ITTL "R" tunes
file created 5.20.25
= = = = = = = = = = =

# Entries preceded by %% are primarily for typesetting purposes. Disregard them.
# Tunes are not in alphabetical order.


%%%

X:331
%%
T:RABBIT on the RUN (reel) 
C:RM 9/24/16
N:MR notes: Dedicated to Petesy Sheridan, always busy.
L:1/8
Q:1/4=200
M:4/4
%%R:reel
K:A
AB|"A" cEAc "E" BEGB |"D" ADFA "E" GF E2 |\
"D" FGAF "A" EFGA |"B7" B^ABc "E7" dBGE |
"A" cEAc "E" BEGB |"D" ADFA "E" GF E2 |\
"D" FGAF "A" EFGA |"E7" B^ABc "A" =A2 :|
DE|"D" FGAF"A" E2 AE |"D" FGAF "E" GF E2 |\
"D" FGAF "A" EFGA |"B7" B^ABc "E7" dBGE |
"A" cEAc "E" BEGB |"D" ADFA "E" GF E2 |\
"D" FGAF "A" EFGA |"E7" B^ABc "A" =A2 :|

%%%
X:332
%%
T:RAG TAG (rag)
C:RM 2/12/08
N:MR notes: Dedicated to Dave Sturmer, trombonist and leader of the Rochester  
N:Smugtown Stompers Dixieland Band.
L:1/8
Q:1/4=150
M:4/4
%%R:hornpipe
K:D
%swing .25
"D" A2 dA "G" B2 dB |"D" A2 fd "G" edcB |\
"D" A2 de "Bm" fede |"Em" fa f "A7" e2 c B_B |
"D" Adfd "G" edBd |"D" fafd "G" edcB |\
"D" ABdf abaf |1"A7" ed c "D" d2 c B_B :|
[2 "A7" ed c "D7" d2 d||: ef|"G" gB d "G"g2 b ag |\
"D" fA d "D"f2 d cB |"A7" ABcd egfe |
"D" f g2 "D7" a2 d ef |"G" gB d "G"g2 b ag |\
"D" fg ^g "D"a2 f ed |"G" B g2 B "D" Adfb |
%%stretchlast 0
[1 "A7" ae f "D" d2 d:|2"A7" aef "D"d-Hd4 |]

%%%
X:333
%%
T:RAGAMUFFIN (rag), The
C:RM 2/14/08
N:MR notes: Dedicated to Brian Coughlin, lover of music & beer. 
L:1/8
Q:1/4=150
M:4/4
%R:rag
K:D
"D" Afed "G" BdAG |"D" FG A "D" B2 A FD |"G" GF G "G" d2 e dB |"D" A8 |
"A7" A^G A "A7" e2 d cB |"D" AB c "D" d2 e fd |"E7" e2 ^gf eBcd |"A7" e^d e "A7" f2 e cB |
"D" A_A=Ad "G" BdAG |"D" FG A "D" B2 A FD |"G" GF G "G" d2 e d2 |"F#7" c8 |
"G" dc d "G" e2 d cB |"D" ABdf afed |"E7" B2 fB "A7" ec A2 |"D" d4- "D7" ded=c |
[K:G]
|:"G" BAGD EGDG |"C" E_E =E "C" c4 A |"G" B_B =B "G" e2 d BG |"A7" EGB "D7"A- A4|
"G" B2 A2 "G7" G2 =F2 |"C" EGFG AGFE |"G" DGBd edBG |1"D7" E F2"G" G2 e dc :|
[2"D7" B B2 A"G" G4 |]

%%%
X:334
%%
T:RARE JACK ROCHE (polka)
C:RM 6/29/05
N:MR notes: Dedicated to Jack Roche, remarkable CCE Branch Director in  
N:Rockchapel, Co. Cork.
L:1/8
Q:1/4=110
M:2/4
%%R:polka
K:D
P:A-B-A
FG|"D" A>A ^GA |"D" BA F>A |"A7" GF E/D/C |"D" DE FG |
"D" A>A ^GA |"D" BA Fd |"A7" c/B/A G/F/E |"D" D2 :|
%
[K:A]
GF|"A" EA c/d/e |"A" EA c/d/e |"E7" dB B/^A/B/c/ |"A" BA GF |
"A" EF/G/ AE |"Bm" FB df |"A" ec/e/ "E7" d/c/B"_DC after rpt" |\
"A"A2:|

%%%
X:335
%%
T:RED SAILS A-ROVING (hornpipe - cut time)
N:MR notes: Dedicated to the famous Galway Hooker sailboats.
C:RM 3/29/19
L:1/8
%%R:hornpipe
Q:1/4=120
M:4/4
K:D
 F>E |"D"D>F A>F "G" G>A (3BAG |"D" F>E D>F "A7" E>F (3GFE |
"D" D>F A>d f>d c>d |"E7" (3efe (3dcB "A7" (3ABA (3GFE |
"D" D>F A>F "G" G>A (3BAG |"D" F>E D>F "A7" E>F (3GFE |
"D" D>F A>d "A7" c>A c>e |"D" d2 "G" d>c "D" d2 :|
%%
c>d|"A7"e>f e>d c>A B>c |"D" d>f b>f a>d e>f |
"Em" g>b g>e "D" f>a f>d |"E7" (3efe (3dcB "A7" A>g f>e |
"D" d>f a>f "G" g>a (3bag |"D" f>e d>f "A7" e>f (3gfe | %16
"D" d>f a>f "A7" b>g e>c |"D" d2"G" d>c"D" d2 :|

%%%
X:336
%%
T:RED SAILS A-ROVING (hornpipe - straight time)
C:RM 3/29/19
L:1/8
%%R:hornpipe
Q:1/4=120
M:4/4
K:D
%swing .25
FE |"D"DFAF "G" GABG |"D" FEDF "A7" EFGE |\
"D" DFAd fdcd |"E7" e2dB "A7" A2GE |
"D" DFAF "G" GABG |"D" FEDF "A7" EFGE |\
"D" DFAd "A7" cAce |"D" d2 "G" dc "D" d2 :|
%%
cd|"A7"efed cABc |"D" dfbf adef |\
"Em" gbge "D" fafd |"E7" e2dB "A7" Agfe |
"D" dfaf "G" gabg |"D" fedf "A7" efge |\
"D" dfaf "A7" bgec |"D" d2"G" dc"D" d2 :|

%%%
X:337
%%
T:REEL DEAL (reel), The
C:RM 7/14/08
N:MR notes: Dedicated to Comhaltas Ceolt—iri ƒireann
L:1/8
Q:1/4=190
M:4/4
%%R:reel
K:G
P:A-B-A
EF|"G" G2 (3BAG "D" dedB |"G" GBeB "D" d2 cB |\
"Am" AGAB (3cBA BG |"D7" FGAB cAFD |
"G" G3 A BGBd |"C" c2 gc agec |\
"G" Bd^cd ed (3BAG |"D7" AcBA "G" G2 :|
GF|"Em" E2 (3GFE BEGB |"D" AD (3FED AcAF |\
"Em" E^DEF GFGA |"Em" Beef gf e2 |
"C" gfge "G" dBAG |"F" =F2 (3AGF cFAF |\
"Em" EG (3BAG "Am" AcBA |"Em" (3G"_DC after rpt"FE FD E2:|

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X:338
%%
T:REMEMBERING MARTY (air)
C:RM 7/14/18 (Brickstone Resident) 
N:MR notes: Dedicated to the memory of Marty Keller.
%%R:waltz
L:1/8
Q:1/4=140
M:3/4
K:C
"C" E3 F E2 |"Am" E2 D2 C2 |"Dm" D6- | D6 |"G7" F3 G F2 |"G7" F2 E2 D2 |
"C" G6- |"G7" G2 A2 B2 |"C" c3 G G2 |"Em" G2 F2 E2 |"Dm" D4 F2 |"Dm" A6 |
"G7" B3 A G2 |"G7" E2 F2 D2 |"C" C6- | C4 G,2 |"C" E3 F G2 |"Am" E2 D2 C2 |
%
"Dm" D6- | D6 |"G7" A3 G F2 |"G7" D2 E2 F2 |"C" G6- |"G7" G2 A2 B2 |
"C" c3 G G2 |"Em" G2 F2 E2 |"Dm" D3 ^C DF |"Dm" A6 |"G7" B3 A G2 |"G7"E2 F2 D2 |
"C" C6- | C6 ||[K:G]"G" D2 B,C D2 |"Am" E2 CD E2 |"D7" FG AD EF |"G" GB D4 |
"C" G3 F E2 |"G" D2 C2 B,2 |"A7" A,^C EG FE |"D7" D2 E2 F2 |"G" G3 B, D2 |\
"Am" E3 A E2 |
"B7" FB, B2 A2 |"Em" GA BG E2 |"C" G3 F E2 |"G" D2 B2 G2 |"D7" cA FD BA |\
"G" G6 ||
[K:C]"C" E3 F E2 |"Am" E2 D2 C2 |"Dm" D6- | D6 |"G7" F3 G A2 |"G7" D2 F2 A2 |
"C" (G6 |"G7" G2) A2 B2 |"C" c3 G G2 |"Em" G2 F2 E2 |"Dm" D3 ^C DF |"Dm" A6 |
"G7" B3 A G2 |[Q:1/4=120]"G7" f2 e2 d2 |[Q:1/4=100]"F" [FAcf]6 |[I:midi gchordoff]"C" [CEGc]6 |]

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X:339
%%
T:REUNION (jig), The
C:RM 5/23
N:MR notes: Dedicated to my former students Becky Krautwurst, Barb  
N:McVeigh, and Rhea Lowell.
L:1/8
Q:1/4=160
%%R:jig
M:6/8
K:G
F|"G"G2 F G2 A |"Em" BAG "C" AGE |\
"D" D2 E D2 C |"G" B,2 D"D7" E2 F |\
"G" G2 F G2 A |
"Em" B2 A G2 B |"A7" ABA GFE |\
"D" D2 E FED |"Am" E2 C A,B,C |"G" D2 B, G,2 B, |
"D" A,2 D "A" ^CDE |"D7" F2 D E2 F |\
"G" G2 A B2 G |"C" EFG "G" D2 D |
%%vskip .3in
[1 "C" EFG"D7" A2 F |"G" G2 D"D7" E2:|\
[2"C" EFG"D7" A2 F |"G" G3 ||
%
[K:D]
|:F2 G |"D"A2 F"A7" GFE |"D" DEF A,2 A, |\
"G" B,2 D G2 B |"A7" A2 B cBA |
"D" d2 A dcB |"A7" ABc"D" d2 f |\
"E7" efe dcB |"A" A3 A2 ^A |
"G" B2 G dcB |"D" A2 F d2 A |\
"E7" ^G2 e dcB |"A7" A2 g f2 e |
"D" d2 c d2 A |"G" Bcd "D" A2 A |\
%%vskip .3in
[1 "Em" Bcd"A7" e2 c |"D" d3 :|
[2"Em" Bcd"A7" e2 c |"D" d3- d3|]

%%%


%%%
X:341
%%
T:RIAN'S REEL
C:Uncle Rick Muir 11/12/14
N:MR notes: Dedicated to Rian Colbert, student dancer.
L:1/8
Q:1/4=190
M:4/4
%R:reel
K:G
D2|"G" G2 DG B2 GB |"G" dgfe dBGB |\
"C" c2 ec"G" B2 dB |"A7" AGAB "D7" AGEF |
"G" G2 DG B2 GB |"G" dgfe dBGB |\
"C" c2 ec"G" B2 dB |"D7" AGFA"G" G2:| 
%
dB|"D7" A2 DF AcBA |"G" B2 DG BdcB |\
"A" AB^cd "A7" egfe |"D" faea "D7" defd |
"G" g2 dc BcdB |"Am" e^dec A2 AG |\
"D7" FGAB cdef |"G" g2"C" g2"G" g2:|

%%%
X:342
%%historyfont 14
T:RIBBON MAN (jig), The
C:RM 2/8/08
N:MR notes: The peddlers of old who used to sell ribbons and various associated 
N:items door to door. Dedicated to Bob Romanet and his ribbons of tunes through 
N:his tin whistle.
L:1/8
Q:1/4=165
M:6/8
%%R:jig
K:G
 B/c/ |"G" dGG "C" eGG |"D" d^ce "G" dBG |\
"Am" ecA "G" dBG |"A7" EAG "D" FED |
"G" dGG "C" eGG |"D" d^ce "G" dBd |\
"C" gfe "G" dBG |"D7" ABA "G" G2:|
F/G/ |"D" ADD "G" BDD |"D7" cBc ABc |\
"G" dBG "C" edc |"A7" BAG "D" ABc |
"G" dGG "C" eGG |"D" def "Em" gfg |\
"Am" ecA "G" dBG |"D7" ABA "G" G2 :|

%%%
X:343
%%
T:RICK'S RUN (reel)
C:RM 1/14/10
N:MR notes: Dedicated to Rick Young, man of supreme courage enduring ALS.
L:1/8
Q:1/4=190
M:4/4
%%R:reel
K:G
(3DEF |"G" G2 GF "D" GAGF |"G" G2 BG "D" AFDF |\
"G" GFGA "Em" BGBc |"G" dBGB "D" ADEF |
"G" G2 GA "D" GFEF |"G" GABc "G7" dGBd |\
"C" cecA "G" BdBG |"D7" AcAF "G" G2:|
%
(3Bcd|"C" egfg agec |"G" dBGB dedB |\
"D" defg adef |"G" gfga "G7" bag=f |
"C" egfg agfe |"G" d^cde dBGB |\
"A7" AB^cA "D7" dafd |"C" gece"G" g2:|

X:344
%%
T:RICKITY RICK (jig)
C:RM 2/24/25 (that's me!)
L:1/8
Q:1/4=180
M:6/8
K:G
 D |"G" G2 G BAG |"Dm" =FEF "D7" DE^F |\
"G" G2 G BAG |"A7" A^ce "D" d2 B |
"Am" cec ABc |"G" BdB GAB |\
"D7" cAF DEF |"G" GBA G2:|
B |"Am" cBc ABc |"G7" de=f "C" edc |\
"G" dg=f def |"C" edc "D7" BcA |
"G" GdG BAG |"F" =FAc =fcA |\
"D7" cAF DEF |"G" GBA G2:|

%%%
X:345
%%
T:RING OF BRODGAR (march), The 
N:MR notes: Standing stones in the Orkney Islands, Scotland. Dedicated to Old Jock  
N:Muir, my Orkney great grandfather.
C:RM 10/14/16
L:1/8
Q:1/4=210
%%R:march
M:2/2
K:A
%%measurenb 0
"^intro""A" A2 AA AEAc |"A" AEAc AEAc |"A" e2 ee e2 e2 |"E7" e2 E2 F2 E2 ||"A" c2 cc c2 BB | %5
"A" B2 A2 A2 CD |$"A" E2 A2 E2 A2 |"E" G=G^GA B^ABc |"E7" d2 dd d2 cc |"E7" c2 B2 B2 BA | %10
"E7" G2 e2 f2 e2 |"A" c2 ef "E7" edcB |$"A" c2 cc c2 BB |"A" B2 A2 A2 cd |"A7" e2 A2 "A"^e2 A2 | %15
"D" f2 A2 d4 |"Bm" f2 dc B2 cd |"A" edcB A2 GF |$"E7" E2 GB e2 E2 |"A" A8 ||[K:D]"D" AAAA F2 F2 | %21
"D" AAAA F2 F2 |"D" A2 AF A2 d2 |"A" c2 d2 e4 |$"A7" AAAA G2 G2 |"A7" E^DEF G2 G2 | %26
"A7" cded c2 G2 |"D" B2 A2 F4 |"D" AAAA F2 F2 |"D" DEFG A2 A2 |$"D7" d2 AB =c2 d2 |"G" =c2 B2 B4 | %32
"A7" e3 d c2 B2 |"D" A2 Bc d2 B2 |"Em" G2 E2"A7" A2 A,2 |"D" D2 FA d4 |] %36

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X:346
%%
T:ROBERT RAYMOND RULES (reel)
C:RM 7/2/16
N:MR notes: Dedicated to Robert Raymond Tripplaar, young Master of the House.
L:1/8
Q:1/4=190
M:4/4
K:G
dc |"G" B2 BA GABG |"Am" ABcA E2 FE |\
"D7" DFAF DFAF |"G" GBeB "D7" dedc |
"G" B2 BA GABG |"Am" ABcA E2 FE |\
"D7" DEFG AcBA |"G" G2 GF G2:| 
%
AB|"C" c2 EF AGFE |"G" DGFG BGFG |\
"D7" A2 D2 "G" BA G2 |"A7" Ad^ce "D7" d=cBA |
"G" G2 BA GABG |"Am" ABcA e2 fe |\ %16
"D7" d2 fe dcBA |"G" GBAF G2 :|

%%%
X:347
%%
T:ROCHESTER REEL, The
C:RM 12/15/00
N:MR notes: Dedicated to Rochester, NY, USA, my hometown.
L:1/8
Q:1/4=190
M:4/4
%R:reel
K:G
Bc|"G" d2 dB"C" e2 ec |"G" d2 dB"D" c2 cA |\
"G" B2 BG "Em" EFGA |"G" BdcB "D7" A2 Bc |
"G" d2 dB "C" e2 ec |"G" d2 dB "D" c2 cA |\
"G" B2 BG "Em" EFGA |"G" BGAF G2:|
GF |"Em" E3 F G3 A |"Em" BGAF EGFE |\
"D" D^CDE FEFG |"D" A^GAB "D7" c2 Bc |
"G" d2 dB "C" e2 ec |"D7" f2 fd "Em" g2 BA |\
"G" G2 BG "Em" EFGA |"G" BGAF G2:|

%%%
X:348
%%
T:ROCK OF CASHEL (march), The
C:RM 3/4/19
N:MR notes: Dedicated to John and Joe Dady, the 'Rocks of Rochester' regarding  
N:traditional Irish music.
Q:1/4=108
M:4/4
%R:march
K:G
P:Part 1
EF|"G" G2 "Em" G>A "G" BAGA |"G" BdcB B2 "D" A2 |\
"G" B2 "A" B>^c "D" dcde |"D" f2 "A7" e>d "D" d4 | 
"D7" A2 A>B cAFD |"G" B2 B>c dBAG |\
"C" e>f gf/e/ "G" dg "C"ec |"G" B/A/G "D7" Ad "G" G2 :|
P:Part 2
[K:D]
FG|"D" A2 d>e fedc |"Em" Beed "A7" cBcA |\
"D" d2 a>g fafd |"E7" eBcd "A7" fecB |
"D" A2 d>e "D7" fed=c |"G" BGBd "Em" gefg |\
"D" a2 a>g fafd |"A7" eABc "D" d2:|
P:Part 3
[K:G]
BA|:"G" G2 B>A G2 GD |"C" EGce "D" d2 ef |"C" g>f ge "G" dGBd |"Am" edcB "G" B2 "D7" A2 |
"G" G2 d>c "G7" BGAB |"C" cGce "Am" agfe |"G" d2 g>f gdBG |1"D7" AcAF "G" GDEF :|
[2"D7" Adef"G" Hg4 |]

%%%
X:349
%%
T:ROLLICKING KATE (jig)
N:MR notes: Dedicated to Kate Lee, a talented young fiddler, busy perform-
N:ing, making CDs with her own group "No Strings Attached".
C:RM 10/15/05
L:1/8
Q:1/4=165
M:6/8
P:A-B-A
%R:jig
K:G
B/c/|"G" dBB "D" cAA |"G" GAB D3 |\
"C" EGG "G" DGG |"A7" BAG "D7" ABc |
"G" dBG "D" cAF |"G" GAB D3 |\ 
"Am" EAG "D7" FEF |"D7" DEF "G" G2:|
[K:D]
F/G/|"D" A3 F2 A |"G" dcB "D" A3 |\ 
"G" Bcd "D" AFD |"E7" EFE "A7" EDE |
"D" FEF "G" GFG |"A" ABc "Bm" d2 e |\
"Bm" fed "A7" cBA |"A7" "_DC after rpt"GFE"D"D2:|

%%%
X:350
%%
T:ROMP in the HAY (jig), A
C:RM 7/26/08
N:MR notes: Dedicated to The Orkney Islands Traditional Music Project.
L:1/8
Q:1/4=165
M:6/8
%%%R:jig
K:D
P:A-B-A
e |"D" f2 A AFA |"G" BdB "D" A2 f |\
"G" gbg "D" faf |"E7" efe "A7" ede |
"D" f2 A AFA |"G" BdB "D" A2 f |\
"G" gbg "D" faf |"A7" edc "D" d2 :|
e/f/ |"G" g2 B Bdg |"D" f2 A Adf |\
"A" efe cde |"A7" gfe "D7" def |
"G" g2 B Bdg |"D" f2 A Adf |\
"G" gbg "D" faf |"A7" e"_DC after rpt"dc "D7"d2 :|

%%%
X:351
%%
T:ROSE the BAKER (reel) 
C:RM 4/3/24
N:MR notes: Dedicated to Rose Briody, kitchen magician!
L:1/8
Q:1/4=200
M:4/4
%R:reel
K:G
Bd |"G" g2 dg "D" f2 df |"C" e2 ce "G" dBAG |\
"Am" EAAB cBAG |"D7" FGAB cdef |
"G" g2 dg "D" f2 df |"C" e2ce "G" dBAG |\
"C" EFGE "G" DEGB |"D7" AGAB "G" G2:|
%
FG |"D7" A2 DF AcBA |"G" B2 DG BdcB |\
"A7" AB^cd egfe |"D7" faea defd |
"G" g2 dg "D" f2 df |"C" e2 ce "G" dBAG |\
"C" EFGE "G" DEGB |"D7" AGAB "G" G2 :|

%%%
X:352
%%
T:ROUND THE HOUSE (polka)
C:RM 1/26/08
N:MR notes: Dedicated to the late Joe O'Donovan and his wife Siobhan,    
N:marvelous instructors at the Fleadh Cheoil and the Willie Clancy
N:Festival.
L:1/16
Q:1/4=110
M:2/4
%R:polka
K:G
%%text A-B-A
BA|"G"G2D2 B2AG |"Am" A2E2 c2AG |"D7" FGAG FDEF |"G" GABc "D7" d2BA |
"G" G2D2 B2AG |"C" cdef g2fe |"D7" d2fe dcBA |"G" G2B2 G2 :|
[K:C]
G2|"C"c2ed c2E2 |"Dm" A6 de |"G" fedc BGAB |"C" cdef "G7" g2ed |
"C" cBcd e2c2 |"Dm" A2F2 d2de |"G7" fedc BGAB |"C" cdcB "_DC"c2 :|

%%%
X:353
%%
T:SABER SHAKE (reel), The
C:RM 5/22/08
N:MR notes: Dedicated to young David McGraw, budding swordsman.
L:1/8
Q:1/4=200
M:4/4
%R:reel
K:G
A|"G" B2 D2 E2 D2 |"G" B2 DE FE D2 |\
"Am" c2 E2 A2 AB |"Am" cBAG "D7" FGAc |
"G" B2 D2 EFED |"G" B2 GF GABd |\
"Am" e2 cA "G" d2 BG |"D7" BAGF "G" G3:|
F|"Em" EFGA B2 B2 |"Am" cBAc "Em" B4 |\
"Am" cBAc "Em" BAGB |"B7" AGFG "Em" E2 GF |
"Em" EFGA B2 BA |"G" GABc d4 |\
"Am" e2 cA "G" d2 BG |"D7" BAGF "G" G3:|

%%%

X:12245
T:RABBIT RUN (jig) 
S:S: BBMG  
C:© BB 2006
L:1/8
N:N: For Zig and Zag, our semi-official condo village bunnies
M:6/8
%R:jig
Q:1/4=160
K:Am
E|"Am"AcA "G"BAG|"Am"AcA cde|"F"AcA "G"BGF|"Em"EGB "Am"A3|
"Am"AcA "G"BAG|"F"AcA "G"Bcd|"Am"ecA "C"G2F|"Em"EGB "Am"A2 :|
K:Amodal
B|"A"cee aee|"G"gab ged|"A"cee "D"aef|"G"gfg Bcd|
"A"cee aee|"G"gfe dcB|"A"Ace "G"dBG|"Em"EGB "A"A2 :|

%%%
X:332075 
T:RACCOON IN THE CHIMNEY*, The    
Z:Z: ABC/arr. BB
S:S: Levey2.93 (unnamed)
N:N: m14 is /bbb aaa / in source
Q:1/4=160
L:1/8
M:6/8
%R:jig 
K:G
A|BAA AGA|BGG G2B|BAA ABd|efe edB|
BAA AGA|BGG G2D|EGG G2B|d2e ed :|
B|def g3|faf g3|def g3|faf g2g|
bab aga|gee edB|BAA ABd|1 efe ed:|
[2 efe edB|HG6||

%%%
X:41288
T:RAFFERTY'S MUSTACHE (reel)
S:S: MVBT 
Z:Z: ABC/arr. BB
N:N: This is Willie Kelly's name for this tune. It undoubtedly has other 
N:titles but this one is pretty good! (If I recall, Mike's mustache didn't last 
N:long - probably started to interfere with his embouchure at some point.)
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:Dmix
E|FEFA G2AG|FDFA d2af|g3e fd d2|ABcA EFGE|
FEFA G2 AG|FDFA d2 af|g3 e fd d2|cAGE EDD :|
A|defd g2 ag|fdfa g2 ag|fdAF G2 FG|ABcA dcAc|
defd g2 ag|fdfa g2 ag|fd d2 ABcA|EFGE FDD :|

%%%
X:12246
T:RAFFERTYS' PARTY (reel), The
S:S: BBMG
C:© BB 
N:N: Legendary New Year's Eves in Hasbrouck Heights courtesy of Mike, Terry, 
N:and the kids. God be with the days, as the saying goes.
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:G
A|"G"BAGA BAGA|"Em"(3Bcd eg edBA|"G"BAGA "C"egfe|"Bm7"dBAF "Em"E3 A|
"G"BAGA BAGA|"Em"(3Bcd ef "C"g3 a|"G"bg~g2 "Bm7"afdB|"D7"cAFA "G"G3 :|
z|"Am"eAfA "G"g2ab|"C"gedc "G"BG~G2|"D"ADBD "C"c2 de|"D7"cAFA "G"G3 B|
"Am"eAfA "G"g2ab|"C"gedc "G"BG~G2|"Am"EAcA "D"FAdA|"D7"cAFA "G"G3 :|

%%%
X:15341
T:RAGG, The
Z:Z: ABC/arr. BB
N:N: Source key signature is G, which seems incorrect (unless this is intended 
N:as a Dmix tune?) Really hard to tell what the intentions are with tunes from 
N:early 19th century collections.
%R:jig
L:1/8
Q:1/4=140
M:6/8
K:D
a|f2A-AcA|B/c/dB G2g|f2A AcA|d3 g2a|
f2A-AcA|B/c/dB G2g|fga gfe|d3 g2 :|
z|fga afd|efg gec|fga afd|f3 a3|
fga afd|efg gec|f/g/af ecA|d3 g2 :|

%%%
X:41289 
T:RAHEEN REEL #1, The 
S:S: MVBT
Z:Z: ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:Ador
AB|cABG A3B|cABG AGED|G3 A BABc |dBGB d3 B|
cABG A3 B|cABG AGED|Aeef gage|dBGB A2 :|
AB|eaab a2 ag|edef gddd|edef g2 gf|edef gedf|
eaab a2 ag|edef gddd|edef gage|dBGB A2 :|

%%%
X:41297
T:RAHEEN REEL #2, The
T:The Road to Cullenstown
S:S: MVBT
Z:Z: ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:G
Bc|d2 de dBGA|B2 BG AGEG|Bdde dBGA|BAAG A3 c|
Bd d2 e2 dB|d2 dB AGED|B3 G AGEG|1DGGF GA :|2 DGGF G3||
A|Bd d2 ce e2|d2 de dBGA|Bd d2 ed d2|gedB A3c|
BGBd e2 dB|d2 dB AGED|B3 G AGEG|DGGF G3 :|

%%%
X:41290 
T:RAHEEN REEL #3, The 
S:S: MVBT
Z:Z: ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:D
FE|D2 DF EDB,A,|D2 DE FA A2|Beef e2 de|f2 ed BAFE|
D2EF EDB,A,|D3E FA A2|Beef e2 dB|AFEF D2 :|
EF|ABde f2 fa|afdf edBA|ABde fedf|af df e2 dB|
ABde f2 fa|afdf edBA|dcdB AddB|AFEF D2 :|

%%%
X:184129 
T:RAILROAD (reel), The 
S:S: CRE.4 < Grier MS
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G 
%%text  A-B-A; source key A
%%vskip .3in
F|G2BG E2DF|G2BG AcBA|G2BG E2D2|dBAc BGAF|
G2BG E2DF|G2BG AcBA|G2BG E2D2|dBAc BGG :|
c|dGBG dGGB|dGBd efge|dGBG dGGB|cABG AGE2|
dG BG dGGB|dGBd e2ef|gefd ecdB|cABG "_DC"A3 :|

%%%
X:31190
T:RAIN A SUP (slide) 
Z:Z: ABC/arr. BB
S:S: JOL.047
Q:1/4=180
L:1/8
M:12/8
%R:slide
K:G
c|d2B BAB c2B A2B|c2c cBc e2d B2c |
d2B BAB c2B A2B|ceB d2B G3 G2 :|
B/d/|g3-gfg aag fed|e3 ede faa def|
g3 gfg a2g fed|efg a2g fef g2 :|

%%%
X:331076 
T:RAIN TOMORROW* (jig)   
Z:Z: ABC/arr. BB
S:S: Levey1.109 (unnamed)
Q:1/4=160
L:1/8
%R:jig
M:6/8
K:D
ABA A2G|F2E D3|ABA AFA|B3 d3|
dcB ABG|AGE D3|def ecA|B3 d3 :|
d2e fgf|e2d c2A|d2e fgf|e3 A3|
d2e fgf|e2d cBc|dcB AGF|B3 d3 :|

%%%
X:56050
T:RAINBOW'S END (reel), The 
C:V. Broderick
S:S: Turoe.28a
Z:Z: ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:G
GE|: D2DE G2GE|D2DE GAB2|dBBA GABG|A2BA AGEG|
D2DE G2GE|D2DE GABG|B2BA G2GA|BAGE EDD2:|
Bdd^c d2GA|BAAG EGG2|EAAG EFGA|BGAG EGD2|
Bdd^c d2GA|BAAG EFGD|B2BA G2GA|BAGE EDD2:|
"^coda" BAGE EDEF|HG4z4|]

%%%
X:66088
%irish_rolls_on
T:RAINMAKER (reel), The
D:D: "The Open Door" [Sean Nua 1993]
Z:Z: ABC/arr.BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:E dorian
A|BEBE FDDB|AFAd BGBd|AFGE D2eg|fBBA Bcde|
BEBE FDDB|AFAd BGBd|AFGE D2eg|fBBA B3:|
B|Adfd ecAd|f2ad fa~a2|g2bg fadf|gefd e3f|
gefd ecAF|GFEF GABc|dAFA GEB,E|FDEF D3:|

%%%
X:495300 
T:RAINY DAY (reel), The   
S:S: ONMI.1196 < McFadden
Z:Z: Brennan/Black
Q:1/4=180
%R:reel 
M:C|
L:1/8
K:A dorian
EAAG A2Ac|BcdB cBAc|BGGA G2GA|Bdef gdBG|
EAAB AGAB|cBAB cdef|gbaf gedB|GBdB cAA2 :|
eaag agag|edef gabg|eggf g2ga|bgaf gedf|
eaag agag|edef gaba|gedB GBaf|gedB cAA2 :|   

%%%
X:185050 
T:RAINY DAY JIG, The
S:S: CRE.5
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%R:jig
K:G
E|DGB DGB|dcB c2e|dBG FGA|BAG ABe|
d2B GAB|dcB c2e|dBG F2G|AGF G2:|
D|GBd g3|dcB c2e|dBG FGA|BAG AFD|
GBd g3|dcB c2e|dBG F2G|AGF G2:|

%%%
X:17049
T:RAINY NIGHT UNDER THE BRIDGE (polka)
S:S: CTWT < T.Teahan
Z:Z: ABC/arr.BB
%R:polka
Q:1/4=120
L:1/8
M:2/4
K:D
B2- BA|FB AF|B2- BA|Be ed|
B2- BA|BF AF|(3Bcd AF|FE E2:|
fe ed/e/|fd d>e|fe ed/e/|fb ba|
fg/f/ ef|df ed|Bd ef|g2 f2:|\
"^coda"dc BA|HB4|]

%%%
X:41291 
T:RAISE THE RAFTERS (reel)
C:P.J. King
S:S: MVBT
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G
A|Bdd^c dBGA|Bdd^c d3g|dBBA BAGA|BAAG A2 BA|
G3B AGBA|GABG ABce|dfaf gedc|BdAB G3 :|
f|g3a gedc|Bdd^c d2 BA|GABG ABcA|Bdd^c d2 ef|
gdBG ecAG|FDAD Bdef|g2 fa gedc|Bd AF G3 :|

%%%
X:48149
T:RAKE'S MARCH (jig), The 
S:S: OFPC1.43 ("Irish")
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:G
c|BGG DGG|BAB G2c|BGG DGG|ABG F2c|
BGG DGG|BAB G2c|BdB cAG|FDD D2:|
d|gdB BAG|GBB B2d|gdB BAG|FAA A2d|
gdB BAG|GBG c2A|BdB cAG|FDD D2:|
"^coda" DEF HG3|]

%%%
X:332076 
T:RAKES AND HOES* (slip jig) 
Z:Z: ABC/arr. BB
S:S: Levey2.45 (unnamed)
N:N: Source doesn't show the F in measure 2 as natural - all others in tune are.
Q:1/4=160
L:1/8
M:9/8
%R:slip jig
K:G
%%text "very quick"
%%vskip .3in
A|Bdg Bdg dBG|Bdg Bdg =f2A|Bdg Bdg dBG|
ABA cAg =f2 :|A|BAB cBc dBG|BAB cAc =f2A|
BGB cAc dBG|cBA =fed e2:|"^coda"cBA =fcA HG3|]

%%%
X:48232 
T:RAKES OF CASHEL, The
S:S: OFPC2.67 (with spelling "Cashell")
Z:Z: ABC/arr. BB
N:N: The only part of this tune that's standard length is the first - all other 
N:parts are 9 measures. 
Q:1/4=160
M:6/8
%R:jig
L:1/8
K:Em 
%%text  source key = Gm
%%vskip .3in
D|E2e eBe|eBe dBA|G2e ege|dBB AFD|
E2e eBe|eBe dBA|G2g fge|dBB AF :|
%
D|G3 A3|B2e efg|G3 A3|B^cB AFD|
G3 A3|B2e edc|dBB cAA|BGG AFF|dcB AF :|
%
A|G2E EB,E|E2e eBA|G2E EB,E|EGB AFD|
G2E EB,E|EGB efc|dBB cAA|BGG AFF|dBd AF :|
%
D|E2e ege|ege dBA|G2e ege|dBB AFD|
E2e ege|ege e2c|dBB cAA|BGG AFF|dBd AF :|
%
E|GB,B, AB,B,|BB,B, efg|GB,B, AB,B,|BcB AFD|
GB,B, AB,B,|BB,B, efc|dBB cAA|
BGG AFF|dcB AF :|"^coda" dcB AFG|HE6|]

%%%
X:493327 
T:RAKES OF CLONMEL (3), The 
S:S: ONMI.0902 < F.O'Neill
%R:jig
Q:1/4=160
Z:Z: Brennan/Black
M:6/8
L:1/8
K:Ador
B|cBA GED|EAA A2B|cBA edc|BGG Gef|
gfg efg|dBG Bcd|ecA GED|EAA A2 :|
%
g|aea aed|cAA Aef|gea gdc|BGG G2f|
[1 gea gfe|dBG Bcd|ecA GED|EAA A2 :|
[2 cBc d^cd|edc Bcd|ecA GED|EAA A2 ||
%
|:B|Aaa aga|bge e2f|gfg bge|dBG G2B|
cBc d^cd|e=fe Bcd|ecA GED|EAA A2 :|

%%%
X:331077 
T:RAKES OF CLONMEL (jig) (1), The    
Z:Z: ABC/arr. BB
S:S: Levey1.30
N:N: Parts 2 and 3 aren't repeated in source.
Q:1/4=160
L:1/8
%R:jig
M:6/8
K:A dorian
%%text "moderately quick and well marked"
%%vskip .3in
e/d/|cBA BGE|EAA A2B|cBc ABc|BGG G2 e/f/|
gfg ege|dBG Bcd|ecA dBG|EAA A2 :|
%
a|aga A2a|ecA A2g|gfg G2g|dBG G2 A/B/|
cBc C2c|dcd D2d|edc Bcd|ecA A2 ||
%
a|aea aed|cBc A2g|gdg gdc|BAB G2 A/B/|
cBc C2c|dcd D2d|edc Bcd|ecA A3 |]

%%%
%%%
X:48150
T:RAKES OF CLONMEL (jig) (2), The  
S:S: OFPC1.35 ("Irish")
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:Ador
E|ABA GFG|EAA A2B|cBc Adc|BGG G2f|
gfe dBG|GAG Bcd|efe Ace|dBG A2 :|
%
e|a2g aga|ecB A2f|gag gfe|dBA GAB|
c2c E2E|d2d E2E|efe Ace|dBG A2 :|
%
d|ecc A2c|ecc A2c|dBB GBB|dBB GAB|
c2c E2E|d2d E2E|efe Ace|dBG A2 :|

%%%
X:46081 
T:RAKES OF CLONMEL (jig) (4), The  
S:S: OFHC12.04
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
%R:jig
M:6/8
K:D
F|BcB AGA|FBB B2c|dcd Bed|cAA A2g|
agf ecA|ABA cde|fgf Bdf|ecA B2 :|
%
f|b2b bab|fdB B2g|aba agf|ecA ABc|
d2d F2F|e2e F2F|fgf Bdf|ecA B2 :|
%
d/e/|fdd B2d|fdd B2c/d/|ecc Acc|ecc ABc|
d2d F2F|e2e F2F|fgf Bdf|ecA B2 :|

%%%
X:41292
%%historyfont 15
T:RAKES OF DRUMLISH (reel), The 
S:S: MVBT
S:S: Tony DeMarco
C:? Paddy Reynolds
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:G
A|B2 AB GEDB,|DB,DG EA A2|B2 AB GEDA|cAdc BGGA|
B2 AB GEDB,|DB,DG EA A2|BGAF GFED|cAdc BG G :|
A|Bd d2 ed d2|BddB cAAc|Bd d2 edge|dcAc BGGA|
B2 gB aBgB|BddB cAAc|Bdgb afge|dcAc BG G :|
N:N: NY fiddler Tony De Marco got this from fiddler Paddy Reynolds, who claimed 
N:to have composed it. There are other unrelated tunes with this name, including a 
N:slip jig (next entry). Drumlish is in Longford, not far from Paddy's home town. 

%%%
X:184047 
T:RAKES OF DRUMLISH (slip jig), The 
S:S: CRE.4 < Grier MS
Z:Z: ABC/arr. BB
L:1/8
M:9/8
Q:1/4=160
%R:slip jig
K:Am
A|BAG EGG EGG|BAG EGG c2A|
BAG EGG EGG|AGE GAB c2:|
A|BAB dBG dBG|BAB dBG c2A|
[1 BAB dBG dBG|AGE GAB c2 :|
[2 GBd g^fe dBG|AGE GAB c2G|A6z3|]

%%%
X:29089
T:RAKES OF IRISHMEN (jig) (a), The  
S:S: CGI.179
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D 
%%text "allegro"
%%vskip .3in
F/E/|D>ED D2d|AFA AFA|BdB AFA|EFE EFE|
D>ED D2d|AFA AFA|BdB AFA|EFE D2 :|
f/g/|a3 b3|a>ba afd|gag faf|ede fdB|
a3 f3|ede fdB|AFA dAF|DED D2 :|

%%%
X:331078 
T:RAKES OF IRISHMEN (jig) (b), The
Z:Z: ABC/arr. BB
S:S: Levey1.78 (with misprint "Frishmen")
Q:1/4=160
L:1/8
%R:jig
M:6/8
K:G
%%text "very quick"
%%vskip .3in
A|GAF G2g|dBd dBd|ege dBd|ABA ABA|
GAF G2g|dBd dBd|ege dBd|GAF G2 :|
c|d3 e3|ded dBG|cdc BdB|AGA BGE|
d3 B3|AGA Bge|dBd gdB|GAF G2 :|

%%%
X:11025
T:RAKES OF KILDARE (jig) (a1), The  
S:S: AIF 
Z:Z: Brennan/Black (arr.)
M:6/8
Q:1/4=160
L:1/8
K:A dorian
A|EAA AGA|Bcd e2f|gfg ege|dBG G2A|
EAA AGA|Bcde2f|gfg edB|A3A2:|
a|aea aea|aea b2a|gfg ege|
[1 dBG G2a|aea aea|aea b2a|gfe dBG|A3A2:|
[2 dBG G2A|EAA AGA|Bcd e2f|gfg edB|A3HA3|]

%%%
X:331079 
T:RAKES OF KILDARE (jig) (a2), The    
Z:Z: ABC/arr. BB
S:S: Levey1.1 
N:N: Source repeats mm 9 - 24
Q:1/4=160
L:1/8
%R:jig
M:6/8
K:A dorian
%%text "moderately quick and well marked: double"
%%vskip .3in
D|EAA AGA|Bcd e2f|gfg ege|dBA G2E|
EAA AGA|Bcd e2f|gfe dBG|A3 A2 :|
e|"^9"aea aea|aea b2a|gfg ege|dBA G2a|
aea aea|aea b2a|gfe dBG|A3 A2a|
aea aea|aea b2a|gfg ege|dBg G2E|
EAA AGA|Bcd e2f|gfe dBG|"^24"A3 A3|]

%%%
X:493328 
T:RAKES OF KILDARE (jig) (b), The 
S:S: ONMI.0847
Z:Z: Brennan/Black
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:Gmix
D|D2G GFG|ABc d2e|fef ded|cAG F3|
DGG GFG|ABc d2e|fed cA^F|G3 G2 :|
d|gfg def|gfg a2g|fef ded|cAG F2d|
gfg def|gfg a2g|fed cA^F|G3 G2 :|

%%%
X:332077 
T:RAKES OF KILKENNY (slip jig) (a), The   
Z:Z: ABC/arr. BB
S:S: Levey2.43 
N:N: Levey has the last C in measure 4 as sharp, which is most likely a 'scribal 
N:error'.
Q:1/4=170
L:1/8
M:9/8
%R:slip jig
K:D
%%text "very quick"
%%vskip .3in
DED DBG FAF|DED DBG Acd|DED DBG FAF|
GEG =cGc GE=C :|dcd DdB AGF|dcd dfa gfe|
fdf edc dcB|AGF =cAc GFE :|"^coda"D6z3||

%%%
X:48455 
T:RAKES OF KILKENNY (slip jig) (b), The 
S:S: OFPC4.137 ("Irish")
Z:Z: ABC/arr. BB
Q:1/4=160
M:9/8
L:1/8
%R:jig
K:Amix
ABA dfd cec|AGA dfd fga|ABA dfd cec|
BGG gfe dBG :|aga faf g2e|aga faf ecA|
aga faf g2d|BGG gfe dBG :|"^coda"A6z3|]

%%%
X:331080 
T:RAKES OF MALLOW (march) (1), The 
Z:Z: ABC/arr. BB
S:S: Levey1.64
Q:1/4=120
L:1/8
%R:march 
M:C
K:G
G2B2 G2B2|G2B2 cBAG|F2A2 F2A2|F2A2 dcBA|
G2B2 G2B2|G2B2 edcB|cBAG FGAB|G4 G4 :|
g2fe d2c2|B2c2 d4|g2fe d2c2|B2d2 A4|
g2fe d2c2|B2G2 c4|cBAG FGAB|G4 G4 :|

%%%
X:49433 
T:RAKES OF MALLOW (march), The 
S:S: ONMI.1814 < J.O'Neill
%R:march
Q:1/4=120
Z:Z: Brennan/Black
M:2/4
L:1/16
K:G
G2B2 G2B2|G2B2 cBAG|F2A2 F2A2|F2A2 dcBA|
G2B2 G2B2|G2B2 d2B2|cBAG FGAc|B2G2 G2 z2|
GBBB GBBB|GBBB cBAG|FAAA FAAA|FAAA dcBA|
GBBB GBBB|GBBB d2B2|cBAG FGAc|B2G2 G2 z2||
%
g2fe d2c2|B2c2 d2B2|g2fe d2c2|B2e2 A2 z2|
g2fe d2c2|B2c2 d2B2|cBAG FGAc|B2G2 G2 z2|
g2fe dedc|BABc dcBc|g2fe dedc|BABe A2Bd|
g2fe dedc|BABc dcBd|cBAG FGAc|B2G2 G2 z2|]

%%%
X:21168 
T:RAKES OF SOLLOHOD (slip jig), The 
S:S: DMI.0454
Z:Z: Nordberg/Black
%R:slip jig
Q:1/4=150
M:9/8
L:1/8
K:G
d2c A2G F2D|D2G G2A B2c|d2c A2G F2D|
G2B A2F G2B|d2c A2G F2D|D2G G2A B2c|
d2c A2G F2D|G2B A2F G2A|]G2B d2B c2A|
G2B d2c B3|G2B d2B c2A|G2F G2A B3|
G2B d2B c2A|G2B d2c B3|def g2e d2B|
A2G A2B c3|]"^coda"A2G A2B HG3|]

%%%
X:185165 
T:RAKES of TERRYGOLDEN (reel), The 
S:S: CRE.5 
Z:Z: ABC/arr. BB
M:4/4
Q:1/4=180
%R:reel
K:G
A|BGdG BGAc|BGdG Bdgd|BGdG BGAc|BGdB c2dc|
BGdG BGAc|BGdG Bdgd|BGdG BGAc|BGdB c3:|
F|Ggde fdcA|Ggde fgag|fefd cBAF|Ggfa g2de|
fddA fddA|Ggde fgag|fefd cBAF|Ggfa gdA :|
"^coda"Ggfa gdef|g4z4|]

%%%
X:21169 
T:RAKES OF WESTMEATH (slip jig) (1), The 
S:S: DMI.0416
Z:Z: Nordberg/Black
N:N: I think this might be better as a Dmix
%R:slip jig
Q:1/4=150
M:9/8
L:1/8
K:D % or Dmix
d3 dAG FED|d2d dAF G2E|ABc dAG FGA|
cBc E2F G2E:|d2g fdf ece|d2g fdf g2e|
d2g fdf ece|cBc E2F G2E|d2g fdf ece|
d2g fdf g2e|afd gec d2B|cBc E2F G3|]

%%%
X:331081 
T:RAKES OF WESTMEATH (slip jig) (2), The    
Z:Z: ABC/arr. BB
S:S: Levey1.40
Q:1/4=170
L:1/8
%R:slip jig
M:9/8
K:Dmix
%%text "very quick"
%%vskip .3in
E|d3 dAG FED|d3 dAF G2E|ABc dAG FED|
cBc E2F G2 :|e|d2g fdf ecA|d2g fdf g2e|
d2g fdf ecA|cBc E2F G2:|"^coda"cBc E2F GFE|D6z3|]

%%%
X:39066 
T:RAKES OF WESTMEATH (slip jig) (3), The 
S:S: NCIUP.19c
Z:Z: ABC/arr. BB
Q:1/4=160
M:9/8
%R:slip jig
K:D
G|A2d FDF EGE|A2d FDF G2E|dAG FDF EGE|
=c2E EFE G2:|E|d2d fed ecA|d2d fed g2e|
d2d fed ecA|=cGE EFE G2:|E|ABc dAG FDF|
ABc dAF G2E|ABc dAG FDF|1 =c2E EFE G2:|
[2 =c2E EFE HD3|]

%%%
X:48456
T:RAKES OF WESTMEATH (slip jig) (4), The
S:S: OFPC4.139 ("Irish")
Z:Z: ABC/arr. BB
M:9/8
N:N: Source notation is a little confusing, so I have made this a three-part 
N:"standard" slip jig.
Q:1/4=150
%R:jig
L:1/8
K:D
E|A2d FDF EGE|A2d FDF G2E|A2d FDF EGE|
=c3 EFE G2 :|e|d2d fed ecA|d2d fed g2e| 
d2d fed ecA|=c3 EFE G2 :|E|ABc dAG FDF|
ABc dAF G2E|ABc dAG FDF|=c3 EFE G2 :|
"^coda"=c3 EFE GFE|D6z3|]

%%%
X:16372
%%historyfont 15
T:RAKES OF WESTMEATH (slip jig), The  
S:S: CIAJ
Z:Z: ABC/arr. BB
N:N: 1: Source measures 9-16 omitted (variations)
N:N: 2: /g/ suggested alternate for /c'/ in m.12
N:N: 3: I don't like the sound of either D major or Dmix here - neither one sounds 
N:right!
L:1/8
M:9/8
%R:slip jig
Q:1/4=160
K:Dmix
%%text "vivace"
%%vskip .3in
E|ABc dAG FED|ABc dAF G2E|ABc dAG FGA|
cBc cEF G2 :|E|d2g faf ege|d2g faf g2e|
d2g faf ege|cBc cEF G2:|e|fda fda ege|
fdd fdd bge|fda fda ege|1 a[c'g]a gec g2 :|
[2 a[c'g]a gec Hd3|]

%%%
X:491488 
T:RAKING RED HAIRED PAT  
S:S: ONMI.015 < J.Ryan
Z:Z: Brennan/Black (arr.)
M:2/4
L:1/8
K:Gm
%%text "tenderly"
%%vskip .3in
d/c/|B>B AG|A<d c>A|G>G A<B|c>A FG/A/|
B>B AG|A<d (3cAG|A>A G>G|G3:|
D|G>A B<c|d>=e f<d|g>f e<c|d>B G>D|
G>A B<c|d>=e f<d|g>f e<c|d2 (3d=e^f|
g>f =e>g|f>e d<c|B>G A>B|c>A FG/A/|
B>B AG|A<d (3cAG|A>A G>G|G4|]

%%%
X:44154 
T:RAKISH PADDY (reel) (1) 
S:S: NFID.072b < J.Doherty
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:C
%R:reel 
K:Dmix
%%vskip .3in
ed|:cded c2Bd|AdGd ADDd|d2d^c d3e|fdeg fded|
[1 c2Bd c2B2|A2Gd ADD2|DEFG Adde|cAGd ADDB:|
[2 c2Bd cGBd|cAGF ECB,C|DFEG FAdB|cA GE D3g||
|:efgb afg2|gagf eBce|d2ad bdad|abag fddf|
efgb afg2|gagf eBce|defg abag|1 fage dcdf:|
[2 faec dfed-|Hd4z4||

%%%
X:22127
T:RAKISH PADDY (reel) (2)
S:S: DMWC.63 
Z:Z: ABC/arr. BB
N:N: Repeats added
M:C
L:1/8
Q:1/4=180
%R:reel
K:Dmix
AB|c3B c2AB|cAAG EGG2|Addc dfeg|dcAG FGAB|
[1 c3d cAAB|cAAG EGGE|DEFG ABcA|dcAG FD :|
[2 cAdB c2AB|cAAG EGG2|DEFG ABcA|GEcE EDD||
|:d|egg2 agg2|egg2 edBd|eaa2 baa2|eaa2 edBd|
[1 efg2 agg2|effe defg|afge fdcA|GEE2 ADD :|
[2 egg2 agg2|efge defg|afge fdcA|GEE2 ADHD2|]

%%%
X:495301
T:RAKISH PADDY (reel) (3)  
S:S: ONMI.1532 < Delaney
Z:Z: Brennan/Black
N:N: No C naturals in source. Repeats added.
%R:reel
Q:1/4=180
M:C|
L:1/8
K:Dmix
cBcd cBAB|cAGF EFGc|Addc defe|dcAG FGAB|
cedB cBAB|cAGF EDCE|DEFG ABce|dcAG FDD2:|
egg2 agfg|efgf ecc2|eaa2 bgag|eaag egdg|
egg2 agfg|efge defg|afge fdec|dcAG FDD2:|

%%%
X:531087
T:RAKISH PADDY (reel) (4)
S:S: RC1.133
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel 
K:Dmix
AB|c2Bc cBAB|cBAG FDD2|d2ed defd|cdAG FGAB|
c2Bc cBAB|cBAG FDD2|DEFG ABcd|dcAG FD :|
Ad|efgf efgf|efgf edcd|eaag eaag|eaag edcd|
efgf afgf|efge defg|afge fded|cdAG FG :|
"^coda"cdAG FGAc|Hd4z4|]

%%%
X:59114
T:RAKISH PADDY (reel) (5)
S:S: JOB
A:ABC BB, arr. JOB
Z:Z: Another O'Brien "florid" arrangement of a "chestnut"!
Q:1/4=180
M:C
%R:reel
K:Dmix
AB|c2cB c2AB|cBAG EGG2|Add^c d3c|dBAG FDAB|
cedB c2AB|cBAG EGG2|DEFG ABc^c|dBAG FD :|
cd|egg2 aggf|eggf ecc2|eaa2 baaf|eaaf gfed|
egg2 aggf|egge defg|afge fde^c|dBAG FD :|
AB|c2gc ecgc|ecgc ecc2|d2ad fdad|fdad fdd2|
c2gc ecgc|ecgc defg|afge fde^c|dBAG FD :|
cd|egg2 ecc2|ecgc ecc2|faa2 fdd2|fdad fdd2|
egg2 ecc2|ecgc defg|afge fde^c|dBAG FD :|
"^coda"dBAG FDAB|Hd4z4|]

%%%
X:181145
T:RAKISH PADDY (reel) (6)  
T:Willie Clancy setting
S:S: CRE.1
Z:Z: ABC/arr. BB
N:N: A "piper's showpiece" setting1
M:C
L:1/8
Q:1/4=180
%R:reel
K:Dmix
c3B c2AB|cABG EGG2|Addc d2 ge|dcAG FDD2|
dAAB c3e|dAAG FDD2|D2D2 ABcA|dcAG FDD2||
cAAB cAAB|cAGE EDD2|Adef dcAd|dcAG EGAB|
c3B cBAB|cABG EGG2|D2D2 ABcA|dcAG FDD2||
egg2 agg2|egg2 edcd|eaa2 baa2|eaa2 edBd|
egg2 afge|fdec defg|af ge fdec|dcAG FDD2|
egg2 agg2|egg2 edBd|eaa2 b2ag|eaa2 edBd|
egg2 eaa2|gedc defg|a2 ge fdec|dcAG FDD2|]

%%%
X:183031 
%%historyfont 15
T:RAMBLER (jig) (1), The  
T:Father Hanley's
S:S: CRE.3
Z:Z: ABC/arr. BB
N:N: /E/ in mm 1 and 5 is an alternate note if /B,/ is too low for your instrument.
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G 
%%text  source key = A
%%vskip .3in
E|D[B,E]D D2G|EDC D2d|edB GAB|AGG EGE|
D[B,E]D D2G|EDC D2d|edB GAB|AGF G2:|
e|dBA GBd|ged ege|dBG dcB|A2B ABc|
dBA GBd|ged ege|dBG A3|BGF G2:|

%%%
X:252076
T:RAMBLER (jig) (2), The   
T:Father Hanley's
Z:Z: ABC/arr. BB
S:S: FS2.09b
N:N: F can be substituted for C in mm 1,2,5, & 6.
M:6/8
L:1/8
Q:1/4=160
%R:Jig
K:A
E[FC]E E2A|FE[FC] E2e|fec ABc|B2B BAF|
E[FC]E E2A|FE[FC] E2e|fec ABc|BAA A3 :|
ecB Ace|a2a faf|e2e fec|BcB Bcd|
e2e Ace|a2a faf|e2e fec|BAA A3 :|

%%%
X:493329
T:RAMBLER FROM CLARE (jig), The 
S:S: ONMI.1009
Z:Z: Brennan/Black
N:N: |cef| replaces |c-c/d/e/^f/| in mm. 9 and 13.
N:N: Close relative of "Bryan O Lynn"
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:Ador
B|cAB GAE|DEG GAB|cBA GED|EAA A2B|
cAB GAE|DEG GAB|cde =fed|cAA A2 :|
B|cef gef|gea ged|ef^g aba|gef ged|
cef ge^g|aba ged|cde =fed|cAA A2 :|

%%%
X:581149
T:RAMBLER FROM ROSS (jig), The
S:S: WSGM.076 < F.O'Neill (as march)
Z:Z: Kinder/Black (arr.)
M:6/8
L:1/8
Q:1/4=160
K:G
G|DEG B2G|AGA B2G|DEG B2G|AGF E2G|
DEG B2G|AGA B2G|DEG GBA|GFE D2 :|
G|BAB dBG|AGE AGE|BAB dBG|AGF E2 D|
BAB dBG|AGE GED|DEG GBA|GFE D2:|
"^coda"DEF HG3|

%%%
X:21170 
T:RAMBLER IN CORK (reel), The
S:S: DMI.0777
Z:Z: Nordberg/Black
%R:reel 
Q:1/4=180
M:C
L:1/8
K:E dorian
%%text A-B-A
%%vskip .3in
G2BG FGAc|B2BA BEEF|G2BG FABc|dBAG FDEF|
G2BG FGAc|B2BA BEEF|G2BG FABc|dBAc BEE2||
g2fg edBA|G2GA Bdef|g2fg edBc|dBAG FDDf|
g2fg edBA|G2GA Bdef|gfed efge|dBAG FD"_DC"EF||

%%%
X:495302
T:RAMBLER'S REST (reel), The  
S:S: ONMI.1415 < Early
Z:Z: Brennan/Black
N:N: Version of "Tie the Bonnet". 2nd part ending seems to indicate that this 
N:is an A-B-A tune, but the source doesn't say that.
Q:1/4=180
%R:reel
M:C|
L:1/8
K:Amix
B|A2Ag fdec|A2Ac BGGB|A2Ag fdef|gfgd BGG:|
f|eaaf gfed|cAeA cdef|eaaf gfef|gfgd BGGf|
eaaf gfed|cAeA cdef|afge fdef|gfge BGG2 |]
"^coda" A4z4|]

%%%
X:331082 
T:RAMBLES IN SLIGO* (hornpipe)  
Z:Z: ABC/arr. BB
S:S: Levey1.102 (unnamed) 
N:N: A shortened version of "Over the Moor to Maggie"
Q:1/4=150
L:1/8
%R:hornpipe 
M:C|
K:G
%swing .25
D2|G3A BABd|gdeB cBAG|EAAB A2GE|EAAB A2GE|
G3A BABd|gfgd edBG|EGGA G2ED|EGGA G2 :|
ga|b2bg a2ag|gfgd edBG|eaab a2gd|eaab a2ga|
b2bg a2af|gfgf edBG|EGGA G2ED|EGGA G2 :|

%%%
X:184173 
T:RAMBLING CONNACHTMAN* (reel), The 
S:S: CRE < Sheahan MS
Z:Z: ABC/arr. BB
N:N: The title in Gaelic translates to "Connachtman's Rambles" so I gave the 
N:reel a new name to avoid confusion with the well-known (but unrelated) 
N:jig.
N:N: Repeats added
L:1/8
M:4/4
Q:1/4=180
%R:reel
K:G
c|dBGf g2 fg|ecAB c2 ce|dBGf g2 fe|dcBA GABc|
dBGf g2 fg|ecAB c2 ce|dBGf g2 fe|dcBA GBd :|
f|g2 eg f2 df|g2 ef gbaf|g2 eg fdge|dcBA GBdf|
gfeg fedf|edBe dBGB|cBAB cdeg|fdef gde :|
"^coda" fdef Hg4|]

%%%
X:40023
T:RAMBLING IN RIVERSTOWN (jig)
C:© Larry Mallette
S:S: composer
Z:Z: ABC/arr.BB
D:D: "A Stroll in the Park" tr.20b
Q:1/4=160
%R:jig
M:6/8
K:Em
A3 EFG|AGA cBA|BAB EGB|eBe dBd|
c3 edc|gfe dcA|F3 FDF|E3 EFG :|
A2e def|gag fed|eBB cAA|BGE FAc|
B3 edc|gfe dcA|F3 FDF|1E3 EFG :|\
[2 HE6 |]

%%%
X:59221
T:RAMBLING IRISHMAN (waltz), The
S:S: JOB
Z:Z: ABC/arr. BB
N:N: Better known as "Spancil Hill"
L:1/4
M:3/4
K:A dorian
gf|e2A|e^de|d2B|G2A|BdB|A2A|A3-|A2d|
e2a|a2b|a2g|e2f|g2a|gfe|d3-|dBd|
e2a|a2b|a2g|e2f|g2a|gfe|d3|g2f|
e2A|e^de|d2B|G2A|BdB|A2A|A3-|A3|]

%%%
X:491489 
T:RAMBLING LABORER (march), The 
S:S: ONMI.0299 < F.O'Neill
N:N: aka "Girl I Left Behind Me" or "Spailpín Fanach"
Z:Z: Brennan/Black (arr.)
M:2/4
L:1/8
K:G
%%text "moderate"
%%vskip .3in
e|dB c/B/A/G/|AG EE/F/|GG G/A/B/c/|d2 Be|
dB c/B/A/G/|AG EF/G/|FA DE/F/|G2G||
d|Bd ef|gd BG|Bd ef|g2 fg|
ed BG|B/A/G/F/ EF/G/|FA DE/F/|G4|]

%%%
X:331083 
T:RAMBLING PITCHFORK (3), The    
Z:Z: ABC/arr. BB
S:S: Levey1.21
N:N: Nice version of this "chestnut"!
Q:1/4=160
L:1/8
%R:jig
M:6/8
K:Em 
%%text  source key = Dm; "quick"
%%vskip .3in
F|GFG BGG|dGG BGG|A2B cde|gfe dBA|
GFG BGG|dGG BAG|A2B cBA|BGF E2 :|
d|e2f gfe|f^dB Bcd|e2f gfe|bag agf|
e2f gfe|f^dB BAG|A2B cBA|BGF E2 :|

%%%
X:11022
T:RAMBLING PITCHFORK (jig) (1), The  
S:S: AIF
Z:Z: Brennan/Black (arr.)
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:D
E|FEF AFF|dFF AFD|GFG ABc|ded cAG|
FEF AFF|dFF AFD|EDE BGB|AFE D2:|
A|d2e fed|ecA AFA|dcd efg|1 faf gfe|
dcd fdf|ecA AGF|GFG BGB|AFE D2:|
[2 faf gfg|agf gfe|fed ecA|GFG BGB|
AFE HD3|]

%%%
X:251082
T:RAMBLING PITCHFORK (jig) (2), The  
Z:Z: ABC/arr. BB
M:6/8
S:S: FS1.21c
L:1/8
Q:1/4=160
%R:Jig
K:D
E|F3 AFF|dFF AFD|GFG ABc|ded cAG|
FEF AFF|dFF AFD|GFG BAB|AFE D2 :|
A|dcd efd|ecA AFA|dcd efg|faf gfe|
dcd f3|ecA AGF|GFG BAB|AFE D2 :|

%%%
X:49434
T:RAMBLING RAKE (hornpipe - long dance), The 
S:S: ONMI.1785 < Hartnett
%R:hornpipe
Q:1/4=150
Z:Z: Brennan/Black
M:4/4
L:1/8
K:A
%swing .25
E2|AGAB cBcd|efeA d2ge|d2ge d2ge|dcBA G2G2|
AGAB cBcd|efec d2ge|dBGB dedB|c2A2A2:|
%%
d2|efec d2g2|efec d2g2|fgaf dg g2|fgaf d2ga|
bagf efga|bagf efga|baga bagf|edef g2fg|
efec d2g2|efed c2Bc|ABcd gfge|dcBA G2G2|
AGAB cBcd|efec d2ge|dBGB dedB|c2A2A4|]

%%%
X:581150
T:RAMBLING RAKE (reel), The 
S:S: WSGM.288 < Rice-Walsh manuscript
Z:Z: Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:Em
D2|E2EF GFGA|BcBA GBdB|AGFE DFAF|EFGB c2AF|
E2 EF GFGA|BcBA GBdB|AGFE DFAF|E2GF E2 :|
%
d2|efed B2 g2|efed B2 ef|agfe defg|agfe defg|
bagf efga|bagf efga|bggb affa|gefd edBd|
efed B2 g2|efed B2 BA|GBdB AGFE|DFAF dBAF|
E2 EF GFGA|BcBA GBdB|AGFE DFAF|EBAF HE4|]

%%%
X:533090
T:RAMBLING RAKE (set dance), The  
S:S: RC3.188 ("An Racaire Fanach - set dance")
Z:Z: ABC/arr. BB
L:1/8 
N:N: Dotted rhythm in source 
Q:1/4=130
M:4/4
%R:hornpipe
K:Am 
%swing .25
E2|AGAB cBcd|efec d2ge|d2ge d2ge|dcBA G2G2|
AGAB cBcd|efec d2ge|dBGB dedB|c2A2A2:|
%
d2|efec d2g2|efed c2cB|ABcd efec|dcBA G2G2|
AGAB cBcd|efec d2ge|dBGB dedB|c2A2A2:|

%%%
X:37148 
T:RAMBLING SAILOR (reel) (1), The
Z:Z: ABC/arr. BB
S:S: MFC.036b
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D 
%%text  source key = C
%%vskip .3in
c|dBB2 cABc|d2AG FDFA|dcdA BdAF|G2EF GABc|
dBB2 cABc|d2AF GFEF|D2FA DFAF|GABc dAB:|
c|dcde fefg|a2gb agfe|dcde fafd|eged cABc|
dcde fefg|a2gb agfe|dcdA BdAF|G2EF GAB:|
"^coda"G2EF GABc|d8||

%%%
X:495303
T:RAMBLING SAILOR (reel) (2), The  
S:S: ONMI.1502 < J.O'Neill
Z:Z: Brennan/Black
%R:reel
Q:1/4=180
M:C|
L:1/8
K:D
c|dBB2 cBcA|dcdA FDFA|d2Bd cBAF|AGFD EFAc|
dcBd cBcA|dcdA GFEF|D2FE DFAF|GABc dcB ||
%
c|dcde fefg|a2ab agfe|dcde fegf|efed cABc|
d2de fefg|a2ab agfe|dBB2 cBcA|dAFD GAB ||
%
c|defe dcdA|BdAF GABc|d2fe defg|agab agfe|
defe dcdA|BdAF GFEF|D2FE DFAF|GABc Hd4|]

%%% 
X:342090 
T:RAMBLING WILLIE (hornpipe)
Z:Z: ABC/arr. BB
C:Joe Liddy
S:S: Liddy2.19 
Q:1/4=150
L:1/8 
N:N: Dotted rhythm in source
M:C|
%R:hornpipe
K:D
%swing .25
de|f2ef dcAc|dcAG FDAG|FGAc defg|afef d2de |
fgef dcAc|dcAG FDFG|Acfd cAGA|F2D2D2 :|
%
FG|Adec defg|afed dcAc|defg afge |1 fd ec d2 dc |
Addc dfag|fdcA GAFG|Acfd cAGA|F2D2D2 :|
[2 fd ec d2 fg|agfe fedc|fdcA dcAG|FDdB cAGE |
F2D2 HD4 |]

%%%
X:181209
T:RANGER (hornpipe), The 
S:S: CRE.1
Z:Z: ABC/arr.BB
Q:1/4=150
L:1/8
M:C|
%R:hornpipe
K:D
%swing .25
dB|A2FA DAFA|dcdf edcd|B2GB EBGB|EGgf edcB|
A2 FA DAFA|dcdf edcd|Adag faec|d2 f2 d2:|
fg|afdf afdf|afbg afdf|gece gece|gfgb agfe|
defg agba|gfed cdBd|Abag fgec|d2 f2 d2:|

%%%
X:493330 
T:RANTING RAKE (jig), The 
S:S: ONMI.0916
%R:jig
Z:Z: Brennan/Black
Q:1/4=160
M:6/8
L:1/8
K:G
A|GAG G2g|dBd dBd|ege dBd|ABA ABA|
GAG G2g|dBd dBd|ege dBd|GAF G2 :|
c|d3 e3|ded dBG|cdc BdB|AGA BGE|
d3 B3|AGA Bge|dBd gdB|GAF G2 :|

%%%
X:181177
T:RANTING WIDOW (reel) (1), The 
N:N: a/k/a/ Youngest Daughter, The Tap Room
S:S: CRE.1
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:E dorian
E2BE dEBE|dBAF DEFD|E2BE dEBE|dBAF BEE2|
E2E2 dEBE|dBAF DEFD|E2BE dEBE|dBAF BEE2||
Beef gfec|dBAF DEFD|edef gfec|dBAF BEE2|
Beef gfec|d2dc defg|afge fdec|dBAF BEHE2|]

%%%
X:182292
T:RANTING WIDOW* (reel) (2), The 
S:S: CRE.2 < S.McDonagh
Z:Z: ABC/arr. BB
L:1/8
M:C
%R:reel
Q:1/4=180
K:E dorian
D|E2BE dBB2|dBAF DEFD|E2BE dBB2|dBAc BEED|
E2BE dBBc|dBAF DEFD|E2BE dBB2|dBAc BEE||
d|B2eg faef|dBAF DEFA|B2eg faef|dBAc BEED|
B2eg f2eg|fddc d2fg|afge fdfe|dBAc BEE|]

%%%
X:27075
T:RASTUS' "ALMOST" HORNPIPE 
S:S: HOC.110
Z:Z: ABC/arr. BB
N:N: "stop jig - original" (? by Harding) The addition of "Almost Hornpipe" is my 
N:responsibility!
Q:1/4=130 
M:C|
L:1/8
%R:hornpipe
K:G
%swing .25
D2|GB z2 Ac z2|Bdgf gdBA|GB z2 Ac z2|Bdba gedB |
GB z2 Ac z2|Bdgf g2G,A,|B,D z2 CE z2|zDEF G2 :|
ba|gfeg fe^df|eB2b c2A2 |1 B2B,2 z2A2|zGF^D E2 :|\
[2 B2B,2 z2B2|zB,^C^D E2 ||
|:D2|GB z2 Ac z2|Bdgf gdBA|GB z2 Ac z2|Bdba gedB |
GB z2 Ac z2|Bdgf g2G,A,|B,D z2 CE z2 |1 zDEF G2 :|\
[2 zDEF HG4 |]

%%%
X:35053
%%staffsep 80
T:RAT WITH THE BOA (reel), The
C:Rick Gagne 
S:S: composer
Z:Z: ABC/arr. BB
%R:reel
N:N: "d/o/c/ 1988 on whistle"
Q:1/4=180
M:4/4
K:G
BA|"G"G2GB "C"e2d2 | "Am"BcAG "D"FGAF | "G"GDGB "Em"eBd2 | "C"eage "Am"gedB |
"Em"G2GB "C"eBdB | "Am"BcAG "D"FGAF | "G"GBdB "C"eAA2 |FGAF "G"G2 :|
Bd|"Em"g2fg "C"eBB2|"D"dAA2 "Bm"BFF2|"Em"EGBe "C"gfed|"Bm"BABd "Am"e2ef| 
"C"gee2 "D"aff2 | "Bm"dBAF "D"DEFD | "Am"EGFA "C"GBeg |"D"dBAB "C"G2 :|

%%%
X:50081 
T:RATHCARRICK JIG*, The 
S:S: Petrie.203 % unnamed
Z:Z: ABC/arr. BB
N:N: "Set at Rathcarrick, So. Sligo". Repeats added.
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:D 
%%text  source key = Bb
%%vskip .3in
e|d2d def|e2d c2A|B2B BAF|A3 ABc|
d2d def|e2d c2A|B2A ABc|d3 d2 :|
B|A2G FEF|A2A A2g|f2d edB|d3 d2B|
A2G FEF|A2A A2g|fga edc|d3 d2 :|

%%%
Roche version (K:Am)
E2|AGAB cBcd|efec d2ge|d2ge d2ge|dcBA G2G2|
AGAB cBcd|efec d2ge|dBGB dedB|c2A2A2:|
%
d2|efec d2g2|efec d2g2|fgaf dgg2|fgaf d2fg|
agfe defg|agfe d2fg|"15"aga_b agfe|"16"dcde f2gf|
efec d2g2|efed c2cB|ABcd efec|dcBA G2G2|
AGAB cBcd|efec d2ge|dBGB dedB|c2A2A2:|
%%%
O'Neill's version (original) (K:A)
E2|AGAB cBcd|efeA d2ge|(3dcd ge (3dcd ge|dcBA G2G2|
AGAB cBcd|efec d2ge|dBGB dedB|c2A2A2:|
%
d2|efec d2g2|efec d2g2|(3ffg af dg g2|(3ffg af d2ga|
bagf efga|bagf efga|"15"baga bagf|edef g2fg|
efec d2g2|efed c2Bc|ABcd gfge|dcBA G2G2|
AGAB cBcd|efec d2ge|dBGB dedB|c2A2A4|]
50081:"from O'Neill with corrections" (!) (I'm sure the Chief appre-
ciated the effort, especially if that meant sneaking a Bb into
measure 15). As you see above, O'Neill's setting is A major.
This tune doesn't seem to be A dorian, but the A minor F naturals don't 
sit too well either.
%%%
X:533091
T:RATHEA LASSES*, The  
S:S: RC3.132 ("Old Set Tune 14")
Z:Z: ABC/arr. BB
N:N: Repeats added 
%Q:1/4=160
L:1/8
M:6/8
%R:jig 
K:G
f|g2B B2A|GBd e2d|g2d e2d|cBA GBd|
g2B B2A|GBd e2d|g2d e2d|BcA G2:|
e|d3 def|g3 gfg|a3 aga|b2a gfe|
d3 def|g3 gab|bag age|d2^c df :|
"^coda"def Hg3|]

%%%
X:20021
T:RATHGAR BUS* (reel), The
S:S: DMAC.37 % (unnamed)
Z:Z: ABC/arr.BB
L:1/8
M:4/4
Q:1/4=180
%R:reel
K:G
gf|edBA G2 GA|Bdef g2 fg|edBA GABc|dedB A2 gf |
edBA G2 GA|Bdef g2 fg|edBA GABd|edBA A2 :|
ag|eaab a2 gf|eaaf g2 fg|eaga bage|dedB A2 ag |
eaab a2 gf|eaaf g2 bg|afge gfec|Bdef g2 :|

%%%
X:182078 
T:RATHMORE FARMER*, The
S:S: CRE.2 (unnamed)
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
%R:jig
M:6/8
K:D
B|A2G FEF|A2G F2E|FAF E2D|EFG EDB,|
A2G FEF|A2G F2E|FAF EDE|D3 D2:|
e|fef d2f|edB A2f|gfg e2d|cec A2A|
fef d2f|edB A2e|faf ede|d3 d2:|

%%%
X:12247
%%staffsep 80
T:RATHSALLAGH (hornpipe), The 
S:S: BBMG
C:© BB
M:C|
Q:1/4=150
L:1/8
%R:hornpipe
K:D
D|"D"FGAB AFDF|"D"ABdc "Bm"B2 Bc|"D"defd "Em"efdB|"D"ABdB "A7"cAGE|
"D"FGAB AFDF|"A"Aece "Bm"d2 de|"D"fagf "Em7"edBG|"D"Ad"A"ce "D"d3 :|
d/e/|"D"fedf "A"edce|"D"dcAF A2 AB|"C"=cGEG cedc|"A"AFEF "D"D2 de|
"D"fedf "A"edce|"D"defg a4|"G"bg"D"af "Em7"(3efg dB|"A"AFEF "D"D3 :|

%%%
X:13145
T:RATTIGAN'S (reel) (1) 
S:S: BSMI.1
Z:Z: ABC/arr. BB
N:N: This is most likely a composition of Larry Redican (Roscommon/NY
N:1908-1975), who wrote a lot of good tunes but didn't make a big deal about 
N:naming them.
%R:reel
M:4/4
Q:1/4=180
L:1/8
K:G
DF|G2BG DGBd|g2fg edBA|G2BG DGBG|ABAG FDEF|
GEFD EDB,A,|G,gfg edBA|G2BG DGBd|cAFA G2 :|
Bc|dggf gfed|eaag a2ag|fdd2 add2|faaf gedc|
BGG2 EGDF|Ggfg edBA|G2BG DGBd|cAFA G2 :|

%%%
X:253092
T:RATTIGAN'S (reel) (2) 
Z:Z: ABC/arr. BB
S:S: FS3.15b
M:4/4
L:1/8
Q:1/4=180
%R:Reel
K:G
(3DEF|G2BG DGBd|g2fg edBA|G2BG DGBG|ABAG FDEF|
GEFD EDB,A,|G,gfg edBA|G2BG DGBG|AGFA G2 :|
Bc|dggf gfed|eaag a2ag|fdad bdag|fdaf gfed|
BGG2 EGDE|Ggfg edBA|G2BG DGBG|AGFA G2 :|

%%%
X:46082
T:RATTLE THE CASH  (jig)
S:S: OFHC17.04
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
D|G2c BGB|c2B c2A|G2c BGB|A2G A2c|
G2c BGB|c2B c2e|dBG cAF|G2F G2 :|
d|g2f ged|c2B c2c|a2a afe|d2e d2f|
g2f ged|c2B c2A|BGB cAF|G2F G2 :| 

%%%
X:184072
T:RATTLE THE PEAS (jig)
S:S: CRE.4 < Grier MS
Z:Z: ABC/arr. BB
L:1/8
M:12/8
Q:1/4=170
%R:jig
K:D
A2G FAF EGE F3|A2G FAF EGE F2D|
A2G FAF EGE F3|ABc d2A A2G F2D:|
ABc d3 ABc d3|ABc d2e f2d e2c|
A2B c3 A2B c3|ABc d2A B2G F2D:|

%%%
X:185053 
T:RATTLE THE QUILT (jig)
S:S: CRE.5 < Denis Murphy
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%R:jig
K:A dorian
g|eAA gAA|edB BAB|G3 B3|def gag|
eAA gAA|edB BAB|GBd gfg|edB A2:|
e|a2b age|abg age|g2f gdB|GBd gfg|
eaa eaa|egg egg|edB gfg|edB A2:|

% I'm not sure what rattling a quilt would sound like - probably fairly noiseless. 
% Maybe we need another verb here? (Note just to confuse matters even further - an
% online Irish-English dictionary says "corradh" ("corraigh" is the imperative) 
% means "creep". 'Creep the Quilt'? Well, I'm glad we cleared THAT up!)
%%%
X:36054 
T:RATTLIN' BOG (polka), The 
T:Bog Down in the Valley
Z:Z: ABC/arr. BB
S:S: Mally.VIST:065
Q:1/4=120
M:4/4
L:1/4
%R:polka
K:A
c2 c>B|AF F>F|EA AB|cB B2|
c2 c>B|AF F>F|Ee ed|cA A2 :|
cA BA|cA BA|ce e>d|cA B2|
cA BA|cA BA|ce e>d|cA A2 :|

%%%
X:181102
T:RAVELLED HANK OF YARN (reel) (1), The  
S:S: CRE.1
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:G
c|B3d A3B|GBB2 GBB2|dAA2 d2eg|fdcA BGG2|
B3d A2AB|GBB2 GBB2|dAA2 d2eg|fdcA BGG:|
B|dGG2 dGBd|g3a bgag|dGG2 d2eg|fdcA BGGB|
dGG2 dGBd|g2g2 bgaf|g3a bgag|fdcA BGG:|

%%%
X:22128
T:RAVELLED HANK OF YARN (reel) (2), The
S:S: DMWC.2
Z:Z: ABC/arr. BB
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:G
B3d A3B|GBB2 GBB2|dAA2 d2eg|fdcA AGG2|
B3d A3B|GBB2 GBB2|dAA2 d2eg|fdcA AGG2 :|
dGG2 dGBd|g3a bgag|dGG2 dfeg|fdcA AGG2|
dGG2 dGBd|g3a bgaf|g2g2 bgag|fdcA AGG2 :|

%%%
X:581151 
T:RAVELLED HANK OF YARN (reel) (3), The 
S:S: WSGM.216 < G.A.Leech, SFO
Z:Z: Kinder/Black (arr.)
M:4/4
L:1/8
%R:reel
Q:1/4=180
K:G
B2Bd cAAc|BGGB d2cA|B2Bd cAAB|d2cA BGG2|
B2Bd cAAc|BGGB d2cA|BABc d2cA|BdcA BG G2||
fgaf g2 fe|dcAB c2 de|fgaf g2 fe|d2 cA BG G2|
fgaf g2 fe|dcAB c2 de|fgaf bgag|fdcA BGHG2|]

%%%
X:341081 
T:RAYMORE REEL, The 
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy1.40
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G
GB|d2BG ABGA|BGAG EGD2|B2cA GABd|gedB A2Bd |
eged edBG|BGAG EG D2|Bded BGAB|GEDE G2 :|
Bd|g2 ag edBd|gefd edBd|e2eg edBA|GABG A2 Bd |
egaf gedB|edBA GE D2|BdBA edBA|GEDE G2 :|

%%%
X:533092 
T:RAZZLE DAZZLE (barn dance), The 
S:S: RC3.161 ("barn dance")
Z:Z: ABC/arr. BB
N:N: 1: Repeats added
N:N: 2: I'd love to know how this neat tune made it into Roche's collection, 
N:since it's obviously not Irish! It sounds more like something from the 
N:Harding collection (tunefolder 27). (I don't have the Cole collection so it 
N:may be from there.)
Q:1/4=150
L:1/8 
M:C|
%R:hornpipe
K:D
%swing .25
D2DF A2A2|BcdB A3z|BcdB BAAG|FGED Eedc|
D2DF A2A2|Bcde f3A|d2d2 defd|e4 d4:|
d3A B2A2|d3A B2A2|DFAd fedc|dcBA ^GABc|
d3A B2A2|d3A B2A2|DFAd fa2c|e2d2 d4:|

%%%
%%%
X:492171 
T:REAL THING (hornpipe), The 
S:S: ONMI.1570 < Ennis
Z:Z: Brennan/Black
Q:1/4=150
%R:hornpipe
L:1/8 
M:4/4
L:1/8
K:D
%swing .25
dB|A2FA fdAd|B2GB gdBd|c2Ac gece|dcdf afdB|
A2FA fdAd|B2GB gdBd|c2Ac gece|d2f2 d2:|
Bc|d2fd dfed|f2af fdgB|AdcB AGFE|dfaf gecA|
d2fd dfed|f2af fdgB|AdcB AGFE|D2D2 D2:|

%%%
X:27076
T:REAL THING (jig), The   
S:S: HOC.163 ("Irish jig")
Z:Z: ABC/arr. BB
N:N: Source version doesn't repeat first part.
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:Em
D|G3 BAG|d2G BAG|A2B c2d|ege dBA |
G3 BAG|d2G BAG|ABA B2A|GEE E2 :|
d|g3 gdB|g3 gdB|A2B c2d|ecA A2d |
g3 gdB|g3 gdB|ABA B2A|GEE E2 :|

%%%
X:13282
T:REAPER OF GLANREE (set dance), The
S:S: BSMI.2
Z:Z: ABC/arr. BB
%R:hornpipe
M:C
Q:1/4=120
L:1/8
K:Em
%swing .25
B,|E3F GFGA|Beed eBcA|B2AF GEFD|B,EFG B2B,2|
E3F GFGA|Bega fdeB|c2BG ABGE|B,EGF E3 :|
B|e3f gefd|efdB c2G|E3F GFGA|Bega b2bc'|
b3g abge|f2gf edeB|c2BA BGAF|GBGF E2EF|
G3A GFEF|DB,EG B2ef|gage agfd|efdB e2ef|
g3a gfeg|fedf B2Bc|deBG ABEG|AGFG E2DF|
G3A GFDB,|EGBd e2de|B2AF GEFD|B,EGF HE4 |]

%%%
X:496039 
T:REAPING THE RYE (slip jig) 
S:S: ONMI.1152
Z:Z: Brennan/Black
Q:1/4=160
%R:slip jig
M:9/8
L:1/8
K:Em
BcB B2A GFE|GAG B2g f2e|BcB B2A GFE|
G2A Be^d e3:|BcB g2g fed|BcB g2g f2e|
BcB g2g fga|gfe Be^d e3|BcB g2g fed|
BcB gag fga|bag gfe fga|gab Be^d e3|]

%%%
X:52098
T:REAVY'S GRAND HORNPIPE
C:© E.Reavy
S:S: Ed Reavy Collection
Z:Z: McKenty / Black
Q:1/4=150
M:4/4
L:1/8
%R:hornpipe
K:D
%%text "andantino"
%%vskip .3in
AG|FGAB =cAFA|G2 GF G2 EF|GEcd edcB|Adfa gece|
fedc dAFD|EFGE CDEG|FAce gece|d2 dc d2:|
fg|a^gba fdAf|gfge cdec|dfaf efge|cdef gece|
a2ba fdAf|gecA ^GABd|cdef gece|1 d2 dc d2:|\
[2 d2 AF HD4|]

%%%
X:492172 
T:RECONCILIATION (hornpipe), The  
S:S: ONMI.1670
Z:Z: Brennan/Black
N:N: Also played as a reel. Dotted rhythm in source.
%R:hornpipe
Q:1/4=150
M:C|
L:1/8 
K:A
%swing .25
A2cA eAfA|eAfA ecBc|A2cA eAfA|ecBc AFEF|
A2cA eAfA|eAfA ecBc|ABAF Ecdf|ecBc A4:|
A2ce a2af|efed cdBc|A2ce a2ag|fbba gbeg|
agae faec|dBcA BAFG|ABAF Ecdf|ecBc A4:|

%%%
X:12248
%%staffsep 80
T:RECOVERY REEL, The
S:S: BBMG
C:© BB 
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:D
D|"D"A,DFA dcBA|"Bm"FDEF AB~B2|"D"A,DFA dcBd|"F#m"fafe "G"d3 D|
"D"A,DFA dcBA|"Bm"FDEF AB~B2|"D"Addc defd|"A7"AGEC "D"D3 :|
A|"G"BddB "D"ABde|"Bm"fBde "Bm7"faba|"D"fa~a2 "Bm"fedB|"A"ABce "D"d4|
"Bm"fd~d2 "D"ad~d2|"A"abag "Bm"fedB|"D"Addc defg|"A7"agec "D"d3 :|

%%%
X:15321
T:RECRUITING OFFICER (jig), The
S:S: CCCD
Z:Z: ABC/arr. BB
%R:jig
L:1/8
Q:1/4=140
M:12/8
K:D
A|def ecA d3 A2F|GAB AFD E3 A,2A|
def edc BgB A2G|FdF Edc d3 D2 :|
e/f/|gag fdf g3 f3|Bcd ece c3 A2f/g/|
aed cac BgB A2G|FdF Edc d3 D2 :|

%%%
X:45037 
T:RED ABBEY POLKA, The 
C:T.O Canainn
S:S: NTFO.042b
Z:Z: ABC/arr. BB
Q:1/4=140
M:C|
%R:polka
K:D
A>BAF EDEF|A>BAF EDE2|A>BAF EDEF|Bd AG FDD2:|
Bd ef gefd|Bd ef gef2|Bd ef gefd|Bd AG FDD2:|

%%%
X:341082 
T:RED BEE REEL, The 
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy1.36
N:N: Part 3 doesn't repeat in source.
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Bm
de|f2BA BAFA|d2cA BFGE|FBcA Bcde|fded cAde |
fB~B2 cBAF|EFAB cBce|fafe cBAF|EFAc B2 :|
cA|B2 cB fBcB|afge fecA|B2 cB fBcB|AFEF ABcA |
B2 cB fBcB|afge fece|fafe cBAF|EFAc B2 :|
Bc|d2 fd adbf|afef edBc|defd edfe|dBAF E2 FA |
d2 fd adbf|afef edBA|fBcA FEFA|BdcA B4 |]

%%%
X:35054
%%staffsep 80
T:RED BELLY JIG, The
C:Rick Gagne 
S:S: composer
Z:Z: ABC/arr. BB
N:N: "d/o/c/ 1991 on whistle; no C or C# notes"
M:6/8
Q:1/4=160
K:Em
e|"Em"gag "Bm"f2f | "Am"efg "Bm"fdB | "C"efg "Bm"fdB | "Am"eBg "C"edB | 
"Em"gag "Bm"fgf | "Am"efg "Bm"fdB | "C"edB "Bm"ged |"Em"BAG E2 :|
A|"Em"EGB e2e | EGB dBe | EGB e2f | "C"gfg "Bm"edB | 
"Em"EGB e2e | EGB dBe | "D"dBA d2e |"D"fef dB :|
"^coda""D"fef def |"Em"He3z3|]

%%%
X:12249
%%staffsep 80
T:RED BLUE and BEAUTIFUL (reel) 
S:S: BBMG
C:© BB 2010
M:4/4
%R:reel
Q:1/4=180
L:1/8
K:Am
D|"Am"EAAc "Em"BGE^F|"G"G2 dG eGdG|"Am"EAAc "Em"BGEG|"Am"AecA "G"B3G|
"Am"A2Bc "G"dBcd|"C"eg^fe "G"dcBG|"Am"EAA^F "G"GEGB|"C"ce"G"BG "Am"A3 :|
B|"C"c2eg "G"dcBG|"Am"A2 eA cAeA|"Am"eaab age^f|"G"g2 dg Bgdg|
"Am"a^gab a=ge^f|"G"gedc BcdB|"Am"Acea "G"g^fgb|"Am"ageg a3 :|

%%%
X:29090
T:RED FOX (march) (1), The 
S:S: CGI.042
Z:Z: ABC/arr. BB
N:N: This melody is used for the Thomas Moore ballad "Let Erin Remember"
Q:1/4=100
L:1/8
M:4/4
%R:march
K:D 
%%text  source is an octave higher
%%vskip .3in
[AA,]|D2D>E F2F>G|A2A2 G2FG|A3B F2D2|E4D2A,2|
D2D>E F2F>G|A2A2 G2FG|A3B F2D2|F3ED3 ||
A|d2d2c2B>A|B2AF A2FE|D2EF E2FG|A3B A2Bc|
d2d2c2B>A|B2AF A2FE|D2EF E2D>F|E4 HD4|]

%%%
X:491490 
T:RED FOX (march) (2), The  
S:S: not attributed
S:S: ONMI.0390
Z:Z: Brennan/Black (arr.)
M:C
L:1/8
K:G
%%text "with spirit"
%%vskip .3in
D2|G2G>A B2B>c|d2d2c2B>c|d3e B2G2|A3F GFED|
G2G>A B2Bc|ddd2 c2Bc|d2de B2G2|A4G2||
Bd|g2g2f2ed|e2dB d2BA|G2G>A BAGB|A4G2Bd|
g2g2f2ed|e2dB Hd2BA|G2ge dBGB|A4G4|]

%%%
X:497093 
T:RED HAIRED DARLING (jig), The
S:S: not attributed
S:S: ONMI.0454 (as "Black Haired Darling 2nd setting")
N:N: Not in the 1850's Jig section
%R:jig
Q:1/4=160
Z:Z: ABC/arr. BB
M:6/8
L:1/8
K:Em
A|B2^d e2f|gag gfe|def gfe|dBG E2F|
GAG dBd|efg gfe|dBG ABA|GEE E2:|
d|eEE E2F|GAB Bd^c|dDD DEF|GAB Be^d|
eEF G2A|BAB g2e|dBG ABA|GEE E2 :|

%%%
X:491491 
T:RED HAIRED GIRL (1st Setting) 
S:S: ONMI.0012 < F.O'Neill
Z:Z: Brennan/Black (arr.)
M:3/4
L:1/8
K:D
%%text "with feeling"
%%vskip .3in
A/G/ FE|D2 FG AB/c/|d2 ed/c/ AG|F2 DE DB,|C2 zA/G/ FE|
D2 FG AB/c/|d2 ed/c/ AG|F2 DE DD|D3||
F/G/ AA|f2 de dc|d2 ed/c/ AG|F2 DE DB,|C2 zA/G/ FE|
D2 FG AB/c/|d2 ed/c/ AG|F2 DE DD|D3|]

%%%
X:491492 
T:RED HAIRED GIRL (2nd Setting) 
S:S: ONMI.0013 < J.O'Neill
Z:Z: Brennan/Black (arr.)
M:3/4
L:1/8
K:D
%%text "with feeling"
%%vskip .3in
A/G/ FA||B>G ED CE|D2 E/F/G FA|B>G EC DD|D3A/G/ FA|
d2 cd ec|d3A/G/ FA|B>G EC DD|D3||
A/G/ FA||d2 cd/e/ dB|GE F>G FA|d2 cd/e/ fd|d c/>B/ A>G FA|
d2 c/d/e/f/ dB|G>E FG A/B/H=c|B>G EC DD|D3|]

%%%
X:251083
T:RED HAIRED LASS (reel) (1), The
Z:Z: ABC/arr. BB
S:S: FS1.06c
M:4/4
L:1/8
Q:1/4=180
%R:Reel
K:G
DGGF G2 BG|G2 BG AGEG|DGGF GABd|egdB c2 BA|
DGGF G2 BG|G2 BG AGEG|DGGF GABd|egdB c2 Bc||
d2 gd edgd|d2 gd BGBc|d2 gd edef|gedB c2 Bc|
d2 gd edgd|d2 gd BGAB|c2 cAB3 A|GABd egdB||
"^coda" G4z4||

%%%
X:59115
T:RED HAIRED LASS (reel) (2), The
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
%R:reel
K:G
BGGF G2BG|G2BG AGED|DGG2 BGBd|egdB cBAF|
BGGA G2BG|G2BG AGED|DGG2 BGBd|egdB cBAB||
d2 gd edgd|d2gd edBd|d2 gd edef|gedB cBAB|
d2 gd edgd|d2 gd edBd|c4 B3A|G2Bd efgd||
"^coda"Hg4z4|]

%%%
X:31191
T:RED HAIRED LASS (reel) (3), The  
Z:Z: ABC/arr. BB
S:S: JOL.314
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:G
DGGF G2BA|G3B AGED|DGGF GABd|egdB cABG|
DGGF G2AF|G2BG AGED|DGGF GABd|gedB c3^c||
d2gd edgd|dagd BGB^c|d3g edef|gedB c2Bc|
d2gd edgd|dfgd BGBd|c2cd BcBA|\
G2Bd "^coda"efga|g4z4|]

%%%
X:534067 
T:RED HAIRED MAN'S WIFE (a), The
S:S: RC1.031 ("Bean an Fhir Ruadh" - "Caves of Cong")
Z:Z: ABC/arr. BB
L:1/8
M:3/4
K:D
%%text "smoothly"
%%vskip .3in
(3ABc|d>e fg ec|d4 ec|A4 GF|G2 A2 Bc|
d4 (3ABc|d>e fg ec|d4 ec|A3 GFG|E2 D2 D2|D4||
d>B|=c>BAG EF|D2 =c2 BA|G3 AGF|G2 A2 Bc|
d4 (3ABc|d>e fg ec|d4 ec|d2 (3edc (3dcB|A2-ABGE|\
E2 D2 CE|D6|]

%%%
X:29091
T:RED HAIRED MAN'S WIFE (air) (c), The 
S:S: CGI.119
Z:Z: ABC/arr. BB
L:1/8
M:3/4
K:Em 
%%text "moderato" 
%%vskip .3in
B>A|B2 B2 ^c^d|e4 e2|f4 f2|f2 e2 e2|e4 B^c|
d2 d2 d2|^c4 ec|B2 FG AF|F2 E2 E2|E4 :|
d>^c|B2 A2 F>E|E4 (3EFG|A3 BAG|A3 B^cd|e4 d>e|
f2 fagf|e4 e>d|B2 FGAF|F2 E2 E2|1 E4 :|2 E6||

%%%
X:535386 
T:RED HAIRED MAN'S WIFE (b), The
S:S: RC3.024 ("Bean an Fhir Ruadh")
Z:Z: ABC/arr. BB
N:N: This appears to be another attempt by Roche (or Darley) to notate a 
N:slow air. Unfortunately (but not unexpectely) the sound file is pretty 
N:awful. 
L:1/8
M:3/4
K:Dm
%%text "rather slow"
%%vskip .3in
fe|de/d/ c2A2|cd/c/ A2G2|FA3 G/E/D|E2D2D2|D4:|
DE|FG/F/E/D/ FGA/B/|c>A d3c|A4G2|A2d2e<d|d4 DE|
FG/F/E/D/ FGA/B/|c>A d3c|A4G2|A2d2 de|
Hf2 g/f/e/c/|de/d/ c2A2|cd/c/ A2G2|FA3 G/E/D|E2D2D2|HD6|]

%%%
X:491493 
T:RED HAIRED MAN'S WIFE (d), The 
S:S: ONMI.0412 < Enright
N:N: Note 10/10 measure structure.
Z:Z: Brennan/Black (arr.)
M:3/4
L:1/8
K:G
%%text "slow"
%%vskip .3in
g2|a2 bg af|g2 ag fe|d2 d2 cA|c2 d2 Af|g4fg|
a2 bg af|g2 ag fe|d2 d2 cA|A2 G2 GA|G4:|
dc|BA Bd cA|GF Gd cA|G2 GB AF|G2 A2 Bc|d4 Af/g/|
a2 bg af|g2 (3agf (3gfe|d2 de cA|A2 G2 GA|G6|]

%%%
X:12250
%%staffsep 80
T:RED HAND (polka), The
S:S: BBMG
C:© BB
%R:polka
Q:1/4=150
%% For Sally Harney. Up Donegal!
M:2/4
L:1/8
K:G
"G"G>A Bd|"D"cA FA|"G"GB "Am"Ac|"G"Bg "D"d2|
"G"g>d BG|"C"cG EC|"D"D>E FD|"G"G2 "G"G2 :|
"G"dg fg|"Am"a>g fe|"G"dg Bd|"D7"cB A2|
"G"G>A Bd|"C"ce ge|"D"d>B cA|"G"G2 "G"G2 :|

%%%
X:35055
%%staffsep 80
T:RED HOUSE (jig), The
C:Rick Gagne 
S:S: composer
Z:Z: ABC/arr. BB
%R:jig
N:N: "d/o/c/ 1995 on tenor banjo"
Q:1/4=160
M:6/8
K:A dorian
C|"Am"A,2A, CB,A, | CED CB,A, | "Em"B,G,B, DB,D | EB,E DCB, | 
"Am"A,2A, CB,A, | CED CB,A, | "G"B,G,B, DB,D |"Em"EB,E "Am"AE :|
G|:"Am"A2B cBA | "C"ced cBA | "Em"BEF GFE | "G"GBA GFE | 
"Am"A2B cBA | "C"ced cBA | "Em"BEF GFE |1 "Am"AEC A,CE :|2 "Am"AEC A,2 ||
|:g| "Am"aeg a2a | "C"aed cBA | "D"fga "A"eag | "D"fd^c deg | 
"Am"aed cAB |1 "C"cAe ceA | "G"Bcd GAB | "Am"Ace ae :|
[2 "F"cAG =F3 | "Dm"DE=F B,CD | "Em"E=FE DCB, |A,6|]

%%%
X:15042
T:RED HOUSE (march), The
S:S: CCCD
Z:Z: ABC/arr. BB
N:N: I have no idea what type of tune this is. Let's call it a march!
M:C
L:1/8
K:Am 
%%text  source key Gm
%%vskip .3in
A2|a4-a2 gf|e4 c4|B2 g4 fe|d4 B4|
A2 a4 gf|e4 c4|dcBA ^GAB2|c2 A4 :|
cd|edcB ABcd|e4 c4|dcBA GABc|d4 B4|
edcB ABcd|e4 c4|dcBA ^GAB2|c2 A4 :|
cd|e2e2 e2cd|e2e2 e2Bc|d2d2 d2Bc|d2d2 d2cd|
e2e2 e2cd|e2e2 e2dc|dcBA ^GAB2|c2 A4 :|

%%%
X:35056
%%staffsep 80
T:RED JACKET (jig), The
C:Rick Gagne 
S:S: composer
Z:Z: ABC/arr. BB
%R:jig
Q:1/4=160
N:N: "1986 on tenor banjo; second part slowly goes into D major"
D:D: Dun Creagan: The 80s Live
M:6/8
K:D dorian
E | "Dm"FDD A2A | "C"c2c "G"BAG | "Dm"ADD DEF |"C"GEE CEE | 
"Dm"FDD A2A | "C"c2c "G"BAG |"Dm"A2D DEF | "C"GEC "Dm"D2 :|
A | "Dm"d2d ded | "Am"cAA ABc | "D"d2d de^f |"G"g^fg "A"a2g | 
"D"^fed de^f | "A"e^cA AG^F | "G"GAB "Em"BAG |"D"A^FE DF :|
"^coda""D"A^FE HD3|]

%%%
X:37149 
T:RED LION INN (hornpipe), The 
S:S: MFC.099a
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:C|
%R:hornpipe
K:A 
%%text  source key = Bb
%%vskip .3in
G|AEcA ecae|cAGB AGFE|FDCD B,DBc|dBGB AGFE|
AEcA ecae|cAGB AGFE|FDCD B,DBc|dBGB A2 :|
D|CA,EC AEcA|eaec AGFE|FAGB Aceg|afed e2eg|
aecA fdBG|AFcB AGFE|FDCD B,DBc|dBGB A2 :|

%%%
X:61040
T:RED NUN (reel), The
C:© D. MacAdam 4/10
Q:1/4=180
L:1/8
M:4/4
%R:Reel
K:D
(3ABc|dcde dAFA|dcde d2ef|gfga gfed|cdec A2 (3ABc|
dcde dAFA|dcde d2ef|gfed cdef|gddc d2:|
fg|a^gab afdB|Adfg a2 ef|gfga gecB|Acef g2 fg|
a^gab afdB|Adfg a2 ga|bgaf gefd|eafe d2:|

%%%
X:21171 
T:RED ROSE (jig), The 
S:S: DMI.0315
Z:Z: Nordberg/Black
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
d/B/|GAG GBd|geg e2d|ege dBG|ABA A2B|
GAG GBd|gfg e2d|ege dBG|AGG G2:|
d|gab bag|fag ged|ege dBG|ABA A2d|
gab bag|gfg e2d|ege dBG|AGG G2:|

%%%
X:182075 
T:RED SKY AT SUNSET* (jig)
S:S: CRE.2 (unnamed)
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:12/8
%R:slide
K:D
B|A2F EFE D3 D2E|F2D EFG A3 d3|
F2F E2G F2D D2E|FEF G2E D3 D2:|
B|ABA d2e f3 f3|Bcd e2f e2d B2d|
ABc d2e f2d c2d|efe f2e d3 d2:|

%%%
X:493331 
T:RED STOCKINGS (jig)
S:S: ONMI.0774
Z:Z: Brennan/Black
N:N: Same tune as "Saddle the Pony". (This is Johnny O'Leary's name for 
N:that tune too. He N:may have gotten it from O'Neill.)
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
D|GBA G2B|def gdB|GBA G2B|AFD AFD|
GBA G2B|def gdB|ecA dBG|cAF G2 :|
A|Bde dcB|def gdB|ded dBG|ABG AFD|
ded dcB|def gdB|ecA dBG|cAF G2 :|

%%%
X:52099
%%historyfont 15
T:RED TOM OF THE HILLS (reel)
C:E. Reavy
S:S: Ed Reavy Collection
%R:reel
Z:Z: McKenty / Black
N:N: The first of too many tunes in Ed's book to suffer from "accidental ambi-
N:guity". I can't tell by listening to this if it's meant as a G modal (all F's natural) 
N:or a straight G major tune with a mixture of F sharps and naturals (in other 
N:words, just the way the book has it).
Q:1/4=180
M:C
L:1/8
K:G
GF|DGG2 DE=FD|GABc defa|gfdc Bd BG|AcAF DE=FD|
G2 dG c=fA^F|GABc defa|gfdc B2 dB|cAFA G2:|
Bd|g2bg agbg|g2bg BGGE|=f2a^f gfaf|f2af dcBc|
dgg2 bffd|BGBd gdBd|=fefa g^fga|fdcA G2:|

%%%
X:341083 
T:RED WHITE[T]HORN (reel), The 
C:Joe Liddy
Z:Z: ABC/arr. BB
N:N: Title is printed as "Whitehorn" in the book.
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G
F|G2GF GBdB|G2BG AGED|G2GF GBdB|A2BA GEE2 |
DGGF GBdB|GBAG AE E2|GABd edge|dBAB GEE :|
e|dggf g2 gB|eg g2 edBc|dg g2 gedB|c2 BA GE E2 |
dggf g2 ag|eaab ag e2|g2 fg efge|d2BG AGFD ||
dggf g2 gd|egfg edBc|dgg2 bgag|edBA GE E2 |
dggf g2 fg|eaab agef|gbaf gedB|AGEF HG4 |]

%%%
X:38231
%%historyfont 15
T:RED WING (march/polka) 
C:F.A. ("Kerry") Mills (1869-1948) 
Z:Z: ABC/arr. BB
N:N: This is a composed tune based on a piece by Robert Schumann. It's played 
N:in other traditions (and also has various sets of lyrics). We play it as part of a 
N:march set. (Just FYI, Mr. Mills also composed a number called "You've Got the 
N:Wrong Number But You Got the Right Girl". Why can't I come up with titles 
N:like that?)
M:4/4
L:1/8
Q:1/4=120
%R:march
K:G
D|G3B d3B|cege d3B|cBAc BAGB|AB^cA dcBA|
G3B d3B|cege d3B|cBAc BAGB|ADEF Gggf||
e3f ggfe|d2B2-Bded|d2A2-Aded|d2B2-Bggf|
e3f ggfe|d2B2-Bded|d2AB ccBA|G4-G4|]

%%%
X:41293 
T:REDDAN'S (reel) 
C:P. Reddan
D:D: "Knockanalban"
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Em
D|B,EEF GFEG|FDAD BDAD|Beef gfeg|fdB^c dcdB|
FAdA Bdd2|BdAF DEFD|EFGA BAdA|1 DEFD E3 :|\
[2 DEFD EFGA|]
Bdef gfeg|fdad bdad|gfeg fdB^c|dABd AdFA|
GFGB AFDF|GFED EB,B,D|DEFA BAdA|DEFD E4 :|

%%%
X:492173 
T:REDHAIRED BOY (hornpipe), The 
N:N: a/k/a/ Fair Haired Boy
S:S: ONMI.1748 < F.O'Neill
%R:hornpipe
Q:1/4=150
Z:Z: Brennan/Black
M:C| %%text  source 2/4
L:1/8 %%text  source 1/16
K:Amix
%%vskip .3in
AG|EAAG ABcd|efec d2cd|edcB ABcA|BGEF G2ED|
EAAG ABcd|efec d2cd|eaab aged|c2A2 A2:|
ef|gfga g2ef|gfec d2cd|edcB ABcA|BGEF G2ED|
EAAG ABcd|efec d2cd|eaab aged|c2A2 A2:|

%%%
X:493332 
T:REDHAIRED HAG (jig), The 
S:S: ONMI.0923 < F.O'Neill
%R:jig
Z:Z: Brennan/Black
Q:1/4=160
M:6/8
L:1/8
K:Amix
f|ecA aeA|cde gfg|BGG dGG|Bcd d2f|
ecA aeA|cde fga|def gdB|ecA A2 :|
e|agf ecA|cde fga|BGB dBG|Bcd d2e|
agf ecA|cde a3|def gdB|ecA A2 :|

%%%
X:182093 
T:REDHAIRED MOLLY (slip jig) 
S:S: CRE.2
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:9/8
%R:slip jig
K:D
A|Add dcd efg|Add def g3|
Add dcd efg|aba gec d2:|
a|aba ged cde|aba gef g3|
aba ged cde|faa gfe d2:|

%%%
X:62111
T:REDICAN'S BOW (reel)
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=180
N:N: This has Larry Redican's name on it but I don't know if he composed it 
N:or not. It has always reminded me of "The Spey in Spate". The D, A, and 
N:G sharps are mainly for box players but don't let that stop you from trying 
N:them if you play another instrument. 
%R:reel
M:4/4
K:D
D2FD A,DFD|E2GE B,EFE|D2dA BAFD|E^DEF EB,CA,|
D2 FD A,DFD|E2 GE B,EFE|D2dA BAFD|CDEC D2 FA||
%
B^ABc d2 F=A|B2 B^A BdcB|A2 cA EAce|aecA BAFA|
B^ABc B=AFA|Bcdc B2 dc|BF F2 BEF^G|AcBA FECA,||
%
D2FD A,DFD|E2GE B,EFE|D2dA BAFD|E^DEF EB,CA,|
D2 FD A,DFD|E2 GE B,EFE|D2dA BAFD|CDEC HD4|]

%%%
X:17019
T:REDICAN'S JIG
S:S: CTWT
Z:Z: ABC/arr.BB
C:Larry Redican (NY)
%R:jig
Q:1/4=160
L:1/8
M:C
K:Adorian
D|E3 ABc|B3 GBd|edB e3|c3 BAG|
EAA EAc|B3 GBd|edB edB|BAG A2:|
e|def g3|age edB|def g3|age a3|
def gab|age edB|e3 edB|BAG A2:|

%%%
X:65083
T:REDMOND O'HANLON'S (reel)
C:Aidan Crossey
S:S: composer
M:4/4
Q:1/4=180
L:1/8
%R:Reel
K:Amix
AB|cAAF EFAB|cABc defd|cAAF EFAB|cABc A2:|
AB|ceec d2 fd|ceec BcdB|ceec d2 fd|cABc A2:|

%%%
X:581152
T:REDMOND'S FROLICS (reel)
S:S: WSGM.235 < Rice-Walsh manuscript
Z:Z: Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:G
GABc dBcB|AFDc BcAF|GABc dBcB|AFDF AGG2|
GABc dBcB|AFDc BcAF|GABc dBcB|AFDF AG G2||
g2 ag fgag|fdde f2 af|gagf g2 ag|fdcA BG G2|
g2 ag fgag|fdde f2 af|gagf gbag|fdcA BGAF||\
"^coda"HG4z4|]

%%%
X:20022
T:REDMOOR JIG, The 
S:S: DMAC.74
Z:Z: ABC/arr.BB
L:1/8
M:6/8
Q:1/4=160
%R:jig
K:D
E|FAF FAF|F2d cAF|GBG GBG|G2B AFD |
FAF FAF|F2d cAF|G3 GAB|AFD D2 :|
e|d2e f2g|a2g f2g|a2g f2d|e2A A3 |
d2e f2g|a2g fed|c2A GAB|AFD D2 :|

%%%
X:332078 
T:REE RAW JIG, The   
Z:Z: ABC/arr. BB
S:S: Levey2.41 
N:N: Another Levey gem from who knows where?
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:Amix
%%text "not too quick"
%%vskip .3in
c2e edc|BcB dcB|ABA A2e|edc dBG :|
c2c c2e|d2d d2f|e2e e2f|g2g g3|
[1 e2e e2f|d2d d2e|c2e edc|BcB dcB|
{2 cBc c2e|edc dBG|ABA A2e|edc dBG||\
"^coda"A3z3|]

%%%
X:495304
T:REEL OF BOGIE, The  
S:S: ONMI.1449 < Ennis
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
M:C|
L:1/8
K:D
dc|BEE2 BAFA|BFAF DEFA|BEE2 BAFA|dcdf e2dc|
BEE2 BAFA|BFAF DEFA|dcde fdec|dBAF E2||
FE|D2Ac dcdA|BdAF BFAF|D2Ac dcde|fdcA BFAF|
D2Ac dcdf|edef g2fg|afge fdec|dBAF EFGE|HD4z4|]

%%%
X:184149 
T:REEL OF DARRAGH, The  
S:S: CRE.4 < Donnelly < W.Jones
Z:Z: ABC/arr. BB
N:N: Upper note of double stops for treble instruments.
L:1/8
Q:1/4=180
M:4/4
%R:reel
K:D
E|FEDF E[B,B][B,2B2]|DEFA BAFA|d2 fd d2ed|B2dB AFEF|
FEDF E[B,B][B,2B2]|DEFA BAFA|dfef fedB|AFEF D3:|
A|d2 fd Adfd|adfd eB B2|dfBd Ad FA|EFAc BFAB|
d2fd Adfd|adfd eB B2|dfef fedB|AFEF D3 :|

%%%
X:183153 
T:REEL OF MULLINAVAT (1), The 
Z:Z: ABC/arr. BB
S:S: ?
L:1/8
%R:reel
Q:1/4=180
M:C
K:Em
ef|gefd edBA|GBAG EDB,D|GEE2 GABd|edBA Bdef|
gefe dBBA|GBAG E2DE|GEE2 G3A|Bded e3f|
gefd edBA|G3F E3F|GEE2 GABd|edBA Bdef|
gefe dBBA|GBAG EDB,D|GEE2 G3A|Bded e2||
%
ef|gdBd g3b|afdf afdf|gBB2 g3b|afde feef|
gBB2 gbag|afde faa2|bagf gfed|Bde2 edef|
gdBd gabg|afde faa2|gBB2 gabg|agfg e2ef|
g2g2 gbag|fdd2 faa2|bagf gfed|Bded He4|]

%%%
X:495305
T:REEL OF MULLINAVAT (2), The  
S:S: ONMI.1316 < Kennedy
Z:Z: Brennan/Black
Q:1/4=180
%R:reel 
M:C|
L:1/8
K:Em
ef|gfed BAGF|GBAF E3F|1 GBAF GAB^c|
dBBA Be:|2 GBAF GABA|Beed e2||
|:ef|gfef gebe|gebe afdf|1 gfef gebe|
afde fe:|2 gebe g2fg|afdf He4|]

%%%
X:44155 
%%staffwidth 650
T:REEL OF RATHLIN*, The 
S:S: NFID.076a < J.Doherty ("untitled reel")
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:C
%R:reel
K:Amix
ed|ceAe cAec|BdGd BGdG|ceAd cBce|1 dBgB Aa:|\
[2 dBgB BAA||
%
B|:cBcd efgf|dcdf edcB|A^gab a=gfa|gedg e2fg|
abag fage|dcdf edcB|Aa^ga e=gfa|gedB Aaed:|
%
cA eA ceAc|BGdG BdGd|cAeA ceAc|dBgB Aaed|
cA eA ceAc|BGdG BdGd|cBcd efga|gedB HA4|]

%%%
X:66124
T:REEL OF READINGWOOD, The
C:P.G. Mulvaney 
Q:1/4=180
%R:reel
M:C
L:1/8
K:Em
zA|Beed edBA|e2ed edBA|Beed edBA|dBAF GFED |
Beed edBA|e2ed edBA|g2fg edBA |dBAF E2 :|
(3efg|:a2ag a2ab|geed e2Bc|^dBB^A B^cde |geed e2fg |
a2ag  a2ab |geed e2ee|^dBB^A B^cde|geed e4 :|

%%%
X:54058 
T:REEL OF RIO (2), The  
S:S: SRHI.25a
Z:Z: ABC/arr. BB
C:Seán Ryan
N:N: See note to setting 1 above
Q:1/4=180
L:1/8
M:C
%R:reel
K:G
E|DEGA B3d|egg2 agea|gede gedB|Ac BA GEE2|
DEGA B3d|egg2 agea|gede gedB|Ac BAG3:|
B|dgg2 agg2|bgg2 edBd|EBB2 GABd|gedB AGEG|
DEGA B3d|egg2 agea|gede gedB|Ac BAG3:|

%"'Readingwood' was a fictional 17thC Anglo-Irish manorhouse in a novel 
%a friend of mine never wrote. She became a painter instead. She liked the tune, %though.)"
%%%
X:13142
%%historyfont 15
T:REEL OF RIO (reel) (1), The 
S:S: BSMI.1
Z:Z: ABC/arr. BB
C:Seán Ryan 
N:N: "Rio" (pronounced RYE-oh) isn't the city in Brazil but Sean Ryan's nickname!
%R:reel
M:4/4
Q:1/4=180
L:1/8
K:G
GE|DEGA BABd|egg2 agef|gede gedB|AcBA GEE2|
DEGA BABd|egg2 agef|gede gedB|AcBA G2 :|
Bc|dgg2 bgg2|bgag edBd|eBB2 GABd|e2dB AGEG|
DEGA BABd|egg2 agef|gede gedB|AcBA G2 :|

%%%
X:62112
T:REEL OF RIO (reel) (3), The 
C:Sean Ryan 
S:S: GSTC
Z:Z: ABC/arr. BB
N:N: See note to setting 1 above
Q:1/4=180
%R:reel
M:4/4
K:G
FE|DEGA BABd|egg2 agea|gedg edBd|c2Bc AGEG|
DEGA BABd|efge agea|gd d2 edBG|AcBA G2:|
Bc|dg g2 ag g2|bg g2 edBe|dB B2 GABd|gedB AGEG|
DEGA BABd|efgb ae e2|gedg edBG|AcBA G2 :|

%%%
X:38232 
T:REEL OF TRALISHANE, The 
S:S: Flaherty collection
Z:Z: ABC/arr. BB
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:D
d2 fe dcBc|A2 FB ADFA|d2 fe dcBc|AFDE FE E2|
d2 fe dcBc|A2 FB ADFA|d2 fe dcBc|BGAG FD D2:|
d3A BAFA|defd Be e2|d2 dA BcdB|AFGE FDFA|
d3A BAFA|defd Be e2|d2 dB Agfe|dBAG FD D2:|

%%%
X:582057 
T:REEL OF TULLOCH, The 
S:S: WSGM.101 <"Neil Gow & Sons Complete Repository" c.1805
Z:Z: Kinder/Black
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:Amix
f|:e2 Ac/d/ ecAa|e2 AB/c/ dBGB|e2 Ac/d/ eAce|\
dE cd/e/ dBGB:|
cA cd/e/ c>AAB|cA cd/e/ dBGB|cA d/e/f cAcA|\
BE c/d/e dBGB|
cA c/d/e cAAB|cA c/d/e dBGB|cA c/d/e cA c/d/e|\
BE c/d/e dBGB||"^coda"A4z4|]

%%%
X:45038 
T:REEL THING, The  
C:T.O Canainn
S:S: NTFO.034
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
%R:reel
K:D
A3B AFf2|Add2 fdBd|A3B AFf2|BEe2 BEe2|
A3B AFf2|Add2 fdBd|A3B AFdB|AFEG FDD2:|
f3g afdf|e3f gfed|f3g afdf|edcB ABcA|
f3g afdf|e3f gfed|A3B AFdB|AFEG FDD2:|

%%%
X:35057
%%staffsep 80
T:REEL TO REEL REEL, The
C:Rick Gagne 
S:S: composer 
Z:Z: ABC/arr. BB
N:N: "d/o/c/ 1991 on whistle"
M:4/4
Q:1/4=180
K:Amix
cd | "A"eAA2 ecAc | "G"BGG2 "D"AFF2 | "A"AEAB cdec | "Em"BGBd gfed | 
"A"eAA2 ecAc | "G"BGG2 "D"AFF2 | "A"Acag fgec | "G"BGdB "A"A2 :|
ec | "A"Acag fgec | "C"agfg "Em"egdB | "A"Acag fgec | "G"BGBc d2cd | 
"A"eAgf gece | "G"dBGB d2cd | "Em"edef gedB | "A"Aaag a2 :|

%%%
X:184076 
T:REENS POLKA*, The 
Z:Z: ABC/arr. BB
S:S: CRE.4 < Barrett < Collins
L:1/8
M:2/4
Q:1/4=120
%R:polka 
K:D
%%text A-B-A
%%vskip .3in
A|d>e fc/d/|eB Ag|a>g eA|a>g eA|
d>e fc/d/|eB Ag|a>g eA|d2 d :|
A|f>e fg|ag gf|g>f ga|ba ge|
d>e fg|af gf|ge fc|dg "_DC"fc ||

%%%
X:497094
T:REFORMATION (jig), The  
S:S: arr. of ONMI #19, "Protestant Boys"
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
D|GAG BcB|AFA c2e|dBG GcB|AGF G2D|
GAG BcB|AFA c2e|dBG c2B|AGF G2 :|
d|g2d e2d|g2d e2d|def gfe|dcB A2g|
edc Bcd|dcB ABc|dBG c2B|AGF G2 :|

%%%
X:181035
T:REGAN'S (jig)  
S:S: CRE.1
Z:Z: ABC/arr.BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
B|AFF dFF|AFF dFF|G2B F2A|GEE E2B|
AFF dFF|AFF dFF|GFG BAG|FDD D2:|
g|fed edc|dcB AFD|G2B F2A|GEE E2g|
fed edc|dcB AFD|G3 BAG|FDD D2:|

%%%
X:62113
T:REGAN'S (reel) 
S:S: GSTC
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:C
K:G
GEDE GFGA|Bdgd BG G2|AGEG A^GAB|^ceag fd d2|
GEDE GFGA|Bdgd BG G2|Bd d2 Bdge|d2cA BG G2 :|
gede gfga|Bgaf ge d2|ageg a^gab|a2bg ag e2|
gede gfga|Bgaf ge d2|Bd d2 Bdge|d2cA BG G2 :|

%%%
X:581153 
T:REIDY'S REEL 
S:S: WSGM.287 < P.Stack, Chicago
Z:Z: Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:Dmix
d2|cAGB ADD2|FDAD FDAB|cAGB AGFG|Adde fefd|
cAGB ADD2|FDAD FDAB|cAGB AGFG|Add^c d2||
K:D
de|f2fd ecAc|d2ed cAA2|gfgd edcd|eaag ed d2|
eaag efge|fefd cAGB|Addc AddB|Adde fefc|Hd4z4|]

%%%
X:52100
T:REILLY of the WHITE HILL (reel)
C:© E.Reavy
S:S: Ed Reavy Collection
Q:1/4=180
M:4/4
L:1/8
%R:reel
Z:Z: McKenty / Black
K:D
%%text "allegro moderato"
%%vskip .3in
FG|Agfe dcdA|B2 dB AFDF|GFGB AFDF|EA,CE DEFG|
Agfe dcdA|B2 dB AFDF|GFGB AFDF|1 EA,CE DE:|\
[2 EDCE D3|| 
|:g|fdAd fgaf|bged cdeg|fdAd fgaf|bgeg fdde|
fgfe dfaf|gfed cdef|dcdA Bd AF|EDCE D3:|

%%%
X:13471
T:REILLY'S (hornpipe) 
S:S: BSMI.4
N:N: a/k/a/ Cross the Fence
Z:Z: ABC/arr. BB
L:1/8
%R:hornpipe
M:C
Q:150
K:G
%swing .25
(3DEF|G2BG AB (3cBA|dBge dBGB|ceAc BGDG|cABG AGFD|
GDB,D G,DB,D|BGBc dBGB|dgBd edcF|AGGF G2 :|
%
AG|FDA,D ABcA|BGB,D GBdg|ecc2 dBGB|cAag fdcA|
DBB2 Dcc2|d^cec dBGB|dgBd edcF|AGGF G2 :|
%
Bc|dgg2 dgbg|g2bg agfg|eaa2 agfe|(3ded ^cA d2d=c|
(3Bcd BG (3ABc AF|GDB,D G,GBc|dgBd edcF|AGGF G2 :|

%%%
X:185175 
T:REILLY'S (reel)
Z:Z: ABC/arr. BB
S:S: CRE.5 < Charlie Mulvihill
Q:1/4=180
M:C
%R:reel
K:Em
D|B,EEF G2FE|D2FD ADFD|B,EEF GFGA|B2AF BGE:|
A|B2BA Beed|B2BA BEEA|B2BA Beef|gefd Beef|
gefd edBc|dBAG FDD2|B,EEF GFGA|B2AF BGE2|]

%%%
X:491494 
T:REJECTED LOVER, The 
S:S: ONMI.0313 < F.O'Neill
Z:Z: Brennan/Black (arr.)
M:3/4
Q:1/4=100
L:1/8
K:G
%%text A-B-A
%%vskip .3in
F|GB A3F|Ge d3c|BG A3F|GG G2z||
d|dd d3e|ee e3d|dg g3d|de/f/ "_DC"g2z|]

%%%
X:534068
%%titlefont 16
T:REMEMBER THE GLORIES OF BRIAN THE BRAVE (march) 
S:S: RC1.051
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=120
M:4/4
K:Am
%%text "allegro moderato"
%%vskip .3in
ed|c2Bc A2 A/B/c|dcA>G G2cd|edce dcA>G|A6 c/d/e|
f2gf e2fe|dcd>e g2a>f|ged>e dcA>^G|A6||
de/f/|g>ega g2c/d/e|ged>e g3g|a>gab aged|a2aba2ag|
f2gf e2fe|dcde/g/ a2b>a|age>d ed/c/A^G|A4z4|]

%%%
X:342091 
T:REMEMBERING JOHN JOE (reel) 
Z:Z: ABC/arr. BB
C:Joe Liddy
S:S: Liddy2.29
N:N: Note only third part repeats
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:D
dB|AFEF D2DE|FAAF ABdB|AFEF D2FA|BdAF E2DE |
FAFE DEFA|BdAB def2|afef dfed|BdAF D2 ||
%
dB|AFEF D2 DE|FAFE FAdB|AFEF D2DE|FDEF DB, A,2 |
AFEF D2FE|FB cA defa|bf ef dfed|eBAF D2 ||
%
dB|ABde fded|adfd edBd|Adfd edfe|dBAF E2FG |
Adfd adbf|afef dB dA|fafe fded|eBAF D2 :|

%%%
X:12251
%%staffsep 80
T:REMEMBERING REAVY (reel) 
S:S: BBMG
C:© BB
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:Gmix
"G"G2dc BcdB|"F"F2cB ABcA|"G"G2dc Bcde|"F"fgag "Dm7"fdcA|
"G"G2dc BcdB|"F"F2cB ABcA|"G"G2dc BcdB|"D7"cA^FA "G"BGG2 :|
"G"d2Bd gdBd|"F"c2Ac fcAc|"G"d2Bd gaba|"G"gd^cd "F"cAFA|
"G"d2Bd gdBd|"F"c2Ac fcAc|"G"Bd~d2 "F"cf~f2|"D7"cA^FA "G"BGG2 :|

%%%
X:65084
T:RENDEZVOUS (jig), The
C:Aidan Crossey
S:S: composer
M:6/8
L:1/8
Q:1/4=160
%R:Jig
K:D Major
B|ADF Adf|afb afe|ADF Adf|agf e3|
ADF Adf|afb afe|afb afe|edc d2 :|
c|B2B Bcd|ADF ADF|B2B Bcd|fed edc|
B2B Bcd|ADF ABc|def agf|edc d2 :|

%%%
X:24014
T:RENOVATION (reel), The
C:© E. Flynn
S:S: composer
Z:Z: ABC/arr. BB
%R:reel
M:C
Q:1/4=180
L:1/8
K:A
ED|C2EC ACEF|AB (3cBA BAFE|C2EC ACEA|dcBA GECA,|
C2EC ACEF|ABcA BcdB|ce~e2 dcBA|GABG A2:|
AB|cAAf ecBA|dffe fbae|ceef ecBA|dcBA GABd|
ceef ecBA|dffe fbaf|ecBA dcBA|GABG A2:|

%%%
X:531088
T:REPEAL OF THE UNION (jig) (1)
S:S: RC01.080
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
A|BcB AGE|DGG DGG|BAB cBc|def gdc|
B3 AGE|DGG DGG|BdB cAF|AGG G2:|
A|BAB cBc|dgg fdd|fef gfg|a2g fdB|
dgg b2g|a2g fdc|BdB cAF|AGG G2:|

%%%
X:531089
T:REPEAL OF THE UNION (jig) (2)  
S:S: RC1.081
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
A|BcB AGE|DGG AGA|BAB cBc|dgg fdc|
BcB AGE|DGG AGA|BdB cAF|AGG G2:|
A|BAB cBc|dgg fdd|fef gfg|aba fdd|
dgg bgg|aba fdd|BdB cAF|AGG G2:|

%%%
X:181129
T:REPEAL OF THE UNION (reel) (1), The  
S:S: CRE.1
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:Dmix
ADD2 A3G|E2cE dEcE|ADD2 A3G|E2cE ED (3EFG|
ADD2 ADD2|GEcE dEcE|ADD2 A3G|E2cE EDD2||
Adde fdec|ABcA dBc2|Adde fdcA|GEcE EDD2|
Adde fdec|ABcd efg2|afge d2ed|cAGE EDD2|]

%%%
X:495306 
T:REPEAL of the UNION (reel) (2), The  
S:S: ONMI.1179 < Early
Z:Z: Brennan/Black
N:N: Source key is D, but this tune is now generally played as Dmix.
Q:1/4=180
%R:reel
M:C|
L:1/8
K:Dmix
A2 FD ADFD|GEcE dEcE|ADFD ADFD|GEdE E2D2|
A2 FD ADFD|GEcE eEcE|AEFD A2FD|GEcE D2D2||
Adde fdec|ABcA dBcA|Adde fdec|GEcE D2 D2|
Adde fdec|ABcA dBcA|afge fdcA|GEcE HD4|]

%%%
X:48457
T:RETREAT (march), The 
S:S: OFPC4.143
Z:Z: ABC/arr. BB
Q:1/4=100
M:2/4
%R:march
L:1/8
K:D
A|d2 ed/e/|fdd>f|gfe>d|c/d/e/c/ AA|
dd ed/e/|fddf/g/|a>bag|fdd :|
%%vskip .3in
%%text 2
L:1/16
f2|abaf dfaf|b2g2 g4|gfed cdec|dfab agfe|
d2d2 e2de|f2d2 defg|a4 abag|f2d2d2 :|
%%vskip .3in
%%text 3
zA|d3A e2A2|f2af d2d2|BdBd gfed|cdec ABAG|
F2d2 G2B2|A2d2 B2b2|a2d2 cdeg|f2d2d2 :|
%%vskip .3in
%%text 4
f2|abaf dfaf|gbgb gbgb|gfed cdec|dfab agfe|
dfdf egeg|fafa defg|a3b a2g2|f2d2d2 :|

%%%
X:13280
T:RETURN FROM FINGAL (march) (1), The 
S:S: BSMI.2
Z:Z: ABC/arr. BB
%R:march
M:C|
Q:1/4=180
L:1/8
K:D
A|B2GF EFGA|B2GF E3B|AGFA d2A2|B2A2 Bcd2|
B2GF EFGA|B2GF E2B2|AGFA d2A2|F2E2 E3 :|
e|f2e2 e2dc|B2A2 d3A|B2A2 d2A2|B2A2 Bcde|
f2e2 e2dc|B2A2 d3B|AGFA d2A2|F2E2 E3 :|

%%%
X:49435
T:RETURN FROM FINGAL (march) (2), The 
S:S: ONMI.1816
%R:march
Q:1/4=60
Z:Z: Brennan/Black
M:2/4
L:1/16
K:G
B2GF EFGA|B2GF E4|AGFA d2A2|B2A2 B^c^de|
B2GF EFGA|B2GF E4|AGFA d2A2|F2E2 E2 z2:|
f2e2 e2dc|B2A2 d2A2|B2A2 d2A2|B2A2 B^c^de|
f2e2 e2dc|B2A2 d4|AGFA d2A2|F2E2 E2 z2:|

%%%
X:57135 
T:RETURN OF SPRING (polka), The
S:S: Treoir.36b  < James Morrison
Z:Z: ABC/arr. BB
L:1/8
M:2/4
%R:polka
Q:1/4=120
K:G
B|d>d dB|G>G GD|G>B ed|dc cB|
c3A|F3D|FA ed|dc Bc|
d>d dB|G>G GD|G>B ed|dc c>B|
Af f>f|Ae e^c|dB c/B/A|GF G2|]
%
g>g ge|ff f>d|ee eB|d2 dB|
GB/d/ ed|F3 D|F>A ed|G3 B/d/|
g>g ge|ff f>d|ee eB|d3 B|
GB/d/ ed|F3 e/f/|gf ef|g2 g>e||
%
dB g>f|ee ag|fd ef|ed BG/B/|
dB g>f|ee a>g|fd ef|g2 g2 :|

%%%
X:13341
T:RETURN TO CAMDEN TOWN (reel), The 
S:S: BSMI.3
Z:Z: ABC/arr. BB
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:Am
D|E2DE CA,A,2|EDCD EGAB|cBcd edeg|aged cABG|
E2DE CA,A,2|EDCD EGAB|cBcd edeg|aged cAA :|
B|c2gc acgc|c2gc BAGB|cBcd edeg|aged cAAB|
c2gc acgc|c2gc BAGB|A^GAB cdea|gedB cAG :|
"^coda"gedB cABG|HA4z4|]

%%%
X:12252
%%staffsep 80
T:RETURN to COROFIN (reel)
S:S: BBMG
C:© BB
%R:reel
%% The one in Clare, that is!
Q:1/4=180
M:4/4
L:1/8
K:D
"D"FGAB AFDF|"G"GABc "D"d3 A|"Bm"F2 BF dFBF|"G"GABd "A"cAGE|
"D"FGAB AFDF|"G"GABc "D"d3c| "G"dfgf "Em"edBd|"A"cAGE "D"D4 :|
"D"fdfa "G"gabg|"Bm"afdB "A"BA ~A2|"D"FGAB AFDF|"G"GABc "D"d3 e|
"D"fdfa "G"gb ~b2|"Bm"afdB "A"BA ~A2|"G"Bdgf "Em"edBd|"A7"cAGE "D"D4 :|

%%%
X:13230
T:RETURN TO MILTOWN (reel) (1), The 
S:S: BSMI.2
Z:Z: ABC/arr. BB
%R:reel
M:C
Q:1/4=180
L:1/8
K:Dm
C|D2AD EDAD|C2ED CEGE|D2AD EDAD|CDEG cGEC|
D2AD EDAD|C2ED CEGE|F3D E3D|CDEF cGE :|
K:D
D|d3e f2ed|cdef g2fe|dcde f2ed|=cAGE EDD2|
d3e f2ed|cdef g3e|f2fd efed|=cAGE EDD2 :|

%%%
X:38233 
T:RETURN TO MILTOWN (reel) (2), The 
S:S: "Traditional Irish Music" (K.Tweed)
Z:Z: ABC/arr. BB
N:N: The double stops in m.7 are great for string instruments that can handle 
N:them. For others, play either note and you'll be OK!
L:1/8
M:4/4
Q:1/4=180
%R:reel
K:Dm
E|D2 D2 ADFD|CGEC GCEC|DA, A,2 DEFD|CDEG AcGE|
D2 D2 ADFD|CGEC GCEC|[F3A3]D [G3E3]D|CDEG AcG:|
K:D
A|d3 e f2 ed|cdef gece|dcda fded|cAGE FDFA|
dAde faed|cdef g3 e|fafd eged|cAGE FDF:|
"^coda"cAGE F2E2|HD4z4|]

%%%
X:46083
T:REYNARDINE 
S:S: OFHC33.01 (as "Renodine")
Z:Z: ABC/arr. BB
N:N: Dotted rhythm in sourceefinitely a song, not a dance tune.  
L:1/8
M:C
K:G
gf|e2e2 d2BA|B3G E2G2|A2A2 G2F2|G6 :|
EF|G2d2 d2ef|g3a f3d|e3f edBd|e6gf|
e2e2 d2BA|B3G E2G2|A2A2 G2F2|G8 |]

%%%
X:581154 
T:REYNARDINE HORNPIPE, The
S:S: WSGM.315 < J.O'Neill ms
Z:Z: Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=150
%R:hornpipe
K:G
%swing .25
Bc|dedB cBAG|F2ED EAGF|D2DE GABG|cBcd A2Bc|
dedB cBAG|F2ED EAGE|D2 DE GBAB|G2 GA G2:|
BA|GEDE GABc|d2 dd d2 cd|edcB cBAB|cBAB c2 B2|
dedB cBAG|F2 ED EAGE|D2 DE GBAB|G2 GA G2:|

%%%
X:51073
T:RICE'S FAVORITE (reel)
S:S: TIDT 2/13
C:J. Kelly
Z:Z:ABC BB
M:C
L:1/8
%R:reel
Q:1/4=180
K:E dorian
z|efec dfed|BdAF DEFA|efec defg|ad~d2 bagf|
efec dfed|BdAF DEFA|GBEF GABb|agfa gee :|
%
z|Be~e2 Beec|d2 (3Bcd ADFA|Beec defg|fbag fgef|
geBA GABc|d2 (3Bcd ADFA|BAGF EFGb|agfa gee:|
%
F|G3F GABA|G2BG AFDF|GBEF GABc|dcBA BGEF|
G3F GABc|1 dB~B2 ADFA|BAGF EFGe|fagf gee:|
[2 dB~B2 AFDF|EFGB ABde|fgfd He4|]

%%%
X:37150 
T:RICHARD BRENNAN'S (jig)  
S:S: MFC.079E
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
B,|A,2F FED|FAF FEF|DFA dAF|A,CE A,CE|
F3 FED|FAF FEF|DFA dAF|1 A,CE DC:|2 A,CE D2||
|:g|fed edc|dcd AFD|fed edc|dfb a2g|
faf edc|dcd AFE|DFA dAF|1 ECE D2:|2 ECE HD3||

%%%
X:141030
T:RICHARD CUSACK 
C:O'Carolan
S:S: CAR-OS
Z:Z: Gilb/Brennan/Black
N:N: Jig version (mine) as "Cusack's" in the "CU tunes" volume
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:D
%%text "con brio"
%%vskip .3in
(3A/B/c/|d2d dcd|c2c cAc|B2B BGB|cAA A2 (3A/B/^c/|
d2d def|c2c cAc|BGB A2G|FDD D2||
D//E//F//G//|A2G ABc|dAG FDD|DEF GAB|cAA A2 (3A/B/^c/|
d2d dBd|c2c cAc|BGB ABG|FDD D3|]

%%%
X:13331
T:RICHARD DWYER'S (reel) (1) 
S:S: BSMI.3
Z:Z: ABC/arr. BB
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:A dorian
A2EA cdec|dBGB AEGF|EAcA Bdgf|eaag abag|
e=fed cAA2|g2dc BdcB|AEcE dEcd|ecBG EAA2 :|
a2ea c'aea|g2dg bgdg|aged cded|cABG EAA2|
a2ea c'aea|gage dBGB|ABcd eaaf|gedg eAA2 :|

%%%
X:62114
T:RICHARD DWYER'S (reel) (2)
S:S: GSTC 
Z:Z: ABC/arr. BB
N:N: If the /c'/ in mm 9 and 13 is a problem, you can play those measures an 
N:octave lower (/A2EA cAEA/) and almost nobody will notice!
Q:1/4=180
M:C
%R:reel
K:Adorian
A2EA cdea|gedB AEGF|EAcA Bdgf|eaag a2eg|
abag eA A2|cedc BcdB|AEcE dEcd|ecBG EAA2:|
a2ea c'aea|g2dg bgdg|A2ed cded|cABG EAA2|
a2ea c'aea|g2eg dBGB|A2Bd eaa2|gedg eAA2:|

%%%
X:581155
T:RICHER'S HORNPIPE  
S:S: WSGM.331 < "Wilson's Companion to the Ballroom" 1816
Z:Z: Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=150
%R:hornpipe
K:D
%swing .25
fg|afaf d2cd|ecec A2GF|GABc defg|ecAc e2fg|
afaf d2 cd|ecec A2 GF|Ggbg fdec|d2 dc d2:|
de|fdfd B2 ga|b2 e2 e2 cd|ecec A2 fg|a2 d2 d2 A2|
BcdB AFAF|BcdB AFAF|Ggbg fdec|d2 dc d2:|

%%%
X:15020
T:RICHMOND BALL, The
S:S: CCCD
Z:Z: ABC/arr. BB
M:C
%R:reel % ?
L:1/8
Q:1/4=160
K:D
efg|a4 g4|f2gf e2A2|defg e2A2|defg e2A2|
a2ba g2ag|f2gf e2A2|defg e2^c2|d4-d :|
zAG|F2A2 F2A2|F2A2 F2A2|A2GA F2A2|A2GA F2A2|
FGAG FGAG|FGAG F2f2|e2d2 e2^c2|d4-d :|

%%%
X:21172 
T:RICK'S RAMBLES (hornpipe) 
S:S: DMI.0940
Z:Z: Nordberg/Black
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:G
%swing .25
EF|GFGA BDEF|GBAG FGAc|dgfe dcBc|d2ed cAFA|
GFGA GBdB|cBAG FGAc|dgfe dcEF|A2G2G2:|
Bc|dcBc edBG|A2EF AGFE|DddB cAEF|GBAF GDB,D|
GDEF GBdB|cBAG FGAc|dgfe dcEF|A2G2G2:|

%%%
X:496040 
T:RIDE [RIDING] A MILE  (slip jig) (3)
N:N: "1st Setting"
S:S: ONMI.1157
Z:Z: Brennan/Black
Q:1/4=160
%R:slip jig
M:9/8
L:1/8
K:A
z|efg a2a gfe|a2c c2d e3|efg aba gfe|
[1 f2B B2c d2:|2 fga baf a2|:f|ecA ABA ABA|
cBA A2A agf|ecA ABA ABA|F2B c2d e2:|
"^coda"fga bag Ha3|]

%%%
X:496041 
T:RIDE [RIDING] A MILE  (slip jig) (4)
N:N: "2nd Setting"
S:S: ONMI.1158 < F.O'Neill
Z:Z: Brennan/Black
Q:1/4=160
%R:slip jig
M:9/8
L:1/8
K:G
dBG G2D G3|dBG GBd gfe|dBG G2D G3|
E2A A2B cBA:|GBd gaf g3|GBd g2B cBA|
GBd gaf g2B|cBc A2B cBA:|"^coda"G6z3|]

%%%
X:331084
T:RIDE [RIDING] A MILE (slip jig) (1)   
Z:Z: ABC/arr. BB
S:S: Levey1.44 (with parts reversed)
Q:1/4=160
L:1/8
%R:slip jig
M:9/8
K:G 
%%text source key = A; "quick"
%%vskip .3in
e|dBG GAG GAG|BAG G2G gfe|dBG GAG GAG|
e2A A2B c2 :|c|def g2g fed|g2B B2c d3|
def gag fed|1 e2A A2B c2 :|2 efg agf Hg3|]

%%%
X:48233 
T:RIDE [RIDING] A MILE (slip jig) (2)
S:S: OFPC2.70 ("Irish")
Z:Z: ABC/arr. BB 
Q:1/4=160
M:9/8
L:1/8
%R:jig
K:D
B|ABc ded cBA|dAF FAF A2B|ABc ded Bcd|
e2E EGE G2 :|B|AFD DED AFD|AFD DED Bcd|
AFD DED AFD|BGE EFE G2 :|B|d3 Bcd AFD|
d2d BdB c2e|d3 Bcd AFA|BGE EFE G2 :|
B|ABc dAF dAF|ABc dAF B2d|ABc dAF dAF|
BGE EFE G2 :|"^coda"BGE EFE GFE|HD6z3|]

%%%
X:532097
T:RIDING ON A LOAD OF HAY (polka)
S:S: RC2.343
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:Edor
B|E>F GA|Be e2|dB AG|FD DF|
E>F GA|Be ef|ge dB|e2 e:|
f|ge fd|eB Bc|dB AG|FD Df|
ge fd|eB Bc|d>B AF|E2 ef|
ge fd|eB Bc|d>B Ad|FD A>F|
EG FA|GB ef/g/|fd/f/ af|e4|]

%%%
X:44156 
T:RIGHT LOCK OF FIDDLERS* (hornpipe), A 
S:S: NFID.246b < P.Turbit ("untitled hornpipe")
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:C|
%R:Hornpipe 
K:G
%swing .25
%%text source key = D
%%vskip .3in
dc|B2GA BdGA|BcdB edcB|A2FD ADFD|EG AB cAdc|
B2GA BFGA|BcdB edcB|A2FA DEFG|A2G2G2:|
zD|EFGD EFGD|EFGD EFG2|FGAB cBA2|GABG D2DD|
EFGD EFGD|EFGD EFG2|FGAB cBAF|A2G2G2:|

%%%
X:35058
%%staffsep 80
T:RIGHT ROAD (reel), The
C:Rick Gagne 
S:S: composer
Z:Z: ABC/arr. BB
%R:reel
N:N: "d/o/c/ 1987 on whistle"
M:4/4
Q:1/4=180
K:D
(3ABc |"D"dFF2 AFF2 |"Bm"DFF2 "A"A2Bc|"G"dcde dcBA|"Em"fdec "A" dcBA|
"D"dFF2 AFF2 | DFF2 "A"A2Bc | "G"dcde "G"dcBA |1 "A"fdec "D"d2 :|\
[2 "A"fdec "D"dcde ||
"Bm"f2df "A"a2ab | "D"agfg "A"a2af | "G"g2ga "Em"gfed | "A"cdBc A2Bc |
"D"dFF2 AFF2 | "Bm"DFF2 "A"A2Bc | "G"dcde dcBA | "Em"fdec "D"dcde | 
"Bm"f2df "A"a2ab | "D"agfg a2af | "G"g2ga "Em"gfed | "A"cdBc ABGA | 
"D"DFF2 AFF2 | "G"GBB2 "Em"e2de | "D"faa2 "Em"bagf | "A"fedc "D"d2 |]

%%%
X:11086
T:RIGHTS OF MAN (hornpipe) (1), The
S:S: AIF
C:James Hill
Z:Z: Brennan/Black (arr.)
Q:1/4=150
M:C|
L:1/8 % dotted 
%R:hornpipe
K:Em
%swing .25
GA|BdAB GAFG|EFGA B2ef|gfed Bdef|gedB A2GA|
B2AF GAGF|EFGA B2ef|gfed Bfef|e2E2E2:|
ga|bagf efga|bged egfe|d2dc defg|afdf a2gf|
edef gfga|bgef gaba|gfed Bgfg|e2E2E2:|

%%%
X:21173 
T:RIGHTS OF MAN (hornpipe) (2), The 
S:S: DMI.0811
Z:Z: Nordberg/Black
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:Em
%swing .25
GA|BdAB GAGF|EFGA B2ef|gfed edBd|cBAG A2GA|
BdAB GAGF|EFGA B2ef|gfed Bgfg|e2E2E2|]
ga|babg efga|babg egfe|d2d^c defg|afbf afdf|
edef gfga|bgaf gfef|gfed Bgfg|e2E2E2|]

%%%
X:252077
T:RIGHTS OF MAN (hornpipe) (3), The 
Z:Z: ABC/arr. BB
S:S: FS2.32c
M:C
L:1/8
Q:1/4=150
%R:hornpipe
K:Em
%swing .25
GA|BcAB GAFG|EFGA B2ef|gfed edBd|cBAG A2GA|
BcAB GAFG|EFGA B2ef|gfed Bgfg|e2E2E2 :|
ga|babg efga|babg egfe|d2d^c defg|afdf a2gf|
edef gfga|bgaf gfef|gfed Bgfg|e2E2E2 :|

%%%
X:62115
T:RIGHTS OF MAN (hornpipe) (4), The 
S:S: GSTC
Z:Z: ABC/arr. BB 
C:J.Hill
Q:1/4=150
%R:hornpipe
M:C|
K:Em
%swing .25
GA|(3BcB (3ABA (3GAG (3FGF|EFGA B2 ef|gfed (3B^cd gd|E2(3dcB A2 GA|
(3BcB AF (3GAG F^D|EFGA B2 ef|gfed (3B^cd gd|1 eEE^D E2 :|2 e2 E2 E2||
ga|bgbg efga|bgbg egfe|d2 d^c defg|afdf a2 gf|
ebge BGEB,|EFGA B2 ef|gfed (3B^cd gd|1 eEE^D E2 :|2 e2 E2 E4|]
N:N: Since I have several other versions of this tune in this file, I have left the 
N:"florid" version here for those adventurous enough to try it!

%%%
X:59139
T:RIGHTS OF MAN (hornpipe) (5), The
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=150
M:C|
%R:hornpipe
K:Em
%swing .25
ed|BdAB GAFG|EFGA Bdef|gfed Bdef|gedB A2GA|
BdAB GAFG|EFGA Bdef|gefd Bgfg|e2E2E2 :|
ga|babg efga|bgag eage|d2^ce defg|afdf afdf|
edef gfga|bgaf gfed|gefd Bgfg|e2E2E2 :|

%%%
X:37151 
T:RIGMY REEL, The 
Z:Z: ABC/arr. BB
S:S: MFC.023a < J.McElhone
N:N: I have no idea what "Rigmy" refers to!
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G
ag|e2dg egdB|G2BG dGBd|e2dg egdB|GBdB BAag|
e2dg egdB|GABG AGEG|c2Ac BAGE|DEGA BA:|
GA|Bdef gceB|c2ge dBGB|cdef gcec|dBGB cAAB|
cdef gcc2|g2eg dBGB|c2Ac BAGE|1 DEGA BA:|
[2 DEGA BAA2|]

%%%
X:32021
T:RIL (Ríl) AN SPIDEIL (reel) 
C:© C.Lennon
S:S: "Musical Memories 1"
Z:Z: ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8 
%R:reel
K:D
dB|AFF2 dFBF|ABdf eBB2|AFF2 dFAF|E2CD EFGB|
[1 AFF2 dFBF|ABdf eBBA|gfge faa2|ABdg fe :|
[2 ADAd B3d|ABdf EBB2|gfge faa2|ABde fdd||
|:e|f2df afde|fgaf geeg|f2df a2fa|ABde fdde|
[1 f2df afde|fgaf geef|g3b af f2|e2ag eAd :|
[2 faa2 b2af|dfaf geef|gfgb af f2|e2ag edHd2|]

%%%
X:27077
T:RILEY'S FRIEND (reel)  
S:S: HOC.159
Z:Z: ABC/arr. BB
Q:1/4=180
N:N: This is a single version of "Five Mile Chase" (O'Neill's Four Hand Reel") 
N:with a little syncopation in m.10!
M:C
L:1/8
%R:reel 
K:G
%%text  A-B-A
%%vskip .3in
(3DEF|G2BG dGBG|GDAD cDAD|G2BG dGBd|egfa gedB|
G2BG dGBG|GDAD cDAD|G2BG dGBd|egfa g2||
g2|gdBd edBd|ea2g fdef|gdBd edBd|egfa g2 (3def |
g2bg efge|dedc BGBd|efed edBd |egfa ge"_DC"dB||\
"^coda"G4z4|]

%%%
X:37152 
T:RILEY'S REEL (1)
S:S: MFC.043c
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Em
BEED GABd|dBAG FADA|BEED GBeg|fedf edBA|
BEED GABd|dBAG FADA|BEED GBeg|fedf e2ef||
eBef gbeg|fdad bdad|eBef gbeg|fedf e2ef|
eBef gbeg|fdad bdad|efga bgaf|gfed Bged|
"^coda"e4z4|]

%%%
X:184182
T:RILEY'S REEL (2)
S:S: CRE.4 <Donnelly < W.Jones
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=180
M:4/4
%R:reel
K:Em
A|BEED GABd|dBAG FADA|BEED GBeg|fedf edBA|
BEED GABd|dBAG FADA|BEED GBeg|fedf e3 :|
f|eBef gbeg|fdad bdad|eBef gbeg|fedf e2 ef|
eBef gbeg|fdad bdad|efga bgaf|1 gfed Bge :|
[2 gfed BgdB|e4z4|]

%%%
X:56051
T:RING AROUND THE MOON (reel), The   
C:V. Broderick
S:S: Turoe.35a
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:Em
A|B2BA G3E|D2BG DGBd|e2ed B2Bd|e2ed edBA|
BcBA G2GE|D2BG DGBd|e2ed efga|agfg e3:|
f|g3d B3d|g2fg edBd|eABA A2Bd|eABA Bcde|
g2gd B2cd|g3d B3d|e2ed efga|agfg e3:|

%%%
X:38234 
T:RING FINGER REEL, The 
C:B. McComiskey
S:S: composer
Z:Z: ABC/arr. BB
L:1/8
M:4/4
%R:reel
Q:1/4=180
K:D
fded BdAB|dcde faag|fded B2 dB|A2AB Adde|
f2 dA BABd|Adfa g2 fg|afga fded|cAAB ceag:|
fdd2 fdad|fdd2 eAce|d2 fd afdA|B2 ge fage|
fdd2 Adfd|Adfa g2 fg|afga fded|1 cAAB ceag:|
[2 cAAB cege|Hd4z4|]

%38234: Composed by Billy for box player Terry Winch - Billy says that D/C# 
%box players don't have to move their hands to play this tune if they 
%start with their ring fingers on the F#!
%
%%%
X:535387
T:RINNCE MÓR
T:The Big Dance  
S:S: RC3.135
Z:Z: ABC/arr. BB
N:N: Roche's instructions:  "at end of tune, repeat from coda sign (m.41) to 
N:fermata (m.48), then repeat from 'segno' to "coda" (m.40)" Got all that?
L:1/8
M:6/8
K:A
d|ScdB A2E|F2E A2d|cdB A2B|cee fed|
cdB A2E|F2E A2B|c2d B2c|A2B cBA||
%%
c3 cdB|c2e efg|a2f g2e|f2c ecB|
c3 cdB|c2e efg|a2f b2a|gaf e2d||
%%
cdB A2E|F2E A2d|cdB A2B|cee fed|
cdB A2E|F2E A2B|c2d B2c|A2B cAF||
%%
EAA cBA|ecA cBA|EAA cBA|cBB B2c|
EAA cBA|ecA cBA|EFA Bcd|cAA A2||
%%
g|aga fec|f2e cBA|EAA cBA|cBB B2g|
aga fec|f2e cBA|EFA Bcd|"^40"cAA A2||
%%
K:D 
"coda"A|"41"FED AGF|BAA A3|dcB edc|dAF D2A|
fed agf|BAA A3|dcB edc|"^48"d3 Hd2||
%%
A|def efg|fed cde|dcB Bcd|BAF EFA|
Bdd Add|Fdd Edd|Ddd edc|dAF D2||

%%%
X:38235 
T:RINNCE PHILIB A CHEOIL (slip jig) 
Z:Z: ABC/arr. BB
N:N: Also known as "Philip McHugh, McKeogh, McCue" etc.(= attempts to
N:'put English' on the Gaelic, or maybe the other way around!)
L:1/8
M:9/8
%R:slip jig
Q:1/4=160
K:G
G2 A B2 G c2 A|d2 B cAG F2 F|G2 A B2 G c2 A|
d^cd cAF G3:|A2 A A2 G F2 D|A^GA AGF G3|
A2 A A2 G F2 D|d^cd cAF G3:|

%%%
X:57136
T:RIP THE CALICO (reel)
S:S: Treoir 48
D:D: "Forgotten Gems" (Carberry - McGovern)
Z:Z: ABC/arr. BB
C:Patsy Tuohey
M:C
Q:1/4=180
%R:reel
K:Em
D|EGAB cAGE|D2FD ADFD|EGAc BGG2|BGcA GED2|
EGAB cAGE|D2FD ADFD|EGAc BGG2|BdcA G3:|
K:D
A|d2fd fged|cAeA fAeA|Adfa gfed|cABc d2FA|
d2fd fged|cAeA fAeA|d2fa gfed|cABc d3:|

%"second setting"
%ABAG FAAF|G2Bc dGBG|A2AG FAFA|GFGF E2D2|
%ABAG FAFA|G2Bc dGBG|A2AG FAFA|GFGF E2D2||
%(3ABc de f3f|g2f2 edBB|(3ABc de f2fg|afgf e2d2|
%(3ABc de f3f|afgf edcB|Adde fefg|afgf e2Hd2|]
%%%
X:182245
T:RIP THE CALICO (reel) 
T:Tear the Calico
S:S: CRE.2 
Z:Z: ABC/arr. BB
M:C
%R:reel
Q:1/4=180
K:D
d2fd d2fd|edBd egfe|d2fd d2fd|efdB A3c|
d2fd d2fd|ed (3Bcd egfe|d2fd d2fd|efdB A3z||
%
dBB2 g2fg|edBd e2fe|dBB2 g2fg|e2 dB A3z:|
%
a2af g2ef|edBd egfe|faaf g2fg|e2 dB ABde|
faaf g2ef|edBd egfe|faaf g2fd|e2ef g2fe|Hd4z4|]

%%%
X:185215 
T:RIPPLES ON THE RIVER* (hornpipe)  
S:S: CRE.5 (unnamed)
Z:Z: ABC/arr. BB
M:4/4
Q:1/4=140
%R:hornpipe
K:D
%swing .25
fe|dAFA dADA|dcde fefg|a2gf g2fe|f2ed egfe|
dAFA dADA|dcde fefg|afge fdec|dfec d2:|
fg|a2gf g2fe|f2ed efge|defg afge|fefd efgb|
a2gf g2fe|f2ed egfe|defa gfge|dfec d2:|

%%%
X:491495 
%%historyfont 15
T:RISING OF THE MOON, The  
S:S: ONMI.0158 < O'Brien
N:N: Not the same as the Clancy Bros. song ("Oh then tell me Sean O'Farrell ...")
Z:Z: Brennan/Black (arr.)
M:C
L:1/8
K:A
%%text "animated"
%%vskip .3in
A3B c2d2|e2a2g e3|c3e d2B2|A2A2G4|
A3B c2d2|e2a2g e3|c3e d2B2|B2A2A4||
e2f2 g2a2|b2 a2 ge3|c3d e2f2|g2a2e4|
e2f2 g2a2|b2 a2 ge3|c3e d2B2|B2A2A4|]

%%%
X:532098 
T:RISING of the SUN (hornpipe), The   
S:S: RC2.221
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8 
M:C|
%R:hornpipe
K:D
%swing .25
e|d2FB A2FA|Bdeg fBcA|d2FB A2FD|EGFE Dgfe|
d2FB A2FA|Bdeg fBcA|dfeB A2FA|BGAF D3:|
c|defg afed|cAeA fAeA|defg afed|cABc d3A|
defg afed|cAeA fAeA|defg abag|fgfe d3 :|
N:N: 1: As "Rising Sun" this is also (? usually) played as a reel. 
N:N: 2: Source has this as A-B-A tune but provides no "fine" to the A part. In any 
N:event I'm treating this as NOT A-B-A but as a standard 16/16 hornpipe (or reel 
N:if you decide to try it that way.)

%%%
X:581156 
T:RISING STEP (jig), The  
S:S: WSGM.170 < F.O'Neill
Z:Z: Kinder/Black (arr.)
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
B|DFD G2B|AGE G2B|DFD G2B|AGE E2G|
DFD G2B|AGE G2A|Bdc B2 A|G2E D2:|
B|dcd BAG|BdG BAG|dcd BAG|BAA A2c|
[1 dcd BAG|BdG BAG|ABc B2 A|G2E D2:|
[2 dcd efg|afd edB|cdc B2 A|DEF HG3|]

%%%
X:182329 
T:RISING SUN  (reel) (a3), The
S:S: CRE.2 
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
fe|d2FB A2FA|Bdef gfef|dedB AGFD|EFGE D2fe|
dADB ADFA|Bdef gfef|dedB AGFD|EGFE D2:|
(3ABc|defg afed|cA eA fAeA|defg abaf|
gfef dcBA|defg afed|cA eA fAeA|defg abaf|
fdec d2:|

%%%
X:182327 
T:RISING SUN (reel) (a1), The
S:S: CRE.2 
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
e|dADA BAFA|Bdeg fgec|d2cB AFDF|EGFE D2 (3ABc|
dADA BAFA|Bdeg fgec|dcdB AFDF|EGFE D3 :|
B|defg afed|cAeA fAeA|defg afbg|faef d2 (3ABc|
dff2 afed|cAeA fAeA|defd efge|f2 af def:|
"^coda"f2af defc|Hd4z4|]

%%%
X:182328 
T:RISING SUN (reel) (a2), The
S:S: CRE.2 
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
e|d2FG ADFA|Bdeg fdec|dBAG ADFD|EGFE Dgfe|
d2cB ADFA|Bdeg fdec|d2FG ADFD|1 EGFE Dgf:|2 EGFE D2B||
A|defg afed|cAeA fAeA|defg afed|cABc d2 A2|
defg afed|cAeA fAeA|f3a g2 ag|fgec dcB :|
"^coda"fgec Hd4|]

%%%
X:182260 
T:RISING SUN (reel) (a4), The
S:S: CRE.2 
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
Bc|d2dB A2FA|Bege fdBc|d2dB ABAF|EDEF DFAB|
d2 dB A2 FA|Bege fd A2|d2 dB ABAF|EDEF D2 :|
Bc|d2 fd Adfd|e2 fd edAc|d2 fd Adfd|Beef e2 AB/c/|
d2 fd Adfd|e2 fd edBd|dedB ABAF|EDEF D2:|

%%%
X:11054
T:RISING SUN (reel) (a5), The
S:S: AIF
Z:Z: Brennan/Black (arr.)
N:N: Note source's ABB structure. 
Q:1/4=180
M:C
L:1/8 
%R:reel
K:D
c|dBAF DFDE|FEFA BABc|dcdB AFdB|AFEF D2Dc|
dBAF DFDE|FEFA BABc|dcdB AFdB|AFEF D3||
c|defg afdf|edef edBA|defg afdf|edef d2dc|
defg afdf|edef edBA|defg afbf|gfec dgf:|
"^coda" gfec Hd4|]

%%%
X:21174 
T:RISING SUN (reel) (a6), The
S:S: DMI.0608
Z:Z: Nordberg/Black
%R:reel
Q:1/4=180
M:C
L:1/8
K:D
fe|d2FB A2FA|Bdeg fdBc|d2FB AGFD|EGFE Dgfe|
d2FB A2FA|Bdeg fdBc|dcdB AGFD|EGFE D2||
Ac|defg afed|cA eA fAec|defg afed|cA Bc d2Ac|
defg afed|cA eA fAec|dfff dggg|fgfe d2||
fg|afbf afdf|gfed cdeg|afbf afdf|abag fdeg|
afbg afdf|gfed fdBc|d2FG A2de|faef Hd4|]

%%%
X:62116
T:RISING SUN (reel) (b), The 
S:S: GSTC
Z:Z: ABC/arr. BB
N:N: A member of the "Galway Rambler" family. 
Q:1/4=180
%R:reel
M:4/4
K:G
F|G2dG eGdG|G2dB AGEF|G2dG eGBd|gedB AGEF|
G2 dG eGdG|G2 dB AGEF|G2 GF GABd|gedB AGEG||
g2 bg agba|gabg agef|g2 bg a^gab|gedB AGEG|
gfgb a^gab|gabg a2 ga|bgag ea a2|gedB AGEF||\
"^coda"G4z4|]

%%%
X:493333 
%%historyfont 15
T:RIVALS (jig), The 
S:S: ONMI.1103 < F.O'Neill
Z:Z: Brennan/Black
%R:jig
Q:1/4=160
N:N: Some ambiguity as to key, but accented G's are pointing towards A modal.
M:6/8
L:1/8
K:Amodal
f|ecA ABA|cBA Aaf|ecA ABA|dBG GBd|
cBA ABA|ecA Ace|fed edc|dBG A2:|
%
B|Aaa aea|cBA ABA|Ggf gfg|dBG GcB|
Aaa aea|fga efg|fed edc|dBG A2:|
%
B|Aaa e2a|cBA AcB|Aaa efg|dBG GcB|
Aaa efg|fga efg|fed edc|dBG A2:|

%%%
X:184084 
T:RIVER MEADOW* (polka), The 
Z:Z: ABC/arr. BB
S:S: CRE.4 <  Barrett < Collins (unnamed)
L:1/8
M:2/4
Q:1/4=120
%R:polka
K:D
A/G/|FA FD|GB B>A|FA FD|FE EG|
FA FD|GB B>A|Bd AG|FD D:|
e|fd dB|Ad d>e|fd ag|fe eg|
fd dc|Bd d>B|Ad BG|FD D:|

%%%
X:534069
T:RIVER ROE (air)
T:Patrick Sheehan
S:S: RC1.079
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=120
M:6/8
K:G
%%text "moderato"
%%vskip .3in
GA|B2B G2E|A2G E2G|D2E G2G|G3-G2A|
B2A B2d|e2f d2B|G2G A2G|E4 zc|
B2A B2d|e2f d2B|G2G A2G|E3 EGA|
B2B G2E|A2G E2G|D2E G2G|G6|]

X:35059
%%staffsep 80
T:ROAD BY DAY (reel), The
C:Rick Gagne 
S:S: composer
Z:Z: ABC/arr. BB
%R:reel
N:N: "d/o/c/ 1987 on bouzouki; first part played only once"
Q:1/4=180
M:4/4
K:D
fe | "D"dcBA "Em"GEE2 | "Bm"DEFA "A"E2AG | "D"FGAd "G"Bdd2 |\
"A"cdec "D"d2de | 
"D5"fdfa "G"gfed | "A"cdec "A5"A2ag | "D"fedA "G"Beed | "A"cdec "D"d2 ||
DE | "Bm"FAA2 "G"GBB2 | "A"Addc "A5"A2AB | "Am"=cAB=c "A"^cABc |\
"D"defd "A"efge | 
"D"faa2 "G"bagf | "A"edcB "A5"A2ag | "D"fedA "G"Beed | "A"cdec "D"d2 :|

%%%
X:35060
%%staffsep 80
T:ROAD BY NIGHT (reel), The
C:Rick Gagne
S:S: composer 
Z:Z: ABC/arr. BB
%R:reel
N:N: "d/o/c/ 1987 on bouzouki"
M:4/4
Q:1/4=180
K:A dorian
ed | "Am"cAA2 EAA2 | "G"BAGB "Am"A2AB | "C"c2cd "Am"edcA | "Em"Beeg e2eg | 
"Am"aee2 "C"cee2 | "Em"Beeg e2ed | "Am"cAA2 EAA2 |"Em"BAGB "Am"A2 :|
cd|"C"eage "Am"aged | "D"^cdef "Em"g2fe | "Bm"dBB2 "G"GBB2 | "Bm"dBBd "Em"e4 |
"D5"[d'd]AA2 "C"[c'c]AA2 | "Bm"bAA2 "Am"a2ef | "Em"gfge "G"dBGB |"Am"cedB AB :|\
"^coda""Am"cedB HA4|]

%%%
X:41294 
T:ROAD DUST JIG, The 
C:Mary Coogan
S:S: composer
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
%R:jig
M:6/8
K:Am
A|G^FG GAB|cBc def|edc cde|dBG ^FGA|
G^FG GAB|cBc def|edc cde|d3 B2 :|
e|f3 fed|e2d cde|dBG GAB|A^FD D2e|
[1 f3 fed|e2d cde|dBG GAB|A3-A2 :|
[2 BGG AGE|GED DEG|A2c BAG|HA6|]

%%%
X:141172
T:ROAD FROM NOBBER*, The
T:"O'Carolan's Second Untitled Piece"
S:S: CAR-OS
C:O'Carolan
Z:Z: Gilb/Brennan/Black 
M:3/4
Q:1/4=100
L:1/8
K:Dm 
%%text "poco andante"
%%vskip .3in
AB/c/|d2 e2 dc|d2 e2 f2|A2 BA GF|GB AG FD|
F4 FD|CD FG AB|A2 BA GF|G4 AB/c/|
d2 e2 dc|d2 e2 f2|A2 BA GF|GB AG FD|
B4 (3BAG|A4 GF|GA BA GF|D4||
%%
A2|d2 dc de|f2 fe fg|a2 ba gf|g2 ag fe|
f4 fd|cd fg ab|a2 ba gf|g4 fg|
a2 ba gf|g2 ag fe|f2 ag fd|cd ef cA|
FE FG Ac|df cA FA|GA BA GF|HD6|]
N:N: 1: The original has the term "volti" between the parts. Since the word 
N:means "turn" in Italian and seems to apply to page turns, I have omitted 
N:it here.
N:N: 2: Nobber (Co.Westmeath) was Carolan's birth place.

%%%
X:50082 
T:ROAD THROUGH the MOUNTAIN* (jig), The  
S:S: Petrie.412 (as "Mountain Road")
Z:Z: ABC/arr. BB
N:N: Renamed to avoid confusion with "session" reel of same name
Q:1/4=160
N:N: Repeats added
M:12/8
L:1/8
%R:jig
K:Dmodal 
%%text source key Eb
%%vskip .3in
c|dcA d2e f2d e2c|dcA f2d ecB A2d|
dcA cde f2d e2d|c2A G2E DED D2 :|
E|D2E DEG A2B c2A|dcA f2d ecA GEC|
D2E DEG A2B cBA|dcA G2E DED D2 :|

%%%
X:41295
T:ROAD TO ABBEYFEALE (jig), The
C:M. Mulvihill
S:S: MVBT
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
B/c/|d^cd gdB|cAG FGA|d^cd gdB|cAB c2 c|
d^cd gdB|cAG FGA|def gdB|cAF G2 :|
B/c/|dgg dgg|fdc ABc|dgg dgg|fdB c2 c|
dgg dgg|fdc ABc|d^cd gdB|cAF G2 :|

%%%
X:496042 
T:ROAD TO ATHLONE (slip jig), The 
S:S: ONMI.1170
Z:Z: Brennan/Black
Q:1/4=160
%R:slip jig
M:9/8
L:1/8
K:G
g|dec BcA GBd|dBG GBd e2g|dec BcA GBd|
gab agf e2:|d|gfg agf edB|gfg agf ega|
bgg agf efg|dBG GBd e2:|

%%%
X:41296
T:ROAD TO BALLINAKILL (jig) , The
C:Michael Rafferty 
C:(Ballinakill)
S:S: MVBT
Z:Z: ABC/arr. BB
N:N: A composition of "the other" Mike Rafferty (i.e. the Galway one, not 
N:the New Jersey one!)
Q:1/4=160
%R:jig
L:1/8
M:6/8
K:G
A|BAB GBd|ede Gce|Bcd dBG|FAF DFA|
BAB GBd|ede Gce|dBG DFA|AGF  G2 :|
z|B2 d gdB|c2 e gdc|B2 d gdB|Agf edc|
B2 d gdB|c2 e gdc|Bcd cAF|AGF G2 :|

%%%
X:40024
T:ROAD TO BALLYFARNON (slip jig), The
D:D: "Til Time is No More" tr.13c
S:S: composer
C:© Larry Mallette
Z:Z: ABC/arr.BB
%R:slip jig
Q:1/4=160
M:9/8
K:Em
B3 EGB EGB|B3 edB edB|A3 DEG cBA|
G3 AFD E3:|B2e gfe gfe|c2d efe dcA|
c2d edc AGE|BEG EGF E3|B2e gfe gfe|
c2d efe dcA|c2d efg agf|dBG EGF E3||
%
BEG EGA B3|c2B AGE A3|c2B AGE AGE|
BEG EGF E3|BEG EGA B3|c2B AGE A3|
c2B AGE DEG|BEG EGF E3||B2d edB edB|
A2B cBA cBA|G2A BAG F3|G3  AFD E3|
B2d edB edB|A2B cBA ABc|G2A BAG F2E|
GEG AFD E3|]

%%%
X:183227 
T:ROAD TO BOYLE (hornpipe), The 
N:N: a/k/a/ Delahunty's, The Wicklow
S:S: CRE.3
Z:Z: ABC/arr. BB
N:N: Source has no C naturals anywhere.
%R:hornpipe
L:1/8
Q:1/4=150
M:C
K:Dmix
%swing .25
dB|A3F DEFD|AGAB c2Ac|dcde fdAF| DGGF G2FG|
ABAF DEFD|AGAB cBAc|dcde fdAG|F2EF D2:|
zg|fdcd ecAF|dggf g2fg|a3b agec|dcAF G2FG|
ABAF DEFD|AGAB cBAc|dcde fdAG|FGEF D2:|

%%%
X:44157 
T:ROAD TO BRIGHTON (reel), The 
S:S: NFID.240a < JL
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:C
%R:reel 
K:G
dc|BGGF G3E|DGGA BcdB|ABAG F2AF|DAFA DAFA|
BGGF G3E|DGGA Bcd2|Bcdf efec|dcAF G2:|
GA|B2d^c d3e|fdd2 add2|BddB Adef|gfe^c Bd=cB|
Add^c d3e|fdd2 add2|Bddf efe^c|dcAF G2:|

%%%
X:32022
T:ROAD TO CASHEL (reel), The 
C:© C.Lennon
S:S: "Musical Memories 1"
Z:Z: ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:Em
FEED E2E2|FEE2 dEBd|FEED E2BA|FDBA BdAB|
FEED E2E2|FEE2 dEBd|FEED E2BA|FDdD Bdad||
BABd fdef|dfab afed|Bdge f2fe|dBAd BEFA|
BABd fdef|dfab afef|bff2 afef|bfaf edBA||\
"^coda" EFFD HE4|]

%%%
X:184180 
T:ROAD TO CLONMEL (reel), The  
S:S: CRE.4 < Donnelly < W.Jones 
Z:Z: ABC/arr. BB
N:N: Repeats added
L:1/8
Q:1/4=180
M:4/4
%R:reel
K:D
[B,B]|[A,A]DD2 FDAD|GFED CEAG|FDD2 FGAB|cAGE FDD[FB,]|
[A,A]DD2 FDAD|GFED CEAG|FDD2 FGAB|cAGE FDD :|
B|Add2 fdd2|Add2 cAGc|Adcd fded|cAGE FD D2|
Add2 fdd2|Add2 cAGE|DEFG AddB|cAGE FDD :|

%%%
X:39089 
T:ROAD TO CORK (jig), The  
S:S: MSIST.32a
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8 
M:6/8
%R:jig
K:D
d2f f3|e2g g3|f2d dcd|ecA A3|
d2f f3|e2g g3|fed cBc|d3 D3 :|
ABA F2G|A2d d3|ABA FGA|BGE E3|
ABA F2G|A2a a2g|fed edc|d3 D3 :|

%%%
X:66091
%%staffwidth 650
T:ROAD TO COSTA RICA (jig), The
D:D: "Highs and Bellows" [M.McCauley 2017]
Z:Z: ABC/arr.BB
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
z|G3 dBd|GBd cAG|EDE cAG|EDE c2A|
G3 dBd|GBd cAG|1 EGc FAd|G2F G2 :|\
[2 EGc FAF|G2F G3||
B/d/|gag fga|g2d BcA|ece a2g|fag fed|
[1 gag fga|g2d BcA|EGc FAd|G2F G2 :|
[2 gfg bgd|gdB dBG|EGc FAd|G2F G3|]

%%%
X:52101
%%staffwidth 650
T:ROAD TO DRUM (hornpipe), The
C:© E.Reavy
S:S: Ed Reavy Collection
Z:Z: McKenty/Black
N:N: This sounds to me like it should be a Dmix tune but there's no indication of that in 
N:the book.
Q:1/4=130
M:C|
L:1/8
%R:hornpipe
K:D
%%text "andantino"
%%vskip .3in
D2 FA dAFd|c2 Ad cdeg|f2ec dcAF|GECE A,ECE|
D2 FA dAFd|c2 Ad cAFG|A2ce gece|1 d2 dc dBAF:|\
[2 d2 dc def||
|:^g|a2 ^gb afdf|a2^gb afdf|g2 fa gece|Aece Aec^g|
a2 ^gb afdf|a2^gb afdf|gece bece|1 d2dc def:|\
[2 d2 dc d4|]

%%%
X:253093
T:ROAD TO GARRISON (reel), The 
C:Maurice Lennon
Z:Z: ABC/arr. BB
S:S: FS3.18b
M:4/4
L:1/8
Q:1/4=180
%R:Reel
K:D
A3B ADFA|BAFA EGFE|DA, A,2 DFAF|GBAG FDD2|
A3B ADFA|BAFA EGFE|DB, B,2 A,2dB|AFEG FDD2 :|
d3f aff2|afbf afef|d2fd Adfa|bfaf e3z|
faa2 afdf|gfeg fedB|ABde fdAF|GFEG FDD2 :|

%%%
X:342092 
T:ROAD TO GLENAMADDY (reel), The
Z:Z: ABC/arr. BB
C:Joe Liddy
S:S: Liddy2.25
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:A dorian
AG|EAAG A2BA|GAEG DGBG|A2BA GABd|efge dBAG |
EAAG A2BA|GAEG DGBG|A2 Bd edBd|gedB A2 :|
%
Bd|eaa2 agef|g2 fg edBd|eABA gefd|eABA GABd |
eaa2 agef|g2 fg gedB|GABd egaf|gedB A2 ||
%
Bd|eaa2 bgag|egde gedB|A2 Bd eAfg|edBA GABd |
eaa2 gafg|efdc BA G2|DEGA Bded|gedB HA4 |]

%%%
X:341084 
T:ROAD TO GLENCAR (jig), The  
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy1.19
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:Em 
%%text  source key = Gm
%%vskip .3in
F|G2E FED|EFE EFA|B^cd BAF|GFE DEF |
GFE FED|EFA Bcd|edB AFD|FED E2 :|
A|Bee efe|edB def|edB BdA|BAF EFA |
Bee efe|edB GAB|dBA GFE|FED E2A |
Bee efe|edB ABd|edB dBA|BAF EDB, |
B^cd efg|edB GAB|dBA GFE|FED HE3 |]

%%%
X:66093
T:ROAD TO GLOUNTANE (hornpipe), The
T:Cuz Teahan's
C:Terence "Cuz" Teahan - 1964
%R:hornpipe
S:S: Terence "Cuz" Teahan, "The Road to Glountane", page 71
D:D: "In Tandem," Kevin Burke and Ged Foley
Z:Z: Steve Bliven
M:4/4 
Q:1/4=150
L:1/8 
N:N: Dotted rhythm in source
K:A
N:N: "highland"
F |:E2 EF A2 AB | ce ec BA F2 | f2 ec AB cd | ec BA FA AF|
E2 EF A2 AB | ce ec BA F2 | f2 ec AB cd | ec Bc A2  A2:|
e2 ef a2 af | ec BA FA A2 | c2 AB cB BA | c2  BA FA A2 |
e2 ef a2 af | ec BA FA A2 | c2 AB cB BA | ce Bc A2  A2  :|

%%%
X:491496 
T:ROAD TO HOLLYHILL, The 
S:S: ONMI.0347 < J.O'Neill
Z:Z: Brennan/Black (arr.)
Q:1/4=100
M:3/4
L:1/8
K:Amix
%%text "slow - simplified version"
%%vskip .3in
AAB||c2dc/d/ ee|f2dc/d/ ea|e2d>B AA|G2-G/A/B/G/ AB|
c2dc/d/ ef|g>f ed ea|e2d>B AA|A3||
eef/g/||a>g fe fg|f>e dc/d/ ea|e2d>B AA|\
G>A B/A/G/B/ AA|
c2dc/d/ ef|g>f ed ea|e2d>B AA|A6|]

%%%
X:51074
%irish_rolls_on
T:ROAD to KILNADEEMA (reel), The
S:S: TIDT 2/12
C:J. Kelly
Z:Z: ABC BB
M:C
L:1/8
%R:reel
Q:1/4=180
K:C
AB|cE~E2 G2AG|E2DF EAAB|cE~E2 G2AB|cdec dcBd|
cE~E2 G2AG|E2DF EAAG|FEDE FGAB|cedB c2:|
df|ecgc cBAc|BG~G2 DGBd|1 ecgc cBAB|cdeg fagf|
ecgc cBAc|BG~G2 DGBG|F2DE FGAB cedB c2:|
[2 ecgc cBAg|^fgaf gb=fb|ecgc cBAc|BG~G2 dGBG|
AFDE FGAB|cedB Hc4|]

%%%
X:51075
T:ROAD to KNOCK (reel), The
S:S: TIDT 2/14
C:J. Kelly
Z:Z: ABC BB
M:C
L:1/8
%R:reel
Q:1/4=180
K:Gdorian
B|Addc defd|cF~F2 cFAG|Addc defg|agfa gfdc|
Addc defd|cF~F2 cFAG|Addc defg|1 agfa g3:|2 agfa ged^f||
|:g2dg Bgdg|gabg afge|f2cf Afcf|fgaf ga^fa|
g2dg Bgdg|gabg afge|fefg abag|fdcA AGG2:|

%%%
X:37153 
T:ROAD TO LAVALLA* (reel), The
Z:Z: ABC/arr. BB
S:S: MFC.046b (unnamed)
N:N: Named (by me) for a townland near Martin's home town of Moyvane.
N:Repeat added to second part.
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G
D|G2BG dGBG|=F2AF cFAF|G2BG dGBG|cBAG FDEF|
G2BG dGBG|=F2AF cFAF|G2BG dGBG|cBAG FDD:|
A|:Bdgd BcdB|cBcd eAA2|Bdgd BcdB|cBAG FDD2|
Bdgd BcdB|cBcd eAA2|gefd ecdB|dBAG FDEF:|
"^coda"G4z4||

%%%
X:13119
T:ROAD TO LISDOONVARNA (reel), The
S:S: BSMI.1
Z:Z: ABC/arr BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:Dmix
DAAG ABcA|GEE2 cEGE|DAAG ABcA|BcAG FDD2 :|
defd cAA2|BGG2 cAA2|defd cAAc|BGAG FDD2 :|
"^coda"BGAG FDDE|HD4z4|]

%%%
X:13484
T:ROAD TO LISDOONVARNA* (slide), The 
S:S: BSMI.4 (unnamed)
Z:Z: ABC/arr. BB
L:1/8
%R:slide
M:12/8
Q:180
K:Edorian
E2B B2A B2c d3|F2A ABA D2E FED|
E2B B2A B2c d3|cdc B2A B2E E3 :|
e2f gfe d2B Bcd|c2A ABc d2B B3|
e2f gfe d2B Bcd|cdc B2A B2E E3 :|

%%%
X:493334 
T:ROAD TO LURGAN (jig), The 
S:S: ONMI.0830 < J.O'Neill
Z:Z: Brennan/Black
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
D|G3 B2G|c2A B2G|GBd cAG|F3 DEF|
GAG B2G|c2A BAG|ded cAF|G3 G2 :|
c|BAG AFD|DED FED|BAG AFD|F3 ABc|
BAG AFD|DED FED|BdB cAF|G3 G2 :|

%%%
X:332079
T:ROAD TO RATHMINES* (reel), The   
Z:Z: ABC/arr. BB
S:S: Levey2.10 (unnamed)
N:N: Only first part repeats in source.
Q:1/4=180
L:1/8
M:C
%R:reel
K:G 
%%text "moderately fast"; source key A
%%vskip .3in
Bc|dGBG AFDc|dGBG c2Bc|dGBG AFDF|GBAF G2Bc|
dGBG AFDc|dGBG c2BA|GBAc Bdeg|fdcA G2 :|
AG|Adde fdcA|gfga g2ag|fgag fdcA|GBAF G2FG|
Adde fdcA|gfga g2fg|fgag fdcA|fdcA G2 :|

%%%
X:62117
%irish_rolls_on
T:ROAD TO ROSSPORT (reel), The 
T:John McGrath's Composition
C:John McGrath
S:S: GSTC
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
K:D
Bc|dFF2 A2FE|DEFD EDB,C|D2FA BFAF|EDEF E2Bc|
dF ~F2 AF ~F2|DEFD EB, ~B,2|A2 FA BFAF|EA,CE D2 :|
z2|d2 fd edfd|BA~B2 AF~F2|D2 FA BFAF|EDEF E2 Bc|
defd edfd|BA~B2 AF ~F2|D2FA B2AF|EA,CE D2 :|

%%%
X:55013
T:ROAD TO SLIGO (reel), The 
C:B.Tonra
S:S: composer
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
%R:reel
K:D
A|BAdB AF F2|DEFD EFDB,|DEFA B3d|ABdf eBdA|
BAdB AF F2|DEFD EFDB,|DEFA fece|dBAG FAD :|
e|fd d2 Adfa|bafb afeg|fd d2 fabf|a3f e2 de|
fd d2 Adfa|bafb afed|ABde fece|1 dBAG FAD:|\
[2 d2AG FAD2|]

%%%
X:38236
T:ROAD TO SLIGO (slip jig), The 
S:S: "Collection of the Dance Music of Ireland" (P.McNulty)
Z:Z: ABC/arr. BB
L:1/8
M:9/8
Q:1/4=160
%R:slip jig
K:D
ABA F2G A3|BcB G2A Bcd|ABA F2G A3|efe e2d cBA:|
def fge f3|def fgf ecA|def fge f3|efe e2d cBA:|
"^coda"Hd6z3|]

%%%
X:24015
T:ROAD TO THE "GATE", The 
C:© E.Flynn
S:S: composer
Z:Z: ABC/arr. BB
%R:jig
M:6/8
Q:1/4=160
L:1/8
K:D
%%text "Gate" in quotes in Flynn MS
%%vskip .3in
E|DCD FDF|AFA dfa|gec Ace|dAG FGE|
DCD FDF|AFA dfa|gec Ace|edc d2:|
e|fef Adf|afd Adf|gfg bge|Beg bge|
fef Adf|cdf afd|gfg bge|edc d2:|

%%%
X:40025
T:ROAD TO THE DUCK (reel), The
C:© Larry Mallette
S:S: composer
Z:Z: ABC/arr.BB
D:D: "A Stroll in the Park" tr.5b
Q:1/4=180
%R:reel
M:C|
L:1/8
K:G
G|DGG2 BGEG|DGBd e2ge|dBAG cAFG|AFEF D2DE|
GBGB c2cA|BdBd e2fe|d2dA cAFG|AGFA G3:|
A|Bded f3e|dcAF GFED|G2BG dGBG|F2dF EFDE|
GBB2 c2cA|Bdd2 e2fe|dAA2 cAFG|AGFA G3:|

%%%
X:59116
T:ROAD TO THE ISLES (hornpipe), The
S:S: JOB ("Scotch")
Z:Z: ABC/arr. BB
Q:1/4=150
M:C| 
%R:hornpipe
K:A
%swing .25
EA|c4 ecBc|ABAG F2AG|FDFG ABce|B6 EA|
c4 ecBc|ABAG F2d2|cecA EGBG|A4-A2 :|
cd|eEEB cEEB|ABAG F2AG|FDFG ABce|B6 cd|
eEEd cEEG|ABAG F2d2|cecA EGBG|A4-A2 :|

%%%
X:57137
T:ROAD TO TOWN (reel), The
S:S: Treoir 48
D:D: "Forgotten Gems" (Carberry - McGovern)
Z:Z: ABC/arr. BB
M:C
Q:1/4=180
%R:reel
K:D
D2FD FAdB|A2FD EB,B,2|D2FD FAdB|AFDF EF D2:|
Adfd edfd|Adfd eBdB|Adfd edfd|AFDE FEE2| 
Adfd edfd|Adfd eBB2|g2ge f2fe|dBAF EDEF||
"^coda"HD4z4|]

%%%
X:66095
T:ROARING BARMAID (jig), The
Z:Z: ABC/arr.BB
S:S: "Irish Banjo Book" (T. Sullivan)
M:6/8
L:1/8
C:Tony Sullivan
%R:jig
Q:1/4=160
K:G
G3 EGD|G3 EGD|G3 BGG|dGG BGG|
G3 EGD|G3 EGD|GAB deg|deg edB:|
deg abb|b3 deg|abb bag|edB deg|
abb b3|agg bgg|agg egg|deg edB:|\
"^coda"HG3z3|]

%%%
X:181161
T:ROARING MARY (reel) (1) 
S:S: CRE.1 
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:D
DFF2 AFF2|ABdf g2fe|dedB AFAB|defd edBd|
DFF2 AFF2|ABdf g2fe|dedB ABdf|afea fdd2:|
abag faec|defd edBd|egg2 bgg2|aff2 gee2|
DFF2 AFF2|ABdf g2fe|dedB ABdf|afea fdd2:|

%%%
X:251084
T:ROARING MARY (reel) (2)
Z:Z: ABC/arr. BB
M:C|
S:S: FS1.18c
L:1/8
Q:1/4=180
%R:Reel
K:D
DFF2 AFF2|dff2 g2fe|dedB AFAB|defd efdB|
DFF2 AFF2|dff2 g2fe|dedB ABdf|afeg fdd2 :|
abag fgfe|dedA BG G2|egg2 bgg2|aff2 gee2|
DFF2 AFF2|dff2 g2fe|dedB ABdf|afeg fdd2 :|

%%%
X:44158 
%%staffwidth 650
T:ROBBIE'S COTTAGE* (strathspey) 
S:S: NFID.109b < SD ("untitled strathspey")
Z:Z: ABC/arr. BB
N:N: Note extra measure in second ending of B part.
Q:1/4=150
L:1/8
M:C|
%R:hornpipe
K:D
%swing .25
A2|DEFG AFD2|B,2ED CA,A,2|DEFG AFD2|1 E2E2D2:|2 E2EA D2D||
|:B|AFFd BGGB|cBAa fddB|AFFd BGGB|1 cAce fdd :|
[2 cAce FD cA|"extra"eg eg FD HD2|]

%%%
X:141055
T:ROBERT HAWKES  
C:O'Carolan
S:S: CAR-OS
Z:Z: Gilb/Brennan/Black
N:N: I'm not sure what to make of this tiny piece but it's here the way Gilb 
N:and Brennan have transcribed it. (I added the repeats just to fill out the 
N:playback.)
M:C
L:1/8
K:G
%%text "moderato"
%%vskip .3in
G|GEDE G2GB/c/|dBAG G2G>A|BAGE AGFD|GAGF E2D:|
z|dedB efe>d|dBAG G2G>A|BAGE AGF>D|EFGA G3:|

%%%
X:141066
T:ROBERT JORDAN 
C:O'Carolan
S:S: CAR-OS
Z:Z: Gilb/Brennan/Black
N:N: The Bard Goes Pentatonic! Not a D or a G# in the entire piece makes this 
N:a very "Oriental"-sounding tune.
Q:1/4=120
M:C
L:1/8
K:A
%%text "allegretto"
%%vskip .3in
e2ce f2e2|c2B2 A2FE|F2A2 A2Bc|e2c2 B2z2|
c2e2 f2e2|ecBA a2A2|abc'b bafe|f6 e2|
fgaf e>fec|BABc e2c/e/f|e2c>B A2cB|AFB2 B2AB|
cBAG ABcA|BAFE FGAF|EFEC ECB,A,|C4 A4:|
E2B,C EFCF|ECB,A, A2A,2|ABcB AEBA|F4 f2f2|
e/c/BAB c2a2|e/c/BAB c2a2|b2af efec|B4 B2cA|
F2A2 ABAF|EFAB cBcA|BABc eceB|A2f2 f2fe|
c2cB A2A2|B2BA F2F2|fecB A<FA<E|F2A2 A4:|

%%%
X:38237 
T:ROBIN (reel), The
S:S: "Music of Ireland - The Big Session" (DJ Taylor)
Z:Z: ABC/arr. BB
L:1/8
M:4/4
Q:1/4=180
%R:reel
K:Em
D|EBGB E2 EG|FDAF DEFD|EBGB E2 EG|FDAF GE E2|
EBGB E2 EG|FDFA DFAF|EB, B,2 EFGE|FAGF GEE:|
d|efge bgfg|Bgfg afdf|efge bgfe|fagf ge e2|
efge bgg2|Bgfg afdf|bgaf gfed|BdAF GEE :|

%%%
X:38238
T:ROBIN IN THE APPLE TREE (reel), The 
C:Pat McNulty
S:S: "The Piper's Dream" (P.McNulty)
Z:Z: ABC/arr. BB
L:1/8
M:4/4
%R:reel
Q:1/4=180
K:Ador
cd|eAAG EAAc|BGG2 EGG2|cBcd egg2|edBA G2 ed|
cABG AEE2|GABd A2Bd|egg2 agg2|edBG A2:|
BA|G2BG gafg|eBB2 GABd|GABc defg|add2 adfd|
G2 BG gafg|eaag aged|egg2 agg2|edBG A2:|

%%%
X:48234 
T:ROBIN POWERS' FANCY (jig)
S:S: OFPC2.55 (as "Robbin")
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:Edor
EFE EFA|B2A Bcd|DED FDF|ABA AGF|
EFE EFA|B2A B2c|dcd AFD|EFE E3 :|
d2d dcB|efe efg|fdB Bcd|ABG FED|
ded dcB|efe efg|fdB AFD|EFE E3 :|

%%%
X:495307
T:ROBIN REDBREAST (reel) 
S:S: ONMI.1395 < Cronin
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
M:C|
L:1/8
K:Amodal
cd|ecAB c3d|edce dBGB|AGAB cBcd|efge afgf|
ecAB c3d|edce dBGB|AGAf gfgf|edcB A2||
cd|eaag efge|dBge dBGB|AGAB cBcd|edef gfed|
eaag efge|dBge dBGB|ABcd efge|dBGB A4|]
N:N: This is actually quite nice as A major but I'm going with A modal anyway 
N:- lots of /dBGB/ moves me in that direction.

%%%
X:40026
T:ROBIN'S NEST (jig) (a) 
C:© Larry Mallette
S:S: composer
Z:Z: ABC/arr.BB
D:D: "A Stroll in the Park" tr.6b
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:Ador
F|GBd cAF|GBd g3|ege dBG|AGA BGE|
DEG A2G|AEc BAG|AGE DEG|BAG A2 :|
D|GBd e2d|edg edB|deg a2g|bag edB|
edB A2G|AEc BAG|A2G DEG|BAG A2 :|

%%%
X:54059 
T:ROBIN'S NEST (jig) (b), The
S:S: SRHI.13a
Z:Z: ABC/arr. BB
C:Seán Ryan
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:C
E/G/|cdc BdB|cGE CEG|FEF edc|BdB GAB|
cdc BdB|cGE CEG|FEF edc|BAB c2:|
E/G/|cBc ece|ga^f g2=f|ece dBG|cGE FED|
cBc ece|ga^f g2=f|ece dBG|GAB c2:|

%%%
X:533093 
T:ROCHE'S JOHNNY COPE (march)  
S:S: RC3.202 (sp. "Jonny")
N:N: To me this tune bears only a passing resemblance to the better-known 
N:hornpipe of the same name, so I have added "Roche" to differentiate it.
Z:Z: ABC/arr. BB
Q:1/4=80
L:1/8 
M:2/4
%R:march
K:Am
B|EA A/B/c/d/|eA BA/G/|EG G/A/B/c/|dG BA/G/|
EA A/G/A/B/|c/B/c/d/ ed/c/|Bg e/d/c/B/|cAA:|
d|ea ea|ea g/f/e/d/|Bg Bg|Bg g/f/e/d/|
ea a^f|ge d/e/d/c/|Bg e/d/c/B/|cAA:|

%%%
X:12253
%%staffsep 80
T:ROCHESTER LASS, The 
S:S: BBMG
C:© BB
L:1/8
%% MA, not NY
M:6/8
Q:1/4=160
%R:jig
K:D
D|"D" DFA dcd|"G" BGB "A" AFE|"D" DFA dcd|"A"ecB A2 F|
"D"DFA dcd|"G" BGB "Em" gfe|"Bm" fdB "A" AFE|"D"FDD "D"D2 :|
A|"D" Ade fef|"G"gdB gdB|"D"Ade fef|"A" agf ecA|
"D" Ade fef|"G" gfg gab|"D" afd "A"Ace|"D"fdd "D"d2 :|

%%%
X:12254
%%staffsep 80
T:ROCK in the RIVER (jig), The
S:S: BBMG
C:© BB 2006
L:1/8
%% It's in the River Suck in Galway and let's all hope it
%% never gets submerged or we're in trouble
M:6/8
Q:1/4=160
%R:jig
K:G
G|"G" BAG BAG|"Bm" BAB Bcd|"G" BAG BAG|"D" ABA FED|
"G" BAG BAG|"Bm" BAB Bcd|"C" ege "G" dcB|"D" AFA "G" G2 :|
D|"Em" EGB "Am" cBA|"D" d^cd "G" BAG|"Em" EGB "C" cde|"G" dcB "D" A2 D|
"Em" EGB "C" cBc|"D" d^cd "Em"efg|"G" bag "Em" efg|"D" dBA "G" G2 :|

%%%
X:47032 
T:ROCK OF CASHEL (polka), The  
S:S: CNIM.45
Z:Z: ABC/arr. BB
Q:1/4=120
M:2/4
L:1/8
%R:polka
K:D
F|DF A2|AG/F/ A2|DF A2|AG/F/ EF|
DF A2|AG/F/ A2|dB AG/F/|GEE :|
F|DF d2|cB/A/ d2|DF dF|BEEF |
DF d2|cB/A/ d2|dB AG/F/|GEE :|
F|DF Fd|FE FA|DF Fd|GE EF|
DF/G/ AF|BG cA|dB AG/F/|GEE :|\
"^coda"GEEF|HD4|]

%%%
X:12255
%%staffsep 80
T:ROCKCORRY DEPOT (reel) 
S:S: BBMG
C:© BB
L:1/8
%% Used to be a train station, now a hangout for sheep and cows
M:4/4
%R:reel
Q:1/4=180
K:Dmix
A|DEFA dfed|"C"c2 Bc "Am"AGEG|"D"DF ~F2 "C"Gc~c2|"D"Adfa "A"ge^cA|
"D"DFAd fagf|"Am"e2 ce AcGE|"Bm"FAdA "Em"Bege|"A"cAGE "D"D3 :|
e|"D"defd "Am"cAAc|"G"BGBd "D"AFED|"Bm"FA ~A2 "C"Gc~c2|"D"Adfd "A"eage|
"D"defd "Am"cAAc|"G"BGBd "D"AFED|"Bm"FAdA "G"Bdgf|"A"efd^c "D"d3 :|

%%%
X:184102 
T:ROCKFIELD COTTAGES (reel), The 
S:S: CRE.4 < Grier MS
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G
G3c BAGB|dgfa gedc|B2Ac BGAF|DFAF GFED|
G3c BAGB|dgfa gedc|B2Ac BGAF|DFAF G4:|
%
g2af gdBd|egfa gfed|ecAc dBGB|cBAG FAFD|
g2af gdBd|egfa g3d|Bdef gfag|bgef g2gf|
egdg Bgdg|egfa gfed|ecAc dBGB|cBAG FAFD|
G3c BAGB|dgfa gedc|B2Ac BGAF|DFAF HG4 |]

%%%
X:491497 
T:ROCKING THE CRADLE 
S:S: ONMI.0547 < F. O'Neill
Z:Z: Brennan/Black (arr.)
M:6/8
Q:1/4=80
L:1/8
K:D
%%text "slow"
%%vskip .3in
D/E/|FFF GGA/G/|FFD EDD/E/|FFF GAG|EDD D2:|
A/B/|=c>dc B>^cd|AA/B/A/G/ FDD|=c>dc BAF|A>B^c d2d|
d>ef d>ef|AA/B/A/G/ FDD/E/|F/G/F/E/D/F/ EAG|EDD D3|]

%%%
X:582058
T:ROCKING THE CRADLE 
S:S: WSGM.003 < J. O'Neill
Z:Z: Kinder/Black
M:6/8
Q:1/4=100
L:1/8
K:D
%%text "Andante"
%%vskip .3in
D/E/|FFF GGA/G/|FFD EDD/E/|FFF GAG|FED D2:|
A/B/|=c>dc B>^cd|AA/B/A/G/ FDD|=c>dc BAF|A>B^c d2d|
d>ef d>ef|AA/B/A/G/ FDD/E/|F/G/F/E/D/F/ EAG|FDD D3|]

%%%
X:49436 
T:ROCKS OF CASHEL (march), The 
S:S: ONMI.1819 < F.O'Neill
%R:march
Q:1/4=100
Z:Z: Brennan/Black
M:4/4
L:1/8
K:G
GBd2 e/d/c/B/ d2|GBd2 e/d/c/B/ A2|GBd2 e/d/c/B/ d2|gedB cAAB:|
%
GB c/B/A/B/ GB c/B/A/B/|GB c/B/A/B/ cAAB|\
GB c/B/A/B/ dB c/B/A/B/|gedB cAAB:|
%
Bdg2 g/f/e/d/ g2|Bd g2 g/f/e/d/ gb|Bdg2 g/f/e/d/ g2|gedB cAAB|
GB c/B/A/B/ c/B/A/B/ c/B/A/B/|\
GB c/B/A/B/ cAAB|
GB c/B/A/B/ c/B/A/B/ c/B/A/B/|gedB cAAB||
"^coda"G4z4|]

%%%
X:16211
T:ROCKS OF CASHEL (polka), The 
S:S: CIAJ (sp. "Cashell")
Z:Z: ABC/arr. BB
N:N: 1: Measures 17-24 and 33-48 omitted ("florid" variations)
N:N: 2: Original has a /d'/ in m.23 - I substituted /b/
L:1/8
M:2/4
%R:polka
Q:1/4=120
K:D
DF A2|AG/F/ A2|DF A2|AG/F/ EF|
DF A2|AG/F/ A2|dB AG/F/|AF EF :|
DF d2|cB/A/ d2|DF dF|AF EF|
DF d2|cB/A/ d2|dB AG/F/|AF EF :|
df a2|af a2|df a2|ag/f/ ef|
df a2|ag/f/ a2|ba ab|ag/f/ ef :|\
"^coda"ag/f/ ec|Hd4|]

%%%
X:38239 
T:ROCKS OF CLARE (hornpipe), The 
S:S: "Reavy Collection: Music of Corktown" (as "highland")
Z:Z: ABC/arr. BB
M:C|
L:1/8
%R:hornpipe 
Q:1/4=160
K:A
%swing .25
ag|ecAB cdec|dBGA Bcdf|ecAB cdef|gedB A2af|
ecAB cdec|dBGA Bcdf|ecAB cdef|gedB A2:|
fg|agab agef|gfga gede|agab agef|gedB A2Ag|
agab agef|gfec dBGB|ABcd egfa|gedB A2:|

%%%
X:12256
%%staffsep 80
T:ROCKS of CONNEMARA (reel), The 
S:S: BBMG
C:© BB
%R:reel
%% Lots of them, all shapes and sizes
Q:1/4=180
M:4/4
L:1/8
K:Dm 
DE|"Dm"FDAG FDCA,|"Dm"DEFG "Am"Ac=Bc|"Dm"d2 ^cd "Am7"e=cAG|"F"F2 AF "C"GECE|
"Dm"FDAG FDCA,|"Dm"DEFG "A"A^c=ec|"Dm"dAFA "Gm"BAGF|"Am"ECA,C "Dm"D2 :|
DE|"F"F2 cF dFcF|"Gm"BAGB "A"A^cde|"Dm"f3g afed|"C"c=Bce "Dm"dcAG|
"F"F2 DE FGAB|"C"c2 eg "Am"agfe|"Dm"d3 e f2 ed|"Am7"cAGE "Dm"D2 :|

%%%
X:491498 
T:ROCKY MOORLAND, The  
S:S: ONMI.0344
Z:Z: Brennan/Black (arr.)
M:C
L:1/8
Q:1/4=120
K:Am 
%%text  "tenderly"; source key = Gm
%%vskip .3in
c>d|e2dc A2cB|A4 A2c>d|e2e2 ecge|d6 ef|
g2ed e^f ^g2|a3g e2a2|g2ed c2d2|e6e^f|
g2ed e^f ^g2|a3g e2a2|g2ed ed cA|c3B A2g2|
g2ed cd e^f|^g3 Hb2a2=g e|d3c A2A2|A4A2|]

%%%
X:331085 
T:ROCKY ROAD [TO DUBLIN] (slip jig) (a5), The   
Z:Z: ABC/arr. BB
N:N: Source has repeats on both parts, which I have removed.
S:S: Levey1.3 
Q:1/4=160
L:1/8
%R:jig
M:9/8
K:A dorian
%%text "moderately quick"
%%vskip .3in
e2c d2B A3|E2A A2B c2d|e2c d2B A2c|
B2G G2A Bcd|e2c d2B A3|E2A A2B c2d|
e2g f2a g2e|d2B G2A Bcd||e2a a2f g3|
e2a a2f g2e|e2a a2f g2e|d2B G2A Bcd|
e2a a2f g3|e2a a2f g2a|b2g a2f g2e|
d2B G2A G3||"^coda"c2c B2G A3-|A6z3||

%%%
X:11036
T:ROCKY ROAD TO DUBLIN (slip jig) (a1), The 
S:S: AIF  
Z:Z: Brennan/Black (arr.)
Q:1/4=160
M:9/8
L:1/8
%R:slip jig
K:A dorian
efe d2B A3|E2A A2A Bcd|efe d2B A2c|
B2G G2A Bcd:|e2a a2f g2d|e2a a2A Bcd|
e2a a2f g2e|d2B G2A Bcd|e2a a2f g2d|
e2a a2A Bcd|efg fga g2e|d2B G2A Bcd||
"^coda"e2e d2B A3|]

%%%
X:183058 
T:ROCKY ROAD TO DUBLIN (slip jig) (a2), The  
Z:Z: ABC/arr. BB
S:S: ?
%R:slip jig
Q:1/4=160
M:9/8
L:1/8
K:A dorian
ege d2B A2G|E2A A3 B2d|ege d2B A2c|
B2G G2G B2d|ege d2B A2G|E2A A3 B2d|
efg fga g2e|d2B G2A B2d||e2a a2f g3|
e2a a2d Bcd|e2a a2f  g2e|d2B G2A Bcd|
e2a a2f g3|e2a a2f g2a|bag a2f g2e|
d2B G2A Bcd||gfe d2B c2A|e2A c2A Bcd|
ege d2B c2A|B2G G2G B2d|gfe d2B c2A|
e2A c2A Bcd|efg fga g2e|d2B G2A Bcd||
"^coda"HA3z3z3|]

%%%
X:496043 
T:ROCKY ROAD TO DUBLIN (slip jig) (a3), The  
S:S: ONMI.1116 < McFadden
Z:Z: Brennan/Black
N:N: Source key signature is A major, which seems a "scribal error"!
%R:slip jig
Q:1/4=160
M:9/8
L:1/8
K:Adorian
efe d2B A2A|E2A A2A Bcd|efe d2B A2c|
B2A G2A Bcd:|e2a a2f g2b|e2a a2A Bcd|
e2a a2f g2e|d2B G2A Bcd|e2a a2f g2d|
e2a a2A Bcd|efg fga gfe|d2B G2A Bcd||
%
ecA ecA A2a|ecA ecA Bcd|ecA ecA a2c|
d2B G2A Bcd|ecA ecA A2a|ecA ecA Bcd|
efg fga gfe|d2B G2A Bcd||"^coda"A6z3|]

%%%
X:532099 
T:ROCKY ROAD TO DUBLIN (slip jig) (a4), The   
S:S: RC2.257
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:9/8
%R:slip jig
K:A dorian
efe d2B A2c|e2A A2A Bcd|efe d2B A2c|
B2G G2A Bcd:|e2a a2f g2g|e2a a2A Bcd|
[1 e2a a2f g2e|d2B G2A Bcd :|2 efg agf gfe|
dBG G2G A3|]

%%%
X:26033
T:ROCKY ROAD TO DUBLIN (slip jig) (b), The  
Z:Z: ABC/arr. BB
S:S: GEI.092
N:N: A very different major/minor setting of this well-known tune! I have 
N:made it A-B-A although it's not that way in GEI.
M:9/8
L:1/8
Q:1/4=160
%R:slip jig
K:D
B2A A2D D3|B2A A2D FGA|B2A A2D F3|
G2E E2F EFG :|A2e e2d =c3|A2e e2d =cde|
A2e e2d =c3|=c2D D2D =FGA :|B2A A2D D3|
B2A A2D FGA|B2A A2D F3|G2E E2F GFE|
D6z3|]

%%%
X:38240 
T:ROCKY SHORE (reel), The 
S:S: "Reavy Collection: Music of Corktown"
Z:Z: ABC/arr. BB
N:N: Reavy's version of 'The Wise Maid'.
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:D
DE|F2EG FEDC|DFAB AGFA|d2 eg fdec|dAFA BGEG|
F2EG FEDC|DFAB AGFA|d2 eg fdec|dBAG FD:|
Dc|d2 AG FDFA|dfaf gfeg|fedf edcA|Bcdf ecAc|
BAGB AGFA|dfaf gfed|Bdce dBAG|F2EG FD:|
"^coda"F2EG FDHD2|]

%%%
X:35061
%%staffsep 80
%%staffwidth 650
T:ROCKY SLOPE (reel), The
C:Rick Gagne
S:S: composer 
Z:Z: ABC/arr. BB
%R:reel
N:N: "d/o/c/ 1988 on bouzouki"
D:D: Dun Creagan: The 80s Live
M:4/4
Q:1/4=180
K:A dorian
AB | "C"cABc "D"d2de | "G"dcAG "Am"A2AB | "C"c/B/ABc "D"d2de | dcAG "Am"A2ef | 
"G"gefg "Am"a2ab | "C"agec "D"d2AB | "C"cABc "D"d2de |1 "G"dcAG "Am"A2 :|\
[2 "G"dcAG "Am"A4 ||
"Em"egg2 "Am"a2ge | "D"d2cd "Em"egg2 | "G"fgg2 "Am"a2ge | "D"d2cd "Am"eAA2 | 
"Em"egfg "Am"a2ge | "D"d2cd "Em"e2de | "C"cABc "D"d2de |"G"dcAG "Am"A4 :|

%%%
X:532100
T:RODNEY'S GLORY (hornpipe)
S:S: RC2.278
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8 
M:C|
%R:hornpipe 
K:Ador
%swing .25
ed|c2Bc A2ed|cABG A2Bd|efed cdef|gedc dfed|
c2Bc AcBA|GEDE G2AB|c2BA GABG|A4 A2:|
cd|eaab [a2c'2]b2|aged c3e|g3a agec|dcAF G3G|
[1 AGAB cBcd|efge a2ab|aged cdef|gedc ed :|
[2 A2cB AcBA|GEDE G2AB|c2BA GABG|A4 A4|]

%%%
X:49437
T:RODNEY'S GLORY (long dance) 
S:S: ONMI.1784 < F.O'Neill
%R:hornpipe
N:N: Key signature A major. Note 12 measures in second part.
Q:1/4=70
Z:Z: Brennan/Black
M:2/4
L:1/16
K:A
%swing .25
ed|c2Bc ABcA|BGEF G2cd|efed cdef|gfge dfed|
c2Bc ABcA|BGEF G2ed|c2BA GABG|A4A2:|
d2|eaab aged|efed c3A|g2fg agec|dcAF G2G2|
AGAB cBcd|edee a2ab|aged cdef|gfge dfed|
c2B2 ABcA|BGEF G2ed|c2BA GABG|A4A2:|

%%%
X:491499 
T:RODNEY'S GLORY (march)
S:S: ONMI.0027 < F.O'Neill
Z:Z: Brennan/Black (arr.)
M:C
Q:1/4=120
L:1/8
K:Am
%%text "slow"
%%vskip .3in
e>d|c2B>c A2Ac|B2B>A G2cd|e2ed cde^f|gedc d2ed|
c2B>c A2Ac|B2B>A G2e>d|c2A2 BAGB|A4 A2||
zd|ede^f g2ed|c2d2 c2cd|ede^f g=fed|dcBA G3B|
A2A>B c2d2|e2e2 a3b|aged c2Ac|B2B>A G2e>d|
c2B>c A2A>c|B2B>A G2e>d|c2A2 BAGB|A4-A4|]

%%%
X:22129
T:RODNEY'S GLORY (set dance)
S:S: DMWC.138 
Z:Z: ABC/arr. BB
N:N: Source has 2nd part repeating which I'm not sure is correct. But as I admit 
N:elsewhere, I'm no set dance expert - for all I know the repeat belongs there.
M:C|
L:1/8
Q:1/4=120 
%R:hornpipe
K:A dorian
%swing .25
%%text "slow hornpipe tempo"
%%vskip .3in
ed|c2Bc ABcA|BGEF G2cd|efed cdef|gfge dfed|
c2Bc ABcA|BGEF G2ed|c2BA GABG|A2A2 A2 :|
Bd|eaab aged|efed c3f|g2fg agef|dcAF G3B|
AGAB cBcd|edeg a3b|aged cdef|gfge dfed|
c2Bc ABcA|BGEF G2ed|c2BA GABG|A2A2 A2 :|

%%%
X:48346
T:ROGAIRE DUBH (jig)
T:Black Rogue 
S:S: OFPC3.119 ("Irish"; as "Rogara Duff"}
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:G
B|gfe edB|gfg GAB|gfe edB|dBG A2B|
gfe edB|gfg a2b|gfg ege|dBG A2 :|
B|de^c dBB|gfg GAB|d2B e2B|dBG A2B|
de^c dBB|gfg a2b|gfg ege|dBG A2 :|\
"^coda"dBG AGF|HG6|]

%%%
X:15342
T:ROGER 
Z:Z: ABC/arr.BB
L:1/8
%R:jig
Q:1/4=120
M:6/8
K:D
A|B2c d2B|AFD C2E|EB,E C2A,|DEF D2A|
B2c d2B|AFD C2E|AFD GFE|D3 D2 :|
%
G|AFA BGB|AFD C2E|EB,E C2A,|DEF D2A|
AFA BGB|cAc dcB|AFD GFE|D3 D2 :|
%
A|def efg|fed c2d|efg f2e|def d2A|
def efg|agf bag|afd gfe|d3 d2 :|
N:N: I couldn't get the source version of this tune to sound right with the 
N:source's 6/4 time signature, so I re-did it as a standard jig. This could be 
N:another unattributed Carolan tune. 

%%%
X:492174 
T:ROGER WAS A PLOWBOY (hornpipe) 
S:S: ONMI.1760 < F. O'Neill
%R:hornpipe
Q:1/4=150
Z:Z: Brennan/Black
M:C|
L:1/8
K:G
%swing .25
GF|DGGF GABG|AFDE F2 Bc|defd cAGF|DEFE FGAF|
DGGF GABG|AFDE F2 Bc|dfeg fdcA|GBAF G2:|
Bc|dedB c2Bc|dgfa g2ga|bgag fdde|fdcA GBAF|
DGGF GABG|AFDE F2 Bc|dfeg fdcA|GBAF G2:|
N:N: I suspect that this tune may be G-modal (accented F's natural), but I have 
N:left it as O'Neill presents it. 

%%%
X:492175 
T:ROGERS O'NEILL (hornpipe)
S:S: ONMI.1634 < Cronin
Z:Z: Brennan/Black
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:A 
%swing .25
%%text  source key = G
%%vskip .3in
cB|AGAB AEFG|Aceg a2eg|aecA dfgf|e2dB eaec|
AGAB AEFG|Aceg a2eg|aecA dBGB|A2A2A2:|
%
EG|aecd fdBG|AcEc AcEc|BdEd BdEd|ceAe ceAe|
aece fdBG|AcEc BABc|dfed cBAG|A2A2A2:|
%
cB|AGAB AEFG|cABc eAce|fdge afdf|e2dB AGFG|
AGAB cEAc|BABc defg|agaf edcB|A2A2A2:|
%
cd|efec ABcA|BEGB AGAB|cAce dcBA|GABG Edcd|
efec ABcA|BABc defg|agaf edcB|A2A2A2:|
N:N: "Composed by Cronin for the christening of Chief O'Neill's son, Rogers, 
N:who died at 18 from meningitis." (< Brennan) (All Chief O'Neill's sons - 4? 
N:- died before age twenty - unimaginable.)

%%%
X:48347 
T:ROGUE (slip jig), The 
S:S: OFPC3.130 ("Irish")
Z:Z: ABC/arr. BB
Q:1/4=160
M:9/8
L:1/8
%R:slip jig
K:D
FEF A2B AFD|E2e efd cBA|FEF A2B AFD|
e2d dAG FED :|dfd cec B3|Bcd efd cBA|
dfd cec B3|ABc dAG FED|dfd cec B3|
Bcd efd cBA|fdB ecA B3|ABc dAG FED:|

%%%
X:534070 
T:ROISIN (Róisín) DUBH  
T:Dark Rosaleen 
S:S: RC1.065 
Q:1/4=80
Z:Z: ABC/arr. BB
N:N: This is not the usual melody heard today for this tune.
L:1/8
M:3/4
K:C
%%text "slow"
D/E/G/A/B/|c2A2 fe|dcAG ED|DE FE DC|D4 cd/e/|
fg fe d//e//d/c/d/|ed f/e/d/c/ Ac|d>e f/d/e/c/ d/c//A//B/c/|A4||
%
A/c/d/e/|f>g fe d//e//c/d/e/|f>d e>d d/c/A/G/|A/c/A/G/ E>D D2-|
D4 D//E//G/A/B/|c2A2 f>e|dc AG ED|DF E>D CD/E/|D6|]

%%%
X:64095
T:ROISIN (Róisín) RUADH (jig) 
C:Sean Quinn 2008
S:S: composer
Z:Z: ABC/arr.BB
%R:jig
Q:1/4=160
M:6/8
K:G
F/E/|DGG GAB|AGF GAB|cde dBg|dBG AGE|
DGG GAB|AGF GAB|cde dBg|dBG G2:|
B/d/|gab afd|efg dBd|efg dBg|1 FAA ABd|
gab afd|efg dBd|efg dBg|dBG G2:|
[2 FAA AGE|DGG GAB|AGF GBc|dBg dBg|dBG G2||
|:Bc|dBG gfg|efg dBc|dBG gdB|1 cAA ABc|
dBG gfg|efg dBc|dBg dBg|dBG G2:|
[2 cAA AGE|DGG GAB|AGF GAB|cde dBg|dBG G3|]

%%%
X:41298 
T:ROLAND'S RETURN (jig) 
S:S: MVBT
Z:Z: ABC/arr. BB
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:Em % 
DEG GBG|dBG BAG|A2B cge|dBG AGE|
DEG GBG|dBG BAG|A2B cBA|BGE EFE|
DEG GBG|dBG BAG|A2B cde|ged BAG|
EGG DGG|CGG B,GG|EAB cBA|BGE EGB|]
%
e2e gfe|fgf B^c^d|e2f gfg|bag afd|
e2e gfe|fgf BA^G|A2B cBA|BGE EFE|
e2e gfe|fgf B^c^d|e2f gfg|bab efg|
bge afd|gfe dBG|A2B cBA|BGE HE3|]

%%%
X:531090
T:ROLAND'S RETURN (jig) (2)  
S:S: RC1.092
Z:Z: ABC/arr. BB
Q:1/4=160
N:N: An interesting setting in two "modes" - minor in first part, major in 
N:the second.
L:1/8
M:6/8
%R:jig
K:Dm
E|FEF AFF|cFF AFF|G2A Bcd|fed cAG|
FEF AFF|cFF AFF|G2A BAG|AFD D2:|
%
K:D
c|d2e fed|ecA ABc|d2e fed|agf gfe|
d2e fed|ecA AGF|G2A BAG|AFD D2A|
d2e fed|ecA ABc|d2e fef|afd def|
agf gfe|fed cAF|G2A BAG|AFD HD3|]

%%%
X:185139 
T:ROLL HER IN THE HAYSTACK (reel)
S:S: CRE.5
Z:Z: ABC/arr. BB
M:4/4
Q:1/4=180
%R:reel
K:D
z|d2AG FDD2|EFGF EBBc|d2AG FAd2|effe defe|
d2AF FDDF|EFGF EBBc|d2AG FAd2|effe d3:|
e|fdad fdad|e=cgc ecce|fdad fdad|edce d3e|
fdad fdcd|e=cgc ecge|defg abag| fgef def:|
"^coda"fedc edBc|Hd4z4|]

%%%
X:184204  
T:ROLL HER IN THE RUSHES (reel)
N:N: a/k/a/ Good Morning to Your Night Cap, Drunken Police Car
S:S: CRE.4 < Madigan MS
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=180
M:4/4
%R:reel
K:A dorian
A2Ac BGG2|ABcd edcB|A2Ac BGGB|cABG E2D2:|
e2 ef d2 de|c2 cd edcd|e2 ef d2 de|cABG E2 D2:|

%%%
X:495308
T:ROLL HER ON THE MOUNTAIN (reel) 
S:S: ONMI.1309 < J.O'Neill
Z:Z: Brennan/Black
Q:1/4=180
%R:reel 
M:C| 
L:1/8
K:D
A2FA A2FD|B2BA BcdB|A2FA DFAF|GABc dfdB|
A2FA A2FD|B2BA BcdB|A2FA dBAF|GBAG F2D2||
d2df edcB|ABcd efge|d2df edcA|BGFG E2D2|
d2df edcB|ABcd efge|f2fa gece|dBAF E2HD2|]

%%%
X:11013
T:ROLLICKING IRISHMAN (jig), The 
N:N: a/k/a/ Father O'Flynn, Top of Cork Road
S:S: AIF
Z:Z: Brennan/Black (arr.)
Q:1/4=160
M:6/8
%R:jig
L:1/8
K:D
A|dAF DFA|ded cBA|dcd efg|fdf ecA|
dAF DFA|ded cBA|dcd efg|fdc d2:|
g|fdf fga|efe edc|dcd Bed|cAA A2B|
BGB Bcd|AFD DFA|dcd efg|fdc d2:|

%%%
X:185055 
T:ROLLICKING SKIPPER (jig), The
S:S: CRE.5
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%R:jig
K:G
d|efg edB|AGF G2A|BdB AGA|BAB ABd|
efg edB|AGF G2A|BdB AGA|BGF G2:|
d|egg egg|e2f ged|eaa eaa|efg aed|
egg egg|e2f ged|efg edB|AGF G2:|

%%%
X:495309
T:ROLLING DOWN THE HILL (reel) 
S:S: ONMI.1508 < J. O'Neill
Z:Z: Brennan/Black
%R:reel
Q:1/4=180
M:C|
L:1/8
K:Adorian
e2cA e2cA|BGEF G2GB|AGAB cBcd|efge dgfg|
e2cA Acec|dcBA G2GB|AGAB cBcd|eage d2cd||
efgf efgf|eaag eaag|efgf efgf|afge d2d2|
efgf efgf|eaag eaag|edcB cdef|gfge d2BG||\
"^coda"HA4z4|]

%%%
X:185111 
T:ROLLING IN THE BARREL (reel) (1)
S:S: CRE.5
Z:Z: ABC/arr. BB
N:N: Repeats added
L:1/8
M:4/4
Q:1/4=180
%R:reel
K:E dorian
D|E2DE B2DE|B2AF DEFD|E2DE B2DE|BEAc BEED|
E2DE B2DE|B2AF DEFD|E2DE B2DE|BEAc BEE:|
d|e2ge bege|dcdf a2fd|e2ge bege|dBAc B2cd|
e2ge bege|dcdf a2fd|efge fdec|dBAc BEE:|

%%%
X:62118
T:ROLLING IN THE BARREL (reel) (2)
S:S: GSTC 
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:C
K:Em
E2DE BEE2|dBAF DEFD|E2DE BEE2|dBAd BEE2|
E2DE BEE2|BdAF DEFD|B,DE2 BEE2|B2Ad BEE2||
e2ge bege|d^cdf a2fd|e2ge bege|dBAd BEE2|
e2ge bege|defd adfd|efgb a2fe|dBAd BEE2|]

%%%
X:62119
T:ROLLING IN/ON THE RYE GRASS (reel) (1) 
N:N: a/k/a/ Shannon Breeze 
S:S: GSTC
Q:1/4=180
M:C
%R:reel
K:D
ABAF DFAF|G2 BG DGBG|ABAF DF F2|BFAF E2D2|
ABAF DFAF|GB B2 dB B2|A3B AF F2|BFAF E2D2||
ABde fdef|g2 fg edBd|ABde fdeg|afdf e2d2|
ABde fdef|g2 fg edBc|defg afbf|afdf e2d2|]

%%%
X:182208
T:ROLLING IN/ON THE RYE GRASS (reel) (2)
S:S: CRE.2 
Z:Z: ABC/arr. BB
M:C
%R:reel
Q:1/4=180
K:D
A2AF DFAF|G2 (3BAG dGBG|A2AF DFAF|GBAF EFDF|
A2AF DFAF|G2 (3BAG dGBG|FAA2 DFAF|GBAF EF D2||
ABde fdef|gefg e2 dB|ABde faa2|afdf e2dB|
ABde fdef|g2fg edBd|ABde faa2|afdf e2dc|Hd4z4|]

%%%
X:531091
T:ROLLING IN/ON THE RYEGRASS (reel) (3)  
S:S: RC1.150
Z:Z: ABC/arr. BB
Q:1/4=90
L:1/8 %1/16
M:C %2/4
%R:reel
K:D
A2FD DFAF|G2Bc dBAF|A2FD DFAF|GBAF E2D2:|
ABde f2df|e2de fedB|ABde f2ef|afdf e2d2|
ABde f2df|e2de fedB|ABde faab|afdf e2Bc||
"^coda"Hd4z4|]

%%%
X:495310
T:ROLLING IN/ON THE RYEGRASS (reel) (4) 
S:S: ONMI.1553 < F. O'Neill
Z:Z: Brennan/Black
N:N: Note third part, not usually played today. 
%R:reel
Q:1/4=180
M:C|
L:1/8
K:D
dB|:A2AF DFAF|GEDE GBdB|BAFA DFAd|BGFG E2D2|
FAAF DFAF|GEDE GBdB|BAFA DFAd|BGFG E2D2||
%
ABde f2fa|gefd edBd|ABde fefg|afdf e2d2|
ABde f2fa|gefd edBd|ABde faab|afdf e2d2||
%
A2Ac BAGF|GABc dBAG|FGAc BGGB|AFDF E2D2|
FAAc BAGF|GABc dBAG|FGAB defb|afdf e2Hd2|]

%%%
X:40027
%%staffwidth 650
T:ROLLING JIG, The
C:© Larry Mallette
S:S: composer
Z:Z: ABC/arr.BB
D:D: "A Stroll in the Park" tr.11c
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:G
DF/E/D GED|BGD ABc|B2B dBG|AGF GFE|
DF/E/D GED|ABc d2e|dBG ABA|1 G3 GFE :|\
[2 G3 GBd ||
c2e dBG|ABA E2F|GFG ABc|ded g2f|
ege dBG|ABA d2e|dBG ABA|1 G3 GBd :|\
[2 G3 GFE ||"^coda"HG6|]

%%%
X:54060 
T:ROLLING STREAM (jig), The  
S:S: SRHI.14b
Z:Z: ABC/arr. BB
C:Seán Ryan
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
A|faf EFE|DFA DFA|def gfe|fdB BAG|
faf EFE|DFA DFA|def gfe|fdc d2:|
A|dfd gbg|faf edB|AdB Ade|fed edB|
dfd gbg|faf edB|AdB Ade|fdc d2:|

%%%
X:22130
T:ROLLING WAVE (jig), The
S:S: DMWC.42
Z:Z: ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:D
E|FEF D2E|D2B cAG|FEF D3|A2F GFE|
[1 FEF D2E|D2B cAG|A2F G3|A2F GF :|
[2 FEF D2E|D2B cAG|A2F GBG|A2F GF ||
|:E|D2d cAd|cAd cAG|F2d cAG|A2F GFE|
[1 D2d cAc|ded cAG|FAF GBG|A2F GF :|
[2 D2d cde|f2d cAG|EFF G3|A2F GFE |\
"^coda"HD6|]

%%%
X:491500 
T:ROMANTIC KERRYMAN, The 
S:S: ONMI.0320 < F.O'Neill
Z:Z: Brennan/Black (arr.)
M:3/4
Q:1/4=130
L:1/8 
N:N: Source mm 5-7 staccato - not reproduced here.
K:D
%%text "with spirit"
%%vskip .3in
AG|F2E2D2|F4G2|A4AG|A2B2c2|
d2d2d2|c2d2c2|A2B2c2|d4AG|
F2E2D2|F4G2|A4AG|A2B2c2|
d2f2d2|c2A2G2|F2D2D2|D4||
AG|F2G2A2|A2B2c2|d4e2|f2e2d2|
c2B2A2|A2B2c2|d6-|d4de|
f2e2d2|c2A2G2|F2D2E2|F2G2A2|
A2d2d2|c2A2G2|F2D2D2|D6|]

%%%
X:185164 
%irish_rolls_on
T:ROOK ON THE THATCH* (reel), The  
S:S: CRE.5 (unnamed)
Z:Z: ABC/arr. BB
M:4/4
Q:1/4=180
%R:reel
K:D
A|dFF2 BFAF|dFAF e2fe|dF~F2 BFAF|BcBA B3 :|
e|defd cfec|defd fa~a2|dffd ceeA|BcBA Bcdc|
defd cfec|defd f2 a[c'a]|bgaf gfed|BcBA HB4|]

%%%
X:56052
T:ROOKERY (reel), The 
C:V. Broderick
S:S: Turoe.32a
Z:Z: ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:G
GA|:BGAG EGDG|EGDG EGDG|G2Bd e2dg|e2dg edBA|
G2GA B2Bd|e2ed efga|bgag egge|d2Ac BGG2:|
b2gb a2ga|b2gb aged|G2Bd e2dg|e2dg edBA|
G2GA B2Bd|e2ed efga|bgag egge|d2Ac BGG2:|

%%%
X:22142
T:ROOSTER IS CROWING FOR DAY (slide), The
T:Ta 'N Coileach Ag Fógairt An Lae
Z:Z: ABC/arr. BB
S:S: DMWC.99.134
N:N: Also played as a slide (Q = 180)
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:G
D|GAB AGE|c2E c2D|GAB AGE|A2D A2D|
[1 GAB AGE|c2d ege|dBG AGE|G3 G2 :|
[2 GAB AGE|c2d ege|dBG AGE|G3 GB||
d|g2e dBG|c3 c2d|e3 dBG|A3 A2d|
g3 dBG|c2d ege|dBG AGE|1 G3 GB :|\
[2 G3 G3|]

%%%
X:341085 
T:ROOSTER JIG, The 
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy1.17
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
A|GAB dBG|ABG EGD|GAB dBG|edB A2D |
GAB dBG|AGE GBd|ged edB|AGE G2 :|
A|GBd gag|edB edB|GBd edB|dBG A2B |
GBd gag|edB deg|age dBG|AGE G2A |
GBd gag|edB dBA|GBd edB|dBG ABA |
GBd gag|bag edB|edB AGE|GDB, HG,3 |]

%%%
X:581157
T:ROPE DANCE (jig), The 
S:S: WSGM.091 < "Aird's Selections" 1782-97
Z:Z: Kinder/Black (arr.)
M:6/8
L:1/8
%R:jig
Q:1/4=160
K:G
c|def gfg|d2B Bcd|edc BAG|F2E DBc|
def gfg|d2 B Bcd|edc BcA|G3 G2:|
B|c2B ABA|B2F GAG|c2 A ABA|B2A GBd|
def gfg|d2c Bcd|edc BcA|G3 G2:|

%%%
X:491501 
T:RORY DALL'S SISTER'S LAMENT 
S:S: ONMI.0047 < Dunning
Q:1/4=100
Z:Z: Brennan/Black (arr.)
M:3/4
L:1/8
K:Edor
%%text "moderate"; spurce key = G
%%vskip .3in
E3 FEF|D3 EFA|B2 [BB,]4|BAF ABc|
d2 D4|d3e (3fed|B2A BdA|B2 A2 F2|
dB AB d2|BAF AB2|D3 EFA|F4E2||
d3 Bcd|e3 cde|f3 ede|f3a (3fed|
e3 def|b3 afe|d3e (3fed|d2 c2 BA|
A3 Bcd|d3e (3fed|B3 ABc|B>d BA F/A/B/c/|
dB AB d2|BA FA Bd|D3 EFA|F4 E2|]

%%%
X:44159 
T:RORY O'MO[O]RE (jig) (2)  
S:S: NFID.159c < Byrne Bros. 
Z:Z: ABC/arr. BB
N:N: This isn't presented in NFID as an A-B-A tune, but I have a feeling it 
N:should have been (cf. setting 1 above)
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
e|dBG BAG|dBG g2e|dBG BAG|FAA ABc|
dBG BAG|Bdd edc|Bd^c def|1 gfa gf :|\
[2 gdB dB||
|:d|g2e dcB|cBA BGE|DGG FAF|GBd e2f|
gfe dcB|cBA BGE|1DGG AGA|BGG GB:|
[2 DGG FAF|GBd "_DC"gf||"^coda repl m.8"gfa g3|]

%%%
X:493335
T:RORY O'MOORE (jig) (1) 
S:S: ONMI.0856 
Z:Z: Brennan/Black
Q:1/4=160
%R:jig 
M:6/8
L:1/8
K:G
%%text  A-B-A
%%vskip .3in
e|dGG BGG|dGG G2e|dcB BAG|FAA ABc|
dGG BGG|dGG edc|Bcd def|gGG G2 :|
f|gfe edB|cBA G2F|EFG GAB|Bed e2f|
gfe edB|cBA G2F|EFG GAB|edd "_DC"d2 :|

%%%
X:49438 
T:RORY OF THE HILLS (march)
S:S: ONMI.1810
N:N: A version of "Brian Boru's March"; note 14 measures in Part A
%R:march
Q:1/4=140
Z:Z: Brennan/Black
M:6/8
L:1/8
K:Dmix
A2F A2E|A2F A2D|B2G A2E|G2F E2D|
A2F A2D|A2F A2D|B2d AdG|FdF E2D|
F2D G2E|A2A GFE|EcG E2C|GcG ECE|
DED DED|DED DED||B2G BdG|B2G BdG|
A2d A2F|A2d A2F|B2B AdA|GcG E2C|
F2D G2E|A3 AGF|EcG ECE|GcG ECE|
DED DED|DED D3|]

%%%
X:50083 
T:ROSA BELLA* (jig)
S:S: Petrie.099 (unnamed)
Z:Z: ABC/arr. BB
Q:1/4=160
N:N: repeats added
M:6/8
L:1/8
%R:jig
K:G 
%%text  source key = Bb
%%vskip .3in
d|d2c B2G|AcA FDF|G3 GFE|FGA D2d|
B2G BdB|cBA FDF|G2E AFD|G3 G2 :|
c|Bcd dBG|dBG G2B|c2d ecA|ecA A2c|
Bcd ded|g2e dBd|e2A FDF|G3 G2 :|

%%%
X:12257
%%staffsep 80
T:ROSCOMMON PLUMBER (reel), The
S:S: BBMG
T:Martin O'Grady's
C:© BB 2006
L:1/8
M:4/4
Q:1/4=180
%R:reel
K:D
dB|"D"AFEF D2FA|"Em"BGEF G2 FG|"D"Adcd "A"eAce|"Bm"f3d "A" cBAG|
"D"AFEF DFAd|"Em"Bdef g2fg|"D"a2 fd "Em"edBG|"D"FA"A"GE "D"D2 :|
z2|"A"e2 ce Acef|"G"g2 dg BcdB|"A"eAce "D"defa|"Em7"edBd "A"eA ~A2|
"A"e2 ce Acef|"G"g2 fg egbg|"D"af~f2 "G"gdBd| "A"cdec "D"d2 :|

%%%
X:44160
T:ROSCOMMON REEL (1), The 
S:S: NFID.071 < J.Doherty
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:C
%R:reel
K:Em
EFGA BA^GB|AFEF dFAF|EFGA B2dB|1 AFdF EDDB,:|
[2 AFdF EBfg||eBB2 efge|faa2 bgaf|eBB2 efge|
fagf egfg|eBB2 efge|faa2 bgaf|fagf egfe|
dBAF EFGA||B2BA B^cdB|AD FD ADFA|B2BA B^cdB|
AFEF E^cdc|B2BA B^cdB|AD FD ADFA|d^cBA BcdB|
AFdF HE4|]
%
N:N: Per Coleman's setting, this was the usual second tune played as a double 
N:with "Miss Patterson's", and the book has both tunes together. Evidently the 
N:editors weren't aware that Doherty was playing two reels and not one. (Maybe 
N:Doherty didn't realize it either!)

%%%
X:181202
T:ROSCOMMON REEL (2), The 
S:S: CRE.1 < Sonny Brogan
Z:Z: ABC/arr. BB
M:C
%R:reel
L:1/8
Q:1/4=180
K:Em
EFGA BAGB|AFF2 dFAF|EFGA BAGB|AFdF FEE2|
EFGA BAGB|AFF2 dFAF|EFGA BAGB|AFdD FEE2||
eBB2 efge|faa2 bgaf|eBB2 efge|fagf efgf|
eBB2 efge|faa2 b2ag|fagf efge|dBAF EFGA||
B2BA B2dB|ADD2 ADD2|B2BA B2dB|AFdD FEE2|
EBBA B2dB|ADD2 ADD2|dBBA B2dB|AFdD FEED||
"^coda"E4z4|]

%%%
%%%
X:29092
T:ROSE DILLON 
S:S: CGI.167
C:Carolan
Q:1/4=80
Z:Z: ABC/arr. BB
N:N: This tune - by this name at any rate - doesn't appear in either the O'Neill 
N:or O'Sullivan collections of Carolan pieces (see tunefolder 14). The sound
N:file that follows this transcription is pretty bad - you can only wonder what
N:the original sounded like.
L:1/8
M:4/4
K:D 
%%text "largo"
%%vskip .3in
d2 B>c d2d2|fe (3edc d>d d2|e>feA e2e2|f2 e/f/g g2 z2|
fa f/g/a gb g/a/b|fa f/g/a gfed|c2 BA B4|A2A4 z2||
d>efg a2a2|g/a/b a>g g2z2|f>g f/g/a gfed|e>dcd e2e2|
E2d2 cdec|dcBA g3f/g/|agfe d<cAc|d4-d2 z2||
a2f>e d2 z2|c>dB>c A3d|c>dB>c Adcd|e3f e2 z2|
f2 fe/f/ g<ef<d|c2 cB/c/ d<Bc<A|g2 gf/g/ a<fg<e|d2 dc/d/ e<cd<D|
a2 ag/a/ b<ga<f|e>def g2f<d|e<cd<B A2dc|d2D>ED4|]

%%%
X:19016
%%staffwidth 650
T:ROSE GARDEN (reel), The
S:S: DFW < WSGM
Z:Z: ABC/arr. BB
L:1/8
M:C
Q:1/4=180
%R:reel
K:E dorian
EFGA BEE2|GBAG FDEF|GFEF GABc|1 dfec dBAF :|\
[2 dBAF GEE2||
|:e2ed egfe|fedc defg|afgf efga|bgaf gee2|
efga bgaf|egfe defg|f2ec dfec|dBAF GEE2|]

%%%
X:495311
T:ROSE IN THE GARDEN (reel), The  
S:S: ONMI.1314 < Early
Z:Z: Brennan/Black
Q:1/4=180
%R:reel 
M:C|
L:1/8
K:A
AF|EFAc d2dB|c2cA BcAF|EFAc d2fd|ecBA FAAF|
EFAc d2dB|c2cA BcAF|EFAc dfaf|ecBA FAA2||
ceec d2fd|ceec BAFA|ceec d2fd|ecBA FAA2|
ceec d2fd|ceec BAFA|cefg abaf|edcB HA4|]

%%%
X:181037
T:ROSE IN THE HEATHER (jig) (1), The  
S:S: CRE.1  
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%R:jig
K:D
A|FAF EGE|DFA BAF|ABd ede|fdB AFE|
F3 E3|DFA BAF|AdB AFE|FDD D2:|
d|fdB ABd|faa afd|g2g fed|Bed efg|
fdB ABd|fag afa|baf gfe|fdd d2:|\

%%%
X:251085
T:ROSE IN THE HEATHER (jig) (2), The  
Z:Z: ABC/arr. BB
M:6/8
S:S: FS1.29c
L:1/8
%R:Jig
Q:1/4=160
K:D
D2F EFE|DFA BAF|ABd ede|fdB AFE|
F3 E3|DFA BAF|AdB AFE|FDD D3 :|
fdB ABd|faa afd|g3 fed|Bee efg|
fdB ABd|faa afa|baf gfe|fdc d3 :|

%%%
X:59117
T:ROSE in the HEATHER (jig) (3), The
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%R:jig
K:D
D|FAF EFE|DFA BAF|Adf ede|fdB AFE|
FAF EFE|DFA AFA|BdB AFE|FDD D2 :|
e|fdB ABd|faa afd|gag fed|Bee efg|
fdB ABd|faa afd|bag afe|fdd d2 :|

%%%
X:62120
T:ROSE IN THE HEATHER (jig) (4), The 
S:S: GSTC
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig
M:6/8
K:D
A,|D2F EDB,|DFA BAF|ABd ege|fdB AFE|
FAF EGE|DFA BAF|AdB AFE|FDD D2 :|
g|fdB ABd|eaa afd|gfg fed|Bee e2g|
fdB ABd|eaa afa|baf afe|fdd d2 :|
"^coda"fdB AFE|HD6|]

%%%
X:531092
T:ROSE OF CASTLETOWN (reel), The 
S:S: RC1.139
Z:Z: ABC/arr. BB
N:N: Version of "Boys of the Lough". No repeats in source.
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
dB|ADFD A2Bc|d2fd ecdB|A2FA BGAF|EDEF E2dB|
ADFD A2Bc|d2fd ecdB|A2FA dBAF|EDEF D2||
de|faag f2fe|d2fd ecdB|A2FA BGAF|EDEF E2de|
faag f2fe|d2fd ecdB|A2FA BdAF|EDEF HD4|]

%%%
X:492176 
T:ROSE of DRISHANE (hornpipe), The 
S:S: ONMI.1631 < Hartnett
Z:Z: Brennan/Black
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:D
%swing .25
fe|dAFA defg|afbf agfg|afge fdgf|edcB Agfe|
dAFA defg|afbf agfg|afge fdec|d2dd d2:|
fg|afbf agef|geae g2fg|afge fdgf|edcB Agfe|
dAFA defg|afbf agfg|afge fdec|d2dd d2:|

%%%
X:47033
T:ROSE TREE (polka) (1), The  
S:S: CNIM.48 %
N:N: Title adds "with variations", not included here
Z:Z: ABC/arr. BB
N:N: Also known as "The Waterford Polka" or "Port Lairge". 
Q:1/4=120
M:C
L:1/8
%R:polka
K:D
f/e/|dBAF A2AB|d2ed/e/ feef|dBAF A2AB|d2 ed/e/ fdd :|
z|fefg a2gf|gaba beef|dBAF A2 AB|d2 ed/e/ fdd :|

%%%
X:48151
T:ROSE TREE [IN FULL BEARING] (polka) (2), The  
S:S: OFPC1.31
Z:Z: ABC/arr. BB
N:N: This is the same melody as the "Waterford Polka"/ "Port Lairge". 
Q:1/4=120
M:C
L:1/8
%R:polka
K:D
f/e/|d>B AF A2 A>B|d2 ed/e/ fee>f|
dBAF A2 A>B|d2 ed/e/ fdd :|
e|fefg a2gf|ebba be ef/e/|
dBAF A2A>B|d2 ed/e/ fdd :|

%%%
X:535388
T:ROSE WALTZ (measures 1-16), The
S:S: RC3.144
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:3/4
%R:waltz
K:D
A2|F2A3f|d4 (3ded|c2 b3a|g4A2|
A2B2c2|d2e2f2|g2c'3b|b4a2|
F2A3f|d4 (3ded|c2 b3a|g4e2|
bagfed|cBAGFE|FGABce|d6|]

%%%
X:491502 
T:ROSE WITHOUT RUE 
S:S: ONMI.0149
Q:1/4=100
Z:Z: Brennan/Black (arr.)
N:N: Dotted rhythm in source
M:C
L:1/8  
K:G
%%text "moderate"
%%vskip .3in
D|DGGG GFED|EFGE D2Bc|dBcA BGFG|AFGE D2Bc|
dBcA BGFG|AFGE D3C|B,DEF GFGA|BGAF G2||
GA|BGEE E2FG|AFDD D2DC|B,DEF GFGA|B2AG A2GA|
BGEE E2FG|AFDD D3C|B,DEF GFGA|BGAF G4|]

%%%
X:495312
T:ROSELAND HILL (reel) 
S:S: ONMI.1484 < Walsh
Z:Z: Brennan/Black
N:N: This sounds to me like it should be A-B-A, although that's not indicated
N:in the source.
%R:reel
Q:1/4=180
M:C % 2/4 in source
L:1/8 % 1/16 in source
K:G
G2BA GABd|e2ef edBA|G2BA GABc|dBAB AFED|
G2BA GABd|e2ef edBA|G2BA GABc|dBAB G2z2||
e2eB e2z2|edef gfeg|fddc defg|abaf gfed|
e2eB e2z2|edef g2fg|agfa gfeg|edef ed"_DC"BA||\

%%%
X:183009 
T:ROSEMARY LANE (jig) 
S:S: CRE.3
Z:Z: ABC/arr. BB
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:D
G|FEF DFA|dce dcB|AdB AFD|E2D EAG|
F3 DFA|dce dcB|Ade faf|gec d2:|
f|aba fed|gfg ece|fed Bcd|edB ABc|
d3 AFA|Bed cBA|faf gec|edc d2:|

%%%
X:497095 
T:ROSES of ERIN (jig), The
S:S: arr. of ONMI #535, "When Erin First Rose"
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:Ador
D|EAA AGE|cBc d2d|ege dcB|cAA GED|
EAA AGE|cBc d^cd|ege dcB|cAG A2 :|
d|eaa ged|cde gfg|ege dcB|cAA GED|
eaa ged|cde g2g|ege dcB|cAG A2 :|

%%%
X:491503 
T:ROSEY LET ME IN (march)
S:S: ONMI.0532 < J. O'Neill
Q:1/4=140
Z:Z: Brennan/Black (arr.)
M:C
L:1/8
K:G
%%text "moderate"
%%vskip .3in
BA|G2de d2g2|f3e d2e2|d2cB ABcA|GFED D2BA|
G2de d2g2|fefg a2de|f2a2gfef|g6||
ga|b2ag g2fd|gfga bdcB|cedc BdcB|B2A2z2ga|
babg fefd|gfga bdcB|c3B c2df|g4-g4|]

%%%
X:12344
%%staffsep 80
%irish_rolls_on
T:ROSIE CARNEY'S REEL
S:S: BBMG
C:© BB 2/21
M:C
%% Happy birthday to our new great-grand-niece!
%R:reel
Q:1/4=180
K:D
z|"D"FAAF "A"EAAE|"D"DFAd fd"G"BG|\
"D"FAAF "A"EAce|"D"df~f2 "A7"gecA|
"D"FAAF "A"EAAE|"D"DFAd "A"eAce|\
"Em"dBGE "D"AFDB,|"A7"CEGE "D"D3 :|
z|"A"eA~A2 "A7"GA~A2|"D"FAdA fabf|\
"A"eA~A2 "A7"GABc|"Bm"dBFA B3d|
"A"eA~A2 "A7"GA~A2|"D"FAdA fa"A"ge|\
"D"fdcd "G"BGFG|"D"AF "A7"GE "D"D3 :|

%%%
X:13486
T:ROSIE FINN'S FAVORITE* (slide) 
S:S: BSMI.4 (unnamed)
Z:Z: ABC/arr. BB
L:1/8
%R:slide
M:12/8
Q:180
K:D
%%text  source key = G
%%vskip .3in
D2F A2d f2d A2F|GFG edc dcB AFE|
D2F A2d f2d A2F|GFG edc d3 d3 :|
d2f g2f e2B B2d|c2e efd c2A A3|
d2f g2f e2B B2d|cec ABc d3 d3 :

%%%
X:12258
%%staffsep 80
T:ROSIE ROGERS' (fling) 
S:S: BBMG
C:© BB
N:N: With love to the best mother-in-law a guy could wish for. RIP.
M:C
L:1/8
Q:1/4=150
%R:hornpipe
K:A
%swing .25
"A"eafe cBAB|"A"cecA "F#m"F2 F2|"A"EFAB cBAc|"F#m"efec "E"B2 B2|
"A"eafe cBAB|"A"cecA "D"FGAB|"A"Aaga "F#m"fecA|"E"EFGB "A"A2 A2 :|
"A"aece "F#m"fece|"A"Acea "D"f2 f2|"A"aece "Bm"fbaf|"A"eaec "E"B2 B2|
"A"aece "F#m"fece|"A"Acea "D"fefg|"Bm7"afbf "D"afed|"E"cedB "A"A2 A2 :|

%%%
X:331086 
T:ROSIE'S FIRST ART SHOW* (jig)
Z:Z: ABC/arr. BB
S:S: Levey1.87 (unnamed) 
Q:1/4=160
L:1/8
%R:jig
M:6/8
K:D %%text "quick"; source key = C
%%vskip .3in
E|dAF dAF|FEF DFA|dAF dAF|Bee efe|
dAF dAF|FEF DFA|dff f2e|dBB B2 :|
z|aba afe|fdd dBA|BcB BAF|FEE E2g|
[1 aba afe|fdd def|gfe gfe|fdB B2 :|
[2 agf bag|agf edc|dff f2e|dBB HB3|]
%331086: The date: 10 April 2013. (Coming up with tune names 
%is slightly easier when you have grandchildren!)

%%%
X:497096
T:ROSIE'S OTHER SHOE (reel)
S:S: arr. of ONMI #149, "Rose Without Rue"
Q:1/4=180
%R:reel
N:N: Dotted rhythm in source
Z:Z: ABC/arr. BB
M:C
L:1/8 
K:G
E|DGGF GFED|EFGE D2Bc|dBcA BGFG|AFGE D2Bc|
dBcA BGFG|AFGE DFEC|B,DEF GFGA|BGAF G3 :|
a|bged e2fg|afdc d2dc|Bdef gfga|bgeg a2ga|
bged e2fg|afdc d2dc|Bdef gfga|bgaf g3 :|

%%%
X:581158
T:ROSIN THE BOW (jig)
S:S: WSGM.099 < J.O'Neill ms
Z:Z: Kinder/Black (arr.)
M:6/8
Q:1/4=150
%R:jig
L:1/8
K:G
D|GAG BAG|Bcd efg|dBG GAB|E3-E2 D|
GAG BAG|Bcd efg|dBG AGA|G3 G2:|
B|dBd dBd|g2e g2e|dBG GAB|E3-E2 D|
GAG BAG|Bcd efg|dBG AGA|G3 G2:|\
"^coda"BAF AGF|HG6|]

%%%
X:57138 
T:ROSS HORNPIPE, The 
C:Noel Strange
Z:Z: ABC/arr. BB
S:S: Treoir.32.4
M:4/4
L:1/8
Q:1/4=160
%R:hornpipe
K:D
%swing .25
AF|D2A,E DFAd|fdBc dBAF|D2A,E DFAF|GBFA E2 AF|
D2A,E DFAd|fdBc dBAG|FdBG FAGE|D2CE D2 :|
Bc|d2 ce dAFD|d2 fa gfed|c2 Ac B2 GB|BAFD A,GFE|
D2A,E DFAd|fdBc dfAG|FdBG FAGE|D2CE D2 :|

%%%
X:50084 
T:ROSSAVEEL HORNPIPE, The
S:S: Petrie.372 
Z:Z: ABC/arr. BB
N:N: "The old form of 'The Flowers of Edinburgh'. Set from Mary O'Donoghoe, 
N:Arran-More, Sep.1857"
Q:1/4=150
N:N: Repeats added
M:C|
L:1/8
%R:hornpipe
K:G
%swing .25
A|GEDE G2GA|Bdde dcBA|BGED EFGA|BGED E3F|
GEDE GFGA|Bdef gage|=fdec dBGB|ABGF G3 :|
e|gfef dfag|fdef dBce|dfed BcdB|cBAG E3A|
GEDE GFGA|Bdef gage|=fdec dBGB|ABGF G3 :|
N:N: A neat little tune but it doesn't sound much like "Flowers" to me! Note that 
N:the /=f/ in mm 7 and 15 is per source (i.e., not a typo).

%%%
X:341086 
T:ROSSES POINT REEL, The 
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy1.49
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Dm
DE |F2cF dFcF|FdcA GFDE|F2cF dFAc|dcAG FD D2 |
F2 cF dFcF|FdcA GFDE |1 FGAB cAdc|dcBA FD :|
[2 FEDC A,CDE|FAGE FD D2 |:f2 ef dcAc|defg afge |
f2 ef d2ec|AcGE FD D2|fedc AGFG|Adec defg |
afge fdcA|GcAG FD D2 ||f2 ef dcAc|d2ec dcAc |
dfec dcAd|ecAG FD D2|fedc dcAG|ABcA defg |
%%stretchlast 0
abag fdcd|cAGA FD HD2 |]

%%%
X:32023
%%staffsep72
T:ROSSINVER BRAES (hornpipe) 
C:© C.Lennon
S:S: "Musical Memories 1"
Z:Z: ABC/arr. BB
Q:1/4=150
M:C|
L:1/8 
%R:hornpipe
K:G
%swing .25
B,C|D3G BGDG|E2CE cBAG|FDAD cAed|^cded BGEG|
D3G BAGF|EGCE cBAG|FGAB cAed|1 cAFA GD :|2 cAFA G3||
c|:Bded gdbd|Bdgd edBd|ecac c'cac|ecac' fedc|
Bded gdbd|Bdgd edBd|c2 Ec B2DG|1 cAFA Bded :|
%%stretchlast 0
[2 cAFA GDB,C||"^coda" cAFA HG4|]

%%%
X:15072
T:ROSSMORE, The 
S:S: CCCD
Z:Z: ABC/arr. BB
Q:1/4=120
N:N: This has a Carolan sound to it but there's no attribution in the source.
M:C|
L:1/8
K:G
G4 B4|G2d2 B2G2|F4 A4|F2A2 GFED|
G4 B4|G2d2 B2G2|cBAG FGAF|G4 G4 :|
B3A GABc|d2d2 d2e2|d2d2 d2ef|g2d2 d2ef|
gfed edcB|A4 D4|F2A2 GFED|F2A2 GFED|
F2A2 GFED|F2A2 GFED|cBAG FGAF|G4 G4 :|

%%%
X:342093 
T:ROSSNOWLAGH REEL, The
Z:Z: ABC/arr. BB
C:Joe Liddy
S:S: Liddy2.38
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:A dorian
AG|EAAB cBcd|e2 af gedB |A2Bd egfg|edBA GAFG |
EAAB cBcd|e2 af ged2|gfga gedB|A2BG A2AG|
EAAB cBcd|e2 af gedB|eABA GABd|gedB GABd |
EAAB cBcd|e2 af ged2|gfga gedB|A2BG A2 ||
%
Bd|eaa2 bgag|bgag edBd |eABA gefg|edBA GABd |
eaa2 bgab|gede g2bg|agab gedB|A2BG A2Bd |
eaa2 bgag|bgag edBd|eABA eABA|gedB GABd|
eaa2 bgab|gede g2 bg|agab gedB|A2BG HA4 |]

%%%
X:59118
T:ROSSPORT REEL, The
S:S: JOB
Z:Z: ABC/arr. BB
N:N: A version of "The Providence Reel", a tune for which John McGrath
N:(from Rossport, Co. Mayo) is sometimes co-credited (Coleman is involved 
N:and maybe Lad O Beirne)
Q:1/4=180
M:C
%R:reel
K:D
EDEB, D2FA|defd g2fg|edBd A2dA|B2AF EDEF|
DEFD ADED|defd g2fg|edBd A2dA|B2AG FDD2 :|
fdcd fdge|fdcd ecAg|fdcd f2ed|efge fddf|
fgaf gfec|dcAF G2BG|A2GB A2ag|faeg fdd2 :|

%%%
X:42026 
T:ROSSY CASTLE (jig)  
S:S: NCIT.06-1b
Z:Z: ABC/arr. BB
L:1/8
M:6/8
%R:jig
Q:1/4=160
K:D
G|FDD FDD|FGF FED|AFF dFF|EFE E2G|
FDD FDD|FGF FED|AFF dFF|DED D2:|
g|fdd ecc|BdB AGF|fda eca|dB^g a2=g|
fdd ecc|BdB AGF|AFF dFF|DED D2:|

%%%
X:15311
T:ROSTILION, The 
S:S: CCCD
Z:Z: ABC/arr. BB
Q:1/4=120
N:N: As with other tunes in CCCD, this one has a "Carolan sound" to it, but 
N:there's no attribution. Also - I don't have a clue what the name means.
L:1/8
M:4/4
K:D 
%%text  source key F
%%vskip .3in
d/c/|dDFA|B2A2|B/c/d c/d/B|c>BAd/c/|
dDFA|B2A2|B/c/d/B/ c/d/e/c/|d3 :|
d/e/|fdef|g2f2|g/f/e/d/ c/d/c/d/|\
e/d/c/B/ A/c/d/e/|
fdef|g2f2|e/d/c/B/Ac|d3 :|

%%%
X:496044 
T:ROUDLEDUM (slip jig) (1st setting) 
S:S: ONMI.1125 
Z:Z: Brennan/Black
N:N: Rests removed in mm 1, 4(?), 5, 6, 7; "scribal error" corrected in m.4
%R:slip jig
Q:1/4=160
M:9/8
L:1/8
K:E dorian
D2d dcB c2A|ded fed fga|bge afd cBA|
BcB B2A Bcd:|BEE B2E FED|BEE B2E dcd|
BEE B2E FED|AGF FED FGA:|"^coda"E6z3|]

%%%
X:496045 
T:ROUDLEDUM (slip jig) (2nd Setting) 
S:S: ONMI.1126
Z:Z: Brennan/Black
%R:slip jig
Q:1/4=160
M:9/8
L:1/8
K:E dorian
Ddd dAG FGE|Ddd dcB cde|def gec d2B|
[1 ABc dAG FGE:|2 BAF dAF EFA|:BEB BAG F2F|
EBB BAF ABc|BEE BAG F2F|DED FDF ABc:|
"^coda"DED BAF HE3|]

%%%
X:48152
T:ROUDLUM (slip jig)  
S:S: OFPC1.48 ("Irish")
Z:Z: ABC/arr. BB
Q:1/4=150
%R:slipjig
M:9/8
L:1/8
K:D
A|:d2d ded cBA|d2d fdd fga|fdd edc B2d|
AGF EFE EFA :|Bcd ABG FED|B2d AGF EFA|
Bcd ABG FEF|DED AGF EFA :|"^coda" D6z3|]

%%%
X:41299 
T:ROUND THE CORNER TO JESSIE (jig) 
T:Brendan Mulvihill's
S:S: MVBT
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%R:jig
K:Dmix
%%text source key = C
%%vskip .3in
z|FEF FED|fed cAG|EGE CEG|ced cAG|
FEF FED|fed cAG|ECE cBA|FGE D2 :|
e|gfe ceA|ceA ceA|gfe ceA|cAc d2e|
gfe ceA|cAA BAG|EFE cBA|FGE D2 :|

%%%
X:32024
%%titlefont 18
T:ROUND THE HOUSE AND MIND THE DRESSER (reel) 
C:© C.Lennon
Z:Z: ABC/arr. BB
S:S: CLMM.38
Q:1/4=180
M:4/4
L:1/8 % dotted
%R:reel
K:G
BA|G3G GBdB|GBdB AEED|G2DG BGBd|eA^GA c2 :|
Bc|dcBc d2Bc|dcBd cAAc|dcBc d2Bd|eAAB cABc|
dcBc d2Bc|dcBd cAAc|defg afge|fdcA FGAF||
Gggf g2dg|g2dg eBcB|Gggf gabg|aAAB cABA:|\
"^coda" G4z4|]

%%%
X:184187
T:ROUND THE WORLD (reel)
S:S: CRE.4 <Donnelly < T. Gunn
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=180
M:4/4
%R:reel
K:Edorian
BEE2 BAFA|BEE2 BEdE|BEE2 BAFB|AFDF A2FA|
BEE2 BAFA|BEE2 BcdA|BEE2 BAFB|AFDF ABAF ||
%
EDEF DEFD|E2 EB B2 AF|EDEF D2DB|AFDF ABAF|
EDEF DEFD|E2 EB B2 AF|EDEF DEFB|AFDF A2 FA ||
%
Bcde dcBA|Bcde fgaf|d3c dcde|faec dcBA|
Bcde dcBA|Bcde fgaf|d3c dfag|fgec dcBA||\
"^coda"E4z4|]

%%%
X:47034 
T:ROUND THE WORLD FOR SPORT (jig)  
S:S: CNIM.28
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:G
D|GBB BAB|GBd def|gfe edB|dBA A2B |
GBB BAB|GBd def|gfe edB|dBG G2 :|
e|def gfg|abg fed|gfe edB|dBA A2B |
GBB BAB|GBd def|gfe edB|AGF G2 :| 

%%%
X:332080 
T:ROUND THE WORLD FOR SPORT (reel)  
Z:Z: ABC/arr. BB
S:S: Levey2.54 
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G
%%text "quick"
%%vskip .3in
D|G2GB A2Ac|B2BA BGEF|G2GB A2AB|dcBA GEE :|
f|geef geef|geag fddB|efge agfd|B2BA BEE :|

%%%
X:332081 
T:ROUSE IT (slip jig)  
Z:Z: ABC/arr. BB
S:S: Levey2.73
Q:1/4=160
L:1/8
M:9/8
%R:slip jig
K:D 
%%text  source key = F
%%vskip .3in
A2F F2A d2A|Bcd e2c d2B|A2F F2A d2A|
BcB A2F D3|A2F F2A d2A|Bcd edc dcB|
A2F F2A d2A|BcB A2F D2 ||B|f2d d2c d2f|
e2c c2^B c2e|d2B B2^A B2d|cBA e2c d2e|
f2d d2c d2f|e2c c2^B c2e|d2B B2^A B2d|
cBA edc age ||"^coda"d6z3|]

%%%
X:184177
T:ROVER REEL, The 
N:N: a/k/a/ "Dublin Lasses"
S:S: CRE.4 < Grier MS
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=180
M:4/4
%R:reel
K:Em
[B,B]EEF GBAG|FDAD BDAD|[BB,]EEF GBdB|AFdF FEE2:|
Eeed EG fe|dAeA fAeA|Beed EG fe|dBAF FE E2|
Eeed EG fe|dAeA fAeA|gefd EG fe|dBAF FE HE2 |]

%%%
X:37154 
T:ROVER THROUGH THE BOGS (hornpipe), The 
N:N: a/k/a/ "Taylor's"
S:S: MFC.101c
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:C|
%R:hornpipe
K:G
%swing .25
EF|G2BG ABcA|defd gfdc|BGBd c2 AF|G2AF DEFD|
G2BG ABcA|defd gfdc|BGBd c2AF|G2AF G2 :|
Bd|gfga gfdf|gabg afde|fdeg afge|fd (3edc dcAF|
G2 BG ABcA|defd gfdc|BGBd c2AF|G2AF G2 :|

%%%
X:11027
T:ROVER'S RETURN (jig) (a), The   
S:S: AIF
Z:Z: Brennan/Black (arr.)
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:G
g/f/|ecA fed|ecA A2f|ecA gfe|dBG G2g/f/|
ecA fed|ecA A2f|gag gfe|dBG G2:|
A/B/|A2a aea|aea ae^c|A^ce agf|gdB GAB|
A2a aea|aea aef|gag gfe|dBG G2:|

%%%
X:38242 
T:ROVER'S RETURN (jig) (b), The 
S:S: "Reavy Collection: Music of Corktown"
Z:Z: ABC/arr. BB
N:N: Reavy's version of "The Butcher's March".
L:1/8
M:6/8
Q:1/4=160
%R:jig
K:G
g|fAA eAA|fAA efg|fAA ed^c|dBG G2g|
fAA eAA|fAA efg|faf gfe|dBG G2:|
B/c/|ded BAB|dBA A2c|ded BAG|AFD D2c|
ded BAB|dbA A2g|faf gfe|dBG G2:|

%%%
X:495313
T:ROVING BACHELOR (reel), The  
S:S: ONMI.1450 < J.O'Neill
Z:Z: Brennan/Black
Q:1/4=180
%R:reel  
M:C|
L:1/8
K:Em
%%text A-B-A
%%vskip .3in
GA|B2BA B2ge|d2ge dBGA|B2BA B2ge|dBAB GFED|
B2BA B2ge|d2ge dBGA|B2BA B2ge|fedf e2||
ef|gfed eBBd|gfed e2ef|gfed eBBA|Bedf e2ef|
gfed eBBd|gfed e2ef|gbag fage|d2ge dB"_DC"GA||

%%%
X:19006
T:ROVING BLADE (slip jig), The 
S:S: DFW < WSGM
Z:Z: ABC/arr BB
M:9/8
L:1/8
Q:1/4=150
%R:slip jig
K:A
e3 edc edc|e3 edc a2f|e3 edc edc|f2c B2f a2f :|
e2B A2c cBA|e2B Ace a2f|e2B c2B cde|1 f2c B2f a2f :|
[2 fed c2B HA3|]

%%%
X:50085 
T:ROVING MIKE* (polka)
S:S: Petrie.144 (unnamed)
Z:Z: ABC/arr. BB
Q:1/4=120
N:N: Probably a song at some point - note 4 additional measures. 
N:N: Repeats added.
M:2/4
L:1/8
%R:polka
K:G
%%text "andantino"
%%vskip .3in
A|B>G AB|dc BA|G>A Bc|d2 dc|
B>G AB|dc BA|G>A Bc|d2-d :|
f|g>f eg|=fe de/f/|g>g eg|=f2 -fe/f/|
g>f eg|fe dB|c>B AG|A2 BA|
G>A Bc|d2 gd|B2 A2|HG4 |]

%%%
X:331087 
T:ROWDLEDUM (slip jig)
Z:Z: ABC/arr. BB
S:S: Levey1.57
N:N: Yet another spelling for what was evidently a very popular tune in its day. 
N:This is an "upside-down" tune (high part first)!
Q:1/4=160
L:1/8
%R:jig
M:9/8
K:D
%%text "quick and well marked"
%%vskip .3in
d|D2d dcB c2A|ded fed fga|
bge afd cBA|BcB B2A Bc :|
A|BEE BEE FED|BEE BEE dcd|
BEE BEE FED|AGF FED FG :|
"^coda"AGF FED HE3|]

%%%
X:183036 
T:ROWSOME'S KERRY JIG 
S:S: CRE.3 < Leo Rowsome
Z:Z: ABC/arr. BB
N:N: I added Rowsome's name to distinguish this "Kerry Jig" from the ~237 
N:other tunes of that title!
L:1/8
M:12/8
Q:1/4=170
%R:slide
K:D %%text source key = C
%%vskip .3in
c|B2c B2A Bdc B2G|A2F B2G A2G F3|
B2c B2d c2B A3|cde cBA d3 d2:|
e|f2g f2e f2g a2f|A2B AGF A2G F3|
B2c B2d c2B A3|cde cBA d3 d2:|

%%%
X:12259
%%staffsep 80
T:ROXBURY RACES (polka), The
S:S: BBMG
C:© BB
%R:polka
M:2/4
Q:1/4=120
L:1/8
K:G
"Em"Be ed|"G"B>d BG|"Em"Be ed|"C"e>f "G"g2|"Em"Be ed|
"G"B>d BA|"C"GE "D"DF|[1"G"G2 GA :|2 "G"G2 G2||
|:"Em"B>G EG|"D"A>F DF|"Em"B>G EG|"D"FA d2|
[1 "Em"B>G EG|"D"A>F DF|"C"GE "D"DF|"G"G2 GA :|
[2 "Em"B>G EG|"D7"A>F DC|"G"B,D "D"EF|"G"G2 G2|]

%%%
X:46084
T:ROYAL CIRCUS (jig), The  
S:S: OFHC21.01
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D 
%%text  source key = F
%%vskip .3in
D/E/|FDA AGF|GEB BAG|FDA AGF|GEE E2D/E/|
FDA AGF|GEB BAG|FAd efc|edd d2 :|
c/d/|ecA ABA|fdB ABA|gfe fed|cde A2A|
BGB Bdg|AFA Adf|gfe fed|Adc d2 :|

%%%
X:41300
T:ROYAL COUNTY (reel), The
C:P. Fitzgerald (Balto.)
S:S: MVBT
Z:Z: ABC/arr. BB
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:G
GA|BAGE DG G2|ADFA G3 B|dG G2 cAAG|FGAG FD D2|
BAGE DG G2|ADFA G2 AG|FAde defe|dcAF G2 :|
GA|Bd d2 edBA|Bded edBG|FA A2 ABAG|FGAG FD D2|
Bd d2 edBA|Bded efga|gabg gfdg|fdcA G2 :|

%%%
X:27078
T:ROYAL IRISH JIG, The 
S:S: HOC.089
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:G 
%%text  source key = A
%%vskip .3in
c|BGB def|gdc B2G|cec dBg|cAA A2c |
BGB def|gdc B2G|Aag fef|gGF G2 :|
B|dBB GBB|dBB GBB|cAA FAA|cAA FAA |
dBB ecc|fdd gee|dBB cAf|gGF G2 :| 

%%%
X:49439
%%staffwidth 620
T:RUB THE BAG (jig - "long dance")
S:S: ONMI.1795
N:N: 14 measures in second part
%R:jig
Q:1/4=160
Z:Z: Brennan/Black
M:6/8
L:1/8
K:D
d2d fed|cBA cec|BcB fdB|dcB fdB|
d2d fed|cBA cec|ABA ecA|[1 AcA ecA:|\
[2 A/B/cB d3||
|:ded def|efe dfg|fgf f2^g|aba a2g|
fgf fga|gfe efe|d3 fed|cBA ced|
BcB fdB|B/c/dB fdB|dcd fed|cBA cec|
ABA ecA|A/B/cA d3:|

%%%
X:27079
T:RUBINSTEIN'S DELIGHT (march) 
S:S: HOC.149 ("Straight Jig")
Z:Z: ABC/arr. BB
Q:1/4=80
M:2/4
L:1/8
%R:march
K:A
%%text "Adapted from Rubinstein's 'Melodie' "
%%vskip .3in
E^D/E/ ED/E/|AG/A/ [e2=G2]|dc/B/ cB|AG/F/ GF |
E^D/E/ ED/E/|AG/A/ fe|d^A/B/ cB |1 AcfB :|2 A/e/c/a/ Az ||
G^d/c/ BF/G/|A/B/c/^d/ eE|G^d/c/ BF/G/|A/B/c/^d/ ez |
e=g/=f/ eE|e=g/=f/ eE|E=G/=F/ EG/F/ |E=G/=F/ E^G ||
|:E^D/E/ ED/E/|AG/A/ [e2=G2]|dc/B/ cB|AG/F/ GF |
E^D/E/ ED/E/|AG/A/ fe|d^A/B/ cB |1 AcfB :|2 A/e/c/a/ HA2 ||

%%%
X:497097 
T:RUBY THE LAB (jig)
S:S: arr. of ONMI #453, "Black Haired Darling 1st Setting"
%R:jig
Q:1/4=160
N:N: LABrador retriever, that is!
Z:Z: ABC/arr. BB
M:6/8
L:1/8
K:D
G|ABc d2g|f2g fed|cAg fed|cAd D2E|
F2B cAA|d2g fed|cAF GAG|FDD D2 :|
c|d2g a2b|a2g f2e|f2g a2g|fef d2e|
f2d cBA|GFG FAd|cAF GAG|FDD D2 :|

%%%
X:532101 
T:RUFFLE THE (OLD) HAG (slip jig)
S:S: RC2.268
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:9/8
%R:slip jig
K:Em
E|AGE DED D2d|AGF E2F G2E|
AGE DED D2d|e2E E2F G2 :|
e|ded d^cA A2A|B^cB d2e f2e|
ded d^cB AGF|e2E E2F G2 :|

%%%
X:493336 
T:RUINS OF KILMALLOCK (jig), The  
S:S: ONMI.1029 < F.O'Neill
Z:Z: Brennan/Black
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:A
B|cBc dcd|ecA AGE|cBd cBA|GEF GAB|
cBc dcd|ecA Bcd|cBA BGE|EAA A2 :|
e|aga ece|agf edc|dcd BGB|Acd efg|
aga ece|agf edc|Bcd efg|aAA A2 :|

%%%
X:611807
T:RUN HILL REEL, The
C:D. MacAdam 6/9/17
%R:Reel
Q:1/4=180
M:C|
L:1/8
K:G
GBdg e2 c2|dBcA B2 d2 |GBdg edce|dedc B2 G2 :|
FAcA GBdB|FAcA B2 d2|FAce fdAB|dcBd e2 A2  |
FAcA GBdB|FAcA B2 d2|GBdg edce|dedc B2 G2|]

%"For Pam Paine on the occasion of her 'insignificant' birthday. Pam and 
%Reese host regular traditional music sessions, and occasional music potlucks 
%at their home tucked away in the woods off Run Hill Road, up behind the historic 
%Old Brewster Grist Mill on Cape Cod. Perhaps Run Hill is in reference to the old 
%mill run."
%%%
X:493337 
T:RUNAWAY BRIDE (jig), The 
S:S: ONMI.0945
%R:jig
Z:Z: Brennan/Black
Q:1/4=160
M:6/8
L:1/8
K:G
c|BcB AGA|GAG GBd|edd gdB|BAG Adc|
B2B AGA|GAG GBd|efg faf|gag g2 :|
d|efg fga|ded dcB|edc BAG|BAG Adc|
BcB AGA|GAG GBd|efg faf|gag g2 :|

%%%
X:21175 
T:RUNAWAY JIG, The 
S:S: DMI.0339
Z:Z: Nordberg/Black
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:D
A2F F2A|d3 cBA|B2G G2A|B2A Bcd|
A2F F2A|d3 cBA|Bcd ecA|1 d3 dcB:|\
[2 d3 d2||
|:A|d2e f2d|g2e f2d|ecA AcA|ecA AcA|
d2e f2d|g2e f2d|ecA ABc|d3d2:|

%%%
X:35062
%%staffsep 80
T:RUNNING BROOK (reel), The
C:Rick Gagne 
S:S: composer 
Z:Z: ABC/arr. BB
%R:reel
N:N: "d/o/c/ 1988 on whistle"
M:4/4
Q:1/4=180
K:D
E|"D"DFF2 FGAF | dFAF "Bm"BFAF | "D"DFF2 FGAF | dFAF "G"B2cd | 
"Bm"f2fe dedB | "D"AFF2 DFAd | "Em"g2gf efed |1 "A"cABG AFG :|
[2 "A"cABG A2A |:c|"A"eAA2 eAfA | gAfA eAA2 | "D"dFF2 AFdF | 
AFdF AFdF | "A"eAA2 eAfA | gAfA eAA2 | "Bm"fage "G"dBAG |
"A"FAGE "D"dAf :|"^coda""A"FAGE FAEA |"D"HD4z4|]

%%%
X:51076
T:RUNNING UP THE STAIRS (slip jig)
S:S: TIDT 2/44
C:J. Kelly
A:ABC BB
M:9/8
L:1/8
%R:slip jig
Q:1/4=150
K:Bm
%%text Part 1
A|"^P1"Bcd cdB def|Bcd cdB AFA|Bcd cdB def|
cde f^ga ec :|"^P2"A|Bfe fdB cdB|def a^gf ecA|
Bfe fdB cdB|1 ABc efd cB:|2 ABc efd ec||
|:"^P3"A|def fge f2a|gee efd cBA|def fge f2d|
[1 cde gde cB:|2 efg fed cd||:"^P4"e|f2f B3 cdB|
f2f B3 cde|f2f B3 cde|1 cde dfd ecA:|
%%stretchlast 0
[2 Ace a^gf ecA||"^coda"HB6z3|]

%%%
X:532102 
T:RURAL FELICITY (jig) 
S:S: RC2.248
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:Dmix
c|d2d ded|=c2E EFG|A2A ABA|F2D DFA|
d2d ded|=c2E EFG|A2A GFE|D3 D2:|
K:D
e|f2d d2d|d2f agf|e2d c2d|e2f gfe|
f2d d2d|d2f agf|ecA ABc|d3 d2:|

%%%
X:341087 
T:RUSHY GLEN REEL, The 
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy1.36
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G
dc|BGAF DEFD|BGAF GABc|d2 ge fdcB|AFcF DFAc |
BGAF GFDF|GABc defd|gfdc BGBc|dG AF G2 :|
Bc|d2 gf dcBc|dGAF GABc|d2 fg fdcA|AFcF DFAc |
dgaf dcBc|dGBc defd|gfdc BGBd|dGAF G2 ||
ef|g2 gf dcBc|dGAF GABc|defg fdcB|AFcF DFAc |
dgaf dcBc|dGBc defg|bgaf dcBc|dGAF G4 |]

%%%
X:491504  
T:RUSHY MOUNTAIN, The  
S:S: ONMI.0093 < F. O'Neill
Z:Z: Brennan/Black (arr.)
M:2/4
Q:1/4=100
L:1/8
K:D
%%text "moderate"
%%vskip .3in
A|Ad df|e/d/c/d/ ea|fd Be|d2 cA|
Ad df|e/d/c/d/ ed|cA B^G|A2z||
d|cA Ad|cA Ad|c/d/e/f/ gf|f2 ed|
cA Ad|cA fd|c/d/e/f/ gc|d4|]

%%%
X:12360
%%staffsep 80
T:RUSSELL'S MILLS REEL, The
S:S: BBMG
C:BB 6/23
M:C
%% A nice little corner of the "South Coast"
L:1/8
%R:reel
Q:1/4=180
K:D
E|"D"DAAB "A"AGEG|"D"DAAB "Bm"F2FE|"D"DAAB "A"AGEG|"Bm"ABdc "G"B3c|
"D"defd "Bm"BAFA|"D"dcBA "G"BABc|"D"dAFA "G"GFED|"A7"EGEC "D"D3:|
c|"D"defd "Bm"BAFA|"D"dcBA "G"B3c|"D"defa "Bm"bfaf|"D"dedB "A"cdeg|
"D"defd "Bm"BAFA|"G"dBGB "A"A2Bc|"D"dcde "Bm"fabf|"A"ecBc "D"d3:|

%%%
X:185151 
T:RUSSIANS ARE COMING (reel), The
Z:Z: ABC/arr. BB
S:S: CRE.5 < J.M. Buckley (Kerry)
L:1/8
Q:1/4=180
M:C
%R:reel
K:G
B|ABcA d2cA|d2cA BGG2|ABcA dcA2|d2cA BGG2|
ABcA d2cA|d2cA BGG2|GBB2 Gcc2|cBAc BGG:|
e|fgaf g2fe|dcAc d2de|fgaf g2fe|dcAc BGG2|
fgaf g2fe|dcAc d2de|f2f2 g2g2|a2ag fdc:|
"^coda"a2ag fdcA|HG4z4|]

%%%
X:184126 
T:RUSTY BOAT* (reel) , The
Z:Z: ABC/arr. BB
S:S: CRE.4 < Grier MS (unnamed)
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
d2fd cecA|d2fd fafe|d2fd cecA|Bdce dDD2:|
AFFA BGGB|AFdA BFFB|AFFA GEEG|AFdF ADDB|
AFFA BGGB|AFdA BFFB|AFFA GEEG|Aaeg fdec|
d4z4|]

%%%
X:497098 
T:RUSTY BUCKET (polka), The  
S:S: arr. of ONMI #93, "Rushy Mountain"
Q:1/4=120
%R:polka
Z:Z: ABC/arr. BB
M:2/4
L:1/8
K:D
G|Ad df|e>d ea|fd Be|d>B cA|
Ad df|e>d ed|cA BA/G/|A2-A :|
B|cA Ad|cA Ad|ce/f/ ge|f2 ed|
cA Ad|cA fd|ce/f/ gc|d2-d :|

%%%
X:185197 
T:RYAN'S FLUTE* (reel)
S:S: CRE.5
Z:Z: ABC/arr. BB
M:4/4
Q:1/4=180
%R:reel
K:Am
B|A3B GABG|A3B e2dB|A4 GABd|egdg egdB|
A3B GABG|A3B e2dB|A4 GABd|egdg egdg||
eaa2 gabg|eaa2 g2Bd|eaa2 gabg|egdg egd2|
eaa2 gabg|eaa2 g2Bd|eaa2 gabg|egdg egdB||\
"^coda"HA4z4|]

%%%
X:37155 
T:RYAN'S HORNPIPE (a) 
S:S: MFC.100c ("first setting")
Z:Z: ABC/arr. BB
N:N: . . . and ONLY setting!
Q:1/4=150
L:1/8
M:C|
%R:hornpipe
K:D
%swing .25
dB|A2GB AGFE|D2CE DA,CE|DFAF GABd|gfed cAGB|
A2GB AGFE|D2CE DA,CE|DFAF GABd|gece d2 :|
fg|afdB AGFE|D2FA dega|bagf edcd|e2dB A2GE|
DFAd fafd|gfga baga|fdAF GECE|D2FA d2 :|

%%%
X:48348
T:RYAN'S HORNPIPE (b) 
S:S: OFPC3.131 ("Irish - Farrell")
Z:Z: ABC/arr. BB
N:N: This is one of only two or three "signed" pieces in all of O'Farrell's 
N:volumes.
Q:1/4=150
M:C
L:1/8 % source 1/16
%R:hornpipe
K:D
%swing .25
c|d2cd edcB|AGFE D2cd|e2ef e2a2|fdcA BAGF|
d2cd edcB|AGFE FADF|afbg fdec|d2dc d3 :|
e|f2fg f2fg|fedc BcdB|e2ef e2a2|edcB A2FA|
B3c BABF|GABc defg|afbg fdec|d2dc d3 :|

%%%
X:184136 
T:RYAN'S RANT (reel)
Z:Z: ABC/arr. BB
S:S: CRE.4 < Grier MS
L:1/8
Q:1/4=180
M:4/4
%R:reel
K:C
B|cege afge|cege dBGB|cege afge|afge dBG:|
B|ceAe ceAe|ceAe dBGB|ceAe ceAe|afge dBG:|
"^coda" Hc4z4|]

%%%
X:54061 
T:RYAN'S REEL #5
S:S: SRHI.40b
Z:Z: ABC/arr. BB
C:Seán Ryan
Q:1/4=180
L:1/8
M:C
%R:reel
K:D
A|d2ed cdec|d2AG FAGE|A,DFA dfaf|gfed cABc|
d2ed cdec|d2AG FAGE|A,DFA dfaf|gece d3:|
e|fgfe dcdB|ADFD A,DFD|EDEF GFGf|gfed cbag|
fgfe dcdB|ADFD A,DFD|EDEF GFGf|gece d3:|

%%%
X:252078
T:RYAN'S SLIP JIG 
N:N: a/k/a/ Blackhaired Lass
Z:Z: ABC/arr. BB
S:S: FS2.37a
M:9/8
L:1/8
Q:1/4=150
%R:slip jig
K:D
A|FAA FAd AFD|FAA FAd B2A|FAA FAd AFD|
EDB, DFA B2 :|A|f2f faf edB|A2f fef g2e|
%%stretchlast 0
f2f faf edB|AFE DFA B2 :|