ITTL "P-Q" tunes file created 5.20.25 = = = = = = = = = = = # Entries preceded by %% are primarily for typesetting purposes. Disregard them. # Tunes are not in alphabetical order. X:1 T:PADDLE-WHEELER (hornpipe - cut time), The C: RM 5/8/04 L:1/4 Q:1/4=190 M:4/4 K:D %swing .25 F/>G/ |: "D" A d "G" B/>c/ d/>B/ | "D" A d "G" B/>d/ c/>B/ | "D" A d "Bm" f/>e/ d/>e/ | "E7" f e "A7" e F/>G/ | "D" A d "G" B/>c/ d/>B/ | "D" A d "G" B/>d/ c/>B/ | "A7" A/>B/ c/>d/ e/>f/ g/>e/ |1 "D" f d d F/>G/ :|2 "D" f d d c/>d/ |: "A" e/>c/ A/>c/ e/>g/ f/>e/ | "D" f/>d/ A/>d/ f/>a/ g/>f/ | "A" g/>f/ e/>g/ "D" f/>e/ d/>f/ | "E7" e/>d/ c/>B/ "A7" A F/>G/ | "D" A d "G" B/>c/ d/>B/ | "D" A d "G" B/>d/ c/>B/ | "A7" A/>B/ c/>d/ e/>f/ g/>a/ |1 "D" f d d c/>d/ :|2 "D" f d d z |] %%% X:294 %%titlefont 18 T:PADDLE-WHEELER (hornpipe - straight time), The C:RM 5/8/04 L:1/8 Q:1/4=150 M:4/4 %R:hornpipe K:D %swing .25 FG |"D" A2 d2 "G" BcdB |"D" A2 d2 "G" BdcB |\ "D" A2 d2 "Bm" fede |"E7" f2 e2 "A7" e2 FG | "D" A2 d2 "G" BcdB |"D" A2 d2 "G" BdcB |\ "A7" ABcd efge |"D" f2 d2 d2:| |:cd|"A" ecAc egfe |"D" fdAd fagf |\ "A" gfeg "D" fedf |"E7" edcB "A7" A2 FG | "D" A2 d2 "G" BcdB |"D" A2 d2 "G" BdcB |\ "A7" ABcd efga |"D" f2 d2 d2:| %%% %%% X:295 %% T:PAILS OF ALE (jig) N: RM note: Dedicated to Doug Donnan, connoisseur. C:RM 8/10/07 %R:jig L:1/8 Q:1/4=165 M:6/8 K:G B/c/|"G" dBG "C" AGE |"D" DED "G" GAB |\ "C" EGE "G" DGA |"Em" BcB "D" ABc | "G" dBG "C" AGE |"D" DED "G" GAB |\ "D7" cBA "G" BAG |"C" EGA "G" G2:| F/G/|"D" ADD "G" BDD |"D" cBc "D7" ABc |\ "G" dBG "Am" edc |"A7" BAG "D7" ABc | "G" dGG "C" eGG |"D" def "Em" gfg |\ "Am" ecA "G" dBG |"D7" ABA "G" G2 :| %%% X:296 %% T:PALTOG REEL T:Hellbent for Leather C:RM 2/5/04 L:1/8 Q:1/4=190 %%R:reel M:4/4 K:G GA|"G" B3 G "D" AcBA |"G" GBAG "F" =FAGF |\ "C" E2 GE "G" DGBd |"G" edgd "D7" cBAc | "G" BcdB "D" ABcA |"G" GABG "F" =F3 E |\ "G" D2 GA B2 e2 |"D7" dBAB "G" G2 :| [K:C] AB |"C" c2 c2 "G7" BcdB |"C" c2 ec "G" dBAG |\ "C" e2 ce "F" f3 a |"C" gedc "Bb" _B3 =B | "C" c2 ec "G7" BcdB |"C" cefg "F" a3 b |\ "F" c'afa "C" gecA |1"G7" Gfed "C" cG :|\ [2"G7" Gfed "C" Hc4 |] %%% X:297 %% T:PARTY HOUSE (hornpipe - cut time), The N: RM note: Dedicated to Ted McGraw, founder and MC of The Irish Party House radio program. C:RM 12/5/99 L:1/8 Q:1/4=160 M:4/4 %R:hornpipe P:A-B-A K:A % e>d|"A" c2 e2"F#m" A2 c2 |"Bm" B>^A B>d F4 |"E7" E2 G>B d2 f2 |"A" f>e ^d>e c>f e>=d | "A" c2 e>c"F#m" A2 c>A |"Bm" B>^A B>d f2 g>f |"E7" e2 g>f e>d c>B |"A" A2 c2 A>f e>d | "A" c>^B c>e "F#m" A>G A>c |"Bm" B>^A B>d F2 G>F |"E7" E>F G>B d>f g>f |"A" f>e a>e c>f e>d | "A" c>^B c>e "F#m" A>G A>c |"Bm" B>^A B>d f>a g>f |"E7" e>f g>f e>d c>B |"A" A>c B>G"A7" A2|| [K:D] A2|"D" d>e f>d A>D F>A |"Em" B>^A B>G E2 F>G |"A7" A>c e>d c>B E>^E |"D" F2 G2"A7" A>A B>c | "D" d>c d>e f>c e>d |"Em" c>d B>G E2 c>B |\ "A7" A>^A c>B =A>B G>E |"_DC after rpt""D" D6 :| %%% X:298 %% T:PARTY HOUSE (hornpipe - straight time), The C:RM 12/5/99 L:1/8 Q:1/4=160 M:4/4 P:A-B-A %R:hornpipe K:A %swing .25 % ed|"A" c2e2 "F#m" A2c2 |"Bm" B^ABd F4 |"E7" E2GB d2f2 |"A" fe^de cfe=d | "A" c2 ec "F#m" A2cA |"Bm" B^ABd f2gf |"E7" e2gf edcB |"A" A2c2 Afed | "A" c^Bce "F#m" AGAc |"Bm" B^ABd F2 GF |"E7" EFGB dfgf |"A" feae cfed | "A" c^Bce "F#m" AGAc |"Bm" B^ABd fagf |"E7" efgf edcB |"A" AcBG "A7" A2|| [K:D] |:A2|"D" defd ADFA |"Em" B^ABG E2FG |"A7" Aced cBE^E |"D" F2 G2 "A7" A2Bc | "D" dcde fced |"Em" cdBG E2cB |"A7" A^AcB =ABGE |\ "_DC after rpt""D" D6 :| %%% X:299 %%historyfont 14 T:PASS the STIRABUT (hornpipe - cut time) N: RM note: Dedicated to my sister, Elsie Benecke, my childhood companion. N: ("Stirabut" is porridge.) C:RM 10/25/16 L:1/8 Q:1/4=150 %R:hornpipe M:4/4 K:G (3DEF |"G"G>F G>B e>d B>G |"C" E>F (3GFE "D7" D>c B>A |\ "G" G>F G>B "D" (3def "G" g>b | "A7" a>g f>e "D7" (3ded (3cBA |"G" G>F G>A "G7" B>G A>B |\ "C" c>e g>e a>g f>e | "G" d>b a>g "D7" (3fed (3cBA |"G" G>g d>B G2:|\ A>B|"C"c>g f>g a>g f>e | "G" d>g B>c d2 c>B |"A7" A>B ^c>d e>f (3gfe |\ "D" (3fgf (3efe "D7" d>c B>A | "G" G>F G>B e>d B>G |"C" c>e g>e a>g f>e |\ "G" d>b a>g "D7" (3fed (3cBA |"G" G>g d>B G2:| % %%% X:300 %% T:PASS the STIRABUT (hornpipe - straight time) C:RM L:1/8 Q:1/4=150 %R:hornpipe M:4/4 K:G %swing .25 (3DEF |"G"GFGB edBG |"C" EFGE "D7" DcBA |\ "G" GFGB "D" df "G" gb |"A7" agfe "D7" d2cA | "G" GFGA "G7" BGAB |"C" cege agfe |\ "G" dbag "D7" fdcA |"G" GgdB G2:| AB|"C"cgfg agfe |"G" dgBc d2cB |\ "A7" AB^cd efge |"D" f2e2 "D7" dcBA | "G" GFGB edBG |"C" cege agfe |\ "G" dbag "D7" fdcA |"G" GgdB G2:| %%% X:301 %% T:PAT the BAKER (reel) N: RM note: Dedicated to Pat Briody, a man of many talents. C:RM 11/17/1999 L:1/8 %%%R:reel Q:1/4=190 M:4/4 K:D fg |"D" abaf "A" gfge |"D" ded=c A2 cA |\ "G" GFGB "D" Adcd |"E" ef^gb "A7" a=gfg | "D" abaf "A" gfge |"D" ded=c A2 cA |\ "G" GABd "A7" cdec |"D" d2 f2 d2:| [K:A] cd |"A"efed c2 A2 |"G" =GABc d2 cd |\ "A" efed cBAc |"G" B2 =G2 G2 cd | "A" efed cABc |"D" defg a2 gf |\ "A" eagf "E7" edcB |"A" A2 c2 A2:| X:302 %% T:PATCH OF ICE (slip jig), The C:RM 3/31/19 N: RM note: Well, after all, it IS a 'slip' jig! L:1/8 Q:1/4=165 M:9/8 %%R:jig K:G "G" ded ded BAG |"Am" efe efe cBA |\ "D7" fgf fed def | "C" gfe dcB "D7" ABc |"G" ded ded BAG |\ "Am" efe efe cBA | "D7" fgf fed cBA |"G" GFA GAF G3 :|\ [K:D]|:"D" ABA ABc def | "Em" BcB Bcd efg |"D" fed "Em" gfe "D" afd |\ "Bm" Bcd "E7" efd "A7" cBA | "D" ABA ABc def |"Em" BcB Bcd efg |\ "D" agf "G" bag "D" fed | "A7" egf edc "D" d3 :| %%% X:303 %% T:PATH OF TOTALITY (polka), The N: RM note: Marking the date of a total solar eclipse across America. C:RM 4/8/24 L:1/8 Q:1/4=200 M:C P:A-B-A %%R:polka K:G c2|"G"B2 Bc dBAG |"D" FEFG ADEF |"G" G2 BG edBG |"A7" AB^ce "D7" d=cBA | "G" B2 de dBAG |"Am" E2 AB c2 Bc |"G" d2 Bd edBG |"D7" AcAF "G" G2 FG | "D7" A2 AB cAFA |"G" GBeB dGAB |"Am" c2 ec "G" B2 dB |"A7" Ad^ce "D7" fed=c | "G" B2 de "G7" dGAB |"C" cgfg agec |"G" d2 ga bgfg |"D7" ac'af "G" g2 || % B2|"Em" e2 B^A Be^de |"B" f2 B^A Bagf |"Em" e^def gefe |"B" ^df^cf "B7" B2 cd | "Em" e2 B2 G2 E2 |"F" =F2 A2 c2 BA |"Em" G2 EG BeBG |\ "B7" FAG"_DC after rpt"F "Em" E2 :| %%% X:304 %% T:PAUL'S PREFERRED (hornpipe - cut time) C:RM 6/18/11 N: RM note: Dedicated to Paul Gluchowski, fine fiddler and cellist, lover of Celtic trad. L:1/8 Q:1/4=150 M:4/4 %%%R:hornpipe P:A-B-C-A K:G P:PART A |:"G"(3DEF G>B (3ed^c (3dBG |"Am" A>E c>B "D7" (3ABA (3GFE |\ "G" (3DEF G>B "D7" (3def "G" (3gfe | [1"G" d>B "Am" c>A "D7" (3FED "G" (3GFE :|2 "G" d>B "Am" c>A "D7" (3FED "G" G2 || % P:PART B [K:D] |:"D"(3ABA F>A (3fed (3cBA |"A7" G>E c>A (3efe (3dcB |"D" (3A^GA d>A "Em" (3B^AB e>d | [1"A7" (3cBA (3gfe "D" (3dfe "A7" (3dcB :|2 "A7" (3cBA (3gfe "D7" d>=c A>F || P:PART C [K:G] |:"G" G>D (3GAB "Am" A>E A>G |"D7" (3FGA c>e (3ed^c "G" d>=c |\ "G" (3Bcd (3GAB "Am" (3cde (3ABc | [1"D7" (3d^cd (3fed (3=cBA "G" G>F :|\ [2"D7" (3d^cd (3fed (3=cBA "G" (3GF"_DC"E ||\ %%% X:305 %% T:PAUL'S PREFERRED (hornpipe - straight time) C:RM 6/18/11 L:1/8 Q:1/4=150 M:4/4 %%%R:hornpipe P:A-B-C-A K:G %swing .25 (3GFE||!segno!"G"D2GB edBG |"Am" AEcB "D7" A2FE |"G" DEGB "D7" df "G" ge | [1"G" dB"Am"cA "D7" FD"G"G2 :|2 "G" dB"Am"cA "D"FD "G" G2 ||[K:D]|:"D"A2FA fdcA | % "A7" GEcA e2dB |"D" A2dA "Em" B2ed |1"A7" cAge "D" d2 (3dcB :| [2 "A7" cAge "D7" d=cAF ||[K:G]|:"G" GDGB "Am" AEAG |"D7" FAce e^c "G" d=c | % \ "G" BdGB "Am" ceAc |1"D7" d2fd cA "G" GF :|\ [2"D7" d2fd =cA "G" (3GF"_DS"E ||\ %%% X:306 %% T:PEEDIE PICT O' BU SANDS (jig) C:RM 9/9/16 N: RM note: Dedicated to Shiona Thomson of Bu Sands, Orkney. L:1/8 Q:1/4=165 %%%R:jig M:6/8 K:D e|"D" fdf "A" ecA |"G" B/c/dB "D" AFD |\ "G" G/A/BG "D" Adf |"Em" agf "A7" efg | "D" fdf "A" ecA |"G" B/c/dB "D" AFA |\ "G" B/c/dB "A" c/d/ec |"A7" edc "D" d2:| z|"A7" eAe "D" fed |"A7" e/f/ge "D" fed |\ "A7" e/f/ge "D" fdc |"E7" Bed "A7" cBA | "D" fdf "A" ecA |"G" B/c/dB "D" AFA |\ "G" B/c/dB "A" c/d/ec |"A7" edc "D" d2 :| %%% X:307 %% T:PENNY DOWN the DRAIN (reel), The C:RM 10/31/03 L:1/8 Q:1/4=190 M:4/4 %%R:reel K:G Bc |"G" dBcA "D" BGAF |"G" GFDE "F" =F3 E |"G" DGBd eBdB |"A7" AB^ce "D7" fed=c | "G" BDGB "D" ADFA |"G" GBcd "C" e^def |"C" gage "G" dBcd |"D7" egfa "G" g2:| dc |"G" Bd^cd "G" edcd |"C" ce^de fede |"D" fed^c =cAEF |"G" GBeB "D" dedc | "G" Bd^cd edcd |"C" ce^de fede |"D7" fede fgaf |"G" gagf g2:| %%% X:308 %%printtempo 0 %%titleleft %hide_information_labels %%titlefont Palatino Bold 20 %%subtitlefont Palatino Bold 18 %%composerfont Palatino Bold 16 %%historyfont Palatino Bold 16 %%partsfont Palatino Bold 16 %add_all_playback_links 25 0 0 fluid %add_all_playback_volumes 64 80 %%staffsep 70 T:PENNY POLKA, The C:RM 1/10/20 N: RM note: Dedicated To Carys Ryan – so very young, so very cute! L:1/16 Q:1/4=110 M:2/4 %%%R:polka P:A-B-A K:D FG||!segno!"D" A2A2 AdAG |"Bm" F2F2 FAFD |\ "A7" E2AB cABc | "D" d2cB "A7" AGFG |"D" A2A2 AdAG |\ "Bm" F2F2 FAFD | [1"A7" E2AB AGFE |"D" D2 "G" D2 "D" D2 :|\ [2"A7" E2AB cABc |"D" d2 "G" d2 "D" d2 || [K:A] |:cd|"A" e2ce "E7" dBGE |"A" Acfc e4 |\ "Bm" BdBA "E7" GAB2 |"A" cecB ABcd | "A" e2ce "E7" dBGE |"A" A2EA "D" FED2 |\ "A" CEAc "E7" dBFG |1 "A" A2 "D" A2 "A" AB :| [2"A" A2 "D"A2 "A" AEF=G"_DS" |] %%% X:309 %% T:PEPPER POT POLKA, The C:RM 5/11/23 N: RM note: Dedicated to Jerry Dee and his daughter, Bridget. L:1/8 Q:1/4=200 %R:polka M:C K:G EF|"G" G2 GE "D" FE D2 |"G" GBAG "D" FE D2 |\ "G" GFGA "Em" BdBG |"Am" cBAG "D7" FDEF | "G" G2 GE "D" FE D2 |"C" EGAB "Am" c2 Bc |\ "D" d^cde "G" dBGB |"D7" cAFA "G" G2 :| |:AB |"C" c2 EF AGFE |"G" DGFG AGBG |\ "C" c2 ec "G" B2 dB |"A7" A^GAB "D7" ADEF | "G" G2 dc "G7" BGAB |"C" cgfg agec |\ "G" B2 gd edBG |"D7" AcAF "G" G2:| %%% X:310 %% T:PERIWINKLE POLKA, The C:RM 1/22/17 N: RM note: Dedicated to Cousin Sally Retzer, more like a sister to me. L:1/8 %Q:1/4=210 M:4/4 %R:polka P:A-B-A K:G DGB|:"G" d2 d2 BcdB |"Em" G2 GF GBAG |"D7" FDFA cedc |"G" Bgfe "D7" dcBc | "G" d2 d2 BcdB |"Em" G2 GF GBAG |"D7"FGAB cdef |1"G" g2 g2 gABc :|2"G" g2 g2 g4|| [K:D] |:"D" a2 fa "A7" gecA |"D" dfbf a4 |"A7" a2 ed cd e2 |"D" abaf defg | "D" a2 fa "A7" gecA |"D" d2 Ad "G" BA G2 |"D" FAdf "A7" geBc |1"D" d2 d2 defg :|\ [2"D" d2 d2 dAB"_DC"=c || %%% X:311 %% T:PERPETUAL MOTION (reel) N: RM note: Dedicated to Seán Walker, a "music machine"! C:RM 3/20/08 %R:reel L:1/8 Q:1/4=190 M:4/4 K:G D2 |"G" G2 GB dBGB |"C" cBce "G" dBGB |\ "Am" c2 ec "G" B2 dB |"D7" cBAG FE D2 | "G" G2 GB dBGB |"C" cBce g2 fe |\ "D7" d2 AG FE D2 |"C" EG G2 "G" G2:| d2|"G" g2 gf gdBd |"C" egfe "G" edBd |\ "Am" c2 ec "G" B2 dB |"D7" cBAG Adef | "G" g2 gf gdBd |"C" egfe "G" edBd |\ "Am" c2 ec "G" B2 dB |"D7" AGFA "G" G2 :| %%% X:312 %% T:PETER'S PLACE (polka) C: RM /24/19 N: RM note: Dedicated to Peter Sheridan - ya gotta love animals! L:1/8 Q:1/4=200 M:4/4 %R:polka K:G EF|"G" G2 g2 dedc |"D7" BcBA "G" GABG |\ "Am" A2 E2 cBAG |"D7" FGEF D2 EF | "G" GDGA "G7" BA G2 |"C" cBcd egfe |\ "G" d2 BA GA B2 |"D7" AcBA"G" G2 :| [K:D] FG |"D" A2 FG ADFA |"G" Bdcd edcB |\ "D" A2 d2 fe d2 |"E7" e^def "A7" eABc | "D" d2 ag "D7" fed=c |"G" Bdcd edcB |\ "D" A2 d2 FGAF |"A7" EGFE "D" D2:| %%% X:313 %% T:PICK ME! (polka) C:RM 8/18/24 L:1/8 Q:1/4=200 M:C %%R:polka K:G Bc |"G" d2 B2 e3 B |"D7" d2 c2 A3 G |\ "D7" FGAB c2 e2 |"D7" fed^c d=cBc | "G" d2 B2 g3 f |"Am" f2 e2 A3 G |\ "D7" FGAB cdef |"G" g2 g2 g2:| % [K:D] ag|"D" f2 a2 "Bm" d2 fd |"Em" e^deg B2 cB |\ "A7" ABcd e2 A2 |"D" dfbf "A7" abag | "D" f2 ag "Bm" fedc |"Em" B2 e2 gefg |\ "D" a2 de fe d2 |"A7" egec "D" d2:| %%% X:314 %% T:PICKING UP the PIECES (reel) C:RM 1/5/18 N: RM note: Dedicated To "The Team" of Irish Musicians. L:1/8 Q:1/4=190 M:4/4 %%R:reel K:G P:A-B-A D|"G" G2 d^c dBGB |"F" cA=FA c2 BA |"G" G2 d^c d2 de |"F" =fefd cA=FA | "G" G2 d^c dBGB |"F" cA=FA c2 Bc |"G" d2 gf "C" gedc |"D7" BGAF "G" G3 :| A|"Em" B2 e2 e2 ef |"Em" gef^d eBGE |"D" D2 d^c d2 AB |"D7" cDBD A2 GA | "Em" B2 e2 e2 ef |"C" gfge "G" dBGB |"Am" cBAc "G" BAGB |\ "B" AG"_DC after rpt"FG "Em" E3 :| %%% X:315 %% T:PICKLE HILL RAG C:RM 5/30/21 N: RM note: Dedicated to Tom & Leslie Rossi, B & B entrepeneurs L:1/8 Q:1/4=140 %R:rag M:4/4 K:D B,C |"D" DA^GA BAFD |"G" B,C D "A" A,2 B AG |\ "D" FA^GA BAFD |"E7" E^G B "A7" A2 F =G^G | "D" AFAF BAFD |"G" Gdcd edBG |"D" FA d "D"B2 A FD |\ "D" FD "A7" E2 "D" D2:| % [K:G] |:EF|"G" G2 G2 B,2 B,2 |"C" CB, C "C"G2 F ED |"G" B,2 D2 GBed |\ "A7" ^cABc "D7" defd | "G" g2 g2 "G7" dGAB |"C" cgfg "Am" ecAE |"G" DGBd edBG |\ "D7" B B2 A"G" G2 :|%%% X:316 %%titlefont 18 T:PIG WITH THE WOODEN LEG (hornpipe - cut time) C:RM 10/30/03 N: RM note: Dedicated To Gerry Dee, who loves a laugh. L:1/8 Q:1/4=150 M:4/4 %%%R:hornpipe K:D F>G |"D" A>F d>c"G" B>Ge>d | z3/2 A/"A" B>c"D" B>A F>G | "D" A>F d>c"G" B>G e>d |z3/2 A/"A" B>c"D" d2:| |:f>g |"D" a>f d>A"G" c>B e>f |z3/2 e/"A" c>A"D" B>A f>g | "D" a>f d>A"G" c>B e>f |z3/2 e/"A" c>A"D" d2 :| %%% X:317 %%titlefont 18 T:PIG WITH THE WOODEN LEG (hornpipe - straight time) C:RM 10/30/03 L:1/8 Q:1/4=150 M:4/4 %%%R:hornpipe K:D %swing .25 FG |"D" AFdc "G" BGed |z3/2 A/ "A" Bc "D" BAFG | "D" AF dc "G" BG ed |z3/2 A/ "A" Bc "D" d2:| fg |"D" afdA "G" cBef |z3/2 e/ "A" cA "D" BAfg | "D" afdA "G" cBef |z3/2 e/ "A" cA "D" d2 :| %%% X:318 %% T:PINCH the PENNIES (polka) T: . . . Count the Pounds C: RM 4/8/24 N: RM note: Dedicated to Jeff Feldman, with two BIG thank you's. L:1/8 Q:1/4=200 M:C %%R:polka K:G (3ABc |"G" d3 c "Em" Bc d2 |"Am" ABAG "D" FE D2 |\ "C" E2 GE "G" DGAB |"Am" c2 B2 "D7" A2 Bc | "G" d3 c "Em" BA G2 |"Am" E2 A2 cABc |\ "G" d2 Bd gdBG |"D7" AcAF "G" G2 :| % FG|"D7" A3 G FE D2 |"G" dedc BA G2 |\ "A7" A2 ^ce abag |"D7" fgaf d2 ef | "G" g2 GA BAGF |"Am" E2 A2 cABc |\ "G" d3 c BA G2 |"D7" AcAF "G" G2:| %%% X:319 %% T:PLAY IT AGAIN, SAM! (reel) C:RM 3/14/23 N: RM note: Dedicated to Sam Scherer, fiddling in all directions! L:1/8 Q:1/4=200 %R:reel M:4/4 K:D %%text Intro [DA]2 [DA][DA] [DA]2 [DA][DA] | [DA]2 [DA][DA] [DA]2 G2 ||"D" F2 FG "D7" AF D2 |"G" GFGB "A" AGFE | "D" D2 AG FE D2 |"E7" E^GBG "A7" ABA=G |"D" F2 DE "D7" FG A2 |\ "G" GFGB edcB | "D" A^GAB AFDF |"A7" EGFE "D" DEFG |"D" A2 DE FE D2 |"C" =CB,CD EGFE | "D" DEFG AFDF |"E7" EdcB "A7" AGFG |"D" A^GAB "D7" AFDF |"G" GBdB edcB | "A" A2 Bc "D" dAFD |"A7" EGEC "D7" D2||[K:G]F2|"G" G2 dG cG B2| "D7" AGFG ADEF |"G" G2 dG cGBG |"A7" A^cec "D7" d=cBA |\ "G" G2 dG BGAB | "C" cgfg agec |"G" dGcG BGFG |"D7" AcAF"G" G2 FG |"D7" ADGD FDFA | "G" dGcG BGFG |"A7" AEAB ^cedc| "D7" d2 de fd ef |"G" g2 af gdBd | "C" cGeG dGcG |"G" Bd^cd edBG |"D7" AcAF [I:MIDI gchordoff]"G" [GBdg]4 |] X:320 %% T:POLKA DOTS C:RM 6/27/22 N: RM note: Dedicated to Bob Melech on his 85th birthday. Yup, there are a lot N: of polka dots on the page! L:1/8 Q:1/4=190 P:A-B-A M:C %%R:polka K:G EF|"G" G2 G2 "D" FAFD |"G" G2 BG "D" ABcA |\ "G" d2 G2 "Em" BAGB |"Am" cBAG "D" FDEF | "G" G2 G2 "D" FAFD |"G" GABc d2 Bd |\ "Am" cedc "G" d2 Bd |"D7" cAFA "G" G2 :| % [K:D] FA|"D" d2 FG Adcd |"Em" e2 B2 e2 ed |\ "A" cecB Acec |"D" dfbf "A" abaf | "D" d2 AB "D7" =cedc |"Em" B2 G2 E2 FG |\ "D" A2 d2 F2 AF |"A7" EG"_DC after rpt"FE "D" D2:| %%% X:321 %% T:PONY CART (polka), The C:RM 2/2/10 N: RM note: ". . . and the beautiful Miss Briody in private pony cart." Dedicated N:to my wife, Maggie Briody, for Valentine's Day. L:1/8 %Q:1/4=220 M:4/4 P:A-B-A %%R:polka K:G dc|S"G" B2 G2"C" E2 G2 |"G" D2 G2 "C" E2 G2 |\ "D" D2 EF"Em" G2 GA |"G" BdcB "D" Aedc | "^measure 5""G" B2 G2 "C" E2 G2 |1"G" D2 G2 "C" E2 GA |\ "G" BdcB "D" AcBA |"C" GAGF "G" Ge :|2"G" D2 G2 "C" E2 c2 | "G" BA G2"D" D2 GF |"C" GAGF"G" G2||Bc |:"G" d2 G2"C" e2 G2 |\ "G" d2 G2"C" e2 G2 | "G" dgfe dBGB |"Am" cBAG"D" A2 Bc |"G" d2 G2"C" e2 G2 |1 "G" d2 G2"C" e2 G2 | "G" dgfe dBGB |"D" cAFA "G" GABc :|[2"G" d2 G2 "C" g2 fe |"G" dBGB "D" cAF"_DS"A | "C" GAGF "G" G"_DS"edc||"_FINAL after A2 measure 5""G" d2 G2"C" g2 fe |\ "G" dBGB "D" cAFA |"C" GAGF "G" G2 z2 |] %%% X:322 %% T:POP GOES THE BELLOWS! (polka) C:RM 2/12/19 N: RM note: Dedicated to Tony Scalise, versatile accordionist. L:1/4 Q:1/4=220 P:A-B-A M:C %%R:polka K:G B/c/|"G" Sd z/ B/ e B |"D7" d c A2 |"D7" A B c d |"G" e d B2 | "G" g z/ B/ d B |"D" A d d ^c/d/ |"Em" e B "A7" ^c A |"D7" d e f2 | "G" g z/ B/ d B |"Am" e c A2 |"B7" B ^c ^d f |"Em" g f e2 | "C" c z/ d/ e c |"G" B d g2 |"D7" f/e/d/c/ B A |"G" G B G || % [K:D] c/B/|"D" A F/A/ d A/d/ |"D" f d/f/ a2 |"A7" g e/d/ c/d/ e |"D" f/g/f/e/ d c/B/ |$ "D" A F/A/ d A/d/ |"D" f d/f/ a2 |"Em" g/f/e/d/ "A7" c/A/B/c/ |1 "D" d f d :|\ [2 "D" d A "D7" B"_DS" =c|| %%% X:323 %% T:POP the BRALLY (jig) C:RM 2/15/08 N: RM note: Dedicated to mandolinist Lou Hillman, gone but by no means forgotten. N: "Brally" is another word for "umbrella". L:1/8 Q:1/4=165 %%%R:jig M:6/8 K:G D|"G"G2 G BAG |"D7" FAF DEF |\ "G" GAB dBG |"Am" ecB "D7" AGF | "G" G2 G BAG |"C" EGc e2 e |\ "D7" d^cd fed |"D7" cAF"G" G2:| A/B/|"C"cBc EGc |"G" BAG d3 |\ "A7" ^cBA gfe |"D7" de=f ^fed | "G" gfg dBG |"C" EGc e2 e |\ "D7" d^cd fed |"D7" cAF"G" G2 :| %%% X:324 %% T:POSTMAN'S BIKE (reel), The C:RM 11/14/99 N: RM note: Dedicated To Charlie Gillick, senior cycling postman, County Cavan, N:Ireland. L:1/8 Q:1/4=190 M:4/4 %%R:reel K:G % d2|"G" GABc dGBd |"C" eGce "G" dGBd |\ "Am" cBAc "G" BAGB |"A7" Ad^ce "D7" d=cBA | "G" GABc dGBd |"C" eGce "G" dGBd |\ "Am" cBAc "G" BAGB |"D7" AGFA "G" G2:| |:FE|"D7"DEFG A2 FD|"G" GABc d2 BG |\ "A" AB^cd efge |"A7" agfe "D7" dcBA | "G" GABc dGBd |"C" eGce "G" dGBd |\ "Am" cBAc "G" BAGB |"D7" AGFA "G" G2:| %%% X:325 %% T:POUNDING PAVERS (polka), The C:RM 5/27/04 N: RM note: = hob-nailed boots L:1/16 Q:1/4=110 M:2/4 %%R:polka K:G "G" G2D2 GFGA |"G" B2D2 GFGB |\ "D7" A2D2 E2F2 |"G" GFGA BcBA | "G" G2D2 GFGA |"G" BABc d2cB |\ "D7" A2D2 E2F2 |"G" G2B2 G4 :| [K:D]"D" A2FG A2d2 |"A" c2d2 e2>d2 |\ "A7" cdcB Acec |"D" dcde fdcB | "D" A2FG A2d2 |"Em" B2G2 e2>d2 |\ "A7" cdcB Acec |"D" d2f2 d4 :| X:326 %% T:PROMOTER (polka), The N: RM note: Dedicated to Kim Bidleman, Social Whiz. C:RM 11/15/22 L:1/8 Q:1/4=200 %%R:polka M:C P:A-B-A K:G "G"G2 DG B2 GB |"G" d2 Be dBAG |\ "D7" AcAF DFAc |"C" e2 d^c "D7" dedB | "G" G2 DG"G" B2 GB |"G" d2 Bd gbag |\ f2 AB cAFA |1"G" G2 B2 GDEF :| [2 "G" G2B2 G4 |:[K:D]"A"A2 AB cAce |\ "D" d2 fd A4 |"A7" gfed cAce | "D" agfe d2 cB |"A" A2 AB cAce |\ "D" d2 Ad "G" BA G2 |"D" FAdf "A7" geBc | %%stretchlast 0 [1"D" d2"G" d2"D" d2 cB :|2"D" d2"G" d2d=cB"_DC"A |] %%% X:327 %% T:PUB GRUB (reel) N: RM note: Dedicated to shepherd's pie. C:RM 3/28/19 L:1/8 Q:1/4=190 M:4/4 P:A-B-A %%R:reel K:G EF|"G" G2 G2 B3 G |"Am" AGAB "D7" AGED |\ "G" GFGA "Em" BdBG |"D" Adfe "D7" dcBA | "G" G2 GA "G7" BGAB |"C" cBce agfe |\ "G" d^cde dBGB |"D7" AcBA"G" G2 :| GF|"Em" E2 EF GEFG |"B" FBBc "B7" BAGF |\ "Em" EGBe gfeg |"F#7" f^cfe "B7" ^dBFG | "Em" E2 BA GEFG |"F" =F2 AF cFAF |\ "Em" EFGB egfe |"B7" ^dB"_DC after rpt"FG"Em" E2:| X:328 %% % T:PULL A PINT FOR PAT (polka) N: RM note: Dedicated to the memory of my father-in-law, Pat Briody, the finest man N: there ever was for sharing a couple of pints. C:RM 3/20/08 L:1/8 Q:1/4=200 M:4/4 K:G D2 |"G" G2 GB dBGB |"C" cBce "G" dBGB |"Am" c2 ec "G" B2 dB |"Am" cBAG "D7" FE D2 | "G" G2 GB dBGB |"C" cBce g2 fe |"D" d2 AG FE D2 |"C" EG G2 "G" G2:| d2 |"G" g2 gf gdBd |"C" egfe "G" edBd |"Am" c2 ec "G" B2 dB |"Am" cBAG "D" Adef | "G" g2 gf gdBd |"C" egfe "G" edBd |"Am" c2 ec "G" B2 dB |"D7" AGFA "G" G2:| %%% X:329 %% T:PULL OUT EVERY STOP (march) C:RM 4/22/24 L:1/8 Q:1/4=200 M:C %%R:march K:D A2|"D" d4 "A" c2 dc |"G" B2 d2 "D" ABAG |\ "D" FE D2 "A7" E2 C2 |"D" D2 A2 "A7" B2 c2 | "D" d3 c d2 f2 |$"A" ed c2 "E" B2 cd |\ "A" e2 ce "E7" dc B2 |"A" A6 A2 | "G" B3 c d2 cB |"D" A2 G2 F2 D2 |\ "A" E2 A2 "E7" Bc d2 |"A7" c2 d2 e2 A2 | "D" dcde "A" fefg |"D" afge d2 A2 |\ "G" Bc d2 "A7" e2 c2 |"D" d6 || % [K:G] =c2|"G" B2 d2 "C" c2 e2 |"D7" d2 ef "G" g2 d2 |\ "C" ed c2 "G" d2 B2 |"A7" A2 ^c2 "D7" defd | "G" g2 B2 "C" c2 e2 |"D" dedc "G" B2 G2 |\ "C" cdec "G" d2 B2 |"D7" A4 "G" G2 AB | "C" c2 EG AGFE |"G" D2 GA B2 dB |\ "A7" A2 ^cd egfe |"D7" d2 e2 fdef | "G" g2 GA "G7" BA G2 |"C" cGcd egfe |\ "D7" d2 ef "G" g2 B2 |"D7" A4 "G" G2z2|] %%%% X:330 T:QUICK and EASY Polka C:RM 1/10/20 L:1/16 Q:1/4=110 %%R:polka M:2/4 P:A-B-A K:D % "D"A2A2 AdAG |"Bm" F2F2 FAFD |\ "A7" E2AB cABc | "D" d2cB "A7" AGFG |"D" A2A2 AdAG |\ "Bm"F2F2 FAFD | [1"A7" E2AB AGFE |"D" D2 "G"D2 "D" DEFG :|\ [2 "A7" E2AB cABc |"D" d2 "G"d2 "D" d4 || %% [K:A] |:"A"e2ce "E7" dBGE |"A" Acfc e4 |\ "Bm" BdBA "E7" GAB2 |"A" cecB ABcd | "A" e2ce "E7" dBGE |"A" A2EA "D" FED2 |\ "A" CEAc "E7" dBFG |1"A" A2 "D"A2 "A" ABcd :|\2 [2"A" A2 "D"A2 "A" AEF"_DC"=G || %%% X:38208 T:P. JOE HAYES' (reel) S:S: "Crossroads Dance" (Taylor/Mallinson) Z:Z: ABC/arr. BB %R:reel M:4/4 Q:1/4=180 L:1/8 K:A e2cA BcAc|eAcA BAFA|e2cA BcAc|ecBd cAA2:| A2cA e2ce|fbba faa2|A2cA ecAe|faec BAFB:| "^coda"'HA4z4|] %%% X:38207 T:P.J. CONLON'S (reel) S:S: "Crossroads Dance" (Taylor/Mallinson) Z:Z: ABC/arr. BB %R:reel M:4/4 Q:1/4=180 L:1/8 K:D Addc A3B|cBcd e2 dc|Addc A3B|cAGE ED D2:| d2 fd Adfd|cdef g2 fe|d2 fd Adfd|faag eddc| d2 fd Adfd|cdef g2 eg|afge fdcd|eaag eddB|| "^coda"Hd4z4|] X:41253 T:P.J. HERNON'S (reel) S:S: MVBT < Colm O'Donnell N:N: This is a close relative of "Garrett Barry's Reel" (aka "Mr. McCloud's", N:"Sligo Duke", etc.) This setting is from Colm O'Donnell via the eponymous N:P.J. and Boston's Gannon brothers. Z:Z: ABC/arr. BB Q:1/4=180 %R:reel M:4/4 L:1/8 K:G GFGB d2gd|edBe dBAB|GFGB dedB|ABGE DGBA| GFGB d2 gd|gdBA GABd|eged Bded|gedB AGED :| degb abge|dBAB GABd|g2 ag gedg|eaag a2 ga| bg g2 abge|dBAB GABd|egde Bdef|gedB AGED :| "^coda"HG4z4|] %%% X:54053 T:P.J. MOLONEY'S (hornpipe) S:S: SRHI.19a Z:Z: ABC/arr. BB C:Seán Ryan Q:1/4=150 L:1/8 M:C| %R:hornpipe K:G DF|G2DG BdGB|dgg2 bgdB|c2ec Bdgf|edcB ADFA| G2DG BdGB|dgg2 bgdB|c2ec dgfe|D2 cA G2:| Bd|g2bg dgbg|g2 bg dBGB|c2ec Bdgf|edcB ADFA| Bd BG cBce|dgg2 bgdB|c2ec dgfe|D2 cA G2:| %%% X:31176 T:PA KEANE'S POLKA Z:Z: ABC/arr. BB S:S: JOL.205 Q:1/4=120 L:1/8 N:N: Kind of an odd tune that sounds like it should return to the first part N:to close. The A-B-A structure is mine, not the source's. M:2/4 %R:polka K:D %A-B-A Ad cB|AF DE/D/|GF/G/ BA|FA DE/D/| Ad cB|AF DE/F/|GE BA|D2 D2 :| |:dc/d/ fa|ge ed/e/|A/B/c/d/ eg|fd dA| dA/d/ fa|ge e/f/e/d/|cB ba|d2 d2 :| K:A |:A>G AF|FE EB/c/|d>c dB|c2 c/d/c/B/| Ad fe/c/|Ac ec/B/|AB/c/ df|e2 e2| ag af|e^d ec|Bc/B/ AF|E2 E2| e^d/e/ fe|cA FA|EF A>B|A2-"_DC"A=G| X:25 T:PACHELBEL CROSSING THE MINCH (reel) C:Jimmy Keane N:N: © Cappal Beag Music BMI M:C Q:1/4=180 L:1/8 K:D ag|:fA (3AAA f2ef|gB (3BBB g2ag|\ fA (3AAA f2ef|gBed dcde| fA (3AAA f2ef|gB (3BBB g2ag|\ fgaf gecd|1 eddc d2 de:|2 eddc d2|| |:ag|fada fada|eaca eaca|dfBf dfBf|AdFd AdFd| GFGA BABc|dcde faba|gfed Bdce|fddc d2:| %%% X:65075 T:PACIFIC JIG, The Z:Z: Aidan Crossey S:S: composer M:6/8 L:1/8 Q:1/4=160 %R:Jig K:A Major ecA EAc|fdf agf|ecA EAc|dcd Bcd| ecA EAc|aga fed|ecA EAc|BAG A3:| ece aga|fdf agf|ece agf|ecA Bcd| ece aga|fdf agf|ece aec|BAG A3:| %%% X:342082 T:PACKIE'S CHOICE (reel) Z:Z: ABC/arr. BB C:Joe Liddy S:S: Liddy2.37 Q:1/4=180 M:4/4 L:1/8 %R:reel K:D de|fafd egfe|dB dA BAFE|DB,A,B, DEFA|dBAF E2 Ad | fafd egfe|dBcA BAFE|D2FA d2ed|BdAF D2 || % de|fafd egfe|dB dA BAFE|D2FA d2ed|BdAF E2de | fdec dBcA|BAFE DB, A,2|D2FA d2ed|BdAF D2 || % BA|FB cA Bcde|fdec dBcA|Bcde fdec|dBAF EFDE | FB cA FBde|fdec dbb2 |1 fabf afef|dB dA B2 :| %%stretchlast 0 [2 bafb afef|dB dA HB4 |] %%% X:38209 T:PACKY SWEENEY'S (reel) S:S: "Trip to Sligo" (B.Flaherty) Z:Z: ABC/arr. BB M:4/4 L:1/8 Q:1/4=180 %R:reel K:G GFGA B2AG|BdcA BdcA|GFGA B2AG|AdcA BG G2:| gfge fdde|fefd cAFA|gfeg fed^c|dgfa g2 ga| gfge fdde|fefd cAFA|GFGA B2 AG|BdcA BG HG2|] %%% X:52092 T:PACKY'S PLACE (jig) C:© E.Reavy S:S: Ed Reavy Collection Z:Z: McKenty / Black Q:1/4=160 M:6/8 L:1/8 %R:jig K:G %%text "allegretto" %%vskip .3in f|gdB GFG|ABG FED|gdB GFG|Ad^c def| gdB agf|bag faf|gdB cAF|GAG G2:| A|Bcd def|gfe dcB|BGB dBG|cBc ABc| BGB def|gdB ecA|fdB cAF|GAG G2:| %%% X:491460 T:PADDIES EVERMORE S:S: ONMI.0262 < F.O'Neill Z:Z: Brennan/Black (arr.) M:6/8 L:1/8 K:D %%text "with spirit" %%vskip .3in A/G/|F2A d2f|e2c A2G|F2A d2d|d3 z2g| f2e f2g|a2f d2f|e2d c2B|A3 z2g| f2e f2g|a2f d2f|e2c A2F|G3 z2A| B2B Bcd|e2c A2G|FA2 d2d|d3 z2g| f2e f2g|a2f d2f|e2c A2F|G3 z2A| B2B Hg2f|e2c A2G|FA2d2d|d3-d3|] %%% X:29082 T:PADDY [O']SNAP (slip jig) (3) S:S: CGI.059 Z:Z: ABC/arr. BB Q:1/4=160 L:1/8 M:9/8 %R:slip jig K:D %%text "allegro spiritoso" %%vskip .3in f2d dcd fed|g2e efd cBA|f2d dcd fed| efg A2c d3 :|a2A ABG FAd|B2e ef^d efg| a2A ABG FAd|efg A2c d3 :| %%% a2A ABG FAd|B2e ef^d efg|a2A ABG FAd|efg A2c d3 :| %%% X:532087 T:PADDY BE "AISY" (slip jig) S:S: RC2.254 Z:Z: ABC/arr. BB Q:1/4=150 L:1/8 M:9/8 %R:slip jig K:D B|A3 edB efg|A3 edB d2B| A3 edB efg|fed edB d2:| e|fef afd efg|fef afd g2e| fef afd efg|1 fed edB d2:| [2 fed edB d3|] %%% X:183001 T:PADDY BREEN'S (jig) S:S: CRE.3 Z:Z: ABC/arr. BB L:1/8 Q:1/4=160 M:6/8 %R:jig K:G E|G2B G2B|G2B ded|BAB E2D|GAG FED| G2B G2B|G2B ded|BAB E2D|FAF G2 :| A|GBd g3|f2d edB|e2d e2f|e2d BAB| GBd g2g|f2d e2d|BAB E2D|FAF G2 :| %%% X:491461 T:PADDY BROWN S:S: ONMI.0437 < J.O'Neill Z:Z: Brennan/Black (arr.) M:6/8 Q:1/4=160 L:1/8 K:Ador %%text "gaily"; source key = Gm %%vskip .3in E|A2B c2d|e2f gfg|a2A A2c|BdB G2E| A2B c2d|e2f ged|efg a2b|a3-a2 :| g/a/|b2g e2f|a2g e2f|g2e d2c|BdB G2E| A2B c2d|efg a2B|c2B A2G|A3-A2 :| %%% X:50075 T:PADDY BROWN (jig) S:S: Petrie.446 < "From P.Carew's MS" Z:Z: ABC/arr. BB N:N: Repeats added Q:1/4=160 M:6/8 L:1/8 %R:jig K:Ador G|A2B c2d|e2f g2g|a2A A2c|BdB G2E| A2B c2d|e2f g2f|efg a2g|a3-a2 :| a|b2a g2e|a2g e2f|g2e d2c|BdB G2E| A2B c2d|efg a2B|c2B A2G|A3-A2 :| %%% X:184035 T:PADDY BYRNE'S QUICK STEP* (slip jig) S:S: CRE.4 < Grier MS (unnamed) Z:Z: ABC/arr. BB L:1/8 Q:1/4=160 M:9/8 %R:slip jig K:G G2g dBG GFG|EFG ABG FED| G2g dBG GFG|EFG AGF G3:| AFD AFE DEF|GAB ABc BAG| AFD AFE DEF|GAB cAF G3:| %%% X:13115 T:PADDY CANNY'S (reel) S:S: BSMI.1 Z:Z: ABC/arr. BB Q:1/4=180 %R:reel M:4/4 L:1/8 K:G G2BG DGBG|GABd cAFA|G2BG DGBc|defd cAFA| G2BG DGBG|GABd cAFA|GBB2 dBB2|defd cAFA :| dggf g2fg|adfd adfd|dggf g2fe|defd cAFA| dggf g2fg|a^gab a=gfe|dgg2 bgg2|defd cAFA :| "^coda"G4z4 |] %%% X:32016 T:PADDY CANNY'S TOAST (slow reel) C:© C.Lennon Z:Z: ABC/arr. BB S:S: CLMM.76 Q:1/4=130 M:4/4 L:1/8 %R:reel K:Gmix F|G2cG dGcG|F2cF CFcF|G2cG dGcG|FGAc fdcA| G2cG dGcG|DFcF CFcF|DEFA GABd|cAfA B2AB| G2cG dGcG|DFcF CFcF|DGcG dGcG|efcA dAcA| G2cG dGcG|F2cF CFAF|DEFD GABd|cAfA B2|| AB|Ggg^f gdBA|Ggge fgeg|fBB2 FBDB|fBB2 fdcA| Gdga gdBA|Gdga bage|fefg afgf|fdcA B2 :| "^coda"fdcA B2AF|HG4z4|] %%% X:29081 T:PADDY CAR[E]Y (jig) (2) S:S: CGI.016 Z:Z: ABC/arr.BB N:N: First part repeat added. Q:1/4=160 L:1/8 M:6/8 %R:jig K:D %%text "lively" %%vskip .3in A|A2d dcd|f2d d2d|B2e e2f|g2e dcA| A2d dcd|f2d d2d|cBA ABc|def e2d :| d2f a2b|a2b afd|d2f a2b|afd e2z| d2f a2b|a2b afd|cBA ABc|def e2d :| %% X:497141 T:PADDY CAREY (jig) (1) S:S: ONMI.1820 %R:jig Q:1/4=160 Z:Z: Brennan/Black M:6/8 L:1/8 K:D B|A2d dcd|f2d dcd|B2e e2f|gfe dcB| A2d dcd|f2d dcd|ecA ABc|def e2 :| % c|d2f g2b|a2b afd|d2e g2b|afd e2d| d2f g2b|a2b afd|ecA ABc|def e2 :| % f|g2e ede|f2d dcd|ecA ABc|def e2d| g2e ede|f2d dcd|ecA ABc|def e2 :| "^coda" def Hd3|] %%% X:13238 T:PADDY CLANCY'S (jig) (1) S:S: BSMI.2 Z:Z: ABC/arr. BB %R:jig M:6/8 Q:1/4=160 L:1/8 K:D g|afd edB|dcd AFA|dcd ede|fef efg| afd efe|dcd AFA|dcd efg|fdd df :| e|faf gbg|faf fed|fef gfg|afd ede| faf gbg|faf fed|fef ede|fdd d2:| %%% X:253088 T:PADDY CLANCY'S (jig) (2) Z:Z: ABC/arr. BB S:S: FS3.24a M:6/8 L:1/8 Q:1/4=160 %R:jig K:D f|afd edc|dcB AFA|dcd ede|fdf efg| afd edc|dcB AFA|dcd ede|fdc d2 :| e|faf gbg|fag fed|faf gfg|afd e2d| faf gbg|fag fed|faf ede|fdc d2 :| %%%% X:41254 T:PADDY CONNELLY'S STACK OF BARLEY (hornpipe) S:S: MVBT < A. Carberry Z:Z: ABC/arr. BB %R:hornpipe Q:1/4=150 M:C| K:G %swing .25 %%text source key = D %%vskip .3in ef|gagf edBA|BGEF GABd|g2 fg edBA|Beed e2 ef| gagf edBA|BGEF GABd|egfd edBA|BGEF G2 :| GA|BGBd g3b|agef gabg|afge dBBA|Beed e2 ef| gagf edBA|BGEF GABd|egfd edBA|BGEF G2 :| %%% X:13467 T:PADDY CRONIN'S (reel) S:S: BSMI.4 Z:Z: ABC/arr. BB L:1/8 %R:reel M:C Q:180 K:C CEE2 DEED|EDCD EGcd|c2dc AGAc|dcc2 dcAG| EGG2 cAGF|EDCD EGce|dcc2 AGcA|GEED C2C2 :| %% g^fga gcc2|ecgc ecc2|eaag edd2|eaag edd2| egg2 aged|cBcA d2cd|ecc2 AGcA|GEED C2C2| g^fga gcc2|Gcc2 Gcec|Add^c defg|afge fedf| ecc2 Gcc2|AFF2 Add2|dcc2 AGcA|GEED C2C2 |] %%% X:59106 T:PADDY CRONIN'S FAVORITE (polka) T:Dark Girl S:S: JOB Z:Z: ABC/arr. BB %Q:1/4=110 L:1/8 M:C| %R:polka K:D FA Ad|Bd A>F|GB AF/A/|BE GF/E/| DF Ad|Bd A>F|GB A/B/G|FD Dz :| FA Ad/e/|f>d ed|Bd AF/A/|BE GE/F/| DF Ad/e/|f>d ed|Bd A/B/G|FDDz :| %%% X:17024 T:PADDY CRONIN'S JIG (a) S:S: CTWT Z:Z: ABC/arr.BB %R:jig Q:1/4=160 L:1/8 M:6/8 K:Adorian d|edB c2B|BAG AGF|EAG ABd|e2d eag| edB c2B|BAG AGF|EAG ABe|dBG A2:| B|Aag age|edB cBA|EGF GAB|cBA BAG| Aag a3|edB c3|EGF GAe|dBG A2:| %%% X:38210 T:PADDY CRONIN'S JIG (b) S:S: "Crossroads Dance" (Taylor/Mallinson) Z:Z: ABC/arr. BB %R:jig M:6/8 Q:1/4=160 L:1/8 K:Em B|E3 FEE|BEE GFE|DFD FDF|AFA dAF| E3 FEE|BEE GFE|d^cB AFA|BEE E2:| f|efe BAB|def afe|fdd Add|faf fed| efe BAB|def afe|fdB AFA|BEE E2:| %%% X:31177 T:PADDY CRONIN'S SLIDE Z:Z: ABC/arr. BB S:S: JOL.075 Q:1/4=180 L:1/8 M:12/8 %R:slide K:D D|E2G FED E2F G2A|BEE GFE BEE GFE| D2F FED E2F G2A|B2E GFE F2E D2 :| e|d3 c2d e2d cBA|B2E GFE BEE GFE| d2d c2d e2d cBA|B2E GFE GFE D2 :| %%% X:41255 T:PADDY FAH[E}Y'S MORNING MIST (reel) Q:1/4=180 S:S: MVBT Z:Z: ABC/arr. BB N:N: This is a setting of Joe Burke's "Morning Mist" in the key of D. I'm not N:sure how Paddy Fah(e)y is involved! M:4/4 %R:reel K:D FG|A2FD A,DDB,|A,DFD A,DFA|G2 E=C GC C2|E=CGC G,CEG| A2 FD A,DDB,|A,DFD A,DFA|G2GF GBAG|FDEC DE :| FA|d2 AG FGAG|FDDB, A,DFA|edBd efed|cAeA fAeA| d2 AG FGAG|FDDB, A,DFA|G2GF GBAG|1 FDEC DE :| [2 FDEC DGFE|HD4z4|] %%% X:57125 T:PADDY FAHEY'S HORNPIPE S:S: Treoir.37b (with the "e" in "Fahey") Z:Z: ABC/arr. BB L:1/8 M:4/4 %R:hornpipe Q:1/4=150 K:G %swing .25 B,A,|G,B,DG BAGF|ECCB, CEGc|Bdgd ^cdDd|cBAG FDCA,| G,B,DG BAGF|ECCB, CEGc|Bdgd ^cdDF|A2GF G2 :| Bc|dggf gdBd|cAeg fgaf|gdBd ecAG|Fdd^c ded=c| BdBG cBcA|Bdfa gfdc|Bdgd ^cdDF|A2GF G2 :| %%% X:13246 T:PADDY FAHEY'S JIG (a1) (DGA _BAB) S:S: BSMI.2 Z:Z: ABC/arr. BB N:N: This transcription is exactly what's in the book. %R:jig M:6/8 Q:1/4=160 L:1/8 K:Gmix DGA _BAB|cBc d2g|fdg gfd|cAG FDC| DGA _B2B|cBc d2g|fdc ABG|1 DEF G3 :|2 DEF GBd|| g2d fga|gfd cAG|FAc fef|agf def|g2a _bag| fdg fdc|ABG Adc|AGF GBd :|"^coda"AGF HG3 |] %%% X:182004 T:PADDY FAHEY'S JIG (a2) (DGA B2G) S:S: CRE.2 Z:Z: ABC/arr. BB Q:1/4=160 L:1/8 M:6/8 %R:jig K:G F|DGA B2G|cBc d3|gfd Bcd|cAG FDC| DGA B2G|cBc d2a|gfd Bcd|cAF G2:| B/d/|g2e fga|gfg Bcd|c2A =fef|agf def| g2a bag|fdg fdc|ABG AGF|DGF G2:| %%% X:185007 T:PADDY FAHEY'S JIG (b) (cBc dcB) S:S: CRE.5 Z:Z: ABC/arr. BB M:6/8 Q:1/4=160 %R:jig K:C G|cBc dcB|cGE CEG|FEF DEF|GAB ced| cBc dGB|cFD GEC|FEF DGF|ECB, CE :| d|cBc g^fg|ea^f gec|A2f fef|Acf afd| cBc g^fg|ea^f g2a|gec fdB|cGE CG :|\ "^coda"cGE HC3| %%% X:57168 T:PADDY FAHEY'S REEL (a) (DGGA B2BG) S:S: "Treoir" 52/2 Z:Z: ABC/arr.BB L:1/8 M:C %R:reel Q:1/4=180 K:G GE | DGGA B2BG | ABAG FDD2 | dcBd c2Ac | BGAF DGGE | DGGA B2BG | ABAG FDD2 | dcBd c2Ac | BGAF G2 :| Bd | g3a bgag | bgag fdd2 | g3a bgag | fdcA dgg2 | gfdc BGBd | c2cB cABc | dgge fdcA | BdAF G2 :| %%% X:13233 T:PADDY FAHEY'S REEL (b1) (c2cB cGEG) S:S: BSMI.2 ("#2") Z:Z: ABC/arr. BB %R:reel M:C| Q:1/4=180 L:1/8 K:C c2cB cGEG|FADF EFGA|_BABG c=Bcd|egdc BGAB| c2cB cGEG|F2DF EFGA|_B2GA =BGFE|DG,B,D C2EG :| cBce g^fag|^fgec G=FEG|F2DF EFGA|Bcde fdBd| cBce g^fag|^fgec G=FEG|F2DF E2CE|DG,B,D C4 :| %%% X:185112 T:PADDY FAHEY'S REEL (b2) (c2cB cGEG) S:S: CRE.5 Z:Z: ABC/arr. BB %CRE's notation for this tune is pretty much a mess. %(not unexpected for a Fahey tune!) My version is the %best I could do to clean it up. L:1/8 M:4/4 Q:1/4=180 %R:reel K:C c2cB cGEG|FA,DF EFGA|_B3G ~c3A|Bgdc BGBd| cBcG EGcG|FA,DF EFGA|_B2 Gc cBGF|DF_B,D C2 EG:| cBce g^fag|^fgec G=FEG|F3D E/F/G cA|Bcde fdBd| cBce g^fag|^fgec G=FEG|FG/F/ DF EG,CE|FDB,D C4:| %%% X:13409 T:PADDY FAHEY'S REEL (c1) (cBGF DEFD) S:S: BSMI.3 Z:Z: ABC/arr. BB L:1/8 %R:reel M:C Q:1/4=180 K:C cBGF DEFD|G2DG BcdB|cBGA Bcde|f2ed cedB| cBGF DEFD|G2DG BcdB|cBGA Bcdc|BGFD C2EG :| c2ge fecd|cBGF DEF2|Gcc2 g2eg|fecB GccG| c2de fdec|BdGA _BABc|d2gf defd|gfdc BGBd :| %%% X:38211 T:PADDY FAHEY'S REEL (c2) (cBGF DEFD) S:S: "Play 50 Reels" (Armagh Pipers' Club) Z:Z: ABC/arr. BB Q:1/4=180 L:1/8 M:4/4 %R:reel K:C cBGF DEFD|G2DG BGBd|cBGA Bcde|fded cedB| cBGF DEFD|G2DG BGBd|cBGA Bcdc|BGFD C4:| c2 eg fecd|cBGF DEFD|GcBc gceg|fdcB GccG| c2 fd ecdc|BGGA B3c|dggf defd|gfdc BGAB:| "^coda"gfdc BGAB|Hc4z4|] %%% X:38211 T:PADDY FAHEY'S REEL (c3) (cBGF DEFD) S:S: "Play 50 Reels" (Armagh Pipers' Club) Z:Z: ABC/arr. BB Q:1/4=180 L:1/8 M:4/4 %R:reel K:C cBGF DEFD|G2DG BGBd|cBGA Bcde|fded cedB| cBGF DEFD|G2DG BGBd|cBGA Bcdc|BGFD C4:| c2 eg fecd|cBGF DEFD|GcBc gceg|fdcB GccG| c2 fd ecdc|BGGA B3c|dggf defd|gfdc BGAB:| "^coda"gfdc BGAB|Hc4z4| %%% X:13232 T:PADDY FAHEY'S REEL (d) (D2A,D FEFG) S:S: BSMI.2 (#1") Z:Z: ABC/arr. BB %R:reel M:4/4 Q:1/4=180 L:1/8 K:Dm D2A,D FEFG|Ad^ce d2de|f2df edcA|dcAG FDCE| DA, A,2 FEFG|Ad^cA d2 de|f2 gf edcA|dcAG FD D2 :| Ad d2 ^fded|c2 Gc EcGc|Ad d2 ^fded|cBcd ed d2 | a2 ^ga ABcA|dcAG FDCE|D2 DE FGFG|Ad^cA d4 :| %%% X:185113 T:PADDY FAHEY'S REEL (e) (EGCD EFGA) S:S: CRE.5 Z:Z: ABC/arr. BB Q:1/4=180 M:4/4 %R:reel K:C GF|EGCD EFGA|_BAFA B2cd|ecBd cBGF|DEB,D G,2B,D| C2 EC DEFD|GABG cBcd|ecBd cBGF|DEB,D C2:| EF|Gc c2 efdg|cBGA _B2 GF|DCB,G, _B,CEG|c3A BGFD| Gc c2 dfeg|cBGA _Bcdf|ecBd cBGF|DEB,D C2: %%% X:57126 T:PADDY FITZ'S (slide) S:S: Treoir Z:Z: ABC/arr. BB %R:slide M:12/8 Q:1/4=170 L:1/8 K:G A|G2F G2G BAB d2B|G2F G2A ABA E2D | G2F G2A BAB def|g2f g2e d2B c2 :| A|d^cd def g2 g g2 e|d2 B BAB d2 B BAB | d^cd def g2 g g2 e|d2 B cBA G3-G2 :| %%% X:62099 T:PADDY FROM BALLINUE* (reel) S:S: GSTC Z:Z: ABC/arr. BB N:N: One source calls this "Paddy Corley's", "Corley" most likely a misspelling N:for "Kelly". Paddy was a Galway fiddler and co-founder of the legendary N:Aughrim Slopes Ceili Band of the 1930's. He composed other tunes known N:only by his name, so I took the liberty of renaming this one after his home N:village near Aughrim. Q:1/4=180 %R:reel M:C K:Dm ADDF EGcG|ADDF EC C2|ADDF EGcG|AcGc Add2| ADDF EGcG|ADDF ECCB|ADDF EGcG|AcGE D2GB|| c2 gc acgc|c2 gc ad^cd|c2 gc acgG|AcGE D2GB| c2 gc Gcgc|Gcgc Ad d2|EGA=B c2Gc|AcGE D4|] %%% X:184108 T:PADDY FROM CLARE (reel) S:S: CRE.4 < Donnelly < Jones Z:Z: ABC/arr. BB Q:1/4=180 N:N: Repeats added. L:1/8 M:4/4 %R:reel K:Edorian A|dcdB ADFA|dcdf edBc|dedB ADFA|dgfg edBc| dcdB ADFA|dcdf edBc|dedB ADFA|dgfg edB :| A|Bdef gfge|defg ag a2|Bdef gfga|bgaf geed| Bd ef gfge|defg a2 ga|bgaf gfed|efgf edB :| "^coda"efgf edBA|He4z4|] %%% X:493309 T:PADDY FROM LONGWOOD (jig) S:S: ONMI.1040 < F.O'Neill (as "Paddy in London") Z:Z: Brennan/Black N:N: Obviously not the A minor "session" "Paddy in London" (which is also N:called "The Clare Jig", "Mug of Brown Ale", and other names). I changed the N:name to "individualize" this one. (Longwood is in Co. Meath, not far from N:Trim.) %Q:1/4=160 %R:jig M:6/8 L:1/8 K:D G|FDF ABc|ded def|AGF G2A|BGE E2G| FDF ABc|ded def|AGF BAG|FDD D2:| % |:g|fdf agf|gfe dBG|AGF G2A|BGE E2g| [1 fdf agf|gfe dBG|AGA BAG|FDD D2:| [2 FDF ABc|ded def|AGF BAG|FDD D2|| % |:f|eAA Agf|edc d2B|AGF G2A|BGE Efg| agf gfe|ded def|AGF BAG|FDD D2:| %%% X:493307 T:PADDY FROM PORTLAW (jig) S:S: ONMI.0764 Z:Z: Brennan/Black Q:1/4=160 %R:jig M:6/8 L:1/8 K:D B|AFD DFD|AFD DdB|AFD DFD|GEE EdB| AFD DFD|AFA d2e|fed BdB|AFD D2 :| g|afd dfd|afd d2g|afd dfd|gee efg| agf bag|agf edc|fdB ABG|FDD D2 :| %%% X:41256 T:PADDY GAVIN'S (reel) S:S: MVBT Z:Z: ABC/arr. BB Q:1/4=180 %R:reel M:4/4 L:1/8 K:G EF|GABG BddB|cdec dBGB|ce e2 dBGB|AGFE DEFD| GABG BddB|cdec dBGB|ce e2 dBGB|AGFA G2 :| Bc|d3 g edBc|dG G2 dGBG|eg g2 edBd|eaag agef| gdBA GABG|cABG AGED|EGce dBGB|AGFA G2 :| %%% X:332064 T:PADDY GET UP (jig) T:Jackson's Morning Breeze/Brush Z:Z: ABC/arr. BB S:S: Levey2.31 Q:1/4=170 L:1/8 M:6/8 %R:jig K:D %%text "very quick" %%vskip .3in DFA d2e|fdB BAF|ABA AFD|EFE E3| DFA d2e|fdB BAF|ABA AFD|DEC D3 :| dfa afd|gbg faf|dfa afd|cee e2f| dfa afd|gbg faf|BdB AFA|DEC D3 :| %%% X:13449 T:PADDY GLACKIN'S (jig) S:S: BSMI.4 Z:Z: ABC/arr. BB L:1/8 %R:jig M:6/8 Q:1/4=160 K:D %%text A-B-A %%vskip .3in e|f3 fge|fed ABA|def agf|eAB cde| f3 fge|fed ABA|def edc|1 d3 d2 :|2 d3 dcd|| |:e3 ece|a3 a^gf|efe edc|dcd Bcd| efe ece|a^ga a=gf|efe dcB|1 A3 Ace :| [2 A2^g a2=g|] %%% X:493308 T:PADDY GO EASY (jig) S:S: ONMI.1108 < F.O'Neill Z:Z: Brennan/Black %R:jig Q:1/4=160 M:6/8 L:1/8 K:D E|DEF FEF|AFF F2E|DEF FEF|AFE E2F| DEF FEF|AFA d2d|cBA BAF|AFE E2:| % f|ecA ABA|ecA A2f|ecA Ace|fdB B2f| ecA fdB|ecA a^gf|ecA BAF|AFE E2:| % d|dFF FEF|AFF F2d|dFF FEF|AFE E2d| dFF FEF|AFA d2d|cBA BAF|AFE E2:| %%% X:46074 T:PADDY HAGGERTY (jig) S:S: OFHC33.02 Z:Z: ABC/arr. BB N:N: Some measures of this (e.g. 4 and 8) don't sound particularly jig-like, but N:I have left them as in the source. I'm guessing there are lyrics that go with N:this tune. . .? Q:1/4=160 L:1/8 %dotted M:6/8 %R:jig K:D c|dcd FGA|BAB EFG|ABA AGF|ED2 zAc| dcd FGA|BAB EFG|ABA AGF|ED2 z2 :| % G|ABc d2c|dcB A2G|AFA BGE|DC2 zED| EF^G AGA|F^GA Bcd|cBA dB^G|A3 z2 :| % A|dcd FGA|BAB EFG|AGA BGE|DC2 zDE| DFA ABA|AGF EFG|FED GEC|ED2 z2 :| "^coda"E3 HD3|] %%% X:44138 T:PADDY IN LONDON (jig) (1) S:S: NFID.231c ("untitled jig")(!!) < PT Z:Z: ABC/arr. BB N:N: Clare Jig, Mug of Brown Ale Q:1/4=160 L:1/8 M:6/8 %R:jig K:Ador f|eAA fAA|gfg age|dBG GFG|BAG Bcd| eAA fAA|gfg age|dBd gdB|ABA A2:| d|efg a2a|aba age|def g2g|gba ged| efg a2a|aba age|dBB gBB|ABA A2:| %%% X:59107 T:PADDY IN LONDON (jig) (2) Z:Z: ABC/arr. BB S:S: JOB Q:1/4=160 M:6/8 %R:jig K:Ador f|eAA fAA|gfg age|dBG GFG|BGG Bcd| eAA fAA|gfg age|dBd gdB|ABA A2 :| d|efg a^ga|aba age|dBd gdg|gba ged| [1 efg a^ga|aba age|dBd gdB|ABA A2 :| [2 efg a2b|c'bc' age|dBd gdB|ABA A3|] %%% X:62100 T:PADDY IN LONDON (jig) (3) S:S: GSTC Z:Z: ABC/arr. BB Q:1/4=160 %R:jig M:6/8 K:Ador g|eAA fAA|gfg age|dBA G2A|BGA Bcd| e2d fgf|gfg age|dBA GAB|BAA A2 :| d|efg a2eg|a2b age|def g2f|gba ged| efg a2b|a2b age|dBA GAB|BAA A2 :| %%% X:533080 T:PADDY IN PARIS* (polka) T:Vive La! S:S: RC3.046 Z:Z: ABC/arr. BB N:N: I'm not sure what this French-titled march is doing in a collection of Irish N:trad tunes - probably the marching song for some Irish regiment or another - N:but in any case it makes a fun polka! Q:1/4=120 L:1/8 M:2/4 %R:polka K:D FA AB/c/|d>c df|FA Af|ed B>A| FA AB/c/|d>c de|f>A Bg|fe d2:| fa ef|d>e fA|fa ef|g/f/e/d/ B>A| fa ef|d>e fg|aA Bg|fe d2:| %%% X:611601 T:PADDY IN THE WOODS (polka) C:D. MacAdam 1/12 (rev. 7/12) Q:1/4=190 S:S: composer L:1/8 M:2/4 %R:Polka K:Am B |A>c ec|dB Bd|cA A>c|BE EB| A>c ec|dB Bd|eE B>d|cA A :| d|eA ce|dG B>d|dG Bd|ec A>d | eA ce|dG B>d|ge dB |cA A :| %%% X:41257 T:PADDY JIM FRANK'S (reel) S:S: MVBT Z:Z: ABC/arr. BB Q:1/4=180 L:1/8 M:4/4 %R:reel K:G GA|B2 eB dBBA|G2 BG AGED|B2 eB dBBA|GABG A2 GA| B2 eB dBBA|G2 BG AGED|g2 fg edBA|GBAF G2 :| ef|gdBG D2 GB|e2 dB GABd| gdBG D2 GB|egdB A2 Bd| gdBG D2 GB|e2 dB GABd|g2 fg edBA|GBAF G2 :| %%% X:41260 T:PADDY KELLY'S JIG S:S: MVBT Z:Z: ABC/arr. BB Q:1/4=160 L:1/8 M:6/8 %R:jig K:Em B,|EB,E GFE|BGE GFE|DA,D FED|FAD FED| EB,E GFE|BGE GFE|BGB AFA|GAG E2 :| B|efe BAB|eBe g2e|fdd add|fag fed| efe BAB|eBe g2e|fdB AGF|GEE E2 :| %%% X:62101 T:PADDY KELLY'S REEL (a) (A2GA eAcA) Z:Z: ABC/arr. BB S:S: GSTC Q:1/4=180 M:C %R:reel K:Ador G|A2GA eAcA|G2BG dGBG|EAA2 eAcA|DGBd gdBG| EAA2 EACA|DGB,D G,B,DG|AGEF GABd|gdBG A3 :| d|eaa^g a2ea|a3^g a=geg|d2Bd gfga|bgag edBd| eaa^g a2ea|a3^g a=gef|gfgb aege|dBGB A3 :| %%% X:41259 T:PADDY KELLY'S REEL (b) (ADD2 ADBD) S:S: MVBT Z:Z: ABC/arr. BB %R:reel Q:1/4=180 M:4/4 L:1/8 K:G B|ADD2 ADBD|AD D2 ADAc|BGG2 BGdG|Bdde d2 cB| ADD2 ADBD|AD D2 ADAc|BGG2 BGdG|Bdde d3|] B|ceed cBAG|ceed c3 d|e2 ed efge|dBGB d2 ed| ceed cBAG|ceed c3 d|e2 ed efge|dBGB d4|] %%% X:41258 T:PADDY KELLY'S REEL (c) (ADD2 DFGA) S:S: MVBT Z:Z: ABC/arr. BB %R:reel Q:1/4=180 M:4/4 L:1/8 K:Dmix ADD2 DFGA|cAGE CDEG|AD D2 DFGA|c2 ec dcAG| AD D2 DFGA|cAGE CDEG|AD D2 DFGA|cAGE ED D2|] fddB Adfd|eccd efge|fd d2 Adfd|g2 eg fd d2| fddB Adfd|eccd efge|afge fd Bd|eaag fd d2|] %%% X:57127 T:PADDY KELLY'S REEL (d) (BGG2 DGGD) S:S: Treoir Z:Z: ABC/arr. BB M:4/4 Q:1/4=180 L:1/8 %R:reel K:G A|BGG2 DGGD|Bdef gedc|BG G2 DGGD|ABAG EGD :| e|gage abaf|gage fd d2|gage a2 ga|b3 a gfed| g3 e a3 f|gage fd d2|g3 e a2 ga|b2 ba gfed|] "^coda"Hg4z4|] %%% X:38212 T:PADDY KELLY'S REEL (e) (G2dG BGdG) S:S: "Play 50 Reels" (Armagh Pipers' Club) Z:Z: ABC/arr. BB N:N: I reproduce part 3 (mm 17-24) as it is given in the source, but I have my doubts N:as to its correctness. B flats seem out of place but they're here anyway! L:1/8 Q:1/4=180 M:4/4 %R:reel K:G EF|G2dG BGdG|G2dG GFDE|F2 cF AFcE|F2cF FECE| G2dG BGdG|G2 dG GFDE|FGAc fefd|cAFA G2:| % K:Gmix "^17"Bd|g2 dg gfdf|g2 af gfde|f2 cf Afcf|fgaf gf d2| g2 af gfdg|g2 af gfde|f2 a^f gfdc|BdAF G2:| % z2|GA _B2 cABG|G2 Bd gdBG|F2 EF cFAF|F2 GF DE F2| GA _B2 cABG|G2 FD GABc|dg g2 fdcA|BGA^F G2:| % K:G Bc|dg g2 ag g2|dggf dcAB|defg agfd|gbag fdcA| dg g2 ag g2|dggf dcBc|defa gfdc|BGAF G2:| %%% X:36050 T:PADDY KENNY'S (polka) S:S: Mally.HIP.100 Z:Z: ABC/arr. BB Q:1/4=120 %R:polka L:1/8 M:2/4 K:A F|AF EF|AB/c/ de|ec/e/ cB|BA FE| AF EF|AB/c/ de|ec/e/ cB|BA A2 || AA FE|FA B/c/d|ec/e/ cB|BA FE| AA FE|FA B/c/d|ec/e/ cB|BA A || c|e2 ec/e/|fe cA|Be B>c|BA FE| [1 e2 ec/e/|fe cA|Be B>c|BA A :| [2 AF EF|AB/c/ de|ec/e/ cB|BA A2 |] %%% X:38213 T:PADDY KILLORAN'S (reel) S:S: Flaherty collection Z:Z: ABC/arr. BB M:4/4 L:1/8 Q:1/4=180 %R:reel K:G D2DE GABG|DGBG AE E2|D2 DE GABG|GE E2 cE E2| DEDE GABG|dGBG A2 GE|D2 BD GABG|AGEF G4|] G2Bd edBd|edBG AE E2|G2 Bd edBe|dBAB G4| GABd edge|dcBG AE E2|g3d edge|dcBG AEGF|HG4z4|] %%% X:13343 T:PADDY LYNN'S DELIGHT (reel) S:S: BSMI.3 Z:Z: ABC/arr. BB %R:reel Q:1/4=180 M:4/4 L:1/8 K:Am d|eAA2 cBAG|EGG2 AGEG|eAA2 cBAB|cded eaag| eAA2 cBAG|EGG2 AGEG|cdeg agec|AcBG A3 :| B|c2gc acgc|cdeg aege|c2gc acgc|d2ed cAAB| c2gc acgc|cdeg agea|g2ba gedB|AcBG A3 :| %%% X:31178 T:PADDY LYONS' JIG Z:Z: ABC/arr. BB S:S: JOL.003 Q:1/4=160 L:1/8 M:6/8 %R:jig K:E dorian BEE cBA|BEE ecA|BEE dcB|ADF d2F| BEE cBA|BEE eBc|ded c2B|1 AFD D3 :|2 AFD DEF || |:E2e eAe|eEe efe|E2e eBc|dcB AFD| E2e eEe|eEe efe|dcB c2B|1 AFD DFD :|2 AFD DFA| "^coda"E6|] %%% X:21158 T:PADDY MACK (hornpipe) S:S: DMI.0951 Z:Z: Nordberg/Black %R:hornpipe Q:1/4=150 M:C| L:1/8 K:G %swing .25 DF|G3F GBdB|cdef gfge|dBGB dBGB|cAFA cAFA| G3F GBdB|cdef gfge|dged BGAF|G2GFG2:| Bc|dBdB GBdg|ecec ABcA|dBdB GBdB|AGFE D2Bc| dBdB GBdB|cdef gfge|dged BGAF|G2GFG2:| %%% X:531078 T:PADDY McFADDEN (a) (jig) S:S: RC1.099 Z:Z: ABC/arr. BB Q:1/4=160 L:1/8 M:6/8 %R:jig K:Em A|BAB EFE|BAF d2B|AFA DED|FDF AFA| BAB EFE|BAF d2B|edB AFD |EFE E2:| A|Bef efd|BAF d2B|edB A2A|edB A2A| Bef efd|BAF d2B|edB AFD|EFE E2:| %%% X:181058 T:PADDY McFADDEN'S (b) (jig) T:Cis Ni Liathain S:S: CRE.1 Z:Z: ABC/arr.BB N:N: The Gaelic title is a woman's name ("Ciss Lennon" is the one usually given, N:although "Kitty Lyons" would probably be more accurate). The title I used is N:the one supplied for this tune in another collection (Goodman). Q:1/4=160 L:1/8 M:6/8 %R:jig K:A dorian g/f/|e2A ABA|e2f g2f|e2A ABA|G2A Bcd| e2A ABA|e2f g2f|efe e2d|B2A A2:| d|e2a a2g|e2f g2f|e2a a2g|e2d Bcd| e2a a2g|e2f g2f|efe e2d|B2A A2:| %%% X:37135 T:PADDY McMAHON'S (jig) S:S: MFC.066C Z:Z: ABC/arr. BB Q:1/4=160 L:1/8 M:6/8 %R:jig K:D e|fef edB|BAF FEF|EDB, DFA|BAF Ade| fef edB|BAF FEF|EDB, DFA|Bdc d2 :| e|fef afe|dBd BAF|BAF DFA|BAF EFA| BdB AFE|DFA BAF|Ade faf|edc d2 :| %%% X:581140 T:PADDY MCNAMARA'S REEL S:S: WSGM.295 < "Clinton's Irish Melodies" 1840 Z:Z: Kinder/Black (arr.) Q:1/4=180 M:4/4 L:1/8 %R:reel K:Ador AB|c2Bc A2a2|efge dBGB|c2Bc A2ge|dBGB A2:| AB|cecA cecA|BdBG BdBG|cecA cege|dBGB A2:| AB|cdef gage|gage dBGB|cdef gbge|dBGB A2:| %%% X:13235 T:PADDY McNICHOLAS' (jig) T:Black Rogue S:S: BSMI.2 Z:Z: ABC/arr. BB %R:jig M:6/8 Q:1/4=160 L:1/8 K:D d|cAA BGG|cAA A2d|cAA BGG|AFE D2d | cAA BGG|ABA AFD|GFG BGB|AFE D2 :| e|fef gfg|afd cBA|fef gfg|afe dfg | agf gfe|fed e2d|cAF G2B|AFE D2 :| %%% X:533081 T:PADDY MERRICK'S* (jig) S:S: RC3.119 ("Old Set Tune 17") Z:Z: ABC/arr. BB Q:1/4=160 L:1/8 M:6/8 %R:jig K:D %%text A-B-A %%vskip .3in A|d2e d2B|ABA AFD|FGA A2f|g2e ede| f2e d2B|ABA AFD|FGA Ade|f2e d2|| g|fga afa|afa agf|b2e b2e|b2e gfe| fga afa|aba agf|bab e2e|e2f g"_DC"fe|| %%% X:46075 T:PADDY MILES' HORNPIPE S:S: OFHC32.04 Z:Z: ABC/arr. BB %1:Source version is 8/16. I have arranged it to %the hornpipe "standard" 16/16. Q:1/4=150 L:1/8 M:C| %R:hornpipe K:D %swing .25 %%text source key = F %%vskip .3in AG|F2D2 DFED|CEGA GBAG|FABc dABG|F2D2 D2AG| F2D2 DFED|CEGA GBAG|FABc dABG|F2D2 D2:| (3ABc|dAFD dfed|ecAc egfe|fdec dBed|c2A2 A2dc| BGFA G2gf|edcB A2EF|GABc dcAG|F2D2D2 :| %%% X:41261 T:PADDY MILLS' REEL (a) S:S: MVBT Z:Z: ABC/arr. BB Q:1/4=180 L:1/8 M:4/4 %R:reel K:G FE|DGGA B2 AG|FGAB c2 Bc|d2 eg fdcA|B2 AF GFEF| DGGA B2 AG|FGAB c2 Bc|d2 eg fdcA|B2 AF G2 :| Bd|g3f gedc|BGGE FGAB|c2 cB dcAG|FGAB cdef| g3f gedc|BGGE FGAB|c2 cB dcAG|FGAF G2 :| %%% X:38214 T:PADDY MILLS' REEL (b) Z:Z: ABC/arr. BB N:N: This is "The Whistling Postman" in G. Is this a clue as to the composer of N:"Postman"? M:4/4 L:1/8 Q:1/4=180 %R:reel K:G A|BGG2 AGAB|GEDB, A,2 B,A,|G,2 G,2 DG,B,D|EGAB cAdc| BGG2 AGAB|GEDB, A,2 B,A,|G,2 G,2 DG,B,D|AGEF G3:| A|BGGF GBdB|eBdB cBAB|GBdB c3 c|dBGB ABGA| BGGF GBdB|eBdB cBAB|GEDB, G,B,DB|AGEF G3 A| BGGF GBdB|eBdB cBAB|GBdB c3 c|dBGB ABcA| d3 e dBGB|cABG AGEF|GEDB, G,B,DB|AGEF G4|] %%% X:20025 T:PADDY MOUSE (jig) S:S: DMAC.32 Z:Z: ABC/arr.BB L:1/8 M:12/8 Q:1/4=160 %R:jig K:G A|B2B c2B A2B E2c|B2A G2E DED DFA | B2B c2B A2B E2c|Bcd cAF|G3-G2 :| d|g2g f2d efe d2B|G2A BAB d3-d2 e | g2g f2d efe dcA|GAB A2F G3-G2 :| %%% X:183165 T:PADDY MURPHY'S WIFE (reel) (1) S:S: CRE.3 Z:Z: ABC/arr. BB N:N: In measures 10 and 14, CRE has an octave |c| as the second note: |ec'ce|. N:Since it happens twice, it doesn't seem to be an error, but I can't think of too N:many musicians who would be able to play it as written. (CRE version is N:from a box player.) In my version I have taken the easy way out and extended N:the length of the first note: |e2ce| %R:reel L:1/8 Q:1/4=180 M:C K:Dmix G|FDAD BDAD|G2cG ECAG|FDAD BDAD|Ad^ce d2AG| FDAD BDAD|G2cG ECAG|FDAD BDAD|Ad^ce d3 :| e|fada fdag|e2cd efge|fade fddc|BdAG FADe| fada fdag|e2cd efge|afge fedc|BdAG FDD:| %%% X:495282 T:PADDY MURPHY'S WIFE (reel) (2) S:S: ONMI.1526 < J.O'Neill Z:Z: Brennan/Black N:N: Accidentals are actually indicated in the source! %R:reel %Q:1/4=180 M:C| L:1/8 K:Dmix G|FDAF BGAF|EGcG ECCE|FDAF BGAF|Dddc d3 :| g|fada fdaf|egcg ecgc|fada fdad|BdAG FDDg| fada fdad|egcg ecgc|afge fdec|dABG FDD2 |] %%% X:496037 T:PADDY NOW WON'T YOU BE EASY? (slip jig) S:S: ONMI.1143 Z:Z: Brennan/Black N:N: Eighth-note rests (all measures) replaced by doubling %length of preceding note. Q:1/4=160 %R:slip jig M:9/8 L:1/8 K:D DED dcd BAF|DED dcd B2A|DED dcd BAF| BED EFA B2A :|dcd ded cBA|dcd def g2e| ddd dcd cBA|BED EFA B2A :|dDD dcd BAF| dDD dcd B2A|dDD dcd BAF|BED EFA B2A :| "^coda"BED EFA HB3|| %%% X:46076 T:PADDY O BLARNEY (jig) S:S: OFHC34.01 Z:Z: ABC/arr. BB N:N: The cutesy title and the general feeling of the original suggests that it N:wasn't meant to be a dance tune, but I thought it might be worth saving! Q:1/4=160 L:1/8 M:6/8 %R:jig K:G E|G2A GFE|DEF GAB|ABc d^cd|B2A GED| G2A GFE|DEF GAB|ABc d^cd|cAF G2 :| B|c2d cee|d2f ged|BAG ABc|dcB AGF| G2A GFE|DEF GAB|ABc d^cd|cAF G2 :| %%% X:54054 T:PADDY O'BRIEN'S (hornpipe) (a) S:S: SRHI.23b Z:Z: ABC/arr. BB C:Seán Ryan N:N: The C natural in measures 1,5, and 13 is per source. Q:1/4=150 L:1/8 M:C| %R:hornpipe K:D %swing .25 GE|DFAF GE=CE|DFAd fdef|g2 eg fadf|e2 dB A2 GE| DFAF GE=CE|DFAd fdef|gbaf GE cA|dgfe d2:| fg|afdA FAdf|gecA EAce|fdfa bagf|e2 dB A2 GE| DFAF GE=CE|DFAd fdef|gbaf GE cA|dgfe d2:| %%% X:62102 T:PADDY O'BRIEN'S (hornpipe) (b) S:S: GSTC Z:Z: ABC/arr. BB N:N: Seán Ryan also composed a hornpipe for Paddy, but this is a different tune N:(although it has some similarities). It's often hard to tell if the eponymous N:person is the one who composed it or one that somebody else composed it for N:(or neither, but a musician who just played it a lot - cf. "Joe Cooley's Reel")! Q:1/4=150 %R:hornpipe M:C| K:G %swing .25 F|G2DG B2GB|dgg2 bgdB|c2ec Bdgf|edcB ADFA| G2 DG B2 GB|dg g2 bgdB|c2 ec Bgfe|d2cA G2 :| Bd|g2 bg dgbg|g2 bg dBGB|c2 ec Bdgf|edcB ADFA| BdBG cBcA|g2 bg dBGB|c2 ec Bgfe|d2cA G2 :| %%% X:183217 T:PADDY O'BRIEN'S (hornpipe) (c) S:S: CRE.3 N:N: a/k/a/ Western, Athlone Z:Z: ABC/arr. BB N:N: 1: CRE shows no repeats in this tune. Usually played in the key of C. N:N: 2: This is not a composition of +either+ Paddy O'Brien, but certainly N:might have been +played+ by them. %R:hornpipe L:1/8 Q:1/4=150 M:C K:D %swing .25 ag|fdd2 AdFd|fdd2 Addc|BGG2 DGB,G|Bdce dfag| fdd2 Add2|fdd2 Adec|BGG2 DGB,G|Bdce df :| ag|f2df abaf|g2eg b2ba|f2df abaf|e2dB A2ag| f2df abaf|g2eg b2ba|f2df e2ce|d2ec d2:| %%% X:185184 T:PADDY O'BRIEN'S REEL S:S: CRE.5 Z:Z: ABC/arr. BB N:N: This is the Offaly PO'B, not the Tipperary one! There's probably a "real" N:name for this but I don't know (nor did Breathnach) what it is. N:N: Repeats added M:4/4 Q:1/4=180 %R:reel K:Dmix dB|ADFE DEFG|AGAB cBcd|edd2 Add2|cAGE FDD2| ADFE DEFG|AGAB cBcd|edd2 eaag|fde^c dA :| Bc|d2ed fded|AGAB cBcd|edd2 Add2|eaag fde^c| d2ed fded|AGAB cBcd|eaag efga|fde^c d2 :| %%% X:493310 T:PADDY O'CARROLL (jig - key D) (1) S:S: ONMI.0986 %R:jig Q:1/4=160 Z:Z: Brennan/Black M:6/8 L:1/8 K:D G|FDD FDD|FGF FED|AFF dFF|EFE DAG| FDD FDD|FGF FED|AFF dFF|DED D2 :| g|fdd ecc|BdB AGF|fda eca|dB^g a2=g| fdd ecc|BdB AGF|AFF dFF|DED D2 :| %%% X:62103 T:PADDY O'CARROLL (jig - key D) (2) S:S: GSTC Z:Z: ABC/arr. BB Q:1/4=160 %R:jig M:6/8 K:D B,|A,2F FED|FGF FEF|DFA dAF|A,CE A,CE| F2F FED|FGF FEF|DFA dAF|1 ECE DC :|2 ECE D2|| e|fed edc|ded AFA|fdf edc|dfb a2 g| faf edc|dcd AFE|DFA dAF|ECE D2 :| %%% X:16070 T:PADDY O'CARROLL (jig - key G) (3) S:S: CIAJ ("with variations") Z:Z: ABC/arr. BB L:1/8 M:6/8 %R:jig Q:1/4=160 K:G d/c/|BGG AGG|BcB BAG|dBB gBB|ABA Adc| BGG AGG|BcB BAG|dBB gBB|GAG G2 :| % g/a/|bgg aff|ege dcB|BGd AFd|Ed^c d2d/c/| bgg aff|ege dcB|dBB gBB|GAG G2 :| % B/A/|GBB gBB|gBB BAG|dBB gBB|ABA A2B| GBB gBB|gBB BAG|dBB gBB|GAG G2 :| % d|gab/g/ fga/f/|efg/e/ dBB|dBB gBB|ABA A2d| gab/g/ fga/f/|efg/e/ dBB|dBB gBB|GAG G2 :| % F/E/|DGA BAG|dAA BAG|dBB gBB|ABA AGE| DGA BAG|dGA BAG|dBB gBB|1 GAG GE :|2 GAG G2|| % |:d|bgd afd|gec dBG|dBB gBB|ABA A2d| bgd afd|gec dBG|dBB gBB|GAF G2 :| %%% X:48343 T:PADDY O'CARROLL (jig - key G) (4) S:S: OFPC3.127 ("Scotch" [says Mr.O'F!]) Z:Z: ABC/arr. BB Q:1/4=160 M:6/8 L:1/8 %R:jig K:G d|BGG BGG|BcB BAG|dBB gdB|ABA A2d| BGG BGG|BcB BAG|dBB gdB|ABA G2 :| g|bgg agf|ege dcB|GBd gfg|efg a3| bgg agf|ege dcB|def gdB|GAG G2 :| d|BGG dGG|BGG BAG|ece dBG|FAA A2c| BGG dGG|BcB BAG|def gdB|GAG G2 :| d|gbg faf|ege dcB|ceg dBG|FAA A2g| bgg agf|ege dcB|def gdB|GAG G2 :| %%% X:48229 T:PADDY O'RAFFERTY (jig - key D) (a1) S:S: OFPC2.65 ("Irish"; "with variations") Z:Z: ABC/arr. BB Q:1/4=160 M:6/8 L:1/8 %R:jig K:D A|dff dee|dff ede|Aff Aee|dec dBA| dff dee|dff gab|agf edB|d2c dB :| % A|dfa A2B|Agf ede|dfa A2B|dec dBA| d/e/fa A2B|Agf gab|agf ede|d2c dB :| % A|f2d e2d|f2d edB|f2d e2d|d2c dBA| fdd edd|fdd gab|afd edB|d2c dB :| % G|A2A BAB|e2e fdB|A2A BAB|dec dBA| A2A BAB|efe efg|f2d e2d|d2c dB :| % e|faa eaa|faa e2d|faa eaa|dec dBA| faa eaa|faa edB|dfa dfa|dec dB :| % G|A2F A2B|dgf e2d|A2F A2B|dfe dBA| ABA BAB|efe efg|fad edB|d2c dB :| "^coda"d2c dBA|HD6|] %%% X:16091 T:PADDY O'RAFFERTY (jig - key D) (a2) S:S: CIAJ Z:Z: ABC/arr. BB L:1/8 M:6/8 %R:jig Q:1/4=160 K:D d|: dfA ABA|Agf edB|dfA ABA|dfe dBA| dfA ABA|Agf ede|fed edB|ded dBA :| dfa dfa|dfa afd|dfa dfa|dfe dBA| dfa dfa|dfa ab[c'a]|bgb afd|dfe dBA :| Ade fdd|edd fdd|Ade fdd|eBB dBA| Ade fdd|edd fdd|gdd fdd|eBB dBA :| "^coda"edc ABc|Hd6|] %%% X:22118 T:PADDY O'RAFFERTY (jig - key D) (a3) S:S: DMWC Z:Z: ABC/arr. BB M:6/8 L:1/8 Q:1/4=160 %R:jig K:D A|dff cee|dff gfe|dff cee|dfe dBA| [1 dff cee|def g3|afd gec|dfe dB :| [2 dfA ceA|def g3|afd gec|dfe dc|| % |:B|AFA A2f|g3 fdB|A3 D3|dfe dcB| ADA B3|ege efg|f3 gec |1 dfe dc :|\ [2 dfe dB|| % |:A|fAA eAA|fAf gfe|fAA eAA|dfe dBA| fAA eAA|faf g3|afd gec|dfe dB :| "^coda" dfe dBA|HD6|] %%% X:182316 T:PADDY O'RAFFERTY (jig - key D) (a4) S:S: CRE.2 Z:Z: ABC/arr. BB L:1/8 M:6/8 %R:jig Q:1/4=160 K:D A|dff cee|def gfe|dff cee|dfe dBA| dff cee|def gfg|afd ged|dfe d2:| B|AFG Adf|gfe fdB|AFG AFA|dfe dcB| AFA BGB|egd efg|faf gec|dfe d2:| A|fAA eAA|fgf gfe|fAA eAA|dfe dBA| fAA eAA|faf gfg|afd g2e|dfe d2:| B|ADB ABf|gfe fdB|ADE AFA|dfe dcB| AFA BGB|ege efg|faf gec|dfe d2:| %%% X:185014 T:PADDY O'RAFFERTY (jig - key G) (a5) T:Jim Droney's S:S: CRE.5 < Droneys Z:Z: ABC/arr. BB M:6/8 Q:1/4=160 %R:jig K:G D|GAB D2D|GAB AGE|GAB D2D|GAF GED| GAB D2D|GAB d2e|dBB AGA|BGF G2:| z|dBB dBB|dBB A2B|dBB dBA|GAF GED| dBB dBB|def g2e|dBB AGA|BGF G2:| %%% X:493311 T:PADDY O'RAFFERTY (jig - key G) (a6) S:S: ONMI.0954 < F.O'Neill %R:jig Z:Z: Brennan/Black Q:1/4=160 M:6/8 L:1/8 K:G GAB DED|DcB AGE|GAB DED|GAG GED| GAB DED|DcB ABc|dcB AGE|GAG GED :| % DBB DAA|DBB AGE|DBB DAA|GAG GED| DBB DAA|DBB ABc|dcB AGE|GAG GED :| % dcd efg|ded dBG|d^cd efg|GAG GED| d^cd efg|ded def|gfe dcB|GAG GED :| % BDD EDD|BGB AGE|BDD EDD|GAG GED| BDD EDD|BGB ABc|dcB AGE|GAG GED :| % B2G A2G|B2G AGE|B2G AGE|GAG GED| BGG AGG|BGG ABc|dcB AGE|GAG GED :| "^coda"G6|] %%% X:182317 T:PADDY O'RAFFERTY (jig - key G) (b) S:S: CRE.2 Z:Z: ABC/arr. BB L:1/8 M:6/8 %R:jig Q:1/4=160 K:G %1 A2|:dBB dAA|dBB AGA|dBB AGA|GBA GED| dBB A2z|GAB c2e|dBG AGE|GAG GED:| % B2B A2A|B2B AGE|B2B AGA|GBA GED| B2B AFA|GAB c2e|dBG AGE|GAG GED|| % GBd GBd|gBd edc|BdG BdB|GAG GED| GBd GBd|GBd g2z|edB AGA|GBA GE|| % d|B2d gdd|edd gdd|Bdd edB|GAG GED| B2d gdd|edd gfg|edB ABA|GBA GE:| % D|BAB AGA|BAB AGE|B2G AGA|GBA GED| Bdd AGA|GAB c2e|dBG AGE|GAF GED|| "^coda"G6|] %%% X:22119 T:PADDY O'RAFFERTY (jig - key G) (c) S:S: DMWC Z:Z: ABC/arr. BB N:N: Repeats added M:6/8 L:1/8 Q:1/4=160 %R:jig K:G BDD EDD|cBA GED|BDD EDE|GAG GED| BDD EDD|cBA GED|B3 cBA|GAG GED|| % GBB GAA|GBB cBA|GBB GAA|GAG GED| GBB GAA|GBB cBA|B3 cBA|GAG GED|| % dcd efg|ded dBG|dcd efg|GAG GED| dcd efg|ded def|gfe dcB|A3 GED|| % B2G A2G|B2G AGE|B2G AGE|GAG GED| BGG AGG|BGG AGE|B3 cBA|GAG GED||\ "^coda" HG6|] %%% X:332065 T:PADDY O'SNAP (slip jig) (1) Z:Z: ABC/arr. BB S:S: Levey2.88 Q:1/4=160 M:9/8 %R:slip jig K:D e|f2d dcd fed|g2e efd cBA|f2d dcd fed| efg ABc d2 :|g|a2A ABG FAd|B2e efe efg| a2A ABG FAd|efg ABc d2 :| %%% X:496038 T:PADDY O'SNAP (slip jig) (2) S:S: ONMI.1175 Z:Z: Brennan/Black Q:1/4=160 %R:slip jig M:9/8 L:1/8 K:D f2d dcd fed|g2e efd cBA|f2d dcd fed| efg ABc d3:|a2A ABG FAd|B2e efd efg| a2A ABG FAd|efg ABc d3:| %%% X:497140 T:PADDY on the MARCH (jig) S:S: arr. of ONMI #1823, "Sir Patrick Bellew's March" %R:jig Q:1/4=160 Z:Z: Brennan/Black M:6/8 L:1/8 K:G c|ded B2G|d2d BAG|d2d gdB|A2G ABc| d2d B2G|d2d BAG|d2d gdB|A2G AB :| F|GAG g2d|ece d2c|Bcd ecA|GAG FED| GAG gd=f|ece d2c|Bcd ded|e2B AB :| "^coda"e2B ABF|HG3z3|] %%% X:59108 T:PADDY on the TURNPIKE (reel) Z:Z: ABC/arr. BB S:S: JOB N:N: This is O'Brien's arrangement, with two added parts and all F's sharp. Q:1/4=180 M:C %R:reel K:G GF|DGGF G2GA|BGcA BGAF|DFFE F2FG|AGAc BGFE| DGGF G2GA|BAGA Bcde|fefd cAFA|BGAF G2 :| GA|Gggf g2ga|bgga bgaf|d^cde fefg|abag fdcA| dggf g3d|BAGA Bcde|fefd cAFA|BGAF G2 :| GF|DGGA BAGB|dcBd cBAG|FGAB cAFA|cBcA BGAF| GFGA BABd|cBAB cdeg|fefd cAFA|BGAF G2 :| df|gddf gbag|fede fgaf|eccd efge|dcBA GcBA| G2GA BABd|cBAB cdeg|fefd cAFA|BGAF G2 :| %%% X:44139 T:PADDY QUIGLEY'S BARNDANCE* S:S: NFID.092b < JD ("untitled barndance") Z:Z: ABC/arr. BB N:N: The source has an eight-measure section labelled "Last" after the tune - N:I'm not sure how it fits in with the rest of the tune, so I've included it here N:exactly as the source has it (except for raising some of the bass notes). L:1/8 Q:1/4=150 M:C| %R:hornpipe K:G %swing .25 c|B2BA Bdge|d2de dBGA|B2BA Bdge|dBAB G3 :| f|gfed edBd|gfed e3f|gfed efge|dBAB G2ef| gfed edBd|gfed e2ef|gabg efge|dge^c dBG || %%text "LAST" %%vskip .3in A|B2BA Bage|d2eB dBGA|B2BA Bdge|dBAB d2GA| B2BA BDGE|BDEB DBGA|B2BA BDGE|DBAB G4|[g2B2]z2z4|| %%% X:41262 T:PADDY REYNOLDS' DREAM (jig) S:S: MVBT Z:Z: ABC/arr. BB N:N: Named after the late Longford-born fiddler Paddy Reynolds, but I don't N:know whether he composed it or not. %R:jig Q:1/4=160 M:6/8 L:1/8 K:D F|EGA =cBc|Adc d2 e|fag efd|ABG FED| Adf afd|Bcd eag|fed ecA|GEA D2 :| A|dcd faf|gec d2 A|dcd AGA|=cBc EFG| dcd faf|gec Ace|dcd AGA|GEA D2 :| G|d3 a3|gfg a3|d3 a2 f|gef gfe| def dcA|GAB AFD|Ace GBd|AFE D2 :| %%% X:495283 %%staffwidth 650 T:PADDY RYAN'S DREAM (reel) (1) S:S: ONMI.1181 < McNamara Z:Z: Brennan/Black Q:1/4=180 %R:reel M:C| L:1/8 K:A dorian %%text A-B-A %%vskip .3in AEE2 cABG|EGDC B,CDB,|A,2A,B, CDEG|1 cABG ABcB:|\ [2 cABG A4|| Aaa^g aecA|Aggf gdBG|Aaa^g aefd|edcB cABG| Aaa^g aecA|Aggf gdBG|AcBd cedf|edcB AB"_DC"cB|| %%% X:44140 T:PADDY RYAN'S DREAM (reel) (2) S:S: NFID.077b ("untitled reel") < JD Z:Z: ABC/arr. BB N:N: John Doherty's version of this classic reel. I kept the C sharps in mm 3 N:and 7 but they can be replaced by C natural. L:1/8 Q:1/4=180 M:C %R:reel K:Ador ed|cAA2 cABG|EGDC B,CDB,|CA,B,G, A,B,^CD|EAGB Aced| cAGA cABG|EGDC B,CDB,|CA,B,G, A,B,^CD|EAGB A2:| fg|a^gae ceAf|gfgd BGFB|Agae cBAc|BGED CEAg| agae ceAf|gfgd BGBd|cBcd edcB|1Aagb ae:|2Aagb [a4A4]|| %%% X:62104 T:PADDY RYAN'S DREAM (reel) (3) S:S: GSTC Z:Z: ABC/arr. BB Q:1/4=180 %R:reel M:C K:Ador cB|AEE2 cBAG|E2DB, G,A,B,G,|A,EE2 A,EAB|cABG ABcB| AEE2 cEE2|DB,B,2 G,A,B,G,|A,E E2 CEAB|1 cABG AB :|\ [2 cABG A2|| cB|Aaag aecA|Gggf gdBG|Aeag aged|ecdB cABG| Aaag aecA|Gggf gdBG|AcBd cedf|edcB A2 :| %%% X:495284 T:PADDY RYAN'S DREAM (reel) (4) S:S: ONMI.1182 < McFadden Z:Z: Brennan/Black N:N: Just what you'd expect from Mr. "Love Those Low Notes" McFadden! %Q:1/4=180 %R:reel M:C| L:1/8 K:A dorian cB|AEE2 cBAG|EGDC B,A,G,B,|1 A,EA,E A,2A,E|ABcB AedA:| [2 A,2G,A, B,C E2|AcBG A2 |:cd|eaag agef|gedc BGGf| eaa^g agef|gedf eAAg|eaag agef|gfgd BcdB| %%stretchlast 0 AcBd cbag|fdef g2fg|"^coda"a4z4|] %%% X:41263 T:PADDY SCANLON'S (polka) %R:polka S:S: MVBT < M.Mulvihill Z:Z: ABC/arr. BB Q:1/4=120 M:2/4 L:1/8 K:G D|GB B/c/B/A/|FA AD|G2 Bc|d2 cA| GB B/c/B/A/|FA A>B|cA FA|G3 :| d|g2 fe|fA AB|cd ef|g2 fe| dg fe|fA A>B|cA FA|G3 :| %%% X:38215 T:PADDY SCULLY'S (slide) S:S: "Music of Ireland - The Big Session" (DJ Taylor) Z:Z: ABC/arr. BB L:1/8 M:12/8 Q:1/4=170 %R:slide K:G gfe|d2B BAB g2e f2e|d2B BAB e3 efe| d2B BAB g2e f2e|d2B ABA G3:| G2g|fga e2g fga e2g|d2B BAB e3 efg| fga e2g fga e2g|d2B ABA G3:| %%% X:66082 T:PADDY SEAN NANCY'S #1 (reel) D:D: "The Killasser Flute" (J.O Sullivan),tr.3A Z:Z: ABC/arr.BB S:S: Johnny Henry Q:1/4=180 L:1/8 %R:reel M:C K:G D2Ac B2Ac|BGAG EFGE|D2Ac B2Bc|1 dBAG EFGE :| [2 dBAG EGGA|:BddB deg2|BddB AGED|Bddd e2ge| dBAc BGG2:| %%% X:66083 T:PADDY SEAN NANCY'S #2 (reel) D:D: "The Killasser Flute" (J.O Sullivan),tr.3B S:S: Johnny Henry Z:Z: ABC/arr.BB Q:1/4=180 L:1/8 %R:reel M:C K:G DGBc d2Bc|dBB2 cAA2|DGBc dgec|1 dBAc BGG2 :| [2 dBAc Bdef|:g2gf efge|dBB2 cAA2|g2gf eBdB| cBAc BGBd|g2gf efge|dBB2 cAA2|GABc dgfa|gedc BGG2|] %%% X:41264 T:PADDY SHANNON'S (reel) S:S: MVBT Z:Z: ABC/arr. BB Q:1/4=180 M:4/4 L:1/8 %R:reel K:G A|Bdge dBGE|FADF ABcA|Bdge dBGE|DC C2 DEGA| Bdge dBGE|FADF AGAB|cBcg fdde|fgaf g3 :| E|DG G2 DG G2|ABcB Ad d2|=f2 ed cA^FA|_B2 AG =FDCF| DE=FE DG G2|BG G2 ABce|d^cde =f2 ef|cAFA G3 :| %%% X:31179 T:PADDY SPILLANE'S POLKA (1) Z:Z: ABC/arr. BB S:S: JOL.049 Q:1/4=120 L:1/8 M:2/4 %R:polka K:D A|D2 FD/F/|AF D2|FD/F/ AF|FE EF/E/| D2 FD/F/|AF DE/F/|GE CE|EDD :| B|d>c dB|AF D2|FD/F/ AD|FE ED| [1 d>c dB|AF DE/F/|GE CD|EDD :| [2 Ad B2|AF DE/F/|GE CE|EDD2- |HD4|] %%% X:31180 T:PADDY SPILLANE'S POLKA (2) Z:Z: ABC/arr. BB S:S: JOL.050 Q:1/4=120 L:1/8 M:2/4 %R:polka K:D A|D2 FD/F/|AF/A/ dF|AG GE|BA FA| D2 FD/F/|AF/A/ dF|AG GE|EDD :| z|Bc/B/ AF/A/|BA FD|BA AF/A/|dA FA| DF/D/ FD/F/|AF/A/ dF|AG GE|1EDD :|\ [2 EDD2-|HD4|] %%% X:581141 T:PADDY STACK'S FANCY JIG S:S: WSGM.142 < Rice-Walsh manuscript Z:Z: ABC Kinder/Black (arr.) N:N: This is an "ancestor" of "Morrison's" M:6/8 L:1/8 Q:1/4=160 %R:jig K:Em E3 BEB|EBE AFD|E3 BEB|edB AFD| E3 BEB|EBE AFD|EBE BEB|edB AFD:| % ede fee|aee fee|efe fef|a2g fed| ede fee|b2e f2d|ege fde|d^cB AFD| e2d fee|bge fee|bge fef|a2f def| gbg faf|ege def|ege d2A|BAG FED||"^coda"HE6| %%% X:13326 T:PADDY TAYLOR'S (reel) (a) N:N: Paddy was a West Limerick flute player and composer who was the source N:of many fine tunes. This particular one might be one of his best-known. S:S: BSMI.3 Z:Z: ABC/arr. BB %R:reel Q:1/4=180 M:4/4 L:1/8 K:Amix %%text A-B-A %%vskip .3in A|BAeA BAeA|BAeA dBGA|Bee2 d2ed|BGG2 Bcd :| B|A2ce a3f|gfed eaa2|ABcd egge|dBGA BcdB| A2ce a3f|gfed efge|f2fd e2ed|BGG2 BcdA || %%% X:183154 T:PADDY TAYLOR'S (reel) (b1) S:S: CRE.3 Z:Z: ABC/arr. BB N:N: The first two parts of this tune are usually played as D modal but the N:CRE version has no C naturals. %R:reel L:1/8 Q:1/4=180 M:C K:Dmix FEDF ABAF|GEEB cEGE|FADF A2dA|GEcE EDDE:| FEFG A2dA|G2dG G2dG|F3G A2dA |GEcE EDDE:| K:D Addc d3A|Bee2 Bege|fdec dcAF|EGFE D2FG| Addc dfed|Bdef g2eg|afge fded|cAGE FDDE:| %%% X:41265 T:PADDY TAYLOR'S (reel) (b2) S:S: MVBT Z:Z: ABC/arr. BB Q:1/4=180 %R:reel M:4/4 L:1/8 K:Dmix FADF ABAF|GEcE dEcE|FADF ABAF|GEcE ED D2 :| Addc d3 A|Beed e3 e|fgfe d3 A|Bd AF ED D2| Addc d3 A|Bdef g3 g|afge d2 dA|Bd AF ED D2 :| FEFG AddF|GddF GddA|FEFG Addc|ABGA ED D2 :| %%% X:13351 T:PADDY TAYLOR'S JIG (a1) S:S: BSMI.3 Z:Z: ABC/arr. BB N:N: I think I've heard this tune played with C's natural instead of sharp. You N:can get that sound by changing the D in the ABC K: field to G. %R:jig Q:1/4=160 M:6/8 L:1/8 K:D E|FEF EFE|DFA d2A|ded cAG|FAF GFE| FEF EFE|DFA def|edc ABc|dfe d2 :| e|f2a g2e|fdB Adc|BAB EFG|A2D FED| f2a g2e|fdB AFA|Bcd ecA|dfe d2 :| %%% X:253089 T:PADDY TAYLOR'S JIG (a2) Z:Z: ABC/arr. BB S:S: FS3.24c M:6/8 L:1/8 Q:1/4=160 %R:jig K:D FGF EFE|DFA d2A|ded cAG|F/G/AF GFE| FGF EFE|DFA def|edc ABc|1 dfe dAG :|\ [2 dfe d2|| e|f2a g2e|fdB Ad=c|BAB EFG|A2D FED| f2a g2e|fdB AFA|Bcd ecA|1 dfe d2 :|\ [2 dfe d3|] %%% X:37136 T:PADDY TAYLOR'S JIG (b) S:S: MFC.066E Z:Z: ABC/arr. BB Q:1/4=160 L:1/8 M:6/8 %R:jig K:G A|B3 BGE|GBd edB|ABA DFA|DFA BAG| B3 BGD|GBd edB|ABA DFA|BGF G2 :| K:D e|fef def|gfg efg|fAA AFA|BAF D2 d| fef def|gfg efg|fed cBA|dfe d2 :| %%% X:37137 T:PADDY TAYLOR'S SLIDE (1) Z:Z: ABC/arr. BB S:S: MFC.115B Q:1/4=180 L:1/8 M:12/8 %R:slide K:Dmix d|A2G A2B c2A AGE|G2E G2A G2E D3| A2G A2B c2A a2g|fga gfe d3 d2:| e|f2d f2a g2e ede|d2c d2e d2c A3| f2d f2a g2e a2g|faf gfe d3 d2:| %%% X:57128 T:PADDY TAYLOR'S SLIDE (2) S:S: Treoir Z:Z: ABC/arr. BB M:12/8 L:1/8 Q:1/4=170 %R:slide K:Dmix d|A2G A2B c2A AGE|G2E G2A G2E D3| A2 G A2 B c2 A A2 g|fga gfe d3 d2 :| e|f2 d f2 a g2 e ede|d2 c d2 e d2 c A3| f2 d f2 a g2 e a2 g|faf gfe d3 d2 :| X:11016 T:PADDY THE DANDY (jig) (1) S:S: AIF Z:Z: ABC Brennan/Black (arr.) M:6/8 Q:1/4=160 %R:jig L:1/8 K:G %%text source key = A %%vskip .3in E|DGG BAG|dGG BAG|gfg dBG|AcB AGE| DGG BAG|dGG BAG|gfg dBG|AGF G2:| B|dgg bgg|aga bgg|dgg bgg|aba agf| dgg bgg|aga bgd|efg dBG|AGF G2:| %%% X:531079 T:PADDY THE DANDY (jig) (2) S:S: RC1.086 (as "Bouchaleen Buidhe") Z:Z: ABC/arr. BB Q:1/4=160 L:1/8 M:6/8 %R:jig K:D %%text source key = A %%vskip .3in G|ADD FDD|ADD FDD|ADD FDD|EFE EDB,| ADD FDD|ADD FGA|Bcd AGF|EDC D2 :| % B|Add fdd|edd fdd|Add fdd|edB BAF| Add fdd|edd fdA|Bcd AGF|EDC D2 :| % d|ABF DFA|DFA B2d|ABF DFA|feA B2d| ABF DFA|1 DFA d2e|f2a gfe|fdG AB:| [2 DFA def|gfe fdB|AFD DFA|"^coda"HD3z3|] %%% X:497088 T:PADDY the HURLER (jig) S:S: arr. of ONMI #437, "Paddy Brown" Z:Z: ABC/arr. BB Q:1/4=160 %R:jig M:6/8 L:1/8 K:Ador E|A2B c2d|e2f gfg|a2B A2c|BdB G2E| A2B c2d|e2f ged|efg a2b|a3-a2 :| a|b2g e2f|a2g e2f|g2e d2c|BdB G2E| A2B c2d|efg a2B|c2B A2G|A3-A2 :| %%% X:12223 %%staffsep 80 T:PADDY the LILTER (jig) S:BBMG C:© BB M:6/8 L:1/8 Q:1/4=160 %R:jig K:D A|"D"dAB AFD|"Em"EFG "D"FED|"Em"EFG "D"FEF|"G"GAB "A"cAc| "D"dAB AFD|"Em"EFG "D"FED|"Em"EGB "A"Ace|"D"fdc "D"d2 :| A| "A7"Ace geg|"D"fdf "A"ecA|"A"Ace "G"gab|"A7"gec "D"d2 B| "A7"Ace geg|"D"fdf "Em"efg|"D"afd "Bm"Bcd|"A"edc "D"d2 :| %%% X:28020 T:PADDY THE PIPER (hybrid jig) (1) S:S: ISQT.04b Z:Z: ABC/arr. BB Q:1/4=160 M:6/8 %R:jig K:D G|Add dcd|efg afd|Add dcd|edc d2 :| B|dfa afd|Bgf gec|dcd Bgf|edc d2 :| M:9/8 B|AFA GEc d2B|AFA GFE D2G| AFA GEg a2g|fdf gec d2 :| "^coda"fdf gec Hd3|] %%% X:493312 T:PADDY THE PIPER (hybrid jig) (2) S:S: ONMI.0964 < F.O'Neill %R:jig Z:Z: Brennan/Black Q:1/4=160 M:6/8 L:1/8 K:D G|Add dcd|efg afd|Add dcd|edc d2A| Add dcd|efg aga|bab afd|gec d2 :| c|dfa afd|Bgf gec|dcd Bgd|edc d2A| dfa afd|Bgf gec|dAF DFA|Bec d2 :| M:9/8 B|AFA GEc d2B|AFA GFE DFG|AFA GEa a2g| fdf gec d2B|AFA GEc d2B|AFA GFE DFG| AFA gea a2g|fdf gec d2 :| %%% X:28021 T:PADDY THE WEAVER (jig) (1) S:S: ISQT.36b Z:Z: ABC/arr. BB Q:1/4=160 N:N: /a/ alternative to /c'/ in mm. 9 and 13. L:1/8 M:6/8 %R:jig K:G g|d2B BcB|d2B B2e|d2B BAB|G2E E2e| d2B BAB|d2B B2f|g2e af^d|e3 e2 :| f|gfg ab[ac']|bag fga|g2e efe|d2B B2f| gfg ab[ac']|bag fga|g2e af^d|e3 e2 :| %%% X:581142 T:PADDY THE WEAVER (jig) (2) S:S: WSGM.119 < "Wilson's Companion" 1816 Z:Z: Kinder/Black (arr.) N:N: Normally I would look at the accented c's and figure that this was a N:D modal tune, in spite of there being no accidentals in the source. But I N:think the c sharps belong in this tune (cf."Black Rogue"). You can replace N:K:D with K:G in the ABC if you want to hear the modal version. M:6/8 L:1/8 Q:1/4=160 %R:jig K:D d|c2B ABA|c2B A2d|c2B AGA|F2E D2d| c2B ABA|c2B A2e|f2d gec|d3 D2:| e|fgf gab|agf efg|f2 d ded|c2 A A2e| fgf gab|agf efg|f2 d gec|d3 d2:| %%% X:332066 T:PADDY WHACK (jig) (1) Z:Z: ABC/arr. BB S:S: Levey2.38 Q:1/4=160 L:1/8 M:6/8 %R:jig K:G %%text "quick" %%vskip .3in D|GBd gfg|edc BAG|GBd efg|fdc def| g>ag fdB|cde dBG|GBd cAd|BGF G2 :| A|BAB cBc|dBG A2G|GBd efg|afc def| g>ag fdB|cde dBG|GBd cAd|BGF G2 :| %%% X:48146 T:PADDY WHACK (jig) (2) S:S: OFPC1.24 ("Irish") Z:Z: ABC/arr. BB N:N: Parts 3 and 4 are "classical" variations which I have not included. Q:1/4=160 M:6/8 L:1/8 %R:jig K:G D|GBd gfg|edc BAG|GBd eag|fdd def| gag fdB|ceg dBG|GBd cAd|BGF G2 :| c|BAB ceg|dBG A2G|Bcd eag|fdd def| gag fdB|cec dBG|GBB cAd|BGF G2 :| %%% X:493313 T:PADDY WHACK (jig) (3) S:S: ONMI.0759 Q:1/4=160 Z:Z: Brennan/Black %R:jig M:6/8 L:1/8 K:G G|GBd gfg|edc BAG|GBd efg|fdd def| gbg afd|cde dBG|GAB cAd|BGG G2 :| c|BGB cde|dBG A2G|GBd efg|fdd def| gba gfe|dBG AFD|GAB cAd|BGG G2 :| %%% X:582056 T:PADDY WILL YOU NOW S:S: WSGM.051 < F.O'Neill Z:Z: Kinder/Black N:N: I'm not sure what type tune this is supposed to be. M:2/4 L:1/16 K:G (3def|g2B2 B2AG|F2A2 A2BA|G2g2 gfga|b2g2 g2(3def| g2B2 B2AG|F2A2 A2BA|B2g2 gfga|b2g2 g2:| Bc|d2B2 d2ef|g2f2 e2d2|d2B2 d2ef|g2f2 e2d2| eeee e2d2|g2B2 B2A2|GGGF G2A2| B2G2 E2D2|GGGF G2B2|AAAB A2B2|B2g2 f2e2| d2c2 B2A2|GGGG G2B2|AAAA A2B2|B2g2 f2a2|g4 g2:| %%% X:185194 T:PADDY'S CHOICE* (reel) S:S: CRE.5 (unnamed) Z:Z: ABC/arr. BB N:N: Repeats added. M:4/4 Q:1/4=180 %R:reel K:Adorian d|e2dB eAAd|eaaf gfed|e2dg eBdB|GFGA BABd| e2dg eAAd|eaaf gfed|e2dg eBdB|GFGA BAB :| d|efga bagb|aAAB cBcd|egaf gbaf|gGGA BABd| efga bagb|aAAB cBcd|egaf gbaf|gfgd BGB :| "^coda"gfgd BcAG|HA4z4|] %%% X:12224 %%steaffsep 80 T:PADDY'S LEGACY (reel) S:BBMG C:© BB 2014 %R:reel Q:1/4=180 M:C K:G z2|"G"d2Bd BG~G2|"C"EGcB "D"AD~D2|"C"CE~E2 "G"DGAB|"Am"(3cBA "G"BG "D"ABce| "G"d2Bd BG~G2|"Em"edBA GE~E2|"G"DG~G2 "F"=FAcA|"D"(3Bcd cA "G"G2:| ef|"G"gaba gd~d2|"Am"ecAc "G"BG~G2|"Am"ABcA "G"Bcdg|"C"efge "Am"a^gab| "G"gaba gd~d2|"Am"ecAc "G"Bddg|"Dm"=fdcA "G7"BG=FD|"Am"(3ABc "D"AF "G"G2 :| %%% X:19013 T:PADDY'S PET (reel) S:S: DFW < WSGM Z:Z: ABC/arr. BB N:N: A version of "Mama's Pet" (single in sources). L:1/8 M:C Q:1/4=180 %R:reel K:G (3DEF|G2FG E2DF|GBB2 GBAF|G2FG EFGA|B2ed BAA2| GEFD EB,B,2|GBB2 GBAF|G2FG EFGA|1 B2ed BA:|2 B2ed Bdg :| f|eAA2 eAA2|BGG2 BGG2|e2cA eAcA|B2ed Bdgf| eBce dcBA|GFGA Bcdf|e2ef gfed|1 B2ed Bde:| [2 B2ed BGAF|HG4z4| %%% X:44141 T:PADDY'S RAMBLES THROUGH THE PARK S:S: NFID.096b < JD Z:Z: ABC/arr. L:1/8 M:3/4 K:Ador A/G/F/G/|[E2A,2][A2E2][A2E2]|G2 B2 BA|BG3 G2|G4 AG| [E2A,2][A2E2][AE]B|c4 BA|^GE3 [E2B,2]|[E4B,4]||^cd| e2ed ^ce|d2 d^c Bd|^c2 cB Ac|B4 EF| G3B e^c|d3e f^d|e2 E2 ^G2|[A4E4] z2|] %%text Variations on mm 1-8: %%vskip .3in [E2A,2]|[A2E2]a2a2|[M:C]A2g2g2BA|[M:3/4]BG3G2|G4B^A| A2a2a2|[M:C] A2g2g2BA|[M:3/4] ^GE3 [E2B,2]|[E4B,4]z2 || %%% X:493314 T:PADDY'S RESOURCE (jig) S:S: ONMI.0997 N:N: Occasionally referred to as "The New York Jig". %R:jig Q:1/4=160 M:6/8 Z:Z: Brennan/Black L:1/8 K:G A|GAG DB,D|GBd e2d|gBB BAG|cEE E2D| GAG DB,D|GBd e2d|gBB BAG|cEF G2 :| F|GBd GBd|dcB BAG|GBd efg|dcB A2G| GBd gfe|dcB AGF|GAG DB,d|BGG G2 :| %%% X:252104 T:PADDY'S RETURN (jig) (1) Z:Z: ABC/arr. BB S:S: FS2.06a M:6/8 L:1/8 Q:1/4=160 %R:Jig K:D B|AFD DFA|BdB BAF|ABA F2D|FEE E2B| AFD DFA|BdB BAF|ABA F2E|FDD D2 :| e|fdd dcd|fdd d2e|fef def|gfg eag| fed B2d|A2d F2G|ABA F2E|FDD D2 :| %%% X:62105 T:PADDY'S RETURN (jig) (2) N: a/k/a/ Frost Is All Over, Kitty Lie Over S:GSTC Z:ABC/arr. BB Q:1/4=160 %R:jig M:6/8 K:D B|AFD DFA|BdB BAF|ABA F2D|FEE E2G| AFD DFA|BdB BAF|ABA F2E|FDD D2 :| g|f2d dBA|fdd d2g|fef def|gfg efg| fed B2d|A2d F2G|ABA F2E|FDD D2 :| %%% X:48447 T:PADDY'S RETURN (march) S:S: OFPC4.148 ("Irish") Z:Z: ABC/arr. BB Q:1/4=100 M:C L:1/8 %R:march K:Am E|A>BAG A>Bcd|e>dcA G2G2|ABA>G ABcd|efdc A2A :| c/d/|e>f ed/c/ d>e dc/B/|c>AGE G2G2| A2Bc dfe>d|cG E>G A2A :| %%% X:495285 T:PADDY'S SURPRISE (reel) S:S: ONMI.1516 < F.O'Neill Z:Z: Brennan/Black %R:reel Q:1/4=180 M:C| L:1/8 K:G EF|G2BA GABc|dBec dBAB|G2BA GABc|dcAB GFED| G2BA GABc|dBec d2ef|gfge dBge|dBAB G2 :| ef|gfgd edBd|gabg agef|gfgd edBd|cABG AGEG| gfgd edBd|gabg agef|gfge dBge|dBAB G2 :| %%% X:26027 T:PADDY'S TRIP TO LONDON* Z:Z: ABC/arr. BB S:S: GEI.079 N:N: In the source this is named "Paddy in London". I changed the name a bit N:to avoid confusion with the other "Paddy in London" a/k/a/ "Clare Jig", N:"Mug of Brown Ale", etc. M:6/8 L:1/8 Q:1/4=160 %R:jig K:D G|FDF AFA|ded def|AGF G2A|BGE E2G| FDF AFA|ded def|AGF BAG|FDD D2 :| f|ecA Age|edc d2B|AGF G2A|BGE E2e| agf gfe|ded def|AGF BAG|FDD D2 :| %%% X:44142 T:PADDY'S VISION* (reel) S:S: NFID.077c ef afd|efe d2:| [2 dfe d2B|BAB d2e|fef afd|efe d3- |d6|] %%% X:493315 T:PALM SUNDAY (jig) S:S: ONMI.0829 < F.O'Neill Z:Z: Brennan/Black Q:1/4=160 N:N: I'm not sure what the F natural is doing in measure 11 but my guess is N:that you can safely ignore it. %R:jig M:6/8 L:1/8 K:Ador B|AGE G2E|G2E G2B|A2B c2d|e2d efg| e3 dBA|BAG Bcd|edc BAG|B2A A2 :| c|aga efg|aga bge|gfg g=fe|dBG GBd| efg ded|BAG Bcd|edc BAG|B2A A2 :| %%% X:341076 T:PALMER'S GATE (reel) C:Joe Liddy Z:Z: ABC/arr. BB S:S: Liddy1.37 Q:1/4=180 L:1/8 M:4/4 %R:reel K:Em GA|BEEF GABG|AdBA GEED|G3A BAGA|BedB A2 GA | BEEF GABG|AdBA GEED|GABd edBA|GEFD E2 :| GA|Beed e2 ef|gefd edBA|G2 BG dGBA|GABe dBAd | Beed e2 ef|gefd edBA|GABd edBA|GEFD E2 :| %%% X:492159 T:PANSY BLOSSOM (hornpipe), The S:S: ONMI.1667 < J.O'Neill Z:Z: Brennan/Black %R:hornpipe Q:1/4=150 M:C| L:1/8 K:A %swing .25 %%text simplified version %%vskip .3in cd|e2c2 A2EF|E2Ac ecAc|d2c2 B2A2|GBAF E2cd| e2c2 A2EF|E2Ac defg|afec fdcA|GBEG A2:| Bc|dBGB EGBc|dBGB d2cd|ecA2 EAcd|ecAe a2ga| f2e2 d2c2|Bcde fefg|agec fdcA|GBEG A2:| %%% X:535235 T:PAORACH'S FAREWELL TO LONDON (march) S:S: RC2.326 Z:Z: ABC/arr. BB C:G.O Kane N:N: I couldn't find anything online about the identity of"An Paorach" - sorry! Q:1/4=120 L:1/8 M:C %R:march K:A AB|c2c2c2 BA|c2c2c2B2|A2A2a2gf|e2B2B2AB| c2c2c2 BA|c2e2 f2e2|a2c2 c2BA|B2A2 A2:| e2|e2fg a3g|a2g2 f2e2|e2fg a2e2|c2A2 B3B| e2fg a3g|a2g2 f2e2|a2c2 c2BA|B2A2 A2:| AB|cedB cedB|cedB c2B2|ABcd efed|c2B2B2 AB| cedB cedB|cedB c2B2|A2a2 gfdB|c2A2A2:| ef|a2e2a2c2|a2e2c2A2|a2e2a2e2|c2A2B2ef| a2e2a2c2|a2e2c2A2|d2f2 edcB|c2A2 A2:| %%% X:59109 T:PAPA'S PET (reel) Z:Z: ABC/arr. BB S:S: JOB Q:1/4=180 M:4/4 L:1/8 %R:reel K:Ador EAA2 BGG2|BGdG eGdG|EAA2 BGG2|BGdB cAAG| EAA2 BGG2|Bdd2 edBe|eBde gbaf|gedB cA A2:| eaa2 egdB|A2GA Bd d2|eabg a2 ga|bg g2 bgag| abga egdB|ABGA Bd d2|e3f g2af|gedB cA A2:| %%% X:44144 T:PAPS OF GLENCOE (march), The S:S: NFID.087b < JD Z:Z: ABC/arr. BB L:1/8 Q:1/4=160 M:C| %R:march K:Amix ec|ABAc e2cd|eada e2cA|BdGB d2Bd|eAce dGBG| A2BA e2cd|eada eAcA|1 B2GB e2dB|B2A2A2:|\ [2 B2GB e2dB|c2A2A2|| |:ef|gaga eAcA|e2df eABA|g2fg dGBd|eAce dGBf| gaga eAcA|e2dg eABA|BdGB e2dB|c2A2A2:| %%% X:41267 T:PARADE OF STARS (reel), The C:P. Fitzgerald (Balto.) Z:Z: ABC/arr. BB S:S: composer %R:reel Q:1/4=180 M:4/4 L:1/8 K:Dmix afdc Addc|Adfd AdcB|c2 Gc A2 GA|c2 GA cdeg| afdc Addc|Adfd fgaf|e2 fd c2 Gc|A2 AG Ad d2 :| ad d2 fd d2|dAGE FD D2|DGFD ADFA|c2 ec Gceg| abaf ge e2|afdB cABG|A2 fd e2 eg|fdAG Ad d2 :| %%% X:65077 T:PARAKEET (reel), The C:Aidan Crossey S:S: composer M:4/4 %R:Reel Q:1/4=180 L:1/8 K:G Major G2BG dGBG|F2AF dFAF|E2cE dEcE|A2AB cBAB| G2BG dGBG|F2AF dFAF|E2cE dEcE|A2AB cdef|| g2dg Bgdg|f2df Afdf|g2dg ecAG|FGAB cdef| g2dg Bgdg|f2df Afdf|e2ef gfef|dece BeAe|| "^coda"HG4z4|] %%% X:32017 %%staffwidth 670 T:PARCEL OF LAND (reel), A C:© C.Lennon Z:Z: ABC/arr. BB S:S: CLMM.57 Q:1/4=180 M:4/4 L:1/8 %R:reel K:G F|G3B d4|efga gedB|AEE2 ABcd|fd^cd fd=cA| BGG2 DGG2|efga gedB|Aeaf fdcA|1 FGAF GFE :|\ [2 AGFA GAB|| |:d|g2fa gedc|BcdB GABd|eAGA eaeg|fd^cd fd=cA| dggf gedc|Bggf gdBd|ceag fdcB|AGFA GAB :|\ "^coda"FGAF HG4z4|] %%% X:27069 T:PARESIS (reel), The S:S: HOC.118 Z:Z: ABC/arr. BB N:N: First part is in the "Eileen Curran" family. I have no idea about the title. Q:1/4=180 M:C L:1/8 %R:reel K:Em % %%text source key = Gm %%vskip .3in EF|GFED B,EEG|FDAD BDAD|GFED B,EEF|GBAF GEE2| GFED B,EEG|FDAD BDAD|GFED B,EEF|GBAF GE:| EF|G2e2e2 ef|gef^d eBGE|D2d2d2 de|fde^c dAFD | G2e2e2 ef|gef^d e2Bc|d2dc AFED|B,EEF EDEF | G2e2e2 ef|gef^d eBGE|ADFD ADFD|d^cde fdAD | G2e2e2 ef|gef^d e2Bc|d^cdB AFED|B,EEF E4|] %%% X:44145 T:PARISH OF KILCAR* (reel), The S:S: NFID.243c < JMcK ("untitled reel") Z:Z: ABC/arr. BB Q:1/4=180 L:1/8 M:C %R:reel K:Em BEED E2DF|G2AG FGAc|BEDE B2ef|gfed g2fg| BEED E2DF|G2AG FGAc|BEDE B2ef|gfed e2|| ef|gfga bgeg|fefg afdf|gfga bgeg|fedf e3f| gfga bgeg|fefg afdf|g2bg fgaf|gfed eg fg| "^coda"He4z4|] %%% X:581143 T:PARISOT'S HORNPIPE S:S: WSGM.330 < "Wilson's Companion" 1816 Z:Z: ABC Kinder/Black (arr.) M:C| L:1/8 N:N: Dotted rhythm in source Q:1/4=150 %R:hornpipe K:G %swing .25 BA|GFGA BABG|cdcB A2BA|GFGA BABG|AGFE D2BA| GFGA BABG|cdcB A2 dc|BdGB AcFA|G2 G2 G2:| AG|FGEF D2 cB|ABGA F2 AB|cAed cAed|cdcB cAGF| GFGA BABG|cdcB A2 dc|BdGB AcFA|G2 G2 G2:| %%% X:12226 %%staffsep 80 T:PARK on SUNDAY (jig), The S:BBMG C:© BB %R:jig M:6/8 L:1/8 K:D A|"D"dcd AFD|"A"EDC "D"DEF|"G"GAB "A"ABc|"D"dAF "A"E2 A| "D"dcd "Em"efg|"D"fed "G"Bcd|"D"AFD "G"GAB|"A"AFE "D"D2 :| e|"D"agf "A7"gec|"D"dcd "Bm"BAF|"G"GAB "A"ABc|"D"def "A"e2 f| "D"afd "A"ecA|"G"BGB "A"ABc|"D"dAF "G"GAB|"A"AFE "D"D2 :| %%% X:50076 T:PARRIS ISLAND QUICK STEP* (march), The S:S: Petrie.158 % unnamed Z:Z: ABC/arr. BB Q:1/4=100 M:C| L:1/8 %R:march K:G %%text "quick march time"; source key = F %%vskip .3in E|D2G2 GAGF|D2G2 G2E2|F2G2 A2B2|cBAG F2A2| D2G2 GAGF|D2G2 G2de|f2d2 dcBA|G4-G3 :| d|g2a2 b2g2|a2f2 g2de|f2g2 f2ed|cBAG F2d2| g2a2 b2g2|a2f2 g2de|f2d2 c2A2|G4 G2d2| g2a2 b2g2|a2f2 g2de|f2g2 f2ed|cBAG F3E| D2G2 GAGF|D2G2 G2de|f2d2 dcBA|G4HG4|] %%% X:491462 T:PARSON BOASTS OF MILD ALE, The S:S: ONMI.0384 < J.O'Neill Z:ABC Brennan/Black (arr.) N:N: I don't believe this was originally a dance tune (note no breaks or repeats). M:9/8 L:1/8 K:Gm %%text "gaily" %%vskip .3in G2D B,A,B, G,2D|G2G GAB cA^F|GAB AG^F G2D/E/| FGF FCB, A,B,C|G2D B,A,B, G,2D|G2G GAB cAF| BAG AG^F G2G/A/|BAG DGF G2c||B2B B2d fdB| A2F FcB ABc|BAG G2D G2G|dBG GAG Bcd| B2B BBd f2B|A2F FcB ABc|BAG G2D/D/ G2G/A/| BAG DG^F G3|] %%% X:32028 T:PARTING (reel), The C:© C.Lennon Z:Z: ABC/arr. BB S:S: CLMM.40 M:4/4 L:1/8 K:G D2|GFGA B2g2|f2a2 g2B2|c2ec B2dB|cBAG dA D2| E2FG FGA2|B2g2 f2B2|c2Bc d3d|d6 :| d2|g4 g2 (3gab|a3g f2B2|e2E2 d2B2|cBAG dA D2| E2FG FGA2|B2g2 f2B2|c2Bc d3d|d6 d2| b3a g2 (3gab|a3g f2B2|e2E2 d2B2|cBAG dA D2| E2FG AGFE|D2g2 e2B2|c2Bc d3c|d4z4|] %%% X:29083 T:PARTING FRIENDS S:S: CGI.165 Z:Z: ABC/arr. BB N:N: Only second part repeats in source. Q:1/4=80 L:1/8 M:3/4 K:Gm %%text "andante" %%vskip .3in z2 d2 f2|g2 ga b2|b2 a2 gf|ga b2 a2| g2 fg fg fd/|cAA G/E/|cc/e/ dc/d/|ff/e/ dc/d/|e/d/c/A/ G e/>d/| cAA G/E/|cc/e/ dc/d/|e/a/ Ha g/e/d/e/|cAA|| e/f/|ggg (3e/f/g/|agg a/g/|ff/e/ dc/d/|e/d/c/A/ G e/d/| cAA G/E/|cc/e/ dc/d/|e/a/ Ha g/e/d/e/|cAA2|| %%% X:491463 T:PARTING GLASS (b), The S:S: ONMI.0058 < F.O'Neill N:N: Not the well-known Clancy Brothers version, which is based on a song N:called "The Peacock". Z:ABC Brennan/Black (arr.) M:C L:1/8 K:Amix %%text "slow" %%vskip .3in ed|c2Bc A2AB|cdec d2cd|e2af gfed|c2A2 G2ed| c2Bc A2AB|cdec d2cd|e2af gfed|c2A2A2|| ef|gfga gfed|e2a2a2ba|gfed cBcd|e2G2 G2ed| c2Bc A2AB|cdec d2cd|e2af gfed|c2A2A4-|A4z4|] %%% X:52093 T:PASSING FANCY (reel), The C:© E.Reavy S:S: Ed Reavy Collection Z:Z: McKenty/Black N:N: A nice uncomplicated (read: no accidentals) tune that I've never heard N:anyone play. Q:1/4=180 M:4/4 L:1/8 %R:reel K:G %%text "allegro moderato" %%vskip .3in F|G2 Bd cAFA|GBAG FDB,D|G2 Bd cA FA|defd cAFA| G2 Bd cA FA|GBAG FEFA|GBAc Bdeg|fdcA BGG:| f|gfeg fedf|gfga bgef|gfeg fedf|ecAG FGAf| g2 eg fedf|gfga bgeg|bg af agfg|ecAc BGG:| %%% X:44146 T:PASSING SHIP* (reel), The S:S: NFID.075b < JD ("untitled reel") Z:Z: ABC/arr. BB Q:1/4=180 L:1/8 M:C %R:reel K:Ador AG|EAAB c2BA|GBdc BAGD|EAAB cdef|gedB eAAG| EAAB c2BA|GBdc BAGD|EAAB cdef|gedB eAAg|| eaag edBd|g2bg edBd|g2bg efge|dBgB BAAg| eaag edBd|g2bg edBd|gabg efge|dBgB cBAG|HA4z4|| %%% X:22120 T:PASTRY CHEF* (jig), The S:S: DMWC.104 ("unknown") Z:Z: ABC/arr. BB N:N: The first part of this reminds me of "Cook in the Kitchen" (without the N:F naturals), hence my name for it! M:6/8 L:1/8 Q:1/4=160 %R:jig K:G A|BAB GAG|FDE F2G|AGA fed|cAG EFA| BAB GAG|FDE F2G|AGA gfd |cAG G2 :| d|g3 afd|gfg a2d|gfg b2g|a2g fga| geg fed|ged cde|gef ded|cAG G2 :| %%% X:532088 T:PAT BARRY'S* (jig) S:S: RC2.314 ("Old Set Tune" 16) Z:Z: ABC/arr. BB N:N: Source shows only eight measures (= four repeated) in each part of this N:tune. I have expanded it to standard jig length. Q:1/4=160 L:1/8 M:6/8 %R:jig K:G f|gfe d2B|cAA BGG|gfe d2B|cAF G2f| gfe d2B|cAA BGG|gfe d2B|cAF G2:| G|FAA A2B|cAA BGG|FAA A2B|cAF G2G| FAA A2B|cAA BGG|FAA A2B|cAF G2:| %%% X:52094 T:PAT BOYLE OF GLENCOLUMKILL (reel) C:© E.Reavy S:Ed Reavy Collection % Z:Z: McKenty/Black N:N: I'm not sure what the F naturals in mm 2 and 6 are doing there, but since N:they're unaccented I left them in. Q:1/4=180 M:4/4 L:1/8 K:Dmix %%text "allegro moderato" %%vskip .3in DEFG AcBd|cAG=F ECC2|DEFG AcBd|cAGE D2D^C| DEFG AcBd|cAG=F ECC2|DEFG AcBd|cAGE D3A|| def^g a2fd|cdef g2 ec|def^g a2fd|cAGE FDDc| def^g a2fd|cdef g2 Bc|dfeg fdcA|GBAG F2E2||\ "^coda"[D8d8]|| %%% X:41268 T:PAT BURKE'S (jig) Z:Z: ABC/arr. BB Q:1/4=160 %R:jig N:N: I called this "Joe Burke's #2" in MVBT-1. However the "real" name (if N:there is any such thing) was eventually supplied by DC musician and N:tune detective Philippe Varlet. I believe Pat was Joe's dad. M:6/8 L:1/8 K:Dmix A|FAD FAD|fed cAG|EGC EGC|cBd cAG| FAD FAD|fed cAG|EFG BAG|FAD D2 :| g|fed ceA|ceA cBA|fed fed|cec d2 e| fed ceA|ceA cBA|EFG BAG|FAD D2 :| %%% X:52095 %%staffwidth 650 T:PAT CLARK'S (reel) C:© E.Reavy S:S: Ed Reavy Collection Z:Z: McKenty/Black N:N: Another of many in the book that I think deserves to be played a lot more even if it N:means you have to do some "octave manipulation" in the first ending!) Q:1/4=180 M:4/4 L:1/8 %R:reel K:D %%text "allegro moderato" %%vskip .3in D2FD FAAc|defd gbeg|fedf ecAF|GBAG EDCE| D2FD FAAc|defd gbeg|fedf edce|1 dBAF DA,G,A,:|\ [2 dBAF D3|| g|fedf ecAF|GBAF GEEF|DFAF EGBG|FAdf e2 fg| afbf gfec|defd AGFA|G2 BG F2 AF|EDCE D3:| %%% X:41269 T:PAT ENRIGHT'S POLKA S:S: MVBT < M.Mulvihill Z:Z: ABC/arr. BB %R:polka Q:1/4=120 M:2/4 L:1/8 K:G D2 D2|EG G2|A2 AG|EG Ad| D2 D2|EG Ge|dB AB/A/|G4 :| d2 Bd|e2 ge|dB AG|EG AB| [1 d2 Bd|e2 ge|dB AB/A/|G4:| [2 D2 D2|EG Ge|dB AB/A/|G4|] %%% X:342085 T:PAT HARTE'S FANCY (jig) C:Joe Liddy Z:Z: ABC/arr. BB S:S: Liddy2.2 Q:1/4=160 M:6/8 %R:jig K:Am G|EAB cBc|EAB cde|ged ege|dcA GED | [1 EAB cBc|EAB cde|age ded|cAG A2 :| [2 EAB cBc|dcd efg|age ded|cAG A2 || |:e|a2a gab|age dBd|eAA edB|dBA GBd | [1 eae gab|age cde|fed cde|cAG A2 :| [2 eae gab|age cde|age ded|cAG A3 |] %%% X:44147 T:PAT HARVEY'S MAZURKA* S:S: NFID.177b < Byrne Bros. (as "Mazurka") Z:Z: ABC/arr. BB Q:1/4=120 L:1/8 M:3/4 %R:waltz K:G %%text A-B-A %%vskip .3in ga|bg d2 B2|GB e2 g2|fd (3cdc A2|GB e2 g2| bg d2[c2E2]|Ac e2 g2|fe [D2d2]f2|a2 g2:| |:gd|Bd g2 ge|fg a2 g2|fg e3f|ge[G,2G2d2][D2B2]| d2g2-ge|fg a2 g2|fe [D2d2]f2|a2"_DC"g2:| %%% X:581144 T:PAT HEALY'S HORNPIPE S:S: WSGM.310 < John Kelly, SFO Z:Z: ABC Kinder/Black (arr.) M:4/4 L:1/8 Q:1/4=150 %R:hornpipe K:G %swing .25 dB|cBAc BAGA|Bdef g2af|gedB cdef|gedB A2dB| cBAc BAGA|Bdef g2af|gedB cBAc|B2 G2 G2:| ef|gbaf gdBd|gbaf g2af|gedB cdef|gedB A2 dB| cBAc BAGA|Bdef g2 af|gedB cBAc|B2 G2 G2:| %%% X:16371 T:PAT IN A PASSION (jig) S:S: CIAJ Z:Z: ABC/arr. BB L:1/8 M:6/8 %R:jig Q:1/4=160 K:A dorian %%text "con spirito" %%vskip .3in f|ecA AcA|ecA A2A|ecA AcA|dBG G2d| ecA AcA|ecA A2f|gag gfe|dBG G2 :| % c|Ace aec|ABA A2c|Ace aec|GAG G2B| Ace aec|ABA A2f|gag gfe|dBG G2 :| % A/B/|cBA AGE|ABA ABc|cBA AGE|GAG GAB| cBA AGE|ABA Aef|gag gfe|dBG G2 :| % e/d/|cAA eAA|cAA Aed|cAA eAA|cAG Ged| cAA eAA|fAA eAA|gag gfe|1 dBG G2 :| [2 dBA gdB|HA6|] %%% X:182095 T:PAT KELLEGHER'S (slip jig) S:S: CRE.2 Z:Z: ABC/arr. BB N:N: Breathnach gives "Ta na Caimbéalaigh ag Teacht" ("The Campbells are N:Coming") as the Gaelic name of this tune. My reaction: ??? Q:1/4=160 L:1/8 M:9/8 %R:slip jig K:G GAB GAB EDE|GAB d2d edB| GAB GAB EDE|Bee e2B dBA:| Bee e2f gfg|Bee e2B dBA| Bee e2f gfg|agf gfe dBA:| "^coda"HG6z3|] %%% X:54055 T:PAT LYONS' REEL S:S: SRHI.34b Z:Z: ABC/arr. BB C:Seán Ryan Q:1/4=180 L:1/8 M:C %R:reel K:Dm F2 GE FGAB|cAfd cAGB|ADD2 CDEG|AGcG AGEC| F2 GE FGAB|cAfd cAG2|Add2 cAGE|CEGE FDD2:| Addc defd|ecc2 gcec|Addc defa|gecd eddc| Addc defd|ecc2 gceg|fa ge fdec|Addc d4:| %%% X:59219 T:PAT MALONE S:S: JOB Z:Z: ABC/arr. BB L:1/8 M:6/8 K:G %%text "air" %%vskip .3in dB|G2G G2A|B3 d2B|G2A G2F|E3-E2G| A2A A2B|A2G F2E|D6-|D3d2B| G2G G2A|B3 d2B|G2A G2F|E3 A2B| c2B c2A|F2D E2F|G6-|G3z2|| D|G2F G2A|B2A B2c|d6-|d3z2D| G2G F2G|A2G F2E|D6-|D3 d2B| G2G G2A|B3 d2B|G2A G2F|E3 A2B| c2B c2A|F2D E2F|G6-|G3z3|] %%% X:41270 T:PAT MARSH'S KEYHOLE (reel) C:P.J.King S:S: MVBT Z:Z: ABC/arr. BB Q:1/4=180 M:4/4 %R:reel K:D A|dcBd AFF2|DFBF AF F2|dcBd ABde|f2 df edBA| dcBd AFF2|DFBF ABde|f2 df edef|afea fdd :| B|Add2 edBc|Adbf afeg|fdd2 efdB|AF F2 GFED| Add2 edBc|Adbf afeg|fAdf efdb|afea fdd :| %%% X:41271 T:PAT McMAHON'S (reel) S:S: Mike Reynolds (manuscript) N:N: 1: a/k/a/ "Rathcroghan" (Treoir), "Floating Crowbar" ("Crossroads Dance") N:N: 2: It seems to be a matter of player preference as to whether the C's in mm N:7, 8, and 16 are played sharp or natural. Since Mike Rafferty and Willie Kelly N:recorded "Floating Crowbar" with C naturals ( on "New Broom" (2009), I N:figured I'd keep them in this version. Z:Z: ABC/arr. BB %R:reel Q:1/4=180 M:4/4 L:1/8 K:D dB|ADFD ADFD|ADFD A2 GF|EGGF GAGF|EG G2 GABd| ADFD ADFD|ADFD A2 FG|AGAB =cded|=cAGE D2 :| FG|Addc d2cd|eaag efge|A2 GB AGFG|A2GF EFGE| Addc d2cd|eaag efge|a2 ge dfed|=cAGE D2 :| %%% X:13384 T:PAT McNICHOLAS' (polka) S:S: BSMI.3 Z:Z: ABC/arr. BB Q:1/4=200 %R:polka M:2/4 L:1/8 K:G B|df/e/ d>A|BG GF/G/|AD F>D|AG Gc| df/e/ d>A|BG GF/G/|AD F>D|AG G:| D|GB/d/ ge|fd fe/d/|GB/d/ ge|fd fe/d/ | GB/d/ ge|fd fg|ad fe/g/|agg :| "^coda"agHg2|] %%% X:38218 T:PAT McNULTY'S FANCY (reel) C:P.McNulty S:S: "The Piper's Dream" (Pat McNulty) Z:Z: ABC/arr. BB Q:1/4=180 L:1/8 M:4/4 %R:reel K:G % %%text source key = A %%vskip .3in D2|G2FG DGBd|gfed ^cdBG|A2^GA EAcB|ADFA d^cBA| G2FG DGBd|gfed ^cdgB|ABcd egfe|dBcA G2:| df|gBAB dgBd|gd^cd BGAB|cede aece|afda fdef| gBAB dgBd|gd^cd BGAB|cdef gedc|BcAB G2:| %%% X:532089 T:PAT MURPHY THE PIPER (slip jig) S:S: RC2.337 Z:Z: ABC/arr. BB Q:1/4=160 L:1/8 M:9/8 %R:slip jig K:D G|Add dcd efg|afd Bee cAA| [1 Add dcd Bcd|efe dcB AF:| [2 Add dcd efg|afa gec d2|| |:B|AFA Gec d2B|AFA GFE D2B| [1 AFA GEc d2e|fff fec d2:| [2 AFA GEa a2g|fdf gec Hd3|] %%% X:37139 T:PAT MURPHY'S POLKA* S:S: MFC.114e (unnamed) Z:Z: ABC/arr. BB Q:1/4=250 L:1/8 M:2/4 %R:polka K:Em B/A/|BE ED|B,E E>G|FD D>E|FG A/B/c/A/| GE EE/D/|B,E E>F|GB AF|E2 E :| B/A/|Be e>d|eB BA|Be ed|e2 e>f| ge fg/f/|eB B>A|GE EF|GA B :| %%% X:182024 T:PAT O'BEIRNE'S FAVORITE (jig) S:S: CRE.2 Z:Z: ABC/arr. BB L:1/8 M:6/8 Q:1/4=160 %R:jig K:G e|dBG AGE|DGE DED|GAB AGA|BAG ABc| [1 dBG AGE|DGE DED|GAB AGA|BGF G2:| [2 dBG AGE|DGE D2E|GFG AGA|BGF G2|| |:A|Bdd Bee|Bdd dBG|Bdd Bee|dBG A2c| Bdd Bee|Bdd dBA|GAB AGA|BGF G2 :| %%% X:581145 T:PAT ON PARADE (hornpipe) S:S: WSGM.074 < F.O'Neill Z:Z: ABC Kinder/Black (arr.) N:N: Repeats added. M:4/4 L:1/8 Q:1/4=150 %R:hornpipe K:D %swing .25 Bc|d2dc d2ef|gece d2ef|gfgb afdf|edcB ABcA| dfef d2 ef|gece d2ef|gfgb afef|d2 dc d2 :| ef|gfga b2ag|fefg a2 fe|dcde f2 ed|eaab agfe| d2fe d2ef|gece d2ef|gfgb afef|d2 dc d2 :| %%% X:342086 T:PAT THE TAILOR (hornpipe) Z:Z: ABC/arr. BB C:Joe Liddy S:S: Liddy2.17 L:1/8 N:N: Dotted rhythm in source. Q:1/4=150 M:C| %R:hornpipe K:G %swing .25 ef|g2fa edBd|eBAB GEDE|G2AE GABd|gedB A2 ef | ge FD edBd|egdB AGEF |1 GBeB dBAB|G2AE G2 Bd :| [2 GABd gedB|AGEF G2 |:BA|Beef gaba|ge fd edBA| Beef gabg|agfg e2ed |Beef gfga|bg af gedB | [1 GBEB dBAB|G2AE G2 :|2 GABd gedB|AGEF HG4 |] %%% X:495286 T:PAT TUOHEY'S REEL S:S: ONMI.1340 Z:Z: Brennan/Black N:N: 1: "A noted uilleann piper who Chief O'Neill 'persuaded' to leave a show N:in New York for the refined and salubrious life of a policeman in Chicago." N:(Brennan) N:N: 2: In O'Neill's own "Irish Minstrels and Musicians" Patsy's last name N:is spelled 'Tuohey' (with an 'e').. He was born near Loughrea, Co. Galway N:in 1865 and died in the Bronx in 1923. Q:1/4=180 %R:reel M:C| L:1/8 K:Em BEE2 BAFE|D2FD ADFD|BEE2 BAFE|1 Bdeg fdec:| [2 Bdeg fee2|:e2ge Bege|defg agfg|e2ge Bege| defa gee2|e2ge Bege|defg a2ga|bgaf gefe| defa gee2|] %%% X:182058 T:PAT WARD'S (slide) T:Búcla Glúine an Híleantóra S:S: CRE.2 Z:Z: ABC/arr. BBc N:N: Breathnach's Gaelic title refers to "The Highlander's Kneebuckle", which N:appears as a reel elsewhere in this archive. I guess there's some similarity N:but I wouldn't say this tune is just a slide version of "Highlander's". L:1/8 M:12/8 Q:1/4=180 %R:slide K:D G|FED A2D B2D A2D|F2A A2G EFG E2G| FED A2D B2D A2z|Bcd e2c d2B A2G| FED A2D B2D A2D|DED A2G E2F E2G| FED A2D B2D A2D|Bcd e2c d3-d2|| % B|A2d f2d e2d f2d|A2d f2d efe dcB| A2d f2d efg e2f|gfe f2d B3 AFG| A2d f2d e2d f2d|A2d f2d efg e2f| gfe fed fed cBA|Bcd e2c d3-d3|] %%% X:16312 T:PAT WHAT ARE YOU DOING? (jig) S:S: CIAJ Z:Z: ABC/arr. BB L:1/8 M:6/8 %R:jig Q:1/4=160 K:G %%text "vivace" %%vskip .3in e|: dBA ABA|BAG GAG|dBA ABd|ede efg| dBA ABA|BAG GAB|gfe fed|1 efe efg :|\ [2 efe e2 || |:B|gBe efg|fdB dcB|eBe efg|fdB B2B| eBe efg|fed def|gfe fed|1 efe e2 :| [2 efe efg|e6|] %%% X:184060 T:PAT'S PARLOUR (slide) S:S: CRE.4 Z:Z: ABC/arr. BB L:1/8 M:12/8 Q:1/4=160 %R:jig K:D f/e/|dAF A2d BdB A2A|dcd efg fed eag| fAF A2d BdB A2g|fed Adc d3 d2:| f/g/|afd dcd faf d2f|g2e f2d eAG ABc| dAF A2d BdB A2g|fed Adc d3 d2:| %%% X:62107 T:PATHWAY TO THE WELL (jig), The S:S: GSTC Z:Z: ABC/arr. BB Q:1/4=160 %R:jig M:6/8 K:D F|DFF AFF|BFF AFE|DFF dFF|EDE GFE| DFF AFF|BFF ABc|dcd ege|fdd d2 :| B|Add fdd|add fdd|A2g gfg|ede gfe| [1 Add fdd|add ege|fed cAG|Add d2 :| [2 def gfg|a2g ege|fed cAG|Add Hd3|] %%% X:62106 T:PATRICIA ROGERS' REEL* S:S: GSTC Z:Z: ABC/arr. BB N:N: A "gan ainm" that I named for Dublin's fairest flower and the partner of N:my joys for many years! If somebody comes up with the "right" name for N:this, I'll find another "gan ainm" I can name after Mrs. Black! M:4/4 Q:1/4=180 %R:reel K:G dedB cBAB|G2BG DGBG|A^GAB cBA=G|EAAG ABcA| dedB cBAB|G2BG DGBG|A^GAB cdef|gdcA BGG2 :| dggf gdBd|eaa^g a=geg|fdad bdad|gage dcBc| dggf gdBd|eaa^g a=gef|gage dcBc|d2cA BGG2 :| %%% X:12227 %%staffsep 80 T:PATRICK KEANE'S (reel) S:S: BBMG C:© BB %R:reel Q:1/4=180 M:4/4 L:1/8 K:G A|"G"BGDE G3 A|"Bm7"BdAB "G"GABd|"C"edef "Am7"gage|"G"dedB "D"A2GA| "G"BGDE G3 A|"Bm7"BdAB "G"GFED|"Em"B,DEF GABe|"D"dBAF "G"G3 :| d|"Em"edBd "C"efgf|"Em"e2dB "D7"cBAF|"G"G2 Bd gdBd|"C"edeg "D"a2 ^ga| "Em"bgg/f/g "C"efgf|"Em"edBA "G"GABc|"G"Bd ~d2 "Em"gbge|"D"dBAF "G"G3 :| %%% X:141074 T:PATRICK KELLY S:S: CAR-OS C:O'Carolan Z:Z: Gilb/Brennan/Black M:6/8 L:1/8 K:G %%text "vivace" %%vskip .3in G2d dB/c/d|cAF A/B/cA|FDD DGG|AFF Acc| d/e/ff fg/f/e|f3 f2g|agf edc|agf edc| AFA AFA|c3 d3||FDD DGG|FDD DAA| c2c cAF|cAF c2c|d2d dAd|cAc dfd| cAF fAF|G3 G3|] %%% X:38219 T:PATRICK KELLY'S (reel) S:S: "Music of Ireland - The Big Session" (DJ Taylor) Z:Z: ABC/arr. BB Q:1/4=180 L:1/8 M:4/4 %R:reel K:A c|BEE2 BEcE|BEE2 BEdB|cA A2 cAeA|1 ceef eAd:| [2 ceef e3|:c|dffe dcBA|dffe d3e|f2 fe fgaf| %%stretchlast 0 ecAc e2f :| "^coda"ecAc edBG|HA4z4|] %%% X:38220 T:PATRICK KELLY'S FAVORITE (slide) S:S: "Ag Deanamh Ceoil" (CCE Dublin) Z:Z: ABC/arr. BB L:1/8 M:12/8 Q:1/4=170 %R:slide K:A dorian EG|ABA AGE c2B c2d|ege edB gfg e2d| Bdf gfg ecA GAB|cBA BGE A3-A:| Bd|eaa aga g3 gfg|a3 age gea ged| Bdf gfg ecA GAB|cBA BGE A3-A:| %%% X:57129 T:PATRICK KELLY'S SLIDE S:S: Treoir Z:Z: ABC/arr. BB M:12/8 L:1/8 Q:1/4=170 %R:slide K:G A|GED GBA GED G2A|GED GAB dBA B2A| GED GAB def g2 a|bag ege dBG A2 :| c|d3 edB def gfg|d3 edB dBG A2c| dcd edB def g2 a|1 bag efe dBG A2 :| [2 bag ege dBG AFD|HG6z6|] %%% X:182121 T:PATRICK O'CONNOR'S* (polka) S:S: CRE.2 < Barrett (unnamed) Z:Z: ABC/arr. BB Q:1/4=120 L:1/8 M:2/4 %R:polka K:Adorian AB/A/ eA|eA e2|dB gB|dB g2| AB/A/ eA|eA e2|dB gB|A2 A2:| ag ef/g/|ag e2|dB gB|dB g2| ag ef/g/|ag e2|dB gB|A2 A2:| %%% X:46077 T:PATRICK O'DERMOT S:S: OFHC14.01 Z:Z: ABC/arr. BB N:N: This sounds like about 1,325 other tunes. Maybe not unique but nice N:nonetheless. Name sounds a little bogus (ever know anybody named N:"O'Dermot"?) - but who knows? Q:1/4=180 L:1/8 M:C %R:reel K:G B|DGBG dGBG|DGBG cAAB|DGBG dGBG|ecBA BGG :| e|g2dB ecAc|g2bg faab|babg afge|dedc BGG :| %%% X:12228 %%staffsep 80 T:PATRICK SCULLY'S (jig) S:BBMG C:© BB 2009 L:1/8 M:6/8 Q:1/4=160 %R:jig K:A A|"A" cBc "Bm" BAF|"F#m" EFA AGF|"A" EAA "D"FAd|"A" cBA "E" B2A| "A" cBc "E" BAG|"F#m" FGA "A" EDC|"D" FEF "E" GAB|"A" cAA A2 :| c|"A" ece "F#m" agf|"D" fef "E" bag|"A" aec "D" fed|"A" cde "E" B2A| "A" cBc "Bm" BAF|"F#m" EFA AGF|"A" EAc ecA|"E" dBG "A" A2 :| %%% X:41272 T:PATRICK STREET POLKA, The S:S: MVBT Z:Z: ABC/arr. BB N:N: This started life as a "gan ainm" and was eventually cleverly named by me N:for the band who popularized it. This version is from Jerry O'Sullivan. Q:1/4=120 %R:polka M:2/4 L:1/8 K:A E2 Ec|BA Bc|E2 Ec|BA F2| E2 Ec|BA Bc|E2 e>c|BA A2 :| ce B>c|BA FE|ce B>c|BA A2| ce B>c|BA FA|E2 e>c|BA A2 :| %%% X:331069 T:PATRICK'S DAY (jig) (1) N:N: set dance Z:Z: ABC/arr. BB S:S: Levey1.104 Q:1/4=130 % slower than usual jig tempo L:1/8 %R:jig M:6/8 K:G % %%text "quick lively"; source key D %%vskip .3in GAG GBc|ded dBG|AGA BGD|EFE E2D| GAG GBc|ded dBG|AGA BGD|E2F G2z :| def g2e|f2d e2c|def gag| fed e3|def gag|fed efg|| GAG GBc|ded dBG|AGA BGD|EFE E2D| GAG GBc|ded dBG|AGA BGD|E2F G3-|G6|] %%% X:535380 T:PATRICK'S DAY (jig) (2) N:N: set dance S:S: RC3.191 Z:Z: ABC/arr. BB L:1/8 M:6/8 %R:jig K:G D|G>AG GAB|d>ed dBG|AGA BGD|E>FE E2D| G>AG GAB|d>ed dBG|BAB GED|E2F G2:| B|def g2e|f2d e2B|def g2e|fed e2B| def gag|fed efg|dBG GAB|d>ed dBG| AGA BGD|E>FE E2D|G>AG GAB|d>ed dBG| BAB GED|E2F G3|] %%% X:12229 %%staffsep 80 T:PATRICK'S PARK (reel) S:BBMG C:© BB 2011 M:C %R:reel %% A lovely quiet spot in the Liberties of Dublin Q:1/4=180 K:D E|"D"D3E "Bm"FABc|"D"dfed "A"cBAc|"G"d2BG "D"FGAB|"A"ABcA GECE| "D"D3E "Bm"FABc|"D"dfec defg|"F#m"afec "Bm"BcdB|"A7"AGFE "D"D3 :| c|"D"dcdf "Em"edBc|"D"defg "A7"agec|"D"d2fd adfd|"Em"B2eB "A7" gfec| "D"dcdf "Em"edBc|"D"defg "Bm7"afbf|"G"gfeg "Bm"fedB|"A"ABce "D"d3 :| %%% X:331070 T:PATRICK'S POT (jig) Z:Z: ABC/arr. BB S:S: Levey1.80 % Q:1/4=160 L:1/8 %R:jig M:6/8 K:D % %%text "quick"; source key = C %%vskip .3in d2f d2f|ded cBA|B2d c2e|d2f e2A| d2f d2f|ded cBA|Bgf edc|d3 d3 :| ABA F2d|ABA F2d|Bcd efe|gfe dcB| ABA F2d|ABA F2d|Bgf edc|d3 d3 :| %%% X:54056 T:PATRICK'S REEL S:S: SRHI.36a Z:Z: ABC/arr. BB C:Seán Ryan Q:1/4=180 L:1/8 M:C %R:reel K:D B|AD FD ADBD|AD FD EDB,D|BEE2 BEde|BEE2 BAFB| AD FD ADBD|AD FD EDB,D|A,3B, DEFG|ABde fed:| B|Add2 Adfd|Add2 edBd|eBB2 eBgB|eBB2 fedB| Add2 Adfd|Add2 edBd|EG fe d3B|ABde fed:| "^coda"ABde fedc|Hd4z4|] %%% X:51071 %%staffwidth 650 T:PATRIOT (jig), The S:S: TIDT 1/34 C:J.Kelly Z:Z: ABC BB M:6/8 L:1/8 %R:jig Q:1/4=160 K:Em e2d efg|dBG GAB|AFA def|efg fed| e2d efg|dBG GAB|AFA def|gfe e3 :| % gdB B3|dBA AGF|G3 AGA|Bee def| gdB B3|dBA AGF|GAB dBA|1 BGE Eef:|2 Bee e2|| % d|:Bee e2f|gag fed|Bee efg|f^dB cBA| Bee e2f|gag fed|1 B^cd FGA|GEE E2A:| [2 B^cd BAF|GEE E2|:D|GBd dBG|ecA fef| gdc Bcd|ecA A2D|GBd dBG|ecA fef|g2b agf| gee e2:|f|gag fga|bge dBA|Bee fed|ge^c def| gag fga|bge dBA|1 BcB BAF|GEE E2:| [2 B^cd FED|E3 HE3 |] %%% X:12230 %%staffsep 80 T:PATRIOT SUNDAY (reel) S:S: BBMG C:© BB 2006 L:1/8 %% For fans of one of the greatest football teams of all time M:4/4 Q:1/4=180 %R:reel K:Dmix FE|"D"DA,DE F3G|"D"Ad ~d2 BAFD|"C"ECEG c3B|"Am"A=c~c2 AGEC| "D"DFAc d3e|"D"fdBA FGAF|"C"Gc~c2 "G"BGFG|"D"FA "A"GE "D"D2 :| AG|"D"FABA "G"Bdeg|"D"fdad fdBA|"C"EAcB cdeg|"Am7"agab ageg| "D"fdBA "G"Bdeg|"D"f2 af bfaf|"C"ec~c2 "G"Bdeg|"D"fa "A"ge "D"d2 :| %%% X:36051 T:PATSY BAKER (polka) D:D: "Branch Line" (< Coen Bros.) S:S: Mally.HIP.085 Q:1/4=120 %R:polka L:1/8 M:2/4 K:G dG BG|FG Ae|dG Bd|g2 f>e| dG BG|FG Ae|ed cF|1 G2 g>e :|2 G2 Ga|| |:bg/b/ af|gf ed|bg/b/ af|g2 ga| bg/b/ af|gf ed|Bd ef|g2 ga :| "^coda"g2 f>e |Hg4|] %%% X:41273 T:PATSY CAMBELL'S (reel) S:S: MVBT Z:Z: ABC/arr. BB Q:1/4=180 M:C| %R:reel K:D % %%text source key = A %%vskip .3in fe|dcAF G2 AG|FDDE FGAB|=cBcA G2 FG|Adde fdec| dcAF G2 AG| FDDE FGAB|=c3A G2 FG|Adde d2 :| de|f2 de fgaf|edcd efge|f2 de fgaf|edcB A4| faaf abaf|g2 ef g2fg|abag fdec|Adde fdec|| "^coda"d4z4|] %%% X:13323 T:PATSY CAMPBELL (reel) S:S: BSMI.3 Z:Z: ABC/arr. BB %R:reel Q:1/4=180 M:4/4 L:1/8 K:D %%text A-B-A %%vskip .3in fe|d2AG FGAB|=c2AB cdec|dcAG FGA2|fage d2 :| z2|fdd2 fgaf|e=c c2 efge|fdd2 fgaf|edcB A3e| fa2f a4|gbaf g2fg|a2ag fgfe|dede fafe || %%% X:57130 T:PATSY G'S FAVOURITE (hornpipe) C:Brian O Kane S:S: Treoir 49/2 Z:Z: ABC/arr. BB Q:1/4=160 %R:Hornpipe M:C K:G E|DGBG dgfe|d2Bd edcB|AEE2 cBAG|FAEA DCB,C| DG,B,D EGFE|DG,B,D GABd|ecgf ecAG|FADF G3:| B|g2df gGBd|bdad gfed |BGG2 AcAG|FDFA cdfa| g2dc BGF=F|ECEG egfe|d2cd cDFG|AGGF G3:| %%% X:342087 T:PATSY GARDINER'S DELIGHT (reel) Z:Z: ABC/arr. BB C:Joe Liddy S:S: Liddy2.24 Q:1/4=180 M:4/4 L:1/8 %R:reel K:D de|f2ef dcAF|G2AG FDDE|F2FG AGAc|dfef dcAc | f2 ef dcAF|A2GE FDDE|FGAd cdAG|FDEF D2 :| % FG|A2 de f2 ge|fedc dAAG|Addc defg|fedc Ad d2 | fedf edcA|dcAG FDFG|AdcA dcAG|FDEF D2 || DE|F2 FE FGAc|dedc AGAc|defg afge|fedc Adde | f2df edcA|d2AG FGAc|dfef dcAG|ADEF HD4 |] %%% X:41274 T:PATSY HANLEY'S REEL (a) S:S: MVBT < J.O'Sullivan - Kelly Bros. Z:Z: ABC/arr. BB N:N: I first heard this tune played by Jerry O'Sullivan and the Kelly brothers. N:I don't know if Patsy composed it or not. Q:1/4=180 %R:reel M:4/4 L:1/8 K:D AF F2 E3F|DEFD E3B|AF F2 A3B|defd efeB| AF F2 E3F|DEFD E3B|AF F2 A3B|defe d4 :| f2 df efde|f3e faa2|fd d2 efdB|ABdf efde| f2 df efde|f3e faa2|bf f2 afdB|ABdf ef d2 :| %%% X:38221 T:PATSY HANLEY'S REEL (b) S:S: "Sully's Irish Music Book" (T. Sullivan) Z:Z: ABC/arr. BB L:1/8 M:4/4 Q:1/4=180 %R:reel K:D e|f3d edBd|f3e fg a2|f3d edBd|ABdf efde| f3d edBd|f3e fg a2|bf f2 afdB|ABdf efd|| B|AF F2 EDEF|D2 FD EDEF|AFBF AFEF|1 defd efd:| [2 defd efdB|Hd4z4|] %%% X:12231 %%staffsep 80 T:PATSY the DUB (jig) S:BBMG C:© BB Q:1/4=160 %% For Patsy Whelan RIP L:1/8 M:6/8 %R:jig K:G "G"DGG dGG|"D"FGA FED|"G"DGG dGG|"Am"ABc "D"d^cd| "G"DGG dGG|"D"FGA ABc|"G"ded "Am"cAF|"D"AGF "G"G3 :| "C"gfe "G"dcB|"Am"AcE "D"FED|"Em"EGG BAB|"A"ed^c "D"d2 f| "G"gfg "D"afd|"Am"cec "G"dBG|"C"EGc "Em"BGE|"D"AFD "G"G3 :| %%% X:181178 T:PATSY TUOHEY'S (reel) S:S: CRE.1 Z:Z: ABC/arr.BB N:N: As noted elsewhere, O'Neill ("Irish Minstrels and Musicians") confirms N:that the spelling of Patsy's last name includes an "e". Q:1/4=180 L:1/8 M:4/4 %R:reel K:Em dc|BEE2 BAFA|D2DF ADFD|BEE2 BAFA|Bdeg fdec| BE E2 BAFA|D2DF ADFD|BE E2 BAFA|Bdeg fe :| Bd|e2 ge bege|defg afdf|e2 ge bege|defa geed| e2 ge bege|defg a2 (3fga|bgaf gefd|Bdeg fe :| "^coda" Bdeg feHe2|] %%% X:38222 T:PATSY TUOHEY'S JIG S:S: "Trip to Sligo" (B.Flaherty) Z:Z: ABC/arr. BB M:6/8 L:1/8 Q:1/4=160 %R:jig K:D F/G/|A2d cAG|ABA A2 G|FEF DEF|GFG EFG| A2 d cAG|ABA A2 g|fed edc|Adc d2:| e|f2e fed|efe edc|dcd dcd|ecA Ade| faf fed|ege e2g|1 fed cAG|Adc d2:| [2 faf ede|fdc d3|] %%% X:581146 T:PATSY'S PIGEON ON THE GATE* (reel) S:S: WSGM.290 < Patsy Touhey manuscript Z:Z: ABC Kinder/Black (arr.) N:N: There are so many versions of this tune that I figured giving this one a N:name of its own wouldn't be a problem! M:4/4 L:1/8 Q:1/4=180 %R:reel K:Edor dc|BEE2 BdcA|BEE2 B2AF|D2FD ADFD|FAAc BAFA| BEDE BdcA|BEDE B2 AF|A2Bc dcde|fedf e2:| ed|Beed efed|Bdef gfec|dBAF DFAF|Bdef gfed| Beed efed|Bdef g2ga|bgaf gfed|egfd e2:| %%% X:531080 T:PATTERN DAY (jig), The S:S: RC1.124 Z:Z: ABC/arr. BB Q:1/4=160 L:1/8 M:6/8 %R:jig K:A E|ABA AFE|FAA Ace|fed c2c|cBA F2G| ABA AFE|FAA Ace|fga ecA|BAA A2:| A|Ace ecA|Ace e2e|fed c2c|cBA F2G| ABA AFE|FAA Ace|fga ecA|BAA A2:| %%% X:45033 T:PAULINE'S BIRTHDAY (polka) C:T.O Canainn S:S: NTFO.026b Z:Z: ABC/arr. BB Q:1/4=140 M:C| %R:polka K:G D3E GABd|gdBd edBd|D3E GABd|gdBA G4:| B3d gded|B3d gBA2|B3d gded|g3a bag2:| %%% X:45034 T:PAULINE'S POLKA C:T.O Canainn S:S: NTFO.023b Z:Z: ABC/arr. BB M:C| Q:1/4=140 %R:polka K:G Bded gedg|Bded gBA2|Bded gedg|BdgB AGG2:| Bdd2 edBA|BGg2 ABc2|Bdd2 edBA|Bd gB AGG2:| %%% X:39092 T:PAY HIM NO HEED* (jig) S:S: MSIST.35b as "Jig Naboelish" N:N: "Naboelish" = misprint (?) in original for "Naboclish", Mulholland's N:"Englishing" of "Na Bac Leis" = "pay no attention", "don't mind him" Q:1/4=160 L:1/8 M:6/8 %R:jig K:D A|B2c d2e|fed c3|B2c d2e|f2g fdB| B2c d2e|fed c3|A2B c2d|e2f ec :| g|a2f g2e|f2d c3|B2c d2e|f2g fdB| a2f g2e|fed c2B|A2B c2d|e2f ec :| "^coda"e2f ecA|Hd3z3|] %%% X:21160 T:PAY THE GIRL HER FOURPENCE (reel) S:S: DMI.0804 Z:Z: Nordberg/Black %R:reel Q:1/4=180 M:C| L:1/8 K:Em fe|dBB2 dBGB|dcAc g2fe|dcBc dBGf|gefd egfe| dBB2 dBGB|dedB dfga|bagb afdf|gefd e2:| ef|g2bg fgaf|gefd edBd|g2bg f2af|gefd e3f| gabg fgaf|gefd edBd|g3e fefg|afdf e2:| %%% X:181019 T:PAY THE RECKONING (jig) (1) S:S: CRE.1 Z:Z: ABC/arr. BB N:N: This is usually "reckoned" to be one of Squire Jackson's tunes (sorry). M:6/8 Q:1/4=160 %R:jig K:G D|G2e dBG|BAB dBA|G2e dBG|AGA BGD| G2e dBG|BAB deg|age dBG|AGA BG:| D|gag f2f|ede def|gfg efg|aga bge| gbg a2g|edB deg|age dBG|AGA BG:| %%% X:251079 T:PAY THE RECKONING (jig) (2) Z:Z: ABC/arr. BB M:6/8 S:S: FS1.26b L:1/8 Q:1/4=160 %R:Jig K:G E|G2e dBG|BAB dBA|G2 e dBG|AGA BGE| G2 e dBG|BAB deg|age dBG|AGA BG :| e|gbg faf|efe def|gfg efg|a2 a bge| gbg faf|efe deg|age dBG|AGA BG :| %%% X:48147 T:PAY THE RECKONING (jig) (3) S:S: OFPC1.20 ("Irish") Z:Z: ABC/arr. BB % Q:1/4=160 M:6/8 L:1/8 %R:jig K:G G2e dBG|BAB dBG|G2e dBG|A2A BGE| G2e dBG|BAB def|gfe dcB|ABA BGE:| gbg faf|ege dcB|gbg faf|g2a bge| gbg faf|ege def|gfe dcB|ABA BGE:|\ "^coda"G6|| %%% X:491464 %%historyfont 15 T:PEACE OF THE VALLEY, The C:Michael Balfe (1808-1870) S:S: ONMI.0497 Z:Z: Brennan/Black (arr.) N:N: Note 14 measures N:N: I meantion elsewhere my mystification as to the Chief's reasons for including N:works by this basically classical composer in the 1850, DMI, Waifs & Strays, etc. M:C L:1/8 K:C %%text "moderate" %%vskip .3in zG2|G2A>G GEGc|e6e2|e2d>c B2d>G|c4z2|| G>A|B2c>B B2 c>B|e2g2 (3g^fe (3edc|cB2 Gc B2A|\ G4z2zG|G2A>G GEGc| e2dc f2ga|G2c>d cB2G|g4-gf/e/ d/c/B/A/|_A2G2 edfe|\ c4-c4|] %%% X:27070 T:PEACEFUL GREEN GROVE* (reel), The S:S: HOC.096 (unnamed) Z:Z: ABC/arr. BB Q:1/4=180 N:N: Harding's version of "Green Groves of Erin". M:C L:1/8 %R:reel K:A dorian G|A2cA eAcA|BGBd gdBG|A2cA eAcA|BGED EAA :| d|eaag eaag|efgf efgf|eaag eaag|edef gdBG | eaag bgag|efge afge|defa bgaf|gedB eAA:| %%% X:492160 T:PEACEMAKER (hornpipe), The S:S: ONMI.1666 < J.O'Neill Z:Z: Brennan/Black %R:hornpipe Q:1/4=150 M:C| L:1/8 K:G %swing .25 A2|GBdB cBAG|cBcd c2BA|GBdB cBAG|d2DD D2D2| GBeB cBAG|cBcd efge|dedc BGAF|G2G2G2:| d2|gfga gfed|cBcd c2c2|agab agfe|f2dd d2ef| gfga gfed|cBcd efge|dedc BGAF|G2G2G2:| %%% X:28022 T:PEACOCK (air), The S:S: ISQT.17a Z:Z: ABC/arr. BB Q:1/4=100 N:N: Source of ballad "The Parting Glass" M:C K:Em B>A|G2E2 E2D>E|G2G2 A2G>A|B2B2 BcBA|G2E2 D2B>A| G2E2 E2D>E|G2G2 A2G>A|B2B2 BcBA|B2E2 E2 :| B>c|d2d2 d2cB|g2d2 d2cB|c2B2 A2G2|B2E2 D2B>A| G2E2 E2D>E|G2G2 A2 G>A|B2B2 BcBA|B2E2 E2 :| %%% X:183219 T:PEACOCK'S FEATHER (1b) (hornpipe) S:S: CRE.3 Z:Z: ABC/arr. BB %R:hornpipe L:1/8 Q:1/4=150 M:C K:D %swing .25 DE|FEED AGAB|defd B2ef|gefd e2dB|AGFD E2E2| FEED AGAB|defd B2ef|gefd e2dB|Adge d2:| fg|afge fdec|defd Bdef|g2fd e2dB|AGFD E2DE| FEED A2AB|defd B2ef|gefd e2dB|Adge d2:| %%% X:41276 T:PEACOCK'S FEATHER (2a) (hornpipe), The Z:Z: ABC/arr. BB %R:hornpipe Q:1/4=150 M:4/4 L:1/8 K:Ddor %swing .25 AG|F2 E2 D2 DE|FEFA G2 FG|Adde dcAG|FDA,=B, C2 AG| F2 E2 D2 DE|FEFA G2 FG|Adde dcAG|FDEC D2 :| A=B|c2 cA d2 dA|dcA^F G2 FG|Adde dcAG|FDA,=B, C2 AG| F2 E2 D2 DE|FEFA G2 FG|Adde dcAG|FDEC D2 :| %%% X:183218 T:PEACOCK'S FEATHER (2b) (hornpipe) S:S: CRE.3 Z:Z: ABC/arr. BB %R:hornpipe L:1/8 Q:1/4=150 M:C K:D dorian %swing .25 AG|FDEC D2CE|FEFA G2FG|Add2 dcAG|F2A,B, CDAG| FDEC D2CE|FEFA G2FG|Add2 dcAG|F2D2D2:| AB|c2c2 d2Ac|dcAF G2AB|c2AB dcAG|F2A,B, CDAG| FDEC DCDE|FGFA G2FG|Add2 dcAG|F2D2D2:| %%% X:41275 T:PEACOCK'S FEATHER (a) (hornpipe), The S:S: MVBT < De Danann Z:Z: ABC/arr. BB N:N: The first of two settings of this tune from De Danann's"Traditional Music N:of Ireland" LP (1977). There are no liner notes to that recording so I'm not N:sure where the band got either version. Q:1/4=150 M:4/4 %R:hornpipe L:1/8 K:D %swing .25 DE|FEED A2 AB|defd B2 ef|gefd edBd|AFDF E2 DE| FEED A2 AB|defd B2 ef|gefd edBd|1 AFDF D2 :|2 Adaf de|] |:fg|afge fdec|defd B2ef|gefd edBd|AFDF E2 DE| FEED A2 AB|defd B2 ef|gefd edBd|1 Adaf de :|2 AFEF D4|] %%% X:31184 T:PEACOCK'S FEATHER (jig), The Z:Z: ABC/arr. BB S:S: JOL.125 Q:1/4=160 L:1/8 M:6/8 %R:jig K:D B|AFA DFE|DEF A2d|BGG dGG|BGG BAd| AFA DFE|DEF A2B|def gfe|fdB BA :| G|A2d fdd|edd fdd|Add fdd|edB BAF| A2d fdf|ede fdd|faf g2e|fdB BA :| "^coda"fdB AGE|D6|| %%% X:12232 %%staffsep 80 T:PEADAR'S NEW CALF (reel) S:S: BBMG C:© BB %R:reel Q:1/4=180 M:4/4 L:1/8 K:D D|"D"FAdc "Bm"BF~F2|"A"GEAG "D"FD~D2|"A"CEGE "D"FAdf|"G"gfed "A"e2 ce| "Bm"fdBd "F#m"AF~F2|"Bm"BAFD "Em"EFGB|"D"A2FA dBAF|"A"EGFE "D"D3 :| e|"Bm"fdBd bafe|"G"dB~B2 dBGB|"D"Adfa "Bm"bfaf|"Em"gfed "A"e2 ce| "Bm"fdBd "F#m"AF~F2|"G"GBdB "D"Af~f2|"Em"gfed "Bm"fdBd|"A"AFGE "D"D3 :| %%% X:12354 %%staffsep 80 T:PEAK of PERFECTION (reel), The S:S: BBMG C:© BB 7/22 %% For Stu Peak M:C %R:reel Q:1/4=180 K: D A|"Bm"B2AB "D"dAFA | "G" G2BG "A"AGFE |\ "D" DF (3FEF D3A | GFGA "Bm"B2de | "D" f2ed "A"cB (3ABc | "D" d2 (3Bcd "Em" e2fg | \ "D"a3f "Em"gedB |"A"AGFE "D" D3 :| z|"A" EFGF "Em"EFGB | "A"ABce "D"d3a|\ "G" b2gb "D"a2fa| "G" gfed "A"cecA | "Bm" dBfB "A" edcB | "D"A2GF "A"EAce |\ "D"fAdf "Em"e2fg |"A7"agec "D" d3 :| %%% X:491465 T:PEARL OF THE FLOWING TRESSES, The S:S: ONMI.0284 < F.O'Neill Z:Z: Brennan/Black (arr.) M:3/4 L:1/8 K:Am %%text "rather slow"; source key = Gm %%vskip .3in E2|A2 A2 A>B|A4 ge|d2 B2 B>A|G4 AB| c2 c2 B>A|^G2 A2 d>B|B2 A2 A2|A4|| e2|a2 a2 a2|b4 a2|ag ed e^f|g4 a/g/e/d/|| c2 c2 B>A|^G2 A2 d>B|B2 A2 A2|A6|] %%% X:535381 T:PEARL OF THE IRISH NATION, The S:S: RC3.029 Q:1/4=100 Z:Z: ABC/arr. BB L:1/8 M:4/4 K:Gm %%text "moderato molto" %%vskip .3in FG|A3G G2FG|A2A2 f3d|c2A2 A3F|B3G F2FG| A2G2 G2FG|A2A2 f3d|c2A2 F2A2|G4-G2|| dc|d3g g2fg|a3g g2fg|a3f f>dcd|_e3f d2 g/f/d/c/| A2G2 G2FG|A2A2 f2ag|gfdc A2A2|G8|] %%% X:491466 T:PEARL OF THE WHITE BREAST, The S:S: ONMI.0511 Z:Z: Brennan/Black (arr.) Q:1/4=100 M:C L:1/8 K:F %%text A-B-A; "slow with feeling" %%vskip .3in cd/e/|f>edc f3d|cAGF G2AB|c2AF BAG>F|F6:| cB|Acdf e3c|fed>c c3c|defa gfed|c6|] %%% X:56044 T:PEARSE'S MARCH TO THE GPO C:V. Broderick S:S: Turoe.26a Z:Z: ABC/arr. BB M:C L:1/8 Q:1/4=120 K:G Bd|e3f gfed|e>def g2Bd|edg>e dBGB|A2AG A2BA| GFED E2DE|GABG A2Bd|edeg a3g|edef g2Bd|edg>e dBGB|A2AG A2Bd| e>deg a3g|e>def g2Bd|edg>e dBGB|A2AG A2|| % Bd|e>deg a3g|edef g2Bd|edg>e dBGB|A2AG A2Bd| GFED E2DE|GABG A2Bd|ef|ed BA| fA BA|fA BA|d2 e>f|ed d>e :| fa fe|ed BA|d2 e>f|ed BA| fa fe|ed BA|d2 e>f|ed d>e :| %%% X:251080 T:PEG RYAN'S POLKA (2) T:"Kerry #2" Z:Z: ABC/arr. BB M:2/4 S:S: FS1.36c L:1/8 Q:1/4=140 %R:Polka K:D fA BA|fA BA|d2 e>f|ed BA| fA BA|fA BA|d2 e>f|ed d2 :| fa fe|ed BA|d2 e>f|ed BA| fa fe|ed BA|d2 e>f|ed d2 :| %%% X:31185 T:PEG WARREN'S (slide) Z:Z: ABC/arr. BB S:S: JOL.006 Q:1/4=180 L:1/8 M:12/8 %R:slide K:G Bcd B2G D3 D3|Bcd B2G A3 A2B| c2d ecA B2c d2B|ABc B2A G3 G3 :| B2c d2B d3 d3|B2d d2B c3 c2A| Bcd e2d B2c dcB|ABc B2A G3 G3 :| %%% X:342088 T:PEG'S FANCY (reel) Z:Z: ABC/arr. BB C:Joe Liddy S:S: Liddy2.25 Q:1/4=180 M:4/4 L:1/8 %R:reel K:Em EF|GEE2 GEBE|GEGB AFDF|GEGA BdBA|GEFD E2 EF | GEEF GEBE|dBAF DEFD|E2 FA Bdfe|dBAF E2 :| % FA|Bdef g2 bg|afdf edBA|Bdef gabg|afdf e2 ef | g2bg f2af|egfe dBAF|E2 FA Bdfe|dBAF E2 || % BA|Bdef g2 bg|afdf edBA|Beef gfga|bgaf geef | gbge fafe|dBAF DEFD|EFAB dfae|dBAF E4 |] %%% X:26028 T:PEGGIE'S WEDDING (jig) Z:Z: ABC/arr. BB S:S: GEI.004 M:6/8 Q:1/4=160 %R:jig K:D %%text source key = C %%vskip .3in ded d2d|dfa afd|ded d2d|cde ecA| ded d2d|dfa afd|gbg faf|cde ecA :| ded a2d|f2d a2d|ded a2d|cde ecA| ded afd|fed afd|gbg faf|cde ecA :|\ "^coda"d6|] %%% X:29085 T:PEGGIN A LEVEN S:S: CGI.174 Z:Z: ABC/arr. BB N:N: Title = ??? L:1/8 M:3/4 K:G %%text "adagio" %%vskip .3in d>B|A2 A2 Bd|e2 e2 de/f/|g2 f2 ed|B4 de/f/| g2 f2 ed|df a2 e2|dB G2 G/A/B/G/|A4 || ga|b2 gbag|afd2 ef|g2f2 ed|B>AB2 de/f/| g2f2 ed|df a2f2|dBG2 G/A/B/G/|A4 |] %%% X:47031 T:PEGGY BAUN (1) N:N: ". . .OR FAIR PEGGY" S:S: CNIM.17 Z:Z: ABC/arr. BB M:3/4 L:1/8 K:D A|d2 fd ec|dB AG FG|DE FA Bc|d4 A2 | d2 fdec|dB AG FG|DE FA Bc|d3-d2 || d/e/|f3 gfe|fd B2 cd|ef gf ed|c4 (3ABc | d2 fd ec|dB AG FE|DE FA Bc|d3-d2 |] %%% X:491470 T:PEGGY BAWN (2) S:S: ONMI.0207 % Z:Z: Brennan/Black (arr.) M:3/4 L:1/8 K:D %%text "slowly" %%vskip .3in A2|d2fd ec|d>B AG FE|D2FA Bc|d4A2| d2fd ec|d>B G2FE|D>E FA Bc|d4|| d>e|f2f2ge|fd B2c>d|eB gf ed|d2c2AB/c/| d2fd ec|d>B AG FE|D2FA Bc|d6|] %%% X:48448 T:PEGGY BAWNE HORNPIPE S:S: OFPC4.145 Z:Z: ABC/arr. BB Q:1/4=150 M:C L:1/8 %R:hornpipe K:D %swing .25 AG|FAd2 FAd2|cega gecA|FAd2 Bgfe|d2d2c2AG| FAd2 FAd2|cega gecA|FdBg fdec|d2 d2 d2 :| cd|eafd cBA^G|A2AB ABcd|eafd cBA^G|Adfa gecA| FAd2 FAd2|cega gecA|FdBg fdec|d2 d2 d2 :| %%% X:48449 T:PEGGY BAWNE JIG S:S: OFPC4.145 Z:Z: ABC/arr. BB Q:1/4=160 M:6/8 L:1/8 %R:jig K:G A|: G2G BAB|BAB BAB|G2G BAB|d2B ABc| G2G BAB|BAB BAB|gfe dcB|ABA ABc :| g2g gec|B2d dBG|g2g gec|B2c def| gag fdd|ece def|gfe dcB|ABA ABc :| "^coda"A2B cAF|HG6|] %%% X:141104 T:PEGGY MORTON C:O'Carolan S:S: CAR-OS Z:Z: Gilb/Brennan/Black M:2/4 L:1/16 K:D % %%text allegretto; source key C %%vskip .3in AGFE DEFG|AGFG A2d2|AGFE DEFG|A4A4| B2B2 d2d2|e2de f2e2|e2dB A2GF|E4D2|| dB|AGFG A2d2|AGFE DGFG|AGFE EDFG|A4A4| B2B2 B2AB|d2de f2e2|d2B2 A2GF|E4D4|] %%% X:495288 T:PEGGY ON THE SETTLE (reel) S:S: ONMI.1245 < F.O'Neill Z:Z: Brennan/Black %R:reel Q:1/4=180 M:C| L:1/8 K:Em egfd eAA2|edBd eAA2|egfd eAA2|BGdc BGBd:| edef g2ag|edef gdBd|edef g2ga|bgaf gdBd| edef g2ag|edef gdBd|gdBd g2ga|bc'ba gfed|\ "^coda"He4z4|] %%% X:39065 T:PEGGY'S LOVE S:S: "Amateur's Companion" (as "song") Z:Z: ABC/arr. BB L:1/8 M:2/4 Q:1/4=100 K:G G>B Bd|d2-de|dB AB|c2 BD| G>B Bd|d2-d/e/f/g/|ed cB|B2 A2 :| A2 c2|Bd g2|A>B c/e/d/c/|c2B2| e2 ge|de/f/ ge|d>B c>A|A2 G2 :| %%% X:29086 T:PELTHERS McCUE S:S: CGI.188b Z:Z: ABC/arr. BB N:N: 1: As to meaning of "Pelthers", your guess is as good as mine! N:N: 2: No repeats in source (although source parts 2 and 3 are 99pct identical) Q:1/4=160 L:1/8 M:6/8 %R:jig K:D %%text "allegro spiritoso" %%vskip .3in f2d B2c|d2e f2d|efe A3|efe A3| f2d B2c|d2e f2^g|a2A A2B|c3-c3 :| f2^g a2f|efe A3|f2^g a2f|e3-e2f/^g/| [1 a^gf edc|fed cdB|A2B c2A|F3-F3:| [2 a^gf edc|fed cdB|A2F GFE|D6|] %%% X:15032 T:PEMBROOK JIG, The S:S: CCCD Z:Z: ABC/arr. BB M:9/8 %R:jig L:1/8 Q:1/4=160 K:C D2d cAB c3|GEC CEC E/F/GE| D2d ^cAc d3|AFD DFD E/F/GE :| D2a gfe c3|GEC CEC E/F/GE| D2a gfe d3|AFD DFD E/F/GE :| AFA BGB c3|GEC CEC E/F/GE| AFA BGB dcd|AFD DFD E/F/GE :| %%% X:51072 %%staffsep 72 T:PENINSULA REEL, The S:S: TIDT 2/8 C:J. Kelly Z:Z: ABC BB M:C L:1/8 %R:reel Q:1/4=180 K:E dorian A|Beef gfeg|fdAd fgaf|eBef g2fe|fbag fedf| eBef gfeg|fdAd fagf|geBg gfec|1 dBAF E3:| [2 dBAF EFA|:c|BE~E2 BEcE|dBAF ABcd|BE~E2 Bcde| [1 fedc dBAc|BE~E2 Bcde|dBAF ABde|fd~d2 e/f/gfe| dBAF DEFA:|2 fedc dBAd|efge fgeg|fedc defg| %%stretchlast 0 afdc Bgfe|dBAF HE4|] %%% X:493316 T:PENNILESS TRAVELLER (jig), The S:S: ONMI.0772 Z:Z: Brennan/Black %A relative of "When Sick Is It Tea You Want?" Q:1/4=160 %R:jig M:6/8 L:1/8 K:C A|Gcc cBA|GAG GEF|Gcc c2d|ecA A2G| Gcc cBA|GAG GEF|Gcc Bdf|ecc c2 :| f|gec cBc|AFF Ffg|afd dec|BGG G2G| Gcc cBA|GAG GEF|Gcc Bdf|ecc c2 :| %%% X:44148 T:PENNY DANCING* (slip jig) S:S: NFID.160c < Byrne Bros. ("untitled slip jig") Z:Z: ABC/arr. BB Q:1/4=160 L:1/8 M:9/8 %R:slip jig K:G A2G FEF G2B|A2G E2G cAG|A2G FEF G2A| deg fed cAG:|Add d^cd f3|Ade ded cAG| Add d^cd f2g|1agf ged cAG:|2agf ged cAF|| "^coda"G6z3|] %%% X:45035 T:PENNYBURN (hornpipe), The C:T.O Canainn S:S: NTFO.027 Z:Z: ABC/arr. BB Q:1/4=150 M:C| %R:hornpipe K:D %swing .25 fgfe dBAF|ABAF ABAF|fgfe dBAF|Eeed egfe| fgfe dBAF|ABAF ABAF|fgfe dBAF|Eeed e2A2:| dcde fdde|fddf gfed|edef geef|geef gfed| fdgd gecA|fgaf g2ag|fdec dBAG|FGFE D2D2:| %%% X:38224 T:PENSIONER'S FOLLIES (slip jig), The S:S: "The Ted Furey Collection of Irish Traditional Tunes" Z:Z: ABC/arr. BB Q:1/4=160 L:1/8 M:9/8 %R:slip jig K:G F|DGG GAG FGA|BGB cAB cde| ded cAG FGA|BGB cAF G2:| B/c/|ded cAG FGA|ded cAB cde| ded cAG FGA|BGB cAF G2B| ded cAG FGA|ded cAB cde| fed cAG FGA|BGB cAF HG3|] %%% X:12233 %%staffsep 80 T:PEOPLE'S CHOICE (jig), The S:S: BBMG C:© BB %R:jig %% For Joe Joyce RIP Q:1/4=160 M:6/8 L:1/8 K:D D|"D"FED AFA|"G"BGB Bcd|"Bm"fdB "F#m"AFA|"D"dAF "A"ECE| "D"FED AFA|"G"BGB Bcd|"D"fdd add|"A"cec "D"d2 :| e|"D"fed "A"edc|"G"dcB "F#m"AFA|"D"fdd "G"bag|"D"fga "A"ece| "D"fed "A"edc|"G"dcB "F#m"AFA|"D"fdd add|"A"cec "D"d2 :| %%% X:184066 T:PERFECT CURE (jig), The S:S: CRE.4 < James Gannon Z:Z: ABC/arr. BB L:1/8 M:12/8 Q:1/4=160 %R:jig K:D G|FEF D2d c2B A2G|FEF D2F E3 E2G| FEF D2d c2B A2G|F2D E2C D3 D2:| g|f2e d2A Bcd A2g|f2e def e3 e2g| f2e d2A Bcd A2G|F2D E2C D3 D2:| %%% X:65078 T:PERILS OF WISDOM (barn dance), The C:Aidan Crossey S:S: composer %R:hornpipe Q:1/4=150 M: 4/4 L: 1/8 K: G Major ;s Bc|d2 de dcBA|GABd g2 fg|a2 ab agfe|d2 ^ce d2 B=c| d2 de dcBA|GABd g2 fg|agfe dcBA|G2 g2 g2 :| Bc|d2 g2 gdBc|d2 g2 g2 fg| a2 ab agfe|d2 ^ce d2 B=c| d2 g2 gdBc|d2 g2 g2 fg|agfe dcBA|G2 g2 g2 :| "^coda"GABd Hg4|] %%% X:35049 %%staffsep 72 %%staffwidth 650 T:PERSIMMON PUDDING (hornpipe) S:S: composer C:Rick Gagne Z:Z: ABC/arr. BB %R:hornpipe N:N: "d/o/c/ 1993 on bouzouki" Q:1/4=160 M:4/4 K:D ;s FA | "D"defd "G"g2fe | "D"fagf "A"ecA2 | "Bm"fagf "A"edce |\ "G"dAFA "A"GABc | "D"dAFA "A"EAA2 | "Bm"FGAF "A"EAAe | "D"fagf "A"edce |1 "D"dAFA D2 :|\ [2 "D"dAFA d2 || |:fg | "D"a2a2 agfe | defg afdA | "G"Bdge "D"fdAd | "G"Bdfd "A"ecA2 | "G"g2g2 "Em"gfeg | "Bm"fdd2 "G"Bcdc | "Em"Bdge "D"fdAd |"A"Acec "D"de :| "^coda""A"Acec "D"Hd4|] %%% X:497155 T:PESSIMIST (jig), The S:S: arr. of ONMI #1841, "You'll Never Be Any Good" %R:jig Q:1/4=160 Z:Z: Brennan/Black M:6/8 L:1/8 K:D ABA A2G|F2E D3|ABA AFA|B3 d3| dcB ABG|FGE D3|def ecA|B2c d3:| d2e fgf|e2d c2A|d2e fgf|e3 A3| d2e fgf|e2d cBc|dcB AGF|B2c d3:| %%% X:492161 T:PET OF THE HOUSE (hornpipe), The S:S: ONMI.1724 %R:hornpipe Q:1/4=150 Z:Z: Brennan/Black M:C| L:1/8 K:G %swing .25 D2|G2G2 GBAc|B2B2 Bdce|dgfe dcBA|GBd^c ed=cA| G2G2GBAc|B2B2Bdce|dgfe d2cA|G2B2G2:| dc|BdGd BdGd|ceAe ceAe|BdGd BdGB|AGFE Dedc| BdGd BdGd|ceAe ceAe|Ggfe d2cA|G2B2G2:| %%% X:11018 T:PET OF THE PIPERS (jig) (1), The S:S: AIF Z:Z: Brennan/Black (arr.) Q:1/4=160 %R:jig M:6/8 L:1/8 K:A E|A2B cBA|ecA aec|A2B cBA|BGE dBG| A2B cBA|ecA aec|fga ecA|dBG A2:| e|aga fga|fba gfe|aga fga|bag a2g| agf ecA|fed cBA|fga ecA|dBG A2:| %%% X:59110 T:PET OF THE PIPERS (jig) (2), The S:S: JOB Z:Z: ABC/arr. BB Q:1/4=160 M:6/8 %R:jig K:A E|A3 cBA|ecA aec|A3 cBA|BGE dBG| A3 cBA|ecA aec|fga ecA|dBG A2:| e|aga fga|gba gfe|aga fga|bag afg| afg edc|fed cBA|fga ecA|dBG A2:| %%% X:41277 T:PETE & BILL'S EXCELLENT REEL C:P. Fitzgerald / B. McComiskey (Balto.) Z:Z: ABC/arr. BB S:S: composers N:N: This is a joint composing effort involving banjo player Peter Fitzgerald N:and box player Billy McComiskey, both adopted sons of Baltimore. I don't N:recall if this is their title or mine! %R:reel Q:1/4=180 M:4/4 L:1/8 K:D A|d2Ad BAFB|A2FA Beef|d2AF DFAd|ceag fdec| d2 Ad BAFB|A2 FA Beef|dfaf gfed|ceag fdd :| e|fd d2 fgaf|gfed cded|BA A2 FDEG|F2 cF dfce| d2 AF ADFG|BA Bd egfe|dfaf gfed|ceag fdd :| %%% X:31186 T:PETE BRADLEY'S POLKA Z:Z: ABC/arr. BB S:S: JOL.022 Q:1/4=120 L:1/8 M:2/4 %R:polka K:G B2 B/c/B/A/|GE G/E/D|EA B/A/B/A/|GB d2| B2 B/c/B/A/|GE G/E/D|EA B/A/B/A/|G2 G2 :| Bd de|dB gB|dB gB|cA Ac/A/| Bd de|dB/c/ gB|dB AB/A/|G2 G2 :| %%% X:31186 T:PETE BRADLEY'S SLIDE Z:Z: ABC/arr. BB S:S: JOL.023 Q:1/4=180 L:1/8 M:12/8 %R:slide K:D e|f2a g2e fed B2A|def agf eAB cde| faf gfe fed B2A|def efe d3 d2:| K:A f|e3 ece faa agf|efe efe dcd A2d| e2e ece a2a agf|efe dcB A3 A2 :| %%% X:62108 T:PETE KELLY'S (jig) T:Joe Burke's, Lad O'Beirne's S:S: GSTC Z:Z: ABC/arr. BB N:N: This tune is better known as "Joe Burke's", presumably after its best-known N:performer. However Galway/NY fiddler Pete Kelly said that in fact he had N:composed this tune (without a name unfortunately) for a student ceili band N:called "The Shannonaires" in the 1950s. (It is also attributed to Lad O'Beirne.) Q:1/4=160 %R:jig M:6/8 K:D A|dAF AGF|dAF AGF|A,CE GFG|A,CE GFE| DFA DGB|Adc d2 g|fed cBA|GFE D2 :| g|fdf aba|fdc d2f|e=ce gag|e2d ^cde| fef gfg|aga bag|fed cBA|GFE D2 :| %%% X:41278 %%historyfont 15 T:PETER FEENEY'S DREAM (reel) C:Joe Derrane Z:Z: ABC/arr. BB N:N: Named by Joe for an imaginary piano player who never drank and was never N:late for gigs. There's a version of this elsewhere but the B part there was not quite N:right. Joe supplied me this "correct" version which I then had to "dumb down" N:for use by us mere mortals! (Joe approved the changes.) Q:1/4=180 M:C %R:reel K:D %%text simplified version %%vskip .3in dedc BAFA|DEFD EDB,C|DCDE FABc|dfed cege| dedc BAFE|D2 FD EDCE|DCDE FAdB|AFEF D4 :| d2de fdfa|d2dc BAFD|ABcA eAcA|ABce agec| d2de faaf|d2dc BAFD|ABcd cefg|faef d4 :| %%% X:495289 T:PETER KENNEDY'S FANCY (reel) S:S: ONMI.1275 < Miss Kennedy Z:Z: Brennan/Black %R:reel Q:1/4=180 M:C| L:1/8 K:G BA|G2GF G2BA|GABA GEED|EGGA GABd|egdB BAAB| G2GF G2BA|GABA GEED|EGGA GABd|egdB BAA2|| d2gd edgd|d2gd BAAB|d2gd edef|gedB BAAB| d2gd edgd|d2gd BAAB|c2cA BABd|egdB BAAB|| "^coda"HG4z4|] %%% X:533082 T:PETER McMAHON'S* (jig) S:S: RC3.123 ("Old Set Tune 21") Z:Z: ABC/arr. BB N:N: Repeats added. Q:1/4=160 L:1/8 M:6/8 %R:jig K:G D|D2G G2A|B3-B2d|c2A BAG|E2F EGE| DEF G2A|B3-B2d|cdc B2A|G3 G2:| D|DGF G2D|DGF G2D|DGG A2G|E2F EGA| B2E D2A|B2E D2d|cdc B2A|G3 G2:| %%% X:66084 T:PETER O BYRNE'S FANCY (jig) D:"Highs and Bellows" (M. McCauley 2017) Z:Z: ABC/arr.BB Q:1/4=160 M:6/8 %R:JIG K:Dmix F/G/|AFD c2c|BAG A3|AFD c2c|BAG AFD| AFD c2c|BAG A3|cde dcA|GEA D2:| z|:cde dcA|BGE c2A|cde dcA|cGd AFD| cde dcA|BGE c2A|d3 c2A|GEc EDD :| %%% X:182169 T:PETER STREET (reel) (1) Z:Z: ABC/arr. BB S:S: CRE.2 N:N: This tune is played either in A or G, depending on the instrument. N:(Fiddlers prefer A.) M:C %R:reel Q:1/4=180 K:G D|G2BG dGBG|dgg2 efge|dGG2 dGBG|ADBD cDAD| G2BG dGBG|dgg2 efge|dBde g2ge|1 dcBA GEF:|\ [2 dcBA G3|| |:A|D2FD ADFD|ADBD cdAD|G2BG dgBG|dgg2 efge| dBde g2ge|dcde g2gd|edgd edcB|AGFE DEF:| "^coda"AGFE DcBA|HG4z4|] %%% X:495290 T:PETER STREET (reel) (2) S:S: ONMI.1325 < J.O'Neill Z:Z: Brennan/Black Q:1/4=180 %R:reel M:C| L:1/8 K:A FG|A2 cA eA cA|eAaA gAfA|eA cA eAfA|BEcE dEBE| A2 cA eA cA|eAaA gAfA|efec eaec|BABc A2 :| GF|E2GE BEGE|BEdE cEBE|A2cA eAcA|eAaA gAfA| efec agaf|efec agaf|ecag fedc|BAGF EF :| "^coda"BAGF EBAG|HA4z4|] %%% X:57131 T:PETER TUOHY'S FAVORITE (jig) S:S: Treoir Z:Z: ABC/arr. BB M:6/8 L:1/8 Q:1/4=160 %R:jig K:D c|A2d =cAG|AdB =cAG|F2D DED|FDF GED| AGA =cAG|Add d2e|fed ed^c|Add d2 :| e|fef fga|efe ecA|ded dcd|ecA ecA| fef fga|efe efg|faf gec|edc d2 :| %%% X:38225 T:PETER WALSH'S (jig) S:S: Flaherty collection Z:Z: ABC/arr. BB M:6/8 L:1/8 Q:1/4=160 %R:jig K:G B/c/|d2e dBB|dBA GED|EGE DB,D|DED GED| d2e dBB|dBA GED|EGE DB,D|DED G2:| G/A/|BdB dcd|edB AGA|B2 d dcd|edB A2 A| BdB dcd|edB AFD|E2 E DB,D|DED G2:| %%% X:342089 T:PETER'S PAT (reel) Z:Z: ABC/arr. BB C:Joe Liddy S:S: Liddy2.37 Q:1/4=180 M:4/4 L:1/8 %R:reel K:D DB,|A,2DE FABA|dfed BAFA|B2AB d2ed|dBAF EFDB, | A,2DE FABA|dBAF ABde|fded fdeB|dBAF D2 :| % FA|d2cd dfec|dfec dAFA|G2GF GABc|edcB ADFA | d2dc dAFA|dfec dAF2|EFGA Bced|cAGE D2 :| % dc|A2dc defg|afge fdcd|A2GA cdef|gedB cABG | Add2 defg |1 afge fdcA|GAcd ecBd|cAGE D2 :| [2 afge fdfg|abag fded|cAGE HD4 |] %%% X:581147 T:PETTICOAT LASS* (jig), The S:S: WSGM.129 < J.O'Neill ms (as "Petticoat Loose") Z:Z: Kinder/Black (arr.) N:N: Since there's a group of tunes with "Petticoat Loose" as the title that N:aren't related to this one, I have taken the liberty of changing the name N:of this particular jig to reduce (at least I hope) some of the confusion! M:6/8 L:1/8 Q:1/4=160 %R:jig K:G A|B2G AFD|B2 G AFD|DGG AGF|DGG Adc| B2G AFD|BGB AFD|F2E FAG|FDE FG:| % c|BdB cAc|BdB AFD|g2g gdg|gag fdc| [1 BdB cAc|BGB AFD|f2e fde|fag fd :| [2 BdB cBA|BAG AFD|f2e fde|fag dcA|HG6| %%% X:16311 T:PETTICOAT LOOSE (jig) (a) (BCA BGE) S:S: CIAJ Z:Z: ABC/arr. BB L:1/8 M:6/8 N:N: I have lowered mm 25-32 an octave. %R:jig Q:1/4=160 K:G %%text "allegretto" %%vskip .3in B|BcA BGE|BcB AGE|GAG GBA|GAG GAB| cBA BGE|BcA BGE|A2A AcB|ABA A2 :| B|cde dcB|cBA BAG|gag gdB|gag gdB| cde dcB|cBA BAG|aba aec|aba aec| cde dcB|cBA BAG|gag gdB|gag gdB| cde de=f|edc BA^G|ABA A2B|ABA A2 || A|BcA BGE|BcA BGE|GAG GdB|GAG GAB| BcA BGE|BcA BGE|ABA AdB|ABA A2 :| %%% X:22121 T:PETTICOAT LOOSE (jig) (b) (BGG AGG) S:S: DMWC.76 Z:Z: ABC/arr. BB M:6/8 L:1/8 Q:1/4=160 %R:jig K:G d/c/|BGG AGG|BGG AGF|DGA G2F|DGA G2c| BGG AGG|BGG AGF|D2E F2G|ADE F2 :| B|dcB cAA|dcB cAd|DGF G3|DGE G2c| dcB cAA|dcB cAF|D2E F2G|ADE F2 :| A|B3 cBc|d^cd dGB|g3 gfd|gba gfd| B3 cBc|dcd d2e|f3 fdg|1 fdg f2 :| "^coda" fdc BAF|HG6 %%% X:31188 T:PETTICOAT LOOSE (jig) (c1) (G2E cEE) Z:Z: ABC/arr. BB S:S: JOL.079 Q:1/4=160 L:1/8 M:6/8 %R:jig K:A dorian B/A/|G2E cEE|GEE G2A|GEE cBc|Adc dcA| GEE cBc|dcd eag|ege ded|1cAA d2 :|2cAA A2|| |:d|efg efg|edB c2d|eag age|edc dcd| efg efg|edB c2d|ege ded|cAA A2 :| %%% X:493317 T:PETTICOAT LOOSE (jig) (c2) (GEE cEE) S:S: ONMI.0826 < F.O'Neill Z:Z: Brennan/Black Q:1/4=160 %R:jig M:6/8 L:1/8 K:Am A|GEE cEE|GFG GcA|GEE cEE|A3 AcA| GEE cEE|cde eag|fde cAG|1 EAG AB :|2 EAG A2|| |:^f|g3 ged|cAA Bcd|eaa age|edd d2^f| gaf ged|cAA Bcd|e2d cAG|EAG A2 :| %%% %%% X:17007 T:PHELAN'S FROLICS (reel) S:S: CTWT Z:Z: ABC/arr.BB C:P. Phelan %R:reel Q:1/4=180 L:1/8 M:C K:G D|G3A BcBA|BedB AGED|GFGA BABd|egfa gedB| G3A BcBA|BedB AGED|GFGA BABd|egfa g3:| f|g3a bgeg|affd bggf|g3a bagf|edef g3f| gfga bgga|b2af gfed|edef g2ag|edef gee:| "^coda"ecdB AGFE|HG4z4|] %%% X:38226 T:PHELIM'S FROLIC (reel) S:S: "Reavy Collection: Music of Corktown" Z:Z: ABC/arr. BB N:N: Note ABB structure M:4/4 L:1/8 Q:1/4=180 %R:reel K:G %%text source key = C %%vskip .3in EF|GFGA BcBA|G2 EG FGAF|GFGD B,CDG|EAAG FD:| EF|G2dG eGdG|G2eG FGAF|G2dG eGdf|edBA GDEF| G2dG eGdG|G2eG FGAF|GFGA BddB|edBA GD:| "^coda"edBA GDAF|HG4z4|] %%% X:41279 T:PHIL CUNNINGHAM'S (reel) C:P. Cunningham Z:Z: ABC/arr. BB S:S: MVBT < Mike Reynolds N:N: I got this nice reel originally from Boston box player Mike Reynolds. Phil (box) N:and his fiddling brother Johnny (RIP 2003) were with the Scots group Silly Wizard N:during its heyday in the late 70's - early 80's. Q:1/4=180 %R:reel M:4/4 L:1/8 K:G E|DGFG BAGA|Bd^cd egde|gd^cd egde|gedB cAFA| DGFG BAGA|Bd^cd egde|gd^cd egdB|cAFA G3 :| A|Bd^cd edBd|egfg a2 ga|bgag gede|gedB AGEG| Bd^cd edBd|egfg a2 ga|bgag egdB|cAFA G3 :| %%% X:39088 %%historyfont 15 T:PHILIP MACKEUGH (slip jig) (1) S:S: MSIST.31b Z:Z: ABC/arr BB N:N: Mulholland's unique contribution to variant spellings for the title - "Philip N:McHugh", "Philip McKeogh", "Pilib a Ceoil", etc etc. Q:1/4=160 L:1/8 M:9/8 %R:slip jig K:D A|d2g fdf g2e|faf ged cBA|d2g fdf g2e| faf gec d2 :|f|efe ecA cBA|efe ecA d2f| efe ecA cBA|def gec d2 :| %%% X:46078 T:PHILIP McCUE (slip jig) (2) S:S: OFHC27.01 Z:Z: ABC/arr. BB Q:1/4=150 L:1/8 M:9/8 %R:slip jig K:D A|d2f faf g2e|f2d ged c2A|d2f fgf g2e| f2d gec d2 :|c/d/|efe ecA cBA|efe ecA Bcd| efe ecA cBA|faf gec d2 :| %%% X:48450 T:PHILIP McCUE (slip jig) (3) S:S: OFPC4.141 ("Irish") Z:Z: ABC/arr. BB Q:1/4=150 M:9/8 %R:jig L:1/8 K:G D|GAG B2G c2A|G2G cAG F2A|G2G B2G c2A| ded cAF G2 :|B|A2A ABG FEF|D2A A2G F3| A2A ABG FGA|B2G cAF G2 :| %%% X:181170 T:PHILIP O'BEIRNE'S DELIGHT (reel) S:S: CRE.1 Z:Z: ABC/arr.BB Q:1/4=180 L:1/8 M:4/4 %R:reel K:D AG|FDD2 FDED|EA,A,2 EA,A,2|FDDE DFAF|GBec dBAG| FDD2 FDED|EA,A,G, (3A,B,C DE|F2DF DFAF|GBec d2:| Bc|d2 eg fdfd|eAce dcBA|d2 eg fedf|eAce dAFA| d2eg fafd|egec dcBA|a3f gfeg|fedf ec :| "^coda"fedf ecAG|HD4z4|] %%% X:493318 T:PHILIP O'NEILL (jig) S:S: ONMI.0796 < F.O'Neill Z:Z: Brennan/Black Q:1/4=160 %R:jig M:6/8 L:1/8 K:G E|DBB B2d|cAG A2c|BGF GFG|ABG FED| DBB Bcd|cAG ABc|dGG DGG|BGG G2 :| A|Bcd def|gfe fdB|ded dBA|GAG FED| Bcd def|gfe gdB|dGG DGG|BGG G2 :| %%% X:41280 T:PHILIPPE'S BANJO REEL C:P.Varlet (DC) S:S: MVBT Z:Z: ABC/arr. BB %R:reel Q:1/4=180 M:4/4 L:1/8 K:Dmix e|f2ef dBAF|G2 cG ECCe|f2ef dBAF|GcAG FDDe| f2ef dBAF|G2 cG ECCE|DEFG Addc|ABAG EDD :| E|F2dF AFdF|G2 cG ECCE|F2dF AFdF|GcAG FDDE| F2dF AFdF|G2 cG ECCE|DEFG Addc|ABAG EDD :| %%% X:22122 T:PHIS FHLIUCH (slip jig) N:N: a/k/a Wet Pea, Choice Wife, O'Farrell's Welcome to Limerick S:S: DMWC.39 Z:Z: ABC/arr. BB M:9/8 L:1/8 Q:1/4=150 %R:slip jig K:Dmix FGA AFA c3|BAG FAF GED|FGA AFA d3|dfe dcA GED| FGA AFA c2A|BAG FAF GED|FGA AFA d2^c|dfe dcA GED|| d2d efe d2A|d2d egf ged|aba ged c2A|BAG FAF GED :| FGA AFd AFd|Afd Afd GED|FGA Afd c2A|BAG FAF GED :| D3 D3 c3|c2B c2A GED|D3 D3 d3-|dfe dcA GED :| d2d ege d2A|d^cd faf ged|aba ged c2A|BAG FAF GED :| %%% X:12234 %%staffsep 80 T:PHYLLIS' KITCHEN (hornpipe) S:BBMG C:© BB %R:hornpipe N:N: For Phyllis Reynolds RIP Q:1/4=150 M:C| L:1/8 K:G "D"D2FA dAFD|"C"EGCG EGCG|"D"D2 FA dAFA|"G"G2 EF "C"Gc~c2| "D"D2FA dAFD|"C"EGcd edce|"D"fd~d2 "C"cG~G2|"Am7"cAGE "D"D4 :| "D"fage fddf|"C"ecgc acgc|"D"Adfa "Em"gfed|"G"(3B^cd ef "C"g3 e| "D"fage fddf|"C"ecgc edce|"D"fd~d2 "C"cG~G2|"Am7"cAGE "D"D4 :| %%% X:495291 T:PICK YOUR PARTNER (reel) S:S: ONMI.1391 < McFadden Z:Z: Brennan/Black Q:1/4=180 %R:reel M:C| L:1/8 K:Adorian %%textsource key = Edor %%vskip .3in GA|BEFD EFGA|BEEG A2GA|BEFD EFGA|BedB A2:| EF|G2BG dGBG|G2BG AGEF|G2BG dGBG|ecdB AGEF| G2BG dGBG|G2BG AGEF|GABc dcdB|ecdB HA4| %%% X:29087 T:PIG'S JIG TO THE POTATO HOLE (polka), The S:S: CGI.166 (with "Potatoe") Z:Z: ABC/arr. BB N:N: Repeats added. I really want to call this "The Pig's Potato Polka"! Q:1/4=100 %R:polka L:1/8 M:2/4 K:D %%text"con spirito" %%vskip .3in d/B/|:Ad/B/ Ad/B/|AB/d/ ed/B/|Ad/B/ AF/D/|~E2/F/ Dd/B/| Ad/B/ Ad/B/|AB/d/ ed/B/|Ad/B/ AF/D/|~E2/F/ D2 :| fA fA|fd e/c/A|fA fA|g/e/d/c/ d2| fA fA|fd e/c/A|f/g/f/e/ d/c/B/A/|B/d/c/e/ d2 :| %%% X:56045 T:PIGEON HOUSE (polka), The C:V. Broderick S:S: Turoe.37b Z:Z: ABC/arr. BB M:2/4 L:1/8 Q:1/4=120 %R:polka K:D A2 FD|EE DE|FA AF|BF A2| A2 FD|EE DE/F/|GF ED|BA A2:| A2 FD|A2 FD|d>c BA|GF ED| A2 FD|EE DE/F/|GF ED|BA A2:| "^coda"BA/F/ HD2|] %%% X:1 T:PIGEON ON THE GATE (reel) (7 settings) %hide_rhythm_tag %hide_cautionary_ks %X:531081 Q:1/4=180 L:1/8 %R:reel M:C K:Em %%text setting 1: Roche 1 (# 168 - repeats added) dc|BEE2 BEdE|BE E2 B2AF|D2FD ADFD|ADFD Ad^cd| BEE2 BEdE|BE E2 B2AF|A2AB d2ef|gefd e2:| GA|Be~e2 efed|Bdef gefd|Bdd2 dedB|ABde fded| Be~e2 efed|Bdef g2fe|dBAG FAdB|AGFG E2:| %%text %X:531082 %%text setting 2: Roche 1 (# 169 - repeats added) %Q:1/4=180 L:1/8 M:C %R:reel K:Edor dc|BEE2 BdAd|BdAd BdAF|D2FD ADFD|ADFD FAdc| BEE2 BdAd|BdAd BdAF|DFAB dfaf|gefd e2:| GA|Be~e2 efed|cdef gefd|cdAF DFAF|Afaf gfed| Be~e2 efed|cdef gfga|bgaf gefd|egfd e2:| %%vskip 30 %X:11059 %%text setting 3: AIF GA|BEE2 BEcE|B2Bc BAFG|ADD2 ADBD|ADAc BAFA| BEE2 BEcE|B2Bc BAFE|DEFA fdef|dBAF E2:| GA|Bee2 dfed|Beef gefe|BABc dedB|ABde fded| Bee2 dfed|Beef gefd|BABc dedB|AFDF E2:| %% %%vskip 30 %X:253090 %%text setting 4: Foinn Seisiun 3 (# 19a) dc|BEE2 Bdcd|BEE2 dBAF|D2FD ADFE|DEFA BAFA| BEE2 Bdcd|BEE2 B2AF|D2FA dfec|dBAF E2 :| FA|Beed efed|Bdef gfed|Addc dedB|AFF2 DEFA| Beed efed|Bdef g2fg|afge fdec|dBAF E2 :| % %X:495202 %%vskip 30 %%text setting 5: ONMI (# 1406) %%text source key Am dc|BEE2 Bdcd|BEE2 B2AF|D2FD ADFD|DFAc d3c| BEE2 Bdcd|BEE2 B2AF|DFAB d2de|fedf e2 :| ed|Beed efed|Beef gfed|Bddc dedB|ABde fded| Beed efed|Beef gfed|BABc dedB|AFDF E2 :| %%text %%vskip 30 %X:182331 %%text setting 6: CRE 2 dc|BEE2 BdcA|BEE2 B2AG|FADA FADA|FADA FAD2| BEE2 BdcA|BEE2 BAFG|ABde fedc|BGAF E2:| zd|e2ef gfga|b2af gfe2|BdAF GFGA|Bdef gfe2| Beef gfga|bagf gfe2|BdAF GFGA|BAGF E2:| %%text %%vskip 30 %X:182330 %%text setting 7: CRE.2 (A minor) K:Adorian d|eAA2 egfd|eAA2 edBd|eAA2 egfa|gedB GABd| eAA2 egfg|eAA2 edBd|eAA2 egf2|gedB GAB :| d|eaa2 b2ag|eaaf ged2|eaa2 b2ag|egdB GABd| eaa2 b2ag|eaaf g3a|b2bg abag|eaag edB/c/ :| %%stretchlast 0 "^coda" eaaf gdBG|HA4z4|] %%text %%% X:35050 T:PIGEON ON THE STATUE (jig), The S:S: composer C:Rick Gagne Z:Z: ABC/arr. BB %R:jig N:N: "d/o/c/ 1988 on tenor banjo" M:6/8 Q:1/4=160 K:A dorian A | "C#m"^cde "D"d^cA | "Em"GBG E2D | "Am"EAc "G"GBd | "Am"Ace "G"dBG | "C#m"^cde "D"d^cA | "Em"GBG E2D | "Am"EAc "G"GBd | "Em"edB "Am"A2 :| B | "Am"c2c cBA | "Em"Bee Bee | "C"c2c "Am"cBA | "Em"gae "Bm"f2e | "Am"c2c cBA | "Em"Bee Bee | "C"gae "Bm"Bcd | "G"edB "Am"A2 :| %%% X:37141 T:PIGEON'S FLIGHT (jig), The C:F. McCollum Z:Z: ABC/arr. BB S:S: MFC.070A (with spelling "Pidgeon") Q:1/4=160 L:1/8 M:6/8 %R:jig K:D A|dcd GED|FD=C EFG|dcd efg|fec ecA| dcd GED|FD=C EFG|dcd AGF|GFE D2 :| A|dcd fga|aba a2 f|dcd fdf|gfg ecA| dcd fga|aba a2 f|dcd AGF|GFE D2 :| %%% X:533083 T:PIGEON'S TAIL (hornpipe), The S:S: RC3.174 Z:Z: ABC/arr. BB L:1/8 M:C| Q:1/4=150 %R:hornpipe K:Ador %swing .25 gf|eAA2 AdBA|Bdef g2 ge|dcBA GABG|Bdef g2 gf| eAA2 AdBA|Bdef g2 fg|agfd gedB|A2 AA A2:| Bd|eaab aged|cdef g2 ge|dcBA GABA|Bdef g2 fg| eaab aged|cdef g2 fg|afge fd eB|A2 AA A2:| %%% X:184117 T:PIGEONS WAIT FOR EASTER (reel) S:S: CRE.4 < Madigan MS Z:Z: ABC/arr. BB N:N: The Gaelic name translates (roughly) to "The Sporting Days of Easter", N:which is also the name of another tune not related to this one. To reduce N:any confusion (I hope) I borrowed the birds from one of Breathnach's N:alternate names for this tune ("The Jolly Pigeons"). Q:1/4=180 L:1/8 M:4/4 %R:reel K:Em EFGA BEE2|BEdE BEE2|EFGA BEE2|ABAG FDD2:| B2 Bd e2 ef|afdf e2 d2|B2 Bd e2 ef|gefd B2 A2| B2 Bd e2 ef|afdf e2 d2|B2 B^c d2 dB|ABAG FDDF||\ "^coda"E4z4|] %%% X:13207 T:PIGTOWN FLING (reel), The S:S: BSMI.2 Z:Z: ABC/arr. BB %R:reel M:C Q:1/4=180 L:1/8 K:G BA|G2ge d2BA|G2gd edBA|G2ge d2ed|BAAG Ac :| dc|B2e2 efge|fgaf gfed|Be~e2 efge|fgaf g2:| "^coda"fgaf g2BA |G4z4|] %%% X:37117 T:PIKE ROVERS MARCH*, The Z:Z: ABC/arr. BB S:S: MFC.126b (unnamed) Q:1/4=120 L:1/16 M:2/4 %R:march K:G Bc|d2Bd c2Ac|B2G2 GFGB|A2F2 FEFG|A2G2 G2Bc| d2Bd c2Ac|B2G2 GFGB|A2F2 FEFG|A2G2 G2:| z2|G2Bd g3f|f2e2 e4|D2FA f2e2|e2d2 d4| G2Bd g3f|f2e2 e3f|g2fa e2f2|g4 g2:| %%% X:13277 T:PIKEMAN'S MARCH, The S:S: BSMI.2 Z:Z: ABC/arr. BB %R:march M:C| Q:1/4=150 L:1/8 K:Am A2Bd e2ed|e>de^f e^cA2|G2Bc d2de|dBGB d2cB| A2Bd e2ed|e>de^f e^cA2|ag2e dc2B|A2AG A4 :| aa2g ed2e|g>age dBG2|aa2g ed2e|g>age g2eg| aa2g ed2e|g>age dBGB|A>Bcd e2dB|A>Bcd e2e2| aa2g ed2e|g>age dBGB|A>Bcd e2dB|A2AG A4 :| %%% X:13209 T:PILE OF BRICKS (reel), The T:Trip to Birmingham S:S: BSMI.2 Z:Z: ABC/arr. BB C:J. McDermott %R:reel M:C Q:1/4=180 L:1/8 K:G E|DGGF GABd|eged edBA|G3B dGBG|ABAG EDD2| DGGF GABd|eged efga|bggb ageg|dBAB G3 :| B/c/|dggf g2ga|bgag edBA|G3B dGBG|ABAG EDD2| [1 dggf g2ga|bgag edBA|G3B dGBG AGFA G3 :| [2 dgg2 bgg2|agfa gedB|G3B dGBG|AGFA HG4|] %%% X:65079 T:PILLAR (reel), The C:Aidan Crossey S:S: composer %R:Reel Q:1/4=180 M:4/4 L:1/8 K:G Major Bc|dBGB cAFA|defd cAFA|dBGB cAFA|GBAF G2:| Bc|d2 de fded|g2 ga bgaf|d2 de fdfa|gfdB c2 Bc| d2 de fded|g2 ga bgaf|d2 de fded|cAFA HG4|] %%% X:13208 T:PINCH OF SNUFF (reel) (a) (afge dcdB) S:S: BSMI.2 Z:Z: ABC/arr. BB %R:reel M:C Q:1/4=180 L:1/8 K:D fg|: afge dcdB|ADFD EFGB|A3B =cBcd|edcd efge :| f2df afde|fedf efge|f2df afdf|"thru"eAcA efge :| "^coda"Hd4z4|] %%% X:182182 T:PINCH OF SNUFF (reel) (b) (D2FD E2DE) S:S: CRE.2 Z:Z: ABC/arr BB %R:reel M:C Q:1/4=180 N:N: Played A-B-C-D-E-C-A-B K:D %%text part A A|"1"D2FD E2DE|F2DF EFGE|F2DF E2DF|G2BG EFGE| D2FD E2DE|F2DF EFGE|F2DF E2DF|GABG EFGE|| %%text part B DFAd BGAF|DFAF EA,CE|DFAd BGAF|GABG EA,CE| DFAd BGAF|DFAF EA,CE|DFAd BGAF|GABG EFG|| %%text part C K:G g|fgfe dcdB|AFDF AFDc|BGBd cBcG|EDCD EFGg| fgfe dcdB|AFDF AFDc|BGBd cBAG|EDCD EFG|| %%text part D K:D g|f2df e2dg|f2df efge|f2df efdf|g2bg efge| f2df efdf|efdf efge|f2df e2df|g2bg efge|| %%text part E dfag bgaf|dfaf eAce|dfag bgaf|g2bg eAce| dfag bgaf|dfaf eAce|dfag bgaf|g2bg efge|| %%text part C repeated K:G g|fgfe dcdB|AFDF AFDc|BGBd cBcG|EDCD EFGg| fgfe dcdB|AFDF AFDc|BGBd cBAG|"coda" ECEF GBAG|| %%text part A repeated K:D "1"D2FD E2DE|F2DF EFGE|F2DF E2DF|G2BG EFGE| D2FD E2DE|F2DF EFGE|F2DF E2DF|GABG EFGE|| %%text part B repeated DFAd BGAF|DFAF EA,CE|DFAd BGAF|GABG EA,CE| DFAd BGAF|DFAF EA,CE|DFAd BGAF|"^coda"GABG EA,CE|\ HD4z4|] %%% X:22123 T:PINCH OF SNUFF (reel) (c) (fadf afdg) S:S: DMWC.122 Z:Z: ABC/arr. BB M:C L:1/8 Q:1/4=180 %R:reel K:D ag|fadf afdg|fadf efge|fadf afdf|edcd efge| fadf afdg|fadf efge|fadf afdf|edBd efg2|| af ge dcdB|ADFD EFG2|A3B =cBcd|edBd efg2| af ge dcdB|ADFD EFG2|A2AB =cBcd|edBd efge ||\ "^coda" Hd4z4|] %%% X:57132 T:PINCH OF SNUFF (reel) (d) (fage d3B) S:S: Treoir.45a Z:Z: ABC/arr. BB D:D: Smyth/McGrath/Mulholland 1981 %R:reel Q:1/4=180 M:4/4 L:1/8 K:D fage d3B|ADFD EFGB|A2AB =cBcd|eABd efge :| f2df afdf|f2df efge|f2df afdf|eABd efge| f2df afdf|f2df efge|f2df dfaf|eABd efge || "^coda"Hd4z4|] %%% X:65080 T:PINCUSHION (polka), The C:Aidan Crossey S:S: composer %R:Polka Q:1/4=120 M:2/4 L:1/8 K:D Major A|d>e fa|ce d2|B>A FA|Bd ce| d>e fa|ce d2|B>A FA|d2 d:| A|d>e fa|ba fa|g>e ce|A>B ce| d>e fa|ba fa|g>e ce|d2 d:| %%% X:66085 T:PINE MARTEN (jig), The D:D: "Highs and Bellows" [M.McCauley 2017] Z:Z: ABC/arr.BB N:N: Note that only second part repeats. Q:1/4=160 %R:jig M:6/8 L:1/8 K:G G3 GFD|EFG ABA|F2d BAG|Ade cBA| E3 cBA|egc cBA|B2D EFG|FDB, fdB|| |:gfg gfe|geb gfe|B2b gfe|fdB baf| gfg gfe|geb gfe|d2B c2A|BGd AFD:| %%% X:497089 T:PINES of POCASSET (jig), The S:S: arr. of ONMI #21, "Groves Of Blackpool" %R:jig Q:1/4=160 Z:Z: ABC/arr. BB M:6/8 L:1/8 K:Em e|d2c BcA|GEE BEE|GFG B^cd|efe gfe| d2c BcA|GEE BEE|GAB AGF|E3E2 :| f|gfg afe|dBB gdd|efg afg|aba fdf| gab agf|gee Bee|dcB ABd|e3 e2:| %%% X:66055 T:PINK RIBBON REEL, The C:Solomon Foster %"For Brenda Schupska 6/18/2004" Q:1/4=180 M:4/4 L:1/8 %R:Reel K:D de|fedB dBAF|BAFD E3D|F3D G3B|AFDF E2de| fedB dBAF|BAFD E3D|F3D GABd|AFEF D2 :| de|f3d g3b|afdf efdB|df3 dg3|afdf e2de| f3d g3b|afdf efdB|AF3 GABd|AFEF D2 :| %%% X:184051 T:PINKEEN* (slide), The Z:Z: ABC/arr. BB S:S: CRE.4 < BPC < Barrett < Collins N:N: A pinkeen is a small fish. Think "Celtic minnow". L:1/8 M:12/8 Q:1/4=180 %R:jig K:D A|d3 AFA d2c B2A|d2c d2e fgf e2A| d3 AFA d2c B2A|B2d c2e d3 d2:| A|d2e f2g a2b afd|g2e f2d ecB ABc| [1 d2e f2g a2b afd|g2f e2c d3 d2:| [2 d2e f2g a2b afd|g2f e2d e2d c2A || |:d3 AFA d2c B2A|d2c d2e fgf e2A| d3 AFA d2c B2A|B2d c2e d3 Hd3|] %%% X:12235 %%staffsep 80 T:PINT o' PLAIN (hornpipe), A S:BBMG C:© BB %R:hornpipe %% If you're not familiar with Flann O'Brien, you're missing out %% on a very funny writer Q:1/4=150 M:C| L:1/8 K:D %swing .25 D|"D"FAdc "G"B2gf|"A7"(3efg ec "D"d3A|"G"BAGB "D"ADFA|"Bm7" dBAF "A"E2 AG| "D"FAdc "G"B2gf|"A7"eage "Bm"f3g|"D7"afd=c "G"BGFG|"A"(3AGF GE "D"D3 :| z|"G"gfed "A"cdec|"Bm"dBcB "A7"AGFE|"D"DFAd "Bm"faba|"G"gBcd "A"e3f| "G"gfed "A"cdec|"D"dBAF "A7"GFEC|"D"DFAd "Em"BGEG|"A"(3ABc ec "D"d3 :| %%% X:37143 T:PINT OF ALE (reel), The Z:Z: ABC/arr. BB S:S: MFC.052b Q:1/4=180 L:1/8 M:4/4 %R:reel K:Gmix BGGF GFDE|F2 cF CFAc|BGGF GFDE|FAdc BGGA| BGGF GFDE|F2 cF CFAc|BG G2 GFDE|FAdc BGBd|| gfgd Bcde|fefc ABce|gfgd Bcdc|dg G2 bgaf| gfgd Bcde|fefc ABcd|ed (3dcd DEFE|FAdc BG G2|| %%% X:35051 %%staffsep 72 T:PINWHEEL (reel), The S:S: composer %R:reel C:Rick Gagne Z:Z: ABC/arr. BB N:N: d/o/c/ 1988 on tenor banjo M: 4/4 Q:1/4=180 K: D AB | "D"d2cd Adcd | "G"Bdcd "A"cdec | "D"d2cd Adcd | "G"Bdce "D"d2 :| de | "Bm"f2df "D"afdf | "G"gBdf "A"eAce | "D"f2df afdA | "A"Bdce "D"d2de | "Bm"f2df "D"afdf | "G"gBdf "A"eAce | "D"d2cd Adcd | "G"Bdce "D"Hd4 |] %%% X:48451 T:PIPE GAVOTTE (hornpipe), The S:S: OFPC4.159 (as "Gavot") Z:Z: ABC/arr. BB N:N: An interesting piece whose accidentals will probably scare off the majority N:of traditional musicians! I've restructured it as an A-B-C-A hornpipe. Go for N:it! Q:1/4=160 M:C| L:1/8 %R:hornpipe K:D A|d2fd A2^A2|B2dA F2A2|Bdce dfeg|faBe dcBA| d2fd A2^A2|B2dA F2A2|Bdce dfeg|face d3 :| % B|fdcB ecBA|fdcB ecBA|dfba ^gfed|c2A2 ^G2B2| A2c2 B2a2|^gabc' b2d2|ceAc dfBd|cBA^G A3 :| % d|=c2A2 B2d2|=c2A2 B2d2|dcBA B2G2|A2F2 G2B2| BAGF A2F2|G2E2 F2dA|B2ge dfaf|gfed dcB :| % A|d2fd A2^A2|B2dA F2A2|Bdce dfeg|faBe dcBA| d2fd A2^A2|B2dA F2A2|Bdce dfeg|face Hd4|] %%% X:44149 T:PIPE MARCH, The S:S: NFID.178 < Byrne Bros. Z:Z: ABC/arr. BB Q:1/4=160 L:1/8 M:4/4 %R:march K:Amix %%text Part A %%vskip .3in A3c B2GB|A2D2 D3B|AGFE DEFG|A4-AGFG| A3c B2GB|A2D2 A4|GFED CDEF|G4 F2G2| A3c B2GB|A2D2 D3B|AGFE DEFG|A4-AGFG| A2d2 c2Ac|B2G2 A4|GFED CDEF|G4 F2E2|| %%vskip .3in %%text Part B D2d2F2d2|A2D2D4|D2d2 DEFG|A3B AGFE| D2d2F2d2|A2D2A4|GFED CDEF|G4 F2 e2| D2d2F2d2|A2FA DEFE|D3A DEFG|A6 Bc| dcBd cBAc|B2G2A4|GFED CDEF|G4 F2 e2|| %%vskip .3in %%text Part C D3E F2D2|A2D2F2D2|A3B AFDF|A2B2 AGFE| D3E F2D2|A2D2F2D2|G3E GECE|G2A2 GECE| D3E F2D2|A2D2F2D2|A3B AFDF|A4 B3c| dcBd cBAc|B2G2A4|GFED CDEF|G4F2E2|| "^coda" [HD4z4HD4z4]| %%% X:252073 T:PIPE ON THE HOB (jig) (a1) Z:Z: ABC/arr. BB S:S: FS2.11b M:6/8 L:1/8 Q:1/4=160 %R:Jig K:Dmix A|dcd A2G|F2D DED|EDE cBc|E2D DFA| dcB cBA|BAG A2G|EDE cBc|E2D D2 :| e|f2d dcd|f2d dcd|edB c2d|ede age| [1 f2d dcd|f2d dcd|ede age|edc d2 :| [2 f3 gfg|agf efg|fed eag|edc d3-|d6|] %%% X:181040 T:PIPE ON THE HOB (jig) (a2) S:S: CRE.1 Z:Z: ABC/arr. BB M:6/8 Q:1/4=160 %R:jig K:Dmix A|ded cAG|F2D D3|EDE cAG|E2D D3| dcB cBA|BAG A2G|FDD cAG|FDD D2:| e|f2d d^cd|f2e d^cd|edB c2d|ede a2g| [1 f2d d^cd|f2e d^cd|ede a2g|ed^c d2:| [2 f3 g3|agf g2e|fed eag|edd Hd3|] %%% X:62109 T:PIPE ON THE HOB (jig) (a3) S:S:GSTC Z:Z:ABC/arr. BB Q:1/4=160 %R:jig M:6/8 K:Dmix e|ded cAG|F2D DED|ECE cAG|F2D DFA| dcB cBA|BAG A2G|ECE cAG|F2D D2 :| g|f2d dcd|faf d2f|e2c cBc|ece a2g| [1 f2d dcd|fdc d2f|ede age|edc d2 :| [2 fef gfg|aba gfg|fed eag|edc d3|] %%% X:252074 T:PIPE ON THE HOB (jig) (b1) Z:Z: ABC/arr. BB S:S: FS2.11c M:6/8 L:1/8 Q:1/4=160 %R:Jig K:A dorian B|c2c edc|edc BAG|ABA gfg|eaf ged| c3 edc|edc deg|age dce|ABA A2 :| f|g2g gea|age dBG|ABA gfg|eaf gef| g2g gea|age deg|age dce|ABA A2 :| B|c2c dcd|ecA AGE|c2c dcd|ecA A2B| cBc dcd|ede gab|age dce|ABA A2 :| %%% X:22124 T:PIPE ON THE HOB (jig) (b2) S:S: DMWC.5 Z:Z: ABC/arr. BB M:6/8 L:1/8 Q:1/4=160 %R:jig K:Am B|c3 edc|edc BAG|A3 g3|eaa ged| c3 edc|edc deg|age dBe|A3 A2 :| ^f|g3 gea|age dBe|A3 g3|eaa ge^f| g3 gea|age deg|age dBe|A3 A2 :| B|c3 dcd|ecA AGE|c2A dcd|ecA A2B| c3 dcd|ede gab|age dBe|A3 A2:| %%% X:493319 T:PIPE ON THE HOB (jig) (b3) S:S: ONMI.0705 < Carey Z:Z: Brennan/Black Q:1/4=160 %R:jig M:6/8 L:1/8 K:Am B|c3 edc|edc BAG|ABA gze|eaa ged| c3 edc|edc deg|age dBe|ABA A2 :| % ^f|g3 gea|age edB|ABA gze|aba ge^f| g3 gea|age e^fg|age dBe|ABA A2 :| % B|c2c d2d|ecA AGE|c2c d2d|ecA A2B| c2c d2d|e2e gab|age dBe|ABA A2 :| %%% X:56046 T:PIPER FROM BALLINA (reel), The C:V. Broderick S:S: Turoe.10c Z:Z: ABC/arr. BB M:4/4 L:1/8 Q:1/4=180 %R:reel K:G A|dcBA BAGE|D2BG DGBG|ABAG FAde|f2ef dBB2| d3c BAGE|D2BG FGA2|BGAF GFED|EAAF G3:| Beed e2fd|edBA GEDC|DGBG DGBG|BcBA G2GA| Beed e2fd|edBA GEDG|BGAF GFED|EAAF G3:| %%% X:533084 T:PIPER in the PUB* (jig) S:S: RC3.200 ("Old Pipe March") Z:Z: ABC/arr. BB Q:1/4=160 N:N: My arrangement. Original is kind of repetitive. L:1/8 M:6/8 %R:jig K:D G|ABA ABA|A2B d2e|fdB ABA|ABA B2A| A2B A2B|ABc def|gfe fef|1 ecA B2:|\ [2 ecA A2|| d|ecA ABA|ecA d2B|ecB ABA|Bde f2A| ecA ABA|ecA d2B|Ace f2a|ecA B2 :|\ "^coda"gec d3|] %%% X:48345 %%titlefont 18 T:PIPER O'ER THE MEADOWS STRAYING (hornpipe), The S:S: OFPC3.109 ("Irish") Z:Z: ABC/arr. BB % M:C| L:1/8 Q:1/4=150 %R:hornpipe K:G %swing .25 c|d3c B2A2|GFGA B2G2|ABcA G2F2|G2 B2 B2Ac| d2c2 BAGF|GFGA B2G2|ABcA G2F2|G2B2 G3 :| B|A3B c3A|BABc d2 A2|B/c/ d3 e/f/ g3|f2e2 d3c| dedc BcBA|GFGA B2G2|AecA GDEF|G2B2 G3 :| %%% X:181009 T:PIPER'S CHAIR (jig), The S:S: CRE.1 Z:Z: ABC/arr. BB M:6/8 Q:1/4=160 %R:jig K:G F|DGG GFD|Dcc cBc|ded cAG|FAG FED| DGG GFD|Dcc cBc|ded cAF|AGF G2:| B/c/|gfg agf|d^cd gfg|GFG =fef|ABA AGF| GBd g2f|d2e fdc|B2d cAF|AGF G2:| %%% X:40022 T:PIPER'S COW (reel), The C:© Larry Mallette S:S: composer Z:Z: ABC/arr.BB D:D: "Til Time is No More" tr.12c Q:1/4=180 %R:reel M:C| K:Em ef|gBB2 fBeB|dedB GABG|EGDG EGAB|cdec A3f| gBB2 fBeB|dedB GDEG|ABcd cBAG|1 F3G E2:|2FEFG E2|| EF|GBB2 eBfB|g3f ecA2|Beed cAF2|E3F G2GA| BeeB eBfB|g3f ecAB|cAFA BGE2|1FGAB E2:|2FEFG E4|] %%% X:185205 T:PIPER'S DELUSION* (reel), The S:S: CRE.5 (unnamed) Z:Z: ABC/arr. BB M:4/4 Q:1/4=180 %R:reel K:G e2dc BGGc|BGdc BGGd|e2dc BGGB|cBAe g2gd| e2dc BGGc|BGdc BGGd|e2dc BGGB|cBAe g2|| ef|gdfd eAAc|BGdc BGGd|gdfd eAAB|cBce g2:| %%% X:492162 T:PIPER'S DESPAIR (hornpipe), The S:S: ONMI.1657 < Hartnett Z:Z: Brennan/Black N:N: Also played as a reel. %R:hornpipe Q:1/4=150 M:C| L:1/8 K:G %swing .25 EFGA BAFA|BdAd BdAF|D2FD ADFD|BdAd BdAF| EFGA BAFA|BdAd BdAF|D2FD A2FA|Beed Bee2:| e2ge bege|bege bege|defg adfd|adfd adfd| e2ge bege|bege bege|defg afdf|egfd ecBG:| %%% X:184206 T:PIPER'S FAVORITE (reel), The S:S: CRE.4 < Donnelly < Jones Z:Z: ABC/arr. BB %Single in CRE L:1/8 Q:1/4=180 M:4/4 %R:reel K:G % %%textsource key D %%vskip .3in E|D3B BAGE|DGEG A3B|D3B AGEG|BcAB GABG| D3B BAGE|DGEG A3B|D3B AGEG|Bd AB G3 :| A|BAGB AGEG|BAGB d3c|BAGB AGEG|BcAB GFGA| BAGB AGEG|BAGB d3B|cdcA BcBA|GEDE G3:| %%% X:184184 T:PIPER'S LORD MCDONALD (reel), The S:S: CRE.4 < Jack Wade Z:Z: ABC/arr. BB N:N: A pipe-friendly setting from Jack Wade, the 'Piper' %added to the name. L:1/8 Q:1/4=180 M:4/4 %R:reel K:G DGG2 DGBG|c2Bc AGEG|BGG2 AEGE|DEGA BGG2:| Bdde dBGA|Bdeg aged|Bdde dBGB|AcBA BG G2| Bdde dBGA|Bdeg aged|Bdde gage|dBAc BG G2 |] %%% X:331071 T:PIPER'S MAGGOT (slip jig), The Z:Z: ABC/arr. BB S:S: Levey1.50 % Q:1/4=160 L:1/8 %R:jig M:9/8 K:A %%text"very quick" %%vskip .3in d|c2B AcA ecA|cec aec fga| c2B AcA ecA|BcB fdB Bc :| d|cec aec aec|cec aec fga| cec aec aec|BcB fdc Bc :| "^coda"A6z3|] %%% X:185224 T:PIPER'S NEW HOUSE* (hornpipe), The S:S: CRE.5 (unnamed) < J.Wade ? Z:Z: ABC/arr. BB M:4/4 Q:1/4=140 %R:hornpipe K:D %swing .25 dB|AFEG FDEF|D2FA dfec|dcBA FABc|dBAF E2dB| AFEG FDEF|D2FA dfec|dcBA FDEF|D2C2D2:| Ac|dfef dBAB|dfef d2Bc|dcBA FABc|dBAF E2dB| AFEG FDEF|D2FA dfec|dcBA FDEF|D2C2D2:| %%% X:493320 T:PIPER'S PICNIC (jig), The S:S: ONMI.0815 < McFadden Z:Z: Brennan/Black Q:1/4=160 %R:jig M:6/8 L:1/8 K:A E|AcA BGE|cde dBG|AcA BGE|EDE GAB| AcA BGE|cde dBG|cBA BGE|EFG A2 :| B|ceA ceA|cee edc|Bd=G Bd=G|Bdd dcB| cde dcB|cBA Ggf|ecA GED|EFG A2 :| %%% X:495293 T:PIPER'S SON (reel), The S:S: ONMI.1519 < J.O'Neill Z:Z: Brennan/Black %R:reel Q:1/4=180 M:C| L:1/8 K:Edorian BEEc dcdB|A2 FD FAA2|BEEF GABc|dcdB e2dc| BEEc dcdB|AD FD FAA2|BEEF GABc|dBAc BEE2|| edef gfge|defg afdf|edef gfec|dBAc BEE2| edef gfec|defg afdf|g2fd ecdA|BdAc BEHE2|] %%% X:32019 T:PIPER'S TURN (jig), The C:© C.Lennon Z:Z: ABC/arr. BB N:N: 1: Note that part 2 (mm 9-16) doesn't repeat. N:N: 2: I added the 2nd ending to the last part. S:S: "Musical Memories 1" Q:1/4=160 M:6/8 L:1/8 %R:jig K:G c|B2A BDD|BDD FGA|B2A BDD|FGA ABc| B2A BDD|BDD FGA|Bdd dcB|cDD AB :| dcB dBB|dBB ABc|dcB dcB|ADD ABc| dcB dBB|dBB ABc|dge fed|cDD cB|| A|G2g gfg|dgg fga|bag age|fAA cBA| G2g gfg|dgg fga|bag age|1fAB cBB:| [2 fAB cBA|HG3z3|] %%% X:182177 T:PIPER'S WEDDING (reel), The T:Galway Rambler S:S: CRE.2 Z:Z: ABC/arr. BB %R:reel M:C Q:1/4=180 K:G F|G2dG eGdG|G2dB AGED|G2dG eGd2|gedB AGED| G2dG G2dG|G2dB AGED|G2Bd egd2|gedB AGE:| f|g2gb a2ab|gabg aged|g3a b2ab|gedB AGed| g2gb a2ab|gabg a2ga|bgg2 age2|gedB AGE:| "^coda"gedB AGEF|HG4z4|] %%% X:21161 T:PIPER'S WELCOME (jig), The S:S: DMI.0160 Z:Z: Nordberg/Black %R:jig Q:1/4=160 M:6/8 L:1/8 K:D z2|dcB cAA|dAG FED|dBd cAF|AGF EFA| dcB cAA|dAG FEF|DFA DFA|AGF EFA:| % d3 fdf|a2a afe|ded fdf|efg ecA| d3 fdf|a2a afe|dcB cAF|AGF EFA:| % def def|dAG FED|def def|AGF EFA| def edc|dAG FED|D2D FEF|AGF EFA:| "^coda"HD4z4|] %%% X:581148 T:PIPER'S WHIM (slip jig), The S:S: WSGM.192 < W.Walsh, Chicago Z:Z: Kinder/Black (arr.) M:9/8 L:1/8 %R:jig Q:1/4=150 K:G A|B3 GBG dBG|BdB gdB efg| B2 G GBG dBG|AcA fAB c2:| A|BdB gdB gdB|BdB gdB efg| [1 BdB gdB gdB|BdB fAB c2:| [2 bag agf efg|BdB cAF HG3|] %%% X:332067 T:PIPERS' GATHERING* (jig), The Z:Z: ABC/arr. BB S:S: Levey2.34 (unnamed) L:1/8 M:6/8 %R:jig Q:1/4=160 K:G % %%text "not too quick"; source key = A %%vskip .3in f|g3 age|egg fdc|BGG DGG|BGG AGG| g3 age|egg fdc|BGG DGG|AGF G2 :| c|d3 cAc|d3 cAG|FGB cAG|FGB cAc| d3 cAc|def cAG|FGB cAG|AGF G2 :| %%% X:48230 T:PIPERS' MAGGOT (slip jig), The S:S: OFPC2.70 ("Irish"; as "Maggott") Z:Z: ABC/arr. BB D:D: OSMOF1 track 5b Q:1/4=160 M:9/8 L:1/8 %R:jig K:D A|FEF DED FED|FAF dAF B2d|FEF DED FED| EFE BGE G2 :|B|FAF dAF dAF|FAF dAF B2d| FAF dAF dAF|EFE BGE G2 :| %%% X:44151 T:PIPING JIG, The S:S: NFID.185a < DOD Z:Z: ABC/arr. BB N:N: 1: Cut time is notated in Part A only but is in fact continued "simile" N:through the tune. N:N: 2: G's in source are natural - I have sharpened them. Q:1/4=160 L:1/8 M:6/8 %R:jig K:Ador %%textsource key A (B dorian) %%vskip .3in %%text part A %%vskip .3in d|e2A ABG|ABd e2g|dBd edB|GAB d2e| gBB ABG|ABd e2d|egg egd|edB A2:| %%vskip .3in %%text Part B f|g2e gee|deg f2d|dBd edB|GAB d2e| [1 g2e gee|deg f2B|egg egd|edB A2:| [2 gBB ABG|ABd e2d|egg egd|edB A2|| %%vskip .3in %%text Part C |:e|ABG A3|ABd efg|BGA B2A|B2G Bde| ABG A3|ABd e2d|egg egd|edB A2:| v %%text Part D e|g2e dee|Aee e2d|egg dee|Gdd d2B| [1 g2e dee|Aee e2d|egg ege|edB A2:| [2 A2A BAB|ABd e2d|egg egd|edB HA3|] %%% X:26029 T:PIPING PLOVER* (slip jig), The Z:Z: ABC/arr. BB S:S: GEI.058 (as "Jig") M:9/8 L:1/8 Q:1/4=160 %R:slip jig K:C G|cde cAA cAA|cde cAA B2G| cde cAA cAA|B>cd ded B2 :| G|cde gee gee|cde gee f2d| cde gee gee|Bcd ded B2:| "^coda"Bcd dcB c3| %%% X:184096 T:PIRATE SHIP* (reel), The Z:Z: ABC/arr. BB S:S: CRE.4 < Grier MS (unnamed) L:1/8 M:4/4 Q:1/4=180 %R:reel K:G G3c Bdgb|agfa gfgc|BGBd cBAB|cedc BGG2:| bagb adfa|gfgb agfa|bagf gdcB|ecdc BG G2| bgfg dgfa|gfgb agfa|bBaB gBfB|cedc BG G2 |] %%% X:611602 T:PIRATES' JIG, The %R:Jig C:D. MacAdam M:6/8 L:1/8 K:G A | BAB dBG|ece dBG|gfe dcB|dcB A2 A| BAB dBG | ece dBG | gfg ege |cBA G2 :| |: A | Bdc BGD | Bdc B2 D | Bdc BGD | cBc A2 D | Bdc BGD | Bdc B2 d | efg dBG | cBA G2 :| |: B | ceg fdB | cAd BGD | FAc edc | Bdc B2 B | ceg fdB | cAd BGD | FAc edc | cBA G2 :| %%% X:30013 T:PITHER IN ENOUGH (jig) S:S: JCIT.01b Z:Z: Arr/ABC BB N:N: Another incomprehensible "Gaelic" title! (Note that O'Neill - an Irish N:speaker, as noted elsewhere - includes this tune in his "Waifs & Strays" N:(#126) as "Put in Enough", which I guess makes more sense . . . ?) Q:1/4=160 L:1/8 M:6/8 %R:jig K:D A|FGF FED|BcB Bcd|FGF FED|A2A A2d| FGF FED|B2B Bcd|cBA dAF|ABA A2 :| d|cBA cec|dBB B2d|cBA cec|ABA A2d| cBA cec|dBB B2d|cBA dAF|ABA A2 :| G|F2d F2d|B2B Bcd|F2d F2d|A2A A2G| F2d F2d|B2B Bcd|cBA dAF|ABA A2 :| %%% X:184213 T:PIVOT HORNPIPE, The S:S: CRE.4 e|d2B2c>B|A2G2G2|G6-|G4|| de|g2f2e2|d2B2^d2|e2E2GB|d2B2ef|g2f2e^d|e4BA| G2E2GA|B2g2e2|d2B2GA|B2e2dB|A2G2G2|G6|] %%% X:495294 T:PLAID MANTLE (reel), The S:S: ONMI.1426 < McFadden Z:Z: Brennan/Black Q:1/4=180 %R:reel M:C| L:1/8 K:D AG|FEDE FGAF|GBAG FDDE|FEDE FGAg|fdec dcAG| FEDE FGAF|GBAG FDDE|FEDE FGAg|faec d2|| de|fedc dcAF|GBAG FDDg|fdec dcAg|faec d2de| fedc dcAF|GBAG FDDE|FEDE FGAg|faec Hd4|] %%% X:11078 %%scale .5 %%leftmargin 1.0in %%topspace 2in T:PLAINS OF BOYLE (hornpipe) (6 settings) S:S: AIF Z:Z: ABC Brennan/Black (arr.) N:N: Dotted rhythm in source Q:1/4=150 M:C| L:1/8 %R:hornpipe K:D %swing .25 %%vskip 40 %%text [1] source AIF FG|AFDE FEDF|A2GB AFDd|fedf edce|dcAB =cAGB| AFDE FEDF|A2GB AFDd|fedc A2GA|F2D2D2:| fg|afge fdec|defd BAFG|A2FA dAFA|BAFA defg| afge fdec|defd BAFG|A2FA dBAG|F2D2D2:| %%vskip 40 %X:182315 %T:PLAINS OF BOYLE (hornpipe) (2), The %%text [2] source CRE.2 S:S: CRE.2 < Jim Brophy Z:Z: ABC/arr. BB L:1/8 M:C %R:hornpipe Q:1/4=150 K:D %swing .25 FG|AFDE FEDF|A2BG AFD2|gedf gdce|d=cAB cAGB| AFDE FEDF|A2BG AFD2|gedc ABAG|FAD2 D2:| fg|afdf g2fe|defd BAFG|A2FA BAFG|A2FA BAfg| afdf g3e|defd BAFG|A2AF GBAG|FAD2 D2:| %%vskip 40 %X:22125 %%text [3] source DMWC %T:PLAINS OF BOYLE (hornpipe) (3), The S:S: DMWC.1 Z:Z: ABC/arr. BB N:N: Note that Willie's setting doesn't have the expected C naturals in N:measure 4. M:4/4 L:1/8 Q:1/4=150 %R:hornpipe K:D %swing .25 %%%text simplified setting %%vskip .3in AG|FDDF ADDF|A2GB ADDe|gedf edce|d=cAB cAGF| ADDF ADDF|A2GB A2de|gedc A2GA|FADA D2 :| fg|afdf gece|dfed BAFc|A2fc A2gc|A2fA BAfg| [1 afdf gece|dfed BAFG|A2dc A2GA|FADA D2 :| [2 afdf g2ge|dfed BAFG|A2FA GEAG|FADA D4 |] %%vskip 40 %X:252075 %%text [4] source FS2.32b %T:PLAINS OF BOYLE (hornpipe) (4), The Z:Z: ABC/arr. BB S:S: M:C L:1/8 Q:1/4=150 %R:hornpipe K:D %swing .25 FG|AFDE FED2|A2GB AFD2|fedf edce|dcAB =cAGB| AFDE FED2|A2GB AFD2|fedB ABAG|F2D2 D2 :| fg|afdf g2fe|dfed BAFG|A2FA BAFA|A2FA BAfg| afdf g2fe|dfed BAFG|A2AF GBAG|F2D2 D2 :| %%vskip 30 %X:59111 %%text [5] source JOB %T:PLAINS OF BOYLE (hornpipe) (5), The Z:Z: ABC/arr. BB S:S: JOB N:N: Source doesn't have C natural in m.4. Q:1/4=150 M:C| %R:hornpipe K:D %swing .25 B|AFDF AFDB|A2GB AFDe|fedf edce|dcAB cAGE| ADDF AFDB|A2GB AFDe|f2e2 d2A2|F2D2D2 :| fg|afdf gfec|dfed BAFA|BAFA BAGA|B2GA BAFf| agfa gfec|dfed BAFG|A3F GBAG|F2D2D2 :| %%vskip 30 %X:62110 %T:PLAINS OF BOYLE (hornpipe) (6), The %%text [6] source GSTC S:S: GSTC Z:Z: ABC/arr. BB Q:1/4=150 M:C| %R:hornpipe K:D %swing .25 G|ADDE FDDF|A2GB AF D2|fedf edce|dcAB =cAGB| ADDE FDDF|A2GB AF D2|fedB ABAG|F2D2 D3 :| g|afdf g2fe|defd BAFG| A2FA BAGF| A2FA defg| afdf g2fe|defd BAFG|ABAF GBAG|F2D2 D3 :| %%% X:50077 T:PLAINS OF MAYO (jig), The S:S: Petrie.304 Z:Z: ABC/arr. BB N:N: "Set from Anne Buckley, Claddagh, 1839" Q:1/4=160 M:6/8 L:1/8 %R:jig K:G % %%text source key F %%vskip .3in e|dBG AGE|GAB d2e|dBG BAG|ABd e2e| dBG AGE|GAB d2B|AGA BGE|GAF G2 :| B|B2A Beg|fed e2g|fdd eBB|ABc d2e| dBG AGE|GAB d2B|AGA BGE|GAF G2 :| %%% X:141177 T:PLANXTY BARON DAWSON* T:"O'Carolan's Seventh Untitled Piece" C:O'Carolan S:S: CAR-OS Z:Z: Gilb/Brennan/Black N:N: The Baron was a mutual friend of Carolan and Thomas "Squire" Jones. N:Details of a practical joke perpetrated by the Baron on Carolan are given N:in O'Neill's "Irish Minstrels and Musicians" (p.75). %R:jig Q:1/4=160 M:6/8 L:1/8 K:G %%text "moderato" %%vskip .3in G|B2c dcB|cBA Bcd|e3 dcB|cBA Bcd| g3 fed|def edc|cde dcB|ABG F2e|| d|GAB cde|fed e2G|E2G FAF|GBG ABc| e2c ABc|dBA GAB|cdB cBA|B3- B2d| gfg dcd|B3- B2G|dcB AGF|E3 c3|BAG DAF|\ "22"G3-G3|] %%% X:141171 T:PLANXTY BRENNAN* T:"O'Carolan's First Untitled Piece" C:O'Carolan S:S: CAR-OS Z:Z: Gilb/Brennan/Black Q:1/4=120 M:3/4 L:1/8 K:Em %%text "con spirito" %%vskip .3in G>F|E2 G>A B2|E2 G>A B2|A>B AG FE|F2 D2 B,2| G3F E2|A3G F2|GB B,2 D2|E4 G>F| E2 G>A B2|E2 G>A B2|A>B AG FE|F2 D2 B,2| d3c B2|e3d BA|GB AGFG|E4|| E2|B2 e>f g2|B2 e>f g2|gf ed ef|g2 B2 B2| c2 ec BA|B2 dB AG|A2 B2 ^d2|e6| ed Bd e2|dc Bc d2|BA GA BG|A2 F2 D2| G3F E2|A3G F2|GB B,2 D2|HE6|] %%% X:142692 T:PLANXTY BROWNE C:O'Carolan S:S: CAR-ON N:N: 1: This is often referred to as "Planxty Maggie Browne" %or just "Maggie Browne" (occasionally spelled as "Brown"). N:N: 2: This tune appears in the O'Sullivan's volume as "O'Carolan's N:Tenth Untitled Piece" Z:Z: Brennan/Black M:6/8 L:1/8 K:G %%text "lively" %%vskip .3in g|dBG GAB|E2E E2c|AFD DEF|G2G G2g| dBG Bcd|E2E E2c|AFD DEF|G3G2|| g/a/|bgb afd|efg gfe|dBg dBG|AFD D2g/a/| bgb afd|efg gfe|faf ge^c|d2d def| ece dBd|cac BgB|Ace dBG|FAF DEF| GAB EFG|ABc def|gdB cAF|G3G3|] %%% X:142664 T:PLANXTY BURKE C:O'Carolan S:S: CAR-ON Q:1/4=120 Z:Z: Brennan/Black M:6/8 L:1/8 K:A dorian %%text animated; source key Bm %%vskip .3in ABd e2d|cde dBG|GAG dBG|GAG gBG| ABd ecA|ABA ecA|g2g gab|g2g e2|| g/a/|bag agf|gfe def|gfe agf|gfe dB^G| ABd ecA|ABA ecA|g2g gab|g2g e2|| f|gaf gaf|gfe dB^G|a2a aba|gef g2f| ^gbg aef|gfe dB^G|a2e fae|c3 HA3|] %%% X:142671 T:PLANXTY CHARLES COOTE C:O'Carolan S:S: CAR-ON Z:Z: Brennan/Black M:C L:1/8 K:G % %%text "lively"; source key C %%vskip .3in DC|B,2D2 A,2D2|CB,A,G, B,2D2|EFG2 ABAG|GFEF D2BA| G2d2 dedc|BABc d2cB|cBAG GFEF|G4 G2:| GA|B2d2 dedc|BcdB g2G2|BcdB gfed|edcB A2z2| cBcB A2Bd|cBAG GFEF|GFGB AFDF|1[B,4G4][B,2G2]:| [2 [B,4G4][B,4G4]|] %%% X:26 T:PLANXTY CHICARGO (reel) C:Jimmy Keane N:N: @ Cappal Beag Music BMI L:1/8 M:C Q:1/4=180 K:D FE|DEFA d2c2|B4 B2GF|EFGE A3G|F3B AFEF| DEFA d2c2|B4 B2GF|EFGE CA,CE|DECE D2 :| EF|GFED CA,B,C|DCDE FGAF|GFED CA,B,C|DCDE FGAF| [1 GFED CA,B,C|DCDE FGAD|BGED CEA,C|DECE D2 :| [2 BAGF EFGE|AGFE DEFD|GFED CDEC|DECE D4|] %%% X:16203 T:PLANXTY CONNOR (jig) (a-1) S:S: CIAJ Z:Z: ABC/arr. BB L:1/8 M:6/8 %R:jig Q:1/4=160 K:G G2G FED|E2F G2A|B2G c2A|B2G c2A| Bcd EFG|ABG FED|EFG AFD|G3 G3 :| d2d def|g3 g3|c2c cdc|e3 g3| dcB c2e|dBd D2D|EFG AFD|G3 G3 :| BGE EGE|AFD DFD|EFG ABG|F3 D3| ded dBG|efe efg|dcB AGF|G3 G3 :| %%% X:331072 T:PLANXTY CONNOR (jig) (b) C:Carolan Z:Z: ABC/arr. BB S:S: Levey1.10 Q:1/4=160 L:1/8 %R:jig N:N: Upper notes for treble instruments M:6/8 K:G % %%text "in quick time"; source key Bb %%vskip .3in G2G GAF|G2d dec|B2c dBG|GFG AFD| G2G GAF|G2d dec|B2c dBG|DEF G3 :| d2d d2c|d2e d2c|B2c dBG|GFG AFD| d2d d2c|B2g gfe|d2e dBG|DEF G3 :| [G,G][B,B][Dd] GFG|AFD DEF|GAB BAG|AFD CB,A,| [G,G][B,B][Dd] GFG|ABc cBA|d2D DEF|G3 G3 :| %%% X:31189 T:PLANXTY CONNOR (slide) C:Carolan (!!) Z:Z: ABC/arr. BB S:S: JOL.312 N:N: "'Tis another one of Bill the Weaver's old jigs." [JOL] I don't know how N:much time The Bard spent in Sliabh Luachra, but I'm sure he would have N:enjoyed this version of his tune. Q:1/4=180 M:12/8 L:1/8 %R:slide K:G D|G2G FED E2F G2A|B2G c2A B2G c3| Bcd EFG EAG FED|EFG AFD G3 G2 :| F|G2G GBd e2f gfe|dBG GBd e2f gfe| dBB cBA dBG FED|EFG AFD G3 G2 :| %%% X:142681 T:PLANXTY CORCORAN C:O'Carolan S:S: CAR-ON N:N: 1: 12 measures in each part N:N: 2: "Nonuplet" banished from m.16. Z:Z: Brennan/Black M:6/8 L:1/8 K:Em %%text "animated" %%vskip .3in G|GFG E2G|GFG EBA|GFE DFA|GFE DEF| GFG A^GA|B^AB e2f|g2e fed|e2B dBA| BAG AGF|G2E FED|EB,^D EGF|E3E2|| E|BAG FED|dDD Def|gfe fe^d|eEE EBf| gfe fe^d|BAG AGF|agf gfe|GFE FED| gfg aga|bab aba|gfe fe^d|e3 He3|] %%% X:141021 T:PLANXTY CRILLY C:O'Carolan S:S: CAR-OS Z:Z: Gilb/Brennan/Black M:6/8 L:1/8 K:D %%text "allegro comodo" %%vskip .3in D|FGA ABc|d2B AFD|GAG FGF|EFA A3| ABd dBd|efe f/e/de|d/e/fB AFA|d3 d2:| B|AFA AFA|B/A/FE DEF|AFA Bc/B/A/F/|AB/A/F/E/ D3| fg/f/e/d/ ef/e/d/c/|de/d/c/B/ cd/c/B/A/|B/A/B/c/d efd|c3 B3| AFA AF/E/D|efe f/e/de|d/e/fB AFA|d3 d2:| %%% X:21162 T:PLANXTY DAVIS S:S: DMI.0973 Z:Z: Nordberg/Black %R:hornpipe N:N: In the "Set Dance" section of DMI. Hornpipe setting is next entry. Q:1/4=75 M:2/4 L:1/16 K:D %swing .25 FG|A2AB A2FG|AFAB A3B|AGFE DEFG|A2AB A2dc| B2Bd B2Ac|BcBd B2dB|AGFE DEFA|B2Bd B2b2| bagb afeg|fedf e2de|fedB BAdF|A2AB A2dc| B2AB d2Bd|e2de f2ed|BABc d2F2|E4D2 || % fg|a2ab a2fg|agab a2fg|agfe defg|a2ab a2fa| b3b b2fa|bafa b2bg|agfe defa|b2ba b2fa| bafb afeg|fedf e2de|fedB BAdF|A2AB A2dc| B2AB d2cd|e2de f2ed|BABc d2F2|E4D4 |] %%% X:492163 T:PLANXTY DAVIS (hornpipe) S:S: ONMI.1561 < Cronin Z:Z: Brennan/Black %R:hornpipe Q:1/4=150 M:C| L:1/8 K:D %swing .25 DF|A2AB A2FG|AFAB A3B|AGFE DEFG|A2AB A2dc| B2Bc B2Ac|BABc B2dB|AGFE DEFG|B2Bc A2b2| bagb ageg|fedf e2de|fedB BAdF|FAAB A2dc| B2AB d2cd|e2de f2ed|BABc d2F2|E4D2|| % fg|a2ab a2fg|agab a2fg|agfe defg|a2ab a2fa| b2b[ac'] b2ga|bab[ac'] b2[ac']b|agfe defa|b2b[ac'] b2fa| bafb afeg|fedf e2de|fedB BAdF|FAAB A2dc| B2AB d2cd|e2de f2ed|BABc d2F2|E4D4 |] %%% X:142667 T:PLANXTY DENIS O'CONNOR C:O'Carolan S:S: CAR-ON N:N: Note 8/12 measures Q:1/4=120 Z:Z: Brennan/Black M:6/8 L:1/8 K:A % %%text source key Bb %%vskip .3in A2A ABG|A2e efd|c2d ecA|AGA BGE| A2A ABG|A2e efd|c2d ecA|EFG A3|| e2e efg|a2e fed|c2d ecA|AGA BGE| e2e efg|a2a agf|e2f ecA|EFG A3|| A,CE AGA|BGE EFG|ABc cBA|BGE DCB,| A,CE AGA|Bcd dcB|e2E EFG|A3 HA3|] %%% X:332069 T:PLANXTY DILLON Z:Z: ABC/arr. BB S:S: Levey2.83 N:N: 1: I include this tune for the sake of completeness since I'm pretty sure N:that there aren't too many trad musicians around who would be interested N:in trying it. But Levey was a classical violinist, and a piece like this would N:have presented very few problems to him or his conservatory colleagues. N:(As in the case of other tunes or settings in Levey's two volumes, you have N:to wonder about the source.) N:N: 2: I don't find a tune by this specific name in either of the Carolan col- N:lections, but Carolan wrote a number of tunes dedicated to various members N:of the Dillon family. This may be one of them Q:1/4=100 L:1/8 M:6/8 %R:blank K:D %%text "moderately & very distinctly marked"; source key G %%vskip .3in A/G/|FDd d2c/d/|e/d/c/B/A B/A/G/F/E|F/G/AA B/A/G/F/G/A/|\ BEE E2A/G/| FDd d2c/d/|e/d/c/B/A B/A/G/F/E|F/G/AA f2e|dDD D2 || f/g/|"^9"afd afd|e/d/c/B/A e/d/c/B/A|B/c/d/B/f g/f/e/d/e|\ f/e/d/c/d/B/ AFA| ~B,2/c/d ~B,2/c/d|ag/f/g/a/ B2c|dAF dAF|GFE GFE|F/G/AA f2e|dDD D3 |] %%% X:142661 T:PLANXTY DOBBINS C:O'Carolan S:S: CAR-ON Z:Z: Brennan/Black M:3/4 L:1/8 K:D % %%text "moderate"; source key G %%vskip .3in (3ABc|d2edcB|e2A2A2|d2F2F2|B2E2E2|\ A2D2D2|d2cdec|d6-|d4|| de|f2defd|g2defd|f2d2B2|B4cd|\ e2cdec|f2defd|e2c2A2|A4 (3ABc| d2edcB|e2A2A2|d2F2F2|B2E2E2|\ A2D2D2|d2cdec|d6-|d2z2|| z2|DD D2D2|DD D2D2|GE E2E2|GE E2E2|\ FG A2A2|A2B2G2|FG A2A2|A2B2A2|| f2defd|g2defd|f2defd|e2c2A2|\ B4ed|c2A2c2|d6|d4 (3BcB| A2F2E2|B4E2|E2F2E2|A4D2|\ D2E2D2|B4ed| c2A2c2|Hd6|] %%% X:142690 T:PLANXTY DREW C:O'Carolan S:S: CAR-ON Z:Z: Brennan/Black M:6/8 L:1/8 K:Am % %%text "spirited"; source key Gm %%vskip .3in A/B/|cBA cde|dec BAG|AEA A2B|cAA A2B| cBA cde|dec BAG|Aaa bge|dB^G A2|| c/B/|AEA cde|Aaa abg|age d/c/BA|Ggg g2a| bgb a2^f|g2e d2B|Aaa bge|dB^G HA3|] %%% X:142691 T:PLANXTY DRURY (1) C:O'Carolan S:S: CAR-ON Z:Z: Brennan/Black M:6/8 L:1/8 K:D %%text "lively" %%vskip .3in d>ed dcB|A2G F2G|E2e efd|c2B A2A| A2f fgf|e2d c2A|f2g a2d|c2d c2B| AFA AFA|Bcd ecA|afa gec|d3 d2(3c/d/B/| AFA AFA|Bcd ecA|afa gec|d3d2|| A|A>BA GAG|FGF E2E|E2E E2G|FDG F/G/AF| D3d3|efe ecA|A2A def|g2f edc| d2d ded|BAG Bcd|c2d egf|efd cBA| d2F G2B|A2G FGA|BAe d2c|d2d d2z| d2F G2B|A2G FGA|BAe d2c|d2d Hd3|] %%% X:46079 T:PLANXTY DRURY (2) S:S: OFHC06.02 Z:Z: ABC/arr. BB C:Carolan N:N: One of Carolan's better-known tunes. It's not really a jig but it certainly N:lends itself to jig treatment, so I'll put dance tune values in the Q and R N:field of this ABC. I don't think The Bard would object! L:1/8 M:6/8 Q:1/4=160 %R:jig K:D A|d>ed dcB|A2G F2G|A2e efd|c2B A2z| A2f fgf|e2d c2A|f2g a2d|c2d c2B| AFA AFA|Bcd ecA|afa gec|d3 d2B| AFA AFA|Bcd ecA|afa gec|d3 d2 || % A|A>BA G>AG|F>GF E2E|E2E E2G|FDG F/G/AF| D2z d3|efe ecA|A2A def|g2f edc| d2d ded|BAG Bcd|c2d e>gf|e>fd cBA| d2F G2B|A2G FGA|BAG FGE|D2D D2z| d2F G2B|A2G FGA|BAG FGE|D2D HD3 |] %%% X:142698 T:PLANXTY EDMOND DODWELL C:O'Carolan S:S: CAR-ON Z:Z: Brennan/Black M:C L:1/8 K:Em % %%text "spirited"; source key Dm %%vskip .3in BBBE FABc|deBA GFE^D|Ee^de fgfe|d2 ^c2B2^de| fgfe dB^AB|c^deB AFEF|E2E/F/G D2Fd|BA F3/E/ E2z2|| FEDB, DEFA|BBBA FAFE|Dd^cd Be^de|e^c^de f2de| fgfe dcdB|FFFE D^CDB,|EEEF GABc|BAGF HE4|] %%% X:142673 T:PLANXTY FANNY POWER C:O'Carolan S:S: CAR-ON Q:1/4=120 Z:Z: Brennan/Black M:6/8 L:1/8 K:G % %%text source key A %%vskip .3in G2D GAB|c2B A2G|F2E DED|F2G A2c| BAG Bcd|e2A A2G|FED DEF|G3G2z:| dBd dBd|G2G G2G|ede ede|A2A A2A| Bcd efg|fga ded|BAG ABA|G3 G3:| %%% X:141006 T:PLANXTY GEORGE BRABAZON (a) C:O'Carolan S:S: CAR-OS Z:Z: Gilb/Brennan/Black N:N: This setting is not really close to the better-known 4/4 version below. %R:jig M:6/8 L:1/8 K:G %%text "cheerfully" %%vskip .3in G2g gdg|gdg fed|B2g gdc|Bc/d/B cAF| G2g gdg|gdg fed|B2g gdc|Bc/d/B cAF|| B3 c3|d2g gab|B3 c3|Bc/d/B cAF| BAG GAG|G2g gdc|BAG GDG|Bc/d/B cAF|] %%% X:142657 T:PLANXTY GEORGE BRABAZON (b) C:O'Carolan S:S: CAR-ON Z:Z: Brennan/Black M:C L:1/8 K:G %%text "moderate" %%vskip .3in ge|d2G2 cBAG|d2G2 cBAG|e2A2 ABcd|e2A2 ABcd| edcB g2fe|edcB cBAG|BAGE DEGA|B2G2G2|| ga|b2gb a2fa|g2eg edcB|e2A2ABcd|e2A2A2ga| b2gb a2fa|g2eg edcB|cBAG DEGA|B2G2G4|] %%% X:141056 T:PLANXTY HEWLETT T:Planxty Breá Hewlett S:S: CAR-OS C:O'Carolan Z:Z: Gilb/Brennan/Black N:N: One of the Bard's better-known pieces. "Breá" means "good looking" N:(= Scots "braw") M:3/4 L:1/8 K:D %%text "vivace" %%vskip .3in D2 D2 FG|AB c2 A2|d2 f2 fg|fe d3B| A2 F2 F2|G2 GB AG|AF D2 D2|D4 A,2| D2 D2 FG|AB c2 A2|d2 f2 fg|fe d3B| A2 F2 F2|G2 GB AG|AF D2 D2|D3zz2|| A2 D2 AB|A2 D2 AB|A2 d2 d2|dc BA G2| G2 G,2 G>A|G2 G,2 G>A|G2 GA BG|AF D2 DD| FE F2 G2|A>B c2 A2|fe fg ag|fe d3B| A2 AB AF|G3A BG|AF D2 D2|D6|| %%% X:142682 T:PLANXTY HUGH O'DONNELL C:O'Carolan S:S: CAR-ON Z:Z: Brennan/Black M:6/8 L:1/8 K:G % %%text "animated"; source key C %%vskip .3in D|D2G GAG|F2G A2c|B2E EGE|A2D DFD| G2D GFE|D3d3|BGB BGB|c3e3| d>ed BGB|cdc AFA|BcB GEG|ABA FDF| G2D GFE|D3d3|cBA GAF|G3G2:| G|d2G d2G|edc BAG|FAA ABA|FAA ABA| GBB BcB|EFG FED|EFG FGA|EFG AFD| d2d e2e|f2f g3|g2d g2c|g2B Aag| fed ded|dcB Adc|BAG AGF|G3 G2:| %%% X:142677 T:PLANXTY IRWIN (1) C:O'Carolan S:S: CAR-ON Z:Z: Brennan/Black N:N: Another of Carolan's best-known pieces. M:6/8 L:1/8 K:D %%text "spirited" %%vskip .3in A|d2c Bcd|A2G FED|G2E FGA|C2D E2c| d2c Bcd|A2G FED|G2E FGA|D2C D2:| A|ded d2d|e2e ecA|A2f e2d|dcB ABc| d2c Bcd|A2G FED|G2E FGA|D2C D2:| %%% X:46080 T:PLANXTY IRWIN (2) S:S: OFHC38.02 (as "Irish Planxty") C:Carolan Z:Z: ABC/arr. BB Q:1/4=120 L:1/8 M:6/8 %R:jig K:D % %%text source key = G %%vskip .3in d2c Bcd|A2G FED|G2E FGA|C2D E3| d2c Bcd|A2G FED|GFE FGA|D2C D3 :| d2d dcd|efe ecA|fgf e2d|dcB ABc| d2c Bcd|A2G FED|GFE FGA|D2C D3 :| %%% X:65081 T:PLANXTY JAMS O'DONNELL C:Aidan Crossey S:S: composer N:N: "Jams" isn't a typo! "A planxty in 6/8 time," says Mr. Crossey, who will N:gladly explain why "Jams" and not "James"! M:6/8 Q:1/4=160 L:1/8 K:D Major A|FGA DFA|B2 e cBA|FGA DFd|B2 e cde| f2 f fdB|e2 e ecA|dcB AFA|Bcd f2 e| dcB ABc|d3 d2 :|e|fdf fdf|ece ece| dBd dBd|cAB cde|fdf fdf|ecA A2 d| Bcd edc|d3 d2 :| %%% X:142656 T:PLANXTY JOHNSTON C:O'Carolan S:S: CAR-ON Z:Z: Brennan/Black N:N: Source mm 14-15: |c2d ebc'|d'2b c'2a| (cocker spaniel range) M:6/8 L:1/8 K:D %%text "lively" %%vskip .3in d2d dcB|A2G F2G|E2A D2d|c2B A2a| f2e d2e|f2g a2b|a2f d2e|c2d e2f| ecA ecA|B2c d2e|d2d edc|d3d2z|| afg a2f|"14"c2B ABc|"15"d2B c2a|\ b2g efg| a2a aba|f2f fgf|ded c2d|ecA ABc| dcB AGF|G3-GAG|e2e efe|ecA A2z| faf gbg|faf geg|fdf ecA|d3 Hd3|] %%% X:141076 T:PLANXTY KELLY (a) C:O'Carolan S:S: CAR-OS Z:Z: Gilb/Brennan/Black M:6/8 L:1/8 K:Am %%text "moderato" %%vskip .3in E|EAA AGA|B2A G>AB|c2B A>Bc|B>AB g^fg| e2d c>de|dBA GAB|cBA GED|EAA A2|| e|e^f^g a2c'|bba g2b|a2 (3b/a/^g/ e2^f|\ g2 (3a/g/e/ d2f| e2 (3f/e/d/ c2e|dBA GAB|cBA GED|EAA A3|] %%% X:27072 T:PLANXTY KELLY (b) S:S: HOC.123 Z:Z: ABC/arr. BB N:N: "dance" N:N: 1: Note ten measures in each part! N:N: 2: I have no idea where Harding got this tune, which bears no relation N:(apart from being in 6/8) to Carolan's tune of the same name. Q:1/4=160 M:6/8 L:1/8 %R:jig K:G G2F G2A|B2c d2B|d2e f2g|a2g fed |b2a g2f| g2f e2d|e2f g2e|dec BcA |G2g gaf|g3 g3 || G2z g2z|G2z g2a|b2g a2f|g2f e2d |e2f g2e| dec BcA|G2g gaf|g3 Hg3|] %%% X:142663 T:PLANXTY KITTY O'BRIEN C:O'Carolan S:S: CAR-ON Z:Z: Brennan/Black M:C L:1/8 K:G %%text "moderate" %%vskip .3in B2d2 d2g2|e2dc B2A2|G2G2 A2G2|F3E D2z2| BBd2 d2g2|fefg a2e2|edcB cBAG|G4 G2z2|| D2ED D2FG|E2DE E2EG|ABAG AGAB|d4 d2z2| efed B2d2|efed cBAG|g2G2 GABG|A4 G2z2|| B2d2 d2ef|g4 [B4g4]|efed B2d2|e2f2 g2z2| d2BA G2d2|G2AB d2D2|E2FG ABAG|G4 HG4|] %%% X:142686 T:PLANXTY LADY ATHENRY C:O'Carolan S:S: CAR-ON Z:Z: Brennan/Black M:6/8 L:1/8 K:G %%text "lively" %%vskip .3in B3G2B|d2D GFE|A2G F2E|D2d ded| BcB A2G|F2A d2A|B3G2B|A2F D3| B,2C D2E|D2G FGA|B2D A2F|G2E CGE| d2e dBG|c2D A2F|D2G G2F|G3G2|| B/c/|d2B G2e|d2c B2c|d2g gbg|f2d a2f| d2g gbg|faf e2d|d2f faf|gfe dcB| c3c2d|efg efg|f2d d2e|fga fga| gfe dcB|cBA ABc|d2D A2F|G3 HG3|] %%% X:142693 T:PLANXTY LADY BLANEY C:O'Carolan S:S: CAR-ON Z:Z: Brennan/Black N:N: Source mm 26-27: |f2c'2c'bc'd'|c'2b2a2A2| M:2/4 L:1/16 K:C %%text "spirited" %%vskip .3in e2g2 gagf|efed c2 z2|A2A2 fedc|BcAB G2ed| c2g2 efge|agfe d2 z2|fedc B2c2|d2e2 A2 z2| G2AG F2GF|E2FE D2C2|d2ed c2dc|B2cB A2G2| G2e2f2e2|d4z2A2|AGFE FEDC|c4c2 z2|| %% "^17"G2GE C2G,2|C2E2 G2E2|AGAF D2A,2|D2F2 A2F2| EGEG G4|FAFA A4|BdBdd4|cdef g3f| e2g2 gage|"^26"f2c2 cBcd|c2B2 A2A2|G2F2 E2e2| agfe d2d2|gfed c2c2|dedc BcBA|G2G2 G2AB| cGEG cGEG|c4z2Bc|dAFA dAFA|d4z2GF| E2G2 c2cB|A2c2 f2e2|dedc cBAB|c4c4|] %%% X:142675 T:PLANXTY LADY WRIXON C:O'Carolan S:S: CAR-ON Z:Z: Brennan/Black M:6/8 L:1/8 K:A dorian %%text "lively"; source key Gm %%vskip .3in f|e2A c2A|e2A efg|d2G B2G|d2G Bcd| e2A c2A|e2A efg|d2B g2B|AcA A2:| g|aga bge|aza bge|gzg faf|g3 e2g| faf ege|dfd cec|BdB BgB|AcB HA3|] %%% X:142697 T:PLANXTY MADAM CROFTON C:O'Carolan S:S: CAR-ON Z:Z: Brennan/Black M:C L:1/8 K:Bm %%text "spirited"; source key Em %%vskip .3in BdcB AzFz|GFEG FzEz|FDEC DB,C^A,|B,CDE F2-Fz| FB^AB czcz|BAGF dzdz|edcd ezez|fede fzfz| fge^a bfgf|efde cdec|dfeg fabg|f2 e>d d2ze| dgfe dedc|BdcB AzFz|GFEG F^AB>F|EDC>B, B,2B,z:| FzEzDzCz|B,CDE F2Fz|FB^Ac Bdce|f3e d2ze| fzf2 FDB,D|aza2AFDF|eze2ECA,C|dcB>c A2zB| Azf2edcB|Azf2edcB|^A^GFA BFDF|EDC>B, B,2z2:| %%% X:142659 T:PLANXTY MADAM MAXWELL C:O'Carolan S:S: CAR-ON Z:Z: Brennan/Black M:4/4 L:1/16 K:D ABA2 AFD2|F2A2 A2B2|cde2 def2|efg2 f2e2| d2A2 GFED|G2B2 B2d2|c2A2 e2dc|d4d2 z2:| a2d2 a2d2|g2 b4ag|f2d2 a2gf|g2 e4g2| fga2 gab2|a2g2 f2e2|d4e2d2|c2 A4Bc| d4cBAG|F2 D4d2|cde2 fed2|c2 A4Bc| dcBA BAGF|G2 B4A2|BAGF AGFE|D4-D4|] %%% X:36052 T:PLANXTY MAGGIE BROWNE T:Maggie Browne's Favorite C:O'Carolan Z:Z: ABC/arr. BB S:S: Mally.VIST:084 Q:1/4=160 M:6/8 L:1/8 %R:jig K:G g|dBG GAB|E2E E2c|AFD DEF|G2G G2g| dBG GAB|cBc E2c|AFD DEF|G3 G2 :| a|bgb afd|efg gfe|dBg dBG|AFD D2a| bgb afd|efg gfe|faf ge^c|d3 de=f| ece dBd|cac BgB|Ace dBG|FAF DEF| GAB EFG|ABc def|gdB cAF|G3 G3 :| %%% X:141180 T:PLANXTY MAGGIE BROWNE* T:"O'Carolan's Tenth Untitled Piece" S:S: CAR-OS C:O'Carolan Z:Z: Gilb/Brennan/Black N:N: Cf. O'Neill's "Irish Minstrels and Musicians", p.77. Since this has evidently N:always been one of Carolan's best-known pieces, it's hard to see why it's N:"untitled" in O'Sullivan's book. %R:jig Q:1/4=160 M:6/8 L:1/8 K:G %%text "vivace" %%vskip .3in g|dBG GAB|E2E E2c|AFD DEF|G2G G2g| dBG Bcd|E2E E2c|AFD DEF|G3G2|| g/a/|bgb afd|efg gfe|dBg dBG|AFD D2a| bgb afd|efg gfe|faf ge^c|d2d def| ece dBd|cac BgB|Ace dBG|FAF DEF| GAB EFG|ABc def|gdB cAF|G3HG3|] %%% X:142695 T:PLANXTY MAGUIRE (a) C:O'Carolan S:S: CAR-ON Z:Z: Brennan/Black M:2/4 L:1/16 K:D % %%text "spirited"; source key G %%vskip .3in A2|GFED A2D2|F2A2 A2Bc|d2cB e2dc|d2E2 E2A2| GFED F2A2|g2f2 e2d2|cdec A2Bc|d2D2 D2B2| AFAB A2F2|AFAB A2F2|g2e2 e2f2|g2e2 e2A2| FGA2 D2A2|C2A2 B,2B2|cde2 B2e2|dcBc A2A2| B2c2 d2e2|f2d2 d2ef|g2e2 e2a2|gfef d2A2| ABAG F2A2|d2B2 G2B2|c2de A2c2|d2D2 D4|] %%% X:332070 T:PLANXTY MAGUIRE (b) C:? Carolan Z:Z: ABC/arr. BB S:S: Levey2.17 N:N: Second part (mm 9-24) repeated in source. 3 parts are my idea. Q:1/4=160 L:1/8 M:6/8 %R:jig K:G A|G2G FED|E2F G2A|B2G c2A|B2G c2A| Bcd EFG|ABG FED|EFG AFD|G3 G2 :| % e|d2d def|g3 g3|B2B Bcd|e3 e2z| dcB cde|d^cd D3|EFG AGF|G3 G2 :| % A|BGE EGE|AFD DFD|EFG A2E|F3 D3| d2d dBd|efg efg|dBG cAF|G3 G2:| %%% X:57133 T:PLANXTY MARY McCLARE (jig) S:S: Treoir.34b Z:Z: ABC/arr. BB C:Mick Furey Q:1/4=160 L:1/8 M:6/8 %R:jig K:D e|fgf efe|ded cBA|Bcd AGF|GAB Ade| fgf efe|ded cBA|Bcd edc|d3 d2 :| A|def gfg|agf e2d|def gfg| aba gfe| agf gfe|fed B2A|def gfe|d3 d2 :| %%% X:142662 T:PLANXTY MARY O'NEILL C:O'Carolan S:S: CAR-ON Z:Z: Brennan/Black M:6/8 L:1/8 K:Dmix %%text "animated" %%vskip .3in A|dAG F2D|EGE F2D|dAG F2D|ECE GFE| dAG F2D|EGE F2D|GAB cBA|GEC EGE|| f2d dfd|afd ege|f2d dfd|ge^c efg| fed edc|dcB cBA|GAB cBA|GEC EGE|| FED d2D|FED d2D|FED d2D|GEC EGE| FED d2D|e2A f2D|g2A f2D|1 GEC EGE|\ [2 GEC EGE|HD6|] %%% X:142672 T:PLANXTY MISS BURKE C:O'Carolan S:S: CAR-ON Q:1/4=140 Z:Z: Brennan/Black M:6/8 L:1/8 K:D %%text "lively" %%vskip .3in z|d2e ded|ced efg|fed fed|faf e3| a2f gfe|dcB ABc|dFA dFA|d3 d2:| A|f2a gfe|d2A d2A|bag fed|cef d2e| afa b2g|afa geg|fed cAc|d3 d2:| %%% X:142666 T:PLANXTY MRS. O'CONNOR C:O'Carolan S:S: CAR-ON %12 measures in each part Z:Z: Brennan/Black M:6/8 L:1/8 K:G %%text "spirited" %%vskip .3in G2G FED|E2F G2A|B2G c2A|B2G c2A|Bcd EFG|ABG FED| "7"EFG AFD|G3G2A|Bcd EFG|ABG FED|EFG AFD|G3G2z|| d2d def|g3g3|B2B Bcd|e3e3|dcB c2e|d^cd D2D| "19"EFG AFD|G3G2z|dcB c2e|d^cd D2D|EFG AFD|G3G3|| BGE EGE|AFD DFD|EFG ABG|F3D3|ded dBG|efe efg| "31"dcB AGF|G3G2z|ded dBG|efe efg|dcB AGF|G3 HG3|] %%% X:142658 T:PLANXTY NANCY McDERMOTT C:O'Carolan S:S: CAR-ON Z:Z: Brennan/Black M:2/4 L:1/16 K:Em % %%text "lively"; source key Gm %%vskip .3in E2EF G2FE|G2B2 BAGF|G2FG AGFE|D2B,2 D2EF| G2B2 A2d2|B2e2 edcB|AGFE GFED|B,2E2 E2 z2|| B2e2 e2B2|e^def e2B2|A2B^c d2A2|d^cde d2BA| B2e2 e2B2|e^def e2B2|BAGF AGFE|D2B,2 B,2 z2| G2B2 GAB^c|d4d2 z2|g2fg agfe|d6e2| dedc B2d2|A2d2 G2d2|F2B2 AGFA|G2E2 HE4|] %%% X:142676 T:PLANXTY NANCY VERNON C:O'Carolan S:S: CAR-ON N:N: Note 8/12 structure Z:Z: Brennan/Black M:6/8 L:1/8 K:A %%text "spirited" %%vskip .3in e|c2A FEF|E3EFA|B2B BAF|ABc d2e| c2A FEF|E3EFA|B2d c2B|BAA A2|| c|e2c A2c|d3d2c|d2e f2e|edc B2c| f2e edc|B3c2B|BAF F2E|EFA B2e| c2A FEF|E3EFA|B2d c2B|BAA HA3|] %%% X:142668 T:PLANXTY O'CAROLAN C:O'Carolan S:S: CAR-ON N:N: 14 measures in part 2 Z:Z: Brennan/Black M:6/8 L:1/8 K:G %%text "moderate" %%vskip .3in G|B2c dcB|cBA B2d|e3 dcB|cBA Bdf| g3 fed|def edc|cde dcB|ABG F2|| d|GAB cde|fed e2G|E2G FAF|GBG A2c| e2c ABc|dBA GAB|cdc cBA|B3 z2d| gfg dcd|B3 z2G|dcB AGF|E3c3|BAG EAF|\ G3 HG3|] %%% X:37144 T:PLANXTY O'CONNOR Z:Z: ABC/arr. BB S:S: MFC.121b ("Bridge Ceili band setting") Q:1/4=160 N:N: Note 12 measures in the second part. L:1/8 M:6/8 %R:jig K:D A|d3 d2A|BAG FGA|Bcd ecA|dfa a2g| fef Bcd|efe ABc|dcB AFA|d3 d2:| B|ABA FGA|BGB AFA|D2B AFA|GEe c2A| faf faf|faf fdB|cde efe|eaf ecA| dcB AFA|DFA f2e|dcB AFA|d3 d3|] %%% X:142688 T:PLANXTY O'DALY C:O'Carolan S:S: CAR-ON Z:Z: Brennan/Black M:6/8 L:1/8 K:Am % %%text "spirited"; source key Gm %%vskip .3in B/A/|GEE GED|EAA A2B|c2c Ace|dBA G2^f| gGG BGG|dBA G2d|e2^d e2B|dB^G A2|| ^g|a^ga A2e|a^ga A2^f|g^fg GBd|gdB G2B| cBc c2^c|d^cd B2d|e2^d ede|dB^G HA3|] %%% X:142669 T:PLANXTY O'FLYNN C:O'Carolan S:S: CAR-ON Z:Z: Brennan/Black M:6/8 L:1/8 K:G %%text "spirited" %%vskip .3in G|GDG GAG|FDF G2A|BdB cec|Bdd g2a| gfe dcB|cBc ABA|F2D AGA|G3G2|| D|DB,D DB,D|ECC ECC|FGA ABG|FDd d2c| BAG GgG|GgG ecA|B2d d2c|BAG AFD| GEC CEC|DFD dcB|c2A FDF|G3 HG3|] %%% X:142674 T:PLANXTY O'KELLY C:O'Carolan S:S: CAR-ON N:N: 10 measures in part 1 Z:Z: Brennan/Black M:6/8 L:1/8 K:G %%text "lively" %%vskip .3in G2G G2A|B2c d2B|d2e f2g|a2g fed|b2a g2f| g2f e2d|e2f g2e|dec BcA|G2g gaf|g3g3:| G2g g2z|G2g g2a|gba g2f|g2f e2d| e2f g2e|dec BcA|G2g gaf|g3g3:| %%% X:142683 T:PLANXTY O'NEILL C:O'Carolan S:S: CAR-ON N:N: 12 measures in both parts Z:Z: Brennan/Black M:6/8 L:1/8 K:D %%text "animated" %%vskip .3in AFD DA,D|FAB AFD|GFE FED|B2d ecA| d2e dAF|GFD CB,A,|D2E FGA|EEF FAB| AFD dAF|BGE ecA|dAF GEC|D3 D3|| A2d d2c|BcA GFE|Eee edc|BAG F2G| Age dcd|B2a gfg|fdA GFA|BEE cAA| Afd AGE|GED CA,A,|AdF AGE|D3 HD3|] %%% X:142665 T:PLANXTY O'REILLY C:O'Carolan S:S: CAR-ON N:N: 12 measures in each part Z:Z: Brennan/Black M:6/8 L:1/8 K:D %%text "animated" %%vskip .3in d|dcB ceG|F2D G2E|F2A ABA|F2A A2f| fef g2e|fdB Bcd|e2e f2d|ecA ABc| dcB f2A|d2F B2F|FED D2d|d3d2|| G|FDD F2D|GEE G2A|FAA A2A|FAA A2f| fef g2e|f2d ecA|B2c d2e|d2B AFD| B2E E2E|EFE EFA|B2B edc|d3 Hd3|] %%% X:142660 T:PLANXTY O'ROURKE C:O'Carolan S:S: CAR-ON Z:Z: Brennan/Black M:6/8 L:1/8 K:G %%text "spirited" %%vskip .3in D|GBc dBG|cBc cec|dBd ege|faf g2d| gab abg|fge dcB|cAd BGd|ede f3| g3 gBd|gfg afd|eee ege|dBG G2D| DGG GzD|GBc dBG|EAA A2E|Acd ecA| dcd dec|BAB BBA|GFG G2A|GFE DED| DEF GB,D|GFG AFD|d2c BdG|FAD HG3|] %%% X:141144 T:PLANXTY O'ROURKE (1st Setting) C:O'Carolan S:S: CAR-OS Z:Z: Gilb/Brennan/Black %R:jig M:6/8 L:1/8 K:Em %%text "allegro ma non troppo" %%vskip .3in E|Eed e2f|gba gfe|dBA G/A/BA|GFG E2D| E2c dcd|E2e e2f|Bba b2a|gfe e2|| g|fed efg|BAG FED|D2d d^cd|Eee ed/B/A/F/| E/F/GE E/F/GE|D/E/FD D/E/FD|F/B/BA GFE|DB,B, B,2|| D|E/E/Ee E/E/Ee|E/E/EA FED|E/E/Eb gfe|d/c/B/A/B/d/ e/f/gb| g3/f/e/d/ f3/e/d/B/|edB AFD|E/E/Ee E/E/Ee|FDF E2|] %%% X:141145 T:PLANXTY O'ROURKE (2nd Setting) C:O'Carolan S:S: CAR-OS Z:Z: Gilb/Brennan/Black N:N: 11 measures in part 1 Q:1/4=100 M:3/4 L:1/8 K:Em B^A Bc B2|e^d ef g2|B2A2G2|AB cB A2| d2B2^G2|A2G2E2|D^CDE G2|A^GAB dB/c/| "^9"AG ED CA,|"^10"B,2 E2 ^D2|E4|| FA|G3 AG2|GE DE G2|[B2B,2] D2 D2|D4 E^G| A3 BA^G|A2 B2 ^d2|e2 G2 FA|G4 B>d| e3 fe^d|e2 f2 g2|g2 B2 B2|B3 cBA| GE DE G2|"^25"DC B,C D2|"^26"C>B, C>A, B,>G,|"^27"A,4 B,C| D3 ED^C|D2 E2 G2|A3 BA^G|A2 B2 d2| g2 f2 e2|ed cB AB|G2 E2 ^D2|E6|] %%text alternate measures "^ALT 9-10" ag ed cA|B2 E2 D2| "^ALT 25-27" dc Bc d2|c>B c>A B>G|A4 Bc| %%% X:332068 T:PLANXTY O'SHAUGHNESSY* Z:Z: ABC/arr. BB S:S: Levey2.67 [as "Planxty"] N:N: Levey's title is just "Planxty". I added the "O'Shaughnessy", which is N:Levey's actual name (long story but check out the Wikipedia entry for N:R.M. Levey). Needless to say you won't find this tune in any published N:Carolan collection! Q:1/4=170 L:1/8 M:6/8 %R:jig K:D mix %%text "very quick"; source key E %%vskip .3in B|A2D F2D|A2D ABc|G2C E2C|G2C EFG| A2D F2D|A2D ABc|G2E c2E|DED D2 :| A|d2d ecA|d2d ecA|c2c BcB|c3 A2c| BdB AcA|GBG FAF|EGE GFE|DED D2 :|\ "^coda" D3-D3|] %%% X:12236 %%staffsep 80 T:PLANXTY PHELIM MEEHAN (jig) S:BBMG C:© BB %R:jig Q:1/4=160 M:6/8 L:1/8 K:G D|"G"DEG BAB|"Em7"edB "Am7"AGE|"G"DEG BAB|"Em7"edB "D"d3 | "G"DEG BAB|"Em7"edB "Am7"AGE|"G"GAB "C"GEG|"D"DB,A, "G"G,2 :| d|"G"gfe dBG|"Em"BdB "Am7"AGE|"G"gfe "D"dBA|"G"GBd "Em"e2 d| "G"gfe dBG|"Em"BdB "Am7"AGE|"G"DEG "D7"Adc|"G"BGF "G"G2 :| e|"G"gdd Bdd|"C"gfe "G"dBd|"G"gdd "Am"cBA|"G"GBd "Em"e2 d| "G"gdd Bdd|"C"gfe "D"dBA|"G"GAB "C"GEG|"D"DB,A, "G"G,2 :| %%% X:35052 %%staffsep 80 T:PLANXTY PINCHBECK (jig) S:S: composer C:Rick Gagne Z:Z: ABC/arr. BB %R:jig N:N: "d/o/c/ 1987 on whistle; second part double length" Q:1/4=160 M:6/8 K:D e | "G"gfg "A"eag | "D"fef dAF | "A"EFD EAG | "D"FGA dcd | "G"BAB "Em"gfg | "D"f2f "Bm"dAF | "G"G2G "A7"Adc | c2d "D"d2 :| |: A | "D"F2F FGA | "A"cAc ecA | "Bm"dcd Bcd | "A"ced cBA | "Bm"FBd FBd | "A"Ace Ace | "Bm"Bdf Bdf | "G"gfg "A"aeg | "D"fef def | "A"efe cBA | "D"dcd FGA | "G"BAB GFE | "D"DFA fed | "A"cAB cde | "D"faf "G"ged | "A"c2d "D"d2 :| %%% X:141152 T:PLANXTY PLUNKETT C:O'Carolan S:S: CAR-OS Z:Z: Gilb/Brennan/Black %R:jig Q:1/4=140 M:6/8 L:1/8 K:A dor %%text "allegretto" %%vskip .3in e|c zB/A/ GED|DGG B>cd|cBA aga|geg ece| d2d d2/e/d|E2/f/g g>ag/d/|eaa a>ba|gee e2a| gee dBB|eAA GEE|A/B/cA B/c/dB|c/d/eE A2:| z|EGG G/F/G/A/G|EAA A/G/A/B/A|GBB GBB|cee e2g/a/| bg/a/b af/g/a|ge/f/g fd/e/f|ge/f/g af/g/a|gBB B2f| dBG dBG|ecA ecA|A/B/cA GEC|EAA A2:| %%% X:142684 T:PLANXTY SCOTT C:O'Carolan S:S: CAR-ON N:N: 12 measures in each part Z:Z: Brennan/Black M:6/8 L:1/8 K:D %%text "moderate" %%vskip .3in DFG A2B|ABd FED|EFA Bde|fed B2d| D2G A2B|ABd FED|G2E F2D|EGA B2c| dfe d2B|B2c A2c|dFd FdF|EDD D2z|| % dDF d2B|ABd FED|e2f e2d|f2d B2c| dAd d2e|dBG FED|GBG FAF|EGE FED| FAA AFD|GBB Bcd|A2F G2E|EDD HD3|] %%% X:142696 T:PLANXTY SIR FESTUS BURKE C:O'Carolan S:S: CAR-ON Z:Z: Brennan/Black M:2/4 L:1/16 K:D %%text "spirited" %%vskip .3in d2A2 d2e2|f2ed d2f2|g2fe a2fd|c2B2 A2A2| BAG2 G2B2|G2B2 cde2|dcBA B2c2|d4d2 z2| a2f2 d2a2|agfe d2a2|b2g2 e2b2|bagf e2 z2| agfe fgaf|edcB cdec|dBGB GBdB|ecAc Acec| dcBA GFED|CB,CD EFGE|F2D2 D2F2|A4A2 z2| B2G2 G2B2|e4 e2 z2|dcBA A2a2|gab2 fga2| g2B2 cdec|d4d2 z2|FAdA FAFD|FAdB A2FA| B2G2 dcdB|c2A2 edec|d2a2 e2g2|gfef g2e2| d4z2d2|G2GB G2GB|A2Aa A2Aa|G2Gg G2Gg| gfef gfed|a2ef gfed|b2ef gfed|c2A2 A2A2| Bcdc BAGF|AGFE GFED|A2A,2 CDEC|D4-D4|] %%% X:142687 T:PLANXTY SIR ULICK BURKE C:O'Carolan S:S: CAR-ON Z:Z: Brennan/Black M:C L:1/8 K:Dm %%text "spirited" %%vskip .3in d^cde f2ed|cdcA G2FE|F2FD FGAB|AGA^C DEFG| A2FA G2G2|AGAd c3c|d^cde fgfe|eddc A4| c2dB cede|fedc A2GF|c2Bd cAFA|GFED D4:| A,DDC DEFD|EDEC EFGE|F2c2cdcG|A2d2 d3e| fefg fagf|e^def egfe|d^cde fefg|AG^FA G4| cAAd c4|d^cde fedc|AGAF cAdA|GFED D4:| %%% X:142670 T:PLANXTY SUDLEY S:S: CAR-ON C:O'Carolan Q:1/4=140 Z:Z: Brennan/Black M:C L:1/8 K:D %%text "animated" %%vskip .3in D2|D3C DEFG|A4 A2Bc|d3c d2e2|f4 A2A2| f3g a2f2|e3f g2e2|f2d2 e2c2|d4 d2BA| D3C DEFG|A4 A2Bc|d3c d2e2|f4 A2A2| A2F2 G2FG|A2F2 G2FG|AF3 AGFE|D4 D2|| % e2|f2de f2g2|a4 f2ef|e3d cdef|g4 e4| f2fg a2f2|e3f g2e2|f2d2 e2c2|ed3 d2AB| D3C DEFG|A4 A2Bc|d3c d2e2|f4 A2A2| f3g a2f2|e3f g2e2|f2d2 e2c2|e2d2-d4|] %%% X:141164 T:PLANXTY SWEENY C:O'Carolan S:S: CAR-OS Z:Z: Gilb/Brennan/Black %R:jig Q:1/4=140 M:6/8 L:1/8 K:G %%text "allegretto" %%vskip .3in G|EDE G2D|EDE G2B|dcB AGA|BAA ABG| EDE G2D|EDE G2B|dcB AGA|BGF G2:| G|GAB c2c|Bdc BAG|ABA ABc|dcB A2G| EDE G2D|EDE Gge|dcB AGA|BGF G2:| %%% X:142694 T:PLANXTY THOMAS BURKE C:O'Carolan S:S: CAR-ON Z:Z: Brennan/Black M:2/4 L:1/16 K:G %%text "spirited" %%vskip .3in d2|cBAG Bcd2|D2G2 G2A2|BcdB edcB|A4A2dc| B2d2 c2e2|d2g2 gfed|efge fgaf|g2G2 G2d2| g2a2 b2ba|g2e2 e2fg|abag fgfe|d6ef| g2G2 G2ed|e2E2 E2e2|edcB cBAG|G4G2|| B,C|DEDB, D2D2|G2D2 D2EF|GAGF EFGE|A2D2 D2GA| B2Bc BAGF|E2g2 f2ed|eged BABd|e4 f2ef| g2gf efg2|afge d2ef|gfed edcB|A6 (3ABc| B2 (3ABc efg2|fgaf gfed|edcB cBAG|G4-G4|] %%% X:142678 T:PLANXTY TOBY PEYTON (1st setting) C:O'Carolan S:S: CAR-ON %12/12 structure Z:Z: Brennan/Black M:6/8 L:1/8 K:Am %%text "lively" %%vskip .3in e|eBG ABA|GEF G2d|BGB ded|eag f2d| efg afa|bgb afa|g2e dBG|EAA EAA| BAB GAB|gBA GAB|eAB GEG|GAA A2|| G|G2E DBG|EAA EAA|Bdd eBG|Bee e2f| gBG gBG|Aaa agf|g2e f2d|Bee e2f| gBG GAB|gBG GAB|eAB GEG|GAA HA3|] %%% X:142679 T:PLANXTY TOBY PEYTON (2nd Setting) C:O'Carolan S:S: CAR-ON Z:Z: Brennan/Black M:6/8 L:1/8 K:A dorian %% %%text "lively"; source key Gm %%vskip .3in e|dB^G ABA|GEF GAG|EA^G ABd|ea g2a|bc'b aba| gfe fed|Bge dB^G|Aa g2a|bge dB^G|A3 A2|| G|EGG DGG|B,GG DGG|Eee Edd|Ecc EBB|bc'b aba| gfe fed|Bge dB^G|Aa g2a|bge dB^G|A3 HA3|] %%% X:142680 T:PLANXTY TOBY PEYTON (3rd Setting) C:O'Carolan S:S: CAR-ON Z:Z: Brennan/Black M:6/8 L:1/8 K:A dorian %% %%text "lively"; source key Gm %%vskip .3in z|dBA ABA|GE G2e|dBA ABd|ea g2d| eaa a^gb|a2 g2e|gfd e2B|d2A ^GED| EAA ABA|^GAB Bge|dBA ^GEG|A3A2:| F|GFE DCB,|A,BA A,BA|Add d2A|Bed e2| gdB gdB|Aaa a^ga|b3 a3|g2d e2B| gBA ^GAB|gBA ^GAB|eAA ^GEG|A3 A2:| %%% X:142685 T:PLANXTY TOM JUDGE C:O'Carolan S:S: CAR-ON Z:Z: Brennan/Black M:6/8 L:1/8 K:D %%text "moderate" %%vskip .3in c|Add ded|cde fag|fed cAG|FDF GAG| FDg fed|cde a2g|fde cAG|FDD D2:| c|Add def|AGF EDE|CAB cAG|Ace d2D| DFD DFD|CEC CEC|DAG FED|CA,A, A,2A,| D2E D2E|C2E C2E|D2B cAG|A2f g2e| dcB cBA|GEc GEC|D2c AdE|EDD HD3|] %%% X:142689 T:PLANXTY WILKINSON C:O'Carolan S:S: CAR-ON Z:Z: Brennan/Black M:6/8 L:1/8 K:Em % %%text "spirited"; source key Gm %%vskip .3in E/D/|B,EE GB^c|d2D DFA|B2A G2F|E2D B,A,A,| B,EE GB^c|dcB AGF|GFE ^DEF|G2E E2|| F/E/|Ddd deB/|AFE DEF|Ee^d efg|edB Bde| f2D DFA|dcB AGF|GFE ^DEF|G2E HE3|] %%% X:56047 T:PLASTERER'S DREAM (jig), The C:V. Broderick S:S: Turoe.25a Z:Z: ABC/arr. BB M:6/8 L:1/8 Q:1/4=160 %R:jig K:G D|G3 A3|BAG Bcd|efg dBG|BcB AGE| G3 AGA|BAG Bcd|gfe dcB|BFA G2:| % g|gfe dcd|edA Bcd|efg dBG|B3 AGE| G3 A3|BAG Bcd|gfe dcB|BFA G2:| % A|BdG BdG|B2d dBG|FAD FAD|FAB cBA| G3 AGA|BAG Bcd|gfe dcB|BFA G2:| %%% X:66057 T:PLATINUM RING (jig), The C:Solomon Foster S:S: composer N:N: "For Jennifer Foster, 1/3/2004" Q:1/4=160 M:6/8 L:1/8 %R:Jig K:G D|G3 dBA|GAB AGE|DED GBd|edB A2A| Bdd edB|ged BAG|DED GBd|edB G2 :| % D|G3 ABd|edg edB|G3 ABd|edB A2D| G3 ABd|edg edB|ged BAG| DED G2 :| % B/d/|e3 edB|ged BAG|e3 edB|gdB A2A| e3 edB|ged BAG|DED GBd|edB G2 :| % B/d/|g3 edA|Bdd edB|g3 edA|Bde d2d| g3 edA|Bdd edB|ged BAG|DED G2 :| % A|BGG dGG|efg edB|BGG dBd|edB A2A| BGG dGG|efg edB|ged BAG|DED G2 :| %%% X:12237 %%staffsep 80 T:PLEASANT HOUR (reel), The S:S: BBMG C:© BB L:1/8 %% Nice name for a NY pub of years long gone M:4/4 Q:1/4=180 %R:reel K:Em "Em"B2 GB eBGB|"D"AGF2 DFAF|"Em"B2 GB eBGB|"C"efge "Bm7"dBFA| "Em"B2 GB eBGB|"D"AGF2 ABcd|"Em"efge "Am7"cBAG|"D"FAFD "Em"E4:| "G"G2 BG DGBG|"Am"A2 cd edcA|"Bm"B2 dB fBdB|"C"e2 ge "Bm"dBAF| "G"G2 BG DGBG|"Am"A2 cd edef|"Em"gbge "D"fafd|"Bm7"BAFD "Em"E4 :| %%% X:29088 T:PLEASANT ROCKS, The S:S: CGI.158 Z:Z: ABC/arr. BB L:1/8 M:3/4 K:G %%text "adagio" %%vskip .3in G2 A>B d2|e4 de|g2 gB d2|e4 dBdA B/A/G|G4 || % d2|g2 b2 a2|g4 de|=f2 a2 g2|=f4 d2| e2 g2 =f2|e4 dABd|e4 de| g2 G2 D>D|G2 A>B d2|ed/e/ gd e/d/B|A4 GB d2|e4 dBdA B/A/G|G6 |] %%% X:184020 T:PLEASANT TO START* (hybrid jig) S:S: CRE.4 (unnamed) < Grier MS Z:Z: ABC/arr. BB N:N: Breathnach's 6/8 version of this tune does not sound correct to me. I have N:added a 9/8 version which I think works better. L:1/8 Q:1/4=160 M:6/8 %R:jig K:D G|AGF AGF|Bcd AGF|ABc dAF|GFE D2F| AGF AGF|Bcd AGF|ABc dAF|GFE D2 || e|f2f a2a|gfe f2d|f2f a2a|gfe d3| f2f a2a|gfe f2d|f2f a2a|gfe d3|| %%vskip P:version in 9/8 M:9/8 %R:slipjig |:AGF AGF Bcd |AGF ABc dAF| AGF AGF Bcd |AGF GFE D3 :| |:f2g a2a gfe |f2d f2f a2a| f2g a2a gfe |f2d gfe d3 :| %%% X:495295 T:PLEASURES OF HOME (reel), The S:S: ONMI.1200 < F.O'Neill Z:Z: Brennan/Black Q:1/4=180 %R:reel M:C L:1/8 K:A dorian ed|cA2A A^GAB|cBcd e2dc|BG2G GFGA|B^ABc d2ed| cA2G EFGE|ABcd e2dc|BGBd cABG|E2A2 A2 :| AB|cBcd efed|cBcd e2ef|gage dedc|BGBc d2ed| cBcA BA^GB|ABcd e2ef|gedB GBdB|c2A2 A2 :| %%% X:492164 T:PLEASURES OF HOPE (hornpipe) (a), The S:S: ONMI.1637 < McFadden Z:Z: Brennan/Black %R:hornpipe Q:1/4=150 M:C| L:1/8 K:D %swing .25 Bc|dAFA BGEG|FDFA dcBA|Eeef gefd|ecAB AGFE| FAdc dAFD|Eeef gecA|dfaf bgec|d2dc d2:| Bc|dfaf bgec|dfaf gecA|dfaf gefd|B3A BdAG| FAdc dAFD|Eeef gecA|dfaf bgec|d2dc d2:| %%% X:533085 T:PLEASURES OF HOPE (hornpipe) (b), The S:S: RC3.212 Z:Z: ABC/arr. BB Q:1/4=160 %R:hornpipe L:1/8 M:4/4 K:D %swing .25 DF|A2AB AFEF|ABdc d3B|AFdB AFEF|DEFG A2dc| BdAF AGFE|DEFA d2dc|B2AF A2FD|E4 D2 :| Bc|defg afef|defg a2fg|abaf d2eg|fedf e2de| fedf edBd|AFdF E2dc|B2AF A2FD|E4 D2 :| %%% X:491472 T:PLEASURES OF LIFE (jig), The S:S: ONMI.0410 < J.O'Neill Z:Z: Brennan/Black (arr.) N:N: Looks and sounds like a jig but not in that section of the 1850. N:N: Repeats added. M:6/8 L:1/8 K:D %%text Source key = G %%vskip .3in F|FEF GFG|Afe d2A|DCD EDE|FGF E2E| FEF GFG|Afe d2A|FDF ECE|D3D2:| A|AGE EFG|BAF D2A|AGE EFG|B3 A2A| BGB dcB|Afe d2A|FDF ECE|D3D2:| %%% X:37145 %irish_rolls_on T:PLOUGH AND THE STARS (reel), The S:S: MFC.055b Z:Z: ABC/arr. BB N:N: The name "Larry Redican" appears after the last measure of music in my N:copy of Mulvihill's book. I'm not sure if that means Redican was actually N:the composer of this or if he was just Mulvihill's tune source. Q:1/4=180 L:1/8 M:4/4 %R:reel K:G BA|GEDE GABd|g2bg aged|Bd~d2 ed~d2|gedB AcBA| GEDE GABd|g2bg aged|Bd~d2 gedB|A2BA G2:| Bd|gfgb agab|gabg aged|Bd~d2 ed~d2|gedB AcBA| GEDE GABd|g2bg aged|Bd~d2 gedB|A2BA G2:| %%% X:50078 T:PLOUGHMAN AND THE TAILOR (march), The S:S: Petrie.417 (with spelling "Taylor") Z:Z: ABC/arr. BB Q:1/4=120 M:C| L:1/8 %R:march K:D dc|BAGF EDEF|G3F E2FG|A3G E3F|D2D2 D2FA| BAGF GABc|d3B AGFA|B3c A2A2|A6 GA| BAGF GABc|d3c edcB|A3F GABc|A6 dc| BAGF EDEF|G3F E2FG|A3G E2F2|HD4z4 | %%% X:491473 T:PLOW BOY (reel), The S:S: ONMI.0619 < J.O'Neill Z:Z: Brennan/Black (arr.) N:N: Makes a nice reel with repeats and maybe F naturals in mm 4 and 12 if N:you can manage them! Q:1/4=180 M:C L:1/8 K:G %%text "moderate" %%vskip .3in GF|DGGF G2FG|ABAG F2 (3ABc|dcde fdcA|GBAG F2GF| DGGF G2FG|ABAG F2 (3ABc|dcde fdcA|GBAF G2 :| Bc|dedB c2Bc|dgfa g2Bc|defd cAGF|DFFE F2GF| D2GF GABG|A2FE FGAc| (3def eg fdcA|GBAF G2 :| %%% X:611605 T:PLUMBER'S FANCY (jig), The T:Del Johnson's Jig C:D. MacAdam 1/15 (rev 2/18) Q:1/4=160 L:1/8 M:6/8 %R:Jig K:G E|DEG GAB|dBd B2 E|DEG GAB|BcB A2 E | DEG GAB|dBd B2 d|gfg ege|dBA G2 :| d|gdB GAB|cAF D2 A|cBc fed|dcc B2 d | gdB GAB|cAF D2 A|d^cd e=ce|def g2 :| X:535382 T:POITIN STILL S:S: RC3.006 Z:Z: ABC/arr. BB N:N: Is Roche's expression "spirited" for this tune evidence of a sense of N:humor? No, I didn't think so. L:1/8 M:6/8 K:D %%text "spirited" %%vskip .3in A|ABA A2f|edB BAF|ABA A2f|edB B2e| faa afa|baf (3f/a/f/ed|faf (3e/f/e/de|fdB BAF| ABA ABd|fdB AFA|ABA Ade|fdd d2|| X:533086 T:POITIN STILL (jig) S:S: RC3.006 Z:Z: ABC/arr. BB N:N: My arrangement of the preceding version as a standard jig. Q:1/4=160 L:1/8 M:6/8 %R:jig K:D G|ABA A2f|edB BAF|ABA A2f|edB B2F| ABA A2f|edB BAF|ABA A2g|fdd d2:| e|faa afa|baf fed|faf ede|fdB BAF| ABA ABd|fdB AFA|ABA Ade|fdd d2:| X:44152 T:POLICEMAN'S HOLIDAY (jig), The S:S: NFID.061a < JD Z:Z: ABC/arr. BB Q:1/4=160 L:1/8 M:6/8 %R:jig K:G e|dBG B,DG|Bdd dBG|ecA A,CE|Ace gfe| dBG B,DG|Bdd dcB|Ace agd|fed d2 :| % f|gea fdg|ece dBG|GBd gfe|dBG GBd| gea fdg|ece dcB|Ace agd|fed d2 :| % A|B=c^c dbf|agd fe^d|dbf agd|fed bge| dbf agd|Bag gdB|Ace agd|fed d2 :| X:533087 T:POLITICIAN* (jig), The S:S: RC3.099 ("Udarás Gan Eolas") Z:Z: ABC/arr. BB N:N: Gaelic translates to "Authority Without Knowledge". I'm not sure where N:Roche came up with it. English title is my (cynical) idea! Q:1/4=160 L:1/8 M:6/8 %R:jig K:D E|FEF ABc|ded cBA|BGE EFE|B2A Bcd| FEF ABc|ded cBA|Bcd ecA|d3 d2:| A|d2e fdB|BcB fdB|c2d ecA|ABA ecA| d2e fdB|agf ecA|Bcd ecA|d3 d2:| X:66087 T:POLKA NIALL D:D: "First Steps" (The Jig Is Up / 2011) S:S: L. Mallette Z:Z: ABC/arr.BB Q:1/4=120 M:2/4 L:1/8 %R:polka K:G GA/G/ ED|GB d2|ed BG|A/B/A/G/ ED| GA/G/ ED|GB d2|ed BA|1 GD EF:|2 G2 GB/c/|| |:d2 d^c/d/|ed BG|c>B cd|ed BG| d2 d^c/d/|ed BG|AB/c/ BA|G4 :| X:22126 T:POLL HA'PENNY (hornpipe) (a) S:S: DMWC.99 (as "Poll Halpenny") Z:Z: ABC/arr. BB N:N: This is a Dmix tune but the source doesn't have any C naturals. M:C| L:1/8 Q:1/4=150 %R:hornpipe K:Dmix %swing .25 A|B2AG A2Ac|dAGF G2FG|AFDE FAGE|DEFG A2dc| B2AG A2Ac|dcAF G2EG|AFDE FAGE|D2D2 D3 :| G|Adde f2ef|dcAG A2FG|Adde f2ef|gfef d2eg| afge fdec|dcAG A2FG|AFDE FAGE|D2D2 D3 :| X:183222 %irish_rolls_on T:POLL HA'PENNY (hornpipe) (b) T:Molly McAlpin S:S: CRE.3 Z:Z: ABC/arr. BB L:1/8 Q:1/4=150 M:4/4 %R:hornpipe K:Adorian %swing .25 ed|c2EF GEE2|GBAF G2cd|egec BdcA|GE~E2 G2GE| AGAB cBcA|d3e fdfg|afge fdec|A2GB A2:| ef|g3f gedA|Bdef ge d2|eaa2 a3g|ea a2 a3g| effa gfed|cdef g2fg|afge fdec|A2GB A2:| X:49432 T:POLL HA'PENNY (long dance) (c) S:S: ONMI.1783 < F.O'Neill %R:hornpipe Q:1/4=150 Z:Z: Brennan/Black M:4/4 L:1/8 K:Am %swing .25 AB|cAGA BGEB|cAGE G2cd|edce dcAG|A2AA A2:| K:D de|f2fd e2ed|cdef g2gb|aged cAdc|A2AA A2 (3def| gfga gfef|gfga g2ed|eaab afed|eaab a2ag| f2fd e2ed|cdef g3b|aged cAdc|A2AA A4|] X:531083 T:POLLY PUT THE KETTLE ON (reel) S:S: RC1.196 Z:Z: ABC/arr. BB Q:1/4=90 L:1/8 M:C %R:reel K:Ador cded cAA2|BGdc BGG2|cded cAA2|EDEG A2A2:| cdef g2fg|aged cAA2|cdef g2fg|ageg a2a2| cdef g2fg|aged cAA2|cded cAA2|EDEG A2A2|] X:332071 %%historyfont 15 T:POLTHOGUE (slip jig), The Z:Z: ABC/arr. BB S:S: Levey2.74 N:N: Nearest I can come to a translation of this is "football" or maybe "pestilence" N:or maybe even "thumbnail". May I add "half-bald hedgehog" to the list? Q:1/4=160 L:1/8 M:9/8 %R:slip jig K:D d|A2A AGF AGF|A2A AGF Bcd|A2A AGF AGF| B2B B2A Bc :|e|d2d dfd cBA|d2d dcd fga| d2d dfd cBA|B2B B2A Bcd|dcd fed cBA| dcd fed fga|afd ded cBA|B2B B2A Bce|| "^coda"d6z3|| X:184193 T:POMEROY FIDDLER* (reel), The S:S: CRE.4 < M. McDermott (unnamed) Z:Z: ABC/arr. BB N:N: 1: Apparently "Master" McDermott didn't put a name on this composition N:so I have helped out a bit. Pomeroy (Co. Tyrone) was McDermott's home N:town. N:N: 2: Repeats added L:1/8 M:4/4 Q:1/4=180 %R:reel K:Em BEE2 B^cdB|AFF2 DFAF|Eeed egfe|dBAF EFGA| BEE2 B^cdB|AFF2 DFAF|Eeed egfe|dBAF FEE2 :| edBd eaag|fBB2 gefd|efge abag|edBA Beef| edBd eaag|fBB2 g2eg|abag efge|dBAF FEE2 :| X:532091 T:PONY AND TRAP* (polka), The S:S: RC2.306 ("Old Set Tune" 8) Z:Z: ABC/arr. BB Q:1/4=120 L:1/8 M:2/4 %R:polka K:D Ad fd/c/|dF A>d|cE G>B|AD F>A| Ad fd/c/|dF A>d|cB GE|ED D2:| ad de/d/|cb b2|bc c>B|Af/g/ a2| ad de/d/|cb b2|bc cB/c/|edd2:| X:12238 %%staffsep 80 T:POOKA'S DELIGHT (reel), The S:S: BBMG C:© BB %R:reel N:N: This tune serves no real purpose but maybe somebody will like it! Q:1/4=180 M:4/4 L:1/8 K:D "A7"A,CEG "D"FEDA|"F"=cBAc "G"BGED|"Cm"_E=CEG "D7"FAd=c|"G7"BG=FD "Cm7"_ED=C_B,| "A7"A,CEG "D"FEDA|"F"=cBAc "G"BG ~G2|"G"DGBG "Ddim"D=F_AB|"A7"AGEC "D"D4 :| "A"CEGA "D"d3 A|"Bm7"f3 e "D"dc A2|"C"=c2 Gc EcGc|"A"^c2 Gc EcGc| "D"dcde f2 dA|"G7"BG=FD "Cm7"_ED=C_B,|"A"A,CEG "D"FAdB|"A7"AGEC "D"D4 :| X:491474 T:POOR BLIND BOY, The S:S: ONMI.0147 Z:Z: Brennan/Black (arr.) M:C L:1/8 K:Gm %%text "slow" %%vskip .3in d|d3B e3d|c=Bc>d _B2zA|GBeg f3d|d4 c2z2| d2d>c B3A|G3F =EGcB|Af=ed cBAG|G4 F2z|| F|F3G ABcd|ecfe dcBA|GBeg f3d|d4 c2zc| d3d e3e|f3f g3f|fedc B3A|c4 B2z|] X:934 %%staffsep 80 T:POOR MOUTH (reel), The T:An Beal Bocht C:© BB Q:1/4=180 M:4/4 L:1/8 K:Em D|"Em"E3 B "G"GFGA|"Bm"BABd "Em"e3f|"G"gefd "Em"efdB|"Am"AcBA "G"GB"D"AF| "Em"E3 B "G"GFGA|"Bm"BABd "Em"e3f|"G"gbge "Bm"fdBc|"D"dBAF "Em"GEE :| d|"Em"edBe "G"gfeg|"D"fedf a2^ga|"Em"b2ge b2ge|"Am"AcBA "Em"GE ~E2| "Em"edBA "G"GBdg|"D"fedf a2^ga|"Bm"bagf "Em"egfe|"D"dBAF "Em"GEE :| X:491475 T:POOR OLD WOMAN (1st Setting) S:S: ONMI.0324 < J.O'Neill N:N: Dotted rhythm in source Z:Z: Brennan/Black (arr.) M:C L:1/8 K:G % %%text "animated"; source key = F %%vskip .3in GA|BAGE G2ED|A2A2 A2GA|BAGE G2ED|G2G2 G2|| AB|cBcd e2dB|dBA^G A2=GA|BAGE G2ED|G2G2 G2|] X:491476 T:POOR OLD WOMAN (2nd Setting) S:S: ONMI.0325 < F.O'Neill N:N: Dotted rhythm in source Z:Z: Brennan/Black (arr.) M:C L:1/8 K:G %%text "animated" %%vskip .3in GA|B2Bc d2cA|G2G2 G2Bc|d^cde d2=cB|e2A2 A2GA|| BcBA G2GA|BGBd g2fg|edBd g2Bc|dcBA G4|] X:532092 T:POOR OLD WOMAN (hornpipe) (a) S:S: RC2.228 Z:Z: ABC/arr. BB Q:1/4=140 L:1/8 M:C| %R:hornpipe K:Ador %swing .25 ed|c2A2 AcBA|GEDE GABd|egfa gedB|ABAG Aged| c2A2 AcBA|GEDE GABd|egfa gedB|A2A2A2:| ef|g2ga gedB|A2A2 A2ef|geaf gedB|ABAG AGEG| A2AA AcBA|GEDE GABd|egfa gedB|A2A2A2:| X:532093 T:POOR OLD WOMAN (hornpipe) (b) S:S: RC2.229 Z:Z: ABC/arr. BB Q:1/4=140 L:1/8 M:C| %R:hornpipe K:Ador %swing .25 ed|c2A2 AcBA|G2GA GABd|c2A2 ABcd|egfa gedc| B2A2 AcBA|G2GA GABd|egfa gedc|B2A2A2:| ef|g2ga gedc|B2A2 A2Bc|d2de dcBA|G2E2 E2FG| A2AB AcBA|G2GA GABd|egfa gedc|B2A2A2:| X:185084 T:POOR OLD WOMAN (polka), The S:S: CRE.5 Z:Z: ABC/arr. BB M:2/4 L:1/8 Q:1/4=120 %R:polka K:G GA|Bd AB|G>F ED|E>G AB|A2 GA| Bd/B/ AB|G>F ED|E>F GF|G2:| GA|B>A Bd|e2 ge|dc/B/ AG|E2 GA| Bd/B/ AB|G2 ED|E>F GF|G2:| X:332072 T:POOR OLD WOMAN (reel), The Z:Z: ABC/arr. BB S:S: Levey2.46 % Q:1/4=180 L:1/8 M:4/4 %R:reel K:A dorian %%text "moderately"; source key = C %%vskip .3in ed|c2Bc AcBA|GEGA GABd|edcB ABcd|e2A2 A2ed| c2Bc AcBA|GEGA GABd|egfa gedB|A2AG A2 :| ef|g2ga gedB|A2GB A2ef|g2ga gedc|BcAB G3B| AGAB c2BA|GEGA G2Bd|egfa gedB|A2AG A2 :| X:611607 T:POPCORN MAN (jig), The T:Brian Prindle's Jig C:© D. MacAdam 7/13 Q:1/4=160 L:1/8 M:6/8 %R:Single Jig K:D A|F2A B2A|G2B e3|c2A ABc|dce dBA| F2 A B2 A|G2 B e3|c2 A ABc|d3 d2 :| e|f2 d d2 c|c2 B B2 c|e2 c c2 B|BcB A2 d | f2 d d2 c|c2 B B2 c|ABc ABc|edc d2 :| X:56048 T:POPE IN THE PARK (reel), The C:V. Broderick S:S: Turoe.18a Z:Z: ABC/arr. BB M:4/4 L:1/8 Q:1/4=180 %R:reel K:G G3D GABc|d2de dBGB|A2AB AGEG|DEGA BdBA| G2GA B2Bc|d2de dBG2|defg abag|f2eg fdd2:| %% K:D a2ag fdd2|faag fdd2|cdef g2fg|a2ag fdd2| a2ag a2ag|a2ag fdd2|defg abag|f2ef fdd2:| f2df e2dB|A2AF ABde|f3e fedf|a2ab afde| f2df e2dB|A3B AFEF|defg abag|f2eg fdd2:| X:45036 %irish_rolls_on T:POPE'S QUAY REEL, The C:T. O Canainn S:S: NTFO.044 Z:Z: ABC/arr. BB Q:1/4=180 M:C %R:reel K:Em EB~B2 dB~B2|EB~B2 AGFD|EB~B2 dB~B2|fgfe dBAF| EB~B2 dB~B2|EB~B2 AGFD|G3F GBdB|AFDE FEE2:| B3d fB~B2|fB~B2 fgfe|dB~B2 ABAG|FD~D2 AD~D2| E3F GFGA|BE~e2 BE~e2|B3d fgfe|dBAF E4:| X:37146 T:POPPY LEAF (hornpipe), The Z:Z: ABC/arr. BB S:S: MFC.092a Q:1/4=150 L:1/8 M:C! %R:hornpipe K:G %swing .25 zA,|G,B,DG B,DGB|DGBd GBdg|edcB cBAG|FdAF D3A,| G,B,DG B,DGB|DGBd GBdg|edcB cAFA|G2GFG2:| Bc|dBGB d2ga|bagf edcB|cAFA cefg|a2ge d2cA| B2GB c2Ac|d2Bd e2dc|BdGB AGFA|GBAF G2:| X:12239 %%staffsep 80 %irish_rolls_on T:PORCUPINE'S FANCY (reel), The N:N: a/k/a/ "Don't Let Your Dog Get Too Close" S:S: BBMG C:© BB L:1/8 M:4/4 %R:reel Q:1/4=180 K:G A|"G"BcBA "Em"GFGE|"G"DEGB "D"A2FA|"G"Bdgd "Em"efge|"D"dcBA "Em"BE ~E2| "G"GBAF GABc|dgfg "Am"ea~a2|"G"bg"D"af "Em"ed"D"BA|"G"GB"D"AF "G"G3 :| A|"G"BGBd "Am"cBAe|"G"dBdg "Am"ea~a2|"G"gdBd "Am"ecAc|"D7"(3Bcd cA "Em7"GFED| "G"GB~B2 "Am"ABce|"G"dBdg "Am"ea~a2|"Em"bg ~g2 "C"ecAG|"D"FGAF "G"G3 :| X:44153 T:PORT CLIFFS REEL*, The S:S: NFID.154 < CC? ("untitled reel") Z:Z: ABC/arr. BB N:N: The last measure of the original first part is not shown as a second ending N:and doesn't seem to belong where it is. My version tries to help with that by N:dropping that measure entirely (brutal but effective) Q:1/4=180 L:1/8 M:C %R:reel K:G d|Bdgd BGdG|cBAc BGdG|Bdgd eg ec|BGAc BGG:| B|dedB cBAB|cdef gabg|dedB dedc|BGAf gabg| dedB cBAB|cdef g2fa|gedg egfa|gedc BGHG2|] X:41281 T:PORT LÁIRGE (polka) N:N: Also known as "The Rose Tree", "Armagh Polka", or "Waterford Polka", N:among others. ('Port Láirge' is the Gaelic name for Waterford.) When MVBT N:was published in 1995, this popular session tune didn't seem to appear in N:print anywhere else! S:S: MVBT Z:Z: ABC/arr. BB %R:polka Q:1/4=120 M:2/4 L:1/8 K:D f/e/|dB AF|A>B AA|dd ed/e/|fe ef/e/| dB AF|A>B AA|dd ed/e/|fd d :| |:e|f>e fg|a2 gf|eb b>a|be ef/e/| dB AF|A>B AA|dd ed/e/|fd d :| X:27 T:PORT na hUAMHANNA C:© E. ni Mhurchu S:S: Treoir Z:Z: ABC/arr. BB %R:jig L:1/8 Q:1/4=160 M:6/8 K:Gm A|"Gm"Bcd BGE|"Dm"DGF "Gm"GAG|"F"FAc f2c|"F"fag fdc| "Gm"BGG DGB|"F"AFA cBA|"Gm"dg=e "F"fdc|"D"DG^F "Gm"G2:| % A|"Gm"d2g gfg|"F"aga fdc|"Bb"Bdd "F"Acc|"Dm"dcd "F"fga| "Gm"g2a gfd|"Gm"bag "Dm"afd|"Gm"BAG "F"Adc|"D"AG^F "Gm"G2:| % A|"Gm"GBd g2d|"Gm"gag "F"fdc|"Gm"BAG "F"AGF|"Gm"GAG "F"FDC| "Gm"DBA GFD|"F"FGA c2A|"Gm"Bdg "F"fdc|"Gm"BG^F G2:| X:28023 T:PORT PATRICK (jig) (1) S:S: ISQT.25c Z:Z: ABC/arr. BB N:N: This is "Portpatrick" (one word) in O'Neill's 1001. Q:1/4=160 L:1/8 M:6/8 %R:jig K:G g|dBG GAB|c2B A2G|dBG GAG|A2B c2g| dBG GAB|c2B A2G|BdB cAd|BGF G2 :| d|ece dBd|ece dBd|efg dBG|A2B c2e| def gfe|dcB A2G|BdB cAd|BGF G2 :| X:15111 %%historyfont 15 T:PORT ROYALL Z:Z: ABC/arr. BB N:N: 1: This tune sounds like an ancestor of "The Furze Bush/Longford Spinster"! N:N: 2: 2nd ending is mine - don't know if it helps. Q:1/4=120 M:C| L:1/8 K:D g|:fA~A2 fAAg|fA~A2 f2ed|fB~B2 fBBa|ABde f2de :| d>efd efge|defd g2fe|d>efd efge|1 f/g/aAA f2ed :| [2 f/g/aAA f2ec|d4z4|] X:36053 T:PORTARLINGTON JIG, The Z:Z: ABC/arr. BB S:S: Mally.VIST:089 Q:1/4=160 %R:jig L:1/8 M:6/8 K:G A/G/|FDD ADD|BAB cBA|Bcd ecA|ABG FED| FDD ADD|BAB cBA|Bcd ecA|AGF G2 :| A|GBd gdB|dBG GAB|c2e ecA|ABG FED| [1 G/A/Bd gdB|dBG GAB|c2e ecA|AGF G2 :| [2 GFG AGA|BAB cBA|Bcd ecA|AGF HG3 |] X:184220 T:PORTER OR BUTTERMILK?* (hornpipe) S:S: CRE.4 e dc|dA A>B|cB AG|F3 :| E|D2 D2 |EF GA/B/|c2c2 |E>F GE| %%stretchlast 1 D2D2 |EF GF/G/|AF E>F|D3 :| X:341078 T:POSTMAN'S WHISTLE (reel), The C:Joe Liddy Z:Z: ABC/arr. BB S:S: Liddy1.47 N:N: C sharp in m.2 per source. Q:1/4=180 L:1/8 M:4/4 %R:reel K:A dorian AB|cAeA fAeA|^cAec dBGB|cAeA fdef|gedc BAGB | A2 eA cAeA|fAec dBGB|cdec BcdB|AcBG A2 :| BA|c2 cB cdef|gage dBGB|cBAG ABcd|efge a2 bg | aged cAGA|cedc AGEG|cdec BcdB|AcBG A2 || BA|c2 cB cdec|dedB GABG|ABcB cdef|gedc d2 cd | eage dged|cage dBGB|cdec BcdB|AcBG A4 |] X:12240 %%staffsep 80 %irish_rolls_on T:POTATOES & ONIONS (reel) S:S: BBMG C:© BB 2005 L:1/8 M:4/4 %% For Seán and Sheila Reynolds and their kids Q:1/4=180 %R:reel K:D E|"D"DEFD A2FA|"Em"BEEF GEFE|"D"DdcA "Bm"B3 c|"G"dB"A"cA "Bm"BAFE| "D"DEFD A2FA|"Em"BAGB "A7"AGFE|"D"DdcA "G"BAGB|"A"AA,CE "D"FDD :| A|"Em"Bdef e3f|"G"g2 fg edBc|"D"dfef afef|"G"bgaf gfed| "Em"Bdef e3f|"G"g2 fg edBc|"Bm"dB~B2 "D"AF~F2|1 "G"GABc "Bm"dcB :| [2 "A"A,2CE "D"FDD2|] X:21164 T:POWERS OF PUNCH (jig), The S:S: DMI.0352 Z:Z: Nordberg/Black %R:jig Q:1/4=160 M:6/8 L:1/8 K:G E|DEF GBG|AEF G2E|DGA GBc|dec Bcd| ege dBd|cBA BGE|DcB AGA|BGG G2:| % B|dBd gdB|cAG FGA|dBd gdB|def g2f| ege dBG|cBA BGE|DcB AGA|BGG G2:| % E|DGB cde|dge dBG|ceg dBG|EFG A2d| gfe afd|ege dBG|EcB AGA|BGG G2:| % c|BAG AFD|GDC B,A,G,|G,GF GDB,|A,AA A2a| bgb afa|gfe dBG|EcB AGA|BGG G2:| X:491477 T:PRAISES OF LIMERICK S:S: ONMI.0354 < Mrs.Fitzgerald % Z:Z: Brennan/Black (arr.) M:C L:1/8 K:Gm %%text "animated" %%vskip .3in d>c|B2A2 G3G|AGFD F2Dc|d2d2 c2Bc|d=efd g2dc| B2A2 G3G|AGFD F2dc|B2AG ^FGAF|G4G2|| z2|d3c db2a|gfdc d2z2|f3d c2Bc|d=efd g2dc| B2A2 G3G|AGFD F2dc|B2AG ^FGAF|G4G2|] X:331073 T:PRATIES ARE DUG (jig) N:N: 1: . . . And The Frost Is All Over N:N: 2: a/k/a/ Kitty Lie Over Z:Z: ABC/arr. BB S:S: Levey1.94 % Q:1/4=160 L:1/8 %R:jig M:6/8 K:D %%text "moderately quick" %%vskip .3in A|def edB|ABG F2D|FAA AFA|Bee edB| def edB|ABG FED|FAA AFA|Bdd d2 :| g|faa agf|gbb bag|faa agf|gfg e2g| faa agf|gbb bag|fed eag|fdd d2 :| X:48452 T:PRAY GOODY (reel) S:S: OFPC4.154 Z:Z: ABC/arr. BB N:N: An A-B-A tune that might or might not be a reel. Let's call it a reel. Q:1/4=180 M:4/4 L:1/8 %R:reel K:G %%text A-B-A %%vskip .3in d4 cBAG|BAGF GBdf|g2fe dBAG|gdcB A4| d4 cBAG|BAGF GBdf|g2fe dBec|BdcA G4|| |:g2d2 e2d2|gBAB c2B2|gd^cd gdcd|gdcB B2"_DC"A2 :| X:185002 T:PRAYER IS BETTER THAN A TUNE (jig), A Z:Z: ABC/arr. BB S:S: CRE.4 < Padraig O'Keeffe MS N:N: This tune is basically "Kilfenora #2" (a/k/a/ "Jerry Lynch's") in the key N:of A and with the parts reversed. M:6/8 Q:1/4=160 %R:jig K:A e|a2B Ace|Ace a2e|agf gec|edc B2e| a2B Ace|Ace a2e|agf gec|edB A2:| B|c2d efd|e2f ecA|d2e f2e|fed fga| c2d efd|e2f efg|agf gec|edB A2:| X:41282 T:PRAYER REEL, The C:Joe Derrane S:S: composer Z:Z: ABC/arr. BB % Composed by Joe for his wife Anne. %R:reel Q:1/4=180 M:4/4 K:Em E|DGFG BcdB|edBe d2gf|eBB2 eBdB|AcBG AG eg| DGBG ^DGBG|EFGA Bedc|BGFG A=FA=c|dDFA G3 :| A|Beed e2 ef|gefa bgeg|fdd^c dAFA|BdAG FAdf| [1 efed BedB|AFdA FDEF|GEFD ED^CD|BEE^D E3 :| [2 efed BedB|AFdA FD^CD|B,E^DF EFGA|Be^df He4|] X:20024 T:PRESS GANG JIG, The S:S: DMAC.41 Z:Z: ABC/arr.BB L:1/8 M:6/8 Q:1/4=160 %R:jig K:G D|GAF GAB|def g2e|deB cBA|AGE E2D | GAF GAB|def g2e|deB cBA|AGF G2 :| D|GAF GAB|AGE E2D|GAF GAB|AGE E2D | GAF GAB|def g2e|deB cBA|AGF G2 :| X:183104 T:PRESTON'S REEL S:S: CRE.3 Z:Z: ABC/arr. BB %R:reel L:1/8 Q:1/4=180 M:C K:G B|GBB2 G2AG|FAA2 FADF|GBB2 GBd2|egaf ged:| f|gbb2 faa2|agef ged2|gbb2 faa2|agef gdef| gbb2 faa2|agef gedg|bgaf gfed|efaf gedB|| "^coda" efaf gedB|HG4z4|] X:491478 T:PRETTIEST GIRL OF ALL (march), The S:S: ONMI.0537 < F.O'Neill Q:1/4=120 Z:Z: Brennan/Black (arr.) M:C L:1/8 K:G %%text "spirited" %%vskip .3in B>A|G2AB D3E|G2AB cBAG|c2ce dBAG|AGGF E2BA| G2AB D3E|G2G2 g2fe|dedB ABcF|A4G2|| Bc|d2ef g2ef|g>fga b2ga|b>age dBAG|cBAG E2BA| G2D2 G,2EF|GABd g2fe|dedB ABcF|A4G4|] X:495296 T:PRETTY BLUE SEAGULL (reel), The S:S: ONMI.1399 < O'Reilly Z:Z: Brennan/Black %Q:1/4=180 %R:reel M:C| L:1/8 K:E dorian BEE2 FEBE|ADD2 DFAd|BEE2 FEFA|BdcA BEE2:| e2eB e2eB|d2dB d2dB|e2eB e2eB|ABdF FEE2| efgf edBc|dedB d2dB|ABde fedB|ABdF FEHE2|] X:182014 T:PRETTY BROWN GIRL (jig) (a), The S:S: CRE.2 Z:Z: ABC/arr. BB Q:1/4=160 L:1/8 M:6/8 %R:jig K:G D|GBd c2A|BGB dBA|GBd cAF|GBd gdB| G2d cAA|BGB dBA|GBd cAF|AGF G2:| d|geg fdf|ece dBG|geg fdf|ece def| gbg aga|bge dBG|Bcd cAF|AGF G2:| X:21165 T:PRETTY BROWN GIRL (jig) (b), The S:S: DMI.0151 Z:Z: Nordberg/Black %R:jig Q:1/4=160 M:6/8 L:1/8 K:G A|B2d cAA|BGG cAG|B2d cAA|BGG G2A| B2d cAA|Bde dBG|B2d cBA|BGG G2:| f|gee fdd|ece dBG|gfe fdf|ece d2f| gfe fdf|ege dBG|B2d cBA|BGG G2:| X:535383 T:PRETTY BROWN GIRL, The S:S: RC3.030 (An Cailin Deas Donn) %Z:Z: ABC/arr. BB L:1/8 Q:1/4=80 M:3/4 K:D %%text "andante con espress." %%vskip .3in A/G/FE|D2 FGAB/c/|d2 ed/c/A>G|F2 DFE>D|B,3 A/G/FE| D2 FGAB/c/|d2 ed/c/A>G|F2 DED>D|D3||F/G/AA|f2 dedc|d2 ed/c/AG| F2 DFED|B,3 A/G/FE|D2 FGAB/c/|d2 ed/c/A>G|F2 DED>D|D6|] X:491479 T:PRETTY CUCKOO, The S:S: ONMI.0173 % N:N: 12 measures per source Q:1/4=80 Z:Z: Brennan/Black (arr.) N:N: Bears a resemblance to "Sí Beag Sí Mór" M:6/8 L:1/8 K:Bb %%text "with expression" %%vskip .3in F|B>cd dcB|G2F D2F|F>GB c2B/c/|d2c B2d| G2c F2B|D>CB, C2F|F>GB c2B/c/|d2c B2d| G2c F2B|D>CB, C2F|F>GB c2B/c/|d2c B3|] X:532094 T:PRETTY GIRL (jig), The S:S: RC2.246 Z:Z: ABC/arr. BB N:N: A single jig that would make a pretty good slide with some judicious N: tweaking! Q:1/4=160 L:1/8 M:6/8 %R:jig K:D B|A2F A2B|e2d B2d|A2F A2B|d2e d2B| A2F A2B|e2d B2g|f2A A2B|d3 d2:| e|f2e d2f|e2d B3|f2e f2g|a2b a2g| f2e d2f|e2d B2B|A2F A2B|d3 d2:| X:532095 T:PRETTY GIRL (polka), The S:S: RC2.247 Z:Z: ABC/arr. BB L:1/8 M:2/4 Q:1/4=120 %R:polka K:D %%text simplified %%vskip .3in B|AF Ad|ed Bd/B/|AB AF|A3d| e2 dB|ed Bd/e/|fa ef|d2 d:| e|fe dc/d/|ed Be|fd df|a3e| fe dc/d/|ed Be|fa ef|d2 d:| X:27073 T:PRETTY GIRL MILKIN' HER COW (hornpipe) S:S: HOC.119 ("straight jig") Z:Z: ABC/arr. BB N:N: Definitely from the Irish tradition, where it's normally played in slow 3/4. Q:1/4=150 M:C| L:1/8 %R:hornpipe K:Am %swing .25 AB|c2ec B2dB|AG E4 AB|cdec B2dB|A2E2 A2AB| c2ec B2dB|AG E4 ed|cBAG EA2B|A2c2A2 :| G2|cdef g2ec|BA G4G2|cdef g2eg|a4-a2 ba | g2fe d2ec|BA G4 AB|cecA EA2B|A2E2A2 :| X:535384 T:PRETTY GIRL MILKING HER COW, The S:S: RC3.042 N:N: Roche's Gaelic is "Cailin Deas Cruidte na mBo" Z:Z: ABC/arr. BB L:1/8 M:9/8 K:Em %%text "andantino" %%vskip .3in E/F/|GBG FAF EFE B,E>F E2|| E/F/|G2 (3A/B/c/ dBG FdB ABG Fd| c2B2A2|E2A2B2|A6-|A4|| AB|c2d2e2|e2^f2^g2|a2A4-|A4AB| c2d2ed|e2a2b2|a6-|a2b3a| g2e2d2|B2g2B2|A2G4-|G4ed| c2B2A2|E2A2B2|A6-|A4|] X:491482 T:PRETTY MAID MILKING HER COW (2nd setting) S:S: ONMI.0103 Z:Z: Brennan/Black (arr.) M:3/4 Q:1/4=100 L:1/8 K:Am %%text "slow" %%vskip .3in AB|c2e2c2|B2d2B2|A2G4-|G4AB|c2e2c2|B2d2B2| A6-|A4AB|c2e2c2|B2g2B2|A2G4-|G4e>d| c2B2A2|E2^F2^G2|A6-|A4|| % G2|c3de^f|g2e2c2|B2G4-|G4G2|c3de^f|g2 e2^g2| a6-|a4ba|g3fed|B2g2B2|A2G4-|G4ed| c3BAG|E2^F2^G2|A6-|A4|] X:534064 T:PRETTY MAID MILKING HER COW (3) S:S: RC1.040 Z:Z: ABC/arr. BB L:1/8 Q:1/4=80 M:9/8 K:Am %%text "slow" %%vskip .3in A/B/|cec BdB AA GF|G2 AF DF|E2 D2 de| f2 ed (3cAG|A2 G2 FD|D2 F2 G2|A4 (3ABc| d2 dc BA|=c2 d2 (3cAF|G2 AF D>F|E2 D2 FG| A2 f2 ef|d2 cA F>A|GF D2 D2|D6|] X:495297 T:PRETTY PEGGY (reel) S:S: ONMI.1476 < J.O'Neill Z:Z: Brennan/Black %R:reel Q:1/4=180 M:C| L:1/8 K:D %%text simplified %%vskip .3in A|d2fd AFED|d2fd egfe|d2fd AFDF|GBFA EDCE| d2fd AFED|d2fd egfe|fagc dBAG|FDEC A,DD :| A|FDAD BDAD|FDAD CEEG|FDAD BDAD|GEFD A,DDA| FDdD cDBD|ADGD CEEG|FAdf ecdB|AFGE FDD :| X:534065 T:PRETTY RED HAIRED GIRL (air) (1), The S:S: RC1.044 ("An Cailin Deas Ruadh - [?]) Z:Z: ABC/arr. BB N:N: These are the first 16 measures before the variations. Roche has "The N:Red Haired Man's Wife" as an alternatie title for this, but it's not related. N:(See next setting.) L:1/8 Q:1/4=100 M:3/4 K:Dm %%text "moderately slow and with feeling" %%vskip .3in FG|A2A2 AB|G4 AG|FEFA GE|E2DD D2-| D3zDE|FG/D/ FG A=B|c2 d/c/A/G/ (3Add|d4 DE| FG/D/ FG A=B|c2 d/c/A/G/ (3Ade|Hf2 gfef|de fe dc| A4 (3f/d/A (3d/A/E|FE FA GE|E2DD D2-|D6|] X:534066 T:PRETTY RED HAIRED GIRL (air) (2), The S:S: RC1.045 ("An Cailin Deas Ruadh") Z:Z: ABC/arr. BB N:N: This setting, not #1, is closer to "Red Haired Man's Wife". L:1/8 Q:1/4=120 M:3/4 K:D %%text "allegretto" %%vskip .3in FG|A2A2A2|G3zAG|F3zG2|E2D2D2| D6-|D3zD2|F2E2D2|F2G2 AB| =c2A2G2|A2d2c2|d6-|d3zd2| F4D2|F3G AB|=c2A2G2|A2d2e2| Hf4 ed|d4cA|G4 AG|F4G2|E2D2D2|D6|] X:184157 T:PRETTY WELSH MAID* (reel), The S:S: CRE.4 < Sheahan MS (unnamed) Z:Z: ABC/arr. BB N:N: Repeats added Q:1/4=180 L:1/8 M:4/4 %R:reel K:G dc|BGGF DGGA|BGGB d2 cA|BGGF DFGB|AGAB c2 dc| BGGF DGGA|BGGB d2 cA|BGGF DFGB|A2AB c2 :| BA|Bddc BG G2|Bd d2 e2 dc|Bddc BG G2|AGAB c2 BA| Bddc BG G2|Bd d2 e2 ef|gfed efdB|A2AB c2 :| "^coda"A2AB cAFA|HG4z4|] X:20023 T:PRICE OF MY PIG (jig), The S:S: DMAC.40 Z:Z: ABC/arr.BB L:1/8 Q:1/4=160 M:6/8 %R:jig K:Am D|EAA AGA|BAB GAB|cBc BAB|AG^F E2D | EAA AGA|BAB GAB|cBc BAB|A3 A2 :| d|ede dcd|cBc BAG|cBc BAB|AG^F E2D | EAA AGA|BAB GAB|eBc BAB|A3 A2 :| X:182272 T:PRIDE OF AHAMORE (reel), The S:S: CRE.2 Z:Z: ABC/arr. BB Q:1/4=180 L:1/8 M:4/4 %R:reel K:Dmix AG|FDFA dfed|cABG EFGE|FD FA dfed|cABG E2 D2| FD FA dfed|cABG EFGE|FDFA dfed|cABG E2 D|| E|FDAD FGAB|cBcG EFGE|FDAF GABc|dABG E2 D2| FDAD FGAB|cBcG EFGE|FDAF FGAB|cBcG E2 D2|| X:182195 T:PRIDE OF CLOONTIA (reel), The S:S: CRE.2 Z:Z: ABC/arr. BB N:N: A close relative of "Navvy on the Line" (Bothy Band version). Q:1/4=180 L:1/8 M:4/4 %R:reel K:G GA|B2eg dBGB|AcBG AEED|B2eg dBGB|AcBG A2GA| B2 eg dBGB|AcBG AGEf|g2 fg edBA|GBAF G2:| Bd|gdBG DGBd|egdB GABd|gdBG DGBd|egdB A2 Bd| gdBG DGBd|egdB GABd|g2fg edBA|GBAF G2:| X:27074 T:PRIDE OF DERRY* (jig), The S:S: HOC.091 (unnamed) Z:Z: ABC/arr. BB Q:1/4=160 M:6/8 L:1/8 %R:jig K:D % %%text source key = Eb %%vskip .3in G|A2D FED|A2D FED|B2G A2F|EFE EFG | A2D FED|A2D FED|B2G A2F|DEF D2 :| c|dcd efg|fed cBA|BdB AGF|E2D E2A | dcd efg|fed cBA|BdB AFA|D2E D2 :| X:532096 T:PRIDE OF GLENNANAIR (hornpipe), The S:S: RC2.215 Z:Z: ABC/arr. BB Q:1/4=150 L:1/8 M:C| %R:hornpipe K:D %swing .25 AG|FAGF EGFE|DFED CECA,|DCDE FEFG|AdcB A2 FG| A2G2 A2G2|A2G2 FDEC|DEFG AdcB|AGEC D2:| Bc|dABc d2ef|gbaf edcA|dcde fefg|abag a2 fg| a2g2 a2g2|a2g2 fdec|dBAG Afeg|agec d2:| X:185178 T:PRIDE OF KILDARE (reel), The S:S: CRE.5 N:N: Kind of a strange little tune . . . seems like there should be more of it, but N:this is what CRE gives us. M:4/4 Q:1/4=180 %R:reel K:Em fe|dfag fBB2|fBaB fBBc|dfeg fBB2|dfaf e2:| fe|defg a2fe|d2bg a2fd|edeg a2fe|d2bf e2:| X:41283 T:PRIDE OF MOYVANE (reel), The C:Martin Mulvihill S:S: MVBT Z:Z: ABC/arr. BB Q:1/4=180 %R:reel M:4/4 L:1/8 K:Ddor FG|AD D2 DEFG|Ad d2 cAGE|F2 DF E2 AB|cAGF EC C2| AD D2 DEFG|Ad d2 cAGE|F3 F E2 cE|EDCE D2 :| FG|Add^c d2 Ad|d2 fd dcAB|c2 cd cAGE|AccB cAGE| Add^c d2 Ad|d2 fd dcAG|F3 D E2 cE|EDCE D2 :| X:182290 T:PRIDE OF RATHMORE* (reel), The S:S: CRE.2 < Molly (Myers) Murphy (unnamed) Z:Z: ABC/arr. BB L:1/8 M:C %R:reel Q:1/4=180 K:Em E2ED G2DF|GEAG FDD2|DEED G2A2|B2Ac BEE2| E2ED G2DF|GEAG FDD2|DEED G2A2|B2Ac BEE2|| efed Bdef|gfaf gfed|efed Bdef|gfaf e4| efed Bdef|gfaf gfed|g2gf e2dB|A2GA BEE2|] X:185017 T:PRIDE OF SLIEVE AUGHTY (jig), The T:New York Jig, Nova Scotia S:S: CRE.5 < F. O'Reilly Z:Z: ABC/arr. BB N:N: There's a good chance that this is a Larry Redican tune. M:6/8 Q:1/4=160 %R:jig K:G A|GG,B, DGB|d^ce dBG|cBc ABc|d2e d2A| GG,B, DGB|d^ce dBG|cBc ABc|edF G2:| d|gfg GBd|bag fed|cBc ABc|d2e def| gfg GBd|bag fed|cBc ABc|edF G2:| X:41284 T:PRIDE OF THE BRONX (reel), The S:S: MVBT Z:Z: ABC/arr. BB N:N: Nice tune but nobody seems to know its origin. Q:1/4=180 M:4/4 L:1/8 %R:reel K:D AF F2 AFBF|AF F2 GFEB|AF F2 ABde |fe d2 e2 dB| AF F2 AFBF|AF F2 GFEB|AF F2 ABde |fedf e2 de|] fa a2 fb b2|fa a2 afde|fa a2 fb b2|afdf e2 de| fa a2 fb b2|afde fedB|dBAF ABde|fd d2 e2dc|Hd4z4|] X:492167 T:PRIDE of the PARISH (hornpipe), The S:S: ONMI.1686 < F. O'Neill Z:Z: Brennan/Black %R:hornpipe Q:1/4=150 M:C| L:1/8 K:G %swing .25 GA|BAGE DEGA| BAGB A2GA|BAGE DEGA|BGAF G2GA| BAGE DEGA|BAGB A2GA|Bdde dBGB|AGEF G2:| GA|Bcde dBAG|Acde d2BA|Bcde dBGB|AGEF G2GA| Bcde dBAG|Acde d2 EF|gage dBGB|AGEF G2:| X:12241 %%staffsep 80 %irish_rolls_on T:PRIDE of WEST DENNIS (reel), The S:BBMG C:© BB L:1/8 %% Great sessions every Sunday (and Thursday) at the Olde Inn %% for many years M:4/4 Q:1/4=180 %R:reel K:A E|"D"FEFA "F#m7"cefe|"A"c2 BA "E"FE E2|"D"Fddc "Bm"Bfaf|"F#m7"efcA "E"B2 GB| "F#m"cF ~F2 "E"BE ~E2|"A"Acea "F#m7"fe ~e2|"Bm"dcBf "F#m7"ecAF|"E7"EdBG "A"A3 :| E|"Bm"FB ~B2 "D"dfaf|"E"ecdB "F#m"cAFE|"Bm"FB ~B2 "D"df"A"ec|"Bm7"BAFA "E"B2 AG| "Bm"FB ~B2 "D"dfaf|"E"ecdB "A"cAEA|"D"FD ~D2 "E"GE ~E2|"D"Ad"E"BG "A"A3 :| X:253091 T:PRIEST (slide), The Z:Z: ABC/arr. BB S:S: FS3.40b M:12/8 L:1/8 Q:1/4=170 %R:slide K:G g|edB d2B d2B B2g|edB d2B c2A A2g| edB d2B BAB g3|BAB g3 B2G G2 :| e|gag faf g2e e2d|eaa aga b2e e2f| gag faf g2e e2d|BAB g3 B2G G2 :| X:493322 T:PRIEST . . . BOOTS (jig) (5 settings) S:S: ONMI.0968 < F.O'Neill Z:Z: Brennan/Black %R:jig Q:1/4=160 M:6/8 L:1/8 K:D %%text [1] source ONMI.0968 ("Priest and His Boots") d|e2e e2e|efd cBA|dcd fed|cAc ecd| efe efe|efd cBA|dcd fga|gec d2 :| g|afa geg|fdf ecA|dcd fed|cAc efg| a2f g2e|f2d ecA|dcd fga|gec d2 :| %%% %%vskip 40 %X:16061 %T:PRIEST IN HIS BOOTS (jig) (2) %a2a a2a S:S: CIAJ Z:Z: ABC/arr. BB L:1/8 M:6/8 %R:jig Q:1/4=160 K:G %%text [2] source CIAJ ("Priest in His Boots") F/G/|A2A A2A|ABG F2A|G2G BAG|FDF GFG| A2A A2A|ABG F2A|G2c BdB|cAF G2 :| % B/c/|d2B c2A|BdG F2A|G2G BAG|FDF A2B/c/| dBB cAA|ABG F2A|GAG GBd|cAF G2 :| % G|GDG GDG|AFA AFA|BGB BGB|cAc cAc| dBg cAf|B/c/dG F2A|G2B GBd|cAF G2 :| % g|gdB GBd|gdB GBd|fcA FAc|fcA FAc| fcA gdB|fcA F2A|GAG dBg|cAF G2 :| % A/G/|FDD FDD|AFF AFF|BGG BGG|cAA cAA| dBg cAf|dAG F2A|GBA G2B|cAF G2 :| %%vskip 40 %X:332073 %T:PRIEST IN HIS BOOTS (jig) (3) %e2f e2d Z:Z: ABC/arr. BB S:S: Levey2.51 Q:1/4=160 L:1/8 M:6/8 %R:jig K:D %%text [3] source Levey 2.51 ("Priest in His Boots") d|e2f e2d|efd cBA|dcd fed|cAc e2B| efe e2d|efd cBA|dcd fga|gec d2 :| g|a2f g2e|fed cBA|dcd fed|cAc efg| afa geg|fed cBA|dcd fga|gec d2 :| %%vskip 40 %X:39027 %T:PRIEST IN HIS BOOTS (jig) (4) %e2e e2e S:S: MSIST.08b Z:Z: ABC/arr. BB Q:1/4=160 L:1/8 M:6/8 %R:jig K:D %%text [4] source MSIST.08b ("Priest in His Boots") %%%text "allegro" %%vskip .3in f|e2e e2e|efd cBA|d2d fed|cAc e3| e2e e2e|efd cBc|d2d f2a|gec d2 :| g|afa geg|fed cBA|d2d fed|cAc e2f/g/| a2f g2e|f2d cBc|d2d f2a|gec d2 :| %%vskip 40 %X:182017 %T:PRIEST OF THE BOOTS (jig) (5) % efe e2g %T:Priest in his Boots S:S: CRE.2 Z:Z: ABC/arr. BB Q:1/4=160 L:1/8 M:6/8 %R:jig K:D %%text [5] source CRE.2 ("Priest of the Boots") B|efe e2g|fdf ecA|d3 fdd|eAA Bcd| efe e2g|fdf ecA|d3 faf|gec d2:| f|a2f g2e|f2d ecA|d3 fed|eAA Bcd| a2f g2e|f2d ecA|d3 faf|gec d2:| X:493323 T:PRIEST WITH THE COLLAR (jig), The S:S: ONMI.0731 Z:Z: Brennan/Black Q:1/4=160 %R:jig M:6/8 L:1/8 K:G D|GBG AGE|c2c B2A|GBG AGE|G2G G2D| GBG AGE|AEA ABc|BAG AGE|G2G G2 :| % c|dBB dBB|A2A ABc|dBB dBB|G2G GBc| dBB dBB|AEA ABc|BAG AGE|G2G G2 :| % e|f2d edB|A2A Ade|f2d edB|G2G Gde| f2d edB|AEA ABc|BAG AGE|G2G G2 :| X:184018 T:PRIEST'S JIG, The Z:Z: ABC/arr. BB S:S: ? L:1/8 Q:1/4=160 M:6/8 %R:jig K:G BAB dBA|GED G2A|Bee dBA|cBc AGA| BAB dBA|GED G2A|Bee dBA|BGF G3:| gfg age|d2c def|gfg agf|g2d B2d| gfg age|d2c def|gfg agf|g3 g3:| X:493324 T:PRIEST'S LEAP (jig) (1) S:S: ONMI.0781 Z:Z: Brennan/Black N:N: A version of "Saddle the Pony". %Q:1/4=160 %R:jig M:6/8 L:1/8 K:G D|GBA G2B|def gdB|GBA G2B|AFD AFD| GBA G2B|def gfg|ecA dBG|FEF G2 :| B|ded dcB|def gdB|ded dcB|AFD AFD| ded dcB|def gfg|ecA dBG|FEF G2 :| X:533089 T:PRIEST'S LEAP (jig) (2) S:S: RC3.088 Z:Z: ABC/arr. BB Q:1/4=160 L:1/8 M:6/8 %R:jig K:G D|G2G BGB|def gfg|ecA dBG|FAG FED| G2G BGB|def gfg|ecA dBG|FEF G2:| d|efe edB|def g2a|bag agf|gfg fdB| efe edB|def g2a|bag agf|gfg e2:| "^coda"gfa gdB|G3z3|] X:38229 T:PRIEST'S LEAP (reel), The S:S: "The Ted Furey Collection of Irish Traditional Tunes" Z:Z: ABC/arr. BB Q:1/4=180 L:1/8 M:4/4 %R:reel K:G DGG2 GABd|e2 ef edBA|G2BG dGBG|ABAG E2 D2| DGG2 GABd|e2 ed efga|bgg2 ageg|dBAB G2|] Bc|dgg2 agg2|bgg2 egdB|GFGB dedB|ABAG E2 D2| dgg2 agg2|bgag edBA|GFGB dGBG|AGEF HG4|] X:182326 %irish_rolls_on T:PRIMROSE GIRL (reel), The S:S: CRE.2 Z:Z: ABC/arr. BB Q:1/4=180 L:1/8 M:4/4 %R:reel K:G E|DEGB cdcA|BcBG A2 GE|DEGA B2 eB|dBAc BG G2| DEGB cBcA|B2AG A2GE|DEGA BdeB|dBAc BGG :| A|Bd ~d2 Bded|BddB AGEG|Bd ~d2 Bdgc|dBAc BG G2| Bd ~d2 Bded|BddB AGEG|Bdef gfge|dBAc BGG:| X:181005 T:PRIMROSE GLEN (jig), The S:S: CRE.1 Z:Z: ABC/arr.BB Q:1/4=160 L:1/8 M:6/8 %R:jig K:G B/A/|GEF G2A|BAG ABd|edd gdd|edB dBA| GEF G2A|BAG ABd|edd gdB|AGF G2:| d|g3 efg|afd edB|Add edd|ed^c def| g3 a3|bag fgf|edc BcB|AGF G2:| X:54057 T:PRIMROSE LANE (jig), The S:S: SRHI.12a Z:Z: ABC/arr. BB C:Seán Ryan Q:1/4=160 L:1/8 M:6/8 %R:jig K:G E|DGA BcA|BAG fed|cAG FGA|BAG FDC| DGA BcA|BAG fed|cAG FGA|BGF G2:| f|gag fed|cAF GBd|gfg bag|fd^c def| gbg fag|fed ^cde|fag fed|cAF G2:| X:182189 T:PRIMROSE LASS (reel) (1), The Z:Z: ABC/arr. BB S:S: CRE.2 %R:reel M:C Q:1/4=180 K:G B2BA GAGE|DEGA BAA2|B2AB GAGE|DEGA BGG2| B2BA GAGE|DEGA BAA2|cAGB AEE2|DEGA BAG2:| Bdgd edgd|(3Bcd gd eAA2|Bdgd edge|dBAc BGG2| Bdgd edgd|(3Bcd gd eAA2|Bdef g2ge|dBAc BGG2:| X:21166 T:PRIMROSE LASS (reel) (2), The S:S: DMI.0733 Z:Z: Nordberg/Black %R:reel Q:1/4=180 M:C| L:1/8 K:G B2BA G2GE|DEGA BAA2|dBAB GAGE|DEGA BGG2| B2BA G2GE|DEGA BAA2|dcBA GFEF|DEGA BGG2:| Bdgd edgd|Bdgd eAA2|Bdgd edgd|BdAc BGG2| Bdgd edgd|Bdgd eAA2|Bdef gage|dBAc BGG2:| X:41285 T:PRIMROSE VALE (jig), The Z:Z: ABC/arr. BB Q:1/4=160 N:N: In MVBT-1 this was "Charlie Reynolds'". Revised version and correct N:name from Martin Wynne via Brian Conway. %R:jig M:6/8 L:1/8 K:G d/B/|ABA AGA|BGE G3|ABA GBd|egd edB| ABA AGA|BGE G2D|GBA G2B|dBG B2 :| d/B/|GBd g3|gba g3|GBd g3|efg edB| GBd g3|gba g3|aba g2 e|efg e2 :|\ "^coda"efg dBA|HG3z3|] X:15071 T:PRINCE or ROYALL GEORGE S:CCCD Z:Z: ABC/arr. BB N:N: This has a Carolan sound to it but there's no attribution in the source. M:C| L:1/8 K:Am % %%text source key Gm %%vskip .3in E2|A2c2 B2e2|dcBA ^G2FE|A2c2 B2e2|c3B A2 :| B2|c2e2 d2g2|e2dc d2G2|c2A2 f2ed|d4 c4| B2Bc d2cB|e2A2 G2g2|e2dc Bcde|c3B A2 :| X:12242 %%staffsep 80 T:PRINCESS GRACE'S MARCH S:BBMG C:© BB 2007 %% For Mike and Trudy Connolly's grand-daughter M:2/4 L:1/8 %R:march Q:1/4=120 K:G zD|"G"G2 AB|"C"c2 BA|"G"G2 D2|"Em"E3F|\ "G"G2 AB|"Am"c2 e2|"G"d2 cB|"D"A3F| "G"G2 AB|"C"c2 Bc|"G"d2 g2|"C"e2 dc|\ "G"Bc d2|"Am"AB cB|"D"A2 F2|"G"G2 :| Bd|"G"g2 fe|"Bm"d2 Bd|"Em"g2 B2|"C"c3 e|\ "G"d2 Bd|"Em"e2 fg|"Am"a2 e2|"D"f2 d2| "G"B2 d2|"C"c2 e2|"D"d2 ef|"Em"g2 fe|\ "G"d3 B|"Am"c2 Bc|"D"de fa|"G"g2 :| X:64089 T:PRINCESS MEABH'S JIG C:Sean Quinn 2004 S:S: composer Z:Z: ABC/arr BB %R:jig Q:1/4=160 M:6/8 K:D e|fgf edc|dAF GFE|DFA dfa|gfg efg| afd edc|dcd AFA|DFA dfa|gec d2:| c/d/|ecA Afg|afd bge|afd ged|ced cBA| ecA Afg|afd bge|afd ged|cBc d2:| X: 28 T: PRINCESS NANCY (jig) %R: jig C: © Liz Carroll S:S: Brid O'Gorman, "Bluebells are Blooming" Z:Z: S.Bliven N:N: Played in key of C on the recording, transcribed up to D here. M: 6/8 Q: 1/4=160 L: 1/8 K: Gmaj A|B2A BGE|EDE ~G3|BAB deg|azg eag| ede ~g3|ged ege|dzB AGE|EDE G2:| A|B2g edB|BAB d2B|~A3 AdB|1 ~A3 BGE| B2g edB|BAB d2B|ABG AGE|EDE G2 :| [2 e2d ega|bzg age|ged ege|dzB AGE| EDE HG3|] X:66059 T:PRINCESS OF ANTALYA (reel), The C:Max Bruecher 22/01/2013 S:S: composer Z:Z: ABC/arr BB Q:1/4=180 M:C| L:1/8 %R:reel K:D dAA2 ABAG|FAEA DEFD|EB, B,2 EFGB|AF F2 ABcA| dAA2 ABAG|F2 EF DEFD|EB,EF GABG|ABcA edcA :| dAA2 ABde|fdgf edcd|eB B2 efge|bged cdec| dAA2 ABde|fdgf edcA|BG G2 ABde|fage fdec :|\ "^coda"d4z4|] X:142641 T:PRINCESS ROYAL, The C:O'Carolan S:S: CAR-ON Z:Z: Brennan/Black M:2/4 L:1/16 Q:1/4=80 K:Em %%text "lively"; source key Gm %%vskip .3in BA|G2F2 E2BA|G2F2 E2B2|c2B2 A2dc|BcBA G2B2| ABAG FGFE|^D2C2 B,2 BA|G2FE GFE^D|E4E2|| B2|e3^d e3f|g2G2G2g2|gfed cBAG|FGAF D2EF| G2FG A2GA|B2B2 e4|d4c2dc|B4A2BA| AGGF EGFE|^DED^C B,2 BA|G2FE GFE^D|E4E4|] X:41286 T:PRIVATE ASS & CART (reel) Z:Z: ABC/arr. BB S:S: MVBT < K. Collins %R:reel Q:1/4=180 M:4/4 L:1/8 K:D F2AF GEE2|FADF ABAG|F2AF GEE2|ABGE FD D2 :| cdec d2 cB|AE E2 AE E2|cdec d2 cB|ABGE FD D2| cdec d2 cB|AE E2 AEAB|cBcd efed|cAGE FD D2|] X:492168 T:PRIZE for the LADIES (hornpipe), A S:S: ONMI.1764 < Casey %R:hornpipe Q:1/4=150 Z:Z: Brennan/Black M:C| L:1/8 K:G %swing .25 EF|GABG AGEG|c2ce dcAB|GABG AGEG|AGAB A2 EF| GABG AGEG|c2ce dcAB|Ggfe dcAc|B2G2G2:| EF|GFGB d2de|fefg fe d2|edef ed c2|Bgfe dcBA| GFGB d2de|fefg fedc|dgfe dcAc|B2G2G2:| X:37147 T:PROHIBITION REEL, The C:Lad O'Beirne Z:Z: ABC/arr. BB S:S: MFC.001d N:N: If Lad named this tune himself, it's one of the few he ever "christened"! Q:1/4=180 L:1/8 M:4/4 %R:reel K:G dc|BAGB eBdB|ADD2 FGAc|BAGB edcB|cdef gedc| BAGB eBdB|ADD2 FGAc|BAGB edcB|cdef ge :| dc|B2gf edcB|A2ag fedc|B2gf edcB|cABG FGAc| B2gf edcB|A2ag fedc|BcdB cdeg|1fadf ge :| [2 fadf Hg4|] X:48453 %%staffwidth 650 T:PROMENADE (march), The S:S: OFPC4.144 Z:Z: ABC/arr. BB N:N: Dot before notes (e.g. measure 13) = ABC code for "staccato". (You can hear it in the N:playback but I think it's fair to say that its use is "optional"!) Q:1/4=100 %R:march L:1/8 M:C K:G D|G>AGA cBAG|B>cBc edcB|gbdg egAc|BdEA GFED| GAGA cBAG|BcBc edcB|bg d/g/b/g/ afAc|BAGF G3 :| g|bgef/g/ afd>f|gfed dcBA|a2 g/f/e/d/ ag/a/ ba/g/|\ f/e/f/g/ a/g/f/e/ d3 G/B/| .d.d.d.d .c.c.c.c|BBdG GFED|G>AGA B>cBc|edcB B2 A>g| bg d/g/b/g/ af d/f/a/f/|gfea gfed|efga ba/g/ [ac']b/a/|\ g2 dB HG4 |] X:184046 T:PROMENADE SIDE-STEP (slip jig), The S:S: CRE.4 < Seán Reid Z:Z: ABC/arr. BB L:1/8 Q:1/4=160 M:9/8 %R:slip jig K:Am e2B A3 GED|E2G A3 Bcd|e2B A3 GED| E2F G3 FGB|e2g a2g a2g|e2g a3 g2e| d2f g2e g3|aba g2e d3:|"^coda"age dcB HA3|] X:491484 T:PROPOSAL, The S:S: ONMI.0192 < F.O'Neill Z:Z: Brennan/Black (arr.) M:C L:1/8 Q:1/4=100 K:G %%text"slow with expression"; A-B-A; source key = F %%vskip .3in gf|edBA GABc|d^cde d2gf|e^dBA GABA|Beed e2gf| edB>A GABc|d^cde d2ga|bgaf gefd|Be>e^d e2|| ef|gfef gbag|fede fgaf|gfef gbag|fe^df e2ef| gfef gbag|fe^de fagf|gbag fagf|e^def "_DC"g2|| X:491485 T:PROTESTANT BOYS (jig), The S:S: ONMI.0019 < J.O'Neill Z:Z: Brennan/Black (arr.) N:N: Not in the Jig section of the 1850 but makes a good one nonetheless. M:6/8 Q:1/4=160 L:1/8 K:G %%text "with spirit" %%vskip .3in D|GAG BcB|AFA c2e|dBG GcB|AGF G2D| GAG BcB|AFA c2e|dBG c2B|AGF G2 :| d|g2d e2d|g2d e2d|def gfe|dcB A2g| edc Bcd|dcB ABc|dBG c2B|AGF G2 :| X:331074 T:PROTESTANT BOYS, The T:Lillibulero Z:Z: ABC/arr. BB S:S: Levey1.106 % N:N: Part 2 repeat as per source. Q:1/4=160 L:1/8 %R:jig M:6/8 K:G % %%text "moderately & well marked"; source key = D %%vskip .3in D|GAG B2B|ABA c2e|dBG c2B|AGF G2 :| d|g2d e2d|g2d e2d|def gfe|dcB A2d| edc Bcd|dcB ABc|dBG c2B|AGF G2:| X:13220 T:PROVIDENCE (reel), The S:S: BSMI.2 Z:Z: ABC/arr. BB %R:reel M:C Q:1/4=180 L:1/8 K:D F|E3F DEFA|d2fd gdfd|edBd ADFA|B2AF GFED| EDCE DEFA|d2fd gdfd|edBd A2FA|dBAG FDD :| e|fdd2 fdad|fdd2 ecA2|fdd2 adfd|ceag fdde| fgaf gfec|dcAF G2FG|A2^GB ABde|faeg fdd :| X:12243 %%staffsep 80 T:PRUNES FOR BREAKFAST (jig) S:BBMG C:© BB %R:jig %% Yummy! Q:1/4=160 M:6/8 L:1/8 K:D %swing .5 A|"Bm"dBc "A"A2 A|"G"BGd "D"AFD|"G"BGd "D"fda|"E"^gdB "A"AEA| "Bm"dBc "D"AFA|"G"Bcd "D"FED|"Em"EBB "A"cBc|"D"dFE "D"D2 :| A|"D"dcd aba|"C"=cBc gag|"D"fdd "G"gdd|"E"^gdb "A"a2 a| "G"bag "D"fed|"C"=cgc "A"e^cA|"Bm"dBc "A"AEA|"D"dFE "D"D2 :| X:184216 %%staffsep 72 T:PUB AT THE CROSSROADS* (hornpipe), The S:S: CRE.4 < Grier MS (unnamed) Z:Z: ABC/arr. BB L:1/8 Q:1/4=150 M:4/4 %R:hornpipe K:A %swing .25 EG|:A2BG ABcd|edcB ABcA|B2BA Bfge|dcBA GBGE| A2 BG ABcd|edcB A2 a2|gbge faf^d|1 e2 ef edcB:|\ [2 e2efe2|| |:dc|B2 BA Bfge|dcBA GBGE|e2f^d efgb|agfe dcBA| fFFE F2 af|eEED E2 ed|cecA BdBG|A2AG A2:| X:38086 T:PUB IN ABBEYFEALE (jig), The Z:Z: ABC/arr. BB S:S: ? N:N: I thought this might be an Eamon Flynn composition, but it's not in the N:manuscripts he sent me some years back. Might be a Martin Mulvihill tune. %(ITTL tunefolder 24). %R:jig Q:1/4=160 M:6/8 L:1/8 K:D E|DA,D FDF|AFA dfa|gec Ace|dAG FGE| DA,D FDF|AFA dfa|gec Acd|edc d2:| e|fef afd|FAd fed|gfg bge|Bdg bag| fef afd|FAd fed|gfg bgd|edc d2:| X:56049 T:PUCHA'S BUSH (jig), The C:V. Broderick S:S: Turoe.21a Z:Z: ABC/arr. BB N:N: I'm not sure if "Pucha" is the same as "Pooka" (or "Puca")! M:6/8 L:1/8 Q:1/4=160 %R:jig K:D ABA F2E|DEF FED|FAd faf|gfe dBA| ABA F2E|DEF FED|Bcd B2A|AFE E3:| dfa afd|dfa afd|def fed|Bcd BAF| [1 dfa afd|def fed|Bcd B2A|AFF E3:| [2 ABA F2E|DEF FED|Bcd B2A|AFE HD3|] X:535385 T:PULL DOWN THE BLIND T:measures 1-16 S:S: RC3.153 Z:Z: ABC/arr. BB Q:1/4=100 L:1/8 M:3/4 K:D F2|D2F3G|A4B2|A2d3e|f4a2| a2g3f|e4f2|e2d2B2|A2G2E2| D2F3G|A4B2|A2d3e|f4a2| a2g3d|e2B2c2|d2f2e2|d6|] X:59220 T:PULL DOWN the SHADE S:S: JOB Z:Z: ABC/arr. BB Q:1/4=140 L:1/4 M:3/4 K:D DFA|A2B|Ade|f2g|agf|ede|fdB|AFE| DFA|A2B|Ade|f2g|agf|edB|Afe|d3|| fdf|ece|dcB|AFA|B3|c3|edB|AFA| fdf|ece|dcB|AFA|B3|c2B|Afe|d3|] X:183012 T:PULL THE KNIFE & STICK IT AGAIN (jig) S:S: CRE.3 Z:Z: ABC/arr. BB %R:jig Q:1/4=160 M:6/8 L:1/8 K:Em E3 GFE|DB,E DB,D|E3 GFE|ABG AFD| E2E GFE|DB,E DEF|G2E FED|BED E3:| edc BAF|EDB d2e|edc BAF|AB^c def| edc BAF|EDF DEF|GFE FED|BED E3:| X:331075 T:PULLET (hornpipe), The Z:Z: ABC/arr. BB S:S: Levey1.95 Q:1/4=150 L:1/8 %R:hornpipe M:C| K:D %swing .25 fe|d2B2 B2dB|AFAB ABde|f2B2 B2dB|ABde fefa| b2B2 B2dB|A2AB ABde|f2B2 B2dB|ABde f2 :| fe|defg abaf|defg a2af|defg abaf|edef g2fe| defg abaf|defg a2gf|gfga bagf|edef g2 :| "^coda"edBc Hd4|] X:491486 T:PULSE OF MY HEART (1st Setting) S:S: ONMI.0554 Z:Z: Brennan/Black (arr.) M:3/4 Q:1/4=100 L:1/8 K:Dm %%text "slow" %%vskip .3in A2|d3 fed|c2 A2 de|f2 f2 f2|e2 e2 e2|\ d3fed|c2A2d2|c2A2A2|A4|| A2|d3fed|c2A2de|f2f2f2|e2e2e2|\ dc BA GF|G3BAG|F2D2D2|D4|| DE|F2FG FG|c2A2A2|B2G2G2|c2A2A2|\ F2FA ce|f3e d2|c2AG FG|F2D2|| DE|F2FG FG|c2A2A2|B2G2G2|A2f2f2|\ dc BA GF|GF GB AG|F2D2D2|D4|] X:491487 T:PULSE OF MY HEART (2nd Setting) S:S: ONMI.0555 Z:Z: Brennan/Black (arr.) M:6/8 Q:1/4=140 L:1/8 K:Gm %%text "animated" %%vskip .3in BAB B2c|B2A A2A|G2d d2c|B2G A2z| BAB B2c|B2A A2A|G2d d2c|B2A G2|| a|b2g g>^fg|b2g g>^fg|b2g d>cB|c2c c>BA| BAB B2c|B>AA A2A|G2d d2c|B2A G3|] X:341079 T:PUNCH BOWL (reel), The Z:Z: ABC/arr. BB S:S: Liddy1.33 Q:1/4=180 L:1/8 M:4/4 %R:reel K:Em A|GEDE GB B2|AEGE DEGA|B2 eB EBdB|ABGB A2 BA | GEDE GB B2|AEGE DEGA|B2 eB ABGA|BGAF GEE :| A|Bdef g2 af|gfed BAGA|B2 dB eBfB|eBdB ABGB | [1 Bdef g2 af|gfed BAGA|B2 dB ABGA|BEED E2G :| [2 Bdef g2 ag|e2 dB A2 GA|B2 dB ABGA|BEFD HE4 |] X:611603 T:PUNKHORN HORNPIPE, The C:D. MacAdam %R:Hornpipe M:4/4 L:1/8 K:Gmaj %swing .25 dc | BdAd G2gf|efge d2dc|BdAd G2AG|FGAB A2dc| BdAd G2 gf | efge d2dc | Bdgb af (3def | a2 g2 g2 :| |: ga | bdad gfed | bdad g2ga | bdad gfed | BdcB A2dc | BdAd G2gf | efge d2ga | (3bag af (3gfe fd | e2 g2 g2 :| X:12244 %%staffsep 80 %irish_rolls_on T:PURCELL the PIPER (reel) S:BBMG C:© BB M:4/4 Q:1/4=180 %% For Dublin and Detroit's Al Purcell RIP %R:reel L:1/8 K:G A|"G"GEDE GABd|"Em"e2 ef edBd|"G"gfef "C"g3 e|"G"d2 BG "D7"AcBA| "G"GEDE GABd|"Em"e2 ef edBA|"G"GBdg "D7"fdcA|"G"BG"D"AF "G"G3 :| d|"G"gfga "D"fd~d2|"C"cBcd "G"BG~G2|"Am"EAAB "C"cBce|"D"d2ef "G"gaba| "G"gfga "D"fd~d2|"C"cBcd "G"BGAG|"Am"EAAB "C"cABG|"D"D2EF "G"G3 :| X:332074 T:PURE DROP (reel) (a), The Z:Z: ABC/arr. BB S:S: Levey2.79 N:N: This is a relative of "The Honeymoon Reel". Q:1/4=180 L:1/8 M:4/4 %R:reel K:G dc|BGG2 DGGc|BGAf gedc|BGG2 DGGc|BGdB A2dc| BGG2 DGGc|BGAf g2fg|afge d3B|egdB A2 :| Bd|e2fd edBA|BdAf gedc|BGG2 DGGc|BGdB A2Bd| e2fd edBA|Bdef g2fg|afge d2Bd|egdB A2 :| "^coda"egdB AGEF|HG4z4|| X:495298 T:PURE DROP (reel) (b), The S:S: ONMI.1305 < Cronin Z:Z: Brennan/Black N:N: Closely related to "Tom Steele" Q:1/4=180 %R:reel M:C| L:1/8 K:D dDD2 FDFA|d2ef gfge|dDD2 FDFA|BEEF GABc| dDD2 FDFA|d2ef g2fg|afge fdec|BEEF GABc|| d2fd adfd|d2ef g2fe|d2fd adfd|BEEF GABc| d2fd adfd|d2ef g2fg|afge fdec|BEEF GABc||\ "^coda"d4z4|] X:497090 T:PURPLE FINCH (jig), The S:S: arr. of ONMI #72, "Little Red Lark" Q:1/4=160 %R:jig Z:Z: ABC/arr. BB M:6/8 L:1/8 K:G D|G2A GEF|G2A Bge|dBG BAG|E3 F2D| GAG GEF|G2A Bge|dBG BAF|G3-G2 :| d|gfg edB|gfe dge|dBG BAG|E3 F2D| GAG GEF|G2A Bge|dBG BAF|G3-G2 :| X:531085 T:PURTY GIRL (reel), The S:S: RC1.177 Z:Z: ABC/arr. BB N:N: NOT "Party Girl"! Q:1/4=180 L:1/8 M:C %R:reel K:G GA|BGAF GE D2|EAAB A2 GE|DEGA BABd|egdB A2 GA| BGAF GE D2|EAAB A2 GE|DEGA B2 d2|egdB A2 G2|| g2ga g2ed|eaab a2 ge|dega bage|gedB A2G2| g2ga g2ed|eaab a2 ge|dega bage|gedB A2HG2|] X:48454 T:PUSH ABOUT THE JORUM (hornpipe) S:S: OFPC4.80 ("Irish") Z:Z: ABC/arr. BB N:N: "Jorum" = "jug". "Push About the Jug" is a jig in OFPC.2. N:N: Repeats added to first part Q:1/4=150 %R:hornpipe M:C L:1/8 K:G %swing .25 g|dGBG FAAc|BGBd g2ge|dGBG FAAB|EGFA G3g| dGBG FAAc|BGBd g2ge|dbag fdeB|EGFA G3 :| e|g2fg afed|gagb a2d2|gabg afgd|e2fa g2ge| dGBG FAAc|BGBd g2ge|dGBG FAAB|EGFA G3 :| X:495299 T:PUSH ABOUT THE JORUM (reel) S:S: ONMI.1420 < J. O'Neill Z:Z: Brennan/Black Q:1/4=180 %R:reel M:C| L:1/8 K:D %%text A-B-A %%vskip .3in B|AD FD CEEG|FDAD BcdB|AD FD CEEG|FGEF D3:| d|cAeA fAeA|fAec dcBA|cAeA fAeA|fAec d2ed| cAeA fAeA|fAec dcBA|dfdB cecA|Bcde fd"_DC"A || X:48231 T:PUSH ABOUT THE JUG (jig) S:S: OFPC2.77 (as "Jugg") Z:Z: ABC/arr. BB N:N: Source shows second part (all 16 measures!) repeating. I have restructured N:the tune into three repeating parts. Q:1/4=160 M:6/8 %R:jig L:1/8 K:Em EGE G2A|BAG F2A|DED FAd|AFD FED| EGE G2A|BAG FGA|BGE AFD|E3 B3 :| %% AFA d3|dfe d3|AFA d2B|ABA FED| B2e e2d|efd e3|B2e e2f|g2e fdB:| %% gba gfe|fag fed|efg dBG|AdG FED| EFE G2A|BAG FGA|1BGd AFD|E3 G3 :| [2 ABA FED|E3 HE3|] X:41287 T:PUSH AND DRAW (reel) C:P. Fitzgerald (Balto.) S:S: composer Z:Z: ABC/arr. BB %R:reel Q:1/4=180 M:4/4 L:1/8 K:Dmix G|Adfe gefd|ecAF GABA|GEFA dBGA|cGGF G3 B| Adfe gefd|ecAF GABG|Acef gbag|fage fdd :| e|ddad bdad|afgb fedB|c2 EG c2 EG|cEGc edce| ddad bdad|afgb fedB|cedc AGEG|Aceg fdd :| X:26032 T:PUSH THE PONY (jig) S:S: GEI.012 (as "Poney") Z:Z: ABC/arr. BB M:6/8 Q:1/4=160 %R:jig K:G c|B2G GAB|c2c cec|B2G GAB|AFD D2c| B2G GAB|c2c cde|dcB AGF|G2G G2 :| z|efg dcB|c2c c3|efg dcB|AFD D3| efg dcB|c2c cde|dcB AGF|G2G G2 :| X:23015 %%staffsep 80 T:PUSS IN BOOTS (jig) C:D. Conroy S:S: composer Q:1/4=160 M:6/8 L:1/8 %R:jig K:D G|"D"ABA "G"dcB|"D"ABA "A"E2F|"G"G2A BAG|"D"F2F "A7"EFG| "D"ABA "G"dcB|"D"ABA def|"G"g2e "A"cBc|"D"d3 d2 :| g|"D"a2f "Em"g2e|"D"ded "G"dcB|"D"ABA "G"dcB|"D"ABd "A"e2f| "G"g2e "A7"a2g|"D"fed fga|"Em"g2e "A7"cBc|"D"d3 d2 :| X:493325 T:PUT ON YOUR CLOTHES (jig) (1) S:S: ONMI.1050 < J. O'Neill Z:Z: Brennan/Black Q:1/4=160 %R:jig M:6/8 L:1/8 K:Am d|cGE cGE|EDE CEG|cGE cGE|Add ded| cGE cGE|EDE CEG|cee e2d|cAA A2:| e|gag ged|ecc cde|aba age|edd d2e| [1 gag ged|ecc cde|fed fed|ecA A2:| [2 gfe agf|gfe dcB|cee e2d|cAA A3|] X:531086 T:PUT ON YOUR CLOTHES (jig) (2) S:S: RC1.116 Z:Z: ABC/arr. BB Q:1/4=160 L:1/8 M:6/8 %R:jig K:Bm e|dAf dAF|FEF DFA|dAF dAF|Bee efe| dAf dAF|FEF DFA|dff f2e|dBB B2:| g|aba afe|fdd def|bab baf|fee e2f| aba afe|fdd def|gfe f2e|dBB B2:| X:497091 T:QUAIL'S NEST (jig), The S:S: arr. of ONMI #112, "Swift From The Covert" Z:Z: ABC/arr. BB Q:1/4=160 %R:jig M:6/8 L:1/8 K:Ador D|EAB AGA|BAB g2f|gfe edc|BAB G2E| EAB AGA|BAB gef|g2e dBG|A3A2 :| e|aee aee|aef g3|Ggf gfe|dBA GAG| EAB AGA|BAB gef|g2e dBG|A3A2 :| X:492169 T:QUARRELSOME PIPER (hornpipe) (1), The S:S: ONMI.1563 < Ennis Q:1/4=150 Z:Z: Brennan/Black %R:hornpipe M:C| % source 2/4 L:1/8 % source 1/16 K:G %swing .25 %%text simplified version %%vskip .3in EF|G2F2 E2D2|BDGB AGEF|GBdf edcA|Ggfe d2 (3cBA| G2F2 E2D2|BDGB AGEF|GBdf ed (3cAF|GBAF G2:| B2|eBB2 gBB2|eBgB eBB2|dAA2 fAA2|dgfe d2 (3cBA| G2F2 E2D2|BDGB AGEF|GBdf ed (3cAF|GBAF G2:| X:59113 T:QUARRELSOME PIPER (hornpipe) (2), The S:S: JOB Z:Z: ABC/arr. BB %Q:1/4=150 M:C| %R:hornpipe K:G %swing .25 %%text simplified version %%vskip .3in EF|G2F2 E2D2|BDGB AGEF|GBdf edcA|Ggfe d2cA| G2F2 E2D2|BDGB AGEF|GBdf edAF|GBAF G2:| B2|eBB2 gBB2|eBgB eBB2|dAA2 fAA2|dgfe d2cA| G2F2 E2D2|BDGB AGEF|GBdf edAF|GBAF G2:| X:12357 %%staffsep 80 T:QUEEN OF HEARTS (hornpipe), The S:BBMG C:BB 5/23 M:C| %R:hornpipe Q:1/4=150 K:D %swing .25 FE|"D"F2D2 D2D2|FDAD "Bm"dcBA|"Em"G2E2 E2E2|"G"GFBG edcB| "A"c2A2 ABcA|"Em"G2E2 EFGB|"D"AFAd "A7"cAGE|"D"F2D2[d2D2]:| cd|"A"e2A2ABcd|"F#m7"ecef "G"g2fe|"D"f2d2 dedc|"G"BcBA "D"F2cd| "A"e2A2 e2A2|"G"GFGB edcB|"D"AFAd "A7"cAGE|"D"F2D2[d2D2] :| X:492170 T:QUEEN of MAY (hornpipe), The S:S: ONMI.1728 < F. O'Neill %R:hornpipe Q:1/4=150 Z:Z: Brennan/Black M:C| L:1/8 K:G %swing .25 Bc|dBcA Ggfe|edce d2cB|Aced cBAG|FAGE D2Bc| dBcA Ggfe|edce dgfe|dBcA BGAF|G2GG G2:| cB|ADFA GBdg|edce dgdB|ADFA GBdg|edce dgba| gbfa egdf|ceBd AcGB|A2cB ADFA|G2GG G2:| X:32020 T:QUEEN OF MAYO (jig), The C:© C.Lennon Z:Z: ABC/arr. BB S:S: "Musical Memories 1" Q:1/4=160 M:6/8 L:1/8 %R:jig K:G %%text A-B-A %%vskip .3in c|BcB BAG|EAA ABc|dgg efg|fed cAF| DBB BAG|EFG ABc|dge fed|cAF G2 :| B|Add dfa|agf g3|A^ce efg|gfe f2e| dAd afa|bgg gfg|age A^ce|ed^c "_DC"d2 :| X:65082 T:QUEEN OF THE APOCALYPSE (reel), The C:Aidan Crossey S:S: composer %R:Reel Q:1/4=180 M:4/4 L:1/8 K:D Major B|ADFA dfed|BAGB ADFA|GABG FGAF|EDEF EFGB| ADFA dfed|BAGB ADFA|GABG FGAF|1 EDFE DFG:| [2 EDFE DAB|:c|dffd ceec|BcdB A2 AF|GABG FAdf| edcB ABce|dffd ceec|BcdB A2 AF|GABG FGAF| %%stretchlast 0 EDFE DAB :|^"coda"EDFE HD4|] X:185207 T:QUEEN OF THE CEILI* (reel), The S:S: CRE.5 (unnamed) Z:Z: ABC/arr. BB M:4/4 Q:1/4=180 %R:reel K:D B3c dBAB|BGAG FAAF|B2Bc dcde|faag fded| B3c dBAB|BGAG FAAF|B2Bc dcde|faag fddf|| a2fd Bded|fded Bdef|a2fd Bded|egfd eddf| a2fd Bded|fded Bdef|a3f e2dA|Bdag fdd2|] X:251081 T:QUEEN OF THE FAIR (jig) Z:Z: ABC/arr. BB M:6/8 S:S: FS1.26a Q:1/4=160 L:1/8 %R:Jig K:D E|FEF D2 A,|DFA dAF|GFG FGA|BGE EAG| FEF D2 A,|DFA dAF|GFG EAG|FDD D2 :| % g|fdf ece|dAG FEF|DFA dAF|GFG E2 g| fdf ece|dAG FED|EFG BAG|FDD D2 :| % B|Add fdd|add fdd|Bef g3|fdf ecA| [1 Add fdd|add fdd|EFG BAG|FDD D2 :| [2 afa geg|fdf e3|EFG BAG|FDD D3 |] X:50080 %%titlefont 18 T:QUEEN OF THE JOYCE COUNTRY* (hornpipe), The S:S: Petrie.098 < "from Mr. Joyce" (unnamed) Z:Z: ABC/arr. BB N:N: Repeats added Q:1/4=150 M:C| L:1/8 %R:hornpipe K:G %swing .25 %%text "allegro moderato" %%vskip .3in D|G2A2 B2AG|FGAB c2Bc|defe dcAF|G3F D2EF| G3A B2AG|FGAB c2Bc|defe dcAF|G4 G3 :| c|d3e f2e2|d2cB c2Bc|d2fe dcAF|G3F D2EF| G3A B2AG|FGAB c2Bc|defe dcAF|G4 G3 :| X:181197 T:QUEEN OF THE MAY (reel), The S:S: CRE.1 Z:Z: ABC/arr.BB Q:1/4=180 L:1/8 M:4/4 %R:reel K:Edorian A|Bcdf ecdB|ADFD FAAc|Bcdf edBd|dBAd BEE2| Bcdf ecdB|ADFD FAAc|Bcdf edBc|dBAd BEE|| %% A|Bdeg fdec|defg afed|Bdeg fdec|dBAd BEE2| Bdeg fdec|defg afeg|faba fgfe|dBAF EFG|| %% A|B2eB fBeB|defg afed|B2eB fBeB|dBAd BEEA| B2eB fBeB|defg afeg|faba fgfe|dBAF HE4|] X:57134 T:QUEEN OF THE RUSHES (jig) (1), The S:Treoir 48/1 < Ballinakill Ceili Band Z:Z: ABC/arr. BB N:N: This version keeps the accented C's sharp, which I think makes for a more N:distinctive sound. Compare the Dmix CRE version which follows. M:6/8 %R:jig Q:1/4=160 K:D G|F2D DAF|G2E EDE|F2D DAF|GED D2E| F2D F2D|G2F EDE|FAF GEA|DEC D2:| % B|c2A Bcd|ecA AGE|dcd fed|ecA A2B| c2A Bcd|ecA AGE|FAF GEA|DEC D2:| % F|AFA dAF|AFA dAF|GFG EDE|=cBc EFG| A2A dAF|AFA dAG|FAF GEA|DEC D2 :| X:181031 T:QUEEN OF THE RUSHES (jig) (2), The S:S: CRE.1 Z:Z: ABC/arr. BB M:6/8 Q:1/4=160 %R:jig K:Dmix A/G/|F2D D3|G2E E3|F2D D3|GED DAG| F2D D3|G2E E3|FAF GEA|D3 D2:| % z|c2A Bcd|ecA AGE|d2e f2d|ecA AGE| c2A Bcd|ecA AGE|FAF GEA|D3 D2:| % F/G/| A3 dAF|A3 dAF|G3 EGE|GBG EFG| A3 dAF|A3 dAG|FAF GEA|D3 D2:| X:21167 T:QUEEN'S SHILLING (reel), The S:S: DMI.0752 Z:Z: Nordberg/Black %R:reel Q:1/4=180 M:C| L:1/8 K:G %%text A-B-A %%vskip .3in D2|G2GB dBGB|dBeB dBAB|G2GB d2Bd|egdB AcBA| G2GB dBGB|dBeB dBAB|G2GB dBGB|egdB A2|| ga|b2gb a2fa|g2eg fdB2|b2gb a2ga|gfef d2ga| bagb agfa|gfeg dega|bgaf gfed|egdB Ac"_DC"BA|] X:48148 T:QUICK STEP (polka), The S:S: OFPC1.23 Z:Z: ABC/arr. BB D:D: "O'Sullivan Meets O'Farrell" track 6a Q:1/4=120 M:2/4 L:1/8 %R:polka K:D A|: df fa|ge e>g|fd d>f|e/d/c/B/ A2| df fa|ge eg|fd c/d/e/c/|d2 d2 :| fd f/d/f/d/|ge e>g|fd df|e/d/c/B/ A2| fd f/d/f/d/|ge e>g|fd c/d/e/c/|d2 d2 :| X:38230 T:QUILLE'S / QUINN'S REEL (a1) S:S: "Where's the Crack? v/1" (DJ Taylor) Z:Z: ABC/arr. BB L:1/8 M:4/4 Q:1/4=180 %R:reel K:D F|D2 FA BABc|dfed BEE2|D2 FA BABc|dBAG FGA:| B|d2 fd Adfa|g2 fg eBB2|d2 fd Adfa|faea fddc| d2fd Adfa|g2fg eBBe|f3e d3B|A2AG FGAF|| "^coda"HD4z4|] X:497092 T:QUILTING BEE (jig), The S:S: arr. of ONMI #573, "When We Were Girls Together" Z:Z: ABC/arr. BB Q:1/4=160 %R:jig M:6/8 L:1/8 K:D A|FGA AB=c|BAF G2A|FGA ABc|def ecA| FGA AB=c|BAG gfg|agf gfe|d3 d2 :| a|fef def|ge=c efg|afe ded|f2g a2a| afd faf|ge=c efg|agf gfe|d3d2 :| X:52097 T:QUINN OF ARMAGH (hornpipe) C:© E.Reavy S:S: Ed Reavy Collection Z:Z: McKenty/Black Q:1/4=150 M:C| L:1/8 %R:hornpipe K:D %swing .25 %%text "andantino" %%vskip .3in FE|DFAd EAce|dfeg fdBd|ceA=c BGEF|GDA,D GECE| DFAd EAce|dfeg fdBd|cbaf gece|d2f2 d2:| fg|afdf Adfa|gfge cdec|dfba gfed|c2B2 AGFE| DFAd EAce|dfdg fdBd|cbaf gece|d2f2 d2:| X:182171 T:QUINN'S / QUILLE'S REEL (a2) T:Sean Quinn's S:S: CRE.2 Z:Z: ABC/arr. BB %R:reel M:C Q:1/4=180 K:D A|D2FA BAFA|dfed BEE2|DEFA BAFA|dBAG FAAF| D2FA BAFA|dfed BEE2|D2FA BAFA|1 dBAG FDD:| [2 dBAG FDF|:A|d2fd Adef|g2fg eBB2|d2fd Adf2| afeg fddc|d2fd Adef|g2fg eBBA|fgfe dcdB| ABAG FDD:| X:341080 T:QUINN'S BUSH (reel) C:Joe Liddy Z:Z: ABC/arr. BB S:S: Liddy1.28 N:N: 1: Source indicated all C's as sharp. I'm guessing that Liddy wanted the N:tune to be in A mix but he or his editors didn't know how to notate it simply N:by using 2 sharps. N:N: 2: I have "rebuilt" this as a 3-part tune. Q:1/4=180 L:1/8 M:4/4 %R:reel K:Amix BG|EAA2 ABcd|eAcA eAcA|EG G2 GABc|dGBG dGBG | EA A2 ABcd|eABA GABd|cBcd edfa|gedB A2 :| % zD|EA A2 ABcd|eAcA eAcA|G3F GABG|EGDB, G,A,B,D | EA A2 ABcd|eABA GFGA|BABd edfa|gedB A2 :| % cd|ea a2 eaga|babg edBc|dg g2 dgfg|eaaf ge d2 | [1 ea a2 ea^ga|bagf ge d2|cdef gefa|gedB A2 :| [2 ea a2 efgb|a^ged cAGE|ABcd gefa|gedB HA4 |] X:182064 T:QUINN'S JIG S:S: CRE.2 N:N: First part very close to "Philip O'Neill" Z:Z: ABC/arr. BB Q:1/4=160 L:1/8 M:6/8 %R:jig K:G D|GBB B2d|cAA ABc|dBD GFG|ABG FED| GBB B2d|cAA ABc|dcA AGF|G3 G2:| D|GBd efg|fag e2d|BdB GFG|ABG FED| GBd efg|fag e2d|BdB GFG|AGF G2:| X:182324 T:QUINN'S REEL (b) S:S: CRE.2 Z:Z: ABC/arr. BB N:N: Bears a resemblance to "I Have No Money". This is a different tune from N:the one named "Quille's" above. Q:1/4=180 L:1/8 M:4/4 %R:reel K:D B|ADFD A3B|AFDE FE E2|ADFD A3B|ABdf efdB| ADFD A3B|AFDE FE E2|ADFD ABAF|ABdf ed d :| f|a2 fd eddB|ABdf eBBA|a2 fd eddB|ABdf e2 d2| a2 fd eddB|ABdf eBBA|a2 fd eddB| ABdf efd:| "^coda" ABdf efdB|Hd4z4|]