg fdec|d2 B2 G2 :|

%%%
X:21
%
T:DAN BREEN'S (reel) 
S:S: BSMI.1 
Z:Z: ABC/arr. BB
%R:reel
M:4/4
Q:1/4=180
L:1/8
K:G
gf|e2dB ABAG|EAAG A2gf|e2dB ABAG|EDEF G2 :|
Bd|e2ge edBd|eAA2 eAA2|e2ge edBd|d2ef g2 :|

%%%
X:22
%
T:DAN COAKLEY'S (polka)
S:S: Mally.HIP.015 
Z:Z: ABC/arr. BB
Q:1/4=120
%R:polka
L:1/8
M:2/4
K:G
d|Bd/B/ AB/A/|GB d/^c/d|ed GA|Be ed|
Bd/B/ AB/A/|GB d/^c/d|ed ef|g2 g :|
d|ed Bd|ed B>d|ed GA|Be ed|
Bd/B/ AB/A/|GB d/^c/d|ed ef|g2 g :|

%%%
X:23
%
T:DAN MAC'S (polka)
S:S: Mally.HIP.033 
Z:Z: ABC/arr BB
Q:1/4=120
%R:polka
L:1/8
M:2/4
K:D
DF AF/A/|dc Bc|EF GF/G/|BA F2|
DF AF/A/|dc Bc|EF GF/E/|DF D2 :|
fA fA|fA f>f|eA eA|B/c/d e2|
fA fA|fA f>f|eA B/c/d|ed d2 :|

%%%
X:24
%
T:DAN McCARTHY'S FANCY (reel) 
S:S: ONMI.1283 < Delaney 
Z:Z: Brennan/Black  
N:N: "A modal" is my call on this "ambiguous" tune.
Q:1/4=180
%R:reel
M:C|
L:1/8
K:Amix
gf|:eAA2 egfg|eAA2 efdf|eAA2 egfa|1 gedB Agfg:|
[2 gedB ABcd||eaa2 bgag|eaag eg dg|eaa2 baga|
gedB ABcd|eaa2 bgag|eaag efdf|dega bgaf|gedB HA4|]

%%%
X:25
%
T:DAN MOLLOY'S JIG
C:Aidan Crossey
S:S: composer
%R:Jig
Q:1/4=160
M:6/8
L:1/8
K:A Dorian
G|EAB cAB|dBG DGB|EAB cAB|ced cBA|
EAB cAB|dBG DGB|dBG DGB|cBG A2 :|
B|c2B cec|dBG DGB|c2B cea|gdB A2B|
c2B cec|dBG DGB|dBG DGB|cBG A2:|

%%%
X:26
%
T:DAN MOLLOY'S REEL
C:Aidan Crossey
S:S: composer
%R:Reel
Q:1/4=180
M:4/4
L:1/8
K:A Dorian
AG|EAAB cBAB|d2 BG DGBG|EAAB cBAB|cded cBAG|
EAAB cBAB|d2 BG DGBc|d2 BG DGBd|cBAG A2:|
AB|c2 cB cdec|d2 BG DGBd|c2 cB cdea|gdBG A2 AB|
c2 cB cdec|d2 BG DGBc|d2 BG DGBd|cBAG A2:|

%%%
X:27
%
T:DAN O'CONNELL'S FAVORITE POLKA 
S:S: JOL.221 
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:D
F2 ED|dc/d/ ed|cA AF|G2 GA/G/|
FD FE/D/|dc/d/ ed|cA BG/B/|A2 A2 :|
af/a/ ge|fd e/f/e/d/|c>d ef|g2 fg|
a>f g>e|fd e/f/e/d/|cA BG|A2 A2 :|

%%%
X:28
%
T:DAN O'KEEFFE'S SLIDE 
S:S: CRE.3 
Z:Z: ABC/arr. BB
%R:slide
Q:1/4=180
M:12/8
L:1/8
K:G
A|B2B cBc d2c d2e|dBG dBG ABc AGA|
B2B cBc d2B d2g|fed cBA G3 G2:|
d|g2d B2g f2d B2c|ded c2A d3 B2d|
g2d B2g f2d BcB|ABc def g3 g2:|

%%%
X:29
%
T:DAN O'LEARY'S POLKA (1) 
T:Barren Rocks of Aden
S:S: JOL.044 
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:D
d/e/|f2 fe|df A>d|ce Ae/d/|ce A>d|
f2 fe|df A>e|ce Bc|d2d :|
f/g/|a>f de/f/|ge B2|gd cA|df af/g/|
af de/f/|ge B2|gd cA|d2 d/e/ :|
f/g/|a/f/d/f/ a/f/d/f/|ce B2|g/e/c/e/ g/e/c/e/|df ag|
a/f/d/f/ a/f/d/f/|ce Be/f/|ge ce|d2d :|

%%%
X:30
%
T:DAN O'LEARY'S POLKA (2) 
S:S: JOL.140 
Z:Z: ABC/arr. BB
N:N: This sounds like an A-B-A tune but it is not presented that way in JOL.
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:D
A/B/A/G/ FA|dA/d/ f2|gg f/g/f/e/|df A2|
A/B/A/G/ FA|dA/d/ fd/f/|ge f/g/f/e/|d2 d2 :|
e>f ed|ce ag/a/|e>d ef|ge cA|
e>f ed|ce a2|e/f/e/d/ cB|A2 A2 :|

%%%
X:31
%
T:DAN O'LEARY'S* (jig)  
S:S: RC2.313 ("Old Set Tune" 15) 
Z:Z: ABC/arr. BB
N:N: Repeats added.
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
D|G2F G2B|d2B G2B|A2G A2B|A2F D2D|
G2F G2B|d2B G2B|A2F GFE|D3 D2:|
G|A2A A2B|A2F D2B|c2B c2e|d2B G2B|
c2B c2d|e2f g2e|d2B cBA|G3 G2:|

%%%
X:32
%
T:DAN PATSY'S SLIDE (1) 
S:S: Treoir 
Z:Z: ABC/arr. BB
Q:1/4=170
M:12/8
L:1/8
%R:slide
K:G
B|d2B BAB g2e f2e|d2B BAB e3 e2B|
d2B BAB g2e f2e|d2B cBA G3 G2 :|
e|f2 a e3 f2 a e2 f|d2 B BAB e3 e3|
f2 a e2 g f2 a e2 f|d2 B cBA G3 G2 :|

%%%
X:33
%
T:DAN PATSY'S SLIDE (2) 
S:S: CRE.2 (unnamed) 
Z:Z: ABC/arr. BB
Q:1/4=200
L:1/8
M:12/8
%R:jig
K:G
B|d2B BAB g2e f2e|d2B BAB e3 efe|
d2B BAB g2e f2e|d2B BcA G3 G2:|
e|f2a e2d efa f2e|d2B BAB e3 e3|
f2a e2d efa f2e|d2B BcA G3 G2:|

%%%
X:34
%
T:DAN ROGERS' (jig) 
S:S: ONMI.0787 < F.O'Neill 
Z:Z: Brennan/Black 
Q:1/4=160
%R:jig
M:12/8
L:1/8
K:Em
def|gdB B2A B2A Bcd|efe edB dBA ABd|
gdB B2A B2A Bc^d|efg fe^d e3 :|
e2f|gbg faf gfg edB|edB Bed BAA Aef|
gbg faf gfg efg|aga Bc^d e3 :|

%%%
X:35
%
T:DAN SULLIVAN'S FANCY (hornpipe)
S:S: CRE.5 
Z:Z: ABC/arr. BB
M:C|
Q:1/4=150
%R:hornpipe
K:G
%%text A-B-A
%%vskip .3in
%swing .25
BA|G2DG BAGF|GBdf g3d|gdBd ecAG|FGAB cAFD|
G2Ac BAGF|GBdf g3d|gdBd ecAF|G2 GF G2:|
%
K:D
BG|ABAG FAde|fedc d2cd|eA A2 gfed|eA A2 gfec|
ABAG FAde|fedc defg|afge fdec|d2fe d"_DC"c:|

%%%

X: 3
T: DAN SULLIVAN'S SHAMROCK BAND (polka)
S:S: session.org
Z:Z: "iris eve"
N:N: Title alternate "D.S. Shamrock Swing Band"
%R: polka
Q: 1/4=120
M: 2/4
L: 1/8
K: Dmix
D>E FG|AG Ad|cA GA/G/|FD CA,|
D>E FG|AG Ad|cA GA/G/|FD D2:|
d2 cA|GE ce|dD DE/F/|GD CA,|
D>E FG|AG Ad|cA GA/G/|FD D2:| 


%%%
X:36
%
T:DAN SWEENEY'S #1* (polka) 
S:S: CRE.2 
Z:Z: ABC/arr. BB
L:1/8
M:2/4
%R:polka
Q:1/4=120
K:A
A/B/A/F/ EF|AB ce|fe cA/c/|BA F2|
A/B/A/F/ EF|AB ce|fe cA/c/|BA A2:|
ef/e/ ce|fe e2|aa/f/ ec|BA F2|
A/B/A/F/ EF|AB ce|fe cA/c/|BA A2:|

%%%
X:37
%
T:DAN SWEENEY'S #2* (polka) 
S:S: CRE.2 
Z:Z: ABC/arr. BB
L:1/8
M:2/4
%R:polka
Q:1/4=120
K:A
A>F EF|AB ce|fe ce/c/|BA F2|
A>F EF|AB ce|fe ce/c/|BA A2:|
f>e ce|fe fa|fe ce/c/|BA F2|
A>F EF|AB ce|fe ce/c/|BA A2:|

%%%
X:38
%
T:DAN SWEENEY'S "#2" (polka)  
S:S: JOL.048 
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:A
A/B/A/F/ E>F|AB ce|fe cA/c/|BA FA|
A/B/A/F/ EF|AB ce|fe cB/c/|BA A2 :|
fe ce|fe ef/g/|af ec|BA FA/F/|
A/B/A/F/ EF|AB ce|fe cB/c/|BA A2 :|

%%%

X:39
%
T:DAN THE PUMP (reel)
S:S: CRE.5 
Z:Z: ABC/arr. BB
N:N: Single in CRE
M:4/4
Q:1/4=180
%R:reel
K:G
GEEB, D2BA|GBdB AGED|GEEB D2BA|GBdB A2G2|
GEEB, D2BA|GBdB AGED|GBB2 dBB2|GBdB A2G2 :|
g2ge dGBA|GABG AGE2|gagf edBd|eaag a2ba|
gbgf eABA|G2BG AGED|GBB2 dBB2|GBdB A2G2 :|

%%%
X:40
%
T:DANCE ON THE FIVEPENNY (jig) 
T:Will You Come Home With Me? 
S:S: MFC.086A 
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
(3ABc|d2g fdc|B2d cAG|EAA ABc|EAA ABc|
d2g fdc|B2d cAF|GAG GAG|GAG G :|
(3ABc|d2e c2d|B2d BAG|EAA ABc|EAA ABc|
d2g fdc|B2d cAF|GAG GAG|GAG G :|

%%%
X:41
%
T:DANCER'S DELIGHT (reel), The  
S:S: ONMI.1318 < J.O'Neill 
Z:Z: Brennan/Black 
Q:1/4=180
%R:reel 
M:C|
L:1/8
K:A
eAA2 eAce|faec BABc|eAA2 eAce|1 faec BAFE:|
[2 faec B2A2||Aceg a2ag|faec BAFE|Aceg a2ae|
gbeg afec|Aceg a2ae|faec BAFE|Aceg a2ge|
fefg agaf|Ha4z4|]

%%%
X:42
%
T:DANCES AT KINVARA (barn dance), The 
C:© E.Reavy
%R:hornpipe 
S:S: "Ed Reavy Collection" 
Z:Z: McKenty/Black  
Q:1/4=130
M:C|
L:1/8
K:G
%swing .25
%%text "andantino"
%%vskip .3in
EF|G2 B2 BdBG|c2 D2 [F3A3] G|FGAB cdef|gfaf gd^cd|
B2 G2 DBcB|A2 D2 [F3A3] G|FGAB cAFA|G2 B2 G2:|
GA|B2 dB c2 e2|d2 b2 b3 f|agfe dcBA|G2g2 g2df|
g2 dB e2 cA|d2 BG [E2C2] AG|FGAB cAFA|G2 B2 G2:|

%%%
X:43
%
T:DANCING ALICE (reel)
C:Joe Healey (July 2010)
Q:1/4=180
M:4/4
%R:reel
L:1/8
K:Em
"Em" E2EF GEGA|"G" B2Bc BAG2|"D" FDAD BDAD|"Em" ^D=EBE "Am" cE "Bm" BD|
"Em" E2EF GEGA|"G" B2Bc BAG2|"D" FDAD BDAD|1 "D" dBAF "Em" GEEB, :|
[2 "D" dBAF "Em" EFGA ||:"Em" BGEB "D" AFDA|"Em" G2GA GFE2|"G" B2Bc d2cB|
"D" AFDF "Em" EFGA|"Em" BGEB "D" AFDA|"Em" G2GA GFE2|"G" BGEc "D" AFDA |
%%stretchlast 0
[1 "D" cBAF "Em" GEEG :|2 "D" cBAF "Em" GEE2|]

%%%
X:44
%%textfont Palatino 16
%%musicspace 0.5in
%%titlespace 40
%%printtempo 0
%%titleleft
%%textfont Palatino Bold 16
%hide_information_labels
%%titlefont Palatino Bold 22
%%subtitlefont Palatino Bold 18
%%composerfont Palatino Bold 16
%%historyfont Palatino Bold 16
%%partsfont Palatino Bold 16
%add_all_playback_links 25 0 0 fluid
%add_all_playback_volumes 64 80
%%staffsep 70
T:DANCING at DAVOLL'S (hornpipe)
S:S: BBMG
N:N: See note in ABC file
C:© BB 6/23
% Davoll's is a lovely pub located in a little corner of New England called 
% Russell's Mills (part of Dartmouth, MA). The surroundings and the pub 
% itself would remind you very much of Ireland.
M:C
L:1/8
%R:hornpipe
Q:1/4=140
K:G
%swing .25
A|"G"GABc dedB|GABd "D"cAFD|"G"GABG "Am"ABcA|"D"de"A"^ce "D"d2 (3def|
"G"gdBd "Am"ecAc|"G"BdAB "Em"GFED|"G"GABd "Am"ceag|"D"fdcA "G"G3 :|
B/c/|"G"dBBd "Am"cAAc|"G"Bdgf "Am"edcA|"G"Bdgd "Am"ceag |"D"fd"A"e^c "D"de=cA|
"G"dBBd "Am"cAAc|"G"Bdgb "Am"agfe|"G"dBdg "D7"afdc|"G"Bd"D"cA "G"G3:|

%%%
X:45
%
T:DANCING AT THE CROSSROADS (jig) 
S:S: MVBT < Brian Conway
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
A|BAB G2D|GAG G2A|BAB GAB|A2B cBA|
BAB G2 D|GAG GBc|d3 dcB|A2B cB :|
A|B2 d ded|ded ded|B2 d d^cd|e2 f g3|
B2 d ded|ded def|gfe dBG|A2B cB :|
"^coda"A2B cBA|HG6|]

%%%
X:46
%
T:DANCING EYES (jig) 
S:S: SRHI.14a 
Z:Z: ABC/arr. BB
C:Seán Ryan
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
B,|G,B,D GBd|cAA BAG|ADD fed|cAG FDC|
B,DD GAB|cAG FGA|d^cd fed|cAF G2:|
D|GBd gag|fag fdc|BdB cAA|BAG AFD|
GBd gag|fag fdc|BdB cAF|AGF G2:|

%%%
X:47
%
T:DANCING MASTER'S "REEL" (polka), The
S:S: CRE.2 
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:G
DE/G/ AB/A/|GE GE|DE/G/ AB/A/|GE D2:|
de/d/ cA|GA cd|ed c>A|GE D2:|

%%%
X:48
%
T:DANCING ON THE DOOR* (hornpipe) 
S:S: NFID.091b ("untitled barndance") < JD
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:C|
%R:hornpipe 
K:D
%swing .25
%%text A-B-C-A
%%vskip .3in
F3E|:D2A,2D2F2|A^GAB A=GFE|D2A,2D2F2|E2cB AGFE|
D2A,2D2F2|A^GAB A2F2|GFEF GABc|d4 d2zg||
P:"B"
fefg agfe|fedc dAdf|e^def efgf|eABc defg|
fefg abag|fgfe dcdf|e^def e=dcB|ABcd efgb|
P:"C"
a^gab aAdf|gfga gAcd|fedc Bgec|dDFA d2eg|
fefg abag|fgfe dcdA|BcdB cdec|d2cB AGFE||
P:"A2"
D2A,2D2F2|A^GAB A=GFE|D2A,2D2F2|E2cB AGFE|
D2A,2D2F2|A^GAB A2F2|GFEF GABc|dBAF HD4|]

%%%
X:49
%
T:DANCING ON THE GREEN (hornpipe) (1)  
S:S: ONMI.1735 < Michael Balfe (composer)
Z:Z: Brennan/Black 
%R:hornpipe
Q:1/4=150
L:1/8 % 
N:N: dotted rhythm in source
M:C|
K:A
%swing .25
efec fdBG|ABcA BGEC|DEFG ABcA|B2 AF E2E2|
efec fdBG|ABcA BGEC|DFAc dc BG|B2A2 A2z2:|
AGAB c^Bcd|e2 EG aece|agfe dcBA|B2 AF E2ED|
CAEA BAEA|FADA dBGB|Afed cBAG|B2A2 A2z2:|

%%%
X:50
%
T:DANCING ON THE GREEN (hornpipe) (2) 
S:S: RC3.184 
Z:Z: ABC/arr. BB
N:N: dotted rhythm in source
Q:1/4=150
%R:hornpipe
L:1/8
M:C|
K:G
%swing .25
%%text source key Bb 
%%vskip .3in
B|dedB ecAF|GABG AFDB,|CDEF GABG|B2GE D2D2|
dedB ecAF|GABG AFDB,|CEGB cBAF|A2G2G3:|
D|GFGA B^AB^c|d^cde f2ef|gfeg fedf|ed^cB A2GE|
DB,DG BGDG|ECEG cAFA|Gedc BAGF|A2G2G3:|

%%%
X:51
%
T:DANCING RAT (jig), The 
C:P.Reddan (Co.Clare)
Z:Z: ABC/arr. BB
D:D: "Knockalban" (P.Reddan)
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:Em
B,|EGA BdB|egf edB|Add d^cd|BAG FED|
EGA BAB|dAG FED|CEG cBc|dAF E2 :|
A|Bef gfe|d^cd AFD|efg ede|fdf e2f|
g2b afd|Bdg fdA|cBA ceg|dAF E2 :|

%%%
X:52
%
T:DANCING THE BABY (hornpipe) 
S:S: DMI.0990 
Z:Z: Nordberg/Black  
%R:hornpipe
Q:1/4=75
M:2/4
L:1/16
K:D
F2AA G2AA|F2AA GFE2|F2AA G2AA|D2DE FED2|
F2AA G2AA|F2AA GFE2|D2DF EEE2|DDD2 DDD2||
%
d2FF A2FF|d2FF GFE2|d2FF A2FF|D2DE FED2|
d2FF A2FF|d2FF GFE2|D2DF EEE2|DDD2 DDD2||
%
f2aa g2aa|f2aa gfe2|f2aa gbag|fed2 cAA2|
f2aa g2aa|f2aa gfe2|d2fd ecA2|ddd2 ddHd2|]

%%%
X:53
%
T:DANCINGMASTER (jig), The 
S:S: ONMI.0960 < F.O'Neill 
Z:Z: Brennan/Black 
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:Ador
B|cAA eAA|cBA eAA|BGG dGG|gfe dcB|
cAA eAA|cBA e2f|g=fe dcB|cAA A2 :|
d|efg a2b|a2b age|efg a2b|age g2d|
efg a2b|a2b age|gfe dcB|cAA A2 :|

%%%
X:54
%
T:DANDY BONNET (jig), The
S:S: ONMI.0948 < J.O'Neill 
Z:Z: Brennan/Black 
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:A
e|cAA A2E|Ace f2d|cAA Ace|fdf efg|
afa gec|fdf ecA|cAF EFG|ABA A2 :|
e|cAF ECE|AEA ecA|dBG GBc|dBf fed|
cAF ECE|AEA def|eac BdG|ABA A2 :|

%%%
X:55
%
T:DANDY DENNY CRONIN (reel) 
S:S: ONMI.1467 < Beamish 
Z:Z: Brennan/Black 
N:N: "A modal" is my call on this "ambiguous" tune.
Q:1/4=180
%R:reel  
M:C|
L:1/8
K:Amix
e3A e2ef|gefd e2ef|e2Bd e2ef|gefd BAA2|
e3A e2ef|gfgd e2dB|d2ef g2a2|gefd BAA2||
a2ef g2a2|gefd e2dB|a2ef g2a2|gefd BAA2|
a2ef g2a2|gefd e2dB|d2ef g2a2|gefd BAA2|]ˇ

%%%
X:56
%
T:DANDY O (hornpipe) 
S:S: OFPC4.151 ("Irish") 
Z:Z: ABC/arr. BB
N:N: As usual no hints from Mr. O'Farrell as to what type of tune this is, so I'm 
N:calling hornpipe. 
Q:1/4=150
M:C|
L:1/8
%R:hornpipe
K:D 
%swing .25
F|Adce dcBA|d2de dcBG|Addc dfaf|ecA2 A3f|
gefg a2fe|dBAF GFGA|BcdB ecAG|FA d2 d3 :|
A|FAde d2Bc|Bd G2 G3B|egfa gfed|ecA2 A3g|
fefg afec|dBAF GFGA|BcdB edcB|A2d2 d3 :|

%%%
X:57
%
T:DANDY O (jig), The  
S:S: CGI.088 
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
%R:jig
M:6/8
K:D  
%%text "spiritoso"
%%vskip .3in
A|d2d d2A|B2A A2A|d2d ede|f2d d2f|
g2g f2e|efd c2B/A/|BAG FGA|B2A A2 :|
B/c/|d2A d2A|B2A A2A|dcd efg|f2d d2e/f/|
g>ag f2f|egd c2B/A/|BAG FGA|B2A A2 :|

%%%
X:58
%
T:DANDY PAT 
S:S: WSGM.071 < F.O'Neill 
Z:Z: Kinder/Black 
% slide version in folder 67 ("O'Brien's Sligo Slide", 67020)
M:6/8
L:1/8
Q:n/a
K:D
A|d2 d def|B2 B B2 A|c2 c cBA|d2 d d2 A|
d2 d def|B2 B B2 g|f2 e f2 g|a3-a2||
f/g/|a2 f a2 f|a3 agf|e2 f gfe|f2 g a2 z|
a2 f a2 f|a3 agf|e2 f g2 a|f2e d3||

%%%
X:59
%
T:DANIEL KELLY 
C:O'Carolan
S:S: CAR-OS 
Z:Z: Gilb/Brennan/Black  
Q:1/4=120
M:C|
L:1/8
K:C
%%text "moderato"
%%vskip .3in
GA|c4 c3A|c4 e4|d2de d2c2|d4 d2eg|
"5"a2e2 c'2g2|a2ge g2ed|c2c>A c2e2|E2G2 AGED|
"9"E2G2 AGED|C2C>D C2C2|EG A2cA G2|E2G2 cAGE|
"13"D2D>E D2D2|e2d2 cde2|c2BA A2a2|g4 c'2b2|
"17"a2ab c'4|g2e2 gedc|a2g2 e2d2|cA c2c3||
G|"21"E2D2 C2A,2|c2C2 G2E2|c2E2 G2E2|c2d2 e2d2|
"25"c2cd c2AG|A4 c2de|g2g2 g2eg|a4 g2cd|
"29"e2dc d2cB|c2BA Bcd2|c2a2 a2g2|a4 b2ab|
"33"c'2a2 g2e2|d2c2 deg2|fc'g2 e2c2|A2c2c4|]

%%%
X:60
%
T:DANIEL O'CONNELL (jig) 
S:S: BSMI.4 
Z:Z: ABC/arr. BB
L:1/8
%R:jig
M:6/8
Q:1/4=160
K:D
A|dDD FED|A^GA BAF|GBG FAF|DFA B2c|
dDD FED|A^GA BAF|GFG EAG|FDD D2 :|
A|dcd efg|fdB AFA|dcd efg|dce dA/B/c|
ded dcB|AFd AFD|GFG EAG|FDD D2 :|

%%%
X:61
%
T:DANIEL O'DALY 
S:S: ONMI.0429 < J.O'Neill 
Z:Z: Brennan/Black 
M:3/4
L:1/8
K:D
%%text "slow"
%%vskip .3in
D/E/|F2G2A2|d2A2A>G|E2D2D2|D4d>e|
f2e2d>e|d3e d/c/A/G/|A2d2d2|d4d>e|
f2e2d>e|d3e d/c/A/G/|E2D2C2|C4D>E|
F2G2A2|d2A2A>G|E2D2D2|D6|]

%%%
X:62
%
T:DANIEL O'ROURKE (jig)
S:S: ONMI.0769 < J.O'Neill 
Z:Z: Brennan/Black 
N:N: See notes in ABC file
% [1] I have taken the liberty of changing the key signature for parts 
% 2 and 3 from G to D, since I'm pretty sure that's what's supposed to 
% happen after the "V of V" cadence in part 1 (apologies for the double 
% Dutch!)
% [2] Since the original part 3 goes way out of range for anything 
% except piccolos, I have appended a (suggested) alternate. (I left
% the original in the folder ABC file so you can see what you're missing.)
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
a|gdB BdB|gdB gba|gdB BdB|ecA A2f|
gdB BdB|gdB gab|afd ge^c|ded d2 :|
K:D
e|d2b afd|afd fga|d2b afd|ecA cde|
d2b afd|afd fga|1 bge afd|ecA cd :|
[2 Bge cAc|ded d2||:E|D2d d2e|fdd def|gag bge|
cAA AFE|D2d d2e|fdd d2c|Bge cAc|ded d2 :|

%%%
X:63
%
T:DANIEL of the SUN (1) (jig)  
S:S: CRE.2 
Z:Z: ABC/arr. BB
L:1/8
M:6/8
%R:jig
Q:1/4=160
K:G
D|GFG AGA|Bdg dBA|BcA B2A|BcA B2A|
GFG AGA|Bdg dBG|ABG A2D|ABG A2D|
G3 A3|Bdg dBG|BcA B2A|BcA B2A|
G2G A3|Bdg dBG|ABG A2D|ABA A2||
d|g2g fgf|efe dBA|Bcd B2A|BcA B3|
[1 g2g agf|gfg dBG|ABG A2D|ABG A2 :|
[2 "^coda" g2g agf|gfg dBG|ABG A2A|ABA FED|HG6|]

%
X:64
%
T:DANIEL of the SUN (2) (jig)
S:S: ONMI.0984 
Z:Z: Brennan/Black 
N:N: Related to "Leg of the Duck". Parts 2 and 3 don't repeat in the source.
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:D
e|fdd edd|fef dBA|Bee e2d|Bee ede|
fdd edd|fef dBA|Bdd d2A|Bdd d2 :|
%
e|fga efg|fef dBA|Bee e^de|Bee e2g|
fga efg|fef dBA|Bdd d2A|Bdd d2 ||
%
e|f2d e2d|f2e dBA|Bee e2d|Bee ede|
fdd edd|fef dBA|Bdd d2A|Bdd d3 |]

%%%
X:65
%
T:DANNY AB'S SLIDE (a) 
S:S: JOL.176 
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:12/8
%R:slide
K:D
F3 GFG A3 A2B|AFD AFD E2E EDE|
F3 GFG A2G A2d|cBA GFE D3 D2E :|
d2A FAd c2B G3|ABA A2A ABA F3|
d2A FAd c2B G2F|EFG ABc d3 d3 :|

%%%
X:66
%
T:DANNY AB'S SLIDE (b-1) 
S:S: JOL.177 
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:12/8
%R:slide
K:Amix
A2e fed BAB d2B|A2e fed B2G GAB|
A2e fed BAB d2B|BAB d2e B2A A3 :|
eaa a2b a2g e2d|eag a2b a2g e2f|
gfg gfe dBA G2A|BAB d2e B2A A3 :|

%%%
X:67
%
T:DANNY AB'S SLIDE (b-2)
T:Dan O'Keeffe's  
S:S: CRE.2 
Z:Z: ABC/arr. BB
Q:1/4=200
L:1/8
M:12/8
%R:jig
K:Am
A2e e2d BAB d2B|A2e e2d B2G G3|
A2e e2d BAB d2B|BAB ded B2A A3:|
e2a a2b a2g e2d|e2a a2b a2g e2^f|
g2z g2e dBA G2A|BAB ded B2A A3:|

%%%
X:68
%
T:DANNY MEEHAN'S (reel)
S:S: BSMI.4 
Z:Z: ABC/arr. BB
L:1/8
%R:reel
M:C
Q:180
K:D
d2cA BdAF|EFGA BEE2|Add2 fdAF|GBAG FDDA|
dDcD BDAF|EFGA BEE2|Adcd fdAF|GBAG FDD ||
A|BA^GB ADDA|BA^GA BcdA|BA^GB AFDF|(3GFE (3FED EGFA|
BA^GB ADDA|BA^GA BcdA|BA^GB AFDF|(3GFE (3FED EGFB||
K:A
e2ge bege|Bege fgaf|e2ge bege|aAgA fecf|
e2ge bege|Bege fgaf|e2ge bege|aAgA fABc|d4z4|]

%%%
X:69
%
T:DARBY CAREY (slip jig)  
S:S: OFPC3.110 ("Irish") 
Z:Z: ABC/arr. BB
Q:1/4=160
M:9/8
L:1/8
%R:jig
K:Bm
d2B d2B AFD|d2B d2e f3|
d2B d2B AFD|EFE EFA B3 :|
d2e fdB BAF|d2e fdB f3|
d2e fdB BAF|AFE EFA B3 :|
d2e fdB BAF|d2e fdB f3|
g2e fdB BAF|AFE EFA B3 :|

%%%
X:70
%
T:DARBY GALLAGHER'S (jig)  
S:S: NFID.057a < JD 
Z:Z: ABC/arr. BB
N:N: Variant of "East at [Humors of] Glendart" 
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
A|BAF ADD|FEF DFA|BAF AFD|AFE EFA|
BAF AFE|DFA d2g|fed Bcd|AFD DF:|
c|def d2B|AFA ABc|def def|ede fdB|
def d2B|AFA AFA|gfe fdB|AFD DF:|\
"^coda"AFE GEC|D6||

%%%
X:71
%
T:DARBY O'DOWD 
S:S: RC1.060 
Z:Z: ABC/arr. BB
M:3/4
%R:waltz
K:C
%%text "rather slow"
%%vskip .3in
GE|:D2G2G2|G2 AGFG|A2 AcAG|FD3C2|
D2G2G2|G2 AGFG|1 A2d2de|d4 eG/C/:|2 A2d2de|d4||
de|f2f2ed|e2e2dc|d2ga/g/ fe/c/|A2A2GF|
D2G2G2|G2 AGFG|A2d2 de|1 d4:|2 Hd6|]

%%%
X:72
%
T:DARBY the DRIVER (ig) 
S:S: ONMI.0789 
Z:Z: Brennan/Black 
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:Am
N:N: Source has F natural in m.14.
G|EAA ABc|BAA ABc|d2e dBg|BGG GAG|
EAA A2A|BAA ABc|d2e dBg|BAA A2 :|
e|a^ga a2e|a^ga a2e|gag ege|dBG G2e|
a^ga a2e|"^14"de^f g2g|ege dBg|BAA A2 :|

%%%
X:73
%
T:DARBY'S FAREWELL TO LONDON (reel) 
C:Josie McDermott
Z:Z: Andrew Pickering (via IRTRAD)
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:G
A|BGEG DEGA|BGdG eGdG|BEDE DEGA|BGdB G3 A|
B2 EG DEGA|BGdG eGdG|BEDE eGdG|FGAF G3:|
z|BABd eg g2|e2 ag eg g2|GABd g2 eg|dBAB GE D2|
DEGA Bd d2|e2 ag eg g2|bgag egdG|FGAF G3:|

%%%
X:74
%
T:DARK CORNERS (jig)
S:S: TIDT 1/16 
Z:Z: ABC BB
C:J.Kelly
M:6/8
L:1/8
%R:jig
Q:1/4=160
K:Dm
B|AFD DED|AFD DcB|AFD DEF|E^CA, EFG|
AFD DED|AFA d2e|fed ^cd=B|^cAA A2 :|
G|:F3 cAF|FEF cDE|FEF cFA|GEC E/F/GE|
F3 cAF|1 FAc f2e|dcA AGE|FDD D2E :|
[2 FAc f2g|afa ge^c|d3 Hd3|]

%%%
X:75
%
T:DARK GIRL (polka), The 
S:S: BSMI.3
Z:Z: ABC/arr. BB
L:1/8
M:2/4
%R:polka
Q:1/4=120
K:D
E/|FA Ad|Bd AF|GB AF/A/|BE G/F/E/D/|
FA Ad|B/c/d/B/ A/B/A/F/|GB A/B/A/G/|FDD> :|
E/|FA A/B/d/e/|f/e/f/d/ ed|BB/d/ A/D/F/A/|BE G/F/E/D/|
FA A/B/d/e/|f/e/f/d/ ed|BB/d/ A/D/F/A/|FDD> :|

%%%
X:76
%
T:DARK GIRL DRESSED IN BLUE, The 
N:N: Not related to other tunes of the same name. 
S:S: ONMI.0403 < J.O'Neill 
Z:Z: Brennan/Black 
M:C
L:1/8
K:D
%%text "Moderate"
%%vskip .3in
d/e/|fdge dc Ad/e/|fdge d3d/e/|
ff gg/e/ dd A>B|=cccA G3F/G/|
AABG AD zA|dfec d3F/G/|
AA BG/G/ AF DF/G/|A/B/A/F/ GE D3|]

%%%
X:77
%
T:DARK GIRL DRESSED IN BLUE (polka), The 
S:S: CRE.3 
Z:Z: ABC/arr. BB
%R:polka
Q:1/4=120
M:2/4
L:1/8
K:D
FA Ad|Bd A>F|GB A>F|BE GD|
FA Ad|Bd A>F|GB AG|FD D2:|
FA Ae| f>d ed|B2 AF|BE GD|
FA Ae| f>d ed|B2 AG|FD D2:|

%%%
X:78
%
T:DARK GIRL DRESSED IN BLUE (slide), The
N:N: a/k/a/ Denis Murphy's Slide, Julia Clifford's Slide
S:S: CRE.3 
Z:Z: ABC/arr. BB
%R:slide
Q:1/4=180
M:12/8
L:1/8
K:D
B|A2D FED F2A A2f|gfe fed e2d BdB|
A2D FED F2A d2f|efe B2c d3 d2:|
A|d2e f3 gfe f3|gfe fed e2d B3|
d2e fef gfe f3|a2f e2f d3 d2:|

%%%
X:79
%
T:DARK LOUGH NA GAR 
S:S: ONMI.0477 < Cronin 
Z:Z: Brennan/Black 
N:N: It seems to me that the low C in measure 4 should be a C natural, but 
N:it's not marked that way in the source.
M:6/8
L:1/8
K:D
%%text "with feeling"
%%vskip .3in
f/e/|dcA FGA|cAg f>ed|cAF G>FG|AFD C2f/e/|
dcA FGA|cAg f>ed|cAF G>FG|AFD D2:|
d/e/|fef g2a/g/|f>ed cAg|f>ef ga>g|fdc d-d/e/f/g/|
afa g>fe|dcA f>ed|cAF G>FG|AFD D2:|

%%%
X:80
%
T:DARK MAIDEN OF THE VALLEY 
S:S: ONMI.0368 < J.O'Neill 
Z:Z: Brennan/Black 
%Measures 4 and 8 contain |A//B//c//d//e//f//| (? cadenza)
%between the last beat and the beginning of the following 
%measures.
M:3/4
L:1/8
K:G
%%text "moderate"
%%vskip .3in
GBd|e2 de dc|B>A GE G>B|A2 G2 GA|G6|
g2 gb ag|f>d BA GA|B2 d>f ec|d6|
g2 gb ag|f2 dc BA|G2 GA B/d/e/f/|g4 (3bag|
f2 de dc|B>A GE G>B|A2 G2 GA|G6|]

%%%
X:81
%
T:DARK PLAINTIVE YOUTH, The
C:O'Carolan
S:S: CAR-OS 
Z:Z: Gilb/Brennan/Black  
Q:1/4=100
M:C
L:1/8
K:Edor 
%%text "moderato"
%%vskip .3in
B,D|EDEF G2FE|D2D2 AFED|E2EF G2GB|AGFE D2B,D|
EDEF G2FE|F2Bc d3f|egfe BcdB|AFDF E2||
FG|AFAB dcde|dcde dBA2|B2e2 edef|edfe dBB>c|
dcde dfed|edef g2fe|egfe dfed|BcdB AFDF|
EFGA BcdB|AFDF HE4|]

%%%
X:82
%
T:DARK ROLL (reel), The
S:S: composer 
Z:Z: ABC/arr. BB
%R:reel
C:Rick Gagne 
N:N: "d/o/c/ 1991 on whistle"
M:4/4
Q:1/4=180
K:Em
ef | "Em"gefd eBB2 | gefd e2fg | "A"aee2 ^cde^c | "D"dfe^c d2ef | 
"Em"gefd eBB2 | gefd e2fg | "A"aee2 "Bm"bff2 | "C"gefd "Em"e2 :|
BG | "Em"EGG2 AGFG | "C"EGG2 AGFE | "D"FAA2 BAFA | "Bm"BFdF BAFA | 
"Em"egfd edBG | "C"AcBG "Am"ABGA | "Em"Bee2 Bege | "D"fdaf "Em"e2 :|

%%%
X:83
%
T:DARK SLENDER BOY (1), The
T:Buachaill Caol Dubh
S:S: RC1.024 
Z:Z: ABC/arr. BB
L:1/8
M:C
K:Gm
%%text "slow and with feeling"
%%vskip .3in
D2|G>ABc d2cA|g2fd c2 B/A/G/F/|G2GA B2 c/A/G/F/|AG G4:|
(3d=ef|g2ga b2 a/g/f/g/|a2g2 gb a/g/f/d/|g2ga b2 a/g/f/g/|a2g2g2 ag|
f=ede f2g2|agfd c2AF|G2GA B2 c/A/G/F/|AG G2-G4|]

%%%
X:84
%
T:DARK SLENDER BOY (2), The 
S:S: RC1.025 
Z:Z: ABC/arr. BB
N:N: I have changed some of the "classicisms" (or "Darleyisms").
L:1/8
M:3/4
K:G
%%text "with feeling"
%%vskip .3in
G/A/B/c/|dg g/f/d/c/ Bc/A/|B>A GF/G/ A/B/c/A/|1 dg g/f/d/c/ A>G|G3:|
[2 dg d>B c>B|G>G G2z||(3B/c/d/|b2 ab/a/ g/f/b/a/|g>f dc dd/e/|
=fa b/a//g//e/d/ e/g/^f/a/|g2 Gg ba|g>a (3b/a/g/ (3f/d/c/ Bc/A/|
B>A GF/G/ A/B/c/A/|dg d>B c>B|G>G HG4||

%%%
X:85
%
T:DARK WOMAN OF THE GLEN, The 
S:S: ONMI.0006 < Tuohey 
Z:Z: Brennan/Black 
M:3/4
L:1/8
K:G
%%text "Very slow"
%%vskip .3in
GE|D2EF DE//F//G//A//|"2"BG/E/ D//E//F//G//A//B//c//d// e>f|
"3"g2 fg/a/ g>e|"4"(3fed (3edB (3dBA||
"5"B-B/G//B// A2 B//c//B//c//B//c// B//A//|"6"G//F//E//F//G/A/G4|
"7"D>B A/B/c/d/ e>f|"8"g2f/e/d/e/ f(3e/f/g/||
"9"a2 bg f2|"10"e>d d2 g2|
"11"a//g//f//g// e//f//e//d// B//A//B//d// e//d//e//f// g//f//g//a// b//a//g//f//|
"12"g2 fg/a/ g>e||
"13"(3fed (3edb (3dBA|B2 (3GBA G2|"14"G//E//D//E//F//G//A//B// c/d/e/f/ g>a| 
"15"g2 fg/a/ g>e|"16"(3fed (3edb (3dBA| 
"17"B2 (3GED (3FGB|"18"A4 B//c//B//c//B//c//B//A//|"19"G//F//E//F//G>/A// G4|]

%%%
X:86
%
T:DARK WOMAN OF THE MOUNTAINS, The 
S:S: RC1.064 
Z:Z: ABC/arr. BB
M:3/4
K:G
%%text "slow"
%%vskip .3in
GA|B2 BAGE|G3A Bd|e2d2B2|A2G2G2|
G4GA|B2d2 ef|g2 fede|f2 fedB|
e2 dBGB|A4GA|B2d2 ef|g2 fede|
f2 fedB|e2 dBGB|A4GA|B2 BAGE|
G3ABd|e2d2B2|A2G2G2|HG6|]

%%%
X:87
%
T:DARK-EYED GYPSY, The
S:S: WSGM.033 < P.J.Healey, SFO
Z:Z: Kinder/Black 
M:4/4
L:1/8
Q:n/a
K:G
%%text "Andante"
%%vskip .3in
d2|B2 cA G3 g|B2 cA G3 d/e/|=f2 g2 A2 _B2|=B2 c2 d3 B/c/|
d2 ga b3 a/g/|gf dB c3 B/c/|B g2 f d2 cA|A2 G2 G2||
Bc|d2 ga b3 a/g/|gf dB c3 B/c/|de =fe d2 cA|A2 G2 G2:|

%%%

X:88
%
T:DARLING DAN (reel)
S:S: WSGM.275 < Rice-Walsh manuscript
Z:Z: Kinder/Black 
M:4/4
L:1/8
Q:1/4=180
%R:Reel
K:G
A|GBdB cBAG|FADA FADA|BGBd eceg|bgaf gedB|
GBdB cBAG|FADA FADA|BGBd eceg|bgaf dgg :|
e|bgg2 affa|gddg fdcA|Bdce dfeg|fagb a2ga|
bgg2 affa|gddg fdcA|Bdce dfeg|fagb ged :|
"^coda"fagb gedf|Hg4z4|]

%%%
X:89
%
T:DASH TO PORTOBELLO (reel), The 
S:S: SRHI.27a 
Z:Z: ABC/arr. BB
C:Seán Ryan
Q:1/4=180
L:1/8
M:C
%R:reel
K:Em
dc|BEE2 EDB,E|D2FE DA,A,2|B,EED EFGA|Bd eB dBA=c|
BEE2 EDB,E|D2FE DA,A,2|B,EED EFGA|Bd AF GE:|
ef|g2eg bgeg|fdd2 Adfa|g2eg bgeg|fgaf geef|
g3a bgeg|f2df afdf|gfga bgaf|gfed Bd :|\
[2 "^coda"gfed e4|]

%%%
X:90
%
T:DASHING WHITE SERGEANT (hornpipe), The   
S:S: RC2.227 
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:C|
%R:hornpipe
K:G
%swing .25
ge|dBAB G2 AB|cAGF G2 Bc|dBge dBGA|B2cB A2 ge|
dBAB G2 AB|cAGF G2 Bc|dBge dBAB|G2 GF G2:|
Bc|dBge d2 Bc|dBge d2 Bc|dBge dBGA|B2cB A2 ge|
dBAB G2 AB|cAGF G2 Bc|dBge dBAB|G2 GF G2:|

%%%
X:91
%
T:DAVE COLLINS' JIG (1) 
S:S: MFC.084A 
Z:Z: ABC/arr. BB
C:Dave Collins
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
A,|D2A, DFA|def edB|BAB dAG|FED EFE|
D2A, DFA|def edB|BAB dAF|EDC D2 :|
A|dcd ede|fed BdB|BdB AFD|EDE FDA,|
D2A, DFA|def edB|BAB dAF|EDC D2 :|

%%%
X:92
%
T:DAVE COLLINS' JIG (2) 
S:S: MVBT < B.Conway 
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:C
%%text source key = Bb
%%vskip .3in
G|c2C EGc|d2d dcA|c2 A GEC|EGE D2 E|
CB,C ECE|CEG AGE|GAc dBG|ced c2:|
%
d|ece dBd|cea geg|a2 g ede|gab a2 b|
c'ba bag|age dBG|ABc dBG|ced c2 d|
%
ece dBd|cea geg|c2 A GEC|EFE D2 E|
CB,C ECE|CEG AGE|GAc dBG|ced Hc3|]

%%%
X:93
%%textfont Palatino 16
%%musicspace 0.5in
%%titlespace 40
%%printtempo 0
%%titleleft
%%textfont Palatino Bold 16
%hide_information_labels
%%titlefont Palatino Bold 22
%%subtitlefont Palatino Bold 18
%%composerfont Palatino Bold 16
%%historyfont Palatino Bold 16
%%partsfont Palatino Bold 16
%add_all_playback_links 25 0 0 fluid
%add_all_playback_volumes 64 80
%%staffsep 70
T:DAVE O DOCHERTY'S (reel) 
S:S: BBMG
C:© BB
%A fine artist and musician that I knew from the Irish Arts Center days
%in NYC and met again up in Boston. RIP.
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:D
FA|"Bm"BcBA "D"F2 ED|"G"B,CDE "D"FGAc|"Bm"dcBd "Em"e2 gf|"G"eBdB "A"A2 FA|
"Bm"BcBA "D"F2 ED|"G"B,CDE "D"FGAc|"Bm"defd "G"g2 ed|"A7"cAGE "D"D2 :|
FA|"Bm"BDFA "D"dcde|"Bm"fede "F#m"fa^ga|"Bm"bfef "D"afef|"G"gfed "Bm"B2 FA|
"Bm7"BDFA "D"dcde|"Bm"fede "F#m"fa~a2|"Bm7"b2 af "Em"edBd|"A7"cAGE "D"D2 :|


%%%
X:94
%
T:DAVE'S DONEGAL RAMBLES* (reel)
S:S: MVBT < Dave Abe 
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:D
E|F3A AFDE|F2EG FDDE|F3A AFDE|F2 EF D3 :|
A|d3 A FGAB|A2 dA Bdec|d3 A FGAB|AFGE FDD :|

%%%
X:95
%
T:DAVID POWER 
C:O'Carolan
S:S: CAR-OS 
Z:Z: Gilb/Brennan/Black  
Q:1/4=140
M:C|
L:1/8
K:D
%%text "allegro"
%%vskip .3in
dede d2A2|defd efge|afdf ecAc|dede d2A2|
"5"efef e2B2|fdde fd d2|e/f/g/f/ ed cdec|dAFD EFGE|
"9"FGAF GABA|GBAd cdec|"11"d2de d4||
"12"f/g/a/g/ fe dedA|dedA Bcde|BGdG BGGd|cAeA cAAG|
"16"FD F/G/A FDDA|GE G/A/B GE E2|B/c/d c/d/e B/c/d c/d/e|\
d2dA d2dA| 
"20"(3BdB dg  (3BdB dg|agfe d2A2|FDAD FDDA|GEBE GE E2|
"24"cd e2dc B2|AGFE D2d2|"26"e2dc d4|]

%%%
X:96
%
T:DAVY DOODY'S BIG FLUTE (jig) 
C:© E.Flynn
S:S: composer 
Z:Z: ABC/arr. BB
M:6/8
%R:jig
Q:1/4=160
L:1/8
K:G
c|BAG AGE|GDB, G,B,D|GFG AGA|BAG ABc|
BAG AGE|GDB, G,B,D|G/A/BG AGE|GED D2:|
c|B3 cBc|dgg BAG|BdB cBc|dBG ABc|
B3 cBc|dgg BAG|BAG AGE|GED D2:|

%%%
X:97
%
T:DAVY'S REEL
S:S: MFC.052C 
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D mix
D3d cAAB|cded cAGE|D3d cAAB|cAGE ED D2|
FGAB cAAd|cded cA A2|fged cAAB|cAGE ED D2 :|
ABde fefg|afgf dcAG|ABde f2 ed|cAGE ED D2|
ABde f3g|afgf defg|afge fged|cAGE EDCE :|
"^coda" cAGE EDCE|D4z4|]

%%%
X:98
%%textfont Palatino 16
%%musicspace 0.5in
%%titlespace 40
%%printtempo 0
%%titleleft
%%textfont Palatino Bold 16
%hide_information_labels
%%titlefont Palatino Bold 22
%%subtitlefont Palatino Bold 18
%%composerfont Palatino Bold 16
%%historyfont Palatino Bold 16
%%partsfont Palatino Bold 16
%add_all_playback_links 25 0 0 fluid
%add_all_playback_volumes 64 80
%%staffsep 65
T:DAWN (1) (reel), The
S:S: JOB 
Z:Z: ABC/arr. BB
N:N: Known by other names, e.g. "Miller's," "Michael R(e)illy's". This tune is  
N:also played in A.
Q:1/4=180
M:C
%R:reel
K:G 
B,|G,2B,D C2EC|D2B,D GABG|ADBD cDBD|AcBA GEDB,|
G,2B,D C2EC|D2B,D GABd|edef g2fe|1 dcBA GED :|2 dcBA G3||
|:f|gfgd edBd|eaag fdeg|fdad fdad|g2dB cdef|
gfgd edcB|cdef gfge|dBge d2BG|AGEA G3 :|
[2 "^coda"AGEA GEDB,|HG,4z4|]

%%%
X:99
%
T:DAWN (2) (reel), The 
S:S: GSTC 
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
%R:reel
K:G 
G,2 B,D CGEC|D2B,D GdBG|ADBD cDBD|AcBA GEDB,|
G,2 B,D C2 EC|DG,B,D GABd|edef gage|1 dcBA GEDB, :|2 dcBA G3||
f|gagd edBd|efgf edBd|fdad bdad|g2dg BGdB|
gagd edBd|eage fdef|edef gage|dcBA G3 :|

%%%

X:100
%
T:DAWN (3) (reel), The
S:S: BSMI.1 
Z:Z: ABC/arr. BB
%R:reel
% Half-notes in mm 21-23 can be played as triplets
% ((3gfg, (3fef, etc.) if you're brave enough to try!
M:4/4
Q:1/4=180
L:1/8
K:G
B,A,|G,2B,D C2EG|D2FA GFGB|ADBD cDBD|AcBA GEDB,|
G,2B,D C2EG|D2FA G2Bc|dcBd gedc|BcBA G2 :|
(3DEF|G2GD EDB,D|EAAF GFED|FDAD BDAD|GBDG BDGB|
G2GD EDB,D|EAAF GFED|FDAD BGEC|B,CB,A, G,3F|
G2GD EDB,D|EAAF GFED|FDAD BDAD|GBDG Bdef|
g2f2 e2d2|c2B2 A2G2|F2E2 D2C2|B,CB,A, HG,4 |]´

%%%
X:101
%
T:DAWN (reel) (4), The
S:S: MFC.008A 
Z:Z: ABC/arr. BB
% MFC has /gbdg bdef/ in measure 12
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G
z|G,2B,D C2EC|DGG2 B,DGB|ADBD cDBD|AcBA GEDB,|
G,2B,D C2EC|DGG2 B,DBd|edef gedc|BdAc BGG :|
e|gbgd edBd|eaag fdd2|fdad fdd2|"12"gbag fadf|
gfgd edBd|c2AB cdef|gfgd egdc|BdAd BGG :|\
"^coda"BdAd B2A2|G8|]

%%%
X:102
%
T:DAWN CHORUS (jig), The
C:Charlie Lennon
Z:Z: ABC/arr.BB
%R:jig
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
E|B3 BAB | ded BGE | D2A AGA | DEG AGE |
D2B BAB | dBB BAG | ABd BAB |1 FEE ED :|2 FEE E2f ||
|:gee efg |f3 def | gfg aga | bge e2f |
g3 gfe | ded dBd |g3 B3 |1 dBA GBd :|2 ded DEG ||

%%%
X:103
%
T:DAWN OF HOPE BRIDGE (polka), The 
C:Joe Liddy
S:S: Liddy2.23 
Z:Z: ABC/arr. BB
Q:1/4=200
M:2/4
L:1/16
%R:polka
K:G
dc|B2G2 GAGF|D2G2 G2dc|B2G2 d2cB|A2F2 FGAc |
B2G2 GAGF|D2G2 B2c2|f2g2 gfdc|B2G2 G2 :|
Bc|d2g2 f2g2|d2fd cdBc|d2dB cBcd|B2G2 G2Bc |
d2g2 f2g2|dfdB c2Bc|dcdB cBcd|B2G2 G2 :|

%%%
X:104
%%textfont Palatino 16
%%musicspace 0.5in
%%titlespace 40
%%printtempo 0
%%titleleft
%%textfont Palatino Bold 16
%hide_information_labels
%%titlefont Palatino Bold 22
%%subtitlefont Palatino Bold 18
%%composerfont Palatino Bold 16
%%historyfont Palatino Bold 16
%%partsfont Palatino Bold 16
%add_all_playback_links 25 0 0 fluid
%add_all_playback_volumes 64 80
%%staffsep 70
T:DAWN OUTSIDE the PUB (jig) 
S:S: BBMG 
L:1/8
C:© BB 2009
% We might be talking O'Reilly's in Manhattan here . . .we
% were all younger then.
M:6/8
Q:1/4=160
%R:jig
K:Gm
A|"Gm"BAG "F"ABc|"Gm"BGG G2c|"Gm"d^cd "Cm"=c^Bc|"D"A^FD DFA|
"Gm"dg^f "Cm"gec|"Gm"ded "F"cBA|"Eb"BGE "D"D^FA|"Gm"BGG G2 :|
K:G
e|"G"gdB "Am"ABc|"G"BGG G2A|"Em"BGE "D"DFA|"Em"GEE E2 D|
"G"GAB "C"cde|"D7"d^cd =cAF|"G"BAG "Am"ABc|"G"BGG G2 :|

%%%
X:105
%
T:DAWN'S JIG 
T:Foynes Jig
C:Martin Mulvihill
S:S: Mike Rafferty
Z:Z: ABC/arr BB
Q:1/4=160
M:6/8
K:D
E|F2F EFE|DFA d2A|ded cAG|FAF GFE|
F2F EFE|DFA d2f|edc AB^c|dfe d2:|
e| f2a g2e|fdB ABc|B2B EFG|AAD FED|
f2a g2e|fdB ABc|Bcd e^cA|dfe d2:|

%%%
X:106
%
T:DAWNEY BROOK FAIR (jig)
S:S: CIAJ 
Z:Z: ABC/arr. BB
%The CIAJ tune is not related to the tune known
%today by this name (cf "Allan's Irish Fiddler"). 
%This is my arrangement.
L:1/8
M:6/8
%R:jig
Q:1/4=160
K:E dorian 
%%text "andante"; source key Gm
%%vskip .3in
A|BcB AFB|E2D E2F|AFB AFE|DEF DED|
dBA Bde|efd efe|d2B AFB|E2D E2 :|
B|eBG eBG|E2D E2F|dAF dAF|D2C D2B|
eBG BGE|Efd e2f|dBG AFD|E2D E2 :|
D|Eeg Eeg|Ege BGE|Ddf Ddf|DdB AFD|
Eeg Def|Efd e2f|dBd AFD|E2D E2 :|

%%%
X:107
%
T:DAWNING OF THE DAY (a-1), The
S:S: WSGM.038 < "Aird's Selections" 1782-97
Z:Z: Kinder/Black 
M:4/4
L:1/8
Q:n/a
K:G
%%text "Moderato"
%%vskip .3in
DE/F/|G>AGF E2D2|dd g/f/e/d/ B2 c/B/A/G/|
GFGA B2 g/f/e/d/|B>c A2 G2:|
z2|e>def g2 ga/b/|agfe d2 B2|ed e/g/f/a/ ggab|
agf>e e4|edef gg g/f/e/d/|Bg B/g/B/g/ A2 B/A/G/F/|
GFGA B2 g/f/e/d/|Bc A2 GF G2||

%%%
X:108
%
T:DAWNING OF THE DAY (a-2), The
S:S: CAR-ON 
Z:Z: Brennan/Black 
C:O'Carolan
N:N: This isn't the melody usually associated with this title (Irish  "Fáinne 
N:Géal an Lae", better known as "Raglan Road")
Q:1/4=100
M:C
L:1/8
K:G
%%text "Moderate"
%%vskip .3in
D|G>AGF E2D2|d>edc B2AB/A/|GDGA B2ge/c/|B2A2G2zD|
GAGF E2D2|d>edc B2AB/A/|GDGA B2ge/c/|B2 A2G2z||
g/f/|edef g2fg|a>bgf ed2g/f/|edef g2fg|a2gf e2ze|
fdef g2 g/f/e/d/|BgBg cBA z|GDGA B2ge/c/|B2A2G4|]

%%%
X:109
%
T:DAWNING OF THE DAY (b), The  
S:S: ONMI.0108 < Walsh 
Z:Z: Brennan/Black 
N:N: Not the melody of "Fainne Geal an Lae".
M:C
L:1/8
K:D
%%text "moderate"
%%vskip .3in
z2|d2d>e f>gef|d>fed c2zd|A>BGA F>GEF|Ddec d2:|
fg|affa ag zg|affa g3f|egec egec|zffe f3g|
afga bagf|efed c2zd|A>BGA F>GEF|Ddec d4|]

%%%
X:110
%
T:DAY AFTER CHRISTMAS (polka), The
C:Mike Dugger (KC)
S:S: composer 
Z:Z: ABC/arr. BB
Q:1/4=120
%R:polka
M:2/4
L:1/8
K:G
c|dB GB|c/B/A GD|E/F/G AG|FG AB|
dB GB|c/B/A GD|E/F/G AF|G2 G :|
c|BA B/c/d|fd gd|ef/g/ af|gf ed|
BA B/c/d|fd gd|ef/g/ af|1 g2 g :|
[2 g2 a|:g|a/g/f g/f/e|ge dB|c/B/A B/A/G|
AF DA|dB GB|c/B/A GD|E/F/G AF|G2 G :|

%%%
X:111
%
T:DAY AFTER the FAIR (1) (jig), The 
S:S: CRE.1 
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%R:jig
K:Em
BEE BEE|BEE EFG|AFD AFD|AFD DEF|
GFG ABA|BAB g2f|edc BcA|BGE EFG:|
B3 B3|BGE EFG|ABA A3|AFD DEF|
AGF AGA|BAB g2f|edc BcA|BEE E3:|

%%%
X:112
%
T:DAY AFTER the FAIR (2) (jig), The 
S:S: ONMI.0868 < J.O'Neill 
Z:Z: Brennan/Black 
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:Em 
%%text source key = Gm 
%%vskip .3in
F|G2A BGE|BGE BGE|F2G AFD|AFD AFD|
G2G A3|Bee efg|dec BcA|GEE E2 :|
A|BcA BcA|BGE EFG|ABG ABG|AFD DEF|
G3A3|Bee efg|dec BcA|GEE E2 :|

%%%
X:113
%
T:DAY AFTER the FAIR (3) (jig), The
S:S: RC1.084 (as "Wheels of the World")
Q:1/4=160
N:N: Both O'Neill and CRE have this tune (or a version thereof) as "Day After the 
N:Fair". "Wheels of the World" is a different tune altogether (but with similar  
N:versions in O'Neill and CRE).
L:1/8
Z:Z: ABC/arr BB
M:6/8
%R:jig
K:Edor
A|BGE BGE|BGE EFG|AFD AFD|AFD DEF|
G3 A3|Bcd e2f|gfe dBA|BGE EG :|
A|B3 BcA|BGE EFG|A3 ABG|AFD DEF|
G3 A3|Bcd e2f|gfe dBA|BGE EG :|
[2 "^coda"BGE DB,D|HE6|]

%%%
X:114
%
T:DAY at the BEACH (hornpipe), A 
S:S: arr. of ONMI #287, "Down At The Seaside" 
Q:1/4=150
%R:hornpipe
Z:Z: ABC/arr. BB
M:C
L:1/8
K:D
DE|FEFA BAFD|A^GAB A2dc|B3c dcBA|B4 -B2DE|
FEFA GFED|AFAc d3c|Bcde f2ec|d2 d2 d2 :|
cd|edef g2cd|ecdB A2Bc|dcde dcBA|B4 -B2dB|
AFGE D2FG|AFED d2fe|dcBd AFGE|D2 D2 D2 :|

%%%
X:115
%
T:DAY I MET TOM MOYLAN (reel), The 
S:S: CRE.3 
Z:Z: ABC/arr. BB
% Close relative of "Man of the House".
%R:reel
L:1/8
Q:1/4=180
M:C
K:Em
E2BE GABG|E2BG AFDB|E2BE GABe|dBcA BEED|
E2GE GABG|E2BG AFD2|EBBA GABc|dBcA BEE2||
efge f2af|gfed edBd|efge fedB|edBA BEE2|
efge f2af|gfed ed (3Bcd|bgaf gefd|e2BA GEFD||
"^coda" HE4z4|]

%%%
X:116
%
T:DAY IN THE COUNTRY* (jig), A  
S:S: GEI.080 (as "Country dance") 
Z:Z: ABC/arr. BB
N:N: Second part is not repeated in the source.
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:D
A|d2d dcd|efe e2d|cBc ABc|d2f a2f|
d2d dcd|efe e2d|cBc ABc|d2f d2 :|
e|f2f2 fef|a2g g2f|e2e ede|g2f f2e|
d2d dcd|efe e2d|cBc ABc|d2f d2 :|

%%%
X:117
%
T:DAY OFF TOMORROW (jig), A 
S:S: arr of ONMI #234, "Saturday Night"
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:Dmix
G|ABc BAF|EDD D2F|ABc ded|cAF GFG|
ABc ded|cAF GFG|ABc BAF|EDD D2 :|
e|fef ded|cef gfg|abc' bag|fed efg|
age ded|cAF GFG|AGA cAF|EDD D2 :|

%%%
X:118
%
T:DAY WE PAID THE RENT (reel), The 
S:S: ONMI.1232 
Z:Z: Brennan/Black 
%R:reel
Q:1/4=180
M:C|
L:1/8
K:G
ge|dGBG dGBe|dGBG FGAe|dGBG dGBd|efga bg:|
ga|bagf gdBd|egdB BA A2|bagf gdBd|egea g2ga||
bagf gdBd|egdB BAAc|BGdG eGdG|egfa g4|]

%%%
X:119
%
T:DAY WE WENT TO KELLS (reel), The
C:© E.Reavy
S:S: "Ed Reavy Collection" 
Z:Z: McKenty/Black 
N:N: This looks like a single reel (A-B) but it's hard to be sure on the basis 
N:of the book's notation. I can't imagine Ed (RIP) would mind if you played 
N:it as a double!
Q:1/4=180
M:4/4
L:1/8
%R:Reel
K:G
%%text "allegro moderato"
%%vskip .3in
GA|BGG2 AGFD|BGBG cAFA|BGG2 A2 Bc|dfed cAFA|
BGG2 AGFD|BGBG cAFA|BGG2 A2 Bc|dfed dAFA||
Bd gf afgB|Aceg fdcA|Bd gf afge|fdcA BGG2|
Bd gf afgB|Aceg f2fg|afge fdeg|fdcA BGG2|]

%%%
X:120
%
T:DAYLIGHT REEL, The 
C:Joe Liddy 
Z:Z: ABC/arr. BB
S:S: Liddy1.52
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Am
ed|cecA BdBG|AcBA GE D2|EAAG ABcd|edcB AGEG |
cecA BdBG|AcBA GEDE|cBAG EDEG|AcBG A2 :|
AB|c2 cd ecgc|aege dcAB|c2 cd eceg|abag ed d2 |
ecgc aceg|aged cAGA|cBAG EDEG|AcBG A2 ||
AB|c2 cd eceg|aege dcAG|ABcB cded|eaag a2 ab |
aged cAcd|edcB AGEB|cBAG EDEG|AcBG A4 |]

%%%



%%%
X:121
%
T:DEAR BLACK COW, The  
S:S: ONMI.0130 
Z:Z: Brennan/Black 
M:3/8
L:1/16
K:Em
%%text "slow" 
%%vskip .3in
E>F|G4 F2|E>E H^D2 E>F|G4 F2|E2 z2D>E|
F4E2|DB,A,B,DE|F4E2|D2 z2E>F|
G4F2|E>E H^D2 E>F|G4A2|G>F F4|
EFGAB>d|e2e2 (3cBA|G4F2|E4|]

%%%
X:122
%
T:DEAR BLACK MAID, The  
S:S: CGI.071 
Z:Z: ABC/arr. BB
Q:1/4=80
L:1/8
M:3/4
K:A 
%%text "slow and with solemnity"
%%vskip .3in
A|c2e2ef|e3cA2|c2e2 e/f/=g|f3ec2|
a2 b2 a2|g3f fe|c3BA2|B3GE2|
A2 A>BcA|B>A BBdB|A>G ABcA|dBcABF|
A2 ABcA|c2e2 a>g|fedcBA|c3B HA2 |]

%%%
X:123
%
T:DEAR BROWN WHITE-BACKED COW  
T:Druimfhionn Donn Dilis
S:S: RC3.069 
Z:Z: ABC/arr. BB
L:1/8
M:3/4
%R:waltz
K:F
%%text "andantino con espress."
%%vskip .3in
AB|c2f2 fe|f2g2 ge|fe c>=B Hc2|cd e>d cd|
e2f2 g>e|f>e c>B A>B|G4 fe|c2d2 G>E|F2G2A2||
B2c2d2|G4 fg|a>g f>g g>f|e2 c3B|AB G3F|EGF4-|F6|]

%%%
X:124
%
T:DEAR HARP OF MY COUNTRY (jig)  
T:New Langolee
S:S: OFHC28.02 
Z:Z: ABC/arr. BB
N:N: "Dear Harp" is a song of Thomas Moore's that he set to the tune of "Langolee" 
N:("New" or "Old" seems to be uncertain). Either way it makes a nice dance tune!
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
G/E/|DEF GAB|ced cBA|BGE DEG|BcA G2G/E/|
DEF GAB|ced cBA|BGE DEG|BcA G2 :|
E|GBd dBd|cde dBF|GBd efg|GAF GED|
c2B cBB|AGA BGE|G2E DEG|BcA G2 :|

%%%
X:125
%
T:DEAR IRISH BOY (1), The 
S:S: RC1.049 
Z:Z: ABC/arr. BB
L:1/8
M:3/4
K:A dorian
%%text "slow and with feeling"
%%vskip .3in
AB|c2B2A2|B2e2 d>B|A2B3A|A2G2AB|
"5"c2B2A2|B2e2d>B|A2B3A|A4 AB|
"9"c2B2A2|B2e2d>B|A2B3A|A2G2 AB|
"13"c2d2e2|a2ba g/e/d|c2AcB>A|A6||
%
"17"a2e3e|a3 ged|c/d/e/^f/ g3B|A2G3e|
"21"a2a3a|g2e3d|e2a2b2|a4 ab|
"25"c'2 b2 a2|g2e3d|c/d/e/^f/ g3B|A2G2AB|
"29"c2d2e2|a2ba g/e/d|c2AcB>A|A6|]

%%%
X:126
%
T:DEAR IRISH BOY (2), The 
S:S: RC1.050 
Z:Z: ABC/arr. BB
L:1/8
M:3/4
K:Em
%%text "slow air"
%%vskip .3in
EF|G2F2E2|B4A>F|E2F3E|E2D2EF|
G2F2E2|B4AF|E2 FEDF|E4EF|
G2F2E2|B4 A>F|E2F3E|E2D2EF|
G2A2B2|e3 dBA|G2E2F>E|E4z2||
%
e2B4|e2B3A|G2E2 F>E|E2D3B/A/|
B2e2ef|g2f2ed|B2e2f2|e4ef|
g2f3e|e2B3A|G2E2F>E|E2D2EF|
G2A2B2|e3 dBA|G2E2B>E|HE6|]

%%%
X:127
%
T:DEAR IRISH BOY (3), The    
S:S: ONMI.0073 
Z:Z: Brennan/Black 
M:3/4
L:1/8
K:Dm
%%text "slow and tender"
%%vskip .3in
D>E|F3 FED|A2 G3E|D2D2ED|D2C2DE|\
F2E3D|E2A2A>G|F2D2E2|D4DE|
F3 FED|A2G3E|D2D2ED|D2C2DE|\
F3G AB/^c/|d4A>G|F3D EA|D4||
A^c|d2A2A2|d2A2AG|F2D2ED|D2C2AG|\
A2d2de|f2e2dc|A2d2e2|d4de|
f2e2d2|d2A2AG|F2D2E>D|D2C2DE|\
F3G AB/^c/|d4A>G|F3D EA|D4|]

%%%
X:128
%
T:DEAR LITTLE ISLAND (jig), The 
S:S: ONMI.1831 
Z:Z: Brennan/Black 
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
%%text A-B-A
%%vskip .3in
d/c/|SB2B Bgf|e2e efg|d>ed dcB|BAA A2d/c/|
B2B Bgf|e2e efg|ded cBA|AGG G2||
g/a/|b2g a2f|gfe dcB|cde dgB|BAA A2g/a/|
b2g a2f|gfe agf|bag fge|dgf ed"_DS"c||

%%%
X:129
%
T:DEAR LITTLE SHAMROCK, The  
S:S: ONMI.0178 < J.O'Neill 
Z:Z: Brennan/Black 
M:3/4
L:1/8
K:D
%%text "moderate"
%%vskip .3in
Ad|f4ff|f4f2|e2f2e2|d4dd|"5"d2f2a2|a2g2f2|
f2e2z2|z2z2de|f2g2f2|f2e2d2|e2f2e2|d4cB|
A2d2f2|a2g2e2|e2d2z2|z2z2cd|e4fe|e2c2d2|
e2c2a2|e2c3e|a4gf|e4dc|B2e2d2|c2A2Ad|
f3f f2|f2d A/B/c/d/e/f/|g3g g2|g2e2A2|d4ef|
g3a b2|a2g2f2|e2 Hd3|]

%%%
X:130
%
T:DEAR MARGARET WALSH 
T:"Maighread Dilis Breathnach" 
S:S: RC3.016 
Z:Z: ABC/arr. BB
L:1/8
M:6/8
K:Gm
%%text "rather slow"
%%vskip .3in
G2F/D/ F2G|A2A/G/ ABc|ddd cdc|BAG FDC|D3 F2G|ABA G3||
AFG ABc|d2=e fed|c2=B cdc|BAG FDD|
c2=B cdc|B>AG FDC|D3 F2G|ABA G3|]

%%%
X:131
%
T:DEATH AND THE SINNER (1) 
S:S: RC3.002 
Z:Z: ABC/arr. BB
L:1/8
M:3/4
K:Gdorian
%%text "slow and sorrowful"
%%vskip .3in
AG|F2G2 A=B|c4 fe|d2c2 AG|AF3 GA|
B2A2 AG|Ad3 e/d/c/A/|G2G2 A>G|G4||
GA|c2d2 ef|f4 fe|g2d2 cA|G2G2 Ac|
f2g2 af|g2g2 fe|d2c2A2|G2G2 Ac|
f2g2 af|g4 fe|d2c2 AG|AF3 GA|
B2A2 AG|Ad3 e/d/c/A/|G2G2 A>G|HG6|]

%%%
X:132
%
T:DEATH AND THE SINNER (2)
T:"1st Setting" 
S:S: ONMI.0469 < Cronin 
Z:Z: Brennan/Black  
M:3/4
L:1/8
K:Ador
%%text "moderate"; source key F (Gdor)
%%vskip .3in
BA|G2 A2 Bc|d4 gf|ef ge dB|A2 BA GE|
c4 BA|B2 ed B^G|A4 B2|A4:|
Bc|d2 e2 fa|g2 e2 e2|a4 g2|a2 ba ge|
g2 a2 bg|a4 gf|ef ge dB|A2 BA GE|
g2 a2 bg|a4 gf|ef ge dB|A2 BA GE|
c4 BA|B2 ed B^G|A4 B2|A6|]

%%%
X:133
%
T:DEATH AND THE SINNER (3) 
T:"2nd Setting"
S:S: ONMI.0470 < Hartnett 
Z:Z: Brennan/Black 
M:3/4
L:1/8
K:F 
%%text "moderate"
%%vskip .3in
AG|F2 G2 AB|c4 fe|d2 c2 A>G|AF3 GA|
B2 A2 A>G|Ad3 c>A|G4 (3AG^F|G4:|
FA|c2 d2 eg|f4 (3def|g2 d2 cA|G2 G2 Ac|
f2 g2 af|g2 g2 fe|d2 c2 A2|G>G G2 Ac|
f2 g2 af|g4 fe|d2 c2 A2|G>A F2 GA|
B4 AG|Ad3 cA|G4^FA|G4|]

%%%
X:134
%
T:DEATH OF STAKER WALLACE, The 
S:S: RC1.058 
Z:Z: ABC/arr. BB
N:N: I have simplified Roche's version. Check out the late Andy McGann's 
N:version of this lovely slow air on www.capeirish.com/tune_vault
L:1/8
M:3/4
K:G
%%text "slow and solemn"
%%vskip .3in
G/E/|D2E>G GG/A/|BG/E/ DG//B//d/ e>f|
"3"g2 f/g/a g>e|fe/d/ ed/B/ dB/A/|
"5"Bd/B/ A>B AG/E/|DEG G2:|d/B/|A2 Bd de/f/|
"8"ga/g/ f>e fe/f/|ab/g/ fe d>g|a/g/e/d/ B/d/e/f/ g/a/b/f/|
"11"g2 fg/a/ ge|fe/d/ ed/B/ dB/A/|B2 dB A2|G>A B/d/e/f/ g>a|
"15"g2 fg/a/ g>e|fe/d/ ed/B/ dB/A/|B/E/G/B/ A>B AG/E/|DEG HG3||

%%%
X:135
%
T:DEBRA'S FOOT (jig)
C:D. MacAdam 10/21/14
S:S: composer
L:1/8
Q:1/4=160
M:6/8
%R:jig
K:D
A|dcd BdB|AdA G2A|FAd GBe|ABc d2A|
dcd BdB|AdA G2A|Bcd edc|B2c d2 :|
e|fdB gec|afa g2e|fga gec|def e2g |
fdB gec|afa g2b|agf gfe|ABc d2 :|

%%%
X:136
%
T:DECEPTION, The 
S:S: ONMI.0323 < J.O'Neill 
Z:Z: Brennan/Black 
M:6/8
L:1/8
K:D
%%text "slow with feeling"
%%vskip .3in
A/G/|FED A,CE|D3-D2E|F-F/G/A/B/ cAc|d3-d2e|
cBA GED|C3-C2D/E/|FED A,CE|D3-D2||
%
A|d2e f2e|dA2-A2B|c3 G2F|EC2-C2A|
d2e f2e|dA2-A2F|G2F D2D|D3D2||
%
D/E/|F-F/E/F/A/ cAc|d-d/e/f/e/ d2d/e/|fed cAc|d3-d2f|
cAF GFD|C3-C2D/E/|FED A,CE|D3-D2|]

%%%
X:137
%
T:DECLAN PAYNE'S JIG 
T:Enniscorthy Jig #1
S:S: "The Killavil Sessions" 
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
D|GFG DGB|d^ce dBG|ABA EAB|cAF DFA|
GFG DGB|d^ce dBG|cBc dcA|AGF G2 :|
e|gfg eaf|gdB GBd|A^ce a2g|faf def|
gfg eaf|gdB GBd|cBc dcA|AGF G2 :|

%%%
X:138
%
T:DEEP IN DARK WOODS* (march)  
S:S: Petrie.162 (unnamed) 
Z:Z: ABC/arr. BB
Q:1/4=70
M:2/4 
L:1/8
%R:march
K:Dm
%%text "andante"
%%vskip .3in
E/G/|Ac B/A/G/E/|ce dc|AG/E/ DD|D3A/G/|
Ad d/c/d/e/|fa g/f/e/d/|ef d(3c/A/G/|A3-A/G/|
Ad d/c/d/e/|fa g/f/e/d/|ef d/c/A/G/|A2-AF/G/|
Ac B/A/G/E/|ce dc|AG/E/ DD|D4 |]

%%%
X:139
%%textfont Palatino 16
%%musicspace 0.5in
%%titlespace 40
%%printtempo 0
%%titleleft
%%textfont Palatino Bold 16
%hide_information_labels
%%titlefont Palatino Bold 22
%%subtitlefont Palatino Bold 18
%%composerfont Palatino Bold 16
%%historyfont Palatino Bold 16
%%partsfont Palatino Bold 16
%add_all_playback_links 25 0 0 fluid
%add_all_playback_volumes 64 80
%%staffsep 70
T:DEEP WATER Jig, The
S:S: BBMG
C:© BB
N:N: see note in ABC file
% This is dedicated to the local musicians who turn up to keep our 
% sessions successful - needless to say, I'd be in pretty deep water 
% if they decided they wanted to be somewhere else! (Insert "gentle 
% chuckle" emoji here.)
L:1/8
M:6/8
Q:1/4=160
%R:jig
K:D
D|"D"FAd "Bm" B2 B|"D" ABA "A7"GFE|"D" FAd "G" BAB|"Bm7" ABd "A"e2 e|
"D" f2d "G" B2d|"D" ABA "A7" AGE|"D" DFA "Bm" BAB|"A" AFE "D" D2 :|
A|"D" dcd "Bm" fef|"D" aba fed|"Em" e2f "G"gfg|"Em" bgf "A" e2 B|
"D" A2d f2d|"Em" efg "D" fed|"Em" ede "G"ged|"A" cAc "D" d2 :|

%%%
X:140
%%staffsep 70
T:DEERING STATION (reel) 
S:S: BBMG
C:© BB
N:N: See note in ABC file
% Chicago police station where Chief O'Neill spent a lot of his time. 
% It isn't there any more.
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:G
D|"G"D2 B,D "Em7"E2 DE|"G"G2 FG "Bm"Bd ~d2|"C"cBcd "Em"egdB|"Am"cBAG "C"EDCE|
"G"D2 B,D "Em7"E2 DE|"G"G2 FG "Bm"Bd ~d2|"C"cBcd "Am7"eage|"D"dBAF "G"G3 :|
A|"Em"Bee^c "G"dgga|"G"bg"D"af "Em7"gfed|"Em"Bee^c "G"dege|"D"dBAF "G"G3 A|
"Em"Bee^c "G"dgga|"G"bg"D"af "Em7"gfed|"G"gb (3bab "Am7"eage|"D"dBAF "G"G3 :|

%%%
X:141
%
T:DEIRDRE COLLIS' (reel) 
S:S: IRTRAD post
Z:Z: ?
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:G
GB B2 dB B2|cdec dBGB|c3 e dB B2|AcBG AGED|
GB B2 dB B2|cdec dBGB|c3e dBGB|ADFA G4:|
dggf gdBc|d2BG AGEG|dggf gdBd|eaa^g agef|
g2dg BgdB|c2Bc AGEG|c3e dBGB|ADFA G4:|

%%%
X:142
%
T:DELAHUNTY'S (hornpipe) 
T:Wicklow
S:S: BSMI.1 
Z:Z: ABC/arr. BB
%R:hornpipe
M:C
Q:1/4=150
L:1/8
K:D mix
%swing .25
FG|ABAF DEFG|AGAB c2A^c|dcde fdAF|DGGF G2FG|
ABAF DEFG|AGAB c2A^c|dcde fdAG|F2D2D2 :|
de|fefd ecAF|Gggf g2fg|a2ab age^c|dcAF G2FG|
ABAF DEFG|AGAB c2A^c|dcde fdAG|F2D2D2 :|

%%%
X:143
%
T:DELANEY'S DRUMMERS (jig) 
S:S: DMI.0305 
Z:Z: Nordberg/Black 
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:A dorian
g/f/|eAA fAA|gfg age|dBG GFG|BAG Bcd|
eAA FAA|BAB gfe|def gdB|BAA A2:|
d|efg a2a|baf gfe|def gfg|agf ged|
[1 efg ab[ac']|baf gfe|def gdB|BAA A2:|
[2 bag agf|gfe fdB|def gdB|BAA A3|]

%%%
X:144
%
T:DELANEY'S FROLICS (reel)  
S:S: WSGM.242 < F.O'Neill 
Z:Z: Kinder/Black 
Q:1/4=180
M:4/4
L:1/8
%R:Reel
K:D
c|B2Bc A2Bc|dBcA BEE2|B2Bc A2fg|afeg fdd :|
e|fddc dfaf|gfed cdeg|fddc defd|eaag edd2|
fddc dfaf|gfed cdeg|f2fd g2ge|afge fdHd2|]

%%%
X:145
%
T:DELAWARE LADY* (reel), The 
S:S: HOC.082 (unnamed) 
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
L:1/8
%R:reel
K:G
d2|g2Bc BAGB|AGFA G2D2|DEFG ABcd|BAGB A2d2 |
g2Bc BAGB|AGFA G2D2|DEFG ABcd|BGAF G2 :|
d2|dBGB dBeB|dBGB dBeB|dBGB dBAG|FGAB c2d2 |
dBGB dBeB|dBGB dBeB|gfed cBAG|FGAB c2d2 |
g2Bc BAGB|AGFA G2D2|DEFG ABcd|BAGB A2d2 |
g2Bc BAGB|AGFA G2D2|DEFG ABcd|BGAF G4|]

%%%
X:146
%%staffsep 70
T:DELIA O'BRIEN'S (jig)  
S:S: BBMG 
C:© BB
M:6/8
L:1/8
%R:jig
Q:1/4=160
K:G
D|"G"GFG BcB|"G"BAB "Am"AGE|"G"GBd "C"ege|"Em"edB "G"gdB|
"G"GFG B2 d|"C"c2 A "Em"BGE|"G"DGB dBd|"D7"cAF "G"G2 :|
d|"Em"edB "D"ABd|"G"gfg "D"afd|"G"g2 b "Am"age|"Em"edB "Am"AGA|
"G"BGG "Am"cAA|"G"d^cd "C"efg|"G"DGB dBd|"D7"cAF "G"G2 :|

%%%
X:147
%
T:DELIGHTS of INCHICORE (jig), The 
S:S: BBMG  
C:© BB
% Not many but they're there!
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
A| "G"DGA BAG| "Am"ABA "D"AFE|"G"DGB d^cd| "A"ed^c "D"d2 A|
"G"DGA BAG| "Am"ABA ABc| "G"d^cd "Am"=cAF| "D"DEF "G"G2 :|
A| "G"dgg Bdg| "D"a^ga fed| "G"BAB "C"cBc| "A"ed^c "D"d2 A|
"G"dgg "Am"a^ga| "Em"bag "D7"fdc|"G"Bcd "Em"BGE|"D"DEF "G"G2 :|

%%%
X:148
%
T:DELVIN HOUSE (jig) 
S:S: OFPC3.98 
Z:Z: ABC/arr. BB
% Some 'cosmetic' changes made, mainly for playback purposes.
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:Em
D|GFG GFG|GBd dBG|GAG GAG|ABd e2g|
dBG GAB|Bge dBG|AGA BAB|GEE E2 :|
d|gag gab|dBG dBG|gag gab|age e2d|
gag gab|dBG dBG|AGA BAB|GEE E2B|
gag gab|dBG dBG|gfg aga|bag e2d|
gab efg|dBG dBG|AGA BAB|GEE HE3|]

%%%
X:149
%
T:DENIS DELANEY (jig) 
S:S: ONMI.0703 
Z:Z: Brennan/Black
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
c|BAG GBG|GBG ABc|BAG GBG|cAF Adc|
BAG GBG|GBG ABc|BAG dBG|cAF A2 :|
%
c|Bcd def|gfe fed|dBG gdB|cAF Adc|
Bcd def|gfe fed|dBG gdB|cAF A2 :|
%
c|dBG dBG|dBG ABc|dBG dBG|cAF Adc|
Bcd def|gfe fed|dBG gdB|cAF A2 :|
[2 "^coda" 2 cBc AGF|G6|]

%%%
X:150
%
T:DEN[N]IS DON'T BE THREATENING! (2)
S:S: ONMI.0431 
Z:Z: Brennan/Black 
% standard jig setting in folder 497 ("Denis the Menace" #497024)
M:6/8
L:1/8
K:D
d|cBA ABA|c2A A2c|d2d efg|f2d d2d|
cBA ABA|c2A A2c|d2d eag|f2d d2||
e|fgf f2d|efe e2d|cBA Bcd|e2d d2e|
fgf f2d|efe e2d|cBA Bcd|f>ed d3|]

%%%
X:151
%%staffsep 70
T:DENIS DONOVAN'S (hornpipe)
S:S: BBMG
C:© BB
%For a "jolly Corkonian" - RIP
%R:hornpipe
M:4/4
Q:1/4=150
L:1/8
K:G
%swing .25
(3DEF|"G"G2 BG DGBd|"D7"cAFA "Am"edcA|"G"G2 Bd "Am"cAEA|"D"FAEA D2 (3DEF|
"G"G2 BG DGBd|"Em"edBd efge|"G"dBGE "D"DFAc|"G"B2 "C"G2 "G"G2 :|
B2|"Am"ABcd "C"e2 cA|"G"GBdf g2 ge|"D"df~f2 af~f2|"G"gfge dcBG|
"Am"ABcd "C"e2 cA|"G"GBdf g2 ga|"G"bgab "D7"afdc|"G"B2 "C"G2 "G"G2 :|

%%%
X:152
%
T:DENIS DOODY'S (polka)
S:S: Mally.HIP.069 
Z:Z: ABC/arr. BB
Q:1/4=120
%R:polka
L:1/8
M:2/4
K:D
z|DF/A/ BA|d>c dc|B>A Bc|BA F/G/A|
DF/A/ BA|d>c dc|B>A B/c/d|ed d :|
e|fA eA|dA cA|B>A Bc|BA FA|
fA eA|dA cA|B>A B/c/d|ed de|
fg/f/ ef/e/|de c/B/A|B>A Bc|BA F/G/A|
DF/A/ BA|d>c dc|B>A B/c/d|ed d2 |]

%%%
X:153
%
T:DENIS ENRIGHT'S SLIDE (1)
S:S: M. Mulvihill
Z:Z: ABC/arr. BB
Q:1/4=180
%R:slide
M:12/8
L:1/8
K:D
Bcd A2 F A3 A3|B2 F A2 F E3 E3|
Bcd A2 F A3 A3|dcB A2 F D3-D3 :|
f2 e d2 f a3 a2 f|g2 f e2 f g3 g2 e|
f2 e d2 f a3 a3|efg f2 e d3-d3 :|

%%%
X:154
%
T:DENIS ENRIGHT'S SLIDE (2) 
S:S: CRE.3 
Z:Z: ABC/arr. BB
%R:slide
Q:1/4=180
M:12/8
L:1/8
K:D
Bcd A2F A3 A3|B2G A2F E3 E3|
Bcd A2F A3 A3|dcB A2F D3 D3:|
f2e d2f a3 a2f|g2f e2f g3 g2e|
f2e d2f a3 a3|efg f2e d3 d3:|

%%%
X:155
%
T:DENIS ENRIGHT'S SLIDE (3) 
S:S: CRE.4 < Barrett < Collins 
Z:Z: ABC/arr. BB
L:1/8
M:12/8
Q:1/4=180
%R:slide
K:D
Bcd A2F A3A3|Bcd A2F E3E3|
Bcd A2F A3A3|dcB A2F D3D3:|
f2e d2f a3a3|g2e c2e g3g3|
f2e d2f a3a3|efg f2e d3d3:|

%%%
X:156
%
T:DENIS MCMAHON'S (slide)  
S:S: JOL.345 
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:12/8
%R:slide
K:G
D|G2F G2A B2e efe|d2B BAB d2B BAB|
GAG G2A Bee efe|d2B BAB G3 G2D|
G2F G2A B2e efe|ded BAB dBB dBA|
G3 G2A B2e efe|ddB ABA G3 G3 ||
|:gfg edB e2f g2e|d2B BAB d2B BAB|
gfg edB e2f gfe|d2B BAB G3 G3 :|

%%%
X:157
%
T:DENIS MURPHY'S (hornpipe)
T:Cronin's
S:S: BSMI.1 
Z:Z: ABC/arr. BB
%R:hornpipe
M:C
Q:1/4=150
L:1/8
K:G
%swing .25
BA|GABc d2ef|gage dega|bage dBGB|A2AG AcBA|
GABc d2ef|gage dega|bage dBAB|G2GF G2 :|
fg|afd^c d2ga|bged e2ga|bgaf gedB|A2AG AcBA|
GABc d2ef|gage dega|bage dBAB|G2GF G2 :|

%%%
X:158
%
T:DENIS MURPHY'S POLKA (a) 
S:S: BSMI.2 
Z:Z: ABC/arr. BB
%R:polka
M:2/4
Q:1/4=120
L:1/8
K:A
ef/e/ ce|Ae ce|f/g/a/f/ ec|BA F2|
ef/e/ ce|Ae ce|f/g/a/f/ ec|BA A2 :|
ce fa/f/|ec BA/B/|ce f/g/a/f/|ec B2|
ce fa/f/|ec BA|ef/e/ cB|BA A2 :|

%%%
X:159
%
T:DENIS MURPHY'S (reel) (a) 
S:S: BSMI.3 
Z:Z: ABC/arr. BB
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:D
G|A3B AFF2|A2FD GECE|A3d BdAG|FDD2 EFGB|
A3B AFF2|A2FD GECE|A3d BdAG|FDD2 EFD ||
G|FDD2 FDGE|FDD2 GECE|FDD2 FDGF|EDCD EFDG|
FDD2 FDGE|FDD2 GECE|FDD2 FDGF|EDCD EFD ||
e|dff2 dffe|dcdB AFDA|cee2 ceec|BA^GB AFDA|
dff2 dffe|dcdB AFDA|cee2 faec|dffe Hd4 |]

%%%
X:160
%
T:DENIS MURPHY'S SLIDA (a-1)
S:S: BSMI.2 
Z:Z: ABC/arr. BB
%R:slide
M:12/8
Q:1/4=180
L:1/8
K:D
B|A2D FED F2A A2f|g2e f2d e2d Bcd|
A2D FED F2A A2f|a2f efe d3 d2 :|
B|d2e f3 gfe f3|gfe f2d e2d B2c|
d2e f3 gfe f2g|a2f efe d3 d2 :|

%%%
X:161
%
T:DENIS MURPHY'S POLKA (b-1)
S:S: FS.1 
Z:Z: ABC/arr. BB
M:2/4
L:1/16
Q:1/4=120
%R:Polka
K:D
fgfe dcdB|A2D2 F2A2|G2E2 e3d|c2B2 B2A2|
fgfe dcdB|A2D2 F2A2|G2E2 e3f|e2d2 d4 :|
A2f2 fef2|A2g2 gfg2|A2f2 f2d2|efed B2A2 |
A2f2 fef2|A2g2 gfga|b2a2 faaf|e2d2 d4 :|

%%%
X:162
%
T:DENIS MURPHY'S POLKA (b-2) 
S:S: JOL.042 
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:D
f/g/f/e/ dd/B/|AD FE/F/|GE e/f/e/d/|cB BA|
f/g/f/e/ d>B|AD FE/F/|GE eg|fd d2 :|
Af f/e/f/d/|Ag g/f/g/d/|Af fd|e/f/e/d/ BA|
Af f/e/f/d/|Ag g2|ba f/g/a/f/|ed d2 :|

%%%
X:163
%
T:DENIS MURPHY'S POLKA (c) 
S:S: JOL.248 
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:A
A/B/|c>e eA|dB/d/ fe|cA eA|cB cB|
cA ea|dB/d/ fe|ce B2|cA A :|
z|a2 a>f|ec/e/ a2|ce f/g/a/f/|ec BA|
a>f a/b/a/f/|ec/e/ a2|ce B2|cA A :|

%%%
X:164
%
T:DENIS MURPHY'S REEL (b) 
S:S: "Where's the Crack? v/1" (DJ Taylor) (folder 38)
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G
B|G2 GA Bded|B2 BA GE E2|BGAF GABd|1 egfa ged:|
[2 egfa g2|| ga| g3a bgaf| gabf gfed| B2 BA GABd|
egfa gfed|g2ga bgaf|gaba gfed| BdGd GABd|
egfa gfed||"^coda"Hg4z4|]

%%%
X:165
%
T:DENIS MURPHY'S SLIDE (a-2) 
T:Julia Clifford's
S:S: FS-1 
Z:Z: ABC/arr. BB
M:12/8
L:1/8
%R:Slide
Q:1/4=180
K:D
B|A2D FED F2A A2f|g2e f2d e2d Bcd|
A2D FED F2A A2f|a2f efe d3 d2 :|
A|d2e f3 gfe f3|gfe f2d e2d B2c|
d2e f3 gfe f2g|a2f efe d3 d2 :|

%%%
X:166
%
T:DENIS MURPHY'S SLIDE (b) 
N:N: parts 1 and 2 = "Dingle Regatta"
S:S: JOL.032 
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:12/8
%R:jig
K:G
B/c/|d3 e2d BAB d2B|ABc AGA B2A G2B|
d3 e2d BAB d2B|AGA B2A G3 G2 :|
e|d2e def g2g faf|g2e dBd e2A A2d|
B2d def gfg faf|efe def g3 g2 :|

%%%
X:167
%
T:DENIS MURPHY'S SLIDE (c) 
S:S: JOL.074 
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:12/8
%R:slide
K:D
G|A3 AGA B2A G2E|AGE G2E D2E GEG|
A3 AGA B2A G2B|AGE G2E D3 D2 :|
e|d3 AFA B2A G2G|AGE G2E D2E G2G|
d2d AFA B2A G2G|AGE EGE D3 D2 :|

%%%
X:168
%
T:DENIS MURPHY'S SLIDE (d) 
S:S: JOL.124 
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:12/8
%R:slide
K:G
d|B3 BAB d2B G2A|B3 d2B A2B G2A|
B2B BAB d2B G2A|Bee e2d e3 ge:|
A|B2g g2f g2e dBA|Bgg g2f g3-g2a|
b2g agf gee fed|B2e ged e3 ge :|

%%%
X:169
%
T:DENIS O'CONOR 
T:1st Setting 
C:O'Carolan
S:S: CAR-OS
Z:Z: Gilb/Brennan/Black 
Q:1/4=140
M:6/8
L:1/8
K:Em 
%%text "moderato"
%%vskip .3in
gfe dBA|GBA B/c/dB|AFD GFE|DFd EGe|
"5"f/g/fd g/a/ge|a/b/af b/c'/bg|a/b/a/g/f g/a/g/f/e|\
f/g/f/e/d e/f/e/d/B|
"9"d/e/d/B/A GAB|e2d d2B|Bd/B/A G3|AG/F/E D3|
"13"DFD DFD|AF/G/A GEE|eEE GEE|ge/f/g g/f/e/f/g/f/|
"17"BdB f/e/d/e/f/e/|AcA e/d/c/d/e/d/|GBG d/B/A/B/d/B/|\
EGE B/A/G/A/B/A/|
"21"DFD d2e|dBG A2B|AFD GFE|DB,D EB,G|
"25"FDA GEB|AFd BGe|dAf eeg|f2e dBB|
"29"B^c/d/e Bc/d/e|dBG AFD|GFE DB,E|E3E3|]

%%%
X:170
%
T:DENIS O'CONOR 
T:2nd Setting
C:O'Carolan
S:S: CAR-OS 
Z:Z: Gilb/Brennan/Black 
Q:1/4=160
M:6/8
L:1/8
K:A
%%text "allegro assai"
%%vskip .3in
A2A ABG|A2e efd|c2d ecA|AGA BGE|
"5"A2A ABG|A2e efd|c2d ecA|EFG A2z||
"9"e2e efg|a2e fed|c2d ecA|AGA BGE|
"13"e2e efg|a2a agf|e2f ecA|EFG A2z||
"17"A,CE AGA|BGE EFG|ABc cBA|BGE DCB,|
"21"A,CE AGA|Bcd dcB|e2E EFG|A3A2z|]

%%%
X:171
%
T:DENIS O'KEEFFE'S SLIDE 
S:S: JOL.083 
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:12/8
%R:slide
K:A dorian
D|E2A ABA G2A Bcd|e2B dBA G2G F2G|
E2A ABA G2A Bcd|e2B d2B A3A2 :|
K:A mix
d|efe efe ded dcd|e2A B2A G2G F2G|
E2A ABA G2A Bcd|efe dcB A3A2:|

%%%
X:172
%
T:DENIS RYAN'S (reel) 
S:S: "Fiddlecase" (Miller/Perron) (#35) 
Z:Z: ABC/arr. BB
N:N: See note in ABC file
%I have heard this tune played in A minor and D minor. The 
%primary setting here is A minor, since that key is probably 
%easier for most instruments.
L:1/8
M:4/4
Q:1/4=180
%R:reel
K:Adorian
GF|EA A2 ABcd|ea a2 gedB|G3B ABGE|DEGB AGED|
GABG ABcd|ea a2 gedB|GABd gedB|AcBG A2:|
cd|ea a2 bage|a2 ba gedB|dBde g^fgb|agab g2 ed|
ea a2 bage|a2 ba gedB|GABd gedB|AcBG A2:| 

%%%
X:173
%
T:DENNIS CRONIN'S JIG*
S:S: CRE.4 (unnamed) < P. O'Keeffe < D. Cronin 
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:A modal
F/G/|A3 cBc|ABA d2B|A3 cBc|e2e fdB|
A3 cBc|ABA d2B|e2f g2e|age dS:S: |
f/g/|aed cBc|ABA d2B|aed cBc|e2e fdB|
aed cBc|ABA d2B|e2f g2e|1"thru"age dB :|
[2"^coda"age dBG|HA3z3|]

%%%
X:174
%
T:DEN[N]IS DON'T BE THREATENING (1)  
S:S: CGI.085 
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
%R:jig
M:6/8
K:D 
%%text "spiritoso"
%%vskip .3in
d|cBA ABA|c2B A2c|d2d efg|f2e d2B|
cBA ABA|c2B A2c|d2d efg|f2e d2 :|
z|fgf f2d|efe e2d|cBA Bcd|e2c d2e|
fgf f2d|efe e2d|cBA Bcd|f2e d2 :|

%%%
X:175
%
T:DENNIS HEMPSON'S (slip jig)
S:S: TIDT 2/41
C:J.Kelly 
Z:Z: ABC BB
M:9/8
L:1/8
%R:slip jig
Q:1/4=150
K:F % Gdor
GAc dGG dGG|GAc dge f2d|FGA cdB A2G|AGA DGE FDC|
BAG AdB c2A|GAc dge f2a|gfd cdB ABG|A=Bc DGE FDC:|
%
"9"DGG GFG B2A|GAc dcA BGE|CFF FCA, FGA|ded DGE FGA|
"13"BAB GAB c2A|d2e f2g abg|fed cde f2A|dcd DGE FGA:|
%
"17"BAG GA^F G2=F|DGG GFG Bcd|AGF FEF DEF|CDF AdB c2A|
"21"BAG AdB c2B|A2G GAc def|fcA BGE FDB,|CDF FEF DEF:|
"^coda"HG6z3|]

%%%
X:176
%
T:DENNIS LANGTOU'S (reel) 
S:S: "Traditional Irish Music" (K.Tweed) (folder 38) 
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
DC|D2 A,D B,DA,B,|DFAF GFEF|DF F2 Agfe|dBBA BAFE|
D2 A,D B,DA,B,|DFAF GFEF|DFBF AF F2|EDCE D2:|
ce|fdAG FAdf|eA A2 eAeg|fedB BAFA|BdAF FEEg|
fdAG FAdf|eA A2 e3 f|gfec dedB|1 ABde fd:|
[2 "^coda"ABde fdec|Hd4z4|]

%%%
X:177
%
T:DENNIS the MENACE (jig) 
S:S: arr. of ONMI #431, "Denis Don't Be Threatening!"
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:D
d|c2B ABA|c2B A2c|d2d efg|f2g afd|
c2B ABA|c2B A2c|d2d eag|f2e d2 :|
e|f2g f2d|e2f e2d|cBA Bcd|e2c d2e|
f2g f2d|e2f e2d|cBA Bcd|f2e d2 :|

%%%
X:178
%
T:DENNIS THE MILLER (reel) 
C:Joe Liddy 
Z:Z: ABC/arr. BB
S:S: Liddy2.32
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:G
EF|G2BG dGBG|dGBd cBAF|G2BG dGBd|cBAG FDEF |
G2BG DGBd|BGAB cdeg|fdge fdcA|BGFD G2 EF |
G2BG dGBG|dGBd cBAF|G2BG dGBd|cBAG FDEF |
G2BG DGBd|ecdB BGBc|defg fdcA|BGAF G2 ||
%
ef|gfdc Bcde|fdeg fdef|gfdc BGAG|FGAF G2ga |
gfdc Bcde|fdcA BGFD|GABc dgag|fdca G2 ef |
gfdc Bcde|fdeg fdef|gfdc BGBc|dgaf g2ga |
gfdc Bcde|fdcA FGAc|Bcdf gfde|BGFD G4 |]

%%%
X:179
%
T:DENNY MESCALL'S (slide)
S:S: Treoir 
Z:Z: ABC/arr. BB
Q:1/4=170
M:12/8
L:1/8
%R:slide
K:G
D|B3 BAB dBA G2D|GBd gfe dBG A2A|
B3 BAB dBA G2 A|Bdd B2 A G3 G2 :|
B/d/|g3 gfe dcB c2 d|eaa a2 b a2 g e2 f|
g3 gfe dcB c2 d|1 efg faf g3 g2 :|\
[2 efg faf g3 b3|g6z6|]

%%%
X:180
%
T:DERMOT
S:S: ONMI.0308 
Z:Z: Brennan/Black 
M:3/4
L:1/8
K:G
%%text "slow with feeling"; source key = F
%%vskip .3in
d3c B2|g3f e2|d2 cB AG|B3A A2|
d3c B2|g2 ga Hb2|G>A B3A|G6||
g3 fef|g3G G2|g3 fga|b3g e2|
d3c B2|g2 ga Hb2|G>A B3A|G6|]

%%%
X:181
%
T:DERMOT AND HIS LASS  
S:S: ONMI.0598 
Z:Z: Brennan/Black
Q:120
M:3/8
L:1/16
K:Dm 
%%text "slow"
%%vskip .3in
D2|A,2D2 DE|D4 EF|G2FE D>E|A,4 c>B|
A2G2 (3A=Bc|C2C>D E>D|D4 D2|D4:|
A2|A2d2 d2|d4 cd|e3 dd>c|c4 c=B|
A2G2 (3A=Bc|C2C>D E>D|D4 D2|D4:|

%%%
X:182
%
T:DERMOT ASTORE
S:S: OFHC40.03 
Z:Z: ABC/arr. BB
N:N: see note in ABC file
L:1/8
M:3/4
%I thought this might be a Carolan piece, but I couldn't
%verify that. The playback sounds pretty bad so it's possible
%(probable) that Mr. O'F's drafting or editing is incorrect.
%In any event it's not a dance tune, so maybe not much to worry
%about.
N:N: 
Q:n/a
%R:n/a
K:D 
%%text source key = Bb
%%vskip .3in
f4 ed|e4 dB|AF3G2|Bd2-d2B|
A4 B>A|a4 g>f|f2e2d2|c2B2A>A|
d4c>B|dc2-c2d|c2B2G2|F>G F2 B>c|
d4 c>B|f4 ^g>f|f2^e2 ^d>e|f4 f2||
f3 edc|e3 dcB|B2A3G|GF3 A>A|
B3 cde|f2a3g|f3 ede|d6|]

%%%
X:183
%
T:DERMOT GROGAN'S (jig) 
S:S: MVBT
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:D
c|dAF AFE|DFD EDB,|A,B,D EDE|FEE E2A|
dAF AFE|DFD EDB,|A,B,D EAG|FDD D2 :|
G|ABc def|ede fdB|Adf edB|ABd e2f|
edB BAF|EFD EDB,| A,B,D EDE|FDD D2 :|

%%%
X:184
%
T:DERMOT MY TREASURE 
S:S: ONMI.0623 
Z:Z: Brennan/Black
M:3/4
L:1/8
K:G
%%text "with feeling"
%%vskip .3in
D2|B4 AG|A4 GE|DB,3 D2|EG2 G2D|\
D4 E>D|d4 c>B|B2 A2 G2|F2 E2 D>D|
B4 AG|A4 GE|DB,3 D2|EG3 G>A|\
B2 G2 e2|dB3 G2|D3 EG2|G4 E>F|
G4 F>E|GF2 F2G|F2 E2 C2|B,>C B,2E>F|\
G4 F>E|B4 c>B|B2 A2 G>A|B4 B2|
B3 AGF|A3 GFE|E2 D3C|CB,3 D>D|\
E3 FGA|B2 d3c|B3A GG//B//A/|G4 D2|
B3 AGA|G4 DB,|B3A GA|Bd3 B2|B4 A>G|\
G4 F>E|D4 DC|B,4 D>D|B3 AGA|
G4 DG|B3A GA|cB3 AG|G3 FGE|\
DB,3D2|E2G2 A2|G3-G3|]

%%%
X:185
%
T:DERMOT O'DOWD 
C:O'Carolan
S:S: CAR-ON 
Z:Z: Brennan/Black 
Q:1/4=80
M:3/4
L:1/8
K:Am
%%text "slow"
%%vskip .3in
A>G|E2A2A2|A2BAGA|B2Bd BA|G2E2D2|
E2A2A2|A2BA GA|B2d2e^f|g4||
ed|edegab|a2bag^f|g2gaba|g2e zd2|
e2eged|B4A>G|E2A2A2|B2 HA4|]

%%%
X:186
%
T:DERRIKIN LOUGH REEL 
C:B.Tonra 
Z:Z: ABC/arr. BB
S:S: composer
Q:1/4=180
M:C
%R:reel
K:D
B|DFF2 DEFA|dff2 Bdec|dBcA BAdB|ADED A,DFA|
DFF2 DEFA|dff2 Bdeg|fdd2 eBdA|BAFE D3 :|
e|fdd2 Adfa|bafb afeg|fdd2 fabf|a3f e2de|
fd d2 Adfa|bafb afeg|ABde fece|dBAG FAD :|
[2 "^coda"dBAG FAD2|]

%%%
X:187
%
T:DERRY AIR, The 
S:S: RC1.030 
Z:Z: ABC/arr. BB
L:1/8
M:4/4
K:G
%%text "slow"
%%vskip .3in
FGA|B3A BedB|AGE2z GAB|d3e dBGB|A4z FGA|
B3A BedB|AGE>^D EFGA|B3c BAGA|G4 z||
def g3f fedB|dBG2z def|g3ffedB|A4z ddd|
b3a ageg|dBG2z FGA|BedB AGEF|G8|]

%%%
X:188
%
T:DERRY FIDDLER* (reel), The
S:S: MFC.045A (unnamed) < J.McElhone 
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
E|D2FA BAFB|ADFD CEE/D/E|D2FA BAFA|Bdec dBAF|
D2FA BAFB|ADFD CEE/D/E|D2FA BAFA|Bdec d3:|
A|dAFA d2cd|B2gf edcB|Adfe dBAF|GBAG FDDA|
dAFA d2cd|B2gf edcB|Adfe dBAF|GBAG FDD:|
"^coda"GBAG F2E2|D4z4|]

%%%
X:189
%
T:DERRY HORNPIPE (1), The 
S:S: FS.3 
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=150
%R:hornpipe
K:D
AG|F2Ad fdAF|G2Bd gdBG|F2Ad fdAF|E2Ac ecAG|
F2Ad fdAF|G2Bd g2ag|f2df e2ce|d2dc d2 :|
fg|a2fd Adfa|g2ec Acfg|a2fd Adgf|e2dB A2fg|
a2fd Adfa|gfef g2ag|f2df e2ce|d2dc d2 :|

%%%

X:190
%
T:DERRY HORNPIPE (2), The
T:Willie Clancy setting
S:S: DMWC.131 
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=150
%R:hornpipe
K:D
AG|F2Ad fdAF|G2Bd gdBG|F2Ad fdAF|E2Ad ecAG|
F2Ad fdAF|G2Bd gaag|f2df ge ce|1 dfec d2 :|\
[2 dfec dg||
%
|:fg|a2fd Adfa|g2ec Adfg|adfd cfgf|e2dB A2fg|
a2fd Adfa|ge ce gaag|f2df ge ce|1 dfec dg :|\
[2 dfec d2||
%
|:AG|FDAD BDAB|dcdf ecAG|FDAD BDAF|EGFA GBAG|
FDAD BDAB|dcdf ecAg|f2df ge ce|1 dfec d2 :|\
[2 dfec dg||
%
|:fg|a3b afdf|g3a gecf|a3b afdf|ge (3dcB A2fg|
afbg afdf|ge ce gaag|fadf ge ce|1 dfec dg :|\
[2 dfec d2||
%
|:FG|AFAd ge dc|BGBd gfed|cAcf afge|fedB ADFG|
AFAd ge dc|BGBd gaag|f2df gece|dfec d2 :|

%%%
X:191
%
%%staffsep 70
T:DERRY LASS (reel), The
S:S: BBMG
C:© BB 2005
Q:1/4=180
% In memory of my great-grandmother Annie Gregg
L:1/8
M:4/4
%R:reel
K:A
E|"A"A2 Bc eaec|"Bm" BF~F2 "E"EGBG|"A" A2 ce "F#m" faec|"D" dAFA "E7" GABG|
"A"A2 Bc eaec|"Bm" dB~B2 "F#m" cBAF|"A" E2 AE "D" FAdf|"E7" edBG "A" A3 :|
d|"A" efag agfe|"F#m" cefe fecB|"A" A2 Bc eaec|"D"df "A"ec "E"B4|
"A" efag agfe|"F#m" cefe fecB|"A" c2 de "D" fgaf|\
[1 "E7" edBG "A" ABc :|\
[2 "E" efge "A" a4|]

%%%
X:192
%
T:DERRYDOLNEY JIG, The  
S:S: SRHI.7b 
Z:Z: ABC/arr. BB
C:Seán Ryan
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
A|ded cBc|dAF DFA|A,DF AFA|GFG ECE|
ded cBc|dAF DFA|A,DF AFA|GEC D2:|
A|dcd fdf|aba afd|gbg faf|ece Ace|
dcd fdf|aba afd|gbg faf|gec d2:|

%%%
X:193
%
T:DERRYLAHAN HARBOR* (reel) 
S:S: NFID.169b ("untitled reel") < Byrne Bros.
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:C
%R:reel
K:Ador
DGFG dGBG|dGBG ABcA|DGFG dGBG|cBAG ABcA|
DGFG dGBG|dGBG ABcA|DGFG dGBG|cBAG ABcd||
e2df eAAG|egdB GBdf|edef gage|dBgB GABd|
e2df eAAf|e2dB GBdA|Bdef gage|dBgB GABG||
"^coda"HA4z4|]

%%%
X:194
%
T:DERRYLEE REEL*, The
S:S: CRE.2 [<Paddy Taylor] (unnamed) 
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:A dorian
B|cAeA cAeA|cA eA dB G2|Beef d2ed|BGGA BcdB|
cAeA cAeA|cA eA dBGA|Beef d2ed|BGFG Bcd :|
B|cABA a2af|gfed ega2|ABcd eggd|BGFG BcdB|
cABA a2af|gfed efge|f2fd e2ed| BGFG Bcd :|
[2 "^coda" BGGF EFDG|HA4z4|]

%%%
X:195
%
T:DERRYMORE REEL, The 
S:S: CRE.4 < Donnelly < Jones
Z:Z: ABC/arr. BB
N:N: Single in CRE
L:1/8
Q:1/4=180
M:4/4
%R:reel
K:D
A|F2AF dFAF|DFAF GFEG|FDFA Bd eg|fdec dBAG|
F2 AF dFAF|DFAF GFEG|FDFA Bd eg|faec dcB :|
g|a2 fg adfg|a2 fg afbf|a2 fg afbf|gfed cdef|
a2 fg adfg|a2 fg afbf|abaf gage|fgfe dBA :|
[2 "^coda" fgfe dcBc|Hd4z4|]

%%%
X:196
%
T:DERRYTAVRANE JIG, The
C:Dermot Grogan 
S:S: Treoir 49/2) 
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig
M:6/8
K:G
d|efg dBA|BAB GBG|DGB dBG|BAG A2d|
efg dBA|BAB GBG|DGB dBA|AGF G2 :|
d|eBe gfg|age dBG|BAB dBG|BAG A2d|
eBe gfg|age dBA|GFG dcA|AGF G2:|

%%%
X:197
%
T:DERVISH (reel), The
C:Johnny Harling (Chicago)
S:S: composer 
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:G
f|gedB dG G2|BGdG BG G2|edBA GE E2|DEGB A3 g|
gedB dG G2|BGdG BG G2|DGBd g3 e|dBAB G3 :|
F|G3 B dGBd|eGdG edBA|G3 B dGBd|edBG A3 B|
G3 B dGBd|eGdG eggf|g3 e dBeg|dBAB G3 :|

%%%
X:198
%
T:DES O'CONNOR'S SLIDE 
S:S: Treoir 
Z:Z: ABC/arr. BB
Q:1/4=170
M:12/8
L:1/8
%R:slide
K:D mix
G|A3 DFD A2D A2d|cBA EFG EFD EFG|
A3 DFD A2 D A2 d|cBA EGE F2E D2 :|
A|d2 e f3 e3 dcB|A3 EFG EFD EFG|
d2 e f3 e2 e dcB|A3 EGE F2E D2 :|

%%%
X:199
%
T:DESMOND'S SONG 
S:S: ONMI.0556 
Z:Z: Brennan/Black
M:3/4
L:1/8
K:D
%%text "mournful"
%%vskip .3in
d>c|d2D2d>c|B2A2d>A|B2AF E>D|D4d>c|
d2D2d>c|B/c/d/e/ f2d>c|B2AF E>D|D4||
F>G|A>B d2f>e|d2D2d>c|B2A>F AB/c/|d4f>e|
d2D2d>c|B2A2d>A|B2AF E>D|D6|]

%%%
X:200
%
T:DESTRUCTION OF ROCKAWAY (reel), The 
C:© Luke O'Malley
Z:Z: ABC/arr.BB
S:S: "Luke O'Malley's Collection of Irish Music Vol.1", tune 29 (1976)
M:C
Q:1/4=180
%R:reel
K:G
(3DEF | G2 Bd e2dB | gBfB eBdB | G2 Bd e2dB | A=FcF dFcF | 
G2 Bd e2dB | gBfB eBdB | c2 ec B2GB | ADFA G2 :|
z2 | b2ab gbeg | fadf eg B2 | a2ga fadf | eg^ce d=cBA |
G2 Bd e2dB | gBfB eBdB | c2 ec B2GB |ADFA G2 :|

%%%
X:201
%
T:DEVANEY'S GOAT (1) (reel)
S:S: CRE.2 
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=180
M:4/4
%R:reel
K:D
FE|DFF2 AFAB|dffe dBAF|DFF2 BFAF|E2ED EGFE|
DFF2 AFAB|dffe dBAd|fedB AFDF|AFEF D2:|
ze|faaf afdf|afef dB B2|ABde fAdf|e2 ef edBd|
Ad d2 fd d2|edfd edBd|A2 dB AFDF|AFEF D2:|

%%%
X:202
%
T:DEVANEY'S GOAT (2) (reel) 
S:S: FS-3 
Z:Z: ABC/arr. BB
%Title also spelled "Devanny's"
M:4/4
L:1/8
Q:1/4=180
%R:Reel
K:D
DFAB AFAB|d2fe dBAF|DFAF BFAF|EDEF E2z2|
DFAB AFAB|d2fe dBA2|efdB AFF2|AFEG FDD2 :|
faab afdf|a2fd ecBd|ABde fdd2|edfd edBd|
ABde fdd2|edfd edBd|A2dB AFF2|AFEG FDD2 :|

%%%
X:203
%
T:DEVER THE DANCER (slip jig) 
S:S: ONMI.1147 < Gillan 
Z:Z: Brennan/Black 
Q:1/4=160
%R:slip jig
M:9/8
L:1/8
K:D
BEE BEE G2A|BEE BEE FGA|BEE BEE G2A|Bcd ABG FED:|
ded dAF G2A|ded def gfe|ded dAF G2A|Bcd ABG FED||
ded dAF G2A|ded def gfe|afd ece d2d|Add ABG F2E|D6z3|]

%%%
X:204
%
T:DEVIL IN DUBLIN (1) (jig), The  
S:S: GEI.013 
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%R:jig
K:G
G2B d2B|e2c A3|BdB GBG|FAF D3|
G2B d2B|e2c ABc|dBG EAF|G3 G3 :|
AGA FGA|BAB GAB|cBc ABc|dcd Bcd|
ede cde|def gdB|c2A dcA|G3 G3 :|

%%%
X:205
%
T:DEVIL IN DUBLIN (2) (jig), The 
S:S: not attributed
S:S: ONMI.1827 
Z:Z: Brennan/Black
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
F|G2B d2B|e2c A3|BdB GBG|FAF D3|
G2B d2B|e2c ABc|dBG EAF|G3G2 :|
B|AGA FGA|BAB GAB|cBc ABc|dge d2B|
cde ABc|Bcd GAB|cAF DEF|G3G2 :|

%%%
X:206
%
T:DEVIL TAKE THE WARS 
S:S: ONMI.0543 < F.O'Neill 
Z:Z: Brennan/Black
% Hornpipe setting in folder 497 ("Lord Stanley's Cup" #497057)
M:C
L:1/8
K:D
%%text "animated"
%%vskip .3in
d2df fedc|dABc/d/ BAGF|FAAd d3e|fg/a/gf f2e2|
d2df fedc|dABc/d/ BAGF|FAAd dfag|f2e2 d3||
d|fdfa fdzd|ecea ecze|f2fd e2ec|de f/e/d/c/ B3c|
ABAF A3d|ABAF A2dc|Beef e3f|gfed dcBA|
ABAF A2ag|"^10"f2e2 d4|]

%%%
X:207
%
T:DEVIL TO PAY (reel), The 
S:S: WSGM.140 < Rice-Walsh manuscript 
Z:Z: Kinder/Black
N:N: Single in source.
Q:1/4=180
M:4/4
L:1/8
%R:Reel
K:A
B|ceAe ceAe|ceag fedc|dfBf dfBf|dfba gfed|
ceAe ceAe|ceag fedc|dfBf dfBf|edcB A3 :|
D|EBGB EBGB|ceAe ceAe|dfBf dfBf|gabg a2 aa|
bagf edcB|cBAF E2 Bd|ceAe ceaf|edcB A3 :|

%%%
X:208
%
T:DEVIL'S DREAM (hornpipe), The 
S:S: ONMI.1564 
Z:Z: Brennan/Black 
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:A
%wing .25
e2|eaga eaga|eaga fedc|dfBf dfBf|dfBf gfed|
eaga eaga|eaga fedc|dfed cABG|E2A2A2:|
%
e2|ceAe ceAe|ceAe fedc|dfBf dfBf|dfBf afed|
ceAe ceAe|ceAe fedc|dfed cABG|E2A2A2:|
%
e2|cAEA cAeA|cAeA fedc|dBGB dBfe|defg agfe|
cAEA cAeA|cAce fedc|dfed cABG|E2A2A2:|

%%%
X:209
%
T:DEVONSHIRE HORNPIPE, The 
S:S: WSGM.318 < "Wilson's Companion to the Ballroom" 1816 
Z:Z: Kinder/Black
Z:Z: ABC  
Q:1/4=150
M:4/4
L:1/8
%R:Hornpipe
K:G
%swing .25
ef|g2fg edcB|cecA GFED|B,DGD cBAG|F2D2 D2d2|
g2fg edcB|cecA GFED|B,DGD EGcA|B2G2G2:|
Bc|dcBc defd|egBd c2ze|ed^cd efga|fa^ce d2zd|
g2g2 gdBd|g2g2 gece|gdBG EGcA|B2G2G2:|

%%%
X:210
%
T:DEW-DROP WALTZ (m.1-16), The
S:S: RC3.142 
Z:Z: ABC/arr. BB
L:1/8
M:3/4
%R:waltz
K:D
A,2|F6|F2D3B|A6|F2D3B|A6|A2F3A|d6-|d6|
d6|d2e2f2|G6|G2F2G2|B6|B2A2F2|D6-|D6||

%%%



X:211
T:DIAMOND ROCK (reel), The 
C:Joe Liddy 
Z:Z: ABC/arr. BB
S:S: Liddy1.32
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Em
ef|: g2af gedB|A2BA GEED|B,EED EFGA|B2BA Bdef |
[1 g2 af gedB|AcBA GEED|B,EED EFGA|BGAF GE E2 :|
[2 gaba gedB|AEBE dEBe|B,EED EFGA|B2 AF GE E2 ||
|:e3d egBd|egdg egBd|egde g2 ae|gedB A2 Bd |
e2 ed egBd|egdg eg B2|dega gedB|AGED E3 d ||
e2 ed egBd|egdg egBd|egde g2 ae|gedB A2 Bd |
e2 ed egBd|egde gabg|a2 bg bedB|AGED E4 |]

%%%
X:212
T:DIARMUID'S JIG 
C:T.O Canainn
S:S: NTFO.017 
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%R:jig
K:G
D|G2G BAG|B2d d2d|edB AGA|BGE EDE|
G2G BAG|B2d def|g2B dcA|G3 G2:|
z|g2g fed|e2f g3|B2B BAG|Bde dBA|
g2g fed|e2f g2A|B2B dcA|G3 G2:| 

%%%
X:213
T:DICK COSGROVE'S (reel)
S:S: MFC.043A 
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G mix
DGGF DEF2|DGG2 eGdG|DGGF D2DE|F2CF ABc2|
DGGF DEF2|DGG2 eGdG|DGGF D2DE|F2CF ABcA||
dGG2 dGeG|dGG2 d2cA|dGG2 dGeG|c2AF CFAc|
dGG2 eGG2|dGG2 d2cA|dcde fefd|c2AF CFAF||

%%%
X:214
T:DICK GOSSIP('S) (1) (reel)
T:The Castle
S:S: BSMI.1 
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:D
DE|F2AF GFED|FBAF GFED|E3F GFED|E3F GFED|
F2AF GFED|FBAF GFEA|Bdef gfec|dfec d2 :|
ef|gBB2 gBaB|gBB2 gfed|cAeA fAeA|cAef gfef|
gBB2 gBaB|gBB2 gfed|cdef gfec|dfec d2:|

%%%
X:215
T:DICK GOSSIP'S (2) (reel)
T:The Castle
S:S: FS-3
Z:Z: ABC/arr. BB
M:4/4
L:1/8
Q:1/4=180
%R:Reel
K:D
ef|gBB2 gBaB|gBB2 gfed|(3cBA eA fAeA|(3cBA ed cdef|
gBB2 gBaB|gBB2 gfed|cdef gece|dfec d2 :|
AG|F2AF GFED|F2AF GFED|E3F GFED|EDEF GFED|
F2AF GFED|F2AF GFED|(3Bcd ef gece|dfec d2 :|

%%%
X:216
T:DICK SANDS' HORNPIPE
S:S: ONMI.1777 
Z:Z: Brennan/Black
%R:hornpipe
Q:1/4=150
M:C|
L:1/8 
K:A
%swing .25
EG|A2ec Acfe|dcBA GBEG|ABcd ecAc|Be^df e2fg|
a2ec Acfe|dcBA GBEG|Aaec fdBG|A2A^G A2:|
dc|BcBA GEFG|ABcd ecAc|dcde fedc|Be^df e2fg|
a2ec f2dB|edcA d2BG|Aaec fdBG|A2A^G A2:|

%%%
X:217
T:DICK SULLIVAN'S FAVOURITE (jig)
S:S: ONMI.1027 < J.O'Neill 
Z:Z: Brennan/Black
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
Bdc BdB|GBd gdB|Bdc BdB|AFA cBA|
Bdc BdB|GBd gdB|cac BgB|AFA cBA :|
%
dgf gdB|gag gba|gag gdB|FAB cde|
dgf gdB|gfe dcB|cac BgB|AFA cBA :|
%
dBG GBc|dBG gfe|dBG GBG|AFA cde|
dBG GBd|gfe dcB|cac BgB|AFA cBA :|"^coda"HG6|]

%%%
X:218
T:DICK(Y) SHERLOCK'S REEL (1)
N:N: a/k/a/ Tipperary Fancy, The Ash Plant, Matt Molloy's
S:S: FS.3 
Z:Z: ABC/arr. BB
M:4/4
L:1/8
Q:1/4=180
%R:Reel
K:D
AFF2 BFAF|DEFA B3d|eBB2 egfe|dfed BcdB|
AFF2 BFAF|DEFA B3d|egfg egdB|AFEF D3z :|
d3e fefg|afbf afdf|eBB2 gBB2|fedf efdB|
AFF2 ABde|afbf afdf|gafg efdB|AFEF D4 :|

%%%
X:219
T:DICKY SHERLOCK'S REEL (2) 
% a/k/a/ Tipperary Fancy, Ashplant, Jimmy Kelly's
S:S: CRE.2 
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
B|AFF2 DFAF|DEFA B3d|eBB2 egfe|defd BcdB|
AFF2 DFAF|DEFA B2 Bd|egfg efdB|AFGE D3:|
A|dcde f2 fg|a2gb agfg|eBB2 gBB2|efgf ecdB|
AFF2 ABdf|a2gb agef|g2 fg efdB|AFGE D3 :|

%%%
X:220
T:DID YOU SEE MY MAN LOOKING FOR ME? 
S:S: WSGM.024 < F.O'Neill 
Z:Z: Kinder/Black
Q:n/a
M:6/8
L:1/8
K:G
%%text "Moderato spiritoso"
%%vskip .3in
G/F/|DGG A2d|cAd cAG|DGG A2d|cAF G2:|
e/f/|gfe fdd|ece dBG|gfe fdd|ece d2e/f/|
gfe fdd|edg dBG|FGA B2d|cAF G2|]

%%%
X:221
T:DID YOU SEE THE CHILD? (reel)
C:Joe Liddy 
Z:Z: ABC/arr. BB
S:S: Liddy2.25
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:Em
BA|GEFD EDB,D|E2 GE BEGA|B2 dB dAGA|BAGF EDB,D |
E2 GE DB,B,2|E2 GA BEGA|BdBA BeBA|GEDG E2 :|
GA|Beed Bdef|gfed eBcA|Bdef g2fg|efdB ABGA |
Beed Bdef|agfg eBcA|BdBA BeBA|GEDG E2 :|

%%%
X:222
T:DIGGING FOR GOLD (jig) 
S:S: WSGM.128 < J.O'Neill 
Z:Z: Kinder/Black
M:6/8
Q:1/4=160
%R:jig
L:1/8
K:Ador
d|eAB c2e|dcB c2d|eAB c2e|dcd eag|
eAB c2e|d2c Bcd|eAA gfe|dcB A2:|
d|eaa efg|dec Bcd|eAB c2e|dcd efg|
eaa bag|edc Bcd|eAA gfe|dcB A2:|
%%%
X:223
T:DILLANE'S HORNPIPE 
S:S: CRE.3 
Z:Z: ABC/arr. BB
%R:hornpipe
L:1/8
Q:1/4=150
M:C
K:D
z2|FDFA d2d2|Bdef g2g2|fafd eged|c2A2 ABAG|
FDFA d2d2|Bdef g2g2|fafd egec|d2d2 d2:|
fg|afdf afdf|bgeg bgeg|afdf afdf|e2A2 ABAG|
FDFA d2d2|Bdef g2g2|fafd egec|d2d2 d2:|

%%%
X:224
T:DILLIGAF'S FANCY (jig) 
C:Larry Mallette
S:S: composer
D:D: "A Stroll in the Park" tr.3
% Published in Honey's "Celtic Harp Book"
Z:Z: ABC/arr.BB
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
D|EDE GFG|AGA g2e|B3 GAB|DGF E2D|
EDE GFG|ABd g2e|d3 GAB|DEF G2 :|
G|AGG BGG|AGE D2e|B3 efg|edB A2G|
AGG BGG|AGE D2e|d3 GAB|DEF G2:|

%%%
X:225
T:DILLON BROWN (a) (reel)
S:S: ONMI.1257 < Miss Kennedy 
Z:Z: Brennan/Black 
%R:reel
Q:1/4=180
M:C|
L:1/8
K:G
BGAG EGDG|BGAB cedc|BGAG EGDE|GBAG EGG2:|
Bddf egdc|Bddf efg2|Bddf egdc|BGAG EGG2|
Bddf egdc|Bddf efg2|gfge dcBd|cABG EGHG2|]

%%%
X:226
T:DILLON BROWN (b-1) (reel) 
S:S: CRE.3 
Z:Z: ABC/arr. BB
N:N: CRE.2 and CE.3 = different versions
%R:reel
M:C
L:1/8
Q:1/4=180
K:A
cB|AFEF A3a|fece f2af|ecBc aefe|BAFA BdcB|
AFEF A2ce|fece f2af|ecBc aefe|BABd A2:|
ed|ceAc eAcA|BEGE BEGB|c2Ac c2Ac|BABc dcBA|
c2Ac c2Ac|BEGE BEGB|ABce fefa|ecBd A2:|

%%%
X:227
T:DILLON BROWN* (b-2) (reel)
T:Laington's 
S:S: CRE.2 (unnamed?) 
Z:Z: ABC/arr. BB
L:1/8
M:C
%R:reel
Q:1/4=180
K:A
cB|AFEF A2Ae|fece fefa|ecc2 acc2|B2cB AFEF|
AFEF A2Ae|fece fefa|ecc2 acc2|BABc A2:|
AB|c2Ac ecAc|BEED BEED|c2AC ecAc|BABc dcBA|
ceAe ceAe|BEE2 cEE2|ABce f2af|eccB c2:|

%%%
X:228
T:DILLON'S BRIDGE (reel) 
C:Joe Liddy
S:S: Liddy1.33 
Z:Z: ABC/arr. BB
N:N: C sharps as in source
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G
GA|GFDE FGAF|G2dG eGd^c|AFDE FGAG|FDFA cFAF |
DGGF GFDF|G2 dD eG d2|dcde dcAG|FGAF G2 :|
Ac|dggf g2 ag|fgag fdde|fefg af g2|fdec dcAc |
[1 dggf g2 ag|fgag fdcd|fdec dcAG|FGAF G2 :|
[2 dgg2 afga|fgag fd^cd|f2 dc dcAG|FGAF G4 |]

%%%
X:229
T:DILLON'S FANCY (1) (reel)
S:S: ONMI.1271 < Dillon 
Z:Z: Brennan/Black 
%R:reel
Q:1/4=180 
M:C|
L:1/8
K:G
%%text source key = A
%%vskip .3in
DGGB dGBG|Bdgd egdc|Bcde dcBG|AcBG AEE2|
DGGB dGBG|Bdgd egdc|Bdef gfge|dcBA GBd||
f|gdBd gdBd|gfaf gdBd|gdBd gdBG|FGAB cdef|
gdBd gdBd|gfaf gdBd|GBdf gfge|dcBA HG4|]

%%%
X:230
T:DILLON'S FANCY (2) (reel)
S:S: JOL.287 
Z:Z: ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:G
DGG2 DGBA|Bdgf e2dc|BdGB dGBG|A3B AGEF |
DGG2 DGBA|Bdgf e2dc|Bdef gfge|dagd BG G2 :|
gdBd gdBd|gdad gdBd|g2Bd gdBG|FGAB cdef |
g3f gdBd|gdad gfed|Bdef gfge|dagd BG G2 :|

%%%
X:231
%%staffsep 70
T:DILLON'S OTHER BREAKFAST (reel)
S:S: BBMG
C:© BB
%R:reel
% For John Dillon, stalwart of the NY session scene for many years.
Q:1/4=180
M:4/4
L:1/8
K:D
e|"Bm"dBAF "G"GBdB|"A"Aceg "D"fedc|"Bm"BAFE "D"DFAd|"Bm"fagf "A"e3A|
"D"f2af "A"eAcA|"Bm"B2dB "D"ADFD|"C"EG=cG "D"Adfa|"A"gece "D"d3 :|
A| "C"=cBcd edcd|"A"eA^cA eAcA|"C"=c2 ec gcec|"A"egec "D"d3 A|
"C"=cG ~G2 "Bm"BF ~F2|"A7"EGAG "D"FD ~D2|"C"=CDEF GFEG|"A"AGEC "D"D3 :|

%%%
X:232
T:DILLON'S (Fancy) REEL (3) 
S:S: CRE.1 
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:G
B|DGG2 dGBG|Bdgd egdc|BdGA BGdG|A2AG AGEA|
DGBG dGBG|Bdgd egdc|Bdef gfge|dBGd BGG:|
e|gdBd gdBd|g2af gdBd|gdBd gdBG|EGAB cdef|
g2Bd gdBd|g2af gdBG|Bdef g2ge|dBgd BGG:|

%%%
X:233
T:DILLON'S (Fancy) REEL (4)
S:S: MFC.049B 
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G
z|DGG2 DGG2|Bdgd egdc|B2dB GABG|(3ABA BG AGEG|
DGG2 DGG2|Bdgd egdB|cdef g2ge|d2gd BGG:|
B|gdBd gdBd|gdad bdBd|gdBd gdBG|FGAB cdef|
g3a gdef|gdad gddB|cdef g2gd|degd BGG:|

%%%
X:234
T:DIMMERS (reel), The 
S:S: CRE.4 < Grier MS 
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=180
M:4/4
%R:reel
K:G
G3A GFED|EG Ac BGGc|Bcdg ecdB|cABG DcBA|
G3A GFED|EG Ac BGGc|Bcdg ecdB|cABG E2 D2 ||
Bddc BGGc|Bcdg eAAc|Bcdg ecdB|cABG E2 D2|
Bddc BGGc|Bcdg eAAc|Bd ef gedB|cABG DcBA |\
"^coda" HG4z4|]

%%%
X:235
T:DIN TARRANT'S POLKA (1) 
S:S: JOL.073 
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:A
z|AB/c/ dA/d/|ea c2|ef/e/ d/e/d/B/|AB cB|
AB/c/ dc/d/|ea ce|ef/e/ dB|BAA :|
d|e2 ag/f/|ea c2|ef/e/ dB|AB c2|
ef/g/ ag/f/|eA cA|ef/e/ dB|BAA :|

%%%
X:236
T:DIN TARRANT'S POLKA (2) 
T:Lisheen Polka
S:S: JOL.185 
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:G
g/e/|d>B c/d/c/A/|BG GA/B/|AD FG|AG G>B|
dB c/B/A|BG GA/B/|AD F/D/E/F/|AG G :|
A|Bd gf/g/|fe ed/e/|Bd ef|e>d BA|
B/c/d gf/g/|fe ef/e/|Bd ef|g2 g :|

%%%
X:237
T:DIN TARRANT'S POLKA (3) 
S:S: JOL.250 
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:D
B|d2 e/f/e/d/|cA AD|GF/G/ AG|F/G/A DF/D/|
GF/G/ AG|FA de/f/|g/f/e/d/ ce|d2 e/d/ :|
B|d>e fa|gf e2|c/B/A eA|fA/f/ eA|
de f/g/a|gf ee/d/|cA BA|d2 e/d/ :|\
"^coda" d4|]

%%%
X:238
T:DIN TARRANT'S POLKA (4) 
T:Scartaglen, Knocknaboul
S:S: JOL.280 
Z:Z: ABC/arr. BB 
% Source mm. 25-32 are a variation on mm 17-24. I have not included them here.
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:G
D|G/A/G/F/ GA|Bd de/f/|gB B/A/G/A/|BA AB/A/|
"5"G>F GA|Bd de/f/|gB AB/A/|G2G :|
A|"9"Bd gf/g/|fe e/f/g/e/|dB B/A/G/A/|BA B/A/G/A/|
"13"Bd gf/g/|fe e/f/g/e/|dB AB/A/|G2G :|
e|"17"g2 a2|b2 bd/a/|gf/g/ ag/a/|ba ba|
"21"ga/g/ e/f/g/e/|dB g>e|dB AB/A/|1 G2-G:|\
[2 HG4|]

%%%
X:239
T:DIN TARRANT'S POLKA (5) 
S:S: JOL.299 
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:G
G2 GA|BA B/c/d|GA/G/ dB|AG ED|
G>F GA|BA Bd|e/f/g f/g/a|gG G2 :|
Bd de/f/|gf ed|Bd de/f/|gB AG/A/|
Bd de/f/|gf ed|B/c/d B/c/d|BG G2 :|

%%%
X:240
T:DINEEN'S FANCY (jig) 
S:S: GSTC 
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=160
%R:jig
M:6/8
K:D
e|dAF AFD|FED FGA|Bef g2f|ged cde|
dAF AFD|FED FGA|Bef ged|cde d2 :|
%
g|f2d dc=c|BGB AFA|dcd faf|efB c2 A|
dcd fed|BGB AFA|dfb afd|cde d2 :|
%
A|dcd fed|afd fed|Bef g2f|ged cde|
dcd fed|afd fed|Bef ged|cde d2 :|

%%%
X:241
T:DINGLE BAY HORNPIPE, The 
Z:Z: ABC/arr. BB
N:N: Simplified version - add your own triplets!
Q:1/4=160
L:1/8
M:4/4
%R:hornpipe
K:G 
%swing .25
dc|BGFG EDB,D|GBAG EGDF|GABd gdBd|cBAG FGdc|
BGFG EDB,D|GBAG EGDF|GABd gdcA|B2 G2 G2:|
Bc|dg g2 bg g2|dgbg agfg|a^gab [ac']bag|fgfe dcBc|
dg g2 bg g2|dgbg egdc|Bdgd ABcA|B2 G2 G2:|

%%%
X:242
T:DINGLE REGATTA (slide), The 
S:S: FS.1 
Z:Z: ABC/arr. BB
M:12/8
L:1/8
Q:1/4=180
%R:slide
K:G
dBd e2d BAB d2B|A2A AGA B2A G2B|
dBd e2d BAB d2B|AGA B2A G3 G3 :|
d2d def g3 gfg|a2a aga b2a gfe|
d2d def g3 gfg|a2g f2e def g3 :|
gbg ded BdB G3|FGA DEF G2B d3|
gbg ded BdB G3|FGA DEF G3 HG3 :|

%%%
X:243
T:DINNY DELANEY (slide) 
S:S: BSMI.4 
Z:Z: ABC/arr. BB
L:1/8
%R:slide
M:12/8
Q:180
K:Dmix
A2D DED A2B G2B|A2B G2A E2G GFG|
A2D DED c2d e2d|dcA AGE G2A GED :|
dcA AGE c3 ABc|dcA AGE G2A GED|
dcA AGE c2d e2d|dcA AGE G2A GED :|

%%%
X:244
T:DINNY DELANEY'S (reel) (1)
S:S: MFC.046d (unnamed)
Z:Z: ABC/arr. BB
N:N: Name is from Mike Rafferty (see following setting) 
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Am
G|ABAG EFGA|AGGB cded|cABG EGG2|efge aAAB|
ABAG EFGA|AGAB cded|cABG EGG2|efge aAA||
B|c2gc acgc|BGG2 BcdB|c2gc agdf|gedB cAA2|
agea gedB|cBcG EFGB|AGAB cdef|gedB cAA2||
%


%%%
X:245
T:DINNY DELANEY'S (reel) (2) 
S:S: Mike Rafferty 
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:A dorian
ABAG EF G2|A2 AB cded|ABAG EF G2|aged cAdc|
ABAG EF G2|A2 AB cded|ABAG EF G2|aged cA A2||
egdg egdc|BG G2 Bc d2|edeg e2 ab|aged cA A2|
ag e2 aged|cA A2 EF G2|AGAB cdea|g2 ea gedB||\
"^coda"HA4z4|]

%%%
X:246
T:DINNY MESCALL'S SLIDE 
S:S: CRE.3 
Z:Z: ABC/arr. BB
%R:slide
Q:1/4=180
M:12/8
L:1/8
K:G
A|B2A BAB dBA G2D|GDG g2e dBA G2G|
B2A BAB dBA G2D|Bcd B2A G3 G2:|
B|g3- gfe dcB c2d|eag a2b a2g e2f|
g3- gfe dcB c2d|efg faf g3 g2:|

%%%
X:247
T:DINNY O'KEEFFE'S SLIDE 
S:S: "ITM Session Tunes vol 3" ("Sully") (folder 38) 
Z:Z: ABC/arr. BB
Q:1/4=170
M:12/8
L:1/8
%R:slide
K:A dorian
E2A ABA G2A Bcd|e2A ABA G3 F2G|
E2A ABA G2A Bcd|efe dcB A3 A3:|
e3 efe d3 dcd|e2A ABA G3 F2G|
E2A ABA G2A Bcd|efe dcB A3 A3:|

%%%
X:248
T:DISPUTE AT THE CROSSROADS (reel), The 
T:Doctor Gilbert's 
S:S: NFID.067b 
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
%R:reel
K:Edor
gf|eBBe BABc|d2AF AFDG|eBBA Bdgb|afdf efgf|
eBBe BABc|d2AF AFDd|Bee2 Begb|afdf efgf||
%
eBB2 BABc|d2AF AFDg|eBB2 Begb|afdf egfg|
eBB2 BABc|d2AF AFDd|Bee2 Begb|afdf efgf|
eBB2 gB B2|defg afdf|g2bg f2af|gefd edBb|
afdf edBc|dBAF AFDd|ge e2 Begb|afdf He4|]

%%%
X:249
T:DISSIPATED YOUTH, The 
S:S: ONMI.0508 < F.O'Neill 
Z:Z: Brennan/Black
% Standard jig setting in folder 497 ("The Frat Brother" #497034)
M:6/8
L:1/8
K:G
%%text "gracefully"
%%vskip .3in
E/F/|G>AB BAB|G3 E2F|G>AB dBG|A3 A2B/d/|
e2e d2d|c2c BAG|BAB GED|E2F G2||
F/E/|DB,D DB,D|G3 G2z|DB,D DB,D|A3 A2z|
e2e ded|c2c BAG|BAB GED|E2F G3|]

%%%
X:250
T:DISTANT STEEPLE (jig), The
C:Aidan Crossey
S:S: composer
%R:Jig
Q:1/4=160
M:6/8
L:1/8
K:A Major
e|aec AED|CEA cec|def ecA|G2A Bce|
aec AED|CEA cec|def ecA|dBG Ac:|
A|GAB Bcd|efe efg|aec AEF|G2A Bce|
aec AED|CEA cec|def ecA|dBG AG :|
[2 "^coda"dBG EFG|HA4z4|]

%%%

X:251
T:DITCH DIGGER (jig), The 
S:S: arr of ONMI #295, "Down Among The Ditches" 
Q:1/4=160
%R:jig
Z:Z: ABC/arr. BB
M:6/8
L:1/8
K:D
G|ABc def|dcB A2F|A2d def|gfe fdB|
ABc def|dcB A2E|F2D GEC|D3 D2 :|
E|DFA ABc|G2F E2F|DFG ABc|d3 F2E|
DFG ABc|G2F EFG|dAF GEC|D3 D2 :|

%%%
X:252
T:DITHERUM DOODLE (slip jig) 
S:S: MSIST.06a 
Z:Z: ABC/arr. BB
Q:1/4=150
M:9/8
L:1/8
%R:slip jig
K:D
%%text "allegretto"
%%vskip .3in
A|dcd efd cBA|dcd ecB A2g|fed efd cBA|
BGB AFD D2 :|D|AGA A2F GBA|BAG FED C2E|
FEF G2A GBc|dcB AFA D2 :|

%%%
X:253
T:DIVERSITY JIG, The
C:Sean Quinn 2000
S:S: composer
Z:Z: ABC/arr BB
%R:jig
Q:1/4=160
M:6/8
K:E dorian
GEE B,E|FEF DFA|GEE B,EE|Bec dBA|
GEE B,E|FEF DFA|Bcd cBA|1 FED EBA :|2 FED E2||
|:A|Bec d2B|AFE DFA|BAA dAA|BAA Bcd|
Bec d2B|AFE DFA|Bcd cBA|1 FED E2 :|2 FED E3 |]

%%%
X:254
T:DIVING DUCK* (polka), The
S:S: CRE.5 (unnamed) 
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=120
%R:polka
K:G
GA|B2g2 B2BA|B2g2 B2AG|F>GAB cBcd|e>dce d2dc|
B2g2 B2BA|B2g2 B2AG|F>GAB c2f2|e>dcA G2:|
GA|B2A2 B2A2|c>Bce dBGB|A2F2 A2F2|G>fge dBGA|
B2A2 B2A2|c>Bce dBGB|A2G2 A2f2|e>dcA G2:|

%%%
X:255
T:DIVIS & BERNIE'S ROD (jig)  
C:Joe Liddy
S:S: Liddy2.8 
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%R:jig
K:D
c|def dcA|BAG AFD|FDE FGA|cAG ABc|
def dcA|BAG AFD|Adc dAG|FDC D2 :|
G|Add dfg|afd dcA|dcd fga|fdc d2d |
[1 Add dfg|afd dcA|fdc dAG|FDC DF :|
[2 fga gfd|dcA GAc|Adc dAG|FDC D3 |]

%%%

X:256
%
T:DO YOU MISTRUST ME?  
S:S: ONMI.0328 < J.O'Neill 
Z:Z: Brennan/Black
% Standard jig version in folder 497 ("Believe You Me!" #497007)
M:6/8
L:1/8
K:Am 
%%text "slow with feeling"
%%vskip .3in
e>dc B>cd|ABG Gcc/d/|ede fed|ecB A2c/d/|
e>dc B>cd|ABG Gcc/d/|e>de fed|eAA A2z||
G>AB cBc|d>cd ecc|G>AB cBc|d>ef e2c/d/|
edc dcB|A^GA c2c/d/|efe dcd|eAA A3|]

X:257
%
T:DO YOU REMEMBER THAT NIGHT? 
S:S: ONMI.0145 
Z:Z: Brennan/Black
M:3/4
L:1/8
K:A
%%text "moderate" 
%%vskip .3in
(3EFG|A2 A2 BA|G2 A2 (3Bcd|e2 dB A>B|G2 E2 (3EFG|
A2 A2 BA|G2 A2 (3Bcd|e2 d>B A>B|A4||
(3Bcd|e2 e2 e2|d2 d2 ed|c2 B2 A2|G2 E2 (3EFG|
A2 A2 BA|G2 A2 (3Bcd|e2 d>B A>B|A6|]

X:258
%
T:DO YOU WANT ANYMORE? (jig) 
S:S: ONMI.0741 < Cronin 
Z:Z: Brennan/Black
N:N: This tune is in straight D major in ONMI, but it's played today as D modal
N:("Dmix"). To hear the original version, replace K:G with K:D in the ABC header.
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:Dmix
A,|DFA A2B|cAd cAG|Adc deg|fed cAG|
FDF GAB|cAd cAG|Adc AGE|FDD D2 :|
g|fdg fec|Adc Ade|fdg fec|ABc d2e|
aba gag|fgf edc|Adc AGE|FDD D2 :|

X:259
%
T:DOCKS AND QUAYS OF GALWAY (reel) 
Z:Z: ABC/arr. BB
N:N: see note in ABC file
%This is a variant in another key of "New Mown Meadow(s)". There are other versions of the name ("Ducks and Geese", "Docks and Keys" ...)
M:4/4
Q:1/4=180
L:1/8
%R:reel
K:D
eA A2 eAAB|e2 fd edBd|eAA2 eAA2|d2 ed BGBd|
eA A2 eAAB|e2 fd edBd|g4 f3 e|dfec dBAf:|
a2 fa bafb|afef edBA|a2 fa bafb|afed B2 A2|
a2 fa bafb|afef edBA|g4 f3 e|dfec dBAf:|
"^coda"Hd4z4|]

X:260
%
T:DOCTOR BOURKE'S* (jig) 
S:S: RC2.3in09 ("Old Set Tune" 11) 
Z:Z: ABC/arr. BB
N:N: Repeats added.
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:Edor
BBB B2A|F2A d3|dcB A2F|E2E FED|
BBB B2A|F2A d3|dcB d2F|E3 E3:|
B2e e2d|B2c d3|dcB A2F|E2E FED|
B2e e2d|B2c d3|dcB d2F|E3 E3:|

X:261
%
T:DOCTOR DELANEY 
C:O'Carolan
S:S: CAR-OS
Z:Z: Gilb/Brennan/Black 
N:N: {1] Lowered to G from Gilb/Brennan's C version
N:N: [2] mm 25-28 raised an octave from original
Q:1/4=70
M:C|
L:1/8
K:G 
%%text mm 1-6 "grave"; mm 29-32 "allegro moderato"
%%vskip .3in
G4 G3F|FAF2 D4|B3B c3c|d3d e3e|\
d3c B2A2|G2G2 G4||
%
Q:1/4=120
d2c2 BcBA|"8"GABc dcBA|GABc dBcd|cBAG FGAF|
"11"GDEF GDEF|GFGE AGAF|G2d2 BcdB|c2c2 gfge|\
f2d2 agaf|g4 g4||
"17"defg defg|defg afdf|e2e2 e2dB|d2d2 d2c2|
"21"B2B2 BcAc|BcAd B2AG|ECGC FAAG|F2ED D4|
"25"d2cB AGG2|GABc d2cB|c2de dcc2|cdef g2FE|
"29"F2ED D2F2|GABc d2cB|c2B2 A2G2|F2DF G4|]

X:262
%
T:DOCTOR FAUSTUS'S JIGG 
S:S: CCCD 
Z:Z: ABC/arr. BB
N:N: see note in ABC file
% "Due to damage to the original, bars 11 & 21 are missing. Bar 21 here is
% conjectural." (NPU editor's note). I have repeated measure 2 to replace 
% the missing measure 11.
%R:jig
L:1/8
Q:1/4=140
M:6/8
K:D
%%text source key F
%%vskip .3in
D|FGA ABc|dcB ABc|dcB AGF|D3 d3|
FGA ABc|dcB ABc|def gfe|d3 D2 :|
A|def fed|dcB ABc|def B2A|A3 d3|
GAB F2A|E3 d3|FGA E2F|D3 d3|
GAB F2A|E3 d3|FGA E2F|D3 d3 |]

X:263
%
T:DOCTOR FRANK (jig) 
C:P.Fitzgerald (Balto.)
% Composed in honor of Peter's flute-playing friend Dr. Frank Claudy.
S:S: MVBT {< composer 
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
Bgd edB|AGA EGA|BdA ABd|ega bga|
bgd edB|AGA EGA|BAE GAB|AGE G3 :|
gab egf|gdB AFD|EGA Bde|fde def|
gab egf|gdB AFD|Bdf caf|dba g3 :|

X:264
%
T:DOCTOR GILBERT (reel) 
T:Dispute at the Crossroads
S:S: CRE.1 
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:Em
d|eBBA B2ed|BdAd BAGF|EDB,D GABG|EDB,E DB,A,2|
B,DEF DEB,2|GEFD E2FA|Bded Bdgb|afdf e3:|
d|eBBf gBBc|defg afdf|gfge fefd|e2ed eBB2|
afdf edB^c|dBAF AFD2|EAcA Bdgb|afdf e3:|

X:265
%
T:DOCTOR KNOWS BETTER (jig), The  
C:Joe Liddy
S:S: Liddy2.5 
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%R:jig
K:Em
A|GFG EDB,|EGA Bcd|edB dBA|BAB dBA|
GFG EDB,|EGA Bcd|gdB ABA|GED E2 :|
A|Bee edB|def afd|edB Bcd|BAF EFA |
[1 Bee efg|edB AGA|Bee dBA|FED E2 :|
[2 Bee ega|bge edB|ged edB|GED E3 |]

X:266
%
T:DOCTOR O'CONNOR 
C:O'Carolan
S:S: CAR-OS 
Z:Z: Gilb/Brennan/Black 
Q:1/4=160
M:6/8
L:1/8
K:C
%%text "allegretto"
%%vskip .3in
c2c cdB|cdB c2d|e2e efd|efd e2f|
"5"gfg GAG|fef FAF|ede EGE|dcd BdB|
"9"GGc BBd|cce BBd|GGg agf|edc dBd|
"13"c2G c2c|d2G d2d|edc f2d|g2A c3||
"17"A2A ABc|dBG GBG|d2d ded|ded efg|
"21"edc c'2c|edc g2e|fed a2d|BA^G A3|
"25"GEC GEC|G3c3|c3 AFc|AFc d>cB|
"29"cde def|efg agf|edc BGB|c3c3|]

X:267
%
T:DOCTOR O'HALLORAN (jig) 
S:S: ONMI.1075 < J.O'Neill 
Z:Z: Brennan/Black
N:N: see note to ABC file
% The accidentals give this tune a really unique sound, but I realize they might be a % challenge to play (they are for me!)
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:Dm
F|D2d ^cde|f2d dcB|ABA AGF|cAf cAF|
D2d ^cde|f2d ecA|BA^G AFE|DFE D2:|
F|DAA AGF|Ecc cA^G|A2^G A=B^c|ded cAG|
Aff fag|fed ecA|BA^G AFE|DFE D2:|

X:268
%
T:DOCTOR O'NEILL (jig) 
S:S: ONMI.0701 < Cronin 
Z:Z: Brennan/Black
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:D
A|d3 AFD|E2F G2A|BGB Bcd|AGF EFA|
d3 AFD|E2F G2A|BGB Bcd|AFD D2 :|
%
A|d3 ceA|dfe dcB|AFA Bcd|AGF EFA|
d3 ceA|dfe dcB|AFA Bcd|AFD D2 :|
%
g|fef afd|dcd fed|gfg faf|gee e2g|
fef afd|dcd fed|gfg fag|fdd d2:|
%
g|fdf ece|dcB AFA|AFd AFd|AGF E2g|
fdf ece|dcB AFA|AFA Bcd|AFD D2 :|
%
G|FAF GBG|FAG FED|FAF GBG|AGF E2G|
FAF GBG|FAG FED|BGB Bcd|AFD D2 :|

X:269
%
T:DOCTOR PETER'S HORNPIPE 
S:S: NFID.194c 
Z:Z: ABC/arr. BB
N:N: Bottom note of the double stop ([AF], [ec]) is the melody note.
Q:1/4=150
L:1/8
M:C|
%R:hornpipe
K:D
cB|AD [AF]A BGBd|AD [AF]A d2cd|eA[ec]e fd fa|\
edcB AGFG| 
AD [AF]A BGBd|AD [AF]A d2cd|eA[ec]e faec|d2f2d2:|
cd|eA [ec]e fdfa|eAce f2f^e|=ea^gf edcB|A2 ^GB A3=G|
FEFA dfaf|g2b2g2ag|f2 df e2 ce|dfec d2:|

X:270
%
T:DOCTOR TAYLOR (reel) 
S:S: ONMI.1359 < McFadden 
Z:Z: Brennan/Black 
Q:1/4=180
%R:reel
M:C|
L:1/8
K:G
A|G2FG EGDF|G2Bd cBAF|G2FG EGDc|BdgB cBAF|
G2FG EGDF|G2Bd cBAF|GFGA Bdef|gdcA BGG2 :|
e|gdBd edBd|cABG AGEG|gfgd edBd|dedc BGG|
gefd edBd|cABG AGEG|DFGA Bdef|gbaf ged:|
"^coda"gbaf gedB|HG4z4|]

X:271
%
T:DOCTOR'S CROSS (hornpipe), The
C:© E.Reavy
Z:Z: McKenty/Black
S:S: "Ed Reavy Compositions"
Q:1/4=150
M:C|
L:1/8
%R:hornpipe
K:D
%%text "andantino"
%%vskip .3in
G|ADFA d2eg|f2 ec dAFA|GEB,E G,EB,E|FEDF E2 FG|
ADFA d2 eg|f2 ec dAFA|fdAf gece|d2dc d3 :|
e|fefa gfge|fefd ecAg|f2 df gfed|c2A^G A3=g|
fefa gfga|bgec dAFA|fdAf gece|d2dc d2:|

X:272
%
T:DOCTOR'S DELIGHT (reel), The 
C:Joe Liddy 
Z:Z: ABC/arr. BB
S:S: Liddy2.3in2
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:G
dc|BG af DEFD|BGBc dfdc|BG af GBdf|gfdB c2dc |
BGAF GFDE|FGAF GABc|dgaf gfdc|BG af G2 :|
Bd|g2 af gedB|cBAG FGAc|BGBd ceag|fgef dABc |
g2 af gedB|cBAG FGAc|B2dB cdeg|fdcA G2 :|

X:273
%
T:DOCTOR'S FROLICS (polka), The 
C:Joe Liddy
S:S: Liddy2.22 
Z:Z: ABC/arr. BB
Q:1/4=200
M:2/4
L:1/16
%R:polka
K:G
dc|B2AB GFDF|G2BG FGBc|d2gf gfdB|c2dc BGFD |
G2FD G2FG|B2dB cdBc|dfbg fdcd|B2G2 G2 :|
Bc|d2g2 gfdB|c2dc BGFG|B2GA Bcde|fgaf g2ga |
gfdB c2dc|BGFD F2Bc|dfbg fdcd|B2G2 G2 :|

X:274
%
T:DOG BIG AND DOG LITTLE (reel) 
C:© C.Lennon
S:S: CLMM.26 
Z:Z: ABC/arr. BB
N:N: see note to ABC file
% This tune has a repeat sign after measure 24 but I'm not sure where it repeats 
% to, so I omitted it here.
% Source has no breaks but I have inserted them (as double bars)
% after mm 8 and 16.
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:D
d2dc d2AF|d2fd Bdec|dcde dAFA|BGEA FDFA|
fdec d2AF|defd Bdec|defd AFDF|BGEA FDFA||
%
BEE2 BEcE|BEE2 ABcd|BEE2 BEcE|dcdA FGAd|
BEE2 BEcE|BEE2 ABcd|BEE2 BEcE|dcdA FABc||
%
d2fd cdec|d2fd faaf|d2fd adfa|bged ceAc|
d2Ad Bdec|defd faaf|g2gf edBA|Bdeg f2ef||
"^coda" cAGE HD4|]

X:275
%
T:DOG THAT CAUGHT THE CAR (march), The
C:Aidan Crossey
S:S: composer 
Z:Z: ABC/arr. BB
%R:March % or polka!		
Q:1/4=120
M:2/4
L:1/8
K:Dmaj
E|F/G/A/B/ AF|dF AF|F/G/A/B/ AF|GE CA,|
F/G/A/B/ AF|dF AF|F/G/A/F/ EC|D2 D:|
%
A|F/G/A/B/ AF|dF dF|F/G/A/B/ AF|GE GE|
F/G/A/B/ AF|dF df|e/f/e/d/ Bc|d2 d:|
%
A|e/f/e/d/ BA|dF AF|e/f/e/d/ BA|dF E2|
e/f/e/d/ BA|dF AF|e/f/e/d/ Bc|d2 d:|

X:276
%
T:DOGS AMONG THE BUSHES (reel), The  
S:S: ONMI.1274 < Ennis 
Z:Z: Brennan/Black 
%R:reel
Q:1/4=180
M:C|
L:1/8
K:G modal
BGG2 DGG2|BGGB cedc|BGG2 DGG2|AFFA fdcA|
BGG2 DGG2|BGGB cedc|BABc defd|cAFA fdcA||
dggf gagf|dgga bgaf|defe fgfe|dfeg fdcA|
Bggf gagf|dggf bgag|bgag bgag|dfeg fdcA||\
"^coda"HG4z4|]

X:277
%
T:DOGS in the BARLEY (polka), The  
S:S: RC3.106 
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:2/4
%R:polka 
K:Em
BE E/F/D|BE EE/D/|B>d A>G|FD DD|
BE E/F/D|BE EE/D/|B>d A>F|E2 E2:|
eg ag/e/|be ge|dg ag/e/|fg af|
[1 eg ag/e/|be ge|dB AF|E2 E2:|
[2 gf g>e|dB/c/ de|dB AF|E2 HE2|]

X:278
%
T:DOHERTY'S FANCY (jig)
S:S: ONMI.0811 < J.O'Neill 
Z:Z: ABC/arr. BB
N:N: Source has a double stop |[E3A3]| in mm 1, 3, and 5.
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:A
E|A3 cBA|ecA aec|A3 cBA|BGE dBG|
A3 cBA|ecA aec|fga ecA|dBG A2:|
e|aga fga|gba gfe|aga fga|bag afg|
agf edc|fed cBA|fga ecA|dBG A2 :|

X:279
%
T:DOHERTY'S KING OF THE PIPERS*  
S:S: CRE.2 
Z:Z: ABC/arr. BB
N:N: see note in ABC file
% Breathnach got this tune from Donegal fiddler John Doherty. I added his name to the
% title to distinguish this tune from other unrelated tunes of the same name.
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D modal
d|:cAG A2D|DED A2d|cAG A2D|DED GED|
"5"cAA A2D|DFD AGE|FDF ECE|DED GED:|
%
"9"d2e fdg|ecA AFA|d^cd efg|faf gfe|
"13"d2e fdg|ecA AGE|FDF ECE|DED GED|
"17"d2e fdg|ecA AFA|d^cd efg|aba gec|
"21"d2e fga|ecA AGE|FDF ECE|DED GED||
%
"25"B2G A2G|BGE Edc|B2G A2E|GED Ddc|
"29"B2G A2G|BGE E2^c|d^cd A2G| FDD Ddc:|\
[2 "^coda" FDD HD3|]

X:280
%
T:DOLLY & THE GYPSY*  (barn dance)
S:S: CRE.5 (unnamed) 
Z:Z: ABC/arr. BB
N:N: see note to ABC file
% According to Breathnach's liner notes for this (untitled) tune, it is a combination % of "Dolly Varden" and "The Gypsy Princess", hence my title for it.
M:4/4
Q:1/4=150
%R:hornpipe
K:G
GA|B2B2 B2B2|ABAG E2DE|G2GB d2d2|e2dB ABGA|
B2B2 B2B2|ABAG E2DE|G2BG AcBA|G2G2G2:|
Bc|d2d2 d2d2|AcBA GABd|e2e2 e2e2|AcBA GABc|
d2d2 d2d2|AcBA GABd|g2ge dBGA|B2A2G2:|

X:281
%
T:DOLLY DIMPLE (reel) 
S:S: WSGM 
Z:Z: ABC/arr. BB
N:N: Single in source
L:1/8
M:C
Q:1/4=180
%R:reel
K:A dorian
cB|AGED CDEF|GFGA G2cB|AGED CDED|EAAB ABcB|
AGED CDEF|GFGA G2(3Bcd|ecdB cABG|EAAG A2 :|
ed|cBAB cedc|BGdB eBdB|cBAB cedc|BAGB A3B|
cBAB cedc|BGGF GBdB|cedc BdBG|EAAG A2:|

X:282
%
T:DOLLY MacDONOUGH 
C:O'Carolan
S:S: CAR-OS
Z:Z: Gilb/Brennan/Black
Q:1/4=80
M:C
L:1/8
K:G
%%text "andante con moto"
%%vskip .3in
EF|GFGA BGFG|E4 D2Bc|d2g2 e2dc|B3A G2EF|
G>FEF G2A2|B2ef gfec|B2GB A3F|G6:|
%
Bd|e2d2 Bdef|g4 f2g2|e2d2 egfd|e3d B2Bd|
e2d2 Bdef|g3e fe (3dBA|B2e2 f3^d|e6 ef|
gfed Bdef|g3f agfg|e2BA BAGF|E4 D2EF|
GFEF G2A2|B2ef gfed|B2GB A3F|G4z4|]

X:283
%
T:DOLLY VARDEN (polka), The
S:S: CRE.5 
Z:Z: ABC/arr. BB
M:C|
L:1/8
Q:1/4=120
%R:polka
K:G
EF|GBEB GBEB|G2B2 B2AG|FADA FADA|F2A2 A2EF|
GBEB GBEB|G2B2 B2gf|e>dcB A>GFE|D2GF G2:|
(3DEF|G2B2 d2AG|F2A2 A2BA|G2B2 d2AG|F2ED E3F|
G2B2 d2AG|F2A2 A2gf| e>dcB A>GFE|D2GF G2:|

X:284
%
T:DOLLY'S THE GIRL FOR ME (slip jig) 
S:S: WSGM.187 < "Aird's Selections" 1782-97 
Z:Z: Kinder/Black
M:9/8
L:1/8
%R:jig
Q:1/4=150
K:D
G|FAF d2A d2A|BdB AFD E2G|
FAF d2 A d2 g|faf edc d2 :|
g|fdf gag fed|c2A c2d e2g|
[1 fdf gag fed|c2A Bce d2 :|
[2 fdf afa bag|fed ABc Hd3|]

X:285
%
T:DOMHNAILL NA GREINE (jig)
T:Daniel of the Sun 
S:S: OFPC1.12 (as "Donald na Grena") 
Z:Z: ABC/arr. BB
N:N: I added the second ending.
Q:1/4=160
M:6/8
%R:jig
L:1/8
K:Ador
d|ede cAA|ede cAG|EAA A2G|EAA A2d|
ede cAA|e2d cAG|EGG G2A|EGF G2 :|
B|c3 d3|e2d cAG|EAA A2G|EAA A2B|
cAA dBB|e2d cAG|EGG G2A|EGF G2 :|
e|a3 g3|fed cAG|EAA A2G|EAA A2 e|
aba gbg|fed cAG|EGG G2A|EGF G2 :|
B|c3 cAA|cAA cAG|EAA A2G|EAA A2B|
c3 cAA|ede cAG|EGG G2A|1 cAF G2 :|\
[2 EFG HA3|]

X:286
%
T:DOMINIC ROONEY'S (jig) 
Z:Z: ABC/arr. BB
S:S: Mike/Mary Rafferty 
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:D
AFA AdB|AFA D3|ABd g2 e|fdB BAF|
AFA AdB|AFA D2 f|g2 e fed|edB BAF :|
Adf a3|abf a3|Adf a2 f|gfe fdB|
Adf a3|abf a3|g2 e fed|edB BAF :|
"^coda"Hd3z3|]

X:287
%
T:DOMINIC'S FAREWELL TO CASHEL (jig) 
C:Josie McDermott
Z:Z: Andrew Pickering (via IRTRAD)
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
D|GFG BAB|d^cd efg|GFG dBG|ABG AFD|
GFG BAB|d^cd efg|age dBA|BGF G2:|
d|gfg efg|aga bge|gfg ege|dBG AFD|
gfg efg|aga bge|gfe dBA|BGF G2:|

X:288
%
T:DON'T BE TEASING (jig) 
S:S: DMI.350 
Z:Z: Nordberg/Black 
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:D
B|AFD DFD|AFA dcB|AFD DFD|EFG Bcd|
AFD DFD|AFA d2A|B/c/dB ced|d3 d2:|
g|afd dcd|Bcd AFD|afd dcd|Bcd e2f|
afd dcd|Bed cBA|Bgf ecA|d3 d2:|

X:289
%
T:DON'T BOTHER ME (reel) 
S:S: ONMI.1342 
Z:Z: Brennan/Black 
Q:1/4=180
%R:reel
M:C|
L:1/8
K:D
DFAc d2Bc|defd ecAc|d2Ac BAGF|EFGE FDD2:|
d2fd fafd|g2bg ecAc|d2fd fafd|efge fdd2|
d2fd fafd|g2bg ecAc|d2Ac BAGF|EFGE FDHD2|]

X:290
%
T:DON'T LEAVE ME ALONE (slip jig) 
S:S: ONMI.1159 
Z:Z: Brennan/Black 
Q:1/4=160
%R:slip jig
M:9/8
L:1/8
K:G
g2f efg dcB|e2A ABG FED|g2f efg dcB|c2B AGF G3:|
B2c dcB dcB|e2A ABG FED|B2c dcB dcB|c2B AGF G3:|

X:291
%
T:DONAGHADEE HUNT (jig), The 
C:B.Mulholland
S:S: MSIST.50b 
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
e|f2e f2e|dcd A2A|BGB AFA|GEG F2D|
f2e f2e|dcd A2A|BAG FGE|D2E D2 :|
A|DFA AFD|GAB B3|Ace ecA|def f3|
afd BcB|gec AcA|BAG FGE|D2E D2 :|

X:292
%
T:DONAL A' CLUMPER'S (reel)
T:Piper's Son
S:S: CRE.2 < Denis Murphy
Z:Z: ABC/arr. BB
N:N: see note to ABC file
%First part resembles "Patsy Tuohey's". Thanks to Anton Zille for the correct name (4/16/24).
%R:reel
M:C
Q:1/4=180
K:Em
BEED BEE2|D2FA DAFA|BEED efge|dBAc BEED|
BEE2 cEE2|D2FA DAFA|BEED efge|dBAc BEE2||
e4 egfe|defg a2fd|edef gfge|dBAc BEE2|
e4 egfe|defg a2fa|b2ba faaf|edef gfed||He4z4|]

X:293
%
T:DONAL O'BRIEN 
C:O'Carolan
S:S: CAR-OS 
Z:Z: Gilb/Brennan/Black
Q:1/4=80
M:3/4
L:1/8
K:Am
%%text "andante espressivo"
%%vskip .3in
AG|E2 A2 AB|c4 B2|cB cd ec|d4 ed|
cB cd e^f|g2 ag ed|e2 a2^g2|a4 g2|
f2 ed cA|A4 AB|c2 d2 eg|a4 g2|
f2 ed cA|G2 A2 cd|e2 dc A^G|A6|]

X:294
%
T:DONAL O'CONNOR'S (slide)
S:S: Treoir 
Z:Z: ABC/arr. BB
Q:1/4=170
M:12/8
L:1/8
%R:slide
K:G
A|B3 cBA G2E D2D|EFG A2B c3 cBA|
B3 cBA G2E D2D|EFG AFD G3 G2 :|
E|D2 B BAB d2 B BAB|D2 G A2 B c2 A ABA|
D2 B BAB d2 B BAB|ABA FGA G3 G2 :|

X:295
%
T:DONAL'S TRIP TO RATHCOOLE (reel)
C:Joe Liddy 
Z:Z: ABC/arr. BB
Q:1/4=180
S:S: Liddy2.43
M:4/4
L:1/8
%R:reel
K:G
dc|BGGA BcdB|cBcd BGG>F|DGGA Bcdg|af dB c2dc |
BGAF GFDC |1 DGGF GABc|dfdB cBcd|BGGF G2 :|
[2 B,G,B,C DEFD|GABc dfdc|BGGF G2 ||
|:ef|gfdc dfdB|cBcd BGFD|G3A Bcde|fgaf g2af |
gfdc BGBc|dBcA BGFD|G2GA Bcdc|BGAF G2 :|

X:296
%
T:DONALD BRAN (march) 
S:S: NCIT.02-2a 
Z:Z: ABC/arr. BB
L:1/8
M:2/4
N:N: Tune type not specified in source
%R:hornpipe
Q:1/4=80
K:A
AB cA|B/d/c/d/ B/A/G/F/|AB cA|Bc d2|
AB cA|B/d/c/d/ B/A/G/F/|AB B/A/G/F/|EF A2:|
AD DF|EE EF/G/|AD DF|EF AB|
AD DF|EE Ec|d/c/d/B/ B/A/G/F/|EF A2:|

X:297
%
%%staffsep 70
T:DONEGAL DOUGHERTYS (reel) , The
C:© E.Reavy
S:S: "Ed Reavy Collection"
Z:Z: McKenty/Black
N:N: Another "ambiguous" tune I have reset as modal, with all accented C's
N:natural. 
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:Dmix
%%text "allegro moderato"
%%vskip .3in
E|D2 FA dfaf|gece dcAG|FEFG A^GAB|cBcG EDCE|
DEFD G2 FG|ABcA dcde|fgaf cded|1 cAGE EDC:|
[2 cAGE EDD||:c|d2 fd fafd|cAGF EFGE|d2 fd fafd|
cdeg fddf|afge fde^c|dcAG FEFG|A2AB cBcd|
[1 faeg fdd:|[2 eged cAGE|"^coda" D4z4|]

X:298
%
T:DONEGAL MAZURKA, The
S:S: Mally.VIST:094 
Z:Z: ABC/arr. BB
Q:1/4=150
M:3/4
L:1/8
%R:waltz
K:D
DF|AF A2 dc|BG B2 ef|ge c2 Bc|BA F2 DF|
AF A2 dc|BG B2 ef|ge cA Bc|d2-d2 :|
fg|af d2 Ad|cB B2 ef|ge c2 Bc|BA A2 fg|
af d2 Ad|cB B2 ef|ge c2 Bc|d2-d2 :|

X:299
%
T:DONEGAL RAMBLER (reel), The
T:Donegal Traveller
S:S: CRE.5 < Bobby Gardiner 
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=180
M:C
%R:reel
K:A
A2EA CAEA|A2cA GdBG|A2EA CABc|dfed cABc|
A2EA CAEA|A2cA GdBG|A2EA CABc|dfed cAA ||
c|e^def ecAc|efec dBBc|eAcA eAcA|efed cAAc|
e^def ecAc|efec dBBc|d2ec dcBA|GBed cABG|HA4z4|]

X:300
%
T:DONEGAL REEL (1), The
S:S: AIF 
Z:Z: Brennan/Black 
Q:1/4=180
M:C
L:1/8
%R:reel
K:D
E|D2DE FDFA|dFAF BFAF|E2EF GFGA|BdAF EGFE|
D2DE FDFA|dABF ABde|f2ec dBAG|F2EC D2:|
A2|defg afdf|afdf a2gf|edef gfed|edef g2fe|
defg afdf|afdf abag|f2ec dBAG|F2EC D2:|

X:301
%
T:DONEGAL REEL (2), The 
S:S: FS.2 
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:D
B,/C/|D2DE FDFA|dFAF BFAF|E2EF GFGA|BdAF EGFE|
D2DE FDFA|dABF ABde|f3e dBAG|FGEF D3 :|
A|defg afdf|afdf a2gf|edef gfed|cdef g2fe|
defg afdf|afdf abag|fgfe dBAG|FGEF D3 :|

X:302
%
T:DONEGAL REEL (3), The 
S:S: WSGM.247 < P.Dunne ms 
Z:Z: Kinder/Black 
N:N: Single in source.
M:4/4
L:1/8
Q:1/4=180
%R:Reel
K:D
A,|D2DE FEFA|dFAF BFAF|E2EF GFGA|BdAF EGFE|
D2DE FEFA|dFAF ABde|faec dABG|F2EF D3:|
A2|defg afdf|afdf a2gf|edef gfed|edef g2fe|
defg afdf|afdf abag|f2e2 dABG|F2EF D2:|

X:303
%
T:DONEGAL TRAVELLER (reel), The 
S:S: MVBT < H.Gillespie 
Z:Z: ABC/arr. BB
N:N: This tune is also played in A.
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:D
d2FA DAFA|d2fd Beec|d2FA DAFA|gbag fddc|
d2 FA DAFA|d2 fd ce a2|bgaf gefd|ceag fd d2||
a^gab afdf|abaf ge e2|ad d2 Addf|gbag fdde|
a^gab afdf|abaf geef|gbag fagf|egfe fdHd2|]

X:304
%
T:DONERAILE COURT (jig)
S:S: arr. of ONMI #106, "Lord Doneraile" 
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig 
M:6/8
L:1/8 
K:Ador
E|ABA Add|BGG G2B|ABA Aaa|gee e2f|
gag gfe|dec Bcd|efe e2d|cAA A2 :|
e|aea ab[ac']|bgg g2b|aba agf|gee e2f|
gag gfe|dec Bcd|efe e2d|cAA A2 :|
E|A3d3|BGG G2B|A3a2f|gee e2f|
gag gfe|dec Bcd|efe ez2|cAA A2 :|

X:305
%
T:DONNA LONG'S FANCY (hornpipe) 
S:S: TIDT 1/39
C:J.Kelly 
Z:Z: ABC BB
M:C|
L:1/8
%R:hornpipe
Q:1/4=150
K:Gm
%swing .25
BGAF GBAG|FDBD Fedc|B/A/GAF GABc|d2D2 D2dc|
BcAB GABG|FDBD FGBd|cdec ABcA|B2G2 G4 :|
B2dB fdcA|Bcde f2dc|dgga fdaf|g/a/gfa g3a|
[1 bgfd gbag|fdBd c2A/B/c|dgbg fdcA|A2G2 G4:|
[2 gfdc fgag|fdcA d3c|AF=eg fdcA|A2G2 HG4 |]

X:306
%
%%staffsep 70
T:DONNA SHEEHAN'S REEL
T:A Reel Will Do No Harm
S:S: BBMG
C:© B. Black 7/20
N:N: see note in ABC file
% I composed this tune to keep up the spirits of the lady of the title, who was%
% battling a serious illness at the time. She and her family fought the good fight,
% but unfortunately she didn't make it. She did get to hear the tune, however, and 
% I understand she really enjoyed it. RIP.
M:C
Q:1/4=180
K:G
zD|"G"G2BG dGBG|"Em"edBG "Am"ABGE|"G"DG~G2 dG~G2|"Am"ABcA "Em"GEEF|
"G"G2BG dGBG|"Em"edBG "D"AGEF|"G"GBdB "Am"ceag|"D"fdcA "G"G2:|
Bc|"G"dggd "C"ceec|"G"BddB "Am"ABGA|"G"Bddc "Em"Begb|"D"afdf "C"e3f|
"G"gbag "D"fddB|"C"cedc "G"BGBc|"G"dggd "C"ceec|"D"BdAF "G"G2:|

X:307
%
%%staffsep 70
T:DONNCHA'S (slide)
S:S: BBMG 
C:© BB
% For dance master Donncha O Muinecháin RIP
%R:slide
Q:1/4=180
M:12/8
L:1/8
K:D
B|:"D"A2 F "Bm"B2 F "G"dcd "Em"efg|"D"f2 d a2 f "Em"e3-edB|
"D"A2 F "Bm"B2 F "G"dcd "Em"efg|1 "D"a2 f "A7"gfe "D"d3 dcB :|
|2 "D"a2 f "A7"gfe "D"d3-d2|: e|"D"def def "A"cde cde|
"D"def "Em"edB "A"ABA AFG|"D"A2 B def "Em"e2 f gfe|\
"D"f2 a "A7"gfe "D"d3-d2 :|

X:308
%
T:DONNY BROOK (reel), The 
S:S: Levey2.65 
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:C
%R:reel
K:G
Bc|dBGA BABc|dBBA BAA2|dBGA BABd|efge dB :|
cd|g2ge a2af|g2ge dBB2|g2ge a2af|gage dBB2|
g2ge a2af|gage dcBA|GFGA BABd|efge dBAF|HG4z4|]

X:309
%
T:DONNYBROOK FAIR (1) (jig)
S:S: AIF 
Z:Z: Brennan/Black 
M:6/8
Q:1/4=160
L:1/8
K:G
D|G2G AGA|Bee dBA|BAB GAB|AGEE2D|
GFG AGA|Bee dBA|BAB GAB|AGF G2:|
f|gfe fed|ege dBA|Bee dBA|Bee e2e|
[1 gfe fed|efe dBA|BAB GAB|AGF G2:|
[2 gfg aga|bge dBA|BAB GAB|AGF G3|]

X:310
%
T:DONNYBROOK FAIR (2) (jig)
T:Boys from the Lough
S:S: RC1.095 
Z:Z: ABC/arr. BB
% Pretty much the session version.
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
D|GFG AGA|Bee dBA|BAB GAB|AGE GED|
GFG AGA|Bee dBA|BAB G2B|AGF G2:|
f|gag fgf|efe dBA|BAB dBA|Bee e2f|
gfg edB|g2e dBA|BAB G2B|AGF G2:|

X:311
%
T:DONNYBROOK FAIR (3) (jig)
S:S: RC1.096 
Z:Z: ABC/arr. BB
% Interesting setting of an old friend!
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
D|GDG AGA|BAB gdc|BAB GBA|GEE E2D|
GDG AGA|BAB gdc|BAB G2B|AGF G2:|
B|def g2e|fed e2B|ded dBA|Bee e2g|
Bdg dBA|Bdd d2A|BAB G2B|AGF G2:|

X:312
%
T:DONOHUE'S FLAT (hornpipe) 
C:Joe Liddy
N:N: Dotted rhythm in source
S:S: Liddy1.24 
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:C|
%R:hornpipe
K:G
dc|BGBd gdBd|caBG DFAc|BGBd ecef|afge d2cd |
BGBd gdBg|cABG DFAc|Bdfd cADF|AGGF G2 :|
dc|BGBd g2 bg|agbg afdc|BGBd ecfg|afge d2 c2 |
BGBd g2 ef|gbaf gfed|Bdfd cADF|AGEF G2dc |
BGBd g2 bg|agbg afdc|BGAB cdfg|a2ge d2DF |
GABc defg|bgag fa d2|Bdfd cAFD|GDEB, G,4 |]

X:313
%
T:DOOAGH POLKA*, The  
Z:Z: ABC/arr. BB
S:S: CRE.4 (unnamed) < Barrett < Collins 
L:1/8
M:2/4
%R:polka
Q:1/4=120
K:G
D|G>F GB|dc AB|c>B cd|ed Bd|
G>F GB|dc AB|c>A ec|BF G:|
d|g2 fg|ed Bd|c>B cd|ed Bd|
g2 fg|ed Bd|c>A ec|BF G:|

X:314
%
%%staffsep 70
T:DOOLEY'S DELIGHT (reel) 
S:S: composer
C:Des Conroy
Z:Z: ABC/arr.BB
Q:1/4=180
M:C
%R:reel
L:1/8
K:Am
B|"Am"ABcB AGEG|"Em"ecdB "Am"cBAG|"Am"ABcd ea^ga|"Em"gede "G"gedB|
"Am"ABcB AGEG|"Em"ecdB "Am"cBAB|"C"cdeg "D"^fded|"Am"(3cBA "G"BG "Am"A3 :|
z|"Am"A2cA eage|"Am"~A2cA "G"GBdg|"Em"edeg "Am"a^gab|"G"g^fed "C"edcB|
"Am"A2cA eage|"Am"~A2cA "G"GBdg|"Am"a^gab "G"=ge "D"^fd|"Am"(3cBA "G"BG "Am"A3 :|

X:315
%
T:DOOLEY'S FANCY (reel) 
S:S: ONMI.1439 < McFadden 
Z:Z: Brennan/Black 
Q:1/4=180
%R:reel
M:C|
L:1/8
K:G 
%%text source key = A
%%vskip .3in
d2|BGDG Bdgd|cBAG FGAc|BGBd gfge|dgfa gedc|
BGDG Bdgd|cBAG FGAc|BGBd g2ge|dcBA G2 :|
ef|g2fd edBG|cBAG FGef|g2fd edBG|egfa gdef|
gfgf edcB|cBAG FGAc|BGdG egfa|gedc Bd:| 
[2 "^coda"gedc Bdgd|HG4z4|]

X:316
%
T:DOON REEL (a-1), The 
S:S: CRE.2 
Z:Z: ABC/arr. BB
L:1/8
M:C
%R:reel 
Q:1/4=180
K:D
AG|F4 GEE2|FDDF ABAG|F4 GEE2|EFGE DFAG|
F4 GEE2|FDDF ABAG|F4 GEE2|AFGE D2 :|
Bc|d4 dcA2|AG (3EFG ABcA|d3e dcAB|cdBc G4|
dedc dcA2|AGFG ABcA|d2dc d2fd|d2fd ec:|
"^coda" d2fd ecAG|HD4z4|]

X:317
%
T:DOON REEL (b), The 
S:S: FS.3in 
Z:Z: ABC/arr. BB
M:4/4
L:1/8
Q:1/4=180
%R:Reel
K:D
z|DFAF BFAF|DFAF EGFE|D2FA BAFA|(3Bcd ec dBAF|
DFAF BFAF|DFAF EGFE|D2FA BAFA|(3Bcd ec d3 :|
A|d2fd Adfd|d2fd BABc|d2fd Adfg|afeg fddc|
d2fd Adfd|defd e2ef|gfec dcBA|(3Bcd ec d3 :|

X:318
%
T:DOON REEL (a-2), The 
S:S: JOL.094 
Z:Z: ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:D
FE|D4 B2AF|DFAF EGFE|D3A BAFA|dfeA dBAF|
DEFA BDAF|DFAF EGFE|DEFA BAFA|Bdec d2:|
(3ABc|defd Adfd|defd BdAB|d2 fd BdfA|gfed BdAB|
defd Adfd|defd e4|gfec dcBA|Bdec dBAB|
d2fd Adfd|defd BdAB|d2fd AdfA|gfed BdAB|
defd Adfd|defd edef|gfec dcBA|Bdec dBAF||"^coda" D4z4|]

X:319
%
T:DOONEY ROCK (jig), The 
S:S: SRHI.8b
C:Seán Ryan 
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:Am
B|AGE EDE|GAB cBA|GDB, G,B,D|GAB cBc|
AGE EDE|GAB c2d|eag edB|cAA A2:|
E|Ace a3|bag edB|GBd g3|age dB^G|
Ace a3|bag edB|GBd g3|edB A2:|

X:320
%
T:DOREEN HEALY'S* (barn dance)
S:S: DMWC.68 ("unknown") 
Z:Z: ABC/arr. BB
N:N: see notes in ABC file
% [1] Willie Clancy setting
% [2] Doreen (Healy) was Willie's wife. They were married in 1962.
% [3] I'm not sure what type of tune this is. Could be a reel, hornpipe,or polka (or a barn dance!)
M:C
L:1/8
Q:1/4=180
%R:polka 
K:G
%swing .25
dc|B2BA BAGB|d2dd d4|defe dcBd|g2gf g2d2|
g2gf g3a|b2g2 d3e|f2fe dcAF|1 G2GF GB :|\
[2 G2GF G4 ||
|:G2Bd g4|f2eg f2f2|A2Ag f2fe|deed B2BA|
G2Bd faag|f2eg f2ge|dGG2 B2A2|1 G4 G3A :|\
[2 G4 G4 |]

X:321
%
T:DORSETSHIRE HORNPIPE, The 
S:S: WSGM.3in19 < "Wilson's Companion to the Ballroom" 1816 
Z:Z: Kinder/Black 
M:4/4
L:1/8
Q:1/4=150
%R:Hornpipe
K:G 
%swing .25
%%text source key Bb
%%vskip .3in
dc|BABc dcBA|GFGB D2DC|B,DGB cBAG|F2A2 A2dc|
BABc dcBA|GFGB D2 DC|B,DGB AcFA|G2 G2 G2:|
FG|AGFE DEFG|A2 A2 A2 GA|BAGF EFGA|B2 B2 B2 DC|
B,D G2 CE A2|DG B2 EG c2|B2 AG DGFA|G2 G2 G2:|

X:322
%
T:DOTH NOT A MEETING LIKE THIS? 
S:S: ONMI.0614
Z:Z: Brennan/Black
N:N: Dotted rhythm in source.
M:6/8
L:1/8
K:G
%%text "Gaily"
%%vskip .3in
D|GAG BAB|GBd e2d|gfe edB|BAA A2D|
GAG BAB|GBd e2d|gfe edB|cEF G2||
d|def gfe|age edB|def gdB|BAA A2d|
GAG BAB|GBd e2d|gfe edB|cEF G3|]

X:323
%
T:DOUBALING (jig) 
S:S: OFPC1.23 
Z:Z: ABC/arr. BB
D:D: "O'Sullivan Meets O'Farrell" track 11a
%Meaning of title ... ?
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:Amix
d|c2B AEA|c2B AEA|B2c ded|B2A GAB|
c2c d2d|e2f efg|a2d e2d|c2B A2 :|
e|aba efg|f2e ded|BcB g2d|B2A GAB|
c2c d2d|e2f efg|a2d e2d|c2B A2 :|

X:324
%
T:DOUBLE ROPE* (hornpipe), The
S:S: "Amateur's Companion" ["Double rope Sigr. Ferzi"]
Z:Z: ABC/arr. BB
N:N: see notes in ABC file
% 1:Titled simply "Hornpipe" in source.
% 2:I'm not sure what "double rope" refers to. Presumably Sigr. Ferzi is the composer % (or maybe a dancer?)
L:1/8 
M:C
Q:1/4=150
%R:hornpipe
K:D
%swing .25
A^GAF DFAc|dcec ABAF|GFAG FEGE|edfe dcBG|
A^GAF DFAc|dcec Acef|gfef eddc|d2f2 d4 :|
e^dec Aceg|GFAF DAdc|BdAd BdAd|Bdgf edcB|
A^GAF DFAc|dcec Acef|gfef eddc|d2f2 d4 :|

X:325
%
T:DOUBLIN' REEL, The
C:Solomon Foster
S:S: composer 
Z:Z: ABC/arr. BB
Q:1/4=180
M:C|
L:1/8
%R:Reel
K:G
DE|G3B AGBd|eg3 edBG|A3B AGEG|AGBG AGEF|
G3B AGBd|eg3 edBd|eg3 edBG|ABGF G2:|
Bd|eg3 aged|BG3 AGEG|DEGA BABd|eged BGBd|
eg3 aged|BG3 AGEG|DEGA BABd|egdB G2:|

X:326
%
T:DOUCHIG FOR SPORT
S:S: CNIM.3in7
Z:Z: ABC/arr. BB
% Variant of "Pretty Girl Milking Her Cow". I have no idea 
% if "Douchig" is an activity, a place, or a person!
M:6/8
L:1/8
Q:1/4=60
K:Ador
A/B/|cec BdB|AGG cec|BdB A2B|
cec BdB|AGE GED|EAB A2 || % 6 measures
B|cde/f/ ged/c/|BGB cde|efg a2b/a/|
gee de d/c/|BGB cBA|EA^G HA3 |] % 6 measures

X:327
%
T:DOUGAN'S FANCY (reel)
S:S: CRE.4 < Donnelly < W.Jones 
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=180
M:4/4
%R:reel
K:D
B|AGFG A2Bc|dBcA B3B|AGFG A2Bc|dBAG FDDB|
AGFG A2 Bc|dBcA BdcB|AGFG A2 Bc|dBAG FDD :|
e|fafe d2 ef|gefd e2 de|fafe d2 ef|gfed cA A2|
agfe d2 ef|gefd edcB|AGFG A2 Bc|dBAG FDD :|

X:328
%
T:DOWD'S #9 (reel)  
T:Summer in Ireland  
S:S: BSMI.4 
Z:Z: ABC/arr. BB
L:1/8
%R:reel
M:C
Q:180
K:D
DFF2 GFEF|D2FA dABG|F2AF GFGB|AFDB, A,B,CE|
DFF2 GFEF|D2FA d3A|F2AF GFGB|AFEG FDD2 ||
fdd2 g2ag|fdd2 cdeg|fdd2 gfec|dcde fdde|
fgaf gfeg|fedf ecAF|GABG FAdB|AFDB, A,B,CE ||

X:329
%
T:DOWD'S FAVORITE (reel) 
S:S: BSMI.2
Z:Z: ABC/arr. BB
N:N: see notes to ABC file
% Since Gm is a difficult key on most traditional instruments, you'll be relieved
% to find out that it sounds pretty good in Am too. BSMI's repeats have been removed % to restore the tune to the Coleman setting (with Brian Conway's approval).
%R:reel
M:C
Q:1/4=180
L:1/8
K:Gm
DGGA B2GB|AFF2 CFAF|DGGA B2Bd|BGAF DGGF|
DGGA BAGB|AFF2 CFAF|DGGA BABd|cAfa AGG2 :|
%B
B2dB FBdB|FBdB cBAc|B2dB FBdB|cBAc BGGA|
BABd c2cA|BABd cAFD|GBAc Bdfd|cAfA AGG2 :|
%C
dgg2 gbag|fcc2 fgag|gdd2 gbag|fdcA BGG2|
dgg2 gbag|fcc2 fgaA|B2BA Bbag|fdcA BGG2 :|
"^coda"fdcA BGFD|G4z4|]
%

X:330
%
T:DOWN AMONG THE DITCHES 
S:S: ONMI.0295 < J.O'Neill 
Z:Z: Brennan/Black
M:6/8
L:1/8
K:D
%%text "lively"
%%vskip .3in
A|A2d def|dcB A2F|A2d def|gfe fdB|
A2d def|dcB A2F|F2D GEC|D2D D2||
E|DFA ABc|GFE E2F|DFA ABc|d3F2E|
DFA ABc|GFE EFG|dAF GEC|D2D D3|]

X:331
%
T:DOWN AT THE SEASIDE (1) 
S:S: ONMI.0287 < F.O'Neill 
Z:Z: Brennan/Black
M:C
L:1/8
K:D
%%text "gracefully"
%%vskip .3in
DE|FEFA BAFD|A^GAB A2dc|B3c decB|B4 z2DE|
FEFG/A/ GFED|AFAB/c/ d3c|Bcde f2ed|d6||
cd|edef g2cd|ed/c/dB A2Bc|dcde dcBA|B4 z2dB|
AFED D2FG|AFED d2fe|dc (3Bcd AFED|D4-D4|]

X:332
%
T:DOWN AT THE SEASIDE (2) (march) 
S:S: RC3.214 
Z:Z: ABC/arr. BB 
Q:1/4=180
L:1/8 
M:4/4
K:G
%%text "march - moderato"
%%vskip .3in
GA|BABd cBAG|Bcde d2gf|edef gafd|gfge dBGA|
BABd edBG|dedB gfec|dega b2af|gedB G2 :|
fg|afab a2fg|afge dgef|gfga gfed|edgB A2ge|
dBAF G2Bc|dBAG g2ga|bage dBcA|GBAF G2 :|

X:333
%
T:DOWN BY THE OCEAN TIDE 
S:S: ONMI.0351 < J.O'Neill 
Z:Z: Brennan/Black
Q:120
M:2/4
L:1/16
K:G
%%text "with spirit"
%%vskip .3in
D2|G2AG F2G2|A2=f2 d2cA|GFGB A2G2|F2D2 D2D2|
G2AG F2G2|A2=f2 d2 (3ABc|d2cA G2G2|G6||
d2|d2de f2g2|=f2dc B2AG|GFGB AGFE|F4 D2D2|
G2AG F2G2|A2=f2 dABc|d2cA G2G2|G4-G4|]

X:334
%
T:DOWN BY THE OLD MILL 
S:S: ONMI.0159 < J.O'Neill 
Z:Z: Brennan/Black
M:C
L:1/8
K:G
%%text "moderate" 
%%vskip .3in
G>A|B2d2 e3d|eg/f/ ed B2GA|B2d2 g>edB|A6 G>A|
B2d2 g2b2|agfe g2f>e|d2BG A2A2|G6||
g2|f>ede fgaf|gfed d3g|fgab gfed|g6 ge|
dBAG G2G>A|Bg a/g/f/g/ e2f>e|d2BG A2A2|G4-G4|]

X:335
%
T:DOWN BY THE RIVER SIDE 
S:S: ONMI.0045 < F.O'Neill 
Z:Z: Brennan/Black
M:3/4
L:1/8
K:G
%%text "slow"
%%vskip .3in
dc|B2G2G2|F2G2A2|B2G2B2|c4Bc|\
"5"d2g2g2|d2e2=f2|A2F2A2|c4dc|
"9"B2G2G2|F2G2A2|B2G2B2|c4Bc|\
"13"d2g2g2|d2e2=f2|A2G2G2|G4||
Bc|"17"d2g2f2|g2a2g2|=f2d2e2|=f2z2d2|\
"21"g2f2d2|c2d2c2|d2B2G2|F4cB|
"25"B2G2G2|F2G2A2|B2G2B2|c4Bc|\
"29"d2g2g2|d2e2=f2|A2G2G2|G4|]

X:336
%
T:DOWN THE BACK LANE (a) (jig)
S:S: DMWC.103 
Z:Z: ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:D mix
d2||cAG AAG|FDE F2d|cAA BAG|Ade gf/e/d|
cAG AcG|FDE F2G|Add gf/e/d|ecA G3|
ABG AcG|FDE F2 d|cAA BAG|Ade gf/e/d|
cAG AcG|FDE F2G|Add gf/e/d|ecA G3||
%
Add fdd|cAB cAG|Add g/f/ed|ecA G3|
Add fdd|cAB cde|fag ecA|AGF G3|
Add fdd|cAB cAG|Ade fed|ecA G3|
Add fdd|cAB cde|fag ecA|AGF G3||
"^coda" A3 A2G|EF2 D3 |]

X:337
%
T:DOWN THE BACK LANE (b) (slide)
Z:Z: ABC/arr. BB
S:S: JOL.147
Q:1/4=180
L:1/8
M:12/8
%R:slide
K:G
e2d c2e d2B G2B|ABA F2A e2d B2c|
ded c2e d2B G2B|ABA F2A G3-G2B|
d3 c2e d2B G2B|ABA F2A e2d B2c|
ded c2e d2B G2B|ABA F2A G3-G2 ||
%
B|d3-d2e d2B GBd|e3 fed e2c ABc|
d3-d2e d2B G2B|1 ABA F2A G3 G2 :|\
[2 ABA F2A G3 g3|]

X:338
%
T:DOWN THE BANKS WITH MARY (reel) 
S:S: CRE.5 
Z:Z: ABC/arr. BB
M:4/4
Q:1/4=180
%R:reel
K:G
dc|Bddg e2dc|BGAF GFED|Bddg e2dc|BGAF G2:|
ef|g2gf e2eg|fgaf gfed|g2gf eaag|fdef gedc|
Bbb2 Aaaf|dfge dcBA|Bddg e2dc|BGAF G4|]

X:339
%
T:DOWN THE BROOM (1) (reel)
S:S: BSMI.1 
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:A dorian
EA~A2 A2Bd|egdg egdc|BGGF G2GE|(3DED B,D GABG|
EAAG ABcd|egg2 egdB|dgg/f/g gaba|gedB BAA2 :|
a2ea ageg|a2bg agef|g2dg egde|geaf gede|
a2ea ageg|agbg ageg|dgg/f/g gaba|gedB BAA2 :|

X:340
%
T:DOWN THE BROOM (2) (reel)
S:S: DMWC.77 
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:A dorian
G|EAAG A2Bd|e2dg eABA|GEDE G2AB|cABG AGED|
EAAG A2Bd|egfa gedB|BABd egfa|gedB BAA :|
d|eaa2 b2bg|agbg agef|g2bg g2bg|g2ba geed|
eaa2 bgea|a2ba aged|BABd egfa|gedB BAA :|

X:341
%
T:DOWN THE GLEN (hornpipe)
S:S: AIF 
Z:Z: Brennan/Black 
Q:1/4=150
M:C|
%R:hornpipe
L:1/8
N:N: dotted rhythm in source
K:D
%swing .25
FE|D2FA BGBd|D2FA d2cd|eAce fdfa|edcB AGFG|
D2FA BGBd|D2FA d2cd|eAce fgec|d2f2d2:|
cd|eAce fdfa|eAce fdfa|eagf edcB|A2^GB A2=G2|
FDFA dfaf|g2B2 b2ag|f2df e2ce|dfec d2:|

X:342
%
T:DOWN THE GORT ROAD* (reel) 
S:S: CRE.4 (unnamed) < Sean Reid < E.O Loughlin 
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=180
M:4/4
%R:reel
K:G
d2GA B2AG|FGAc A4|d2GA B2AG|FAdc BGG2:|
dggf g4|fgaf g3a|bgaf g2 ag|fdcA AG G2:|

X:343
%
T:DOWN THE GRAVEL* (reel)
S:S: CRE.2 (unnamed) < James Byrne (Donegal) 
Z:Z: ABC/arr. BB
% Close relative of "The Gravel Walks" (parts 1 and 2)
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Am
z|A2eA cA eA|A2ed BGGB|A2eA cA ed|egdc BGGB|
A2eA cA eA|A2ed BGGB|A2eA cA ed|egdc BGG :|
B|A2a2 gAfA|A2ed BGGB|A2aA gAfd|egdc BGGB|
A2a2 gAfA|A2ed BGGB|Aaag aged|egdc BGG :|

X:344
%
T:DOWN THE GREEN FIELDS (jig)
D:D: Bua: "Down the Green Fields" [2011] 
Z:Z: ABC/arr.BB
Q:1/4=160
M:6/8
%R:jig
K:G
e/f/|gfe d2B|cAA BGG|gfe d2B|cBA GBd|
gfe d2B|cAA GBB|def gdB|cAF G2:|
F|EFG A2B|cAA BGG|EFG A2B|cBA G2F|
EFG A2B|cAA GBB|def gdB|cAF G2:|

X:345
%
T:DOWN THE HILL (1) (jig)  
S:S: DMI.0995 
Z:Z: Nordberg/Black
N:N: see notes in ABC file
% [1] This tune with its heavy ornamentation (per the "source version" in the folder % ABC) is found in the "Miscellaneous" section of DMI rather than the "Jigs" section. % I thinned it out so that a nice tune wouldn't go to waste! However . . .
% [2] Transposing up from G minor resulted in a few high C's. You can play /a/
% instead and nobody will know the difference.
%R:jig 
Q:1/4=160
M:6/8
L:1/8
K:Am
G|EAA A2B|cBA BAG|AED G2A|BcA GED|
EAA A2c|BGc dBd|ege dBe|A3 A2:|
d|eaa a2b|[ac']ba bge|dgg g2a|bag age|
eaa a2b|[ac']aa bgg|age dBE|A3 A2:|
d|aec A2c|A2c dcB|gdA G2B|G/A/Bc dcB|
cAA dBB|ea^g ab[ac']|age dBe|A3 A2:|

X:346
%
T:DOWN THE HILL (2) (jig)  
S:S: RC1.115 
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
E|D2G G2A|B2d cAG|F2D DED|F3 GED|
DGG G2A|BAG ABc|d2B cAF|G3 G2:|
f|g2d def|g2a bag|f2d ded|f2g afd|
g2d def|g2a bag|fed cAF|G3 G2:|

X:347
%
T:DOWN THE HILL TO DOOLIN* (reel) 
S:S: CRE.2 < Micho Russell (Clare) 
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G
D|G2 Bd g2 gf|d2 dc ABcA|G2Bd gbag|fdcA BGFA|
G2Bd g2 gf|dedc ABcA|G2 (3Bcd gbag|fdcA BGG :|
A|B2 AG BGGA|B2 AG Bddc|B2 AG BGAB|dBAG EGFA|
B2 AG BGGA|B2 AG Bddc|B2 AG BGAB|dBAG EGG:|

X:348
%
T:DOWN THE MEADOW (jig) 
S:S: Treoir 46.2 < J.Gallagher (Leitrim 1918-1979) 
Z:Z: ABC/arr. BB
N:N: aka 'Clancy's Dream', 'Up Leitrim'
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:D
d|f2e dAA|BAA dAA|f2e dAA|Bdf e2d|
f2e dAA|BAA dAA|fef dBA|Bdf e2:|
d|faa gbb|faa afd|faa gab|afd e2d|
faa gbb|faa afd|fef dBA|Bdf e2:|
[2 "^coda"Bdf edc|d6|]

X:349
%
T:DOWN THE RIVER (jig) 
S:S: DMI.0336 
Z:Z: Nordberg/Black
N:N: see note to ABC file
% There might be a case for treating this as a G mix tune (= all F's natural), but I % have left it as it appears in DMI.
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
c|dBG GBd|cAF FAc|Bcd eag|fed cBA|
dBG GBd|cAF ABc|BdB cAF|AGG G2:|
B|Ggf gba|gdc BAG|Ggf bag|fef g2A|
Ggf dfd|cAG FGA|fed cAF|AGG G2:|

X:350
%
T:DOWN THE ROAD (reel) 
C:Joe Liddy 
Z:Z: ABC/arr. BB
S:S: Liddy1.44
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G
Ac|BG G2 BGcA|BGGD FGAc|BG G2 BGFG|Bcde f2 dc |
BG G2 BGAc|BGFE FGAc|Bcde fdcA|BGFD G2 :|
%
f2|gfdc Bcde|f2 fe fdef|gfdc BABc|defa g2 ga |
gfdc dfdB|cfdc BGFG|Bcdf gfdc|BGFD G2 ||
%
Bc|d2 gf gfdc|Bcde f2 ga|gfdB cfdc|BGFD F2 DF |
G2FD GBFG|BcdB cdBc|dgaf gfdc|BGFD G4 |]

X:351
%
T:DOWN THE RUSHY GLEN (polka)  
C:V. Broderick
S:S: Turoe.3in7a 
Z:Z: ABC/arr. BB
M:2/4
L:1/8
Q:1/4=120
%R:polka
K:G
G>A BG|AB/G/ ED|GB d2|eg/d/ BA|
G>A BG|AB/G/ ED|GB d>B|AG G2:|
%
Bd ed|ga/f/ ed|G>A BG|AB/G/ ED|
Bd ed|ga/f/ ed|G>A Bc/A/|GE E2:|
%
gf ed|gf ed|G>A BG|AB/G/ ED|
[1 gf ed|gf ed|G>A Bc/A/|GE E2:|
[2 G>A BG|AB/G/ ED|GB dB|AG HG2|]

X:352
%
T:DOWN THE SOUND* (jig)  
S:S: Levey2.44 (unnamed) 
Z:Z: ABC/arr. BB
N:N: see notes to ABC file
% [1] I suspect a transcriber's or printer's error in the source, since parts A and B
% are identical (except for the pickup note).  Whereupon . . . 
% [2] I more or less took this poor little tune and provided it with a new suit of
% clothes (metaphorically speaking), including a second part that wasn't in Levey's
% setting (but would have been if he had known about it).
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
%%text "moderately quick"
%%vskip .3in
d|ed^c deg|edB d2=f|ed^c deg|BAA A2g|
ed^c deg|edB def|gdB ABc|BGF G2 :|
G|E2F G2A|BcB d3|E2F G2A|BAG A2G|
E2F G2A|Bcd e2f|gdB ABc|BGF G2 :|

X:353
%
T:DOWNFALL OF PARIS (hornpipe), The 
S:S: ONMI.1562 < Cronin 
Z:Z: Brennan/Black 
%R:hornpipe
Q:1/4=150
M:C| % source 2/4
L:1/8 % source 1/16
K:G
%swing .25
D2|G2GA G2GA|G2AB cBAG|A2AB A2AB|A2AB cBAG|
B2BA B2BA|Bdgf edcB|A2AB A2AB|ABcA GFED||
G2GA G2GA|G2AB cBAG|A2AB A2AB|A2AB cBAG|
BABc dedc|BABc dedc|BdBG AcAF|G2GG G2:|
%
Bc|d2dB d2dB| e2d2 c2B2|c2cA c2cA|d2c2 B2A2|
B2BA B2BA|Bdgf edcB|A2AB A2AB|ABcA GFED||
G2GA G2GA|G2AB cBAG|A2AB A2AB|A2AB cBAG|
BABc dedc|BABc dedc|BdBG AcAF|G2GG G2:|
%
cd|d2ef gfed|Bdge dcBA|G2G2 A2A2|B2B2 A2Bc|
d2ef gfed|Bdge dcBA|G2Ac BGAF|G2GG G2:|
BG|F2FG A2AB|c2B2 A2G2|F2FG A2AB|c2B2 A2Bc|
d2ef gfed|Bdge dcBA|G2Ac BGAF|G2GG G2:|

X:354
%
T:DOWNHILL OF LIFE, The 
S:S: ONMI.0490 < F.O'Neill 
Z:Z: Brennan/Black 
M:6/8
L:1/8
K:G
(3d/e/f/|gGD G>AB|def g2f/e/|ded BGA|\
E3 F2 (3d/e/f/|
gGD G>AB|def g2f/e/|ded BGA|G3G2||
d|dBG gfg|afd g2b/a/|gfe dBG|A3-A2B/c/|
dBG gfg|afd g2f/e/|dBG DEF|G3-G3|]

X:355
%
T:DOWNING'S REEL 
S:S: DMI.0591 
Z:Z: Nordberg/Black
N:N: There was no "fine" in the DMI file so I added one.
%R:reel
Q:1/4=180
M:C|
L:1/8
K:A dorian
%%text A-B-A
%%vskip .3in
F|G2FG EGDF|G2BG dGBG|G2FG EFDc|Beed BcAB|
G2FG EFDF|GABc dBAB|G2FG EFDA|Beed B2A :|
c|BAGA Bcd2|Beed Bcd2|BAGA Bcd2|Beed B2A2|
BAGA Bcd2|Beed Bcd2|G2GB A2Ac|Beed B2"_DC"A :|
"fine" BdBG A4||

X:356
%
T:DOWNSHIRE MARCH, The 
S:S: OFPC1.3in3 
Z:Z: ABC/arr. BB
N:N: "Irish" (says Mr. O'F) Gotta believe that pipers would have a lot of fun with
N:this tune!
Q:1/4=100
M:2/4
L:1/16
%R:march
K:D
A2|:F2D2 D2D2|D2F2 A2d2|c2A2 A2A2|A2c2 e2g2|
f2d2 dedc|B2g2 g2f2|efgf e2d2|cded cBAG|
F2D2 D2D2|D2F2 A2d2|c2A2 A2A2|ABcd efga|
f2d2 dedc|B2g2 g2f2|efgf d2c2|d4-d4 :|
%
f3g f2f2|f2f2 afed|e3f e2e2|e2e2 aedc|
f2fe dcBA|^GABc B2ec|dece BeAe|AeAe Bece|
dece BeAe|AeAe Bece|dcde fefg|bagf fedc|
dcde fefd|a^gab afed|cdef edcB|AdcB AGFE :|
"^coda" HD4z4|]

X:357
%
T:DOWNSPOUT* (hornpipe), The 
S:S: HOC.029 (unnamed) 
Z:Z: ABC/arr. BB
N:N: "clog dance"; dotted rhythm in source
Q:1/4=140
M:4/4
L:1/8 
%R:hornpipe
K:A
%swing .25
ed|ceAc EACE|[AA,]Ece a2ba|gbeg BeGB|EBeg b2ed |
ceAc EACE|[AA,]Ece a2ba|gbeg fa^df|e2e2e2 :|
de|fdAF Adfa|ecAE Acea|gBEG Bdeg|bagf ecde |
fdAF Adfa|ecae Acea|gebg edBe|1 a2a2a2 :|\
[2.a2.a2a4|]

X:358
%
%%staffsep 70
T:DOWNTOWN JIG, The
S:S: BBMG
C:© BB
% For Don Meade and his constant efforts to keep the tradition alive in NYC
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:D
A|"D"dcB AFF|"Bm"dFF BFF|"D"dcB "F#m"AFE|"D"DEF "A"ABc|
"D"dcB AFF|"Bm"dFF BFF|"D"ABd "F#m"efa|"G"gfg "A"e2 :|
A|"D"ABd "Em"e2d|"A"eaf "Em"e2d|"G"Bdd "D"fdd|"Bm7"baf "Em"edB|
"D"ABd "Em"e2d|"A"eaf e2c|"D"dfa "Em"bgf|"A"edc "D"d2 :|

X:359
%
T:DOWSER'S FAVORITE (reel), The 
S:S: CRE.4 < J.Wade < Pat Ward 
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=180
M:4/4
%R:reel
K:G
Bc|dgeB dBAB|GABG EDB,C|D2GB cBAG|FGAB cAFD|
dgeB dBAB|G2BG EDB,D|GDB,D GBdB|cA FA G2:|
Bc|dBB2 gdBd|dBB2 gdBd|D2GB cBAG|FGAB cedc|
dBB2 gdBd|dBB2 gdBd|GDB,D GBdB|cAFA G2:|

X:360
%
T:DOYLE'S (polka)
S:S: Mally.HIP.076 
Z:Z: ABC/arr. BB
Q:1/4=120
%R:polka
L:1/8
M:2/4
K:D
A/|FA D>E|FA BA|FA DE|FE ED/E/|
F/G/A D>E|FA BA|FA Bc|ed d> :|
F/|DF/A/ BA|dc/d/ BA|FA DE|FE EF/E/|
DF/A/ BA|dA c/B/A|FA Bc|ed d> :|

X:361
%
T:DOYLE'S FROLIC (jig)
S:S: Levey1.9 
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
%R:jig
M:6/8
K:G
%%text "very quick"
%%vskip .3in
A|B2G ABc|d2f g3|g2f g2e|f2d e2c|
B2G ABc|d2f g3|f2d c2A|B2A G2 :|
d|g3 g2a|b3 a2f|g2f gfg|f2e d2d|
g2f g2a|b3 a2g|f2d c2A|B2A G2 :|


%%% %%% %%% 



X:362
%
T:DR. JOHN HART, BISHOP OF ACHONRY 
C:O'Carolan
S:S: CAR-OS 
Z:Z: Gilb/Brennan/Black
Q:1/4=100
M:3/4
L:1/8
K:A
%%text "moderato"
%%vskip .3in
e2ce/f/ ec|ed cB A2|B2A/B/c A/B/c|BA F2 F2|
"5"ae ab c'b|ab af ae|fa/b/ af ec|B2 ce f2|
"9"fc ef ec|A2 A2 A2|ec fe e/c/B/A/|B2 Bc B2|
"13"ed cB A>A|Bc BA G>F|EA GB Ac|B2 A2 A2||
"17"E/C/E/F/ EC B,A,|E2 EF E2|FE FA FE|C2 EF F2|
"21"AG AB cB|AB cd ed|cd ef ed/c/|B2 GA B2|
"25"ec AF E/D/C/B,/|A,2A2A2|ec/e/ fe/f/ af|e2 cB B2|
"29"ed cB A>A|Bc BA G>F|EA GB Ac|B2 A2 A2|]

X:363
%
T:DR. MACMAHON, BISHOP OF CLOGHER 
C:O'Carolan
S:S: CAR-OS 
Z:Z: Gilb/Brennan/Black
Q:1/4=120
M:6/8
L:1/8
K:G 
%%text "resolutely"
%%vskip .3in
Bdd g2a|gfe dBG|cee ecA|B/c/dd gdc|
"5"BGG G2A|FDD D2d|ec/d/e dB/c/d|c/B/A/G/G G3||
"9"B/c/dB GEC|B,DG FGA|BGA BGB|c/A/Bc d2d|
"13"ece ece|d2c B/c/dG|FDD D2G|ECC C2c|
"17"B/c/dB A/B/cA|GBg a/g/f/g/a|g/e/f/g/e d/B/c/d/B|\
G/B/c/d/B c/A/B/c/A|
"21"FDD D2G|ECC C2D/C/|B,DD Bc/B/A|G3G3|]

X:364
%
T:DRAG HER AROUND THE ROAD (reel)
T:The Pullet
S:S: CRE.1 
Z:Z: ABC/arr. BB
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:Em
GA|BEED E2DE|GEDB, D2GA|BEED E2DE|GABG A2:|
BA|G2GF GBdB|cBAB cdec|B2AB GBdB|GABG AGEF|
DGG2 GBdB|cBAB cdea|gedB cdge|"thru"dBGB A2GA||
"^coda"BEED HE4|]

X:365
%
T:DRAGON FLY (slip jig), The 
C:V. Broderick
S:S: Turoe.12a 
Z:Z: ABC/arr. BB
M:9/8
L:1/8
Q:1/4=160
%R:slipjig
K:G
DGB DGB d3|DGB DGB AGE|DGB DGB d2d|
edB BAG AGE:|Bcd ede g3|Bcd edB BAG|
[1 Bcd ede g2a|bag ege dBA :|2 Bcd efg age| 
edB BAG AGE||"^coda"HG6z3|]

X:366
%
T:DRAKE'S LAD (slide), The  
S:S: JOL.126 
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:12/8
%R:slide
K:D
B|AFA D2E FAF F2B|AFE DFA B2A d2B|
AFA D2E FAF F2A|dcd edc B2c d2 :|
A|BcB BAF ABc d2e|fed edc dcA BAF|
BcB BAF ABc d2e|fed edc B3 B2A|
BdB BAF ABc d2e|f3 efe dcd cBA|
BcB BAF ABc d2e|fed edc B2c Hd3|]

X:367
%
T:DRAUGHT OF ALE (jig), The 
S:S: ONMI.0912 < J.O'Neill 
Z:Z: Brennan/Black
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
D|GBA G2A|Bdg Bdg|GBA G2B|AFD AFD|
GBA G2A|Bdg Bdg|ecA dBG|cAF G2 :|
d|egf g2f|ege dBG|GFG dBG|BAA A2d|
egf g2f|ege dBG|GFG dBG|cAF G2 :|

X:368
%
T:DREAM OF HOME (reel), A
T:Longing for Home
S:S: CRE.5 
Z:Z: ABC/arr. BB
Q:1/4=180
M:4/4
%R:reel
K:D
d2ed =cAGB|Addc dfag|f2ec dcAG|E2 =cE ED D2:|
fedc d2cd|eaag eaag|f2ec d2cd|eaag edde|
fedc d2cd|eaag eaag|f2ed cdef|geag efge||\
"^coda"Hd4z4|]

X:369
%
T:DREAMBOAT HORNPIPE, The
S:S: arr. of ONMI #569, "I Dreamt Of My Love" 
%R:hornpipe
Q:1/4=150
Z:Z: ABC/arr. BB
M:C
L:1/8
K:Ador 
%swing .25
cd|e2AB ABcd|efde c2cd|e2AB A2dc|BGAB G2cB|
A3F GEFG|cdec d2dc|de fd e3d|c2B2 A2 :|
eg|a3g fedc|d2ef e2eg|a3g fedc|BdcA G2cB|
ABAF GEFG|cdec d2dc|defd e3d|c2B2 A2 :|

X:370
%
T:DRESS HER OUT IN FINE CLOTHES (slip jig) 
S:S: ONMI.1165 < McFadden 
Z:Z: Brennan/Black 
Q:1/4=160
%R:slip jig
M:9/8
L:1/8
K:D
A2G F2A dzA|B2c dze fdB|A2G F2A dzA|
Bcd AFD D3:|f2d d2f a2f|e2d cze gfe|
f2d d2f a2f|ecA ABc d2g||f2d d2f agf|
e2c c2e gfe|fdf efg agf|edc ABc Hd3|]

X:371
%
T:DRIMCONG JIG, The 
S:S: CRE.1 
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:A dorian
G|AGA edB|def gfg|AGA edB|dge dBG|
AGA edB|def g2a|bag age|dge dB:|
d|efg aga|bag a3|efg aga|bga ged|
efg aga|bag a2e|def g2e|1 "^thru"dge dB:|
[2 "final"dge dBG|HA3z3|]

X:372
%
T:DRIMEN DUFF
T:Druimin Dubh 
S:S: CNIM.20 
Z:Z: ABC/arr. BB
N:N: Title = "Little Black-backed [Cow]"
Q:1/4=100
M:3/4
K:Em 
%%text source key = Am
%%vskip .3in
EF|G4 FE|E2 D2 EF|G4 FE/F/|E4 DE|
F4 E2| D2 B,A, B,c |d2 AGFE|D4 EF |
G4 FE|E2 D2 EF|G4 FE/F/|E4 F2 |
GFG ABd|e4 d2|BA F2 AF/D/|E4 ||
%
ef|g4 f2|e2 d2 ef|g4 fe/f/|e4 de|
f4 e2|d2 BA Bd/e/|f4ec|d4 ef|
g4 f2|e2 d2 ef|g4 fe/f/|e4 EF|
GF GA Bd|e2 ef g/f/e/d/|BA F2 AF/D/|HE6|]

X:373
%
T:DRIMEN DUFF (air)
T:Druim Fionn Dubh
S:S: WSGM.019 < Burk Thumoth "Scotch & Irish Airs" 1742
N:N: see note to ABC file
% The infamous "Burk Thumoth" at work! Consensus seems to be that this unlikely and%
% ungainly name is a corruption of "Burke, Thomas" or its Gaelic equivalent. How the % Chief - native speaker and all - didn't pick up on this before adding this tune to % WSGM is one of the small mysteries of ITM.
Z:Z: Kinder/Black
M:3/4
L:1/8
Q:160
K:Am
%%text "Andantino expressivo"
%%vskip .3in
AB|c4 B2|A2 G2 AB|c4 B2|A4 GA|B4 A2|G2 E>D E>G|
g2 dB cA|G4 AB|c4 B2|A2 G2 AB|c4B2|A4 B2|cB cd eg|
a4 g2|ed B2 dB|A4||AB c4 B2|A2 G2 AB|c2 Be dc|A4 GA|
B4 A2|(3G^FD (3EFG (3g^fe|(3dBg (3dcB (3cBA|G4 AB|c4 (3dcB|
A4 (3GAB|c4 B2|A4 B2|(3cBc (3cde (3e^fg|a4 g2|
(3eg^f (3gfe (3dcB|A6||

X:374
%
T:DRIMINDOO 
S:S: CGI.188a 
Z:Z: ABC/arr. BB
N:N: Title is Mr. Clinton's version of "Druimin Dubh"
Q:1/4=60
L:1/8
M:3/4
%R:waltz
K:Am
%%text "adagio - mournfully"
%%vskip .3in
A>B|c2 dcBA|^G2 A2 B2|c2-cedc|B4 A>B|
c2 dcBA|G2 E2 ^F2|G2 BAG^F|G4 A>B|
c2 dcBA|^G2 A2 B2|e3d c2|B4 cB|
ABcd e2|Ha4 e>d|c3d B2|A6 |]

X:375
%
T:DRIMOLEAGUE FAIR 
S:S: ONMI.0316 < F.O'Neill 
Z:Z: Brennan/Black
% This is "Derry Air" (aka "Londonderry Love Song", "Danny Boy") 
M:4/4
L:1/8
K:G
%%text "moderate"
%%vskip .3in
FGA|B3A BedB|AGE2 zGBc|d3e dBGB|A4 zFGA|
B3A BedB|AGED EFGA|B3c BAGA|G4z||
def|g3f fedB|dBG2 zdef|g3f fedB|A4 zddd|
b3a ageg|dBG2 zFGA|BedB AGEF|G4-G4|]

X:376
%
T:DRINK AND BE MERRY (jig) 
S:S: ONMI.1067 < J.O'Neill 
Z:Z: Brennan/Black
N:N: This sounds like an A-B-A tune even though it's not notated as such in ONMI. 
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
d|cAG F2G|FDE F2D|DGG FGA|B2c ded|
cAG FED|GAG gfe|dBG AFD|DGG G2:|
K:D
G|ABA fef|gag fed|cAG FGA|ded cAG|
ABA fef|gag fed|cAG F2E|D2D D2:|

X:377
%
%%staffsep 70
T:DRINK OF THIS CUP (jig)
S:S: ANSB 
Z:Z: ABC/arr. BB
N:N: No repeats in source. Sounds like a relative in the "Paddy O Rafferty" family.
L:1/8
M:6/8
Q:1/4=160
%R:jig
K:G 
%%text source key = C
%%vskip .3in
D|GBE D2E|DcB AGA|GBE DB,D|GAG GED|
GBE DED|DcB cde|dBG ABA|GAG GE :|
D|GBd GBd|GBd ecA|GBd efg|GAG GED|
GBd GBd|GBd def|gfe dcB|1 ABG AF :|
[2 ABG AFD|HG6||

X:378
%
T:DRINK TO ME ONLY 
S:S: OFHC37.04 
Z:Z: ABC/arr. BB
N:N: see note in ABC files
% "Drink to Me Only With Thine Eyes" is attributed to English poet
% Ben Jonson, dated to 1616. Source of the melody reproduced here
% is disputed. One of the best-loved songs in the English language.
% Note that it's one of the first songs ever performed in public
% by Johnny Cash. [< Wikipedia] That fact alone merits inclusion in
% this collection!
L:1/8
M:6/8
Q:n/a
%R:n/a
K:G
z|BBB c2c|dcB ABc|dGc B2A|G3-G2 :|
d|dBd d2d|dBd d2d|e2d c2B|B3 A2z |
BBB c2c|dcB ABc|dGc B2A|G6|]

X:379
%
T:DRIVE THE COWS HOME (jig) 
S:S: ONMI.0806 < F.O'Neill 
Z:Z: Brennan/Black
N:N: An "ambiguous A" tune. I'm going with A dorian on this - if you want to 
N:hear the source version, replace K:G with K:A in the ABC header.
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:Ador
d|efe edB|dBA A2B|GAG GBd|BAG G2g|
fed efg|aga e2f|gfg dBd|ecB A2 :|
e|aga efg|aga e2f|gfg def|gfg d2e|
[1 aga efg|aga e2f|gfg dBd|ecB A2 :|
[2 agf gfe|fed edB|gfg dBd|ecB HA3 |]

X:380
%
T:DRIVE THE WORLD BEFORE ME (slip jig) (1)   
S:S: Levey2.3in7 
Z:Z: ABC/arr. BB 
Q:1/4=170
L:1/8
M:9/8
%R:slip jig
K:D
%%text "very quick"
%%vskip .3in
dfd f2g afd|dfd f2d ecA|
dfd f2g afd|faf gec d3 :|
AcA c2d ecA|fef c2d ecA|
AcA c2d ecA|faf gec d3 :|

X:381
%
T:DRIVE THE WORLD BEFORE ME (slip jig) (2) 
S:S: "ITM Session Tunes vol 3" ("Sully") (folder 66)
Z:Z: ABC/arr. BB
Q:1/4=160
M:9/8
L:1/8
%R:slipjig
K:D
Add f2g afd|Add f2d ecA|
Add f2g afd|faf gec d3:|
A3 c2d ecA|faf ged e3|
A3 c2d ecA|faf gec d3:|

X:382
%
T:DROCKETTY'S MARCH (jig) 
S:S: DMAC.68
Z:Z: ABC/arr.BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
GBd gfe|edc d2d|GBd gfe|edB A2G |
GBd gfe|edc def|gfg efe|dBG A2G :|
%
B2d c2e|B2d c2A|B2d c2e|dBG A2G |
Bcd cde|Bcd cBA|Bcd cde|dBG A2G :|
%C
d2d GAG|dcd gfe|d2d GAG|dBG A2G |
dcd GAG|dcd gfe|dcd GBd|1 dBG A2G :|
[2 "final" dBG HA3|]

X:383
%
%%staffsep 70
T:DROGHEDA LASSES (reel), The  
S:S: ONMI.1292 < Kennedy 
Z:Z: Brennan/Black 
Q:1/4=180
%R:reel
M:C|
L:1/8
K:D
c|dDD2 ABAF|Dgfe dcBc|dDD2 ABAF|BEEF GABc|
dDD2 ABAF|Dgfe dcBc|dBcA BGAF|BEEF GAB :|
c|d2fd fafd|Adfa gece|d2fd fafd|BEEF GABc|
d2fd fafd|Adfa gece|f2ec dABG|FABc dcB :|
"^coda"FABc dcBc|Hd4z4|]

X:384
%
T:DROGHEDA WEAVERS, The 
S:S: DMI.0361 
Z:Z: Nordberg/Black
N:N: see note to ABC file
% 1:This tune is in the "Miscellaneous" section of DMI. Why not in "Jigs"?
% 2:I thinned out the 16th note runs [/D/E/F/G/A/B/] at 
% the beginning of mm 9 and 13 and added the 2nd ending 
% on part 2.
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:D
D|AFD DFD|AFD G2E|AFD DFG|AFD E2d|
AFD DFD|AFD G2E|DFA B2d|AFD E2:|
d|DFB/ c3|B3 A2D|DFA d2B|AFD E2D|
DFB c3|B3 A2B|ABc d2B|1 AFD E2:|\
[2 AFE D3|]

X:385
%
T:DROMEY'S FANCY (jig) 
S:S: WSGM.127 < Patrick Stack, Chicago 
Z:Z: Kinder/Black 
N:N: First part = "Swallow Tail"
M:6/8
L:1/8
%R:jig
Q:1/4=160
K:Em
F|GEE BEE|GEE BAG|FDD ADD|dcB AGF|
GEE BEE|GEE B2c|ded BAF|GEE E2:|
A|Bef gfe|fed BAG|FDD ADD|A2G FED|
[1 Bef gfe|fed BAG|GEE BAF|GEE E2:|
[2 EDE G2A|BAB def|edB BAF|GEE HE3|]

X:386
%
T:DROMORE CHAPEL (jig) 
S:S: arr of ONMI #720, "Church Of Dromore" 
%R:jig
Q:1/4=160
Z:Z: ABC/arr. BB
M:6/8
L:1/8
K:Ador
D|EAA ABc|BAB G2A|Bee dBA|BAB GED|
EAA ABc|BAB G2A|Bee dBG|BAG A2 :|
d|gfg edc|BAB G2d|gfg edc|BAB GED|
EAA ABc|BAB G2A|Bee dBG|BAG A2 :|

X:387
%
T:DRONES HORNPIPE, The 
S:S: HOC.176 
Z:Z: ABC/arr. BB
Q:1/4=150
M:C|
L:1/8 
%R:hornpipe 
K:G
%swing .25
%%text "fling time with snap"; A-B-A
%%vskip .3in
dc|BGdB cAFc|BGdc Bcdg|BGdB cAFc|BGdB A2 :|
Bc|:dgde =fdf2|ecAe dBGA|Bgde =fdf2 |
%%stretchlast 0
[1 ecdB cBAe :|[2 ecdB "_DC"cB||

X:388
%
T:DRONEY'S DRUMMERS (jig) 
S:S: MVBT < C.Droney as "Three Little Drummers" 
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:D
E|FED d2B|dcd efg|fed BAG|FAF GFE|
FED d2 B|dcd efg|fed BAF|ABc d2 :|
B|dAA dAA|dAA AGF|EGG EGG|EGG GFE|
F3 GAG|FED EAG|FED BAG|ABc d2 :|

X:389
%
T:DRONEY'S FAVORITE (reel)  
T:Bellharbour   
S:S: BSMI.4 
Z:Z: ABC/arr. BB
C:Chris Droney (Clare)
L:1/8
%R:reel
M:C
Q:1/4=180
K:A dorian
f|eAA2 a2bg|agef gedc|BGdG eGdG|BGBd gedg|
eAA2 a2bg|agef gabg|agab gedB|GABG A3 :|
b|a2ea agbg|agef gedc|BGdG eGdG|BGBd gedg|
eaab a2ga|bggb ageb|agab gedB|GABG A3 :|

X:390
%
T:DROPS OF BRANDY (a-1) (slip jig) 
S:S: DMI.0448 
Z:Z: Nordberg/Black
%R:slip jig
Q:1/4=150
M:9/8
L:1/8
K:G
ded BGB BGB|ded BGB c2A|
ded BGB BGB|cBc AFA c2A|
ded BGB BGB|ded BGB cBA|
ded Bcd gdB|cBc AFA cBA||
%
GBd gdB gdB|GBd gdB c2A|
GBd gdB gdB|cBc AFA c2A|
GBd gdB gdB|GBd gdB cBA|
GBd gba gdB|cBc AFA cBA||\
"^coda" HG6z3|]

X:391
%
T:DROPS OF BRANDY (a-2) (slip jig)  
Z:Z: ABC/arr. BB
S:S: FS.2
M:9/8
L:1/8
Q:1/4=150
%R:slip jig
K:G
B|ded BGB BGB|ded BGB c2A|
ded BGB BGB|cBc A2B cB :|
A|GBd gdB gdB|GBd gdB cBA|
GBd gba gdB|cBc A2B cB :|
"^coda"cBc A2B cBA|G8|]

X:392
%
T:DROPS OF BRANDY (b) (slip jig)
S:S: NFID.061b ("untitled slip jig")
Z:Z: ABC/arr. BB
S:S: JD
L:1/8
M:9/8
%R:slip jig
Q:1/4=150
K:Amix
fed cBA eAA|fed cBA BGB|
fed cBA eAA|faf gfg BGB:|
Ace aec aec|Ace aec dBG|
Ace aec aec|dcd BGB dcB:|\
"^coda" HA6z3|]

X:393
%
T:DROPS OF DRINK (jig) 
S:S: ISQT.16b 
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%R:jig
K:Em
E|G2F G2g|dBA G2B|A2B c2d|ecB A2B|
G2F G2e|gfg dBG|A2B c2A|BGF E2 :|
f|e2f g2e|fdB B2f|e2f g2a|bge ega|
bgb afa|geg dBG|A2B c2A|BGF E2 :|

X:394
%
T:DROPS OF JUNIPER (jig)  
S:S: GEI.027 
Z:Z: ABC/arr. BB
N:N: Repeat added to second part
M:6/8
Q:1/4=160
%R:jig
K:Am 
%%text source key Gm
%%vskip .3in
c2d e2c|dBG GAB|c2A A2c|B^de E3|
cde edc|dBG GAB|cBA B2^g|a3 A3 :|
c2e g2e|gec c3|B2d f2d|fdB B3|
cde edc|Bcd dcB|cBA B2^g|a3 A3 :|

X:395
%
T:DROPS OF SPRING WATER (slip jig) 
S:S: "Traditional Irish Music" (K.Tweed) (folder 38) 
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:9/8
%R:slip jig
K:D
d3 dAG FED|dec dAF G2 E|
ABc dAG FGA|c3 E2 F GFE:|
D2 f fdf ecA|d2 g fdf gfe|
d2 g fdf eAB|cBc E2 F GFE|
D2 f fdf ecA|d2 g fdf g2 ^g|
afd fdc dAB|c3 E2 F GFE||
"^coda"HD6z3|]

X:396
%
T:DROPS OF WHISKEY (jig)  
S:S: OFHC22.0 
Z:Z: ABC/arr. BB
N:N: This tune has a "slip-jiggy" feel but isn't notated that way in the source.
Q:1/4=160 %?
L:1/8
M:6/8
%R:jig
K:G
g2G G2A|BAG edc|g2G G2B|A2B dcA|
g2G G2A|B2G d2B|A2=f fef|A2B cBA :|
d2d d2c|BAG d2B|d2d edc|cAB cBA|
d2d d2c|BAG dcB|A2=f fef|A2B cBA :|\
"^coda"G3z3|]

X:397
%
T:DROUGHT (slip jig), The 
S:S: OFPC3.130 ("Irish") 
Z:Z: ABC/arr. BB
% Source measure 15: |dfg abc' d'c'b|
Q:1/4=160
M:9/8
L:1/8
%R:jig
K:D
A|FAF dAG F2D|FAF GEE E2A|
FAF dAG F2D|FAE FDD D2 :|
A|dfg afb afd|c2A cee e2f|
[1 d3 dfg afd|g2e fdd d2:|
[2 dfg aba bag|abg fge Hd3|]

X:398
%
T:DROUSY MAGGIE (reel) 
T:Pegg in the Settle
S:S: RC1.163 
Z:Z: ABC/arr. BB
N:N: Not related to the session favorite of the same name but close to O'Neill's  
N:setting of "Peggy on the Settle".
Q:1/4=180
L:1/8
M:4/4 
%R:reel
K:Edor
BdcA BEE2|BEE2 BAFA|BdcA BEFD|ABAG FDFA :|
BABc d2ed|BABc dAFA|BABc d2de|faec dAFA :|
"^coda"HE4z4|]

X:399
%
T:DROVER'S JOURNEY HOME (reel), The
C:© E.Reavy
S:S: "Ed Reavy Compositions"  
Z:Z: McKenty/Black
N:N: see notes to ABC file
% Weird accidentals galore, but I left them alone. If this and the other "ambiguous" % tunes in this volume haven't been recorded by somebody who actually heard how Reavy % played them, we'll never know how they're "supposed" to sound.
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:D
%%text "allegro moderato"
%%vskip .3in
D2FD dfed|cAGA cdec|dcAG FGAE|=FEDB, =CA,G,B,|
A,2 DE =FD=CD|=FEFG A^cde|fa gf dcAF|1 GE=cG EDC:|
[2 GE=cG EDD||:c|d2ad bdad|d2ag efge|d2 ad bdad|
=cAGA cdec|d2ad bdad|d2ag efge|abag efge|dB=cG EDD:|

X:400
%
T:DROVER'S LADS* (jig), The
S:S: CRE.2 (unnamed) 
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
A|G3 g3|faf g2e|dBA BAB|dBA BAB|
G3 g3|faf g2e|dBG A2B|dBG AB :|
d|e2e ded|c2c dcB|dBG BAB|dBG BAB|
e2e ded|c2c dcB|dBG A2B| dBG A2:|
"^coda" AFD HG3|]

X:401
%
T:DROWNING DUCK (jig), The   
C:Joe Liddy
S:S: Liddy2.5 
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%R:jig
K:D
G|AFE FEF|DED DFA|BAF Adf|edB AFE |
FEF FEF|ABd fed|BAG EDB,|DED D2 :|
B|ABd def|age fdB|ABd fed|BAF DFA |
Bdd ded|efe fdB|BAF EDB,|DED D2 :|
B|ABd def|edB BAF|ABd def|baf e2B |
ABd fed|afd fed|BdB AFD|BAF D2 :|

X:402
%
T:DROWSY MAGGIE (1) (reel)
S:S: ONMI.1425 < J.O'Neill 
Z:Z: Brennan/Black 
Q:1/4=180
%R:reel
M:C|
L:1/8
K:E dorian
E2BE dEBE|E2BE AFDF|E2BE dEBE|BABc dAFD|
E2BE dEBE|E2BE AFDF|E2BE dEBE|BABc dAFA||
d2fd c2ec|defg afge|d2fd c2ec|BABc dAFA|
d2fd c2ec|defg afge|afge fdec|BABc dAFD|]

X:403
%
T:DROWSY MAGGIE (2) (reel)
S:S: FS.1 
Z:Z: ABC/arr. BB
M:4/4
L:1/8
Q:1/4=180
%R:Reel
K:Em
E2BE dEBE|E2BE AFDF|E2BE dEBE|BAB^c dAFD|
E2BE dEBE|E2BE AFDF|E2BE dEBE|BAB^c dAFA||
K:D
d2fd cdec|defd faaf|d2fd cdec|BABc dAFA|
d2fd cdec|defd faa2|bgaf gfed|BABc dAFD||
"^coda" E4z4|]

X:404
%
T:DROWSY MAGGIE (3) (reel)
S:S: GSTC 
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:C
K:Edor
E2BE dEBE|E2dB AGFD|E2BE dEBE|Bdec dBAF|
E2BE B,EBE|E2BE A2FD|EBB2 EGdc|BABc dBAB||
defd egec|d2fd faa2|defd cdec|BABc dBAB|
d2fd egec|defd faa2|bafb afec|B2dB A2FD||\
"^coda"HE4z4|]

X:405
%
T:DROWSY MAGGIE (4) (reel) (4)
T:"setting 1"  
S:S: NFID.235b < Peter Turbit 
Z:Z: ABC/arr. BB 
Q:1/4=180
L:1/8
M:C
%R:reel
K:Edor
EDBE dEBE|EDBc dAFD|EDEc d2ed|cABc dAFD|
EDBE dEBE|BABc dAFD|EDEc d2ed|cABc dAFD||
dffe dfBf|dffe ceAc|dffe dfff|fefg aece|
dffe dfBf|dffe ceAc|afge fded|BABc dAFD||
"^coda"HE4z4||

X:406
%
T:DROWSY MAGGIE (5) (reel)
T:"setting 2"
S:S: NFID.162a < Byrne Brothers 
Z:Z: ABC/arr. BB
N:N: see note to ABC file
% First notes of measures 1,2,3,5,6,7,9,11, and 13 are ornamented 
% by rolls. I have omitted most of them here as they tend to clog 
% up the playback.
Q:1/4=180
L:1/8
M:C
%R:reel
K:Edor
E2BE cEBE|E2Bc AGFD|E2BE cEBA|FABc dAFD|
E2BE cEBE|E2Bd AGFD|E2BE cEBA|FABc dAFA||
d2fd dcBe|cA eA ceAc|d2fe dcBd|cefg aece|
d2fe dcBd|cA eA cdeg|f2ec dcBb|gebg aecA||
"^coda"HD4z4|]

X:407
%
T:DROWSY MAGGIE (6) (reel)
T:"setting 3"
S:S: NFID.068a < John Doherty 
Z:Z: ABC/arr. BB
% Lots of single-note triplets that have been replaced by quarter-notes.
Q:1/4=180
L:1/8
M:C
%R:reel
K:Edor
E2BE ceBe|E2 BG FADF|E2Bd cEBc|dfec dAFD|
E2Bd cEBE|E2BG FADF|E2Bd ceBc|dfec dAFA||
%
d2fd dcBd|cAea ceAc|d2fd dcBA|gbeg aecA|
d2fd dcBd|cdef gbag|fgec dcBA|GABc dAFA|
d2fd dcBd|cA eA ceAc|d2fd dcBA|GABc dAFA|
d2fd dcBd|cdef gbag|fgec dcBA|GABc dAFD||
"^coda"HE4z4|]

X:408
%
T:DRUMANY LINE (jig)   
C:Joe Liddy
S:S: Liddy1.11 
Z:Z: ABC/arr. BB
N:N: Accidentals per source; 
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:Am 
%%text source key Gm
%%vskip .3in
E|AGA AGE|AGA c2 d|e^de ede|d^cA AGE |
AGA AGE|AGA c2 d|e^de =dcd|ecA A2 :|
d|eaa agb|age ^dcd|ede ede|dcA AGE |
eaa agb|age dcd|ede dcd|ecA A2 ||
d|eaa agb|age dcd|e^de =dcd|cdc EFG |
EAG AGA|cde gab|age ede|^cAA A3|]

X:409
%
T:DRUMANY TURN (jig)   
C:Joe Liddy
S:S: Liddy1.16 
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:A dorian
g|eAA edB|dBA GED|EAA GAB|def gfg |
eAA edB|dBA GED|GBd edB|ABG A2 :|
e|a2a gab|age ged|eAA BAG|AGE GBd |
eaa gag|edB ABd|eAA BAG|ABG A2d |
eaa gag|edB ABd|e2f gfg|edB def |
gbg age|dBG AGE|GAB edB|ABG A3 |]

X:410
%
%%staffsep 70
T:DRUMBEGGIL (hornpipe), The
S:S: BBMG
C:© BB
%R:hornpipe
Q:1/4=150
M:4/4
L:1/8
K:G
D|"G"G2 FG "Am"AB c2|"Em"B2 AB "C"cdef|"G"gedg "Am"ecBA|"C"(3Bcd cA "G"GF"D"ED|
"G"GBdA "C"EGcA|"G"BcBA "Em"GEB,E|"G"D2 ED "Em"E/F/GAB| "D7"cAFA "G"G3 :|
d|"G"gdBc dc B2|"Am7"abag "D"fedB|"C"c2 EF "G"GABc|"D"defd "Em"gfed|
"G"gBdB "Am"ecAc|"G"BcBA "Em"GEB,E|"G"D2 ED "Em"E/F/GAB| "D"cAFA "G"G3 :|

X:411
%
T:DRUMCLIFF JIG*, The 
S:S: Petrie.209 (unnamed) 
Z:Z: ABC/arr. BB
N:N: source key Bb
Q:1/4=150
M:9/8
L:1/8
%R:slip jig
K:G 
%%text "Sligo air"
%%vskip .3in
E|BGA E2D E2D|DEG G3 G2E|
DEG c2c d2e| dBG A3 AG :|
E|DEF cde ded|dBG A3 AGA|
BGA E2D E2D|DEG G3-G2 :|

X:412
%
T:DRUMMOND LASSES* (reel), The 
S:S: CRE.2 (unnamed) 
Z:Z: ABC/arr. BB
L:1/8
M:C
%R:reel
Q:1/4=180
K:G
D|G2BG dGBG|G2BG EAAB|G2BG dgge|dBAG EGGD|
G2BG dGBG|GABG EAAB|G2BG dgge|dBAG EGG2||
gfed Bdd2|gfed eaaf|gfed B2ge|dBAG EGG2|
gfed Bdd2|gfed eaa2|bagf gbag|edBG EGHG2|]

X:413
%
T:DRUMMOND LASSES (reel), The  
S:S: ONMI.1436 < McFadden 
Z:Z: Brennan/Black 
Q:1/4=180
%R:reel
M:C|
L:1/8
K:G
G2BG dGBG|G2BG EAAF|G2BG dGBd|cABG EGG2|
G2BG dGBG|dGBG EAAF|G2Bc dege|dBAG EGG2 :|
gfed Bdef|gfed eaag|gfed BcdB|cABG EGGd|
gfed Bdef|gfed eaa2|bgaf gedB|cABG EGG2 :|

X:414
%
T:DRUNK AT NIGHT, DRY IN THE MORNING (jig) 
S:S: CIAJ 
Z:Z: ABC/arr. BB
N:N: [1] CIAJ shows 10 measures in second part. 
N:N: [2] Measures 20-28 (variations) are omitted here.
L:1/8
M:6/8
%R:jig
Q:1/4=160
K:D
%%text "andantino"
%%vskip .3in
d/e/|fdB AGF|Eee e2d/e/|fdB AFA|Bdd d2d/e/|
fdB AGF|Egf e2d/e/|fdB AFA|Bdd d2 :|
f/e/|dfa dgb|dfa a2f/e/|dfa dfa|bee e2f/e/|
dfa dgb|egb abg|fdB AGF|Eee e2d/e/|
fdB AFA|Bdd d2 :|2 "^coda"B2c Hd3|]

X:415
%
T:DRUNKEN GAUGER (set dance) (1), The 
S:S: Treoir 
Z:Z: ABC/arr. BB
Q:1/4=120
M:6/8
L:1/8
%R:jig 
K:G
D|GAB cBA|BAG AGE|GBd g2e|dce dBG|
c3 B3|AGA BGE|DEG AGA|BGG G2 :|
D|GBd g2 e|dce dBG|A^ce a3|agb age|
dcd g2 e|dce dBG|c3 BdB|AGA BGE|
GAB c2 A|BAG AGE|GBd g2 e|dce dBG|
c3 B3|AGA BGE|DEG AGA|BGG G2 :|

X:416
%
T:DRUNKEN GAUGER (set dance) (2), The 
S:S: CRE.3in 
Z:Z: ABC/arr. BB
%R:jig
Q:1/4=140
M:6/8
L:1/8
K:G
D|GAB c2A|B2G AGE|GBd g3|dBe dBG|
c3 BcB|AGA BGE|DEG AGA|BGF G2:|
%
D|GBd g3|d2e dBG|Ace a3|agb age|
dBd g2e|dBe dBG|cec BcB|AGA BGE|
%
GAB c3|BAG AGE|GBd g3|dBe dBG|
c3 B3|AGA BGE|DEG AGA|BGF G2:|

X:417
%
T:DRUNKEN GAUGER (set dance) (3), The
S:S: RC3.193 
Z:Z: ABC/arr. BB
N:N: see note to ABC file
Q:1/4=160
%I had to borrow an extra measure (from the Treoir setting above) to make this a%
% standard 16/16 jig.
L:1/8
M:6/8
%R:jig
K:G
D|GED GAB|GBA G2G|G2A Bcd|efg fed|
e2B d2A|Bcd efg|fed g2B|dBA GE :|
F|GAB GBA|G2G G2A|Bcd efg|fed g2B|
dBA GED|GAB GBA|DEG ABA|G2G G2 :|

X:418
%
T:DRUNKEN LANDLADY (reel), The 
S:S: MVBT < K.Collins 
Z:Z: ABC/arr. BB
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:E dorian
A|BE E2 BAFA|BE E2 BAFA|ABAF D2 FD|FAAd BAFA|
BE E2 BAFA|BE E2 BAFA|A2 Bc dfec|dBAF E3 :|
A|Beed e2 de|f2 df efdB|ABAF D2 FD|FAAd BAFA|
Beed e2 de|f2 df efdB|A2 Bc dfec|dBAF E3 :|

X:419
%
T:DRUNKEN MAIDS OF ARDNAREE (reel), The 
S:S: Treoir 48/1 < Peter Carberry 
Z:Z: ABC/arr. BB
M:C
%R:reel
Q:1/4=180
K:D mix
D2DE FGAF|GFGA BGAF|D2DE FDFG|Addc AGGF|
D2DE FGAF|GFGA BGAF|D2DE FDFG|Addc AGG2||
d^cde fgaf|gfga bgaf|d^cde fgaf|fdcd AGGB|
d^cde fgaf|gfga bgaf|defg abag|fdcA GBAF||"^coda"HG4z4||

X:420
%
%%staffsep 70
T:DRUNKEN PIPER (reel), The 
S:S: NFID.236a 
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:C
%R:reel
K:Edor 
BEE2 BEdE|BEE2 BAFB|ADD2 ADBD|ADD2 Bdcd|
BEE2 BEdE|BEE2 BAFE|DEFA BcdB|AFDE FEE2:|
e2de feef|afed Bdd2|f2ef d2ef|dBAF EFGB|
e2de feef|dfaf bfaf|1 gbge fefA|dBAF EFGB :|
[2 gbge fgfe|dBAF EFGA|BEED HE4|]

X:421
%
T:DRUNKEN PIPER (jig), The
S:S: JOB 
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:D
F|DFF FEF|AFF F2 E|DFF FEF|AFD E2 F|
DFF FEF|DFA d2 e|fed BdB|AFD E2:|
f|ecA AcA|ecA A2 f|ecA Ace|fdB Baf|
ecA BAF|Ace a2b|c'ba faf|ecA B2:|
A|dFF FEF|AFF FEF|dFF dFF|AFD E2 A|
dFF FEF|DFA d2 e|fed BdB|AFD E2:|
"^coda"AGE GFE|D6|]

X:422
%
T:DRUNKEN POLICE CAR (reel), The 
N:N: as "Good Morning to Your Nightcap" in the "1850" 
S:S: "ITM Session Tunes vol 3" ("Sully") 
Z:Z: ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:A dorian
e4 d4|cBcd e2 d2|e4 d4|cABG E2 D2|
e4 d4|cBcd e2 d2|egfa gedB|cABG E2 D2|]
EAAc BG G2|cBcd e2 d2|EAAc BG G2|cABG E2 D2|
EAAc BG G2|cBcd e2 d2|egfa gedB|cABG E2 D2||
"^coda"HA4z4|]

X:423
%
T:DRUNKEN REEL, The 
S:S: NFID.236b 
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:C
%R:reel
K:Edor
GA|BEE2 BEdE|BEE2 AGFG|ADD2 ADFA|ADD2 ADFA|
BEE2 BEdE|BEBc dcBA|dcde fgfe|dcBA EF:|
GB|Acec d2cB|Acec d2cB|Acec d2dB|A2FD EFGB|
Acec d2cB|Acec d2cB|Acec d2dB|A2FD EFGB||
"^coda"HE4z4||

X:424
%
T:DRUNKEN SAILOR (hornpipe), The 
S:S: DMI.0948 
Z:Z: Nordberg/Black
% If the /aeac'/ in mm 33 and 35 pose problems, play
% /aea2/ instead. 
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:A dorian
(3EF^G|A3B ABcd|edcB AGEF|G3A GABc|dBGB edcB|
A2A^G ABcd|edcB AGEF|G2g2 edcB|c2A2A2:|
AB|c3d cdef|gdBc dBGc|BGdG eGdG|BGdB edcB|
c2cB cdef|gdBc dBGB|A2ag edcB|c2A2A2:|
ce|a3b a2^ga|bagf e3f|gdad bdad|gdad bagf|
e2a2 a2^ga|bagf e2d2|egfa gedB|c2A2A2:|
EG|Acec Acec|GBdB GBdB|Acec Acec|dcBA GABG|
Acec Acec|GBdB GABd|egfa gedB|c2A2A2:|
ce|aeac' aeac'|gdgb gdgb|aeac' aeac'|gedB ecdB|
cAce BGBd|cBce dcdf|egfa gedB|c2A2A2:|

X:425
%
T:DRUNKEN SAILOR (polka), The
S:S: OFHC14.03 
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:G
D|GG/A/ GA|Bd BG|AA/B/ A2|FA FD|
GG/A/ GA|Bd BG|eg f/g/a/f/|g3 :|
e|gg/a/ bg|fa fd|ee/f/ gf/e/|dg dB|
c/B/c/d/ ed/c/|Bd gf|eg f/g/a/f/|g3 :|

X:426
%
T:DRUNKEN TAILOR (reel), The
S:S: MFC.044A 
Z:Z: ABC/arr. BB
N:N: a/k/a/ "Drunken Piper"
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Em
A|BE E2 BEdE|BEE2 BAFB|ADD2 ADBD|ADD2 FDFA|
BE E2 BEdE|BEE2 BAFE|DEFA dedB|AFdF EFG||
%
B|e2de feef|afed Bcde|f2ef dffe|dBAF EFGB|
e2de feef|dfaf bfaf|gage fgfe|dBAF EFG||
%
A|BEE2 B,EE2|BEE2 BdcB|AD FD A,B,DF|ADFD FDFA|
BEE2 B,EE2|BEE2 BAFE|DEFA dedB|AFdF EFG||
%
A|Beef dBAB|d2fd adfd|Bdef dcdB|AFF2 EFGA|
Beef dBAB|d2fd adfa|bfaf efdB|AFdF EFGF|E4z4||

X:427
%
T:DRUNKEN TINKER (reel), The
S:S: MFC.053C 
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G
AG|EAAG EGDG|EAAa fAeA|EAAG EDEF|G2DG B,GDG|
EAAG EGDG|EAAa fAeA|EAAG EDEF|G2BG DGBG||
A2eA fAeA|A2ec dBGB|A2ea fAec|d2BG DGBG|
A2eA fAeA|A2ec dBGB|e3f g3e|d2BG DGBF|G4z4|]

%%% %%% %%% 







X:428
T:DUBLIN HORNPIPE (1), The   
S:S: ONMI.1725 < F.O'Neill
%R:hornpipe
Q:1/4=150
Z:Z: Brennan/Black 
M:C|
L:1/8
K:G
%swing .25
%%text simplified "triplet-free" versiion; A-B-A
%%vskip .3in
dc|BGDG cAFD|d^cde dBGD|EdcB AGFG|AGFE Dcdc|
BGDG cAFD|d^cde dBGD|EdcB AGFA|GBdf g2:|
%
ga|bgg2 dgBg|bgg2 dgBg|[ec']aa2 eaca|[ec']aa2 eaca|
bgg2 dgBg|bgg2 dfb2|1 a2g2 f2e2|d2c2B2:|
%%stretchlast 0
[2 agfa gfec|d2ef ge"_DS"dc|] % back to m.1, end on /g4/

X:429
T:DUBLIN HORNPIPE (2), The
T:Cuckoo
S:S: JOB
Z:Z: ABC/arr. BB
N:N: see notes in ABC file
% This is one tune where I'd recommend keeping the high c's in the 
% 2nd part if you can manage them. If you can't, double the /a/ or 
% substitute /e/ for /c'/. (Ditto for the triplets in m.15 - fun, but
% don't hurt your fingers!)
Q:1/4=150
M:C|
%R:hornpipe
K:G
d|BGBD cBc^c|dBge dBGD|EAcB AGFG|ABGE d2 B,D|
B^ABd cBc^c|dBge dBGD|EAcB cAFG|A2G2 G2 :|
d|bgg2 d2Bg|bgg2 d2Bb|c'aa2 f2cb|c'aa2 f2cg|
bgg2 d2Bg|bgg2 d2Bg|a2g2 f2e2|d2cA B2c :|
[2 "^coda"dcef Hg4|]

X:430
T:DUBLIN LADS (reel), The
S:S: DMWC.67 
Z:Z: ABC/arr. BB
M:C
N:N: Not sure what happened to second part.
L:1/8
Q:1/4=180
%R:reel
K:G
Bd|g3d BGG2|ABcA DFAd|g3d Bcde|fdcA G2Bd|
gfgd BGG2|ABcA DFAd|g3d Bcde|fdcA GFGA ||

X:431
T:DUBLIN LASSES (a) (reel), The 
S:S: CRE.1 
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:E dorian
dc|BGEF GBAG|FDAD BDAc|BGEF G3A|BA (3Bcd ecdc|
BGEF GBAG|FDAD BDAc|BGEF G3A|BABd e2:|
zf|gfef geag|fede fgaf|gfef geag|fedf e2ef|
gfef geag|fede fgaf|gfed edBA|BABd e2:|

X:432
%
T:DUBLIN LASSES (b) (reel), The  
S:S: ONMI.1328 < McFadden 
Z:Z: Brennan/Black 
N:N: This is Mr. McFadden's version of "Boys of Ballisodare" (minus a third part). 
Q:1/4=180
%R:reel
M:C|
L:1/8
K:G 
%%text source key = F
%%vskip .3in
dGG2 dGeG|dGGA BAA2|dGG2 dGeG|AcBA GEE2|
dGG2 dGeG|dGGA BAA2|GABd e2 dB|AcBA GE E2||
gfga baba|gfga beef|gfga b2ba|gefd Be e2|
gfga baba|gfga beeg|bgaf g2fe|dBAc BE HE2|]

X:433
T:DUBLIN PORTER (1) (reel)
S:S: CRE.3
Z:Z: ABC/arr. BB
%R:reel
L:1/8
Q:1/4=180
M:C
K:G
DG|B2BA BcdB|cBAB cdec|Addc dcAG|FGAF DEFD|
B3A BcdB|cBAB cdef|g2fg ecAF |G2GF GA:|
Bc|dggf gdBd|g2fg eABA|eAA2 eAeg|fgag fgaf|
[1 g2gf gdBd|g2fg eABA|eAAc eAeg|fgaf g2:|
[2 g2gf gdBd|g2fg eAA2|eAA2 eAeg|fgaf gfed|Hg4z4|]

X:434
T:DUBLIN PORTER (2) (reel)
S:S: RC1.188 
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:C
%R:reel
K:G
B2BA BcdB|cBAB cdec|d3d dcAG|FGAc BGAG|
DGGA BcdB|cBAB cdef|g2gd ecAF|G2GG G2||
f|g2gf gBB2|g2fg eAA2|eAA2 e2eg|fgaf gbaf|
g2gf gBB2|g2fg eAA2|eAA2 e2eg|fgaf gedf||
"^coda"Hg4z4|]

X:435
T:DUBLIN REEL (1), The
S:S: DMWC.52
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:D
ge|dFF2 dfeA|dFF2 AFEA|dFF2 dfed|cABG AFEA|
dFF2 d2ge|dFF2 AFEA|dFF2 dfed|cABG AFE||
%
f|eABA eAfA|eABA BAFA|eABA e2ge|dBcA BAFA|
eABA eAfA|eABA BAFA|e2df efge|dBcA BAF||
%
A|dfec dFF2|dedB AFEA|d2dc dfed|cABG AFEA|
d3c dFF2|dedB AFEA|dcdf eaag|fdBc Hd4 |]

X:436
T:DUBLIN REEL (2), The 
S:S: DMWC.52 
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:C
A|cEE2 cEdE|cEE2 GEDB|cEE2 cEdB|cABD GEDB|
cEE2 c2ed|cEE2 GED2|cEE2 cEdB|cABD GED||
%
A|dGG2 dgeA|dGG2 bgEA|dGG2 d2ed|cABE GEDA|
dGG2 dgfe|dGG2 AGEA|dEcE deed|cABD GED||
%
B|c3B cEE2|c3A GEDB|c3B ced2|cABD GEDB|
c3B cEE2|c3A GEDB|c2Ac d2Ad|"24"ecAB cee2||\
"^coda" "24"ecAB cegB|"25"Hc4z4|]

X:437
T:DUBLIN REEL (3), The 
S:S: BSMI.1 
Z:Z: ABC/arr. BB
%R:reel
M:C
Q:1/4=180
L:1/8
K:G
ef|gBB2 gBaB|gBB2 dBAB|gBB2 gbag|1 fgef dB :|2 fgef de ||
fg|a2fd adbd|add2 edBd|add2 abag|1 fgef de :|2 fgef d2||
ef|g2gf gdBd|g2gd BGBd|g2gf gbag|fgef dB :|
AB|GBB2 GBAB|GBB2 dBAB|GBB2 GBag|1 fgef dB :|2 fgef dBAB|\
HG4z4|]

X:438
T:DUBLIN REEL (4), The  
S:S: ONMI.1374 < Delaney 
Z:Z: Brennan/Black 
Q:1/4=180
%R:reel
M:C|
L:1/8
K:G
dFF2 dfec|dFF2 AFEF|dFF2 dfed|1 cABG AFEA:|2 cABc ABcd||
K:D
e2 cA EAcf|e2dA BFF2|e2 cA EAcA|BdcA BFF2|
e2 cA ecfc|eAcA BFF2|d3c dfed|cABG AFEA||
%
d3c dAFA|dcdB AFEA|d2dc dfed|cABc AFEA|
d3c dAFA|dcdB AFEA|dcdf e2ae|fdBc dfec|"^coda"d4z4|]

X:439
T:DUBLIN STREETS (1) (slip jig)
Z:Z: ABC/arr. BB
S:S: Levey1.19 
L:1/8
%R:slip jig
M:9/8
Q:1/4=175
K:Em
%%text "very quick"
%%vskip .3in
G2A BGE BGE|F2G AFD AFD|G2A BGE BGE|
dcB AGF E3 :|e2f g2a bge|d2e f2g afd|
e2f g2a bge|dcB AGF E3|e2f g2a bge|
ded d2f afd|gbg faf ege|dcB AGF HE3|]

X:440
T:DUBLIN STREETS (2) (slip jig)
S:S: ONMI.1164 < Ennis 
Z:Z: Brennan/Black 
N:N: Original has D sharps in mm 2,4,6,8,12
Q:1/4=160
%R:slip jig
M:9/8
L:1/8
K:Em
z|E2F G2A BGE|D2E F2G AFD|E2F G2A BGE|dcB AFD E2:|
z|e2f g2a bge|fef def afd|e2f g2a bge|fed B^cd e2d|
e2f g2a bge|fef def afd|bag agf gfe|dcB AFD HE3|]

X:441
T:DUBLIN VOLUNTEERS (march), The 
S:S: OFPC1.39 ("Irish") 
Z:Z: ABC/arr. BB
N:N: see notes to ABC file 
% 1: I made a few adjoining note changes in this, e.g. substituting |gfad| for |gfac| in measure 1.
% 2: As usual O'Farrell provides no clue as to a tempo for this. The name suggests a % march but it makes a nice hornpipe as well.
Q:1/4=120
M:C
L:1/8
%R:march
K:G
z|GBdf gfad|cBdG BAGF|GBdf gfed|gedc d>e d/c/B/A/|
GBdf gfad|cBdG BAGF|GBdf gfed|ged^c d2 d||
f/g/|afdf gdBG|ecAF GFED|GBdf gf/g/ac|BAGF G2G :|

X:442
T:DUCKS DIE ON CHRISTMAS DAY (jig)
S:S: CRE.4 <Bogue MS 
Z:Z: ABC/arr. BB
% One of the weirder titles that I've come across!
L:1/8
M:12/8
Q:1/4=160
%R:jig
K:D
A2B d2e f2e fed|a2a agf ede fed|
ABc def g2f gab|afd e2d B3 d3:|
f2g agf g2a bag|f2g agf ged ede|
f2g agf g2a bag|afd e2d B3 d3:|
[2 "^coda" afd e2d B3 Hd3|]

X:443
T:DUCKS IN THE OATS (jig), The
S:S: CRE.5 
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%R:jig
K:A dorian
A|cBc A2G|EGB cde|dcB AGA|cde ged|
cBc A2G|EAB cde|dcB AGE|EDC D2:|
d|e2f ged|cAB cde|e2g age|edc d3|
e2f ged|cAB cde|dBc AGE|EDC D2:|
"^coda"GAB HA3|]

X:444
T:DUCKS ON THE ICE* (reel)
S:S: MFC.030c (unnamed) < B.Mulvihill 
Z:Z: ABC/arr. BB
N:N: Repeats added
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:A
D|E2FG A2cA|eAcA BAFA|E2FG A2dB|AFF2 dFAF|
E2CE A,2CE|c2BA BAGE|CEE2 Acc2|BABc A3:|
f|eAcA EAdf|eAcA BAFf|ecc2 acc2|dBBA Bcdf|
eccB acBc|dBBA Bcde|affe fgaf|ecAc B3:|
"^coda"ecAc B2FG|A4z4||

X:445
T:DUET (hornpipe), The 
S:S: GSTC 
Z:Z: ABC/arr. BB
Q:1/4=150
%R:hornpipe
M:C|
K:D 
FG|A2BA FAdc|B2cB GBed|cdef gABd|edcB A2FG|
A2BA FAdc|B2cB GBed|cAGB cAGE|D2FE D2 :|
AG|FB B2 dcBd|cefe dcBd|gfeg fedf|edcB c^AFE|
FBB2 dcBd|cefe dcBd|gfed cAGE|D2FE D2 :|

X:446
T:DUFFY THE DANCER (reel)
S:S: ONMI.1497 < Walsh 
Z:Z: Brennan/Black 
N:N: Amix is my call on this "ambiguous" tune. This is pretty much "The High 
N:Reel".
%R:reel
Q:1/4=180
M:C|
L:1/8
K:Amix
e|a2ea cAAd|cAeA cAAe|a2ea cAAd|BGdc BGBd|
a2ea cAAd|cAeA cAAe|g2fg aefd|BGdc BGG :|
e|cAeA fAeA|cAeA cAAd|cAeA fAeA|BGdc BGGd|
cAeA fAeA|cAeA cAAe|g2fg aefd|BGdc BGG :|
[2 "^coda"BGdc BGGB|HA4z4|]

X:447
T:DUFFY'S REEL 
S:S: CRE.4 < Donnelly < W.Jones 
Z:Z: ABC/arr. BB
N:N: Repeats added
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Bm
de|fBB2 Bcde|faed cdeg|fBB2 Bcdf|ecac B2ag|
fBB2 Bcde|faed cdeg|fB cA Bcdf|ecac B2 :|
BA|FABc dcdA|FABd cABA|FABc dcdf|ecac B2BA|
FABc dcdA|FABd cABc|d2 fd cdec|B2BA B2 :|

X:448
T:DUGGAN'S FANCY*  
S:S: RC3.125 ("Old Set Tune 7") 
Z:Z: ABC/arr. BB
N:N: Repeats added 
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
B|A2G AGB|A2B AcB|A2c dcd|edB AFG|
A2G AGB|A2B ABd|e3 efe|d3 d2:|
f|g2g efg|f2f fed|e2d dcd|ecA Aef|
g2g efg|f2f fed|ecA Acd|efe de:|
"^coda"edc dec|d6|]

X:449
T:DUGGAN'S FAVORITE (jig) 
Z:Z: JOL.005 
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
B|ABA DFA|Bee Bee|d2B AFA|Bcd edB|
AFE DFA|Bee Bee|faf ede|1 fdc dc :|\
[2 fdc d3||
afe dfa|bab efg|fgf dfa|gfg efg|
faf dfa|bee ede|faf ede|fdc d3 :|

X:450
T:DUIDIN REEL, The 
S:S: T. DeMarco
C:John McGrath (?) 
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:D
dcBA FEFA|dcde fgfe|dcBA FEFA|BdcA B2 Bc|
dcBA FEFA|dcde fgfe|dcBA FEFA|BdcA Bcde||
fdBc dcde|fabf afea|fdBc dcde|fbaf e2 de|
fdBc dcde|fabf afea|bf f2 af f2|"thru"bfaf e4||
"^coda"bfaf edcB|Hd4z4|]

X:451
T:DUKE OF LEINSTER (1) (reel), The
S:S: AIF 
Z:Z: ABC Brennan/Black 
M:C
L:1/8
%R:reel
Q:1/4=180
K:G
(3DEF|G2BG dGBG|egfa gedB|G2BG dGBG|AcBA GEED|
G2BG dGBG|egfa gedB|G2BG dGBG|dBAB GEED||
dega bgg2|agbg ageg|dega bage|dBAB GEED|
dega bgg2|agbg ageg|bgaf gage|dBAB GEED||\
"^coda"HG4z4|]

X:452
T:DUKE OF LEINSTER (2) (reel), The 
S:S: CRE.1 
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:G
D||G3B dBB2|dBeB dBAF|GBB2 GBB2|dBAB GEDE|
G3B dBB2|dBeB dBAF|GABd g3e|dBAF GEE2||
dega bgg2|agbg ageg|dega bage|dBAF GEE2|
dega bgg2|agbg ageg|bgg2 efge|dBAB GEE2|]

X:453
T:DUKE OF LEINSTER (3) (reel), The
S:S: FS.2 
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:G
E|G2BG DGBc|dgeB dBAB|G2BG DGBc|dBAB GEDE|
G2BG DGBc|dgeB dBAB|GBB2 dBB2|dBAB GED :|
e|dega bgg2|agbg ageg|dega bage|dBAB GED2|
dega bgg2|agbg agef|g2fg efge|dBAB GED :|
[2 "^coda"dBAB GEDF|G8||

X:454
T:DUKE OF LEINSTER (4) (reel), The
S:S: JOB 
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
%R:reel
K:G
G2BG DGBG|d2e^c dBAB|G2BG DGBe|dBAB GEDE|
G2BG DGBG|d2e^c dBAB|GBB2 dBB2|AcBA GEDB ||
dgg2 bgg2|agbg ageg|dgg2 bgge|dBAB GED2|
dgg2 bgg2|agbg a2ga|bgag efgf|dBAB GFDE||"^coda"HG4z4|]

X:455
T:DUKE OF LEINSTER (5) (reel), The 
S:S: GSTC 
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
%R:reel
K:G
G3e dBB2|dfe^c dBAB|GABG dGBG|dBAB GEDE|
GB B2 dB B2|gB B2 dBAB|GABd edge|dBAB GEDE||
dega bg g2|a^gab a=geg|dgg2 efge|dBAB GEDE|
dg g2 dgbg|a2gb a2 ga|bgag efge|dBAB GEDE||\
"^coda"HG4z4|]

X:456
T:DUKE OF LEINSTER HORNPIPE, The
S:S: CRE.5 < Padraig O'Keeffe MS 
Z:Z: ABC/arr. BB
% A Sliabh Luachra version of "Pretty Maggie Morrissey"
Q:1/4=150
M:C
%R:hornpipe
K:G
%swing .25
Bc|dBGB AFDC|B,DEF GABc|dgfg efge|dBGB A2Bc|
dBGB AFDC|B,DEF GABc|dgfg ecAF|G2G2 G2:|
Bc|dgfg efge|dgfg efg2|g2fg efge|dBGB A2Bc|
dBGB AFDC|B,DEF GABc|dgfg ecAF|G2F2 G2:|

X:457
T:DUKE OF LEINSTER'S WIFE (reel), The 
S:S: BSMI.3in 
Z:Z: ABC/arr. BB
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:G
BdcA G3B|A=FcF dFcF|BdcA G2ge|fdcA BGG2 :|
dggf g2fg|a2ag fdde|fgaf gbag|fdcA BGG2 :|
"^coda" fdcA BGGF|G4z4|]

X:458
T:DUKE OF MOUNTCOLLINS (jig), The
C:© E.Flynn
S:S: composer 
Z:Z: ABC/arr. BB
M:6/8
%R:jig
Q:1/4=160
L:1/8
K:G
D|G,B,D GBd|gfg edB|cBc EFG|AGE DB,D|
G,B,D GBd|gfg edB|cBc EFG|AGF G2:|
D|GBd gfg|bag fed|cBc EFG|(3cBA G FDC|
B,DG Bdg|bag fed|cBc EFG|AGF G2:|

X:459
T:DUKE'S RETREAT (hornpipe) (1), The 
S:S: OFPC4.150 
Z:Z: ABC/arr. BB
% As usual Mr. O. gives no indication of what type of tune this is. Cf. next entry
Q:1/4=150
M:C|
L:1/8
%R:hornpipe
K:Em
%%text "Scotch"
%%vskip .3in
GA|BABG EFGA|B2G2 G3d|efge dBAG|E2A2 A2GA|
BABG EFGA|BAGF GABd|efge dcBA|G2E2E2 :|
f2|gage dBde|gfga b3g|agab c'bag|e2a2 a2ga|
bagf efge|dBAG cBcd|efge dBAB|G2E2E2 :|

X:460
T:DUKE'S RETREAT* (2) (hornpipe), The 
S:S: CRE.2 < Alec Kerr (Antrim) (unnamed) 
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:4/4
%R:hornpipe
K:Em
%swing .25
GA|BABG EFGA|B2 G2 G2 gf|efge dBAG|E2 A2 A2 GA|
BABG EFGA|BABd efge|dcBA GcBA|G2 E2 E2 :|
ef|g2 fe defg|a2 d2 d2 ef|gagf efga|b2 a2 a2 ga|
bagb a2 gf|edef g2 fe|dcBA GcBA|G2 E2 E2:|

X:461
%
%%staffsep 70
T:DUMETELLA HYNES' (jig) 
S:S: BBMG  
C:© BB
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:D
A|"D"dBA FED|"D"DFA "Em"EDB,|"Bm7"dBA FBA|"D"DFA "G"B2 c|
"D"dBA FED|"D"DFA "Em"EDE|"G"GBd "A"cAE|"D"FDD "D"D2 :|
e|"D"fdf "A"ecA|"G"BGB "D"AFD|"Em"EGB "A"Ace|"D"dfd "A"e2 A|
"D"dfa "Em"bge|"D"fdf "A"ecA|"Bm"Bcd "F#m"AFE|"D"FDD "D"D2 :|

X:462
T:DUMFRIES HOUSE (jig) 
S:S: WSGM.169 < "Aird's Selections" 1782-97 
Z:Z: Kinder/Black 
M:6/8
L:1/8
%R:jig
Q:1/4=160
K:G
D|G3 G2g|dBG GAB|cGE EFG|AFD DEF|
G3 G2 g|dBG GAB|cec BdB|gdc BAG|
G3 G2 g|dBG GAB|cde dcB|AFD DEF|
G3 G2 g|dBG GAB|cAG FEF|G3 G2||
d|dBd dBd|gag f2e|dBd dcB|AFD D2 d|
dBd dBd|gag f2e|dcB AGF|gdc BAG|
dBd dBd|gag f2e|dBd dcB|AFD D3|
dBd ece|fdf gfe|dcB cAd|GAG HG3|]

X:490
T:DUN an UCHTA (jig)
N:N: Tune 2 of the "Tribute to Martin Mulhaire" (1936-2020)
N:N: See note in ABC file
S:S: BBMG
C:© B.Black 9/20
%  This is the Gaelic name for Martin's home town. I couldn't find a translation 
%  that made sense ("dún" = "fortress", "ucht" = "bosom", maybe here referring 
%  to some natural land feature where the "dún" was situated).
M:6/8
Q:1/4=160
%R:jig
K:A
E|"A"ABA "E"GAB|"A"ced "E"BAG|"F#m"cBA "C#m"GEG|"A"AGF "E"EDB,|
"A"ABA "E"GAB|"A"cBc "D"d^cd|"A"eag "D"fdf|"E"ecB "A"A2:|
d|"A"eag "D"fdf|"A"efg aba|"A"eag "E"ede|"A"cec "E"dBG|
"F#m"ABc "E"GAB|"A"cBc "D"dcd|"A"ecA "E"BAG|"E"EFG "A"A2 :|

X:463
T:DUN CIOVAIN REEL, The  
C:T.O Canainn
S:S: NTFO.041 
Z:Z: ABC/arr. BB
N:N: Second word is pronounced "KEE-van"
Q:1/4=180
M:C
%R:reel
K:G
D2|G3B dGBd|e3f edBA|G3B dGBd|A3B cAFA|
G3B dGBd|e3f edBA|GABd g3e|dBAB G2:|
Bd|g3e dBde|g3e d2de|=f3e dBde|=fefe d2e^f|
g3e dBde|g3e d2de|f3g affd|cAFA G2:|

X:464
%
%%staffsep 70
T:DUN LAOGHAIRE SAILORS (jig), The
S:S: BBMG
N:N: Second word is pronounced "LEER-y"
C:© BB 2014
% The Irish Sea ain't exactly the Virgin Islands
M:6/8
Q:1/4=160
%R:jig
K:Bm
A|"Bm"dcB dcB|"D"ABA FED|"Bm"dcB "D"def|"A"ecA "G"B2A|
"Bm"dcB dcB|"D"ABA "F#m"FEF|"D"DFA def|"A"ecA "Bm"B2 :|
K:G
A|"G"GBB dBB|"D"ded BAF|"G"GBB deg|"Em7"edB "D"ABA|
"G"GED GAB|"D"dBA def|"C"gfe "G"dBd|"D7"cAF "G"G2 :|

X:465
T:DUNCORMICK MUMMERS (jig), The 
S:S: DMAC.73 
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:6/8
%R:jig
K:D
D2E F2G|A2d d2d|c2B A2B|c2A G2E |
D2E F2G|A2d d2d|e2d c2d|e3 d3 :|
f2d dcd|f2d dcd|e2c cBc|d2e f2d |
[1 f2d dcd|f2d dcd|e2d c2d|e3 d3 :|
[2 a2f g2e|f2d dcd|A2B c2d|e3 Hd3 |]

X:466
T:DUNGARVAN BREEZES* (polka)  
S:S: Petrie.215 % unnamed 
Z:Z: ABC/arr. BB
N:N: "County of Waterford air from Mr.Fitzgerald"
Q:1/4=100
M:2/4
L:1/8
K:D 
%%text source key Eb
%%vskip .3in
A/G/|F>G AB/c/|d2 AF|AG/F/ DE/F/|G3 A/G/|
F>G AB/c/|d>c AG|FG/E/ DD|D3 :|
F/G/|AB/c/ d>e|fd ef/e/|dA/G/ FA/B/|=c3 A/G/|
FG AB/c/|d>c AG|FG/E/ DD|D3 :|

X:467
T:DUNGOURNEY BATTERY (reel), The  
C:T.O Canainn
S:S: NTFO.011 
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
%R:reel
K:D
dedB AFf2|DFf2 DFf2|dedB AFf2|Be E2 Be E2|
dedB AFf2|DFf2 DFf2|dedB AFf2|ABAG FDD2:|
defg aff2|gee2 Bee2|defg aff2|edef g2fe|
defg aff2|gee2 Bee2|defg a2ag|fdec dgfe:|
"^coda"fdec dgfe|d8|]

X:468
T:DUNKELD HERMITAGE (reel)  
S:S: OFPC3.101 
Z:Z: ABC/arr. BB
% D:OSMOF1 track 13b
Q:1/4=180
M:C
%R:reel
L:1/8
K:Em
%%text "Scotch"; "reel"
%%vskip .3in
D|E3F GEBG|FdAd FDAF|E3F GEBG|AFEF E3D|
E3F GEBG|FABc dBAF|E3F GEBG|AFEF E3:|
d|e2ga bege|d2fg adfd|e2ga bege|dBAF EGAB|
e2ga bege|d2fg adfd|gbfa egdB|ABAF E3 :|

X:469
T:DUNMANWAY LASSES (jig), The 
S:S: ONMI.0977 
Z:Z: Brennan/Black
%R:jig
Q:1/4=160
% An interesting tune with a major/minor mode change between parts!
M:6/8
L:1/8
K:G
D|GFG dBG|BAB dBG|GFG dBG|GAG GED|
GFG dBG|BAB dBG|GBG B2A|GED D2 :|
d|gfg aga|bge edB|gfg aga|bge ega|
bgg agg|ege dBG|BAB GBA|GEE E2 :|

X:470
T:DUNMORE BANKS (jig), The 
S:S: arr. of ONMI #542, "Banks of Dunmore"
Z:Z: ABC/arr. BB
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
d|edd BGG|EDC D2B|eBG BAG|A3-A2B|
edd BGG|EDC D2B|edB AGF|G3-G2 :|
A|Bdf gfe|Bdc d2f|gfe Bdd|efg baf|
gfe dGG|EDC D2B|edG AGF|G3-G2 :|

X:471
T:DUNMORE LASSES (reel), The 
S:S: CRE.1 
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:Em
EDEF GFGA|Beed Bee2|EDEF G2BG|A2BA GEE2|
EDEF GFGA|Beed e2ef|gefd edBG|AcBA GEE2 :|
gfeg fedf|Bee2 Bee2|gfeg fedB|AcBA GEE2|
gfeg fede|Beed e2ef|gefd edBG|AcBA GEE2 :|

X:472
T:DUNPHY'S HORNPIPE (1) 
S:S: AIF 
Z:Z: Brennan/Black 
Q:1/4=150
M:C|
L:1/8
N:N: dotted rhythm in source
%R:hornpipe
K:G
%swing .25
(3DEF|GDBD G2g2|feed ecAG|F2DG FGAc|BGAF GFED|
GDBD G2g2|feed ecAG|FAdB cAFG|A2GF G2:|
Bc|d2Bd gdBd|gfga gdBd|g2fg ed^cd|e2d^c d2ef| 
g2dc B2Gc|ecAG F2DF|GBdB cAFG|A2GF G2:|

X:473
T:DUNPHY'S HORNPIPE (2) 
S:S: CRE.2 < P. Mitchell 
Z:Z: ABC/arr. BB
L:1/8
M:C
%R:hornpipe
Q:1/4=150
K:G
%swing .25
D|GDBD GBdg|feed ecAG|FADA FADA|BDAD GFED|
GDBD GBdg|feed ecAG|FAdB cAFG|A2GF G3:|
B|dcBd gdBd|g2af gdBd|g2fg edcd|e2 dc d2ef|
g2dc B2G2|ecAG FAD2|GBdB cAFG|A2GF G3:|

X:474
T:DUNPHY'S HORNPIPE (3)  
S:S: ONMI.1560 < Fielding 
Z:Z: Brennan/Black
%R:hornpipe
Q:1/4=150
M:C| % source 2/4
L:1/8 % source 1/16
K:G
%swing .25
EF|GDBD G3g|feed ecAG|FDAD FGAc|BGAF GFED|
GDBD G3g|feed ecAG|FAdB cAFG|AGGF G2:|
Bc|dcBd gdBd|g2bg edBd|g2fg ed^cd|e2d^c d3f|
g2dc B2Gc|ecAG AFED|GBdB cAFG|AGGF G2:|

X:475
%
T:DUNSE DINGS ALL (reel) 
S:S: WSGM.248 < "Aird's Selections" 1782-97 
Z:Z: Kinder/Black 
N:N: Source has this in A major, but I think A mix sounds better (and more Scots!)
M:4/4
L:1/8
%R:Reel
Q:1/4=180
K:Amix
ceef aecA|ceeg a3e|ceeg aecA|BGGB g2g2:|
cAec fcec|cBec a2ae|cBec fdec|BGGB g2gB|
cAec fcec|cBec a2ae|afge fdec|BGGB g2gB||\
"^coda"HA4z4|]

X:476
T:DURANG'S HORNPIPE  
S:S: ONMI.1772 
Z:Z: Brennan/Black
%R:hornpipe
Q:1/4=150 
M:C|
L:1/8
K:D
%swing .25
A2|DAFA DAFA|BcdB BAFA|DAFA DAFA|A,ECE A,ECE|
DAFA DAFA|BcdB BAFA|fgaf bgec|d2d2d2:|
A2|defe dcBA|Bcdc BAGF|E2gf edcB|Acec dBA^G|
A^GAB cBcd|e^def gfge|fgaf bgec|d2d2d2:|

X:477
T:DUST ON THE BIBLE (slide)
S:S: CTWT < T.Teahan 
Z:Z: ABC/arr. BB
%R:slide
Q:1/4=180
L:1/8
M:12/8
K:D
B|A3 d2e f3 fed|a2f fed e2d Bcd|
A3 d2e f3 fef|a2f fed e3 d2:|
a|b3 b2a f3 fed|e3 dcd e2d B2A|
b3 b2a f3 fed|edB ABd e3 d2:|

X:478
T:DUSTY BOB'S (jig)
T:Jack's Alive
S:S: D. MacAdam < "Ryan's Mammoth Collection"
%R:jig
M:6/8
Q:1/4=160
L:1/8
K:G
D|G2G GAB|A2 A ABc|d2B c2A|B2G AFD|
G2G GAB|A2A ABc|dBG cAF|G3 G2:|
d|g2g gag|f2f fgf|e2e efg|a2g fed|
[1 g2g gag|f2f fgf|efg afd|g3 g2:|
[2 g2B Bcd|e2A ABc|ded cBA|G3 G3|]

X:479
T:DUSTY MILLER (1) (slip jig - 3/2 time), The 
S:S: CCCD 
Z:Z: ABC/arr. BB
M:3/2
%R:% dance 3/2
N:N: See next 3 entries for settings as a standard slip jig.
L:1/8
Q:1/4=120
K:G
B3c d2B2 A2G2|F2A4 c2B2A2|B3c d2B2 A2G2|D2G4 B2A2G2 :|
B3c d2g2 g4|a2A4 c2B2A2|B3c d2g2 f4|g2G4 B2A2G2 :|

X:480
T:DUSTY MILLER (2) (slip jig), The 
S:S: CRE.2
Z:Z: ABC/arr.BB
L:1/8
M:9/8
%R:slip jig
Q:1/4=160
K:G
B2c d2A B2G|E2G A2B c2A|B2c d2A BAG|EDE G2B A2G|
B2c d3 B2A|E2G A2B c2A|B2c d2A BAG|EDE G2B A2G||
B2c def g3|faf g2e dBA|BAB def g2e|dBA G2B A2G:|
[2 "^coda" dBA G2B A2F|G3-G3z3|]

X:481
T:DUSTY MILLER (3) (slip jig), The 
S:S: CRE.5 < Seamus Ennis 
Z:Z: ABC/arr. BB
Q:1/4=160
M:9/8
%R:slip jig
K:D
A2B A2G A2G|A2B A2G B2d|\
A2B A2G A2G|
B2F G2G B2d :|A2E D3 A2d|\
A2F D3 B2d|
A2D A2D G2A|B2B B2A B2d :|\
"^coda"B2B B2A B2c|Hd6z3|]

X:482
T:DUSTY MILLER (4) (slip jig), The 
S:S: DMI.0455 
Z:Z: Nordberg/Black
%R:slip jig
Q:1/4=150
M:9/8
L:1/8
K:G
B2d d2A B2G|E2A A2B c2A|\
B2e d2A BAG|
D2G G2A B2A|B2d d2A B2G|\
E2A A2B c2A|
B2d d2A BAG|D2G G2A B2||\
B2d e2f g3|
a2A A2B c2A|B2d e2f g2a|\
g2e d2c B2G|
B2d e2f g3|a2A A2B c2A|\
Bcd e2f g2a|gfe d2c B2G|]

X:483
T:DUSTY WINDOWSILL (jig) (1), The 
C:Johnny Harling (Chicago)
N:N: a/k/a/ Nancy Harling's, Austin Barrett's
S:S: composer 
Z:Z: ABC/arr. BB
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:Ador
E|A2B cBA|e2d edB|G2G EFG|DEG EFG|
A2 B cBA|e2 d efg|age dBG|ABA A2 :|
%
e|aba age|dBd g2 g|eaa age|dBG AGE|
DEG DGG|EAA ABc|Bed BAG|ABA A2 :|
%
E|AAA g>f-f|AAA gfe|GGG e>d-d|GAG edB|
AAA g>f-f|AAA efg|age dBG|ABA A2 :|

X:484
T:DUSTY WINDOWSILL (jig) (2), The  
C:J. Harling (Chicago)
S:S: FS.1 
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
L:1/8
%R:Jig
K:A dorian
A2B cBA|eAB cBA|GFG EGG|DGG EFG|
A2B cBA|e2d efg|age dBG|ABA A3:|
a3 age|dBd g3|gag gfe|dBA GFG|
EGG DGG|EFG ABc|Bed BAG|ABA A3:|
A3 gAf|A3 ged|G3 edB|G3 edB|
A3 gAf|A3 efg|age dBG|ABA A3:|

X:485
%
%%staffsep 70
T:DWYER and the LEPRECHAUN (jig) 
S:S: BBMG 
C:© BB  
%R:jig
N:N: Long story (mostly bogus) behind name; details on request 
M:6/8
Q:1/4=160
L:1/8
K:G
A|"G"d2 g "Em"edB|"G"GAB GFE|"G"DEG "Am"Ace|"Am7"Ace "D"agf|
"G"d2 g "Em"edB|"G"GAB GFG|"Am"EAA cAA|"D"dAF "G"G2 :|
B|"G"gfg "Am"aba|"G"gde "Dm7"=fdc|"F"=fdc "G"BGB|"C"cBc "D"d2e|
"F"=fdc "G"BGG|"Dm"D=FF "G"DGG|"Am"EAA cAA|"D"dAF "G"G2 :|

X:486
T:DWYER'S (jig) 
S:S: Treoir 
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:G
d|efg edB|cBA BGD|G2 G BdB|BAG ABd|
efg edB|cBA BGD|G2 G BdB|AGF G2 :|
D|GBd g2 g|agf g2 e|fed edB|cBA BGD|
GBd gfg|agf g2 e|fed edB|AGF G2 :|

X:487
T:DWYER'S (a) (reel)
S:S: BSMI.2 (as "Dwyer's #1")
Z:Z: ABC/arr. BB
%R:reel
M:C
Q:1/4=180
L:1/8
K:D mix
FG|A2FA D2FG|ABde fded|c2cB cGG2|cGdG cGEG|
A2FA D2FG|ABde fded|cGG2 cedB|cAGE D2 :|
FG|Add^c defg|aged cAGE|G2EG cdeg|aged cAGc|
Add^c defg|add^c d=cAB|c2Bd cedB|cAGE D2 :|

X:488
T:DWYER'S (b) (reel)
S:S: Mally.EvIST:057 
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
L:1/8
M:4/4
K:G
ge|dBB2 GEDE|GBB2 dBGB|AGAB AGED|EGAB c2Bc|
dBB2 GEDE|GBB2 dBGA|B3A BcdB|AGAB G2 :|
ga|bgg2 bgdg|aff2 afdf|bgg2 bgag|eaag a2ga|
bgg2 agef|gfge dBGA|B3A BcdB|AGAB G2 :|

X:489
T:DWYER'S (c) (reel)
S:S: MFC.056C 
Z:Z: ABC/arr. BB
% Transcribed as it appears in source, with one exception:  |Aceg| for |GAcg| in measure 10.
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
B|A3g fgef|d2AG FADB|ADFA fdec|Addc d3A|
BGdB g2fe|dcAG FDAG|EGG2 cABG|Addc d3:|
e|dafd abaf|g2ec Aceg|faef dcAB|=c2Ad dcAG|
FDFA dfed|cAaf gefe|dAA2 GBAG|FDFA d3:|


%%% %%% %%%