ITTL "S" tunes
file created 5.20.25
updated 12.13.25
= = = = = = = = = = =

# Entries preceded by %% are primarily for typesetting purposes. Disregard them.
# Tunes are not in alphabetical order. 

%%%

X:67013
T:SETS AT THE PUB (slide), The
C:J. Gilbert
M:12/8
Q:3/8=140
%Source contains a setting lowered an octave
K:G
A|BAB g2B A2B G2B|A2B d2B A2B c2A|
BAB g2 B A2 B G2 B|c2 e a2 g f2 d c2:|
A|BAB g2B c2e a2g|f2d e2g f2d c2A|
BAB g2 B c2 e a2 g|f2 d cBA G3 G2:|

%%%

X:67010
T:SMALL HOURS (slip jig), The 
C:J. Gilbert
M:9/8
Q:1/4=160
K:Edor
D|E3 EFG FED|GEF G2B AFD|GFG B/c/dB ABd|
BAF EFD E2:|F|G3 BAG ABd|e3 efg fed|
%%stretchlast 0
g2e fed B/c/dA|BAF EFD E2:|

%%%

X:67020
%irish_rolls_on
T:SMILING FIDDLE (hornpipe), The
C:J. Gilbert
M:4/4
Q:1/4=145
L:1/8
K:F
%swing .25
CE|~F2EG FAcf|afcA B2AB|Gc~c2 ec~c2|dc=Bc _BGEC|
~F2EG FAcf|afcA B2ga|bgec BGEG|F2A2 F2:|
GF|Ec~c2 dcBc|fc~c2 dcBA|G2^FA G=Bd=f|ec=Bc _BGEC|
~F2EG FAcf|afcA B2ga|bgec BGEG|F2A2 F2:|

%%%

X:60354
T:SAFFRON KILT (march), The
C:R. Muir 2/11/08
%Tune notes in tunefolder 60 ABC file
L:1/8
Q:1/4=100
M:4/4
%%R:march
K:D
P:Part A
A|"D"f>e dc "G" Bd"D"Ad |"G" Bd "D" Ad/e/ "E7" fe "A7" ef/e/ |
"D" d>e fd "G" Bdgb |"D" a>f d/c/d/e/ "A7" fe"D"d :|
P:Part B
[K:G]
c|"G"Bd d/e/d/B/ "C" ce gf/e/ |"G" dB c/B/A/G/ "A7" BA "D7" Ad/c/ |
"G" B>A GB "C" c/d/e/f/ gf/e/ |"G" dBgB "D7" A2 "G" G:|
P:Part C
[K:D]
A/G/|"D"FA d>A "G" Bd "A" A/B/A/G/ |"D" FAdf "Em" gf "A7" ef/g/ |
"D" ad f/e/d/c/ "G" Bd g2 |"D" f>g af "A7" e2"D" d:|
P:Part D
[K:G]
e/f/|"G"gG BA/G/ "C" ce "D" dB/A/ |"G" G>A BG "Em" Bc/B/ "D" Ad/c/ |
"G" BG d/e/d/B/ "C" ce gf/e/ |1 "G" dg "D7" ag/f/ "G" g2"D7" d:|
[2 "G" dg "D7" ag/f/ "C" g2 "G" g z |]

%%%
X:60355
%%
T:SALT POTATOES (jig) 
C:R. Muir 3/27/24
L:1/8
Q:1/4=165
M:6/8
%%R:jig
K:G
B/c/|"G" dBc "Em" ded |"Am" cAB "D7" cdc |\
"G" BGA "Em" BAG |"A7" EAG "D7" FED |
"G" dBc "Em" ded |"C" cde gfe |\
"D7" def "G" gdB |"D7" ABA "G" G2 :|
%
F/G/ |"D7" ABA AFD |"G" Bdc BAG |\
"A7" A^ce gfe |"A7" gfe "D7" dBc |
"G" ded dgf |"C" efg age |\
"D7" def "G" gdB |"D7" ABA "G" G2:|

%%%

X:60356
%%printtempo 0
T:SCARLET WELLIES (polka), The
C:R. Muir 10/20/16
%Tune notes in tunefolder 60 ABC file
L:1/8
Q:1/4=220
M:C
%%R:polka
K:D
A2|"D" D2 DE F2 DF |"A7" ABAG "D" FE D2 |\
"C" =C2 CD E2 CE |"G7" GAG=F "C" ED =C2 |
"D" D2 DE F2 DF |"D" A2 FA d2 fd |\
"A7" c2 A2 GF E2 |"D" D2 F2 D2 :|
FA |"D" d2 fe d2 fg |"D" adgd fe d2 |\
"A7" A2 AB cBcd |"A7" eAdA cABc |
"D" d2 fe d2 fg |"A7" abag "D" fedf |\
"Em" gfed  "A7" cABc |"D" d2 f2 d2:|

%%%
X:60357
%%
T:SEAMUS SHINES (reel)
C:R. Muir 11/27/22
%Tune notes in tunefolder 60 ABC file
L:1/8
Q:1/4=190
M:4/4
%%R:reel
K:D
P:A-B-A
(3EFG|"D" A2 AB AFED |"G" BABc edcB |\
"D" A2 AF AdAF |"Em" FEED "A7" EFGB |
"D" A2 AB ADEF |"G" Gdcd edBG |\
"D" Adcd BAFD |"A7" EGFE "D" D2 :|
CD|"A7" E2 ED EGFE |"D" FAde fedA |\
"G" B2 dB "D" ABcd |"E7" edef "A7" e2 A2 |
"D" fedc "G" edcB |"D" Adcd BAFD |\
"G" Gdcd "D" BAFD |"A7" EG"_DC after rpt"FE "D"D2:|

%%%
X:60358
%%
T:SEAN NÓS CANTER (reel), The
C:R. Muir 3/9/18
%"Dedicated to Emma O'Sullivan, champion sean nós dancer."
L:1/8
Q:1/4=190
M:4/4
%%R:reel
K:G
(3ABc|"G" dGBG dG  "C"eG |"G" dGde dBAG |\
"Am" EAAB cBAG |"D7" AGAB cBAe |
"G" dGBG "G" dG "C"eG |"G" dGde dGAB |\
"D7" cAdc "G" BGcB |"D7" ADEF "G" G2 :|
(3def|"G" g2 gf "C" edef |"G" gfge dBGd |\
"Am" edce "G" dBGB |"A7" A^ceg "D7" fd=cA |
"G" dGBG dG "C"eG |"G" dGBG dGAB |\
"D7" cAdc "G" BGcB |"D7" ADEF "G" G2:|

%%%
X:60359
%%
T:SERVE IT UP! (reel)
C:R. Muir 2/17/19
L:1/8
Q:1/4=190
M:4/4
%%R:reel
K:G
(3ABc|"G" dBed "D7" cAdc |"G" BcBA "Em" BGEF |\
"G" GDGA BAGA |"G" BdcB "D7" A2 Bc |
"G" dBed "D7" cAdc |"G" BcBA "Em" BGEF |\
"G" GDGA BdcB |"D7" AGFA "G" G2 :|
F2|"Em" EFGA BEGB |"Am" cBAc "B7" BAGF |\
"Em" EFGA Bedc |"G" BdcB "D7" A2 Bc |
"G" dBed "D7" cAdc |"G" BcBA "Em" BGEF |\
"G" GDGA BdcB |"D7" AGFA "G" G2:|

%%%
X:60360
%%printtempo 0
T:SEVENTY-FIVE YEARS WED! (waltz)
C:R. Muir 6/22/24
%"Dedicated to Gin and Mas Fitch, one remarkable couple!"
L:1/8
Q:1/4=130
M:3/4
K:G
dc|"G" B3 ^A Bc | d^c ed BG |"D" F3 =F ^FG | A4 DE |
"D7" F3 G AB | cd fe cA |"G" G3 F Ge |"D7" d3 e dc |
"G" B3 ^A Bc |"G7" dG AB cd |"C" e3 g fg | ag e2 c2 |
"G" dg B2 fe |1"D7" dc Bc ec |"D7"AB cA FA |"G" G4 :|
[2"D7" dc Bc EF |"G" AG FG Bd | "G"g6 ||
%
[K:C]
|:"C" ed c2 G2 |"Dm" FA d4 |"G7" GB df ed |"C" ce g4 |
"F" AB dc BA |"C" Gc ef g2 |"D7" de ^fd ef |"G7" gf dB G2 |
"C" ed cG AG |"Dm" FA d4 |"E7" BE ed cB |"Am" ce A4 |
"F" Fc dc BA |"C" AG ce ae |"G7" gf dG ed |"C" c4 z2 :| 

%%% %%% %%%

X:60361
%%
T:SHANKS MARE HORNPIPE (cut time)
C:R. Muir 3/31/19
L:1/8
Q:1/4=150
R:hornpipe
M:4/4
K:D
F>E|:\
"D" D>E F>G A2 d2 |"G" B2 d2"A7" A>G F>E |\
"D" D>E F>G A2 c>d |"E7" e>d c>B "A7" A4 |
"G" B2 d>B "D" A2 d2 |"G" B>c d>B"D" A2 d2 |\
"G" B>c d>B "D" A>B c>d |"E7" e>d c>B "A7" A>G F>E|
"D" D>E F>G A2 d>A |"G" B2 d>B"A7" A>G F>E |\
"D" D>E F>G A>d c>d |"E7" e>d c>B "A7" A4 |
"G" B2 d>B"D" A2 F2 |"G" G>A B>G"D" F>A d2 |\
"G" B>c d>B"A7" c>d e>c |1"D" d2 A>B"A7" A>G:|
[2"D" d2 f2 Hd4 |]

%%%
X:60362
%%
T:SHANKS MARE HORNPIPE (straight time)
C:R. Muir 3/3/19
L:1/8
Q:1/4=150
%%%R:hornpipe
M:4/4
K:D
%swing .25
FE|"D" DEFG A2 d2 |"G" B2 d2 "A7" AGFE |\
"D" DEFG A2 cd |"E7" edcB "A7" A4 |
"G" B2dB "D" A2 d2 |"G" BcdB "D" A2 d2 |\
"G" BcdB "D" ABcd |"E7" edcB "A7" AGFE|
"D" DEFG A2 dA |"G" B2 dB "A7" AGFE |\
"D" DEFG Adcd |"E7" edcB "A7" A4 |
"G" B2dB "D" A2 F2 |"G" GABG "D" FA d2 |\
"G" Bc dB "A7" cdec |
[1"D" d2 AB "A7" AG:|[2"D" d2 f2 Hd4 |]

%%%

X:60363
%%printtempo 0
T:SHIONA'S TUNE
C:R. Muir 1/29/24
%"Dedicated to Shiona Thomson, Orcadian asset."
L:1/8
Q:1/4=90
M:6/8
K:G
V:1 treble 
V:2 treble 
%
[V:1]
"G" d>BG BAG |"Am" E2 A c3 |"D7" DFA c>BA |"G" GBe "D7" dBc |
"G" d>BG "G7" gfg |"C" age cBc | "G" deB "D7" d>cA |1"D7" DFA "G" GBc :|\
[2"D7" DFA"G" G3 ||
%
|:"D7" A>^GA cBA |"G" BGe d3 |"A7" ^c>BA gfe |"D" de=f "D7" ^fed |
"G" g>fg dcB |"Am" A2 c e2 g |"D7" f>ed cEF |"G" GBd g3 :| %17
%
[K:D]
|:"D" d>AA F>AA |"G" B>GG "Em" e2 e/d/ |"A" c>de ABc |"D" dfd "A7" ecA |
"D" d>dd "D7" =cdc |"Em" B2 G EFG |"A7" A>AA gBc |1"D" d>d"G"d"D" d2 c :|\
[2"D" d>d"G"d"D" d3 ||
%
|:"A7" c>ec ABc |"D" d>fd A3 |"E7" ^G>AB dcB |"A" AB=c"A7" ^c2 A |
"D" dF/G/A "D7" =cdc |"Em" BGF E2 B |"A7" c>BA GGE |"D" DFA d3 :|
%
[V:2]
[K:G]
D>ED GAB | cAc E3 | FAd f>ed | BGc B3 |
G>Bd edB | c2 E GFE | D2 G AFd |1 cAF G3 :|2 cAF G3 ||
%
|:A>DD AGF | G>DD BAG | A>EE EFG | A2 B c3 |
B>AB BAG | c2 e a3 | a>gf def | gdB G3 :| %17
%
[K:D] 
|:F>AA d>AA | G2 F E3 | A>Bc cde | faf gec |
AGF FED | EGB efg | e>dc AGE |1 F>AF D2 A :|2 F>AF D3 ||
%
|:A>cA cde | A>dA F3 | E>F^G GAB | cd^d efg |
ff/e/d A2 A | G2 A BAG | A2 c e>dc |dAF D3 :|

%%%
X:60364
%%staffsep80
T:SHORT CUT (jig), The
C:R. Muir 12/11/18
%"Dedicated to Robin Whittaker, hair cutter extraordinaire."
L:1/8
Q:1/4=165
M:6/8
%%R:jig
K:D
A|"D" D2 A B2 F |"A7" ABc "D" dAF |\
"D" DFA B2 A |"Em" Bed "A7" cBA |
"D" d2 A BAF |"A" ABc "G" dcB |\
[1 "D" A2 d F2 B |"A7" ABc "D" d2:|
[2"D" A2 d F2 A |"A7" GFE "D" D3 |:\
"A7" E2 A "D" F2 D |"A7" GFE "D" F2 D |
"E7" E^GB dcB |"A7" A2 B cBA |\
"D" d2 A FGA |"Em" B2 G E2 B |
"A7" Ace "D" dAF |1 "A7" AGE "D" D3 :|\
[2"A7" ABc"D" d3 |]

%%%
X:60365
%%
T:SIMPLY SARA (hornpipe - cut time)
%"Dedicated to Sara McGraw on her 14th Birthday."
C:R. Muir 3/9/05
L:1/8
Q:1/4=120
M:4/4
%%R:hornpipe
K:G
d>c |"G" B>c d>e "D" d>c B>A |"Em" G>A B>c B>A G>F |
"C" E2 G>E "G" D2 G>A |"Em" B>d c>B "D7" A>e d>c |
"G" B>c d>e "D" d>c B>A |"Em" G>A B>c B>A G>F |
"C" E2 G>E "G" D2 G2 |"D7" B>A G>F "G" G2:|
zF|"Em" E2 B2 "B" B2-B>A |"Em" G>A B>G E>F G>E |
"D" D2 A>^G A>B A>=G |"D" F>G F>E D2-D>^D |
"Em" E2 B2 e2 B2 |"Em" e>B e>f g>f e2 |
"C" g>a g>e "D" d>e f>e |"D7" d>c B>A "G" G2:|

%%%
X:60366
%%
%%printtempo 0
T:SIMPLY SARA (hornpipe - straight time)
C:R. Muir 3/9/05
L:1/8
Q:1/4=120
M:4/4
%%R:hornpipe
K:G
%swing .25
dc |"G" Bcde "D" dcBA |"Em" GABc BAGF |\
"C" E2GE "G" D2GA |"Em" BdcB "D7" Aedc |
"G" Bcde "D" dcBA |"Em" GABc BAGF |\
"C" E2GE "G" D2G2 |"D7" BAGF "G" G2:|
zF|"Em" E2B2 "B" B3A |"Em" GABG EFGE |\
"D" D2A^G ABA=G |"D" FGFE D3^D |
"Em" E2 B2 e2 B2 |"Em" eBef gfe2 |\
"C" gage "D" defe |"D7" dcBA "G" G2:|

%%%
X:60367
%%
T:SIOCHAIN (Peace) (air)
C:R. Muir 1/7/24
%"Dedicated to Bridget English, for caring and sharing."
L:1/8
Q:1/4=120
M:3/4
K:A
ed|"A" cB AB cA |"Bm" FB d3 F |"E" EG Bc df |"D" f2 "A" ef ed |
"A" cd eA BA |"Bm" FB d2 BA |"E7" GA Bd FG |"A" A4 :|
%
BG|"Bm" FB d2 GF |"A" EA c2 BA |"E" Bc d2 f2 |"D" f2 "A" ef ed |
"A" cB A2 =G2 |"Bm" FB d2 ed |"A" cd ec "E7" Bc |"A" A4:|
%
[K:D]
(3cB_B|"D" AF D2 FA |"Em" BG E3 B |"A" cd eA BA |"G" G2"D" FG FE |
"D" D2 AG FD |"Em" EG Bd cB |"A7" AB ce Bc |"D" d4  :|
%
(3efd|"A" eA e2 de |"D" fA fe d2 |"G" Bd cd ed |"F#" c4 =c2 |
"Em" BG E2 FG |"D" FA d3 B |"A7" cA GA fe |"D" d4 :|

%%%
X:60368
%%
T:SISTER SHEILA (mazurka)
C:R. Muir 3/31/19
%"Dedicated to Sheila Briody, a kind and caring sister of the faith, 
and my wonderful sister-in-law."
L:1/8
Q:1/4=120
%play_flattened_parts
P:ABA
M:3/4
K:G
R:waltz
P:A
GA|"G" B2 d2 AG |"D" F2 d2 F2 |"C" E2 c3 E |"D7" D4 EF |
"G" GF GA Bc |"G" dB G2 Bc | "Em" BA G2 B2 |"D7" A4 Bc |
"G" d2 g3 d |"B" ^d2 B3 d |"C" e3 ^d ec |"Am" A3 c BA |
"G" Bc d2 GF |"Am" EA c2 AG |"D7" FG AD EF |"G" G4:|
P:B
GF|"Em" E^D EF GE |"B7" ^DF B3 A |"Em" GB ef ge |"B" ^de fd B2 |
"Am" c3 e dc |"Em" BA GF E2 |"B" FB ^d2"F#" ^c2 |"B" B3 A GF |
"Em" EF G2 FE |"B7" ^DF Bc BA |"Em" GA Be ge |"B" ^df B4 |
"Am" c3 e dc |"Em" BG E4 |"Em" E3 F"B7" ^D2 |\
"_DC after rpt""Em"E4:|

%%%
X:60369
%%
T:SIZZLIN' SPOONS (reel)
%"Dedicated to Albert Spence, skilled at beating the spoons."
C:R. Muir 7/1/08
L:1/8
Q:1/4=190
%edited
M:4/4
%%R:reel
K:D
(3GFE|"D" D2DE FDFA |"G" BDGB dedB |"D" A2fA eA d2 |"E7" eBcd "A7" cAGE |
"D" D2DE FDEF |"G" GBdB edcB |"D" A2fA eA d2 |1"A7" cAGE "D" D2 :|2 "A7"cABc "D"d2||
ef|"A7" gfed cABc |"D" dAfA eAdf |"A7" gfed cABc |"D" (3ded ec dcdf |
"A7" gfed cAfe |"D7" (3ded ag fed=c |"G" BGBd "A7" cAfe |"D" (3ded ec d2:|

%%%
X:60370
%%
T:SKIPPIN' A BEAT (rag)
C:R. Muir 2/14/08
%"Dedicated to Lorraine Schooner, whose heart is a valentine!"
L:1/8
Q:1/4=150
%%R:rag
M:4/4
K:G
def|"G" g2 f2 e2 d2 |"G" ^cd e"G" d2 B AG |\
"C" E c2 E "G" DGBe |"G" dB G "D7" A2 d ef |
"G" g2 f2 e2 d2 |"G" ^cd e "G" d2 B AG |\
"C" E c2 E"G" DGBe |"D7" dA B"G" G2:|
GAB |"C" cE G "C" c2 e dc |"G" BD G "G" B2 B AG |\
"D7" F=F^FG ADEF |"G" GBeB "G7" dGAB |
"C" cE G "C" c2 e dc |"G" BD G "G" B2 def |\
"C" gf g "G" e2 d BG |"D7" BG A "G7" G2:|

%%%
X:60371
%%
T:SKY IS ON THE FLOOR (air), The
C:R. Muir 10/21/16
%"A condition not uncommon in Ireland."
L:1/8
Q:1/4=100
%R:air
P:A-B-A
M:4/4
K:D
"D" A2 D2 "A" C4 |"A7" cBAE "D" D4 |"F#7" F^Ace "Bm" edfd |"E7" Bcde "A" A4 |
"A7" cBAG "D" B2 A2 |"A7" Aceg "D" ge f2 |"G" Bced "D" fdAF |"A7" AGEC "D" D4 ||
[K:A]
|"A" EABA "E" A2 G2 |"E7" fedB "A" f^d e2 |"C#" c^d^ec "F#m" BAFA |"B7" BcBF "E7" B4 |
"A" EABA "E" A2 G2 |"C#7" ^EFGB "F#m" Bc A2 |\
"D" FGAG BAFD |"E7" Ed"_DC after rpt"FG "A"A4 :|

%%%
X:60372
%%
T:SLOES AND HAWS (jig)
C:R. Muir 2/14/08
%1: "Dedicated to Frank Murphy, perfect gentleman, flawless
%accordionist, founder of Irish trad music in Rochester, NY."
%2: "Blackthorns (sloes) and whitethorns (haws): In the past, 
%some Irishmen carried blackthorn sticks, for either defense or offense."
L:1/8
Q:1/4=165
%%R:jig
M:6/8
K:G
D|"G" G2 G "D" AGA |"G" B2 e dBG |"Am" A2 E c2 B |"A7" ABG "D" FED |
"G" GFG "D" AGA |"G" B2 e "D" def |"C" gec "G" dBG |"D7" FEF "G" G2:|
F/G/|"D" ADD "G" BDD |"D7" cBc ABc |"G" d^ce dBG |"A7" EAG "D" FED |
"G" G2 G "D" AGA |"G7" Bcd "C" e2 f |"C" gec "G" dBG |"D7" FEF "G" G2:|

%%%
X:60373
%%
T:SMITHEREENS (polka)
C:3/9/24
%"Dedicated to John Briody on his birthday."
L:1/8
Q:1/4=210
M:C
K:G
d2|"G" g4"D" d3 c |"G" BcBA "Em" GABG |"Am" E2 A2 ABAG |\
"D7" FGAB cdef |
"G" g2 d2"D" dedc |"G" BcBA "Em" GABG |"D7" FGAB cdef |\
"G" g2"C" g2"G" g2 :|
z2 |"D" D4 A3 G |"D7" FEFG A2 F2 |"G" D4 B3 A |\
"G" GFGA B2 G2 |
"Am" c2 AB cB A2 |"G" B2 Bd BA G2 |"D" A2 d2 "A7" ^cdec |\
"D" d2 fe "D7" dcBd |
"G" g4"D" d3 c |"G" BABc d2 g2 |"Am" a2 e2 abag |\
"D" fgaf "D7" defd |
"G" g4 d3 B |"C" cdef g2 fe |"G" d2 Bd "D7" cB A2 |"G" G2 B2 G4 |]

%%%
X:60374
%%printtempo 0
T:SNAP THE GALISES (reel)
C:R. Muir 3/31/19
%"Galises = suspenders"
L:1/8
Q:1/4=190
%%R:reel
M:4/4
K:D
A2|"D" d z2 A "G" B2 AG |"A7" FD E2 "D" D2 z2 |\
"A" EzAB A^GAB |"E7" cA B2 "A" A2 Bc |
"D" d z2 A BAFA |"G" GFGB edcB |\
"D" Azdc "G" dBAG |"A7" FD E2 "D" D z:|
[K:A]
GF|"A" EzAG AcBA |"E7" GABc d z E2 |\
"A" AzAB cecA |"B7" B^dfd "E7" e=dcB |
"A" AzAB "A7" cABc |"D" dcdf bagf |\
"A" eza z A2 cA |"E7" BdcB "A" A2:|

%%%
X:60375
%%printtempo 0
T:SODA BREAD HORNPIPE (cut time), The
C:R. Muir
L:1/8
Q:1/4=150
M:4/4
%%R:hornpipe
K:G
(3DEF |"G"G>D G>B "D7" A>D E>F |"G" G>B e>B d>G A>B |\
"Am" c>e c>A "G" B>d B>G |
"D" A>d "A" ^c>e "D7" (3ded (3=cBA |"G" G>D G>B "D7" A>D E>F |\
"G" G>B e>B d>G A>B |
"Am" c>e c>A "G" B>d B>G |"D7" (3FED (3cBA "G" G2:|\
(3def|"G" g>G g>f "C" e>d e>f |
"G" g>f g>e d>B G>d |"Am" e>d c>e "G" d>B G>B |\
"D" A>d "A" ^c>e "D7" (3ded (3=cBA |
"G" G>D G>B "D7" A>D E>F |"G" G>B e>B d>G A>B |\
"Am" c>e c>A "G" B>d B>G |"D7" A>c A>F "G" G2:|
%

X:60376
%%printtempo 0
T:SODA BREAD HORNPIPE (straight time), The
C:R. Muir
L:1/8
Q:1/4=150
M:4/4
%%R:hornpipe
K:G
%swing .25
(3DEF |"G"GDGB "D7" ADEF |"G" GBeB dGAB |\
"Am" cecA "G" BdBG |"D" Ad "A" ^ce "D7" d2cA |
"G" GDGB "D7" ADEF |"G" GBeB dGAB |\
"Am" cecA "G" BdBG |"D7" FDcA "G" G2:|
%
(3def|"G" gGgf "C" edef |"G" gfge dBGd |\
"Am" edce "G" dBGB |"D" Ad "A" ^ce "D7" d2cA |
"G" GDGB "D7" ADEF |"G" GBeB dGAB |\
"Am" cecA "G" BdBG |"D7" AcAF "G" G2:|

%%%
X:60377
%%
T:SOFT DAY (air), A
C:R. Muir 3/11/08
L:1/8
Q:1/4=100
%R:air
M:3/4
K:G
"G" DG B3 D |"Am" EB A3 G |"D7" FE DA, B,C |"G" C2 B,4 |
"B7" B,^C ^DB, BA |"Em" AB G4 |"A7" AB AE FG |"D7" FA EA _EA |
"G" DG B3 A |"G" A2 G4 |"G7" dc BA Gd |"C" de c4 |
"Am" Ec BA Bc |"G" dB G2 E_E |"D7" D2 [DB]3 [CA] |"G" [B,G]6 ||
%
[K:D]
"D" AB AF BA |"Em" A2 G4 |"A7" ed cB AE |"D" G2 F4 |
"F#7" F^G ^AF GA |"Bm" Bc d4 |"E7" ef eB cd |"A7" dc ed cB |
"D" AB AF BF |"Em" A_A G4 |"F#7" F^G ^Ae dc |"Bm" cd B4 |
"G" dc ed BG |"D" FA dA fa |"A7" ba gA fe |"D" d6 ||
%
[K:G]"G" [GB][Ac] [Bd]3 [ce] |"G" [Bd][GB] [Bg]4 |"C" [ce][df] [fa][eg] [df][ce] | %35
"Gm" [^A^c]2 "G"[Bd]3 e |"D7" [Fd][FA] [Fd]3 c |"G" [GB][Bd] [Bg]3 f |"A7" [^ce]2 [ca]3 g | %39
"D7" [eg]2 [df][ce] [Bd][Ac] |$"G" [GB][Ac] [Bd]2 [df][ce] |"G7" [Bd][GB] [Bg][Ba] [Bg][B=f] | %42
"C" [ce][c^d] [ce][cg] [ca][cg] |"B7" [^df]4 d2 |"C" [ce][df] [fa][eg] [df][ce] | %45
"G" [ce][Bd] [^A^c][Bd] [db][Bg] |"D7" [Af][Ae] [Ad] F [FB][FA] |[I:MIDI gchordoff]"G" [GBdg]6 |] 

X:60378
%%
%
T:SOFT RIME (air)
C:R. Muir 10/25/16
%"Dedicated to my wife, Margaret Briody, Irish in both heart and heritage."
L:1/4
Q:1/4=150
%R:air
M:4/4
K:G
"G" B D3 |"D" A D3 |"C" E F A G |"C" E2"G" D2 |
"C" E G F E |"G" D E F G |"A" A B ^c A |"Em" G2"D" F D |
"G" B D3 |"D" A D3 |"G7" B A G d |"Cm" _e2"C" =e2 |
"Am" e c B A |"G" d B G E |"G" D B- "D7"B A |"G" G4 ||
[K:D]
"D" A B A F |"Em" A G3 |"A7" e d c G |"D" B A3 |
"F#" F ^G ^A F |"Bm" B c d f |"A" e c"E7" d B |"A" c B A2 |
"Em" G A B c |"D" B A3 |"F#" c F ^A c |"Bm" c B3 |
"G" d G B c |"D" d F c B |"A7" A G E F |"D" D4 |]

%%%
X:60379
%%
T:SPANK THE SPOONS (polka)
C:R. Muir 12/22/19
%"Dedicated to my late cousin, Albert Spence from Orkney, super 
%spoon player."
L:1/8
Q:1/4=210
M:4/4
P:A-B-A
%%R:polka
K:D
cB|"D" SA2 A2 AdAG |"Bm" F2 F2 FAFD |\
"A7" E2 AB cABc |"D" d2 cB "A7" AGFG |
"D" A2 A2 AdAG |"Bm" F2 F2 FAFD |\
"A7" E2 AB cABc |"D" d2 d2 d2 :|
[K:A]
cd|"A" e2 ce "E7" dBGE |"A" Acfc e4 |\
"E7" BdBA GA B2 |"A" A2 f2 "E7" edcd |
"A" e2 ce "E7" dBGE |"A" A2 EA "D" FE D2 |\
"A" EAce "E7" dBGE |1 "A" A2 c2 AB :|
[2"A" A2 c2"A7" AEF"_DS"=G ||

%%%
X:60380
%%
T:SPLANKS (Sparks) A-FLYIN' (polka)
C:R. Muir 2/26/18
%"'Hob-nailed boots batterin' a flagstone floor.' Dedicated to 
%Terry O'Toole, accomplished guitarist, member of the Tullamore Celtic
%Band."
L:1/16
Q:1/4=100
%%R:polka
M:2/4
K:G
D2|"G" G2dB G2>A2 |"G" BAG2 d2Bd |"Am" c2cB A2AG |"D7" FGAG FDEF |
"G" G2dB G2>A2 |"G" BAG2 d2Bd |"Am" cBAG "D7" FDEF |"G" G2B2 G2:|
d2|g2Bd "C" g2>f2 |"G" g2d2 edcB |"Am" c2A2 abag |"D" fgag fdef |
"G" g2Bd "C" g2>f2 |"G" g2d2 edcB |"Am" cBA2 "D7" dedc |"G" B2G2 G2:|

%%%

X:60381
%
T:SPOT ON POLKA, The
C:R. Muir 3/31/24
%"Dedicated to Sr. Chris Wagner, kindhearted and 'spot on' administrator."
L:1/8
Q:1/4=200
%R:polka
M:4/4
K:G
Bd |"G" g2 dg "D" f2 df |"C" e2 ce "G" dBAG |"Am" E2 AG ABAG |"D7" FGAF DEFD |
"G" G2 dG "D" F2 dF |"C" E2 cE "G" D2 BG |"D7" FGAG FDEF |"G" G2 B2 G2:| 
AG |"D7" FGAG FDEF |"G" GBeB d2 cB |"A7" A2 ^ce abag |"D7" fgaf defd |
"G" g2 dg "D" f2 df |"C" e2 ce "G" dBAG |"D7" FGAB cdef |"G" g2 "C" g2 "G" g2:|

%%%

X:60382
%%
T:SQUEAKY CLEAN (rag)
T:The Dusting Rag
C:R. Muir 12/21/24
%"Dedicated to Aisha Cortes, a harder worker than the Energizer Bunny!"
L:1/8
Q:1/4=150
%R:rag
P:A-B-A 
M:4/4
K:G
ABc |"G" Bd^cd edBG |"C" EF G "D7" D2 E DC |\
"G" B,DGA BdBG |"A7" AB^ce "D7" fed=c |
"G" Bd^cd "G7" edBG |"C" cdeg agec |\
"G" dBeB dBGB |"D7" AG F "G" G2:|
%
ABc||"C" cgfg ageg |"G" dG B "G" d2 e dB |\
"D7" AD F "D7" A2 D EF |"G" GBeB "G7" dGAB |
"C" cgfg agec |"G" dgfg edBG |"A7" AB^ce "D7" dABG- |\
[1 "G" G3- G2:|2 "G"G4-"_DC"G||

%%% %%% %%%

X:60383
%%
T:STAPPLING the GAP (hornpipe - cut time)
C:R. Muir 10/23/16
%"Stuffing a roof cavity with thatch. Dedicated to John Briody,    
hard worker whose father, Pat Briody, could thatch a roof."
L:1/8
Q:1/4=150
M:4/4
%%R:hornpipe
K:D
F>G|"D" A2 A>F "G" G>A B2 |"D" (3AAA A>F "G" G>A B2 |
"D" A>d c>d f>d A>F |"E7" E>F ^G>B "A7" c>B A>=G |
"D" F2 d>A "G" B>A G2 |"D" F>A d>A "G" B>A G2 |
"D" (3AAA F>A d>A F>D |"A7" E>G F>E "D" D2:|
|:z2|"A7" (3EEE E>F G>E F>G |"D" A>d c>d f>d A>f | 
"A7" g>f e>g "D" f>e d>f |"E7" (3efe (3dcB "A7" A>B (3cBA |
"D" d2 d>c d>A F>D |"G" G>B d>B e>d c>B |
"D" A>f e>d "A7" (3cBA (3GFE |"D" D>B A>F D2 :|

%%%
X:60384
%%
T:STAPPLING the GAP (hornpipe - straight time)
C:R. Muir 10/23/16
L:1/8
Q:1/4=150
M:4/4
%%R:hornpipe
K:D
%swing .25
FG|"D" A2AF "G" GAB2 |"D" A2AF "G" GAB2 |\
"D" Adcd fdAF |"E7" EF^GB "A7" cBA=G |
"D" F2dA "G" BAG2 |"D" FAdA "G" BAG2 |\
"D" A2FA dA FD |"A7" EGFE "D" D2:|
z2|"A7" E2EF GEFG |"D" Adcd fdAf | \
"A7" gfeg "D" fedf |"E7" e2dB "A7" AB (3cBA |
"D" d2dc dAFD |"G" GBdB edcB |\
"D" Afed "A7" cAGE |"D" DBAF D2 :|

%%%

X:60385
%%
T:STAY THE COURSE (polka)
C: RM 8/19/24
%"Dedicated to Dawn Felice Jenkins, steady she goes."
L:1/8
Q:1/4=200
M:C
%R:polka
K:G
GA |"G" B2 G2 d2 BG |"Am" A^GAc E=GFE |\
"D7" DEFG A2 D2 |"G" GBeB "D7" dedc |
"G" B2 GB d2 cB |"Am" A^GAc egfe |\
"G" d2 g2 G2 AB |"D7" cB A2 "G" G2:|
%
FG |"D7" A2 D2 cedc |"G" BcdB G2 AB |\
"A7" A2 ^cd egfe |"D7" d2 e2 fdef |
"G" g2 GA BAGF |"Am" E2 A2 cABc |\
"G" d^cde dBGB |"D7" cAFA "G" G2:|

%%%
X:60386
%%
T:STEP AHEAD (reel), A
C:R. Muir 10/5/16
%"Dedicated to Kelly Gillick, champion Irish dancer."
L:1/8
Q:1/4=190
M:4/4
%%R:reel
K:G
dc|"G" B2 BA BdBG |"F" =FGAB c2 BA |"G" GFGB "Bm" dedB |"Am" c2 Ac "D7" dcBA |
"G" B2 BA BdBG |"C" cdef agfe |"G" dBGB "F" cA=FA |"G" G2 GF G2:|
d2|"G" edBd edgd |"Am" edcB "D7" AcBA |"G" GABc dBGB |"F" cA=FA c2 d2 |
"G" edBd edgd |"Am" edcB "D7" AcBA |"G" BdBG "F" AcA=F |"G" G2 GF G2:|

%%%
X:60387
%%
T:STEPPIN' WITH STYLE (rag)
C:R. Muir 2/12/08
%"Dedicated to Arlene Miller, tireless ceili dance instructor, CCE Hall  
N:of Fame."
L:1/8
Q:1/4=152
M:4/4
R:hornpipe
K:G
ABc|"G" B d2 B "G7" edBG |"C" EF G "C"A2 G FE |"G" DEGB edBG |"A7" AE G "D7" F2 A Bc |
"G" B d2 B "G7" edBG |"C" cgfg agec |  "D" d2 AG FE D2 |"C" E G2 "G" G2:|
AG=F |"C" EGFG AGFE |"G" D B2 D BGFG |"D7" A c2 A ed c2 |"G" B2 c2 "D7" dedc |
"G" B d2 B "G7" edBG |"C" cGce agec |"G" Bd g "G"e2 d BG |1"D7" B B2 A "G7" G :|
[2 "D7" B B2 A "G"HG4|]

%%%

X:60388
%%
T:STEPPING UP (jig)
C:R. Muir 8/27/22
%"Fiddlers, try playing this jig in 2nd position only, starting on  
%your G string. (It's also enjoyable to play in 1st position.)"
L:1/8
Q:1/4=150
%%R:jig
M:6/8
K:D
F/G/|"D" AzF DFA |"Em" BzG EGB |"A7" Ace gfe |"A7" gfe "D" dcB |
"D" AzF DFA |"Em" BzG EGB |"A7" Ace gfe | "A7" gfe "D" d2 :|
c/d/|"A7" ezA gfe |"D" fdA fed |"E7" eBc dcB |"A7" Ace gfe |
"D" dzA FED |"Em" EGB dcB |"A7" Ace gfe |"A7" gfe "D" d2:|

%%%
X:60389
%%
T:STRAINS FROM A FAIRY FIDDLE (reel)
C:R. Muir 12/15/22
L:1/8
Q:1/4=190
M:4/4
%%R:reel
K:D
FG |  "D" A^GAB AFED |"G" BABc edcB |  "D" A^GAB AdAF |"Em" FEED "A7" EFGB |
  "D" A^GAB ADEF |"G" Gdcd edBG |  "D" Adcd BAFD |"A7" EGFE   "D" D2:|
CD|"A7" EDEF GECE |  "D" DEFG A^GAF |"E7" EF^GA BcdB |"A7" edcB Acec |
  "D" dcde fdAF |"G" GBdB edcB |  "D" Adcd BAFD |"A7" EGFE   "D" D2:|

%%%

X:60390
%%
%
T:SUGAR AND SPICE (waltz)
C:R. Muir 4/11/12
%"Dedicated to my delightful twin cousins, Sue and Sally, on 
%their 66th birthday."
L:1/4
Q:1/4=160
M:3/4
K:G
|:"G" B3/2 A/ G |"G" D2 G |"C" E3/2 F/ G |"G" D3 |
"C" E F G |"G" G3/2 A/ B |$"A7" B A G |"D7" A d c |
"G" B3/2 A/ G |"G" d B d |"D7" c3/2 B/ A |"Em" G3 |
"A" A ^G A |"A7" ^c3/2 B/ c |"D" d2 ^c |"D" c A B |
"D7" c3/2 d/ e |"G" d d B |"D7" c3/2 d/ e |"G" d2 B |
"D" c B A |"Em" G B G | "A7" A3/2 B/ ^c |"D7" d2 c |
"G" B3/2 A/ G |"G" D3 |"C" E3/2 F/ G |"G" D3 |
"A7" G3/2 F/ E |"D7" F G A |1"G" G d B |"D7" c B A :|
[2"G" G B d |"G" g3 |]

%%%
X:60391
%%
T:SUMMER SOLSTICE (waltz)
%"Dedicated to Rose Mary Briody, the voice of an angel."
C:R. Muir 10/22/16
L:1/8
Q:1/4=120
%R:waltz
M:3/4
K:D
fe|"D" dF A2 ed |"Em" cE G2 cd |"A" cA ^GA BA |  "D" G2 F2 fe |
"D" dF A2 d2 |"Em" c2 B2 ef |"A7" ge cA Bc |  "D" d4 :|
ef|"G" gB ed cB |  "D" Ad f2 ed |"A7" ce gA Bc |  "D" df a2 fe |
"D" dF AD EF |"Em" GB e3 f |"A7" ge cA fe |  "D" d4 :|

%%%
X:60392
%%
T:SUPER SUE! (polka)
%"Dedicated to Sue Fried, Miss Conviviality!"
C:R. Muir 12/3/23
L:1/8
Q:1/4=180
M:C
%%R:polka
K:G
B2|"G" d2 de dBAG |"C" e2 ef agfe |"G" d^cde dBAG |"G" BG ^A2 "D7" =A2 Bc |
"G" d2 de "G7" dGAB |"C" cege agfe |"D7" d2 ef "G" gdBd |"D7" cB A2 "G" G2:|
AB|"C" c2 gf agfe |"G" dGB "G"d2 edB |  "D" ADF  "D"A2 edc |"G" B2 c2 "G7"dGAB |
"C" c2 gf agfe |"D7" def "G"g2 dBG |"C" E c2 E "G"DGBe |"D7" dA B2 "G" G2:|

%%%
X:60393
%%
T:SURE & STEADY (slide)
%"Dedicated to John McGraw, staunch supporter of Irish traditional music."
C:R. Muir 3/6/04
L:1/8
Q:1/4=165
%R:slide
M:12/8
K:D
"D"dfd AdA FAF D3 |"Em" E2 e e2 d "A7" cde ABc |
"D" dfd "Bm" Bcd "Em" ege "A7" cde |\
"D" d2 A "G" B2 G "A7" FGE "D" D3 :|
[K:A]
"A"E2 A AGA "Bm" BcA "E7" GFE |"A" e2 c "D" f2 d "B7" cBA "E7" Bcd |
%%vskip .3in
[1"A" e2 c "A" cBA "Bm" f2 d "E7" Bcd |"A" c2 A "D" d2 c "E7" BAG "A" A3 :|
%%vskip .3in
[2"A" efe cec "D" AdA FGA |"E7" G2 e efe dcB "A" HA3 |]

%%% %%%

X:60394
%%
T:SWAT the FLY (polka)
C:R. Muir
L:1/8
Q:1/4=220
%R:polka
M:C
K:D
A2|"D"d2 z A "G" B2 AG |"D" FBAG "D" FE D2 |\
"E" e2 z B "E" efed |"A7" cdBc "A7" A2 Bc |
"D" d2 z A "D" d2 ef |"Em" gfef "Em" g2 fe |\
"D" d2 z A "G" B2 AG |"D" FD "A7" E2 "D" D2:|
[K:A]
zF|"A" E2 AG AcBA |"E7" GABc "E7" d2 cd |\
"A" e2 AG AcBA |"B7" Bc^df gf e2 |
"Bm" d2 F2 dc B2 |"A" cdef ec A2 |\
"D" FGAB "A" cdef |"E7" e2 G2"A" A2 :|

%%%

X:60395
T:SWEDISH POLKA, The
C:R. Muir 2/6/23
%"Dedicated to Chuck Krusenstierna, ninety years young!"
L:1/8
Q:1/4=200
M:C
%%R:polka
P:A-B-A
K:G
dc|"G" Bc d2 G3 B |"Am" cd e2 A3 G |\
"D7" FGAB cAFA |
"G" G2 e2"D" dcBA |"G" Bc d2 G3 d |"Am" cd e2 A3 G |
[1"D7" FGAG FDEF |"G" G2 B2 G2:|2"D7" FGAB cdef |"G" g2 g2 g2||
[K:D]
|:fg|"D" a2 fa"A7" g2 ec |"D" d2 f2 A3 d |\
"A7" cd e2 A2 Bc |"D" d2 b2"A" agfg |
"D" a2 fa"A7" g2 ec |"D" de f2 A2 dc |\
"G" BGBd "A7" cAce |"D"d2"_DC after rpt"f2 d2:|

%%%

X:60396
%%
%
T:SWEET ROSIE O'TOOLE (waltz)
%"Dedicated to Rosie O'Toole on her birthday."
C:R. Muir 5/29/07
L:1/8
Q:1/4=160
%R:waltz
M:3/4
K:G
 dd |"G" e2 d2 dc |"G7" BA G2 G=F |"C" E3 F GE |"D7" E2 DE DC |
"G" B,2 D2 EF |"Em" GF GA BG |"A7" A2 AB ^ce |"D7" fe d2 dd |
"G" ed g2 dc |"G7" BA GB AG |"C" E2 G2 c2 |"Am" e3 g fe |
"G" dg B2 fe |"D7" d_d cA EF |"G" AG FG Bd |"G" g4 z2 ||
%
"G" B3 _B =Bc |"G" d_d e=d BG |"D" F3 =F ^FG |"D" A4 AB |
"D7" c3 B cd |"D7" f3 e cA |"G" G3 F Ge |"D7" d4 dc |
"G" B3 _B =Bc |"G7" dB G2 =F2 |"C" E2 G2 cd |"Am" e3 f ge |
"G" dg B2 fe |"D7" d_d cA EF |"G" AG FG Bd |"G" g4 z2 |]

%%%

X:60397
T:SWITHER SWAIN (slip jig)
L:1/8
Q:1/4=165
M:9/8
%%R:slip jig
K:D
"D" A2 F  "G" B2 G    "D" AGF |    "D" A2 F  dcd  "A" ecA |\
"D" F2 D  "G" G2 B    "D" AGF |    
"D" d2 A  dcd  "A" ecA |"D" f2 d  "Em" g2 e    "D" fed |\    
"D" fed  "Em" gfe    "D" afd |
"D" f2 d  "Em" gfe    "D" fed |  "G" Bcd "A7" edc    "D" d3 :|\
"D" A2 d  dcd  "A" ecA |
"D" A2 f  fed  "A" ecA |"Em" GAB  EFG    "D" FED |\
"Em" GAB "A7" ABc    "D" d3 |
"A" e2 A  e2 A    "D" fed |  "A" e2 A  efg    "D" fed |\
"G" Bcd  "A" ede    "D" fed | 
"G" Bcd "A7" edc    "D" d3 :|

%%%

X:251086
T:SACKOW'S JIG 
T:Trip It Upstairs
S:S: CRE.5 / FS1.30c
Z:Z: ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
%R:Jig
K:D
FAA GBB|FAd fed|cBc ABc|dfe dBA|
FAA GBB|FAd fed|cBc ABc|dfe d3 :|
dBB fBB|fgf fed|cAA eAA|efe edc|
dBB fBB|fgf fed|cBc ABc|dfe d3 :|

%%%
X:491505 
T:SAD IS MY FATE  
S:S: ONMI.0355 < Mrs.Fitzgerald
Z:Z: Brennan/Black (arr.)
M:3/4
Q:1/4=80
L:1/8
K:Dm 
%"mournfully"
%%vskip .3in
(3A=B^c|d2 cA GE|D2 C2 DE|F3 GAB|c2 A2 A>^c|
d2 eA GE|D2 C2 DE|F3G E>D|D4||
A>G|A2 d2 d>e|f2 ed ce|d2 c2 A>G|F4 F>G|
A2 d2 d>e|f2 ed ^ce|d6-|d4 de|
f2 fe dc|d2 A2 AB|c2 cA GF|E2 C2 DE|
F2 FG AB|c2 A2 AG|F3 GE>D|D4|]

%%%
X:342094 
T:SADDLE HILL (hornpipe) 
Z:Z: ABC/arr. BB
C:Joe Liddy
S:S: Liddy2.17 
Q:1/4=150
N:N: Dotted rhythm in source
L:1/8 
M:C|
%R:hornpipe
K:G
%swing .25
GE|DGG2 DGBA|GBdB cdeg|fdge fdcA|BdBG FGEF |
DGBG EGBA|GBdB cdeg|fdge fdcA|BGAF G2 :|
dc|BGBd gdBd|cA BG FGAc|BGAB cfag|fgef decd |
BGBd gdBd|bg AB cdeg|fdge fdcA|BGAF G2 :|

%%%
X:493338 
T:SADDLE THE PONY (1st setting) (jig) (c1) 
S:S: ONMI.0717 < F.O'Neill
N:N: Neither this setting or setting 2 sounds like today's session tune of the 
N:same name (which ONMI calls "Red Stockings")
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:A dorian
N:source key = A major
%%vskip .3in
B|:cAA eAA|cBc eAA|cAA eAA|dBG Bcd|
cAA eAA|cBc efg|agf gfe|dBG Bcd :|
eaf gee|fdd gee|eaf gfe|dBG Bcd|
eaf gee|fdd gee|def gfe|dBG Bcd :|
"^coda" dBG BdB|A6|]

%%%
X:493339 
T:SADDLE THE PONY (2nd Setting) (jig) (d) 
S:S: ONMI.0718 < F. O'Neill
N:N: If this is really a modal tune (A mix), it sounds a lot like a member of the 
N:"Langstrom's Pony"/"Mooncoin" family. (Is this Langstrom's pony that needs 
N:a saddle? - just asking.) 
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:Amix
%%text source key = A major
%%vskip .3in
g|:fed cAA|eAA cBA|fed cAA|BGB dBG|
fed cAA|cAA efg|faf gfe|dBG Bcd :|
cee dff|cee ecA|cee dff|dBG Bcd|
cee dff|cAA efg|faf gfe|dBG Bcd :|
"^coda" dBG BdB|A6|]

%%%
X:11001
T:SADDLE THE PONY (jig) (a1) 
S:S: AIF
Z:Z: Brennan/Black (arr.)
M:6/8
%R:jig
Q:1/4=160
L:1/8
K:G
E/F/|GBA G2B|def gdB|GBA G2B|AFD AFD|
GBA G2B|def gfg|efe dBA|BGG G2:|
B/d/|efe edB|def gfg|efe edc|dBA ABd|
efe edB|def gfg|efe dBA|BGG G2:|

%%%
X:251087
T:SADDLE THE PONY (jig) (a2) 
Z:Z: ABC/arr. BB
M:6/8
S:S: FS1.19b
Q:1/4=160
L:1/8
%R:Jig
K:G
D|GBA G2B|def gdB|GBA G2B|AFD AFD|
GBA G2B|def gfg|efe dBA|BGG G2 :|
d|efe edB|def gfg|efe edB|dBA ABd|
efe edB|def gfg|efe dBA|BGG G2 :|

%%%
X:331088 
T:SADDLE THE PONY (jig) (b)   
Z:Z: ABC/arr. BB
S:S: Levey1.43
N:N: This isn't the session favorite of the same name. Second part reminds me 
N:of "Humors of Glendart".
Q:1/4=160
L:1/8
%R:jig
M:6/8
K:D
%%text "very quick"
%%vskip .3in
A|def dcB|AFA AFA|def dBA|Bed edB|
def dcB|AFA AFA|gfe fdB|AFD EF :|
A|BFF ADD|FEF AFD|BFF ADA|AFD EFA|
BFF ADD|FEF AFD|gfe fdB|AFD EF :|
"coda"AFD EFE|HD6|]

%%%
X:39067 
%%titlefont 18
T:SAE BRAWLY AS I WAS KISSED YESTREEN (jig)
Z:Z: ABC/arr. BB
S:S: "Gentlemen's Musical Repository" ("Scotch")
L:1/8
M:6/8
Q:1/4=160
%R:jig
K:A dorian
E|ABA ABd|egB A2c|BAB GAB|BdB G2B|
cBc ded|efg a2g|edc Bcd|e2A A2 :|
f/g/|a2A ABA|a2A A2f|g2G GAG|BAB GAB|
cBc ded|efg a2g|edc Bcd|e2A A2 :|

%%%
X:20020
T:SAIL AROUND THE ROCKS (slip jig) 
S:S: DMAC.25
Z:Z: ABC/arr.BB
L:1/8
M:9/8
Q:1/4=150
%R:slipjig
K:G
G3 G2A B3|G3 G2B AFD|G3 G2A B3|
A3 A2B cBA :|g3 g2e d3|g3 g2e dBA|
g3 g2e d3|c2B c2d e2f |g3 g2e d3|
g3 g2e dBA|g2a g2e dBG|c2B A2B c2A ||
"^coda"HG6z3|]

%%%
X:491506
T:SAILING BACK OF WHIDDY  
S:S: ONMI.0056 < J.O'Neill
Q:1/4=120
Z:Z: Brennan/Black (arr.)
M:C
N:N: Dotted rhythm in source
L:1/8 
K:C
CDEF GEC2|EFGc dcBG|edcB AGc2|CDEF GFED|
CDEF GEC2|EFGc dcBG|edcB AGc2|CDEF GEDC||
CDEG DFEC|EFGc dcBG|edcB AGBc|CDEG DFEC|]

%%%
X:32025
T:SAILING IN (slow reel) 
C:© C.Lennon
Z:Z: ABC/arr. BB
S:S: CLMM.53
Q:1/4=130
M:4/4
L:1/8 
%R:reel
K:D 
%%text  source key E
%%vskip .3in
D3A faa2|DAFA BGEC|D3A faa2|GEDE CEA,E|
D3A faa2|DAFA BGEC|D2AD FAGA|BGEF GAFE||
Ddd2 d2 AG|FAdf ecAG|FAdA FAdf|edcB ABGE|
Ddd2 d2 AG|FAdf efge|afge fded|cAeA GAEA||\
"^coda" D4z4|]

%%%
X:19025
T:SAILING INTO WALPOLE'S MARSH (reel)
S:S: DFW < WSGM
Z:Z: ABC/arr. BB
N:N: I couldn't find this in WSGM (unless it's there under another name).
N:N: Repeats added
L:1/8
M:C
Q:1/4=180
%R:reel
K:A dorian
dB|A3G A2BA|GEDE GED2|A2GB ABcd|eged cAdc|
AGcG EGcB|GEDE GEDE|A3G ABcd|eged cA :|
cd|egg2 eaa2|eged cAcd|eged cAcd|egge d2cd|
egg2 eaa2|eged cAAB|c2gc acgc|1 eage de :|
[2 eage Ha4|]

%%%
X:491507 
T:SAILOR JACK 
S:S: ONMI.0615
Q:1/4=120
Z:Z: Brennan/Black (arr.)
M:2/4
L:1/16
K:G
%%text "moderate"
%%vskip .3in
g2|d2B2 A3G|G2B2D2 zE|G2G2 c3B|B2 A4g2|
d2B2 A3G|G2B2D2 zE|G2B2 A3G|G4z2||
B2|c3B c2d2|e2d2 g3e|d2B2 A2Bd|e6g2|
d2B2 A3G|G2B2D2 zE|G2B2 A3G|G4z2|]

%%%
X:13305
T:SAILOR ON THE ROCK (reel) (1), The 
S:S: BSMI.3
Z:Z: ABC/arr. BB
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:D
defd BAFB|AD (3FED FAA2|defd BAFB|1 ABdf eBB2 :|
[2 ABdf edd2 |:faag fdd2|gfga bgeg|faag fedB|
ABdf e2d2 :|"^coda"Hd4z4|]

%%%
X:252079
T:SAILOR ON THE ROCK (reel) (2), The 
Z:Z: ABC/arr. BB
S:S: FS2.20a
M:C
L:1/8
Q:1/4=180
%R:reel
K:D
A|d2fd BAFB|ADFD FAAB|defd BAFB|1 ABdf eBB :|
[2 ABdf e2d|:e|faag fdd2|gfga bgeg|faag fedB|
%%stretchlast 0
ABdf e2d :|"^coda" ABdf e2d2- |d4z4|]

%%%
X:181157
T:SAILOR'S BONNET (reel) (1), The 
S:S: CRE.1 
Z:Z: ABC/arr. BB
N:N: CRE shows this as an AABB tune, but most musicians today play it
N:as Coleman did [= ABB].
M:C
L:1/8
Q:1/4=180
%R:reel
K:D
dB|:A2FA dfef|dfec dBB2|A2FA dfef|dBAF ADD2|
A2FA dffe|dfec dBB2|A2FA dfef|dBAF ADD2||
faab afdf|afef dBBe|fbb2 bafa|b2af fefa|
bff2 aff2|afef dBB2|A2FA dffe|dBAF ADD2:|

%%%
X:251088
T:SAILOR'S BONNET (reel) (2), The
S:S: CRE.5
Z:Z: ABC/arr. BB
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:D
A2FA dfef|dfec dBB2|A2FA dfec|dBAG FDD2|
A2FA dff2|dfec dBB2|A2FA dfec|dBAG FDD2||
faab afdf|afef dBB2|fbb2 bafa|b2af fee2|
bff2 aff2|afef dBB2|A2FA dfec|dBAG FDD2 :|

%%%
X:252080
T:SAILOR'S BONNET (reel) (3), The 
Z:Z: ABC/arr. BB
S:S: FS2.17c
M:C
L:1/8
Q:1/4=180
%R:reel
K:D
A2FA dff2|dfef dBB2|A2FA dfec|dBAF ADD2 :|
faab afdf|afef dBB2|fbb2 bafa|b2af fee2|
bff2 afef|afef dBB2|A2FA dfec|dBAF ADD2 :|

%%%
X:59120
T:SAILOR'S BONNET (reel) (4), The
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
%R:reel
K:D
A2FA dffe|dfef dBB2|A2FA dffe|dBGE FDD2:|
faab afdf|afef dBB2|gbbc' bafa|baaf fee2|
bafg afdf|afef dBB2|A2FA dffe|dBGE FDD2 :|

%%%
X:495314
T:SAILOR'S CRAVAT (reel), The  
S:S: ONMI.1446 < McFadden
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
M:C|
L:1/8
K:D
d2fe dcBd|ABFB ADFA|d2fe dcBd|AFDF GEE2|
d2fe dcBd|ABFB ADFA|d2fe dcBd|AFEG FDD2||
AddA BAFA|defd Bee2|AddA BcdB|AFGE FDD2|
AddA BAFA|defd Bee2|AddA Bgfe|dBAG FDD2|]

%%%
X:492177 
T:SAILOR'S HORNPIPE (1st setting) (a), The  
S:S: ONMI.1577
%R:hornpipe
L:1/8
Q:1/4=150
M:C|
L:1/8
K:D
AG|FAdc d2AG|FAdc d2A^G|Aced cBA^G|Aced cBA=G|
FAdc d2AG|FAdc d2A2|BcdB cdec|f2d2d2:|
ef|gfge c2ec|dcdB A2GF|GABG FGAF|E^DEF E2ef|
gfge c2ec|dcdB A2^GA|BcdB cdec|f2d2d2:|

%%%
X:492178 
T:SAILOR'S HORNPIPE (2nd setting) (b1), The 
S:S: ONMI.1578
%R:hornpipe
Q:1/4=150
L:1/8
M:C|
L:1/8
K:D
Bc|dcdA FAdf|edcB A2fg|afaf bagf|edcB A2fe|
dcdB FAdf|edcB A2fg|afdg bgec|d2d2d2:|
EG|afaf d2ga|bgbg e2fg|afaf bagf|edcB A2fe|
dcdB FAdf|edcB A2fg|afdg bgec|d2d2d2:|

%%%
X:532103 
T:SAILOR'S HORNPIPE (b2), The   
S:S: RC2.206
Z:Z: ABC/arr. BB
Q:1/4=140
L:1/8
M:C|
%R:hornpipe
K:D
Bc|dcdA FAdf|edcB A2fg|afdf bged|cecB Agfe|
dcdA FAdf|edcB A2fg|afdf bgec|d2f2d2:|
fg|afaf dfga|bgbg e2fg|afaf bged|cecB Agfe|
dcdA FAdf|edcB A3g|fafd egec|d2f2d2:|

%%%
X:59119
T:SAILOR'S HORNPIPE (c), The
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=150
M:C|
%R:hornpipe
K:G
gf|g2G2G2dc|Bdgf gbag|a2A2A2ag|f2d^c d2df|
gfed edcB|cBAG AGFE|DGFA GBAc|B2G2G2 :|
dc|Bdgd Bdgd|e2c2c2ed|^ceae ^ceae|f2d2d2cB|
c2e2 edcB|cBAG AGFE|DGFA GBAc|B2G2G2 :|
N:N: 1: O'Brien's "florid" setting - not reproduced here - is kind of a "box player 
N:special" version of this well-known tune. 
N:N: 2: There's a setting of this ONMI1850 called "Jack's the Lad" (Yes, Virginia, 
N:this +is+ Popeye's theme song!)

%%%
X:495315
T:SAILOR'S JACKET (reel), The  
S:S: ONMI.1368 < J.O'Neill
Z:Z: Brennan/Black
N:N: Source m.15 = |(3agf (3gfe fded|. This could well be a modal tune but 
N:my version is the same as the source's.
Q:1/4=180
%R:reel
M:C|
L:1/8
K:D
dfec A2AB|cdef gfge|dfec A2AB|cBcG EDD2:|
d2fd adfd|c2ec gcec|d2fd adfd|eaag edd2|
defg afge|cdef g2fg|afge fded|eaag edd2|]

%%%
X:13475
T:SAILOR'S POLKA, The
T:Barren Rocks of Aden
S:S: BSMI.4
Z:Z: ABC/arr. BB
L:1/8
%R:polka
M:2/4
Q:120
K:G
B>d BA|GB DG|FA/F/ ED|BD GA|
B>d BA|GB DG|FA/F/ EF|1 G2 G>A :|2 G2 G/A/B/c/ ||
|:dB GB|Ac E>A|cA FD|GB d>B|
dB GB|Ac E>A|cA FD|1 G2 G>B :|2 G2 G2 ||

%%%
X:495316
%%staffsep 72
T:SAILOR'S RETURN (reel), The  
S:S: ONMI.1375 < F.O'Neill
Z:Z: Brennan/Black
N:N: Same tune as "Eileen Curran"
Q:1/4=180
%R:reel
M:C|
L:1/8
K:E dorian
GFED B,EEG|FDAD BDAD|GFED B,DEF|GFGA Beef|
gefd eBBc|dBAG FDD2|GFED B,DEF|GBAF GEE2||
Eeed efed|Dddc dedF|Eee^d Beef|gefd Beef|
gefd eBB^c|dBAG FDD2|GFED 3B,DEF|GBAF GEHE2|]

%%%
X:13332
T:SAINT ANDREW'S (reel) 
S:S: BSMI.3
Z:Z: ABC/arr. BB
%R:reel
M:4/4
Q:1/4=180
L:1/8
K:G % 
%%text source key = F
%%vskip .3in
d3e dGBG |EAAG A2 GE|DGBG dGBG |A2 GA BG G2 :|
Bd d2 edBd|eaab agef|gfge d2 Bd|gfga bg g2 :|
N:N: Andy McGann called this "Kathleen's Fiddle" for Kathleen Collins.
N:This sounds like a relative of "Mourne Mountains" (ONMI #477). 
N:Bob Taylor says this is a Larry Redican tune.

%%%
X:13108
T:SAINT ANNE'S REEL (1)
S:S: BSMI.1
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:D
de|fedf edcB|A2FA DAFA|B2GB EBGB|A2FA DAFA|
fedf edcB|A2FA DAFA|B2ed cABc|dedc d2 :|
de|f2fe fdef|gagf g2gf|edcB ABce|baa^g a2a=g|
f2fe fdef|gagf g2gf|edcB ABcd|eddc d2 :|

%%%
X:251089
T:SAINT ANNE'S REEL (2)
Z:Z: ABC/arr. BB
M:4/4
S:S: FS1.12b
L:1/8
Q:1/4=180
%R:Reel
K:D
e|fedf edcB|A2FA DAFA|B2 GB EBGB|A2FA DAFA|
fedf edcB|A2FA DAFA|B2 ed cABc|eddc d3 :|
e|f2 fg fedc|Bggf g2 gf|edcB ABcd|baag a2 ag|
f2 fg fedc|Bggf g2 gf|edcB ABcd|eddc d3 :|

%%%
X:44161 
T:SAINT JOHN'S EVE*  (jig)
S:S: NFID.186b < DOD ("untitled double jig")
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
c|def edB|BAF FEF|BAF DFA|d2f edB|
def edB|BAF FEF|BAF DEF|1 EDB, DB:|\
[2 EDB, DB||
|:G|AFA d2e|faf fed|efe edB|dcd edB|
AFA d2e|faf fed|edB ABd|edc dB:|
"^coda" edc Hd3|]

%%%
X:62121
T:SAINT JOHNSTON'S (hornpipe) 
S:S: GSTC
Z:Z: ABC/arr. BB
Q:1/4=150
%R:hornpipe
M:C|
K:D 
%swing .25
%%text A-B-A
%%vskip .3in
FG|AFdA GdBG|AFdA GdBG|ABcB AGFG|A2GF E2FG|
AFdA GdBG|AFdA GdBG|ABcB AGFE|DFAF D2 :|
%
dc|Bcde fBB2|gfeg fBB2|c2F2 cAFE|FAcA fedc|
Bcde fBB2|gfeg fBB2|cBAB ceag|fedc "_DC"B2 :|
%
N:N: This is a simplified arrangement of a Scots tune. The original is loaded 
N:with ornamentations impossible to play for anybody less nimble-fingered 
N:than the late Joe Derrane (or Luke O'Malley)! (The A-B-A setting is my 
N:idea.)

%%%
X:15281
T:SAINT KATHERINE'S 
S:S: CCCD
Z:Z: ABC/arr. BB
N:N: "Because of torn page, bars 13 and 25 are incomplete in the original." 
N:(NPU editor's note)
%R:reel
L:1/4
Q:1/4=150
M:4/4
K:G
d/e/|dGGA|B3A/B/|cBAG|F/G/AAd/e/|
dGGA|B3A/B/|c/B/A/G/ F/G/A/F/|G3 :|
%
A/B/|ADDE|F3 A/B/|ADGA|B3 z|
BBeB|c3 c/B/|A/B/A/G/ F/G/A/F/|GE2 B/c/|
BBeB|c3 c/B/|AAdA|B3 d/e/|
ddgd|e/d/c/B/ Ad|e/d/c/B/ c/B/A/F/|G3 z|]

%%%
X:13272
T:SAINT MARY'S (polka) (1) 
S:S: BSMI.2
Z:Z: ABC/arr. BB
%R:polka
M:2/4
Q:1/4=120
L:1/8
K:G
D|GB AB/A/|Gg e/f/g/e/|dB AG/A/|BB/A/ G/F/E/D/|
GB AB/A/|Gg e/f/g/e/|dB AG/A/|BG G :|
A|Bd g>d|Bd g>d|Bd g>e|f2 f>g|
a/b/a/g/ e/f/g/e/|dB AG/A/|Be d/B/A/B/|1 G2 G :|2 HG4 |]

%%%
X:31192
T:SAINT MARY'S (polka) (2) 
Z:Z: ABC/arr. BB
S:S: JOL.322
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:G
F|G2 AB/A/|Gg e/f/g/e/|dB AG/A/|B/c/B/A/ G/F/E/F/|
GB AB/A/|Gg e/f/g/e/|dB AG/A/|BG G :|
A|Bd g2|B/c/d gf/g/|Bd ge|f2 fg|
a2 e/f/g/e/|dB AG/A/|Bc/B/ d/B/A/B/|G2 G :|

%%%
X:341088 
T:SAINT MARY'S WELL (reel) 
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy1.32
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Em
GA |BE E2 EDB,A,|B,EED E2 GA|B2 dB eBdB|GABd edBA |
GEFD EDB,A,|B,EED E2 GA|B2 dB GABd |edBA GE :|
%
GA|BedB e2 ef|g2 fd edBA|G2 GA Bdeg |edBA GEGA|
Bdef g2 fg|edBA BEGA|B2 dB GABd |edBA GE :|
%
GA|B2 BA BEGA|B2 AG FDFA |B2 BA BAGA|BedB e2 ef |
[1 g2 fg egfg|edBA GEDB, |E2GD GABd|edBA GE :|
[2 g2 ba gedB|e2 BA BEGA |B2 dB GABd|BAGF HE4|]

%%%
X:29092
T:SAINT PATRICK WAS A GENTLEMAN  
S:S: CGI.012
Z:Z: ABC/arr. BB
%%%text moderato"
N:N:  1: Not the same tune as the song of this name.
N:N:  2: Staccato notes in original have been removed.
Q:1/4=120
L:1/8
M:C|
%R:hornpipe
K:Em 
%swing .25
BA|GEDE B,EDE|FDDF A2BA|GEDE B,EDE|FDDF G2BA|
GBBB eBBB|GBBB e2ef|gef^d eBBAG|FDDF A2BA|
GEEE B,EEE|FDDF A2BA|GEEE B,EEd|eBBA GFHE2 |]

%%%
X:59222
T:SAINT PATRICK'S DAY (long dance - 6/8)
S:S: JOB
Z:Z: ABC/arr. BB
Q:130
L:1/8
M:6/8
%R:jig
K:G
D|GAG GAB|ded dBG|AGA BGD|EFE E2E|
GAG GAB|dge dBG|AGA BGD|E2F G2 :|
B|def g2e|fed edB|def g2e|fed e2B|
def gag|fed efg|GAG GAB|ded dBG|
AGA BGD|EFE E2D|GAG GAB|dge dBG|
AGA BGD|E2F G2 :|

%%%
X:48153
T:SAINT PATRICK'S DAY (set dance - 6/8) (1) 
S:S: OFPC1.16
Z:Z: ABC/arr. BB
N:N: Note the irregular structure. This tune is played primarily as a "set dance" 
N:today.
Q:1/4=150
M:6/8
L:1/8
%R:jig
K:G
E|GAG GAB|ded dBG|BAB GBE|EGE E2D|
GAG GAB|dge dBG|BAB GBE|E3 G2 :|
%
z|def g2e|f2d e2B|def g2e|fed e3|
def gbg|faf efg|GAG GAB|dge dBG|
BAB GED|EGE E2D|GAG GAB|ded dBG|\
BAB GED|E3 G2 :|
%
d|EGG BGG|Bdg dBG|BAB GED|EGE E2D|
EGG BGG|Bdg dBG|BAB GED|E3 G2 :|
%
c|dBB gBB|fBB eBB|dBB gbg|agf e3|
def gfg|agf efg|GAG GAB|dge dBG|
BAB GED|EGE E2D|d2d dBd|ege dBG|
BAB GED|E3 HG3|]

%%%
X:37156 
T:SAINT PATRICK'S MARCH
Z:Z: ABC/arr. BB
S:S: MFC.103B
Q:1/4=120
L:1/8
M:C|
%R:march
K:D
DF|A2A>B AFED|f2f>d edBG|A2AB AFED|E2E>F E2FG|
A2A>B AFED|f2f>d edBG|A2de fedc|d2d>cd2:|
Ad|f3a Adfa|g2 fg/f/ e2fg|afdA FAGF|E2E>F E2FG|
ADFA dFAd|fagf edcB|Adfa gecA|d2d>cd2:|

%%%
X:12260
%%staffsep  80
T:SAINT RAYMOND'S (fling)
S:S: BBMG 
C:© BB
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:D
"D"DEFG A2d2|"G"BGBc "D"dAF2|"D"DEFG A2d2|"Bm"BABd "A"e4|
"D"fddf "G"gBBg|"A"acca "Bm"bafe|"D"f2 df "Bm"cfBf|"A7"AGEC "D"D4 :|
"D"fefg "Bm"fB~B2|"G"d2 "A"e2 "D"f2a2|"Em"eB~B2 "D"=AF~F2|"G"GABd "A"e4|
"D"fefg "Bm"fB~B2|"A"abag "D"fd~d2|"D"DEFA "G"GdcB|"A7"AGEC "D"D4 :|
%
%This is the cemetery in the Bronx where so many trad musicians are
%laid to rest.

%%%
X:38243 
T:SAINT RUTH'S BUSH (reel) 
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Ador
Bd|eAAB c2 BA|GEED EDB,G,|AGAB cBcd|eaag egdg|
eAAB c2 BA|GEED EDB,G,|A2 AB cdeg|dBGB A2:|
Bd|eaag abag|eaag bgag|eggf g2 fg|eg g2 edBd|
eaag abag|eaag bgag|edef gage|dBGB A2:|
%
%For those who are as curious as I was to discover where this
%tune name originates, a little Irish History 101:
%The Marquis de St.Ruth was a French general who participated in 
%the unsuccessful attempt to force the British out of Western 
%Ireland in the late 17th Century. He was killed in July 1691 at 
%the Battle of Aughrim and is buried in Loughrea, Co. Galway.
%I'm not sure what "bush" refers to but I'm guessing it was a
%landmark on the battlefield somewhere.

%%%
X:54062 
T:SAINT SINNEACH'S MARCH 
S:S: SRHI.43b
Z:Z: ABC/arr. BB
C:Se·n Ryan
Q:1/4=120
L:1/8
M:C
%R:march
K:G
DG|B>ABG c>BcA|d>cde fd fa|gfdB c3d/c/|BGAF DEFD|
B>ABG c>BcA|d>cde fd fa|gfdB c2dc|ADFA G2:|
de|f>efd g>fga|bgag fd fa|gfdB c3d/c/|BGAF DEFD|
B>ABG c>BcA|d>cde fd fa|gfdB c2dc|ADFA G2:|

%%%
X:531094
T:SALAMANCA REEL (1), The  
S:S: RC1.134
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
dB|ADFD ADFD|AdBd fdcd|BEFD BEFD|Bdce dfag|
fBcA aBcA|Bdce dfag|fdec dBAG|FGAF D2||
fg|afdf bgeg|fdcd BAFA|Bdce defg|a2ag aefg|
abag fafd|gfed ceag|fdec dBAG|FGAF D4|]

%%%
X:11039
T:SALAMANCA REEL (2), The 
S:S: AIF
Z:Z: Brennan/Black (arr.)
Q:1/4=180
M:C
L:1/8
%R:reel
K:D
dB|ADFD ADFD|Adcd fedc|BEG BEGE|Beed cdeg|
fdd2 fdcA|Bdce dfag|fdec dBAG|FGEF D2:|
fg|afdf bgeg|fdcd BAFA|Bddc defg|a2gb a2fg|
abaf gfeg|fdec dfag|fdec dBAG|FGEF D2:|

%%%
X:181146
T:SALAMANCA REEL (3), The 
N:N:  "Piperly" setting
S:S: CRE.1
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:D
dB|ADD2 ADD2|Adcd fe dc|BEE2 BEE2|Beed ceAg|
fBB2 FBB2|f3e dfag|fdge dABG|FAEF D2:|
fg|afdf gecg|fdec dABG|FAdA Bdfg|a3b a2eg|
abaf gage|fdec dfag|f2ec dABG|FAEF D2:|
dB|AFF2 AFF2|Adcd ge dc|BGG2 BGG2|Bee2 ceAg|
fBB2 fBB2|f3e dfag|fdge dABG |FAEF D2:|
fg|afdf ge ce|fdec dABG|FADA defg|a3f a2Ac|
defg afbg|agfe dfag|f2ec dABG|FAEF D2:|

%%%
X:251090
T:SALAMANCA REEL (4), The 
Z:Z: ABC/arr. BB
M:4/4
S:S: FS1.15a
Q:1/4=180
L:1/8
%R:Reel
K:D
dB|AD (3FED AD (3FED|Adcd fedc|BEE2 B,EE2|Beed cdeg|
fBB2 FBB2|fgfe dfag|fgec dBAG|FGEF D2 :|
fg|afdg bgeg|fdcd BAFA|Addc defg|a2gb a2fg|
a3fg3e|f3e dfag|fdec dBAG|FGEF D2 :|

%%%
X:331089 
T:SALAMANCA REEL (5), The 
Z:Z: ABC/arr. BB
S:S: Levey1.54
Q:1/4=180
L:1/8
%R:reel 
M:C
K:D
%%text "moderate - or hornpipe"
%%vskip .3in
dB|ADFD ADFD|Adcd fedc|BEGE BEGE|Beed ceeg|
fBdB bBdB| fedc dbag|fgec dABG|FGEF D2 :|
fg|afdf bgeg|fgec dcBA|Bdce dfeg|fa^gb a2Bc|
defg afbg|fedc dbag|fedc dABG|FGEF D2 :|

%%%
X:495317
T:SALAMANCA REEL (6), The  
S:S: ONMI.1348 < J. O'Neill
Z:Z: Brennan/Black
N:N: Repeats added
Q:1/4=180
%R:reel
M:C|
L:1/8
K:D
dB|ADFD ADFD|Adcd fdcd|BEGE BEGE|Beed cdeg|
fddg fdcA|Bdce dfag|fdec dBAG|FGEF D2 :|
fg|afdg bgeg|fdec dcBA|Bdce dfeg|fagb a2fg|
abaf gfeg|fdec dfag|fdec dBAG|FGEF D2 :|

%%%
X:342095 
T:SALISBURY ARMS (reel), The
Z:Z: ABC/arr. BB
C:Joe Liddy
S:S: Liddy2.39
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:D
dB|A2FA DAFA|DEFA dfed|B2GB EBGB|Agfg efdB |
A2FA DAFA|B2GB EFGA|Bcde fged|cAGF D2 :|
%
de|faa2 bafe|dB dA Fbbc|d2Bc defg|afec dbb2 |
[1 faa2 bafe|dB dA FEDE|FABc d2fe|dBAF D2 :|
[2 bafe dBfe|dB dA FEDB,|A,B,DE FAfe|dBAF HD4 |]

%%%
X:48235 
T:SALL'S DELIGHT (reel)
S:S: OFPC2.54
Z:Z: ABC/arr. BB
D:D: OSMOF1 track 9B
N:N: a/k/a/ "Sally's Delight"
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:D
F2AF dFAF|F2AF BEEG|F2AF dFAF|BGEA FD D2 :|
d2eg fdec|d2eg fd B2|d2eg fdec|dBAG FA D2|
d2eg fdec|dfeg fdBf|agfe dcBA|Bcde fd d2 |]

%%%
X:532104 
T:SALLEY PICKER (hornpipe), The   
S:S: RC2.218
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:4/4
%R:hornpipe
K:G
%swing .25
AF|G2BG D2EF|G2 Bd gdBG|c2 ec B2 dB|AcBG ADEF|
G2 BG D2 EF|G2 Bd g3g|fafd ege^c|d2dc d=c :|
BA|Bdd2 edd2|gddc Bdgd|efgf edcB|ABcA GFED|
EGG2 DGG2|EGG2 DGG2|Bdfe dcAF|G2 Bd g2:|
"^coda" Ggfg ecAF|G2GF G4|]

%%%
X:341089 
T:SALLY GAP REEL, The 
C:Joe Liddy
Z:Z: ABC/arr. BB
Q:1/4=180
S:S: Liddy1.49
L:1/8
M:4/4
%R:reel
K:Em
GEGD EFGA|B2 GE BEAG|FD D2 DFAG|FDAD BFAF |
GEED EFGA |B2 AF GEB,2D2|EFGA B2 Be|dBAF GE E2 :|
%
B2 BA Bdef|gfed edBA|BAGF GE E2|Beef g2 ga |
bgaf gfed|B2 BA GABA|BedB e2 ef|gfed edBA|
BAGF GEFD |EFGA B2 de|dBAF GE E2|e2 ed Bdef|
g2 fd edBA|G2 GA BABd|fged Bdef|gfed edBA|
GEFD EDB,A,|B,EFD E2 de|edAF GE E2 |]

%%%
X:13101
T:SALLY GARDENS (reel) (1), The 
S:S: BSMI.1
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:G
BA|G2DG B2GB|dBeB dBAB|d2Bd egdB|AcBA GEDE|
G2DG B2GB|dBeB dBAB|d2Bd egdB|AcBA G2 :|
Bc|dggf g2de|g2bg ageg|eaag a2eg|a2bg ageg|
dggf g2de|g2bg ageg|d2Bd egdB|AcBA G2 :|

%%%
X:181100
T:SALLY GARDENS (reel) (2), The 
S:S: CRE.1 
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:G
D|G2DG BdGB|dgeB dBAB|d2Bd edge|dBAB GEDE|
G2DG BdGB|dgeB dBAB|d2Bd edge|dBAB G3:|
B|egga g2df|gabg aged|eaag a2ea|agbg ageg|
dggf g2df|gabg ageg|d2Bd edge|dBAB G3:|

%%%
X:251091
T:SALLY GARDENS (reel) (3), The
S:S: CRE.5
Z:Z: ABC/arr. BB
S:S: FS1.14c
M:4/4
L:1/8
Q:1/4=180
%R:Reel
K:G
DE|G2 DG BAGB|dBeB dBAB|d2 Bd edge|dBAB GEDE|
G2 DG BAGB|dBeB dBAB|d2 Bd edge|dBAB G2 :|
Bc|dggf g2 df|g2 bg aged|eaag a2 ea|agbg ageg|
dggf g2 df|g2 bg ageg|d2 Bd edge|dBAB G2 :|

%%%
X:62122
T:SALLY GARDENS (reel) (4), The 
S:S: GSTC
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
K:G
D2|GBDG BdGB|dBeB dBAB|d2Bd eBdB|AcBA GEDE|
G2DG B2GB|dBeB dBAB|d2Bd eage|1 dBAB G2 :|2 dBAB G|| 
ABc|dggf g2 dg|g2 dg bgag|eaa^g a2 ea|a2 ea bgag|
[1 dggf gede|gabg ageg|d2Bd eage|dBAB G :|
[2 dg g2 dg g2|dgbg ageg|d2Bd eage|dBAB HG4||

%%%
X:57139 
T:SALLY HEGARTY'S  
S:S: Treoir < "O'Farrell's Pocket Companion"
Z:Z: ABC/arr. BB
M:9/8
L:1/8
Q:1/4=160
%R:slip jig
K:G
G2A Bee Bee|GFG BdG AFD|G2A Bee Bee|
d^cd ABG FED :|[K:D]d2 e fdf ecA|d2 e fdf gfe|
d2 e fdf ecA|Bcd ABG FED :|

%%%
X:27080
T:SALLY IN OUR ALLEY (hornpipe)  
S:S: HOC.157 ("straight jig")
Z:Z: ABC/arr. BB
%%text 
Q:1/4=150
M:C|
L:1/8
%R:hornpipe
K:D 
%%text source key = C
%%vskip .3in
cB|A2d2 cege|d4 c2d2|B3A B2AG|FAdf afdB |
A2d2 cege|dced c2dc|B3A B2AG|Fd2c d2 :|
cB|AF2G A3=c|B2GA B2df|gagf efed|cBAG AEFG |
FDFA BGBc|d2AB d2ef|g2ed cdcB|Ad2c d2 :|
"^coda" Addc Hd4|]

%%%
X:44162 
T:SALLY KELLY'S REEL 
S:S: NFID.188b < DOD
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:C
%R:reel
K:Em 
F|GEed e2eg|fede fgab|gefd e2BG|AcBA GEEF|
Eee^d e2eg|fede fgab|gefd e2BG|Ac BA GEE||
F|GABd G2GB|GABd cAAa|gefd e2BG|AcBA GEE:|

%%%
X:21176 
T:SALLY MAGEE (jig) (1) 
S:S: DMI.0314
Z:Z: Nordberg/Black
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
D|DGG GFG|AFD FGA|B2G A2F|GFD D2D|
DGG GFG|BAG ABc|BdB cAF|AGG G2:|
g|fef dfd|cAG FGA|fef dfd|cAF G2g|
fef dfd|cAG FGA|BdB cAF|AGG G2:|

%%%
X:47035 
T:SALLY McGEE (jig) (2)  
S:S: CNIM.23
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:G
D|EAA AGA|BGF GBd|cdc BAB|GED E2D|
EAA AGA|BGF GBd|cdc BAB|GED E2 :|
d|efe dec|BGF GBd|efe dec|BGE c2d |
efe dec|BGF GAB|cdc BAB|GED E2 :|\
"^coda" AGF HG3|]

%%%
X:66098
T:SALLY PEAVINE (reel)
C:Mark Bickford
S:S: composer
Z:Z: ABC/arr.BB
%MB note: "This is named after a race horse who, after she retired 
%from racing, lived in a stable on the property where I now live, 
%and was used for riding lessons."
Q:1/4=180
M:C
%R:Reel
K:D dorian
DE|FAAG FDDG| ECGE FDDE|F2AG FDDB |cAGE D2 DE|
DA,A,D FA~A2| GCEC EFGc| ADAd fedf |ecGE D2:|
de|fAdf edcA| BGdc BGde | fAdf edcA| BgdB G2 de|
fAdf edcA| BGdc BGDE|FGAF Adfd |ecGE D2:|
K:D
de|f2(3faf edcA| BGed cAde | fAdf edcA| GBed c2 de|
(3faf df edcA| BGed cADE|FAdc dAed |cAGE D2:|

%%%
X:37157 
T:SALLY REEL, The 
S:S: MFC.044b
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G 
%%text  source key = A
%%vskip .3in
A||GEDE GABG|ADBD cDBD|GEDE GABd|gedB AcBA|
GEDE GABG|ADBD cDBD|GEDE GABd|gedB GFG2||
dgbg agbg|dgbg daag|dgbg agbg|agba gfg2|
dgbg agbg|dgbg da a2|Bgaf gfed|gedB GFG2||

%%%
X:184029 
T:SALLY'S BROOMSTICK* (slip jig)
S:S: CRE.4 < Grier MS (unnamed)
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=160
M:9/8
%R:slip jig
K:D 
%%text source key G
%%vskip .3in
A2A BAG A2G|FGA BGB cAG|FGA BAG A2g|
fed ded cBA|cde efd e2d|cde fdf ged|
cde efd efg|fed ded cBA|cde efd e2d|
cde fdf ged|cde efd efg|a2d ded cBA ||
"^coda"d6-d3z3|]

%%%
X:57140 
T:SALLY'S DELIGHT (reel) 
S:S: Treoir < "O'Farrell's Pocket Companion"
Z:Z: ABC/arr. BB
N:N: In OFPC as "Sall's Delight" (as above)
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:D
F2AF dFAF|F2AF BEEG|F2AF dFAF|BGEA FDD2 :|
d2 eg fdec|d2 eg fd B2|d2 eg fdec|dBAG FA D2|
d2 eg fdec|d2 fe gfeg|agfe dcBA|Bcde fd d2|]

%%%
X:54063 
T:SALMON LEAP (hornpipe), The 
S:S: SRHI.19b
Z:Z: ABC/arr. BB
C:Se·n Ryan
Q:1/4=150
L:1/8
M:C
%R:hornpipe
K:D
%swing .25
FG|A2 FD A,DFA|B2GE B,EGg|fAdf edcd|e2 dB AGFG|
A2 FD A,DFA|B2GE B,EGg|fAdf eAcA|dgfe d2:|
fg|afdA FDA,D|FAdf bagf|gecA ^GABd|gAfA eAce|
af dA FDA,D|FAdf bagf|gfed cbaf|gece d2:|

%%%
X:56053
T:SALMON WEIR BRIDGE (reel), The 
C:V. Broderick
S:S: Turoe.17b
Z:Z: ABC/arr. BB
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:D
A2AG FDD2|BGAG BGAG|A2AG FDEF|G2AG FDD2|
A2AG FDD2|BGAG BGAG|F2de fded|cAGE EDD2:|
faaa b2af|dfff edBA|FAAA Bcde|f2fe faa2|
abag fgfe|dfff edBA|FAde f2ed|cAGE EDD2:|

%%%
X:184080 
T:SALT AND PEPPER POLKA*, The
Z:Z: ABC/arr. BB
S:S: CRE.4 < BPC < Barrett < Collins (unnamed)
L:1/8
M:2/4
Q:1/4=120
%R:polka
K:G
A|Bc/B/ GB|Bc/B/ GB|A>G FA|GB d2|
Bc/B/ GB|Bc/B/ GB|A>G FA|G2 G:|
A|B>d ef|g2 g2|fe/f/ df|ed BA|
[1 B>d ef|g2 g2|fe/f/ af|e2 e:|
[2 Bc/B/ GB|Bc/B/ GB|c>d ef|Hg4|]

%%%
X:26034
T:SALT SPRAY REEL*, The
Z:Z: ABC/arr. BB
S:S: GEI.043 (as "Reel") 
M:C
Q:1/4=180
%R:reel
K:G % 
%%text source key = F
%%vskip .3in
z2|G2GA BEE2|BEdE BEEF|G2GA BABd|egfd e2 :|
ef|ga/g/ fg/f/ edBc|d2ed Bdd2|ga/g/ fg/f/ edBd|egfd e2ef|
ga/g/ fg/f/ edBc|d2ed Bdd2|bgaf gfed|egfd e2-e2 |]

%%%
X:66065
T:SAM'S DELIGHT (reel)
C:© Enda Seery
S:S 1:'Between the Jigs and the Reels' (2012) by Colin Nea. 
D:D:'SÌoch·in na Tuaithe:Peace of the Countryside' (2013) by Enda Seery. 
N:Track 1, tune 2. Registered with IMRO. 
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:G
A|B2GB ABGB|cEE2 GAB^c|dAA2 d2eg|fdcA DFAc|
B2GB ABGB|cEE2 GAB^c|dAA2 d2eg|fdcA G3 :|
A|Bdgd fdcA|BGG2 dGBd|eaag a2ga|bgag edBA|
[1 Bdgd fdcA|BGG2 dGBd|eaag agfd|cAFA G3 :| 
[2 B2GB ABGB|cEE2 GAB^c|dAA2 d2eg|fdcA HG4|]

%%%
X:495318
T:SAME OLD STORY (reel), The  
S:S: ONMI.1540 < Walsh
Z:Z: Brennan/Black
%R:reel
Q:1/4=180
M:C % source2/4
L:1/8 % source 1/16
K:G
zD|G2BG ABcA|BdcA BGAD|G2BG ABcA|BdcA GDEF|
G2BG ABcA|BdcA BGAD|G2BG ABcA|BdcA G2||
zD|G2GF GABd|edef edBA|G2GF GABG|ABAG FDEF|
G2GF GABd|edef edBd|gfgd edBG|AGEF G4|]

%%%
X:342096 
T:SAND BED (hornpipe), The
Z:Z: ABC/arr. BB
C:Joe Liddy
S:S: Liddy2.16 
Q:1/4=150
N:N: Dotted rhythm in source
L:1/8 % dotted
M:C|
%R:hornpipe
K:D
%swing .25
fe|dbbA BAFA|cA FE DB,A,B,|DEFA dBAF|E2 FD E2 FA |
Bd Bd BAFA|cA FE DB,A,B,|DEFA dBAF|D2 f2 D2 ||
%
fe|dB dA BAFA|Bd AF EDB,C|DEFA dBAF|E2 FD E2 FA |
Bd BA dBAF|BAFE DB, A,2|DEFA dBAF|E2 f2 D2 ||
%
B2|FB cA defa|bafe dB B2|defa bafe|decd BAFE |
[1 FB B2 dBFA|bafe dBAF|DEFA dBAF D2 f2 D2 :|
[2 FB B2 defa|bafe dBAF|DEFA dBAF D2 f2 D4 |]

%%%
X:11104
T:SAND'S HORNPIPE (1)
S:S: AIF
Z:Z: Brennan/Black (arr.)
Q:1/4=150
M:C|
N:N: Dotted rhythm in source.
L:1/8 
%R:hornpipe
K:G
%swing .25
ef|g2dB Gced|cBAG FADF|GABc d^cdB|Ad^ce ddef|
g2dB GBed|cBAG FADF|GBdg ecAF|GAGF G2:|
cB|ABAG FDEF|GABc d^cdB|AB^cd edcB|Ad^ce d2ef|
g2dB e2ce|d2Bd cAFA|GBdg ecAG|GAGF G2:|

%%%
X:59121
T:SAND'S HORNPIPE (2)
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=150
M:C|
%R:hornpipe
K:G
ef|g2dB GBed|cBAG FADF|GABc dBGB|Adce d2ef|
g2dB GBed|cBAG FADF|GBdB ecAF|GgdB G2 :|
cB|ABAG FDEF|GABc dBGB|cBcd edcB|Adce d2ef|
g2dB e2cA|d2 Bd cAFA|GBdB ecAF|GgdB G2 :|

%%% 
X:41301
T:SANDPIPER (reel), The 
T:Sandymount, Mick Hand's
S:S: MVBT
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:Ador
eAAG A2 AG|EGDG EGDG|eAAG ABcd|egfg edcB|
eAAG A2 AG|EGDG EGDG|eAAG ABcd|egfg edcB|]
eaag a2 ab|geef gedB|eaag a2 ga|bagb a2 ab|
eaag a2 ab|gedB dega|bgaf gedg|e2 ed eaag|\
"^coda"a4z4|]

%%%
X:40028
T:SANDS OF TIME (reel), The 
C:© Larry Mallette
S:S: composer
Z:Z: ABC/arr.BB
D:D: "Til Time is No More" tr.5b
Q:1/4=180
M:C|
%R:reel
K:Em
B|efgf eBB2|eBfB gfeA|Adfe dff2|g2ag fedB|
efgf eBB2|eBfB gfeA|Adfe dff2|adgf e3||
c|BEFG BFF2|BFGA c2B2|BeeB cBA2|BGAF E2E2|
BEFG BFF2|BFGA c2B2|Befg feB2|BEGF E4|]

%%%
X:12261
%%staffsep  80
T:SANDY CONNOLLY'S 
C:© BB
S:S: BBMG
%% Originally "How Are You Sandy?" RIP after a long battle.
L:1/8
M:6/8
Q:1/4=160
%R:jig
K:D
A|"D"dcd "G"Bcd|"D"ABA FED|"Bm"B,CD "A"ECA,|"G"B,CD "A"E2A|
"D"dcd "Em"efe|"D"dcd AFD|"G"GBA "D"FED|"A"ECE "D"D2 :|
A|"D"dDD "G"Bcd|"Em"ede "D"fga|"G"bgg "D"aff|"A"egf ecA|
"D"dDD "G"Bcd|"Em"ede "D"fga|"G"gdB "Bm"Bcd|"A"edc "D"d2 :|

%%%
X:12262
%%staffsep  80
T:SARA'S PORCH  
C:© BB 2013
S:S: BBMG
M:6/8
%% For Sara Piazza, trad music's true friend on Martha's Vineyard
L:1/8
Q:1/4=160
%R:jig
K:D
D|"D"ABA AFD|"A"ABA GFE|"D"DEF "G"GAB|"D"AFD "A"E2D|
"D"ABA AFA|"G"Bcd "Em"efg|"D"faf "A7"gec|"A"ABc "D"d2 :|
e|"D"afd "G"Bcd|"A"efe cBA|"Bm"Bcd "Em"efg|"D"afd "A"e2c/B/|
"D"ABA dcd|"A"efe ABc|"D"dfa "G"gfg|"A"edc "D"d2 :|

%%%
X:38244 
T:SARAH CASEY (hornpipe)
S:S: "Reavy Collection: Music of Corktown" (as "highland")
Z:Z: ABC/arr. BB
M:4/4
L:1/8
%R:hornpipe 
Q:1/4=160
K:Ador
%swing .25
AG|EGAB cBcA|G2 dc BGGD|EGAB cBce|dBgB A2 AG|
EGAB cBcA|G2 dc BGGD|EGAB cBce|dBgB A2:|
eg|abag edBd|gfge dBGB|abag edBe|dBgB A2 eg|
abag edBd|gfge dBGB|AGAB cBce|dBgB A2:|

%%%
X:51077
T:SARAH KELLY'S (reel)
S:S: TIDT 2/16
C:J. Kelly
Z:Z: BB
M:C
L:1/8
%R:reel
Q:1/4=180
K:G
BcBA G2g/a/g|fdcB c2Bc|AGFG ABcA|dcAG FGAc|
BcBA G2e/f/g|fdcB c2Bc|ABcA dfeg|fdcA AGG2:|
%
fdd/c/d g2ag|f/a/fdf ABcd|fdd/c/d gfdc|ABcA FGAg|
fgaf gbag|fdcA dcAG|FGAB cbag|fdcB AGG2 ||
%
FGAB c2dB|cAA/G/A BGAG|FGAB cbag|fdcB ABcA|
d2Bd c2AG|FGAB cbag|fdcA dcAG|ABcA HG4|]

%%%
X:12263
%%staffsep  80
T:SARAH'S BLISS (slip jig) 
C:© BB 
S:S: BBMG
L:1/8
%% For Sarah Murphy
M:9/8
Q:1/4=160
%R:slip jig
K:Amix
d|"A"edc "G"BcB "A"AEE|"A"edc "G"BAB "A"c2d|
"A"edc "G"BcB "A"AEE|"G"GAB "Em"dBG "A"A2 :|
e|"A"aec "G"Bcd "A"cAA|"A"aec Ace "Em"g2e|
"A"aga "Bm"baf "A"ecA|"G"GAB "Em"dBG "A"A2 :|

%%%
X:24016
T:SARAH'S VALENTINE (jig)
C:© E. Flynn
S:S: composer
Z:Z: ABC/arr. BB
%R:jig 
M:6/8
Q:1/4=120
L:1/8
K:G
%%text "slow"
%%vskip .3in
B/d/|gfg agf|gdB c2d|BDD cAG|FDF ABd|
gfg agf|gdB cdc|BDB ADA|G3 G2:|
D/C/|B,G,B, DEF|GAB c2A|BDD cAG|FDF AFD|
B,G,B, DEF|GAB cdc|BDB ACA|G3 G2:|

%%%
X:533094
T:SARATOGA HORNPIPE, The 
S:S: RC3.169
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:C|
%R:hornpipe
K:D
%swing .25
FG|ABAG FDFA|BABc d2d2|BdcB AFDF|EDEF E2FG|
ABAG FDFA|BABc d2de|fagf egfe|d2dc d2:|
A2|dcde fefg|abag f2gf|efed cABc|dcde fABc|
dcde fefg|abag f2gf|efed cABc|d2dc d2:|

%%%
X:582059
T:SARSFIELD'S LAMENTATION
S:S: WSGM.032 < "Hibernian Muse", London 1787
Q:1/4=100
Z:Z: Kinder/Black
M:3/4
L:1/8
K:F
%%text "Andante sostenuto"
%%vskip .3in
Ac|d2 d2 cA|f2 f2 e>d|c>d c>A G>A|F2 G2 A/G/F|
D2 de c>A|f>g gf/g/ a2|F3 G Ac|G4:|
AB|d2 d2 c>A|f2 f3 E/F/|g2 g3 f/g/|a2 ba ge|
d>e d>c d/c/A|f2 g/f/g a2|F>E F>f d/2c/2A|G4:|

%%%
X:495319
T:SATIN SLIPPER (reel) (1), The  
S:S: ONMI.1304 < McFadden
Z:Z: Brennan/Black
N:N: Looks like A-B-A but not marked as such in the source.
Q:1/4=180
%R:reel
M:C|
L:1/8
K:D
%%text  A-B-A ?
%%vskip .3in
A3B AFFA|dcBA BAFA|dcBd cBAc|BAFA BdcB|
A2AB AFFA|dcBA BAFA|dfed cedc|BAFA B3||
c|defg agab|afeg fBBc|defg agab|afeg fddc|
defg agab|afec defg|agfe fedc|dcBA Bd"_DC"cB|]

%%%
X:185304 
T:SATIN SLIPPER REEL (2), The
Z:Z: ABC/arr. BB
Q:1/4=180
M:4/4
%R:reel
K:D
dB|A3B AFFA|d2cA BGGB|A2FA dcdf|eBBA BcdB|
AFdF AFFA|d2cA BGGB|A2FA dcdf|edcB A2:|
de|f2 df g2 ag|f2 df ecAc|f2 df g2 ag|fdaf e2 de|
f2 df g2 ag|f2 df edcB|A2FA dcdf|eBBA Bc:|
"^coda" eBBA cAGE|HD4z4|]

%%%
X:185305 
T:SATIN SLIPPER REEL (3), The
Z:Z: ABC/arr. BB
Q:1/4=180
M:4/4
%R:reel
K:D
B|A2FB AFFA|d2cA BFFB|AFAB dcdf|edcA BedB|
A2FB ADFA|d2cA BFFB|AFAB dcdf|edcA Bcd :|
e|f2df g2eg|f2df edcA|fefa gfgb|afdf e2 fa|
bff2 afef|dfed BAFB|AFAB dcdf|edcA Bcd :|
"^coda" edcA cAGE|HD4z4|]

%%%
X:532105 
T:SATURDAY IN CORK* (polka)
S:S: RC2.302 ("Old Set Tune" 4)
Z:Z: ABC/arr. BB
N:N: Repeats added
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:G
GA/B/ ce|dB B2|de/d/ cA|GB BA/G/|
FA/B/ ce|dB B2|de/d/ cA|AGG2:|
de/f/ ge|dB B2|de/d/ cA|GB B2|
de/f/ ge|dB B2|de/d/ cA|AGG2:|

%%%
X:491508 
T:SATURDAY NIGHT 
S:S: ONMI.0234
Z:Z: Brennan/Black (arr.)
M:6/8
L:1/8
K:G
%%text "with spirit"
%%vskip .3in
G/B/|de=f edB|AGG G2B|def gag|=fdB c2B/c/|
def gag|=fdB c2B/c/|de=f edB|AGG G2||
B|BGB gag|=fdB c2B/c/|de=f edB|BAG A2B/c/|
def gag|=fdB c2B/c/|de=f edB|AGG G3|]

%%%
X:492179
T:SAULT'S FAVOURITE (hornpipe) 
S:S: ONMI.1767 < Gillan
%R:hornpipe
Q:1/4=150
Z:Z: Brennan/Black
M:C|
L:1/8
K:D 
%swing .25
%%text source key = F
%%vskip .3in
A,2|DCDF A^GAB|defd A2AG|FAdB AFED|CDEF ECA,C|
DCDF A^GAB|defd A2AG|FAdB AFEC|D2F2D2:|
A2|dfAf dfAf|egBg egBg|dfAf dfAf|edcB A2Bc|
dAfA dAfA|eAgA eAgA|a2gf edce|d2f2d2:|

%%%
X:492180 
T:SAULT'S OWN HORNPIPE 
S:S: ONMI.1660 < Gillan
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:G
%swing .25
dc|BGBd gbaf|gzGz DzG,z|cBcd efgf|edcB A2dc|
BGBd gbaf|gbaf g2dc|Bdgd ecAF|G2B2G2:|
Bc|dgga g2fg|dgg2 dgg2|dgbg a2ga|eaa2 eaa2|
dgga g2fg|egfg dfga|bgaf gdec|BGAF G2:|

%%%
X:495320
T:SAUNTERING IN THE LANE (reel) 
S:S: ONMI.1487 < J.O'Neill
Z:Z: Brennan/Black
N:N: Repeats added
%R:reel
Q:1/4=180
M:C|
L:1/8
K:D
Bc|d3A BAFE|DFAc dcBA|dfaf bagf|eagb a2Bc|
dcdA BAFE|DFAc dcBA|dfaf bgec|dfec d2 :|
A2|defg afdf|afgf afdc|defg afdf|gfed c2Bc|
defg afdf|afgf afdf|gfed cABc|dfec d2 :|

%%%
X:491509 
T:SAVE ME FROM DEATH 
S:S: ONMI.0557 < F.O'Neill
Z:Z: Brennan/Black (arr.)
M:3/4
L:1/8
Q:1/4=100
K:D
%%text "plaintive"
%%vskip .3in
(3ABc|d2 d2 A2|dc BA Bc|d>e dc BA|d3e (3def|
c2 dc BA|F4 A2|B3 cd>e|d4 fe|
d2de/f/ ed|c2cd/e/ d>c|B>c dc BA|F4 (3def|
B2 dc BA|F4 A2|B3c de|d4||
de|f2 f>e f>g|f2fg/a/ gf|e2e2e2|e3f ac|
d2 df ed|c2 cd/e/ dc|B>c dc BA|F4 AB/c/|
d>F F2ED|D4 (3def|e2dc Bc|A4 (3def|
A>B dc BA|B>A F3A|B3 cde|d6|]

%%%
X:534071
T:SAVOURNEEN DHEELISH 
S:S: RC1.047 ("Sa Mhuirnin Dilis")
Z:Z: ABC/arr. BB
N:N: Classical elements surgically removed.
L:1/8
M:4/4
K:D
%%text "andantino"
%%vskip .3in
(3A/B/c/|d2de dcc>d|B>ABc BAF>B|A>GFE D>EFA|B2c2d3 (3A/B/c/|
d2f>e dcc>d|B4 A>GFB|A4 D>EFA|B2c2 d3||
(3A/B/c/|d2d>e f2f>f|g2fe fdB>c|d2f>e dcc>d|B>AB=c BAF>A|
a>gfe dcc>d|B4 AGF>B|A4 D>EFA|B2c2 Hd4|]

%%%
X:48236 
T:SAW YE A LASSIE OF FIFTEEN (jig) 
S:S: OFPC2.71
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:D
A|FGA ABA|d2A A2G|FGA ABA|e2E E2A|
FGA ABA|d2A e2A|fed ABc|dAF D2 :|
g|fed fed|e2A A2d|fed fed|g2f e2g|
fed gfe|agf bag|fed ABc|dAF D2 :|

%%%
X:27081
T:SAW YE JOHNNIE COMIN' (hornpipe)  
S:S: HOC.050
Z:Z: ABC/arr. BB
;8
N:N: Dotted rhythm in source
M:4/4
L:1/8
%R:hornpipe
Q:1/4=150
K:Em
%swing .25
G2AB dBBg|G2AB d2B2|G2AB dBBA|GABG E2D2|
G2AB dBBg|G2AB d2B2|G2AB d^cdf|gdBG E2D2 :|
gfed edB2|gfe^d e2B2|gfed efge|deBA G2E2|
gfed edB2|gfe^d eBB2|gfed efge|deBA G2E2 :|

%%%
X:341090 
T:SAY NINETY-NINE (reel) 
C:Joe Liddy
S:S: Liddy1.51
Z:Z: ABC/arr. BB
L:1/8
M:4/4
%R:reel
Q:1/4=180
K:A dorian
ed |c2BG AEFD|EFGE ABcd|ecgc aceg|agec d2ed |
cdBc AEFD|EAAB cdef|gaed cAGA|EFGE A2 :|
cd|eaag edcd|ecgd aceg|a2 ag edcd|efge a2 bg |
agec dfed|c2 BG AEFD|cdef gaed|cAGE A2 ||
cd|eaag abag|eged cAAB|c2 cd efge|agec d2 cd |
ecdB cABG|ABcd efge|aged cded|cABG A4 |]

%%%
X:29094
T:SAYS WARE SAYS HE  
S:S: CGI.198
Z:Z: ABC/arr. BB
N:N: Meaning of title is unknown to me.
Q:1/4=100
L:1/8
M:C
%R:march
K:D 
%%text "slow and with feeling - dolce"
%%vskip .3in
d>e|f3e edcB|A2 DF/E/ D2f>g|a2c>d edg>f|f4 ezd>e|
f3e edcB|e4 ^efdB|AE^DE c3B|A6 ||
A>c|e3^d fecA|f3e d2f>g|a2c>d edg>f|f4 ezd>e|
f3e edcB|A3F d3e|f4 D4|D4 z2 |]

%%%
X:41302 
T:SCALLOP'S FAVORITE (jig) 
C:Patrick Reddan (Clare)
S:S: MVBT
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
D|FED EDB,|A,DD CEA|FAd B2A|def gfe|
fed edB|AFd D2F|GFG FAF|GEC D2 :|
B|ded dfg|aba afd|BAB gfg|baf gfe|
fed edB|AFd D2F|GFG FAF|GEC D2 :|

%%%
X:31195
T:SCARTAGLEN JIG (slide), The
Z:Z: ABC/arr. BB
S:S: JOL.131
Q:1/4=180
L:1/8
M:12/8
%R:slide
K:Amix
B|A2a aga Agf gfg|A2a aga efg efg |
[1 A2a aga A2g gfe|faf gfe d3 d2:|
[2 agf gfe fed edc|BAB gfe d3 d2||
|:A|c2A cee dff cee|c2A cee dcd fed|
cAA cec dfd cec|BAB gfe d3 d2 :|

%%%
X:31193
T:SCARTAGLEN POLKA (a1), The 
N:N: a/k/a/ Darby's Cross, Danny Green's
Z:Z: ABC/arr. BB
S:S: JOL.041
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:D
B|AF AF/A/|BG BB|c/B/A/B/ ce|ed f/e/d/B/|
AF AF/A/|BG B2|c/B/A/B/ ce|edd :|
z|A2 g2|fe ee/d/|ef ga|ba f/g/a/f/|
ef gf/g/|fe e2|ef gc|edd :|

%%%
X:31194
T:SCARTAGLEN POLKA (a2), The 
Z:Z: ABC/arr. BB
S:S: JOL.110
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:D
B|AF AF/A/|BG B2|c/B/A/B/ ce|f/e/d B/c/d/B/|
AF AF/A/|BG B2|c/B/A/B/ ce|fdd :|
G|A2 g>g|fe e2|ef ga|ba a/g/a/f/|
ef g>g|fe ee/d/|ef gc|edd :|

%%%
X:253094
T:SCARTAGLEN POLKA (b), The
T:Knocknaboul Polka #1
Z:Z: ABC/arr. BB
S:S: FS3.37b
M:2/4
L:1/8
Q:1/4=120
%R:polka
K:G
A|G2 G>A|Bd de/f/|gB B/A/G/A/|BA AB/A/|
G2 G>A|Bd de/f/|gB AB/A/|G2G :|
%
A|Bd g>f|fe e/f/g/e/|dB B/A/G/A/|BA A>A|
Bd g>f|fe e/f/g/e/|dB AB/A/|G2G :|
%
d|gg ag/a/|b2 ba|gg ag/a/|b2 ba|
ge e/f/g/e/|dB g>e|dB AB/A/|G2G :|

%%%
X:181023
T:SCATTER THE MUD (jig) (1)  
S:S: CRE.1 
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%R:jig
K:Am
d|eAA BAB|eAA ABd|eAA BAB|dBG G2d|
eAA BAB|eAA AGE|GAB d2e|dBA A2:|
g|aba g2e|dBG GBd|aba g2e|dBd g3|
aba g2e|dBG AGE|GAB d2e|dBA A2:|

%%%
X:22131
T:SCATTER THE MUD (jig) (2)
S:S: DMWC.34
Z:Z: ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:A dorian
d|eAA B2A|eAA ABd|eAA BAB|dBG GBd|
eAA BAA|eAA AGE|GAB Bge|dBA AB :|
%
d|eaa egg|dBA ABd|eaa agg|dBG GBd|
eaa g2e|dBA AGE|GAB Bge|dBA ABd|
eaa egg|dBA ABd|eaa agg|dBG GBd|
eaf g2e|dBA AGE|GAB Bge|dBA A2||
%
d|eAA B2A|eAA ABd|eAA B3|dBG GBd|
eAA B2A|eAA AGE|GAB Bge|dBA AB :|
%
d|eaa egg|dBA ABd|eaa agg|dBG GBd|
eaa g3|dBA AGE|GAB Bge|dBA ABd|
eaa egg|dBA ABd|eaa g3|dBd g3|
a2f g2e|dBA AGE|GAB Bge|dBA HA3 |]

%%%
X:493340 
T:SCATTER THE MUD (jig) (3)
N:N: "1st Setting"
S:S: ONMI.0966 < F.O'Neill
%R:jig
Z:Z: Brennan/Black
Q:1/4=160
M:6/8
L:1/8
K:G
d|eAA B2A|eAA ABd|eAA B2A|BGG GBd|
eAA B2A|eAA ABd|edc BcA|BGG G2 :|
d|gfg efg|fag fed|gfg efg|afd d2d|
gfg efg|fag fed|edc BcA|BGG G2 :|

%%%
X:493341 
T:SCATTER THE MUD (jig) (4) 
N:N: "2nd Setting"
S:S: ONMI.0967 < McFadden
N:N: |B2A| replaces |B-B/c/B/A/| in mm 1,3, & 5.
%R:jig
Z:Z: Brennan/Black
Q:1/4=160
M:6/8
L:1/8
K:Am
d|eAA B2A|eAA ABd|eAA B2A|dBG GBd|
eAA B2A|eAA AGE|GAB Bge|dBA A2 :|
d|eaa egg|dBA ABd|eaa egg|dBG GBd|
ea^f g2e|dBA AGE|GAB Bge|dBA A2 :|

%%%
X:57141 
T:SCATTERY ISLAND (slide) 
S:S: Treoir 
Z:Z: ABC/arr. BB
%R:slide
M:12/8
Q:1/4=350
L:1/8
K:D
F2A dcd F2A dcd|e2A cBA e2A cBA |
F2A dcd F2A dcd|e2A cBA B2c d3 :|
a3 f2 e d2 d def|g2 g fgf e3 efg |
a3 f2 e d2 d def|e2 A cBA B2 c d3 :|

%%%
X:37158 
T:SCENIC ROAD (jig), The  
S:S: MFC.077D
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
z|FEF AFA|Bcd efg|fed BdB|AFE EDE|
F2 A AFA|Bcd efg|fed BdB|AFD D2 :|
e|fed B/c/dB|AFE E2 B|AFB AFB|ABA AFA|
fed BdB|AFE E2e|fed BdB|AFD D2 :|

%%%
X:13251
T:SCENT of the BOG (hornpipe), The
T:Smell of the Bog
S:S: BSMI.2
Z:Z: ABC/arr. BB
%R:hornpipe
M:C|
Q:1/4=150
L:1/8
K:G
%swing .25
(3gfe|dGBd edge|dBGB dBed|c2Ac B2GB|A2GE D2 (3gfe|
dGBd edge|dBGB dgfg|egce dafa|gfga g2 :|
ga|bgaf gBfB|gBfB ed^cd|efga bgaf|gefd efga|
bgaf gBfB|gBfB ed^cd|egce dafa|gfga g2 :|

%%%
X:492181 
T:SCHOLAR (hornpipe) (1), The 
S:S: ONMI.1640 < Gillan
Z:Z: Brennan/Black
N:N: Also played as a reel.
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:D
%swing .25
A2|dfaf gfeg|fdAG FGA=c|BGFG EFGg|fdec dcBA|
dfaf gfeg|fdAG FGA=c|BGFG EFGg|fgec d2:|
fg|a2fd dfaf|dfaf bagf|gfge =cege|=cege agfe|
a^gaf dfaf|dfaf bagf|gfgf gbag|fdec d2:|

%%%
X:11041
T:SCHOLAR (reel) (2), The
S:S: ONMI
Z:Z: Brennan/Black (arr.)
Q:1/4=180
M:C
L:1/8
%R:reel
K:D
A2|dfaf gfeg|fdAG FGA=c|BGFG EFGg|fdec dcBA|
dfaf gfeg|fdAG FGA=c|BGFG EFGg|fdec d2:|
fg|a2fd dfaf|dfaf bagf|gfge =cege|=cege agfe|
a^gaf dfaf|dfaf bagf|gfef gbag|fdec d2:|

%%%
X:331090 
T:SCHOLAR (reel) (3), The  
Z:Z: ABC/arr. BB
S:S: Levey1.39
Q:1/4=180
L:1/8
%R:reel 
M:C
K:D
%%text "moderately"
%%vskip .3in
AB|dfaf gfeg|fdAG FGA=c|BGFG EFGg|fdec dcBA|
dfaf gfeg|fdAG FGA=c|BGFG EFGg|fgec d2 :|
fg|a2fd dfaf|dfaf bagf|gfge =cege|=cege agfd|
a^gaf dfaf|dfaf bagf|gfgf gbag|fdec d2 :|

%%%
X:185088 
T:SCHOTTISCHE POLKA, The 
S:S: CRE.5
Z:Z: ABC/arr. BB
M:C|
L:1/8
Q:1/4=120
%R:polka
K:G
%%text  A-B-A
%%vskip .3in
dc|B2d2 g2B2|b>agb a2e2|fedf e2F2|e>dce d2c2|
B2d2 g2B2|b>agb a2e2|fede cFBA|B2GFG2:|
K:D
FG|A>GAd fef2|A>GAd fef2|e>de2 dcd2|c>BAB AGFG|
A>GAd fef2|A>GAd fef2|e>de2 dcd2|c>Bce "_DC"d2 :|

%%%
X:332082 
T:SCOLDING WIFE (reel) (1), The  
Z:Z: ABC/arr. BB
S:S: Levey2.4 
Q:1/4=180 %% mp3 repeated
L:1/8
M:C
%R:reel
K:G
%%text "quick"
%%vskip .3in
D2DE FEFD|GFGB AGAF|D2DE FEFG|AdcA G2G2 :|
gd^cd fgaf|gfga bgag|fdcd fgag|fdcA G2G2 :|

%%%
X:495321
T:SCOLDING WIFE (reel) (2), The  
S:S: ONMI.1430 < F.O'Neill
Z:Z: Brennan/Black
N:N: Source key signature is 2 sharps.
Q:1/4=180
%R:reel
M:C|
L:1/8
K:G
D2DE FEFD|GFGA BGAF|D2DE FEFG|AdcA GECE|
D2DE FEFD|GFGA BGAc|d2dg fdce|fdcA AGG2||
fdcd fgaf|gfga bgag|fdcd fgag|fdcA G2G2|
fdcd fgaf|gfga bgag|bgag fgag|fdcA AGG2|]

%%%
X:37159 
T:SCOTCH BLACKBIRD* (reel), The
C:F. McGlinn arr L. Donnelly
Z:Z: ABC/arr. BB
S:S: MFC.131a (a "pipes reel" arranged by Liam Donnelly)
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:A
e|a2fa efec|a2fa ecce|a2fa efec|(3AAA ea cBBe|
a2fa efec|Aafa ecce|agfe (3fef a2|cAeA cBB||
%
c|(3AAA cB (3AAA ec|(3AAA cB eccB|(3AAA cB (3AAA ec|(3AAA eA cBBc|
(3AAA cB (3AAA ec|Aafa ecce|agfe (3fef a2|cAeA cBB||
%
c|(3AAA a2 efec|(3AAA a2 eccB|(3AAA a2 efec|(3AAA a2 eccB|
(3AAA eA cBBc|(3AAA a2 efec|Aafa ecce|agfe (3fef a2|"^*"cAeA cBB||
%
c|"26"(3AAA Ac (3AAA Ac|(3AAA cA eccB|(3AAA Ac (3AAA Ac|(3AAA eA cBBc|
"30"(3AAA Ac (3AAA Ac|Aafa ecce|agfe (3fef a2|cAeA cBB||
%
N:N: 1: I would encourage any non-pipers attempting this tune to substitute /A2/ 
N:for /(3AAA/ at least part of the time!
N:N: 2: Note that there's an extra measure (marked "*") at the end of line 6. I 
N:couldn't figure out what else to do with it so I left it there.

%%%
X:39068 
T:SCOTCH DANCE (strathspey), The
S:S: "Amateur's Companion" < "S.Ferzi"
Z:Z: ABC/arr. BB
N:N: Note 8/16 structure
M:C|
N:N: Dotted rhythm in source
Q:1/4=130
L:1/8 
%R:hornpipe
K:D
%swing .25
Add2 AdFd|Eeed cABc|dedc Bdgb|afge fdd2 :|
fdAd FdAd|Gdfd Eee2|fdAd FdAd|e2dc dcde|
fdAd FdAd|GdFd e2e2|fdcd cABG|FBAE FDD2 :|

%%%
X:185176 
T:SCOTCH HUNT (reel), The
Z:Z: ABC/arr. BB
S:S: CRE.5 > Jim Mulqueeny (Clare)
N:N: This is an "ambiguous" tune that might be a hybrid of A minor in part 1 
N:and A modal in part 2. Or it might be A modal all the way through. Based 
N:on the presence of "Scotch" in the title, "modal" s probably the way to go.
N:N: Repeats added
Q:1/4=180
M:C
%R:reel
K:Amix
G|EGAB cedc|BGGd eGdG|EGAB cdea|gedB cABG|
EGAB cedc|BGGd eGdG|EGAB cdef|1 gedB cAB :|\
[2 gedB cde||
|:g|a3b aged|cdef g2fg|a2bg agea|gedB cAce|
a3b aged|cdef g2ga|baaf gfef|gedB cde:|
"^coda"  gedB cBAG|A4z4|]

%%%
X:44163 
T:SCOTCH MARY (reel) (1) 
S:S: NFID.168a < Byrne Bros.
Z:Z: ABC/arr. BB
N:N: Other settings of this tune only have two parts. I suspect the Byrne Bros. 
N:added Part 3 so they could show off their C sharps!
Q:1/4=180
L:1/8
M:C
%R:reel
K:Ador
cEEB cded|cEEF G2AB|cEEB cded|cBAG EAAB|
cEEB cded|cEEF G2AB|c2cd ebed|cBAG EAAd||
%
eaag edBd|egfa g2gd|eaag edBd|cBAG EAAd|
eaag edBd|egfa g2fg|afge fded|cBAG EAAB||
%
cded ^cded|cAGF G2Bd|cded ^cded|cBAG EAAB|
cded ^cded|cAGF G2Bd|cdea fged|cBAG EAAG|HA4z4|]

%%%
X:495322 
T:SCOTCH MARY (reel) (2) 
S:S: ONMI.1510 < F.O'Neill
Z:Z: Brennan/Black
%R:reel
Q:1/4=180
M:C|
L:1/8
K:Adorian
AB|cEE2 cded|cEEF G2AB|cEE2 cded|cABG A2AB|
cEE2 cded|cEEF G2AB|cEEG cded|cABG A2||
K:Amix
cd|eaag efed|cdef g2fg|eaag efed|cABG A2cd|
eaag efed|cdef g2fg|afge fded|cABG A4|]

%%%
X:531095 
T:SCOTCH SALLY (reel)  
S:S: RC1.175
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Dmix
ADD2 Addc|AcGF EDEG|ADD2 Addc|AcGF EDD2:|
egga ged2|eaab ageg|g2 ga g2 ed|eage d2 d2|
egga ged2|eaab ageg|g2e2 d2cA|GEcG EDHD2|]

%%%
X:39069  
%%titlefont 18
T:SCOTS CAME O'ER THE BORDERS (jig) (1), The  
S:S: NCIUP.21a
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
DFA DFA|dfe d2A|DGB DGB|def e2d|
DFA DFA|def d2A|BdB AFA|d2F FED:|
dfa dfa|baf fed|daf a2f|def e2d|
dfa dfa|baf fed|dBB AFA|d2F FED:|
"^coda" d2F GFE|HD3z3|]

%%%
X:19005
T:SCOTS COTTAGE POLKA*, The 
S:S: DFW (unnamed) < WSGM < Barrett < D. Collins
M:2/4
L:1/8
Q:1/4=120
%R:polka
K:G
B/A/|GE ED|B,E E>F|GE EF|GA B/c/B/A/|
GE ED|B,E E>d|ed BA| GF E :|
A|Be/d/ ed|Be e>B|Bd ef|gf ef|
ge fd|eB d>B|AD DF|1 FA B :|2 FA BG|HE4|
%
N:N: Paul de Grae points out in his notes that this tune is a version of a Scots 
N:strathspey ("Alistair Mac Alastair") that is played as one of the "Glen/Green 
N:Cottage/ polkas. My suggested name for this otherwise "gan ainm" tune 
N:combines these two ideas!

%%%
X:253095
%%titlefont 18
T:SCOTSMAN OVER THE BORDER (jig) (3), The  
Z:Z: ABC/arr. BB
S:S: FS3.23c
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:D
E|DED FDF|AFA d2c|B2B BAB|def edB|
DED FDF|AFA d2c|B2B BAB|dAF E2 :|
e|dfa afa|bge edB|dfa afa|bge e2f|
dfa afa|bge edB|d2B AFA|dAF E2 :|

%%%
X:44164
%%titlefont 18
T:SCOTSMAN OVER THE BORDER* (jig) (2), The  
S:S: NFID.233a  ("untitled jig")
Z:Z: ABC/arr. BB
S:S: PT
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
E|D2D FDF|AFA dcB|BdB BAB|def edB|
ADD FDF|AFA dcA|BdB AFA|1 dAF ED:|\
[2 dAF EF||
A|dfa afa|bag f2e|dfa afd|dfd ecA|
[1 dfa afa|bag f2e|fdA BdB|AFD EF :|
[2 dfa afa|bag f2e|fdA BdB|AFD EDC|HD3z3|]

%%%
X:66100
T:SCOTT SKINNER'S (reel)
D:D: "Highs and Bellows" (M.McCauley 2017)
S:S: Adrian Scahill
Z:Z: ABC/arr.BB
Q:1/4=180
%R:Reel    
M:4/4
L:1/8
K:A
d|cAED CEAc|dFBA GBed|cAED CEAc|dfBg aAA:|
g|aAAa fedc|BFBA GBeg|a2 A2 e2Aa|gebg aAAg|
aAAa fedc|BFBA GBed|cAED CEAc|dfBg aAA2|]

%%%
X:12264
%%staffsep 80
T:SCRAMBLED EGGS (jig)  
C:© BB 2009
S:S: BBMG
M:6/8
%R:jig
Q:1/4=160
K:A
D|"A" EAB "A7" cA=G|"D"Fdc d3|"A"efe "Bm"dcB|"A"ABA "E"GFE|
"D"FDD "E"GEE|"A" ABc "D" dfe|"A" cBA "E" GFG|"A"BAA A2 :|
c|"A" ece a3|"E"gag "F#m" f2a|"A"edc "Bm" dcB|"A"Ace "D"f2e|
"A" aed "A7" ce=g| "D"fdf "E"edB|"A"cde "E"dBG|"A"BAA A2:|

%%%
X:183016 
T:SCULLY CASEY'S #1* (jig)
S:S: CRE.3  (unnamed) 
Z:Z: ABC/arr. BB
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:Am
B|cdc BAG|EGG EAB|cBc dcd|ega ged|
cdc BAG|EGG EAB|cec dBG|BAG A2:|
B|cBc dcd|ega ged|eag aga|bag a2g|
eaa [c'g]aa|aba ged|c3 dBG|BAG A2:|

%%%
X:183038 
T:SCULLY CASEY'S #2 (slide)
S:S: CRE.3
Z:Z: ABC/arr. BB
L:1/8
M:12/8
Q:1/4=180
%R:slide
K:D
e|d3 AGE F2G A2B|=cBc A2B cBc ABc|d3 AGE F2G A2g|
[1 fed edc d2e f2 :|2 fed edc d3 d2||:A|d3 f3 aba afd|
[1 Bcd e2f gaf gec|d3 f3 a3 agf|ecA Ace d3 d2:|
[2 Bcd e2f g3 g3|agf gfe fed edc|BcA ABc d2e f2e||
|:d3 AGE F2G A2B|=cBc A2B cBc ABc|d3 AGE F2G A2g|
[1 fed edc d2e f2e :|2 fed edc Hd6|]

%%%
X:41303
T:SCULLY CASEY'S (reel) 
S:S: MVBT < S…AMUS Connolly
Z:Z: ABC/arr. BB
N:N: S…AMUS Connolly's setting of this tune, named for Bobby Casey's father.
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:D
B2AG FDDE|FADF ADFA|B2AG FDDF|E=C C2 EFGA|
B2 AG FDDE|FADF ADFA|B2 AG FDDF|E2 ED EFGA|]
dcde f2 ef|gefd eBBA|Addc defd|g2 fg efge|
dcde f2 ef|gefd edBe|dBcA Bcde|f2 af fedA|\
"^coda"D4z4|]

%%%
X:38245
T:SCULLY CASEY'S HORNPIPE (1)
S:S: "Sully's Irish Banjo Book" (T.Sullivan)
Z:Z: ABC/arr. BB
L:1/8
M:4/4
Q:1/4=160
%R:hornpipe
K:D 
%swing .25
%%text simplified version
%%vskip .3in
(3ABc|dAFA DAFA|DAFA d2 ef|geag edgf|e2dB A2EG|
A2FA DAFA|DAFA d2ef|geag edcd|e2dc d2:|
de|f2df f2df|g2eg g2eg|f2df f2df|ceAe ceAe|
f2df f2df|gbef gbeg|fa^ga bgec|d2 dc d2:|

%%%
X:183212 
T:SCULLY CASEY'S HORNPIPE* (2) 
S:S: CRE.3 (unnamd)
Z:Z: ABC/arr. BB
%R:hornpipe
L:1/8
Q:1/4=150
M:C
K:D
%swing .25
Ac|d2FA DAFA|DAFA d2ef|geag edcd|e2dB AGFG|
A2FA DAFA|DAFA d2fa|gfag edcd|e2dc d2:|
e2|f2de f2d2|gbef gbeg|f2df f2d2|ceAe ceAe|
f2de fadf|gbef gbeg|faa2 bgec|d2dc d2:|

%%%
X:492182 
T:SEA CAPTAIN (hornpipe), The 
S:S: ONMI.1674 < F. O'Neill
Z:Z: Brennan/Black
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:D
%swing .25
Bc|d2ec ABce|dcAF DEFG|ABGA FGAB|c2AA A2Bc|
d2ec ABce|dcAF DEFG|ABGA FDEC|D2DD D2:|
A2|Acde fefg|fdec dcAG|A2AG FGAB|c2AA A3g|
fdec d2cA|BGAF DEFG|ABGA FDEC|D2DD D2:|
N:N: Another tune of 'ambiguous' modality. I have a suspicion that the quarter-
N:note C's in measures 4 and 12 should be natural.

%%%
X:12342
%%staffsep 80
T:SEAHORSE Hornpipe, The
%% Tune 2 of the South Coast Hornpipe Set
C:© B.Black 10/20
S:S: BBMG
M:C|
%R:hornpipe
Q:1/4=150
K:G
%swing .25
(3DEF|"G"GABd "Am"cBcA|"G"GBdg "Am"agfe|"G"dgdB "C"cecA|"Em"GBGE "D"FAcA|
"G"GABd "Am"cBcA|"G"GBdg "D7"afdc|"G"BG "Am"cA "G"dB "C"ge|"G"dB "D7"(3cBA "G"G2 :|   
AB|"D7"cAFA DAFA|"D7"cAdB "C"c2Bc|"G"dBGB DGBd|"G"gb"D"af"Em"e2ef|
"G"gabg "D"fgaf|"C"efge "G"dDGB|"D7"cAFA fdcA|"G"dB "D7"(3cBA "G"G2 :| 

%%%
X:50086 
T:SEAL ROCK REEL*, The 
S:S: Petrie.258 (unnamed)
Z:Z: ABC/arr. BB
N:N: Repeats added
Q:1/4=180
M:C % 2/4
L:1/8 % 1/16
%R:reel
K:G 
%%text source key A
%%vskip .3in
Bc|dGBG AFDc|dGBG c2Bc|dGBG AFDF|GBAF G2Bc|
dGBG AFDc|dGBG c2BA|GBAc Bdeg|fdcA G2 :|
AG|Adde fdcA|gfga g2ag|fgag fdcA|GBAF G2AG|
Adde fdcA|gfga g2ag|fgag fdcA|GBAF G2 :|

%%%
X:492183 
T:SEAMEN'S CLUB (hornpipe), The 
S:S: ONMI.1768
%R:hornpipe
Q:1/4=150
Z:Z: Brennan/Black
M:C|
L:1/8 
K:G
%swing .25
D2|DGGB AGEG|DGGB e2dB|d2gf edcB|cBce dBAG|
DGGB AGEG|DGGB e2dB|d2gf edcB|dcAB G2:|
ga|bgfg egdB|cBAG F2GA|BGBd eceg|agfe d2BA|
Ggfg egfg|dgfg bgfg|dgfe dcBA|G2G2G2:|

%%%
X:48458 
T:SEAN DUINE (jig) (1)   %%% no fada
T:"Shandinna or the Silly Old Man"
S:S: OFPC4.136 (as "Shan Dinna")
Z:Z: ABC/arr. BB
M:6/8
L:1/8
K:D
E|DEF AFD|DFF F2A|DEF AFD|EFE E2F|
DFD BGE|DFA d2f|efd cdB|ABA F2 :|
%%vskip .3in
%%text Part 2
A|ded def|FAA A2F|dfa fdA|BcB B2A|
ABc dAF|DFA dfa|efd cdB|ABA F2 :|
%%vskip .3in
%%text part 3
A|DFA AFA|DFA dBd|DFA AGF|EFE E2F|
DEF AGF|DFA dfa|efd cdB|ABA F2 :|
%%vskip .3in
%%text part 4
A|fdd edd|FAA A2F|dfd fdA|BcB B2A|
ABc dGE|DFA d2f|efd cdB|AFE D2 :|
%
N:N: "Irish - rather slow". It's impossible to know if O'Farrell intended this 
N:to be played as a dance tune ("rather slow" would seem to rule that out) so 
N:I have basically left it alone, except for ending m 24 on /D/ instead of /F/.

%%%
X:48459 
T:SEAN DUINE (jig) (2)   %%% no fada
T:"Shandinna"
S:S: OFPC4.137 
Z:Z: ABC/arr. BB
N:N: I didn't like the way this ended on the F sharp in measure 24, so I added a 
N:"coda" repeating mm 1-7 (with a new m.8 to end on the tonic D).
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:D
%%text "Irish - quick time"
%%vskip .3in
E|DED AFD|FGF F2E|DED AFD|EFE E2F|
DED AGF|DFA d2e|fed cdB|ABG F2 :|
%
A|d3 def|ABA AGF|dcd ede|fdB B2A|
dfe dAF|DFA d2e|fed cdB|ABG F2A|
ddd def|ABA AGF|dcd efg|fdB B2g|
afd ged|cBA d2e|fed cdB|ABG F3 ||
%
P:coda
DED AFD|FGF F2E|DED AFD|EFE E2F|
DED AGF|DFA d2e|fed cdB|AFE HD3||

%%%
X:12265
%%staffsep 80
%irish_rolls_on
T:SE\'AN at the WHEEL (reel) 
C:© BB
S:S: BBMG
%R:reel
%% At least he wasn't trying to play the fiddle at the same time!
Q:1/4=180
M:4/4
L:1/8
K:Dm
"Dm"DA,A,F "C"EDCE|"Dm"DEFG Ad^cd|"Dm"fd~d2 "Am"ecAc|"Dm"d2 cA "C"GEFE|
"Dm"DA,A,F "C"EDCE|"Dm"DEFG Ad^cd|"Dm"fd~d2 "Am"edcA|"C7"GcBc "Dm"ED D2 :|
"Dm"dAcA "Dm7"dAcA|"Dm"defa "C"gefe|"Dm7"dAcA "Dm"daag|"Dm"fdef "Am"eAce|
"Dm"dAcA "Dm7"dAcA|"Dm"defd "C"efge|"Dm"fd~d2 "Am"edcA|"C7"GcBc "Dm"ED D2 :|

%%%
X:12266
%%staffsep 80
T:SE\'AN BERRY'S 
C:© BB
S:S: BBMG
%% A Connemara man and great supporter of Boston trad. RIP.
%R:jig
M:6/8
Q:1/4=160
L:1/8
K:Am
G|"Am"ABA ABc|"G"ded "Am"cBA|"G"GAB "C"c2 B|"G"GAB "Am"E2 G|
"Am"ABA ABc|"G"deg "Am"a2 g|"C"ecc "G"dBB|"Am"A3 "Am"A2 :|
e|"Am"a^ga "G"ba=g|"C"ege "G"dBG|"Am"ABc "G"d2 B|"G"dBd "Em"e2 e|
"Am"aee "Em"bee|"G"g^fg "Em"edB|"Am"ABc "G"dcB|"Am"A3 "Am"A2 :|

%%%
X:22132
T:SE\'AN BUÕ (jig)
T:Yellow John
S:S: DMWC.35
Z:Z: ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:D
z|D2A FGA|BGB AFA|D3 AFA|Bec d2A|
D3 AFA|BGB AFA|dfd ecA|B2c d2 :|
%
A|dfd ecA|dcB AFA|dfd ecA|B2c d2A|
[1 dfd ecA|dcB AFA|DAD AFA|Bec d2 :|
[2 g|afd gec|dcB AFA|D3 AFA|Bec Hd3 |]

%%%
X:38248 
T:SE\'AN COUGHLAN'S #2 (jig) 
L:1/8
M:6/8
Q:1/4=160
%R:jig
K:G
D|G2A BGG|ABB d2e|ged BGG|AGA BGE|
G2A BGG|ABB d2e|ged BGG|1 AGF G2:|2 AGF GBd|]
g2g gfg|agf def|ged BGG|AGE GED|
G2A BGG|ABB d2e|ged BGG|AGF GBd:|
"^coda"  AGF HG3|]
Z:Z: ABC/arr. BB
N:N: This tune is usually played as part of the "Christy Barry set" (with Tony 
N:Sullivan's 'Roaring Barmaid'). This version is from Brendan Begley. (Original 
N:ABC by Rick Gagne, tune ID by Philippe Varlet, both via IRTRAD.)

%%%
X:41304
T:SE\'AN DWYER'S (jig)
S:S: MVBT
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%R:jig
L:1/8
K:D
e|dAF G2 B|AFD EDE|DED F2 E|FAd f2 e|
dAF G2 B|AFD EDE|DED F2 E|DED D2 :|
A|B2 A F2 A|B2 A F2 A|B2 A B2 c|1 d2 e f2 d|
B2 A F2 A|B2 A F2 D|EFG F2 E|D3-D2 :|
[2 d2 e f2 e|ded cdc|BcB ABA|GAB A2 c|d3 Hd3|]

%%%
X:181182
T:SE\'AN FRANK (reel) 
S:S: CRE.1
Z:Z: ABC/arr.BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Em
F|GEBE GEBE|FDAD FDAD|GEBE GEBE|AGFG E3F|
GEBE GEBE|ABAG FDDF|G2GF GBdB|AGFG E3 :|
F|G2EF GBdB|ABAG FA A2|Bded efge|fedf e3f|
efed B2 dB|ABAG FDDF|G2FG ABdB|AGFG E3 :|

%%%
X:41305
T:SE\'AN GANNON'S (jig) 
S:S: MVBT < Colm Gannon 
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:D
D|F2d AFE|FGF EDB,|A,B,A, DFA|dAF GFE|
F2d AFE|FGF EDB,|A,B,A, DFA|BAF D2 :|
e|fdd Add|fdb afe|faf edB|ABc d2e|
fdd Add|fdb afe|faf edB|AFE D2 :|
%
N:N:  1: The first composing effort of box player Colm Gannon and named for 
N:his late older brother (and fine box player in his own right, as is father SE\'AN 
N:Sr.).
%
N:N:  2: In April of 2017 a Yarmouth K-9 police officer named SE\'AN Gannon 
N:(RIP) gave his life in the line of duty. We have been playing this tune - 
N:renamed "Sergeant SE\'AN Gannon's" in his memory - at our local sessions.

%%%
X: 29
T: SE\'AN HAYES' (barndance)
T: Belle of the Ball
%R: hornpipe
D:D: "Seanchairde (Old Friends)" Dermy and Tara Diamond, Daithi Sproule
Z:Z: S. Bliven
M: 4/4
Q: 1/4=150
L: 1/8
K: Dmaj
%swing .25
zE|F2 F2 GFGB|A2d2 dcBA|F2F2 GFGA|E6    DE |
F2 F2 GFGB|A2d2 f3e |dAFA BGEF|D2 F2 D2:| 
(3Bcd|e2 d2 F3d |c2B2 E3E |DEFG ABcd|edcB A2 (3Bcd|
e2 d2 F3d |c2B2 E3D |EDEF GABc|d2 f2 d2:| 

%%%
X:62123
T:SE\'AN MAGUIRE'S (reel) 
S:S: GSTC
Z:Z: ABC/arr. BB
Q:1/4=180
N:N: Composed for, not by, Mr. Maguire. Unfortunately I have no idea who the 
N:actual composer is.
M:C
%R:reel
K:G
GA|Bdd2 ed^cd|gdBG DGBG|Aee2 fede|ae^cA EAcA|
Bd d2 ed^cd|gdBG DGBG|c2Ac B2GB|ADFA G2 :|
d2|gb b2 gbdg|B2GB DGBd|eAA^G ABcd|e2 af gfed|
gb b2 gbdg|B2GB DGBd|c2Ac B2GB|ADFA G2 :|

%%%
X:182108 
T:SE\'AN McGOVERN'S* (polka) 
S:S: CRE.2 (unnamed)
Z:Z: ABC/arr. BB
L:1/8
M:2/4
%R:polka
Q:1/4=120
K:D
B|AD FA|GF EF/G/|AD FA|d2 dc/B/|
AD FA|GF EB/d/|ce Ac|d2 d :|
e|fd gf|ec Ae|fd gf|e2 a>e|
fd gf|ec A>B|ce ce|d2 d:|

%%%
X:13227
T:SE\'AN McKENNA'S #1 (reel)
S:S: BSMI.2 
Z:Z: ABC/arr. BB
%R:reel
M:4/4
L:1/8
Q:1/4=180
K:G
zD|GBdB cAFD|GBB2 dBcA|GBdB cAFD|GBAF G2GD|
GABc dBcA|GABc defg|afge fdcA|GBAF G2 :|
de|fd d2 fdcA|dggf gbag|fd d2 fdcA|GBAF G2 de |
fd d2 fdcA|dggf gbag|f2 fd edcA|GBAF G2 :|

%%%
X:13228
T:SE\'AN McKENNA'S #2 (reel) 
S:S: BSMI.2
Z:Z: ABC/arr. BB
%R:reel
M:4/4
Q:1/4=180
L:1/8
K:G
eged B2BA|GABG AEE2|G2GB dBeB|dBAc BGG2 |
gfed edBA|GABG AE E2|G2 GB dBeB|dBAc BG G2 :|
eaag eggd|Bdef g2 gf|eB B2 gB B2|BAGA BA A2 |
eaag eggd|Bdef g2 ga|bgfa gfed|egfa gfed :|
"^coda" egfa gfed|Hg4z4|]

%%%
X:534072
T:SE\'AN O DUIBHIR AN GHLEANNA (a)
T:John Dwyer of the Glen
S:S: RC1.069
Z:Z: ABC/arr. BB
L:1/8
M:3/4
K:Am
%%text "moderato"
%%vskip .3in
d/c/A/G/|A>GAc d/c/A/G/|A>GAcde|f>efgag|f>d c/A/G/c/ A2|
f>e fg/a/ _b/a/g/f/|e>d e/f/g/e/ a/g/f/e/|d>cdefe|de/d/ c/A/G/c/ A2|
f>e fg/a/ _b/a/g/f/|e>d e/f/g/e/ a/g/f/e/|de/d/ c/A/G/E/ G/A/c/d/|\
c>A GAce|
d>cdec>d|e<g d>e dc/A/|G2A2A2|A4||
%
c/d/e/g/|a2aa a/b/c'|g2g^f g/b/a/g/|f>e fgag|f>d c/A/G/c/ A2|
D2a2 ~A2|G2g2 g/a/b/g/|f>efgag|f>d c/A/G/c/ A2|
f>e fg/a/ _b/a/g/f/|e>d e/f/g/e/ a/g/f/e/|de/d/ c/A/G/E/ G/A/c/d/|\
c>A GAce|
d>cdecd|Hga/g/ f/e/d/c/ e/d/c/A/|G2A2A2|HA6|]

%%%
X:535389
T:SE\'AN O DUIBHIR AN GHLEANNA (b)
T:John Dwyer of the Glen
S:S: RC3.190
Z:Z: ABC/arr. BB
L:1/8 
N:N: Dotted rhythm in source 
M:C|
K:Amix
%%text "set dance"
%%vskip .3in
A/c/d/e/|fefg abag|fgfe dcde|fAAB cBAB|
cded cBce|dc/A/GE DEGB|A2A2A2:|
AB|cBAB cdef|g2eg a2ag|abag e2de|fefg abag|
fgfe dedc|A2A2 A2A/c/d/e/|fefg abag|fgfe dedc|
ABAG A2AB|cded cBce|dc/A/GE DEG>B|A2A2A2:|
%
N:N:  1: Another weird-sounding tune (which resembles no other tune of the  
N:same name). Note 6m/12m structure.
N:N:  2: The A modal key is my idea. Source has Am. Neither one sounds really 
N:good. Sean-nÛs tunes and "slow airs" continue to this day to be extremely 
N:problematic for ABC.

%%%
X:22133
%%titlefont 16
%%subtitlefont 16
T:SE\'AN O DUIBHIR AN GHLEANNA (hornpipe - set dance)
T:John Dwyer of the Glen 
S:S: DMWC.89
Z:Z: ABC/arr. BB
M:C|
L:1/8
Q:1/4=120
%R:hornpipe
K:G
%swing .25
de|f2g2 abag|fdec dcde|fdcG A2AB|cBcd edcG|
AdAF G2G2|A2AG A2 :|B2|cBAB cdef|g4 a2ag|
abaf g2ag|fefg abag|fdec dcde|fdcG A2de|
f2g2 abag|fdec dcde|fdcG A2AB|cBcd edcG|
AdAF G4|A2AG A2 :|
%
N:N:  1: The entire transcription of this tune in DMWC is in cut time. As 
N:accurately as that might capture Willie's piping, it makes for a very 
N:unhelpful ABC playback. I did another setting in straight time that I 
N:had hoped would address the problem, but it still sounds pretty bad. 
N:ABC does a lot of things well but capturing slow airs isn't one of them.
N:N:  2: Note the irregular structure of this tune: 6 measures first part, 12 
N:measures second part. Source shows them both repeating and I have
N:followed that here. 

%%%
X:24017
T:SE\'AN OG (reel)
C:© E. Flynn
S:S: composer
Z:Z: ABC/arr. BB
%R:reel
Q:1/4=180
L:1/8
K:D
A|dcde fdec|dBAF GFEF|DF~F2 ADFA|edef gece|
dcde fdec|dBAF GFEF|DF~F2 ADFA|gece d3:|
e|faaf bafb|afed BAFB|AF~F2 ADFA|fedf edBd|
faaf bafb|afed BAFB|AF~F2 ADFA|gece d3:|

%%%
X:52102
T:SE\'AN QUINN'S HORNPIPE
C:© E.Reavy
S:S: Ed Reavy Collection 
Z:Z: McKenty / Black
Q:1/4=150
M:C|
L:1/8
%R:hornpipe
K:G
%%text "andantino"
%%vskip .3in
dc|BGBd g2fg|eBcA FEDC|B,DGB cBAG|FGAB A2 dc|
BGBd g2fg|agfa gdBd|cAFA cAFA|G2 B2 G2:|
AB|cAfd agfa|gfga gdBd|cBAG FEFG|A2 ge DCB,A,|
G,B,DG Bdgd|bgdB cAFA|Bd FA DAFA|G2 F2 G2:|

%%%
X:54065 
T:SE\'AN REDMOND'S (hornpipe)
S:S: SRHI.17b
Z:Z: ABC/arr. BB
C:SE\'AN Ryan
Q:1/4=150
L:1/8
M:C|
%R:hornpipe
K:A
%swing .25
cB|AA,CE Acec|defg a2gf|eAce fedc|BEGB edcB|
AA,CE Acec|defg a2gf|eagf edcB|A2 GB A2:|
Bd|eAce fAdf|eace a2gf|eAce fedc|BEGB edcd|
e2 ce f2df|e2 ce a2gf|eagf edcB|A2 GB A2:|

%%%
X:22134
T:SE\'AN REID'S (reel)
S:S: DMWC.15
Z:Z: ABC/arr. BB
N:N: This tune is also played (not by pipers) with F naturals in the second part.
M:C
L:1/8
Q:1/4=180
%R:reel
K:G
A|DGG2 BGG2|cAFA dGGF|DGG2 BGBd|cAFG AGGF|
DGG2 AB2G|cBcA dcAF|g3a gfde|1 fdcA BGc :|\
[2 fdcA AGG ||
%
P:Accented F's in this part can be played as natural
A|dgg2 gfde|f2fe fdcA|dgg2 gfde|fdcA BGBd|
g3a gfde|f2fe fdef|g3a bgag|fdcA BGc :|\
"^coda" fdcA AGHG2 |]

%%%
X:54067 
T:SE\'AN RYAN'S CHAMPION MARCH 
S:S: SRHI.43a
Z:Z: ABC/arr. BB
C:SE\'AN Ryan
Q:1/4=120
L:1/8
M:C
%R:march
K:A
EA|c>Bce d>cBf|eAce ae cA|c>Bce d2cd|BEGB AGFE|
c>Bce d>cBf|eAce ae cA|c>Bce d2cd|BEGB A2:|
AB|cEAc eaga|fdAF DFAd|GE be GE be|aec'e aec'e|
cEAc eaga|fdAF DFAd|gfec dBGB|A2AG A2:|

%%%
X:62124
T:SE\'AN RYAN'S FANCY (hornpipe) 
S:S: GSTC
Z:Z: ABC/arr. BB
N:N: First part of this is along the lines of Ryan's tune "P.J. Moloney's", but the 
N:second part is much different.
Q:1/4=150
%R:hornpipe
M:C|
K:G
%swing .25
G|G2BG DGBd|g2fg egdB|c2ec B2dB|ADFA dcBA|
G2BG DGBd|g2fg egdB|c2ec B2dB|ADFA G2 :|
f|gBd=f eGcd|edBG ADFA|GBdB ceag|faea dafa|
g2d=f eGce|d2BG ADFA|GBdB ceag|fdcA G2 :|

%%%
X:54068 
T:SE\'AN RYAN'S FAREWELL (reel)
S:S: SRHI.28b
Z:Z: ABC/arr. BB
C:SE\'AN Ryan
Q:1/4=180
L:1/8
M:C
%R:reel
K:G
BA|GEDE GABd|eaa2 ged2|EG dB GABd|gedB AGEA|
GEDE GABd|eaa2 ged2|EG dB GABd|gedB G2:|
Bd|gfga bgaf|gedB GABd|a3b c'abg|abag edBd|
g3a bgaf|gedB GABd|gfgd EG dB|AGAB G2:|

%%%
X:54066 
T:SE\'AN RYAN'S HORNPIPE #10 
S:S: SRHI.21a
Z:Z: ABC/arr. BB
C:SE\'AN Ryan
Q:1/4=160
L:1/8
M:C
%R:hornpipe
K:C
EG|c2 dB cGEC|G,CEG FEFA|d^cde fed=c|Bgg2 ag=fd|
c2 dB cGEC|G,CEG FEFA|d^cde FD BG|c2 Bd c2:|
EG|cBce g^fag|ecc2 GCEG|FEFA d^cde|fedc BGEG|
cBce g^fag|ecc2 GCEG|FEFA FD BG|c2 Bd c2:|

%%%
X:37160 
T:SE\'AN RYAN'S REEL (a) 
S:S: MFC.017a < J.McElhone
Z:Z: ABC/arr. BB
N:N:  These SE\'AN Ryan tunes probably have actual names in his book. I promise 
N:to look them up at some point!
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
FA|dcdB AFF2|GEFD EDB,D|A,3B, DEFD|GEFD EDB,D|
dcdB AFF2|GEFD EDB,D|A,3B, DEFD|1 EDEF DE :|2 EDEF D2||
FA|dcdf afdf|g2fg (3efg dB|AFF2 DFAF|(3GFE FD EDB,D|
[1 dcdf afdf|g2fg (3efg dB|AFF2 DFAF|GECE D2:|
[2 A,DFA dfag|bgaf gecA|dcdB BAFD|GECE D4|]

%%%
X:37161 
T:SE\'AN RYAN'S REEL (b) 
S:S: MFC.051b < B.Mulvihill
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Dm
D2ED CA,A,2|FEFG A=BcA|d2ed cAA2|cAGE CEGE|
D2ED CA,A,2|FEFG A=BcA|d2ed cAA2|cAGE EDD2:|
K:D
d2fd adfd|gAfA edBc|dDcD BDAF|GEFD EB,B,2|
d2fd adfd|gAfA edBc|dDcD BDAF|GBAG FDCE:|\
"^coda"D4z4|]

%%%
X:17001
T:SE\'AN RYAN'S REEL (c)
S:S: CTWT
Z:Z: ABC/arr. BB
%R:reel
Q:1/4=180
L:1/8
M:C
K:E dorian
A|BEED EDBc|defe dAFA|BEED EFGA|(3Bcd ec dBAF|
BEED EDBc|defe dAFA|BEEF GFGA|B2AF GEE :| 
d|:g2eg bgeg|fdcB Adfa|g2eg bgeg|fg (3agf geef|
g3a bgaf|gefg afdf|gfga bgaf|gfed Bcde:|
"^coda" gfed BcdB|He4z4|]

%%%
X:13132
T:SE\'AN SA CEO (reel) 
T:John in the Fog
S:S: BSMI.1
Z:Z: ABC/arr. BB
N:N: 1. Source has this as an AAB tune.
N:N: 2: Fiddlers have a setting of this tune in A, which involves /c'/ notes that 
N:other instruments might have trouble reaching.
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:Gmix
Ac|d2ce dGAc|dedA c2AG|Addc defd|Acdc BGA :|
c|dGG2 AGAc|BGG2 AFAc|BGG2 DGG2|BGdc BG :|
Bd|g2bg g2bg|g2bg d3e|f2af gfaf|f2af cfaf|
g2bg gaba|gabg d2de|fefa gfde|fefd cFA||
c|d2ce dGAc|dedA c2AG|Addc defd|Acdc BG:|

X:141200 
T:SEAS ARE DEEP, The
C:O'Carolan
S:S: CAR-OS
Z:Z: Gilb/Brennan/Black
M:3/4
Q:1/4=100
L:1/8
K:Em
%%text "adagio"
%%vskip .3in
B|B^d e3f|gf e3f|gf e2 B>A|G>E E2-E :|
B|cc BA B^d|e^d e2 BG|EE G2 A>G|EE E2-E:|

%%%
X:20018
T:SEASONS JIG, The
S:S: DMAC.77
Z:Z: ABC/arr.BB
L:1/8
M:6/8
Q:1/4=150
%R:jig
K:G
B|d2d BGB|dcB AFD|GFG A3|BGB ABc |
dcd BGB|dcB AFD|GFG ABc|BdB G2 :|
c|B2B ABc|Bdc BAG|B2B ABc|BdB G2c|
B2B ABc|Bdc BAG|gdB ABc|BdB G2 :|

%%%
X:12267
%%staffsep 80
T:SECOND CITY (reel), The
C:© BB
S:S: BBMG
%R:reel
%. . .of the (ahem) British Empire. Dublin, of course!
Q:1/4=180
M:4/4
L:1/8
K:Am
cd|"Am"eAcB AE E2|"Am"Aece Aece|"F"cA^GA "C"=GECE|"Dm"AFAc "G"B2 cd|
"Am"eAcB AE E2|"Am"Aece Aece|"Dm7"afdc "G"BGBd|"F"cA"G"BG "Am"A2 :|
%
AB|"C"cG^FG EGGA|"C"cdeg "Am"aged|"C"cG^FG "Em"EDEG|"Am"ABcB A3 B|
"C"cG^FG EGGA|"C"cBcd "Em"edeg|"Am"a2 ba "G"gedB|"F"cA"G"BG "Am"A2 :|
%
eg|"Am"aece aebe|"Am"aece "G"gedg|"Am"aece "Em"gedB|"Am"AGAc "G"B2 eg|
"Am"aece aebe|"Am"aece "Em"gedB|"C"cdeg "Am7"aged|"F"cA"G"BG "Am"A2 :|\

%%%
X:66067
T:SECOND HOME (reel)
C:Max Bruecher 1991
Q:1/4=180
M:C|
L:1/8
%R:reel
K:Am 
B|A2GA EGAc|BGAG E^FGA|B2GB DGBd|edBA GDEG|
A2GA EGAc |BGAG EGAB |d2BG Bdge |dBGA BAA :|
%
B|c2ec gcec |d2BG EGDB, |A,2A,B, CB,CD |EAAG EGAB |
[1 c2ec gcec |d2BG EGDB, |A,2A,B, CB,CD |EAA^G A3:|
[2 c2ec gcec |d2BG EGAB |A2AB cBcd |eaa^g a2||
%
|:eg|aee2 aega |gedB G2GB |A2AB cBcd |eaag edeg |
aee2 aebe |gedB G2GB |A2AB cBcd |eaa^g a2:|

%%%
X:495323
T:SECOND WEDDING (reel), The  
S:S: ONMI.1440 < J.O'Neill
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
L:1/8
M:C
K:G
%%text A-B-A ?
%%vskip .3in
dc|BGAG BGAF|G2Bd gedc|BGAG BGAG|EAAG ABcA|
BGAG BGAF|G2Bd gedc|BGAG BGAG|FDEF G2||
Bd|gfge fgaf|g2bg afdf|gfge fgaf|bgef g2Bd|
gfge fgaf|g2bg afdf|gfge fefd|egfa "_DC"ge|]

%%%
X:185162 
T:SECOND-HAND CAR* (reel), The 
S:S: CRE.5 (unnamed)
Z:Z: ABC/arr. BB
M:4/4
Q:1/4=180
%R:reel
K:D
DE|FAAF D2fa|gefg edBA|FAAB d2cd|B2AF E2:|
de|faaf d2ef|gedf edBA|faaf d2cd|b2af e2de|
faaf d2ef|gedf edBA|FAAB d2cd|B2AF E2:|

%%%
X:38249 
T:SEGMENTED JIG, The 
S:S: "Sully's Irish Music Book" (T.Sullivan)
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:Am
A3 AGE|c3 d3|e3 edB|g3 e2g|
age g2e|dBG GAB|cBA BAG|A3 A3:|
a3 age|g3 ged|e2a aga|ged e2g|
age g2e|dBG GAB|cBA BAG|A3 A3:|

%%%
X:57169
T:SENTRY HILL (hornpipe)
S:S: Treoir 52/3 < Hughie Gallagher
Z:Z: ABC/arr.BB
M:C|
N:N: Dotted rhythm in source
%R:hornpipe
Q:1/4=150
K:G
%swing .25
BA|G3B AGED|EGGE D4|B,DDE GABd|egge d2Bd|
eged egdB|ABAG EGDE|D2ED dedB|AdBA G2:|
Bd|e3g edBd|AedB G2GA|Bdd2 egg2|egge d2Bd|
egg2 abge|dedB ABGE|D2ED dedB|AdBA G2:|

%%%
X:66121 
T:SEOSAMH MAHER'S (slip jig) 
C:Mark Oien (Marion MA)
Z:Z: ABC/arr. BB
M:9/8
Q:1/4=160
L:1/8
%R:slip jig
K:Am
B|Agf edB GAB|Agf ede gdB|Agf edB GED|GAB GAB A2:|
e|aaa aea c'ae|ggg gdg bgd|aaa aea c'ae|
gdB GAB A2:|

%%%
X:141201 
T:SEPARATION OF SOUL AND BODY, The 
C:O'Carolan
S:S: CAR-OS
Z:Z: Gilb/Brennan/Black
M:C
Q:1/4=100
L:1/8
K:Em
%%text "larghetto"
%%vskip .3in
B2e2 edef|g2fe e2de|g2fe d2BA|ABde f3f|
e2ed B2AG|GABc d2fe|dBAG F2ED|E2e2 e4||
B,2E2 EDEF|G2FE E2DE|GABc dBe2|e6 B2|
G2FE E2FG|AFED D2dc|dBAF EDB,D|E2F2 E4|]

%%%
X:48237 
T:SERENADE, The 
S:S: OFPC2.74
Z:Z: ABC/arr. BB
D:D: OSMOF2
Q:1/4=80
M:4/4
L:1/8
K:G
d|g4 d3c |B2dB G2D2|EGEG cBAG |FGEF D2D2|
g4 d3c |B2dB G3D|EGEc BAGF| A4 G3 :|
e|d2d2 efge |fafa dcBA|d2d2 efge |fafa d2ef|
gbgb gfed |egeg edcB|ceac BdgB |AGFE D2D2|
GBGB E2E2 |AcFA GFED|Ggec BGAF |G4 G3 :|
%
N:N: A lovely piece of music of which I know not much besides the fact of its 
N:having been recorded by Jerry O'Sullivan in 2010. If it isn't a Carolan com-
N:position, I'm guessing it's an O'Farrell original.

%%%
X:493342 
T:SERGEANT CAHILL'S FAVORITE (jig) 
S:S: ONMI.0834 < Cahill
Z:Z: Brennan/Black
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
D2E G2A|B2d dBG|B2c A2B|G2A BGE|
D2E G2A|B2d dBG|B3A2B|G3 G3 :|
g2d e2d|g2d e2d|B3A2B|G2A BGE|
D2E G2A|B2d dBG|B3A2B|G3 G3 :|

%%%
X:13316
T:SERGEANT EARLY'S DREAM (reel) (1) 
S:S: BSMI.3
Z:Z: ABC/arr. BB
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:Dm
cB|A2DE FAcA|GECD E2EF|DA,DE FEFG|Add2 fedc|
A2DE FAcA|GECD EDEF|DA,DE FAcA|GFEF D2 :|
FG|Add^c d3e|f2ed cAGF|ECEF c=Bcd|ecdc AcGc|
Add^c d3e|f2ed cAGc|AEE2 cEE2|CEGE D2 :|

%%%
X:495324 
T:SERGEANT EARLY'S DREAM (reel) (2) 
S:S: ONMI.1419 < McFadden
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
M:C|
L:1/8
K:D dorian
cB|ADDE FEFA|GECD EFGE|DA,DE FEFG|Adde fedc|
ADDE FAcA|GECD EFGE|DA,DB cecA|GFEA, D2||
FG|Addc d2dc|Adde fedc|AccB cBcd|efec dcAG|
Addc dcdc|Adde fedB|cedB cAGE|FDEA D4|]
%
N:N: I was surprised to see that O'Neill has this as an A major tune - I've never 
N:heard it played as anything but D minor! But musically they're pretty much 
N:the same tune, i.e. pitch relationships are the same, just in different places 
N:on the staff (over-simplification but I didn't want to go into too much detail).

%%%
X:493343 
T:SERGEANT EARLY'S JIG 
S:S: ONMI.0725 < Early
Z:Z: Brennan/Black
N:N: I suspect that the accented C's in this tune are actually C natural; the 
N:unaccented ones I have left as C sharp. I don't know if this "hybrid" works 
N:or not.
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:D % 
%%text  source key = G
%%vskip .3in
A|FED EFG|AGE =c2e|dcA efd|ecA A2G|
FED EFG|AGE =c2e|dcA GEA|DED D2 :|
d|=cBA Bcd|efe e2d|dcd efd|ecB A2d|
=cBA Bcd|eag e2d|dcA GEA|DED D2 :|

%%%
X:62125
T:SERGEANT FINLEY'S (hornpipe) 
S:S: GSTC
Z:Z: ABC/arr. BB
Q:1/4=150
%R:hornpipe
M:C|
K:G
%swing .25
dc|BGAF GEDC|B,DEF GBdB|ceAe ceAg|fdef gedc|
BGAF GEDC|B,DEF GBdB|ceAg fdec|B2GF G2 :|
Bc|d2^ce dBGD|GFGB dgfg|efge dBGB|cABG ADFA|
GFGE DGBA|GFGB dgfg|efge dBcA|B2GF G2 :|

%%%
X:493344 
T:SERGEANT STACK'S FAVOURITE (jig) 
S:S: ONMI.1028 < Stack
Z:Z: Brennan/Black
N:N: I like A dorian for this. I have also cleaned up a few of the ornamentations.
Q:1/4=160
%R:jig 
M:6/8
L:1/8
K:A dorian % 
%%text  source key = A major; A-B-A
%%vskip .3in
B|c3 BcB|AGE GAB|c3 dcd|ege aed|
c3 BcB|AGE GAB|cBA GED|EAA A2 :|
B|cef gfg|eaf ged|cef gfg|eag a2B|
cef gfg|eab age|c3 d3|edc "_DC"d=f :|

%%%
X:491510 
T:SETTING OF THE SUN (b), The  
S:S: ONMI.0111 < Hartnett
Z:Z: Brennan/Black (arr.)
M:2/4
Q:1/4=100
L:1/8
K:Dm
%%text "slow"
%%vskip .3in
DD|B2 c/B/A/G/|A2 GA|BA/B/ c/B/A/B/|G2 DD|
B2 Bc/B/|A2 GG|F/G/A/G/ FE|D2||
DD|F2 A/G/F/G/|A2 c>d|c/B/A/G/ FD|C2 DD|
B2 c/B/A/G/|A2 GG|F/G/A/G/ FD|D4|]

%%%
X:184103 
T:SETTING OF THE SUN (reel) (a), The
S:S: CRE.4 < Sheahan MS
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=180
M:4/4
%R:reel
K:D
Ac|dDDG F2 DF|GABc dfec|d2 cA BAFA|BGBc dfec|
dDDG F2 DF|GABc dfec|d2dc dfed|BGBc d2:|
ec|defg a2 fd|cdef g2 fe|defg abaf|g2 fd eB B2|
defg a2 fd|cdef gfef|gbag fagf|edBc df:|
"^coda" edBc dfec|d4z4|]

%%%
X:29095
T:SETTING SUN (b), The  
S:S: CGI.191
Q:1/4=110
Z:Z: ABC/arr. BB
L:1/8
M:6/8
%R:jig
K:G
%%text "andante"
%%vskip .3in
B/c/|dcB AGA|BEF D2G/A/|BdA BcG|A3-A2B/c/|
dcB AEF|DG/B/d g2B|ded dAB|G3-G2 :|
B/c/|dAB c2A|BAG E2d/e/|fed ^cBA|FGA d2B/c/|
dAB cGA|BAG AEF|GBd eAB|G3-G2 :|

%%%
X:185048 
T:SETTING SUN JIG (a), The
S:S: CRE.5
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%R:jig
K:D
B|AFd AFd|AFD E2F|GFG Eed|cBc d2B|
AFd AFd|AFD E2F|GFG Eed|cBc dc:|
B|Adf agf|efg B2d|cec ABc|dAG FED|
Adf agf|efg B2d|cec ABc|dfe dc:|\
"^coda" dfe Hd3|]

%%%
X:65085
T:SEVEN DERRIES, The
C: Aidan Crossey
S:S: composer
%R: Hornpipe
Q:1/4=150
M: 4/4
L: 1/8
K: G Major
BA|GDB,D GBdg|fdcA E2 (3EFE|DFAc BAGF|GABc d2BA|
GDB,D GBdg|fdcA E2 (3EFE|DFAc BAGF|GDB,D G2:|
AG|FGAB cDEF|GBdg BedB|AB^cd egfe|d2^ce d2ef|
gdBG ecA^c|defa gdBG|ecAc BAGF|GDB,D G2:|

%%%
X:56054
T:SEVEN NOBLE MEN (march)  
C:V. Broderick
S:S: Turoe.26b
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=120
%R:march
K:G
BA|GDGA B2AG|gdeB d2BA|GDGA B2AG|BedB A2BA|
GDGA B2AG|gdeB d2GA|BedB dBAB|G2 G>F G2:|
B>c|dcBA G2FE|DEFG A2FG|Adfd edGB|A2A>G A2dc|
BcBA G2AB|cBcd e2dc|BDGB ADFA|G2 G>F G2:|

%%%
X:56055
T:SEVEN SPRINGS (jig), The  
C:V. Broderick
S:S: Turoe.09a
Z:Z: ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:D
D|FEF D2A|AFA d3|BGB AFA|DEF EDB,|
AFF DFF|AFF DFF|AdB AFE|FDD D2:|
%
D|DEF FED|BAF AFE|D2B BAF|AFE E3|
DEF FED|BAF AFE|BAF AFE|FDD D2E|
DEF FED|BAF AFE|D2B BAF|AFE E2B|
AFF DFF|AFF DFF|AdB AFE|FDD HD3|]

%%%
X:66086
T:SEVEN WAVES (jig) 
C:Max Bruecher 03/01/13
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:G
f|gdB GBd|cAA ABc|BAG GAB|BAG ABd|
gdB GBd|cAA ABc|d2e f2g|agf g2 :|
d|g2a bgd|f2g afd|gfe Beg|fed ega|
b2g dgb|a2f dfa|gfe def|agf g2 :|

%%%
X:581159
T:SEYMOUR'S FANCY (reel) 
S:S: WSGM.255 < "Wilson's Companion" 1816
Z:Z: Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:G
G2BG Bdd2|c2ec egg2|G2BG Bddg|edcB A2G2:|
g2fg afed|edef gdBd|g2fg afed|edef g2ef|
gbaf edef|gfge dBAB|cBcd efge|dcBG A2G2|]

%%%
X:491511 
T:SHADY GROVES (march), The  
S:S: ONMI.0226 < J.O'Neill
N:N:  1: This 4/4 tune is in the Miscellaneous section of the 1850, indicating it 
N:could well be a march.
N:N:  2: A-B-A structure in source; 10 measures in part 2
Q:1/4=130
Z:Z: Brennan/Black (arr.)
M:C
L:1/8
K:G
%%text "moderate"
%%vskip .3in
G>A|BdAB GFED|E2A2A2GA|BdAB GFED|E2G2G2||
AB|cBcd e2Bc|dBAG A2FG|Ad^cB AGFE|F2D2D2Fd|
dcBA ^G2ed|c2A2A2AB|cBAG F2dc|B2G2G2AB|\
cBcd e2Bc|dBAG"_DC"A2|]

%%%
X:21177 
T:SHADY LANE (jig), The 
S:S: DMI.0409
Z:Z: Nordberg/Black
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:Dm
e|f2e fga|g2f efg|f2d def|ecA A2e|
f2e fga|g2f efg|f2d e2^c|d3d2:|
d|c2A AGF|c2A A2d|c2A BAG|F2D D2d|
c2A AGF|c2A A2e|f2d e2c|1 d2e f2:|\
[2 d3 d3|]

%%% 
X:59223
T:SHALL MY SOUL PASS THRO' OLD IRELAND
S:S: JOB
Z:Z: ABC/arr. BB
N:N: This is the melody of the ballad "Kevin Barry".
L:1/4
M:3/4
%R:waltz
K:D
DF|A2A|^G2A|BA2-|AFA|f2d|A2F|E3-|Ecd|
e2d|c2G|BA2-|A^GA|c2B|G2A|F3-|FDF|
A2A|^G2A|BA2-|AFA|f2d|A2F|E3-|Ecd|
e2d|c2G|BA2-|A^GA|c2c|G2E|D3-|D3|]

%%%
X:27082
T:SHAMROCK (hornpipe), The 
S:S: HOC.120 ("straight jig")
Z:Z: ABC/arr. BB
Q:1/4=150
N:N: Alternate m.12: |EGFE D2FA|
M:C|
L:1/8
%R:hornpipe
K:G
%swing .25
GA|B2cA B2AG|A2BA G2BA|G2Bc d2cB|AGFE DFGA |
B2cA B2AG|A2BA G2FE|DFGB d2cB|A2G4 :|
FG|A2AB A2FG|A2AB A2B^c|d2^cB A2GF|"12"EGE^C D2FA |
B2cA BGAB|c2dB cAGF|GABc d2cB|A2G4 :|

%%%
X:54069 
T:SHAMROCK HILL (reel), The 
S:S: SRHI.37b
Z:Z: ABC/arr. BB
C:Se·n Ryan
Q:1/4=180
L:1/8
M:C
%R:reel
K:G
D|G2BG dGBG|cBcd efga|bgg2 agea|gedc Bd AF|
G2BG dGBG|cBcd efga|bgg2 agea|gedc BGG:|
a|bgg2 agea|gedB AGEG|DB,B,2 DEGA|Bdgb ageg|
bgg2 agea|gedB AGEG|DB,B,2 DEGA|Bdgd BGG :|

%%%
X:184033 
T:SHAMROCK JIG (slip jig), The 
S:S: CRE.4 < Bogue
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=160
M:9/8
%R:slip jig
K:A
A2B cBA cde|A2B cBA GFE|A2B cBA cde|
fga e2d cBG:|c2d ecf e3|c2d ecA GFE|
c2d ecf e3|fga e2d cBG:|"^coda"A6z3|]

%%%
X:491512 
T:SHAMROCK SHORE, The  
S:S: ONMI.0048 < F.O'Neill
Q:1/4=100
Z:Z: Brennan/Black (arr.)
M:C
L:1/8
K:D
%%text "moderate"
%%vskip .3in
D2|G2FG EFGA|B2ec d>BAF|EFGE D2D2|D6 AB/c/|
d2cd B2cd|edcB A2FA|B3F AFDF|E6 AB/c/|
d2cd B2cd|edcB A2FA|B3F AFDF|E6 DE/F/|
G2FG EFGA|B2ef d>BAF|EFGE D2D2|D6|]

%%%
X:46085 
T:SHAMROCK SO GREEN (reel), The 
S:S: OFHC20.03
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:C
%R:reel
K:G
A|BGGE DGGB|AGFG ABcd|BGGE DGGB|AGFG ABc :|
z|BddA Bdcd|edcB ABce|AccB Acce|dcBA BddB|
G3E FGAB|c2AB cBAF|G2BG F3A|BAGE DGHG2|]
%
N:N: In the source this tune - which is probably originally a song - has eleven 
N:measures and no breaks. This represents my attempt at a "standard" single 
N:reel version of it.

%%%
X:11090
T:SHAN VAN VOCHT (hornpipe), The
S:S: AIF
Z:Z: Brennan/Black (arr.)
Q:1/4=150
N:N: Dotted rhythm in sourde
M:C|
L:1/8  
%R:hornpipe
K:A dorian
%swing .25
ed|cABG A2BA|GEDE G2Bd|egfa gedc|B2G2 G2ed|
cABG AcBA|GEDE GABd|egfa gedB|A2A2 A2:|
fg|a^gab a=gec|A2A2Adef|gfga gedB|G2G2 GABG|
AGAB AcBA|GFGA GABd|egfa gedB|A2A2A2:|
%
N:N: Title ("Sean Bhean Bhocht") = "Poor Old Woman" (allegorical name for 
N:Ireland). There are a number of tunes with this (or related) names.

%%%
X:29096
T:SHAN VAN VOCHT (hornpipe), The  
S:S: CGI.200 (with "Vauch" instead of "Vocht")
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:C|
%R:hornpipe
K:G
%%text "moderato"
%%vskip .3in
%swing .25
GA|Bcde d2BA|G2G2G2 GA|BABc d2ef|a2a2a2 ga|
bage g2fe|dedB A2 GA|Bcde d2BA|G2G2G4 |]
P:second part from O'Neill's "Bantry Bay Hornpipe"
Bc|dBGB dBGB|e2ed e2de|f2fe defd|g2gf g2z2|
d2ef gage|dedB A2GA|BGAG EGDE|G2GG G2:|
%
N:N:  Title means "Poor Old Woman" (last word is correctly "vocht" (< "b[h]ocht", 
N:"poor"). This is close but not identical to the tune of the same title usually 
N:played as a hornpipe. I don't have any idea why the second part is missing 
N:from CGI but I've used the 2nd part of O'Neill's "Bantry Bay Hornpipe" to 
N:fill in.

%%%
%%%
X:581160 
T:SHANAHAN'S HORNPIPE 
S:S: WSGM.322 < P.D.Reidy ms
Z:Z: Kinder/Black (arr.)
N:N: Source mm 4 & 12: |(3agf (3gfe (3dcB (3cBA|
M:4/4
L:1/8
Q:1/4=150
%R:hornpipe
K:G
%swing .25
D2|GFGA BGBd|gfga bgdB|A^GAB cBce|afge dBcA|
GFGA BGBd|gfga bgdB|Aedc BGAF|G2 G2 G2:|
Bc|dcde d2 ef|gfga bgdB|dcde fgaf|afge dBcA|
GFGA BGBd|gfga bgdB|Aedc BGAF|G2 G2 G2:|

%%%
X:533095 
T:SHANAHAN'S RAMBLES (jig)  
S:S: RC3.092
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
G3 BAG|dBG BAG|DGG BAG|EAG ABA|
G3 BAG|dBG BAG|DGG ABA|BGF G3:|
d2g fdc|B2d cAG|DGG BAG|FAG ABc|
d2g fdc|B2d cAG|DGG ABA|BGF G3:|

%%%
X:37162
T:SHANAVEST & CARAVAT (reel)
Z:Z: ABC/arr. BB
S:S: MFC.131b < P.W. Joyce 1854
N:N: "A faction fighting tune of the Cooleens and Black Mulvihills" (well, that 
N:clears THAT up!) (Can't we all just get along?)
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Dm
%%text  "with spirit"
%%vskip .3in
FG|ABGA FGA=B|c=Bcd f2ef|dfed cAGE|D2D2D2 :|
FG|d2d>e f3e|dcA>G A3G|d2de f2ec|dce>c d3A|
d2dc defg|fdcA cdef|dfed cAGE|D2D2D4|]

%%%
X:253096
T:SHANDON BELLS (jig) (1)  
Z:Z: ABC/arr. BB
S:S: FS3.22a
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:D
B|AFD DFA|ded cBA|BGE EGA|B2A Bcd|
AFD DFA|ded cBA|Bcd ecA|1 dfe d2 :|2 d3 d2 ||
e|f2d dcd|f2a afd|cAA eAA|cAc efg|
f2d dcd|f2a afd|Bcd ecA|1 dfe d2 :|2 d3 d3|]

%%%
X:493345
T:SHANDON BELLS (jig) (2) 
S:S: ONMI.0814
Z:Z: Brennan/Black
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:D
B|AFD DFA|ded cBA|BGE EFA|B2A Bcd|
AFD DFA|ded cBA|Bcd ecA|1 d3 dc :|2 d3 d2||
g|f2d ded|faa afd|cAA eAA|cBc efg|
f2d ded|faa afd|Bcd ecA|d3 d2 :|

%%%
X:49440
T:SHANE O'NEILL'S MARCH 
S:S: ONMI.1806 < J.O'Neill
%R:march
Q:1/4=140
Z:Z: Brennan/Black
M:C
L:1/8
K:G
GA|B2BA B2cd|B2BA B2AG|Bdge dBAG|A2AB A2GA|
B2BA B2c2|B2BA B2AG|Bdge dBAB|G2GA G2:|
ef|g2fg e2ag|fefd B2Ac|d3e dBAG|g2ga g2fa| 
e2fg d2fg|dBAG A2Bd|efge dBAB|G2GA G2:|

%%%
X:251092
T:SHANNON BREEZE (reel), The
T:Rolling in the Ryegrass 
S:S: CRE.5 / FS1.06b
Z:Z: ABC/arr. BB
M:4/4
L:1/8
Q:1/4=180
%R:Reel
K:D
ABAF DFAF|G2 BG dGBG|ABAF DFAF|GBAF E2 D2 :|
ABde f2 df|g2 eg fedB|ABde f2 df|afdf e2 d2 :|

%%%
X:12268
%%staffsep 80
T:SHANNON PILOT (reel), The 
C:© BB
S:S: BBMG
% Of ships, not airplanes!
L:1/8
M:4/4
%R:reel
Q:1/4=180
K:Am
"Am"A2 cA eAcA|"G" dB ~B2 "Em"E^FGB|"Am"A2 cA eAce|"D"ag^fa "G"gdBG|
"Am"A2 cA eAcA|"G" dB ~B2 "Em"E^FGB|"Am"ABce "Em7"dBGE|"Am" (3ABc "G"BG "Am"A4 :|
"Am"e2 ag eage|"G"dcBA "Em"GEGB|"Am"Acea "D"^fedc|"Em"BGEG "Am"A4|
"Am"e2 ag eage|"G"dcBA "Em"GEGB|"Am"AGEG "D"ABA^F|"G"GBdB "Am"A4 :|

%%%
X:341091 
T:SHANNON POT (jig), The  
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy1.9
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:E dorian
d|efe fed|BAF AFD|E2E FED|EDA Bcd |
efe fed|BAF DEF|EFA Bcd|FED E2 :|
B|e2e def|edB dBA|BAF AFE|FED EFA |
BeB def|edB AFD|EFA Bcd|FED E2 :|
A|BeB def|edB AFA|BEE BAF|ABd def |
gfe fed|edB AFD|EFA Bcd|FED E2 :|

%%%
X:38250
T:SHANNON RIVER BELLE (barn dance) 
Z:Z: ABC/arr. BB
N:N: My arrangement of an American tune called 'Sandy River Belle'.
Q:1/4=160
M:4/4
%R:hornpipe
L:1/8
K:G
%swing .25
DEGA B4|BA G2 e2 d2|DEGA B2 Bd|BAGE D4|
DEGA B4|BA G2 e2 d2|dgfg edBc|dedB G4:|
dgfg edBc|d2 b2 a2 g2|dgfg edBc|dedB A4|
dgfg edBc|d2 b2 a2 g2|dgfg edBc|dedB G4:|

%%%
X:41306
T:SHANNON SHORE (reel), The 
S:S: MVBT < Maureen Glynn Connolly
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:Dmix
B,C|D3d cAAB|cded cAGE|D2 dB cABd|cAGE ADDG|
eg AB c2 AB|cded cAde|faed dcAB|cAGE ED :|
FA|d3e fefg|afge d2 dc|Adde faec|dcAG FDFA|
dcde f3g|afge defg|afge dged|cAGE FD :|
"^coda" cAGE ED^CE|HD4z4|]
%
N:N: I first heard this tune played by Martin Connolly and Maureen Glynn 
N:(both RIP) at a session in Ennis. Maureen was kind enough to write it 
N:out and fax (!) it to me. (This one had no name so I came up with this 
N:not-very-original one just to have something.)

%%%
X:57170
T:SHANNON WAVES BARNDANCE, The
S:S: "Treoir" 52/2 < Erin's Pride Orchestra, Phila. 1948
Z:Z: ABC/arr.BB
M:C|
%R:hornpipe
Q:1/4=150
K:G
%swing .25
DG |B2B2 BABG | D6 GA | B2AB c2 B2 | E4 E4 |
AGFG A2 D2 | GFGA B2 e2 | dBcA E2F2 | G6 :|%%
Bc |d2d2 g2g2 | dedB GABc | d2d2 g2d2 | f6 B2 |
cBAB c2d2 | f2f2 f3d | e2e2 ed^ce | d6 Bc |
d2d2 g2g2 | dedB GABc | d2d2 g2d2 | b4 b4 |
abaf d2a2 | gfgd B2e2| dBcA E2F2 | G4z4|]

%%%
X:52103
T:SHANVAGHERA (reel)
C:© E.Reavy
S:S: Ed Reavy Collection 
Z:Z: McKenty/Black
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:D
%%text "allegro moderato"
%%vskip .3in
%swing .25
FG|Addc d2AB|=cAG=F E=CCE|DA,DE =FEFG|A2 G_B Adde|
=fedf ed^ce|d^cA^F GE=CE |DEFG Ad=cA|GE=CE D2:|
A2|defg afdB|[E2=c2] Gc EcGc|defg afdf|e=c c2 Addf|
afdf edce|dcAF GE=CE|DEFG Ae=cA|GE=CE D2:|
%
N:N:  1: Not mentioned in Ed Jr.'s notes is the clear influence of Paddy Fahey on this 
N:particular tune of Ed's. (Ed Jr., not a musician himself, may not have been aware 
N:of such an influence.)
N:N:  2: In the book the low C's in m.2 are not marked as naturals.

%%%
X:492184 
T:SHASKEEN CLOG (hornpipe), The 
S:S: ONMI.1703 < McFadden
N:N: Also played as a reel (without "Clog")
%R:hornpipe
Q:1/4=150
Z:Z: Brennan/Black
M:C|
L:1/8 
K:G
%swing .25
DF|G3B A2Ac|dged cAAc|BdBG AcAF|GBAG FDEF|
GFGB A2 Bc|dged cAAg|fefa ecAc|BGAF G2:|
Bc|dggf g2fg|abag fddc|BcBG AcAF|GBAG FD D2|
dggf g2fg|abag fdde|fefa ecAc|BGAF G2:|

%%%
X:21178 
T:SHASKEEN REEL (1), The 
S:S: DMI.0802
Z:Z: Nordberg/Black
N:N: Repeats added
%R:reel
Q:1/4=180
M:C|
L:1/8
K:G
DE|G3B A2Ac|dged cAAc|BdBG Ac AF|GBAG FDEF|
GFGB A2 Ac|dged cAAg|fefa ecAc|BGAF G2:|
Bc|dggf g2fg|abag fddc|BcBG Ac AF|GBAG FDD2|
dggf g2fg|abag fdde|fefa ecAc|BGAF G2:|

%%%
X:22135
T:SHASKEEN REEL (2), The
S:S: DMWC.110
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:G
AG|DGG2 ABcA|dgfd cAAc|B2Gc A2FA|G2AG FAEA|
[1 DGG2 AGFA|dfed cAAg|f2eg fdcA|G2AF G2 :|
[2 DGG2 AFF2|dBB2 cAA2|f2eg fdcA|G2AF G2 ||
%
|:Bc|dggf g3a|bgag fdd2|GBB2 B3A|GBAG FDD2|
g2fa g3a|bgag fdde|f3d ecAG|G2AF DGG2|
dggf g3a|bgag fddc|BGG2 AFF2|GEEF EDEA|
DGG2 AFF2|dBB2 cAAg|f2eg fdcA|G2AF G4 |]

%%%
X:252081
T:SHASKEEN REEL (3), The
Z:Z: ABC/arr. BB
S:S: FS2.24a
M:C
L:1/8
Q:1/4=180
%R:reel
K:G
E|DGG2 ABcA|d2ed cAAc|B3G A3F|GBAG FGEF|
DGG2 ABcA|d2ed cAA2|f2eg fdcA|AGFA G3 :|
B|dggf g2fg|abag fddc|B3G A3F|GBAG FDD2|
[1 dggf g2fg|abag fdde|f2eg fdcA|AGFA G3 :|
[2 BGG2 AFF2|dBB2 cAA2|f2eg fdcA|AGFA HG4|]

%%%
X:57142 
T:SHASKEEN REEL (4), The 
%%staffwidth 650
S:S: Treoir.44/2 < Ballinakill Ceili Band (1931)
Z:Z: ABC/arr. BB
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:G
E|DGG2 ABcA|d2ed cAAc|BcBG ABAF|GBAG ADD2|
DGG2 ABcA|d2ed cAAg|f2fd edcA|AGFA G3 :|
B|dggf g2fg|abag fdde|fefd g2fg|1 abag fddB|
dggf g2fg|abag fdde|f2fd edcA|AGFA G3 :|
[2 abag fddc|B2BG ABAF|GBAG FDDe|f2fd edcA|AGFA G4 |]

%%%
X:582060
T:SHAUN TRUISH WILLICHAN  
S:S: WSGM.103 < 'Preston's Reprint of Bremner's Collections', London 1789
Z:Z: Kinder/Black
M:4/4
L:1/8
%R:hornpipe
Q:1/4=120
K:Am
%%text Part 1
A,|D/D/D D>F E2 A,>F|F2  ED G/F/E/D/ CE|\
D/D/D D>F E2 A,E|F2 ED C>A,A,:|
%%text Part 2
G|A>cAG G>AGF|F>GFD G/F/E/D/ CG|\
A>cAF G>AGE|FD G/F/E/D/ CA,A,:|
%%text part 3
A|d/d/d d>f e2 c>e|f2 ed g/f/e/d/ ce|\
d/d/d d>f e2 Ae|fd g/f/e/d/ c>AA:|
%%text part 4
g|aa _b/a/g/f/ gg a/g/f/e/|ff g/f/e/d/ eccg|\
aa _b/a/g/f/ gg a/g/f/e/|fe g/f/e/d/ cAA:|
%
N:N: 1: Name is phonetically spelled - probably should be "Sean Trubhais Uillechain" 
N:(some kind of old trousers?). Not sure why the Chief - native speaker as he was - 
N:didn't offer some kind of translation (this is Scots Gaelic, not that much different 
N:from Irish). An online dictionary says "uillechain" means "angles", which doesn't 
N:seem to help.
N:N: 2: This should end on a D somewhere.

%%%
X:47036
T:SHAUNEEN O SHEA (slip jig)
S:S: CNIM.35 (as "Shauneen O Shea or Johnny O Shea")
Z:Z: ABC/arr. BB
N:N: Source has key signature as one flat instead of one sharp.
Q:1/4=160
M:9/8
L:1/8
%R:jig
K:Em
d|efe edB BAG|efe edB efg|ege edB BAG|
dBA ABA AB :|d|gaf gdB BAG|gag gdB gab|
bag age edB|1 dBA ABA AB :|2 dBA ABA ABd|He6z6|]

X:29097
T:SHE COMES FROM THE LAKE  
S:S: CGI.193
Z:Z: ABC/arr. BB
Q:1/4=100
L:1/8
M:3/8
K:G 
%%text "andante"; A-B-A
%%vskip .3in
d>cB|B2G|E2G|G2A|B>cd|egG|A3-|Ad>e|
d>cB|B2G|E2G|G2B/c/|de/d/g/A/|B2A|G3-|G2 ||
d/>e/|=f>ed|e2c|g2G|G2 d/>e/|=f>ed|e2c|A3-|A2 d/>e/|
=f>ed|e2c|g2 B/G/|E2 G/>B/|D>EG|A3-|"_DC"A2z||

%%%
X:31196
T:SHE DIDN'T DANCE AND DANCE (slide)  
T:Pete Sullivan's
Z:Z: ABC/arr. BB
S:S: JOL.123
Q:1/4=180
L:1/8
M:12/8
%R:slide
K:E dorian
f|e2d BAB GAG G2A|B2d edB d3 g2f|
e2d BAB G2G G2f|efg fed e3g2 :|
A|Bcd e2f g2f gfg|Bdc d2e d3 B2A|
Bcd e2f g2f g2a|bag agf e3 e2d|
Bcd e2f g2f gfg|Bdc d2e d3 g2a|
bag agf gfe fed|efg fed He6|]

%%%
X:535390
T:SHE IS FAR FROM THE LAND (1) 
T:Open the Door Softly
N:N: . . . Where Her Dead Hero Sleeps". Thomas Moore's lyrics.
S:S: RC3.023 ("Oscail an Dorus go Ciuin O")
Q:1/4=100
Z:Z: ABC/arr. BB
L:1/8
M:3/8
K:D
%%text "andante con espress."
%%vskip .3in
A,/B,/|DDF|A2A|A>BA/F/|A2B|\
AFA|ABc|d3|FzF|
dcd|edB|BAF|A2B|\
AFD|DBA/F/|E3|Dz (3A/B/c/|
dcd|edB|BAF|A2B|\
AFD/E/|F<BA/F/|E3|HD3|]

%%%
X:491513  
T:SHE IS FAR FROM THE LAND (2)
S:S: ONMI.0191
Z:Z: Brennan/Black (arr.)
Q:1/4=100
M:6/8
L:1/8
K:D
%%text slow and tender
%%vskip .3in
F/E/|DFA A2F/A/|Bcd BAF/E/|DFA A>Bc|d2A F2 (3A/B/c/|
dcd e2d/c/|BAF/A/ A2d/B/|AFE/D/ DdF|EDE D3|]

X:28024
T:SHE IS THE GIRL THAT CAN DO IT (jig)
S:S: ISQT.20b
Z:Z: ABC/arr. BB
N:N: This is "Leg of the Duck" in G instead of D.
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
c|BGG AGG|BGG AGG|EAA A2B|EAB A2c|
BGG AGG|BGG AGG|DGF G2A|DGF G2 :|
c|Bcd ABc|BAG AGE|EAA A2B|EAB A2c|
Bcd ABc|BAG AGE|DGG G2A|DGF G2 :|

%%%
X:15272
T:SHE THAT WASHES A MONDAY (slip jig) 
S:S: CCCD
Z:Z: ABC/arr. BB
N:N: I had to correct mm 6 and 10 (missing beat in original)
L:1/8
Q:1/4=140
M:9/8
K:Em % 
%%text  source key Gm
%%vskip .3in
F2G AGF GFE|^D2F F2E D2B,|GFG AGA B3|
B,ED E2F GFE :|d2c d>ed ^c2B|"6"AFF E^DD B,3|
[1 e2d e>fe ^d2B|e2d e2f gfe:|2 GFG AGA B3|
B,2D E2F G>FE-|E6z3||

%%%
X:491514 
T:SHE'S A DAUGHTER OF DANIEL O'CONNELL 
S:S: ONMI.0044 < J.O'Neill
Z:Z: Brennan/Black (arr.)
M:3/4
Q:1/4=100
L:1/8
K:G
%%text "slow"
%%vskip .3in
Bc|d2c2A2|G2D2E2|F2G4-|G2z2GA|\
B2B2B2|c2A2G2|F6-|F4Bc|
d2c2A2|G2D2E2|F2G4-|G2z2A2|\
B2c2d2|A2G2G2|G6-|G4||
GA|B2c2d2|e2c2c2|f2d4-|d2z2dc|\
B2B2B2|c2A2G2|F6-|F2z2Bc|
d2c2A2|G2D2E2|F2G4-|G2z2A2|\
B2c2d2|A2G2G2|G6-|G6|]

%%%
X:491515 
T:SHE'S A DEAR MAID TO ME 
S:S: ONMI.0349 < F.O'Neill
Q:1/4=100
Z:Z: Brennan/Black (arr.)
M:3/4
L:1/8
K:Em % 
%%text  "slow"; source key = Dm
%%vskip .3in
B^c/^d/||e2 B2 ef|ed BA GA|F4 E2|E4 ef|
g2fe e/f/g|f2 ed fe|d4 cB|B4 ef|
g2g/a/b ag|f2f/g/a gf|gf ed BA|A4 B^c|
d^c B2 gf|ed BA GA|F4 E2|E6|]

%%%
X:491516 
T:SHE'S AS FALSE AS SHE'S FAIR 
S:S: ONMI.0513 < F.O'Neill
Z:Z: Brennan/Black (arr.)
Q:1/4=140
M:6/8
L:1/8
K:Gm 
%%text "gaily"
%%vskip .3in
B/c/|d>ed c2B|A>BG ^F2D|G>AB cA>^F|G3-G2:|
B/c/|d2b a2g|fd>g f2d|B>cB fed|c>dB AzF|
B>AB c>Bc|d2G F2D|G>AB cA>^F|G3-G2|]

%%%
X:185033 
T:SHEAHAN'S FANCY* (jig)
S:S: CRE.5 (unnamed)
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%R:jig
K:Em
F|GEE B2A|GEF GFE|FDD A2G|FAd BAF|
GEE B2A|GEF GAB|AFd BAF|GFD E2:|
e|Bef e2d|Bee fdB|AFd BAF|FEF DFA|
Bef e2d|Bee fdB|AFd BAF|GFD E2:|

%%%
X:37163 
T:SHEAN DUINNE (jig)
N:N: In source as "Shean Duinne"; correctly "Seanduine"  
S:S: MFC.079A 
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
E|D2B AFD|FGF F2E|DFB AFD|EFE E2F|
D2B AFD|DFA d2e|fed Bcd|AFD E2:|
D|d3 def|ABA AFA|e3 ede|fed B2A|
d3 def|ABA d2e|fed Bcd|AFD E2:|

%%%
X:495325
T:SHEARING THE SHEEP (reel) 
S:S: ONMI.1515 < McFadden
Z:Z: Brennan/Black
%R:reel
Q:1/4=180
M:C|
L:1/8
K:A
%%text  A-B-A ?
%%vskip .3in
EAAB ABcB|ABcA BFF2|EAAB ABce|faec d2cB|
A3B ABcB|ABcA BFF2|EAA2 ABce|faec A2cd||
e2ae feaf|eaec d2cd|e2ae fefb|afec d2cd|
e2ae feaf|eaec d2cB|c2cB cefb|afec dB"_DC"cA|]
"^fine m.8" |faec A4|]

%%%
X:141202 
T:SHEEBEG AND SHEEMORE 
T:SÌ Beag SÌ MÛr
C:O'Carolan
Z:Z: Gilb/Brennan/Black
N:N:  1: Gaelic = "The Little Fairy and The Big Fairy". This is a name for two 
N:hills in Co. Leitrim; more information in O'Neill's "Irish Minstrels and 
N:Musicians", p.71
N:N:  2: This is normally played AA-B today.
M:3/4
Q:1/4=100
L:1/8
K:D
%%text "andantino"
%%vskip .3in
de|f2 fe d2|d2 de d2|B4 A2|F4 A2|
BA Bc d2|e4 de|f4 e2|d4 f2|
B4 e2|A4 d2|F4 E2|D4 f2|
B4 e2|A4 dc|d6-|d4||
de|f2 fe d2|ed ef a2|b4 a2|f4 ed|
e4 a2|f4 ed|d4 B2|B4 BA|
F4 E2|D4 f2|B4 e2|A4 a2|
ba gf ed|e4 dc|d6-|d6|]

%%%
X:251093
T:SHEEHAN'S REEL (1)
S:S: CRE.5
Z:Z: ABC/arr. BB
M:C|
L:1/8
Q:1/4=180
%R:reel
K:G
D|G2 BG DGBG|ABcA BGGB|A3 B cBAB|cBAG FDEF|
G2 BG DGBG|cBAB cdef|gedB c2 Bc|dBcA BGG :|
d|g2 bg dgbg|gbag fdde|f2 af dfaf|gbag fdef|
g2 bg dgbg|gbag fdef|gedB c2 Bc|dBcA BGG :|

%%%
X:495326
T:SHEEHAN'S REEL (2) 
S:S: ONMI.1213 < Fielding
Z:Z: Brennan/Black
Q:1/4=180
%R:reel 
M:C|
L:1/8
K:G
D|G2BG DGBG|ABcA BGGB|A^GAB cBcA|EAAG FDEF|
G2BG DGBd|cBAB cdef|gedB c2Bc|dBcA BGG ||
f|g2bg dgbg|gbag fdde|f2af dfaf|gbag fddf|
g2bg dgbg|gbag fdef|gedB c2Bc|dBcA BGHG2|]
%
N:N: Source has |=f| in mm 11 and 12; tune is not usually played today using 
N:them. (Just for the record, there aren't too many other instances where the 
N:Chief considers a tune 'modal' when it isn't [or 'is no longer'] - usually it's 
N:the other way around!)

%%%
X:332083 
T:SHEELA'S KISS (slip jig)  
Z:Z: ABC/arr. BB
S:S: Levey2.82 
N:N: Repeats added
Q:1/4=160
L:1/8
M:9/8
%R:slip jig
K:E dorian
E|FGA ABc d3|FGA AB=c B3|FGA ABc d3|
FGA AB=c B2 :|c|d2d d2d cBA|B2B B2B AFD|
d2d ded cBA|B2B Bcd AF:|A|:G2A BGE BGE|
G2A BGE AFD|G2A BGE BGE|FGA Bcd AFD:|
"^coda"E6z3|]

%%%
X:48154 
T:SHEELINA GRA (jig)
N:N:  correctly SÌle 'N Ghr· (Will You Be Mine)  
S:S: OFPC1.39
Z:Z: ABC/arr. BB
N:N: Probably not meant originally as a dance tune. I repeated the first part 
N:(with a few note changes) to make the tune into a "standard" jig.
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:Ador
D|EAG AGA|BGE GAB|cdc BAG|AGF E2D|
EFG AGA|Bcd GAB|cec BAG|AGF E2 :|
d|efe ded|BGE GBd|efe dec|BGE c2d|
efe dec|BGE GAB|cdc BAG|AGF E2 :|
"^coda" dcB HA3|]

%%%
X:182041 
T:SHEEP ON THE MOUNTAINS (jig), The  
S:S: CRE.2
Z:Z: ABC/arr. BB
Q:1/4=160
N:N: Repeats added 
L:1/8
M:6/8
%R:jig
K:Dmix
z|FEF G3|AdB cAG|AGA dcd|ABc d3|
F3 GFG|AdB cAF|GFG AFD|GFE D2 :|
d|ged efg|afd cAG|AGA dcd|ABc d2e|
fef gfg|afd cAF|GFG AFD|GFE D2 :|

%%%
X:493346 
T:SHEEP on the MOUNTAINS, The 
S:S: ONMI.0831 
Z:Z: Brennan/Black
Q:1/4=160
N:N: 1: Simplified mm 11-12: |ABA d3| replaces |A B/A/G/A/ d3|
N:N: 2: D major in source
%R:jig 
M:6/8
L:1/8
K:Dmix
D|F3 G3|AdB cAG|A3 d3|A3 d3|
F3 G3|A2d cAF|G3 AFD|G3 AFD|
F3 G3|AdB cAG|ABA d3|ABA d3|
FEF GAG|AdB cAF|G3 AFD|GFE D2||
f|fed efg|afd cAG|A3 d3|A3 d3|
[1 fed efg|afd cAF|G3 AFD|G3 AFD|
[2 f3 g3|afd cAF|G3 AFD|G3 AFD ||

%%%
X:35063
%%staffsep 80
T:SHEEP TRAP VALLEY (reel)
S:S: composer
C:Rick Gagne 
Z:Z: ABC/arr. BB
%R:reel
N:N: d/o/c/ 1988 on whistle and tenor banjo
M:4/4
Q:1/4=180
K:Bm
FA |"Bm"Bcde f2fg|fede f2fg |"D"fedf "A"eaec |"G"dcBd "F#m"cAec |
"Bm"Bcde f2fg | fede f2fg | "D"fedf "A"eaec | "G"dBcA "Bm"B2 :|
de | "Bm"fBB2 fBB2|"A"eAA2 eAA2|"G"dGG2 dGG2|"A"ABcd "Em"efge | 
"Bm"fBB2 fBaf | "A"eAA2 eAge |"G"dGG2 dGdG | "F#m"ABcA "Bm"B2 :|

%%%
X:41307
T:SHEILA COYLE'S (reel) 
S:S: MVBT
Z:Z: ABC/arr. BB
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:D
A|FA A2 FADF|ADFA BAFA|GBBA B3 d|ABdf edBA|
FA A2 FADF|ADFA BAFA|GABd AFF2|EFGE FDD :|
e|dff2 fgfe|dcdB AFDA|ce e2 fcec|BcdB AFDA|
dff2 fgfe|dcdB AFDA|GABd AFF2|EFGE FDD :|
%
N:N: No one seems too sure of the origin of this tune. Seamus Connolly seems 
N:to have been the first Boston musician to play it, and he says he learned it 
N:from the eponymous Ms. Coyle, a Chicago-area fiddler. To the best of my 
N:knowledge MVBT-1 (1995) was the first printed source to include this tune, 
N:and in the intervening years nobody has stepped up to claim it. Additional 
N:information gladly accepted!
%%%

X:41308
T:SHEILA MULHAIRE'S (jig) 
C:M. Mulhaire
S:S: MVBT < "Warming Up"
Z:Z: ABC/arr. BB
%Sheila is Martin's daughter.
Q:1/4=150
%R:jig
M:6/8
L:1/8
K:D
d/e/|f2a gfe|fed cAG|FAD FAD|dAF G2d|
f2a gfe|fed cAG|FED EFG|Adc d2 :|
A|d2f afd|Adf afd|ecA AcA|AcA ecA|
d2f afd|Adf afd|ecA ABc|d3 d2 :|

%%%
X:497099 
T:SHEILA MY LOVE (jig)
S:S: ONMI.0571 < Hartnett (as "Oh Sheela My Love")
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
E|DEG A2A|BAG GAB|cdc B2A|AGF E2G|
DEG A2A|BAG GAB|cde B2A|AGF G2 :|
d|efe d2c|BGE GAB|Bee d2c|BGB c2d|
efe d2c|BGE GAB|cdc B2A|AGF G2 :|

%%%
X:55014
T:SHEILA'S JIG 
C:B.Tonra
S:S: composer
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%R:jig
K:D
DFD E3|DFD EDA,|DFD E3|Ddf e2E|
DFD E3|DFD EDA,|Dde fef|dAF D3 :|
Bde fdB|Ace dAF|Bde f3|dAF E3|
DFD E3|DFD EDA,|Bde f3|dAF D3 :|

%%%
X:13313
T:SHEPHERD'S DAUGHTER (reel) (1), The 
S:S: BSMI.3
Z:Z: ABC/arr. BB
N:N: Repeats added
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:G
ed|e3g edBd|eAA2 eA (3Bcd|e2eg edBc|dGG2 dGBd|
e2eg edBd|eAA2 GABA|G2Bc dega|bgaf g2 :|
Bd|eaaf g2gd|eaaf ged2|eaaf g2ag|e2de ged2|
eaaf g2gd|eaab c'bag|eaaf g2ag|e2de g2 :|

%%%
X:182230
T:SHEPHERD'S DAUGHTER* (reel) (2), The 
S:S: CRE.2
Z:Z: ABC/arr. BB
M:C
%R:reel
Q:1/4=180
K:G
d|e3f ed (3Bcd|eAA2 BABd|e2ge edBe|dGBG dGBd|
edeg ed (3Bcd|eAAG A3A|GABc dega|1 b2ab gag:|\
[2 bgaf g3||
d|eaaf gfg2|egfd edBd|eaab gabg|eAce gd (3Bcd|
eaab g2gb|a2ef gabg|eaa2 gabg| eAce gdB:|
"^coda"  eBce gdBd|e4z4|]

%%%
X:37164 
T:SHEPHERD'S FLOCK (reel), The
S:S: MFC.032a
Z:Z: ABC/arr. BB
N:N: Source for mm 14: /eaac' d'bag/ I had to do some rewriting to accommodate 
N:the repeats, especially the second ending.
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:A dorian
Bd|e2 ge edBd|eAA2 edBd|e2 ge edBe|dG G2 dGBd|
e2 ge edBd|eAAG A2 BA|G2 Bd g3a|bgaf g2:|
fg|eaaf g3 f|eaag ed (3Bcd|eaaf g2 ag|e2 de gdBd|
eaaf g3 f|eaae dBcd|eaaf g2 ag|1 e2de gd :|
[2 e2dc BdBG|A4z4|]

%%%
X:48349 
T:SHEPHERD'S HORNPIPE, The 
S:S: OFPC3.106 ("Irish")
Z:Z: ABC/arr. BB
D:D: "OSMOF1" track 1
%This might be an O'Farrell original.
Q:1/4=140
M:C|
L:1/8
%R:hornpipe
K:G
%swing .25
A|G3A GABc|dBge dBAG|cBce dBAG|E2 A2 A3B|
cBcd efge|dBAF GFED|GBAc BdAc|B2 G2 G3 :|
B|dBGB d2gf|edcB cBAG|cBcd efge|f2 d2 d3B|
cBcd efge|dBAF GFED|GBAc BdAc|B2 G2 G3 :|

%%%
%%%
X:491517 
T:SHEPHERD, The  
S:S: ONMI.0251 < J.O'Neill
Z:Z: Brennan/Black (arr.)
M:C
Q:1/4=120
L:1/8
K:G
%%text "moderate"
%%vskip .3in
B>A|G3F E2Bd|edBd e2eg|dcBA G2B2|cBAG A2B>A|
G3F E2Bd|edBd e2f2|g>agf e>fgc|B2A>G G2||
d2|g3a g2G2|Bcde edcB|Bdgb bagb|agab a2g>a|
b3a g2fd|Bdfa g2e>f|g>agf e>fgc|B2A>G G4|]

%%%
X:16253
T:SHEPHERDS I HAVE LOST MY LOVE
S:S: CIAJ
Z:Z: ABC/arr. BB
Q:1/4=100
L:1/8
M:C
K:D 
%%text "affetuoso"; source key F
%%vskip .3in
d3e f2ed|eddB A4|B2A2 d2cd|B4 A4|
d3c defa|A2FA BAGF|GABc d>edF|E4 D4 ||
F3E F2G2|A2AB A4|B2A2 d2cd|B4 A4|
d3c defa|A2FA BAGF|GABc d>edF|E4 HD4 |]

%%%
X:16254
T:SHEPHERDS I HAVE LOST MY LOVE (hornpipe) 
S:S: CIAJ
Z:Z: ABC/arr. BB
N:N: This is my setting of this tune as a hornpipe.
L:1/8
M:C
%R:hornpipe
Q:1/4=150
K:D 
%swing .25
d3e fdcd|edcB A2FA|B2AF dAFA|B4 A4|
dcde fdcB|AFAd BAGF|GABc dBAF|E4 D4 :|
F3E F2G2|AFAB Adcd|B2A2 d2cd|B4 A4|
dcde fdcB|AFAd BAGF|GABc dBAF|E4 D4 :|

%%%
X:491518 
T:SHERIDAN OF COOLCANIG 
S:S: ONMI.0577 < O'Brien
Z:Z: Brennan/Black (arr.)
M:6/8
Q:1/4=120
L:1/8
K:D
%%text "distinctly"
%%vskip .3in
d/c/|A2F G2A|Bcd A2F|G2F D2D|D3-D2A|
ABc d2e|f2d efg|fdA ABc|d3-d2A|
ABc d2e|f2d efg|fdA ABc|d3 dcB|
A2F G2A|Bcd A2F|G2F D2D|D3-D3|]

%%%
X:13171
T:SHERLOCK'S (hornpipe)
N:N: a/k/a/ Joe Burke's, Fort of Kincora, Tara Brooch 
S:S: BSMI.1
Z:Z: ABC/arr. BB
%R:hornpipe
M:C
Q:1/4=150
L:1/8
K:G
%swing .25
(3DEF|GAGE DB,G,D|GFGA Bdgf|edcB A2GA|BAGF E2 (3DEF|
GAGE DB,G,D|GFGA Bdgf|edcB A2GA| BGGF G2 :|
Bc|d^cde dBGF|GBd^c dgfg|efge dBGB|cABG A2 (3DEF|
GAGE DB,G,D|GFGA Bdgf|edcB A2GA|BGGF G2 :|

%%%
X:38251
T:SHERLOCK'S FANCY (reel) (1) 
N:N: a/k/a/ Jack Maguire's, The Snake
S:S: Flaherty collection
Z:Z: ABC/arr. BB
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:D
FE|DF F2 DGBG|DFAF GECE|DF F2 ABde|fdAG FAEF|
DF F2 DGBG|DFAF GECE|DF F2 ABde|fdAG FD D2|]
fgaf g2 ag|fgaf gfeg|fgaf g2 eg|dfAG FD D2|
fgaf g2 ag|fgaf gfeg|fdAF G2 ag|fdAG FAEF||
"^coda"HD4z4|]

%%%
X:13219
T:SHERLOCK'S FANCY* (reel) (2) 
S:S: BSMI.2 (unnamed)
Z:Z: ABC/arr. BB
%R:reel
M:C
Q:1/4=180
L:1/8
K:D
DFF2 DGG2|DFAF EDCE|DFF2 ABde|fdAG FDD2 :|
fgaf g2ag|fgaf gfeg|fgaf gbag|fdAG FDD2|
fgaf g2ag|fgaf gfeg|fdAF GBag|fdAG FDHD2|]

%%%
X:28025
T:SHILLINAGUIRA (jig) 
S:S: ISQT.13c
Z:Z: ABC/arr. BB
N:N: More bad Irish. Probably stands for something like "SÌle nÌ Gadhra".
M:6/8
%R:jig
Q:1/4=160
K:G
F|GBB Gcc|GBB c2e|dcB Adc|BGF G2F|
GBB Gcc|GBB c2e|dcB Adc|BGF G2 :|
A|GBd g2d|ecB c3|Ace a2g|fdc d2A|
GBd g2d|ecc d2c|BGB cAd|BGF G2 :|

%%%
X:184040 
T:SHIP DOCTOR (slip jig), The 
S:S: CRE.4 
L:1/8
Q:1/4=160
M:9/8
%R:slipjig
K:Em
GED E2e BGE|BGF E2d AFD|GFG E2F GAB|
cBA G2A BGE:|gfg e2d efe|gfg A2B cBA|
BGF E2F GAB|cBA G2A BGE:|"^coda" cBA G2A BGF|E6z3|]

%%%
X:251094
T:SHIP IN FULL SAIL (jig), The 
S:S: FS1.28c
Z:Z: ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
%R:Jig
K:G
E|DGG BAG|dBG GBd|edg dBG|AGA BGE|
DGG BAG|dBG GBd|edg dBG|AGE G2 :|
B|dgg bgg|aga bge|dgg bgg|aba age|
dgg bgg|aga bgd|edg dBG|AGE G2 :|

%%%
X:37165
T:SHIP ON THE OCEAN (jig), The  
S:S: MFC.071E
Z:Z: ABC/arr. BB
N:N: This is a version of "Ship in Full Sail"
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
E|DGG BAG|dBG GBd|edg dBG|ABG AGE|
DED AGE|DED DBd|edg dBG|AGE G2:|
B|dgg bgg|aga bge|dgg bgg|aba age|
dgg bgg|aga bge|ege dBG|BGF G2:|

%%%
X:251095
T:SHIPS ARE SAILING (reel) (1)
S:S: FS1.16c
Z:Z: ABC/arr. BB
M:C|
L:1/8
Q:1/4=180
%R:reel
K:Em
d|Beed B^cdB|AD (3FED AD (3FED|EDEF GFGA|(3B^cd ef gfed|
Beed B^cdB|AD (3FED AD (3FED|EDEF GFGA|Beed e3 :|
f|gfga bgeg|fefg afdf|gfga bgeg|fedf e2 ef|
gfga bgeg|fefg afdf|g2 ge f2 fd|edef gfe :|
"^coda"edef gfed|e4z4|]

%%%
X:495327
%%staffwidth 620
T:SHIPS ARE SAILING (reel) (2) 
S:S: ONMI.1264 < F.O'Neill
Z:Z: Brennan/Black
%R:reel
Q:1/4=180
M:C|
L:1/8
K:G
Beed B^cdB|AD FD AD FD|EDEF GFGA|1 Beef gfed:|\
[2 Beed e2||
:ef|gfga bgeg|fefg afdf|gfga bgeg|fedf e2ef|
gfga bgeg|fefg afdf|g2ge f2fd|edef gfed|"^coda"e4z4|]

%%%
X:251096
T:SHOE THE DONKEY (waltz) 
N:N: a/k/a/ Versevianna ('Warsowianna'), Father Halpin's Topcoat
Z:Z: ABC/arr. BB
S:S: FS1.41b
M:3/4
L:1/4
%R:waltz
Q:1/4=160
K:G
D/G/|BB D/G/|BB D/G/|BcB|
A2 D/F/|AA D/F/|AA D/F/|ABA|G2 :|
B/c/|dgf|A2 A/B/|ced|B2 B/c/|BAB|
c2 c/d/|edc|B2B/c/|dgf|A2 A/B/|
ced|B2 B/c/|BAB|c2 c/d/|edF|G3-|G3|]

%%%
X:52104
T:SHOEMAKER'S DAUGHTER (reel), The
C:© E.Reavy
S:S: Ed Reavy Collection
Z:Z: McKenty / Black
Q:1/4=180
M:4/4
L:1/8
%R:Reel
K:G
%%text "allegro moderato"
%%vskip .3in
DF|G2 DG BcdB|G=FDE FDCD|G2 DG Bcde|=fdBd c2 Bc|
dgg2 dcc2|Bcde =fdcd|gfdc BcdB|FGAF G2:|
ef|g2 dg bgdg|gfdg fdcd|g2 dg Bgdg|f2 cA BGGf|
g2 dc BGGE|=FGAB c2 Bc|dgg2 de=fd|cAFA G2:|

%%%
X:531096
T:SHOEMAKER'S FANCY (jig) (2), The  
S:S: RC1.093
Z:Z: ABC/arr. BB
N:N: No accidentals in source
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
A|FDE F2d|cAA BAG|FDE F2d|cAF G2A|
FDE F2d|cAA Ade|fef ded|cAF G2:|
A|cAA fed|cAA A2B|cAA fed|cAF G2A|
cAA fed|cAA Ade|fef ded|cAF G2:|
"^coda" cBA GFE|D6|]

%%%
X:182006 
T:SHOEMAKER'S FANCY* (jig) (1), The 
S:S: CRE.2 (unnamed)
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:Dmix
G|FDD DFA|dcA A2G|fdd cAA|dcA Gag|
fdd edc|dcA d2e|f2f ded|cAF GA:|
B|cAA efd|cAB c2d|cAA efd|cAF G2B|
cAA fed|cAB cde|fef ded|cAF G2:|
"^coda" cBA GFE|D6|]

%%%
X:497100
T:SHOPPING LIST (jig), The  
S:S: arr. of ONMI #214, "Black Lettered List"
%R:jig
Q:1/4=160
Z:Z: ABC/arr. BB
M:6/8
L:1/8
K:G
D|GAB G2B|ADF cBA|dBG GAB|AGE DEF|
GAB G2B|ADF cBA|dBG DEF|GAF G2 :|
A|BFG A2B|cAc def|g2a bag|age def|
gdB AGB|cde d2c|BcA G2E|DEF G2 :|

%%%
X:185128 
T:SHORES OF BALLYBUNION (reel), The 
S:S: CRE.5
Z:Z: ABC/arr. BB
M:4/4
Q:1/4=180
%R:reel
K:G
(3DEF|G2BG DGBG|G2Bd gdBA|BGAG FGAB|cDEF BGAF|
G2BG DGBG|G2Bd gdBA|BGAG FGAB|cGEF G2 :|
ef|gfga gdBd|gfga bgef|gfga gdBc|dedc BGAF|
gfga gdBd|gfga bgeg|bgaf gfed|egfa g2:|

%%%
X:13236
T:SHORES OF LOUGH GOWNA (jig), The  
S:S: BSMI.2
N:N: Better known as "The Banks of Lough Gowna"
Z:Z: ABC/arr. BB
%R:jig
M:6/8
Q:1/4=160
L:1/8
K:Bm
A|BcB BAF|FEF DFA|BcB BAF|dcd fed|
BcB BAF|FEF DFA|def geg|fdB B2 :|
A|def a2b|afb afe|dDF def|geg fdB|
def a2b|afb afe|def geg|fdB B2 :|

%%%
X:57143
T:SHORES OF LOUGH MAJOR (march), The
S:S: Treoir 49/2 < B. O Kane
Z:Z: ABC/arr. BB
Q:1/4=120
%R:march
M:C
K:D
A,B,C|D2FA DFAd|fgfe d2c=c|BABd AFGF|E2EF EA,B,C|
D2FA DFAd|fgfe d2c=c|B^ABd cgec|1 d2dc d :|2 d2de d2||
K:G
Bc|d2BA G2gf|efge dDEF|GFGB edcB|A2AB A2Bc|
dGBd gaba|gecG E2fe|d^cdB =cAFD|G2GA G2:|

%%%
X:51078
%irish_rolls_on
T:SHORT & SWEET (reel)
S:S: TIDT 2/17
C:J. Kelly
Z:Z: BB
M:C
L:1/8
%R:reel
Q:1/4=180
K:D
Ad~d2 bdad|cAGE CDEG|1 Ad~d2 bdad|cAGE ADD2:|
[2 fged eaag|efec d4|:fgec dfed|cAGE GAce|
fgec d2cd|eaag efge|fgec dfed|B/c/def g2fd|
%%stretchlast 0
cdeg fdcG|AcGE FDD2:|

%%%
X:48238 
T:SHORT AND SWEET (hornpipe) 
S:S: OFPC2.83
Z:Z: ABC/arr. BB
Q:1/4=150
M:C|
L:1/8
%R:hornpipe
%swing .25
K:G 
%%text  simplified 
%%vskip .3in
A|BcBc dedB|cAGF GAGd|ecgf eddB|cBAF G3 :|
E|FAA2 GBB2|cAdB geBG|FAA2 GBB2|cAGF G3 :|
A|BcBc d2d2|efaf eddc|BcBc dedB|cAdB G3 :|
c|dcBG dBgB|dcAF AFcA|dcBg egdg|cAGF G3 :|

%%%
X:493347 
T:SHORT GRASS (jig), The 
S:S: ONMI.0981 < J.O'Neill
%R:jig
Q:1/4=160
Z:Z: Brennan/Black
M:6/8
L:1/8
K:Am
d|cGE cGE|EDE CEG|cGE cGE|Add ded|
cGE cGE|EDE CEG|cee e2d|cAA A2:|
z|gag ged|ecc cde|aba age|edd d2e|
[1 gag ged|ecc cde|fed fed|ecA A2 :|
[2 gfe agf|gfe dcB|cee e2d|cAA A3 |]

%%%
X:27083
T:SHORT STACK* (jig), The 
S:S: HOC.076 (unnamed)
Z:Z: ABC/arr. BB
N:N: Note 16-measure structure. I tried to fill it out a bit!
M:6/8
L:1/8
%R:jig
Q:1/4=160
K:D 
e|dcB A2F|GFE FED|dcB A2F|GFE D2c|
dcB A2F|GFE FED|FGA BAG|FEC D2:|
f|ede e2f|gfe fed|ede e2f|gfe dcd|
ede e2f|gfe fed|fga def|ecA d2:|

%%%
X:50087 
T:SHORT VOYAGE HOME*, The  
S:S: Petrie.109 (unnamed)
Z:Z: ABC/arr. BB
N:N: I tried to make a jig out of this but it didn't really lend itself to that. It 
N:might have been a song at some point or another but without a solid title
N:from Petrie, we;ll probably never know.
Q:1/4=160
M:6/8
L:1/8
K:G % 
%%text source key = Bb
%%vskip .3in
D|G2A B2c|d2e def|g2e c2e|d3 d2B|
G2A B2c|d2e def|g2e c2e|d3 de ||
%
f|g2g d2g|f2d B2d|A2e d2c|B2G A2F|
D2D E2F|G2B A2F|E2F D2D|D3-D2 ||
#
f|g2g e2g|f2e d2B|A2g f2e|d3 c2A|
G2G A2B|c2e d2B|A2B G2G|G3-G2 |]

%%%
X:184077
T:SHOVE INTO ME JOANIE! (polka)  
S:S: CRE.4 < Barrett < Collins
Z:Z: ABC/arr. BB
L:1/8
M:2/4
Q:1/4=140
%R:polka
K:G
D|G>A Bc|d2 dB|c2 c>A|Bd BA|
G>A Bc|d2 d>e|f2 d>c|AG G:|
e|g2 f>e|d2 dB|c2 c>A|B2 Bd|
g2 f>e|d2 de|f2 d>c|AG G:|

%%%
X:59194
T:SHOWMAN'S FANCY ("florid" hornpipe) (3), The
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=150
N:N: Dotted rhythm in source
L:1/8 
M:C|
%R:hornpipe
K:D
FG|A^GAB Adfd|Bdgf edcB|A^GAB AFDA|BAGF EFGB|
A^GAB Adfd|Bdgf edcB|A^GAB AFDA|E/F/E/D/ EF D2 :|
%
(3Bcd|edef gece|dcde fdAf|(3gag (3fgf (3efe (3ded|\
(3cec (3BcB (3ABA FG|
A^GAB Adfd|Bdgf edcB|A^GAB AFDA|E/F/E/D/ EF D2 :|
%
FG|(3A^GA dA GAB^A|(3A^GA dA GAB^A|ABcB AGFG|AGFG E2FG|
(3A^GA dA GAB^A|(3A^GA dA GAB^A|ABcB AGFE|(3DFA (3dAF D2 :|
%
dc|Bcde fB^AB|gfeg fB^AB|(3cec F2 (3cec F^G|^AFAc fedc|
Bcde fB^AB|gfeg fB^AB|(3cec Fc _BFBc|fedc B2 :|
%
AG|FAfe dcBA|GBef gfed|cec'b agfe|(3ded (3cdc (3BcB (3ABA|
FAfe dcBA|GBef gfed|cec'b agfe|dd'af d2 :|
%
A2|(3d'f'd' (3aba (3fgf (3ded|(3bc'b (3gag (3efe (3cdc|
a^g=ge cABc|da^ga baga|(3d'f'd' (3aba (3fgf (3ded|\
(3bc'b (3gag (3efe (3cec|
a^g=ge cABc|(3dd'a (3baf d2 :|
%
N:N:  O'Brien's florid setting, which is probably where Joe Derrane (a pupil of O'Brien's) got his own. 
N:I reproduce it exactly as it appears in the book with the exception of the cut time.

%%%
X:11084
T:SHOWMAN'S FANCY (hornpipe) (1), The
S:S: AIF
Z:Z: Brennan/Black 
Q:1/4=150
M:C|
N:N: Dotted rhythm in source
L:1/8  
%R:hornpipe
K:D
%swing .25
FG|A^GAB Adfd|Bdgf edcB|A^GAB AFDF|EDEF E2FG|
A^GAB Adfd|Bdgf edcB|Adfd gece|dedc d2:|
cd|edef gecA|dcde fdAf|g2f2 e2d2|c2B2 A2FG|
A^GAB Adfd|Bdgf edcB|Adfe gece|dedc d2:|

%%%
X:532106 
T:SHOWMAN'S FANCY (hornpipe) (2), The   
S:S: RC2.203
Z:Z: ABC/arr. BB
Q:1/4=140
N:N: Dotted rhythm in source
L:1/8 
M:C|
%R:hornpipe
K:D 
%swing .25
%%text simplified version
%%vskip .3in
FG|A^GAB Adfd|Begf edcB|A^GAB Adfd|BAGF E2FG|
A^GAB Adfd|Begf edcB|Adfa gecA|d2dc d2:|
cd|e^def gec2|dcde fdA2|g2f2 e2d2|c2B2 A2FG|
A^GAB Adfd|Begf edcB|Aafd Bgec|d2dc d2:|

%%%
X:62126
T:SHOWMAN'S FANCY (hornpipe) (4), The 
S:S: GSTC
Q:1/4=150
%R:hornpipe
M:C|
K:D
FG|A^GAB Adfd|Bdgf edcB|A^GAB AFDF|E^DEF E2FG|
A^GAB Adfd|Bdgf edcB|Afad Begc|1 d2af d2 :|2 dfec d2||
cd|e^def gece|dcde fdAf|g2f2 e2d2|c2B2 AGFG|
A^GAB Adfd|Bdgf edcB|Afad Begc|1 d2af d2 :|2 dfec d4|]
%
N:N: The accidentals make this a fun tune, but don't worry too much if you can't get to 
N:them - none are in accented positions in the tune, so they're less likely to attract 
N:attention!)

%%%
X:19012
T:SHOWMAN'S JIG, The  
S:S: DFW < WSGM
L:1/8
M:6/8
Q:1/4=160
%R:jig
K:A
c/d/|eaa fec|dfe dcB|AGA cBA|GBA Bcd|
eaa fec|dfe dcB|AGA Bcd|1 cAG A2 :|\
[2 cAB AGF||
EAA cAA|eAA cAA|EAA cBA|GBA Bcd|
EAA cAA|eAA cAA|EAA Bcd|1 cAG AGF :|\
[2 cAG HA3|]

%%%
X:21179 
T:SHUFFLE AND CUT (slip jig) 
N:N: "set dance"
S:S: DMI.0997
Z:Z: Nordberg/Black
Q:1/4=150
M:9/8
L:1/8
K:D
dBG FAF EGE|cEE E2B AFD|dBG FAF EGE|
AFD D2B AFD:|faf ege BdB|cEE E2B AFD|
faf ege BdB|AFD D2B AFD:|G2e F2d E2D|
cEE E2B AFD|G2e F2d E2B|AFD D2B AFD:|

%%%
X:491519 
T:SHULE AROON (1st Setting) 
Q:1/4=80
S:S: ONMI.0059 < F.O'Neill
Z:Z: Brennan/Black (arr.)
M:C
L:1/8
K:Dm 
%%text "plaintive"
%%vskip .3in
fe|d2dc ABGA|c2dc A2FG|A2A2 f2ec|dcA^F G2AG|
F2EF D2 (3A=B^c|d>cAG A2 Ha>g|f2ed ^cdec|d4d2z2||
f4e4|d2dc A2AB|c2d2f2e2|dc A^F G2AG|
F2EF D2 (3A=B^c|d>c AG A2 Ha>g|f2ed ^cdec|d4d2|]

%%%
X:491520 
T:SHULE AROON (2nd Setting) 
S:S: ONMI.0060 < J.O'Neill
Q:1/4=80
Z:Z: Brennan/Black (arr.)
M:C
L:1/8
K:Am
%%text "plaintively"
%%vskip .3in
AB|c2c2 B2B2|A>BAG E3G|G2A>G GEcB|A3G E2FE|
E>FED C2CD|EGAB c2cd|edcB cBA^G|A4 A2z2||
c4 B4|A>BAG E2z2|G3A GEcB|A3G E2F>E|
E>FED C2CD|EGAB c2cd|edcB cBA^G|A4A2z2|]

%%%
X:27084
T:SHULE SHULE AGRAH (reel) 
S:S: HOC.129
Z:Z: ABC/arr. BB
N:N: I have no idea where Harding got this reel setting of "Shule Aroon" (or 
N:how he came up with the different name).
Q:1/4=180
M:C
L:1/8
%R:reel
K:Em
de|g2fg f2ef|efed B2AB|dedB dege|dedB A2BA |
GFEF GABd|efga b2ba|gfed BABd|egfd e2 :|
de|g3e fedf|efed BAB^c|d3B g2ef|e2dB A2BA |
GFEF GABd|efga b2ba|g2fe bafd|1 egfd e2:|\
[2 BAGF HE4|]

%%%
X:581161 
T:SHUTER'S HORNPIPE 
S:S: WSGM.317 < "Wilson's Companion" 1816
Z:Z: Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=150
%R:hornpipe
K:G
%swing .25
EF|G2G2 GABc|dcBA GABG|A2A2 Aced|cBAG FAFD|
G2 G2 GABc|dcBA G2 g2|fafd ege^c|d2 d2 d2 :|
FG|A2 A2 A2Bc|dBAG FAFD|d2 d2 d2ef|gedc BdBG|
e2 c2 c2ge|d2 B2 B2 g2|ecec BAGF|G2 G2 G2 :|

%%%
X:253097
T:SI BEAG SI MOR (Sheebeg Sheemore) (2) 
C:Carolan
Z:Z: ABC/arr. BB
S:S: FS3.41b
M:3/4
L:1/8
Q:1/4=130
K:D
de|f3e d2|d3e d2|B4 A2|F4 A2|\
BA Bc d2|e4 de|f4 e2|d4 f2|
B4 e2|A4 d2|F4 E2|D4 f2|\
B4 e2|A4 dc|d6|d4 :|
de|f3e d2|ed ef a2|b4 a2|f4 ed|\
e4 a2|f4 e2|d4 B2|B4 A2|
F4 E2|D4 f2|B4 e2|A4 a2|\
ba gf ed|e4 dc|d6 d4 :|

X:52105
T:SIDE OF THE ROAD (reel), The
C:© E.Reavy
S:S: Ed Reavy Collection
Z:Z: McKenty / Black
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:G
%%text "allegro moderato"
%%vskip .3in
ef|gfed BEEF|GEB,E G,EB,E|GFGA BABd|eg fd e^def|
gfeg fedf|edBG FDB,D|EDEF GFGA|BdAF E2:|
ef|gfga bgeg|fdd2 Adfa|geBA ^GABg|fe^df e2 g2|
bagf agfg|ed^cd BGEF|GFGA BABd|eg fd e2:|

X:11118
T:SIEGE OF ENNIS ("ceili dance")
S:S: AIF
Z:Z: Brennan/Black (arr.)
N:N: There are versions of this in other collections, some of which seem to 
N:mistake the set name for an individual tune name (usually "Banks of
N:Inverness" (G) / "Lakes of Sligo" (D)). 
Q:1/4=120
M:2/4
L:1/16
K:D 
%%text "BOG DOWN IN THE VALLEY"
%%vskip .3in
e|f4 f3e|d2B2 B2d2|A2d2 dcde|f2e2 e2a2|
f4f3e|d2B2 B2d2|A2a2 a2g2|f2e2 d3:|
e|f2d2 e2d2|f2d2 e2de|e2a2 a2f2|e2d2 e3e|
f2d2 e2d2|f2d2 e2de|f2a2 a2f2|1 e2d2 d3:|2 e2d2 d2||
%%vskip .3in
K:G
%%text "HUMORS OF WHISKEY"
%%vskip .3in
GE|D2F2 B2AG|A2E2 E2G2|D2G2 B2AG|d2B2 B2d2|
e2g2 d2B2|cBAG A2B2|D3G BAGA|B2G2 G2:|
Bc|d2B2 g2B2|cBAG A2Bc|d2B2 g2d2|e2f2 g3d|
e2g2 d2B2|cBAG A2B2|D3G BAGA|B2G2 G2:|
K:D
%%vskip .3in
%%text "SPANISH LADY"
%%vskip .3in
z2|F2A2 A2Bc|d2d2 d2ef|g2e2 f2d2|B2A2 ABAG|
F2A2 A2Bc|d2d2 d2ef|g2e2 f2d2|B2A2 A2:|
z2|f2a2 abaf|e2d2 d2e2|f2a2 abaf|a2e2 e3g|
f2a2 abaf|e2d2 d2ef|g2e2 f2d2|B2A2 A2:|

X:491521
T:SIEGE OF ROCHELLE, The 
S:S: Michael Balfe (1808-1870)
S:S: ONMI.0495 (as "Seige")
Q:1/4=140
Z:Z: Brennan/Black (arr.)
M:C
L:1/8
K:C
%%text "spirited"
%%vskip .3in
(3GAG|^F2G2c2d2|e6fe|d2^c2d2e2|d4g2 (3GAG|
^F2G2c2d2|e6^fg|g2Be d2AB|G6||
(3GAG|^F2G2=f2e2|d6 (3GAG|^F2G2=f2e2|d6 (3GAG|
^F2G2c2e2|a4gfed|feBc edAB|c6|]
%
N:N: From Balfe's opera "The Siege of Rochelle". As I mention elsewhere, I'm 
N:not sure why the Chief thought these composed pieces worthy of being in-
N:cluded in "Music of Ireland". There are other tunes of Balfe's in "the 1850" 
N:whose presence is equally mysterious since Balfe never even pretended to 
N:be a traditional musician.

X:491522 
T:SIEGE OF TROY, The   
S:S: ONMI.0014 < J.O'Neill (with spelling "Seige")
Z:Z: Brennan/Black (arr.)
M:6/8
L:1/8
K:Gm 
%%text "slow"
%%vskip .3in
B/c/|d>dd cA^F|G>GG G2A/B/|cAB cAG|FDE D2B/c/|
d=Bc dBc|d=e^f Hg2d/e/|fdB cA^F|G>GG G2||
B/d/|g^fg gag|f=ef d2d/e/|f=ed cdc|BAG F2G/A/|
BAB c=Bc|d=e^f Hg2d/e/|fdB cAF|G>GG G3|]

X:27085
T:SIEGFRIED MULCAHY (jig)
S:S: HOC.183 ("Irish jig")
Z:Z: ABC/arr. BB
Q:1/4=160
N:N: Richard Wagner meets Junior Crehan! This nice jig would be worth  
N:learning for the name alone.
M:6/8
L:1/8
%R:jig
K:A dorian 
%%text  source key = Bm
%%vskip .3in
B|cBc AGE|EAG A2B|cBc Adc|BGF Gef|
gfg edc|BAG Bcd|eAG AGA|EAG A2:|
B|cEE cEE|cAA Bcd|cBc Adc|BGF Gef|
gfg edc|BAG Bcd|eAG AGA|EAG A2:|

X:52106
T:SILENT THE LONELY GLEN 
C:© E.Reavy
S:S: Ed Reavy Collection
Z:Z: McKenty / Black
Q:1/4=40
M:2/4
L:1/16
K:G
gf|e2dB A2GA|Bd2^c d2gf|e2dB A2GA|B>AGF E2gf|
e2dB b2ag|gfe^d e2gf|e2dB A2GA|B2GE E2ef|
g2eg Hb2ag|f2df Ha2gf|g2eg Hb2ag|fe2^d e2ef|
g2eg f2df|e2dA B2gf|e2dB A2GA|B2GE HE2|]

X:492185 
T:SILK HANDKERCHIEF (hornpipe), The 
S:S: ONMI.1665 < Cronin
Z:Z: Brennan/Black
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:G
%swing .25
d2|gabg efge|dBge dBGB|AGAB AGAB|cBAB cdef|
gabg efge|dBge dBGB|AGAB AGAB|cdef g2:|
B2|dggf g2gf|gaba gfed|eaab a2ag|agba gfed|
dggf g2gf|edBg eBGB|AGAB A=GAB|cdef g2:|

X:491523 
T:SILKEN CRAVAT, The  
S:S: ONMI.0561 < J.O'Neill
Z:Z: Brennan/Black (arr.)
M:3/4
L:1/8
K:Dm 
%%text "slow"
%%vskip .3in
A/G/ FE||D2de fd|cA GF GA|B2AG FE|D3:|
A2d/d/||d2 ef ec|g2 fe dA|GF DE FG|A3 A/G/FE|
D2 de fd|cA GF GA|B2 AG FE|D3|]

X:50088 
T:SILKEN THREAD (slip jig), The 
S:S: Petrie.271 
Z:Z: ABC/arr. BB
N:N: Only part 1 repeats in the source.
Q:1/4=150
M:9/8
L:1/8
%R:slip jig
K:G 
%%text source key Bb
%%vskip .3in
d2d ded dBG|d2d d2c ABc|d2d ded dBG|
c2c cAF ABc :|B2G A2G B2G|d2d d2c ABc|
B2G A2G B2G|c2c cAF ABc :|"^coda" cde dAF HG3|

X:493348 
T:SILKEN WALLET (jig), The 
S:S: ONMI.0891
Z:Z: Brennan/Black
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
c|BGE EFE|AFD DED|BGE GAB|c3 B2A|
BGE EFE|AFD DED|E2c BcA|G3 G2:|
D|GAG GBd|ege dBG|GAG GBd|e2f g3|
[1 GAG GBd|ege dBG|AGE EDE|c2B A2 :|
[2 agf gfe|fed edB|cBA BAG|E2F G3 |]

X:182098 
T:SILLY OLD MAN (slip jig), The
S:S: CRE.2
Z:Z: ABC/arr. BB
N:N: Version of "Swaggering Jig"
Q:1/4=160
L:1/8
M:9/8
%R:slip jig
K:G
d|BGG GEG GEG|BGG GEG A2d|BGG GEG GAB|
cBA BGE D2:|c|Bdd dge dBG|Bdd edB A2c|
Bdd dge dBG|cBA BGE D2:|"^coda" cBA BGF HG3|]

X:59225
T:SILVER and GOLD
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/8=120
N:N: This is labelled a polka in the book but it doesn't really feel like one. 
N:I have a suspicion this tune may have been part of a quadrille set at one 
N:point.
L:1/8
M:C|
%R:polka
K:D
fg|a2fd|A2df|ag2f|g2ef|
g2ec|A2ce|ba2^g|a2fg|
a2fd|A2df|ag2f|g2ef|
g2ec|ABce|d2d2|d2FG||
AfAf|Aff>d|fee^d|e2-e2|
GeGe|Gee>c|eddc|d2FG|
AfAf|Aff>^g|ag2e|B2cd|
fe2c|ABce|d2d2|d4|]

X:491524 
T:SILVER CROWN, The 
S:S: ONMI.0280 < F.O'Neill
Z:Z: Brennan/Black (arr.)
M:6/8
L:1/8
K:G
%%text "with spirit"
%%vskip .3in
G/A/|B2A GBd|g2e d2B/d/|g2e dBG|A2E F2G/A/|
B2A GBd|g2e d2e|dBG A2d|G3G2||
(3d/e/f/|g2f efg|a-a/g/f/e/ d2d|edc/B/ cde/f/|g2a Hb2a|
gfe/d/ c/d/ef|egB A2D|G2A BcA|G3G3|]

X:184223 
T:SILVER GROVE* (hornpipe), The  
S:S: CRE.4 < Grier MS (unnamed)
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=150
M:4/4
%R:hornpipe
K:D
%swing .25
FG|ADD2 ADBD|ADFE D3f|gfed cdef|e2E2E2 FG|
AD D2 ADBD|ADFE D3f|gfed cdef|d2 D2 D2:|
de|f2 ag fdBd|edBc dcBA|Bdef gfed|cdef e2 de|
[1 f2 ag fgaf|edBc dcBA|Bdef gedc|d2 D2 D2 :|
[2 f2 df e2 ce|d2Bc dcBA|Bdef gedc|d2 dc d2 ||
|:Bc|d2d2 DEFG|AGFE D3c|dcBA gfed|cdef e3c|
dcBA gfed|gfga bgab|afed cdeg|afce d2:|

X:497101 
T:SILVER IN MY POCKET (jig)
S:S: arr. of ONMI #280, "Silver Crown"
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
A|B2A GBd|g2e dBd|g2e dBG|A2E F2A|
B2A GBd|g2e d2e|dBG A2F|G3 G2 :|
f|g2f efg|age dcd|edB cde|g2a b2a|
ged cef|edB A2F|G2B AGF|G3 G2 :|

X:47037 
T:SILVER MINES (jig), The  
S:S: CNIM.46
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:D
G|A3 AGF|ABA AGF|G2E EFE|G2E EFG |
A2A AGF|ABc dAG|F2D DED|FEF D2 :|
%
d|cBc dAF|ABc dAF|G2E EFE|GFG E2d |
cBc dAF|ABc dAG|F2D DED|F2D D2 :|
%
F|AFF DFF|DFF AGF|G2E EFE|G2E E2F |
AFF DFF|DFF AGE|F2D DED|F2D D2 :|
%
g|fed faf|gbg faf|g2e ece|afg e2g |
fed faf|gbg age|fed dAd|f2d d2 :|
%
g|faf gec|fdB AGF|G2E EGE|G2E E2g |
fdB ecA|dBG AGE|F2D DED|F2E D2 :|

X:51079
T:SILVER PLATE (reel), The
S:S: TIDT 2/15
C:J. Kelly
Z:Z: ABC BB
M:C
L:1/8
%R:reel
Q:1/4=180
K:C
E|F2AF cFAF|FGAB cA^FA|G2BG dGBG|~G2fd cAGE|
F2AF cFAF|FGAB c2Bc|dggf dcAG|1 FGAB cAG:|2 FGAF G2||
Ac|:dcAc dggf|dcAG FGAc|dcAc dggf|ecde f2ef|
dcAc dggf|dcAG FGAB|1 cF~F2 DFCD|FGAB c2Bc:|
%%stretchlast 0
[2 cF~F2 dfeg|fdcA AGHG2|]

X:185159
T:SILVER SLIPPER REEL, The
S:S: CRE.5 
Z:Z: ABC/arr. BB
N:N: Repeats added
M:4/4
Q:1/4=180
%R:reel
K:D
de|fdd2 BdAd|fdd2 eAde|fdd2 BdAF|GEAG FDDe|
fdd2 BdAF|fdcd e2de|fdcd BdAF|GBAG FDD:|
E|F3A BAA2|FAAF GEE2|FAA2 BdAF|GBAG FDDE|
FAA2 FAA2|FAAF GEE2|FAA2 BdAF|G2AG FDD:|

X:13102
T:SILVER SPEAR (reel) (1), The 
S:S: BSMI.1
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:D
AG|FAA2 BAFA|dfed BcdA|FAA2 BAFA|dfed B3A|
FAA2 BAFA|dfed Bdef|g3e f3e|1 dfed B2A2 :|\
[2 dfed Bcd||
e|f2af bfaf|gfed Bcde|f2af bfaf|gfed B2A2|
f2af bfaf|gfed Bdef|g3e f3e|1 dfed B2A2 :|
[2 dfed BABc|Hd4z4||

X:251097
T:SILVER SPEAR (reel) (2), The
Z:Z: ABC/arr. BB
S:S: FS1.09a
M:4/4
L:1/8
Q:1/4=180
%R:Reel
K:D
FA A2 BAFA|dfed BdA2|FAA2 BAFA|dfed B2 A2|
FA A2 BAFA|dfed BABd|g2 gef2 fe|dfed B2 A2 :|
fa a2 bfaf|gfed Bd A2|faa2 bfaf|gfed B2 A2|
fa a2 bfaf|gfed BABd|g2 gef2 fe|dfed B2 A2 :|
"^coda"D4z4|]

X:181140
T:SILVER SPEAR (reel) (3), The
N:N: Also called "White Mountain", says Mr. Breathnach. (I've never heard it 
N:referred to by that name.)
S:S: CRE.1
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:D
A|FAA2 BAFA|dfed BdAG|FAA2 BAFA|dfed BdAG|
FAA2 BAFA|dfed BABd|g3e fgfe|dfed B3:|
g|faa2 bgaf|defd Bddg|faa2 bgaf|gefd B2Ag|
faa2 bgaf|gefd BABd|g3e fgfe|dfed B3:|

X:57144 
T:SILVER SPIRE (hornpipe), The 
S:S: Treoir < Lough Gill Quartet (1931)
N:N: Same melody as the reel below but in G instead of D.
L:1/8
M:4/4
%R:hornpipe
Q:1/4=160
K:G
:s
D|G2BG Bdd2|gfga bgdB|cdec BdGB|cBAG FADF|
G2BG Bdd2|gfga bgdB|cdec BdGB|ADFA G3 :|
E|DEFG ABcA|BGAB cdef|gfed efga|bggb a2df|
gabg fadf|gfge dBGB|cdec BdGB|ADFA G3 :|

X:181164
T:SILVER SPIRE (reel), The 
S:S: CRE.1
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:D
E|D2FD FAA2|dcde fdAF|GABG FADF|GEFD CEA,2|
D2FD FAA2|dcde fdAF|GABG FADF|EA,CE D3:|
B,|A,B,CD EFGE|FDEF GABc|dcBA Bcde|fdgf e3A|
defd cdAc|dcdB AFDF|GABG FADF|EA,CE D3:|

X:41309
T:SILVER SPOON (reel), The 
C:Dennis Galvin (Tralee/Boston)
S:S: composer
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:Ddor
Ac|d3e dcAG|ADFA c2Bc|dcAG FEFA|G2FG ECCE|
Dd d2 edce|dcAB cdec|dcAG ADFA|cAGc AD :|
FG|Aded ADFG|Adfa gfdc|Ac c2 GCEG|Acea agec|
Add^c d=cec|dBAc cdec|dcAG ADFA|1 cAGc AD :|\
[2 CAGE HD4|]

X:50089 
T:SILVER STAR* (march), The 
S:S: Petrie.022 % unnamed
Z:Z: ABC/arr. BB
L:1/8
M:C
Q:1/4=120
%R:march
K:G 
%%text  source key = F 
%%vskip .3in
GA|B3d cBAG|E2DE/G/ A2Bd|edBg dBAG|EF GA G2 :|
BA|GA Bc d2de|dBAG d2ef|gfea gfed|Bdef e2 (3def|
gfed B2ef/g/|dBAG A2Bd|edBg dBAG|EF GA|G4 |]

X:495328 
T:SILVER TIP (reel) (a), The  
S:S: ONMI.1185 < Kennedy
Z:Z: Brennan/Black
N:N: Source has no C naturals but this is clearly a modal tune (or - more accu-
N:rately - is a modal tune now!).
Q:1/4=180
%R:reel 
M:C|
L:1/8
K:Dmix
DEFG ABAF|GEcE dEcE|DEFG ABAF|GEcE EDD z:|
d2fd efge|fafd ecAG|FAAB cBcG|EFGE FDD z|
d2fd efge|fafd ecAF|GBGB FAFA|EFGE FDHD2|]

X:531097
T:SILVER TIP (reel) (b), The  
S:S: RC1.193
N:N: Repeats added
N:N: In "The New-Mown Meadow" family.
Q:1/4=180
L:1/8
M:C
%R:reel
K:D
e2BA BABd|egfd eBB2|e2BA BABc|d2ed Bdd2|
e2BA BABd|egfd eBB2|g2ge f2fe|d2ed Bdd2:|
faa2 baaf|egfd eBB2|faa2 baaf|d2ed Bdd2|
faaf bgaf|egfd eBB2|g2ge f2fe|d2ed Bdd2:|

X:40029
T:SILVERMINES HORNPIPE, The
C:© Larry Mallette
S:S: composer
Z:Z: ABC/arr.BB
D:D: "A Stroll in the Park" tr.18c
%R:Hornpipe
Q:1/4=150
M:C|
L:1/8
K:Em
%swing .25
EAAB cBAG|EAAB cdef|g2af gede|dcBA B3G|
EGBe dcBA|GBed cBAG|BdAB GEED|EFGF E4 :|
efge dABd|BGGE DEGA|Beed efga|bagb a2ga|
bgeg dABd|BGGE DEGA|BdAB GEED|EFGF E4 :|

X:496046 
T:SILVERMORE (slip jig) 
S:S: ONMI.1141
Z:Z: Brennan/Black
Q:1/4=160
%R:slip jig
M:9/8
L:1/8
K:Bm
d3 faf gfe|d3 fdf ecA|d2d fdf efg|
agf efd cBA:|fge fdB B3|fge fdB cde|
fge fdB Bcd|e2e efd cBA:|"^coda"B6z3|]

X:29098
T:SINCE LOVE IS THE PLAN  
S:S: CGI.28
Z:Z: ABC/arr. BB
L:1/8
M:6/8
K:D 
%%text "allegretto moderato"
%%vskip .3in
e|fdB AGF|Eee ede|fdB AFA|Ddd d2e|
fdB ABF|Eee ede|fdB AFA|Ddd d2 ||
d|dfa dfa|dfa a2d|dfa dfa|bee e2d|
dfa dfa|d2b a2g|fdB AGF|Eee e2g|
fdB AFA|Ddd Hd3|]%10 measures

X:65086
T:SINGING CEMENT MIXER (jig), The
C: Aidan Crossey
S:S: composer
M:6/8
L:1/8
Q:1/4=160
%R:Jig
K:D Major
ABc|:dAF BAF|GFE FED|dAF BAF|AGF E2A|
dAF BAF|GFE FED|FGA BAG|1 FGE D3:|2 FGE D2||
|:A|def dBA|Bcd AFD|def dBA|Bcd ecA|
def dBA|Bcd A^G=G|FGA BAG|FGE DF:|\
"^coda" FGE HD3|]

X:54070 
T:SINGING KETTLE (reel), The 
S:S: SRHI.33b
Z:Z: ABC/arr. BB
C:Se·n Ryan
Q:1/4=180
L:1/8
M:C
%R:reel
K:Em
FD|E3F EDB,A,|B,EED EGFE|D3E DB,A,B,|DEFA Bd AF|
E3F EDB,A,|B,EED EGFE|D2FA dfe^c|dBAF GE :|
GA|Bd ef gfec|dBB2 AFEF|D3E DB,A,B,|DEFA Bd Ad|
Bd ef gfec|dBB2 AFEF|G2BG FGAc|BGAF GE :|
%%stretchlast 0
"^coda" BGAF GEFD|E4z4|]

X:12269
%%staffsep 80
T:SINGING SISTERS (jig), The
C:© BB 
S:S: BBMG
%R:jig
% For the Deck sisters, by birth, religion and music. RIP.
Q:1/4=160
M:6/8
L:1/8
K:G
A|"G"BdB "Am"AGA|"Em"Bef "C"gfe|"G"BdB "Am"AGA|"G"BGD "Em"E2 A|
"G"BdB "Am"AGA|"Em"Bef "C"gfg|"D"afd "D7"cAd|"G"BGF "G"G2 :|
A|"Em"Bef "C"gfg|"G"bag "D"fed|"Em"Bef "Am"gag|"G"ged "Em"e2 A|
"Em"Bef "C"gfg|"G"bag "C"efg|"G"dcB "D7"Adc|"G"BGF "G"G2 :|

X:38252 
T:SIOBH¡N HURL'S (slide) 
S:S: "Music of Ireland - The Big Session" (DJ Taylor)
Z:Z: ABC/arr. BB
L:1/8
M:12/8
Q:1/4=170
%R:slide
K:A
e2 a c2 B A2 c EFA|c2 B Bce f2 e c2 d|
e2 a c2 B A2 c EFA|c2 B c2 B A3 A3:|
c2 B Bce f2 e c2 B|c2 B Bce f2 e c2 d|
e2 a c2 B A2 c EFA|c2 B c2 B A3 A3:|

X:38254 
T:SIOBH¡N O'DONNELL'S JIG #1
S:S: "Traditional Irish Music" (K.Tweed)
Z:Z: ABC/arr. BB
L:1/8
M:6/8
Q:1/4=160
%R:jig
K:D
c|def A2 G|EFD c2 A|dcd eaf|gec Aec|
def A2 G|EFD c2 A|dcd eaf|gec d2:|
e|f3 dfa|gec Ace|fef gfg|edB ABd|
B3 gBg|A3 fAf|G3 faf|gec d2:|

X:38255 
T:SIOBH¡N O'DONNELL'S JIG #2 
S:S: "Traditional Irish Music" (K.Tweed)
Z:Z: ABC/arr. BB
L:1/8
M:6/8
Q:1/4=160
%R:jig
K:Am
z|a2 A AGE|GAB A3|eag edc|eAB AGE|
cde dcA|G3 GB/c/d|eAa ged|cA^G A2:|
^g|a^ga ged|ecg edc|A3 GAc|dec deg|
aeg dec|A3 EGE|cde ged|cA^G A2:|

X:38253
T:SIOBH¡N O'DONNELL'S REEL "#1"  
S:S: "Traditional Irish Music" (K.Tweed)
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G
F|G2 dG BdGB|dGBd ecAB|G2 dG Bcde|dBAc BGG:|
d|egfg egfe|d2 d2 adfd|egfg efga|bgaf geed|
ebge Bege|dafd Adfd|G2 dG Bcde|dBAc BGHG2|]

X:29099
T:SIOS AGUS SIOS LIOM (march) 
S:S: CGI.096
Z:Z: ABC/arr. BB
N:N: Title = "Down and Down With Me" (?)
Q:1/4=120
L:1/8
M:4/4
%R:march
K:G
%%text "moderato con energio"
%%vskip .3in
d|g3a g>aba|g4 d3d|e3d e>fgf|e4 d3B|
g3a gabg|edcB c2Bd|e2gf edcB|A4 G3G|
B3A B3c|d3e d2gf|e3d e>fgf|e4 d2ef|
g2g2 B3d|edcB A2Bc|d2gf e>dec|B2A>G A2z2||
Q:1/4=80
%%text larghetto melancolico"
%%vskip .3in
B2B2 d3c|B2B2 d3c|B3A/2G/2 A3G|G8 |]

X:141159
T:SIR ARTHUR SHAEN 
S:S: CAR-OS
C:O'Carolan
Z:Z: Gilb/Brennan/Black
Q:1/4=110
M:C
L:1/8
K:Em 
%%text "andante expresivo"
%%vskip .3in
BEEB AG-G2|GF/E/ AF DB, z2|eB/A/ GB Ad z2|B2AG F2z2|
Eg fe d/e/f z2|Be ed B/c/d z2|B4GB Ad|eB AF D4|
EB EB B/A/G z2|F/G/A E/F/G FE z2|eB/A/ GB Fd z2|B2de e4||
G/A/B AG FE zF|GF/E/ AF DB, z2|B4AG FE|D2EF F4|
gB Bg fe z2|d/e/f Be ed z2|Be d/e/f dB z2| B2AG G4|
d4BG AF|GE DF EG AF|GB Ad eB z2| G2FE E4|]

X:48350
T:SIR DAVID BAIRD'S STRATHSPEY 
S:S: OFPC3.130 ("Scotch")
Z:Z: ABC/arr. BB
N:N: I did a lot of "surgery" on this to make it sound like an "Irish" hornpipe!
Q:1/4=150
M:C
L:1/8
%R:hornpipe
K:D 
%swing .25
e|dAAF ABAB|dBBA BcBd|ABcd e2fa|bgaf B2Bc|
dAAF A2Bc|dBBA BcBd|ABcd e2fa|bfge d3 :|
G|A2BF A2FA|BcBA BcdB|A2FE DFAc|dBBG A2AG|
A2BF A2FA|BcBA BcdB|bgaf gefd|egec d3 :|

X:141022
T:SIR EDWARD CROFTON 
C:O'Carolan
S:S: CAR-ON
Z:Z: Gilb/Brennan/Black
%R:jig
Q:1/4=110
M:6/8
L:1/8
K:G
%%text  "moderato"
%%vskip .3in
ef|gdB GAB|de/d/B gab|Bee e2f|ge/f/g af/g/a|
bg/a/b Bd/B/A/G/|AAB GGd|Bee e2f|g/f/e/f/g d/B/d/e/d|
BGG G2G|d/B/d/e/d e/d/e/f/e|dBA A2B|de/d/B dGG|
eg/e/d/B/ aAA|b/a/g/a/b dff|g3 g2||
e|dBA GA/B/d/B/|AEA A/G/A/B/A|GdB GgB|Aaa aea|
bag f/g/ad|e/d/e/f/g edB|ABA GAB|d3 e2f|
ge/f/g/e/ dB/c/d/B/|G3 G2B|dB/c/d/B/ ec/d/e/c/|A3 A2a|
b/a/g/a/ b/g/a/g/ f/g/a/f/|g/f/e/f/ g/d/e/d/ e/f/g/e/|
d/e/d/B/d/B/ A/G/A/B/d/B/|A6|]

X:496047 
T:SIR PHILIP McHUGH (slip jig)
S:S: ONMI.1138
Z:Z: Brennan/Black
N:N: There are almost as many versions and titles for this tune as there are 
N:19th-century tune collections!
Q:1/4=160
%R:slip jig
M:9/8
L:1/8
K:G
D|G2c BGB c2A|B2d cAG F2D|G2c BGB c2A|
B2d cAF G2:|B|ABA AFD FED|ABA AFD G2B|
ABA AFD FED|B2d cAF G2:|

X:532107 
T:SIR ROGER (de Coverley) (slip jig) 
S:S: RC2.295
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:9/8
%R:slip jig
K:A
A2A Acf ecA|B2B BcA GFE|A2A Acf efg|
a2A ABA GFE:|ece fdf ecA|B2B BcA GFE|
ece fdf efg|a2A ABA GFE|e3 f3 ecA|
B2B BcA GFE|e3 f3 efg|a2A ABA GFE||\
"^coda"HA6z3|]

X:66089
T:SISSI'S JIG
C:Max Bruecher 1990
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:Dmix
A|D2D DEF|ADD FAB|Bcc dcA|GED CDE|
D2D DEF | ADD FAB | Bcc dcA | GED D2 :|
A|dAF Adf | afe dBA | c2e gfe | fed ed^c |
dAF Adf | afe dBA | c2e gfe |fd^c d2 :|

X:341092 
T:SISTER (jig), The 
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy1.15
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:Am
d|cAA cAA|GEG cde|gee gee|cde ged |
cAA cAA|GEG cde|gee ged|cAG A2 :|
d|eaa ged|cde ged|eaa ged|edc AGE |
AGA cAG|AGA cde|gee aed|cAG A2 :|

X:497102 
T:SISTER CYPRIAN'S JIG*
S:S: arr. of ONMI #282, "Gentle Maiden"
Q:1/4=160
%R:jig
Z:Z: ABC/arr. BB
M:6/8
L:1/8
K:G
F|GAG FED|d3 efg|dcB A2G|E3-E2F|
GAG FED|d3 efg|dcB AGF|G3-G2 :|
d|def g2a|g3 gfe|dcB A2G|E3-E2F|
GAG FED|d3 efg|dcB AGF|G3-G2 :|

X:185019
T:SISTER'S RETURN (jig)
S:S: CRE.5
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%R:jig
K:D
f/e/|dcd AFD|GBG AFE|DFA dfd|cBc Afe|
dcd AFD|GBG AFE|DFA dFA|DFE D2:|
F/G/|AFA dcd|BGB eBe|cBc Afe|dcB AFG|
AFA dcd|BGB ecB|Ace dAF|DFE D2:|
F|GFG Eed|cBc AGF|GFG Ecd|ecB A2A|
dfd ecA|GFG AFE|DFA dFA|DFE D2:|

X:491525 
T:SIT AROUND THE CHEERFUL HEARTH  
S:S: ONMI.0504 < F.O'Neill
Q:1/4=120
Z:Z: Brennan/Black (arr.)
M:C
L:1/8
K:F 
%%text "moderate"
%%vskip .3in
F>G|A>BAG ADDz/E/|F>GFD G3F/G/|A>BAG ADDE|F>A G/F/E/F/ D3||
D/E/|F>GAB c>dcA|d>^cde f2ed|c>AFG ADDz/E/|F>A G/F/E/F/ D2|]

X:491526 
T:SIT DOWN BESIDE ME 
S:S: ONMI.0449
Z:Z: Brennan/Black (arr.)
Q:1/4=80
M:2/4
L:1/16
K:G
%%text "slow"
%%vskip .3in
g3a gaba|g4d2 z2|e2d2 g2f2|e4d2 z2|
g2ga gaba|g2d2 d2cB|e2d2 c2B2|A4G2 z2||
B3A B2c2|d3ed2d2|e3fg2f2|g4d2 z2|
g4B3d|edcB A2Bc|d2de d2cB|A4G4|]

X:491527  
T:SIT UNDER MY PROTECTION 
S:S: ONMI.0182
Q:1/4=80
Z:Z: Brennan/Black (arr.)
M:3/4
L:1/8
K:G
%%text "slow"
%%vskip .3in
B>A|G2A2B2|g2a2b2|a2gfed|g4g>f|
e2ge dB|d>e dc BA |B6|g4 g2|
e2ge dB|d>e dc BA |G6 |g4 :|
g>a|b2bg fg|a2gf ed|defg a2|b2g3f|
ef g3f|ed cB AG|A6|A2 dc BA|
G2A2B2|g2a2b2|a2gf ed|g4g>f|
e2ge dB|d>e dc BA|B6|g4g2|
e2ge dB|d>e dc BA|G6|g4:|

X:51080
T:SITTING on the THRONE (reel)
S:S: TIDT 2/19
C:J. Kelly
Z:Z: BB
M:C
L:1/8
%R:reel
Q:1/4=180
K:A 
E|A2eA fAec|B2fB gBfB|c2gc acgc|d2ad bdad|
A2eA fAec|B2fB gBcB|cAFG ABcA|BdcB AFF:|
%
E|FccB c^deg|fcc/B/c fgaf|gccB c^def|g2bg afge|
fccB c^deg|fcfg agfg|ecBA GABd|1 cdBc AFF:|
[2 cdBc AFG/F/E|:A2eA fAec|ABcA Bdcd|BE~E2 Bdcd|
BAFG AFEF|A2eA fAec|1 ABce afec|ABcd eagb|
afec dBcB:|2 ABce a2ga|b/a/g af g/f/efd|egfa gedB||
"^coda"HA4z4|]

X:12270
%%staffsep 80
T:SIX FOOT SANDWICH (jig), The 
T:Loretta Egan's
S:S: BBMG
C:© BB
L:1/8
M:6/8
Q:1/4=160
%R:jig
K:D
D|"D"F2A d2e|"D"fgf fed|"G"Bcd "D"AFD|"Em"BGE "A7"EFG|
"D"F2A d2A|"G" B2d "Em"gfe|"D" fga "G"gdB|"A"Ace d2 :|
e|"Bm"f2B BdB|FAB dcB|"A"e2A AcA|EAc ecA|
"Bm"f2B BdB|FAB dcB|"D"fed "A"edc|"Bm"dBA B2 :|

X:12271
%%staffsep 80
T:SIX IN THE MORNING  (jig)
C:© BB
S:S: BBMG
L:1/8
% Not my favorite hour to be getting up
Q:1/4=160
M:6/8
%R:jig
K:G
D|"G"GFG "Am"AGA|"Em"Bed "G"B2A|"Em"BGE "D"DFA|"G"GBd "Am"ecA|
"G"GFG "Am"AGA|"G"Bgf "Em"edB|"Am"AEF "Em"GFE|"D"DFA "G"G2 :|
d|"G"gfg "Am"aga|"Em"bge "G"d^cd|"C"efg "G"dcB|"Am"Ace "D"dfa|
"G"gfg "Am"aga|"Em"bge "G"d^cd|"C"efg "G"dcB|"D"AFA "G"G2 :|

X:332084 
T:SIX MILE BRIDGE (reel), The  
T:Banks of the Ilen 
Z:Z: ABC/arr. BB
S:S: Levey2.1 
L:1/8
M:C
%R:reel
Q:1/4=180
K:D
%%text "quick"
%%vskip .3in
AG|FDFA d2fe|d2fd ecAG|FDFA d2fd|ecAF G2AG|
FDFA d2fe|d2fd ecAG|FDFA d2fd|ecAF G2 ||
de|f2fd g2ge|a2ag fede|f2fd g2ge|a2af g2fg|
abaf gage|fgfd ecAG|FDFA d2df|ecAF G4||
%%stretchlast 0
"coda" ecAF G2AB|cAGE HD4|]

X:51081
T:SIX-MINUTE REEL, The
S:S: TIDT 2/20
C:J. Kelly
Z:Z: BB
M:C
L:1/8
%R:reel
Q:1/4=180
K:D
AFAF DFAF|EFAc BE~E2|AFAF DFAF|GBAG FDD2|
dcBA BdAF|EFAc BE~E2|A2FA AFDF|EFAG FDD2||
dcdf e2dB|ABdf eEEc|dcdf e2dB|ABde fddA|
dcdf e2dB|ABdf e2fg|a/g/f g/f/e fedc|BcdB AdcB||
"^coda"HD4z4|]

X:29100
T:SIXPENCE (1), The  
S:S: CGI.079
Z:Z: ABC/arr. BB
L:1/8
M:C|
K:G 
%%text "with expression"
%%vskip .3in
Bd|efed B2AB|d2d2 E2GA|B2dB AcBA|G4-G2Bd|
efed B2AB|d2d2 E2GA|B2dB AcBA|G4-G2 :|
GA|B3d g2fg|agfg e2dc|Bdef g3f|e4 d2Bd|
e=fed B2AB|d2d2 HE2GA|B2dB AcBA|G4-G2 :|

X:491528 
T:SIXPENCE (2), The 
S:S: ONMI.0385
Q:1/4=120
Z:Z: Brennan/Black (arr.)
M:C
L:1/8
K:G
%%text "moderate"
%%vskip .3in
Bd|efed B2AB|d2d2 E2GA|B2dB AcBA|G4-G2||
GA|B3d g2fg|agfg e2dc|Bdef g3f|e4d2||
Bd|efed B2AB|d2d2 E2GA|B2dB AcBA|G4-G4|]

X:50090 
T:SIXPENCE A GLASS* (jig) 
S:S: Petrie.110 % unnamed
Z:Z: ABC/arr. BB
N:N: Repeats added
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:Ador
eAA eAA|BGG BGG|eAA eAA|def gdB|
eAA eAA|BGG BGG|def gdB|BAA A3 :|
eaa eaa|egg egg|eaa eaa|def gdB|
eaa eaa|egg egg|def gdB|BAA A3 :|

X:181039
T:SIXPENNY MONEY (jig) (1)  
S:S: CRE.1 
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%R:jig
K:D
d|fAA fAA|BGE FGE|D3 AFA|dfd fed|
A2A AFA|BGE FGE|D3 AFA|dfd e2:|
d|fdf g3|afd fed|fdf g3|afd ecA|
fdf g3|afd fed|A2A DFA|dfd e2:|
"^coda" dfd ABc|Hd6|]

X:22136
T:SIXPENNY MONEY (jig) (2)
S:S: DMWC.18
Z:Z: ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:D 
%%text simplfied setting
%%vskip .3in
d|fAA fAA|BAG FEF|DFG AFA|dfd gfe|
AA f2A|BAG FEF|DFG AFA|dfd e2 :|
d|fdf g3|afd fed|fdf g3|afd e2d|
fdf g3|afd gfe|ABA AFA|dfg f2d|
fdf g3|afd ecA|fdf gfe|afd e2d|
fdf g3|afd gfe|ABA AFA|dfg e2d-|d6|]

X:251098
T:SIXPENNY MONEY (jig) (3)  
S:S: CRE.5
Z:Z: ABC/arr. BB
M:6/8
S:S: FS1.32c
L:1/8
Q:1/4=160
%R:Jig
K:D
d|fAA fAA|BAG FGE|DED AFA|dfd e2d|
fAA fAA|BAG FGE|DED AFA|dfd e2 :|
d|fef gfg|afd ecA|f2f gfg|afd e2d|
fef gfg|afd edB|ABA AFA|dfd e2 :|
"^coda" dfe d3|]

X:38256
T:SIXTY-NINTH STREET POLKA, The 
T:Galway Belle
S:S: "Reavy Collection: Music of Corktown"
Z:Z: ABC/arr. BB
M:2/4
L:1/8
%R:polka
Q:1/4=120
K:Am
A>B cd|ea e>e|dB GB|AB GB|
A>B cd|ea e>e|dB GB|A2 A2:|
aa e>e|aa e>e|dB GB|AB GB|
[1 aa e>e|aa e>e|dB GB|A2 A2:|
[2 A>B cd|ea e>e|dB GB|A2 HA2|]

%%%
%%%
X:495329 
T:SKIBBEREEN LASSES (reel), The  
S:S: ONMI.1469 < Beamish
Z:Z: Brennan/Black
Q:1/4=180
%R:reel  
M:C|
L:1/8
K:Amix
e2cA cdef|gedc BcdB|e2cA cdef|gedB cAA2|
e2cA cdef|gedc BcdB|cAcd edef|gedB cAA2||
cAce a2ef|gedc BcdB|eAA2 a2ef|gedB cAA2|
cAce a2ef|gedc BcdB|A2cd eaaf|gedB cAHA2|]

%%%
X:532108 
T:SKIN THE PEELERS (slip jig)
S:S: RC2.255
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:9/8
%R:slip jig
K:Em
B2B BAB G2A|B2B BAB dBA|B2B BAB G2A|
B2e e2B dBA|B2e e2f g2A|B2e e2B dBA|
B2e e2f g2a|b2a g2e dBA:|"^coda"HE6z3|]

%%%
X:65087
T:SKINFUL (jig), The
C: Aidan Crossey
S:S: composer
M:6/8
Q:1/4=160
L:1/8
%R:Jig
K:A Major
E2A cBA|G2A B2c|E2A cBA|dcd B3|
E2A cBA|G2 A B2 c|d2 e fed|c2B A3:|
a2e cBA|Bcd efg|a2 e cBA|dcd B3|
a2e cBA|Bcd efg|a2 e fed|c2B A3:|

%%%
X:38257 
T:SKIPPERY SAM (hornpipe)
S:S: "The Ted Furey Collection of Irish Traditional Tunes"
Z:Z: ABC/arr. BB
L:1/8
M:C|
Q:1/4=160
%R:hornpipe
K:D
%swing .25
A2|DFAF GBdB|Acec dfaf|gbed ceAF|GBED CE A,2|
DFAF GBdB|Acec dfaf|gbed ceAF|GBEC D2:|
FG|Adcd fdcd|baga fdcd|AdFA DFAF|GFED CE A,2|
Adcd fdcd|baga fdcd|AdFA DFAF|GFEC D2:|

%%%
X:54071 
T:SKIPPING LAMBS (reel), The 
S:S: SRHI.25b
Z:Z: ABC/arr. BB
C:Se·n Ryan
Q:1/4=180
L:1/8
M:C
%R:reel
K:A
F|E3F ABce|fcc2 ABce|a2gd fa ec|dBcA BAFA|
E3F ABce|fcc2 ABce|a2gd fa ec|dcBd cAA:|
e|a2ga fdec|dBcA BAGA|E3F ABce|fcc2 ABce|
a2ga fdec|dBcA BAGA|E3F ABce|fa ed cAA:|
B|cA A2 eAce|aAgA fAec|B3c dcde|fB B2 fBdB|
cA A2 eAce|aAgA fAec|B3c dcde|faed cAA:|

%%%
X:51082
%%titlefont 18
T:SKIPPING on the COBBLESTONES (John Ryan's) (jig) 
S:S: TIDT 1/33
C:J. Kelly
Z:Z: BB
M:6/8
L:1/8
%R:jig
Q:1/4=160
K:D
AGF GFE|DFA d2B|AGF GFE|DFA BGE|
AGF GFE|1 DFA d2B|AGF EAGFDD D3:|
[2 DFA d2A|Bcd EAG|FDD D3||:cAA d2B|
cAA AGE|cAA cde|dBG Bcd|cAA fgf|
efd cde|1 dBG A/B/AG|FDD D3:|2 dBG EAG|\
FDD HD3|]

%%%
X:491529 
T:SKIPPING THROUGH THE DAISIES 
S:S: ONMI.0609 < J.O'Neill
Q:1/4=120
Z:Z: Brennan/Black (arr.)
M:6/8
L:1/8
K:Ddor
%%text "playfully"
%%vskip .3in
d|f2d e2c|dcB A2G|FAd f2d|e<az z2A|
f2d e2c|dcB A2G|FAd age|e<dz z2||
d|A2F A2d|B<Gz z2e|c2A c2e|g<fz z2d|
A2F Adf|a<gz z2g|fed e2a|f<dz z3|]

%%%
X:497103
T:SKIPPY the PUP (jig)
S:S: arr. of ONMI #609, "Skipping Through The Daisies"
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:D
e|f2d e2c|dcB A2G|FAd f2d|eag age|
f2d e2c|dcB A2G|FAd agf|edc d2 :|
G|A2F A2d|BG2 -GAB|c2A c2e|gf2 -fed|
A2F Adf|age dfg|fed e2a|fd2 -d2 :|

%%%
X:44166 
T:SKIRL OF THE PIPES* (march), The 
S:S: NFID.088b < JD (untitled)
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:C
%R:march
K:Amix
ag|e2A2 ABcd|e2ec d2ef|g2B2 d3e|dcBA G2g2|
e2A2 ABcd|e2ec d2fa|g2B2 edBG|A4A2:|
%
ag|e2d2e2 fg|a2af g2ge|d2FA G2Bc|dcBA G2g2|
[1 e2d2e2 fg|a2af g2eg|d2B2 edBG|A4 A2 :|
[2 e2A2 ABcd|e2ec d2fa|g2B2 edBG|A4HA4|]

%%%
X:29101
T:SKITTISH MAID (jig), The  
S:S: CGI.113
Z:Z: ABC/arr. BB
N:N: Staccatos removed. I'm not sure this is a dance tune but I kept it as a 
N:jig anyway!
Q:1/4=160
L:1/8
M:6/8
K:D 
%%text "lively"; A-B-A
%%vskip .3in
e|dfA B2A|dfA B2A|Adf a^ga|agf f2e|
dfA B2A|dfA B2A|Adf a^ga|agf e2 :|
K:A
B|cde efe|a2g f2e|f2d e2c|d2B GFE|
cde efg|a2g f2e|fed cdB|1 AcB A2:|\
[2 AcB "_DC"AB||

%%%
X:331091 
T:SKIVER THE QUILT (jig)   
Z:Z: ABC/arr. BB
S:S: Levey1.70
Q:1/4=160
L:1/8
%R:jig
M:6/8
K:G % 
%%text "quick"; source key = F
%%vskip .3in
B|G3 BGB|g3 gab|G3 BGB|dBA A2B|
GAG BGB|g2g gab|agf ege|dBA A2 :|
d|e3 edB|d3 dBd|e3 edB|dBA A2 B/d/|
e3 edB|ded def|g3 ege|dBA A2 :|
"^coda" dBA FEF|G4z4|]

%%%
X:185135 
T:SKY OVER FENIT* (reel), The
S:S: CRE.5 (unnamed)
Z:Z: ABC/arr. BB
M:4/4
Q:1/4=180
%R:reel
K:Amix
ABcd e2dc|B2gB aBgB|ABcd e2dc|B2gB BAA2:|
eaag a2ba|geef g2ag|eaag a2ba|gedB BAA2|
eaag a2ba|geef g2ag|eaag e3d|B2gB BAA2|]

%%%
X:185107 
T:SKY WITHOUT CLOUDS* (polka), A  
S:S: CRE.5 (unnamed)
Z:Z: ABC/arr. BB
N:N: Repeats added
L:1/8
M:2/4
Q:1/4=120
%R:polka
K:G
GA Be/f/|gf ed|FA c>d|ed cA|
GA Be/f/|ge fe/d/|ec A>F|GB G2:|
gb gb|gb ba/g/|fa fa|fa ae/f/|
gb gb|gb ba/g/|fa ef|gf g2:|

%%%
X:181156
T:SKYLARK (reel) (1), The 
S:S: CRE.1 
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:D
fg|agfg efdB|AFF2 DFAd|BGG2 EGE2|FAA2 FAdf|
agfg e2dB|AFF2 DFAd|BGG2 E2ag|f2eg fd :|
fg|a2fd Adfd|eged cAAf|a2fa bged|Beed efge|
faa2 gbb2|faef dBAG|FAdc B2ag|f2eg fd:|
N:N: Attributed to fiddler Paddy Killoran. Original key for this tune appears 
N:to have been C but I don't think anyone plays it in that key these days.

%%%
X:251099
T:SKYLARK (reel) (2), The
S:S: CRE.5
Z:Z: ABC/arr. BB
S:S: FS1.18b
M:C|
L:1/8
Q:1/4=180
%R:Reel
K:D
agfg efdB|AFF2 DFAd|BGG2 EFGE|FAA2 FAdf|
agfg efdB|AFF2 DFAd|BGGF G2ag|faeg fdd2 :|
a2fd Adfd|efed cAA2|a2fa bged|Beed efge|
f2df g2eg|f2df edBA|FAA2 GBag|faeg fdd2 :|

%%%
X:62127
T:SKYLARK (reel) (3), The 
S:S: GSTC
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=180
%R:reel
M:4/4
K:D 
agfg efdB|AFF2 DFAd|BGG2 EFGE|FAA2 FAdf|
agfg efdB|AFF2 DFAd|BG G2 E2 ag|faeg fd d2 :|
a2 fd Adfd|efed cA A2|a2 fa bged|Beed efge|
fafa gbgb|faec dBAG|FA A2 GBed|ceag fd d2 :|

%%%
X:581162
T:SKYLARK JIG, The 
S:S: WSGM.174 < P.Dunne ms
Z:Z: Kinder/Black (arr.)
M:6/8
Q:1/4=160
%R:jig
L:1/8
K:Ador
B|cAA eAA|dBG GAB|cAA eAA|dBG A2B|
cAA ece|dcd GBd|faf gfe|dBG A2:|
B|def g2f|edc Bcd|efg aga|bgg e2f|
gfa gfe|dcd Bcd|cBc age|dBG A2:|

%%%
%%%
X:491530  
T:SKYLARK, The 
S:S: ONMI.0187 < F.O'Neill
N:N: No relation to reel or jig of same name; this tune is also known as "Lark 
N:in the Clear Air".
Z:Z: Brennan/Black (arr.)
M:3/4
Q:1/4=100
L:1/8
K:G
%%text "tenderly"
%%vskip .3in
BA|G>F F>G EC|D4 (3DEF|G3 ABc|A2 d2 dB|
G>G FG EC|D4 (3DEF|GB E2 AF|G4||
DD|G3F G/A/B/c/|d4 e>d|dB GA (3Bdc|B2 A2 dB|
G>F FG EC|D4 (3DEF|GB E2 AF|G3-G3|]

%%%
X:66090
T:SLAGGING JIG, The
C:Max Bruecher 1994
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:G
G|ABc BAG|dzB cBA|GAB cBA|BGE DEG|
ABc BAG |d2g edB |cBA GAB |AGE DE :|
e|ABc g z a|fge fdf |geb geg |fdf gec |
ABc efg |faf geg |b2g efg |1 fed e2 :|\
[2 fed ecA |"^coda"G6|]

%%%
X:535392
T:SLAINTE NA nGAODHAL (march)  
S:S: RC3.040 
N:N: Gaelic = "Health to the Gaels" [I think]). This is a march setting of 
N:"Loch Lomond". 
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:C
K:G
%%text "march - moderato"
%%vskip .3in
D2|G2G>A B2AG|A2A>G E2 zD|G2G>G G2Bd|e4 d2 zd|
e2 e>d B3d|cBAG E3D|GGBd e2dB|A4 G2||
D2|G2G>A B2BA|G2G>E D3D|G2G>G G2Bd|e4 d2 zd|
e2ed B2Bd|cBAG E3D|G>GBd e2dB|A4 G4|]

%%%
X:582061 
T:SLAINTE RIGH PILIB setting 1 
T:A Health to King Phillip
S:S: WSGM.015 < Burk Thumoth's "Scotch & Irish Airs" 1743
N:N:  "Phillip" (2 L's) is source spelling
Z:Z: Kinder/Black
M:3/4
Q:1/4=140
L:1/8
K:Gdor
G4 ^F2|G2 A2 c2|d4 c2|A4 d2|c4 AG|^F2 A3 G|^F3 E F2|D6|
G4 ^F2|G2 A2 c2|d4 A2|c4 de|f2 e2 d2|c2 A2 G^F|G6-|G6:|
g4 ^f2|g2 a2 b2|a4 gf|d4 de|f3 g fg|f2 d2 f2|c4 A2|^F4 D2|
G3 A G^F|G2 A2 c2|d4 A2|c4 de|f2 e2 d2|c2 A2 G^F|G6-|G6:|

%%%
X:582062
T:SLAINTE RIGH PILIB setting 2 
T:Health to King Phillip
S:S: WSGM.017 < Thomson's "Original Irish Airs", 1814-1816
Q:1/4=140
Z:Z: Kinder/Black
M:3/4
L:1/8
K:F modal
%%text "moderato"
%%vskip .3in
F4 E2|F2 G2 B2|c4 B2|G4 c2|B4 GF|E4 C2|C4 C2|C2 D2 E2|
F4 E2|F2 G2 B2|c4 G2|B2 c2 d2|e2 d2 c2|B2 G2 E2|F6-|F6|
f4 =e2|f4 g2|f4 _e2|c4 d2|e4 e2|e2 c2 e2|B4 G2|E4 C2|
F4 E2|F2 G2 B2|c4 G2|B2 c2 d2|e2 d2 c2|B2 G2 E2|F6-|F6||

%%%
X:37166
T:SLAN BEO (air) 
T:Farewell
S:S: MFC.132A
Z:Z: ABC/arr. BB
N:N: Learned from 'Ancient Irish Music' by P.W.Joyce, published 1872"
Q:1/4=100
L:1/8
M:3/4
K:F
%%text "slow"
%%vskip .3in
FG|A2 E2 F2|F4 AB|c4 AF|G2 F2 F2|F4 FG|A2 F2 G2|f4 ef|d4 dc|
A2 F2 G2|A4 AG|A2 F2 G2|f4 ef|d4 dc|A2 F2 G2|A4 AG|A2 D2 E2|
%%stretchlast 0
F3 GAB|[c4F4] AF|G2 F2 F2|[C6F6]|]

%%%
X:54072 
T:SLAN GO FOILL (reel)
S:S: SRHI.27b
Z:Z: ABC/arr. BB
C:Se·n Ryan
N:N: Title = "Goodbye for a While"
Q:1/4=180
L:1/8
M:C
%R:reel
K:G
B|dBGB AGEG|DEGA Bdga|bgaf egde|gedB AGED|
dBGB AGEG|DEGA Bdga|bgaf egge|dBAB G3:|
D|G2Bd efga|bgag egde|gfgd efge|dBGB AGED|
G2Bd efga|bgag egde|gfgd efge|dBAB G3:|

%%%
X:52107
T:SLANEY BOG (reel) , The
C:© E.Reavy
S:S: Ed Reavy Collection 
Z:Z: McKenty / Black
Q:1/4=180
M:4/4
L:1/8
%R:Reel
K:D
%%text "allegro moderato"
%%vskip .3in
E|F3G FGAB|=cAFA G2 FG|ABAG FGAg|fdec dfec|
AGAG FGAB|=cAFA G2FG|ABAG FGAg|fdec Add:|
e|f2 gf gfed|cAAB cdeg|fdfa g2 fg|afge fddf|
afge fdec|dfec dAGE|Dddc defg|1 afge dfc :|
[2afge d4|]
N:N: I can't tell from the book's notation if this is an A-BB tune or not - only the 
N:second part has a repeat sign. It also has a first ending but not a second ending. 
N:Probably the safest way to handle all this is to play it as a standard double 
N:(AA-BB).(I wish some of those "New York fellows" who Ed Junior says 
N:played this tune a lot were still around to help out with this!)

%%%
X:581163
T:SLASH AWAY THE PRESSING GANG (reel)
S:S: WSGM.065 < F.O'Neill
Z:Z: Kinder/Black (arr.)
Q:1/4=180
N:N: I have no clue what the title refers to.
%R:reel
M:4/4
L:1/8
K:Dmix
A|defd cAAc|BGG2 cAA2|defd cAAc|BGAF D3A|
defd cAAc|BGG2 cAA2|defg abag|fde^c d3 :|
G|ABAG AB c2|GAGF ECEG|ABAG ABcd|cAGE DBAG|
ABAG AB c2|GAGF ECEG|ABAG Adde|fde^c d3 :|

%%%
X:37167 
T:SLATE ROOF (reel), The
S:S: MFC.020a
Z:Z: ABC/arr. BB
D:D: "Grove Lane" (J.Derrane 2010)
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
D2FA GEAF|D2FA d2 fa|geag fdcB|AB=cA EFGE|
D2FA GEAF|D2FA d2 fa|geag fdcB|ABGE FD D2 :|
fdfa g3 e|fdfa g2 ag|fdAF G2 FG|ABcA dcAg|
fdfa g3 e|fdfa g2 ag|fddc ABcA|EFGE FD D2 :|

%%%
X:493349 
T:SLATTERY'S FANCY (jig) 
S:S: ONMI.0803 < Casey
Z:Z: Brennan/Black
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:A
B|c3 c2B|cec dBA|GAB BcB|Bec dBA|
cdc c2B|cec dBA|GAB Bec|dBG A2 :|
z|a3 gfe|dBA GAB|cBc dcd|efg a2z|
a2a gfe|dBA GAB|cBc cde|dBG A2 :|

%%%
X:48239 
T:SLAUNTA REE PHILIP
T:Sl·inte RÌ Pilib 
S:S: OFPC2.87 ("Irish")
Z:Z: ABC/arr. BB
N:N: Gaelic = 'A Health to King Philip'
M:3/4
L:1/8
K:Am
%%text "slow" 
%%vskip .3in
A|E2 A2 A2|A2 B2 AG|A2 B2 d2|e2 ^f2 g2|d2 B2 BA|G4 ed|
B2A2A2|A2B2 AG|A2B2d2|e2 ^f2 g2|B4A2|A4-A :|
d|e2 a2 a2|a2 b2 ag|a4 ba|g2e2g2|d2B2 BA|
G4 ed|B2A2A2|A2B2AG|A2B2d2|e2^f2g2|B4A2|A4-A :|

%%%
X:491531  
T:SLEEP ON MY KATHLEEN DEAR 
S:S: ONMI.0097
Q:1/4=80
N:N: An AA-BB version of "Fair Hills of Eire O!" (usually A-B) 
Z:Z: Brennan/Black (arr.)
M:C
L:1/8
K:G
%%text "slow"
%%vskip .3in
G2|c3d cBAG|G2 B/A/B/d/ e2ge|dB>AG EDEG|G4z2D2|
c2cd cBAG|G2 B/A/B/d/ e2ge|dB>AG EDEG|G4z2:|
e2|=f>efg fedB|d2eg g3=f|=fege edge|
dB c/B/A/G/ EDze|=f>efg e2g2|G2Bd e2ge|
[1 dB>AG EDEG|G4z2:|2 dB>AG Ec/B/ c/B/A/G/|G8|]

%%%
X:497104 
T:SLEEPY FOX (reel), The 
S:S: arr. of ONMI #335, "Fox's Sleep"
%R:reel
Q:1/4=180
Z:Z: ABC/arr. BB
M:C
L:1/8
K:D
B|d2dB cBAF|A2Bc d2dB|cBAF GFEC|DcBA F2Ac|
d2dB cBAF|A2Bc d2dB|A2FD GFEC|DB,EF D3 :|
A|d2cd cABd|edef A2Bc|dcde fedc|d2ag fdec|
d3B cBAG|AFAc d2dc|BAFD GFEC|DB,EF D3 :|

%%%
X:41310 
T:SLEEPY MAGGIE (jig)
Z:Z: ABC/arr. BB
S:S: MVBT < Coogans < Charlie Mulvihill
Q:1/4=160
L:1/8
M:6/8
%R:jig  ? slide
K:D
F/G/|A2A ABc|d2A FDF|A2G EDE|B2A F2G|
A2A ABc|dfd A2F|GBA GFE|D3-D2 :|
e|f2 d AFA|f2d Adf|g2e fed|edB A2e|
f2d AFA|f2d A3|Bgf edc|d3-d2 :|

%%%
X:495330
T:SLEEPY MAGGIE (reel) 
S:S: ONMI.1424 < J.O'Neill
Q:1/4=180
%R:reel
Z:Z: Brennan/Black
M:C|
L:1/8
K:A dorian
e2cd eAcd|e2ce dGBd|e2cd eAcd|efge dGBd:|
eAcA eAcd|eAcA dGBd|eAcA dAcd|efge dGBd|
eAcA eAcd|eAcA dGBd|cBAB cdef|gage dGBd||
|:eAaA eAcd|eAaA gGBd|eAaA gAfA|eAfA gGcd:|
"^coda"HA4z4|]

%%%
X:44167
T:SLEEPY MAGGIE (reel) (1) 
S:S: NFID.240b < PT 
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:C
%R:reel 
K:Am 
%%text source key = Bm
%%vskip .3in
A2a2 eAAG|A2ge dcBG|A2a2 g3e|ede^f gdBd:|
ceAe ceAe|BdGd BdGd|ceAe ceAe|egge dcBd:|
|:eAAG EAAe|eAAG dcBd|eAAG EAAe|1 egge dcBd:|
[2 egge dcBG|HA4z4|]

%%%
X:12272
%%staffsep 80
T:SLEEPY REEL, The
C:© BB
S:S: BBMG
%R:reel
%% Actually recorded by real musicians!
Q:1/4=180
M:4/4
L:1/8
K:Am
cB|"Am"AEEG "C"cBcd|"Am"eAAB "Am7"AGEG|"C"cdeg "Am"a2 bg|"Em"e^fge "G"dBcB|
"Am"AEEG "C"cBcd|"Am"eAAB "Am7"AGEG|"Am"eAcA "D"ag^fd|"Am"cA"G"BG "Am"A2 :|
cd|"Am"eaa^f "G"g2 fg|"Em"ebbg "Am"a2 ga|"Em"bage "G"dBGB|"Am"cA"G"BG "Am"ABcd|
"Am"eaa^f "G"g2 fg|"Em"ebbg "Am"a2 ag|"Am"eAcA "D"ag^fd|"Am"cA"G"BG "Am"A2 :|

%%%
%%%
X:341093 
T:SLIABH AN IARAINN (reel) 
C:Joe Liddy
S:S: Liddy1.37
Z:Z: ABC/arr. BB
L:1/8
M:4/4
%R:reel
Q:1/4=180
K:A dorian
B|cABG EA A2|cdef gedc|BG G2 EGFG|dGAG EGDG |
cA A2 BGAG|EAAB cdef|gabg aged|BdGA BAA :|
d|ea a2 eaga|c'aba geef|g2 dg bgaf|gedB ABcd |
[1 ea a2 eaga|c'aba geef|gabg aged|BdGA BAA :|
[2 ea a2 egag|c'aba geef|gabg aged|BdGA BAA2 |]

%%%
X:37168 
%%historyfont 15
T:SLIABH BLOOM IN SUMMER (jig)  
S:S: MFC.065B
Z:Z: ABC/arr. BB
N:N: I added "In Summer" to distinguish this from Se·n Ryan's "Sliabh Bloom". 
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
A|d2A fec|dAF DFA|GAG EFG|ABc dfe|
d2A fec|dAF DFA|GAG EAG|FDC DF :|
e|d2a aga|fbf afd|B2g gfg|Bdg bge|
d2a aga|fbf a2b|afd gec|dAF D2 :|

%%%
X:54073 
T:SLIABH BLOOM REEL, The 
S:S: SRHI.42b
Z:Z: ABC/arr. BB
C:Se·n Ryan
Q:1/4=180
L:1/8
M:C
%R:reel
K:D
FA|d3B AFF2|GEFD EDB,D|A,3B, DEFD|GEFD EDB,D|
d3B AFF2|GEFD EDB,D|A,3B, DEFD|EDEF D2:|
FA|dcdf afdf|g2fg EG dB|AFF2 DFAF|GEFD EDB,D|
[1 dcdf afdf|g2fg EG dB|AFF2 DFAF|EDCE DE:|
[2 A,DFA dfag|bgaf gecA|d3B BAFA|GECE HD4|]

%%%
X:41311
T:SLIABH CARBERRY (reel) 
S:S: MVBT < A.Carberry
Z:Z: ABC/arr. BB
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:Ador
eaag ef g2|eaag edBd|eaag egfa|gedB GABd :|
eaa2 agag|eaag edce|eaa2 agaf|gedB GABd|
eaa2 agag|eaag edce|Bd ef g2 af|gedB GABG||\
"^coda"HA4z4|]

%%%
X:535393
T:SLIABH FEIDHLIM  
S:S: RC3.027
Z:Z: ABC/arr. BB
N:N:  "Sliabh" = mountain; "Feidhlim" = proper name. Evidently the Roches 
N:and their Dublin conservatory pals never learned that you can't successfully 
N:reduce a "sean nÛs" piece into notation.
Q:1/4=60
L:1/8
M:3/4
K:Gm
%%text "rather slow with feeling"
%%vskip .3in
GB|cc BG GB|cd/c/ BG G>F|G2-G/B/c/d/ ed/c/|d>c c3B/c/|
dd cB/c/ d>c|BG/B/ (3cBG GF|G2-G/B/c/d/ ed/c/|d>c Hc3||
c|cBcde>d|e<d d/c/B/c/ dc|BG BG B>G|G4 g>f|
ed/c/ d/c/B/G/ GF|G2-G/B/c/d/ ed/c/|BG G/B/d/c/ B>G|HG6|]

%%%
X:36057 
T:SLIABH LUACHRA (polka)
Z:Z: ABC/arr. BB
S:S: Mally.HIP.071
Q:1/4=120
%R:polka
L:1/8
M:2/4
K:D
A/|dA BA|dA Bd|B>A B/c/d|e>d ef/e/|
df Bd|Ad FD|E>D EF|D2 D> :|
E/|FA AB|Ad dc/B/|AF FD/E/|FE ED/E/|
FA AB|Ad dc/B/|AF EF|D2 D> :|

%%%
X:41312
T:SLIABH LUACHRA POLKA SET - tune 1
S:S: MVBT < "4 Men and a Dog"
Z:Z: ABC/arr. BB
Q:1/4=140
%R:polka
M:2/4
L:1/8
K:D
FA AB|Ad d>B|AF FD/E/|FE E2|FA AB|Ad d>B|
AF EF/E/|D4 :|dA BA|dA BA|B>A Bd|e2 e2|
df Bd|Ad FD|E>D EF|D2 D2 :|

%%%
X:41313
T:SLIABH LUACHRA POLKA SET - tune 2
S:S: MVBT < "4 Men and a Dog"
Q:1/4=140
%R:polka
M:2/4
L:1/8
K:D
K:G
d2 B2|AD G2|AD GA|BA A2|
d2 B2|AD G2|AD GA|BG G2 :|
Bd g2|fe e2|Bd ef|ed d2|
Bd g2|fe e2|Bd ef|g2 g2 :|

%%%
X:41314
T:SLIABH LUACHRA POLKA SET - tune 3
S:S: MVBT < "4 Men and a Dog"
Z:Z: ABC/arr. BB
Q:1/4=140
%R:polka
M:2/4
L:1/8
K:D
K:D
Ad BA|DF FE/D/|CE GE|BA FD|
Ad BA|DF FE/D/|CE GE|ED D2 :|
F2 G2|BA FD|AG GE|BA FD|
F2 G2|BA FD|AG GE|ED D2 :|

%%%
X:535395 
T:SLIABH NA mBAN (a)  
S:S: RC3.054
N:N: Gaelic = "The Women's Mountain" (also spelled "Slievenamon")
Q:1/4=100
Z:Z: ABC/arr. BB
L:1/8
M:C
K:G
%%text "andantino"
%%vskip .3in
Bc|d2ed G2DG|B2cd E2AG|F2DE F<B A2|G6:|
G2|A2AB c3c|B2GA B3B|^c2AB c<fe2|Hd3 d ed^cd|
G2DG B2cd|E2AG F2DE|F<B A2 G4-|G4z2||
%
N:N:  1: The song version of this (title spelled "Slievenamon") is in 3/4 time. 
N:N:  2: Roche includes a "classical" variation which I have omitted.

%%%
X:37169
T:SLIABH na mBAN (b)
Z:Z: ABC/arr. BB
S:S: MFC.132D
L:1/8
M:3/4
K:G
%%text "slow"
%%vskip .3in
D2F|G3 c2A|B3 ABA|G>Bd g3|a2g fdB|
c3 B2c|d3 edc|1 BG2 B2d-|d2d c2B|A3:|
[2 BG2 c3|A2F G2F|G3-G2||
(3d/e/f/|g3 Bcd|f2e d2A|B2A GBd|g3 Bcd|
f2e d3-|d3 D2F|G3 c2A|B3 ABA|G>Bd g3|a2g fdB|
c3 B2c|d3 edc|BG2 c3|A2F G2F|G6-|G6|]

%%%
X:535394
T:SLIABH/SLIEVE GALLEN (1)
S:S: RC3.057
Z:Z: ABC/arr. BB
Q:1/4=80
L:1/8
M:3/4
K:Gm
%%text "andante maestoso con espress."
%%vskip .3in
D>F|G2 (3GAB A>B|G4 G/A/B|F<D C>B, G,2|B,2 D/C/B,/C/ Dz|
Bcde (3c/d/c/ (3d/c/B/|ABcd BA|GABc A>B|G2 G>A Gz||
Bcde dc/B/|ABcd cB/A/|GABc A>G|G>FD2-D/F/G/A/|
BAGFFD|CB,/A,/ B,/C/D G,/A,/B,/C/|D<G F<A G<B|A>G G3A|
B2 z2 e/c/d/B/|AA z2 d/B/c/A/|GG z2 c/A/B/G/|A>F D2-D (3F/G/A/|
BAG FDC|CB,/A,/ B,/C/D G,/A,/B,/C/|DG G<A A<B|A>G HG4|]

%%%
X:491532 
T:SLIABH/SLIEVE GALLEN (2) 
S:S: ONMI.0180 
Q:1/4=80
Z:Z: Brennan/Black (arr.)
M:3/4
L:1/8
K:Gm 
%%text "slow with feeling"
%%vskip .3in
D>^F|G2 G/A/B A>B|G4 G/A/B|FD C>B, G,2|B,2 D/C/B,/C/ Dz|
Bc de c>B|AB cd B>A|GA Bc A>B|G2 G>A Gz||
Bc de dc/B/|ABcd cB/A/|GABc A>G|G>^F D2 GG/A/|
BA GF FD|CB,/A,/ B,/C/D G,/A,/B,/C/|DG/z/ ^FA/z/ GB/z/|A>G G2-GA|
Bz z2 e/c/d/B/|Az z2 d/B/c/A/|Gz z2 c/A/B/G/|A>^F D2-D  (3=F/G/A/|
BA GF DC|CB,/A,/ B,/C/D/G,/ A,B,/C/|DG ^F/G/A/z/ G/A/B/z/|A>G G2-G2 |]

%%%
X:13345
T:SLIABH/SLIEVE RUSSEL (jig) (1) 
S:S: BSMI.3
Z:Z: ABC/arr. BB
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:A dorian
eAA Bcd|eaf ged|edB cBA|BGG Bcd|
eAA Bcd|eaf ged|edB cBA|BAG A3 :|
eaa efg|agf ged|eaa efg|fed e2d|
eaa efg|agf ged|edB cBA|BAG A3 :|

%%%
X:183028 
T:SLIABH/SLIEVE RUSSELL (jig) (2)
S:S: CRE.3 
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:A dorian
f|eAA Bcd|eaf ged|edB cBA|BGG Bcd|
eAA Bcd|eaf ged|edB cBA|BAG A2:|
g|eaa efg|age ged|eaa efg|fed e2d|
eaa efg|age ged|edB cBA|BAG A2:|

%%%
X:185082 
T:SLIDE JOHN B*, The 
S:S: CRE.5 (unnamed) 
Z:Z: ABC/arr. BB
N:N: This tune got to Breathnach from a fiddler named Sean B.O'Leary (the 
N:"John B." of my title - I couldn't resist).
M:12/8
Q:1/4=180
%R:slide
K:D
f|a2a fef d2A d2f|edB e2e fed f2g|
a2a fef d2A d2A|B2A ABc d3 d2:|
f|edB e2e fed f2f|gfe g2e fed f2g|
aba fef d2A d2A|B2A ABc d3 d2:|

%%%
%%%
X:26003
T:SLIEVEMORE JIG, The 
Z:Z: ABC/arr. BB
S:S: GEI.063
M:9/8
L:1/8
Q:1/4=160
%R:slip jig
K:D
d3 faf gfe|d3 fdf ecA|
d3 fdf efg|agf efd cBA :|
fge fdB B3|fge fdB cde|
fge fdc Bcd|e3 efd cBA :|

%%%
X:21180 
T:SLIEVENAMON HORNPIPE (1), The
S:S: DMI.0812
Z:Z: Nordberg/Black
%R:hornpipe
N:N: Dotted rhythm in source
Q:1/4=150
M:C|
L:1/8 
K:G
%swing .25
B2|GDB,D G,DB,D|GBAG E2DF|GBdf gdBd|cBAG Fedc|
BGFG EDB,D|GABG EGDF|GBdg egdc|B2G2G2:|
Bc|dgg2 bgg2|dgbg agfg|agab [ac']bag|fgfe dgB^c|
dgg2 bgg2|d2 bg egdc|Bdgd AdcA|B2G2G2:|

%%%
X:59122
T:SLIEVENAMON HORNPIPE (2), The
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=150
M:C|
%R:hornpipe
K:G
%swing .25
BA|GDB,D EDB,D|GBAG E2DF|GBdf gdBg|cBAG Fedc|
BGFG EDB,D|GBAG E2DF|GBdg egdc|B2G2G2 :|
Bc|dgg2 bgg2|dgbg agfg|afab [c'a]bag|egfe dcBc|
dgg2 bgg2|d2bg egdA|Bdgd BdcA|B2G2G2 :|

%%%
X:13467
T:SLIEVENAMON HORNPIPE* (3), The 
S:S: BSMI.4 (unnamed)
Z:Z: ABC/arr. BB
L:1/8
%R:hornpipe
M:C
Q:150
K:G
%swing .25
BA|GDB,D G,DB,D|GBAG (3EFE D2|GBdf gdBd|cBAG A2dc|
BGFG EDB,D|GBAG (3EFE D2|GBdf (3efg dc|B2G2 G2 :|
Bc|dgg2 bgg2|dgbg agfg|agab c'bag|fgfe dgBg|
dgg2 bgg2|dgbg (3efg dc|(3Bcd gd Ad (3cBA|B2G2 G2 :|

%%%
X:491533 
T:SLIGO AIR (1), The
S:S: ONMI.0318
Z:Z: Brennan/Black (arr.)
M:3/4
Q:1/4=100
L:1/8
K:G
%%text "slow, with expression"
%%vskip .3in
dA|B>A GABG|E2 D2 (3D>EG|A2 AB/c/ BG|B2 A2 dA|
B>A GABG|E2 D2 (3D>EG|A2 AcBc|A2G2||
GE|D2 E2 G/A/B/c/|d3 edc|B2 A2 (3G>AB|A4 dA|
B>A GA BG|E2 D2 A/B/c/d/|A3 cBc|A2 G4|]

%%%
X:535396 
T:SLIGO AIR (2), The 
S:S: RC3.001
Z:Z: ABC/arr. BB
Q:1/4=100
L:1/8
M:3/4
K:G
dA|B3 AG/B/E|E2D2 (3DEG|A2 AB/c/ BG|B2A2 dA|
B3 AG/B/E|E2D2 (3DEG|de/c/ B2 (3cAF|G4||
GE|D2E2 G/A/B/c/|d3 edc|BA GG/A/ BG|HA4 d/A|
B3 AG/B/E|E2D2 (3DEG|de/c/ B2 (3cAF|HG6||

%%%
X:495331 
T:SLIGO CHORUS (reel), The  
S:S: ONMI.1273 < Ennis
Z:Z: Brennan/Black
N:N: I had some trouble figuring out the underlying harmony for this tune, since 
N:both parts ended on "G" which shouldn't normally happen in a tune in the key 
N:of D. I think I sort of solved the problem . . . or did I?
%R:reel
Q:1/4=180
M:C|
L:1/8
K:Amix
AG|FDAD BDAD|FDAc d2AG|FDAD BGG2|BdcA GBAG|
FDAD BDAD|FDAc d2Ac|dfec dcAc|dcAF G2 :|
AB|cABG A2AB|cAB^G A2ed|cBcd eaaf|gedc dfed|
cABG A2AB|cAB^G A2Bc|dfec dcAc|dcAF G2 :|
"^coda" GBAG HA4|]

%%%
X:342097 
T:SLIGO CONNIE (jig)  
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy2.1
Q:1/4=160
M:6/8
%R:jig
K:G
F|DGG AGF|GFD FGA|GAc dcd|fdc AGF |
DGA BGF|DGA Bcd|c2Bc dBG|AGF G2:|
c|dgg fga|gfd cBc|dcd fdc|AGF GAc|
dgg fga|gfd Bcd|fgf gdc|BGF G2 :|
A|BAB GFD|GFG Bcd|fdc dfd|cBG FGA |
BAG AGF|GAc def|gfd edc|BGF G2 :|

%%%
X:41315
T:SLIGO DUKE (reel), The 
S:S: MVBT < "Killavil Sessions"
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G
G3B d2 Bd|edBe dBAB|GFGB dedB|AEGE D2 BA|
G3B d2 Bd|edBA GABd|eccB cdef|gedB AcBA :|
g2 bg agge|dBBA GABd|g2 gf gfeg|eaa^g a2=ga|
bgeg ageg|dBBA GABd| eccB cdef|gedB AcBA :|
"^coda"HG4z4|]
N:N: After transcribing this tune I discovered that it's actually called "Garrett 
N:Barry's" and is found in the "Dance Music of Willie Clancy" volume (ITTL 
N:tunefolder 22). Mike Rafferty and Willie Kelly call it "Mr. McLeod's" on 
N:their "New Broom" CD.
%%%

%%%
X:11106	
%%historyfont 15
T:SLIGO FANCY (hornpipe), The
S:S: AIF
Z:Z: Brennan/Black (arr.)
N:N:  1: This is called "McDermott's" in CRE2 and "Flowers of Antrim" in ONMI 
N:(#1655, key G)
N:N:  2: Source m.4 = |(3gba (3gfe d2ba|
Q:1/4=150
N:N: Dotted rhythm in source
M:C|
L:1/8 
%R:hornpipe
K:G
ba|gfge B2ed|cBcA E2AG|FGAB cdef|gage d2ba|
gfgd B2ed|cBcA E2AG|FGAB cdef|g2b2g2:|
Bc|dBgB dgBc|dBgB d2cB|cAfA cfAB|cAfA c2Bc|
dBgB dgBc|dBgB d2cB|cAag fdef|g2b2g2:|

%%%
X:181051
T:SLIGO JIG, The 
T:(Trip to) Killavil 
S:S: CRE.1
Z:Z: ABC/arr.BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:Em
d/^c/|:BEE BEE|Bdf edB|BAF FEF|D2F dBA|
BEE BEE|Bdf edB|BFF dFF|FED E3:|
e2f g2e|faf edB|BAF FEF|D2F dBA|
e2f g2e|faf edB|BAF dFF|FED E3:|

%%%
X:21181 
T:SLIGO LASSES (reel) (1), The
S:S: DMI.0636
Z:Z: Nordberg/Black
%R:reel
Q:1/4=180
M:C|
L:1/8
K:G
EF|G2BG DGBG|D2 FD dAFA|G2BG DGef|1 gedc BG:|
[2 gedc Bdef|:g2bg dgbg|fgag fdef|g2bg dgbg|
dega bgg2|dgbg dgbg|fgag fdef|gaba gedc|
BdAG FDEF|"^coda"HG4z4|]

%%%
X:495332
T:SLIGO LASSES (reel) (2), The  
S:S: ONMI.1392 < McFadden
Z:Z: Brennan/Black
N:N: Not shown in source as A-B-A but m.12 points in that directob.
Q:1/4=180
%R:reel
M:C|
L:1/8
K:G
%%text  A-B-A 
%%vskip .3in
G2BG DGBG|D2 FD dAFA|G2BG DGef|1 gedc BGAF:|
[2 gedc BGG2|:g2bg dgbg|fgag fdef|g2bg dgbg|
dega bg g2|dgbg dgbg|fgag fdef|gaba gedc|
BDAG FD"_DC"EF|]

%%%
X:62128
T:SLIGO LASSIES (jig), The 
T:Basket of Turf
S:S: GSTC   
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=160
%R:jig
M:6/8
K:E dorian
D|EBB BAG|FAA AFD|EBB BdB|AFD E2D|
EBB BAG|FAA ABc|dcd BdB|AFD E2 :|
D|Eee efg|fef dBA|Bee efg|fef d2A|
Bee efg|fef dBA|BAB GAB|AFD E2 :|

%%%
X:252082
T:SLIGO MAID (reel) (1) , The
Z:Z: ABC/arr. BB
S:S: FS2.28b
M:C
L:1/8
Q:1/4=180
%R:reel
K:A dorian
z|A2BA Bdef|gedB AGEF|G2BG dGBG|DEGA BdBG|
A2BA Bdef|gedB ABGA|B2BG ABGE|DEGA BAA :|
d|eaag a2ga|bgab ged2|eggf g2ge|dega bgag|
eaag a2ga|bgab ged2|egg2 edBc|d2gB BAA :|

%%%
X:13103
T:SLIGO MAID (reel) (2), The
S:S: BSMI.1 
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:A dorian
A2BA Bdef|gedB AGEF|G2BG dGBG|DEGA BAdB|
A2BA Bdef|gedB AGEG|B3G A2GE|DEGA BAA2 :|
eaag a2ga|bgaf gfed|eggf g2ge|dega bgag|
eaag a2ga|bgaf gfed|egg2 edBc|dBgB BAA2 :|

%%%
X:181124
T:SLIGO MAID (reel) (3), The 
S:S: CRE.1
Z:Z: ABC/arr.BB
N:N: Slightly different from today's "session version" (see version 1 above)
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:A dorian
dB|A2BA Bdef|gedB AGEF|G2DB, G,A,B,C|DEGA BAGB|
A2BA Bdef|gedB AGEG|BGAF GEDB,|DEGA BA:|
fg|a2gb a2ga|bgaf gedg|eggf gage|dg g2 dgbg|
eaag a2ga|bgaf gedg|egge dcBd|gedB BA:|

%%%
X:22137
T:SLIGO MAID (reel) (4), The
S:S: DMWC.121
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:A dorian
G|A2BA Bdef|gedB AGEF|G2BG dGBG|DEGA BAdB|
A2BA Bdef|gedB AGEG|B3G AFGE|DEGA BAA :|
A|eaag a2ga|bgab gedf|eggf g3e|dgg2 bgaf|
eaag a2ga|bgaf gedf|egg2 edBd|gedB BAA :|

%%%
X:62129
T:SLIGO MAID (reel) (5), The 
S:S: GSTC 
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=180
%R:reel
M:4/4
K:A dorian
A2cA Bdef|gedB AGEF|G2BG A2GE|DEGA BGdB|
A2cA Bdef|gedB AGEF|GABG A2GE|DEGA BAA2 :|
eaag a2 ba|gabg aged|eggf gage|dega bgag|
eaag a2 ba|gabg aged|eg g2 edBc|dBgB BAA2 :|

X:41316
%%historyfont 15
%irish_rolls_on
T:SLIGO THEN AND NOW (reel) 
C:Martin Wynne %(unnamed)
S:S: MVBT < composer
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:G
A|BGEG Bcdg|edBd eg ~g2|agba gedB|eBdB A2 GA|
BGEG Bcdg|edBd eg ~g2|agba gedB|AGBA G3 :|
d|g3e a3f|gabg aged|Bd ~d2 ed ~d2|gedB A2 Bd|
g3e a3f|gabg aged|Bdef gedB|AGBA G3 :|
%
N:N: I transcribed this tune and several others in this collection from the playing 
N:(over the phone) of composer Martin Wynne. He had no name for it so I sug-
N:gested this one. I'm sure it's played somewhere today under a different name!

%%%
X:185100 
T:SLIGO TO DUBLIN* (polka) 
S:S: CRE.5 (unnamed)
Z:Z: ABC/arr. BB
L:1/8
M:2/4
Q:1/4=120
%R:polka
K:G
z|d2 de/f/|gd BG|B>e dG|BA AB/c/|
d2 de/f/|gd BG|B>d ga|1 ba g:|2 g3||
|:A|Bd g>a|bg a>g|fd fa|gf ed|
Bd g>a|bg a>g|fd fa|g2g:|

%%%
X:492186
T:SLIPPER HORNPIPE, The
S:S: ONMI.1596 < Dillon
Z:Z: Brennan/Black
%R:hornpipe
Q:1/4=150
M:C|
L:1/8 
K:D
Bc|dfec dABG|FdEd D2d2|ceAd cdef|gefd cABc|
dfec dABG|FdEd D2d2|cABc dfec|d2dc d2:|
ec|Acec Acec|Adfd Adfd|Bged cdef|gefd cABc|
dfec dABG|FdEd D2d2|cABc dfec|d2dc d2:|

%%%
X:38258
T:SLIPPING SLATES (jig) 
C:Pat McNulty
S:S: "The Piper's Dream" (P.McNulty)
Z:Z: ABC/arr. BB
L:1/8
M:6/8
Q:1/4=160
%R:jig
K:G
A|BcA BGE|FAB AFD|DGG FAc|BdG F2 A|
BcA BGE|FAB AFD|EGc BdG|FEF G2:|
d|gfg dBG|FAd FAd|gfg bge|fga dfa|
gfg dBG|FAd FAd|EGc BdG|FEF G2:|

%%%
X:491534 
T:SLOAN'S LAMENTATION 
S:S: ONMI.0141 
N:N: AA-B-A in source
Q:1/4=60
Z:Z: Brennan/Black (arr.)
M:2/4
L:1/8
K:Gm 
%%text "slow"
%%vskip .3in
d/e/|f>g dg/^f/|gG B>c|dc/B/ GB/A/|G3:|
d|g>a ba/g/|af d>d|g>a bg/f/|b3 d/e/|
f>g dg/^f/|gG B>c|dc/B/ GB/A/|G4|]

%%%
X:38259 
T:SLOPES OF SLIABH LUACHRA (jig), The 
S:S: "Ag Deanamh Ceoil" (Dublin CCE)
Z:Z: ABC/arr. BB
N:N: Part A of this tune and Part A of 'Banks of Lough Gowna' are similar.
L:1/8
M:6/8
Q:1/4=160
%R:jig
K:Ador
G|ABA AGE|EDE G3|ABA AGE|ABd efg|
ABA AGE|EDE GAB|c2A BAG|A3 A2:|
d|e2a aga|aba aga|e2g gfg|gag ged|
e2a aga|aba aga|efg edB|A3 A2:|

%%%
X:51083
T:SLOPING CLIFFS of ROSS (reel), The
S:S: TIDT 2/18
C:J. Kelly
Z:Z: BB
M:C
L:1/8
%R:reel
Q:1/4=180
K:D mix
zA,|D2EG EDDB|c2Ed cAGE|G2AG EDDE|C2EC DCA,C|
D2EG EDDB|c2Ed cAGE|G2AB cAGE|EDCE D2:|
E/F/G|ABcA d3d|d2cd edcd|eA~A2 edcA|GEcE dEcE|
[1 ABcA d3d|d2cd edcA|G2AB cAGE|EDCE D2:|
[2 D2EG EDDB|c2Ed cAGE|G2AB cAGE|EDCE HD4|]

%%%
X:51084
T:SLOPING MEADOW (jig), The 
S:S: TIDT 1/34
C:J. Kelly
Z:Z: BB
M:6/8
L:1/8
%R:jig
Q:1/4=160
K:A dorian
B|c2A Bcd|edB AGE|G3 AGA|BAB GAB|
c2A Bcd|edB AGE|G3 AGA|GED D2:|
f|g3 efg|age edB|gfg efg|1 age e2f|
g3 efg|age edB|c2A Bed|BAA A2 :|
[2 age e2g|bag agf|gfg e2d|cBA Bed|
BAA HA3|]

%%%
X:184146 
T:SLOW TRAIN TO DUBLIN* (reel), The  
S:S: CRE.4 < Grier MS
Z:Z: ABC/arr. BB
Q:1/4=180
N:N:  Note only 16 measures per source
L:1/8
M:4/4
%R:reel
K:D
FAdA FAdA|BGAF GE E2|FAdA FAdA|Bdeg fd d2:|
g2bg f2 af|efed cAAc|dABG FAAf|afeg fd d2:|

%%%
X:29102
T:SLY PATRICK (1)  
S:S: CGI.010
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=100
M:6/8
%R:jig
K:G 
%%text "andante"
%%vskip .3in
A|BAG AGE|D3 E2F|GAB dcA|B3 AGA|
BAG AGE|D3 E2F|GAB A2F|G3 G2 :|
A|Bcd def|g3 f2d|edB BAG|A3-AGA|
BAG AGE|D3 E2F|GAB A2F|G3 G2 :|

%%%
X:491535 
T:SLY PATRICK (2) 
S:S: ONMI.0085
Q:1/4=100
Z:Z: Brennan/Black (arr.)
M:6/8
L:1/8
K:G
%%text "tenderly"
%%vskip .3in
G/A/|B>AG AGE|D3 E2G|GAB c2B|A3-A2G/A/|
B>AG AGE|D3 E2G|G>AB BA>G|G3-G2||
G|Bcd def|g3 f2e|edB BAG|A3-A2G/A/|
B>AG AGE|D3 E2G|G>AB AGG|G3-G3|]

%%%
X:41317
T:SMALL HILLS OF OFFALY (reel), The 
C:Paddy O'Brien (Offaly)
S:S: MVBT < "Is It Yourself?"
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:D
Ac|d2Af dBAF|A2EA cege|d2Af dBAF|EFGE BEGE|
d2 Af dBAF|A2EA cege|d2 Af dBAF|EAGE D2 :|
z2|: d3 f a2 af|egfd cAeA|d3 f a2 af|egfd cAGA|
defg a3 f|egfd cAGA|cded cAGA|FDGE FDD2 :|

%%%
X:37170 
T:SMART BOY WANTED* (reel)
Z:Z: ABC/arr. BB
S:S: MFC.045b (unnamed)
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
(3ABc|dAFA BAFA|Bdeg fgec|dcdB AFdF|EGFE D2 (3ABc|
dAFA BAFA|Bdeg fgec|dcdB AFdF|EGFE D2:|
(3ABc|d2fd adfd|cAeA fAeA|defg afbf|gaeg fddA|
d2fd adfd|cAeA fAeA|defd efge|f2ag fd:|

%%%
X:11035
T:SMASH THE WINDOWS (jig) (1) 
S:S: AIF
Z:Z: Brennan/Black (arr.)
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:D
A,|DED F2A|d2f ecA|G2B F2A|E2F GFE|
DED F2A|d2f ecA|Bgf edc|d3d2:|
%
a|a2f d2f|A2a agf|g2e c2e|A2g gfe|
f2d g2e|agf bag|fed cBc|d3d2a|
agf fed|Adf agf|gfe edc|Ace gfe|
fed gfe|agf bag|fed cde|d3Hd3|]

%%%
X:332085 
T:SMASH THE WINDOWS (jig) (2)    
Z:Z: ABC/arr. BB
S:S: Levey2.77
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
z|DED F2A|d2f ecA|G2B F2A|E2F GFE|
DED F2A|d2f ecA|Bgf edc|d3 d2 :|
f|a2f f2d|A2a agf|g2e e2c|A2g gfe|
f2d g2e|a2f gbg|faf edc|d3 d2 :|

%%%
X:493350 
T:SMASH THE WINDOWS (jig) (3)
S:S: ONMI.0965 < J.O'Neill
%R:jig
Z:Z: Brennan/Black
Q:1/4=160
M:6/8
L:1/8
K:D
A,|DED F2A|d2f ecA|G2B F2A|E2F GFE|
DED F2A|d2f ecA|Bgf edc|d3 d2 :|
%
a|a2f d2e|f2g agf|g2e c2d|e2f gfe|
f2d g2e|a2f bag|fed cde|d3 dfa|
agf fed|Adf afd|gfe ecA|Ace gfe|
fed gfe|agf bag|fed cde|d3 d3 |]

%%%
X:495333
T:SMASH THE WINDOWS (reel) 
S:S: ONMI.1382 < J.O'Neill
Z:Z: Brennan/Black 
N:N: A nice 4/4 version of the jig of the same name. It's in ONMI as a single, 
N:but to me it sounded better as a double! 
Q:1/4=180
%R:reel
M:C % source 2/4
L:1/8 % source 1/16
K:D
E|DFED F2A2|defd ecAF|G2GE F2FD|E2EF GFEF|
DFED F2A2|d2fd ecAd|f2fd gece|d2dc d3:|
g|a2f2 defg|f2g2 agfa|g2e2 cdef|e2f2 gfeg|
f2ed g2fe|a2gf g2fe|f2ed gece|d2dc d3:|

%%%
X:40030
T:SMILE AND WAVE (slip jig)
C:© Larry Mallette
S:S: composer
Z:Z: ABC/arr.BB
D:D: "A Stroll in the Park" tr.8a
%R:slip jig
Q:1/4=160
M:9/8
K:D mix
FAB d2e f3|FAB d2f edB|FAB d2e f2g|afe ded BAF :|
A3 c2d e3|A3 c2e dcA|A3 c2d e2f|gfe ded cAG :|
"^coda"A6g3||

%%%
X:32026
T:SMILE FROM SÕLE (jig), A 
C:© C.Lennon
Z:Z: ABC/arr. BB
S:S: "Musical Memories 1"
Q:1/4=160
M:6/8
N:N: Dotted rhythm in source
L:1/8 
%R:jig
K:D
ABA DED|AFA dAd|efg age|dcA EFG|
AFA dAF|ABA EFG|ABA efg|1 ecA dcB :|\
[2 ecA d2||
e|fed ede|faa a^ga|fed edA|BAF EFG|
AFA dAd|faa a^ga|efg efg|ecA d2 :|

%%%
X:491536 
T:SMILE OF NANCY BARLOW, The  
S:S: ONMI.0297 < Ennis
Z:Z: Brennan/Black (arr.)
M:6/8
Q:1/4=120
L:1/8
K:Am % 
%%text "lively"; source key = Gm 
%%vskip .3in
A/G/|E2A A2B|c3 B2A|G2B d2B|A2G E2d|
e2g d2e|c3B2A|G2B d2B|A2A A2||
d|e2e e2c|d3 g2B|A2B c2B|AG2 E2D|
E2A A2B|c3 B2A|G2B d2B|A2A A2A/G/||
E2A A2B|G3 GAB|c2A B2G|A2G E2d|
e2g d2e|c3 B2A|G2B d2B|A2A A3|]

%%%
X:181101
T:SMILES AND TEARS OF ERIN (reel)
T:Crooked Road to Dublin
S:S: CRE.1
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:G
A|G2AG FGAD|G2AG AdcA|G2AG FGAg|fdcA dBcA|
G2AG FGAD|G2AG AdcA|G2AG FGAg|fdcA d2c :|
A|dgg2 fgag|dgg2 agfe|dgg2 fgag|fdcA dBcA|
dgg2 fgag|dgg2 a2ga|(3bag af gbag|fdcA dBc:|
"^coda m.16" fdcA dBcA|HG4z4|]

%%%
X:32027
T:SMILING BRIDE (jig), The 
C:© C.Lennon
Z:Z: ABC/arr. BB
S:S: "Musical Memories 1"
Q:1/4=160
M:6/8
L:1/8 
%R:jig
K:D
E3 FDD|FEE cde|dcA GEA,|CDE GAG|
EDE FDD|FEE cde|dcA GEC|EDC DAF|
EDE FDD|FEE cde|dcA GED|CDE GAB|
cAG EFG|FdF GFG|AdB cAG|EDC D2g||
%%
fgf fdA|dfa agf|efe ecA|cde gag|
fgf fdA|dfa afd|Bef gab|aec d2e|
fag fdA|daa agf|ede ecA|cde g3|
fga bag|fge dAF|GAB Ace|dgf ecA||\
"^coda"d6|]

%%%
X:581164 
T:SMILING SUSAN (reel)
S:S: WSGM.227 < F.O'Neill
Z:Z: Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:Ador
AB|cABG AGEF|G2Bc dBGB|cABG AGED|EAAB A2:|
AB|cdef g2ef|gage dBGB|cdef gfed|eaab a3B|
cdef g2 ef|gage dBGB|cABG AGED|EAAB A4|]

%%%
X:11079
T:SMITH'S FAVOURITE (hornpipe) 
S:S: AIF 
Z:Z: Brennan/Black (arr.)
Q:1/4=150
M:C|
N:N: Dotted thythm in source
L:1/8 
%R:hornpipe
K:G 
%swing .25
%%text source key = A
%%vskip .3in
BA|G2DF GBdB|ceAg fdaf|gdBd ecAG|FGAB cAFD|
G2DF GBdB|ceAg fdaf|gdBG FAdc|BGAF G2:|
Bc|d2Bd GBdg|e2ce Acef|gdBd ecAG|FGAB cAFD|
G2DF GBdB|ceAg fdaf|gdBG FAdc|BGAF G2:|

%%%
X:492187 
T:SMOKEY CHIMNEY (reel), The 
S:S: ONMI.1635 < Cronin
Z:Z: Brennan/Black
Q:1/4=180
M:C|
L:1/8
K:D
Bc|dcde fdAF|GFGA BGEd|efge cdec|defd A2Bc|
dcde fdAF|GFGA BGEd|efge cABc|dfec d2:|
de|fefg afdf|gfga bgeg|fgaf defd|cedB A2de|
fefg afdf|gfga bgeg|afge fdec|dfec d2:|

%%%
X:495334 
T:SMOKY HOUSE (reel), The  
S:S: ONMI.1504 < Stack
Z:Z: Brennan/Black
%R:reel
Q:1/4=180
M:C|
L:1/8
K:E dorian 
%%text source key = Am
%%vskip .3in
EF|GEBE GEBE|FDDE FGAF|GEBE GEBE|AFDF E2EF|
GEBE GEBE|FDDE FGAF|GFEF GABc|dBAF E2||
ef|gfed edBc|dBAG FDDf|gfed edBA|Bdef e2ef|
gfec dfec|dBAG FD D2|EFGA BABc|dBAF E4|]

%%%
X:37171 
T:SNOW ON THE BRANCH* (reel)
Z:Z: ABC/arr. BB
S:S: MFC.016c (unnamed)
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:E dorian
dc|BEE2 GBAG|FDAD BDAD|GFEF GABc|dcdf e2dc|
BEE2 GBAG|FDAD BDAD|GFEF GABc|dcdf e2||
ef|g2af gbag|fdd2 fgaf|g2af gbag|gfed Beef|
g2af gbag|fdd2 fgaf|bgaf gfed|Beed e4|]

%%%
X:495335
T:SNOW on the HILLS (reel) 
S:S: ONMI.1306 < Lawson
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
M:C|
L:1/8
K:G
G2dG BGdG|GABd cAFA|G2dG Bcde|fdcB cAFA|
G2dG BGdG|GABd cAFA|GABc dfeg|fdcA GABc||
dgga bgaf|dggf d2cA|dgga bgag|fdcA GABc|
dgga bgaf|dggf defg|abag fgfe|defd cAFA|\
"^coda" HG4z4|]

%%%
%%%
X:12273
%%staffsep 80
T:SNOW on the ROOF (reel) 
C:© BB
S:S: BBMG
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:G
A|"G"GABd g3f|"Em"edBc "Bm"dBAF|"C"EG"D"FD "Em"EB~B2|"Bm"dBAF "D"DFAF|
"G"GABd gfga|"Em"bgef "C"gfef|"Am"gecA "G"Bdgd|"D7"cAFD "G"G3 :|
d|"Em"edeg "Bm"abbg|"G"abbg "D"agef|"C"ge"D"df "Em"edBA|"C"GE"D"FD "Em7"EDB,D|
"Em"EDEG "Bm"ABdf|"C"edeg "Bm"ab~b2|"C"gece "G"dgbg|"D7"fdcA "G"G3 :|

%%%
X:342098 
T:SNOWDROP (reel), The
Z:Z: ABC/arr. BB
C:Joe Liddy
S:S: Liddy2.38
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:D
dB|A2FB A2de|fdef dbbd|A2FA dfed|dBAF E2 dB |
A2FB A2de|fdef ebb2|fded BdAB|dBAF D2 :|
FG|Add2 BdAd|fded BAFE|DEFA d2cd|BdAF E2 FG |
Add2 defa|bafe dB dA|dff2 afef|dBAF D2 :|

%%%
X:491537 
T:SNOWSTORM, The 
S:S: ONMI.0493 < F.O'Neill
Z:Z: Brennan/Black (arr.)
M:C
Q:1/4=120
L:1/8
K:G
%%text "moderate"
%%vskip .3in
D2|G3A B2AG|F>GAB c2Bc|d>e=fe dcA^F|G3F D2 (3DEF|
G3A B2AG|F>GAB c2Bc|d>e=fd cA^FA|G4G2||
Bc|dcde =f2ef|dggf g2de|=f2ag fedB|cBAG F2 (3DEF|
G3A B2AG|F>GAB c2Bc|d>e=fd cA^FA|G4-G4|]

%%%

X:12275
%%staffsep 80
T:SNOWY ROAD to MICK'S (slide)
C:© BB 
%R:slide
%% Specifically Mick Cronin's house outside Gneevgullia in Kerry
Q:1/4=180
M:12/8
L:1/8
K:D
A|"D"d2 d Bcd "F#m7"A2 F E2 F|"A7"A2 G E2 B "D"A2 F D2 A|
"D"d2 d Bcd "F#m7"A2 F E2 F|"G"GBA "A7"GFE "D"D3 D2 :|
A|"Em"Bcd e2e "D"f2 g "D"a3|"G"b2g "D"a2f "A"e2 c A2 A|
"Em"Bcd e2e "D"f2 g a2f|"Em"gfe "A"ABc "D"d3 d2 :|

%%%
X:491538 
T:SNOWY-BREASTED PEARL (1), The 
Q:1/4=110
S:S: ONMI.0512 < J.O'Neill
Z:Z: Brennan/Black (arr.)
M:3/4
L:1/8
K:G
%%text "moderate"
%%vskip .3in
d/e/f|g4ge|d3cBA|G4BG|A2EDEG|G4cA|
c2d2ea|g4f/g/a|g2fe d2|e2BABd|e4||
d/e/f| g4f/g/a|g2gfed|e2G2B/c/d|d4d/e/f|
g2f/g/a ge|d3cBA|G4BG|A2EDEG|G4|]

%%%
X:29103
T:SNOWY-BREASTED PEARL (2), The 
S:S: CGI.134
Z:Z: ABC/arr. BB
N:N: This doesn't sound anything like the version of "Snowy Breasted Pearl" 
N:that is usually heard today ( = setting 1 above)
L:1/8
M:3/4
Q:1/4=100
K:G 
%%text "andante"
%%vskip .3in
(3d/e/f/|g4 ge|d3 cBA|G4 BG|A2 EDEF|G4 cB|
c2 d2 ef|g4 f/g/a|g2 fe d2|e2 BABd|e4 z2 ||
d4 de/f/|g4 fg/a/|g2 gfed|e2 G2 B/c/d|d4 d/e/f|
g2 f/g/age|d3 cBA|G4 BG|A2 EDEF|G6 |]

%%%
%%%
X:493351
T:SNUG in the BLANKET (jig) 
S:S: ONMI.0889
Z:Z: Brennan/Black
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
G|A2B cBc|EFE c2A|B2G AFD|GAG BAG|
A2B cBc|EFE c2A|BdB cAF|G3 BA :|
G|FGA AFd|AFd AFd|FGA AFd|EFG GFE|
FGA AFd|AFd ABc|BdB cAF|G3 BA :|
G|FGA AFD|DED AFD|FGA AFD|GAG BAG|
FGA AFD|DED ABc|BdB cAF|G3 BA :|
"^coda m16" G3 BAF|G6|]

%%%
%%%
X:57145 
T:SNUG IN THE CORNER (reel) 
S:S: Treoir.32b 
Z:Z: ABC/arr. BB
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:G
DEGB A2GB|dBAc B2GE|DEGB ABGB|dBAc BGG2 :|
dgeg dgfg|dedB cAGA|dgeg dgfg|dedc BGFG|
dgeg dgfg|dedB cAGA|d^cdg edef|g2af gedB|]

%%%
%%%
X:27086
%%historyfont 15
T:SOCIAL SIXTY (reel), The  
S:S: HOC.168
Z:Z: ABC/arr. BB
Q:1/4=180
N:N: First part of this tune is pretty much "Collier's Reel", but I have no idea 
N:where part 2 comes from. This sounds like a "Harding hybrid" of two unrelated 
N:(but Irish) tunes!
M:C
L:1/8
%R:reel
K:D mix
AG|FEFG A3B|c2dB cAG2|Ad2c d3e|fdec dBAG |
FEFG A3B|c2dB cAG2|Ad2c dBAG|FDEC D2 :|
K:Bm
de|f2df edce|d2Bd c^AF2|f2df e2cd|eBc^A Bcde |
f2df edce|d2Bd c^AF2|f2ed cdec|1dBc^A B2 :|\
[2 dBc^A B4|]

%%%
%%%
X:493352
T:SOD OF TURF (jig), The 
S:S: ONMI.0928
%R:jig
Q:1/4=160
Z:Z: Brennan/Black
M:6/8
L:1/8
K:D 
e|dcA AGE|c2A ABc|dcA AGF|DGG GBc|
dcA AGE|c2A ABc|dcA fga|gec d2 :|
c|dcA f2g|a2g f2c|dcA fga|g2A GBc|
dcA f2g|a2g f2c|dcA fga|gec d2 :|

%%%
%%%
X:535397 
T:SOFT DEAL BOARD, The
S:S: RC3.033 ("Clar Bog Deil")
Z:Z: ABC/arr. BB
N:N: Another sean-nÛs piece victimized by notation attempts (and classical 
N:expressions) courtesy of the Dublin Conservatory folks.
L:1/8
Q:1/4=80
M:3/4
K:F#m
%%text "maestoso appassionata" (!!)
%%vskip .3in
f>e|d>cB>A Fd/c/|c>AB>G FBB,|E2 F>G F2-|Fz A>G F>E|
CB, CB,/C/ EF|B>c d(3B/c/A/ BF|B>c d>c B>d|c2||A>G F>E|
CB, CB,/C/ EF|B>c d(3B/c/A/ BF|B>c d>c B>d|c2 (3E/B/e/ fe|
ec d/c/B/A/ Fd/B/|c>A B>G FBB,|E2 F>G F2-|F6|]

%%%
X:12276
%%staffsep 80
T:SOLANUS CASEY'S (jig)  
C:© BB
S:S: BBMG
%R:jig
N:N: My go-to Capuchin. Played fiddle about as well as I play banjo!
Q:1/4=160
M:6/8
L:1/8
K:D
B|"D"AFD DFA|"Em"Bde "G"dcB|"D"AFF dFF|"Bm"BAF "A"E2 B|
"D"AFD DFA|"Em"Bde "D"def|"F#m7"afe "Bm"dBA|"G"Bdc "D"d2 :|
e|"D"f2 d "A"ecA|"G"BGB "A"ABc|"D"dff aff|"Bm"baf "Em"e2 d|
"D"f2 d "A"ecA|"G"BGB "A"ABc|"D"dcd "Em"Bde|"A"cAc "D"d2 :|

%%%
X:491539  
T:SOLDIER AND THE SAILOR, The  
S:S: ONMI.0151
Z:Z: Brennan/Black (arr.)
M:3/4
Q:1/4=120
L:1/8
K:A
%%text "moderate"
%%vskip .3in
E>G|A2A2BA|G2A2B2|c2d2c2|B4EG|\
A2A2BA|G2A2Bd|e2d2G2|A4||
cd|e2e2c2|d2c2B2|A2A3c|B4cd|\
ec dB cA|BG E2EG|A2c2B2|A4|]

%%%
%%%
X:59226
T:SOLDIER'S FAREWELL, The
S:S: JOB
Z:Z: ABC/arr. BB
L:1/4
Q:1/4=120
M:3/4
%R:waltz
K:G
D|B2F/A/|G2B,/D/|F/E2^D/|E2A/B/|cBA|EF>E|D3-|D2D|
B2F/A/|G2B,/D/|F/E2^D/|E2A/B/|cBA|EF>D|G3-|G3|]

%%%
X:331092 
T:SOLDIER'S JOY (hornpipe) (1), The   
Z:Z: ABC/arr. BB
S:S: Levey1.90 ("unnamed") 
N:N: I can't imagine how this well-known tune (in three traditions!) could be a 
N:"gan ainm" to Levey, but then he wasn't a traditional musician.
Q:1/4=150
L:1/8
%R:hornpipe 
M:C|
K:D
%%text "reel or hornpipe"
%%vskip .3in
DF|AFDF AFDF|A2d2 d2cB|AFDF AFDF|G2E2 E2FG|
AFDF AFDF|A2d2 d2de|fafd egec|d2d2 d2:|
de|fefg fagf|edcd efge|fefg fagf|edcB A2de|
fefg fagf|edcd efge|afdf gece|d2d2 d2 :|

%%%
%%%
X:492188 
T:SOLDIER'S JOY (hornpipe) (2), The 
S:S: ONMI.1642
Z:Z: Brennan/Black
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:D
FG|AFDF AFDF|A2d2 d2cB|AFDF AFDF|G2E2 E2FG|
AFDF AFDF|A2d2 d2de|fafd egec|d2d2d2:|
de|fdfd fagf|edcd efge|fdfd fagf|edcB A2de|
fdfd fagf|ecAc efge|fafd egec|d2d2d2:|

%%%
%%%
X:185011 
T:SOLDIER'S JOY (jig), The 
S:S: CRE.5
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%R:jig
K:G
D|G2A BcA|BGF GBc|dBG FGA|FDC DEF|
G2A BcA|BGG fed|cAG FGA|1BGF G2:|\
[2 BGF GB||
|:d|gfg afd|cBc dBG|gab afd|cBc def|
geg fdf|ece gfe|ded cBA|BGF GB:|\
"^coda" BGF HG3|]

%%%
%%%
X:181165
T:SOLUS LILLIS' REEL  
S:S: CRE.1
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:C
c2Gc AcGc|c2ec gcec|c2Gc AcG2|eaag edd2|
c2Gc AcGc|c2ec gcec|c2Gc AcG2|eaag edd2||
edd2 edcd|edd2 eaag|edd2 edcA|cBcd eaag|
edd2 edcd|edd2 eaag|edd2 edcA|c2cd eaag|
"^coda"c4z4|]

%%%
%%%
X:27087
T:SOME DISTANCE FROM PRUSSIA (hornpipe) 
S:S: HOC.135 ("reel")
Z:Z: ABC/arr. BB
Q:1/4=150
N:N:  1: Harding has double stops in mm 15-16. 
N:N:  2: I wish I had some idea where this title (and a lot of others in his 
N:collection) came from! This tune reminds me a little of "Pride of Petravore"
N:but that's probably just an accident . . . right?
M:C|
L:1/8
%R:hornpipe
K:Em 
%swing .25
%%text source key = Gm
%%vskip .3in
BA|GEFD EDEF|GFGA B2AG|FAFE D^CDE|FEFG A2BA |
GEFD EDEF|GFGA B2AG|F[EB,]DF A2GF|E2G2E2 :|
B2|e3f gfe2|B2B2 c2c2|BAGB c2AB|cABG FAcd |
e3f gfe2|BdcB c2BA|BABc BAGF |E2G2E2 :|

%%%
X:65088
T:SOME PUP! (reel)
C: Aidan Crossey
S:S: composer
%R:Reel
M:4/4
Q:1/4=180
L:1/8
K:A Major
A|afef a2 ae|faea faeg|afef a2 ae|faec B2B:|
A|cAA>e fa e2|cAA>e f2 fa|cAA>e fa e2|1 faec B2B :|
[2 faec B2AG|HA4z4|]

%%%
%%%
X:252083
T:SOME SAY THE DEVIL IS DEAD (hornpipe) 
Z:Z: ABC/arr. BB
S:S: FS2.36c
M:4/4
L:1/8
Q:1/4=150
%R:hornpipe
K:G
%swing .25
D2DE GABA|GEE2 cEE2|D2DE GABc|dedB A2 G2 :|
d2dc Bcd2|e2ed cdeg|d2dc BcdB|GABG A2 G2 :|

%%%
%%%
X:45039 
T:SOMERTON PARK (slide)
C:T.O Canainn
S:S: NTFO.018a
Z:Z: ABC/arr. BB
Q:1/4=160
M:12/8
%R:slide
K:G
D|GAB ded BAG AGE|GAB ded BAG A2D|
GAB ded BAG AGE|G>FG BdB AGF G2:|
z|g>fg edB g2d edB|g>fg bag ede g2a|
bag ege ded BAB|G>FG BdB AGF G2:|

%%%
%%%
%%%
X:492189 
T:SON of PROSPERITY (hornpipe), The 
S:S: ONMI.1581
Z:Z: Brennan/Black
%R:hornpipe
Q:1/4=150
L:1/8
M:C|
K:Dmix
%swing .25
AG|FDFA dABG|FAD2 D2AG|FDFA dABG|EGC2 C2AG|
FDFA dABG|FAD2 D2AG|FDAD EGCE|F2D2D2:|
Bc|dedc AGAB|cdcA d2 Bc|dedc AGEF|EGC2 C2 Bc|
dedc ABAG|FEFG ABAG|FDAD EGCE|F2D2D2:|
%
N:N: I'm going Dmix on this. Those nice low C's don't sound right as C sharp! 

%%%
X:12277
%%staffsep 80
%irish_rolls_on
T:SON of the PRAIRIE (reel)
C:© BB 2007
S:S: BBMG
M:4/4
%% . . . Mark Oien AGAIN?
L:1/8
Q:1/4=180
%R:reel
K:A
AF|"A" E3c "Bm"BABc|"A"efec "Bm"BAFD|"A"EA ~A2 "D"FAdf|"A"ecAc "E"B2GF|
"A"EA ~A2 "Bm"FB ~B2|"E"GBed "F#m"cBAF|"A"EAcA "Bm"BAFD|"E"EFGB "A"A2 :|
z2|"A"eaga "E"bgeg|"Bm"afdB "F#m"Acef|"A"e2 cA "D"defa|"A"ecAc "E"B4|
"A"eaga "E"bgeg|"Bm"afdB "F#m"Acef|"A"e2 (3cBA "Bm"BAFD|"E"EFGB "A"A2 :|

%%%
%%%
X:56068
T:SONG OF THE BIRDS, The    
C:V. Broderick
S:S: Turoe.24
Z:Z: ABC/arr. BB
Q:1/4=120
M:C
L:1/8
K:D
FG|A4 B>cd>e|f6 e2|d>f e4d2|B6 b>a|
f2-f>e d>fe2-|e2d2 B4-|B6 FG|
A4 B>cd>e|f6 e2|d>f e4d2|B6 b>a|
f2-f>g f>ef2-|f2e2 d4-|d6 de||
f6 e>d|f6 e>d|b>a-a4 f2|e6 d>e|
f4-f>e d>f|e6 d2|B6 FG|A4 B>cd>e|f6 e2|
d>f e4d2|B6 b>a|f2-f>g f>ef2-|f2e2 d4-|d6||
b>f|b6 f>d|f6-f>e|f6 b>f|b6 d>e|
f4-f>e d>f|e6 d2|B6 FG|
A4 B>cd>e|f6 e2|d>f e4d2|B6 b>a|
f2-f>g f>e f2-|f2 e2 d4-|d6z2|]

%%%
%%%
X:62134
T:SONNY BROGAN'S JIG (a) 
S:S: GSTC 
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=160
%R:jig
M:6/8
K:Ador 
%%text version 1
A3 ede|fed e3|A2A ede|fed BAG|
A3 ede|fed efg|aba g2e|fed BAG :|
aba g2e|fed efg|aba g2e|fed BAG|
aba g2e|fed efg|agf gfe|fed BAG :|"^coda"A3z3|]
%%
%%text version 2
K:E dorian
|:E3 BAB|cBA B3|E2E BAB|cBA FED|
E3 BAB|cBA Bcd|efe d2B|cBA FED :|
efe d2B|cBA Bcd|efe d2B|cBA FED|
efe d2B|cBA Bcd|edc dcB|cBA FED :|
"^coda"HE3z3|]
%
N:N: "Patrick (Sonny) Brogan (1907-1965) was a Dublin accordion player who 
N:played from the 1930s to  the 1960s, and was one of Ireland's most popular 
N:traditional musicians during that period."(< Wikipedia) This tune is played 
N:in both A minor and E minor, but Am seems currently the more common
N:key.

%%%
X:41318
T:SONNY BROGAN'S JIG (b) 
S:S: MVBT < Floating Crowbar (group)
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:Ador
E|AGA cBc|dcd e3|AGA cde|dcA GED|
AGA cBc|dcd e3|age ged|cAG A2 :|
d|eaa aba|gef g3|eaa aba|ged cAA|
eaa aba|gef g3|age ged|cAG A2 :|
%
N:N: This is a version of 'Monk's Jig' / 'Port an Bhrathair' transcribed in the 
N:mid-90's from a tape of a UK group called "Floating Crowbar", about whom 
N:I know nothing. I'm not sure how Brogan's name got involved. 
%%%

%%%
X:251100
T:SONNY MURRAY'S (hornpipe) 
N:N: a/k/a/ Wicklow, Delahunty's, Home Brew
Z:Z: ABC/arr. BB
S:S: FS1.33a
M:4/4
Q:1/4=150
L:1/8
%R:Hornpipe
K:Dmix
%swing .25
FG|ABAF DEFG|AGFD c3A|dcde fdAF|G2GF G2FG|
ABAF DEFG|AGFD c3A|dcde fdAG|F2 D2 D2 :|
de|f2fd ecAF|Gggf g2fg|a2ab agec|dcAF G2FG|
ABAF DEFG|AGFD c3A|dcde fdAG|F2 D2 D2 :|

%%%
X:31197
T:SONNY SWEENEY'S (polka)  
Z:Z: ABC/arr. BB
S:S: JOL.070
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:G
G/E/|D>E G>A|Bd BG/B/|AG/A/ BA|AG E/F/G/E/|
D>E G>A|Bd BG/B/|AG/A/ BB/A/|G2 G :|
f|g2 e/f/g/e/|dB dA|G>B AB|AG ED|
[1 gf/g/ e/f/g/e/|dB dA|G>B AB|AG G:|
[2 D>E G>A|Bd BG/B/|AG/A/ B>A|HG4|]

%%%
X:184166
T:SONNY'S LIMESTONE ROCK (reel)
Z:Z: ABC/arr. BB
S:S: CRE.4 < Patrick 'Sonny' Brogan
N:N: See notes to "Sonny Brogan's Jig" (a) above
L:1/8
M:4/4
Q:1/4=180
%R:reel
K:Am
B|dBGB ABGB|dBGB A3B|dBGB ABGB|c2Bc A2Bc|
dBGB ABGB|dBGB A3B|dBGB ABGB|c2 Bc A3 ||
B/d/|e2 dg e2 dg|e2 dB A2 Bd|e2 de gedB|c2 Bc A2 Bd|
e2 dg e2 dg|e2 dB A2 Bd|eaa^f gedB|c2 Bc HA4 ||

%%%
%%%
X:13490
T:SONNY'S MAZURKA (1)
C:Sonny Brogan 
S:S: BSMI.4
Z:Z: ABC/arr. BB
L:1/8
%R:waltz
M:3/4
Q:140
K:D
DF|A2 AG FA|d2 d2 BA|GF GB AG|FG EF DF|
A2 AG FA|d2 d2 BA|G2 Gg fe|d2 d2 :|
Ad|f2 fa gf|e2 eg fe|dc df ed|cd Bc Ad|
f2 f2 (3agf| e2 eg fe|dc df (3edc| d2 d2 :|

%%%
X:251101
T:SONNY'S MAZURKA (2) 
C:Sonny Brogan
Z:Z: ABC/arr. BB
S:S: FS1.41a
M:3/4
L:1/8
Q:1/4=150
%R:waltz
K:D
DF|A2 AG FA|d2 d2 AF|GF GB AG|FG EF DF|
A2 AG FA|d2 d2 AF|G2 Gg fe|d2-d2 :|
Ad|f2 fa gf|e2 eg fe|dc df ed|cd Bc Ad|
f2 fa gf|e2 eg fe|dc df ec|d2-d2 :|

%%%
X:181092
T:SORE FOOT (reel), The 
Z:Z: ABC/arr.BB
S:S: CRE.1
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Am
EG|AcBG AEE2|GABG A2EG|AcBA GEDE|GEDE G2EG|
AcBG AE E2|AcBG A2 EG|AcBA GEDE|GEDE G2 :|
Bd|e2dg eAA2|e2 dB GABd|e2de gedB|cABG AGEd|
e2dg eAA2|e2dB GABd|e2de gedB|cABG AG :|
"^coda m.16" cABG AGEG|HA4z4|]

%%%
%%%
X:491540 
T:SORROWFUL MAIDEN, The 
S:S: ONMI.0461 < J.O'Neill
N:N: Total of ten measures in this tune
Z:Z: Brennan/Black (arr.)
M:6/8
Q:1/4=80
L:1/8
K:Gm 
%%text "moderate"
%%vskip .3in
G/F/|DGG/A/ G2A/B/|cAG/A/ F2G|AGG Ace|d3 d2d/=e/|fgg/=e/ fdd/c/|
dBB A2 (3d/c/A/|GGA/G/ Acd/=e/|fed g2d/c/|B-B/B/A/G/ Adc/A/|AGG G2|]

X:41319 
T:SORRY I AM (jig)
N:N:  . . . For What I Have Done
S:S: MVBT < A.Morrisroe
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%R:jig
K:D
e|a^ga f2e|dcd B2A|Bee e2f|edB dBA|
a^ga f2e|dcd A3 |def afe|fdd d2 :|
c|dBB fBB|dBB Bcd|eAA cAA|eAA ABc|
dBB fBB|dBB Bcd|ecA d2e|fdd d2 :|

%%%
%%%
X:492190 
T:SORRY TOO LATE (hornpipe)   
S:S: ONMI.1706 < McFadden
%R:hornpipe
Q:1/4=150
Z:Z: Brennan/Black
M:C|
L:1/8 
K:G 
%swing .25
%%text simplified version
%%vskip .3in
dc|BdAB GDB,D|GBdf g2bf|gedB cdea|gedB Adcd|
BdAB GDB,D|GBdf g2bf|gedB cedc|BGAF G2:|
Bd|g2eg f2df|gfeg f2e2|gbaf gbaf|gedB Adcd|
BdAB GDB,D|GBdf g2bf|gedB cedc|BGAF G2:|

%%%
X:66102
%%titlefont 18
T:SOUND THE SIREN AT THE CROSSROADS (jig) 
C:Mark Oien
S:S: composer
Z:Z: ABC/arr. BB
% A musical tribute to the composer's days as an EMT!
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:A
e|Ace aga|fed e2e|fed edc|dcd BcB|
Ace aga|fed e2e|fed edc|BcB A2:|
e|aee aee|fed e2e|fed edc|dcd Bce|
aee aee|fed e2e|fed edc|BcB A2:|

%%%
%%%
X:12278
%%staffsep 80
T:SOUTH BANK of the SHANNON (jig), The
C:© BB
S:S: BBMG
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:A
e|"A"ecA EAc|"E7"dBG EFG|"F#m"AFA "D"dcd|"A"ecA "E7"Bcd|
"A"ecA EAc|"E7"dBG EFG|"A"ABc "D"dfe|"E7"dBG "A"A2 :|
e|"E7"edB bge|"A"aga "A"ecA|"F#m"FAc "D"dfa|"A"ecA "E7"Bcd|
"A"cAc "Bm"dBd|"A"ece "D"agf|"A"ece "Bm"fdB|"E"GAB "A"A2 :|

%%%
X:41320
T:SOUTH BEND REEL, The 
C:Kirk Lynch (KC)
S:S: MVBT < composer
Z:Z: ABC/arr. BB
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:G
E|DG G2 A2cB|Aee2 dBGB|g2gb agfd|egfd eB B2|
DG G2 A2 cB|Ae e2 dBGB|g2 gb ageg|dBAB G3 :|
f|g3f ed B2|ABcd BG G2|DG G2 A2 cB|Ae e2 dBGB|
g3f ed B2|ABcd BGBd|g2 gb ageg|dBAB G3 :|
%
%KC piper Kirk Lynch named this tune for a beloved piece of apparatus 
%that he uses when manufacturing a set of pipes. (And I thought I had 
%trouble coming up with tune names!)

%%%
%%%
X:182065 
T:SOUTH ROAD TO ARAN (jig), The
S:S: CRE.2
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
%%text  A-B-A
%%vskip .3in
e|dBB BAF|A2A A2A|BcB BAB|g3 f2e|
dBB BAG|FAA A2A|Bcd eAA|1 d3 f2:|2 d3 d2||
e|d2d d2f|aba a2f|dcd d2f|a3 a2a|
baa a2f|gag f2e|d2d def|g3 "_DC"f2|

%%%
%%%
X:12279
%%staffsep 80
%irish_rolls_on
T:SOUTH SHORE LASSES (reel), The
C:© BB 2011
M:C
%% For Laura Ridarelli and friends
%R:reel
L:1/8
K:D
e|"D"fA~A2 "Bm"BAFA|"D"dcde "F#m"faec|"D"dD~D2 "Em"EDB,D|\
"D"FAdc "G"B2 de|
"D"fA~A2 "Bm"BAFA|"D"dcde "F#m"faec|"G"dBGE "D"FAdf|"A"eAce "D"d3 :|
f|"G"gB~B2 "A"A^GAc|"D"dfaf "Bm"bfaf|"Em"eB~B2 "G"gfed|\
"A"cBAc "D"d2 gf|
"Em"eB~B2 "A"A^GAc|"D"dfaf "Bm"bagf|"Em"eB~B2 "G"GBdg|\
"A7"agec "D"d3 :|

%%%
%%%
X:13179
T:SOUTH WIND, The 
S:S: BSMI.1
Z:Z: ABC/arr. BB
%R:waltz
Q:1/4=120
M:3/4
L:1/8
K:G
dc|B3A G2|B3cd2|A6|A4 dc|B3AG2|E3DE2|G6-|G4 :|
Bd|g4gf|g2f2e2|d6|d4c2|B3AG2|1 B3cd2|A6-|A4 :|\
[2 Ac3F2|G6-|G6 |

%%%
%%%
X:491541 
T:SOUTHERN BREEZE, The 
S:S: ONMI.0510 < J.O'Neill
N:N:  a/k/a/ "The South Wind". It's not in the Jig section of the 1850 but it makes 
N:a nice one nonetheless!
Z:Z: Brennan/Black (arr.)
M:6/8
Q:1/4=140
L:1/8
K:A
%%text "briskly"
%%vskip .3in
d|cBA cec|B2B B2d|cBA FEF|A2A A2d|
cBA cec|BEF GAB|cBA FEF|A2A A2||
e|a2a agf|e2e e2d|cBA cec|B2B B2e|
a2a agf|ecf e2d|cBA d2B|A2A A3|]

%%%
%%%
X:492191 
T:SOUTHERN SHORE (hornpipe) (1), The 
S:S: ONMI.1740 < J.O'Neill
%R:hornpipe
Q:1/4=150
Z:Z: Brennan/Black
M:C|
L:1/8
K:G
%swing .25
D2|GdBG AcAF|GABG D2GF|EGAB cBAG|FAdc FD (3cBA|
GdBG AcAF|GABG D2GF|Eedc BAGF|A2G2 G2:|
AG|FAd^c dBAG|FAd^c dfed|^cdef gece|d^cde d2d=c|
BcBA ^GBec|ABAG FAdf|egfe dcBA|G2B2 G2:|

%%%
%%%
X:59123
T:SOUTHERN SHORE (hornpipe) (2), The
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=150
M:C|
%R:hornpipe
K:G
EF|GABG DFAF|GABG D2GF|EFAB cBAF|Gd^cd fd=cA|
GABG DFAF|GABG D2GF|EFAB cAFA|GgdB G2 :|
AG|Fdd^c d2AG|Fdd^c d2ed|^cdef gece|dAfA dedc|
B2A2 Gded|cBAG F2Bd|gfgd ecAf|GgdB G2 :|

%%%
%%%
X:181029
T:SOUTHWEST WIND (jig), The 
S:S: CRE.1
Z:Z: ABC/arr. BB
N:N: CRE version of the A part is garbled. The setting here is based on the 
N:O'Neill "1850" version of this tune (called "Connie the Soldier" in that 
N:volume.)
M:6/8
Q:1/4=160
%R:jig
K:D
D|EFG A2d|=cAG E2D|EFG EAA|EFG GED|
EFG A2d|=cAG E2D|EFG EAG|EDD D2:|
d|fed cde|fdd d2e|fed ced|cAA A2d|
fed cde|gf/e/d e2d|=cAG EAG|EDD D2:|

%%%
%%%
X:497105
T:SOUVENIR (jig), The   
S:S: arr. of ONMI #575, "The Keepsake"
Q:1/4=160
%R:jig
Z:Z: ABC/arr. BB
M:6/8
L:1/8
K:G
c|ded dec|dge dBG|ceg edB|BAA ABc|
ded dec|dge dBG|gfe dBG|AGF G2:|
d|gag gfg|afd def|gab bag|afd def|
gag fgf|efe def|gfe dBG|AGF G2:|

%%%
%%%
X:21182 
T:SPALPEEN FANACH (hornpipe), The 
S:S: DMI.0972
Z:Z: Nordberg/Black
N:N: In the Set Dance section of DMI. A close relative of "The Girl I Left 
N:Behind Me".
%R:hornpipe 
Q:1/4=140
M:C
L:1/8
K:G
%swing .25
gf|efed B2A2|GABG E2EF|G2GF GABc|dedc B2gf|
efed B2A2|GABG E2G2|FGAF DEFA|G4G2:|
GA|Bdef g2fg|agfe d2Bd|edef gfed|e2f2 g2fg|
efed BcBA|GABG EDEG|FGAF DEFA|G4G2:|

%%%
X:56056
T:SPANISH ARCH (hornpipe), The   
C:V. Broderick
S:S: Turoe.31a
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=150
%R:hornpipe
K:G
%swing .25
BA|GFGD cBcA|d2ge dBGB|c2ec dBGB|A2BA AGED|
GFGD cBcA|d2ge dBGB|c2ec dBGB|ADEF G2:|
Bc|dBgd edgd|cBcd edef|g2gd cBcG|E2AG FDEF|
G3D cBcA|d2ge dBGB|c2ec dBGB|ADEF G2:|

%%%
X:15221
T:SPANISH JIGG, The
S:S: CCCD
Z:Z: ABC/arr. BB
%R:jig
L:1/8
Q:1/4=140
M:6/8
K:G % 
%%text source key C
%%vskip .3in
B/c/|d2d ded|c2c cdc|B2B BcB|AGF G2 :|
B/c/|d2B GAB|A2F DEF|G2E CcB|AGF G2 :|
B/c/|d2d ded|e2e efe|d2d dcB|ADF G2 :|
d|BGd BGd|AFd AFd|GEA FDF|GAF G2 :|

%%%
X:41321
T:SPANISH LADY (polka), The
S:S: MVBT  
Z:Z: ABC/arr. BB
%R:polka
Q:1/4=120
M:2/4
L:1/8
K:D
FA AB/c/|dd ef|gf/e/ fd|BA A2|
FA AB/c/|dd ef|gf/e/ fd|BA A2 :|
fa af|ed de|fa af|ed e2|
fa af|ed de/f/|ge fd|BA A2 :|
"^coda"HD4z4|]
%
N:N: When MVBT-1 was published in 1995, this tune - now a session favorite, 
N:at least around here -  didn't seem to be in print anywhere else!

%%%
X:184140 
T:SPARE THE ROD* (reel)
S:S: CRE.4 < Grier MS (unnamed)
Z:Z: ABC/arr. BB
N:N: Repeats added
L:1/8
Q:1/4=180
M:4/4
%R:reel
K:G
BA|GEDG E2DE|GEDB c2 Bc|A2 AB ABAG|EAAB c2 BA|
GEDG E2DE|GEDB c2 BA|BcdB cBAB|GEDE G2 :|
AB|c2 cB c2 eB|c2 eB cBAB|dedB dedB|dedB cBAB|
c2 cB c2 eB|c2 eB cBAB|dedB cBAB|GEDE G2 :|

%%%
X:491542 
T:SPARKLING BLUE EYES 
S:S: ONMI.0617 < F.O'Neill
Z:Z: Brennan/Black (arr.)
M:C
Q:1/4=120
L:1/8
K:G
%%text "moderate"
%%vskip .3in
dc|B2BG A2AF|G2G2 AGFG|B2AG A2 (3GFE|D2^C2D2d=c|
B2BG A2AF|G2G2 AGFG|B2AG A2 (3Adc|A2G2G2||
DC|D2Dc B2c2|d2dc BA3|B2c2d2cA|GF D^C D2dc|
B2BG A2AF|G2G2 AGFG|B2AG A2 (3Adc|A2G2G4|]

%%%
X:54074 
T:SPARKLING SEA (jig), The  
S:S: SRHI.8c
Z:Z: ABC/arr. BB
C:Se·n Ryan
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:C
g/f/|ecA GEC|G,CE Gce|fef age|faf dgf|
ecA GEC|G,CE Gce|fef age|fdB c2:|
e/f/|gec cBc|Gce gec|g^fg age|faf def|
gec cBc|Gce gec|g^fg age|fdB c2:|
G/F/|EGc edc|AFA fef|g^fg ag=f|edc BGF|
EGc edc|AFA f3|g^fg age|fdB c2:|

%%%
X:66105
T:SPARROW (polka), The 
C: M. McCauley 2017
D:D: "Highs and Bellows" 
Z:Z: ABC/arr.BB
Q:1/4=140
%R:polka
M:2/4
L:1/8
K:D
E|FD FA|GE B2|AF c2|BG d2|
cA ed|cA de/f/|1gece d3:|2 gece dAF||
|:A|d>e fd|cA Ac|BG Bd|AF DE/F/|
GE BG|AF DE/F/|GE AF|D3 :|

%%%
X:497106
T:SPARROW in the BUSH (reel), The  
S:S: arr. of ONMI #520, "Bush On The Hill"
%R:reel
Q:1/4=180
Z:Z: Brennan/Black (arr.)
M:C
L:1/8
K:G
c|dBAG g2fe|dBAG B2AB|cdef gfed|f2ge dedc|
d2cB e3d|cBAG AdcB|cdef gdec|B2AF G3 :|
f|gaba gfed|BABc Bged|efga gfed|Bdgf e3c|
dBAG Bdge|dBAG AFAd|cBcd efge|dBAF G3 :|

%%%
X:182072 
T:SPARROW'S NEST* (jig), The 
S:S: CRE.2 (unnamed)
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
D|FGE FEF|B2G A2F|EDE F2D|E2D B2A|
FDE FEF|B2G A2F|EDE F2E|D3 D2:|
A|D2A ded|B2B AFE|e2f edB|c2B AGE|
D2A ded|B2A F2E|A2d edA|d3 d2:|

%%%
X:531098
T:SPATTER THE DEW (reel) 
S:S: RC1.193
Q:1/4=180
L:1/8 % 1/16
M:C % 2/4
%R:reel
K:Ador
A2AB c2cd|e2ed eaa2|A2AB c2cd|efed eAA2|
A2AB c2cd|e2ed eaa2|abag e2ef|gedB BAA2||
abag e2ef|gfga beeg|abag e2ef|gedB BAA2|
abag e2ef|gfga beef|gfef gedB|BcBA GEE2||
"^coda"HA4z4|]

%%%
X:21183 
T:SPATTER THE DEW (slip jig) (1) 
S:S: DMI.0446
Z:Z: Nordberg/Black
%R:slip jig
Q:1/4=150
M:9/8
L:1/8
K:Em
EFE E2F G2F|EFE E2B AFD|EFE E2F G2B|
AFA dAG FED:|E2B B2F G2F|E2B B2G AFD|
E2B B2F G2B|AFA dAG FED|E2B B2F G2F|
E2B B2G AFD|E2B AB^c dcB|AFA dAG FED||
%
B2e efd e2d|B2e e2a fdB|A2d d2^c d2B|
A2e d2B AFD|B2e efd e2d|B2e e2a fdB|
fga efg d2A|B2^c A2G FED||BdB ABA G2F|
EFE E2B AFD|BdB ABA G2B|AFA dAG FED|
BdB ABA G2F|EFE G2F AFD|B^cd ABc dcB|
AFA dAG FED|]

%%%
X:42027 
T:SPATTER THE DEW (slip jig) (2)  
S:S: NCIT.11b
Z:Z: ABC/arr. BB
M:9/8
%R:slip jig
Q:1/4=150
K:D
FGF FEF d3|FGF FEF AFE|FGF FEF d3|
cBA BAF AFE:|A2c e2c d2B|A2c e2c fdB|
A2c e2c d2B|cBA dAF AFE:|FDF FdF FdF|
FDF FdF AFE|FDF FdF Fdd|cBA dcB AFE:|
ecA AcA def|ecA AcA cBA|1 ecA AcA def|
ecA BAF AFE:|2 ece agf edc|BAF B/c/dF AFE||
%
|:DFA DFA def|DFA DFA AFE|DFA DFA d2f|
edc dAF AFE:|"^coda"HD6z3|]

%%%
X:48240 
T:SPATTER THE DEW (slip jig) (3)
S:S: OFPC2.78 ("Irish")
Z:Z: ABC/arr. BB
Q:1/4=160
M:9/8
%R:jig
L:1/8
K:D
%%text  source key = A
%%vskip .3in
FAF FEF d3|FAF FEF AFE|FAF FEF dfa|
edc BAF AFE :|A2d cec d2B|A2d cea fdB|
A2d ece dfa|edc BAF AFE :|dAF FAF d3|
dAF FAF AFE|dAF FEF dfa|ecA BAF AFE :|
Ace Ace d3|Ace Ace fdB|Ace Ace dfa|
%%stretchlast 0
edc BAF AFE :|"^coda"HD6z3|]

%%%
X:27088
T:SPECIALTY HORNPIPE, The
S:S: HOC.083 ("straight jig")
Z:Z: ABC/arr. BB
Q:1/4=150
M:C|
L:1/8
%R:hornpipe
K:D 
%swing .25
%%text source key = C
%%vskip .3in
FG|A2F2E2D2|B,2EF GFED|C2EG cBGE|D2d2d2cB|
A2F2E2D2|B,2EF GFEF|G2AB cAGE|DAFE D2:|
GA|B3c d2B2|c3d e2g2-|g2f2- f2de|fedc B2FG|
A2F2E2D2|B,2EF GFED|C2EG cBGE |D2d2d2 :|\
"^coda" DAFE HD4|]

%%%
X:183092 
%%staffwidth 650
T:SPEED THE PLOUGH/PLOW (reel) (1) 
S:S: CRE.3 
Z:Z: ABC/arr. BB
%R:reel
Q:1/4=180
M:C
L:1/8
K:D
d3A BAFB|AFFE FDDE|F2AF G2BG|ABde fdef|
d2fd BAFB|AFF2 EFDE|F2AF G2BG|1 ABde fedc:|\
[2 ABde fdd2||
|:faag afdf|gefd edBd|faa2 a3f|ABde fdd2|
faag afdf|gefd edBA|F2AF G2BG|ABde fdd2:|

%%%
X:59124
T:SPEED the PLOUGH/PLOW (reel) (2)
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
%R:reel
K:D
d3A BAFB|AFF2 EDDE|F2AF G2BG|ABde fdd2:|
faa2 afdf|g2fg edBd|faa2 afdB|ABde fdd2|
faa2 afdf|g2fg edBd|A2AF G2BG|ABde fdd2|]
%
N:N: This tune is called "Peter Street" in the book (???)

%%%
X:492192 
T:SPELLAN the FIDDLER (hornpipe) 
S:S: ONMI.1731 < J.O'Neill
%R:hornpipe
Q:1/4=150
Z:Z: Brennan/Black
M:C|
L:1/8 
K:G
%swing .25
EF|GDBG dBgd|bgd2 =cBAG|Fd^cd Adcd|dced cAFD|
GDBG dBgd|bgd2 =cBAG|fecA edBG|FADF G2:|
g2|bgdB GBdg|afcA FAcf|agba [c'a]bag|fedc BAGF|
GDBG dBgd|bgd2 cBAG|fecA edBG|FADF G2:|

%%%
X:492193 
T:SPELLAN'S DELIGHT (hornpipe) 
S:S: ONMI.1614 < J.O'Neill
Z:Z: Brennan/Black
%R:hornpipe
N:N: Source m.11 = |ceac' d'c'ba|
Q:1/4=150
M:C|
L:1/8 
K:A
%swing .25
E2|A2Ec dBGB|Aceg aecf|dbca Bgeg|aece fdBG|
A2Ec dBGB|agbg aece|dced feag|bgeg a2:|
e2|abeg afcf|dfec dBGB|"11"ceae dega|gbaf e2fg|
agbg aece|dbBg aece|dced feag|bgeg a2:|

%%%
X:492194 
T:SPELLAN'S FANCY (hornpipe) 
S:S: ONMI.1615 < J.O'Neill
Z:Z: Brennan/Black
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:D % 
%%text source key = A; simplified arrangement
%%vskip .3in
AG|FdAF D2Ac|dAFd AFDA|BGEC AFDA|FAdc dcBG|
FdAF G2EG|FdDd AFDf|geAa fdAf|geAe d2:|
ed|ceAe dfAG|FAdc dfad|BGEc dAFd|c2B2 A2Ac|
dGFD CEAG|FAdc ecAG|FAdf gecA|EGAc d2:|

%%%
X:492195
T:SPELLAN'S FIDDLE (hornpipe) 
S:S: ONMI.1616 < J.O'Neill
%R:hornpipe
Q:1/4=150
M:C|
L:1/8 
K:G 
%swing .25
%%text source key = A; probably A-B-A
%%vskip .3in
Bc|dgfa gedB|GFGA BGDC|B,DGB cBAG|FAdf eBcA|
Ggfa gedB|GFGA BGDC|B,DGB (3Afe (3dcA|G2B2G2:|
K:D
FG|ABAG FAde|fgfd Adfa|gfeg fedf|eaca BaAa|
ABAG FAde|fgfd Adfa|gecA cAGE|(3DFA (3dfa "_DC"[d2d'2]:|
%
N:N: This tune - which reminds me very much of any J. Scott Skinner hornpipe 
N:you can think of - changes key to D major in the second part, but O'Neill 
N:doesn't change the G major key signature. I have indicated the key change 
N:a little more clearly (I hope) in the simplified version. Also note that a key 
N:change like this usually indicates the tune is to be played A-B-A, but the 
N:Chief's notation doesn't show that.

%%%
X:62131
T:SPELLAN'S FIDDLE (hornpipe) 
S:S: GSTC
Z:Z: ABC/arr. BB
Q:1/4=150
N:N: This is a version of "Spellan the Fiddler" (#1731 in "the 1850"). It seems 
N:like it should be A-B-A but it isn't indicated that way in the source. 
%R:hornpipe
M:C|
K:A
%%text  probably A-B-A
%%vskip .3in
cd|eagb afec|AGAB cAED|CEAG FAdc|B^dgf e=dcB|
Aagb aecB| AGAB cAED|CEGF E2cB|A2 c2 A2 :|
K:E
GA|BcBA GBef|gage Begb|agfa gfeg|fbeb dbcb|
BcBA GBef|gage Begb|afdB ^AB=AF|(3EGB (3egb "_DC"[e2e'2] :|

%%%
X:492196 
T:SPELLAN'S INSPIRATION (hornpipe) 
S:S: ONMI.1612 < J.O'Neill
Z:Z: Brennan/Black
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:D 
%swing .25
%%text source key = Bb
%%vskip .3in
fg|a2fe d2Ad|B2G2 G2AG|FAGB Adgf|edcB Agab|
agfa dfAd|B2G2 G2AG|FAGB Adce|d2D2 D2:|
%
FG|ABAG FGAF|BAGF GFGA|B=cBA GBed|c2A2 A2FG|
ABAG FAGF|G2b2 b2ag|fadf eace|d2D2 D2:|
%
FE|D2FD ADFD|CDEF GFGA|FAGB Adce|gecA GFGE|
D2FD ADFD|CDEF GFGE|FdcB AGFE|D2F2 D2:|

%%%
X:26030
T:SPENSER'S HORNPIPE 
Z:Z: ABC/arr. BB
S:S: GEI.077
M:C
L:1/8
Q:1/4=150
%R:hornpipe
K:D
%swing .25
fg|afge dfed|cAec ABAG|FGAf gfed|cecB A2fg|
afge dfed|cAec ABAG|FGAf gedc|d2d>c d2 :|
cd|eAGA Agfd|eAGA egfa|gfec dcBA|GBBd B2AG|
Fdcd cede|dfef efge|fafd egec|d2d>c d2 :|

%%%
X:185210 
T:SPEY IN SPATE (reel), The
Z:Z: ABC/arr. BB
S:S: CRE.5 < John Doherty
Q:1/4=180
M:C
%R:reel
K:D
B,C|D2FD A,DFA|dcBA ^GAFD|EDEF GAce|gecA ^GA=GE|
D2FD A,DFA|dcBA ^GAfd|gefd ecdB|AFGE D2 :|
Bc|d2 fd AdFA|DFAd fagf|e2ge cAGE|CEGc egfe|
d2fd AdFA|DFAd fagf|gefd ecdB|AFGE D2:|

%%%
X:341094 
T:SPIC AND SPAN (jig)
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy1.17
L:1/8
M:6/8
%R:jig
Q:1/4=160
K:Em
B/A/|GFG EDE|GAB dBA|Bee fed|BAG FED |
BEE EDE|GAB dBA|edB AGA|BEE E2 :|
B|e2d efg|edB GAB|edB dBA|BAG EGA |
BeB dBA|GEF GAB|edB dBA|GED E2A |
Bed efg|edB GAB|edB dBA|GEF GAB |
efg edB|dbA BGE|BdB eBA|GED E3 |]

%%%
X:56057
T:SPIDER'S WEB (jig), The  
C:V. Broderick
S:S: Turoe.21b
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:G
GBd g2d|egd BAG|Bcd efg|a2g fed|
GBd g2d|egd BAG|Bcd cAF|DEF G3:|
bag gfg|bag gfe|def gab|a2g fed|
bag b2g|gfe dBG|Bcd cAF|DEF G3:|

%%%
X:30
T:SPIDERS in the BATHTUB (reel)
N:N: "A tune for Cuz Teahan". © Cappal Beag Music BMI
C:Jimmy Keane  
M:C
L:1/8
Q:1/4=180
K:G
Bc|d^cde dBGB|dgag egce|Bdde gedB|FAcB Aded|
Bc (3d^cd edBd|gbag egce|dfag fdcA|1 GBAF GA:|
[2 GBAF G3|:A|Bded Bgfg|ecGe dBGD|Ec (3cBc BdGB|
Agge fdcA|GBdg bgfg|eceg dB (3BAB|1 dfag fc'af|
%%stretchlast 0
gbaf g2g:|2 dfag fd'af|g2dB G4||

%%%
X:66018
T:SPIFFY to BOOT (jig)
C:P.G. Mulvaney
Z:Z: ABC/arr.BB
Q:1/4=160
%R:Jig
M:6/8
L:1/8
K:D
d|e2c d2f|e2d B2c|ded c2d |B2A FED|
E2e e2d|e3 f2e|dcd B2c|d2A  B2:|
%
K:G
A|B2d g2e|d2B G2A|B2d g2e|d2B G2A|
[1 B2E E2D|E3 FGA|B2E E2D|EFE B2:|  
[2 B2d e2d|e3 gfe|d2B AFD|E3z3|]

%%%
X:181143
T:SPIKE ISLAND LASSES (reel), The 
S:S: CRE.1 
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel  
K:Dmix
%%text A-B-C-D-A
%%vskip .3in
dB|cAGE ADD2|FDAD FDD2|cAGB AGEG|Adde fded|
cAGB ADD2|FDAD FDD2|cAGB AGEG|Addc d3||
%
g|f2ed efge|fded cAAg|f2df edcB|A2dc defg|
agfa g2eg|f2ef dcAG|Addc dfed|Adde fded||
%
cAGB A2Ad|B3G A3d|cAGB A2AG|A2de fded|
cAGB A2BG|AGGF GBdB|cAGB ADD2|Addc d3||
%
e|f2ad f2ad|f2ad gee2|f2ad f2ad|fage dcAd|
defg a2ag|bgaf gfeg|fedf edce|dcde "_DC"fd||

%%%
X:493353 
T:SPINNER'S LILT (jig) 
S:S: ONMI.1058 < J.O'Neill
Z:Z: Brennan/Black
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:D
A|D2F FGA|ABA AGF|D2F FGA|BAB gec|
d2F FGA|ABA AGF|GBG FAF|EFA B2 :|
A|d2f faf|d2f ecA|d2f faf|ede f2g|
agf bag|fed cBA|dcB AGF|EFA B2 :|

%%%
X:495336
T:SPINNERS DELIGHT (reel), The  
S:S: ONMI.1380 < J.O'Neill
Z:Z: Brennan/Black
N:N: Source m.7 = |(3cBA (3cde dBGB|
Q:1/4=180
%R:reel
M:C|
L:1/8
K:A
ed|c2cB Acec|dcBA GABd|cAce fdfa|gbeg afed|
c2cB Acec|dcBA GABd|cAce dBGB|AcBG A2 :|
cd|e2ag aecA|B2Bc dcBc|Aced ceba|gede fedB|
e2ag aecA|d2fg fgaf|e2gf edcB|AcBG A2 :|

%%%
X:341095 
T:SPINNEY REEL, The  
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy1.41
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:A dorian
dB|A2GA EABA|eABA gedB|A2GA eABA|GEDB, DEGB |
A2 eA BAeA|BAGF GABd|eged BAGE|GBdB A2 :|
Bd|ea a2 agab|gaba bedB|A2 BA eABd|g2 fg edBd |
ea a2 agab|eged BAGB|A2 eA BAGE|DEGB A2 Bd ||
ea a2 agab|gafg edBd|eABA gefd|edBA GFGB |
A2 eA BAeA|gedc BAG[EB]|A2 Bd gaba|gedB A4|]

%%%
X:48351 
T:SPINNING WHEEL (hornpipe), The  
S:S: OFPC3.117
Z:Z: ABC/arr. BB
Q:1/4=120
M:C|
L:1/8
%R:hornpipe
K:D
%swing .25
%%text A-B-A
%%vskip .3in
A|F3G AFBG|AFDE F2AF|G2 GB AFED|EDEF E3F|
GFGA Bcde|f2ed B3d|A3B AFED|BABc d3 :|
F|B3c dBfe|dBcA B4|eBcB fABA|G2EF E2AB|
cdef ecBA|^GABc dfec|dBcA B^GEG|A2 AB "_DC"A3||

%%%
X:495337 
T:SPINNING WHEEL (reel), The  
S:S: ONMI.1203 < Cronin
Z:Z: Brennan/Black
Q:1/4=180
%R:reel 
M:C|
L:1/8
K:A
d|cAAc BAAd|cefg a2ga|bBBc dcBA|defg afe:|
c|AGAF FEEF|A2Bc dcBc|AGAF FEEe|faec dcB:|
%
c|Aceg agfe|fefg afdc|Aceg agfe|fagb afdB|
Aceg agfe|fefg agaf|bgaf gefd|fagb aff||
%
|:e|faec dcBc|AEAB cAce|faec dcBc|AFFE FAA:|
%
%As the Chief mentions in his fascinating sketch of Edward Cronin 
%in "Irish Minstrels and Musicians" (p.392), there was "but one rival" 
%(not specified but probably Sergeant James O'Neill) for Cronin's 
%fiddling abilities in the Chicago traditional music scene. The 
%highly-ornamented settings of Cronin's contributions to the various 
%collections would seem to bear this out. I have added a simplified 
%version of this lovely Cronin tune for those of you not enamored of 
%great gobs of triplets (show of hands, please?) I think Mr. Cronin
%flourished a few years before recording was a possibility, but I
%have to think he might have sounded like Coleman.

%%%
X:535236
T:SPIRIT OF IRELAND (march), The
S:S: RC2.329
Z:Z: ABC/arr. BB
Q:1/4=130
N:N: Dotted rhythm in source
L:1/8 
M:C
%R:march
K:D
a>f|d2dd d2cd|edef d2ag|fagf egfe|dcec A2F2|
G2GG e2e2|F2FF d3d|cdef edcB|A2AB A2:|
FE|D2A,2 F2A,2|GFGA G2FE|FAdc BAGF|EDEF EGFE|
D2d2 F2f2|A2a2 a2gf|1 edef edcB|A2AB AG:|
[2 edef dcBc|d2de Hd4|]

%%%
X:46086 
T:SPIRITS OF FRANCE (march), The   
S:S: OFHC4.02
Z:Z: ABC/arr. BB
N:N: As with smany other entries in O'Flannagan's volume, I'm not 100 pct. 
N:sure of what type of tune this is. I'm going with "march" on this one just 
N:because the title seems to indicate that (maybe).
Q:1/4=150
M:C|
L:1/8
K:D 
%%text source key = C
%%vskip .3in
af|d2d2 cdec|dcde d2bg|e2e2 efed|cdec A2GF|
G2e2 e2d2|F2d2 d2B2|c2d2 edfe|dcdB A2 :|
FG|AGFG A2AF|GFEF G2GE|FDFA dAFD|EDEF E2FE|
D2d2 A2f2|d2a2 a2gf|e2fe dcBc|dcde d2 :|

%%%
X:581165 
T:SPLASHING of the CHURN (slip jig), The 
S:S: WSGM.181 < F.O'Neill
Z:Z: Kinder/Black (arr.)
N:N:  a/k/a/ "Gurgling of the Churn"
M:9/8
L:1/8
Q:1/4=150
%R:jig
K:Em
G2B E2c BAG|F2A D2G AGF|G2B E2c BAG|
BdB AGF E3:|g2e g2d edB|f2d ded fga|
[1 g2e g2d edB|dBA ABd e3|2 g2e f2d edc|
BdB AGF HE3|]

%%%
X:184222 
T:SPLENDID HORNPIPE, The  
S:S: CRE.4 < Sheahan MS
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=150
M:C|
%R:hornpipe
K:D
%swing .25
AG|F2FD AFdF|E2ED E2AG|FAdf efgf|edcB AGFE|
F2 FD AFdF|E2ED E2 AG|FAdf edce|d2 dc d2:|
ed|cdef gfge|defg a2 fa|gfeg fddf|edcB AGFE|
F2 FD AFdF|E2ED E2 AG|FAdf edce|d2 dc d2:|

%%%
X:38260 
T:SPLENDID ISOLATION (reel) 
C:Brendan McGlinchey
S:S: Willie Kelly
Z:Z: ABC/arr. BB
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:Edor 
%%text  source key = Gm
%%vskip .3in
D|E2 ED EBAF|E2 FE DEFA|BFAF EFGA|Beed e3f|
g2 fe dBBc|dcde dBAF|E2 FE DEFA|BFAF E3:|
d|e2 fe d B3|edBA FABA|F E3 FABA|FEEF D3 D|
D2 ED EBAF|E2 FE DEFA|B e3 defe|dBAF E3:|

%%%
X:65089
T:SPOILS OF VICTORY (hornpipe), The
C: Aidan Crossey
S:S: composer
%R: Hornpipe
Q:1/4=150
M: 4/4
L: 1/8
K: G
%swing .25
BA|GABc dedB|cdef gedc|BGBd gdBG|AGFE DcBA|
GABc dedB|cdef gedc|BGBd cAFA|G2 GF G2:|
AG|FGAB cdef|(3gag fg efde|(3cdc Bc ABGA|(3FGF EF DcBA|
GABc dedB|cdef gedc|BGBd cAFA|G2 GF G2:|

%%%
X:38261 
T:SPORT JIG, The 
C:Peadar O'Riada
Z:Z: P.Varlet 
M:6/8
L:1/8
%R:jig
Q:1/4=160
K:D
AdF A3|GBE GFG|AdF A3|GEB cde|
AdF A3|GBE G3|cdc A2A|GEA D3:|
cBc dcd|cec A2g|fed ged|cec A2g|
f3 g3|faf d2e|fdF AFA|GEA D3:|
AGG AEE|AGE EDD|AGG c2e|dcA AGE|
AGG AEE|AGE EDD|1 cdc A2A|GEA DEG:|
[2 cdc A2G|EAA HD3|]

%%%
X:13175
T:SPORT OF THE CHASE (slip jig) (1), The 
S:S: BSMI.1 
Z:Z: ABC/arr. BB
N:N: For you lovers of complicated slip jigs (and you know who you are!) 
N:Warning: not recommended for session playing.
%R:slip jig
M:9/8
Q:1/4=150
L:1/8
K:G
G2G B2G BdB|G2G B2G BdB|C2C E2C EGE|
D2D F2D FAF :|G2G g2d BdB|G2G g2d BdB|
c2e ece ece|d2f fdf fdf :| gdB gdB gdB|
gdB gdB gdB|c2e ece ece|d2f f2f faf :|
g2g b2g dBd|g2g b2g dBd|c2e ece ege|
[1 d^cd f2d faf :|2 d^cd fed =cBA||
|:G2G B2G BdB|G2G B2G BdB|A2B c2A FDF|
[1 A2B c2A FDF :|2 GAB cAF G3 |:[K:D]f2a afa afa|
f2a afa afa|g2b bgb bgb|g2b bgb bgb|
f2a afa afa|f2a afa afa|e3-e2f gec|
def gec d3 :|d2B AFD DFA|B^cd efg f2e|
d2B AFD DFA|Bcd AFD E2D :|f2d AFA dfa|
f2d AFA dfa|g2e cAc cAc|def gec d3:|
"^coda" def gec Hd3|]

%%%
X:533096
T:SPORT of the CHASE (slip jig) (2), The 
S:S: RC3.118 
N:N:  Roche's title "Ceol na Seilge" = "Music of the Hunt"
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:9/8
%R:jig
K:G
G2G B2G BdB|G2G B2G BdB|C2C E2C EGE|
D2D F2D FAF:|G2G g2d BdB|G2G g2d BdB|
c2c e2c ege|d2d f2d faf|gdB gdB gdB|
gdB gdB gdB|ece ece ece|fdf fdf gdB||
"^coda"HG6z3|]

%%%
X:493354 
T:SPORTING BACHELOR (jig), The 
S:S: ONMI.0850
Z:Z: Brennan/Black
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
D|GBd g2d|ed^c d2B|cBA BAG|AB^c d2D|
GBd g2d|ed^c d2B|cBA ABc|def g2 :|
B|dcA B2G|dcA B2G|def gfe|dcB A2B|
c2e efg|B2d dBG|Aag fef|gba g2 :|

%%%
X:495338
T:SPORTING BOYS (reel), The  
S:S: ONMI.1350 < O'Reilly
Z:Z: Brennan/Black
N:N: This is another setting of "Boys of Portaferry"
Q:1/4=180
%R:reel
M:C|
L:1/8
K:G
BA|G2BG AcBA|G2BG GEDE|G2BG ABce|dBgB c2BA|
G2BG AcBA|G2BG GEDE|DEGB cBAe|dBgB c2||
BA|Bdgd edgd|Bdgd e2dc|Bdgd edef|gedB c2BA|
Bdgd edgd|Bdgd e2dc|Bdgd egfa|gedB c2BA|HG4z4|]

%%%
X:182281 
T:SPORTING DAYS OF EASTER (reel) (1), The
S:S: CRE.2
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Dmix
d2cA GEFG|ABAG A4|d2cA GEFG|A2GE D4|
d2cA GEFG|ABAG A2Bd|d2cA GEFG|A2GE D4 :|
c2cd efg2|eaag efge|c2cd efgb|abge d4|
c2cd efg2|eaag efg2|fged cAGc|Addc dfed :|
"^coda" Addc dfec|Hd4z4|]

%%%
X:185149 
T:SPORTING DAYS OF EASTER (reel) (2), The
Z:Z: ABC/arr. BB
S:S: CRE.5 < Jim Mulqueeny (Clare)
L:1/8
Q:1/4=180
M:C
%R:reel
K:Dmix
dBcA GEEG|ABGB A2Bc|dBcA GEFG|ABGE D2Bc|
dBcA GEEG|ABGB A2Bc|dBcA GEEG|ABGE DB,DE ||
G2AB cBcA|dfec dBcA|G2AB cBce|dBcA GEDE|
G2AB cBcA|dfec dBcA|G2eg fdec|ABce dfec||\
"^coda"d4z4|]

%%%
X:44168 
T:SPORTING DAYS OF EASTER (reel) (3), The 
S:S: NFID.240c < JL
Z:Z: ABC/arr. BB  
Q:1/4=180
L:1/8
M:C
%R:reel 
K:G
BGG2 DGFG|Bdef gded|BGG2 DGGA|BGAG EDD2:|
g3e fgaf|g2ge fdd2|g2ge fga2|bgaf gfed|
gage fgaf|g2ge fdd2|g2fg a2ga|bgaf gfed||\
"^coda"HG4z4||

%%%
X:581166
T:SPORTING IRISHMAN (jig), The 
S:S: WSGM.112 < "Clinton's Irish Melodies" 1840
Z:Z: Kinder/Black (arr.)
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:D
E|D2E D2d|BAG FGE|AdB AFA|EFE E2A|
D2E D2d|BAG FGE|AdB AFA|DEC D2:|
g|a3 b3|aba afd|gag faf|ede fdB|
a3 f3|ede fdB|AFA dAF|DEC D2:|

%%%
X:57146
T:SPORTING KATE (reel)
Z:Z: ABC/arr. BB
N:N: From Treoir 49/1, no source given. A version of "Bonnie Kate".
Q:1/4=180
%R:reel
M:C
K:D
%%text A-B-A
%swing .25
B|AGFA BdAF|DFAF E2EF|AFAc BGBd|cABc d3 :|
f/g/|a2fd fafd|a2fd edef|a2fd gbag|fedc defg|
a2fd fafd|a2fd edef|gfaf gbag|fedc dc"_DC"dB||

%%%
X:332086 
T:SPORTING MOLLY (reel) (1)  
Z:Z: ABC/arr. BB
S:S: Levey2.63 
Q:1/4=180
L:1/8
M:C
%R:reel
K:Em
EF|GEBE GEBG|FDAD FDAF|GEBE GEBG|FDAD E2 :|
EF|G2GF GBdB|ABAG FGAF|E2e2 edef|gfe^d e2ef|
g2dB GBdB|ABAG FGAF|E2e2 e2Ac|BAGF E2 :|

%%%
X:531099
T:SPORTING MOLLY (reel) (2) 
S:S: RC1.156
Q:1/4=180
L:1/8 % 1/16
M:C % 2/4
%R:reel
K:Em
EF|E2GE BEGE|D2FD ADFD|E2GE BEGE|FGAF E2:|
EF|G2AF GBdB|ABAG FGAF|E2e2 edef|gfed e2ef|
g2dB GBdB|ABAG FGAF|E2e2 e2Ac|BAGF HE4|]

%%%
X:13226
T:SPORTING NELL (reel) (1) 
S:S: BSMI.2
Z:Z: ABC/arr. BB
%R:reel
M:C
Q:1/4=180
L:1/8
K:Ddor
ADD2 A2dc|A2GF ECC2|ADD2 A2dc|1 AcGE EDD2 :|
[2 AcGE FGAB||c2ec gcec|c2ec AddB|c2ec gcec|
AcGE D3B|c2ec gcec|c2ec Adde|f3d efed|cAAG Addc| 
Hd4z4|]

%%%
X:183194 
T:SPORTING NELL (reel) (2)
S:S: CRE.3
Z:Z: ABC/arr. BB
%R:reel
L:1/8
Q:1/4=180
M:C
K:Dmix
ADFD A2dB|ABAG EFGB|ADFD A2dB|ABGF EDDB|
ADFD A2dB|ABAG EFGB|ADFD A2dB|A2GF EDD2||
cdec d3B|cdef gedB|cdec d2dB|cAGF EDD2|
cdec d3B|cdef gedf|eaag efed|cAGF EDD2|]

%%%
X:62132
T:SPORTING PADDY/PAT (reel) 
S:S: GSTC
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
%R:reel
K:Amix
AG|EAA2 GABG|EAAF G2ED|EAA2 GABd|efge dBAG|
EA A2 EG G2|EAAF G2ED|EA A2 GABd| efge d2||
ef|ge e2 fddf|ge e2 a2 af|ge e2 fdde|fage d2 ef|
gee2 fddf|gee2 a2ga|bgaf gfed|efge d4|]
%
N:N: This setting ends on the 4th scale degree (D in key of A), so I would 
N:normally re-arrange it to end on the tonic A. However this tune is 
N:well-known enough that I didn't bother. (You could try something like 
N:|edcB A4| on the last playthrough if you're interested.)
%%%

%%%
X:181133
T:SPORTING PADDY/PAT (reel) (1)
S:S: CRE.1
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:Adorian
EAAB GABG|EAAB G2ED|EAAB GABd|edge dBAG|
EAAB GABG|EAAB G2ED|EAAB GABd|edge d2ef||
gee2 gede|gee2 a2ba|gee2 ged2|efge d2ef|
gee2 gede|gee2 a2ga|bgab ged2|efge dBAG||
"^coda"A4z4|]

%%%
X:253099
T:SPORTING PADDY/PAT (reel) (2)
Z:Z: ABC/arr. BB
S:S: FS3.11c
M:4/4
L:1/8
Q:1/4=180
%R:Reel
K:Adorian
EAAB GABG|EAAB G2ED|EAAB GABd|efge dBAG|
EAAB GABG|EAAB G2ED|EAA2 GABd|efge d2 ||
ef|gee2 gede|gee2 a2ba|gee2 ged2|efge d2ef|
g2fg edBd|gee2 a2ga|bgaf gfed|efge dBAG ||\
"^coda"A4z4|]

%%%
X:13356
T:SPORTING PITCHFORK (jig), The  
S:S: BSMI.3 
Z:Z: ABC/arr. BB
N:N: I'm not sure the F naturals do much for this tune, but I've left them in 
N:since (1) I don't know the tune that well (2) that's how source has them.
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
D|=F3 E3|FEF DEF|G3 AGA|cAG FGA|
B/c/dB BAG|A/B/cA ABc|dcA AGF|AGF G2 :|
B|d3 =fed|g2e def|gfg bag|fdd d2c|
BdB BAG|ABA ABc|dcA AGF|AGF G2 :|

%%%
X:29104
T:SPORTS IN THE HAY RICK (polka)  
S:S: CGI.122
Z:Z: ABC/arr. BB
N:N: I added repeat to part 2.
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:D 
%%text "quick and with spirit"; A-B-A
%%vskip .3in
A|fD DA|fD Dc/d/|e/d/c/B/ Aa|f2 dA|
fD DA|fD Dc/d/|e/d/c/B/ Aa|d3 :|
c/d/|e/f/e/^d/ ea|ce AA/c/|d/e/d/c/ df|Bd Ec/d/|
e/f/e/^d/ ea|ce AB/c/|d/f/e/d/ c/B/A/^G/|"_DC"A3 :|

%%%
X:532109 
T:SPORTS OF LISTOWEL (hornpipe), The 
T:Breen's 
S:S: RC2.236
Z:Z: ABC/arr. BB
Q:1/4=140
L:1/8
M:C|
%R:hornpipe
K:A 
%swing .25
%%text source key = D
%%vskip .3in
AF|E2EF A2FA|d2dB cBAF|d2de f2ec|dcBA FBAF|
E2EF A2FA|d2dc dfaf|e2cA BAFE|A2AB A2:|
ef|a2fe f2ef|afec e2ec|d2de f2ec|dcBA FBAF|
E2EF A2FA|d2dc dfaf|e2cA BAFE|A2AB A2:|

%%%
X:59125
T:SPORTSMAN'S FANCY (reel), The
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
%R:reel
K:A dorian
edBA G3A|Bdef g2fg|edBA GAB^c|d2ed BAA2:|
eaag bgag|eaaf g2fg|eaag bgaf|gedB BAA2|
eaag bgag|eaaf gfga|bgaf gfed|Bdef gfag||\
"^coda"a4z4|]

%%%
X:493355 
T:SPOTTED COW (jig), The 
S:S: ONMI.0983 < F.O'Neill
%R:jig
Z:Z: Brennan/Black
Q:1/4=160
M:6/8
L:1/8
K:Bm
G|Add fdd|edd fdd|Add fdd|edB BAF|
Add fdd|edd fdd|faf geg|fdc B2 :|
%
G|AFA A2B|AFA A2B|AFA Dfe|fdc B2d|
AGF A2d|AGF A2B|dfd ege|fdA B2 :|
%
G|ABA AFA|DFA DFA|ABA AFA|fdA BAF|
ABA AFA|DFA DFA|faf geg|fdc B2 :|

%%%
X:36058 
T:SPRIG OF SHILLELAGH (polka), The
Z:Z: ABC/arr. BB
S:S: Mally.HIP.046
N:N: Appears in other collections as a set dance. Probably just as well since 
N:IMO this doesn't make a very good polka.
Q:1/4=120
%R:polka
L:1/8
M:2/4
K:G
z|d2 ed/c/|BG G/F/G|AF F/E/F|BG G/F/G|
d2 ed/c/|BG G/F/G|AF c>A|AG G :|
z|Bd g>g|fe-e2|A/A/A fe|d3d|
[1 ed fe|f2 ed|B4-|B2 G :|
[2 ef gd/e/|fe d/e/d/c/|BA G2-|G4 |]

%%%
X:21184 
T:SPRIG OF SHILLELAH (set dance - jig), The  
S:S: DMI.0994
Z:Z: Nordberg/Black
N:N: In the Set Dance section of DMI due to 6/10 measure structure.
%R:jig 
Q:1/4=140
M:6/8
L:1/8
K:G
E|DEF GFG|ABA AGF|GBd dcB|
AcB AGF|GAB EFG|DEF G2:|
c|BGB dBd|ece d2c|BGB def|
gfe dcB|cec BdB|AcB AGF|
GBd dcB|AcB AGF|GAB EFG|DEF G2:|

%%%
X:331093 
T:SPRIG OF SHILLELAH (set dance - jig), The 
Z:Z: ABC/arr. BB
S:S: Levey1.105  
N:N: Note 6 measure/10 measure structure. 
Q:1/4=160
L:1/8
%R:jig
M:6/8
K:C
%%text "quick lively"
%%vskip .3in
G|Gcc cBc|ded dcB|ceg gfe|
dfe dcB|cde ABc|GAB c2 :|% 6 measures
g/f/|ece geg|afa g2f|ece geg|afa g2e|fgf efe|
ded dcB|ceg gfe|dfe dcB|cde ABc|GAB c2 :|%10 measures

%%%
X:50091 
T:SPRIGHTLY KITTY (reel) 
S:S: Petrie.367 
Z:Z: ABC/arr. BB
N:N: Repeats added
Q:1/4=180
M:C
L:1/8
%R:reel
K:Dmix
G|Adde fded|Add2 A2GE|Adde f3d|cAGE EDDG |
Adde fded|Add2 A2GE|ABcd efed|cAGE EDD :|
B|ADD2 cBAG|ADDB A2GE|ADD2 cBcA|GAGE EDDG|
ADD2 cBAG|ADDB A2GE|DcBA FGAF|GAGE EDD :|

%%%
X:12280
%%staffsep 80
T:SPRING AT LAST!  
C:© BB
S:S: BBMG
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:D
B|"D"AFA "Bm"dBd|"A"ece "G"gfg|"D"fga "Em"bge|"D"afd "A"ecA|
"D"AFA "Bm"dBd|"A"ece "G"gfg|"D"fed "G"gab|"A"ecA "D"d2 :|
e|"G"gab "D"a2 f|"Em"gee "D"fdd|"G"gBB "A"cee|"Bm"dcB "A"A2 B|
"D"AFA "Bm"dBd|"A"ece "G"gfg|"D"fdA "Em7"Bed|"A"cBc "D"d2 :|

%%%
X:185031 
T:SPRING FIELD JIG*, The 
S:S: CRE.5 (unnamed)
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%R:jig
K:G
A|BDD cDD|BDD AFD|GBd gdB|cBc AFD|
BDD cDD|BDD AFD|GBd gdB|cAF G2:|
D|GBd gfg|ece dBG|cBA BAG|DFA cBA|
GBd gfg|ece dBG|cBA BAG|DFA G2:|

%%%
X:492197 
T:SPRING GARDEN (hornpipe), The 
S:S: ONMI.1681 < J.O'Neill
Z:Z: Brennan/Black
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:G
%swing .25
Bc|dgdg ecAF|GFGB AFDC|B,DGF D2cB|AGFE D2 Bc|
dgdg ecAF|GFGB AFDC|B,DGF EcAF|G2G2 G2:|
cB|AGAB cBcd|edef g2ef|gfed cBAG|Add^c d2 Bc|
dgdg ecAF|GFGB AFDC|B,DGF DcAF|G2G2 G2:|

%%%
X:491543 
T:SPRING INTO THE DRINK 
Q:1/4=100
S:S: ONMI.0572 < J.O'Neill
Z:Z: Brennan/Black (arr.)
M:3/4
L:1/8
K:G
%%text "animated"
%%vskip .3in
D/E//F// GG/A/|Bd e/c/B/A/ GG/A/|B>G ED/E/ GG/A/|\
Bd e/c/B/A/ GG|G3:|
G/A/ B/d/e/f/||g2fe/^d/ e/g/f/g/|e>d BA B/d/e/f/|\
g2fe/^d/ e/g/f/d/|e3f g (3e/f/e/|
d>e BA GG/A/|B>G ED/E/ GG/A/|Bd e/c/B/A/ GG|G3-G3|]

%%%
X:35064
%%staffsep 80
T:SPRING IS NEAR (waltz)
S:S: composer
C:Rick Gagne 
Z:Z: ABC/arr. BB
N:N: "d/o/c/ 1998 on whistle"
%R:waltz
Q:1/4=120
M:3/4
K:D
DE | "D"F2 FE DE | F2 D2 DE | "F#m"FA BA FA | "G"d4 DE | 
"D"F2 FE DE | F2 D2 DE | "Bm"FA BA FD | "A"E3F/E/ DE | 
"D"F2 FE DE | F2 D2 DE | "F#m"FA BA FA | "G"d4 Bc |
"Bm"df ed cB | "D"dF FE DE | "F#m"FA "Bm"BA FD |1 "A"E3-E :|2 "A"E4||
|:dc | "Bm"B2 BA FA | B2 F2 dc | "G"Bc BA FA | B2 BF dc |
"Em"B2 BA FA | B2 F2 FG | "D"AB AF DF | "Em"ED EF GA |
"Bm"B2 BA FA | B2 F2 dc | "G"BA Bc de | "D"f2 f2 Bc |
"G"df ed cB | "D"dF FE DE |"F#m"FA BA FD |"A"E3-E  :|\
"^coda" "D"FA BA "A"GE|"D"D6 |]

%%%
X:493356 
T:SPRING WELL (jig), The 
S:S: ONMI.1080
Z:Z: Brennan/Black
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
E|G2E GAB|A2G ABd|ede gdB|BGF E2D|
G2E GAB|A2G ABd|ede gdB|AGF G2 :|
A|BGG dGG|ege dcA|BGG dGG|AGA BGE|
BGG dGG|efe def|gfg ecA|BGF G2 :|

%%%
X:342099 
T:SPRINGTIME HORNPIPE, The 
Z:Z: ABC/arr. BB
C:Joe Liddy
S:S: Liddy2.19 
Q:1/4=150
L:1/8 
N:N: Dotted rhythm in source
M:C|
%R:hornpipe
K:G
%swing .25
EF|G2BG dGeG|dGBG FGAc|BGBd cdeg|fdge fdcA |
G2 BG dGBG|FGAB cdeg|fdge fdcA|FGAF G2 :|
%
Bc|d2 gf gedB|cBAG FGAc|BGBd cdeg|fd ec defd |
[1 g2 af gedB|cBAG FGAg|fgef dcAG|FGAF G2 :|
[2 bgag fd ec|BGBc defg|agfd ec AG|FGAF HG4 |]

%%%
X:581167
T:SPRY YOUNG LAD (hornpipe), The 
S:S: WSGM.324 < F.O'Neill
Z:Z: Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=150
%R:hornpipe
K:G
%swing .25
%%text  probably A-B-A 
%%vskip .3in
ef|g2dc BGGF|GABG A3z|GABc d2g2|fgag fdef|
g2 dc BGGF|GABG A3z|GABc d2g2|fgaf g2:|
Bc|dBGB d2 e2|dcBA G2 AB|cAFA c2 d2|c2 BA G2 Bc|
dBGB d2 g2|f2 e2 c3z|d2^cd ecAB|^cdec "_DC"d2:|

%%%
X:44169
T:SPUD GATHERING* (reel) 
S:S: NFID.242b < JL  ("untitled reel")
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:C
%R:reel 
K:G
%%text A-B-A
%%vskip .3in
D|G2BG dGBd|cBcd efga|bgfg agef|gedB AGED|
G2BG dGBd|cBcd efga|bgfg agef|gedc BGG:|
a|bgfg agef|gedB AGEG|DB,B,C DEGA|Bdgb age2|
bgfg agef|gedB AGEG|DB,B,C DEGA|Bdgd B"_DC"GG:|

%%%
X:57147 
T:SPY WEDNESDAY (reel) 
S:S: Treoir
Z:Z: ABC/arr. BB
C:Noel Strange
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:G
D|GBAG FDD2|GABd c2BA|GBB2 GBB2|ABAG FDDE|
GBAG FD D2|GABd c2 BA|dB B2 gB B2|ecAF G3 :|
e|gfge dB B2|dBAB dB B2|gfge dB B2|ecAG FA D2|
gfge dB B2|dBAB dB B2|GABd cdeg|ecAF G3 :|

%%%
X:59126
T:SQUARE DANCE POLKA, The
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=110
L:1/8
M:C|
%R:polka
K:G 
%%text  probably A-B-A; simplified version
%%vskip .3in
f|gB dG|Bd de/d/|cA AB/d/|ed de/f/|
gB dG|Bd de/d/|cA A/F/G|A2 G :|
K:D
F|AB/c/ df/g/|ag f>g|a_a ge|ba ^ga|
AB/c/ df/g/|a af>g|ag e/c/d|ed "_DC"d :|

%%%
X:141147
T:SQUIRE PARSONS 
S:S: CAR-OS
C:O'Carolan
Z:Z: Gilb/Brennan/Black
M:C|
Q:1/4=130
L:1/8
K:G
%%text "allegro moderato"
%%vskip .3in
G4 D2GA|BABc B2G2|d2d2 d2ef|geag f2d2|
b4 a2gf|gefg a^cde|fgfg fagf|e3d d4||
a4 f4|egfe ^d2B2|bfga bagf|f4 e2Bc|
d2d2 d2cB|c2c2 c2BA|BAGA BcdB|A3G G4|]

%%%
X:141213 
T:SQUIRE WOOD'S LAMENTATION ... 
S:S: CAR-OS
C:O'Carolan
N:N: ("...on the Refusal of His Halfpence"). Swift's "Drapier's Letters" refer 
N:to the same episode. 
Z:Z: Gilb/Brennan/Black
Q:1/4=100
M:C
L:1/8
K:G
G/A/|B4 B3g|d2Bd B2AG|B4 B3g|e2de B3g|
e2dB d2dA|B2AG A2GE|G3A BGdB|A4 G2||
d2|efg2 G2g2|ga b/a/g e3d|B2d2 efgf|e4 d3d|
efga gGg2|ga b/a/g e3d|BAB2 dBd2|ed e2f4|
geg2 ede2|dBd2 BGB2|g3e dgdB|A4 g4|]

%%%
X:15300
T:SQUIRREL ("dance 6/4"), The
S:S: CCCD
Z:Z: ABC/arr. BB
%R: % dance 6/4
L:1/4
M:6/4
K:D
B|Ae2-e2f|e3 c3|ABc B2A|ABc B2A|
Ae2-e2f|e3 c3|ABc B2A|1 A3 A2 :|2 A3 ABc||
d2e fed|d2e fed|d2e f2g|a2-a2gf|
ec2 ec2|ec2 e3|ABc B2A|1 A3 ABc :|2 A3-A3 |]
%
N:N: I have restructured this slightly - source had eighth notes at the end of 
N:each part which I have lengthened to quarter notes and treated as pickup 
N:notes for part 2. I also added a pickup note to part 1. And after all that, I'm 
N:still not sure what we're left with!

%%%
X:35065
%%staffsep 80
T:SQUIRREL WITH THE DOUGHNUT (reel), The
S:S: composer
C:Rick Gagne 
Z:Z: ABC/arr. BB
N:N: "d/o/c/ 1987 on whistle"
%R:reel
M:4/4
Q:1/4=180
K:G
ga | "G"bgfg "Em"egdg | "Am"egdB "D"A2ga | "G"bgfg "Em"egdg |\
"C"egdB "G5"g2ga | 
"G"bgfg "Em"egdg | "Am"egdB "D"abga | "G"bgfg "Em"egdg | "C"egdB "G5"g2 ||
GA | "Em"BGdG "C"eGdG | "Am"egdB "D"ABGA | "Em"BGdG "C"eGdG |\
"Am"egdB "G5"G2GA | 
"Em"BGdG "C"eGdG | "Am"gedB "D"ABGA | "Em"BGdG "C"eGfG | "Am"gedB "G5"Hg4 |] 

%%%
X:22138
T:SRUTHAN A' CHAIT (hornpipe) 
N:N:  Translation: "The Cat's Stream" (maybe a Clare place-name?)
S:S: DMWC.43
Z:Z: ABC/arr. BB
N:N: A close relative of "Humors of Tullycrine"/"I Furnished Up My House" 
M:C
L:1/8
Q:1/4=150
%R:hornpipe
K:Adorian
%swing .25
AG|EAAB cBcd|eaag e2dB|cAA2 BAGF|GBde dBAE|
A3B cBcd|eaag e2dB|cAA2 BAGA|cAA2 A2 :|
Bd|eaa2 aged|eaa2 aged|efg2 gedf|efg2 gedB|
A3B cBcd|eaag e2dB|cAA2 BAGA|cAA2 A2 :|

X:45040 
T:ST. ANTHONY'S ROAD (hornpipe) 
C:T.O Canainn
S:S: NTFO.010
Z:Z: ABC/arr. BB
Q:1/4=150
M:C|
%R:hornpipe
K:G
%swing .25
EF|GFGA BDGB|D2 Bd gdBd|e3f edcB|AD FA cA FA|
G3A BDGB|D2 Bd gdBd|edgd cAFG|AGGF G2:|
Bd|gdBd edBd|gdBd edBd|g3f edcB|AB cA GFED|
GFGA BDGB|D2 Bd gdBd|c3d cBAG|FDEF G2:|

%%%
X:39070 
T:ST. DAVID'S DAY (jig)
S:S: "Amateur's Companion" 
Z:Z: ABC/arr. BB
N:N: "Introduced in 'Little Red Riding Hood'" (by the Big Bad Wolf?)
L:1/8
M:6/8
Q:1/4=160
%R:jig
K:D
G|Add d2e|fed e3|Bee e2f|gfe fga|
Add d2e|fed e3|Bee e2d|1 cdc BA :|\
[2 cBc de||
|:f|gfe fed|ecA A2f|gfe fed|eaa a2f|
gfe fed|efd cBA|Add d2e|fdc d2 :|

%%%
X:331094 
T:ST. PATRICK WAS A GENTLEMAN (march) 
Z:Z: ABC/arr. BB
S:S: Levey1.99 
N:N: Only second part repeats.
Q:1/4=120
L:1/8
%R:march 
M:2/4
K:Em 
%%text "moderately quick"; source key = Bm
%%vskip .3in
B/A/|GEEE|B,EEE|FD D/E/F/G/|A2 GF|
GEEE|B,EEE|FD D/E/F/G/|A2 GF||
Eeed|eBBA|Beed|e2 ef|
gef^d|eB BA/G/|FD D/E/F/G/|A2GF|HE4:|

%%%
X:491544 
T:ST. PATRICK WAS A GENTLEMAN (march)
S:S: ONMI.0613
N:N: There are different tunes associated with this title. This might be a march 
N:version.
Z:Z: Brennan/Black (arr.)
M:2/4
Q:1/4=120
L:1/16
K:A
%%text "lively"
%%vskip .3in
e2|c2A2 A2B2|c2d2 e2c2|B2G2 G2B2|d2 B4d2|\
c2A2 A2B2|c2d2 e2g2|a2e2 e2d2|c2 A4||
g2|a2g2 a2b2|a2e2 e2f2|g2G2 G2B2|d2 B4g2|\
a2g2 a2b2|a2e2 e2f2|g2G2 G2B2|d2 B4 ed|
c2A2 A2B2|c2d2 e2c2|B2G2 G2B2|d2 B4e2|\
c2A2 A2B2|c2d2 e2g2|a2e2 e2d2|c2 A4|]

%%%
X:39071 
T:ST. PIERRE'S HORNPIPE
S:S: "Amateur's Companion" [as "Hornpipe"]
Z:Z: ABC/arr. BB
N:N: Title in source is simply "Hornpipe", but MacLean's note says "danced by 
N:Master St.Pierre". I have no idea who this gentleman is, but the name seems 
N:as good a name as any for a "gan ainm"!
L:1/8
M:C|
Q:1/4=150
%R:hornpipe
K:D
Bc|dcdf edcB|AGFG A2dc|B2ed c2ag|fdag fedc|
dcdf edcB|AGFG A2dc|B2ed c2ag|f2d2d2 :|
cd|edce dcBd|cdcB A2f2|edce dcBd|c2a2 f2e2|
dcdf edcB|AGFG A2dc|B2ed c2ag|f2d2d2 :|

%%%
X:491545 
T:ST.PATRICK'S DAY (set dance - jig) (1)
S:S: ONMI.0298 < J.O'Neill
N:N:  Note 14 measures in Part 2
Z:Z: Brennan/Black (arr.)
M:6/8
L:1/8
K:G
%%text "lively"
%%vskip .3in
D|GAG GBd|gfe dBG|AGA BGD|EFE E2D|
GAG GBd|gfe dBG|AGA BGD|E2F G2:|
B|def gag|fed edB|def gag|fed e2B|
def gag|fed gfe|dBG GBd|gfe dBG|
AGA BGD|EFE E2D|GAG GBd|gfe dBG|
AGA BGD|E2F G3|]

%%%
X:11117
T:ST.PATRICK'S DAY (set dance - jig) (2)
S:S: AIF
Z:Z: Brennan/Black (arr.)
N:N: Source has part 2 repeating.
Q:1/4=130
M:6/8
L:1/8
K:G
D|GAG GBc|dge dBG|AGA BGD|EFE E2D|
GAG GBc|ded dBG|AGA BGD|E2F G2:|
B|def gag|fed edB|def gag|fed e2d|
def gag|fed ege|dBG GBc|dge dBG|
AGA BGD|EFE E2D|GAG GBc|ded dBG|
AGA BGD|E2F HG3|]

%%%
X:11089
T:STACK OF BARLEY (hornpipe) (1), The
T:Little Stack of Barley
S:S: AIF
Z:Z: Brennan/Black (arr.)
Q:1/4=150
N:N: Dotted rhythm in source
M:C|
L:1/8  
%R:hornpipe
K:G
%swing .25
gf|efed BcdB|ABAG AcBA|GFGA BABd|e2A2A2Bd|
efed BcdB|AGEG AcBA|GFGA BdAc|B2G2G2:|
dc|BGBd g2fg|agfg e2df|gfed BABd|e2A2 A2fg|
agfa g2fe|dBAG AcBA|GFGA BdAc|B2G2G2:|

%%%
X:252084
T:STACK OF BARLEY (hornpipe) (2), The
T:Little Stack of Barley 
Z:Z: ABC/arr. BB
S:S: FS2.36b
M:4/4
L:1/8
Q:1/4=150
%R:hornpipe
K:G
%swing .25
gf|efed BedB|A2AG AcBA|GFGA BA (3Bcd|e2A2 A2gf|
efed BedB|A2AG AcBA|GFGA BdAc|B2G2G2 :|
A2|BGBd g2fg|agfg e2d2|g2fg edBd|e2A2 A2fg|
agfa g2fe|dBAG AcBA|GFGA BdAc|B2G2G2 :|

%%%
X:41322
T:STACK OF OATS (barn dance), The 
S:S: MVBT < Coogans
Z:Z: ABC/arr. BB
N:N: "We learned this from the playing of our cousin Tommy Caulfield."
Q:1/4=150
L:1/8
M:4/4
%R:hornpipe 
K:G
DG|B2 BA B2 G2|D6 GA|B2 AB c2 A2|E8|
AGFG A2 D2|GFGA B2 e2|dBcA E2 F2|G6 :|
Bc|d2 d2 g2 g2|dedB G2 Bc|d2 B2 g2 d2|f6 AB|
cBAB c2 d2|f2 f2 f4|e2 ef ed^ce|d6 Bc|
d2 d2 g2 g2|dedB G2 Bc|d2 B2 g2 d2|b8|
abaf d2 a2|gagd B2 e2|dBcA E2 F2|HG4z4|]

%%%
X:11099
T:STACK OF WHEAT (hornpipe), The
S:S: AIF 
Z:Z: Brennan/Black (arr.)
Q:1/4=150
M:C|
N:N: Dotted rhythm in source
L:1/8 
%R:hornpipe
K:G
BA|GEDE GABG|A2GA Bdef|gedB GABG|dBAG E2BA|
GEDE GABG|A2GA Bdef|gedB GABG|AGEF G2:|
(3Bcd|edBd edgd|edBd e2df|gedB GABG|
[1 dBAG E2Bd|edBd edgd|edBd e2df|gedB GABG|
AGEF G2:|2 dBAG E2BA|GEDE GABG|A2GA Bdef|
%%stretchlast 0
gedB GABG|AGEF HG4|]

%%%
X:331095 
T:STACK THE RAGS (jig) (1)  
Z:Z: ABC/arr. BB
S:S: Levey1.53
Q:1/4=160
L:1/8
%R:jig 
M:6/8
K:Gmix
%%text "very quick; single jig"; A-B-A
%%vskip .3in
d|cAG G2F|D2G G3|cAG G2G|f3 e2d|
cAG G2F|D2G G3|F2G A2B|c3 d2 :|
K:G major
B|G2g g3|faf g3|d2g g2e|f3 e2d|
G2g g3|faf g3|aba a2g|f3 d2c|
d2g g3|faf g3|d2g g2e|f3-f2g|
agf gfe|fed f2d|cBA A2A|f3 "_DC"e2||
"^coda" G3z3|]

%%%
X:493357
T:STACK THE RAGS (jig) (2) 
S:S: ONMI.0989 < F.O'Neill
Z:Z: Brennan/Black
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:Edor % 
%%text A-B-A; source key = Gm
%%vskip .3in
B|AFE E2D|[B2B,2]E E3|AFE E2E|d3 ^c2B|
AFE E2D|[B2B,2]E E3|D2E F2G|A3 B2 :|
%
z|E2e e3|dfd e3|B2e e2c|d3 ^c2B|
E2e e3|dfd e3|fgf f2e|d3 B2A|
B2e e3|dfd e3|B2e e2^c|d3 d2e|
fed ed^c|d^cB d2B|AGF F2F|d3 "_DC"^c2|]
"^coda replacing m.8 last time thru"|AFD E3|]
%
N:N: Nice tune but I had problems with the Chief's key signature (G) and the 
N:fact that the repeated first part ended oddly (IMO). I changed a few things 
N:around (including transposing to Em, a more accessible key for trad players), 
N:and added a coda to bring the tune back to the tonic note E.
N:N: The bracketed notes aren't chords but "alternatives" in case you can't play 
N:the lower note. (There may be another way of doing this in ABC but I don't 
N:know what it is!)

%%%
X:19022
T:STACK'S HORNPIPE 
S:S: DFW < WSGM
Z:Z: ABC/arr. BB
L:1/8
M:C
Q:1/4=150
%R:hornpipe
K:D 
%swing .25
%%text simplified version
%%vskip .3in
(3ABc|d2cA BFAF|DFAF GFED|FAdc Bdgf|e2dB A2(3ABc|
dBcA BFAF|DFAF GFED|FAdf e2ce|dfec d2 :|
ec|Acec Acec|Adfd Adfd|Acef gfgf|e2dB A2(3ABc|
dBcA BFAF|DFAF GFED|FAdf e2ce|dfec d2 :|

%%%
X:48155 
T:STAD AIR A R”GAIRE STAD STAD! 
S:S: OFPC1.27 ("Irish") (as "Stad Erro Rogura Stad Stad")
Z:Z: ABC/arr. BB
D:D: "O'Sullivan Meets O'Farrell 1" track 8a
N:N:  1: Gaelic = "Stop It You Rogue Stop Stop!". Think of the sword fight be-
N:tween Kent and Oswald in "King Lear" (that winds up with Kent in the  
N:stocks :overnight)
N:N:  2: Tune is "An Coileach ag Fogairt an Lae" ("The Cock is Crowing for 
N:Day")
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:A
E/F/|AcA BAF|d2z d2z|AcA BAF|B2z B2z|
AcA BAF|Fdc dfa|ecA BAF|A3 A2 :|
c/d/|ecA ecA|d3 dfa|ecA ecA|B3 B3|
AcA BAF|DFA dfa|ecA BAF|A3 A2 :| 
%
%1:.  
N:N:  

%%%
X:182285 
T:STAFFORD'S REEL
S:S: CRE.2
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Em
dA|BEE2 BEGB|ADDB, DEFA|BEGA B2Bd|f2ed e2dA|
BEE2 B2GB|ADDB, DEFA|BEGA B2Bd|f2ed e2 :|
Bd|gebe geba|fdad fddf|gebe geba|fgaf gfef|
gebe geba|fdad fddg|fbba faaf|gfed e2 :|

%%%
X:13249
T:STAGE HORNPIPE (a), The 
S:S: BSMI.2
Z:Z: ABC/arr. BB
%R:hornpipe
M:C|
Q:1/4=150
L:1/8
K:G
GA|BGFG EGDB|GFGB cBAE|A3B c3B|AGFE D2cB|
AGAB cBcd|edef g2fe|dbca Bgfg|ecAF G2 :|
ef|gage dgbd|^cea=c Bdgd|BGDB cAag|fgfe defa|
gage dgbd|^cea=c Bdg2|g2fg egfg|ecAF G2 :|

%%%
X:19023
T:STAGE HORNPIPE (b), The 
S:S: DFW < WSGM
Z:Z: ABC/arr. BB
L:1/8
M:C|
Q:1/4=150
%R:hornpipe
K:A
FG|A2A2 AcBd|c2c2 cedf|eagf edcB|Aced fedB|
A2A2 AcBd|c2c2 cedf|eagf e2dB|c2A2A2 :|
ed|ceAe ceAe|dfBf dfBf|ceAe ceAe|BAGF Aced|
ceAe ceAe|dfBf dfBf|eagf e2dB|1c2A2A2 :|\
[2 c2A2HA4|]

%%%
X:184208 
T:STAGE REEL, The
S:S: CRE.4 <Jack Wade
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=180
M:4/4
%R:reel
K:G
%%text upper notes for treble instruments
%%vskip .3in
Bc|dge^c dBA=c|BGAF GD[BB,]D|[GG,][BB,]DG Bdgd|cAag fdcA|
dge^c dBA=c|BGAF GD[BB,]G,|dBB2 gdd2|cAFA G2:|
Bc|dgg2 bgfg|dgBd cAFA|D2FA adfd|edd2 fdd2|
dge^c dBA=c|BGAF GD[BB,][GG,]|dBB2 gdd2|cAFA G2:|

%%%
X:493358
T:STAGGER THE BUCK (jig) 
S:S: ONMI.0854 < McFadden
Z:Z: Brennan/Black
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
D|GBG AGE|c2c B2d|GBG AGE|EAA AGE|
GBG AGE|Bdf gfe|dBG AGE|DGA G2:|
G|Gge dBG|c2c B2d|Gge dBG|EAA AGE|
Gge dBG|Bdf gfe|dBG AGE|DGA G2:|

%%%
X:65090
T:STAGGERING HOME (jig)
C: Aidan Crossey
S:S: composer
M:6/8
L:1/8
Q:1/4=160
%R:Jig
K:G Major
B/D/|GAG GBe|d2B Bde|d2B Bde|d2B B2A|
GAG GBe|d2B Bde|def gdB|edB A2:|
f|:g2d Bcd|efg B2d|g2d Bcd|edB A2d|
g2d Bcd|efg B2d|efg B2d|AGF GBd:|
"^coda" AGF HG3 |]

%%%
X:41323
T:STAICÕN EORNA (hornpipe)
S:S: MVBT < C.Droney
Z:Z: ABC/arr. BB
N:N: This is Chris Droney's setting of "Little Stack of Barley" (which is what the 
N:Gaelic title means!)
Q:1/4=160
M:C|
L:1/8
%R:hornpipe
K:G
Bd|g4 gedc|BAGA Bdd2|DEGA BGBd|eAAG A2Bd|
g4 gedc|BAGA Bdd2|DEGA BGdB|A2G2G2 :|
zA|BGBd g2fg|agfg edBd|g2fg edBd|eAAG A2Bd|
g3f gedc|BAGA Bdd2|DEGA BGdB|A2G2G2 :|

%%%
X:31
T:STAN CHAPMAN'S (jig)
C:Jerry Holland
S:S: Martha Thayer
%R:jig
M:6/8
Q:1/4=160
K:A
F|"A"E3 EFA|"Bm"B3 Bce|"F#m"fea fec|"A"ecA "D"BAF|
"A"E3 EFA|"Bm"B3 Bce|"D"fea "F#m"fec|"A"ecA A2:|
|:f|"A"e3 ecA|"D"f3 fga|"F#m"fec "E"BAB|"F#m"cAG F2f|
[1 "A"e3 ecA|"D"f3 fga|"F#m"fec "E"BAB|"A"cAA A2:|
[2 "A"ecA ecA|"D"dfd fga|"F#m"fec "E"BAB|"A"cAA A3|]

%%%
X:533097
T:STANDARD HORNPIPE, The
S:S: RC3.175
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:C|
%R:hornpipe
K:D
%swing .25
A2|DFAF DGBG|FAdA fdAF|GBed cegf|e2dB A2GE|
DFAF DGBG|FAdA fdAF|GBdf gecA|de f2 d2:|
cd|eAA2 fAA2|gAfA eAA2|gAfA eAgf|e2 dB A2 GE|
DFAF DGBG|FAdA fdAF|GBed ceae|d2 f2 d2:|

%%%
X:532110 
T:STANDING ABBEY (hornpipe) 
S:S: RC2.210
Z:Z: ABC/arr. BB
Q:1/4=140
L:1/8 
N:N: Dotted rhythm in source
M:C|
%R:hornpipe
K:G 
%swing .25
%%text source key F
%%vskip .3in
D2|GFGB dBgf|e2ce dBGB|c2Ac B2GA|FAd^c ed=cA|
GFGB dBgf|e2 ce dBGB|c2 Ac B2 GB|A2FA G2:|
Bc|d^cdf afdf|abaf gfec|defg abag|a2ge d2cA|
GFGB dBgf|e2 ce dBGB|c2 Ac B2 GB|A2FA G2:|

%%%
X:40031
T:STANLEY STEAMER (polka), The
C:Larry Mallette
S:S: composer
D:D: "A Stroll in the Park" tr.4a
Z:Z: ABC/arr.BB
Q:1/4=120
%R:polka
M:2/4
L:1/8
K:G
GB GB|edB2|A>B AG|AB cd|
GB GB|edB2|e>d ed |efg2 :|
ga/g/ fg/f/|edB2|A>B AG|AB cd|
ga/g/ fg/f/|edB2|e>d ed|efg2 :|

%%%
X:13259
T:STAR ABOVE THE GARTER (slide) (1), The 
S:S: BSMI.2
Z:Z: ABC/arr. BB
%R:slide
M:12/8
Q:1/4=180
L:1/8
K:G
d2B BAG A3 ABA|G2E c2B BAG ABc|
d2B BAG A3 ABA|G2E c2E D3 D3 :|
d2e f2a g2e d2B|G2B c2B BAG A3|
d2e f2a g2e d2B|G2B c2E DED D3 :|

%%%
X:252085
T:STAR ABOVE THE GARTER (slide) (2), The 
S:S: FS2.33a
M:12/8
L:1/8
Q:1/4=180
%R:slide
K:G
z|d2B BAG A3 ABA|G2E c2B BAG ABc|
d2B BAG A3 ABA|G2E c2E D3 D2 :|
B|d2e f2a g2e d2B|G2B c2B BAG A3|
d2e f2a g2e d2B|G2B c2E D3 D2 :|

%%%
X:11091
%%staffsep 62
T:STAR HORNPIPE (a), The 
S:S: AIF
Z:Z: Brennan/Black (arr.)
Q:1/4=150
M:C|
L:1/8
%R:hornpipe
K:G
ef|gdBG FGDC|B,2DG Bdgd|^cd=cd AdGA|FGEF Ddef|
gdBG FGDC|B,2DG Bdgd|ecBE Cgfe|d2cA G2:|
%
f2|edeB cBce|d^cd=c BGBd|cBcB ABAG|FAd^c d^def|
gdBG FGDC|B,2DG Bdgd|ecGE Cgfe|d2cA G2:|
%
(3DEF|G2B2 Bd^cd|F2A2 Ad^cd|G2ef g2fe|d2cA GDEF|
G2B2 Bd^cd|F2A2 Ad^cd|G2ef g2fe|d2cA G2:|

%%%
X:492198 
T:STAR HORNPIPE (b), The  
S:S: ONMI.1654 < J.O'Neill
Z:Z: Brennan/Black
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:G
Bc|d^cdf ge=cA|GFGB D2EF|GFGA BABc|d^cdf A2B=c|
d^cdf ge=cA|GFGB D2EF|Gedc BAGF|A2G2 G2:|
cB|A^GAB cBcd|e^def g2gf|edcB cBAG|F2D2D2 Bc|
d^cdf ge=cA|GFGB D2EF|Gedc BAGF|A2G2 G2:|

%%%
X:1
T:STAR MELODY (march)
C:Julian Goodacre 
Z:Z: DPM 
%R:March/Processional
M:4/4
Q:1/4=130
L:1/8
K:Dmaj
a>g|f2a>fd2g>f|e2g>ec2g>f|e2g>e c>A B>c|d>c d>ef2a>g|
f2a>fd2g>f|e2g>ec2g>f|e2g>e c>A B>c|d2f2d2:|
|:A2|d>c d>ef2f2|e>f g>ec4|e>f g>e c>A B>c|d>c d>ef2A2|
d>c d>ef2f2|e>f g>ec4|e>f g>e c>A B>c|d2f2d2:|

%%%
X:59227
T:STAR of DONEGAL (waltz), The
S:S: JOB
Z:Z: ABC/arr. BB
L:1/4
M:3/4
%R:waltz
K:C
G|cBc|FEF|G2G|EDC|EDE|C2C|C3-|C2E|
G2G|c2d|e2e|fed|c2c|BGA|G3-|G2E|
G2G|c2d|e2e|fed|c2c|BGA|G3-|G2G|
cde|c2E|FGA|GEC|EDE|C2C|C3-|C3|]

%%%
X:495339
T:STAR OF KILKENNY (reel), The  
S:S: ONMI.1348 < McNamara
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
M:C|
L:1/8
K:Em
dc|BcAF G2GA|B2Ac Beed|BcAF G2ef|gefd Beed|
BcAF G2GA|B2Ac Beed|BcAF G2ef|gefd e2 :|
ef|gfga gdBd|gefd Beef|gfga bgaf|gefd Beef|
gfga gdBd|gefd Beef|gfga bgaf|gefd Be :|
"^coda" gefd BAFD|E4z4|]

%%%
X:11049
T:STAR OF MUNSTER (reel) (1), The
S:S: AIF
Z:Z: Brennan/Black (arr.)
Q:1/4=180
M:C
%R:reel
L:1/8
K:A dorian
ed|c2Ac B2GB|AGEF GED2|EAAB cBcd|eaaf gedB|
cAGA BAGB|BGEF GED2|EAAB cded|cABG A2:|
ea|:agab ageg|agbg agef|g2ga gedf|g2af gedg|
eaab ageg| agbg agef|gfga b2ag|fgaf gedB:|\
"^coda"HA4z4|]

%%%
X:22139
T:STAR OF MUNSTER (reel) (2), The
S:S: DMWC.64 
Z:Z: ABC/arr. BB
N:N: Willie Clancy's expanded version of this well-known reel.
M:C
L:1/8
Q:1/4=180
%R:reel
K:A dorian
B|cBAc BGG2|AGEA GEED|EAAA BABd|eaa2 gedB|
cBAc BGG2|EAA2 GEED|EAAA BABd|gedB BAdB||
%
%%text Part 2
A3e BcdB|A3B GEED|EAA2 BABd|eaa2 gedB|
c2BA AGG2|AcBA AGED|EAA2 BABd|gedB BAA2||
%
%%text Part 3
eaa2 agea|a2ba agef|g2gf g2ef|g2af gd Bd|
eaa2 a2ea|a2ba agef|g2g2 agab|1 c'baf gedf :|\
[2 c'baf gedB||
%
%%text Part 4
c2Ac BGG2|AGEA GEED|EAGA BABd|eaa2 gedB|
BAA2 AGG2|ADD2 GDAD|EAGA BABd|gedB BAdB|
%
%%text Part 5
A3d B3d|A3B GEED|EAA2 Bdef|a3b gedB|
c2BA BGG2|AcBA AGED|EFGA BABd|gedB eAA2||
%
%%text Part 6
eaa2 agea|a2ba agef|g2gf g2ef|g2af gdBd|
eaa2 a2ea|a2ba agef|g2g2 agab|1 c'baf gedf :|
[2 c'baf gedB||"^coda"HA4z4|]

%%%
X:495340
T:STAR of MUNSTER (reel) (3), The  
S:S: ONMI.1218 < F.O'Neill
Z:Z: Brennan/Black
N:N:  1: This is a single reel (A-B) in the source but is usually played double 
N:today.
N:N:  2: F naturals are a nice touch but optional, especially at playing tempo.
Q:1/4=180
%R:reel 
M:C|
L:1/8
K:A dorian
ed|:c2Ac B2GB|AGEF GED=F|EAAB cBcd|eaaf g=fed|
c2Ac B2GB|AGEF GEDF|EAAB cded|cABG A2z2:|
eaab ageg|agbg agef|gfga gfef|geaf g=fed|
eaab ageg|agbg agef|g2ge a2ag|b2ba gfed:|
"^coda" b2ba gedB|HA4z4|]

%%%
X:531100
T:STAR OF MUNSTER (reel) (4), The  
S:S: RC1.136
N:N: Repeats added
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Ador
ed|c2Ac B2GB|AGEF G2ED|EAAB cBcd|eaaf gfed|
cBAc BABG|AGEF G2ED|EAAB cBcf|edcB A2 :|
cd|eaab ageg|agbg agef|gfga gede|geae gede|
a2ab ageg|agbg agef|g2ge a2ag|1 b3b ag :|
[2 b3b aefg|Ha4z4|]

%%%
X:12281
%%staffsep 80
T:STARFISH JIG, The
C:© BB
S:S: BBMG
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:D
D|"D"DFA BAF|"G"DGB dBG|"D"DFA BAF|"A7"EGF EDC|
"D"DFA BAF|"G"GAB "A"cBc|"D"dAF "A7"GFE|"D"FDD D2 :|
e|"Bm"fdB ABc|"D"dFE D2e|"Bm"fdB "A7"gec|"G"dcB "D"AFA|
"D"fdf "G"gfg|"D"agf "Em"gfe|"D"fed "A7"cAG|"D"FDD D2 :|

%%%
X:52108
T:STARRY LANE TO MONAGHAN (reel), The 
C:© E.Reavy
S:S: Ed Reavy Collection 
Z:Z: McKenty / Black
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:E dorian
%%text "allegro moderato"
%%vskip .3in
F|GEBE eEBE|GFGB AFDF|GEB,E GABd|eg fg edcd|
BEEF GEB,E|GFGB AFEF|GABG FGAF|EFGA BEE :|
f|gbef gbeg|fddc defa|gbef g2 fe|defd Beef|
geBA GABd|cdeg fddf|gbeg fece|dBAF E3 :|

%%%
X:38262
%%historyfont 15
T:STATEN ISLAND HORNPIPE, The 
%R:hornpipe
S:S: Aird via Cole
N:N: The story goes that the C natural in the second part is an attempt to imitate 
N:the Staten Island ferryboat's horn! (BTW SI Ferry is still running - best ride in 
N:the city! And no charge for pedestrians!)
Z:Z: ABC/arr. BB
Q:1/4=160
M:C
L:1/8
K:D
%swing .25
AG|FDFG A2A2|dfed dcBA|B2GB A2FA|G2E2 E2AG |
FDFG A2A2|dfed dcBA|d2d2 efge|f2d2d2 :|
fg|a2fa g2eg|f2df ecA2|=c2c2 efge|=c2c2 efge |
a2fa g2eg|f2df ecA2|d2d2 efge|f2d2d2 :|

%%%
X:21185 
%%historyfont 15
T:STAY WHERE YOU ARE (jig) 
S:S: DMI.0327
Z:Z: Nordberg/Black
N:N: I'm considering the long c's at the end of each part as C natural, although 
N:they're not marked that way in source. If you want to hear the source version, 
N:replace G with D in the K: field.
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:Dmix
ABc|dcd ABc|d2A AGE|dcd ABc|def gfe|
dcd ABc|d2A AGE|GAG EDE|c3:|
ABc|d2e fed|ecA AcA|d2e fed|faf gfe|
d2e fed|ecA AGF|GFG EDE|c3:|
ABc|d2A c2A|d2A ABc|d2A c2A|def gfe|
d2B c2A|B2G A2F|GAG EDE|c3:|"^coda"Hd6z3|]

%%%
X:21186 
T:STEAM PACKET (reel) (1), The 
S:S: DMI.0517
Z:Z: Nordberg/Black
N:N: This looks and sounds like it should be A-B-A but it's not shown that way 
N:IN DMI.
%R:reel
Q:1/4=180
M:C|
L:1/8
K:Dmix
B|AGG2 AGFD|DGG2 AdcA|BGGB AFDE|FEFG AdcB|
AGG2 AGFD|DGG2 AdcA|BGGB AFDE|FEFG Adc :|
e|dgg2 agg2|dgfg fdcA|dgg2 agg2|dcde fdcA|
dgg2 agg2|dgge f2fg|afge fdec|dcde f"_DC"dc:|
"^coda" FEFA G4|]

X:62133
T:STEAM PACKET (reel) (2), The 
S:S: GSTC
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
%R:reel
K:G
AGG2 AGFD|AGG2 FAdc|AGG2 AFDE|FEFG AdcA|
AG G2 AGFG|AG G2 FAdc|A2Gc AFDE|FEFG ABcA||
dg g2 ag g2|d2 eg fdcA|dgg2 agg2|d^cde fd=cA|
dg g2 ag g2|abag fefg|afge fdec|d^cde fd=cA||\
"^coda"HG4z4|]

%%%
X:342100 
T:STEAMROLLER (jig), The 
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy2.11
Q:1/4=160
M:6/8
%R:jig
K:G
A|BGG AGF|DGE FGA|BGG AGF|DGG GAc |
BGG AGF|GFD GAc|def dcA|GAF G2 :|
c|dgg gfg|gfd cdf|gag fgf|dcA GAc |
dgg agf|dcA GAc|def dcA|GAF G2 :|
E|DGA Bcd|cAG FGA|GFD Bcd|fdc d2f |
gfd fdc|dcB GFD|cdf dcA|GAF G2 :|
c|dgf gfd|fdc dBG|Bcd fdc|def g2a |
bag agf|dcA GFD|GAc dcA|GAF G2 :|

%%%
X:44170 
T:STEEPING THE FLAX* (polka)
S:S: NFID.247c < PT  ("untitled polka")
Z:Z: ABC/arr. BB
Q:1/4=240
L:1/8
M:C
%R:polka 
N:A-B-A
K:G
f|g2B2 d2G2|B2d2 d3B|c2A2 F2A2|e2d2 d2ef|
g2B2 d2G2|B2d2 d3B|c2A2 F2A2|A2G2G3:|
B|A2d2 d^cdf|a2f2 f3a|g2e2 edeg|f2d2 d^cdB|
A2d2 d^cdf|a2f2 f2a2|g3f g2e2|d4 "_DC"d3:|

%%%
X:183090 
T:STEEPLECHASE (reel), The  
T:Carrigaline
S:S: CRE.3
Z:Z: ABC/arr. BB
%R:reel
Q:1/4=180
M:C
L:1/8
K:D 
N:source key = C
D2DE FAA2|Beed egfe|d3B A2dB|A2FD EB,B,2|
A,DDC DEFA|Beed egfe|d3B ABdB|AFEF D2 D2:|
d2fd adfb|afed cdec|d2fd adfb|afed cAce|
d2fd adfb|afed cee2|faa2 fbb2|afeg fdd2:|

%%%
X:611902
T:STEPHANIE'S POLKA 
%R:Polka
C:D. MacAdam
M:2/4
L:1/8
K:D
Ad B/c/d|Ad B/c/d|AB de|fe e2|
Ad B/c/d | Ad B/c/d | c/B/A/B/ ce | ed d2 :|
fa dB | Ad d2 | ce Ac | df f2 |
fa d>B | Ad d2 | c/B/A/B/ ce | ed d2 :|] 

%%%

X:48460
T:STEPNEY'S RANT (jig) 
S:S: OFPC4.141 ("Irish")
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%R:jig
L:1/8
K:D
E|DFA def|ece dAF|GBG FAF|BGE E2F|
DFA def|ece dAF|GBG FAF|DED D2 :|
A|FGF FED|GBG GFE|FGF FED|BGE E2G|
FGF FED|GBG GFE|GBG FAF|DFE D2 :|

%%%

X:59228
T:STEVE O'DONNELL (march) 
S:S: JOB
Z:Z: ABC/arr. BB
N:N: A song from a bygone day!
L:1/8
Q:1/4=130
M:C|
K:G
dd|gggg|gdBc|dedB|d3d|
gggg|gefg|f4-|f3d|
ggga|gdBc|dedB|d2Bc|
ddde|dcBA|G4-G2:|
dc|BG2A|BG2d|gggf|
edBd|g2g2|gde=f|^f4-|
f2dd|ggga|gdcd|eeee|
eefe|dddd|d^def|g4-|g2z2|]

%%%

X:12282
%%staffsep 80
T:STEVEN PRIOR'S (jig) 
C:© BB 
S:S: BBMG
%R:jig
%% For our nephew in Trim, Co. Meath
Q:1/4=160
M:6/8
L:1/8
K:G=F
"G"G,B,D "F"FEF|"G"G,B,D G^FG|"G"G,B,D "F"FGA|"G"dBc "D"AFD|
"G"G,B,D "F"FEF|"G"G,B,D G^FG|"G"dBc "Am"AGE|"D"DEF "G"G3 :|
"G"gab "Am"age|"G"d^cd "F"f2A|"Dm"FEF AFA|"G"dBc "D"AFD|
"G"gab "Am"age|"G"d^cd "F"fga|"G"g^fd "Am"ecA|"D"dA^F "G"G3 :|

%%%

X:12283
%%staffsep 80
T:STEVIE'S BOAT (reel) 
N:N: Tune 2 of "The Baffin Island Suite"
C:© BB 2009
S:S: BBMG
N:original key A
M:4/4
L:1/8
%R:reel
K:G 
C|"G"DGGA BAGF|"C" EccB cBAG|"D"FA ~A2 "C"EGcB|"D" ABGE "D"D3C|
"G"DGGA BAGF|"C" EDEG "Am"Acde|"G"dcBG "Am" AE ~E2|"D"DEFA "G"G3:|
G/A/|"G"B2 dB gBdB|"C" c2 ag "D"fedc|"G"B2 dB "Am" cBcd|"Em"edBG "D"A3G/A/|
"G"B2 dB gBdB|"C" cBcd "D"fedc|"G"BG ~G2 "Am" EA ~A2|"D7" dAdf "G"g3 :|

%%%

X:66120
T:STEVIE'S DROOPING HOSE (reel)
C:Richard Cook 2019
% rcookpiper@earthlink.net
Z:Z: ABC/arr.BB
%R:Reel
Q:1/4=180
M:4/4
L:1/8
K:A Major
ecBd cAA2|ceec Bcdf|ecBd cAA2|ceec Bffa |
ecBd cAA2 |ceec Bcdf|e3a f3a|ecBd cAA2:|
aecf ecBd |caac Bcdf |eaae fecf|ecBd cA A2 |
aecf ecBd |caac Bcdf |e3a f3a|ecBd cAA2:|

%%%
X:531101
T:STICK THE MINISTER (reel) 
S:S: RC1.197
Q:1/4=180
L:1/8 % 1/16 in source
M:2/4
%R:reel
K:D
Adde f2ed|f2fa gee2|Adde f2ef|gfed cAA2:|
a2 af g2 fg|a2 af ge e2|a2 af g2 ef|gfed cA A2|
a2 af g2 fg|a2 af geea|gfef gfed|cdAG FD D2|]

%%%
X:531102
T:STILE/STYLE OF BALLYLANDERS (reel) (1), The  
S:S: RC1.178
Q:1/4=180
L:1/8 
N:N: Dotted rhythm in source
M:4/4
%R:reel
K:Edor
dc|BEE2 BAFA|BdAF DEFA|BEE2 BAFA|BdAF E2dc|
BEE2 BAFA|BdAF DEFA|BEE2 BAFA|BdAF E3||
F|DFAc d3B|BAFB AFEF|DFAc dfec|dBAF E2EF|
DFAc d3B|BAFB AFEF|DFAc dfec|dBAF HE4|]

%%%
X:48156
T:STIR YOUR FEET JOHNNY (jig)
S:S: OFPC1.35
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:D
d|AGF A2D|DED FED|AGF A2D|F3 d3|
AGF A2D|DED AGF|EFE E2F|G3 B2 :|
z|ABc d2F|AGF d2F|ABc dAF|B3 d3|
[1 ABc ded|cBA d2A|Bcd EFE|G3 B2:|
[2 faf gec|fdB AFD|EFE E2F|G3 BGE|D6|]

%%%
X:497107
T:STOLEN HEART (jig), The
S:S: arr. of ONMI #527, "You Stole My Heart Away"
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:Em
F|E2e edc|BAG FED|E2e fgf|e2d e2F|
E2e edc|BAG FED|E2e egf|e3e2 :|
F|GAG BdG|FEF DEF|GFG E2B|efg B2f|
gfe dcB|ABG FED|E2e egf|e3e2 :|

%%%
X:581168
T:STOLEN PURSE (b), The  
S:S: WSGM.145 < F.O'Neill
Z:Z: Kinder/Black (arr.)
M:6/8
%R:jig
Q:1/4=160
L:1/8
K:G
B|dBG AGA|BGF G2B|dBG ABd|e2f edB|
dBG AGA|BGF G2A|GED G2A|Bdd ed :|
e|def g2b|agf g2e|def g2a|bge edB|
def g2b|agf g2a|bgg agf|e2d e2:|
"^coda" e2d def|Hg3z3|]

%%%
X:21187 
T:STOLEN PURSE (jig) (a), The  
S:S: DMI.0344
Z:Z: Nordberg/Black
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
G|FED cAg|fed cAG|ABG ABc|dcA ABG|
FED cAg|fed cAF|G3 GAF|DGG G2:|
%
B|cBA fAg|fed cAG|ABG ABc|dcA ABG|
FED fAg|fed cAF|G3 GAF|DGG G2:|
%
f|afa geg|fed cAG|ABG ABc|dcA Afg|
afa geg|fdf ecA|G3 GAF|DGG G2:|

%%%
X:41324
T:STOLEN REEL, The 
S:S: MVBT < Mike Rafferty
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:G
BA|G3A GEDE|G2BG BedB|AEE2 A2Bc|egfa gedB|
G3 A GEDE|G2 Bd efge|dG G2 eGBG|FGAF G2 :|
Bc|dg g2 edBA|GEDE G2 Bd|eaab aged|BABd e2 ge|
dg g2 agbg|aged e2 ge|dG G2 eGBG|FGAF G2 :|
%
N:N: Mike Rafferty said that he 'borrowed' this tune from Martin Mulvihill!

%%%
X:13112
T:STON[E]Y STEPS (reel) (a1), The 
S:S: BSMI.1
Z:Z: ABC/arr. BB
N:N: This is an ABB tune in book.
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:D
A3B AFF2|ABdf edBA|FAA2 BAGF|GFEG FDD2 :|
fedc defg|afbf afeg|fded fded|BdAF E2de||
"^coda"Hd4z4||

%%%
X:181149
T:STON[E]Y STEPS (reel) (a2), The 
S:S: CRE.1
Z:Z: ABC/arr.BB
N:N: Incorrect key signature (one sharp) in source.
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
A2AB AFdF|AFdf edBd|FAA2 BAGF|GEAG FDD2|
A2AB AFdF|AFdf edBd|FAA2 BAGF|GEAG FDD2||
fedc defg|afbf afeg|defc dBAF|GEAG FDD2|
gedc defg|a2bf afeg|fded fded|faag fedB||
"^coda" faag fedc|HD4z4|]

%%%
%%%
X:184086
T:STONE CHURCH POLKA*, The 
Z:Z: ABC/arr. BB
S:S: CRE.4 < Barrett < Collins
L:1/8
N:N: Repeats added
M:2/4
Q:1/4=120
%R:polka
K:D
a/g/|fA gA|aA f2|ed/e/ fe|df ab/g/|
fA gA|aA f2|ed/e/ fe|d2 d :|
K:G
A|de/f/ ge/g/|e/d/c BG|A2 AG/A/|dc/B/ G2|
de/f/ ge/g/|e/d/c BG|eg fa|g2 g :|

%%%
X:51085
T:STONE FENCE (slide)
S:S: TIDT 2/35
C:J. Kelly
Z:Z: BB
M:12/8
L:1/8
%R:slide
Q:1/4=180
K:A dorian
B|ABA G2E ABA G2E|G3 A2B c2A G3|
ABA G2E ABA G2E|G3 A2G E2F G2c|
ABA G2E ABA G2E|G3 A2B c2d e2d|
d2c B2c ABA B2d|c2A G2E D3 D2:|
B|c2d e2f gag a2g|e2c cdc e2a g2e|
c2d e2f gag a2g|e2a bag efg e2d|
c2d e2f gag f2g|agf gfe d2e f2g|
aba e2d cdc B2d|c2A BAG E2F G2:|
"^coda"HA6z6|]

%%%
X:35066
T:STONE HEAD (reel), The
S:S: composer
C:Rick Gagne 
Z:Z: ABC/arr. BB
N:N: "d/o/c/ 1991 on whistle; no C or C# notes"
%R:reel
M:4/4
Q:1/4=180
K: Em
Bd | "Em"e2ef eBB2 | gfed eBB2 | "D"f2fg fede | "Bm"fddf "D"a2gf | 
"Em"e2ef eBB2 | gfed eBB2 | EGBE GBef | "C"gfed "Em"e2 :|
ga | "Em"bgfg eBB2 | GBeB GBeB | "D"afef dAA2 | FAdA "Bm"fdaf | 
"Em"bgfg eBB2 | GBeB GBeB | "D"afed "Bm"bafd | "C"gefd "Em"e2 :|

%%%
X:181104
T:STONE IN THE FIELD (reel), The  
S:S: CRE.1
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:A dorian
A|EAAG ABcd|eaaf gedB|c3A BGG2|AcBA GEDA|
EAAG ABcd|eaaf gedB|cBcd efge|dBGc A3:|
d|eaag a3b|[c'a]2ba gedB|c3A B3G|AcBA GEDd|
eaa2 bagb|agef gfga|bgaf gedB|AcBG A3:|

%%%
X:56058
T:STONE MASON (jig), The  
C:V. Broderick
S:S: Turoe.08a
Z:Z: ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:Em
B|BAG AGE|DBe dBd|GBd g2d|gfe edB|
BAG AGE|DBe dBd|DEG GAB|AGF E2:|
A|BAB dBd|ede dBd|e2e dBG|BdB AGE|
[1 BAB dBd|e2e dBG|DEG GAB|AGF E2:|
[2 BAG AGE|DBe dBd|DEG GAB|AGF HE3|]

%%%
X:252086
T:STONE OF DESTINY (reel), The 
C:Maurice Lennon
Z:Z: ABC/arr. BB
S:S: FS2.38b
M:4/4
L:1/8
Q:1/4=180
%R:Reel
K:G
BddB G2Bd|d2Bd edBA|BddB GABd|gedB BAAd|
edBA BGGA|BGAG EGG2|DGG2 DGBe|dBAB G2z2 :|
edBA BGGA|BGAG EGGd|edBA BGGA|BddB A2ze|
edBA BGGA|BGAG EGG2|DGG2 DGBe|dBAB G2z2 :|

%%%
X:12284
%%staffsep 80
T:STONEHILL FAIR (jig), The
C:© BB
S:S: BBMG
%R:jig
%% Where the Boston Irish Festival started in . . . 1990?
%% A great weekend for many years!
Q:1/4=160
M:6/8
L:1/8
K:D
E|"Bm"FBB dBB|"D"afd "A"cBc|"Bm"FBB dcd|"D"fdc "Bm"B2 A|
"Bm"FBB dBB|"D"afd "A"cBA|"D"FAd "G"BGB|"A7"AGE "D"D2 :|
A|"Bm"Bff "F#m"cff|"D"dfa "Bm"baf|"D"d2 f "Em"ede|"D"fdc "Bm"B2 A|
"Bm"Bff "F#m"cff|"D"dfa afa|"G"b2 f "D"agf|"A"edc "D"d2 :|

%%%
X:35067
%%staffsep 70
T:STONES IN THE STREET (reel)
S:S: composer
C:Rick Gagne 
Z:Z: ABC/arr. BB
N:N: "d/o/c/ 1988 on tenor banjo"
%R:reel
Q:1/4=180
M:4/4
K:A dorian
AF |"Am"EAA2 EAA2|EAFA "G"G2FG|"Am"EAA2 EAA2 |"C"cedc "G"BAGA| 
"Am"EAA2 EAA2 |EAFA "G"G2FG|"C"Ecc2 "G"BAG2|"D"AcBG "Am"A2 :|
cd |"C"edce "G"dcBd |"Am"cBAc "Em"BEE2 |GBB2 dcBd |"C"cBAc "G"B2cB| 
"Am"Aceg agec|"D"dcBA "Em"GEE2 |"G"GBdB "D"cedB|"Am"cBAG "D"A2 :|

%%%
X:184065 
T:STONEY BATTER (jig) 
S:S: CRE.4 < Grier MS
Z:Z: ABC/arr. BB
L:1/8
M:12/8
Q:1/4=160
%R:jig
K:D
G|F2F FED F2A A2c|B2G A2F EFE E2G|
[1 F2F FED F2A A2c|Bcd e2c d2B A2:|
[2 F2F FED F2A A2c|Bcd ecA d3 d2 ||
%
|:e|f2d d2f ecA A2c|BdB A2F EFE E2g|
f2d d2f ecA A2c|Bcd ecA d3 d2e|
f2g agf ecA A2c|BdB A2F E3 A2G|
F2F FED F2A A2c|Bcd e2c d3-d3 |]

%%%
X:56059
T:STONEY BRENNAN (reel) 
C:V. Broderick
S:S: Turoe.17a
Z:Z: ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:G
DGG2 AGGE|DEGA B2Bd|gdd2 Bdgd|egdB AGEG|
DGG2 AGGE|DEGA B2Bd|egdg e2dc|BAFA G4:|
d2Bd edBd|g2fg edeg|bagf gfed|e2dB AGEG|
DGG2 AGGE|DEGA B2Bd|egdg e2dc|BAFA G4:|

%%%
X:332087 
T:STONEY STEPS (reel) (b), The  
Z:Z: ABC/arr. BB
N:N: This isn't Matt Molloy's "Stoney Steps" - this sounds much more Scottish 
N:(especially in the source key of Bb and with the cut time which I've omitted).
Q:1/4=180
N:N: Dotted rhythm in source
L:1/8 
M:4/4
%R:reel
K:G 
N:N: source key = Bb
%%vskip .3in
F|GABc dGG2|eGfG gGG2|EGDG EGDG|AcBA GFED|
GABc dGG2|eGfG gGG2|EGDG cedc|BAGF G3 :|
d|dGG2 dGG2|efgf e^deG|e^deB cBAG|FcBA GFED|
GABc dGG2|eGfG gGG2|EGDG cedc|BAGF G3 :|

%%%
X:41325
T:STORKS HAVE LANDED (reel), The 
C:Conor McCarthy
S:S: MVBT < "Ace and Deuce"
Z:Z: ABC/arr. BB
N:N: Composed by box player Conor McCarthy to commemorate the arrival of 
N:twin sons!
Q:1/4=180
M:4/4
%R:reel
L:1/8
K:D 
%%text  source key = C
%%vskip .3in
DE|FAGA BAFA|d2 cd BAFD|EB,B,2 EFGA|BedB AFEG|
FAGA BAFA|d2 cd BAFf|gfed BABc|dBAG FD :|
zd|fdad bdad|fdad bgeg|fdad bdad|bggg dgbg|
fdad bdad|bggg dgbg|gfed BABc|dBAG FD :|

%%%
X:491546  
T:STORMY VOYAGE, The  
S:S: ONMI.0086
Z:Z: Brennan/Black (arr.)
M:C
L:1/8
Q:1/4=120
K:Dm 
%%text "spirited"
%%vskip .3in
(3A=B^c|d3e f2e2|d3c A2GE|D3E F2G2|A6 A2|
d3e f2e2|d3c A2GE|A2GE D2D2|D6||
AG|F2F2  F2ED|E2E2E2D^C|D3E F2G2|A6A2|
d3e f2e2|d3c A2GE|A2GE D2D2|D4-D4|]

%%%
X:44171 
T:STORMY WEATHER (reel) 
S:S: NFID.075a < JD
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:C
%R:reel
K:D
CE|D2FE DFAF|DGBG FGAc|dcdA Bede|fdgf ecAF|
[1 D2FE DFAF|G2BG FABc|dcdA BGBd|AGFE D2:|
[2 FAEA DFAF|G2BG FABc|dcdA BGBd|AFEF D2||
|:ag|fgab agfa|gfed fdBc|dBAF ABde|fagf e^deg|
[1 fgab agfa|g2f2 edBc|dBAF AdAF|EDEF D2:|
[2 fgab agfa|g2ba gfec|dcBA BcdB|AGFE DA,B,C|HD4z4|]

%%%
X:493359 
T:STORYTELLER (jig), The 
S:S: ONMI.0743
Z:Z: Brennan/Black
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:C
d|edc cAG|GEG GEG|edc cge|edd dcd|
edc cAG|GEG GEG|cge dcd|ecc c2 :|
F|EGc cec|GBd dfd|ceg gfe|edd def|
gec cec|dBG G2F|EGc dcd|ecc c2 :|

%%%
X:50092 
T:STRAIGHT AND NARROW* (jig)
S:S: Petrie.114 (unnamed)
Z:Z: ABC/arr. BB
Q:1/4=160
N:N: Another Petrie tune which looks like a jig but may in fact not be dance 
N:music at all. I'm not sure my attempts to "jig-ify" it did it any favors.
M:6/8
L:1/8
%R:jig
K:D
e|cAA A2c|ede e2d|cAA Ace|f3 a3|
aff gee|fdd ecc|dAF FEF|d3 f2 :|
%
e|dAF FEF|AFE E2c|dAF FEF|dAd def|
dAF FEF|AFE Edc|BAB cAF|A3 A2 :|
%
e|cAA A2c|ede e2d|cAA Ace|f3 a3|
aff gee|fdd ecc|dcB AGE|D3-D2:|

%%%
X:27089
T:STRAIGHT FLUSH* (hornpipe), The 
S:S: HOC.142 ("Straight Jig", "King") (unnamed)
Z:Z: ABC/arr. BB
N:N: Another of Mr. King's compositions that is probably best left "un-arranged"! 
N:Kind of a neat tune if (big IF) you can manage all the accidentals.
Q:1/4=150
M:C|
L:1/8
%R:hornpipe
K:G
%swing .25
%%text source key = G
%%vskip .3in
B2d2e2g2|f^efg f=ec2|B2d2e2g2|f^efb c^Bcf |
B2d2e2g2|f^efg f=ec2|dBcd Bdc^A |1 B2g2b2z2 :|\
[2 B2z2c4 ||
K:D
|:d2A2 c2A2|BFGA B4|agec B2c2|edFc B2A2 |
d2A2 c2A2|BFGA B4|cdef g2c2 |1 d2f2e2a2 :|\
[2 d2a2Hd4 |]

%%%
X:332088 
T:STRAIGHT PASSAGE (reel)*, The 
Z:Z: ABC/arr. BB
S:S: Levey2.24 (unnamed)
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
A2FD FAAd|gefd edBd|A2FD FAAd|BecA d2d2 :|
d2ef gfed|cAed cAAc|d2ef gfed|BecA d2d2|
d2ef gfed|cAed cAAc|dfaf bafd|BecA d4|]

%%%
X:57171
T:STRAND HORNPIPE, The
S:S: "Treoir" 53/2 < Joe Gallagher (Leitrim)
Z:Z: ABC/arr.BB
Q:1/4=150
%R:hornpipe
M:C!
K:G
%swing .25
ga|bgdB GBdg | fecA E2fe | dcAF DFAF | GABc d2ga |
bgdB GBdg | fecA E2fe | dcAF D^DEF | G2B2G2 :|
AG|FGAB cAFD | GABc d2AG | FGAB cAFD | GABc d2ga |
bgdB GBdg | fecA E2fe | dcAF D^DEF | G2B2G2 :|

%%%
X:184017 
T:STRAND ROAD* (jig), The 
S:S: CRE.4 < Grier MS (unnamed)
Q:1/4=160
Z:Z: ABC/arr. BB
L:1/8
M:6/8
%R:jig
K:D
FDD GEE|FDD GEE|FGA BAG|FGA ABc|
dBB cAA|BGB AGF|GFE Ddc|dAF D3 :|
fdd gee|fdf edc|dcd Bed|cAA ABc|
[1 dBB cAA|BGB AGF|GFE Ddc|dAF D3 :|
[2 d2B c2A|B2G A2F|GFE Ddc|dAF HD3|]

%%%
X:62134
T:STRANGER (hornpipe), The 
S:S: GSTC  
Z:Z: ABC/arr. BB
Q:1/4=150
%R:hornpipe
M:C|
K:Dmix
%swing .25
dc|B2BG A2Ac|dcAF G2 FG|AFDE FAGE|DEFG A2dc|
B2BG A2Ac|dcAF G2 FG|AFDE FAGE|D2 D^C D2 :|
FG|ABde f2 ef|dcAF G2 FG| ABde f2 ef|gfef d2 fg|
afge dfe^c|dcAF G2 FG|AFDE FAGE|D2 D^C D2 :|

%%%
X:492199 
T:STRANGER FROM LIMERICK (hornpipe), The 
S:S: ONMI.1694 < Fielding
Z:Z: Brennan/Black
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:G
%swing .25
D2|GAGF GBdB|ABAG FGAF|Bdgf edcB|AGFE DEFE|
D2FA GBeB|A2GB ABcA|Eedc BAGF|A2G2G2:|
Bc|dBGB DBGB|dBgf edcB|cAFA DAFA|BAec dcBA|
GDB,D G,B,DG|BGed cBAG|Fedc BAGF|A2G2G2:|

%%%
X:491547 
T:STRANGER IN CORK, The  
S:S: ONMI.0222 < M.O'Brien
Q:1/4=120
Z:Z: Brennan/Black (arr.)
M:3/4
L:1/8
K:G
%%text "moderate"
%%vskip .3in
dc|B2G2E2|D2B,2D2|E2G2A2|G4D2|\
G2B2d2|d2B2d2|e2d2B2|A4D2|
G2B2d2|d2B2d2|e2d2B2|A4dc|\
B2G2E2|D2B,2D2|E2G2G2|G3-G3|]

%%%
X:66109
T:STRATHNAIRN (polka), The
C:Stephen Cooney (1953-)
D:D: Begley & Cooney: Meitheal
Z:Z: ABC/arr.BB
S:S: Rose Flanagan
Q:1/4=240
%R:polka
M:2/4
L:1/8
K:Bm
A|B/c/B/A/ Fd|Bc BA|FE/D/ AF|E2 EF/A/|
B>c BA|Fd cd|FA FD|B,2B :|
d|ef/e/ dB|Ad fd|gf/e/ de/f/|e2 e2|
ef/e/ dB|Ad cd|FA FD|B,2 B,e|
ef/e/ dB|Ad fa|b3 c'|ba f/e/d|
ef/e/ dB|Ad cd|FA FD|B,2 B,2|

%%%
X:44172 
T:STRATHY POINT* (hornpipe) 
S:S: NFID.082b < JD ("untitled highland")
Z:Z: ABC/arr. BB
Q:1/4=140
L:1/8
M:C|
%R:hornpipe
K:Amix
%swing .25
e|A2eA BAef|g2dg BABG|A2 eA Beea|gedB Aaga|
A2 eA BAef|g2dg BABG|A2 eA Beea|gedB cAA :|
e|a2ea caef|g2Bg dgB^g|a2ea cafa|gedB cAA^g|
a2ea caef|g2Bg dgB^g|afGE FD fa|GEdB cAA :|

%%%
X:493360 
T:STRAW SEAT (jig), The 
S:S: ONMI.0833
Z:Z: Brennan/Black
N:N: To my hearing this is a D dorian tune (= D minor with B's natural instead 
N:of flat). Replace "dorian" with "minor" in the ABC if you don't agree (or are 
N:just curious to hear what it sounds like!)(or both!)
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:Ddorian
c|d2d ded|cBA ABc|d2d def|ecA ABc|
d2d ded|cBA ABc|dBd cBA|GED D2 :|
G|FDF ABA|FDF ABA|ECE GAG|ECE GAG|
FDF ABA|FDF ABc|dBd cBA|GED D2 :|

%%%
X:331096
T:STRAWBERRY BEDS (reel), The
N:N:  a/k/a/ Blackberry Blossom
Z:Z: ABC/arr. BB
S:S: Levey1.7
Q:1/4=180
L:1/8
%R:reel
M:C
K:Ador
%%text "very quick"
%%vskip .3in
ge|dBAc BGGA|BcBA B2ge|dBAc BGGB|Aaag a2ge|
dBAc BGGA|BcBA B2ge|dBAc BGGB|Aaag a2 ||
ef|gfga gbaf|gfga beef|gfga bagf|e2a2a2 ef|
gfga gbaf|gfga bee2|bgaf gfed|e2a2Ha4|]

%%%
X:495341
T:STRAWBERRY BLOSSOM (reel) (1), The 
N:N: 1: "1st Setting"
N:N: 2: a/k/a/ "Boys of Ballynahinch"
S:S: ONMI.1354 < Carey
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
M:C|
L:1/8
K:D
fddf edBc|d2ef g2ag|fddf edBc|dBAF E2D2:|
faab afdf|afdf g2g2|faab afdf|gfed B2A2|
faab afdf|afdf g2g2|fa a2fa a2|gfed B2Ac|\
"^coda"Hd4z4|]

%%%
X:495342
T:STRAWBERRY BLOSSOM (reel) (2), The
N:N: "2nd Setting"  
S:S: ONMI.1355 < F.O'Neill
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
M:C|
L:1/8
K:D
fedf edBd|fddc d2ag|fedf edBc|dBAF E2D2|
fedf edBd|fddc defg|afge fdec|dBAF E2D2|
faab afdf|abaf gfeg|faab afdf|gfed B2A2|
faab afdf|abaf gfeg|faa2 gbb2|gfef gbaf|\
"^coda"Hd4z4|]

%%%
X:531103
T:STRAWBERRY BLOSSOM (reel) (3), The  
S:S: RC1.165
N:N: Slightly different from O'Neill's setting (which is in D, not G).
%Q:1/4=180
L:1/8
M:4/4 
%R:reel
K:G
dc|BGGB AEEF|G2AB c3A|BGGB AGEG|AcGE D2D2|
BGG2 AEE2|G2AB c2BA|Bdd2 e2dB|A2AG AcBA||
Bddc dBGB|dBGB c3c|Bddc dBGB|cABG E2D2|
Bdd2 dBGB|dBGB c2BA|Bdd2 e2dB|A3B dedc||
"^coda" BGGF HG4|]

%%%
X:331097 
T:STRAWBERRY BLOSSOM (reel) (4), The  
Z:Z: ABC/arr. BB
S:S: Levey1.33
N:N: Parts reversed in source.
Q:1/4=180
L:1/8
%R:reel 
M:C
K:D
%%text "quick"
%%vskip .3in
A|fddf edBe|fddf gfge|fddf edBc|dBAF EFD :|
g|faab afdf|afdf g2fe|faab afdf|gfed B3 :|

%%%
X:491548 
T:STREAMLET, The  
S:S: ONMI.0506
N:N: Note only second part repeats.
Z:Z: Brennan/Black (arr.)
M:C
L:1/8
K:D
%%text "moderate"
%%vskip .3in
DF|A>BAF GBdB|A2d>e f2D>E|FAdB cdec|d4z2||
ef|gfe>d dcBA|d2f>g Ha2F>G|AdBe gedc|d4z2:|

%%%
X:491549 
T:STREAMS OF BUNCLODY, The 
S:S: ONMI.0338 < Hartnett
Z:Z: Brennan/Black (arr.)
M:3/4
Q:1/4=120
L:1/8
K:G
%%text "moderate"
%%vskip .3in
gf|e2 d2 BA|G2 G2 GA|Bc d2 dB|e2 d2 gf|
e2 d2 BA|G2 G2 GA|B3 edB|A4 gf|
e2 d2 BA|G2 G2 GA|Bc d2 dB|e2 d2 gf|
e2 d2 Bc|d2 dg dB|A2 G2 G2|G4||
GA|B2 d2 ef|g2 g2 fg|a3 gfd|e2 d2 gf|
e2 d2 BA|G2 G2 GA|B3 edB|A4 gf|
e2 d2 BA|G2 G2 GA|Bc d2 dB|e2 d2 gf|
e2 d2 Bc|d2 dg dB|A2 G2 G2|G6|]

%%%
X:581169 
T:STREAMS OF KILNASPIG (jig), The 
S:S: WSGM.173 < P.Dunne ms
Z:Z: Kinder/Black (arr.)
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:G
c|dcB AFA|GBd gdB|cBc AFA|GBd c2A|
dcB AFA|GBd gdB|cBc AFA|BGF G2:|
c|def gfg|eag fed|cBc AFA|GBd gec|
def gfg|eag fed|cBc AFA|BGF G2:|

%%%
X:20019
T:STREAMS OF POULAPHOUCA (reel), The
S:S: DMAC.31
Z:Z: ABC/arr.BB
L:1/8
M:4/4
Q:1/4=180
%R:reel
K:D
d2ed AFDF|AFDF ABAF|dAFD ABdB|AFDF GAGE |
d2ed AFDF|AFDF ABAF|dAFD ABdB|AFDF EDD2 :|
K:Dmix
AFDF AF D2|GECE GE C2|AFDF AFDF|GECE FD D2 |
AFDF AF D2|GDCE GE C2|AFDF AFDF |GDCE FD D2 :|

%%%
X:183059 
T:STREAMSTOWN HORNPIPE*, The 
S:S: CRE.3
Z:Z: ABC/arr. BB
N:N: Only 8 measures in each part! I wasn't sure what to do with this strange 
N:little tune, so I left it alone.
M:C|
N:N: Dotted rhythm in source
L:1/8 
Q:1/4=160
%R:Hornpipe
K:D
B|:dFFE DFAF|dGGE BEEc|
dFFE DEFG|ABAG FDD2:|
defd cdec|defd BAA2|
defd cdec|ABAG FDD2:|

%%%
X:52109
T:STREET PLAYER (hornpipe), The
C:© E.Reavy
S:S: Ed Reavy Collection 
%R:hornpipe
Z:Z: McKenty / Black
Q:1/4=150
M:C|
L:1/8
K:D
%swing .25
%%text "andantino"
%%vskip .3in
FE|DFAd f2ec|dcde fdAF|GFED CDEF|GBAF EA,CE|
FDA,D FGA=c|BGBG cdeg|fagf edcd|e2 d2 d2:|
eg|f2dc dfaf|gbed cdeg|fg af gfed|cAB^G A=GFE|
FDFA dAFA|GFGB edcB|Adfa gecd|e2 d2 d2:|

%%%
X:332089 
T:STREETS OF EDGARTOWN* (jig), The    
Z:Z: ABC/arr. BB
S:S: Levey2.32 (unnamed)
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:A dorian
%%text "moderately fast"
%%vskip .3in
E|A2E Acd|ede A>BA|G2D G>Bc|dcd G2B|
A2E ABc|e2f gfg|edc Bcd|e2c A2 :|
a|aga A2a|aga A2g|gfg G2g|gfg G2B|
c2c d2d|e2f gfg|edc Bcd|e2c A2 :|

%%%
X:38263
%%historyfont 15
T:STREETS OF MULLINGAR (reel), The 
S:S: "Collection of the Dance Music of Ireland" (P.McNulty)
Z:Z: ABC/arr. BB
N:N: With its load of accented F's, I'm betting that this is a Gmix tune, although 
N:there aren't any accidentals in the source. If you want to hear what the book 
N:version sounds like, delete the "mix" after "G" in the K: field.
L:1/8
M:4/4
Q:1/4=180
%R:reel
K:Gmix
GA|BAGF GFDE|F2 AF CFAF|BAGF GFDG|cedc BG G2|
BAGF GFDE|F2 AF CFAF|BAGF GFDG|cedc BG G2|]
gfgd Bcde|fefc ABcd|gfgd BGAc|dgg2 bgag|
gfgd Bcde|fefc ABce|dBcA DEFG|cedc BG G2|]

%%%
X:65091
T:STREETS OF PARADISE (reel), The
C: Aidan Crossey
S:S: composer
Q:1/4=180
%R: Reel
M: 4/4
L: 1/8
K: A Dorian
EAAB cAAc|BAGB edcB|EAAB cAAc|BAGB AGED|
EAAB cAAc|BAGB edcB|EAAB cAAc|BAGB ABc ||
d|eaab aged|c2ec B2dB|eaab aged|ceBd ABcd|
eaab aged|c2ec B2dB|c2ec BAGB|ABcB A4|]

%%%
X:44173
T:STRENGTH IN THE BOW* (strathspey)  
S:S: NFID.192b < DOD ("untitled strathspey") 
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:C|
%R:hornpipe
K:G 
%swing .25
%%text source key = F
%%vskip .3in
dGBG dGBG|dGBG EAA2|DGBG dBge|1 dcBA GA[B2G2]:|\
[2 dcBA GAGB||
dgbg agbg|dgbg faa2|dgbg agbg|agab gf[g2B2]|
dgbg agbg|dgbg faa2|gbeg dgBe|dcBA G4|]

%%%
X:59127
T:STRIKE THE GAY/YOUNG HARP (jig) (1)
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%R:jig
K:D
d2B cAA|dAG FED|d2B cAA|dAF EFA|
def Bcd|ABG FGE|DED D2F|AFE EFA :|
%
fef fdf|aba afe|d2e faa|bge ecA|
d2f afa|bfb a2g|fed dfe|dAF EFA :|
%
def dfe|dAF DFA|def dfe|DAF EFA|
def Bcd|ABG FGE|DED D2F|AFE EFE :|
"^coda"HD6|]

%%%
X:252087
T:STRIKE THE GAY/YOUNG HARP (jig) (2)  
Z:Z: ABC/arr. BB
S:S: FS2.05b
M:6/8
L:1/8
Q:1/4=160
%R:Jig
K:D
A|d2B cBA|dAF FED|d2B cBA|dAF EFA|
def Bcd|ABA F2E|DED DEF|AFE EF :|
%
A|d2d fdf|aba afe|d2f afa|bge edB|
d2f afa|bgb a2g|fed def|dAF EF :|
%
A|def def|dAF DFA|def def|dAF EFA|
def Bcd|ABA F2E|DED DEF|AFE EF :|
"^coda"AFE EFE|HD6|]

%%%
X:493361 
T:STRIKE THE GAY/YOUNG HARP (jig)(3) 
S:S: ONMI.1052
Z:Z: Brennan/Black
N:N: This is usually played in D today. Note no repeats in source - I inserted 
N:them (and created the appropriate endings for the last part).
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:D % 
%%text source key = C
%%vskip .3in
c|dBB cAA|BAG FED|dBB cAA|dAF EFA|
def Bcd|ABG F2E|D2D D2F|AFD EF :|
%
c|def f^ga|aba afd|def f^ga|bge ecA|
def a2a|ba^g a2=g|fed dfe|dAF EF :|
%
c|dfe dfe|dAG FED|dfe dfe|dAF EFA|
def Bcd|ABG F2E|D2D D2F|AFD EF :|
"^coda" AFD EFE|D6|]

%%%
X:40032
T:STROLL IN THE PARK (reel), A
C:© Larry Mallette
S:S: composer
D:D: "A Stroll in the Park" tr.2
Z:Z: ABC/arr.BB
%R:reel
Q:1/4=180
M:C|
L:1/8
K:Em
E3F GEAE|B2Bc BAG2|ABed BAG2|F3G A2BF|
EDEF G2GA|B2ef gfed|1 BedB e/d/BA2|BGFG E4:|
[2 BedB efg2|BGFG E4 ||Bee2 efge|fgab fed2|
BdBe fgfe|dBAG F2FG|E2EF G3A|B2ef gfed|
[1 BedB efg2|BGFG E4:|2 BedB e/d/BA2|BGFG HE4 |]

%%%
X:491550 
T:STROLLING MASON, The 
Q:1/4=120
S:S: ONMI.0395 < J.O'Neill
Q:100
Z:Z: Brennan/Black (arr.)
M:C
L:1/8
K:G
%%text "moderate"
%%vskip .3in
EG|ABAG E2D2|EGAB c2BA|GABG A2GE|D4-D2EG|
ABAG E2D2|EGAB c2Bc|dedA B2A2|G6||
BA|GABc d2Bd|e2ce d2BA|GABc A2GE|D4-D2EG|
ABAG E2D2|EGAB c2Bc|dedA B2A2|G4-G4|]

%%%
X:12285
%%staffsep 80
T:STROLLING WITH ROSIE (jig) 
C:© BB 2009
S:S: BBMG
M:6/8
%% Grand-daughters are cool (especially ours)
%R:jig
Q:1/4=160
K:A
A|"A" c^Bc afe|"A"cAA A2E|"Bm" F^EF dcB|"E"GEE E2B|
"A" c^Bc afe|"D" F^EF dcB|"A" cec "E"BGB|"A" cAA "A"A2 :|
B|"A"c^Bc Ace|"D"aff f2A|"A" c^Bc edc|"Bm"dBB B2A|
"A" c^Bc a2g|"Bm" fdf b2a|"E"gfe dBG|"A" BAA "A"A2 :|

%%%
X:22140
T:STROP THE RAZOR (jig) (1)
S:S: DMWC.29 
Z:Z: ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:G
d|cAG GBG|AFD D3|DGG GFG|A2d cAG|
G3 GBG|AFD D3|D2E F2G|AdB cA :|
%
F|GBd f2g|aga gfd|cAG EGB|cAD cAG|
GBd f2g|aga gfd|cAG EGB|cAD cA :|
%
F|G3 G3|EFF FEF|G3 GFG|A2d cAG|
G3 G3|EFF FEF|dcA EGB |1 c2d cA :|
"^coda" ced cAF |HG6||]

%%%
X:331098 
T:STROP THE RAZOR (jig) (2)    
Z:Z: ABC/arr. BB
S:S: Levey1.32
%Second part not repeated in source.
L:1/8
%R:jig
M:6/8
Q:1/4=160
K:Dmix
%%text "moderately"
%%vskip .3in
d|AGG BAG|AFD FDC|DGG BAG|Add cAG|
DGG BAG|AFD D2E|FDE F2G|Add cA :|
G|Ade f2g|a2g f2d|cAG FGA|Add cAG|
Ade f2g|a2g f2d|cAG FGA|Add cA :|
"^coda"Adc AGE|D6|]

%%%
X:493362 
T:STROP the RAZOR (jig) (3) 
N:N: "1st setting"
S:S: ONMI.1092
Z:Z: Brennan/Black
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
G|DGG BAG|AFD FDC|DGG BAG|Add cAG|
DGG BAG|AFD F2G|FED F2G|Add cA :|
G|DGG G2A|DFF F2G|DGG GFG|Add cAG|
DGG G2A|DFF F2G|FED F2G|Add cA :|
"^coda" Add cAF|G6|]

%%%
X:531104
T:STROP THE RAZOR (jig) (3)  
S:S: RC1.103 (as "Strap")
N:N: A very interesting tune in two unrelated keys (if I did the transcription 
N:correctly!) I've structured this as an A-B-A tune which IMO is what the key 
N:change calls for.
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
%%text A-B-A 
%%vskip .3in
G|DGG BAG|AFD FDC|DGG BAG|Add cAG|
DGG BAG|AFD D2E|=FDE F2G|Add cA:|
K:F
G|Ade f2g|aba f2d|cAG FGA|Add cAG|
Ade f2g|aba f2d|cAG FGA|Add "_DC"cA :|
"^coda" G3z3|]

%%%
X:493363 
T:STROP the RAZOR (jig) (4) 
N:N: "2nd Setting"
S:S: ONMI.1093
Z:Z: Brennan/Black
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
GAG GBG|AFD DFD|GAG G2B|Add cAF|
GAG GBG|AFD DFD|FDE F2G|Add cAF||
%
GDG G2A|FDF F2A|GDG G2B|Add cAF|
GDG G2A|FDF FGA|cAG FGA|Add cAF||
%
GBe f2d|abg f2d|cAG FGA|Add cAF|
GBe f2d|abg f2d|cAG FGA|Add cAF||
%
G3 BGG|AGG BGG|GAG BGG|Add cAF|
GAG BGG|FDE F2G|FDE F2G|Add cAF||
"^coda"G6|]

%%%
X:13309
T:STYLE/STILE OF BALLYLANDERS (reel) (2), The 
S:S: BSMI.3
Z:Z: ABC/arr. BB
%R:reel
M:4/4
Q:1/4=180
L:1/8
K:E dorian
BE E2 dBcA|BFAF DEFA|BE E2 dBcA|BFAF EFGA |
BE E2 BABc|dBAF DEFA|BABc dfec|dBAF BE E2 :|
D2 FA d3B|AF F2 BFAF|D2 FA dcdA|BFAF EGFE |
D2 FA dcde|fdec defg|afge fdef|dBAF E2 EF :|
"^coda"  dBAF HE4|]  

%%%
X:534073
T:SUANTREE (Lullaby) 
S:S: RC1.005
L:1/8
Q:1/4=90
M:3/4
K:G
%%text "slow"
%%vskip .3in
dB|B2 B2 dB|c2 c2 dc|B2 B2 G>B|A2 G2 dc|
B2 B2 G2|A2 d2 cA|A2 G2 G2|G4:|
de|=f2 f2 ed|e2 e2 dB|d2 g2 B2|A2 G2 de|
=f2 f2 ed|e2 e2 dB|d2 g2 ag|Hg4 dc|
B2 B2 dB|c2 c2 dc|B2 B2 G>B|A2 G2 dc|
B2 B2 G2|A2 d2 cA|A2 G2 G2|G4:|

%%%
X:65092
T:SUCKING DIESEL (reel)
C: Aidan Crossey
S:S: composer
%R:Reel
Q:1/4=180
M:4/4
L:1/8
K:A Dorian
EAAG ABAG|ABcd e3f| geaf gedB|cABG AGED|
EAAG ABAG|ABcd e3f| geaf gedB|1cABG A2 AG:|
[2 cABG ABc|:d|eaag aged|eBcd e3f|geaf gedB|
cABG ABcd|eaag aged|ecdB A2AB|c2 cA B2 Bc|
dBcB ABc :|"^coda" dBcB HA4|]

%%%
X:35068
%%staffsep 80
T:SUGAR HOUSE POLKA, The
S:S: composer
C:Rick Gagne 
Z:Z: ABC/arr. BB
N:N: "d/o/c/ 1996 on fiddle"
%R:polka
Q:1/4=140
M:2/4
L:1/8
K:D
"D"a>g fa | "G"gf "F#m"a2 | "A"ce Ae | ce "G"g2 | 
"D"a>g fa | "Em"gf ed | "A"c/d/e Ac |"D"dA df ||
f|"A"ea ag | "F#m"fg "Em"e2 | "D"fd de/f/ | "G"gf ed | 
"A"ea ag | "F#m"fg "Em"eg | "D"f/g/a "A"ge | "D"dA d :|\

%%%
X:535237
T:SUISHEEN BAWN (set dance), The 
N:N:  correctly "S˙isÌn B·n" (= "White Blanket")
S:S: RC2.273
Z:Z: ABC/arr. BB
Q:1/4=130
L:1/8 % 1/16
M:C % 2/4
%R:hornpipe 
K:G
(3GAB|c2E2 E2DE|G2AB c3A|BAGE D2D2|EAAB A2dc|\
BAGE D3E|G2G2 G2:|
Bd|e2ef e2d2|gedB c3A|BAGE D2D2|EAAB A2dc|BAGE D3E|\
G2G2 GABd|
e2ef e2d2|gedB c3A|BAGE D2D2|EAAB A2dc|BAGE D3E|G2G2 G4|]

%%%
X:582063
T:SUISÕN BAN (set dance)
T:The White Blanket
S:S: WSGM.087 < "O'Farrell's Pocket Companion"
N:N: Not to contradict the Chief, but I don't find this tune (by this name 
N:anyway) anywhere in the O'Farrell volumes (= tunefolders 47 & 48).
Z:Z: Kinder/Black
M:C
Q:1/4=120
L:1/8
K:G
G>A|B2 E2 E2 D>E|G2 AB c3 A|B2 AG E2 D>E|A2 A2 A2 GA|
B3 A GEDE|G2 G2 G2:|B2|cBcd efgf|edcB c3 A|B2 AG E2 D>E|
%%stretchlast 0
A2 A2 A2 G>A|B3 A GED>E|G2 G2 G2:|

%%%
X:491551 
T:SUMMER EVENING, The 
S:S: ONMI.0215 < F.O'Neill
Z:Z: Brennan/Black (arr.)
M:3/4
L:1/8
K:A
%%text "moderate"
%%vskip .3in
E|A2-AcBA|G2-GBcd|e2fdBA|G4 (3EFG|
A2-AcBA|G3A B/c/d|e2fdBG|A4||
c>d|e2-efed|c2-cedB|A2-ABAG|E4 (3EFG|
A2-AcBA|G3A B/c/d|e2fdBG|A6|]

%%%
X:535398 
T:SUMMER FLOWER SCHOTTISCHE, The
T:measures 1-8
S:S: RC3.143
Z:Z: ABC/arr. BB
Q:1/4=140
N:N: Dotted rhythm in source
L:1/8 
M:C|
%R:hornpipe
K:G
%swing .25
Bc|d2gf agdB|A2e^d e4|A2fe dcBA|GFGA B2Bc|
d2gf agdB|A2e^d e4|A2fe dcBA|G2g2g4||

%%%
X:48352 
T:SUMMER HILL (hornpipe) 
S:S: OFPC3.121
Z:Z: ABC/arr. BB
Q:1/4=140
M:C|
L:1/8
%R:hornpipe
K:D
%swing .25
dFAF dF B2|dFAF BEEF|dFAF dF B2|ABAG FDDA |
dFAF dF B2|dFAF BEEF|dfec dgec|BdAG FDD2 :|
defd gefd|egfd eBBc|defd gefd|efga fd d2|
defd gefd|egfd eBBc|dfBd Ad F2|ABAG FDD2 :|

%%%
X:182165
T:SUMMER IN IRELAND (reel) 
T:Dowd's #9
S:S: CRE.2
Z:Z: ABC/arr. BB 
L:1/8
M:C
%R:reel
Q:1/4=180
K:D
DFF2 GFEF|D2FA dABA|F2AF GFGB|A2FD A,B,CE|
DFAF GFEF|D2FA dABA|F2AF GFGB|A2FD EDD2:|
fdd2 g2ag|fdd2 edce|fdd2 gfec|dcde fdde|
dfaf g2eg|fedf ecAF|G2BG FAdB|A2FD EDD2:|

%%%
X:491552 
T:SUMMER IS COME, The 
S:S: ONMI.0482 < J.O'Neill
Z:Z: Brennan/Black (arr.)
M:3/4
Q:1/4=80
L:1/8
K:D
%%text "with feeling"
%%vskip .3in
(3A/B/c/|d>c A/G/c/G/ A>G|E/D/G/E/ DD DD/E/|
FG A2f>e|d/c/A/G/ F/G/A/B/ =cD/E/|
FG A2 gf/e/|d>c e/d/c/e/ d (3A/B/c/|d>=c A/G/c/G/ A>G|
E/D/G>4E/4 DD D2|]

%%%
X:29105
T:SUMMER IS COMING 
S:S: CGI.066
Z:Z: ABC/arr. BB
Q:1/4=100
L:1/8
M:3/4
K:D
%%text "moderate time"
%%vskip .3in
c2|d4c2|B4c>d|e4f2|A2z2Bc|d4c2|B3AF2|B2A2G2|F4 :|
zA|B4B2|A3Bc2|d3ef2|F2z2G2|A2G2E2|F2E2A2|D4E2|D4-DA|
G4G2|F3GA2|d3ef2|F2z2F2|A2G2E2|F2E2A2|D4E2|D6|]

%%%
X:50093 
T:SUMMER SUNSET* (jig), A  
S:S: Petrie.111 % unnamed
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:A
c|dcB BcA|FEE E2A|BAB c2d|edc B2A|
BAB c2d|edc B2d|edB BcA|FEE E2 :|
e|a2e fed|cAA A2A|BAB cBc|def e2e|
a2e fed|cAA ABc|edB BcA|FEE E2 :|
"^coda" BAB HA3|]
%
N:N: Original has only 8 bars and no breaks. I had to rework a lot of it into jig 
N:shape but unfortunately I don't have Petrie's original to hand to see exactly 
N:what I changed.

%%%
X:41326 
T:SUMMERHILL POLKA #1, The 
C:S. O Driscoll (Cork)
S:S: MVBT
Z:Z: ABC/arr. BB
Q:1/4=120
M:2/4
L:1/8
%R:polka
K:D
d>c dA|BA FD|dc dA|Be ec|
d>c dA|BA FD|EG FE|D2 D2 :|
FA AF|Ge ec|dA FA|BG EG|
FA AF|Ge ec|d/2B/2A FE|D2 D2 :|

%%%
X:41327 
T:SUMMERHILL POLKA #2, The 
C:S. O Driscoll (Cork)
S:S: MVBT
Z:Z: ABC/arr. BB
Q:1/4=120
M:2/4
L:1/8
%R:polka
K:G
DG GA|B2 AG|FA AB|c/B/A FD|
DG BA|B2 AG|Ad c/B/A|AG G2 :|
gG gG|g2 f/g/e|fd d/c/B|AB cA|
gG gG|g2 f/g/e|fd d/c/A|AG G2 :|

%%%
X:41328 
T:SUMMERHILL POLKA #3, The 
C:S. O Driscoll (Cork)
S:S: MVBT
Z:Z: ABC/arr. BB
M:2/4
L:1/8
Q:1/4=120
%R:polka
K:D
A|df ed|c/B/A AF|GB AG|FD DE|
FD FG|Ad dA|BA Bc|d3 :|
e|fe/f/ gf|ec A>B|cA eA|e>d cB|
fe/f/ gf|ec A>B|cA eA|d3 :|

%%%
X:184162 
T:SUNDAY BELLS* (reel), The
S:S: CRE.4 <Sheahan MS
Z:Z: ABC/arr. BB
N:N: Repeats added
L:1/8
M:4/4
Q:1/4=180
%R:reel
K:G
dc|B2BA BGG2|ABAF DFdc|B2BA BGG2|ABAF GBdc|
B2 BA BG G2|ABAF DFdc|B2dB GBdB|1 cAFA BG :|2 cAFA Bd||
cA|GABc defd|c2 cA FAcA|GABc d2 ef|gfaf g2 ga|
b2 af gfed|fdcB AFDF|B2AB c2Bc|d2eg fd :|
"^coda" d2eg fdcA|G4z4|]

%%%
X:23016
T:SUNDAY IN FLATBUSH (hornpipe)
C:E. Dooley
S:S: composer
Z:Z: ABC/arr.BB
Q:1/4=150
M:C
L:1/8
%R:hornpipe
K:A
%swing .25
AB|"A"cBAc efec|"Bm"BFF^E F2AF|"A"EAAB cBce|"F#m"fece f3g|
"A"affg agec|"Bm"BFcA B2AB|"A"cBAc "D"defd|"A"cA"E"BG "A"A2 :|
Bc|"D"dcde fafd|"A"cBcd efec|"E"BABc dcB2|"A"cBcd "A7"e2a2|
"D"fd d/c/d FAdf|"A"ec c/B/c EAce|"Bm"dBFB dBF^E|"E"EGBG "A"A2 :|

%%%
X:341096 
T:SUNHAVEN REEL, The 
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy1.50
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Em
BA|GEED EFGA|BEED E2 GA|B2 dB GABd|edBG A2 BA |
GEFD EFGA|BEED E2 GA|B2 dB edBA |1 GBAF GE :|
[2 GBAF GE E2 || Be e2 Bdef|g2 af gfed|B2dA GABd |
edBA GEGA|Bdef g2 f2|efdB AEGA|B2 ed BdBA |
[1 GEGD E2 GA :|2 GEGD E4|]

%%%
X:181148
T:SUNNY BANKS (reel) (1), The  
S:S: CRE.1
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:D
B|AFF2 dFF2|BdcA G2FG|AFF2 dFAF|GBAF D2FG|
AFF2 dFF2|BdcA GAFG|AGFE FEFA|dBAF D3:|
g|f2ed cAAg|fdef g2ag|f2eg fdAd|BdAG FDDg|
f2ed cAAg|f2de fgag|f2eg fdAd|BdAF D3:|

%%%
X:252088
T:SUNNY BANKS (reel) (2), The 
Z:Z: ABC/arr. BB
S:S: FS2.20c
M:C
L:1/8
Q:1/4=180
%R:reel
K:D
G|AFF2 d2cA|BdAF GFGB|AFF2 d2cA|1 BdAF DEF :|2 BdAF D3 ||
g|f2ed cAAg|fdef g2ag|f2ed cAA2|BdAF D3 :|
"^coda" BdAF D4|]

%%%
X:35069
%%staffsep 80
T:SUNNY BUT BRISK (hornpipe)
S:S: composer
%R:hornpipe
C:Rick Gagne 
Z:Z: ABC/arr. BB
N:N: "d/o/c/ 1988 on tenor banjo and whistle"
Q:1/4=150
M:C
K:D
%swing .25
(3ABc | "D"dABA d2DE | FABA d2de | "Bm"fdfa "G"gfed |\
"A"cdec Agfe | 
"D"dABA d2DE | FABA d2de | "Bm"fdfa "G"gfea | "A"gfec "D"d2 :|
de | "Bm"fBB2 "Em"afge | "A"Aeed efge | "Bm"fBB2 "G"afge |\
"D"Addc dcde | 
"Bm"fBB2 "Em"afge | "A"Aeed efge | "G"afge "Em"fdec | "Bm"ABBA B2 :|

%%%
X:332090 
T:SUNNY DAN (jig)   
N:N: a/k/a/ Daniel of the Sun, Leg of the Duck
Z:Z: ABC/arr. BB
S:S: Levey2.61
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D 
%%text source key = C
%%vskip .3in
g|fdd edd|fef dBA|Bee e2f|Bee e2a/g/|
fdd edd|fef dBA|Bdd d2e|Add d2 :|
e|fga efg|fef dBA|Bee e2f|Bee efg|
fga efg|fef dBA|Bdd d2e|Add d2 :|

%%%
X:12286
%%staffsep 80
T:SUNNYSIDE UP (reel)
C:© BB 
S:S: BBMG
M:4/4
%% Sunnyside is a neighborhood in Queens (NYC) that used
%% to have a sizeable Irish population back in the day 
%R:reel
Q:1/4=180
L:1/8
K:G
zD|"G"Gdd^c dBGE|"D"FAd^c "D7"d=cAF|"C"EccB "^Am7"cBAG|"D"FAGE DEFA|
"G"Gdd^c dBGE|"D"FAde "D7"fdcA|"G"GBdB "C"cdec|"G"Bc "D"AF "G"G2 :|
Bc|"G"dBBc dB ~B2|"Am"cAAB cA ~A2|"G"Bdga bgfg|"Am"ecBc "D"A2 Bc|
"G"dBBc dB ~B2|"Am"cAAB cA ~A2|"G"BddB "^Am7"ceag|"D7"fdcA  "G"G2 :|

%%%
X:492200 
T:SUNRISE HORNPIPE, The 
S:S: ONMI.1684 < F.O'Neill
Z:Z: Brennan/Black
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:G
%swing .25
EF|GFGB AGEF|GAGE D2z2|d4 edBG|BAAB A2D2|
GFGB AGEF|GAGE D2 z2|d4edBG|AcBA G2:|
E2|e2EF GFE2|^defd e2z2|e2EF GFE2|^defd e2z2|
e^def gfeg|fedf e2 EF|gfge dBGB|AcBA G2:|

%%%
X:23017
%%staffsep 80
T:SUNSET CLOUDS (polka), The 
C:Paddy Curry
S:S: composer
Z:Z: ABC/arr.BB
%R:polka
M:2/4
Q:1/4=130
L:1/8
K:D
"D"A2 BF|"D"A2 dc|"G"B2 G>B|"A"AG FE|
"D"D2 FA|"D"dc BA|"G"B>A Bd|"A"e2 fe|
"D"d3c|"Bm"B3c|"D"d>c "G"dB|"A"AG FE|
"D"D2 FA|"D"d>c "G"dB|"D"AF "A7"GE|"D"D4 ||
"D"f2 df|"G"g2 ag|"D"f2 df|"A"e>c BA|
"D"f2 df|"G"g2 ag|"Bm"f>e df|"A"e2 de|
"D"f2 df|"G"g2 ag|"D"f2 df|"A"e>c BA|
"D"D2 FA|"D"d>c "G"dB|"A7"AB ce|"D" d4 |]

%%%
X:12287
%%staffsep 80
T:SUNSET PARK (jig)
C:© BB
S:S: BBMG
%R:jig
%% In Brooklyn
Q:1/4=160
M:6/8
L:1/8
K:G
D|"G"DGB "Am"AGE|"G"DEG "Am7"Age|"G"dcB "C"cde|"G"dcB "Am"AGE|
"G"DGB "Am"AGE|"G"DEG "D7"Adc|"Em"BAB ded|"D7"cAF "G"G2 :|
e|"G"gab e2d|"Em"efg dcB|"C"cde "Am"eag|"D"fd^c d2 d|
"G"gab e2d|"Em"efg dcB|"C"cde "G"dBG|"D7"cAF "G"G2 :|

%%%
X:21188 
T:SUNSHINE HORNPIPE (a), The  
S:S: DMI.0952
Z:Z: Nordberg/Black
%R:hornpipe
Q:1/4=150
M:C
L:1/8
K:A
%swing .25
cd|e2c2 A2ED|CEAc ecAc|d2c2 B2A2|GBFB E2cd|
eace AcED|CEAc ecAc|d2c2 B2G2|Aaec A2:|
Bc|dBGB EGBc|dBGB d2cd|ecA2 EAcd|ecAe a2ga|
fdBd fdcA|GBAF E2cd|eafd cABG|Aaec A2:|

%%%
X:57148
T:SUNSHINE HORNPIPE (b), The 
S:S: Treoir.45a < Michael Dwyer 1975
Z:Z: ABC/arr. BB
%R:hornpipe
Q:1/4=160
M:4/4
L:1/8
K:G
Bc|egdB GBDG|BDGB dBGB|c2B2 A2G2|FAEF D2Bc|
egdB GBDG|BDGB dBGB|c2B2 AGFA|GgdB G2 :|
AB|cAFA DFAB|cAFA c2Bc|dBGB DGBc|dGBd g2fg|
ecAc ecBG|FAGE D2Bc|dgec BGAF|G2B2G2 :|

%%%
X:48157
T:SUP OF GOOD DRINK (jig) (a)  
S:S: OFPC1.28 ("Irish"; with "Soup"!)
N:N: "Soup" is bad editing (maybe on an empty stomach) for "sup".
Q:1/4=160
Z:Z: ABC/arr. BB
M:6/8
%R:jig
L:1/8
K:D
DED F2G|A2d cAF|G2A B2G|GBG AFD|
DED F2G|A2d cAF|G2A B2G|AFE D3 :|
d2e f2d|faf gec|d2e f2d|cBA d2A|
d2e f2d|faf gec|d2A B2G|AFE D3 :| 

%%%
X:16322
T:SUP OF GOOD DRINK (jig) (b), The  
S:S: CIAJ
Z:Z: ABC/arr. BB
N:N: In original there are no repeats after m.8.
L:1/8
M:6/8
%R:jig
Q:1/4=160
K:Em
%%text "moderato"; source key Dm
%%vskip .3in
B|e2f g2e|fdB BAG|e2f g2b|afd ega|
bag agf|ged BAG|A2B c2A|BGE E2 :|
F|G2d GdB|GdB dBG|A2e cec|Aec ecA|
G2d GdB|GdB dBG|A2B c2A|BGE E3 :|
D|F2G dGG|BGG dGG|ABA eAA|cAA eAA|
GAG GBd|gfe dBG|A2B cBA|BGE E3 :|

%%%
X:492201 
T:SUPPLE DANCER (hornpipe), The  
S:S: ONMI.1646 < J.O'Neill
Z:Z: Brennan/Black
%R:hornpipe
Q:1/4=150
M:C|
L:1/8 
K:G
%swing .25
dc|B2GB cAFA|afge dcBA|B2GB cBAG|FAdf edcA|
B2GB cAFA|afge dcBA|B2GB cAFA|G2B2G2:|
Bc|d2g2 f2e2|d2cA G2F2|Eedc BAGF|AGFE D2Bc|
d2g2 f2e2|d2cA G2F2|Eedc BAGF|A2G2G2:|

%%%
X:341097 
T:SUSAN'S DEN (reel) 
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy1.29
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
FE|DB,A,B, DEFA|B2AF ABde|fdd2 edBc|dBAF E2FE |
DB,A,B, DEFA|B2 AF ABde|fded Bdfe|dBAF D2 :|
FG|Ad d2 Adfd|adfd edBA |dBAF DEFA|dBAF E2 FG |
[1 Ad d2 Adfd|adfd edBd|fded Bdfe|dBAF D2 :|
[2 Ad d2 Adfa|bfaf gfed|BdAd fded|BdAF D4 |]

%%%
X:141075
T:SUSANNA KELLY 
S:S: CAR-OS
C:O'Carolan
Z:Z: Gilb/Brennan/Black
M:2/4
Q:1/4=120
L:1/16
K:D
P:E dorian
%%text "allegretto"
%%vskip .3in
GA|B2E2 E2FA|B2E2 E2FA|A2A2 BAF2|A4 A4|
dcB2 B2c2|dcB2 B2cd|efed edcB|A4 F2GA|
B2E2 E2F2|DEDC B,2FG|A2A2 A2^GA|B4 B4|
d2d2 edcd|e2e2 f4|edBA BAFE|E4 E4||
D2D2 D2A2|GFED F2A2|BdBA FAFE|D4 B,4|
egef e2B2|dcde d2e2|fedc edcB|A4 A4|
dcde d2e2|fefg a2f2|e2ee fedB|e4 B4|
deff Bcdd|BAFE D2B,2|DEFA BAFE|E4 E4|]

%%%
X:28026
T:SUSHEEN BAWN 
N:N: An S˙isÌn B·n (The White Blanket)
S:S: ISQT.20a
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=80
M:C
K:C
%%text "slow"
%%vskip .3in
c>d|e2A2 A2GA|c2d>e f2ed|e2c2 A2GA|d2d2 d2ef|\
e3d cAGA|c2c2 c2 :|
e2|f>efg a>bc'a|agfe f3d|e2c2 A2GA|d2d2 d2ef|\
e3d cAGA|c2c2 c2 :|

%%%%%
X:66094
T:SUSIES FOREARMS ROLL-ON (reel)
C:Max Bruecher 2010
S:S: composer
Q:1/4=180
M:C|
L:1/8
%R:reel
K:D 
cB|Acc2 Acef|ecBA B2 AG|EG G2 AG G2|BGG2 dGBG|
Ac c2 Acef| ecBA B2 AG| EG G2 AG G2| BGEG A2 :|
ae|Acef g2 fe| fd d2 adfd| Acef g2 gf| eaab agfe|
Acef g2 fe| fd d2 adfd|g2 ge fd d2|1 egfe a2 :|\
[2 egfe agfe ||"^coda"d8||

%%%
X:496048 
T:SWAGGERING JIG (slip jig) (1), The  
S:S: ONMI.1118 < Early
Z:Z: Brennan/Black
%R:slip jig
Q:1/4=160
M:9/8
L:1/8
K:G
d|BGG AGE DGG|BAG GFG Azd|BGG AGE DGG|
cBA BGE D2:|z|Add d2e f2f|Add dBG Azc|
Bdd dge dBG|cBA BGE Dzc||Bdc dgf dBG|
Bdd dBG Azf|gfe dBd cBA|cBA BGE HD3|]

%%%
X:532111
T:SWAGGERING JIG (slip jig) (2), The  
S:S: RC2.269
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:9/8
%R:slip jig
K:G
c|BAG AGE EDD|BAG AGE c2d|BAG AGE EDD|
cBA BGE D2:|z|GBd efe dcB|GBd efe d2B|
GBd efe dcB|AGE GAB c2A|GBd efe dcB|
GBd efe d2f|gfe edB BAG|AGE GAB c2||
"^coda"HG6z3|]

%%%
X:184039 
T:SWAGGERING RAKE (slip jig), The 
Z:Z: ABC/arr. BB
S:S: CRE.4 
L:1/8
Q:1/4=160
M:9/8
%R:slip jig
K:Em
B2A GEF G2A|B2A Bde dBA|ABA GEF G2A|
B2A GAB dBA:|Bed efg a3|Bed efe dBA|
Bed efg a3|bag ege dBA:|"^coda"E6z3|]

%%%
X:252089
T:SWALLOW TAIL (reel) (1), The 
Z:Z: ABC/arr. BB
S:S: FS2.28c
M:C
L:1/8
Q:1/4=180
%R:reel
K:A dorian
gf|eAcA eAcA|Bdef gedB|G2BG dGBG|Bdef g2fg|
eAcA eAcA|Bdef g2fg|afge dBGB|1 AcBG A2 :|\
[2 cABG A2||
|:Bd|eaab aged|Bdef gedB|G2BG dGBG|Bdef g2fg|
eaab aged|Bdef g2fg|afge dBGB|AcBG A2 :|\
"^coda" AcBG HA4|]

%%%
X:52110
T:SWALLOW'S NEST (b), The
C:© E.Reavy 
S:S: Ed Reavy Collection 
Z:Z: McKenty / Black
N:N: Source has the |c| in m.4 natural.
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:D
c|dcd fdc|dAG FED|FAd cAF|EcE GFE|
DFA dAF|EGB efg|fdf gec|edc d2:|
g|aba fdf|gag ecA|fef gfg|ecA GFE|
DFA dAF|EGB efg|fdf geA|edc d2:|

%%%
X:36059 
T:SWALLOW'S NEST (jig) (a), The
Z:Z: ABC/arr. BB
S:S: Mally.EvIST:084
Q:1/4=160
%R:jig
L:1/8
M:6/8
K:A dorian
B|cAA eAA|cBA edc|BGG dGG|gfg dcB|
cAA eAA|cBA c2d|gfg dcB|cAA A2 :|
g|efg a2b|a2b age|efg a2b|agf g2d|
efg a2b|a2b age|gfg dcB|cAA A2 :|

%%%
X:11021
T:SWALLOW'S NEST (jig) (c), The  
T:Swallowtail
S:S: AIF
Z:Z: Brennan/Black (arr.)
M:6/8
L:1/8
%Q:1/4=160
%R:jig
K:G
P:A dorian
A/B/|cAA eAA|cBA edc|BGG dGG|gfg dcB|
cAA eAA|cBA e2f|gfg dcB|cAA A2:|
d|efg a2b|a2b age|efg a2b|agf g2d|
efg a2b|a2b agf|gfg dcB|cAA A2:|
%
P:Alternate version:
K:E dorian
E/F/|GEE BEE|GFE BAG|FDD ADD|dcd AGF|
GEE BEE|GFE B2c|dcd AGF|GEE E2:|
A|Bcd e2f|e2f edB|Bcd e2f|edc d2A|
Bcd e2f|e2f edc|dcd AGF|GEE E2:|

%%%
X:11045
T:SWALLOW'S TAIL (reel) (2), The 
Z:Z: Brennan/Black (arr.)
N:N: Source has C sharps in mm 6 and 14.
M:C
Q:1/4=180
%R:reel
L:1/8
K:A dorian
gf|eAA2 eAcA|Bdef gedB|G2BG dGBG|Bdef g2fg|
eAA2 efed|"6"cdef gfgb|afge dBGB|AcBG A2:|
Bd|eaag abag|edef gedB|G2BG dGBG|Bdef g2fg|
agab aged|"14"cdef gfgb|afge dBGB|AcBG A2:|

%%%
X:183196 
T:SWALLOW'S TAIL (reel) (3), The 
S:S: CRE.3
Z:Z: ABC/arr. BB
%R:reel
L:1/8
Q:1/4=180
M:C
K:A dorian
gf|eAcA eAcA|Bdef g2dB|GABG DGBG|Bdef gfgd|
eAcA EAcA|Bdef g2fg|afge dfed|c2cB A2 :| 
Bc/d/|eaa2 aged|cdef gedB|GABG DGBG|Bdef gfgd|
eaag aged|cdef gafg|abge dfed|c2cB A2:|

%%%
X:495343 
%%historyfont 15
T:SWALLOW'S TAIL (reel) (4), The  
S:S: ONMI.1267 < F.O'Neill
Z:Z: Brennan/Black
%R:reel
Q:1/4=180
M:C|
L:1/8
K:A dorian
gf|eAcA eAcA|cdef gedB|G2BG dGBG|cdef g2fg|
eAcA eAcA|cdef g2fg|afge dBGB|AcBG A2 :|
cd|eaag abag|edef gedB|G2BG dGBG|cdef g2f^g|
eaag abag|edef g2fg|afge dBGB|AcBG A2 :|
%
N:N: Source key is A major - not sure if that's a "scribal error" or if the tune was 
N:played that way back in the Chief's day. In any event I'm treating it as A dorian, 
N:which is how it's played today (with parts repeated). To hear what the A major 
N:version sounds like, replace G with A in the K: field.

%%%
X:38264
T:SWALLOWTAIL JIG ("session setting"), The 
%R:jig
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
L:1/8
K:Em
GEE BEE|GEE BAG|FDD ADD|d^cd AGF|
GEE BEE|GEG B2^c|d^cd AGF|GEE E3:|
Bcd e2f|e2f edB|Bcd e2f|edB d3|
Bcd e2f|e2f edB|dcd AGF|GEE E3:|

%%%
X:54075 
T:SWAN HORNPIPE, The 
S:S: SRHI.15b
Z:Z: ABC/arr. BB
C:Se·n Ryan
Q:1/4=150
L:1/8
M:C
%R:hornpipe
K:A
%swing .25
E2|A2 cA EAce|a2ga faec|d2fd c2ec|BEGB edcB|
A2cA EAce|a2ga fa ec|d2fd c2ec|BEGB A2:|
EG|acea fadf|fecA BEGB|Acec dfba|gbfb ebgb|
acea f2df|fecA BEGB|Acec dfba|GE dB A2:|

%%%
X:52111
T:SWANS AMONG THE RUSHES (jig)
C:© E.Reavy 
S:S: Ed Reavy Collection 
Z:Z: McKenty / Black
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:G
%%text "allegretto"
%%vskip .3in
f|gfg agf|gdB e2d|cBc EFG|AGE D2 B,|
DGB BAB|dcB cBc|fed cAF|GBA G2:|
A|Bcd efg|fdf ecA|GBd eag|fdf g3|
Bcd efg|fdf ece|fef agf|gba g2:|

%%%
X:12351
%%staffsep 80
T:SWANS of GLEN LOUGH (slide), The
N:N:  Tune 2 of "Tracy's Trilogy"
C:© BB 10/21
S:S: BBMG
M:12/8
Q:1/4=180
%R:slide
K:G
F|"G"G2A BcB "Am"A2B cde| "D"d2e fef "G" gab gfe |
"G"G2A BcB "Am"A2B c2e|"G"dBG "D"FEF "G"G3G2:|
"Am"A2B cBA "G"B2c d3| "A"^c2d efe "D7"dfe d=cA|
"G"G2A BcB "Am"A2B c2e |"G"dBG "D"FEF "G"G3G2:|

%%%
X:341098 
T:SWEAT HOUSE REEL, The 
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy1.29
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Em
AF|E2FD E2FA|BdAB defd|edef d2ed|BdAF DEFD |
E2 FE BEFA|BdAB defd|edef dBAF|DEFD E2 :|
FA|Be e2 fded|BdAB dAFA|Be e2 d^cde|fdad gded |
Be e2 fded|BdAB defd|edef dBAF|DEFD E2 :|

X:11081
T:SWEENEY'S (hornpipe)
S:S: AIF
Z:Z: Brennan/Black (arr.)
Q:1/4=150
M:C|
N:N: Dotted rhythm in source
L:1/8  
%R:hornpipe
K:G 
%swing .25
%%text source key = A
%%vskip .3in
BA|G2AG EG D2|EGAB c2Bc|dgfg edcB|A2GE D2BA|
G2AG EG D2|EGAB c2Bc|dgfg ecAF|G2B2G2:|
Bc|d2gd edBc|d2gd e2Bc|d2gd edcB|A2GE D2BA|
G2AG EG D2|EGAB c2Bc|dgfg ecAF|G2B2G2:|

%%%
%%%
X:13414
T:SWEENEY'S BUTTERMILK (reel) 
S:S: BSMI.4  
Z:Z: ABC/arr. BB
L:1/8
%R:reel
M:C
Q:1/4=180
K:D
A|FBB2 fBB2|dcBc AEE2|FBB2 ABce|afec Ba^ga|
f2ec f2ec|BABc BAFE|FBB2 ABce|afec B3 :|
A|FBdc BFF2|EAcB AEE2|FBdc Bdfb|afec Bcdc|
Bcde fBB2|afec ABce|f3a bff2|afec B3 :|

%%%
X:183108
T:SWEENEY'S DREAM* (reel) 
S:S: CRE.3
Z:Z: ABC/arr. BB
%R:reel
L:1/8
Q:1/4=180
M:C
K:D
dFF2 ABdf|gfed fdBc|dFF2 ABdB|AFDF E2DB|
dFF2 ABdf|gfed fdBc|dFF2 ABdB|AFDF E2D2||
faa2 fadf|gfed cdeg|faa2 bfag|faeg fdce|
faa2 bff2|afeg fdBc|dFF2 ABde|faeg f2fe||
"^coda" Hd4z4|]

%%%
X:13270
T:SWEENEY'S POLKA (a) 
S:S: BSMI.2
Z:Z: ABC/arr. BB
%R:polka
M:2/4
Q:1/4=120
L:1/8
K:D
e|f/g/f/e/ d/c/d/B/|AD FA|GE e>d|cB BA|
f/g/f/e/ d/c/d/B/|AD FA|GE e>f|ed d :|
B|Af f/e/f|Ag g/f/g|Af f/e/f|e/f/e/d/ BA|
Af f/e/f|Ag g/f/g/a/|ba f/a/a/f/|1 ed d :|2 ed Hd2 |]

%%%
X:251102
T:SWEENEY'S POLKA (b1) 
Z:Z: ABC/arr. BB
M:2/4
S:S: FS1.38a
L:1/8
Q:1/4=140
%R:Polka
K:A
ef/e/ ce|Ae ce|f/g/a/f/ ec|BA F2|
ef/e/ ce|Ae ce|f/g/a/f/ ec|BA A2 :|
ce a>f|ec BA|ce a>f|ec B2|
ce f/g/a/f/|ec BA|ef/e/ cB|BA A2 :|

%%%
X:31198
T:SWEENEY'S POLKA (b2)
Z:Z: ABC/arr. BB
S:S: JOL.282
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:A
ef/e/ ce|Ae ce|f/g/a/f/ ec|BA FA|
ef/e/ ce|Ae ce|a>f ec|BA A2 :|
ce f/g/a/f/|ec BA|ce a>f|ec Bc/B/|
ce f/g/a/f/|ec BA|ef/e/ cB|cA A2 :|

%%%
X:183216 
T:SWEEP'S HORNPIPE (1), The 
S:S CRE 
Z:Z: ABC/arr. BB
N:N: Note that CRE's setting is ABB, which is an unusual structure for a 
N:hornpipe.
%R:hornpipe
L:1/8
Q:1/4=150
M:C
K:G
DF|G2D2 BAGF|E2e2 e2dc|B2GB ADFD|GABG EDB,D|
G2D2 BAGF|E2e2 e2dc|B2GB ADFD|G2F2 G2 :| 
bf|gafa e2bf|g2f2 e2ag|faef d2ag|f2e2 d2bf|
gafa e2bf|g2f2 e2Bd|edef gfga|b2e2e2:|

%%%
X:22141
T:SWEEP'S HORNPIPE (2), The
S:S: DMWC.108
Z:Z: ABC/arr. BB
N:N: Willie Clancy's setting does not repeat the last part.
M:C|
L:1/8
Q:1/4=120
%R:hornpipe
K:D
%%text part 1
AG|FAdf AdfA|DFAd f2ef|gaef dfaF|GABG EAAG|
FAdf AdfA|DFAd f2ef|gefd cAge|dFDA dz AG|
FAdf AdfA|DFAd f2ef|gaef deaF|GABG EAAG|
FAdf AdfA|DFAd faef|ge fd cA ge|d2 ge d2||
%
%%text part 2
EF|GFGA Bcde|fgfe dcdB|Affe faef|geed e3F|
GFGA Bcdg|f2e2 dfdB|Afed cABc|d2ge dDEF|
GFGA Bd Bd|fgfe dfdB|AFF2 F2F2|AFE2 E2E2|
GFGA Bcde|fgfe dcdB|Afed cABc|d2ge dfag||
%
%%text part 3
ag|f2e2 d2c2|B2A2 g2ba|g2f2 e2d2|c2B2 a2ag|
f2e2 d2c2|B2A2 G2F2|Efed cABc|d2ge d2:|\
"^coda"  d2ge Hd4|]

%%%
X:492202 
T:SWEEP'S HORNPIPE (3), The 
N:N: a/k/a "Belfast Hornpipe)="
S:S: ONMI.1613 < J.O'Neill
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:D
%swing .25
%%text part 1
%%vskip .3in
ag|f2df AdFA|DFAd f2ef|gbeg dfAF|GBAF E2ag|
f2df AdFA|DFAd f2ef|gfed cABc|d2f2 d2:|
%
%%vskip .3in
%%text part 2
z2|FEFA Bcde|fgfe dcdB|A2f2 fef2|G2e2 ede2|
FEFA Bcde|fgfe dcdB|Afed cABc|dfec d2:|
%
%%vskip .3in
%%text part 3 (simplified)
ag|f2e2 d2c2|B2A2 G2ba|g2f2 e2d2|c2B2 A2ag|
f2e2 d2c2|B2A2 G2F2|Eged cABc|d2f2d2:|

%%%
X:62135
T:SWEEP'S HORNPIPE (4), The 
T:Belfast Hornpipe
Z:Z: ABC/arr. BB
Q:1/4=150
M:C|
%R:hornpipe
K:D
ag|f2df AdFA|DFAd f2ef|gefd edcA|GABG E2ag|
f2d2 A2F2|DFAd f2ef|gfed cABc|d2cA d2 :|
%
EF|GFGA Bcde|fgfe dcdB|A2f2 fef2|G2e2 ede2|
GFGA Bcde|fgfe dcdB|Afed cABc|d2d2d2 :|
%
ag|faef dece|BdBA G2ba|ggff eedd|cedB  A2ag|
faef dece|BdAB GAFA|Eeed cABc|d2fe d2 :|
%
N:N: There's another "Belfast Hornpipe" that isn't related to this one. I think 
N:most musicians today would know this as "Sweep's", hence my primary title 
N:for it.
%%%

%%%
X:39057 
T:SWEET ANNIE 
S:S: MSIST.09a
N:N: Variations omitted. Looks like a reel but "adagio" says something else.
L:1/8
Q:1/4=120
M:C
%R:march
K:Am % 
%%text "adagio - Irish"; source key Gm
%%vskip .3in
E|A2cd e3a|ecBA cBA^G|A2cd e3a|ecBG A2zE|
A2cd e3a|ecBA cBA^G|A2cd e3a|ecBG A2z||
G|c2ec gedc|dBAG d2cB|cAcA e2dc|BA^G^F E2zE|
A2cA B^G^FE|B2cB cBA^G|A2ce afed|c2BG A4|]

%%%
X:493364 
T:SWEET BIDDY DALY (jig) (1) 
S:S: ONMI.1084 < F.O'Neill
Z:Z: Brennan/Black
N:N: a/k/a/ "Irishman's Heart/Health to the Ladies"
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:A
a|ecA BAF|AFE EFA|Bdc BAB|cBB B2a|
ecA BAF|AFE EFA|Bdc BAB|cAA A2:|
A|cee dff|cee ecA|cde eaf|ecA B2A|
cee dff|cee ecA|Bdc BAB|cAA A2:|

%%%
X:531093 
T:SWEET BIDDY DALY (jig) (2)
S:S: RC1.112 (as "Saddle the Pony")
Z:Z: ABC/arr. BB
N:N: Hard to establish at this point in time why the Roches decided that this 
N:tune was "Saddle the Pony", which I'm guessing that even in those days was 
N:a "chestnut" known by one and all. Careless editing again - ?
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:A
a|ecA BAF|AFE EFA|AcA BAB|cBB B2a|
ecA BAF|AFE EFA|ABA BAB|cAA A2:|
c|cee dff|cee ecA|cee dff|ecA B2A|
cee dff|cee ecA|ABA BAB|cAA A2:|

X:62136
T:SWEET BIDDY DALY (jig) (3) 
S:S: GSTC
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%R:jig
K:A
f|ecA BAF|AFE EFA|Bec BAB|cBB B2f|
ecA BAF|AFE EFA|Bec BAB|cAA A2 :|
B|cee dff|cef ecA|cee def|ecA B2A|
cee dff|cef ecA|Bec BAB|cAA A2 :|

%%%
X:495344
T:SWEET BIDDY OF BALLYVOURNEY (reel) 
S:S: ONMI.1301
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
M:C|
L:1/8
K:G
G2BG Bdde|fdgd fdcA|G2BG Bdde|fdcA AG G2:|
g2dg gbag|f2de fgaf|g2dg gbag|fdcA AG G2|
g2dg g2de|fgag fdef|dfga b2ag|fdcA AG HG2|]

%%%
X:582064
T:SWEET CASTLE HILL 
S:S: WSGM.025 < P.J.Healy, SFO
Z:Z: Kinder/Black
N:N: I don't get a good feeling from the playback but the notation is per 
N:source (with the exception of the pickup to m.1, which is |G/D/E| in  
N:WSGM). I suspect some scribal difficulties but who would know at this 
N:point?
M:3/4
L:1/8
Q:1/4=100
K:G
%%text "Andante"
%%vskip .3in
D|G3 A B2|AG G3 A|B2 AG E2|G4 B2|
cd/2e/2 d2 BA|G2 EG A2|d2 e2 de|B2 AG A2|
B2 AG E2|D4 DE|G3 F E2|D2 d3 B|
A3 G A2|G4||DE|G3 A B2|GA B2 AG|
E G3 DE|G2 A B3|AG E A3|B A3 z2|
d2 e2 de|B2 A2 GA|B2 AG E2|D4 DE|
G3 F E2|D2 d3 B|A3 G A2|G6|]

%%%
X:491553 
T:SWEET KATHLEEN MACHREE 
S:S: ONMI.0558 < F.O'Neill
N:N: Note 18 measures per source
Z:Z: Brennan/Black (arr.)
M:6/8
Q:1/4=120
L:1/8
K:C
%%text "with spirit"
%%vskip .3in
G|c>dc cec|cAc cGc|cEc cde|f>dd d2f|
e>dc cec|cAc cGc|cEc ceg|fdB c2||
f|ece egf|ece ege|f>dd d2e|f>dd d2f|
ege fdf|edc cAG|GEG c2d|ece g2f|
e>cc c2d|e>cc c3|]

%%%
X:49441 
T:SWEET KILLALOE (march)
S:S: ONMI.1809 < F.O'Neill
%R:march 
Q:1/4=140
Z:Z: Brennan/Black
M:2/4
L:1/16
K:D
FG|A2D2 F2ED|ABAG E2FG|A2D2 F2ED|C2D2 E2FG|
A2D2 F2ED|ABAG E2EF|G2E2 =c2E2|D4D2:|
G2|A2Bc d2c2|A2B2 =c4|E2F2 G3F|E2F2 G4|
A2Bc d2c2|A2B2 =c2A2|G2E2 =c2E2|D4D2G2|
A2Bc d2c2|A2B2 =c4|E2F2 G3F|E2F2 G4|
A2Bc d2cd|e2d2 c2A2|G2E2 =c2E2|D4D4|]

%%%
X:50094 
T:SWEET KILRUSH* (hornpipe)
S:S: Petrie.178 % unnamed
Z:Z: ABC/arr. BB
Q:1/4=150
M:C|
L:1/8
%R:hornpipe
K:G
%swing .25
DE|G3E D2EG|A2A2 Bddc|BGBd edBA|B2A2 A2BA|
G3E D2EG|A2A2 Bddc|BGBd edBG|E2D2 D2 :|
Bc|d3c BAGA|BcBA GEGA|BGBd edBA|BcdB AcAF|
G3E D2EG|A2A2 Bddc|BDDF GEGA|E2F2 G2 :|

%%%
X:534074
T:SWEET LITTLE CUCKOO, The
S:S: RC1.063 ("An ChuicÌn Binn")
Q:1/4=120
M:4/4
K:D
%%text "sprightly"
%%vskip .3in
A2|dcde d2FG|AFEF A2 AB/c/|dcBA F2E2|F2Bc B2:|
B2|Bcde f2f2|gfdf e2 AB/c/|dcde dcBA|AFEF A2 AB/c/|
dcde d2FG|AFEF A2 AB/c/|dcBA F2E2|F2Bc HB4|]

%%%
X:491554 
T:SWEET MOLLY 
S:S: ONMI.0377 < F.O'Neill
Z:Z: Brennan/Black (arr.)
M:6/8
N:N: Dotted rhythm in source
L:1/8 
K:D
%%text "with feeling"
%%vskip .3in
A|ded cBA|ded fac|ddd cBA|ded faa|
a/g/gg gff|efg b/a/g/f/g/e/|ded cBA|Bdc d2a|
a/g/gg gff|efg b/a/g/f/g/e/|ded cBA|Bdc d2|]

%%%
X:491555 
T:SWEET MOLLY MALONE 
S:S: ONMI.0483 < J.O'Neill
N:N: Yes, that "Molly Malone"! (aka "Cockles and Mussels")
Z:Z: Brennan/Black (arr.)
M:3/4
L:1/8
Q:1/4=120
K:G
%%text "moderate"
%%vskip .3in
D2|G2G2G2|GB3 G2|A2A2A2|Ac3 c2|\
B2d2d2|d2B2G2|F2A2A2|A4 D2|
G3G G2|GB3 G2|A2A2A2|Ac3 A2|\
Bd3 G2|Bd3 F2|A3G G2|G6|]

%%%
X:497108 
T:SWEET NORAH from KILDARE (jig)
S:S: arr. of ONMI #306, "Norah The Pride Of Kildare"
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig
M:6/8
L:1/8 
K:D
A|dcd BAF|dcd BAF|GAB Ade|fed e2A|
dcd BAF|dcd BAF|GAB AdB|cBc d2 :|
A|BGd AFd|GFE FDA|Bcd Afe|dec B2A|
fed edB|Acd e2a|fed edB|ABc d2 :|

%%%
X:12288
%%staffsep 80
T:SWEET SKIES of LOUTH (jig), The  
C:© BB
S:S: BBMG
%% A nice unassuming county north of Dublin
L:1/8
M:6/8
%R:jig
Q:1/4=160
K:D
D|"D"DFE DFA|"F#m"AFA "Bm"B3|"D"d2f "A"edc|"G"B2d "A"AFE|
"D"DFE DFA|"F#m"AFA "Bm"Bcd|"Em"efd "A"BAc|"D"d3 d2 :|
e|"D"a2f "G"g2e|"D"def "Bm"dcB|"D"AFA "Bm"Bcd|"Em"ede "D"f2g|
"D"agf "G"gfe|"D"def "Bm"dcB|"D"AFA "Bm"dcB|"A"AFE "D"D2 :|

%%%
X:497109 
T:SWEETHEART MINE (reel)
S:S: arr. of ONMI #489, "My Own Sweetheart"
%R:reel
Q:1/4=180
Z:Z: ABC/arr. BB
M:C
L:1/8
K:G 
gf|edBG EFGA|Bdef g2gf|efdB ABAF|EGGF E2Bd|
ed BG EFGA|Bdef g2fg|efdB ABAF|GBAF G2 :|
BA|GBde g2fg|afge dBGA|Bdeg fde^c|dagf gagf|
ed BG EFGA|Bdef g2fg|efdB ABAF|GBAF G2 :|

%%%
X:581170 
%%historyfont 15
T:SWEETHEART REEL, The 
S:S: WSGM.203 < F.O'Neill
Z:Z: Kinder/Black (arr.)
N:N: Lots of high /c/ which you can replace with /g/ if you think it's a good idea!
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:Ador
F|EAAB e2dB|e2dB GABG|EAAB edef|gedB BAA:|
d|eaac' b2ag|efdg egdg|eaac' b2ag|egdB BAA2|
eaac' b2ag|efdg egdg|bgaf gfed|egdB BAHA2|]

%%%
X:36060 
T:SWEETS OF MAY (set dance - jig), The 
Z:Z: ABC/arr. BB
S:S: Mally.VIST:037
M:6/8
Q:1/4=140
L:1/8
K:G
c|BAG AGF|GAG Gdc|BAG GAB|c3 d2c|
BAG AGF|GAG Gdc|BAG AFD|1 G3 Gd :|2 G3-G2 ||
G|ABA A2G|E2F G3|ABA c2d|e2d c2B|
ABA A2G|E2F G3|ABA BAG|1 A3-A2 :|2 A3 AB ||
c|d3 d^cd|D3 DED|c2c cBc|D3 DEF|
G2D G2A|B2A B2c|d2D DEF|1 G3 GB :|2 G3 G3 |]

%%%
X:581171
T:SWELLS OF COOLRAHAN (reel), The  
S:S: WSGM.297 < P. Dunne ms
Z:Z: Kinder/Black (arr.)
N:N: Repeats added
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:G
FE|DEGB A2GA|BGAG BGE2|DEGB A2 GA|cded cAA2|
DEGB A2GA|BGAG BGE2|DEGB A2 GA|BdcA G2 :|
Bc|dega bgaf|gfga gedB|dega bgaf|eaab a2 ge|
dega bgaf|gfga gedc|BAGB AGED|EGFA G2 :|

%%%
X:491556 
T:SWIFT FROM THE COVERT 
S:S: ONMI.0112
Q:1/4=140
Z:Z: Brennan/Black (arr.)
M:6/8
L:1/8
K:Gm 
%%text "con spirito"
%%vskip .3in
D|DGG G^FG|AGA f2=e|fed dcA|AGA F2D|
DGG G^FG|AGA fd=e|f2d cA^F|G3G2||
d|g>dd g>dd|gd=e f3|Ff=e f_ed|cAG F2G/F/|
DGG G^FG|AGA fd=e|f2d cA^F|G3G3|]

%%%
X:21189 
T:SWINGING AROUND THE CIRCLE (hornpipe) 
S:S: DMI.0947
Z:Z: Nordberg/Black
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:D
%swing .25
FG|ABAG FDFA|BABc dcdB|AFdB AFDF|EDEF E2FG|
ABAG FDFA|BABc dcdB|AdcB AGFE|D2DE D2:|
FG|AddB Add2|Adfd edcd|efgf edcf|edcB AGFG|
AddB Add2|Adfd edcd|efgf edce|d2dcd2:|

%%%
X:13153
T:SWINGING ON A GATE (reel) (1) 
S:S: BSMI.1
Z:Z: ABC/arr. BB
%R:reel
M:4/4
Q:1/4=180
L:1/8
K:D
FA|d2AF D2EF|G2FG EDB,D|A,DFA d2cA|Bded cABc|
dBAF D2EF|GEFD EDB,D|GEFD EDB,G,|A,B,DE D2 :|
FA|d2de faef|dcBA F2ED|B,EE2 GFED|B,DEF GABc|
dcde faef|dcBA F2EF|GEFD EDB,G,|A,B,DE D2 :|

%%%
X:252090
T:SWINGING ON THE GATE (reel) (2) 
Z:Z: ABC/arr. BB
S:S: FS2.19a
M:C
L:1/8
Q:1/4=190
%R:reel
K:G
gedB G2AB|cABG AGEG|DGBd g2fg|eaag fdef|
gedB G2AB|cABG AGEG|cABG AGEG|DGGF GABd :|
g3a bgaf|gfed B2AG|EAAB cBAG|EAAB cdef|
g3a bgaf|gfed B2AG|cABG AGEG|DGGF GABd :|\
"^coda" DGGF G4|]

%%%
X:181144
T:SWORD IN HAND (reel)
S:S: CRE.1 
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:G
EF|:G2BG FAAF|EBBA BEE2|G2BG FAAB|dBAG FDD2:|
fdge dBAF|EBBA BEE2|fd (3gfe dBAF|GBAG FDD2:|
"^coda"E4z4|]

%%%
X:38265 
T:SWORD OF SAINT COLUMBA (polka), The  
Z:Z: ABC/arr. BB
M:2/4
L:1/8
%R:polka
Q:1/4=120
K:D
DF AB/c/|dd c/B/A|A,C E>F|GG F/G/F/E/|
DF AB/c/|dd c/B/A|A,>C E/G/F/E/|D2 D z:|
fA fA|ff/g/ f/e/d|eA eA|ee/f/ e/c/d/e/|
fA fA|ff/g/ f/e/d|e/d/c/B/ A/G/F/E/|D2 D2:|

%%%
X:54064 
T:S…AMUS CONNOLLY'S JIG
T:O'Meara's 
S:S: SRHI.11c
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
A|dcd AFD|dfd ECA,|DFA dfa|ged cBc|
dcd AFD|dfd ECA,|DFA dfa|gec d2:|
g|fed faf|ged cde|fdB gec|dcB AFA|
d3 afd|B3 gec|d3 AFD|A,CE D2:|
%
N:N: This may not be an actual composition of Ryan's, but has been included 
N:in his book because the editor(s) didn't know any better. (cf. "Twilight in 
N:Portroe", actually "The Dawn")

%%%
X:38246 
T:S…AMUS COOLEY'S (jig) 
D:D:"Under the Moon" (Martin Hayes)
Z:Z: ABC/arr. BB
N:N: According to Mayo melodeon player and tune collector Alan Morrisroe, 
N:a better name for this tune would be "Mrs. Manley's" after the musician 
N:(from Mayo, of course) who first played it for Cooley.
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:G
BAB G2E|DB,D DEG|GAB AGE|A3 AGA|
BAB G2E|DB,D DEG|GAB AGE|G3 G3:|
BAB d3|BAB d2B|A3 AGE|ABA AGA|
[1 BAB d3|BAB d2B|G2B AGE|G3 G3:|
[2 BAB G2E|DB,D DEG|GAB AGE|HG3z3|]

%%%
X:36055 
T:S…AMUS CUSSEN'S (polka)
S:S: Mally.HIP.022
Z:Z: ABC/arr. BB
Q:1/4=120
%R:polka
L:1/8
M:2/4
K:G
D|E>F GA|Be ed|Bd/B/ AF|EF D2|
E>F GA|Be ed|Bd/B/ AF|FE E :|
e|Be f/e/f|af ed|Be f/e/f|af d2|
Be f/e/f|af ed|Bd/B/ AF|FE E :|

%%%
X:38247
T:S…AMUS MEEHAN'S (reel)
S:S: ? 
Z:Z: ABC/arr. BB
%R:reel
M:C
L:1/8
Q:1/4=180
K:Bm
g|f2 Bc dBfB|eA A2 aecA|f2 Bc dBfB|ceAc cB B2|
fB B2 FBfB|eA A2 aecA|BcdB cdeg|fedc dBB:|
A|B2 ba faed|cAeA aecA|B2 ba faed|cAeA dB B2|
B2 ba faed|cAeA aecA|BcdB cdeg|fedc dBB:|

%%%

%%textfont "PalatinoBold" 16
%%musicspace 0.5in
%%titlespace 40
%%printtempo 0
%%titleleft
%%textfont "PalatinoBold" 16
%hide_information_labels
%%titlefont "PalatinoBold" 22
%%subtitlefont "PalatinoBold" 18
%%composerfont "PalatinoBold" 16
%%historyfont "PalatinoBold" 16
%%partsfont "PalatinoBold" 16
%%staffsep 50

%%%
X:45040 
T:ST. ANTHONY'S ROAD (hornpipe) 
C:T.O Canainn
S:S: NTFO.010
Z:Z: ABC/arr. BB
Q:1/4=150
M:C|
%R:hornpipe
K:G
%swing .25
EF|GFGA BDGB|D2 Bd gdBd|e3f edcB|AD FA cA FA|
G3A BDGB|D2 Bd gdBd|edgd cAFG|AGGF G2:|
Bd|gdBd edBd|gdBd edBd|g3f edcB|AB cA GFED|
GFGA BDGB|D2 Bd gdBd|c3d cBAG|FDEF G2:|

%%%
X:39070 
T:ST. DAVID'S DAY (jig)
S:S: "Amateur's Companion" 
Z:Z: ABC/arr. BB
N:N: "Introduced in 'Little Red Riding Hood'" (by the Big Bad Wolf?)
L:1/8
M:6/8
Q:1/4=160
%R:jig
K:D
G|Add d2e|fed e3|Bee e2f|gfe fga|
Add d2e|fed e3|Bee e2d|1 cdc BA :|\
[2 cBc de||
|:f|gfe fed|ecA A2f|gfe fed|eaa a2f|
gfe fed|efd cBA|Add d2e|fdc d2 :|

%%%
X:491544 
T:ST. PATRICK WAS A GENTLEMAN (march)
S:S: ONMI.0613
N:N: There are different tunes associated with this title. This might be a march 
N:version.
Z:Z: Brennan/Black (arr.)
M:2/4
Q:1/4=120
L:1/16
K:A
%%text "lively"
%%vskip .3in
e2|c2A2 A2B2|c2d2 e2c2|B2G2 G2B2|d2 B4d2|\
c2A2 A2B2|c2d2 e2g2|a2e2 e2d2|c2 A4||
g2|a2g2 a2b2|a2e2 e2f2|g2G2 G2B2|d2 B4g2|\
a2g2 a2b2|a2e2 e2f2|g2G2 G2B2|d2 B4 ed|
c2A2 A2B2|c2d2 e2c2|B2G2 G2B2|d2 B4e2|\
c2A2 A2B2|c2d2 e2g2|a2e2 e2d2|c2 A4|]

%%%
X:331094 
T:ST. PATRICK WAS A GENTLEMAN (march) 
Z:Z: ABC/arr. BB
S:S: Levey1.99 
N:N: Only second part repeats.
Q:1/4=120
L:1/8
%R:march 
M:2/4
K:Em 
%%text "moderately quick"; source key = Bm
%%vskip .3in
B/A/|GEEE|B,EEE|FD D/E/F/G/|A2 GF|
GEEE|B,EEE|FD D/E/F/G/|A2 GF||
Eeed|eBBA|Beed|e2 ef|
gef^d|eB BA/G/|FD D/E/F/G/|A2GF|HE4:|

%%%
X:491545 
T:ST.PATRICK'S DAY (set dance - jig) (1)
S:S: ONMI.0298 < J.O'Neill
N:N:  Note 14 measures in Part 2
Z:Z: Brennan/Black (arr.)
M:6/8
L:1/8
K:G
%%text "lively"
%%vskip .3in
D|GAG GBd|gfe dBG|AGA BGD|EFE E2D|
GAG GBd|gfe dBG|AGA BGD|E2F G2:|
B|def gag|fed edB|def gag|fed e2B|
def gag|fed gfe|dBG GBd|gfe dBG|
AGA BGD|EFE E2D|GAG GBd|gfe dBG|
AGA BGD|E2F G3|]

%%%
X:11117
T:ST.PATRICK'S DAY (set dance - jig) (2)
S:S: AIF
Z:Z: Brennan/Black (arr.)
N:N: Source has part 2 repeating.
Q:1/4=130
M:6/8
L:1/8
K:G
D|GAG GBc|dge dBG|AGA BGD|EFE E2D|
GAG GBc|ded dBG|AGA BGD|E2F G2:|
B|def gag|fed edB|def gag|fed e2d|
def gag|fed ege|dBG GBc|dge dBG|
AGA BGD|EFE E2D|GAG GBc|ded dBG|
AGA BGD|E2F HG3|]

%%%
X:39071 
T:ST. PIERRE'S HORNPIPE
S:S: "Amateur's Companion" [as "Hornpipe"]
Z:Z: ABC/arr. BB
N:N: Title in source is simply "Hornpipe", but MacLean's note says "danced by 
N:Master St.Pierre". I have no idea who this gentleman is, but the name seems 
N:as good a name as any for a "gan ainm"!
L:1/8
M:C|
Q:1/4=150
%R:hornpipe
K:D
Bc|dcdf edcB|AGFG A2dc|B2ed c2ag|fdag fedc|
dcdf edcB|AGFG A2dc|B2ed c2ag|f2d2d2 :|
cd|edce dcBd|cdcB A2f2|edce dcBd|c2a2 f2e2|
dcdf edcB|AGFG A2dc|B2ed c2ag|f2d2d2 :|

%%%
X:11089
T:STACK OF BARLEY (hornpipe) (1), The
T:Little Stack of Barley
S:S: AIF
Z:Z: Brennan/Black (arr.)
Q:1/4=150
N:N: Dotted rhythm in source
M:C|
L:1/8  
%R:hornpipe
K:G
%swing .25
gf|efed BcdB|ABAG AcBA|GFGA BABd|e2A2A2Bd|
efed BcdB|AGEG AcBA|GFGA BdAc|B2G2G2:|
dc|BGBd g2fg|agfg e2df|gfed BABd|e2A2 A2fg|
agfa g2fe|dBAG AcBA|GFGA BdAc|B2G2G2:|

%%%
X:252084
T:STACK OF BARLEY (hornpipe) (2), The
T:Little Stack of Barley 
Z:Z: ABC/arr. BB
S:S: FS2.36b
M:4/4
L:1/8
Q:1/4=150
%R:hornpipe
K:G
%swing .25
gf|efed BedB|A2AG AcBA|GFGA BA (3Bcd|e2A2 A2gf|
efed BedB|A2AG AcBA|GFGA BdAc|B2G2G2 :|
A2|BGBd g2fg|agfg e2d2|g2fg edBd|e2A2 A2fg|
agfa g2fe|dBAG AcBA|GFGA BdAc|B2G2G2 :|

%%%
X:41322
T:STACK OF OATS (barn dance), The 
S:S: MVBT < Coogans
Z:Z: ABC/arr. BB
N:N: "We learned this from the playing of our cousin Tommy Caulfield."
Q:1/4=150
L:1/8
M:4/4
%R:hornpipe 
K:G
DG|B2 BA B2 G2|D6 GA|B2 AB c2 A2|E8|
AGFG A2 D2|GFGA B2 e2|dBcA E2 F2|G6 :|
Bc|d2 d2 g2 g2|dedB G2 Bc|d2 B2 g2 d2|f6 AB|
cBAB c2 d2|f2 f2 f4|e2 ef ed^ce|d6 Bc|
d2 d2 g2 g2|dedB G2 Bc|d2 B2 g2 d2|b8|
abaf d2 a2|gagd B2 e2|dBcA E2 F2|HG4z4|]

%%%
X:11099
T:STACK OF WHEAT (hornpipe), The
S:S: AIF 
Z:Z: Brennan/Black (arr.)
Q:1/4=150
M:C|
N:N: Dotted rhythm in source
L:1/8 
%R:hornpipe
K:G
BA|GEDE GABG|A2GA Bdef|gedB GABG|dBAG E2BA|
GEDE GABG|A2GA Bdef|gedB GABG|AGEF G2:|
(3Bcd|edBd edgd|edBd e2df|gedB GABG|
[1 dBAG E2Bd|edBd edgd|edBd e2df|gedB GABG|
AGEF G2:|2 dBAG E2BA|GEDE GABG|A2GA Bdef|
%%stretchlast 0
gedB GABG|AGEF HG4|]

%%%
X:331095 
T:STACK THE RAGS (jig) (1)  
Z:Z: ABC/arr. BB
S:S: Levey1.53
Q:1/4=160
L:1/8
%R:jig 
M:6/8
K:Gmix
%%text "very quick; single jig"; A-B-A
%%vskip .3in
d|cAG G2F|D2G G3|cAG G2G|f3 e2d|
cAG G2F|D2G G3|F2G A2B|c3 d2 :|
K:G major
B|G2g g3|faf g3|d2g g2e|f3 e2d|
G2g g3|faf g3|aba a2g|f3 d2c|
d2g g3|faf g3|d2g g2e|f3-f2g|
agf gfe|fed f2d|cBA A2A|f3 "_DC"e2||
"^coda" G3z3|]

%%%
X:493357
T:STACK THE RAGS (jig) (2) 
S:S: ONMI.0989 < F.O'Neill
Z:Z: Brennan/Black
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:Edor % 
%%text A-B-A; source key = Gm
%%vskip .3in
B|AFE E2D|[B2B,2]E E3|AFE E2E|d3 ^c2B|
AFE E2D|[B2B,2]E E3|D2E F2G|A3 B2 :|
%
z|E2e e3|dfd e3|B2e e2c|d3 ^c2B|
E2e e3|dfd e3|fgf f2e|d3 B2A|
B2e e3|dfd e3|B2e e2^c|d3 d2e|
fed ed^c|d^cB d2B|AGF F2F|d3 "_DC"^c2|]
"^coda replacing m.8 last time thru"|AFD E3|]
%
N:N: Nice tune but I had problems with the Chief's key signature (G) and the 
N:fact that the repeated first part ended oddly (IMO). I changed a few things 
N:around (including transposing to Em, a more accessible key for trad players), 
N:and added a coda to bring the tune back to the tonic note E.
N:N: The bracketed notes aren't chords but "alternatives" in case you can't play 
N:the lower note. (There may be another way of doing this in ABC but I don't 
N:know what it is!)

%%%
X:19022
T:STACK'S HORNPIPE 
S:S: DFW < WSGM
Z:Z: ABC/arr. BB
L:1/8
M:C
Q:1/4=150
%R:hornpipe
K:D 
%swing .25
%%text simplified version
%%vskip .3in
(3ABc|d2cA BFAF|DFAF GFED|FAdc Bdgf|e2dB A2(3ABc|
dBcA BFAF|DFAF GFED|FAdf e2ce|dfec d2 :|
ec|Acec Acec|Adfd Adfd|Acef gfgf|e2dB A2(3ABc|
dBcA BFAF|DFAF GFED|FAdf e2ce|dfec d2 :|

%%%
X:48155 
T:STAD AIR A R”GAIRE STAD STAD! 
S:S: OFPC1.27 ("Irish") (as "Stad Erro Rogura Stad Stad")
Z:Z: ABC/arr. BB
D:D: "O'Sullivan Meets O'Farrell 1" track 8a
N:N:  1: Gaelic = "Stop It You Rogue Stop Stop!". Think of the sword fight be-
N:tween Kent and Oswald in "King Lear" (that winds up with Kent in the  
N:stocks :overnight)
N:N:  2: Tune is "An Coileach ag Fogairt an Lae" ("The Cock is Crowing for 
N:Day")
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:A
E/F/|AcA BAF|d2z d2z|AcA BAF|B2z B2z|
AcA BAF|Fdc dfa|ecA BAF|A3 A2 :|
c/d/|ecA ecA|d3 dfa|ecA ecA|B3 B3|
AcA BAF|DFA dfa|ecA BAF|A3 A2 :| 
%
%1:.  
N:N:  

%%%
X:182285 
T:STAFFORD'S REEL
S:S: CRE.2
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Em
dA|BEE2 BEGB|ADDB, DEFA|BEGA B2Bd|f2ed e2dA|
BEE2 B2GB|ADDB, DEFA|BEGA B2Bd|f2ed e2 :|
Bd|gebe geba|fdad fddf|gebe geba|fgaf gfef|
gebe geba|fdad fddg|fbba faaf|gfed e2 :|

%%%
X:13249
T:STAGE HORNPIPE (a), The 
S:S: BSMI.2
Z:Z: ABC/arr. BB
%R:hornpipe
M:C|
Q:1/4=150
L:1/8
K:G
GA|BGFG EGDB|GFGB cBAE|A3B c3B|AGFE D2cB|
AGAB cBcd|edef g2fe|dbca Bgfg|ecAF G2 :|
ef|gage dgbd|^cea=c Bdgd|BGDB cAag|fgfe defa|
gage dgbd|^cea=c Bdg2|g2fg egfg|ecAF G2 :|

%%%
X:19023
T:STAGE HORNPIPE (b), The 
S:S: DFW < WSGM
Z:Z: ABC/arr. BB
L:1/8
M:C|
Q:1/4=150
%R:hornpipe
K:A
FG|A2A2 AcBd|c2c2 cedf|eagf edcB|Aced fedB|
A2A2 AcBd|c2c2 cedf|eagf e2dB|c2A2A2 :|
ed|ceAe ceAe|dfBf dfBf|ceAe ceAe|BAGF Aced|
ceAe ceAe|dfBf dfBf|eagf e2dB|1c2A2A2 :|\
[2 c2A2HA4|]

%%%
X:184208 
T:STAGE REEL, The
S:S: CRE.4 <Jack Wade
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=180
M:4/4
%R:reel
K:G
%%text upper notes for treble instruments
%%vskip .3in
Bc|dge^c dBA=c|BGAF GD[BB,]D|[GG,][BB,]DG Bdgd|cAag fdcA|
dge^c dBA=c|BGAF GD[BB,]G,|dBB2 gdd2|cAFA G2:|
Bc|dgg2 bgfg|dgBd cAFA|D2FA adfd|edd2 fdd2|
dge^c dBA=c|BGAF GD[BB,][GG,]|dBB2 gdd2|cAFA G2:|

%%%
X:493358
T:STAGGER THE BUCK (jig) 
S:S: ONMI.0854 < McFadden
Z:Z: Brennan/Black
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
D|GBG AGE|c2c B2d|GBG AGE|EAA AGE|
GBG AGE|Bdf gfe|dBG AGE|DGA G2:|
G|Gge dBG|c2c B2d|Gge dBG|EAA AGE|
Gge dBG|Bdf gfe|dBG AGE|DGA G2:|

%%%
X:65090
T:STAGGERING HOME (jig)
C: Aidan Crossey
S:S: composer
M:6/8
L:1/8
Q:1/4=160
%R:Jig
K:G Major
B/D/|GAG GBe|d2B Bde|d2B Bde|d2B B2A|
GAG GBe|d2B Bde|def gdB|edB A2:|
f|:g2d Bcd|efg B2d|g2d Bcd|edB A2d|
g2d Bcd|efg B2d|efg B2d|AGF GBd:|
"^coda" AGF HG3 |]

%%%
X:41323
T:STAICÕN EORNA (hornpipe)
S:S: MVBT < C.Droney
Z:Z: ABC/arr. BB
N:N: This is Chris Droney's setting of "Little Stack of Barley" (which is what the 
N:Gaelic title means!)
Q:1/4=160
M:C|
L:1/8
%R:hornpipe
K:G
Bd|g4 gedc|BAGA Bdd2|DEGA BGBd|eAAG A2Bd|
g4 gedc|BAGA Bdd2|DEGA BGdB|A2G2G2 :|
zA|BGBd g2fg|agfg edBd|g2fg edBd|eAAG A2Bd|
g3f gedc|BAGA Bdd2|DEGA BGdB|A2G2G2 :|

%%%
X:31
T:STAN CHAPMAN'S (jig)
C:Jerry Holland
S:S: Martha Thayer
%R:jig
M:6/8
Q:1/4=160
K:A
F|"A"E3 EFA|"Bm"B3 Bce|"F#m"fea fec|"A"ecA "D"BAF|
"A"E3 EFA|"Bm"B3 Bce|"D"fea "F#m"fec|"A"ecA A2:|
|:f|"A"e3 ecA|"D"f3 fga|"F#m"fec "E"BAB|"F#m"cAG F2f|
[1 "A"e3 ecA|"D"f3 fga|"F#m"fec "E"BAB|"A"cAA A2:|
[2 "A"ecA ecA|"D"dfd fga|"F#m"fec "E"BAB|"A"cAA A3|]

%%%
X:533097
T:STANDARD HORNPIPE, The
S:S: RC3.175
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:C|
%R:hornpipe
K:D
%swing .25
A2|DFAF DGBG|FAdA fdAF|GBed cegf|e2dB A2GE|
DFAF DGBG|FAdA fdAF|GBdf gecA|de f2 d2:|
cd|eAA2 fAA2|gAfA eAA2|gAfA eAgf|e2 dB A2 GE|
DFAF DGBG|FAdA fdAF|GBed ceae|d2 f2 d2:|

%%%
X:532110 
T:STANDING ABBEY (hornpipe) 
S:S: RC2.210
Z:Z: ABC/arr. BB
Q:1/4=140
L:1/8 
N:N: Dotted rhythm in source
M:C|
%R:hornpipe
K:G 
%swing .25
%%text source key F
%%vskip .3in
D2|GFGB dBgf|e2ce dBGB|c2Ac B2GA|FAd^c ed=cA|
GFGB dBgf|e2 ce dBGB|c2 Ac B2 GB|A2FA G2:|
Bc|d^cdf afdf|abaf gfec|defg abag|a2ge d2cA|
GFGB dBgf|e2 ce dBGB|c2 Ac B2 GB|A2FA G2:|

%%%
X:40031
T:STANLEY STEAMER (polka), The
C:Larry Mallette
S:S: composer
D:D: "A Stroll in the Park" tr.4a
Z:Z: ABC/arr.BB
Q:1/4=120
%R:polka
M:2/4
L:1/8
K:G
GB GB|edB2|A>B AG|AB cd|
GB GB|edB2|e>d ed |efg2 :|
ga/g/ fg/f/|edB2|A>B AG|AB cd|
ga/g/ fg/f/|edB2|e>d ed|efg2 :|

%%%
X:13259
T:STAR ABOVE THE GARTER (slide) (1), The 
S:S: BSMI.2
Z:Z: ABC/arr. BB
%R:slide
M:12/8
Q:1/4=180
L:1/8
K:G
d2B BAG A3 ABA|G2E c2B BAG ABc|
d2B BAG A3 ABA|G2E c2E D3 D3 :|
d2e f2a g2e d2B|G2B c2B BAG A3|
d2e f2a g2e d2B|G2B c2E DED D3 :|

%%%
X:252085
T:STAR ABOVE THE GARTER (slide) (2), The 
S:S: FS2.33a
M:12/8
L:1/8
Q:1/4=180
%R:slide
K:G
z|d2B BAG A3 ABA|G2E c2B BAG ABc|
d2B BAG A3 ABA|G2E c2E D3 D2 :|
B|d2e f2a g2e d2B|G2B c2B BAG A3|
d2e f2a g2e d2B|G2B c2E D3 D2 :|

%%%
X:11091
%%staffsep 62
T:STAR HORNPIPE (a), The 
S:S: AIF
Z:Z: Brennan/Black (arr.)
Q:1/4=150
M:C|
L:1/8
%R:hornpipe
K:G
ef|gdBG FGDC|B,2DG Bdgd|^cd=cd AdGA|FGEF Ddef|
gdBG FGDC|B,2DG Bdgd|ecBE Cgfe|d2cA G2:|
%
f2|edeB cBce|d^cd=c BGBd|cBcB ABAG|FAd^c d^def|
gdBG FGDC|B,2DG Bdgd|ecGE Cgfe|d2cA G2:|
%
(3DEF|G2B2 Bd^cd|F2A2 Ad^cd|G2ef g2fe|d2cA GDEF|
G2B2 Bd^cd|F2A2 Ad^cd|G2ef g2fe|d2cA G2:|

%%%
X:492198 
T:STAR HORNPIPE (b), The  
S:S: ONMI.1654 < J.O'Neill
Z:Z: Brennan/Black
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:G
Bc|d^cdf ge=cA|GFGB D2EF|GFGA BABc|d^cdf A2B=c|
d^cdf ge=cA|GFGB D2EF|Gedc BAGF|A2G2 G2:|
cB|A^GAB cBcd|e^def g2gf|edcB cBAG|F2D2D2 Bc|
d^cdf ge=cA|GFGB D2EF|Gedc BAGF|A2G2 G2:|

%%%

X:1
T:STAR MELODY (march)
C:Julian Goodacre 
Z:Z: DPM 
%R:March/Processional
M:4/4
Q:1/4=130
L:1/8
K:Dmaj
a>g|f2a>fd2g>f|e2g>ec2g>f|e2g>e c>A B>c|d>c d>ef2a>g|
f2a>fd2g>f|e2g>ec2g>f|e2g>e c>A B>c|d2f2d2:|
|:A2|d>c d>ef2f2|e>f g>ec4|e>f g>e c>A B>c|d>c d>ef2A2|
d>c d>ef2f2|e>f g>ec4|e>f g>e c>A B>c|d2f2d2:|

%%%
X:59227
T:STAR of DONEGAL (waltz), The
S:S: JOB
Z:Z: ABC/arr. BB
L:1/4
M:3/4
%R:waltz
K:C
G|cBc|FEF|G2G|EDC|EDE|C2C|C3-|C2E|
G2G|c2d|e2e|fed|c2c|BGA|G3-|G2E|
G2G|c2d|e2e|fed|c2c|BGA|G3-|G2G|
cde|c2E|FGA|GEC|EDE|C2C|C3-|C3|]

%%%
X:495339
T:STAR OF KILKENNY (reel), The  
S:S: ONMI.1348 < McNamara
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
M:C|
L:1/8
K:Em
dc|BcAF G2GA|B2Ac Beed|BcAF G2ef|gefd Beed|
BcAF G2GA|B2Ac Beed|BcAF G2ef|gefd e2 :|
ef|gfga gdBd|gefd Beef|gfga bgaf|gefd Beef|
gfga gdBd|gefd Beef|gfga bgaf|gefd Be :|
"^coda" gefd BAFD|E4z4|]

%%%
X:11049
T:STAR OF MUNSTER (reel) (1), The
S:S: AIF
Z:Z: Brennan/Black (arr.)
Q:1/4=180
M:C
%R:reel
L:1/8
K:A dorian
ed|c2Ac B2GB|AGEF GED2|EAAB cBcd|eaaf gedB|
cAGA BAGB|BGEF GED2|EAAB cded|cABG A2:|
ea|:agab ageg|agbg agef|g2ga gedf|g2af gedg|
eaab ageg| agbg agef|gfga b2ag|fgaf gedB:|\
"^coda"HA4z4|]

%%%
X:22139
T:STAR OF MUNSTER (reel) (2), The
S:S: DMWC.64 
Z:Z: ABC/arr. BB
N:N: Willie Clancy's expanded version of this well-known reel.
M:C
L:1/8
Q:1/4=180
%R:reel
K:A dorian
B|cBAc BGG2|AGEA GEED|EAAA BABd|eaa2 gedB|
cBAc BGG2|EAA2 GEED|EAAA BABd|gedB BAdB||
%
%%text Part 2
A3e BcdB|A3B GEED|EAA2 BABd|eaa2 gedB|
c2BA AGG2|AcBA AGED|EAA2 BABd|gedB BAA2||
%
%%text Part 3
eaa2 agea|a2ba agef|g2gf g2ef|g2af gd Bd|
eaa2 a2ea|a2ba agef|g2g2 agab|1 c'baf gedf :|\
[2 c'baf gedB||
%
%%text Part 4
c2Ac BGG2|AGEA GEED|EAGA BABd|eaa2 gedB|
BAA2 AGG2|ADD2 GDAD|EAGA BABd|gedB BAdB|
%
%%text Part 5
A3d B3d|A3B GEED|EAA2 Bdef|a3b gedB|
c2BA BGG2|AcBA AGED|EFGA BABd|gedB eAA2||
%
%%text Part 6
eaa2 agea|a2ba agef|g2gf g2ef|g2af gdBd|
eaa2 a2ea|a2ba agef|g2g2 agab|1 c'baf gedf :|
[2 c'baf gedB||"^coda"HA4z4|]

%%%
X:495340
T:STAR of MUNSTER (reel) (3), The  
S:S: ONMI.1218 < F.O'Neill
Z:Z: Brennan/Black
N:N:  1: This is a single reel (A-B) in the source but is usually played double 
N:today.
N:N:  2: F naturals are a nice touch but optional, especially at playing tempo.
Q:1/4=180
%R:reel 
M:C|
L:1/8
K:A dorian
ed|:c2Ac B2GB|AGEF GED=F|EAAB cBcd|eaaf g=fed|
c2Ac B2GB|AGEF GEDF|EAAB cded|cABG A2z2:|
eaab ageg|agbg agef|gfga gfef|geaf g=fed|
eaab ageg|agbg agef|g2ge a2ag|b2ba gfed:|
"^coda" b2ba gedB|HA4z4|]

%%%
X:531100
T:STAR OF MUNSTER (reel) (4), The  
S:S: RC1.136
N:N: Repeats added
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Ador
ed|c2Ac B2GB|AGEF G2ED|EAAB cBcd|eaaf gfed|
cBAc BABG|AGEF G2ED|EAAB cBcf|edcB A2 :|
cd|eaab ageg|agbg agef|gfga gede|geae gede|
a2ab ageg|agbg agef|g2ge a2ag|1 b3b ag :|
[2 b3b aefg|Ha4z4|]

%%%
X:12281
%%staffsep 80
T:STARFISH JIG, The
C:© BB
S:S: BBMG
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:D
D|"D"DFA BAF|"G"DGB dBG|"D"DFA BAF|"A7"EGF EDC|
"D"DFA BAF|"G"GAB "A"cBc|"D"dAF "A7"GFE|"D"FDD D2 :|
e|"Bm"fdB ABc|"D"dFE D2e|"Bm"fdB "A7"gec|"G"dcB "D"AFA|
"D"fdf "G"gfg|"D"agf "Em"gfe|"D"fed "A7"cAG|"D"FDD D2 :|

%%%
X:52108
T:STARRY LANE TO MONAGHAN (reel), The 
C:© E.Reavy
S:S: Ed Reavy Collection 
Z:Z: McKenty / Black
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:E dorian
%%text "allegro moderato"
%%vskip .3in
F|GEBE eEBE|GFGB AFDF|GEB,E GABd|eg fg edcd|
BEEF GEB,E|GFGB AFEF|GABG FGAF|EFGA BEE :|
f|gbef gbeg|fddc defa|gbef g2 fe|defd Beef|
geBA GABd|cdeg fddf|gbeg fece|dBAF E3 :|

%%%
X:38262
%%historyfont 15
T:STATEN ISLAND HORNPIPE, The 
%R:hornpipe
S:S: Aird via Cole
N:N: The story goes that the C natural in the second part is an attempt to imitate 
N:the Staten Island ferryboat's horn! (BTW SI Ferry is still running - best ride in 
N:the city! And no charge for pedestrians!)
Z:Z: ABC/arr. BB
Q:1/4=160
M:C
L:1/8
K:D
%swing .25
AG|FDFG A2A2|dfed dcBA|B2GB A2FA|G2E2 E2AG |
FDFG A2A2|dfed dcBA|d2d2 efge|f2d2d2 :|
fg|a2fa g2eg|f2df ecA2|=c2c2 efge|=c2c2 efge |
a2fa g2eg|f2df ecA2|d2d2 efge|f2d2d2 :|

%%%
X:21185 
%%historyfont 15
T:STAY WHERE YOU ARE (jig) 
S:S: DMI.0327
Z:Z: Nordberg/Black
N:N: I'm considering the long c's at the end of each part as C natural, although 
N:they're not marked that way in source. If you want to hear the source version, 
N:replace G with D in the K: field.
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:Dmix
ABc|dcd ABc|d2A AGE|dcd ABc|def gfe|
dcd ABc|d2A AGE|GAG EDE|c3:|
ABc|d2e fed|ecA AcA|d2e fed|faf gfe|
d2e fed|ecA AGF|GFG EDE|c3:|
ABc|d2A c2A|d2A ABc|d2A c2A|def gfe|
d2B c2A|B2G A2F|GAG EDE|c3:|"^coda"Hd6z3|]

%%%
X:21186 
T:STEAM PACKET (reel) (1), The 
S:S: DMI.0517
Z:Z: Nordberg/Black
N:N: This looks and sounds like it should be A-B-A but it's not shown that way 
N:IN DMI.
%R:reel
Q:1/4=180
M:C|
L:1/8
K:Dmix
B|AGG2 AGFD|DGG2 AdcA|BGGB AFDE|FEFG AdcB|
AGG2 AGFD|DGG2 AdcA|BGGB AFDE|FEFG Adc :|
e|dgg2 agg2|dgfg fdcA|dgg2 agg2|dcde fdcA|
dgg2 agg2|dgge f2fg|afge fdec|dcde f"_DC"dc:|
"^coda" FEFA G4|]

X:62133
T:STEAM PACKET (reel) (2), The 
S:S: GSTC
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
%R:reel
K:G
AGG2 AGFD|AGG2 FAdc|AGG2 AFDE|FEFG AdcA|
AG G2 AGFG|AG G2 FAdc|A2Gc AFDE|FEFG ABcA||
dg g2 ag g2|d2 eg fdcA|dgg2 agg2|d^cde fd=cA|
dg g2 ag g2|abag fefg|afge fdec|d^cde fd=cA||\
"^coda"HG4z4|]

%%%
X:342100 
T:STEAMROLLER (jig), The 
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy2.11
Q:1/4=160
M:6/8
%R:jig
K:G
A|BGG AGF|DGE FGA|BGG AGF|DGG GAc |
BGG AGF|GFD GAc|def dcA|GAF G2 :|
c|dgg gfg|gfd cdf|gag fgf|dcA GAc |
dgg agf|dcA GAc|def dcA|GAF G2 :|
E|DGA Bcd|cAG FGA|GFD Bcd|fdc d2f |
gfd fdc|dcB GFD|cdf dcA|GAF G2 :|
c|dgf gfd|fdc dBG|Bcd fdc|def g2a |
bag agf|dcA GFD|GAc dcA|GAF G2 :|

%%%
X:44170 
T:STEEPING THE FLAX* (polka)
S:S: NFID.247c < PT  ("untitled polka")
Z:Z: ABC/arr. BB
Q:1/4=240
L:1/8
M:C
%R:polka 
K:G
%%text A-B-A
%%vskip .3in
f|g2B2 d2G2|B2d2 d3B|c2A2 F2A2|e2d2 d2ef|
g2B2 d2G2|B2d2 d3B|c2A2 F2A2|A2G2G3:|
B|A2d2 d^cdf|a2f2 f3a|g2e2 edeg|f2d2 d^cdB|
A2d2 d^cdf|a2f2 f2a2|g3f g2e2|d4 "_DC"d3:|

%%%
X:183090 
T:STEEPLECHASE (reel), The  
T:Carrigaline
S:S: CRE.3
Z:Z: ABC/arr. BB
%R:reel
Q:1/4=180
M:C
L:1/8
K:D 
%%text source key = C
%%vskip .3in
D2DE FAA2|Beed egfe|d3B A2dB|A2FD EB,B,2|
A,DDC DEFA|Beed egfe|d3B ABdB|AFEF D2 D2:|
d2fd adfb|afed cdec|d2fd adfb|afed cAce|
d2fd adfb|afed cee2|faa2 fbb2|afeg fdd2:|

%%%
X:611902
T:STEPHANIE'S POLKA 
%R:Polka
C:D. MacAdam
M:2/4
L:1/8
K:D
Ad B/c/d|Ad B/c/d|AB de|fe e2|
Ad B/c/d | Ad B/c/d | c/B/A/B/ ce | ed d2 :|
fa dB | Ad d2 | ce Ac | df f2 |
fa d>B | Ad d2 | c/B/A/B/ ce | ed d2 :|] 

%%%

%%%
X:48460
T:STEPNEY'S RANT (jig) 
S:S: OFPC4.141 ("Irish")
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%R:jig
L:1/8
K:D
E|DFA def|ece dAF|GBG FAF|BGE E2F|
DFA def|ece dAF|GBG FAF|DED D2 :|
A|FGF FED|GBG GFE|FGF FED|BGE E2G|
FGF FED|GBG GFE|GBG FAF|DFE D2 :|

%%%
X:59228
T:STEVE O'DONNELL (march) 
S:S: JOB
Z:Z: ABC/arr. BB
N:N: A song from a bygone day!
L:1/8
Q:1/4=130
M:C|
K:G
dd|gggg|gdBc|dedB|d3d|
gggg|gefg|f4-|f3d|
ggga|gdBc|dedB|d2Bc|
ddde|dcBA|G4-G2:|
dc|BG2A|BG2d|gggf|
edBd|g2g2|gde=f|^f4-|
f2dd|ggga|gdcd|eeee|
eefe|dddd|d^def|g4-|g2z2|]

%%%
X:12282
%%staffsep 80
T:STEVEN PRIOR'S (jig) 
C:© BB 
S:S: BBMG
%R:jig
%% For our nephew in Trim, Co. Meath
Q:1/4=160
M:6/8
L:1/8
K:G=F
"G"G,B,D "F"FEF|"G"G,B,D G^FG|"G"G,B,D "F"FGA|"G"dBc "D"AFD|
"G"G,B,D "F"FEF|"G"G,B,D G^FG|"G"dBc "Am"AGE|"D"DEF "G"G3 :|
"G"gab "Am"age|"G"d^cd "F"f2A|"Dm"FEF AFA|"G"dBc "D"AFD|
"G"gab "Am"age|"G"d^cd "F"fga|"G"g^fd "Am"ecA|"D"dA^F "G"G3 :|

%%%
X:12283
%%staffsep 80
T:STEVIE'S BOAT (reel) 
N:N: Tune 2 of "The Baffin Island Suite"
C:© BB 2009
S:S: BBMG
M:4/4
L:1/8
%R:reel
K:G 
%%text  original key A
%%vskip .3in
C|"G"DGGA BAGF|"C" EccB cBAG|"D"FA ~A2 "C"EGcB|"D" ABGE "D"D3C|
"G"DGGA BAGF|"C" EDEG "Am"Acde|"G"dcBG "Am" AE ~E2|"D"DEFA "G"G3:|
G/A/|"G"B2 dB gBdB|"C" c2 ag "D"fedc|"G"B2 dB "Am" cBcd|"Em"edBG "D"A3G/A/|
"G"B2 dB gBdB|"C" cBcd "D"fedc|"G"BG ~G2 "Am" EA ~A2|"D7" dAdf "G"g3 :|

PGM note:
"This was a bit of music written originally for the 
production of a Brian Friel play which never got staged. 
As such it isn't actually dance music, unless one were 
to consider it a 6/8 setdance. In short, the short A-part 
is what I heard in my head when it was created, and so it 
is what it is." 
BB note:
I thought this tune would make a very unconventional con-
ventional jig, so I rewrote it as such, keeping as close to
Paul's musical ideas as possible.
Here's Paul's original:
Bcd ||eee d2 f  | e2 d B2 c | ddd c2 d |\
B2 A FED|ddd e2 d|
"6"B2 A  FED | E2 e e2 d  |e3 f2 e | d2 B  B2 A |\
[1 B3 :|2 B4 z2 ||
"11"B2 d g2 e | d2 B G2 A | B2 d g2 e | d2 B G2 A |
"15"B2 E E2 D | E4 GA |  B2 E E2 D | E4 D2 | 
"19"B2 d g2 e | d2 B G2 A | B2 d g2 e | d2 B G2 A | 
"23"B2 e e2 d | e3 f2 e | d2 B B2 A | B4 z2|]

%%%
X:66120
T:STEVIE'S DROOPING HOSE (reel)
C:Richard Cook 2019
% rcookpiper@earthlink.net
Z:Z: ABC/arr.BB
%R:Reel
Q:1/4=180
M:4/4
L:1/8
K:A Major
ecBd cAA2|ceec Bcdf|ecBd cAA2|ceec Bffa |
ecBd cAA2 |ceec Bcdf|e3a f3a|ecBd cAA2:|
aecf ecBd |caac Bcdf |eaae fecf|ecBd cA A2 |
aecf ecBd |caac Bcdf |e3a f3a|ecBd cAA2:|

%%%
X:531101
T:STICK THE MINISTER (reel) 
S:S: RC1.197
Q:1/4=180
L:1/8 % 1/16 in source
M:2/4
%R:reel
K:D
Adde f2ed|f2fa gee2|Adde f2ef|gfed cAA2:|
a2 af g2 fg|a2 af ge e2|a2 af g2 ef|gfed cA A2|
a2 af g2 fg|a2 af geea|gfef gfed|cdAG FD D2|]

%%%
X:531102
T:STILE/STYLE OF BALLYLANDERS (reel) (1), The  
S:S: RC1.178
Q:1/4=180
L:1/8 
N:N: Dotted rhythm in source
M:4/4
%R:reel
K:Edor
dc|BEE2 BAFA|BdAF DEFA|BEE2 BAFA|BdAF E2dc|
BEE2 BAFA|BdAF DEFA|BEE2 BAFA|BdAF E3||
F|DFAc d3B|BAFB AFEF|DFAc dfec|dBAF E2EF|
DFAc d3B|BAFB AFEF|DFAc dfec|dBAF HE4|]

%%%
X:48156
T:STIR YOUR FEET JOHNNY (jig)
S:S: OFPC1.35
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:D
d|AGF A2D|DED FED|AGF A2D|F3 d3|
AGF A2D|DED AGF|EFE E2F|G3 B2 :|
z|ABc d2F|AGF d2F|ABc dAF|B3 d3|
[1 ABc ded|cBA d2A|Bcd EFE|G3 B2:|
[2 faf gec|fdB AFD|EFE E2F|G3 BGE|D6|]

%%%
X:497107
T:STOLEN HEART (jig), The
S:S: arr. of ONMI #527, "You Stole My Heart Away"
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:Em
F|E2e edc|BAG FED|E2e fgf|e2d e2F|
E2e edc|BAG FED|E2e egf|e3e2 :|
F|GAG BdG|FEF DEF|GFG E2B|efg B2f|
gfe dcB|ABG FED|E2e egf|e3e2 :|

%%%
X:21187 
T:STOLEN PURSE (jig) (a), The  
S:S: DMI.0344
Z:Z: Nordberg/Black
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
G|FED cAg|fed cAG|ABG ABc|dcA ABG|
FED cAg|fed cAF|G3 GAF|DGG G2:|
%
B|cBA fAg|fed cAG|ABG ABc|dcA ABG|
FED fAg|fed cAF|G3 GAF|DGG G2:|
%
f|afa geg|fed cAG|ABG ABc|dcA Afg|
afa geg|fdf ecA|G3 GAF|DGG G2:|

%%%
X:581168
T:STOLEN PURSE (b), The  
S:S: WSGM.145 < F.O'Neill
Z:Z: Kinder/Black (arr.)
M:6/8
%R:jig
Q:1/4=160
L:1/8
K:G
B|dBG AGA|BGF G2B|dBG ABd|e2f edB|
dBG AGA|BGF G2A|GED G2A|Bdd ed :|
e|def g2b|agf g2e|def g2a|bge edB|
def g2b|agf g2a|bgg agf|e2d e2:|
"^coda" e2d def|Hg3z3|]

%%%
X:41324
T:STOLEN REEL, The 
S:S: MVBT < Mike Rafferty
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:G
BA|G3A GEDE|G2BG BedB|AEE2 A2Bc|egfa gedB|
G3 A GEDE|G2 Bd efge|dG G2 eGBG|FGAF G2 :|
Bc|dg g2 edBA|GEDE G2 Bd|eaab aged|BABd e2 ge|
dg g2 agbg|aged e2 ge|dG G2 eGBG|FGAF G2 :|
%
N:N: Mike Rafferty said that he 'borrowed' this tune from Martin Mulvihill!

%%%

%%%
X:184086
T:STONE CHURCH POLKA*, The 
Z:Z: ABC/arr. BB
S:S: CRE.4 < Barrett < Collins
L:1/8
N:N: Repeats added
M:2/4
Q:1/4=120
%R:polka
K:D
a/g/|fA gA|aA f2|ed/e/ fe|df ab/g/|
fA gA|aA f2|ed/e/ fe|d2 d :|
K:G
A|de/f/ ge/g/|e/d/c BG|A2 AG/A/|dc/B/ G2|
de/f/ ge/g/|e/d/c BG|eg fa|g2 g :|

%%%
X:51085
T:STONE FENCE (slide)
S:S: TIDT 2/35
C:J. Kelly
Z:Z: BB
M:12/8
L:1/8
%R:slide
Q:1/4=180
K:A dorian
B|ABA G2E ABA G2E|G3 A2B c2A G3|
ABA G2E ABA G2E|G3 A2G E2F G2c|
ABA G2E ABA G2E|G3 A2B c2d e2d|
d2c B2c ABA B2d|c2A G2E D3 D2:|
B|c2d e2f gag a2g|e2c cdc e2a g2e|
c2d e2f gag a2g|e2a bag efg e2d|
c2d e2f gag f2g|agf gfe d2e f2g|
aba e2d cdc B2d|c2A BAG E2F G2:|
"^coda"HA6z6|]

%%%
X:35066
T:STONE HEAD (reel), The
S:S: composer
C:Rick Gagne 
Z:Z: ABC/arr. BB
N:N: "d/o/c/ 1991 on whistle; no C or C# notes"
%R:reel
M:4/4
Q:1/4=180
K: Em
Bd | "Em"e2ef eBB2 | gfed eBB2 | "D"f2fg fede | "Bm"fddf "D"a2gf | 
"Em"e2ef eBB2 | gfed eBB2 | EGBE GBef | "C"gfed "Em"e2 :|
ga | "Em"bgfg eBB2 | GBeB GBeB | "D"afef dAA2 | FAdA "Bm"fdaf | 
"Em"bgfg eBB2 | GBeB GBeB | "D"afed "Bm"bafd | "C"gefd "Em"e2 :|

%%%
X:181104
T:STONE IN THE FIELD (reel), The  
S:S: CRE.1
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:A dorian
A|EAAG ABcd|eaaf gedB|c3A BGG2|AcBA GEDA|
EAAG ABcd|eaaf gedB|cBcd efge|dBGc A3:|
d|eaag a3b|[c'a]2ba gedB|c3A B3G|AcBA GEDd|
eaa2 bagb|agef gfga|bgaf gedB|AcBG A3:|

%%%
X:56058
T:STONE MASON (jig), The  
C:V. Broderick
S:S: Turoe.08a
Z:Z: ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:Em
B|BAG AGE|DBe dBd|GBd g2d|gfe edB|
BAG AGE|DBe dBd|DEG GAB|AGF E2:|
A|BAB dBd|ede dBd|e2e dBG|BdB AGE|
[1 BAB dBd|e2e dBG|DEG GAB|AGF E2:|
[2 BAG AGE|DBe dBd|DEG GAB|AGF HE3|]

%%%
X:252086
T:STONE OF DESTINY (reel), The 
C:Maurice Lennon
Z:Z: ABC/arr. BB
S:S: FS2.38b
M:4/4
L:1/8
Q:1/4=180
%R:Reel
K:G
BddB G2Bd|d2Bd edBA|BddB GABd|gedB BAAd|
edBA BGGA|BGAG EGG2|DGG2 DGBe|dBAB G2z2 :|
edBA BGGA|BGAG EGGd|edBA BGGA|BddB A2ze|
edBA BGGA|BGAG EGG2|DGG2 DGBe|dBAB G2z2 :|

%%%
X:12284
%%staffsep 80
T:STONEHILL FAIR (jig), The
C:© BB
S:S: BBMG
%R:jig
%% Where the Boston Irish Festival started in . . . 1990?
%% A great weekend for many years!
Q:1/4=160
M:6/8
L:1/8
K:D
E|"Bm"FBB dBB|"D"afd "A"cBc|"Bm"FBB dcd|"D"fdc "Bm"B2 A|
"Bm"FBB dBB|"D"afd "A"cBA|"D"FAd "G"BGB|"A7"AGE "D"D2 :|
A|"Bm"Bff "F#m"cff|"D"dfa "Bm"baf|"D"d2 f "Em"ede|"D"fdc "Bm"B2 A|
"Bm"Bff "F#m"cff|"D"dfa afa|"G"b2 f "D"agf|"A"edc "D"d2 :|

%%%
X:35067
%%staffsep 70
T:STONES IN THE STREET (reel)
S:S: composer
C:Rick Gagne 
Z:Z: ABC/arr. BB
N:N: "d/o/c/ 1988 on tenor banjo"
%R:reel
Q:1/4=180
M:4/4
K:A dorian
AF |"Am"EAA2 EAA2|EAFA "G"G2FG|"Am"EAA2 EAA2 |"C"cedc "G"BAGA| 
"Am"EAA2 EAA2 |EAFA "G"G2FG|"C"Ecc2 "G"BAG2|"D"AcBG "Am"A2 :|
cd |"C"edce "G"dcBd |"Am"cBAc "Em"BEE2 |GBB2 dcBd |"C"cBAc "G"B2cB| 
"Am"Aceg agec|"D"dcBA "Em"GEE2 |"G"GBdB "D"cedB|"Am"cBAG "D"A2 :|

%%%
X:184065 
T:STONEY BATTER (jig) 
S:S: CRE.4 < Grier MS
Z:Z: ABC/arr. BB
L:1/8
M:12/8
Q:1/4=160
%R:jig
K:D
G|F2F FED F2A A2c|B2G A2F EFE E2G|
[1 F2F FED F2A A2c|Bcd e2c d2B A2:|
[2 F2F FED F2A A2c|Bcd ecA d3 d2 ||
%
|:e|f2d d2f ecA A2c|BdB A2F EFE E2g|
f2d d2f ecA A2c|Bcd ecA d3 d2e|
f2g agf ecA A2c|BdB A2F E3 A2G|
F2F FED F2A A2c|Bcd e2c d3-d3 |]

%%%
X:56059
T:STONEY BRENNAN (reel) 
C:V. Broderick
S:S: Turoe.17a
Z:Z: ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:G
DGG2 AGGE|DEGA B2Bd|gdd2 Bdgd|egdB AGEG|
DGG2 AGGE|DEGA B2Bd|egdg e2dc|BAFA G4:|
d2Bd edBd|g2fg edeg|bagf gfed|e2dB AGEG|
DGG2 AGGE|DEGA B2Bd|egdg e2dc|BAFA G4:|

%%%
X:13112
T:STON[E]Y STEPS (reel) (a1), The 
S:S: BSMI.1
Z:Z: ABC/arr. BB
N:N: This is an ABB tune in book.
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:D
A3B AFF2|ABdf edBA|FAA2 BAGF|GFEG FDD2 :|
fedc defg|afbf afeg|fded fded|BdAF E2de||
"^coda"Hd4z4||

%%%

X:181149
T:STON[E]Y STEPS (reel) (a2), The 
S:S: CRE.1
Z:Z: ABC/arr.BB
N:N: Incorrect key signature (one sharp) in source.
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
A2AB AFdF|AFdf edBd|FAA2 BAGF|GEAG FDD2|
A2AB AFdF|AFdf edBd|FAA2 BAGF|GEAG FDD2||
fedc defg|afbf afeg|defc dBAF|GEAG FDD2|
gedc defg|a2bf afeg|fded fded|faag fedB||
"^coda" faag fedc|HD4z4|]

%%%
X:332087 
T:STONEY STEPS (reel) (b), The  
Z:Z: ABC/arr. BB
N:N: This isn't Matt Molloy's "Stoney Steps" - this sounds much more Scottish 
N:(especially in the source key of Bb and with the cut time which I've omitted).
Q:1/4=180
N:N: Dotted rhythm in source
L:1/8 
M:4/4
%R:reel
K:G 
N:N: source key = Bb
%%vskip .3in
F|GABc dGG2|eGfG gGG2|EGDG EGDG|AcBA GFED|
GABc dGG2|eGfG gGG2|EGDG cedc|BAGF G3 :|
d|dGG2 dGG2|efgf e^deG|e^deB cBAG|FcBA GFED|
GABc dGG2|eGfG gGG2|EGDG cedc|BAGF G3 :|

%%%

X:41325
T:STORKS HAVE LANDED (reel), The 
C:Conor McCarthy
S:S: MVBT < "Ace and Deuce"
Z:Z: ABC/arr. BB
N:N: Composed by box player Conor McCarthy to commemorate the arrival of 
N:twin sons!
Q:1/4=180
M:4/4
%R:reel
L:1/8
K:D 
%%text  source key = C
%%vskip .3in
DE|FAGA BAFA|d2 cd BAFD|EB,B,2 EFGA|BedB AFEG|
FAGA BAFA|d2 cd BAFf|gfed BABc|dBAG FD :|
zd|fdad bdad|fdad bgeg|fdad bdad|bggg dgbg|
fdad bdad|bggg dgbg|gfed BABc|dBAG FD :|

%%%
X:491546  
T:STORMY VOYAGE, The  
S:S: ONMI.0086
Z:Z: Brennan/Black (arr.)
M:C
L:1/8
Q:1/4=120
K:Dm 
%%text "spirited"
%%vskip .3in
(3A=B^c|d3e f2e2|d3c A2GE|D3E F2G2|A6 A2|
d3e f2e2|d3c A2GE|A2GE D2D2|D6||
AG|F2F2  F2ED|E2E2E2D^C|D3E F2G2|A6A2|
d3e f2e2|d3c A2GE|A2GE D2D2|D4-D4|]

%%%
X:44171 
T:STORMY WEATHER (reel) 
S:S: NFID.075a < JD
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:C
%R:reel
K:D
CE|D2FE DFAF|DGBG FGAc|dcdA Bede|fdgf ecAF|
[1 D2FE DFAF|G2BG FABc|dcdA BGBd|AGFE D2:|
[2 FAEA DFAF|G2BG FABc|dcdA BGBd|AFEF D2||
|:ag|fgab agfa|gfed fdBc|dBAF ABde|fagf e^deg|
[1 fgab agfa|g2f2 edBc|dBAF AdAF|EDEF D2:|
[2 fgab agfa|g2ba gfec|dcBA BcdB|AGFE DA,B,C|HD4z4|]

%%%
X:493359 
T:STORYTELLER (jig), The 
S:S: ONMI.0743
Z:Z: Brennan/Black
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:C
d|edc cAG|GEG GEG|edc cge|edd dcd|
edc cAG|GEG GEG|cge dcd|ecc c2 :|
F|EGc cec|GBd dfd|ceg gfe|edd def|
gec cec|dBG G2F|EGc dcd|ecc c2 :|

%%%
X:50092 
T:STRAIGHT AND NARROW* (jig)
S:S: Petrie.114 (unnamed)
Z:Z: ABC/arr. BB
Q:1/4=160
N:N: Another Petrie tune which looks like a jig but may in fact not be dance 
N:music at all. I'm not sure my attempts to "jig-ify" it did it any favors.
M:6/8
L:1/8
%R:jig
K:D
e|cAA A2c|ede e2d|cAA Ace|f3 a3|
aff gee|fdd ecc|dAF FEF|d3 f2 :|
%
e|dAF FEF|AFE E2c|dAF FEF|dAd def|
dAF FEF|AFE Edc|BAB cAF|A3 A2 :|
%
e|cAA A2c|ede e2d|cAA Ace|f3 a3|
aff gee|fdd ecc|dcB AGE|D3-D2:|

%%%
X:27089
T:STRAIGHT FLUSH* (hornpipe), The 
S:S: HOC.142 ("Straight Jig", "King") (unnamed)
Z:Z: ABC/arr. BB
N:N: Another of Mr. King's compositions that is probably best left "un-arranged"! 
N:Kind of a neat tune if (big IF) you can manage all the accidentals.
Q:1/4=150
M:C|
L:1/8
%R:hornpipe
K:G
%swing .25
%%text source key = G
%%vskip .3in
B2d2e2g2|f^efg f=ec2|B2d2e2g2|f^efb c^Bcf |
B2d2e2g2|f^efg f=ec2|dBcd Bdc^A |1 B2g2b2z2 :|\
[2 B2z2c4 ||
K:D
|:d2A2 c2A2|BFGA B4|agec B2c2|edFc B2A2 |
d2A2 c2A2|BFGA B4|cdef g2c2 |1 d2f2e2a2 :|\
[2 d2a2Hd4 |]

%%%
X:332088 
T:STRAIGHT PASSAGE (reel)*, The 
Z:Z: ABC/arr. BB
S:S: Levey2.24 (unnamed)
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
A2FD FAAd|gefd edBd|A2FD FAAd|BecA d2d2 :|
d2ef gfed|cAed cAAc|d2ef gfed|BecA d2d2|
d2ef gfed|cAed cAAc|dfaf bafd|BecA d4|]

%%%
X:57171
T:STRAND HORNPIPE, The
S:S: "Treoir" 53/2 < Joe Gallagher (Leitrim)
Z:Z: ABC/arr.BB
Q:1/4=150
%R:hornpipe
M:C!
K:G
%swing .25
ga|bgdB GBdg | fecA E2fe | dcAF DFAF | GABc d2ga |
bgdB GBdg | fecA E2fe | dcAF D^DEF | G2B2G2 :|
AG|FGAB cAFD | GABc d2AG | FGAB cAFD | GABc d2ga |
bgdB GBdg | fecA E2fe | dcAF D^DEF | G2B2G2 :|

%%%
X:184017 
T:STRAND ROAD* (jig), The 
S:S: CRE.4 < Grier MS (unnamed)
Q:1/4=160
Z:Z: ABC/arr. BB
L:1/8
M:6/8
%R:jig
K:D
FDD GEE|FDD GEE|FGA BAG|FGA ABc|
dBB cAA|BGB AGF|GFE Ddc|dAF D3 :|
fdd gee|fdf edc|dcd Bed|cAA ABc|
[1 dBB cAA|BGB AGF|GFE Ddc|dAF D3 :|
[2 d2B c2A|B2G A2F|GFE Ddc|dAF HD3|]

%%%
X:62134
T:STRANGER (hornpipe), The 
S:S: GSTC  
Z:Z: ABC/arr. BB
Q:1/4=150
%R:hornpipe
M:C|
K:Dmix
%swing .25
dc|B2BG A2Ac|dcAF G2 FG|AFDE FAGE|DEFG A2dc|
B2BG A2Ac|dcAF G2 FG|AFDE FAGE|D2 D^C D2 :|
FG|ABde f2 ef|dcAF G2 FG| ABde f2 ef|gfef d2 fg|
afge dfe^c|dcAF G2 FG|AFDE FAGE|D2 D^C D2 :|

%%%
X:492199 
T:STRANGER FROM LIMERICK (hornpipe), The 
S:S: ONMI.1694 < Fielding
Z:Z: Brennan/Black
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:G
%swing .25
D2|GAGF GBdB|ABAG FGAF|Bdgf edcB|AGFE DEFE|
D2FA GBeB|A2GB ABcA|Eedc BAGF|A2G2G2:|
Bc|dBGB DBGB|dBgf edcB|cAFA DAFA|BAec dcBA|
GDB,D G,B,DG|BGed cBAG|Fedc BAGF|A2G2G2:|

%%%
X:491547 
T:STRANGER IN CORK, The  
S:S: ONMI.0222 < M.O'Brien
Q:1/4=120
Z:Z: Brennan/Black (arr.)
M:3/4
L:1/8
K:G
%%text "moderate"
%%vskip .3in
dc|B2G2E2|D2B,2D2|E2G2A2|G4D2|\
G2B2d2|d2B2d2|e2d2B2|A4D2|
G2B2d2|d2B2d2|e2d2B2|A4dc|\
B2G2E2|D2B,2D2|E2G2G2|G3-G3|]

%%%
X:66109
T:STRATHNAIRN (polka), The
C:Stephen Cooney (1953-)
D:D: Begley & Cooney: Meitheal
Z:Z: ABC/arr.BB
S:S: Rose Flanagan
Q:1/4=240
%R:polka
M:2/4
L:1/8
K:Bm
A|B/c/B/A/ Fd|Bc BA|FE/D/ AF|E2 EF/A/|
B>c BA|Fd cd|FA FD|B,2B :|
d|ef/e/ dB|Ad fd|gf/e/ de/f/|e2 e2|
ef/e/ dB|Ad cd|FA FD|B,2 B,e|
ef/e/ dB|Ad fa|b3 c'|ba f/e/d|
ef/e/ dB|Ad cd|FA FD|B,2 B,2|

%%%
X:44172 
T:STRATHY POINT* (hornpipe) 
S:S: NFID.082b < JD ("untitled highland")
Z:Z: ABC/arr. BB
Q:1/4=140
L:1/8
M:C|
%R:hornpipe
K:Amix
%swing .25
e|A2eA BAef|g2dg BABG|A2 eA Beea|gedB Aaga|
A2 eA BAef|g2dg BABG|A2 eA Beea|gedB cAA :|
e|a2ea caef|g2Bg dgB^g|a2ea cafa|gedB cAA^g|
a2ea caef|g2Bg dgB^g|afGE FD fa|GEdB cAA :|

%%%
X:493360 
T:STRAW SEAT (jig), The 
S:S: ONMI.0833
Z:Z: Brennan/Black
N:N: To my hearing this is a D dorian tune (= D minor with B's natural instead 
N:of flat). Replace "dorian" with "minor" in the ABC if you don't agree (or are 
N:just curious to hear what it sounds like!)(or both!)
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:Ddorian
c|d2d ded|cBA ABc|d2d def|ecA ABc|
d2d ded|cBA ABc|dBd cBA|GED D2 :|
G|FDF ABA|FDF ABA|ECE GAG|ECE GAG|
FDF ABA|FDF ABc|dBd cBA|GED D2 :|

%%%
X:331096
T:STRAWBERRY BEDS (reel), The
N:N:  a/k/a/ Blackberry Blossom
Z:Z: ABC/arr. BB
S:S: Levey1.7
Q:1/4=180
L:1/8
%R:reel
M:C
K:Ador
%%text "very quick"
%%vskip .3in
ge|dBAc BGGA|BcBA B2ge|dBAc BGGB|Aaag a2ge|
dBAc BGGA|BcBA B2ge|dBAc BGGB|Aaag a2 ||
ef|gfga gbaf|gfga beef|gfga bagf|e2a2a2 ef|
gfga gbaf|gfga bee2|bgaf gfed|e2a2Ha4|]

%%%
X:495341
T:STRAWBERRY BLOSSOM (reel) (1), The 
N:N: 1: "1st Setting"
N:N: 2: a/k/a/ "Boys of Ballynahinch"
S:S: ONMI.1354 < Carey
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
M:C|
L:1/8
K:D
fddf edBc|d2ef g2ag|fddf edBc|dBAF E2D2:|
faab afdf|afdf g2g2|faab afdf|gfed B2A2|
faab afdf|afdf g2g2|fa a2fa a2|gfed B2Ac|\
"^coda"Hd4z4|]

%%%
X:495342
T:STRAWBERRY BLOSSOM (reel) (2), The
N:N: "2nd Setting"  
S:S: ONMI.1355 < F.O'Neill
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
M:C|
L:1/8
K:D
fedf edBd|fddc d2ag|fedf edBc|dBAF E2D2|
fedf edBd|fddc defg|afge fdec|dBAF E2D2|
faab afdf|abaf gfeg|faab afdf|gfed B2A2|
faab afdf|abaf gfeg|faa2 gbb2|gfef gbaf|\
"^coda"Hd4z4|]

%%%
X:531103
T:STRAWBERRY BLOSSOM (reel) (3), The  
S:S: RC1.165
N:N: Slightly different from O'Neill's setting (which is in D, not G).
%Q:1/4=180
L:1/8
M:4/4 
%R:reel
K:G
dc|BGGB AEEF|G2AB c3A|BGGB AGEG|AcGE D2D2|
BGG2 AEE2|G2AB c2BA|Bdd2 e2dB|A2AG AcBA||
Bddc dBGB|dBGB c3c|Bddc dBGB|cABG E2D2|
Bdd2 dBGB|dBGB c2BA|Bdd2 e2dB|A3B dedc||
"^coda" BGGF HG4|]

%%%
X:331097 
T:STRAWBERRY BLOSSOM (reel) (4), The  
Z:Z: ABC/arr. BB
S:S: Levey1.33
N:N: Parts reversed in source.
Q:1/4=180
L:1/8
%R:reel 
M:C
K:D
%%text "quick"
%%vskip .3in
A|fddf edBe|fddf gfge|fddf edBc|dBAF EFD :|
g|faab afdf|afdf g2fe|faab afdf|gfed B3 :|

%%%
X:491548 
T:STREAMLET, The  
S:S: ONMI.0506
N:N: Note only second part repeats.
Z:Z: Brennan/Black (arr.)
M:C
L:1/8
K:D
%%text "moderate"
%%vskip .3in
DF|A>BAF GBdB|A2d>e f2D>E|FAdB cdec|d4z2||
ef|gfe>d dcBA|d2f>g Ha2F>G|AdBe gedc|d4z2:|

%%%
X:491549 
T:STREAMS OF BUNCLODY, The 
S:S: ONMI.0338 < Hartnett
Z:Z: Brennan/Black (arr.)
M:3/4
Q:1/4=120
L:1/8
K:G
%%text "moderate"
%%vskip .3in
gf|e2 d2 BA|G2 G2 GA|Bc d2 dB|e2 d2 gf|
e2 d2 BA|G2 G2 GA|B3 edB|A4 gf|
e2 d2 BA|G2 G2 GA|Bc d2 dB|e2 d2 gf|
e2 d2 Bc|d2 dg dB|A2 G2 G2|G4||
GA|B2 d2 ef|g2 g2 fg|a3 gfd|e2 d2 gf|
e2 d2 BA|G2 G2 GA|B3 edB|A4 gf|
e2 d2 BA|G2 G2 GA|Bc d2 dB|e2 d2 gf|
e2 d2 Bc|d2 dg dB|A2 G2 G2|G6|]

%%%
X:581169 
T:STREAMS OF KILNASPIG (jig), The 
S:S: WSGM.173 < P.Dunne ms
Z:Z: Kinder/Black (arr.)
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:G
c|dcB AFA|GBd gdB|cBc AFA|GBd c2A|
dcB AFA|GBd gdB|cBc AFA|BGF G2:|
c|def gfg|eag fed|cBc AFA|GBd gec|
def gfg|eag fed|cBc AFA|BGF G2:|

%%%
X:20019
T:STREAMS OF POULAPHOUCA (reel), The
S:S: DMAC.31
Z:Z: ABC/arr.BB
L:1/8
M:4/4
Q:1/4=180
%R:reel
K:D
d2ed AFDF|AFDF ABAF|dAFD ABdB|AFDF GAGE |
d2ed AFDF|AFDF ABAF|dAFD ABdB|AFDF EDD2 :|
K:Dmix
AFDF AF D2|GECE GE C2|AFDF AFDF|GECE FD D2 |
AFDF AF D2|GDCE GE C2|AFDF AFDF |GDCE FD D2 :|

%%%
X:183059 
T:STREAMSTOWN HORNPIPE*, The 
S:S: CRE.3
Z:Z: ABC/arr. BB
N:N: Only 8 measures in each part! I wasn't sure what to do with this strange 
N:little tune, so I left it alone.
M:C|
N:N: Dotted rhythm in source
L:1/8 
Q:1/4=160
%R:Hornpipe
K:D
B|:dFFE DFAF|dGGE BEEc|
dFFE DEFG|ABAG FDD2:|
defd cdec|defd BAA2|
defd cdec|ABAG FDD2:|

%%%
X:52109
T:STREET PLAYER (hornpipe), The
C:© E.Reavy
S:S: Ed Reavy Collection 
%R:hornpipe
Z:Z: McKenty / Black
Q:1/4=150
M:C|
L:1/8
K:D
%swing .25
%%text "andantino"
%%vskip .3in
FE|DFAd f2ec|dcde fdAF|GFED CDEF|GBAF EA,CE|
FDA,D FGA=c|BGBG cdeg|fagf edcd|e2 d2 d2:|
eg|f2dc dfaf|gbed cdeg|fg af gfed|cAB^G A=GFE|
FDFA dAFA|GFGB edcB|Adfa gecd|e2 d2 d2:|

%%%
X:332089 
T:STREETS OF EDGARTOWN* (jig), The    
Z:Z: ABC/arr. BB
S:S: Levey2.32 (unnamed)
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:A dorian
%%text "moderately fast"
%%vskip .3in
E|A2E Acd|ede A>BA|G2D G>Bc|dcd G2B|
A2E ABc|e2f gfg|edc Bcd|e2c A2 :|
a|aga A2a|aga A2g|gfg G2g|gfg G2B|
c2c d2d|e2f gfg|edc Bcd|e2c A2 :|

%%%
X:38263
%%historyfont 15
T:STREETS OF MULLINGAR (reel), The 
S:S: "Collection of the Dance Music of Ireland" (P.McNulty)
Z:Z: ABC/arr. BB
N:N: With its load of accented F's, I'm betting that this is a Gmix tune, although 
N:there aren't any accidentals in the source. If you want to hear what the book 
N:version sounds like, delete the "mix" after "G" in the K: field.
L:1/8
M:4/4
Q:1/4=180
%R:reel
K:Gmix
GA|BAGF GFDE|F2 AF CFAF|BAGF GFDG|cedc BG G2|
BAGF GFDE|F2 AF CFAF|BAGF GFDG|cedc BG G2|]
gfgd Bcde|fefc ABcd|gfgd BGAc|dgg2 bgag|
gfgd Bcde|fefc ABce|dBcA DEFG|cedc BG G2|]

%%%
X:65091
T:STREETS OF PARADISE (reel), The
C: Aidan Crossey
S:S: composer
Q:1/4=180
%R: Reel
M: 4/4
L: 1/8
K: A Dorian
EAAB cAAc|BAGB edcB|EAAB cAAc|BAGB AGED|
EAAB cAAc|BAGB edcB|EAAB cAAc|BAGB ABc ||
d|eaab aged|c2ec B2dB|eaab aged|ceBd ABcd|
eaab aged|c2ec B2dB|c2ec BAGB|ABcB A4|]

%%%
X:44173
T:STRENGTH IN THE BOW* (strathspey)  
S:S: NFID.192b < DOD ("untitled strathspey") 
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:C|
%R:hornpipe
K:G 
%swing .25
%%text source key = F
%%vskip .3in
dGBG dGBG|dGBG EAA2|DGBG dBge|1 dcBA GA[B2G2]:|\
[2 dcBA GAGB||
dgbg agbg|dgbg faa2|dgbg agbg|agab gf[g2B2]|
dgbg agbg|dgbg faa2|gbeg dgBe|dcBA G4|]

%%%
X:59127
T:STRIKE THE GAY/YOUNG HARP (jig) (1)
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%R:jig
K:D
d2B cAA|dAG FED|d2B cAA|dAF EFA|
def Bcd|ABG FGE|DED D2F|AFE EFA :|
%
fef fdf|aba afe|d2e faa|bge ecA|
d2f afa|bfb a2g|fed dfe|dAF EFA :|
%
def dfe|dAF DFA|def dfe|DAF EFA|
def Bcd|ABG FGE|DED D2F|AFE EFE :|
"^coda"HD6|]

%%%
X:252087
T:STRIKE THE GAY/YOUNG HARP (jig) (2)  
Z:Z: ABC/arr. BB
S:S: FS2.05b
M:6/8
L:1/8
Q:1/4=160
%R:Jig
K:D
A|d2B cBA|dAF FED|d2B cBA|dAF EFA|
def Bcd|ABA F2E|DED DEF|AFE EF :|
%
A|d2d fdf|aba afe|d2f afa|bge edB|
d2f afa|bgb a2g|fed def|dAF EF :|
%
A|def def|dAF DFA|def def|dAF EFA|
def Bcd|ABA F2E|DED DEF|AFE EF :|
"^coda"AFE EFE|HD6|]

%%%
X:493361 
T:STRIKE THE GAY/YOUNG HARP (jig)(3) 
S:S: ONMI.1052
Z:Z: Brennan/Black
N:N: This is usually played in D today. Note no repeats in source - I inserted 
N:them (and created the appropriate endings for the last part).
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:D % 
%%text source key = C
%%vskip .3in
c|dBB cAA|BAG FED|dBB cAA|dAF EFA|
def Bcd|ABG F2E|D2D D2F|AFD EF :|
%
c|def f^ga|aba afd|def f^ga|bge ecA|
def a2a|ba^g a2=g|fed dfe|dAF EF :|
%
c|dfe dfe|dAG FED|dfe dfe|dAF EFA|
def Bcd|ABG F2E|D2D D2F|AFD EF :|
"^coda" AFD EFE|D6|]

%%%
X:40032
T:STROLL IN THE PARK (reel), A
C:© Larry Mallette
S:S: composer
D:D: "A Stroll in the Park" tr.2
Z:Z: ABC/arr.BB
%R:reel
Q:1/4=180
M:C|
L:1/8
K:Em
E3F GEAE|B2Bc BAG2|ABed BAG2|F3G A2BF|
EDEF G2GA|B2ef gfed|1 BedB e/d/BA2|BGFG E4:|
[2 BedB efg2|BGFG E4 ||Bee2 efge|fgab fed2|
BdBe fgfe|dBAG F2FG|E2EF G3A|B2ef gfed|
[1 BedB efg2|BGFG E4:|2 BedB e/d/BA2|BGFG HE4 |]

%%%
X:491550 
T:STROLLING MASON, The 
Q:1/4=120
S:S: ONMI.0395 < J.O'Neill
Q:100
Z:Z: Brennan/Black (arr.)
M:C
L:1/8
K:G
%%text "moderate"
%%vskip .3in
EG|ABAG E2D2|EGAB c2BA|GABG A2GE|D4-D2EG|
ABAG E2D2|EGAB c2Bc|dedA B2A2|G6||
BA|GABc d2Bd|e2ce d2BA|GABc A2GE|D4-D2EG|
ABAG E2D2|EGAB c2Bc|dedA B2A2|G4-G4|]

%%%
X:12285
%%staffsep 80
T:STROLLING WITH ROSIE (jig) 
C:© BB 2009
S:S: BBMG
M:6/8
%% Grand-daughters are cool (especially ours)
%R:jig
Q:1/4=160
K:A
A|"A" c^Bc afe|"A"cAA A2E|"Bm" F^EF dcB|"E"GEE E2B|
"A" c^Bc afe|"D" F^EF dcB|"A" cec "E"BGB|"A" cAA "A"A2 :|
B|"A"c^Bc Ace|"D"aff f2A|"A" c^Bc edc|"Bm"dBB B2A|
"A" c^Bc a2g|"Bm" fdf b2a|"E"gfe dBG|"A" BAA "A"A2 :|

%%%
X:22140
T:STROP THE RAZOR (jig) (1)
S:S: DMWC.29 
Z:Z: ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:G
d|cAG GBG|AFD D3|DGG GFG|A2d cAG|
G3 GBG|AFD D3|D2E F2G|AdB cA :|
%
F|GBd f2g|aga gfd|cAG EGB|cAD cAG|
GBd f2g|aga gfd|cAG EGB|cAD cA :|
%
F|G3 G3|EFF FEF|G3 GFG|A2d cAG|
G3 G3|EFF FEF|dcA EGB |1 c2d cA :|
"^coda" ced cAF |HG6||]

%%%
X:331098 
T:STROP THE RAZOR (jig) (2)    
Z:Z: ABC/arr. BB
S:S: Levey1.32
%Second part not repeated in source.
L:1/8
%R:jig
M:6/8
Q:1/4=160
K:Dmix
%%text "moderately"
%%vskip .3in
d|AGG BAG|AFD FDC|DGG BAG|Add cAG|
DGG BAG|AFD D2E|FDE F2G|Add cA :|
G|Ade f2g|a2g f2d|cAG FGA|Add cAG|
Ade f2g|a2g f2d|cAG FGA|Add cA :|
"^coda"Adc AGE|D6|]

%%%
X:531104
T:STROP THE RAZOR (jig) (3)  
S:S: RC1.103 (as "Strap")
N:N: A very interesting tune in two unrelated keys (if I did the transcription 
N:correctly!) I've structured this as an A-B-A tune which IMO is what the key 
N:change calls for.
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
%%text A-B-A 
%%vskip .3in
G|DGG BAG|AFD FDC|DGG BAG|Add cAG|
DGG BAG|AFD D2E|=FDE F2G|Add cA:|
K:F
G|Ade f2g|aba f2d|cAG FGA|Add cAG|
Ade f2g|aba f2d|cAG FGA|Add "_DC"cA :|
"^coda" G3z3|]

%%%
X:493362 
T:STROP the RAZOR (jig) (3) 
N:N: "1st setting"
S:S: ONMI.1092
Z:Z: Brennan/Black
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
G|DGG BAG|AFD FDC|DGG BAG|Add cAG|
DGG BAG|AFD F2G|FED F2G|Add cA :|
G|DGG G2A|DFF F2G|DGG GFG|Add cAG|
DGG G2A|DFF F2G|FED F2G|Add cA :|
"^coda" Add cAF|G6|]

%%%
X:493363 
T:STROP the RAZOR (jig) (4) 
N:N: "2nd Setting"
S:S: ONMI.1093
Z:Z: Brennan/Black
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
GAG GBG|AFD DFD|GAG G2B|Add cAF|
GAG GBG|AFD DFD|FDE F2G|Add cAF||
%
GDG G2A|FDF F2A|GDG G2B|Add cAF|
GDG G2A|FDF FGA|cAG FGA|Add cAF||
%
GBe f2d|abg f2d|cAG FGA|Add cAF|
GBe f2d|abg f2d|cAG FGA|Add cAF||
%
G3 BGG|AGG BGG|GAG BGG|Add cAF|
GAG BGG|FDE F2G|FDE F2G|Add cAF||
"^coda"G6|]

%%%
X:13309
T:STYLE/STILE OF BALLYLANDERS (reel) (2), The 
S:S: BSMI.3
Z:Z: ABC/arr. BB
%R:reel
M:4/4
Q:1/4=180
L:1/8
K:E dorian
BE E2 dBcA|BFAF DEFA|BE E2 dBcA|BFAF EFGA |
BE E2 BABc|dBAF DEFA|BABc dfec|dBAF BE E2 :|
D2 FA d3B|AF F2 BFAF|D2 FA dcdA|BFAF EGFE |
D2 FA dcde|fdec defg|afge fdef|dBAF E2 EF :|
"^coda"  dBAF HE4|]  

%%%
X:534073
T:SUANTREE (Lullaby) 
S:S: RC1.005
L:1/8
Q:1/4=90
M:3/4
K:G
%%text "slow"
%%vskip .3in
dB|B2 B2 dB|c2 c2 dc|B2 B2 G>B|A2 G2 dc|
B2 B2 G2|A2 d2 cA|A2 G2 G2|G4:|
de|=f2 f2 ed|e2 e2 dB|d2 g2 B2|A2 G2 de|
=f2 f2 ed|e2 e2 dB|d2 g2 ag|Hg4 dc|
B2 B2 dB|c2 c2 dc|B2 B2 G>B|A2 G2 dc|
B2 B2 G2|A2 d2 cA|A2 G2 G2|G4:|

%%%
X:65092
T:SUCKING DIESEL (reel)
C: Aidan Crossey
S:S: composer
%R:Reel
Q:1/4=180
M:4/4
L:1/8
K:A Dorian
EAAG ABAG|ABcd e3f| geaf gedB|cABG AGED|
EAAG ABAG|ABcd e3f| geaf gedB|1cABG A2 AG:|
[2 cABG ABc|:d|eaag aged|eBcd e3f|geaf gedB|
cABG ABcd|eaag aged|ecdB A2AB|c2 cA B2 Bc|
dBcB ABc :|"^coda" dBcB HA4|]

%%%
X:35068
%%staffsep 80
T:SUGAR HOUSE POLKA, The
S:S: composer
C:Rick Gagne 
Z:Z: ABC/arr. BB
N:N: "d/o/c/ 1996 on fiddle"
%R:polka
Q:1/4=140
M:2/4
L:1/8
K:D
"D"a>g fa | "G"gf "F#m"a2 | "A"ce Ae | ce "G"g2 | 
"D"a>g fa | "Em"gf ed | "A"c/d/e Ac |"D"dA df ||
f|"A"ea ag | "F#m"fg "Em"e2 | "D"fd de/f/ | "G"gf ed | 
"A"ea ag | "F#m"fg "Em"eg | "D"f/g/a "A"ge | "D"dA d :|\

%%%
X:535237
T:SUISHEEN BAWN (set dance), The 
N:N:  correctly "S˙isÌn B·n" (= "White Blanket")
S:S: RC2.273
Z:Z: ABC/arr. BB
Q:1/4=130
L:1/8 % 1/16
M:C % 2/4
%R:hornpipe 
K:G
(3GAB|c2E2 E2DE|G2AB c3A|BAGE D2D2|EAAB A2dc|\
BAGE D3E|G2G2 G2:|
Bd|e2ef e2d2|gedB c3A|BAGE D2D2|EAAB A2dc|BAGE D3E|\
G2G2 GABd|
e2ef e2d2|gedB c3A|BAGE D2D2|EAAB A2dc|BAGE D3E|G2G2 G4|]

%%%
X:582063
T:SUISÕN BAN (set dance)
T:The White Blanket
S:S: WSGM.087 < "O'Farrell's Pocket Companion"
N:N: Not to contradict the Chief, but I don't find this tune (by this name 
N:anyway) anywhere in the O'Farrell volumes (= tunefolders 47 & 48).
Z:Z: Kinder/Black
M:C
Q:1/4=120
L:1/8
K:G
G>A|B2 E2 E2 D>E|G2 AB c3 A|B2 AG E2 D>E|A2 A2 A2 GA|
B3 A GEDE|G2 G2 G2:|B2|cBcd efgf|edcB c3 A|B2 AG E2 D>E|
%%stretchlast 0
A2 A2 A2 G>A|B3 A GED>E|G2 G2 G2:|

%%%

X:491551 
T:SUMMER EVENING, The 
S:S: ONMI.0215 < F.O'Neill
Z:Z: Brennan/Black (arr.)
M:3/4
L:1/8
K:A
%%text "moderate"
%%vskip .3in
E|A2-AcBA|G2-GBcd|e2fdBA|G4 (3EFG|
A2-AcBA|G3A B/c/d|e2fdBG|A4||
c>d|e2-efed|c2-cedB|A2-ABAG|E4 (3EFG|
A2-AcBA|G3A B/c/d|e2fdBG|A6|]

%%%
X:535398 
T:SUMMER FLOWER SCHOTTISCHE, The
T:measures 1-8
S:S: RC3.143
Z:Z: ABC/arr. BB
Q:1/4=140
N:N: Dotted rhythm in source
L:1/8 
M:C|
%R:hornpipe
K:G
%swing .25
Bc|d2gf agdB|A2e^d e4|A2fe dcBA|GFGA B2Bc|
d2gf agdB|A2e^d e4|A2fe dcBA|G2g2g4||

%%%
X:48352 
T:SUMMER HILL (hornpipe) 
S:S: OFPC3.121
Z:Z: ABC/arr. BB
Q:1/4=140
M:C|
L:1/8
%R:hornpipe
K:D
%swing .25
dFAF dF B2|dFAF BEEF|dFAF dF B2|ABAG FDDA |
dFAF dF B2|dFAF BEEF|dfec dgec|BdAG FDD2 :|
defd gefd|egfd eBBc|defd gefd|efga fd d2|
defd gefd|egfd eBBc|dfBd Ad F2|ABAG FDD2 :|

%%%
X:182165
T:SUMMER IN IRELAND (reel) 
T:Dowd's #9
S:S: CRE.2
Z:Z: ABC/arr. BB 
L:1/8
M:C
%R:reel
Q:1/4=180
K:D
DFF2 GFEF|D2FA dABA|F2AF GFGB|A2FD A,B,CE|
DFAF GFEF|D2FA dABA|F2AF GFGB|A2FD EDD2:|
fdd2 g2ag|fdd2 edce|fdd2 gfec|dcde fdde|
dfaf g2eg|fedf ecAF|G2BG FAdB|A2FD EDD2:|

%%%
X:491552 
T:SUMMER IS COME, The 
S:S: ONMI.0482 < J.O'Neill
Z:Z: Brennan/Black (arr.)
M:3/4
Q:1/4=80
L:1/8
K:D
%%text "with feeling"
%%vskip .3in
(3A/B/c/|d>c A/G/c/G/ A>G|E/D/G/E/ DD DD/E/|
FG A2f>e|d/c/A/G/ F/G/A/B/ =cD/E/|
FG A2 gf/e/|d>c e/d/c/e/ d (3A/B/c/|d>=c A/G/c/G/ A>G|
E/D/G>4E/4 DD D2|]

%%%
X:29105
T:SUMMER IS COMING 
S:S: CGI.066
Z:Z: ABC/arr. BB
Q:1/4=100
L:1/8
M:3/4
K:D
%%text "moderate time"
%%vskip .3in
c2|d4c2|B4c>d|e4f2|A2z2Bc|d4c2|B3AF2|B2A2G2|F4 :|
zA|B4B2|A3Bc2|d3ef2|F2z2G2|A2G2E2|F2E2A2|D4E2|D4-DA|
G4G2|F3GA2|d3ef2|F2z2F2|A2G2E2|F2E2A2|D4E2|D6|]

%%%
X:50093 
T:SUMMER SUNSET* (jig), A  
S:S: Petrie.111 % unnamed
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:A
c|dcB BcA|FEE E2A|BAB c2d|edc B2A|
BAB c2d|edc B2d|edB BcA|FEE E2 :|
e|a2e fed|cAA A2A|BAB cBc|def e2e|
a2e fed|cAA ABc|edB BcA|FEE E2 :|
"^coda" BAB HA3|]
%
N:N: Original has only 8 bars and no breaks. I had to rework a lot of it into jig 
N:shape but unfortunately I don't have Petrie's original to hand to see exactly 
N:what I changed.

%%%
X:41326 
T:SUMMERHILL POLKA #1, The 
C:S. O Driscoll (Cork)
S:S: MVBT
Z:Z: ABC/arr. BB
Q:1/4=120
M:2/4
L:1/8
%R:polka
K:D
d>c dA|BA FD|dc dA|Be ec|
d>c dA|BA FD|EG FE|D2 D2 :|
FA AF|Ge ec|dA FA|BG EG|
FA AF|Ge ec|d/2B/2A FE|D2 D2 :|

%%%
X:41327 
T:SUMMERHILL POLKA #2, The 
C:S. O Driscoll (Cork)
S:S: MVBT
Z:Z: ABC/arr. BB
Q:1/4=120
M:2/4
L:1/8
%R:polka
K:G
DG GA|B2 AG|FA AB|c/B/A FD|
DG BA|B2 AG|Ad c/B/A|AG G2 :|
gG gG|g2 f/g/e|fd d/c/B|AB cA|
gG gG|g2 f/g/e|fd d/c/A|AG G2 :|

%%%
X:41328 
T:SUMMERHILL POLKA #3, The 
C:S. O Driscoll (Cork)
S:S: MVBT
Z:Z: ABC/arr. BB
M:2/4
L:1/8
Q:1/4=120
%R:polka
K:D
A|df ed|c/B/A AF|GB AG|FD DE|
FD FG|Ad dA|BA Bc|d3 :|
e|fe/f/ gf|ec A>B|cA eA|e>d cB|
fe/f/ gf|ec A>B|cA eA|d3 :|

%%%
X:184162 
T:SUNDAY BELLS* (reel), The
S:S: CRE.4 <Sheahan MS
Z:Z: ABC/arr. BB
N:N: Repeats added
L:1/8
M:4/4
Q:1/4=180
%R:reel
K:G
dc|B2BA BGG2|ABAF DFdc|B2BA BGG2|ABAF GBdc|
B2 BA BG G2|ABAF DFdc|B2dB GBdB|1 cAFA BG :|2 cAFA Bd||
cA|GABc defd|c2 cA FAcA|GABc d2 ef|gfaf g2 ga|
b2 af gfed|fdcB AFDF|B2AB c2Bc|d2eg fd :|
"^coda" d2eg fdcA|G4z4|]

%%%
X:23016
T:SUNDAY IN FLATBUSH (hornpipe)
C:E. Dooley
S:S: composer
Z:Z: ABC/arr.BB
Q:1/4=150
M:C
L:1/8
%R:hornpipe
K:A
%swing .25
AB|"A"cBAc efec|"Bm"BFF^E F2AF|"A"EAAB cBce|"F#m"fece f3g|
"A"affg agec|"Bm"BFcA B2AB|"A"cBAc "D"defd|"A"cA"E"BG "A"A2 :|
Bc|"D"dcde fafd|"A"cBcd efec|"E"BABc dcB2|"A"cBcd "A7"e2a2|
"D"fd d/c/d FAdf|"A"ec c/B/c EAce|"Bm"dBFB dBF^E|"E"EGBG "A"A2 :|

%%%
X:341096 
T:SUNHAVEN REEL, The 
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy1.50
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Em
BA|GEED EFGA|BEED E2 GA|B2 dB GABd|edBG A2 BA |
GEFD EFGA|BEED E2 GA|B2 dB edBA |1 GBAF GE :|
[2 GBAF GE E2 || Be e2 Bdef|g2 af gfed|B2dA GABd |
edBA GEGA|Bdef g2 f2|efdB AEGA|B2 ed BdBA |
[1 GEGD E2 GA :|2 GEGD E4|]

%%%
X:181148
T:SUNNY BANKS (reel) (1), The  
S:S: CRE.1
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:D
B|AFF2 dFF2|BdcA G2FG|AFF2 dFAF|GBAF D2FG|
AFF2 dFF2|BdcA GAFG|AGFE FEFA|dBAF D3:|
g|f2ed cAAg|fdef g2ag|f2eg fdAd|BdAG FDDg|
f2ed cAAg|f2de fgag|f2eg fdAd|BdAF D3:|

%%%
X:252088
T:SUNNY BANKS (reel) (2), The 
Z:Z: ABC/arr. BB
S:S: FS2.20c
M:C
L:1/8
Q:1/4=180
%R:reel
K:D
G|AFF2 d2cA|BdAF GFGB|AFF2 d2cA|1 BdAF DEF :|2 BdAF D3 ||
g|f2ed cAAg|fdef g2ag|f2ed cAA2|BdAF D3 :|
"^coda" BdAF D4|]

%%%
X:35069
%%staffsep 80
T:SUNNY BUT BRISK (hornpipe)
S:S: composer
%R:hornpipe
C:Rick Gagne 
Z:Z: ABC/arr. BB
N:N: "d/o/c/ 1988 on tenor banjo and whistle"
Q:1/4=150
M:C
K:D
%swing .25
(3ABc | "D"dABA d2DE | FABA d2de | "Bm"fdfa "G"gfed |\
"A"cdec Agfe | 
"D"dABA d2DE | FABA d2de | "Bm"fdfa "G"gfea | "A"gfec "D"d2 :|
de | "Bm"fBB2 "Em"afge | "A"Aeed efge | "Bm"fBB2 "G"afge |\
"D"Addc dcde | 
"Bm"fBB2 "Em"afge | "A"Aeed efge | "G"afge "Em"fdec | "Bm"ABBA B2 :|

%%%
X:332090 
T:SUNNY DAN (jig)   
N:N: a/k/a/ Daniel of the Sun, Leg of the Duck
Z:Z: ABC/arr. BB
S:S: Levey2.61
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D 
%%text source key = C
%%vskip .3in
g|fdd edd|fef dBA|Bee e2f|Bee e2a/g/|
fdd edd|fef dBA|Bdd d2e|Add d2 :|
e|fga efg|fef dBA|Bee e2f|Bee efg|
fga efg|fef dBA|Bdd d2e|Add d2 :|

%%%
X:12286
%%staffsep 80
T:SUNNYSIDE UP (reel)
C:© BB 
S:S: BBMG
M:4/4
%% Sunnyside is a neighborhood in Queens (NYC) that used
%% to have a sizeable Irish population back in the day 
%R:reel
Q:1/4=180
L:1/8
K:G
zD|"G"Gdd^c dBGE|"D"FAd^c "D7"d=cAF|"C"EccB "^Am7"cBAG|"D"FAGE DEFA|
"G"Gdd^c dBGE|"D"FAde "D7"fdcA|"G"GBdB "C"cdec|"G"Bc "D"AF "G"G2 :|
Bc|"G"dBBc dB ~B2|"Am"cAAB cA ~A2|"G"Bdga bgfg|"Am"ecBc "D"A2 Bc|
"G"dBBc dB ~B2|"Am"cAAB cA ~A2|"G"BddB "^Am7"ceag|"D7"fdcA  "G"G2 :|

%%%
X:492200 
T:SUNRISE HORNPIPE, The 
S:S: ONMI.1684 < F.O'Neill
Z:Z: Brennan/Black
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:G
%swing .25
EF|GFGB AGEF|GAGE D2z2|d4 edBG|BAAB A2D2|
GFGB AGEF|GAGE D2 z2|d4edBG|AcBA G2:|
E2|e2EF GFE2|^defd e2z2|e2EF GFE2|^defd e2z2|
e^def gfeg|fedf e2 EF|gfge dBGB|AcBA G2:|

%%%
X:23017
%%staffsep 80
T:SUNSET CLOUDS (polka), The 
C:Paddy Curry
S:S: composer
Z:Z: ABC/arr.BB
%R:polka
M:2/4
Q:1/4=130
L:1/8
K:D
"D"A2 BF|"D"A2 dc|"G"B2 G>B|"A"AG FE|
"D"D2 FA|"D"dc BA|"G"B>A Bd|"A"e2 fe|
"D"d3c|"Bm"B3c|"D"d>c "G"dB|"A"AG FE|
"D"D2 FA|"D"d>c "G"dB|"D"AF "A7"GE|"D"D4 ||
"D"f2 df|"G"g2 ag|"D"f2 df|"A"e>c BA|
"D"f2 df|"G"g2 ag|"Bm"f>e df|"A"e2 de|
"D"f2 df|"G"g2 ag|"D"f2 df|"A"e>c BA|
"D"D2 FA|"D"d>c "G"dB|"A7"AB ce|"D" d4 |]

%%%
X:12287
%%staffsep 80
T:SUNSET PARK (jig)
C:© BB
S:S: BBMG
%R:jig
%% In Brooklyn
Q:1/4=160
M:6/8
L:1/8
K:G
D|"G"DGB "Am"AGE|"G"DEG "Am7"Age|"G"dcB "C"cde|"G"dcB "Am"AGE|
"G"DGB "Am"AGE|"G"DEG "D7"Adc|"Em"BAB ded|"D7"cAF "G"G2 :|
e|"G"gab e2d|"Em"efg dcB|"C"cde "Am"eag|"D"fd^c d2 d|
"G"gab e2d|"Em"efg dcB|"C"cde "G"dBG|"D7"cAF "G"G2 :|

%%%
X:21188 
T:SUNSHINE HORNPIPE (a), The  
S:S: DMI.0952
Z:Z: Nordberg/Black
%R:hornpipe
Q:1/4=150
M:C
L:1/8
K:A
%swing .25
cd|e2c2 A2ED|CEAc ecAc|d2c2 B2A2|GBFB E2cd|
eace AcED|CEAc ecAc|d2c2 B2G2|Aaec A2:|
Bc|dBGB EGBc|dBGB d2cd|ecA2 EAcd|ecAe a2ga|
fdBd fdcA|GBAF E2cd|eafd cABG|Aaec A2:|

%%%
X:57148
T:SUNSHINE HORNPIPE (b), The 
S:S: Treoir.45a < Michael Dwyer 1975
Z:Z: ABC/arr. BB
%R:hornpipe
Q:1/4=160
M:4/4
L:1/8
K:G
Bc|egdB GBDG|BDGB dBGB|c2B2 A2G2|FAEF D2Bc|
egdB GBDG|BDGB dBGB|c2B2 AGFA|GgdB G2 :|
AB|cAFA DFAB|cAFA c2Bc|dBGB DGBc|dGBd g2fg|
ecAc ecBG|FAGE D2Bc|dgec BGAF|G2B2G2 :|

%%%
X:48157
T:SUP OF GOOD DRINK (jig) (a)  
S:S: OFPC1.28 ("Irish"; with "Soup"!)
N:N: "Soup" is bad editing (maybe on an empty stomach) for "sup".
Q:1/4=160
Z:Z: ABC/arr. BB
M:6/8
%R:jig
L:1/8
K:D
DED F2G|A2d cAF|G2A B2G|GBG AFD|
DED F2G|A2d cAF|G2A B2G|AFE D3 :|
d2e f2d|faf gec|d2e f2d|cBA d2A|
d2e f2d|faf gec|d2A B2G|AFE D3 :| 

%%%
X:16322
T:SUP OF GOOD DRINK (jig) (b), The  
S:S: CIAJ
Z:Z: ABC/arr. BB
N:N: In original there are no repeats after m.8.
L:1/8
M:6/8
%R:jig
Q:1/4=160
K:Em
%%text "moderato"; source key Dm
%%vskip .3in
B|e2f g2e|fdB BAG|e2f g2b|afd ega|
bag agf|ged BAG|A2B c2A|BGE E2 :|
F|G2d GdB|GdB dBG|A2e cec|Aec ecA|
G2d GdB|GdB dBG|A2B c2A|BGE E3 :|
D|F2G dGG|BGG dGG|ABA eAA|cAA eAA|
GAG GBd|gfe dBG|A2B cBA|BGE E3 :|

%%%
X:492201 
T:SUPPLE DANCER (hornpipe), The  
S:S: ONMI.1646 < J.O'Neill
Z:Z: Brennan/Black
%R:hornpipe
Q:1/4=150
M:C|
L:1/8 
K:G
%swing .25
dc|B2GB cAFA|afge dcBA|B2GB cBAG|FAdf edcA|
B2GB cAFA|afge dcBA|B2GB cAFA|G2B2G2:|
Bc|d2g2 f2e2|d2cA G2F2|Eedc BAGF|AGFE D2Bc|
d2g2 f2e2|d2cA G2F2|Eedc BAGF|A2G2G2:|

%%%
X:341097 
T:SUSAN'S DEN (reel) 
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy1.29
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
FE|DB,A,B, DEFA|B2AF ABde|fdd2 edBc|dBAF E2FE |
DB,A,B, DEFA|B2 AF ABde|fded Bdfe|dBAF D2 :|
FG|Ad d2 Adfd|adfd edBA |dBAF DEFA|dBAF E2 FG |
[1 Ad d2 Adfd|adfd edBd|fded Bdfe|dBAF D2 :|
[2 Ad d2 Adfa|bfaf gfed|BdAd fded|BdAF D4 |]

%%%
X:141075
T:SUSANNA KELLY 
S:S: CAR-OS
C:O'Carolan
Z:Z: Gilb/Brennan/Black
M:2/4
Q:1/4=120
L:1/16
K:D
P:E dorian
%%text "allegretto"
%%vskip .3in
GA|B2E2 E2FA|B2E2 E2FA|A2A2 BAF2|A4 A4|
dcB2 B2c2|dcB2 B2cd|efed edcB|A4 F2GA|
B2E2 E2F2|DEDC B,2FG|A2A2 A2^GA|B4 B4|
d2d2 edcd|e2e2 f4|edBA BAFE|E4 E4||
D2D2 D2A2|GFED F2A2|BdBA FAFE|D4 B,4|
egef e2B2|dcde d2e2|fedc edcB|A4 A4|
dcde d2e2|fefg a2f2|e2ee fedB|e4 B4|
deff Bcdd|BAFE D2B,2|DEFA BAFE|E4 E4|]

%%%
X:28026
T:SUSHEEN BAWN 
N:N: An S˙isÌn B·n (The White Blanket)
S:S: ISQT.20a
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=80
M:C
K:C
%%text "slow"
%%vskip .3in
c>d|e2A2 A2GA|c2d>e f2ed|e2c2 A2GA|d2d2 d2ef|\
e3d cAGA|c2c2 c2 :|
e2|f>efg a>bc'a|agfe f3d|e2c2 A2GA|d2d2 d2ef|\
e3d cAGA|c2c2 c2 :|

%%%%%
X:66094
T:SUSIES FOREARMS ROLL-ON (reel)
C:Max Bruecher 2010
S:S: composer
Q:1/4=180
M:C|
L:1/8
%R:reel
K:D 
cB|Acc2 Acef|ecBA B2 AG|EG G2 AG G2|BGG2 dGBG|
Ac c2 Acef| ecBA B2 AG| EG G2 AG G2| BGEG A2 :|
ae|Acef g2 fe| fd d2 adfd| Acef g2 gf| eaab agfe|
Acef g2 fe| fd d2 adfd|g2 ge fd d2|1 egfe a2 :|\
[2 egfe agfe ||"^coda"d8||

%%%
X:496048 
T:SWAGGERING JIG (slip jig) (1), The  
S:S: ONMI.1118 < Early
Z:Z: Brennan/Black
%R:slip jig
Q:1/4=160
M:9/8
L:1/8
K:G
d|BGG AGE DGG|BAG GFG Azd|BGG AGE DGG|
cBA BGE D2:|z|Add d2e f2f|Add dBG Azc|
Bdd dge dBG|cBA BGE Dzc||Bdc dgf dBG|
Bdd dBG Azf|gfe dBd cBA|cBA BGE HD3|]

%%%
X:532111
T:SWAGGERING JIG (slip jig) (2), The  
S:S: RC2.269
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:9/8
%R:slip jig
K:G
c|BAG AGE EDD|BAG AGE c2d|BAG AGE EDD|
cBA BGE D2:|z|GBd efe dcB|GBd efe d2B|
GBd efe dcB|AGE GAB c2A|GBd efe dcB|
GBd efe d2f|gfe edB BAG|AGE GAB c2||
"^coda"HG6z3|]

%%%
X:184039 
T:SWAGGERING RAKE (slip jig), The 
Z:Z: ABC/arr. BB
S:S: CRE.4 
L:1/8
Q:1/4=160
M:9/8
%R:slip jig
K:Em
B2A GEF G2A|B2A Bde dBA|ABA GEF G2A|
B2A GAB dBA:|Bed efg a3|Bed efe dBA|
Bed efg a3|bag ege dBA:|"^coda"E6z3|]

%%%
X:252089
T:SWALLOW TAIL (reel) (1), The 
Z:Z: ABC/arr. BB
S:S: FS2.28c
M:C
L:1/8
Q:1/4=180
%R:reel
K:A dorian
gf|eAcA eAcA|Bdef gedB|G2BG dGBG|Bdef g2fg|
eAcA eAcA|Bdef g2fg|afge dBGB|1 AcBG A2 :|\
[2 cABG A2||
|:Bd|eaab aged|Bdef gedB|G2BG dGBG|Bdef g2fg|
eaab aged|Bdef g2fg|afge dBGB|AcBG A2 :|\
"^coda" AcBG HA4|]

%%%
X:36059 
T:SWALLOW'S NEST (jig) (a), The
Z:Z: ABC/arr. BB
S:S: Mally.EvIST:084
Q:1/4=160
%R:jig
L:1/8
M:6/8
K:A dorian
B|cAA eAA|cBA edc|BGG dGG|gfg dcB|
cAA eAA|cBA c2d|gfg dcB|cAA A2 :|
g|efg a2b|a2b age|efg a2b|agf g2d|
efg a2b|a2b age|gfg dcB|cAA A2 :|

%%%
X:52110
T:SWALLOW'S NEST (b), The
C:© E.Reavy 
S:S: Ed Reavy Collection 
Z:Z: McKenty / Black
N:N: Source has the |c| in m.4 natural.
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:D
c|dcd fdc|dAG FED|FAd cAF|EcE GFE|
DFA dAF|EGB efg|fdf gec|edc d2:|
g|aba fdf|gag ecA|fef gfg|ecA GFE|
DFA dAF|EGB efg|fdf geA|edc d2:|

%%%
X:11021
T:SWALLOW'S NEST (jig) (c), The  
T:Swallowtail
S:S: AIF
Z:Z: Brennan/Black (arr.)
M:6/8
L:1/8
%Q:1/4=160
%R:jig
K:G
P:A dorian
A/B/|cAA eAA|cBA edc|BGG dGG|gfg dcB|
cAA eAA|cBA e2f|gfg dcB|cAA A2:|
d|efg a2b|a2b age|efg a2b|agf g2d|
efg a2b|a2b agf|gfg dcB|cAA A2:|
%
P:Alternate version:
K:E dorian
E/F/|GEE BEE|GFE BAG|FDD ADD|dcd AGF|
GEE BEE|GFE B2c|dcd AGF|GEE E2:|
A|Bcd e2f|e2f edB|Bcd e2f|edc d2A|
Bcd e2f|e2f edc|dcd AGF|GEE E2:|

%%%
X:11045
T:SWALLOW'S TAIL (reel) (2), The 
Z:Z: Brennan/Black (arr.)
N:N: Source has C sharps in mm 6 and 14.
M:C
Q:1/4=180
%R:reel
L:1/8
K:A dorian
gf|eAA2 eAcA|Bdef gedB|G2BG dGBG|Bdef g2fg|
eAA2 efed|"6"cdef gfgb|afge dBGB|AcBG A2:|
Bd|eaag abag|edef gedB|G2BG dGBG|Bdef g2fg|
agab aged|"14"cdef gfgb|afge dBGB|AcBG A2:|

%%%
X:183196 
T:SWALLOW'S TAIL (reel) (3), The 
S:S: CRE.3
Z:Z: ABC/arr. BB
%R:reel
L:1/8
Q:1/4=180
M:C
K:A dorian
gf|eAcA eAcA|Bdef g2dB|GABG DGBG|Bdef gfgd|
eAcA EAcA|Bdef g2fg|afge dfed|c2cB A2 :| 
Bc/d/|eaa2 aged|cdef gedB|GABG DGBG|Bdef gfgd|
eaag aged|cdef gafg|abge dfed|c2cB A2:|

%%%
X:495343 
%%historyfont 15
T:SWALLOW'S TAIL (reel) (4), The  
S:S: ONMI.1267 < F.O'Neill
Z:Z: Brennan/Black
%R:reel
Q:1/4=180
M:C|
L:1/8
K:A dorian
gf|eAcA eAcA|cdef gedB|G2BG dGBG|cdef g2fg|
eAcA eAcA|cdef g2fg|afge dBGB|AcBG A2 :|
cd|eaag abag|edef gedB|G2BG dGBG|cdef g2f^g|
eaag abag|edef g2fg|afge dBGB|AcBG A2 :|
%
N:N: Source key is A major - not sure if that's a "scribal error" or if the tune was 
N:played that way back in the Chief's day. In any event I'm treating it as A dorian, 
N:which is how it's played today (with parts repeated). To hear what the A major 
N:version sounds like, replace G with A in the K: field.

%%%
X:38264
T:SWALLOWTAIL JIG ("session setting"), The 
%R:jig
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
L:1/8
K:Em
GEE BEE|GEE BAG|FDD ADD|d^cd AGF|
GEE BEE|GEG B2^c|d^cd AGF|GEE E3:|
Bcd e2f|e2f edB|Bcd e2f|edB d3|
Bcd e2f|e2f edB|dcd AGF|GEE E3:|

%%%
X:54075 
T:SWAN HORNPIPE, The 
S:S: SRHI.15b
Z:Z: ABC/arr. BB
C:Se·n Ryan
Q:1/4=150
L:1/8
M:C
%R:hornpipe
K:A
%swing .25
E2|A2 cA EAce|a2ga faec|d2fd c2ec|BEGB edcB|
A2cA EAce|a2ga fa ec|d2fd c2ec|BEGB A2:|
EG|acea fadf|fecA BEGB|Acec dfba|gbfb ebgb|
acea f2df|fecA BEGB|Acec dfba|GE dB A2:|

%%%
X:52111
T:SWANS AMONG THE RUSHES (jig)
C:© E.Reavy 
S:S: Ed Reavy Collection 
Z:Z: McKenty / Black
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:G
%%text "allegretto"
%%vskip .3in
f|gfg agf|gdB e2d|cBc EFG|AGE D2 B,|
DGB BAB|dcB cBc|fed cAF|GBA G2:|
A|Bcd efg|fdf ecA|GBd eag|fdf g3|
Bcd efg|fdf ece|fef agf|gba g2:|

%%%
X:12351
%%staffsep 80
T:SWANS of GLEN LOUGH (slide), The
N:N:  Tune 2 of "Tracy's Trilogy"
C:© BB 10/21
S:S: BBMG
M:12/8
Q:1/4=180
%R:slide
K:G
F|"G"G2A BcB "Am"A2B cde| "D"d2e fef "G" gab gfe |
"G"G2A BcB "Am"A2B c2e|"G"dBG "D"FEF "G"G3G2:|
"Am"A2B cBA "G"B2c d3| "A"^c2d efe "D7"dfe d=cA|
"G"G2A BcB "Am"A2B c2e |"G"dBG "D"FEF "G"G3G2:|

%%%
X:341098 
T:SWEAT HOUSE REEL, The 
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy1.29
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Em
AF|E2FD E2FA|BdAB defd|edef d2ed|BdAF DEFD |
E2 FE BEFA|BdAB defd|edef dBAF|DEFD E2 :|
FA|Be e2 fded|BdAB dAFA|Be e2 d^cde|fdad gded |
Be e2 fded|BdAB defd|edef dBAF|DEFD E2 :|

X:11081
T:SWEENEY'S (hornpipe)
S:S: AIF
Z:Z: Brennan/Black (arr.)
Q:1/4=150
M:C|
N:N: Dotted rhythm in source
L:1/8  
%R:hornpipe
K:G 
%swing .25
%%text source key = A
%%vskip .3in
BA|G2AG EG D2|EGAB c2Bc|dgfg edcB|A2GE D2BA|
G2AG EG D2|EGAB c2Bc|dgfg ecAF|G2B2G2:|
Bc|d2gd edBc|d2gd e2Bc|d2gd edcB|A2GE D2BA|
G2AG EG D2|EGAB c2Bc|dgfg ecAF|G2B2G2:|

%%%

%%%
X:13414
T:SWEENEY'S BUTTERMILK (reel) 
S:S: BSMI.4  
Z:Z: ABC/arr. BB
L:1/8
%R:reel
M:C
Q:1/4=180
K:D
A|FBB2 fBB2|dcBc AEE2|FBB2 ABce|afec Ba^ga|
f2ec f2ec|BABc BAFE|FBB2 ABce|afec B3 :|
A|FBdc BFF2|EAcB AEE2|FBdc Bdfb|afec Bcdc|
Bcde fBB2|afec ABce|f3a bff2|afec B3 :|

%%%
X:183108
T:SWEENEY'S DREAM* (reel) 
S:S: CRE.3
Z:Z: ABC/arr. BB
%R:reel
L:1/8
Q:1/4=180
M:C
K:D
dFF2 ABdf|gfed fdBc|dFF2 ABdB|AFDF E2DB|
dFF2 ABdf|gfed fdBc|dFF2 ABdB|AFDF E2D2||
faa2 fadf|gfed cdeg|faa2 bfag|faeg fdce|
faa2 bff2|afeg fdBc|dFF2 ABde|faeg f2fe||
"^coda" Hd4z4|]

%%%

X:13270
T:SWEENEY'S POLKA (a) 
S:S: BSMI.2
Z:Z: ABC/arr. BB
%R:polka
M:2/4
Q:1/4=120
L:1/8
K:D
e|f/g/f/e/ d/c/d/B/|AD FA|GE e>d|cB BA|
f/g/f/e/ d/c/d/B/|AD FA|GE e>f|ed d :|
B|Af f/e/f|Ag g/f/g|Af f/e/f|e/f/e/d/ BA|
Af f/e/f|Ag g/f/g/a/|ba f/a/a/f/|1 ed d :|2 ed Hd2 |]

%%%

X:251102
T:SWEENEY'S POLKA (b1) 
Z:Z: ABC/arr. BB
M:2/4
S:S: FS1.38a
L:1/8
Q:1/4=140
%R:Polka
K:A
ef/e/ ce|Ae ce|f/g/a/f/ ec|BA F2|
ef/e/ ce|Ae ce|f/g/a/f/ ec|BA A2 :|
ce a>f|ec BA|ce a>f|ec B2|
ce f/g/a/f/|ec BA|ef/e/ cB|BA A2 :|

%%%
X:31198
T:SWEENEY'S POLKA (b2)
Z:Z: ABC/arr. BB
S:S: JOL.282
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:A
ef/e/ ce|Ae ce|f/g/a/f/ ec|BA FA|
ef/e/ ce|Ae ce|a>f ec|BA A2 :|
ce f/g/a/f/|ec BA|ce a>f|ec Bc/B/|
ce f/g/a/f/|ec BA|ef/e/ cB|cA A2 :|

%%%
X:183216 
T:SWEEP'S HORNPIPE (1), The 
S:S CRE 
Z:Z: ABC/arr. BB
N:N: Note that CRE's setting is ABB, which is an unusual structure for a 
N:hornpipe.
%R:hornpipe
L:1/8
Q:1/4=150
M:C
K:G
DF|G2D2 BAGF|E2e2 e2dc|B2GB ADFD|GABG EDB,D|
G2D2 BAGF|E2e2 e2dc|B2GB ADFD|G2F2 G2 :| 
bf|gafa e2bf|g2f2 e2ag|faef d2ag|f2e2 d2bf|
gafa e2bf|g2f2 e2Bd|edef gfga|b2e2e2:|

%%%
X:22141
T:SWEEP'S HORNPIPE (2), The
S:S: DMWC.108
Z:Z: ABC/arr. BB
N:N: Willie Clancy's setting does not repeat the last part.
M:C|
L:1/8
Q:1/4=120
%R:hornpipe
K:D
%%text part 1
AG|FAdf AdfA|DFAd f2ef|gaef dfaF|GABG EAAG|
FAdf AdfA|DFAd f2ef|gefd cAge|dFDA dz AG|
FAdf AdfA|DFAd f2ef|gaef deaF|GABG EAAG|
FAdf AdfA|DFAd faef|ge fd cA ge|d2 ge d2||
%
%%text part 2
EF|GFGA Bcde|fgfe dcdB|Affe faef|geed e3F|
GFGA Bcdg|f2e2 dfdB|Afed cABc|d2ge dDEF|
GFGA Bd Bd|fgfe dfdB|AFF2 F2F2|AFE2 E2E2|
GFGA Bcde|fgfe dcdB|Afed cABc|d2ge dfag||
%
%%text part 3
ag|f2e2 d2c2|B2A2 g2ba|g2f2 e2d2|c2B2 a2ag|
f2e2 d2c2|B2A2 G2F2|Efed cABc|d2ge d2:|\
"^coda"  d2ge Hd4|]

%%%
X:492202 
T:SWEEP'S HORNPIPE (3), The 
N:N: a/k/a "Belfast Hornpipe)="
S:S: ONMI.1613 < J.O'Neill
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:D
%swing .25
%%text part 1
%%vskip .3in
ag|f2df AdFA|DFAd f2ef|gbeg dfAF|GBAF E2ag|
f2df AdFA|DFAd f2ef|gfed cABc|d2f2 d2:|
%
%%vskip .3in
%%text part 2
z2|FEFA Bcde|fgfe dcdB|A2f2 fef2|G2e2 ede2|
FEFA Bcde|fgfe dcdB|Afed cABc|dfec d2:|
%
%%vskip .3in
%%text part 3 (simplified)
ag|f2e2 d2c2|B2A2 G2ba|g2f2 e2d2|c2B2 A2ag|
f2e2 d2c2|B2A2 G2F2|Eged cABc|d2f2d2:|

%%%
X:62135
T:SWEEP'S HORNPIPE (4), The 
T:Belfast Hornpipe
Z:Z: ABC/arr. BB
Q:1/4=150
M:C|
%R:hornpipe
K:D
ag|f2df AdFA|DFAd f2ef|gefd edcA|GABG E2ag|
f2d2 A2F2|DFAd f2ef|gfed cABc|d2cA d2 :|
%
EF|GFGA Bcde|fgfe dcdB|A2f2 fef2|G2e2 ede2|
GFGA Bcde|fgfe dcdB|Afed cABc|d2d2d2 :|
%
ag|faef dece|BdBA G2ba|ggff eedd|cedB  A2ag|
faef dece|BdAB GAFA|Eeed cABc|d2fe d2 :|
%
N:N: There's another "Belfast Hornpipe" that isn't related to this one. I think 
N:most musicians today would know this as "Sweep's", hence my primary title 
N:for it.
%%%

%%%
X:39057 
T:SWEET ANNIE 
S:S: MSIST.09a
N:N: Variations omitted. Looks like a reel but "adagio" says something else.
L:1/8
Q:1/4=120
M:C
%R:march
K:Am % 
%%text "adagio - Irish"; source key Gm
%%vskip .3in
E|A2cd e3a|ecBA cBA^G|A2cd e3a|ecBG A2zE|
A2cd e3a|ecBA cBA^G|A2cd e3a|ecBG A2z||
G|c2ec gedc|dBAG d2cB|cAcA e2dc|BA^G^F E2zE|
A2cA B^G^FE|B2cB cBA^G|A2ce afed|c2BG A4|]

%%%
X:493364 
T:SWEET BIDDY DALY (jig) (1) 
S:S: ONMI.1084 < F.O'Neill
Z:Z: Brennan/Black
N:N: a/k/a/ "Irishman's Heart/Health to the Ladies"
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:A
a|ecA BAF|AFE EFA|Bdc BAB|cBB B2a|
ecA BAF|AFE EFA|Bdc BAB|cAA A2:|
A|cee dff|cee ecA|cde eaf|ecA B2A|
cee dff|cee ecA|Bdc BAB|cAA A2:|

%%%
X:531093 
T:SWEET BIDDY DALY (jig) (2)
S:S: RC1.112 (as "Saddle the Pony")
Z:Z: ABC/arr. BB
N:N: Hard to establish at this point in time why the Roches decided that this 
N:tune was "Saddle the Pony", which I'm guessing that even in those days was 
N:a "chestnut" known by one and all. Careless editing again - ?
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:A
a|ecA BAF|AFE EFA|AcA BAB|cBB B2a|
ecA BAF|AFE EFA|ABA BAB|cAA A2:|
c|cee dff|cee ecA|cee dff|ecA B2A|
cee dff|cee ecA|ABA BAB|cAA A2:|

X:62136
T:SWEET BIDDY DALY (jig) (3) 
S:S: GSTC
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%R:jig
K:A
f|ecA BAF|AFE EFA|Bec BAB|cBB B2f|
ecA BAF|AFE EFA|Bec BAB|cAA A2 :|
B|cee dff|cef ecA|cee def|ecA B2A|
cee dff|cef ecA|Bec BAB|cAA A2 :|

%%%
X:495344
T:SWEET BIDDY OF BALLYVOURNEY (reel) 
S:S: ONMI.1301
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
M:C|
L:1/8
K:G
G2BG Bdde|fdgd fdcA|G2BG Bdde|fdcA AG G2:|
g2dg gbag|f2de fgaf|g2dg gbag|fdcA AG G2|
g2dg g2de|fgag fdef|dfga b2ag|fdcA AG HG2|]

%%%
X:582064
T:SWEET CASTLE HILL 
S:S: WSGM.025 < P.J.Healy, SFO
Z:Z: Kinder/Black
N:N: I don't get a good feeling from the playback but the notation is per 
N:source (with the exception of the pickup to m.1, which is |G/D/E| in  
N:WSGM). I suspect some scribal difficulties but who would know at this 
N:point?
M:3/4
L:1/8
Q:1/4=100
K:G
%%text "Andante"
%%vskip .3in
D|G3 A B2|AG G3 A|B2 AG E2|G4 B2|
cd/2e/2 d2 BA|G2 EG A2|d2 e2 de|B2 AG A2|
B2 AG E2|D4 DE|G3 F E2|D2 d3 B|
A3 G A2|G4||DE|G3 A B2|GA B2 AG|
E G3 DE|G2 A B3|AG E A3|B A3 z2|
d2 e2 de|B2 A2 GA|B2 AG E2|D4 DE|
G3 F E2|D2 d3 B|A3 G A2|G6|]

%%%
X:491553 
T:SWEET KATHLEEN MACHREE 
S:S: ONMI.0558 < F.O'Neill
N:N: Note 18 measures per source
Z:Z: Brennan/Black (arr.)
M:6/8
Q:1/4=120
L:1/8
K:C
%%text "with spirit"
%%vskip .3in
G|c>dc cec|cAc cGc|cEc cde|f>dd d2f|
e>dc cec|cAc cGc|cEc ceg|fdB c2||
f|ece egf|ece ege|f>dd d2e|f>dd d2f|
ege fdf|edc cAG|GEG c2d|ece g2f|
e>cc c2d|e>cc c3|]

%%%
X:49441 
T:SWEET KILLALOE (march)
S:S: ONMI.1809 < F.O'Neill
%R:march 
Q:1/4=140
Z:Z: Brennan/Black
M:2/4
L:1/16
K:D
FG|A2D2 F2ED|ABAG E2FG|A2D2 F2ED|C2D2 E2FG|
A2D2 F2ED|ABAG E2EF|G2E2 =c2E2|D4D2:|
G2|A2Bc d2c2|A2B2 =c4|E2F2 G3F|E2F2 G4|
A2Bc d2c2|A2B2 =c2A2|G2E2 =c2E2|D4D2G2|
A2Bc d2c2|A2B2 =c4|E2F2 G3F|E2F2 G4|
A2Bc d2cd|e2d2 c2A2|G2E2 =c2E2|D4D4|]

%%%
X:50094 
T:SWEET KILRUSH* (hornpipe)
S:S: Petrie.178 % unnamed
Z:Z: ABC/arr. BB
Q:1/4=150
M:C|
L:1/8
%R:hornpipe
K:G
%swing .25
DE|G3E D2EG|A2A2 Bddc|BGBd edBA|B2A2 A2BA|
G3E D2EG|A2A2 Bddc|BGBd edBG|E2D2 D2 :|
Bc|d3c BAGA|BcBA GEGA|BGBd edBA|BcdB AcAF|
G3E D2EG|A2A2 Bddc|BDDF GEGA|E2F2 G2 :|

%%%
X:534074
T:SWEET LITTLE CUCKOO, The
S:S: RC1.063 ("An ChuicÌn Binn")
Q:1/4=120
M:4/4
K:D
%%text "sprightly"
%%vskip .3in
A2|dcde d2FG|AFEF A2 AB/c/|dcBA F2E2|F2Bc B2:|
B2|Bcde f2f2|gfdf e2 AB/c/|dcde dcBA|AFEF A2 AB/c/|
dcde d2FG|AFEF A2 AB/c/|dcBA F2E2|F2Bc HB4|]

%%%
X:491554 
T:SWEET MOLLY 
S:S: ONMI.0377 < F.O'Neill
Z:Z: Brennan/Black (arr.)
M:6/8
N:N: Dotted rhythm in source
L:1/8 
K:D
%%text "with feeling"
%%vskip .3in
A|ded cBA|ded fac|ddd cBA|ded faa|
a/g/gg gff|efg b/a/g/f/g/e/|ded cBA|Bdc d2a|
a/g/gg gff|efg b/a/g/f/g/e/|ded cBA|Bdc d2|]

%%%
X:491555 
T:SWEET MOLLY MALONE 
S:S: ONMI.0483 < J.O'Neill
N:N: Yes, that "Molly Malone"! (aka "Cockles and Mussels")
Z:Z: Brennan/Black (arr.)
M:3/4
L:1/8
Q:1/4=120
K:G
%%text "moderate"
%%vskip .3in
D2|G2G2G2|GB3 G2|A2A2A2|Ac3 c2|\
B2d2d2|d2B2G2|F2A2A2|A4 D2|
G3G G2|GB3 G2|A2A2A2|Ac3 A2|\
Bd3 G2|Bd3 F2|A3G G2|G6|]

%%%
X:497108 
T:SWEET NORAH from KILDARE (jig)
S:S: arr. of ONMI #306, "Norah The Pride Of Kildare"
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig
M:6/8
L:1/8 
K:D
A|dcd BAF|dcd BAF|GAB Ade|fed e2A|
dcd BAF|dcd BAF|GAB AdB|cBc d2 :|
A|BGd AFd|GFE FDA|Bcd Afe|dec B2A|
fed edB|Acd e2a|fed edB|ABc d2 :|

%%%
X:12288
%%staffsep 80
T:SWEET SKIES of LOUTH (jig), The  
C:© BB
S:S: BBMG
%% A nice unassuming county north of Dublin
L:1/8
M:6/8
%R:jig
Q:1/4=160
K:D
D|"D"DFE DFA|"F#m"AFA "Bm"B3|"D"d2f "A"edc|"G"B2d "A"AFE|
"D"DFE DFA|"F#m"AFA "Bm"Bcd|"Em"efd "A"BAc|"D"d3 d2 :|
e|"D"a2f "G"g2e|"D"def "Bm"dcB|"D"AFA "Bm"Bcd|"Em"ede "D"f2g|
"D"agf "G"gfe|"D"def "Bm"dcB|"D"AFA "Bm"dcB|"A"AFE "D"D2 :|

%%%
X:497109 
T:SWEETHEART MINE (reel)
S:S: arr. of ONMI #489, "My Own Sweetheart"
%R:reel
Q:1/4=180
Z:Z: ABC/arr. BB
M:C
L:1/8
K:G 
gf|edBG EFGA|Bdef g2gf|efdB ABAF|EGGF E2Bd|
ed BG EFGA|Bdef g2fg|efdB ABAF|GBAF G2 :|
BA|GBde g2fg|afge dBGA|Bdeg fde^c|dagf gagf|
ed BG EFGA|Bdef g2fg|efdB ABAF|GBAF G2 :|

%%%
X:581170 
%%historyfont 15
T:SWEETHEART REEL, The 
S:S: WSGM.203 < F.O'Neill
Z:Z: Kinder/Black (arr.)
N:N: Lots of high /c/ which you can replace with /g/ if you think it's a good idea!
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:Ador
F|EAAB e2dB|e2dB GABG|EAAB edef|gedB BAA:|
d|eaac' b2ag|efdg egdg|eaac' b2ag|egdB BAA2|
eaac' b2ag|efdg egdg|bgaf gfed|egdB BAHA2|]

%%%
X:36060 
T:SWEETS OF MAY (set dance - jig), The 
Z:Z: ABC/arr. BB
S:S: Mally.VIST:037
M:6/8
Q:1/4=140
L:1/8
K:G
c|BAG AGF|GAG Gdc|BAG GAB|c3 d2c|
BAG AGF|GAG Gdc|BAG AFD|1 G3 Gd :|2 G3-G2 ||
G|ABA A2G|E2F G3|ABA c2d|e2d c2B|
ABA A2G|E2F G3|ABA BAG|1 A3-A2 :|2 A3 AB ||
c|d3 d^cd|D3 DED|c2c cBc|D3 DEF|
G2D G2A|B2A B2c|d2D DEF|1 G3 GB :|2 G3 G3 |]

%%%
X:581171
T:SWELLS OF COOLRAHAN (reel), The  
S:S: WSGM.297 < P. Dunne ms
Z:Z: Kinder/Black (arr.)
N:N: Repeats added
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:G
FE|DEGB A2GA|BGAG BGE2|DEGB A2 GA|cded cAA2|
DEGB A2GA|BGAG BGE2|DEGB A2 GA|BdcA G2 :|
Bc|dega bgaf|gfga gedB|dega bgaf|eaab a2 ge|
dega bgaf|gfga gedc|BAGB AGED|EGFA G2 :|

%%%
X:491556 
T:SWIFT FROM THE COVERT 
S:S: ONMI.0112
Q:1/4=140
Z:Z: Brennan/Black (arr.)
M:6/8
L:1/8
K:Gm 
%%text "con spirito"
%%vskip .3in
D|DGG G^FG|AGA f2=e|fed dcA|AGA F2D|
DGG G^FG|AGA fd=e|f2d cA^F|G3G2||
d|g>dd g>dd|gd=e f3|Ff=e f_ed|cAG F2G/F/|
DGG G^FG|AGA fd=e|f2d cA^F|G3G3|]

%%%
X:21189 
T:SWINGING AROUND THE CIRCLE (hornpipe) 
S:S: DMI.0947
Z:Z: Nordberg/Black
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:D
%swing .25
FG|ABAG FDFA|BABc dcdB|AFdB AFDF|EDEF E2FG|
ABAG FDFA|BABc dcdB|AdcB AGFE|D2DE D2:|
FG|AddB Add2|Adfd edcd|efgf edcf|edcB AGFG|
AddB Add2|Adfd edcd|efgf edce|d2dcd2:|

%%%
X:13153
T:SWINGING ON A GATE (reel) (1) 
S:S: BSMI.1
Z:Z: ABC/arr. BB
%R:reel
M:4/4
Q:1/4=180
L:1/8
K:D
FA|d2AF D2EF|G2FG EDB,D|A,DFA d2cA|Bded cABc|
dBAF D2EF|GEFD EDB,D|GEFD EDB,G,|A,B,DE D2 :|
FA|d2de faef|dcBA F2ED|B,EE2 GFED|B,DEF GABc|
dcde faef|dcBA F2EF|GEFD EDB,G,|A,B,DE D2 :|

%%%
X:252090
T:SWINGING ON THE GATE (reel) (2) 
Z:Z: ABC/arr. BB
S:S: FS2.19a
M:C
L:1/8
Q:1/4=190
%R:reel
K:G
gedB G2AB|cABG AGEG|DGBd g2fg|eaag fdef|
gedB G2AB|cABG AGEG|cABG AGEG|DGGF GABd :|
g3a bgaf|gfed B2AG|EAAB cBAG|EAAB cdef|
g3a bgaf|gfed B2AG|cABG AGEG|DGGF GABd :|\
"^coda" DGGF G4|]

%%%
X:181144
T:SWORD IN HAND (reel)
S:S: CRE.1 
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:G
EF|:G2BG FAAF|EBBA BEE2|G2BG FAAB|dBAG FDD2:|
fdge dBAF|EBBA BEE2|fd (3gfe dBAF|GBAG FDD2:|
"^coda"E4z4|]

%%%
X:38265 
T:SWORD OF SAINT COLUMBA (polka), The  
Z:Z: ABC/arr. BB
M:2/4
L:1/8
%R:polka
Q:1/4=120
K:D
DF AB/c/|dd c/B/A|A,C E>F|GG F/G/F/E/|
DF AB/c/|dd c/B/A|A,>C E/G/F/E/|D2 D z:|
fA fA|ff/g/ f/e/d|eA eA|ee/f/ e/c/d/e/|
fA fA|ff/g/ f/e/d|e/d/c/B/ A/G/F/E/|D2 D2:|

%%%

%%%
X:21182 
T:SPALPEEN FANACH (hornpipe), The 
S:S: DMI.0972
Z:Z: Nordberg/Black
N:N: In the Set Dance section of DMI. A close relative of "The Girl I Left 
N:Behind Me".
%R:hornpipe 
Q:1/4=140
M:C
L:1/8
K:G
%swing .25
gf|efed B2A2|GABG E2EF|G2GF GABc|dedc B2gf|
efed B2A2|GABG E2G2|FGAF DEFA|G4G2:|
GA|Bdef g2fg|agfe d2Bd|edef gfed|e2f2 g2fg|
efed BcBA|GABG EDEG|FGAF DEFA|G4G2:|

%%%
X:56056
T:SPANISH ARCH (hornpipe), The   
C:V. Broderick
S:S: Turoe.31a
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=150
%R:hornpipe
K:G
%swing .25
BA|GFGD cBcA|d2ge dBGB|c2ec dBGB|A2BA AGED|
GFGD cBcA|d2ge dBGB|c2ec dBGB|ADEF G2:|
Bc|dBgd edgd|cBcd edef|g2gd cBcG|E2AG FDEF|
G3D cBcA|d2ge dBGB|c2ec dBGB|ADEF G2:|

%%%
X:15221
T:SPANISH JIGG, The
S:S: CCCD
Z:Z: ABC/arr. BB
%R:jig
L:1/8
Q:1/4=140
M:6/8
K:G % 
%%text source key C
%%vskip .3in
B/c/|d2d ded|c2c cdc|B2B BcB|AGF G2 :|
B/c/|d2B GAB|A2F DEF|G2E CcB|AGF G2 :|
B/c/|d2d ded|e2e efe|d2d dcB|ADF G2 :|
d|BGd BGd|AFd AFd|GEA FDF|GAF G2 :|

%%%
X:41321
T:SPANISH LADY (polka), The
S:S: MVBT  
Z:Z: ABC/arr. BB
%R:polka
Q:1/4=120
M:2/4
L:1/8
K:D
FA AB/c/|dd ef|gf/e/ fd|BA A2|
FA AB/c/|dd ef|gf/e/ fd|BA A2 :|
fa af|ed de|fa af|ed e2|
fa af|ed de/f/|ge fd|BA A2 :|
"^coda"HD4z4|]
%
N:N: When MVBT-1 was published in 1995, this tune - now a session favorite, 
N:at least around here -  didn't seem to be in print anywhere else!

%%%
X:184140 
T:SPARE THE ROD* (reel)
S:S: CRE.4 < Grier MS (unnamed)
Z:Z: ABC/arr. BB
N:N: Repeats added
L:1/8
Q:1/4=180
M:4/4
%R:reel
K:G
BA|GEDG E2DE|GEDB c2 Bc|A2 AB ABAG|EAAB c2 BA|
GEDG E2DE|GEDB c2 BA|BcdB cBAB|GEDE G2 :|
AB|c2 cB c2 eB|c2 eB cBAB|dedB dedB|dedB cBAB|
c2 cB c2 eB|c2 eB cBAB|dedB cBAB|GEDE G2 :|

%%%
X:491542 
T:SPARKLING BLUE EYES 
S:S: ONMI.0617 < F.O'Neill
Z:Z: Brennan/Black (arr.)
M:C
Q:1/4=120
L:1/8
K:G
%%text "moderate"
%%vskip .3in
dc|B2BG A2AF|G2G2 AGFG|B2AG A2 (3GFE|D2^C2D2d=c|
B2BG A2AF|G2G2 AGFG|B2AG A2 (3Adc|A2G2G2||
DC|D2Dc B2c2|d2dc BA3|B2c2d2cA|GF D^C D2dc|
B2BG A2AF|G2G2 AGFG|B2AG A2 (3Adc|A2G2G4|]

%%%
X:54074 
T:SPARKLING SEA (jig), The  
S:S: SRHI.8c
Z:Z: ABC/arr. BB
C:Se·n Ryan
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:C
g/f/|ecA GEC|G,CE Gce|fef age|faf dgf|
ecA GEC|G,CE Gce|fef age|fdB c2:|
e/f/|gec cBc|Gce gec|g^fg age|faf def|
gec cBc|Gce gec|g^fg age|fdB c2:|
G/F/|EGc edc|AFA fef|g^fg ag=f|edc BGF|
EGc edc|AFA f3|g^fg age|fdB c2:|

%%%
X:66105
T:SPARROW (polka), The 
C: M. McCauley 2017
D:D: "Highs and Bellows" 
Z:Z: ABC/arr.BB
Q:1/4=140
%R:polka
M:2/4
L:1/8
K:D
E|FD FA|GE B2|AF c2|BG d2|
cA ed|cA de/f/|1gece d3:|2 gece dAF||
|:A|d>e fd|cA Ac|BG Bd|AF DE/F/|
GE BG|AF DE/F/|GE AF|D3 :|

%%%
X:497106
T:SPARROW in the BUSH (reel), The  
S:S: arr. of ONMI #520, "Bush On The Hill"
%R:reel
Q:1/4=180
Z:Z: Brennan/Black (arr.)
M:C
L:1/8
K:G
c|dBAG g2fe|dBAG B2AB|cdef gfed|f2ge dedc|
d2cB e3d|cBAG AdcB|cdef gdec|B2AF G3 :|
f|gaba gfed|BABc Bged|efga gfed|Bdgf e3c|
dBAG Bdge|dBAG AFAd|cBcd efge|dBAF G3 :|

%%%
X:182072 
T:SPARROW'S NEST* (jig), The 
S:S: CRE.2 (unnamed)
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
D|FGE FEF|B2G A2F|EDE F2D|E2D B2A|
FDE FEF|B2G A2F|EDE F2E|D3 D2:|
A|D2A ded|B2B AFE|e2f edB|c2B AGE|
D2A ded|B2A F2E|A2d edA|d3 d2:|

%%%
X:21183 
T:SPATTER THE DEW (slip jig) (1) 
S:S: DMI.0446
Z:Z: Nordberg/Black
%R:slip jig
Q:1/4=150
M:9/8
L:1/8
K:Em
EFE E2F G2F|EFE E2B AFD|EFE E2F G2B|
AFA dAG FED:|E2B B2F G2F|E2B B2G AFD|
E2B B2F G2B|AFA dAG FED|E2B B2F G2F|
E2B B2G AFD|E2B AB^c dcB|AFA dAG FED||
%
B2e efd e2d|B2e e2a fdB|A2d d2^c d2B|
A2e d2B AFD|B2e efd e2d|B2e e2a fdB|
fga efg d2A|B2^c A2G FED||BdB ABA G2F|
EFE E2B AFD|BdB ABA G2B|AFA dAG FED|
BdB ABA G2F|EFE G2F AFD|B^cd ABc dcB|
AFA dAG FED|]

%%%
X:42027 
T:SPATTER THE DEW (slip jig) (2)  
S:S: NCIT.11b
Z:Z: ABC/arr. BB
M:9/8
%R:slip jig
Q:1/4=150
K:D
FGF FEF d3|FGF FEF AFE|FGF FEF d3|
cBA BAF AFE:|A2c e2c d2B|A2c e2c fdB|
A2c e2c d2B|cBA dAF AFE:|FDF FdF FdF|
FDF FdF AFE|FDF FdF Fdd|cBA dcB AFE:|
ecA AcA def|ecA AcA cBA|1 ecA AcA def|
ecA BAF AFE:|2 ece agf edc|BAF B/c/dF AFE||
%
|:DFA DFA def|DFA DFA AFE|DFA DFA d2f|
edc dAF AFE:|"^coda"HD6z3|]

%%%
X:48240 
T:SPATTER THE DEW (slip jig) (3)
S:S: OFPC2.78 ("Irish")
Z:Z: ABC/arr. BB
Q:1/4=160
M:9/8
%R:jig
L:1/8
K:D
%%text  source key = A
%%vskip .3in
FAF FEF d3|FAF FEF AFE|FAF FEF dfa|
edc BAF AFE :|A2d cec d2B|A2d cea fdB|
A2d ece dfa|edc BAF AFE :|dAF FAF d3|
dAF FAF AFE|dAF FEF dfa|ecA BAF AFE :|
Ace Ace d3|Ace Ace fdB|Ace Ace dfa|
%%stretchlast 0
edc BAF AFE :|"^coda"HD6z3|]

%%%
X:531098
T:SPATTER THE DEW (reel) 
S:S: RC1.193
Q:1/4=180
L:1/8 % 1/16
M:C % 2/4
%R:reel
K:Ador
A2AB c2cd|e2ed eaa2|A2AB c2cd|efed eAA2|
A2AB c2cd|e2ed eaa2|abag e2ef|gedB BAA2||
abag e2ef|gfga beeg|abag e2ef|gedB BAA2|
abag e2ef|gfga beef|gfef gedB|BcBA GEE2||
"^coda"HA4z4|]

%%%
X:27088
T:SPECIALTY HORNPIPE, The
S:S: HOC.083 ("straight jig")
Z:Z: ABC/arr. BB
Q:1/4=150
M:C|
L:1/8
%R:hornpipe
K:D 
%swing .25
%%text source key = C
%%vskip .3in
FG|A2F2E2D2|B,2EF GFED|C2EG cBGE|D2d2d2cB|
A2F2E2D2|B,2EF GFEF|G2AB cAGE|DAFE D2:|
GA|B3c d2B2|c3d e2g2-|g2f2- f2de|fedc B2FG|
A2F2E2D2|B,2EF GFED|C2EG cBGE |D2d2d2 :|\
"^coda" DAFE HD4|]

%%%
X:183092 
%%staffwidth 650
T:SPEED THE PLOUGH/PLOW (reel) (1) 
S:S: CRE.3 
Z:Z: ABC/arr. BB
%R:reel
Q:1/4=180
M:C
L:1/8
K:D
d3A BAFB|AFFE FDDE|F2AF G2BG|ABde fdef|
d2fd BAFB|AFF2 EFDE|F2AF G2BG|1 ABde fedc:|\
[2 ABde fdd2||
|:faag afdf|gefd edBd|faa2 a3f|ABde fdd2|
faag afdf|gefd edBA|F2AF G2BG|ABde fdd2:|

%%%
X:59124
T:SPEED the PLOUGH/PLOW (reel) (2)
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
%R:reel
K:D
d3A BAFB|AFF2 EDDE|F2AF G2BG|ABde fdd2:|
faa2 afdf|g2fg edBd|faa2 afdB|ABde fdd2|
faa2 afdf|g2fg edBd|A2AF G2BG|ABde fdd2|]
%
N:N: This tune is called "Peter Street" in the book (???)

%%%
X:492192 
T:SPELLAN the FIDDLER (hornpipe) 
S:S: ONMI.1731 < J.O'Neill
%R:hornpipe
Q:1/4=150
Z:Z: Brennan/Black
M:C|
L:1/8 
K:G
%swing .25
EF|GDBG dBgd|bgd2 =cBAG|Fd^cd Adcd|dced cAFD|
GDBG dBgd|bgd2 =cBAG|fecA edBG|FADF G2:|
g2|bgdB GBdg|afcA FAcf|agba [c'a]bag|fedc BAGF|
GDBG dBgd|bgd2 cBAG|fecA edBG|FADF G2:|

%%%
X:492193 
T:SPELLAN'S DELIGHT (hornpipe) 
S:S: ONMI.1614 < J.O'Neill
Z:Z: Brennan/Black
%R:hornpipe
N:N: Source m.11 = |ceac' d'c'ba|
Q:1/4=150
M:C|
L:1/8 
K:A
%swing .25
E2|A2Ec dBGB|Aceg aecf|dbca Bgeg|aece fdBG|
A2Ec dBGB|agbg aece|dced feag|bgeg a2:|
e2|abeg afcf|dfec dBGB|"11"ceae dega|gbaf e2fg|
agbg aece|dbBg aece|dced feag|bgeg a2:|

%%%
X:492194 
T:SPELLAN'S FANCY (hornpipe) 
S:S: ONMI.1615 < J.O'Neill
Z:Z: Brennan/Black
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:D % 
%%text source key = A; simplified arrangement
%%vskip .3in
AG|FdAF D2Ac|dAFd AFDA|BGEC AFDA|FAdc dcBG|
FdAF G2EG|FdDd AFDf|geAa fdAf|geAe d2:|
ed|ceAe dfAG|FAdc dfad|BGEc dAFd|c2B2 A2Ac|
dGFD CEAG|FAdc ecAG|FAdf gecA|EGAc d2:|

%%%
X:492195
T:SPELLAN'S FIDDLE (hornpipe) 
S:S: ONMI.1616 < J.O'Neill
%R:hornpipe
Q:1/4=150
M:C|
L:1/8 
K:G 
%swing .25
%%text source key = A; probably A-B-A
%%vskip .3in
Bc|dgfa gedB|GFGA BGDC|B,DGB cBAG|FAdf eBcA|
Ggfa gedB|GFGA BGDC|B,DGB (3Afe (3dcA|G2B2G2:|
K:D
FG|ABAG FAde|fgfd Adfa|gfeg fedf|eaca BaAa|
ABAG FAde|fgfd Adfa|gecA cAGE|(3DFA (3dfa "_DC"[d2d'2]:|
%
N:N: This tune - which reminds me very much of any J. Scott Skinner hornpipe 
N:you can think of - changes key to D major in the second part, but O'Neill 
N:doesn't change the G major key signature. I have indicated the key change 
N:a little more clearly (I hope) in the simplified version. Also note that a key 
N:change like this usually indicates the tune is to be played A-B-A, but the 
N:Chief's notation doesn't show that.

%%%
X:62131
T:SPELLAN'S FIDDLE (hornpipe) 
S:S: GSTC
Z:Z: ABC/arr. BB
Q:1/4=150
N:N: This is a version of "Spellan the Fiddler" (#1731 in "the 1850"). It seems 
N:like it should be A-B-A but it isn't indicated that way in the source. 
%R:hornpipe
M:C|
K:A
%%text  probably A-B-A
%%vskip .3in
cd|eagb afec|AGAB cAED|CEAG FAdc|B^dgf e=dcB|
Aagb aecB| AGAB cAED|CEGF E2cB|A2 c2 A2 :|
K:E
GA|BcBA GBef|gage Begb|agfa gfeg|fbeb dbcb|
BcBA GBef|gage Begb|afdB ^AB=AF|(3EGB (3egb "_DC"[e2e'2] :|

%%%
X:492196 
T:SPELLAN'S INSPIRATION (hornpipe) 
S:S: ONMI.1612 < J.O'Neill
Z:Z: Brennan/Black
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:D 
%swing .25
%%text source key = Bb
%%vskip .3in
fg|a2fe d2Ad|B2G2 G2AG|FAGB Adgf|edcB Agab|
agfa dfAd|B2G2 G2AG|FAGB Adce|d2D2 D2:|
%
FG|ABAG FGAF|BAGF GFGA|B=cBA GBed|c2A2 A2FG|
ABAG FAGF|G2b2 b2ag|fadf eace|d2D2 D2:|
%
FE|D2FD ADFD|CDEF GFGA|FAGB Adce|gecA GFGE|
D2FD ADFD|CDEF GFGE|FdcB AGFE|D2F2 D2:|

%%%
X:26030
T:SPENSER'S HORNPIPE 
Z:Z: ABC/arr. BB
S:S: GEI.077
M:C
L:1/8
Q:1/4=150
%R:hornpipe
K:D
%swing .25
fg|afge dfed|cAec ABAG|FGAf gfed|cecB A2fg|
afge dfed|cAec ABAG|FGAf gedc|d2d>c d2 :|
cd|eAGA Agfd|eAGA egfa|gfec dcBA|GBBd B2AG|
Fdcd cede|dfef efge|fafd egec|d2d>c d2 :|

%%%
X:185210 
T:SPEY IN SPATE (reel), The
Z:Z: ABC/arr. BB
S:S: CRE.5 < John Doherty
Q:1/4=180
M:C
%R:reel
K:D
B,C|D2FD A,DFA|dcBA ^GAFD|EDEF GAce|gecA ^GA=GE|
D2FD A,DFA|dcBA ^GAfd|gefd ecdB|AFGE D2 :|
Bc|d2 fd AdFA|DFAd fagf|e2ge cAGE|CEGc egfe|
d2fd AdFA|DFAd fagf|gefd ecdB|AFGE D2:|

%%%
X:341094 
T:SPIC AND SPAN (jig)
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy1.17
L:1/8
M:6/8
%R:jig
Q:1/4=160
K:Em
B/A/|GFG EDE|GAB dBA|Bee fed|BAG FED |
BEE EDE|GAB dBA|edB AGA|BEE E2 :|
B|e2d efg|edB GAB|edB dBA|BAG EGA |
BeB dBA|GEF GAB|edB dBA|GED E2A |
Bed efg|edB GAB|edB dBA|GEF GAB |
efg edB|dbA BGE|BdB eBA|GED E3 |]

%%%
X:56057
T:SPIDER'S WEB (jig), The  
C:V. Broderick
S:S: Turoe.21b
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:G
GBd g2d|egd BAG|Bcd efg|a2g fed|
GBd g2d|egd BAG|Bcd cAF|DEF G3:|
bag gfg|bag gfe|def gab|a2g fed|
bag b2g|gfe dBG|Bcd cAF|DEF G3:|

%%%

X:30
T:SPIDERS in the BATHTUB (reel)
N:N: "A tune for Cuz Teahan". © Cappal Beag Music BMI
C:Jimmy Keane  
M:C
L:1/8
Q:1/4=180
K:G
Bc|d^cde dBGB|dgag egce|Bdde gedB|FAcB Aded|
Bc (3d^cd edBd|gbag egce|dfag fdcA|1 GBAF GA:|
[2 GBAF G3|:A|Bded Bgfg|ecGe dBGD|Ec (3cBc BdGB|
Agge fdcA|GBdg bgfg|eceg dB (3BAB|1 dfag fc'af|
%%stretchlast 0
gbaf g2g:|2 dfag fd'af|g2dB G4||

%%%
X:66018
T:SPIFFY to BOOT (jig)
C:P.G. Mulvaney
Z:Z: ABC/arr.BB
Q:1/4=160
%R:Jig
M:6/8
L:1/8
K:D
d|e2c d2f|e2d B2c|ded c2d |B2A FED|
E2e e2d|e3 f2e|dcd B2c|d2A  B2:|
%
K:G
A|B2d g2e|d2B G2A|B2d g2e|d2B G2A|
[1 B2E E2D|E3 FGA|B2E E2D|EFE B2:|  
[2 B2d e2d|e3 gfe|d2B AFD|E3z3|]

%%%
X:181143
T:SPIKE ISLAND LASSES (reel), The 
S:S: CRE.1 
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel  
K:Dmix
%%text A-B-C-D-A
%%vskip .3in
dB|cAGE ADD2|FDAD FDD2|cAGB AGEG|Adde fded|
cAGB ADD2|FDAD FDD2|cAGB AGEG|Addc d3||
%
g|f2ed efge|fded cAAg|f2df edcB|A2dc defg|
agfa g2eg|f2ef dcAG|Addc dfed|Adde fded||
%
cAGB A2Ad|B3G A3d|cAGB A2AG|A2de fded|
cAGB A2BG|AGGF GBdB|cAGB ADD2|Addc d3||
%
e|f2ad f2ad|f2ad gee2|f2ad f2ad|fage dcAd|
defg a2ag|bgaf gfeg|fedf edce|dcde "_DC"fd||

%%%
X:493353 
T:SPINNER'S LILT (jig) 
S:S: ONMI.1058 < J.O'Neill
Z:Z: Brennan/Black
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:D
A|D2F FGA|ABA AGF|D2F FGA|BAB gec|
d2F FGA|ABA AGF|GBG FAF|EFA B2 :|
A|d2f faf|d2f ecA|d2f faf|ede f2g|
agf bag|fed cBA|dcB AGF|EFA B2 :|

%%%
X:495336
T:SPINNERS DELIGHT (reel), The  
S:S: ONMI.1380 < J.O'Neill
Z:Z: Brennan/Black
N:N: Source m.7 = |(3cBA (3cde dBGB|
Q:1/4=180
%R:reel
M:C|
L:1/8
K:A
ed|c2cB Acec|dcBA GABd|cAce fdfa|gbeg afed|
c2cB Acec|dcBA GABd|cAce dBGB|AcBG A2 :|
cd|e2ag aecA|B2Bc dcBc|Aced ceba|gede fedB|
e2ag aecA|d2fg fgaf|e2gf edcB|AcBG A2 :|

%%%
X:341095 
T:SPINNEY REEL, The  
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy1.41
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:A dorian
dB|A2GA EABA|eABA gedB|A2GA eABA|GEDB, DEGB |
A2 eA BAeA|BAGF GABd|eged BAGE|GBdB A2 :|
Bd|ea a2 agab|gaba bedB|A2 BA eABd|g2 fg edBd |
ea a2 agab|eged BAGB|A2 eA BAGE|DEGB A2 Bd ||
ea a2 agab|gafg edBd|eABA gefd|edBA GFGB |
A2 eA BAeA|gedc BAG[EB]|A2 Bd gaba|gedB A4|]

%%%
X:48351 
T:SPINNING WHEEL (hornpipe), The  
S:S: OFPC3.117
Z:Z: ABC/arr. BB
Q:1/4=120
M:C|
L:1/8
%R:hornpipe
K:D
%swing .25
%%text A-B-A
%%vskip .3in
A|F3G AFBG|AFDE F2AF|G2 GB AFED|EDEF E3F|
GFGA Bcde|f2ed B3d|A3B AFED|BABc d3 :|
F|B3c dBfe|dBcA B4|eBcB fABA|G2EF E2AB|
cdef ecBA|^GABc dfec|dBcA B^GEG|A2 AB "_DC"A3||

%%%
X:495337 
T:SPINNING WHEEL (reel), The  
S:S: ONMI.1203 < Cronin
Z:Z: Brennan/Black
Q:1/4=180
%R:reel 
M:C|
L:1/8
K:A
d|cAAc BAAd|cefg a2ga|bBBc dcBA|defg afe:|
c|AGAF FEEF|A2Bc dcBc|AGAF FEEe|faec dcB:|
%
c|Aceg agfe|fefg afdc|Aceg agfe|fagb afdB|
Aceg agfe|fefg agaf|bgaf gefd|fagb aff||
%
|:e|faec dcBc|AEAB cAce|faec dcBc|AFFE FAA:|
%
%As the Chief mentions in his fascinating sketch of Edward Cronin 
%in "Irish Minstrels and Musicians" (p.392), there was "but one rival" 
%(not specified but probably Sergeant James O'Neill) for Cronin's 
%fiddling abilities in the Chicago traditional music scene. The 
%highly-ornamented settings of Cronin's contributions to the various 
%collections would seem to bear this out. I have added a simplified 
%version of this lovely Cronin tune for those of you not enamored of 
%great gobs of triplets (show of hands, please?) I think Mr. Cronin
%flourished a few years before recording was a possibility, but I
%have to think he might have sounded like Coleman.

%%%
X:535236
T:SPIRIT OF IRELAND (march), The
S:S: RC2.329
Z:Z: ABC/arr. BB
Q:1/4=130
N:N: Dotted rhythm in source
L:1/8 
M:C
%R:march
K:D
a>f|d2dd d2cd|edef d2ag|fagf egfe|dcec A2F2|
G2GG e2e2|F2FF d3d|cdef edcB|A2AB A2:|
FE|D2A,2 F2A,2|GFGA G2FE|FAdc BAGF|EDEF EGFE|
D2d2 F2f2|A2a2 a2gf|1 edef edcB|A2AB AG:|
[2 edef dcBc|d2de Hd4|]

%%%
X:46086 
T:SPIRITS OF FRANCE (march), The   
S:S: OFHC4.02
Z:Z: ABC/arr. BB
N:N: As with smany other entries in O'Flannagan's volume, I'm not 100 pct. 
N:sure of what type of tune this is. I'm going with "march" on this one just 
N:because the title seems to indicate that (maybe).
Q:1/4=150
M:C|
L:1/8
K:D 
%%text source key = C
%%vskip .3in
af|d2d2 cdec|dcde d2bg|e2e2 efed|cdec A2GF|
G2e2 e2d2|F2d2 d2B2|c2d2 edfe|dcdB A2 :|
FG|AGFG A2AF|GFEF G2GE|FDFA dAFD|EDEF E2FE|
D2d2 A2f2|d2a2 a2gf|e2fe dcBc|dcde d2 :|

%%%
X:581165 
T:SPLASHING of the CHURN (slip jig), The 
S:S: WSGM.181 < F.O'Neill
Z:Z: Kinder/Black (arr.)
N:N:  a/k/a/ "Gurgling of the Churn"
M:9/8
L:1/8
Q:1/4=150
%R:jig
K:Em
G2B E2c BAG|F2A D2G AGF|G2B E2c BAG|
BdB AGF E3:|g2e g2d edB|f2d ded fga|
[1 g2e g2d edB|dBA ABd e3|2 g2e f2d edc|
BdB AGF HE3|]

%%%
X:184222 
T:SPLENDID HORNPIPE, The  
S:S: CRE.4 < Sheahan MS
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=150
M:C|
%R:hornpipe
K:D
%swing .25
AG|F2FD AFdF|E2ED E2AG|FAdf efgf|edcB AGFE|
F2 FD AFdF|E2ED E2 AG|FAdf edce|d2 dc d2:|
ed|cdef gfge|defg a2 fa|gfeg fddf|edcB AGFE|
F2 FD AFdF|E2ED E2 AG|FAdf edce|d2 dc d2:|

%%%
X:38260 
T:SPLENDID ISOLATION (reel) 
C:Brendan McGlinchey
S:S: Willie Kelly
Z:Z: ABC/arr. BB
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:Edor 
%%text  source key = Gm
%%vskip .3in
D|E2 ED EBAF|E2 FE DEFA|BFAF EFGA|Beed e3f|
g2 fe dBBc|dcde dBAF|E2 FE DEFA|BFAF E3:|
d|e2 fe d B3|edBA FABA|F E3 FABA|FEEF D3 D|
D2 ED EBAF|E2 FE DEFA|B e3 defe|dBAF E3:|

%%%
X:65089
T:SPOILS OF VICTORY (hornpipe), The
C: Aidan Crossey
S:S: composer
%R: Hornpipe
Q:1/4=150
M: 4/4
L: 1/8
K: G
%swing .25
BA|GABc dedB|cdef gedc|BGBd gdBG|AGFE DcBA|
GABc dedB|cdef gedc|BGBd cAFA|G2 GF G2:|
AG|FGAB cdef|(3gag fg efde|(3cdc Bc ABGA|(3FGF EF DcBA|
GABc dedB|cdef gedc|BGBd cAFA|G2 GF G2:|

%%%
X:38261 
T:SPORT JIG, The 
C:Peadar O'Riada
Z:Z: P.Varlet 
M:6/8
L:1/8
%R:jig
Q:1/4=160
K:D
AdF A3|GBE GFG|AdF A3|GEB cde|
AdF A3|GBE G3|cdc A2A|GEA D3:|
cBc dcd|cec A2g|fed ged|cec A2g|
f3 g3|faf d2e|fdF AFA|GEA D3:|
AGG AEE|AGE EDD|AGG c2e|dcA AGE|
AGG AEE|AGE EDD|1 cdc A2A|GEA DEG:|
[2 cdc A2G|EAA HD3|]

%%%
X:13175
T:SPORT OF THE CHASE (slip jig) (1), The 
S:S: BSMI.1 
Z:Z: ABC/arr. BB
N:N: For you lovers of complicated slip jigs (and you know who you are!) 
N:Warning: not recommended for session playing.
%R:slip jig
M:9/8
Q:1/4=150
L:1/8
K:G
G2G B2G BdB|G2G B2G BdB|C2C E2C EGE|
D2D F2D FAF :|G2G g2d BdB|G2G g2d BdB|
c2e ece ece|d2f fdf fdf :| gdB gdB gdB|
gdB gdB gdB|c2e ece ece|d2f f2f faf :|
g2g b2g dBd|g2g b2g dBd|c2e ece ege|
[1 d^cd f2d faf :|2 d^cd fed =cBA||
|:G2G B2G BdB|G2G B2G BdB|A2B c2A FDF|
[1 A2B c2A FDF :|2 GAB cAF G3 |:[K:D]f2a afa afa|
f2a afa afa|g2b bgb bgb|g2b bgb bgb|
f2a afa afa|f2a afa afa|e3-e2f gec|
def gec d3 :|d2B AFD DFA|B^cd efg f2e|
d2B AFD DFA|Bcd AFD E2D :|f2d AFA dfa|
f2d AFA dfa|g2e cAc cAc|def gec d3:|
"^coda" def gec Hd3|]

%%%
X:533096
T:SPORT of the CHASE (slip jig) (2), The 
S:S: RC3.118 
N:N:  Roche's title "Ceol na Seilge" = "Music of the Hunt"
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:9/8
%R:jig
K:G
G2G B2G BdB|G2G B2G BdB|C2C E2C EGE|
D2D F2D FAF:|G2G g2d BdB|G2G g2d BdB|
c2c e2c ege|d2d f2d faf|gdB gdB gdB|
gdB gdB gdB|ece ece ece|fdf fdf gdB||
"^coda"HG6z3|]

%%%
X:493354 
T:SPORTING BACHELOR (jig), The 
S:S: ONMI.0850
Z:Z: Brennan/Black
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
D|GBd g2d|ed^c d2B|cBA BAG|AB^c d2D|
GBd g2d|ed^c d2B|cBA ABc|def g2 :|
B|dcA B2G|dcA B2G|def gfe|dcB A2B|
c2e efg|B2d dBG|Aag fef|gba g2 :|

%%%
X:495338
T:SPORTING BOYS (reel), The  
S:S: ONMI.1350 < O'Reilly
Z:Z: Brennan/Black
N:N: This is another setting of "Boys of Portaferry"
Q:1/4=180
%R:reel
M:C|
L:1/8
K:G
BA|G2BG AcBA|G2BG GEDE|G2BG ABce|dBgB c2BA|
G2BG AcBA|G2BG GEDE|DEGB cBAe|dBgB c2||
BA|Bdgd edgd|Bdgd e2dc|Bdgd edef|gedB c2BA|
Bdgd edgd|Bdgd e2dc|Bdgd egfa|gedB c2BA|HG4z4|]

%%%
X:182281 
T:SPORTING DAYS OF EASTER (reel) (1), The
S:S: CRE.2
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Dmix
d2cA GEFG|ABAG A4|d2cA GEFG|A2GE D4|
d2cA GEFG|ABAG A2Bd|d2cA GEFG|A2GE D4 :|
c2cd efg2|eaag efge|c2cd efgb|abge d4|
c2cd efg2|eaag efg2|fged cAGc|Addc dfed :|
"^coda" Addc dfec|Hd4z4|]

%%%
X:185149 
T:SPORTING DAYS OF EASTER (reel) (2), The
Z:Z: ABC/arr. BB
S:S: CRE.5 < Jim Mulqueeny (Clare)
L:1/8
Q:1/4=180
M:C
%R:reel
K:Dmix
dBcA GEEG|ABGB A2Bc|dBcA GEFG|ABGE D2Bc|
dBcA GEEG|ABGB A2Bc|dBcA GEEG|ABGE DB,DE ||
G2AB cBcA|dfec dBcA|G2AB cBce|dBcA GEDE|
G2AB cBcA|dfec dBcA|G2eg fdec|ABce dfec||\
"^coda"d4z4|]

%%%
X:44168 
T:SPORTING DAYS OF EASTER (reel) (3), The 
S:S: NFID.240c < JL
Z:Z: ABC/arr. BB  
Q:1/4=180
L:1/8
M:C
%R:reel 
K:G
BGG2 DGFG|Bdef gded|BGG2 DGGA|BGAG EDD2:|
g3e fgaf|g2ge fdd2|g2ge fga2|bgaf gfed|
gage fgaf|g2ge fdd2|g2fg a2ga|bgaf gfed||\
"^coda"HG4z4||

%%%
X:581166
T:SPORTING IRISHMAN (jig), The 
S:S: WSGM.112 < "Clinton's Irish Melodies" 1840
Z:Z: Kinder/Black (arr.)
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:D
E|D2E D2d|BAG FGE|AdB AFA|EFE E2A|
D2E D2d|BAG FGE|AdB AFA|DEC D2:|
g|a3 b3|aba afd|gag faf|ede fdB|
a3 f3|ede fdB|AFA dAF|DEC D2:|

%%%
X:57146
T:SPORTING KATE (reel)
Z:Z: ABC/arr. BB
N:N: From Treoir 49/1, no source given. A version of "Bonnie Kate".
Q:1/4=180
%R:reel
M:C
K:D
%%text A-B-A
%swing .25
B|AGFA BdAF|DFAF E2EF|AFAc BGBd|cABc d3 :|
f/g/|a2fd fafd|a2fd edef|a2fd gbag|fedc defg|
a2fd fafd|a2fd edef|gfaf gbag|fedc dc"_DC"dB||

%%%
X:332086 
T:SPORTING MOLLY (reel) (1)  
Z:Z: ABC/arr. BB
S:S: Levey2.63 
Q:1/4=180
L:1/8
M:C
%R:reel
K:Em
EF|GEBE GEBG|FDAD FDAF|GEBE GEBG|FDAD E2 :|
EF|G2GF GBdB|ABAG FGAF|E2e2 edef|gfe^d e2ef|
g2dB GBdB|ABAG FGAF|E2e2 e2Ac|BAGF E2 :|

%%%
X:531099
T:SPORTING MOLLY (reel) (2) 
S:S: RC1.156
Q:1/4=180
L:1/8 % 1/16
M:C % 2/4
%R:reel
K:Em
EF|E2GE BEGE|D2FD ADFD|E2GE BEGE|FGAF E2:|
EF|G2AF GBdB|ABAG FGAF|E2e2 edef|gfed e2ef|
g2dB GBdB|ABAG FGAF|E2e2 e2Ac|BAGF HE4|]

%%%
X:13226
T:SPORTING NELL (reel) (1) 
S:S: BSMI.2
Z:Z: ABC/arr. BB
%R:reel
M:C
Q:1/4=180
L:1/8
K:Ddor
ADD2 A2dc|A2GF ECC2|ADD2 A2dc|1 AcGE EDD2 :|
[2 AcGE FGAB||c2ec gcec|c2ec AddB|c2ec gcec|
AcGE D3B|c2ec gcec|c2ec Adde|f3d efed|cAAG Addc| 
Hd4z4|]

%%%
X:183194 
T:SPORTING NELL (reel) (2)
S:S: CRE.3
Z:Z: ABC/arr. BB
%R:reel
L:1/8
Q:1/4=180
M:C
K:Dmix
ADFD A2dB|ABAG EFGB|ADFD A2dB|ABGF EDDB|
ADFD A2dB|ABAG EFGB|ADFD A2dB|A2GF EDD2||
cdec d3B|cdef gedB|cdec d2dB|cAGF EDD2|
cdec d3B|cdef gedf|eaag efed|cAGF EDD2|]

%%%
X:181133
T:SPORTING PADDY/PAT (reel) (1)
S:S: CRE.1
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:Adorian
EAAB GABG|EAAB G2ED|EAAB GABd|edge dBAG|
EAAB GABG|EAAB G2ED|EAAB GABd|edge d2ef||
gee2 gede|gee2 a2ba|gee2 ged2|efge d2ef|
gee2 gede|gee2 a2ga|bgab ged2|efge dBAG||
"^coda"A4z4|]

%%%
X:253099
T:SPORTING PADDY/PAT (reel) (2)
Z:Z: ABC/arr. BB
S:S: FS3.11c
M:4/4
L:1/8
Q:1/4=180
%R:Reel
K:Adorian
EAAB GABG|EAAB G2ED|EAAB GABd|efge dBAG|
EAAB GABG|EAAB G2ED|EAA2 GABd|efge d2 ||
ef|gee2 gede|gee2 a2ba|gee2 ged2|efge d2ef|
g2fg edBd|gee2 a2ga|bgaf gfed|efge dBAG ||\
"^coda"A4z4|]

%%%
X:62132
T:SPORTING PADDY/PAT (reel) 
S:S: GSTC
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
%R:reel
K:Amix
AG|EAA2 GABG|EAAF G2ED|EAA2 GABd|efge dBAG|
EA A2 EG G2|EAAF G2ED|EA A2 GABd| efge d2||
ef|ge e2 fddf|ge e2 a2 af|ge e2 fdde|fage d2 ef|
gee2 fddf|gee2 a2ga|bgaf gfed|efge d4|]
%
N:N: This setting ends on the 4th scale degree (D in key of A), so I would 
N:normally re-arrange it to end on the tonic A. However this tune is 
N:well-known enough that I didn't bother. (You could try something like 
N:|edcB A4| on the last playthrough if you're interested.)
%%%

%%%
X:13356
T:SPORTING PITCHFORK (jig), The  
S:S: BSMI.3 
Z:Z: ABC/arr. BB
N:N: I'm not sure the F naturals do much for this tune, but I've left them in 
N:since (1) I don't know the tune that well (2) that's how source has them.
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
D|=F3 E3|FEF DEF|G3 AGA|cAG FGA|
B/c/dB BAG|A/B/cA ABc|dcA AGF|AGF G2 :|
B|d3 =fed|g2e def|gfg bag|fdd d2c|
BdB BAG|ABA ABc|dcA AGF|AGF G2 :|

%%%
X:29104
T:SPORTS IN THE HAY RICK (polka)  
S:S: CGI.122
Z:Z: ABC/arr. BB
N:N: I added repeat to part 2.
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:D 
%%text "quick and with spirit"; A-B-A
%%vskip .3in
A|fD DA|fD Dc/d/|e/d/c/B/ Aa|f2 dA|
fD DA|fD Dc/d/|e/d/c/B/ Aa|d3 :|
c/d/|e/f/e/^d/ ea|ce AA/c/|d/e/d/c/ df|Bd Ec/d/|
e/f/e/^d/ ea|ce AB/c/|d/f/e/d/ c/B/A/^G/|"_DC"A3 :|

%%%
X:532109 
T:SPORTS OF LISTOWEL (hornpipe), The 
T:Breen's 
S:S: RC2.236
Z:Z: ABC/arr. BB
Q:1/4=140
L:1/8
M:C|
%R:hornpipe
K:A 
%swing .25
%%text source key = D
%%vskip .3in
AF|E2EF A2FA|d2dB cBAF|d2de f2ec|dcBA FBAF|
E2EF A2FA|d2dc dfaf|e2cA BAFE|A2AB A2:|
ef|a2fe f2ef|afec e2ec|d2de f2ec|dcBA FBAF|
E2EF A2FA|d2dc dfaf|e2cA BAFE|A2AB A2:|

%%%

X:59125
T:SPORTSMAN'S FANCY (reel), The
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
%R:reel
K:A dorian
edBA G3A|Bdef g2fg|edBA GAB^c|d2ed BAA2:|
eaag bgag|eaaf g2fg|eaag bgaf|gedB BAA2|
eaag bgag|eaaf gfga|bgaf gfed|Bdef gfag||\
"^coda"a4z4|]

%%%

X:493355 
T:SPOTTED COW (jig), The 
S:S: ONMI.0983 < F.O'Neill
%R:jig
Z:Z: Brennan/Black
Q:1/4=160
M:6/8
L:1/8
K:Bm
G|Add fdd|edd fdd|Add fdd|edB BAF|
Add fdd|edd fdd|faf geg|fdc B2 :|
%
G|AFA A2B|AFA A2B|AFA Dfe|fdc B2d|
AGF A2d|AGF A2B|dfd ege|fdA B2 :|
%
G|ABA AFA|DFA DFA|ABA AFA|fdA BAF|
ABA AFA|DFA DFA|faf geg|fdc B2 :|

%%%
X:36058 
T:SPRIG OF SHILLELAGH (polka), The
Z:Z: ABC/arr. BB
S:S: Mally.HIP.046
N:N: Appears in other collections as a set dance. Probably just as well since 
N:IMO this doesn't make a very good polka.
Q:1/4=120
%R:polka
L:1/8
M:2/4
K:G
z|d2 ed/c/|BG G/F/G|AF F/E/F|BG G/F/G|
d2 ed/c/|BG G/F/G|AF c>A|AG G :|
z|Bd g>g|fe-e2|A/A/A fe|d3d|
[1 ed fe|f2 ed|B4-|B2 G :|
[2 ef gd/e/|fe d/e/d/c/|BA G2-|G4 |]

%%%
X:331093 
T:SPRIG OF SHILLELAH (set dance - jig), The 
Z:Z: ABC/arr. BB
S:S: Levey1.105  
N:N: Note 6 measure/10 measure structure. 
Q:1/4=160
L:1/8
%R:jig
M:6/8
K:C
%%text "quick lively"
%%vskip .3in
G|Gcc cBc|ded dcB|ceg gfe|
dfe dcB|cde ABc|GAB c2 :|% 6 measures
g/f/|ece geg|afa g2f|ece geg|afa g2e|fgf efe|
ded dcB|ceg gfe|dfe dcB|cde ABc|GAB c2 :|%10 measures

%%%
X:21184 
T:SPRIG OF SHILLELAH (set dance - jig), The  
S:S: DMI.0994
Z:Z: Nordberg/Black
N:N: In the Set Dance section of DMI due to 6/10 measure structure.
%R:jig 
Q:1/4=140
M:6/8
L:1/8
K:G
E|DEF GFG|ABA AGF|GBd dcB|
AcB AGF|GAB EFG|DEF G2:|
c|BGB dBd|ece d2c|BGB def|
gfe dcB|cec BdB|AcB AGF|
GBd dcB|AcB AGF|GAB EFG|DEF G2:|

%%%
X:50091 
T:SPRIGHTLY KITTY (reel) 
S:S: Petrie.367 
Z:Z: ABC/arr. BB
N:N: Repeats added
Q:1/4=180
M:C
L:1/8
%R:reel
K:Dmix
G|Adde fded|Add2 A2GE|Adde f3d|cAGE EDDG |
Adde fded|Add2 A2GE|ABcd efed|cAGE EDD :|
B|ADD2 cBAG|ADDB A2GE|ADD2 cBcA|GAGE EDDG|
ADD2 cBAG|ADDB A2GE|DcBA FGAF|GAGE EDD :|

%%%
X:12280
%%staffsep 80
T:SPRING AT LAST!  
C:© BB
S:S: BBMG
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:D
B|"D"AFA "Bm"dBd|"A"ece "G"gfg|"D"fga "Em"bge|"D"afd "A"ecA|
"D"AFA "Bm"dBd|"A"ece "G"gfg|"D"fed "G"gab|"A"ecA "D"d2 :|
e|"G"gab "D"a2 f|"Em"gee "D"fdd|"G"gBB "A"cee|"Bm"dcB "A"A2 B|
"D"AFA "Bm"dBd|"A"ece "G"gfg|"D"fdA "Em7"Bed|"A"cBc "D"d2 :|

%%%
X:185031 
T:SPRING FIELD JIG*, The 
S:S: CRE.5 (unnamed)
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%R:jig
K:G
A|BDD cDD|BDD AFD|GBd gdB|cBc AFD|
BDD cDD|BDD AFD|GBd gdB|cAF G2:|
D|GBd gfg|ece dBG|cBA BAG|DFA cBA|
GBd gfg|ece dBG|cBA BAG|DFA G2:|

%%%
X:492197 
T:SPRING GARDEN (hornpipe), The 
S:S: ONMI.1681 < J.O'Neill
Z:Z: Brennan/Black
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:G
%swing .25
Bc|dgdg ecAF|GFGB AFDC|B,DGF D2cB|AGFE D2 Bc|
dgdg ecAF|GFGB AFDC|B,DGF EcAF|G2G2 G2:|
cB|AGAB cBcd|edef g2ef|gfed cBAG|Add^c d2 Bc|
dgdg ecAF|GFGB AFDC|B,DGF DcAF|G2G2 G2:|

%%%
X:491543 
T:SPRING INTO THE DRINK 
Q:1/4=100
S:S: ONMI.0572 < J.O'Neill
Z:Z: Brennan/Black (arr.)
M:3/4
L:1/8
K:G
%%text "animated"
%%vskip .3in
D/E//F// GG/A/|Bd e/c/B/A/ GG/A/|B>G ED/E/ GG/A/|\
Bd e/c/B/A/ GG|G3:|
G/A/ B/d/e/f/||g2fe/^d/ e/g/f/g/|e>d BA B/d/e/f/|\
g2fe/^d/ e/g/f/d/|e3f g (3e/f/e/|
d>e BA GG/A/|B>G ED/E/ GG/A/|Bd e/c/B/A/ GG|G3-G3|]

%%%
X:35064
%%staffsep 80
T:SPRING IS NEAR (waltz)
S:S: composer
C:Rick Gagne 
Z:Z: ABC/arr. BB
N:N: "d/o/c/ 1998 on whistle"
%R:waltz
Q:1/4=120
M:3/4
K:D
DE | "D"F2 FE DE | F2 D2 DE | "F#m"FA BA FA | "G"d4 DE | 
"D"F2 FE DE | F2 D2 DE | "Bm"FA BA FD | "A"E3F/E/ DE | 
"D"F2 FE DE | F2 D2 DE | "F#m"FA BA FA | "G"d4 Bc |
"Bm"df ed cB | "D"dF FE DE | "F#m"FA "Bm"BA FD |1 "A"E3-E :|2 "A"E4||
|:dc | "Bm"B2 BA FA | B2 F2 dc | "G"Bc BA FA | B2 BF dc |
"Em"B2 BA FA | B2 F2 FG | "D"AB AF DF | "Em"ED EF GA |
"Bm"B2 BA FA | B2 F2 dc | "G"BA Bc de | "D"f2 f2 Bc |
"G"df ed cB | "D"dF FE DE |"F#m"FA BA FD |"A"E3-E  :|\
"^coda" "D"FA BA "A"GE|"D"D6 |]

%%%
X:493356 
T:SPRING WELL (jig), The 
S:S: ONMI.1080
Z:Z: Brennan/Black
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
E|G2E GAB|A2G ABd|ede gdB|BGF E2D|
G2E GAB|A2G ABd|ede gdB|AGF G2 :|
A|BGG dGG|ege dcA|BGG dGG|AGA BGE|
BGG dGG|efe def|gfg ecA|BGF G2 :|

%%%
X:342099 
T:SPRINGTIME HORNPIPE, The 
Z:Z: ABC/arr. BB
C:Joe Liddy
S:S: Liddy2.19 
Q:1/4=150
L:1/8 
N:N: Dotted rhythm in source
M:C|
%R:hornpipe
K:G
%swing .25
EF|G2BG dGeG|dGBG FGAc|BGBd cdeg|fdge fdcA |
G2 BG dGBG|FGAB cdeg|fdge fdcA|FGAF G2 :|
%
Bc|d2 gf gedB|cBAG FGAc|BGBd cdeg|fd ec defd |
[1 g2 af gedB|cBAG FGAg|fgef dcAG|FGAF G2 :|
[2 bgag fd ec|BGBc defg|agfd ec AG|FGAF HG4 |]

%%%

X:581167
T:SPRY YOUNG LAD (hornpipe), The 
S:S: WSGM.324 < F.O'Neill
Z:Z: Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=150
%R:hornpipe
K:G
%swing .25
%%text  probably A-B-A 
%%vskip .3in
ef|g2dc BGGF|GABG A3z|GABc d2g2|fgag fdef|
g2 dc BGGF|GABG A3z|GABc d2g2|fgaf g2:|
Bc|dBGB d2 e2|dcBA G2 AB|cAFA c2 d2|c2 BA G2 Bc|
dBGB d2 g2|f2 e2 c3z|d2^cd ecAB|^cdec "_DC"d2:|

%%%
X:44169
T:SPUD GATHERING* (reel) 
S:S: NFID.242b < JL  ("untitled reel")
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:C
%R:reel 
K:G
%%text A-B-A
%%vskip .3in
D|G2BG dGBd|cBcd efga|bgfg agef|gedB AGED|
G2BG dGBd|cBcd efga|bgfg agef|gedc BGG:|
a|bgfg agef|gedB AGEG|DB,B,C DEGA|Bdgb age2|
bgfg agef|gedB AGEG|DB,B,C DEGA|Bdgd B"_DC"GG:|

%%%
X:57147 
T:SPY WEDNESDAY (reel) 
S:S: Treoir
Z:Z: ABC/arr. BB
C:Noel Strange
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:G
D|GBAG FDD2|GABd c2BA|GBB2 GBB2|ABAG FDDE|
GBAG FD D2|GABd c2 BA|dB B2 gB B2|ecAF G3 :|
e|gfge dB B2|dBAB dB B2|gfge dB B2|ecAG FA D2|
gfge dB B2|dBAB dB B2|GABd cdeg|ecAF G3 :|

%%%
X:59126
T:SQUARE DANCE POLKA, The
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=110
L:1/8
M:C|
%R:polka
K:G 
%%text  probably A-B-A; simplified version
%%vskip .3in
f|gB dG|Bd de/d/|cA AB/d/|ed de/f/|
gB dG|Bd de/d/|cA A/F/G|A2 G :|
K:D
F|AB/c/ df/g/|ag f>g|a_a ge|ba ^ga|
AB/c/ df/g/|a af>g|ag e/c/d|ed "_DC"d :|

%%%
X:141147
T:SQUIRE PARSONS 
S:S: CAR-OS
C:O'Carolan
Z:Z: Gilb/Brennan/Black
M:C|
Q:1/4=130
L:1/8
K:G
%%text "allegro moderato"
%%vskip .3in
G4 D2GA|BABc B2G2|d2d2 d2ef|geag f2d2|
b4 a2gf|gefg a^cde|fgfg fagf|e3d d4||
a4 f4|egfe ^d2B2|bfga bagf|f4 e2Bc|
d2d2 d2cB|c2c2 c2BA|BAGA BcdB|A3G G4|]

%%%
X:141213 
T:SQUIRE WOOD'S LAMENTATION ... 
S:S: CAR-OS
C:O'Carolan
N:N: ("...on the Refusal of His Halfpence"). Swift's "Drapier's Letters" refer 
N:to the same episode. 
Z:Z: Gilb/Brennan/Black
Q:1/4=100
M:C
L:1/8
K:G
G/A/|B4 B3g|d2Bd B2AG|B4 B3g|e2de B3g|
e2dB d2dA|B2AG A2GE|G3A BGdB|A4 G2||
d2|efg2 G2g2|ga b/a/g e3d|B2d2 efgf|e4 d3d|
efga gGg2|ga b/a/g e3d|BAB2 dBd2|ed e2f4|
geg2 ede2|dBd2 BGB2|g3e dgdB|A4 g4|]

%%%
X:35065
%%staffsep 80
T:SQUIRREL WITH THE DOUGHNUT (reel), The
S:S: composer
C:Rick Gagne 
Z:Z: ABC/arr. BB
N:N: "d/o/c/ 1987 on whistle"
%R:reel
M:4/4
Q:1/4=180
K:G
ga | "G"bgfg "Em"egdg | "Am"egdB "D"A2ga | "G"bgfg "Em"egdg |\
"C"egdB "G5"g2ga | 
"G"bgfg "Em"egdg | "Am"egdB "D"abga | "G"bgfg "Em"egdg | "C"egdB "G5"g2 ||
GA | "Em"BGdG "C"eGdG | "Am"egdB "D"ABGA | "Em"BGdG "C"eGdG |\
"Am"egdB "G5"G2GA | 
"Em"BGdG "C"eGdG | "Am"gedB "D"ABGA | "Em"BGdG "C"eGfG | "Am"gedB "G5"Hg4 |] 

%%%
X:15300
T:SQUIRREL ("dance 6/4"), The
S:S: CCCD
Z:Z: ABC/arr. BB
%R: % dance 6/4
L:1/4
M:6/4
K:D
B|Ae2-e2f|e3 c3|ABc B2A|ABc B2A|
Ae2-e2f|e3 c3|ABc B2A|1 A3 A2 :|2 A3 ABc||
d2e fed|d2e fed|d2e f2g|a2-a2gf|
ec2 ec2|ec2 e3|ABc B2A|1 A3 ABc :|2 A3-A3 |]
%
N:N: I have restructured this slightly - source had eighth notes at the end of 
N:each part which I have lengthened to quarter notes and treated as pickup 
N:notes for part 2. I also added a pickup note to part 1. And after all that, I'm 
N:still not sure what we're left with!

%%%
X:22138
T:SRUTHAN A' CHAIT (hornpipe) 
N:N:  Translation: "The Cat's Stream" (maybe a Clare place-name?)
S:S: DMWC.43
Z:Z: ABC/arr. BB
N:N: A close relative of "Humors of Tullycrine"/"I Furnished Up My House" 
M:C
L:1/8
Q:1/4=150
%R:hornpipe
K:Adorian
%swing .25
AG|EAAB cBcd|eaag e2dB|cAA2 BAGF|GBde dBAE|
A3B cBcd|eaag e2dB|cAA2 BAGA|cAA2 A2 :|
Bd|eaa2 aged|eaa2 aged|efg2 gedf|efg2 gedB|
A3B cBcd|eaag e2dB|cAA2 BAGA|cAA2 A2 :|

%%%

X:37171 
T:SNOW ON THE BRANCH* (reel)
Z:Z: ABC/arr. BB
S:S: MFC.016c (unnamed)
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:E dorian
dc|BEE2 GBAG|FDAD BDAD|GFEF GABc|dcdf e2dc|
BEE2 GBAG|FDAD BDAD|GFEF GABc|dcdf e2||
ef|g2af gbag|fdd2 fgaf|g2af gbag|gfed Beef|
g2af gbag|fdd2 fgaf|bgaf gfed|Beed e4|]

%%%

X:495335
T:SNOW on the HILLS (reel) 
S:S: ONMI.1306 < Lawson
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
M:C|
L:1/8
K:G
G2dG BGdG|GABd cAFA|G2dG Bcde|fdcB cAFA|
G2dG BGdG|GABd cAFA|GABc dfeg|fdcA GABc||
dgga bgaf|dggf d2cA|dgga bgag|fdcA GABc|
dgga bgaf|dggf defg|abag fgfe|defd cAFA|\
"^coda" HG4z4|]

%%%

%%%

X:12273
%%staffsep 80
T:SNOW on the ROOF (reel) 
C:© BB
S:S: BBMG
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:G
A|"G"GABd g3f|"Em"edBc "Bm"dBAF|"C"EG"D"FD "Em"EB~B2|"Bm"dBAF "D"DFAF|
"G"GABd gfga|"Em"bgef "C"gfef|"Am"gecA "G"Bdgd|"D7"cAFD "G"G3 :|
d|"Em"edeg "Bm"abbg|"G"abbg "D"agef|"C"ge"D"df "Em"edBA|"C"GE"D"FD "Em7"EDB,D|
"Em"EDEG "Bm"ABdf|"C"edeg "Bm"ab~b2|"C"gece "G"dgbg|"D7"fdcA "G"G3 :|

%%%

X:342098 
T:SNOWDROP (reel), The
Z:Z: ABC/arr. BB
C:Joe Liddy
S:S: Liddy2.38
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:D
dB|A2FB A2de|fdef dbbd|A2FA dfed|dBAF E2 dB |
A2FB A2de|fdef ebb2|fded BdAB|dBAF D2 :|
FG|Add2 BdAd|fded BAFE|DEFA d2cd|BdAF E2 FG |
Add2 defa|bafe dB dA|dff2 afef|dBAF D2 :|

%%%

X:491537 
T:SNOWSTORM, The 
S:S: ONMI.0493 < F.O'Neill
Z:Z: Brennan/Black (arr.)
M:C
Q:1/4=120
L:1/8
K:G
%%text "moderate"
%%vskip .3in
D2|G3A B2AG|F>GAB c2Bc|d>e=fe dcA^F|G3F D2 (3DEF|
G3A B2AG|F>GAB c2Bc|d>e=fd cA^FA|G4G2||
Bc|dcde =f2ef|dggf g2de|=f2ag fedB|cBAG F2 (3DEF|
G3A B2AG|F>GAB c2Bc|d>e=fd cA^FA|G4-G4|]

%%%

X:12274
%%staffsep 80
T:SNOWY OWL, The
C:© BB 2014
S:S: BBMG
M:6/8
Q:1/4=160
%R:jig
K:A
A|"A"E2A cBA|"F#m"cBA E2F|"A"E2A cBA|"F#m"cec "Bm"B2F|
"A"E2A cBc|"D"dcd "E"efg|"D"afd "A"cde|"D"dcA "E"B2 :|
c|"A"eca eca|"F#m"ece "D"dcB|"A"Ace aga|"F#m"ece "Bm"f2c|
"A"aga "E"bge|"D"dcd "A"ecA|"D"FAd "A"EAc|"EA"BAG "A"A2 :|

%%%

X:12275
%%staffsep 80
T:SNOWY ROAD to MICK'S (slide)
C:© BB 
%R:slide
%% Specifically Mick Cronin's house outside Gneevgullia in Kerry
Q:1/4=180
M:12/8
L:1/8
K:D
A|"D"d2 d Bcd "F#m7"A2 F E2 F|"A7"A2 G E2 B "D"A2 F D2 A|
"D"d2 d Bcd "F#m7"A2 F E2 F|"G"GBA "A7"GFE "D"D3 D2 :|
A|"Em"Bcd e2e "D"f2 g "D"a3|"G"b2g "D"a2f "A"e2 c A2 A|
"Em"Bcd e2e "D"f2 g a2f|"Em"gfe "A"ABc "D"d3 d2 :|

%%%

X:491538 
T:SNOWY-BREASTED PEARL (1), The 
Q:1/4=110
S:S: ONMI.0512 < J.O'Neill
Z:Z: Brennan/Black (arr.)
M:3/4
L:1/8
K:G
%%text "moderate"
%%vskip .3in
d/e/f|g4ge|d3cBA|G4BG|A2EDEG|G4cA|
c2d2ea|g4f/g/a|g2fe d2|e2BABd|e4||
d/e/f| g4f/g/a|g2gfed|e2G2B/c/d|d4d/e/f|
g2f/g/a ge|d3cBA|G4BG|A2EDEG|G4|]

%%%

X:29103
T:SNOWY-BREASTED PEARL (2), The 
S:S: CGI.134
Z:Z: ABC/arr. BB
N:N: This doesn't sound anything like the version of "Snowy Breasted Pearl" 
N:that is usually heard today ( = setting 1 above)
L:1/8
M:3/4
Q:1/4=100
K:G 
%%text "andante"
%%vskip .3in
(3d/e/f/|g4 ge|d3 cBA|G4 BG|A2 EDEF|G4 cB|
c2 d2 ef|g4 f/g/a|g2 fe d2|e2 BABd|e4 z2 ||
d4 de/f/|g4 fg/a/|g2 gfed|e2 G2 B/c/d|d4 d/e/f|
g2 f/g/age|d3 cBA|G4 BG|A2 EDEF|G6 |]

%%%

%%%

X:493351
T:SNUG in the BLANKET (jig) 
S:S: ONMI.0889
Z:Z: Brennan/Black
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
G|A2B cBc|EFE c2A|B2G AFD|GAG BAG|
A2B cBc|EFE c2A|BdB cAF|G3 BA :|
G|FGA AFd|AFd AFd|FGA AFd|EFG GFE|
FGA AFd|AFd ABc|BdB cAF|G3 BA :|
G|FGA AFD|DED AFD|FGA AFD|GAG BAG|
FGA AFD|DED ABc|BdB cAF|G3 BA :|
"^coda m16" G3 BAF|G6|]

%%%

%%%

X:57145 
T:SNUG IN THE CORNER (reel) 
S:S: Treoir.32b 
Z:Z: ABC/arr. BB
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:G
DEGB A2GB|dBAc B2GE|DEGB ABGB|dBAc BGG2 :|
dgeg dgfg|dedB cAGA|dgeg dgfg|dedc BGFG|
dgeg dgfg|dedB cAGA|d^cdg edef|g2af gedB|]

%%%

%%%

X:27086
%%historyfont 15
T:SOCIAL SIXTY (reel), The  
S:S: HOC.168
Z:Z: ABC/arr. BB
Q:1/4=180
N:N: First part of this tune is pretty much "Collier's Reel", but I have no idea 
N:where part 2 comes from. This sounds like a "Harding hybrid" of two unrelated 
N:(but Irish) tunes!
M:C
L:1/8
%R:reel
K:D mix
AG|FEFG A3B|c2dB cAG2|Ad2c d3e|fdec dBAG |
FEFG A3B|c2dB cAG2|Ad2c dBAG|FDEC D2 :|
K:Bm
de|f2df edce|d2Bd c^AF2|f2df e2cd|eBc^A Bcde |
f2df edce|d2Bd c^AF2|f2ed cdec|1dBc^A B2 :|\
[2 dBc^A B4|]

%%%

%%%

X:493352
T:SOD OF TURF (jig), The 
S:S: ONMI.0928
%R:jig
Q:1/4=160
Z:Z: Brennan/Black
M:6/8
L:1/8
K:D 
e|dcA AGE|c2A ABc|dcA AGF|DGG GBc|
dcA AGE|c2A ABc|dcA fga|gec d2 :|
c|dcA f2g|a2g f2c|dcA fga|g2A GBc|
dcA f2g|a2g f2c|dcA fga|gec d2 :|

%%%

%%%

X:535397 
T:SOFT DEAL BOARD, The
S:S: RC3.033 ("Clar Bog Deil")
Z:Z: ABC/arr. BB
N:N: Another sean-nÛs piece victimized by notation attempts (and classical 
N:expressions) courtesy of the Dublin Conservatory folks.
L:1/8
Q:1/4=80
M:3/4
K:F#m
%%text "maestoso appassionata" (!!)
%%vskip .3in
f>e|d>cB>A Fd/c/|c>AB>G FBB,|E2 F>G F2-|Fz A>G F>E|
CB, CB,/C/ EF|B>c d(3B/c/A/ BF|B>c d>c B>d|c2||A>G F>E|
CB, CB,/C/ EF|B>c d(3B/c/A/ BF|B>c d>c B>d|c2 (3E/B/e/ fe|
ec d/c/B/A/ Fd/B/|c>A B>G FBB,|E2 F>G F2-|F6|]

%%%

X:12276
%%staffsep 80
T:SOLANUS CASEY'S (jig)  
C:© BB
S:S: BBMG
%R:jig
N:N: My go-to Capuchin. Played fiddle about as well as I play banjo!
Q:1/4=160
M:6/8
L:1/8
K:D
B|"D"AFD DFA|"Em"Bde "G"dcB|"D"AFF dFF|"Bm"BAF "A"E2 B|
"D"AFD DFA|"Em"Bde "D"def|"F#m7"afe "Bm"dBA|"G"Bdc "D"d2 :|
e|"D"f2 d "A"ecA|"G"BGB "A"ABc|"D"dff aff|"Bm"baf "Em"e2 d|
"D"f2 d "A"ecA|"G"BGB "A"ABc|"D"dcd "Em"Bde|"A"cAc "D"d2 :|

%%%

X:491539  
T:SOLDIER AND THE SAILOR, The  
S:S: ONMI.0151
Z:Z: Brennan/Black (arr.)
M:3/4
Q:1/4=120
L:1/8
K:A
%%text "moderate"
%%vskip .3in
E>G|A2A2BA|G2A2B2|c2d2c2|B4EG|\
A2A2BA|G2A2Bd|e2d2G2|A4||
cd|e2e2c2|d2c2B2|A2A3c|B4cd|\
ec dB cA|BG E2EG|A2c2B2|A4|]

%%%

%%%

X:59226
T:SOLDIER'S FAREWELL, The
S:S: JOB
Z:Z: ABC/arr. BB
L:1/4
Q:1/4=120
M:3/4
%R:waltz
K:G
D|B2F/A/|G2B,/D/|F/E2^D/|E2A/B/|cBA|EF>E|D3-|D2D|
B2F/A/|G2B,/D/|F/E2^D/|E2A/B/|cBA|EF>D|G3-|G3|]

%%%

X:331092 
T:SOLDIER'S JOY (hornpipe) (1), The   
Z:Z: ABC/arr. BB
S:S: Levey1.90 ("unnamed") 
N:N: I can't imagine how this well-known tune (in three traditions!) could be a 
N:"gan ainm" to Levey, but then he wasn't a traditional musician.
Q:1/4=150
L:1/8
%R:hornpipe 
M:C|
K:D
%%text "reel or hornpipe"
%%vskip .3in
DF|AFDF AFDF|A2d2 d2cB|AFDF AFDF|G2E2 E2FG|
AFDF AFDF|A2d2 d2de|fafd egec|d2d2 d2:|
de|fefg fagf|edcd efge|fefg fagf|edcB A2de|
fefg fagf|edcd efge|afdf gece|d2d2 d2 :|

%%%

%%%

X:492188 
T:SOLDIER'S JOY (hornpipe) (2), The 
S:S: ONMI.1642
Z:Z: Brennan/Black
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:D
FG|AFDF AFDF|A2d2 d2cB|AFDF AFDF|G2E2 E2FG|
AFDF AFDF|A2d2 d2de|fafd egec|d2d2d2:|
de|fdfd fagf|edcd efge|fdfd fagf|edcB A2de|
fdfd fagf|ecAc efge|fafd egec|d2d2d2:|

%%%

%%%

X:185011 
T:SOLDIER'S JOY (jig), The 
S:S: CRE.5
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%R:jig
K:G
D|G2A BcA|BGF GBc|dBG FGA|FDC DEF|
G2A BcA|BGG fed|cAG FGA|1BGF G2:|\
[2 BGF GB||
|:d|gfg afd|cBc dBG|gab afd|cBc def|
geg fdf|ece gfe|ded cBA|BGF GB:|\
"^coda" BGF HG3|]

%%%

%%%

X:181165
T:SOLUS LILLIS' REEL  
S:S: CRE.1
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:C
c2Gc AcGc|c2ec gcec|c2Gc AcG2|eaag edd2|
c2Gc AcGc|c2ec gcec|c2Gc AcG2|eaag edd2||
edd2 edcd|edd2 eaag|edd2 edcA|cBcd eaag|
edd2 edcd|edd2 eaag|edd2 edcA|c2cd eaag|
"^coda"c4z4|]

%%%

%%%

X:27087
T:SOME DISTANCE FROM PRUSSIA (hornpipe) 
S:S: HOC.135 ("reel")
Z:Z: ABC/arr. BB
Q:1/4=150
N:N:  1: Harding has double stops in mm 15-16. 
N:N:  2: I wish I had some idea where this title (and a lot of others in his 
N:collection) came from! This tune reminds me a little of "Pride of Petravore"
N:but that's probably just an accident . . . right?
M:C|
L:1/8
%R:hornpipe
K:Em 
%swing .25
%%text source key = Gm
%%vskip .3in
BA|GEFD EDEF|GFGA B2AG|FAFE D^CDE|FEFG A2BA |
GEFD EDEF|GFGA B2AG|F[EB,]DF A2GF|E2G2E2 :|
B2|e3f gfe2|B2B2 c2c2|BAGB c2AB|cABG FAcd |
e3f gfe2|BdcB c2BA|BABc BAGF |E2G2E2 :|

%%%

X:65088
T:SOME PUP! (reel)
C: Aidan Crossey
S:S: composer
%R:Reel
M:4/4
Q:1/4=180
L:1/8
K:A Major
A|afef a2 ae|faea faeg|afef a2 ae|faec B2B:|
A|cAA>e fa e2|cAA>e f2 fa|cAA>e fa e2|1 faec B2B :|
[2 faec B2AG|HA4z4|]

%%%

%%%

X:252083
T:SOME SAY THE DEVIL IS DEAD (hornpipe) 
Z:Z: ABC/arr. BB
S:S: FS2.36c
M:4/4
L:1/8
Q:1/4=150
%R:hornpipe
K:G
%swing .25
D2DE GABA|GEE2 cEE2|D2DE GABc|dedB A2 G2 :|
d2dc Bcd2|e2ed cdeg|d2dc BcdB|GABG A2 G2 :|

%%%

%%%

X:45039 
T:SOMERTON PARK (slide)
C:T.O Canainn
S:S: NTFO.018a
Z:Z: ABC/arr. BB
Q:1/4=160
M:12/8
%R:slide
K:G
D|GAB ded BAG AGE|GAB ded BAG A2D|
GAB ded BAG AGE|G>FG BdB AGF G2:|
z|g>fg edB g2d edB|g>fg bag ede g2a|
bag ege ded BAB|G>FG BdB AGF G2:|

%%%

%%%

%%%

X:492189 
T:SON of PROSPERITY (hornpipe), The 
S:S: ONMI.1581
Z:Z: Brennan/Black
%R:hornpipe
Q:1/4=150
L:1/8
M:C|
K:Dmix
%swing .25
AG|FDFA dABG|FAD2 D2AG|FDFA dABG|EGC2 C2AG|
FDFA dABG|FAD2 D2AG|FDAD EGCE|F2D2D2:|
Bc|dedc AGAB|cdcA d2 Bc|dedc AGEF|EGC2 C2 Bc|
dedc ABAG|FEFG ABAG|FDAD EGCE|F2D2D2:|
%
N:N: I'm going Dmix on this. Those nice low C's don't sound right as C sharp! 

%%%

X:12277
%%staffsep 80
%irish_rolls_on
T:SON of the PRAIRIE (reel)
C:© BB 2007
S:S: BBMG
M:4/4
%% . . . Mark Oien AGAIN?
L:1/8
Q:1/4=180
%R:reel
K:A
AF|"A" E3c "Bm"BABc|"A"efec "Bm"BAFD|"A"EA ~A2 "D"FAdf|"A"ecAc "E"B2GF|
"A"EA ~A2 "Bm"FB ~B2|"E"GBed "F#m"cBAF|"A"EAcA "Bm"BAFD|"E"EFGB "A"A2 :|
z2|"A"eaga "E"bgeg|"Bm"afdB "F#m"Acef|"A"e2 cA "D"defa|"A"ecAc "E"B4|
"A"eaga "E"bgeg|"Bm"afdB "F#m"Acef|"A"e2 (3cBA "Bm"BAFD|"E"EFGB "A"A2 :|

%%%

%%%

X:56068
T:SONG OF THE BIRDS, The    
C:V. Broderick
S:S: Turoe.24
Z:Z: ABC/arr. BB
Q:1/4=120
M:C
L:1/8
K:D
FG|A4 B>cd>e|f6 e2|d>f e4d2|B6 b>a|
f2-f>e d>fe2-|e2d2 B4-|B6 FG|
A4 B>cd>e|f6 e2|d>f e4d2|B6 b>a|
f2-f>g f>ef2-|f2e2 d4-|d6 de||
f6 e>d|f6 e>d|b>a-a4 f2|e6 d>e|
f4-f>e d>f|e6 d2|B6 FG|A4 B>cd>e|f6 e2|
d>f e4d2|B6 b>a|f2-f>g f>ef2-|f2e2 d4-|d6||
b>f|b6 f>d|f6-f>e|f6 b>f|b6 d>e|
f4-f>e d>f|e6 d2|B6 FG|
A4 B>cd>e|f6 e2|d>f e4d2|B6 b>a|
f2-f>g f>e f2-|f2 e2 d4-|d6z2|]

%%%

%%%

X:62130
T:SONNY BROGAN'S JIG (a) 
S:S: GSTC 
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=160
%R:jig
M:6/8
K:Ador 
%%text version 1
A3 ede|fed e3|A2A ede|fed BAG|
A3 ede|fed efg|aba g2e|fed BAG :|
aba g2e|fed efg|aba g2e|fed BAG|
aba g2e|fed efg|agf gfe|fed BAG :|"^coda"A3z3|]
%%
%%text version 2
K:E dorian
|:E3 BAB|cBA B3|E2E BAB|cBA FED|
E3 BAB|cBA Bcd|efe d2B|cBA FED :|
efe d2B|cBA Bcd|efe d2B|cBA FED|
efe d2B|cBA Bcd|edc dcB|cBA FED :|
"^coda"HE3z3|]
%
N:N: "Patrick (Sonny) Brogan (1907-1965) was a Dublin accordion player who 
N:played from the 1930s to  the 1960s, and was one of Ireland's most popular 
N:traditional musicians during that period."(< Wikipedia) This tune is played 
N:in both A minor and E minor, but Am seems currently the more common
N:key.

%%%

X:41318
T:SONNY BROGAN'S JIG (b) 
S:S: MVBT < Floating Crowbar (group)
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:Ador
E|AGA cBc|dcd e3|AGA cde|dcA GED|
AGA cBc|dcd e3|age ged|cAG A2 :|
d|eaa aba|gef g3|eaa aba|ged cAA|
eaa aba|gef g3|age ged|cAG A2 :|
%
N:N: This is a version of 'Monk's Jig' / 'Port an Bhrathair' transcribed in the 
N:mid-90's from a tape of a UK group called "Floating Crowbar", about whom 
N:I know nothing. I'm not sure how Brogan's name got involved. 
%%%

%%%

X:251100
T:SONNY MURRAY'S (hornpipe) 
N:N: a/k/a/ Wicklow, Delahunty's, Home Brew
Z:Z: ABC/arr. BB
S:S: FS1.33a
M:4/4
Q:1/4=150
L:1/8
%R:Hornpipe
K:Dmix
%swing .25
FG|ABAF DEFG|AGFD c3A|dcde fdAF|G2GF G2FG|
ABAF DEFG|AGFD c3A|dcde fdAG|F2 D2 D2 :|
de|f2fd ecAF|Gggf g2fg|a2ab agec|dcAF G2FG|
ABAF DEFG|AGFD c3A|dcde fdAG|F2 D2 D2 :|

%%%

X:31197
T:SONNY SWEENEY'S (polka)  
Z:Z: ABC/arr. BB
S:S: JOL.070
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:G
G/E/|D>E G>A|Bd BG/B/|AG/A/ BA|AG E/F/G/E/|
D>E G>A|Bd BG/B/|AG/A/ BB/A/|G2 G :|
f|g2 e/f/g/e/|dB dA|G>B AB|AG ED|
[1 gf/g/ e/f/g/e/|dB dA|G>B AB|AG G:|
[2 D>E G>A|Bd BG/B/|AG/A/ B>A|HG4|]

%%%

X:184166
T:SONNY'S LIMESTONE ROCK (reel)
Z:Z: ABC/arr. BB
S:S: CRE.4 < Patrick 'Sonny' Brogan
N:N: See notes to "Sonny Brogan's Jig" (a) above
L:1/8
M:4/4
Q:1/4=180
%R:reel
K:Am
B|dBGB ABGB|dBGB A3B|dBGB ABGB|c2Bc A2Bc|
dBGB ABGB|dBGB A3B|dBGB ABGB|c2 Bc A3 ||
B/d/|e2 dg e2 dg|e2 dB A2 Bd|e2 de gedB|c2 Bc A2 Bd|
e2 dg e2 dg|e2 dB A2 Bd|eaa^f gedB|c2 Bc HA4 ||

%%%

%%%

X:13490
T:SONNY'S MAZURKA (1)
C:Sonny Brogan 
S:S: BSMI.4
Z:Z: ABC/arr. BB
L:1/8
%R:waltz
M:3/4
Q:140
K:D
DF|A2 AG FA|d2 d2 BA|GF GB AG|FG EF DF|
A2 AG FA|d2 d2 BA|G2 Gg fe|d2 d2 :|
Ad|f2 fa gf|e2 eg fe|dc df ed|cd Bc Ad|
f2 f2 (3agf| e2 eg fe|dc df (3edc| d2 d2 :|

%%%

X:251101
T:SONNY'S MAZURKA (2) 
C:Sonny Brogan
Z:Z: ABC/arr. BB
S:S: FS1.41a
M:3/4
L:1/8
Q:1/4=150
%R:waltz
K:D
DF|A2 AG FA|d2 d2 AF|GF GB AG|FG EF DF|
A2 AG FA|d2 d2 AF|G2 Gg fe|d2-d2 :|
Ad|f2 fa gf|e2 eg fe|dc df ed|cd Bc Ad|
f2 fa gf|e2 eg fe|dc df ec|d2-d2 :|

%%%

X:181092
T:SORE FOOT (reel), The 
Z:Z: ABC/arr.BB
S:S: CRE.1
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Am
EG|AcBG AEE2|GABG A2EG|AcBA GEDE|GEDE G2EG|
AcBG AE E2|AcBG A2 EG|AcBA GEDE|GEDE G2 :|
Bd|e2dg eAA2|e2 dB GABd|e2de gedB|cABG AGEd|
e2dg eAA2|e2dB GABd|e2de gedB|cABG AG :|
"^coda m.16" cABG AGEG|HA4z4|]

%%%

%%%

X:491540 
T:SORROWFUL MAIDEN, The 
S:S: ONMI.0461 < J.O'Neill
N:N: Total of ten measures in this tune
Z:Z: Brennan/Black (arr.)
M:6/8
Q:1/4=80
L:1/8
K:Gm 
%%text "moderate"
%%vskip .3in
G/F/|DGG/A/ G2A/B/|cAG/A/ F2G|AGG Ace|d3 d2d/=e/|fgg/=e/ fdd/c/|
dBB A2 (3d/c/A/|GGA/G/ Acd/=e/|fed g2d/c/|B-B/B/A/G/ Adc/A/|AGG G2|]

X:41319 
T:SORRY I AM (jig)
N:N:  . . . For What I Have Done
S:S: MVBT < A.Morrisroe
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%R:jig
K:D
e|a^ga f2e|dcd B2A|Bee e2f|edB dBA|
a^ga f2e|dcd A3 |def afe|fdd d2 :|
c|dBB fBB|dBB Bcd|eAA cAA|eAA ABc|
dBB fBB|dBB Bcd|ecA d2e|fdd d2 :|

%%%

%%%

X:492190 
T:SORRY TOO LATE (hornpipe)   
S:S: ONMI.1706 < McFadden
%R:hornpipe
Q:1/4=150
Z:Z: Brennan/Black
M:C|
L:1/8 
K:G 
%swing .25
%%text simplified version
%%vskip .3in
dc|BdAB GDB,D|GBdf g2bf|gedB cdea|gedB Adcd|
BdAB GDB,D|GBdf g2bf|gedB cedc|BGAF G2:|
Bd|g2eg f2df|gfeg f2e2|gbaf gbaf|gedB Adcd|
BdAB GDB,D|GBdf g2bf|gedB cedc|BGAF G2:|

%%%

X:66102
%%titlefont 18
T:SOUND THE SIREN AT THE CROSSROADS (jig) 
C:Mark Oien
S:S: composer
Z:Z: ABC/arr. BB
% A musical tribute to the composer's days as an EMT!
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:A
e|Ace aga|fed e2e|fed edc|dcd BcB|
Ace aga|fed e2e|fed edc|BcB A2:|
e|aee aee|fed e2e|fed edc|dcd Bce|
aee aee|fed e2e|fed edc|BcB A2:|

%%%

%%%

X:12278
%%staffsep 80
T:SOUTH BANK of the SHANNON (jig), The
C:© BB
S:S: BBMG
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:A
e|"A"ecA EAc|"E7"dBG EFG|"F#m"AFA "D"dcd|"A"ecA "E7"Bcd|
"A"ecA EAc|"E7"dBG EFG|"A"ABc "D"dfe|"E7"dBG "A"A2 :|
e|"E7"edB bge|"A"aga "A"ecA|"F#m"FAc "D"dfa|"A"ecA "E7"Bcd|
"A"cAc "Bm"dBd|"A"ece "D"agf|"A"ece "Bm"fdB|"E"GAB "A"A2 :|

%%%

X:41320
T:SOUTH BEND REEL, The 
C:Kirk Lynch (KC)
S:S: MVBT < composer
Z:Z: ABC/arr. BB
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:G
E|DG G2 A2cB|Aee2 dBGB|g2gb agfd|egfd eB B2|
DG G2 A2 cB|Ae e2 dBGB|g2 gb ageg|dBAB G3 :|
f|g3f ed B2|ABcd BG G2|DG G2 A2 cB|Ae e2 dBGB|
g3f ed B2|ABcd BGBd|g2 gb ageg|dBAB G3 :|
%
%KC piper Kirk Lynch named this tune for a beloved piece of apparatus 
%that he uses when manufacturing a set of pipes. (And I thought I had 
%trouble coming up with tune names!)

%%%

%%%

X:182065 
T:SOUTH ROAD TO ARAN (jig), The
S:S: CRE.2
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
%%text  A-B-A
%%vskip .3in
e|dBB BAF|A2A A2A|BcB BAB|g3 f2e|
dBB BAG|FAA A2A|Bcd eAA|1 d3 f2:|2 d3 d2||
e|d2d d2f|aba a2f|dcd d2f|a3 a2a|
baa a2f|gag f2e|d2d def|g3 "_DC"f2|

%%%

%%%

X:12279
%%staffsep 80
%irish_rolls_on
T:SOUTH SHORE LASSES (reel), The
C:© BB 2011
M:C
%% For Laura Ridarelli and friends
%R:reel
L:1/8
K:D
e|"D"fA~A2 "Bm"BAFA|"D"dcde "F#m"faec|"D"dD~D2 "Em"EDB,D|\
"D"FAdc "G"B2 de|
"D"fA~A2 "Bm"BAFA|"D"dcde "F#m"faec|"G"dBGE "D"FAdf|"A"eAce "D"d3 :|
f|"G"gB~B2 "A"A^GAc|"D"dfaf "Bm"bfaf|"Em"eB~B2 "G"gfed|\
"A"cBAc "D"d2 gf|
"Em"eB~B2 "A"A^GAc|"D"dfaf "Bm"bagf|"Em"eB~B2 "G"GBdg|\
"A7"agec "D"d3 :|

%%%

%%%

X:13179
T:SOUTH WIND, The 
S:S: BSMI.1
Z:Z: ABC/arr. BB
%R:waltz
Q:1/4=120
M:3/4
L:1/8
K:G
dc|B3A G2|B3cd2|A6|A4 dc|B3AG2|E3DE2|G6-|G4 :|
Bd|g4gf|g2f2e2|d6|d4c2|B3AG2|1 B3cd2|A6-|A4 :|\
[2 Ac3F2|G6-|G6 |

%%%

%%%

X:491541 
T:SOUTHERN BREEZE, The 
S:S: ONMI.0510 < J.O'Neill
N:N:  a/k/a/ "The South Wind". It's not in the Jig section of the 1850 but it makes 
N:a nice one nonetheless!
Z:Z: Brennan/Black (arr.)
M:6/8
Q:1/4=140
L:1/8
K:A
%%text "briskly"
%%vskip .3in
d|cBA cec|B2B B2d|cBA FEF|A2A A2d|
cBA cec|BEF GAB|cBA FEF|A2A A2||
e|a2a agf|e2e e2d|cBA cec|B2B B2e|
a2a agf|ecf e2d|cBA d2B|A2A A3|]

%%%

%%%

X:492191 
T:SOUTHERN SHORE (hornpipe) (1), The 
S:S: ONMI.1740 < J.O'Neill
%R:hornpipe
Q:1/4=150
Z:Z: Brennan/Black
M:C|
L:1/8
K:G
%swing .25
D2|GdBG AcAF|GABG D2GF|EGAB cBAG|FAdc FD (3cBA|
GdBG AcAF|GABG D2GF|Eedc BAGF|A2G2 G2:|
AG|FAd^c dBAG|FAd^c dfed|^cdef gece|d^cde d2d=c|
BcBA ^GBec|ABAG FAdf|egfe dcBA|G2B2 G2:|

%%%

%%%

X:59123
T:SOUTHERN SHORE (hornpipe) (2), The
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=150
M:C|
%R:hornpipe
K:G
EF|GABG DFAF|GABG D2GF|EFAB cBAF|Gd^cd fd=cA|
GABG DFAF|GABG D2GF|EFAB cAFA|GgdB G2 :|
AG|Fdd^c d2AG|Fdd^c d2ed|^cdef gece|dAfA dedc|
B2A2 Gded|cBAG F2Bd|gfgd ecAf|GgdB G2 :|

%%%

%%%

X:181029
T:SOUTHWEST WIND (jig), The 
S:S: CRE.1
Z:Z: ABC/arr. BB
N:N: CRE version of the A part is garbled. The setting here is based on the 
N:O'Neill "1850" version of this tune (called "Connie the Soldier" in that 
N:volume.)
M:6/8
Q:1/4=160
%R:jig
K:D
D|EFG A2d|=cAG E2D|EFG EAA|EFG GED|
EFG A2d|=cAG E2D|EFG EAG|EDD D2:|
d|fed cde|fdd d2e|fed ced|cAA A2d|
fed cde|gf/e/d e2d|=cAG EAG|EDD D2:|

%%%

%%%

X:497105
T:SOUVENIR (jig), The   
S:S: arr. of ONMI #575, "The Keepsake"
Q:1/4=160
%R:jig
Z:Z: ABC/arr. BB
M:6/8
L:1/8
K:G
c|ded dec|dge dBG|ceg edB|BAA ABc|
ded dec|dge dBG|gfe dBG|AGF G2:|
d|gag gfg|afd def|gab bag|afd def|
gag fgf|efe def|gfe dBG|AGF G2:|

%%%

%%%
X:495329 
T:SKIBBEREEN LASSES (reel), The  
S:S: ONMI.1469 < Beamish
Z:Z: Brennan/Black
Q:1/4=180
%R:reel  
M:C|
L:1/8
K:Amix
e2cA cdef|gedc BcdB|e2cA cdef|gedB cAA2|
e2cA cdef|gedc BcdB|cAcd edef|gedB cAA2||
cAce a2ef|gedc BcdB|eAA2 a2ef|gedB cAA2|
cAce a2ef|gedc BcdB|A2cd eaaf|gedB cAHA2|]

%%%
X:532108 
T:SKIN THE PEELERS (slip jig)
S:S: RC2.255
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:9/8
%R:slip jig
K:Em
B2B BAB G2A|B2B BAB dBA|B2B BAB G2A|
B2e e2B dBA|B2e e2f g2A|B2e e2B dBA|
B2e e2f g2a|b2a g2e dBA:|"^coda"HE6z3|]

%%%
X:65087
T:SKINFUL (jig), The
C: Aidan Crossey
S:S: composer
M:6/8
Q:1/4=160
L:1/8
%R:Jig
K:A Major
E2A cBA|G2A B2c|E2A cBA|dcd B3|
E2A cBA|G2 A B2 c|d2 e fed|c2B A3:|
a2e cBA|Bcd efg|a2 e cBA|dcd B3|
a2e cBA|Bcd efg|a2 e fed|c2B A3:|

%%%
X:38257 
T:SKIPPERY SAM (hornpipe)
S:S: "The Ted Furey Collection of Irish Traditional Tunes"
Z:Z: ABC/arr. BB
L:1/8
M:C|
Q:1/4=160
%R:hornpipe
K:D
%swing .25
A2|DFAF GBdB|Acec dfaf|gbed ceAF|GBED CE A,2|
DFAF GBdB|Acec dfaf|gbed ceAF|GBEC D2:|
FG|Adcd fdcd|baga fdcd|AdFA DFAF|GFED CE A,2|
Adcd fdcd|baga fdcd|AdFA DFAF|GFEC D2:|

%%%
X:54071 
T:SKIPPING LAMBS (reel), The 
S:S: SRHI.25b
Z:Z: ABC/arr. BB
C:Se·n Ryan
Q:1/4=180
L:1/8
M:C
%R:reel
K:A
F|E3F ABce|fcc2 ABce|a2gd fa ec|dBcA BAFA|
E3F ABce|fcc2 ABce|a2gd fa ec|dcBd cAA:|
e|a2ga fdec|dBcA BAGA|E3F ABce|fcc2 ABce|
a2ga fdec|dBcA BAGA|E3F ABce|fa ed cAA:|
B|cA A2 eAce|aAgA fAec|B3c dcde|fB B2 fBdB|
cA A2 eAce|aAgA fAec|B3c dcde|faed cAA:|

%%%
X:51082
%%titlefont 18
T:SKIPPING on the COBBLESTONES (John Ryan's) (jig) 
S:S: TIDT 1/33
C:J. Kelly
Z:Z: BB
M:6/8
L:1/8
%R:jig
Q:1/4=160
K:D
AGF GFE|DFA d2B|AGF GFE|DFA BGE|
AGF GFE|1 DFA d2B|AGF EAGFDD D3:|
[2 DFA d2A|Bcd EAG|FDD D3||:cAA d2B|
cAA AGE|cAA cde|dBG Bcd|cAA fgf|
efd cde|1 dBG A/B/AG|FDD D3:|2 dBG EAG|\
FDD HD3|]

%%%
X:491529 
T:SKIPPING THROUGH THE DAISIES 
S:S: ONMI.0609 < J.O'Neill
Q:1/4=120
Z:Z: Brennan/Black (arr.)
M:6/8
L:1/8
K:Ddor
%%text "playfully"
%%vskip .3in
d|f2d e2c|dcB A2G|FAd f2d|e<az z2A|
f2d e2c|dcB A2G|FAd age|e<dz z2||
d|A2F A2d|B<Gz z2e|c2A c2e|g<fz z2d|
A2F Adf|a<gz z2g|fed e2a|f<dz z3|]

%%%
X:497103
T:SKIPPY the PUP (jig)
S:S: arr. of ONMI #609, "Skipping Through The Daisies"
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:D
e|f2d e2c|dcB A2G|FAd f2d|eag age|
f2d e2c|dcB A2G|FAd agf|edc d2 :|
G|A2F A2d|BG2 -GAB|c2A c2e|gf2 -fed|
A2F Adf|age dfg|fed e2a|fd2 -d2 :|

%%%
X:44166 
T:SKIRL OF THE PIPES* (march), The 
S:S: NFID.088b < JD (untitled)
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:C
%R:march
K:Amix
ag|e2A2 ABcd|e2ec d2ef|g2B2 d3e|dcBA G2g2|
e2A2 ABcd|e2ec d2fa|g2B2 edBG|A4A2:|
%
ag|e2d2e2 fg|a2af g2ge|d2FA G2Bc|dcBA G2g2|
[1 e2d2e2 fg|a2af g2eg|d2B2 edBG|A4 A2 :|
[2 e2A2 ABcd|e2ec d2fa|g2B2 edBG|A4HA4|]

%%%
X:29101
T:SKITTISH MAID (jig), The  
S:S: CGI.113
Z:Z: ABC/arr. BB
N:N: Staccatos removed. I'm not sure this is a dance tune but I kept it as a 
N:jig anyway!
Q:1/4=160
L:1/8
M:6/8
K:D 
%%text "lively"; A-B-A
%%vskip .3in
e|dfA B2A|dfA B2A|Adf a^ga|agf f2e|
dfA B2A|dfA B2A|Adf a^ga|agf e2 :|
K:A
B|cde efe|a2g f2e|f2d e2c|d2B GFE|
cde efg|a2g f2e|fed cdB|1 AcB A2:|\
[2 AcB "_DC"AB||

%%%
X:331091 
T:SKIVER THE QUILT (jig)   
Z:Z: ABC/arr. BB
S:S: Levey1.70
Q:1/4=160
L:1/8
%R:jig
M:6/8
K:G % 
%%text "quick"; source key = F
%%vskip .3in
B|G3 BGB|g3 gab|G3 BGB|dBA A2B|
GAG BGB|g2g gab|agf ege|dBA A2 :|
d|e3 edB|d3 dBd|e3 edB|dBA A2 B/d/|
e3 edB|ded def|g3 ege|dBA A2 :|
"^coda" dBA FEF|G4z4|]

%%%
X:185135 
T:SKY OVER FENIT* (reel), The
S:S: CRE.5 (unnamed)
Z:Z: ABC/arr. BB
M:4/4
Q:1/4=180
%R:reel
K:Amix
ABcd e2dc|B2gB aBgB|ABcd e2dc|B2gB BAA2:|
eaag a2ba|geef g2ag|eaag a2ba|gedB BAA2|
eaag a2ba|geef g2ag|eaag e3d|B2gB BAA2|]

%%%
X:185107 
T:SKY WITHOUT CLOUDS* (polka), A  
S:S: CRE.5 (unnamed)
Z:Z: ABC/arr. BB
N:N: Repeats added
L:1/8
M:2/4
Q:1/4=120
%R:polka
K:G
GA Be/f/|gf ed|FA c>d|ed cA|
GA Be/f/|ge fe/d/|ec A>F|GB G2:|
gb gb|gb ba/g/|fa fa|fa ae/f/|
gb gb|gb ba/g/|fa ef|gf g2:|

%%%

%%%
X:491530  
T:SKYLARK, The 
S:S: ONMI.0187 < F.O'Neill
N:N: No relation to reel or jig of same name; this tune is also known as "Lark 
N:in the Clear Air".
Z:Z: Brennan/Black (arr.)
M:3/4
Q:1/4=100
L:1/8
K:G
%%text "tenderly"
%%vskip .3in
BA|G>F F>G EC|D4 (3DEF|G3 ABc|A2 d2 dB|
G>G FG EC|D4 (3DEF|GB E2 AF|G4||
DD|G3F G/A/B/c/|d4 e>d|dB GA (3Bdc|B2 A2 dB|
G>F FG EC|D4 (3DEF|GB E2 AF|G3-G3|]

%%%
X:181156
T:SKYLARK (reel) (1), The 
S:S: CRE.1 
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:D
fg|agfg efdB|AFF2 DFAd|BGG2 EGE2|FAA2 FAdf|
agfg e2dB|AFF2 DFAd|BGG2 E2ag|f2eg fd :|
fg|a2fd Adfd|eged cAAf|a2fa bged|Beed efge|
faa2 gbb2|faef dBAG|FAdc B2ag|f2eg fd:|
N:N: Attributed to fiddler Paddy Killoran. Original key for this tune appears 
N:to have been C but I don't think anyone plays it in that key these days.

%%%
X:251099
T:SKYLARK (reel) (2), The
S:S: CRE.5
Z:Z: ABC/arr. BB
S:S: FS1.18b
M:C|
L:1/8
Q:1/4=180
%R:Reel
K:D
agfg efdB|AFF2 DFAd|BGG2 EFGE|FAA2 FAdf|
agfg efdB|AFF2 DFAd|BGGF G2ag|faeg fdd2 :|
a2fd Adfd|efed cAA2|a2fa bged|Beed efge|
f2df g2eg|f2df edBA|FAA2 GBag|faeg fdd2 :|

%%%

X:62127
T:SKYLARK (reel) (3), The 
S:S: GSTC
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=180
%R:reel
M:4/4
K:D 
agfg efdB|AFF2 DFAd|BGG2 EFGE|FAA2 FAdf|
agfg efdB|AFF2 DFAd|BG G2 E2 ag|faeg fd d2 :|
a2 fd Adfd|efed cA A2|a2 fa bged|Beed efge|
fafa gbgb|faec dBAG|FA A2 GBed|ceag fd d2 :|

%%%

X:581162
T:SKYLARK JIG, The 
S:S: WSGM.174 < P.Dunne ms
Z:Z: Kinder/Black (arr.)
M:6/8
Q:1/4=160
%R:jig
L:1/8
K:Ador
B|cAA eAA|dBG GAB|cAA eAA|dBG A2B|
cAA ece|dcd GBd|faf gfe|dBG A2:|
B|def g2f|edc Bcd|efg aga|bgg e2f|
gfa gfe|dcd Bcd|cBc age|dBG A2:|

%%%

X:66090
T:SLAGGING JIG, The
C:Max Bruecher 1994
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:G
G|ABc BAG|dzB cBA|GAB cBA|BGE DEG|
ABc BAG |d2g edB |cBA GAB |AGE DE :|
e|ABc g z a|fge fdf |geb geg |fdf gec |
ABc efg |faf geg |b2g efg |1 fed e2 :|\
[2 fed ecA |"^coda"G6|]

%%%
X:535392
T:SLAINTE NA nGAODHAL (march)  
S:S: RC3.040 
N:N: Gaelic = "Health to the Gaels" [I think]). This is a march setting of 
N:"Loch Lomond". 
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:C
K:G
%%text "march - moderato"
%%vskip .3in
D2|G2G>A B2AG|A2A>G E2 zD|G2G>G G2Bd|e4 d2 zd|
e2 e>d B3d|cBAG E3D|GGBd e2dB|A4 G2||
D2|G2G>A B2BA|G2G>E D3D|G2G>G G2Bd|e4 d2 zd|
e2ed B2Bd|cBAG E3D|G>GBd e2dB|A4 G4|]

%%%
X:582061 
T:SLAINTE RIGH PILIB setting 1 
T:A Health to King Phillip
S:S: WSGM.015 < Burk Thumoth's "Scotch & Irish Airs" 1743
N:N:  "Phillip" (2 L's) is source spelling
Z:Z: Kinder/Black
M:3/4
Q:1/4=140
L:1/8
K:Gdor
G4 ^F2|G2 A2 c2|d4 c2|A4 d2|c4 AG|^F2 A3 G|^F3 E F2|D6|
G4 ^F2|G2 A2 c2|d4 A2|c4 de|f2 e2 d2|c2 A2 G^F|G6-|G6:|
g4 ^f2|g2 a2 b2|a4 gf|d4 de|f3 g fg|f2 d2 f2|c4 A2|^F4 D2|
G3 A G^F|G2 A2 c2|d4 A2|c4 de|f2 e2 d2|c2 A2 G^F|G6-|G6:|

%%%
X:582062
T:SLAINTE RIGH PILIB setting 2 
T:Health to King Phillip
S:S: WSGM.017 < Thomson's "Original Irish Airs", 1814-1816
Q:1/4=140
Z:Z: Kinder/Black
M:3/4
L:1/8
K:F modal
%%text "moderato"
%%vskip .3in
F4 E2|F2 G2 B2|c4 B2|G4 c2|B4 GF|E4 C2|C4 C2|C2 D2 E2|
F4 E2|F2 G2 B2|c4 G2|B2 c2 d2|e2 d2 c2|B2 G2 E2|F6-|F6|
f4 =e2|f4 g2|f4 _e2|c4 d2|e4 e2|e2 c2 e2|B4 G2|E4 C2|
F4 E2|F2 G2 B2|c4 G2|B2 c2 d2|e2 d2 c2|B2 G2 E2|F6-|F6||

%%%
X:37166
T:SLAN BEO (air) 
T:Farewell
S:S: MFC.132A
Z:Z: ABC/arr. BB
N:N: Learned from 'Ancient Irish Music' by P.W.Joyce, published 1872"
Q:1/4=100
L:1/8
M:3/4
K:F
%%text "slow"
%%vskip .3in
FG|A2 E2 F2|F4 AB|c4 AF|G2 F2 F2|F4 FG|A2 F2 G2|f4 ef|d4 dc|
A2 F2 G2|A4 AG|A2 F2 G2|f4 ef|d4 dc|A2 F2 G2|A4 AG|A2 D2 E2|
%%stretchlast 0
F3 GAB|[c4F4] AF|G2 F2 F2|[C6F6]|]

%%%
X:54072 
T:SLAN GO FOILL (reel)
S:S: SRHI.27b
Z:Z: ABC/arr. BB
C:Se·n Ryan
N:N: Title = "Goodbye for a While"
Q:1/4=180
L:1/8
M:C
%R:reel
K:G
B|dBGB AGEG|DEGA Bdga|bgaf egde|gedB AGED|
dBGB AGEG|DEGA Bdga|bgaf egge|dBAB G3:|
D|G2Bd efga|bgag egde|gfgd efge|dBGB AGED|
G2Bd efga|bgag egde|gfgd efge|dBAB G3:|

%%%
X:52107
T:SLANEY BOG (reel) , The
C:© E.Reavy
S:S: Ed Reavy Collection 
Z:Z: McKenty / Black
Q:1/4=180
M:4/4
L:1/8
%R:Reel
K:D
%%text "allegro moderato"
%%vskip .3in
E|F3G FGAB|=cAFA G2 FG|ABAG FGAg|fdec dfec|
AGAG FGAB|=cAFA G2FG|ABAG FGAg|fdec Add:|
e|f2 gf gfed|cAAB cdeg|fdfa g2 fg|afge fddf|
afge fdec|dfec dAGE|Dddc defg|1 afge dfc :|
[2afge d4|]
N:N: I can't tell from the book's notation if this is an A-BB tune or not - only the 
N:second part has a repeat sign. It also has a first ending but not a second ending. 
N:Probably the safest way to handle all this is to play it as a standard double 
N:(AA-BB).(I wish some of those "New York fellows" who Ed Junior says 
N:played this tune a lot were still around to help out with this!)

%%%
X:581163
T:SLASH AWAY THE PRESSING GANG (reel)
S:S: WSGM.065 < F.O'Neill
Z:Z: Kinder/Black (arr.)
Q:1/4=180
N:N: I have no clue what the title refers to.
%R:reel
M:4/4
L:1/8
K:Dmix
A|defd cAAc|BGG2 cAA2|defd cAAc|BGAF D3A|
defd cAAc|BGG2 cAA2|defg abag|fde^c d3 :|
G|ABAG AB c2|GAGF ECEG|ABAG ABcd|cAGE DBAG|
ABAG AB c2|GAGF ECEG|ABAG Adde|fde^c d3 :|

%%%
X:37167 
T:SLATE ROOF (reel), The
S:S: MFC.020a
Z:Z: ABC/arr. BB
D:D: "Grove Lane" (J.Derrane 2010)
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
D2FA GEAF|D2FA d2 fa|geag fdcB|AB=cA EFGE|
D2FA GEAF|D2FA d2 fa|geag fdcB|ABGE FD D2 :|
fdfa g3 e|fdfa g2 ag|fdAF G2 FG|ABcA dcAg|
fdfa g3 e|fdfa g2 ag|fddc ABcA|EFGE FD D2 :|

%%%
X:493349 
T:SLATTERY'S FANCY (jig) 
S:S: ONMI.0803 < Casey
Z:Z: Brennan/Black
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:A
B|c3 c2B|cec dBA|GAB BcB|Bec dBA|
cdc c2B|cec dBA|GAB Bec|dBG A2 :|
z|a3 gfe|dBA GAB|cBc dcd|efg a2z|
a2a gfe|dBA GAB|cBc cde|dBG A2 :|

%%%
X:491531  
T:SLEEP ON MY KATHLEEN DEAR 
S:S: ONMI.0097
Q:1/4=80
N:N: An AA-BB version of "Fair Hills of Eire O!" (usually A-B) 
Z:Z: Brennan/Black (arr.)
M:C
L:1/8
K:G
%%text "slow"
%%vskip .3in
G2|c3d cBAG|G2 B/A/B/d/ e2ge|dB>AG EDEG|G4z2D2|
c2cd cBAG|G2 B/A/B/d/ e2ge|dB>AG EDEG|G4z2:|
e2|=f>efg fedB|d2eg g3=f|=fege edge|
dB c/B/A/G/ EDze|=f>efg e2g2|G2Bd e2ge|
[1 dB>AG EDEG|G4z2:|2 dB>AG Ec/B/ c/B/A/G/|G8|]

%%%
X:497104 
T:SLEEPY FOX (reel), The 
S:S: arr. of ONMI #335, "Fox's Sleep"
%R:reel
Q:1/4=180
Z:Z: ABC/arr. BB
M:C
L:1/8
K:D
B|d2dB cBAF|A2Bc d2dB|cBAF GFEC|DcBA F2Ac|
d2dB cBAF|A2Bc d2dB|A2FD GFEC|DB,EF D3 :|
A|d2cd cABd|edef A2Bc|dcde fedc|d2ag fdec|
d3B cBAG|AFAc d2dc|BAFD GFEC|DB,EF D3 :|

%%%
X:41310 
T:SLEEPY MAGGIE (jig)
Z:Z: ABC/arr. BB
S:S: MVBT < Coogans < Charlie Mulvihill
Q:1/4=160
L:1/8
M:6/8
%R:jig  ? slide
K:D
F/G/|A2A ABc|d2A FDF|A2G EDE|B2A F2G|
A2A ABc|dfd A2F|GBA GFE|D3-D2 :|
e|f2 d AFA|f2d Adf|g2e fed|edB A2e|
f2d AFA|f2d A3|Bgf edc|d3-d2 :|

%%%
X:44167
T:SLEEPY MAGGIE (reel) (1) 
S:S: NFID.240b < PT 
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:C
%R:reel 
K:Am 
%%text source key = Bm
%%vskip .3in
A2a2 eAAG|A2ge dcBG|A2a2 g3e|ede^f gdBd:|
ceAe ceAe|BdGd BdGd|ceAe ceAe|egge dcBd:|
|:eAAG EAAe|eAAG dcBd|eAAG EAAe|1 egge dcBd:|
[2 egge dcBG|HA4z4|]

%%%
X:495330
T:SLEEPY MAGGIE (reel) 
S:S: ONMI.1424 < J.O'Neill
Q:1/4=180
%R:reel
Z:Z: Brennan/Black
M:C|
L:1/8
K:A dorian
e2cd eAcd|e2ce dGBd|e2cd eAcd|efge dGBd:|
eAcA eAcd|eAcA dGBd|eAcA dAcd|efge dGBd|
eAcA eAcd|eAcA dGBd|cBAB cdef|gage dGBd||
|:eAaA eAcd|eAaA gGBd|eAaA gAfA|eAfA gGcd:|
"^coda"HA4z4|]

%%%
X:12272
%%staffsep 80
T:SLEEPY REEL, The
C:© BB
S:S: BBMG
%R:reel
%% Actually recorded by real musicians!
Q:1/4=180
M:4/4
L:1/8
K:Am
cB|"Am"AEEG "C"cBcd|"Am"eAAB "Am7"AGEG|"C"cdeg "Am"a2 bg|"Em"e^fge "G"dBcB|
"Am"AEEG "C"cBcd|"Am"eAAB "Am7"AGEG|"Am"eAcA "D"ag^fd|"Am"cA"G"BG "Am"A2 :|
cd|"Am"eaa^f "G"g2 fg|"Em"ebbg "Am"a2 ga|"Em"bage "G"dBGB|"Am"cA"G"BG "Am"ABcd|
"Am"eaa^f "G"g2 fg|"Em"ebbg "Am"a2 ag|"Am"eAcA "D"ag^fd|"Am"cA"G"BG "Am"A2 :|

%%%

%%%
X:341093 
T:SLIABH AN IARAINN (reel) 
C:Joe Liddy
S:S: Liddy1.37
Z:Z: ABC/arr. BB
L:1/8
M:4/4
%R:reel
Q:1/4=180
K:A dorian
B|cABG EA A2|cdef gedc|BG G2 EGFG|dGAG EGDG |
cA A2 BGAG|EAAB cdef|gabg aged|BdGA BAA :|
d|ea a2 eaga|c'aba geef|g2 dg bgaf|gedB ABcd |
[1 ea a2 eaga|c'aba geef|gabg aged|BdGA BAA :|
[2 ea a2 egag|c'aba geef|gabg aged|BdGA BAA2 |]

%%%
X:37168 
%%historyfont 15
T:SLIABH BLOOM IN SUMMER (jig)  
S:S: MFC.065B
Z:Z: ABC/arr. BB
N:N: I added "In Summer" to distinguish this from Se·n Ryan's "Sliabh Bloom". 
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
A|d2A fec|dAF DFA|GAG EFG|ABc dfe|
d2A fec|dAF DFA|GAG EAG|FDC DF :|
e|d2a aga|fbf afd|B2g gfg|Bdg bge|
d2a aga|fbf a2b|afd gec|dAF D2 :|

%%%
X:54073 
T:SLIABH BLOOM REEL, The 
S:S: SRHI.42b
Z:Z: ABC/arr. BB
C:Se·n Ryan
Q:1/4=180
L:1/8
M:C
%R:reel
K:D
FA|d3B AFF2|GEFD EDB,D|A,3B, DEFD|GEFD EDB,D|
d3B AFF2|GEFD EDB,D|A,3B, DEFD|EDEF D2:|
FA|dcdf afdf|g2fg EG dB|AFF2 DFAF|GEFD EDB,D|
[1 dcdf afdf|g2fg EG dB|AFF2 DFAF|EDCE DE:|
[2 A,DFA dfag|bgaf gecA|d3B BAFA|GECE HD4|]

%%%
X:41311
T:SLIABH CARBERRY (reel) 
S:S: MVBT < A.Carberry
Z:Z: ABC/arr. BB
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:Ador
eaag ef g2|eaag edBd|eaag egfa|gedB GABd :|
eaa2 agag|eaag edce|eaa2 agaf|gedB GABd|
eaa2 agag|eaag edce|Bd ef g2 af|gedB GABG||\
"^coda"HA4z4|]

%%%
X:535393
T:SLIABH FEIDHLIM  
S:S: RC3.027
Z:Z: ABC/arr. BB
N:N:  "Sliabh" = mountain; "Feidhlim" = proper name. Evidently the Roches 
N:and their Dublin conservatory pals never learned that you can't successfully 
N:reduce a "sean nÛs" piece into notation.
Q:1/4=60
L:1/8
M:3/4
K:Gm
%%text "rather slow with feeling"
%%vskip .3in
GB|cc BG GB|cd/c/ BG G>F|G2-G/B/c/d/ ed/c/|d>c c3B/c/|
dd cB/c/ d>c|BG/B/ (3cBG GF|G2-G/B/c/d/ ed/c/|d>c Hc3||
c|cBcde>d|e<d d/c/B/c/ dc|BG BG B>G|G4 g>f|
ed/c/ d/c/B/G/ GF|G2-G/B/c/d/ ed/c/|BG G/B/d/c/ B>G|HG6|]

%%%
X:535394
T:SLIABH/SLIEVE GALLEN (1)
S:S: RC3.057
Z:Z: ABC/arr. BB
Q:1/4=80
L:1/8
M:3/4
K:Gm
%%text "andante maestoso con espress."
%%vskip .3in
D>F|G2 (3GAB A>B|G4 G/A/B|F<D C>B, G,2|B,2 D/C/B,/C/ Dz|
Bcde (3c/d/c/ (3d/c/B/|ABcd BA|GABc A>B|G2 G>A Gz||
Bcde dc/B/|ABcd cB/A/|GABc A>G|G>FD2-D/F/G/A/|
BAGFFD|CB,/A,/ B,/C/D G,/A,/B,/C/|D<G F<A G<B|A>G G3A|
B2 z2 e/c/d/B/|AA z2 d/B/c/A/|GG z2 c/A/B/G/|A>F D2-D (3F/G/A/|
BAG FDC|CB,/A,/ B,/C/D G,/A,/B,/C/|DG G<A A<B|A>G HG4|]

%%%

X:491532 
T:SLIABH/SLIEVE GALLEN (2) 
S:S: ONMI.0180 
Q:1/4=80
Z:Z: Brennan/Black (arr.)
M:3/4
L:1/8
K:Gm 
%%text "slow with feeling"
%%vskip .3in
D>^F|G2 G/A/B A>B|G4 G/A/B|FD C>B, G,2|B,2 D/C/B,/C/ Dz|
Bc de c>B|AB cd B>A|GA Bc A>B|G2 G>A Gz||
Bc de dc/B/|ABcd cB/A/|GABc A>G|G>^F D2 GG/A/|
BA GF FD|CB,/A,/ B,/C/D G,/A,/B,/C/|DG/z/ ^FA/z/ GB/z/|A>G G2-GA|
Bz z2 e/c/d/B/|Az z2 d/B/c/A/|Gz z2 c/A/B/G/|A>^F D2-D  (3=F/G/A/|
BA GF DC|CB,/A,/ B,/C/D/G,/ A,B,/C/|DG ^F/G/A/z/ G/A/B/z/|A>G G2-G2 |]

%%%
X:36057 
T:SLIABH LUACHRA (polka)
Z:Z: ABC/arr. BB
S:S: Mally.HIP.071
Q:1/4=120
%R:polka
L:1/8
M:2/4
K:D
A/|dA BA|dA Bd|B>A B/c/d|e>d ef/e/|
df Bd|Ad FD|E>D EF|D2 D> :|
E/|FA AB|Ad dc/B/|AF FD/E/|FE ED/E/|
FA AB|Ad dc/B/|AF EF|D2 D> :|

%%%
X:41312
T:SLIABH LUACHRA POLKA SET - tune 1
S:S: MVBT < "4 Men and a Dog"
Z:Z: ABC/arr. BB
Q:1/4=140
%R:polka
M:2/4
L:1/8
K:D
FA AB|Ad d>B|AF FD/E/|FE E2|FA AB|Ad d>B|
AF EF/E/|D4 :|dA BA|dA BA|B>A Bd|e2 e2|
df Bd|Ad FD|E>D EF|D2 D2 :|

%%%
X:41313
T:SLIABH LUACHRA POLKA SET - tune 2
S:S: MVBT < "4 Men and a Dog"
Q:1/4=140
%R:polka
M:2/4
L:1/8
K:D
K:G
d2 B2|AD G2|AD GA|BA A2|
d2 B2|AD G2|AD GA|BG G2 :|
Bd g2|fe e2|Bd ef|ed d2|
Bd g2|fe e2|Bd ef|g2 g2 :|

%%%
X:41314
T:SLIABH LUACHRA POLKA SET - tune 3
S:S: MVBT < "4 Men and a Dog"
Z:Z: ABC/arr. BB
Q:1/4=140
%R:polka
M:2/4
L:1/8
K:D
K:D
Ad BA|DF FE/D/|CE GE|BA FD|
Ad BA|DF FE/D/|CE GE|ED D2 :|
F2 G2|BA FD|AG GE|BA FD|
F2 G2|BA FD|AG GE|ED D2 :|

%%%
X:535395 
T:SLIABH NA mBAN (a)  
S:S: RC3.054
N:N: Gaelic = "The Women's Mountain" (also spelled "Slievenamon")
Q:1/4=100
Z:Z: ABC/arr. BB
L:1/8
M:C
K:G
%%text "andantino"
%%vskip .3in
Bc|d2ed G2DG|B2cd E2AG|F2DE F<B A2|G6:|
G2|A2AB c3c|B2GA B3B|^c2AB c<fe2|Hd3 d ed^cd|
G2DG B2cd|E2AG F2DE|F<B A2 G4-|G4z2||
%
N:N:  1: The song version of this (title spelled "Slievenamon") is in 3/4 time. 
N:N:  2: Roche includes a "classical" variation which I have omitted.

%%%
X:37169
T:SLIABH na mBAN (b)
Z:Z: ABC/arr. BB
S:S: MFC.132D
L:1/8
M:3/4
K:G
%%text "slow"
%%vskip .3in
D2F|G3 c2A|B3 ABA|G>Bd g3|a2g fdB|
c3 B2c|d3 edc|1 BG2 B2d-|d2d c2B|A3:|
[2 BG2 c3|A2F G2F|G3-G2||
(3d/e/f/|g3 Bcd|f2e d2A|B2A GBd|g3 Bcd|
f2e d3-|d3 D2F|G3 c2A|B3 ABA|G>Bd g3|a2g fdB|
c3 B2c|d3 edc|BG2 c3|A2F G2F|G6-|G6|]

%%%
X:13345
T:SLIABH/SLIEVE RUSSEL (jig) (1) 
S:S: BSMI.3
Z:Z: ABC/arr. BB
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:A dorian
eAA Bcd|eaf ged|edB cBA|BGG Bcd|
eAA Bcd|eaf ged|edB cBA|BAG A3 :|
eaa efg|agf ged|eaa efg|fed e2d|
eaa efg|agf ged|edB cBA|BAG A3 :|

%%%

X:183028 
T:SLIABH/SLIEVE RUSSELL (jig) (2)
S:S: CRE.3 
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:A dorian
f|eAA Bcd|eaf ged|edB cBA|BGG Bcd|
eAA Bcd|eaf ged|edB cBA|BAG A2:|
g|eaa efg|age ged|eaa efg|fed e2d|
eaa efg|age ged|edB cBA|BAG A2:|

%%%

X:185082 
T:SLIDE JOHN B*, The 
S:S: CRE.5 (unnamed) 
Z:Z: ABC/arr. BB
N:N: This tune got to Breathnach from a fiddler named Sean B.O'Leary (the 
N:"John B." of my title - I couldn't resist).
M:12/8
Q:1/4=180
%R:slide
K:D
f|a2a fef d2A d2f|edB e2e fed f2g|
a2a fef d2A d2A|B2A ABc d3 d2:|
f|edB e2e fed f2f|gfe g2e fed f2g|
aba fef d2A d2A|B2A ABc d3 d2:|

%%%

%%%
X:26003
T:SLIEVEMORE JIG, The 
Z:Z: ABC/arr. BB
S:S: GEI.063
M:9/8
L:1/8
Q:1/4=160
%R:slip jig
K:D
d3 faf gfe|d3 fdf ecA|
d3 fdf efg|agf efd cBA :|
fge fdB B3|fge fdB cde|
fge fdc Bcd|e3 efd cBA :|

%%%
X:21180 
T:SLIEVENAMON HORNPIPE (1), The
S:S: DMI.0812
Z:Z: Nordberg/Black
%R:hornpipe
N:N: Dotted rhythm in source
Q:1/4=150
M:C|
L:1/8 
K:G
%swing .25
B2|GDB,D G,DB,D|GBAG E2DF|GBdf gdBd|cBAG Fedc|
BGFG EDB,D|GABG EGDF|GBdg egdc|B2G2G2:|
Bc|dgg2 bgg2|dgbg agfg|agab [ac']bag|fgfe dgB^c|
dgg2 bgg2|d2 bg egdc|Bdgd AdcA|B2G2G2:|

%%%
X:59122
T:SLIEVENAMON HORNPIPE (2), The
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=150
M:C|
%R:hornpipe
K:G
%swing .25
BA|GDB,D EDB,D|GBAG E2DF|GBdf gdBg|cBAG Fedc|
BGFG EDB,D|GBAG E2DF|GBdg egdc|B2G2G2 :|
Bc|dgg2 bgg2|dgbg agfg|afab [c'a]bag|egfe dcBc|
dgg2 bgg2|d2bg egdA|Bdgd BdcA|B2G2G2 :|

%%%
X:13467
T:SLIEVENAMON HORNPIPE* (3), The 
S:S: BSMI.4 (unnamed)
Z:Z: ABC/arr. BB
L:1/8
%R:hornpipe
M:C
Q:150
K:G
%swing .25
BA|GDB,D G,DB,D|GBAG (3EFE D2|GBdf gdBd|cBAG A2dc|
BGFG EDB,D|GBAG (3EFE D2|GBdf (3efg dc|B2G2 G2 :|
Bc|dgg2 bgg2|dgbg agfg|agab c'bag|fgfe dgBg|
dgg2 bgg2|dgbg (3efg dc|(3Bcd gd Ad (3cBA|B2G2 G2 :|

%%%
X:491533 
T:SLIGO AIR (1), The
S:S: ONMI.0318
Z:Z: Brennan/Black (arr.)
M:3/4
Q:1/4=100
L:1/8
K:G
%%text "slow, with expression"
%%vskip .3in
dA|B>A GABG|E2 D2 (3D>EG|A2 AB/c/ BG|B2 A2 dA|
B>A GABG|E2 D2 (3D>EG|A2 AcBc|A2G2||
GE|D2 E2 G/A/B/c/|d3 edc|B2 A2 (3G>AB|A4 dA|
B>A GA BG|E2 D2 A/B/c/d/|A3 cBc|A2 G4|]

%%%
X:535396 
T:SLIGO AIR (2), The 
S:S: RC3.001
Z:Z: ABC/arr. BB
Q:1/4=100
L:1/8
M:3/4
K:G
dA|B3 AG/B/E|E2D2 (3DEG|A2 AB/c/ BG|B2A2 dA|
B3 AG/B/E|E2D2 (3DEG|de/c/ B2 (3cAF|G4||
GE|D2E2 G/A/B/c/|d3 edc|BA GG/A/ BG|HA4 d/A|
B3 AG/B/E|E2D2 (3DEG|de/c/ B2 (3cAF|HG6||

%%%
X:495331 
T:SLIGO CHORUS (reel), The  
S:S: ONMI.1273 < Ennis
Z:Z: Brennan/Black
N:N: I had some trouble figuring out the underlying harmony for this tune, since 
N:both parts ended on "G" which shouldn't normally happen in a tune in the key 
N:of D. I think I sort of solved the problem . . . or did I?
%R:reel
Q:1/4=180
M:C|
L:1/8
K:Amix
AG|FDAD BDAD|FDAc d2AG|FDAD BGG2|BdcA GBAG|
FDAD BDAD|FDAc d2Ac|dfec dcAc|dcAF G2 :|
AB|cABG A2AB|cAB^G A2ed|cBcd eaaf|gedc dfed|
cABG A2AB|cAB^G A2Bc|dfec dcAc|dcAF G2 :|
"^coda" GBAG HA4|]

%%%
X:342097 
T:SLIGO CONNIE (jig)  
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy2.1
Q:1/4=160
M:6/8
%R:jig
K:G
F|DGG AGF|GFD FGA|GAc dcd|fdc AGF |
DGA BGF|DGA Bcd|c2Bc dBG|AGF G2:|
c|dgg fga|gfd cBc|dcd fdc|AGF GAc|
dgg fga|gfd Bcd|fgf gdc|BGF G2 :|
A|BAB GFD|GFG Bcd|fdc dfd|cBG FGA |
BAG AGF|GAc def|gfd edc|BGF G2 :|

%%%
X:41315
T:SLIGO DUKE (reel), The 
S:S: MVBT < "Killavil Sessions"
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G
G3B d2 Bd|edBe dBAB|GFGB dedB|AEGE D2 BA|
G3B d2 Bd|edBA GABd|eccB cdef|gedB AcBA :|
g2 bg agge|dBBA GABd|g2 gf gfeg|eaa^g a2=ga|
bgeg ageg|dBBA GABd| eccB cdef|gedB AcBA :|
"^coda"HG4z4|]
N:N: After transcribing this tune I discovered that it's actually called "Garrett 
N:Barry's" and is found in the "Dance Music of Willie Clancy" volume (ITTL 
N:tunefolder 22). Mike Rafferty and Willie Kelly call it "Mr. McLeod's" on 
N:their "New Broom" CD.
%%%

%%%
X:11106	
%%historyfont 15
T:SLIGO FANCY (hornpipe), The
S:S: AIF
Z:Z: Brennan/Black (arr.)
N:N:  1: This is called "McDermott's" in CRE2 and "Flowers of Antrim" in ONMI 
N:(#1655, key G)
N:N:  2: Source m.4 = |(3gba (3gfe d2ba|
Q:1/4=150
N:N: Dotted rhythm in source
M:C|
L:1/8 
%R:hornpipe
K:G
ba|gfge B2ed|cBcA E2AG|FGAB cdef|gage d2ba|
gfgd B2ed|cBcA E2AG|FGAB cdef|g2b2g2:|
Bc|dBgB dgBc|dBgB d2cB|cAfA cfAB|cAfA c2Bc|
dBgB dgBc|dBgB d2cB|cAag fdef|g2b2g2:|

%%%
X:181051
T:SLIGO JIG, The 
T:(Trip to) Killavil 
S:S: CRE.1
Z:Z: ABC/arr.BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:Em
d/^c/|:BEE BEE|Bdf edB|BAF FEF|D2F dBA|
BEE BEE|Bdf edB|BFF dFF|FED E3:|
e2f g2e|faf edB|BAF FEF|D2F dBA|
e2f g2e|faf edB|BAF dFF|FED E3:|

%%%
X:21181 
T:SLIGO LASSES (reel) (1), The
S:S: DMI.0636
Z:Z: Nordberg/Black
%R:reel
Q:1/4=180
M:C|
L:1/8
K:G
EF|G2BG DGBG|D2 FD dAFA|G2BG DGef|1 gedc BG:|
[2 gedc Bdef|:g2bg dgbg|fgag fdef|g2bg dgbg|
dega bgg2|dgbg dgbg|fgag fdef|gaba gedc|
BdAG FDEF|"^coda"HG4z4|]

%%%
X:495332
T:SLIGO LASSES (reel) (2), The  
S:S: ONMI.1392 < McFadden
Z:Z: Brennan/Black
N:N: Not shown in source as A-B-A but m.12 points in that directob.
Q:1/4=180
%R:reel
M:C|
L:1/8
K:G
%%text  A-B-A 
%%vskip .3in
G2BG DGBG|D2 FD dAFA|G2BG DGef|1 gedc BGAF:|
[2 gedc BGG2|:g2bg dgbg|fgag fdef|g2bg dgbg|
dega bg g2|dgbg dgbg|fgag fdef|gaba gedc|
BDAG FD"_DC"EF|]

%%%
X:62128
T:SLIGO LASSIES (jig), The 
T:Basket of Turf
S:S: GSTC   
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=160
%R:jig
M:6/8
K:E dorian
D|EBB BAG|FAA AFD|EBB BdB|AFD E2D|
EBB BAG|FAA ABc|dcd BdB|AFD E2 :|
D|Eee efg|fef dBA|Bee efg|fef d2A|
Bee efg|fef dBA|BAB GAB|AFD E2 :|

%%%
X:252082
T:SLIGO MAID (reel) (1) , The
Z:Z: ABC/arr. BB
S:S: FS2.28b
M:C
L:1/8
Q:1/4=180
%R:reel
K:A dorian
z|A2BA Bdef|gedB AGEF|G2BG dGBG|DEGA BdBG|
A2BA Bdef|gedB ABGA|B2BG ABGE|DEGA BAA :|
d|eaag a2ga|bgab ged2|eggf g2ge|dega bgag|
eaag a2ga|bgab ged2|egg2 edBc|d2gB BAA :|

%%%
X:13103
T:SLIGO MAID (reel) (2), The
S:S: BSMI.1 
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:A dorian
A2BA Bdef|gedB AGEF|G2BG dGBG|DEGA BAdB|
A2BA Bdef|gedB AGEG|B3G A2GE|DEGA BAA2 :|
eaag a2ga|bgaf gfed|eggf g2ge|dega bgag|
eaag a2ga|bgaf gfed|egg2 edBc|dBgB BAA2 :|

%%%
X:181124
T:SLIGO MAID (reel) (3), The 
S:S: CRE.1
Z:Z: ABC/arr.BB
N:N: Slightly different from today's "session version" (see version 1 above)
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:A dorian
dB|A2BA Bdef|gedB AGEF|G2DB, G,A,B,C|DEGA BAGB|
A2BA Bdef|gedB AGEG|BGAF GEDB,|DEGA BA:|
fg|a2gb a2ga|bgaf gedg|eggf gage|dg g2 dgbg|
eaag a2ga|bgaf gedg|egge dcBd|gedB BA:|

%%%
X:22137
T:SLIGO MAID (reel) (4), The
S:S: DMWC.121
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:A dorian
G|A2BA Bdef|gedB AGEF|G2BG dGBG|DEGA BAdB|
A2BA Bdef|gedB AGEG|B3G AFGE|DEGA BAA :|
A|eaag a2ga|bgab gedf|eggf g3e|dgg2 bgaf|
eaag a2ga|bgaf gedf|egg2 edBd|gedB BAA :|

%%%
X:62129
T:SLIGO MAID (reel) (5), The 
S:S: GSTC 
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=180
%R:reel
M:4/4
K:A dorian
A2cA Bdef|gedB AGEF|G2BG A2GE|DEGA BGdB|
A2cA Bdef|gedB AGEF|GABG A2GE|DEGA BAA2 :|
eaag a2 ba|gabg aged|eggf gage|dega bgag|
eaag a2 ba|gabg aged|eg g2 edBc|dBgB BAA2 :|

X:41316
%%historyfont 15
%irish_rolls_on
T:SLIGO THEN AND NOW (reel) 
C:Martin Wynne %(unnamed)
S:S: MVBT < composer
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:G
A|BGEG Bcdg|edBd eg ~g2|agba gedB|eBdB A2 GA|
BGEG Bcdg|edBd eg ~g2|agba gedB|AGBA G3 :|
d|g3e a3f|gabg aged|Bd ~d2 ed ~d2|gedB A2 Bd|
g3e a3f|gabg aged|Bdef gedB|AGBA G3 :|
%
N:N: I transcribed this tune and several others in this collection from the playing 
N:(over the phone) of composer Martin Wynne. He had no name for it so I sug-
N:gested this one. I'm sure it's played somewhere today under a different name!

%%%

X:185100 
T:SLIGO TO DUBLIN* (polka) 
S:S: CRE.5 (unnamed)
Z:Z: ABC/arr. BB
L:1/8
M:2/4
Q:1/4=120
%R:polka
K:G
z|d2 de/f/|gd BG|B>e dG|BA AB/c/|
d2 de/f/|gd BG|B>d ga|1 ba g:|2 g3||
|:A|Bd g>a|bg a>g|fd fa|gf ed|
Bd g>a|bg a>g|fd fa|g2g:|

%%%
X:492186
T:SLIPPER HORNPIPE, The
S:S: ONMI.1596 < Dillon
Z:Z: Brennan/Black
%R:hornpipe
Q:1/4=150
M:C|
L:1/8 
K:D
Bc|dfec dABG|FdEd D2d2|ceAd cdef|gefd cABc|
dfec dABG|FdEd D2d2|cABc dfec|d2dc d2:|
ec|Acec Acec|Adfd Adfd|Bged cdef|gefd cABc|
dfec dABG|FdEd D2d2|cABc dfec|d2dc d2:|

%%%
X:38258
T:SLIPPING SLATES (jig) 
C:Pat McNulty
S:S: "The Piper's Dream" (P.McNulty)
Z:Z: ABC/arr. BB
L:1/8
M:6/8
Q:1/4=160
%R:jig
K:G
A|BcA BGE|FAB AFD|DGG FAc|BdG F2 A|
BcA BGE|FAB AFD|EGc BdG|FEF G2:|
d|gfg dBG|FAd FAd|gfg bge|fga dfa|
gfg dBG|FAd FAd|EGc BdG|FEF G2:|

%%%
X:491534 
T:SLOAN'S LAMENTATION 
S:S: ONMI.0141 
N:N: AA-B-A in source
Q:1/4=60
Z:Z: Brennan/Black (arr.)
M:2/4
L:1/8
K:Gm 
%%text "slow"
%%vskip .3in
d/e/|f>g dg/^f/|gG B>c|dc/B/ GB/A/|G3:|
d|g>a ba/g/|af d>d|g>a bg/f/|b3 d/e/|
f>g dg/^f/|gG B>c|dc/B/ GB/A/|G4|]

%%%
X:38259 
T:SLOPES OF SLIABH LUACHRA (jig), The 
S:S: "Ag Deanamh Ceoil" (Dublin CCE)
Z:Z: ABC/arr. BB
N:N: Part A of this tune and Part A of 'Banks of Lough Gowna' are similar.
L:1/8
M:6/8
Q:1/4=160
%R:jig
K:Ador
G|ABA AGE|EDE G3|ABA AGE|ABd efg|
ABA AGE|EDE GAB|c2A BAG|A3 A2:|
d|e2a aga|aba aga|e2g gfg|gag ged|
e2a aga|aba aga|efg edB|A3 A2:|

%%%
X:51083
T:SLOPING CLIFFS of ROSS (reel), The
S:S: TIDT 2/18
C:J. Kelly
Z:Z: BB
M:C
L:1/8
%R:reel
Q:1/4=180
K:D mix
zA,|D2EG EDDB|c2Ed cAGE|G2AG EDDE|C2EC DCA,C|
D2EG EDDB|c2Ed cAGE|G2AB cAGE|EDCE D2:|
E/F/G|ABcA d3d|d2cd edcd|eA~A2 edcA|GEcE dEcE|
[1 ABcA d3d|d2cd edcA|G2AB cAGE|EDCE D2:|
[2 D2EG EDDB|c2Ed cAGE|G2AB cAGE|EDCE HD4|]

%%%
X:51084
T:SLOPING MEADOW (jig), The 
S:S: TIDT 1/34
C:J. Kelly
Z:Z: BB
M:6/8
L:1/8
%R:jig
Q:1/4=160
K:A dorian
B|c2A Bcd|edB AGE|G3 AGA|BAB GAB|
c2A Bcd|edB AGE|G3 AGA|GED D2:|
f|g3 efg|age edB|gfg efg|1 age e2f|
g3 efg|age edB|c2A Bed|BAA A2 :|
[2 age e2g|bag agf|gfg e2d|cBA Bed|
BAA HA3|]

%%%
X:184146 
T:SLOW TRAIN TO DUBLIN* (reel), The  
S:S: CRE.4 < Grier MS
Z:Z: ABC/arr. BB
Q:1/4=180
N:N:  Note only 16 measures per source
L:1/8
M:4/4
%R:reel
K:D
FAdA FAdA|BGAF GE E2|FAdA FAdA|Bdeg fd d2:|
g2bg f2 af|efed cAAc|dABG FAAf|afeg fd d2:|

%%%
X:29102
T:SLY PATRICK (1)  
S:S: CGI.010
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=100
M:6/8
%R:jig
K:G 
%%text "andante"
%%vskip .3in
A|BAG AGE|D3 E2F|GAB dcA|B3 AGA|
BAG AGE|D3 E2F|GAB A2F|G3 G2 :|
A|Bcd def|g3 f2d|edB BAG|A3-AGA|
BAG AGE|D3 E2F|GAB A2F|G3 G2 :|

%%%
X:491535 
T:SLY PATRICK (2) 
S:S: ONMI.0085
Q:1/4=100
Z:Z: Brennan/Black (arr.)
M:6/8
L:1/8
K:G
%%text "tenderly"
%%vskip .3in
G/A/|B>AG AGE|D3 E2G|GAB c2B|A3-A2G/A/|
B>AG AGE|D3 E2G|G>AB BA>G|G3-G2||
G|Bcd def|g3 f2e|edB BAG|A3-A2G/A/|
B>AG AGE|D3 E2G|G>AB AGG|G3-G3|]

%%%
X:48239 
T:SLAUNTA REE PHILIP
T:Sl·inte RÌ Pilib 
S:S: OFPC2.87 ("Irish")
Z:Z: ABC/arr. BB
N:N: Gaelic = 'A Health to King Philip'
M:3/4
L:1/8
K:Am
%%text "slow" 
%%vskip .3in
A|E2 A2 A2|A2 B2 AG|A2 B2 d2|e2 ^f2 g2|d2 B2 BA|G4 ed|
B2A2A2|A2B2 AG|A2B2d2|e2 ^f2 g2|B4A2|A4-A :|
d|e2 a2 a2|a2 b2 ag|a4 ba|g2e2g2|d2B2 BA|
G4 ed|B2A2A2|A2B2AG|A2B2d2|e2^f2g2|B4A2|A4-A :|

%%%

X:41317
T:SMALL HILLS OF OFFALY (reel), The 
C:Paddy O'Brien (Offaly)
S:S: MVBT < "Is It Yourself?"
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:D
Ac|d2Af dBAF|A2EA cege|d2Af dBAF|EFGE BEGE|
d2 Af dBAF|A2EA cege|d2 Af dBAF|EAGE D2 :|
z2|: d3 f a2 af|egfd cAeA|d3 f a2 af|egfd cAGA|
defg a3 f|egfd cAGA|cded cAGA|FDGE FDD2 :|

%%%
X:37170 
T:SMART BOY WANTED* (reel)
Z:Z: ABC/arr. BB
S:S: MFC.045b (unnamed)
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
(3ABc|dAFA BAFA|Bdeg fgec|dcdB AFdF|EGFE D2 (3ABc|
dAFA BAFA|Bdeg fgec|dcdB AFdF|EGFE D2:|
(3ABc|d2fd adfd|cAeA fAeA|defg afbf|gaeg fddA|
d2fd adfd|cAeA fAeA|defd efge|f2ag fd:|

%%%

X:11035
T:SMASH THE WINDOWS (jig) (1) 
S:S: AIF
Z:Z: Brennan/Black (arr.)
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:D
A,|DED F2A|d2f ecA|G2B F2A|E2F GFE|
DED F2A|d2f ecA|Bgf edc|d3d2:|
%
a|a2f d2f|A2a agf|g2e c2e|A2g gfe|
f2d g2e|agf bag|fed cBc|d3d2a|
agf fed|Adf agf|gfe edc|Ace gfe|
fed gfe|agf bag|fed cde|d3Hd3|]

%%%
X:332085 
T:SMASH THE WINDOWS (jig) (2)    
Z:Z: ABC/arr. BB
S:S: Levey2.77
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
z|DED F2A|d2f ecA|G2B F2A|E2F GFE|
DED F2A|d2f ecA|Bgf edc|d3 d2 :|
f|a2f f2d|A2a agf|g2e e2c|A2g gfe|
f2d g2e|a2f gbg|faf edc|d3 d2 :|

%%%
X:493350 
T:SMASH THE WINDOWS (jig) (3)
S:S: ONMI.0965 < J.O'Neill
%R:jig
Z:Z: Brennan/Black
Q:1/4=160
M:6/8
L:1/8
K:D
A,|DED F2A|d2f ecA|G2B F2A|E2F GFE|
DED F2A|d2f ecA|Bgf edc|d3 d2 :|
%
a|a2f d2e|f2g agf|g2e c2d|e2f gfe|
f2d g2e|a2f bag|fed cde|d3 dfa|
agf fed|Adf afd|gfe ecA|Ace gfe|
fed gfe|agf bag|fed cde|d3 d3 |]

%%%
X:495333
T:SMASH THE WINDOWS (reel) 
S:S: ONMI.1382 < J.O'Neill
Z:Z: Brennan/Black 
N:N: A nice 4/4 version of the jig of the same name. It's in ONMI as a single, 
N:but to me it sounded better as a double! 
Q:1/4=180
%R:reel
M:C % source 2/4
L:1/8 % source 1/16
K:D
E|DFED F2A2|defd ecAF|G2GE F2FD|E2EF GFEF|
DFED F2A2|d2fd ecAd|f2fd gece|d2dc d3:|
g|a2f2 defg|f2g2 agfa|g2e2 cdef|e2f2 gfeg|
f2ed g2fe|a2gf g2fe|f2ed gece|d2dc d3:|

%%%
X:40030
T:SMILE AND WAVE (slip jig)
C:© Larry Mallette
S:S: composer
Z:Z: ABC/arr.BB
D:D: "A Stroll in the Park" tr.8a
%R:slip jig
Q:1/4=160
M:9/8
K:D mix
FAB d2e f3|FAB d2f edB|FAB d2e f2g|afe ded BAF :|
A3 c2d e3|A3 c2e dcA|A3 c2d e2f|gfe ded cAG :|
"^coda"A6g3||

%%%
X:32026
T:SMILE FROM SÕLE (jig), A 
C:© C.Lennon
Z:Z: ABC/arr. BB
S:S: "Musical Memories 1"
Q:1/4=160
M:6/8
N:N: Dotted rhythm in source
L:1/8 
%R:jig
K:D
ABA DED|AFA dAd|efg age|dcA EFG|
AFA dAF|ABA EFG|ABA efg|1 ecA dcB :|\
[2 ecA d2||
e|fed ede|faa a^ga|fed edA|BAF EFG|
AFA dAd|faa a^ga|efg efg|ecA d2 :|

%%%
X:491536 
T:SMILE OF NANCY BARLOW, The  
S:S: ONMI.0297 < Ennis
Z:Z: Brennan/Black (arr.)
M:6/8
Q:1/4=120
L:1/8
K:Am % 
%%text "lively"; source key = Gm 
%%vskip .3in
A/G/|E2A A2B|c3 B2A|G2B d2B|A2G E2d|
e2g d2e|c3B2A|G2B d2B|A2A A2||
d|e2e e2c|d3 g2B|A2B c2B|AG2 E2D|
E2A A2B|c3 B2A|G2B d2B|A2A A2A/G/||
E2A A2B|G3 GAB|c2A B2G|A2G E2d|
e2g d2e|c3 B2A|G2B d2B|A2A A3|]

%%%
X:181101
T:SMILES AND TEARS OF ERIN (reel)
T:Crooked Road to Dublin
S:S: CRE.1
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:G
A|G2AG FGAD|G2AG AdcA|G2AG FGAg|fdcA dBcA|
G2AG FGAD|G2AG AdcA|G2AG FGAg|fdcA d2c :|
A|dgg2 fgag|dgg2 agfe|dgg2 fgag|fdcA dBcA|
dgg2 fgag|dgg2 a2ga|(3bag af gbag|fdcA dBc:|
"^coda m.16" fdcA dBcA|HG4z4|]

%%%
X:32027
T:SMILING BRIDE (jig), The 
C:© C.Lennon
Z:Z: ABC/arr. BB
S:S: "Musical Memories 1"
Q:1/4=160
M:6/8
L:1/8 
%R:jig
K:D
E3 FDD|FEE cde|dcA GEA,|CDE GAG|
EDE FDD|FEE cde|dcA GEC|EDC DAF|
EDE FDD|FEE cde|dcA GED|CDE GAB|
cAG EFG|FdF GFG|AdB cAG|EDC D2g||
%%
fgf fdA|dfa agf|efe ecA|cde gag|
fgf fdA|dfa afd|Bef gab|aec d2e|
fag fdA|daa agf|ede ecA|cde g3|
fga bag|fge dAF|GAB Ace|dgf ecA||\
"^coda"d6|]

%%%
X:581164 
T:SMILING SUSAN (reel)
S:S: WSGM.227 < F.O'Neill
Z:Z: Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:Ador
AB|cABG AGEF|G2Bc dBGB|cABG AGED|EAAB A2:|
AB|cdef g2ef|gage dBGB|cdef gfed|eaab a3B|
cdef g2 ef|gage dBGB|cABG AGED|EAAB A4|]

%%%
X:11079
T:SMITH'S FAVOURITE (hornpipe) 
S:S: AIF 
Z:Z: Brennan/Black (arr.)
Q:1/4=150
M:C|
N:N: Dotted thythm in source
L:1/8 
%R:hornpipe
K:G 
%swing .25
%%text source key = A
%%vskip .3in
BA|G2DF GBdB|ceAg fdaf|gdBd ecAG|FGAB cAFD|
G2DF GBdB|ceAg fdaf|gdBG FAdc|BGAF G2:|
Bc|d2Bd GBdg|e2ce Acef|gdBd ecAG|FGAB cAFD|
G2DF GBdB|ceAg fdaf|gdBG FAdc|BGAF G2:|

%%%
X:492187 
T:SMOKEY CHIMNEY (reel), The 
S:S: ONMI.1635 < Cronin
Z:Z: Brennan/Black
Q:1/4=180
M:C|
L:1/8
K:D
Bc|dcde fdAF|GFGA BGEd|efge cdec|defd A2Bc|
dcde fdAF|GFGA BGEd|efge cABc|dfec d2:|
de|fefg afdf|gfga bgeg|fgaf defd|cedB A2de|
fefg afdf|gfga bgeg|afge fdec|dfec d2:|

%%%
X:495334 
T:SMOKY HOUSE (reel), The  
S:S: ONMI.1504 < Stack
Z:Z: Brennan/Black
%R:reel
Q:1/4=180
M:C|
L:1/8
K:E dorian 
%%text source key = Am
%%vskip .3in
EF|GEBE GEBE|FDDE FGAF|GEBE GEBE|AFDF E2EF|
GEBE GEBE|FDDE FGAF|GFEF GABc|dBAF E2||
ef|gfed edBc|dBAG FDDf|gfed edBA|Bdef e2ef|
gfec dfec|dBAG FD D2|EFGA BABc|dBAF E4|]

%%%

X:253097
T:SI BEAG SI MOR (Sheebeg Sheemore) (2) 
C:Carolan
Z:Z: ABC/arr. BB
S:S: FS3.41b
M:3/4
L:1/8
Q:1/4=130
K:D
de|f3e d2|d3e d2|B4 A2|F4 A2|\
BA Bc d2|e4 de|f4 e2|d4 f2|
B4 e2|A4 d2|F4 E2|D4 f2|\
B4 e2|A4 dc|d6|d4 :|
de|f3e d2|ed ef a2|b4 a2|f4 ed|\
e4 a2|f4 e2|d4 B2|B4 A2|
F4 E2|D4 f2|B4 e2|A4 a2|\
ba gf ed|e4 dc|d6 d4 :|

X:52105
T:SIDE OF THE ROAD (reel), The
C:© E.Reavy
S:S: Ed Reavy Collection
Z:Z: McKenty / Black
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:G
%%text "allegro moderato"
%%vskip .3in
ef|gfed BEEF|GEB,E G,EB,E|GFGA BABd|eg fd e^def|
gfeg fedf|edBG FDB,D|EDEF GFGA|BdAF E2:|
ef|gfga bgeg|fdd2 Adfa|geBA ^GABg|fe^df e2 g2|
bagf agfg|ed^cd BGEF|GFGA BABd|eg fd e2:|

X:11118
T:SIEGE OF ENNIS ("ceili dance")
S:S: AIF
Z:Z: Brennan/Black (arr.)
N:N: There are versions of this in other collections, some of which seem to 
N:mistake the set name for an individual tune name (usually "Banks of
N:Inverness" (G) / "Lakes of Sligo" (D)). 
Q:1/4=120
M:2/4
L:1/16
K:D 
%%text "BOG DOWN IN THE VALLEY"
%%vskip .3in
e|f4 f3e|d2B2 B2d2|A2d2 dcde|f2e2 e2a2|
f4f3e|d2B2 B2d2|A2a2 a2g2|f2e2 d3:|
e|f2d2 e2d2|f2d2 e2de|e2a2 a2f2|e2d2 e3e|
f2d2 e2d2|f2d2 e2de|f2a2 a2f2|1 e2d2 d3:|2 e2d2 d2||
%%vskip .3in
K:G
%%text "HUMORS OF WHISKEY"
%%vskip .3in
GE|D2F2 B2AG|A2E2 E2G2|D2G2 B2AG|d2B2 B2d2|
e2g2 d2B2|cBAG A2B2|D3G BAGA|B2G2 G2:|
Bc|d2B2 g2B2|cBAG A2Bc|d2B2 g2d2|e2f2 g3d|
e2g2 d2B2|cBAG A2B2|D3G BAGA|B2G2 G2:|
K:D
%%vskip .3in
%%text "SPANISH LADY"
%%vskip .3in
z2|F2A2 A2Bc|d2d2 d2ef|g2e2 f2d2|B2A2 ABAG|
F2A2 A2Bc|d2d2 d2ef|g2e2 f2d2|B2A2 A2:|
z2|f2a2 abaf|e2d2 d2e2|f2a2 abaf|a2e2 e3g|
f2a2 abaf|e2d2 d2ef|g2e2 f2d2|B2A2 A2:|

X:491521
T:SIEGE OF ROCHELLE, The 
S:S: Michael Balfe (1808-1870)
S:S: ONMI.0495 (as "Seige")
Q:1/4=140
Z:Z: Brennan/Black (arr.)
M:C
L:1/8
K:C
%%text "spirited"
%%vskip .3in
(3GAG|^F2G2c2d2|e6fe|d2^c2d2e2|d4g2 (3GAG|
^F2G2c2d2|e6^fg|g2Be d2AB|G6||
(3GAG|^F2G2=f2e2|d6 (3GAG|^F2G2=f2e2|d6 (3GAG|
^F2G2c2e2|a4gfed|feBc edAB|c6|]
%
N:N: From Balfe's opera "The Siege of Rochelle". As I mention elsewhere, I'm 
N:not sure why the Chief thought these composed pieces worthy of being in-
N:cluded in "Music of Ireland". There are other tunes of Balfe's in "the 1850" 
N:whose presence is equally mysterious since Balfe never even pretended to 
N:be a traditional musician.

X:491522 
T:SIEGE OF TROY, The   
S:S: ONMI.0014 < J.O'Neill (with spelling "Seige")
Z:Z: Brennan/Black (arr.)
M:6/8
L:1/8
K:Gm 
%%text "slow"
%%vskip .3in
B/c/|d>dd cA^F|G>GG G2A/B/|cAB cAG|FDE D2B/c/|
d=Bc dBc|d=e^f Hg2d/e/|fdB cA^F|G>GG G2||
B/d/|g^fg gag|f=ef d2d/e/|f=ed cdc|BAG F2G/A/|
BAB c=Bc|d=e^f Hg2d/e/|fdB cAF|G>GG G3|]

X:27085
T:SIEGFRIED MULCAHY (jig)
S:S: HOC.183 ("Irish jig")
Z:Z: ABC/arr. BB
Q:1/4=160
N:N: Richard Wagner meets Junior Crehan! This nice jig would be worth  
N:learning for the name alone.
M:6/8
L:1/8
%R:jig
K:A dorian 
%%text  source key = Bm
%%vskip .3in
B|cBc AGE|EAG A2B|cBc Adc|BGF Gef|
gfg edc|BAG Bcd|eAG AGA|EAG A2:|
B|cEE cEE|cAA Bcd|cBc Adc|BGF Gef|
gfg edc|BAG Bcd|eAG AGA|EAG A2:|

X:52106
T:SILENT THE LONELY GLEN 
C:© E.Reavy
S:S: Ed Reavy Collection
Z:Z: McKenty / Black
Q:1/4=40
M:2/4
L:1/16
K:G
gf|e2dB A2GA|Bd2^c d2gf|e2dB A2GA|B>AGF E2gf|
e2dB b2ag|gfe^d e2gf|e2dB A2GA|B2GE E2ef|
g2eg Hb2ag|f2df Ha2gf|g2eg Hb2ag|fe2^d e2ef|
g2eg f2df|e2dA B2gf|e2dB A2GA|B2GE HE2|]

X:492185 
T:SILK HANDKERCHIEF (hornpipe), The 
S:S: ONMI.1665 < Cronin
Z:Z: Brennan/Black
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:G
%swing .25
d2|gabg efge|dBge dBGB|AGAB AGAB|cBAB cdef|
gabg efge|dBge dBGB|AGAB AGAB|cdef g2:|
B2|dggf g2gf|gaba gfed|eaab a2ag|agba gfed|
dggf g2gf|edBg eBGB|AGAB A=GAB|cdef g2:|

X:491523 
T:SILKEN CRAVAT, The  
S:S: ONMI.0561 < J.O'Neill
Z:Z: Brennan/Black (arr.)
M:3/4
L:1/8
K:Dm 
%%text "slow"
%%vskip .3in
A/G/ FE||D2de fd|cA GF GA|B2AG FE|D3:|
A2d/d/||d2 ef ec|g2 fe dA|GF DE FG|A3 A/G/FE|
D2 de fd|cA GF GA|B2 AG FE|D3|]

X:50088 
T:SILKEN THREAD (slip jig), The 
S:S: Petrie.271 
Z:Z: ABC/arr. BB
N:N: Only part 1 repeats in the source.
Q:1/4=150
M:9/8
L:1/8
%R:slip jig
K:G 
%%text source key Bb
%%vskip .3in
d2d ded dBG|d2d d2c ABc|d2d ded dBG|
c2c cAF ABc :|B2G A2G B2G|d2d d2c ABc|
B2G A2G B2G|c2c cAF ABc :|"^coda" cde dAF HG3|

X:493348 
T:SILKEN WALLET (jig), The 
S:S: ONMI.0891
Z:Z: Brennan/Black
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
c|BGE EFE|AFD DED|BGE GAB|c3 B2A|
BGE EFE|AFD DED|E2c BcA|G3 G2:|
D|GAG GBd|ege dBG|GAG GBd|e2f g3|
[1 GAG GBd|ege dBG|AGE EDE|c2B A2 :|
[2 agf gfe|fed edB|cBA BAG|E2F G3 |]

X:182098 
T:SILLY OLD MAN (slip jig), The
S:S: CRE.2
Z:Z: ABC/arr. BB
N:N: Version of "Swaggering Jig"
Q:1/4=160
L:1/8
M:9/8
%R:slip jig
K:G
d|BGG GEG GEG|BGG GEG A2d|BGG GEG GAB|
cBA BGE D2:|c|Bdd dge dBG|Bdd edB A2c|
Bdd dge dBG|cBA BGE D2:|"^coda" cBA BGF HG3|]

X:59225
T:SILVER and GOLD
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/8=120
N:N: This is labelled a polka in the book but it doesn't really feel like one. 
N:I have a suspicion this tune may have been part of a quadrille set at one 
N:point.
L:1/8
M:C|
%R:polka
K:D
fg|a2fd|A2df|ag2f|g2ef|
g2ec|A2ce|ba2^g|a2fg|
a2fd|A2df|ag2f|g2ef|
g2ec|ABce|d2d2|d2FG||
AfAf|Aff>d|fee^d|e2-e2|
GeGe|Gee>c|eddc|d2FG|
AfAf|Aff>^g|ag2e|B2cd|
fe2c|ABce|d2d2|d4|]

X:491524 
T:SILVER CROWN, The 
S:S: ONMI.0280 < F.O'Neill
Z:Z: Brennan/Black (arr.)
M:6/8
L:1/8
K:G
%%text "with spirit"
%%vskip .3in
G/A/|B2A GBd|g2e d2B/d/|g2e dBG|A2E F2G/A/|
B2A GBd|g2e d2e|dBG A2d|G3G2||
(3d/e/f/|g2f efg|a-a/g/f/e/ d2d|edc/B/ cde/f/|g2a Hb2a|
gfe/d/ c/d/ef|egB A2D|G2A BcA|G3G3|]

X:184223 
T:SILVER GROVE* (hornpipe), The  
S:S: CRE.4 < Grier MS (unnamed)
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=150
M:4/4
%R:hornpipe
K:D
%swing .25
FG|ADD2 ADBD|ADFE D3f|gfed cdef|e2E2E2 FG|
AD D2 ADBD|ADFE D3f|gfed cdef|d2 D2 D2:|
de|f2 ag fdBd|edBc dcBA|Bdef gfed|cdef e2 de|
[1 f2 ag fgaf|edBc dcBA|Bdef gedc|d2 D2 D2 :|
[2 f2 df e2 ce|d2Bc dcBA|Bdef gedc|d2 dc d2 ||
|:Bc|d2d2 DEFG|AGFE D3c|dcBA gfed|cdef e3c|
dcBA gfed|gfga bgab|afed cdeg|afce d2:|

X:497101 
T:SILVER IN MY POCKET (jig)
S:S: arr. of ONMI #280, "Silver Crown"
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
A|B2A GBd|g2e dBd|g2e dBG|A2E F2A|
B2A GBd|g2e d2e|dBG A2F|G3 G2 :|
f|g2f efg|age dcd|edB cde|g2a b2a|
ged cef|edB A2F|G2B AGF|G3 G2 :|

X:47037 
T:SILVER MINES (jig), The  
S:S: CNIM.46
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:D
G|A3 AGF|ABA AGF|G2E EFE|G2E EFG |
A2A AGF|ABc dAG|F2D DED|FEF D2 :|
%
d|cBc dAF|ABc dAF|G2E EFE|GFG E2d |
cBc dAF|ABc dAG|F2D DED|F2D D2 :|
%
F|AFF DFF|DFF AGF|G2E EFE|G2E E2F |
AFF DFF|DFF AGE|F2D DED|F2D D2 :|
%
g|fed faf|gbg faf|g2e ece|afg e2g |
fed faf|gbg age|fed dAd|f2d d2 :|
%
g|faf gec|fdB AGF|G2E EGE|G2E E2g |
fdB ecA|dBG AGE|F2D DED|F2E D2 :|

X:51079
T:SILVER PLATE (reel), The
S:S: TIDT 2/15
C:J. Kelly
Z:Z: ABC BB
M:C
L:1/8
%R:reel
Q:1/4=180
K:C
E|F2AF cFAF|FGAB cA^FA|G2BG dGBG|~G2fd cAGE|
F2AF cFAF|FGAB c2Bc|dggf dcAG|1 FGAB cAG:|2 FGAF G2||
Ac|:dcAc dggf|dcAG FGAc|dcAc dggf|ecde f2ef|
dcAc dggf|dcAG FGAB|1 cF~F2 DFCD|FGAB c2Bc:|
%%stretchlast 0
[2 cF~F2 dfeg|fdcA AGHG2|]

X:185159
T:SILVER SLIPPER REEL, The
S:S: CRE.5 
Z:Z: ABC/arr. BB
N:N: Repeats added
M:4/4
Q:1/4=180
%R:reel
K:D
de|fdd2 BdAd|fdd2 eAde|fdd2 BdAF|GEAG FDDe|
fdd2 BdAF|fdcd e2de|fdcd BdAF|GBAG FDD:|
E|F3A BAA2|FAAF GEE2|FAA2 BdAF|GBAG FDDE|
FAA2 FAA2|FAAF GEE2|FAA2 BdAF|G2AG FDD:|

X:13102
T:SILVER SPEAR (reel) (1), The 
S:S: BSMI.1
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:D
AG|FAA2 BAFA|dfed BcdA|FAA2 BAFA|dfed B3A|
FAA2 BAFA|dfed Bdef|g3e f3e|1 dfed B2A2 :|\
[2 dfed Bcd||
e|f2af bfaf|gfed Bcde|f2af bfaf|gfed B2A2|
f2af bfaf|gfed Bdef|g3e f3e|1 dfed B2A2 :|
[2 dfed BABc|Hd4z4||

X:251097
T:SILVER SPEAR (reel) (2), The
Z:Z: ABC/arr. BB
S:S: FS1.09a
M:4/4
L:1/8
Q:1/4=180
%R:Reel
K:D
FA A2 BAFA|dfed BdA2|FAA2 BAFA|dfed B2 A2|
FA A2 BAFA|dfed BABd|g2 gef2 fe|dfed B2 A2 :|
fa a2 bfaf|gfed Bd A2|faa2 bfaf|gfed B2 A2|
fa a2 bfaf|gfed BABd|g2 gef2 fe|dfed B2 A2 :|
"^coda"D4z4|]

X:181140
T:SILVER SPEAR (reel) (3), The
N:N: Also called "White Mountain", says Mr. Breathnach. (I've never heard it 
N:referred to by that name.)
S:S: CRE.1
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:D
A|FAA2 BAFA|dfed BdAG|FAA2 BAFA|dfed BdAG|
FAA2 BAFA|dfed BABd|g3e fgfe|dfed B3:|
g|faa2 bgaf|defd Bddg|faa2 bgaf|gefd B2Ag|
faa2 bgaf|gefd BABd|g3e fgfe|dfed B3:|

X:57144 
T:SILVER SPIRE (hornpipe), The 
S:S: Treoir < Lough Gill Quartet (1931)
N:N: Same melody as the reel below but in G instead of D.
L:1/8
M:4/4
%R:hornpipe
Q:1/4=160
K:G
:s
D|G2BG Bdd2|gfga bgdB|cdec BdGB|cBAG FADF|
G2BG Bdd2|gfga bgdB|cdec BdGB|ADFA G3 :|
E|DEFG ABcA|BGAB cdef|gfed efga|bggb a2df|
gabg fadf|gfge dBGB|cdec BdGB|ADFA G3 :|

X:181164
T:SILVER SPIRE (reel), The 
S:S: CRE.1
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:D
E|D2FD FAA2|dcde fdAF|GABG FADF|GEFD CEA,2|
D2FD FAA2|dcde fdAF|GABG FADF|EA,CE D3:|
B,|A,B,CD EFGE|FDEF GABc|dcBA Bcde|fdgf e3A|
defd cdAc|dcdB AFDF|GABG FADF|EA,CE D3:|

X:41309
T:SILVER SPOON (reel), The 
C:Dennis Galvin (Tralee/Boston)
S:S: composer
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:Ddor
Ac|d3e dcAG|ADFA c2Bc|dcAG FEFA|G2FG ECCE|
Dd d2 edce|dcAB cdec|dcAG ADFA|cAGc AD :|
FG|Aded ADFG|Adfa gfdc|Ac c2 GCEG|Acea agec|
Add^c d=cec|dBAc cdec|dcAG ADFA|1 cAGc AD :|\
[2 CAGE HD4|]

X:50089 
T:SILVER STAR* (march), The 
S:S: Petrie.022 % unnamed
Z:Z: ABC/arr. BB
L:1/8
M:C
Q:1/4=120
%R:march
K:G 
%%text  source key = F 
%%vskip .3in
GA|B3d cBAG|E2DE/G/ A2Bd|edBg dBAG|EF GA G2 :|
BA|GA Bc d2de|dBAG d2ef|gfea gfed|Bdef e2 (3def|
gfed B2ef/g/|dBAG A2Bd|edBg dBAG|EF GA|G4 |]

X:495328 
T:SILVER TIP (reel) (a), The  
S:S: ONMI.1185 < Kennedy
Z:Z: Brennan/Black
N:N: Source has no C naturals but this is clearly a modal tune (or - more accu-
N:rately - is a modal tune now!).
Q:1/4=180
%R:reel 
M:C|
L:1/8
K:Dmix
DEFG ABAF|GEcE dEcE|DEFG ABAF|GEcE EDD z:|
d2fd efge|fafd ecAG|FAAB cBcG|EFGE FDD z|
d2fd efge|fafd ecAF|GBGB FAFA|EFGE FDHD2|]

X:531097
T:SILVER TIP (reel) (b), The  
S:S: RC1.193
N:N: Repeats added
N:N: In "The New-Mown Meadow" family.
Q:1/4=180
L:1/8
M:C
%R:reel
K:D
e2BA BABd|egfd eBB2|e2BA BABc|d2ed Bdd2|
e2BA BABd|egfd eBB2|g2ge f2fe|d2ed Bdd2:|
faa2 baaf|egfd eBB2|faa2 baaf|d2ed Bdd2|
faaf bgaf|egfd eBB2|g2ge f2fe|d2ed Bdd2:|

X:40029
T:SILVERMINES HORNPIPE, The
C:© Larry Mallette
S:S: composer
Z:Z: ABC/arr.BB
D:D: "A Stroll in the Park" tr.18c
%R:Hornpipe
Q:1/4=150
M:C|
L:1/8
K:Em
%swing .25
EAAB cBAG|EAAB cdef|g2af gede|dcBA B3G|
EGBe dcBA|GBed cBAG|BdAB GEED|EFGF E4 :|
efge dABd|BGGE DEGA|Beed efga|bagb a2ga|
bgeg dABd|BGGE DEGA|BdAB GEED|EFGF E4 :|

X:496046 
T:SILVERMORE (slip jig) 
S:S: ONMI.1141
Z:Z: Brennan/Black
Q:1/4=160
%R:slip jig
M:9/8
L:1/8
K:Bm
d3 faf gfe|d3 fdf ecA|d2d fdf efg|
agf efd cBA:|fge fdB B3|fge fdB cde|
fge fdB Bcd|e2e efd cBA:|"^coda"B6z3|]

X:29098
T:SINCE LOVE IS THE PLAN  
S:S: CGI.28
Z:Z: ABC/arr. BB
L:1/8
M:6/8
K:D 
%%text "allegretto moderato"
%%vskip .3in
e|fdB AGF|Eee ede|fdB AFA|Ddd d2e|
fdB ABF|Eee ede|fdB AFA|Ddd d2 ||
d|dfa dfa|dfa a2d|dfa dfa|bee e2d|
dfa dfa|d2b a2g|fdB AGF|Eee e2g|
fdB AFA|Ddd Hd3|]%10 measures

X:65086
T:SINGING CEMENT MIXER (jig), The
C: Aidan Crossey
S:S: composer
M:6/8
L:1/8
Q:1/4=160
%R:Jig
K:D Major
ABc|:dAF BAF|GFE FED|dAF BAF|AGF E2A|
dAF BAF|GFE FED|FGA BAG|1 FGE D3:|2 FGE D2||
|:A|def dBA|Bcd AFD|def dBA|Bcd ecA|
def dBA|Bcd A^G=G|FGA BAG|FGE DF:|\
"^coda" FGE HD3|]

X:54070 
T:SINGING KETTLE (reel), The 
S:S: SRHI.33b
Z:Z: ABC/arr. BB
C:Se·n Ryan
Q:1/4=180
L:1/8
M:C
%R:reel
K:Em
FD|E3F EDB,A,|B,EED EGFE|D3E DB,A,B,|DEFA Bd AF|
E3F EDB,A,|B,EED EGFE|D2FA dfe^c|dBAF GE :|
GA|Bd ef gfec|dBB2 AFEF|D3E DB,A,B,|DEFA Bd Ad|
Bd ef gfec|dBB2 AFEF|G2BG FGAc|BGAF GE :|
%%stretchlast 0
"^coda" BGAF GEFD|E4z4|]

X:12269
%%staffsep 80
T:SINGING SISTERS (jig), The
C:© BB 
S:S: BBMG
%R:jig
% For the Deck sisters, by birth, religion and music. RIP.
Q:1/4=160
M:6/8
L:1/8
K:G
A|"G"BdB "Am"AGA|"Em"Bef "C"gfe|"G"BdB "Am"AGA|"G"BGD "Em"E2 A|
"G"BdB "Am"AGA|"Em"Bef "C"gfg|"D"afd "D7"cAd|"G"BGF "G"G2 :|
A|"Em"Bef "C"gfg|"G"bag "D"fed|"Em"Bef "Am"gag|"G"ged "Em"e2 A|
"Em"Bef "C"gfg|"G"bag "C"efg|"G"dcB "D7"Adc|"G"BGF "G"G2 :|

X:38252 
T:SIOBH¡N HURL'S (slide) 
S:S: "Music of Ireland - The Big Session" (DJ Taylor)
Z:Z: ABC/arr. BB
L:1/8
M:12/8
Q:1/4=170
%R:slide
K:A
e2 a c2 B A2 c EFA|c2 B Bce f2 e c2 d|
e2 a c2 B A2 c EFA|c2 B c2 B A3 A3:|
c2 B Bce f2 e c2 B|c2 B Bce f2 e c2 d|
e2 a c2 B A2 c EFA|c2 B c2 B A3 A3:|

X:38254 
T:SIOBH¡N O'DONNELL'S JIG #1
S:S: "Traditional Irish Music" (K.Tweed)
Z:Z: ABC/arr. BB
L:1/8
M:6/8
Q:1/4=160
%R:jig
K:D
c|def A2 G|EFD c2 A|dcd eaf|gec Aec|
def A2 G|EFD c2 A|dcd eaf|gec d2:|
e|f3 dfa|gec Ace|fef gfg|edB ABd|
B3 gBg|A3 fAf|G3 faf|gec d2:|

X:38255 
T:SIOBH¡N O'DONNELL'S JIG #2 
S:S: "Traditional Irish Music" (K.Tweed)
Z:Z: ABC/arr. BB
L:1/8
M:6/8
Q:1/4=160
%R:jig
K:Am
z|a2 A AGE|GAB A3|eag edc|eAB AGE|
cde dcA|G3 GB/c/d|eAa ged|cA^G A2:|
^g|a^ga ged|ecg edc|A3 GAc|dec deg|
aeg dec|A3 EGE|cde ged|cA^G A2:|

X:38253
T:SIOBH¡N O'DONNELL'S REEL "#1"  
S:S: "Traditional Irish Music" (K.Tweed)
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G
F|G2 dG BdGB|dGBd ecAB|G2 dG Bcde|dBAc BGG:|
d|egfg egfe|d2 d2 adfd|egfg efga|bgaf geed|
ebge Bege|dafd Adfd|G2 dG Bcde|dBAc BGHG2|]

X:29099
T:SIOS AGUS SIOS LIOM (march) 
S:S: CGI.096
Z:Z: ABC/arr. BB
N:N: Title = "Down and Down With Me" (?)
Q:1/4=120
L:1/8
M:4/4
%R:march
K:G
%%text "moderato con energio"
%%vskip .3in
d|g3a g>aba|g4 d3d|e3d e>fgf|e4 d3B|
g3a gabg|edcB c2Bd|e2gf edcB|A4 G3G|
B3A B3c|d3e d2gf|e3d e>fgf|e4 d2ef|
g2g2 B3d|edcB A2Bc|d2gf e>dec|B2A>G A2z2||
Q:1/4=80
%%text larghetto melancolico"
%%vskip .3in
B2B2 d3c|B2B2 d3c|B3A/2G/2 A3G|G8 |]

X:141159
T:SIR ARTHUR SHAEN 
S:S: CAR-OS
C:O'Carolan
Z:Z: Gilb/Brennan/Black
Q:1/4=110
M:C
L:1/8
K:Em 
%%text "andante expresivo"
%%vskip .3in
BEEB AG-G2|GF/E/ AF DB, z2|eB/A/ GB Ad z2|B2AG F2z2|
Eg fe d/e/f z2|Be ed B/c/d z2|B4GB Ad|eB AF D4|
EB EB B/A/G z2|F/G/A E/F/G FE z2|eB/A/ GB Fd z2|B2de e4||
G/A/B AG FE zF|GF/E/ AF DB, z2|B4AG FE|D2EF F4|
gB Bg fe z2|d/e/f Be ed z2|Be d/e/f dB z2| B2AG G4|
d4BG AF|GE DF EG AF|GB Ad eB z2| G2FE E4|]

X:48350
T:SIR DAVID BAIRD'S STRATHSPEY 
S:S: OFPC3.130 ("Scotch")
Z:Z: ABC/arr. BB
N:N: I did a lot of "surgery" on this to make it sound like an "Irish" hornpipe!
Q:1/4=150
M:C
L:1/8
%R:hornpipe
K:D 
%swing .25
e|dAAF ABAB|dBBA BcBd|ABcd e2fa|bgaf B2Bc|
dAAF A2Bc|dBBA BcBd|ABcd e2fa|bfge d3 :|
G|A2BF A2FA|BcBA BcdB|A2FE DFAc|dBBG A2AG|
A2BF A2FA|BcBA BcdB|bgaf gefd|egec d3 :|

X:141022
T:SIR EDWARD CROFTON 
C:O'Carolan
S:S: CAR-ON
Z:Z: Gilb/Brennan/Black
%R:jig
Q:1/4=110
M:6/8
L:1/8
K:G
%%text  "moderato"
%%vskip .3in
ef|gdB GAB|de/d/B gab|Bee e2f|ge/f/g af/g/a|
bg/a/b Bd/B/A/G/|AAB GGd|Bee e2f|g/f/e/f/g d/B/d/e/d|
BGG G2G|d/B/d/e/d e/d/e/f/e|dBA A2B|de/d/B dGG|
eg/e/d/B/ aAA|b/a/g/a/b dff|g3 g2||
e|dBA GA/B/d/B/|AEA A/G/A/B/A|GdB GgB|Aaa aea|
bag f/g/ad|e/d/e/f/g edB|ABA GAB|d3 e2f|
ge/f/g/e/ dB/c/d/B/|G3 G2B|dB/c/d/B/ ec/d/e/c/|A3 A2a|
b/a/g/a/ b/g/a/g/ f/g/a/f/|g/f/e/f/ g/d/e/d/ e/f/g/e/|
d/e/d/B/d/B/ A/G/A/B/d/B/|A6|]

X:496047 
T:SIR PHILIP McHUGH (slip jig)
S:S: ONMI.1138
Z:Z: Brennan/Black
N:N: There are almost as many versions and titles for this tune as there are 
N:19th-century tune collections!
Q:1/4=160
%R:slip jig
M:9/8
L:1/8
K:G
D|G2c BGB c2A|B2d cAG F2D|G2c BGB c2A|
B2d cAF G2:|B|ABA AFD FED|ABA AFD G2B|
ABA AFD FED|B2d cAF G2:|

X:532107 
T:SIR ROGER (de Coverley) (slip jig) 
S:S: RC2.295
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:9/8
%R:slip jig
K:A
A2A Acf ecA|B2B BcA GFE|A2A Acf efg|
a2A ABA GFE:|ece fdf ecA|B2B BcA GFE|
ece fdf efg|a2A ABA GFE|e3 f3 ecA|
B2B BcA GFE|e3 f3 efg|a2A ABA GFE||\
"^coda"HA6z3|]

X:66089
T:SISSI'S JIG
C:Max Bruecher 1990
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:Dmix
A|D2D DEF|ADD FAB|Bcc dcA|GED CDE|
D2D DEF | ADD FAB | Bcc dcA | GED D2 :|
A|dAF Adf | afe dBA | c2e gfe | fed ed^c |
dAF Adf | afe dBA | c2e gfe |fd^c d2 :|

X:341092 
T:SISTER (jig), The 
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy1.15
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:Am
d|cAA cAA|GEG cde|gee gee|cde ged |
cAA cAA|GEG cde|gee ged|cAG A2 :|
d|eaa ged|cde ged|eaa ged|edc AGE |
AGA cAG|AGA cde|gee aed|cAG A2 :|

X:497102 
T:SISTER CYPRIAN'S JIG*
S:S: arr. of ONMI #282, "Gentle Maiden"
Q:1/4=160
%R:jig
Z:Z: ABC/arr. BB
M:6/8
L:1/8
K:G
F|GAG FED|d3 efg|dcB A2G|E3-E2F|
GAG FED|d3 efg|dcB AGF|G3-G2 :|
d|def g2a|g3 gfe|dcB A2G|E3-E2F|
GAG FED|d3 efg|dcB AGF|G3-G2 :|

X:185019
T:SISTER'S RETURN (jig)
S:S: CRE.5
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%R:jig
K:D
f/e/|dcd AFD|GBG AFE|DFA dfd|cBc Afe|
dcd AFD|GBG AFE|DFA dFA|DFE D2:|
F/G/|AFA dcd|BGB eBe|cBc Afe|dcB AFG|
AFA dcd|BGB ecB|Ace dAF|DFE D2:|
F|GFG Eed|cBc AGF|GFG Ecd|ecB A2A|
dfd ecA|GFG AFE|DFA dFA|DFE D2:|

X:491525 
T:SIT AROUND THE CHEERFUL HEARTH  
S:S: ONMI.0504 < F.O'Neill
Q:1/4=120
Z:Z: Brennan/Black (arr.)
M:C
L:1/8
K:F 
%%text "moderate"
%%vskip .3in
F>G|A>BAG ADDz/E/|F>GFD G3F/G/|A>BAG ADDE|F>A G/F/E/F/ D3||
D/E/|F>GAB c>dcA|d>^cde f2ed|c>AFG ADDz/E/|F>A G/F/E/F/ D2|]

X:491526 
T:SIT DOWN BESIDE ME 
S:S: ONMI.0449
Z:Z: Brennan/Black (arr.)
Q:1/4=80
M:2/4
L:1/16
K:G
%%text "slow"
%%vskip .3in
g3a gaba|g4d2 z2|e2d2 g2f2|e4d2 z2|
g2ga gaba|g2d2 d2cB|e2d2 c2B2|A4G2 z2||
B3A B2c2|d3ed2d2|e3fg2f2|g4d2 z2|
g4B3d|edcB A2Bc|d2de d2cB|A4G4|]

X:491527  
T:SIT UNDER MY PROTECTION 
S:S: ONMI.0182
Q:1/4=80
Z:Z: Brennan/Black (arr.)
M:3/4
L:1/8
K:G
%%text "slow"
%%vskip .3in
B>A|G2A2B2|g2a2b2|a2gfed|g4g>f|
e2ge dB|d>e dc BA |B6|g4 g2|
e2ge dB|d>e dc BA |G6 |g4 :|
g>a|b2bg fg|a2gf ed|defg a2|b2g3f|
ef g3f|ed cB AG|A6|A2 dc BA|
G2A2B2|g2a2b2|a2gf ed|g4g>f|
e2ge dB|d>e dc BA|B6|g4g2|
e2ge dB|d>e dc BA|G6|g4:|

X:51080
T:SITTING on the THRONE (reel)
S:S: TIDT 2/19
C:J. Kelly
Z:Z: BB
M:C
L:1/8
%R:reel
Q:1/4=180
K:A 
E|A2eA fAec|B2fB gBfB|c2gc acgc|d2ad bdad|
A2eA fAec|B2fB gBcB|cAFG ABcA|BdcB AFF:|
%
E|FccB c^deg|fcc/B/c fgaf|gccB c^def|g2bg afge|
fccB c^deg|fcfg agfg|ecBA GABd|1 cdBc AFF:|
[2 cdBc AFG/F/E|:A2eA fAec|ABcA Bdcd|BE~E2 Bdcd|
BAFG AFEF|A2eA fAec|1 ABce afec|ABcd eagb|
afec dBcB:|2 ABce a2ga|b/a/g af g/f/efd|egfa gedB||
"^coda"HA4z4|]

X:12270
%%staffsep 80
T:SIX FOOT SANDWICH (jig), The 
T:Loretta Egan's
S:S: BBMG
C:© BB
L:1/8
M:6/8
Q:1/4=160
%R:jig
K:D
D|"D"F2A d2e|"D"fgf fed|"G"Bcd "D"AFD|"Em"BGE "A7"EFG|
"D"F2A d2A|"G" B2d "Em"gfe|"D" fga "G"gdB|"A"Ace d2 :|
e|"Bm"f2B BdB|FAB dcB|"A"e2A AcA|EAc ecA|
"Bm"f2B BdB|FAB dcB|"D"fed "A"edc|"Bm"dBA B2 :|

X:12271
%%staffsep 80
T:SIX IN THE MORNING  (jig)
C:© BB
S:S: BBMG
L:1/8
% Not my favorite hour to be getting up
Q:1/4=160
M:6/8
%R:jig
K:G
D|"G"GFG "Am"AGA|"Em"Bed "G"B2A|"Em"BGE "D"DFA|"G"GBd "Am"ecA|
"G"GFG "Am"AGA|"G"Bgf "Em"edB|"Am"AEF "Em"GFE|"D"DFA "G"G2 :|
d|"G"gfg "Am"aga|"Em"bge "G"d^cd|"C"efg "G"dcB|"Am"Ace "D"dfa|
"G"gfg "Am"aga|"Em"bge "G"d^cd|"C"efg "G"dcB|"D"AFA "G"G2 :|

X:332084 
T:SIX MILE BRIDGE (reel), The  
T:Banks of the Ilen 
Z:Z: ABC/arr. BB
S:S: Levey2.1 
L:1/8
M:C
%R:reel
Q:1/4=180
K:D
%%text "quick"
%%vskip .3in
AG|FDFA d2fe|d2fd ecAG|FDFA d2fd|ecAF G2AG|
FDFA d2fe|d2fd ecAG|FDFA d2fd|ecAF G2 ||
de|f2fd g2ge|a2ag fede|f2fd g2ge|a2af g2fg|
abaf gage|fgfd ecAG|FDFA d2df|ecAF G4||
%%stretchlast 0
"coda" ecAF G2AB|cAGE HD4|]

X:51081
T:SIX-MINUTE REEL, The
S:S: TIDT 2/20
C:J. Kelly
Z:Z: BB
M:C
L:1/8
%R:reel
Q:1/4=180
K:D
AFAF DFAF|EFAc BE~E2|AFAF DFAF|GBAG FDD2|
dcBA BdAF|EFAc BE~E2|A2FA AFDF|EFAG FDD2||
dcdf e2dB|ABdf eEEc|dcdf e2dB|ABde fddA|
dcdf e2dB|ABdf e2fg|a/g/f g/f/e fedc|BcdB AdcB||
"^coda"HD4z4|]

X:29100
T:SIXPENCE (1), The  
S:S: CGI.079
Z:Z: ABC/arr. BB
L:1/8
M:C|
K:G 
%%text "with expression"
%%vskip .3in
Bd|efed B2AB|d2d2 E2GA|B2dB AcBA|G4-G2Bd|
efed B2AB|d2d2 E2GA|B2dB AcBA|G4-G2 :|
GA|B3d g2fg|agfg e2dc|Bdef g3f|e4 d2Bd|
e=fed B2AB|d2d2 HE2GA|B2dB AcBA|G4-G2 :|

X:491528 
T:SIXPENCE (2), The 
S:S: ONMI.0385
Q:1/4=120
Z:Z: Brennan/Black (arr.)
M:C
L:1/8
K:G
%%text "moderate"
%%vskip .3in
Bd|efed B2AB|d2d2 E2GA|B2dB AcBA|G4-G2||
GA|B3d g2fg|agfg e2dc|Bdef g3f|e4d2||
Bd|efed B2AB|d2d2 E2GA|B2dB AcBA|G4-G4|]

X:50090 
T:SIXPENCE A GLASS* (jig) 
S:S: Petrie.110 % unnamed
Z:Z: ABC/arr. BB
N:N: Repeats added
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:Ador
eAA eAA|BGG BGG|eAA eAA|def gdB|
eAA eAA|BGG BGG|def gdB|BAA A3 :|
eaa eaa|egg egg|eaa eaa|def gdB|
eaa eaa|egg egg|def gdB|BAA A3 :|

X:181039
T:SIXPENNY MONEY (jig) (1)  
S:S: CRE.1 
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%R:jig
K:D
d|fAA fAA|BGE FGE|D3 AFA|dfd fed|
A2A AFA|BGE FGE|D3 AFA|dfd e2:|
d|fdf g3|afd fed|fdf g3|afd ecA|
fdf g3|afd fed|A2A DFA|dfd e2:|
"^coda" dfd ABc|Hd6|]

X:22136
T:SIXPENNY MONEY (jig) (2)
S:S: DMWC.18
Z:Z: ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:D 
%%text simplfied setting
%%vskip .3in
d|fAA fAA|BAG FEF|DFG AFA|dfd gfe|
AA f2A|BAG FEF|DFG AFA|dfd e2 :|
d|fdf g3|afd fed|fdf g3|afd e2d|
fdf g3|afd gfe|ABA AFA|dfg f2d|
fdf g3|afd ecA|fdf gfe|afd e2d|
fdf g3|afd gfe|ABA AFA|dfg e2d-|d6|]

X:251098
T:SIXPENNY MONEY (jig) (3)  
S:S: CRE.5
Z:Z: ABC/arr. BB
M:6/8
S:S: FS1.32c
L:1/8
Q:1/4=160
%R:Jig
K:D
d|fAA fAA|BAG FGE|DED AFA|dfd e2d|
fAA fAA|BAG FGE|DED AFA|dfd e2 :|
d|fef gfg|afd ecA|f2f gfg|afd e2d|
fef gfg|afd edB|ABA AFA|dfd e2 :|
"^coda" dfe d3|]

X:38256
T:SIXTY-NINTH STREET POLKA, The 
T:Galway Belle
S:S: "Reavy Collection: Music of Corktown"
Z:Z: ABC/arr. BB
M:2/4
L:1/8
%R:polka
Q:1/4=120
K:Am
A>B cd|ea e>e|dB GB|AB GB|
A>B cd|ea e>e|dB GB|A2 A2:|
aa e>e|aa e>e|dB GB|AB GB|
[1 aa e>e|aa e>e|dB GB|A2 A2:|
[2 A>B cd|ea e>e|dB GB|A2 HA2|]

%%%
X:491511 
T:SHADY GROVES (march), The  
S:S: ONMI.0226 < J.O'Neill
N:N:  1: This 4/4 tune is in the Miscellaneous section of the 1850, indicating it 
N:could well be a march.
N:N:  2: A-B-A structure in source; 10 measures in part 2
Q:1/4=130
Z:Z: Brennan/Black (arr.)
M:C
L:1/8
K:G
%%text "moderate"
%%vskip .3in
G>A|BdAB GFED|E2A2A2GA|BdAB GFED|E2G2G2||
AB|cBcd e2Bc|dBAG A2FG|Ad^cB AGFE|F2D2D2Fd|
dcBA ^G2ed|c2A2A2AB|cBAG F2dc|B2G2G2AB|\
cBcd e2Bc|dBAG"_DC"A2|]

%%%
X:21177 
T:SHADY LANE (jig), The 
S:S: DMI.0409
Z:Z: Nordberg/Black
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:Dm
e|f2e fga|g2f efg|f2d def|ecA A2e|
f2e fga|g2f efg|f2d e2^c|d3d2:|
d|c2A AGF|c2A A2d|c2A BAG|F2D D2d|
c2A AGF|c2A A2e|f2d e2c|1 d2e f2:|\
[2 d3 d3|]

%%% 
X:59223
T:SHALL MY SOUL PASS THRO' OLD IRELAND
S:S: JOB
Z:Z: ABC/arr. BB
N:N: This is the melody of the ballad "Kevin Barry".
L:1/4
M:3/4
%R:waltz
K:D
DF|A2A|^G2A|BA2-|AFA|f2d|A2F|E3-|Ecd|
e2d|c2G|BA2-|A^GA|c2B|G2A|F3-|FDF|
A2A|^G2A|BA2-|AFA|f2d|A2F|E3-|Ecd|
e2d|c2G|BA2-|A^GA|c2c|G2E|D3-|D3|]

%%%
X:27082
T:SHAMROCK (hornpipe), The 
S:S: HOC.120 ("straight jig")
Z:Z: ABC/arr. BB
Q:1/4=150
N:N: Alternate m.12: |EGFE D2FA|
M:C|
L:1/8
%R:hornpipe
K:G
%swing .25
GA|B2cA B2AG|A2BA G2BA|G2Bc d2cB|AGFE DFGA |
B2cA B2AG|A2BA G2FE|DFGB d2cB|A2G4 :|
FG|A2AB A2FG|A2AB A2B^c|d2^cB A2GF|"12"EGE^C D2FA |
B2cA BGAB|c2dB cAGF|GABc d2cB|A2G4 :|

%%%
X:54069 
T:SHAMROCK HILL (reel), The 
S:S: SRHI.37b
Z:Z: ABC/arr. BB
C:Se·n Ryan
Q:1/4=180
L:1/8
M:C
%R:reel
K:G
D|G2BG dGBG|cBcd efga|bgg2 agea|gedc Bd AF|
G2BG dGBG|cBcd efga|bgg2 agea|gedc BGG:|
a|bgg2 agea|gedB AGEG|DB,B,2 DEGA|Bdgb ageg|
bgg2 agea|gedB AGEG|DB,B,2 DEGA|Bdgd BGG :|

%%%
X:184033 
T:SHAMROCK JIG (slip jig), The 
S:S: CRE.4 < Bogue
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=160
M:9/8
%R:slip jig
K:A
A2B cBA cde|A2B cBA GFE|A2B cBA cde|
fga e2d cBG:|c2d ecf e3|c2d ecA GFE|
c2d ecf e3|fga e2d cBG:|"^coda"A6z3|]

%%%
X:491512 
T:SHAMROCK SHORE, The  
S:S: ONMI.0048 < F.O'Neill
Q:1/4=100
Z:Z: Brennan/Black (arr.)
M:C
L:1/8
K:D
%%text "moderate"
%%vskip .3in
D2|G2FG EFGA|B2ec d>BAF|EFGE D2D2|D6 AB/c/|
d2cd B2cd|edcB A2FA|B3F AFDF|E6 AB/c/|
d2cd B2cd|edcB A2FA|B3F AFDF|E6 DE/F/|
G2FG EFGA|B2ef d>BAF|EFGE D2D2|D6|]

%%%
X:46085 
T:SHAMROCK SO GREEN (reel), The 
S:S: OFHC20.03
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:C
%R:reel
K:G
A|BGGE DGGB|AGFG ABcd|BGGE DGGB|AGFG ABc :|
z|BddA Bdcd|edcB ABce|AccB Acce|dcBA BddB|
G3E FGAB|c2AB cBAF|G2BG F3A|BAGE DGHG2|]
%
N:N: In the source this tune - which is probably originally a song - has eleven 
N:measures and no breaks. This represents my attempt at a "standard" single 
N:reel version of it.

%%%
X:11090
T:SHAN VAN VOCHT (hornpipe), The
S:S: AIF
Z:Z: Brennan/Black (arr.)
Q:1/4=150
N:N: Dotted rhythm in sourde
M:C|
L:1/8  
%R:hornpipe
K:A dorian
%swing .25
ed|cABG A2BA|GEDE G2Bd|egfa gedc|B2G2 G2ed|
cABG AcBA|GEDE GABd|egfa gedB|A2A2 A2:|
fg|a^gab a=gec|A2A2Adef|gfga gedB|G2G2 GABG|
AGAB AcBA|GFGA GABd|egfa gedB|A2A2A2:|
%
N:N: Title ("Sean Bhean Bhocht") = "Poor Old Woman" (allegorical name for 
N:Ireland). There are a number of tunes with this (or related) names.

%%%
X:29096
T:SHAN VAN VOCHT (hornpipe), The  
S:S: CGI.200 (with "Vauch" instead of "Vocht")
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:C|
%R:hornpipe
K:G
%%text "moderato"
%%vskip .3in
%swing .25
GA|Bcde d2BA|G2G2G2 GA|BABc d2ef|a2a2a2 ga|
bage g2fe|dedB A2 GA|Bcde d2BA|G2G2G4 |]
P:second part from O'Neill's "Bantry Bay Hornpipe"
Bc|dBGB dBGB|e2ed e2de|f2fe defd|g2gf g2z2|
d2ef gage|dedB A2GA|BGAG EGDE|G2GG G2:|
%
N:N:  Title means "Poor Old Woman" (last word is correctly "vocht" (< "b[h]ocht", 
N:"poor"). This is close but not identical to the tune of the same title usually 
N:played as a hornpipe. I don't have any idea why the second part is missing 
N:from CGI but I've used the 2nd part of O'Neill's "Bantry Bay Hornpipe" to 
N:fill in.

%%%

%%%
X:581160 
T:SHANAHAN'S HORNPIPE 
S:S: WSGM.322 < P.D.Reidy ms
Z:Z: Kinder/Black (arr.)
N:N: Source mm 4 & 12: |(3agf (3gfe (3dcB (3cBA|
M:4/4
L:1/8
Q:1/4=150
%R:hornpipe
K:G
%swing .25
D2|GFGA BGBd|gfga bgdB|A^GAB cBce|afge dBcA|
GFGA BGBd|gfga bgdB|Aedc BGAF|G2 G2 G2:|
Bc|dcde d2 ef|gfga bgdB|dcde fgaf|afge dBcA|
GFGA BGBd|gfga bgdB|Aedc BGAF|G2 G2 G2:|

%%%
X:533095 
T:SHANAHAN'S RAMBLES (jig)  
S:S: RC3.092
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
G3 BAG|dBG BAG|DGG BAG|EAG ABA|
G3 BAG|dBG BAG|DGG ABA|BGF G3:|
d2g fdc|B2d cAG|DGG BAG|FAG ABc|
d2g fdc|B2d cAG|DGG ABA|BGF G3:|

%%%
X:37162
T:SHANAVEST & CARAVAT (reel)
Z:Z: ABC/arr. BB
S:S: MFC.131b < P.W. Joyce 1854
N:N: "A faction fighting tune of the Cooleens and Black Mulvihills" (well, that 
N:clears THAT up!) (Can't we all just get along?)
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Dm
%%text  "with spirit"
%%vskip .3in
FG|ABGA FGA=B|c=Bcd f2ef|dfed cAGE|D2D2D2 :|
FG|d2d>e f3e|dcA>G A3G|d2de f2ec|dce>c d3A|
d2dc defg|fdcA cdef|dfed cAGE|D2D2D4|]

%%%
X:253096
T:SHANDON BELLS (jig) (1)  
Z:Z: ABC/arr. BB
S:S: FS3.22a
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:D
B|AFD DFA|ded cBA|BGE EGA|B2A Bcd|
AFD DFA|ded cBA|Bcd ecA|1 dfe d2 :|2 d3 d2 ||
e|f2d dcd|f2a afd|cAA eAA|cAc efg|
f2d dcd|f2a afd|Bcd ecA|1 dfe d2 :|2 d3 d3|]

%%%
X:493345
T:SHANDON BELLS (jig) (2) 
S:S: ONMI.0814
Z:Z: Brennan/Black
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:D
B|AFD DFA|ded cBA|BGE EFA|B2A Bcd|
AFD DFA|ded cBA|Bcd ecA|1 d3 dc :|2 d3 d2||
g|f2d ded|faa afd|cAA eAA|cBc efg|
f2d ded|faa afd|Bcd ecA|d3 d2 :|

%%%
X:49440
T:SHANE O'NEILL'S MARCH 
S:S: ONMI.1806 < J.O'Neill
%R:march
Q:1/4=140
Z:Z: Brennan/Black
M:C
L:1/8
K:G
GA|B2BA B2cd|B2BA B2AG|Bdge dBAG|A2AB A2GA|
B2BA B2c2|B2BA B2AG|Bdge dBAB|G2GA G2:|
ef|g2fg e2ag|fefd B2Ac|d3e dBAG|g2ga g2fa| 
e2fg d2fg|dBAG A2Bd|efge dBAB|G2GA G2:|

%%%
X:251092
T:SHANNON BREEZE (reel), The
T:Rolling in the Ryegrass 
S:S: CRE.5 / FS1.06b
Z:Z: ABC/arr. BB
M:4/4
L:1/8
Q:1/4=180
%R:Reel
K:D
ABAF DFAF|G2 BG dGBG|ABAF DFAF|GBAF E2 D2 :|
ABde f2 df|g2 eg fedB|ABde f2 df|afdf e2 d2 :|

%%%
X:12268
%%staffsep 80
T:SHANNON PILOT (reel), The 
C:© BB
S:S: BBMG
% Of ships, not airplanes!
L:1/8
M:4/4
%R:reel
Q:1/4=180
K:Am
"Am"A2 cA eAcA|"G" dB ~B2 "Em"E^FGB|"Am"A2 cA eAce|"D"ag^fa "G"gdBG|
"Am"A2 cA eAcA|"G" dB ~B2 "Em"E^FGB|"Am"ABce "Em7"dBGE|"Am" (3ABc "G"BG "Am"A4 :|
"Am"e2 ag eage|"G"dcBA "Em"GEGB|"Am"Acea "D"^fedc|"Em"BGEG "Am"A4|
"Am"e2 ag eage|"G"dcBA "Em"GEGB|"Am"AGEG "D"ABA^F|"G"GBdB "Am"A4 :|

%%%

X:341091 
T:SHANNON POT (jig), The  
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy1.9
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:E dorian
d|efe fed|BAF AFD|E2E FED|EDA Bcd |
efe fed|BAF DEF|EFA Bcd|FED E2 :|
B|e2e def|edB dBA|BAF AFE|FED EFA |
BeB def|edB AFD|EFA Bcd|FED E2 :|
A|BeB def|edB AFA|BEE BAF|ABd def |
gfe fed|edB AFD|EFA Bcd|FED E2 :|

%%%
X:38250
T:SHANNON RIVER BELLE (barn dance) 
Z:Z: ABC/arr. BB
N:N: My arrangement of an American tune called 'Sandy River Belle'.
Q:1/4=160
M:4/4
%R:hornpipe
L:1/8
K:G
%swing .25
DEGA B4|BA G2 e2 d2|DEGA B2 Bd|BAGE D4|
DEGA B4|BA G2 e2 d2|dgfg edBc|dedB G4:|
dgfg edBc|d2 b2 a2 g2|dgfg edBc|dedB A4|
dgfg edBc|d2 b2 a2 g2|dgfg edBc|dedB G4:|

%%%

X:41306
T:SHANNON SHORE (reel), The 
S:S: MVBT < Maureen Glynn Connolly
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:Dmix
B,C|D3d cAAB|cded cAGE|D2 dB cABd|cAGE ADDG|
eg AB c2 AB|cded cAde|faed dcAB|cAGE ED :|
FA|d3e fefg|afge d2 dc|Adde faec|dcAG FDFA|
dcde f3g|afge defg|afge dged|cAGE FD :|
"^coda" cAGE ED^CE|HD4z4|]
%
N:N: I first heard this tune played by Martin Connolly and Maureen Glynn 
N:(both RIP) at a session in Ennis. Maureen was kind enough to write it 
N:out and fax (!) it to me. (This one had no name so I came up with this 
N:not-very-original one just to have something.)

%%%
X:57170
T:SHANNON WAVES BARNDANCE, The
S:S: "Treoir" 52/2 < Erin's Pride Orchestra, Phila. 1948
Z:Z: ABC/arr.BB
M:C|
%R:hornpipe
Q:1/4=150
K:G
%swing .25
DG |B2B2 BABG | D6 GA | B2AB c2 B2 | E4 E4 |
AGFG A2 D2 | GFGA B2 e2 | dBcA E2F2 | G6 :|%%
Bc |d2d2 g2g2 | dedB GABc | d2d2 g2d2 | f6 B2 |
cBAB c2d2 | f2f2 f3d | e2e2 ed^ce | d6 Bc |
d2d2 g2g2 | dedB GABc | d2d2 g2d2 | b4 b4 |
abaf d2a2 | gfgd B2e2| dBcA E2F2 | G4z4|]

%%%
X:52103
T:SHANVAGHERA (reel)
C:© E.Reavy
S:S: Ed Reavy Collection 
Z:Z: McKenty/Black
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:D
%%text "allegro moderato"
%%vskip .3in
%swing .25
FG|Addc d2AB|=cAG=F E=CCE|DA,DE =FEFG|A2 G_B Adde|
=fedf ed^ce|d^cA^F GE=CE |DEFG Ad=cA|GE=CE D2:|
A2|defg afdB|[E2=c2] Gc EcGc|defg afdf|e=c c2 Addf|
afdf edce|dcAF GE=CE|DEFG Ae=cA|GE=CE D2:|
%
N:N:  1: Not mentioned in Ed Jr.'s notes is the clear influence of Paddy Fahey on this 
N:particular tune of Ed's. (Ed Jr., not a musician himself, may not have been aware 
N:of such an influence.)
N:N:  2: In the book the low C's in m.2 are not marked as naturals.

%%%
X:492184 
T:SHASKEEN CLOG (hornpipe), The 
S:S: ONMI.1703 < McFadden
N:N: Also played as a reel (without "Clog")
%R:hornpipe
Q:1/4=150
Z:Z: Brennan/Black
M:C|
L:1/8 
K:G
%swing .25
DF|G3B A2Ac|dged cAAc|BdBG AcAF|GBAG FDEF|
GFGB A2 Bc|dged cAAg|fefa ecAc|BGAF G2:|
Bc|dggf g2fg|abag fddc|BcBG AcAF|GBAG FD D2|
dggf g2fg|abag fdde|fefa ecAc|BGAF G2:|

%%%
X:21178 
T:SHASKEEN REEL (1), The 
S:S: DMI.0802
Z:Z: Nordberg/Black
N:N: Repeats added
%R:reel
Q:1/4=180
M:C|
L:1/8
K:G
DE|G3B A2Ac|dged cAAc|BdBG Ac AF|GBAG FDEF|
GFGB A2 Ac|dged cAAg|fefa ecAc|BGAF G2:|
Bc|dggf g2fg|abag fddc|BcBG Ac AF|GBAG FDD2|
dggf g2fg|abag fdde|fefa ecAc|BGAF G2:|

%%%
X:22135
T:SHASKEEN REEL (2), The
S:S: DMWC.110
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:G
AG|DGG2 ABcA|dgfd cAAc|B2Gc A2FA|G2AG FAEA|
[1 DGG2 AGFA|dfed cAAg|f2eg fdcA|G2AF G2 :|
[2 DGG2 AFF2|dBB2 cAA2|f2eg fdcA|G2AF G2 ||
%
|:Bc|dggf g3a|bgag fdd2|GBB2 B3A|GBAG FDD2|
g2fa g3a|bgag fdde|f3d ecAG|G2AF DGG2|
dggf g3a|bgag fddc|BGG2 AFF2|GEEF EDEA|
DGG2 AFF2|dBB2 cAAg|f2eg fdcA|G2AF G4 |]

%%%
X:252081
T:SHASKEEN REEL (3), The
Z:Z: ABC/arr. BB
S:S: FS2.24a
M:C
L:1/8
Q:1/4=180
%R:reel
K:G
E|DGG2 ABcA|d2ed cAAc|B3G A3F|GBAG FGEF|
DGG2 ABcA|d2ed cAA2|f2eg fdcA|AGFA G3 :|
B|dggf g2fg|abag fddc|B3G A3F|GBAG FDD2|
[1 dggf g2fg|abag fdde|f2eg fdcA|AGFA G3 :|
[2 BGG2 AFF2|dBB2 cAA2|f2eg fdcA|AGFA HG4|]

%%%
X:57142 
T:SHASKEEN REEL (4), The 
%%staffwidth 650
S:S: Treoir.44/2 < Ballinakill Ceili Band (1931)
Z:Z: ABC/arr. BB
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:G
E|DGG2 ABcA|d2ed cAAc|BcBG ABAF|GBAG ADD2|
DGG2 ABcA|d2ed cAAg|f2fd edcA|AGFA G3 :|
B|dggf g2fg|abag fdde|fefd g2fg|1 abag fddB|
dggf g2fg|abag fdde|f2fd edcA|AGFA G3 :|
[2 abag fddc|B2BG ABAF|GBAG FDDe|f2fd edcA|AGFA G4 |]

%%%
X:582060
T:SHAUN TRUISH WILLICHAN  
S:S: WSGM.103 < 'Preston's Reprint of Bremner's Collections', London 1789
Z:Z: Kinder/Black
M:4/4
L:1/8
%R:hornpipe
Q:1/4=120
K:Am
%%text Part 1
A,|D/D/D D>F E2 A,>F|F2  ED G/F/E/D/ CE|\
D/D/D D>F E2 A,E|F2 ED C>A,A,:|
%%text Part 2
G|A>cAG G>AGF|F>GFD G/F/E/D/ CG|\
A>cAF G>AGE|FD G/F/E/D/ CA,A,:|
%%text part 3
A|d/d/d d>f e2 c>e|f2 ed g/f/e/d/ ce|\
d/d/d d>f e2 Ae|fd g/f/e/d/ c>AA:|
%%text part 4
g|aa _b/a/g/f/ gg a/g/f/e/|ff g/f/e/d/ eccg|\
aa _b/a/g/f/ gg a/g/f/e/|fe g/f/e/d/ cAA:|
%
N:N: 1: Name is phonetically spelled - probably should be "Sean Trubhais Uillechain" 
N:(some kind of old trousers?). Not sure why the Chief - native speaker as he was - 
N:didn't offer some kind of translation (this is Scots Gaelic, not that much different 
N:from Irish). An online dictionary says "uillechain" means "angles", which doesn't 
N:seem to help.
N:N: 2: This should end on a D somewhere.

%%%
X:47036
T:SHAUNEEN O SHEA (slip jig)
S:S: CNIM.35 (as "Shauneen O Shea or Johnny O Shea")
Z:Z: ABC/arr. BB
N:N: Source has key signature as one flat instead of one sharp.
Q:1/4=160
M:9/8
L:1/8
%R:jig
K:Em
d|efe edB BAG|efe edB efg|ege edB BAG|
dBA ABA AB :|d|gaf gdB BAG|gag gdB gab|
bag age edB|1 dBA ABA AB :|2 dBA ABA ABd|He6z6|]

X:29097
T:SHE COMES FROM THE LAKE  
S:S: CGI.193
Z:Z: ABC/arr. BB
Q:1/4=100
L:1/8
M:3/8
K:G 
%%text "andante"; A-B-A
%%vskip .3in
d>cB|B2G|E2G|G2A|B>cd|egG|A3-|Ad>e|
d>cB|B2G|E2G|G2B/c/|de/d/g/A/|B2A|G3-|G2 ||
d/>e/|=f>ed|e2c|g2G|G2 d/>e/|=f>ed|e2c|A3-|A2 d/>e/|
=f>ed|e2c|g2 B/G/|E2 G/>B/|D>EG|A3-|"_DC"A2z||

%%%
X:31196
T:SHE DIDN'T DANCE AND DANCE (slide)  
T:Pete Sullivan's
Z:Z: ABC/arr. BB
S:S: JOL.123
Q:1/4=180
L:1/8
M:12/8
%R:slide
K:E dorian
f|e2d BAB GAG G2A|B2d edB d3 g2f|
e2d BAB G2G G2f|efg fed e3g2 :|
A|Bcd e2f g2f gfg|Bdc d2e d3 B2A|
Bcd e2f g2f g2a|bag agf e3 e2d|
Bcd e2f g2f gfg|Bdc d2e d3 g2a|
bag agf gfe fed|efg fed He6|]

%%%
X:535390
T:SHE IS FAR FROM THE LAND (1) 
T:Open the Door Softly
N:N: . . . Where Her Dead Hero Sleeps". Thomas Moore's lyrics.
S:S: RC3.023 ("Oscail an Dorus go Ciuin O")
Q:1/4=100
Z:Z: ABC/arr. BB
L:1/8
M:3/8
K:D
%%text "andante con espress."
%%vskip .3in
A,/B,/|DDF|A2A|A>BA/F/|A2B|\
AFA|ABc|d3|FzF|
dcd|edB|BAF|A2B|\
AFD|DBA/F/|E3|Dz (3A/B/c/|
dcd|edB|BAF|A2B|\
AFD/E/|F<BA/F/|E3|HD3|]

%%%
X:491513  
T:SHE IS FAR FROM THE LAND (2)
S:S: ONMI.0191
Z:Z: Brennan/Black (arr.)
Q:1/4=100
M:6/8
L:1/8
K:D
%%text slow and tender
%%vskip .3in
F/E/|DFA A2F/A/|Bcd BAF/E/|DFA A>Bc|d2A F2 (3A/B/c/|
dcd e2d/c/|BAF/A/ A2d/B/|AFE/D/ DdF|EDE D3|]

X:28024
T:SHE IS THE GIRL THAT CAN DO IT (jig)
S:S: ISQT.20b
Z:Z: ABC/arr. BB
N:N: This is "Leg of the Duck" in G instead of D.
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
c|BGG AGG|BGG AGG|EAA A2B|EAB A2c|
BGG AGG|BGG AGG|DGF G2A|DGF G2 :|
c|Bcd ABc|BAG AGE|EAA A2B|EAB A2c|
Bcd ABc|BAG AGE|DGG G2A|DGF G2 :|

%%%
X:15272
T:SHE THAT WASHES A MONDAY (slip jig) 
S:S: CCCD
Z:Z: ABC/arr. BB
N:N: I had to correct mm 6 and 10 (missing beat in original)
L:1/8
Q:1/4=140
M:9/8
K:Em % 
%%text  source key Gm
%%vskip .3in
F2G AGF GFE|^D2F F2E D2B,|GFG AGA B3|
B,ED E2F GFE :|d2c d>ed ^c2B|"6"AFF E^DD B,3|
[1 e2d e>fe ^d2B|e2d e2f gfe:|2 GFG AGA B3|
B,2D E2F G>FE-|E6z3||

%%%
X:491514 
T:SHE'S A DAUGHTER OF DANIEL O'CONNELL 
S:S: ONMI.0044 < J.O'Neill
Z:Z: Brennan/Black (arr.)
M:3/4
Q:1/4=100
L:1/8
K:G
%%text "slow"
%%vskip .3in
Bc|d2c2A2|G2D2E2|F2G4-|G2z2GA|\
B2B2B2|c2A2G2|F6-|F4Bc|
d2c2A2|G2D2E2|F2G4-|G2z2A2|\
B2c2d2|A2G2G2|G6-|G4||
GA|B2c2d2|e2c2c2|f2d4-|d2z2dc|\
B2B2B2|c2A2G2|F6-|F2z2Bc|
d2c2A2|G2D2E2|F2G4-|G2z2A2|\
B2c2d2|A2G2G2|G6-|G6|]

%%%
X:491515 
T:SHE'S A DEAR MAID TO ME 
S:S: ONMI.0349 < F.O'Neill
Q:1/4=100
Z:Z: Brennan/Black (arr.)
M:3/4
L:1/8
K:Em % 
%%text  "slow"; source key = Dm
%%vskip .3in
B^c/^d/||e2 B2 ef|ed BA GA|F4 E2|E4 ef|
g2fe e/f/g|f2 ed fe|d4 cB|B4 ef|
g2g/a/b ag|f2f/g/a gf|gf ed BA|A4 B^c|
d^c B2 gf|ed BA GA|F4 E2|E6|]

%%%
X:491516 
T:SHE'S AS FALSE AS SHE'S FAIR 
S:S: ONMI.0513 < F.O'Neill
Z:Z: Brennan/Black (arr.)
Q:1/4=140
M:6/8
L:1/8
K:Gm 
%%text "gaily"
%%vskip .3in
B/c/|d>ed c2B|A>BG ^F2D|G>AB cA>^F|G3-G2:|
B/c/|d2b a2g|fd>g f2d|B>cB fed|c>dB AzF|
B>AB c>Bc|d2G F2D|G>AB cA>^F|G3-G2|]

%%%
X:185033 
T:SHEAHAN'S FANCY* (jig)
S:S: CRE.5 (unnamed)
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%R:jig
K:Em
F|GEE B2A|GEF GFE|FDD A2G|FAd BAF|
GEE B2A|GEF GAB|AFd BAF|GFD E2:|
e|Bef e2d|Bee fdB|AFd BAF|FEF DFA|
Bef e2d|Bee fdB|AFd BAF|GFD E2:|

%%%
X:37163 
T:SHEAN DUINNE (jig)
N:N: In source as "Shean Duinne"; correctly "Seanduine"  
S:S: MFC.079A 
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
E|D2B AFD|FGF F2E|DFB AFD|EFE E2F|
D2B AFD|DFA d2e|fed Bcd|AFD E2:|
D|d3 def|ABA AFA|e3 ede|fed B2A|
d3 def|ABA d2e|fed Bcd|AFD E2:|

%%%
X:495325
T:SHEARING THE SHEEP (reel) 
S:S: ONMI.1515 < McFadden
Z:Z: Brennan/Black
%R:reel
Q:1/4=180
M:C|
L:1/8
K:A
%%text  A-B-A ?
%%vskip .3in
EAAB ABcB|ABcA BFF2|EAAB ABce|faec d2cB|
A3B ABcB|ABcA BFF2|EAA2 ABce|faec A2cd||
e2ae feaf|eaec d2cd|e2ae fefb|afec d2cd|
e2ae feaf|eaec d2cB|c2cB cefb|afec dB"_DC"cA|]
"^fine m.8" |faec A4|]

%%%
X:141202 
T:SHEEBEG AND SHEEMORE 
T:SÌ Beag SÌ MÛr
C:O'Carolan
Z:Z: Gilb/Brennan/Black
N:N:  1: Gaelic = "The Little Fairy and The Big Fairy". This is a name for two 
N:hills in Co. Leitrim; more information in O'Neill's "Irish Minstrels and 
N:Musicians", p.71
N:N:  2: This is normally played AA-B today.
M:3/4
Q:1/4=100
L:1/8
K:D
%%text "andantino"
%%vskip .3in
de|f2 fe d2|d2 de d2|B4 A2|F4 A2|
BA Bc d2|e4 de|f4 e2|d4 f2|
B4 e2|A4 d2|F4 E2|D4 f2|
B4 e2|A4 dc|d6-|d4||
de|f2 fe d2|ed ef a2|b4 a2|f4 ed|
e4 a2|f4 ed|d4 B2|B4 BA|
F4 E2|D4 f2|B4 e2|A4 a2|
ba gf ed|e4 dc|d6-|d6|]

%%%
X:251093
T:SHEEHAN'S REEL (1)
S:S: CRE.5
Z:Z: ABC/arr. BB
M:C|
L:1/8
Q:1/4=180
%R:reel
K:G
D|G2 BG DGBG|ABcA BGGB|A3 B cBAB|cBAG FDEF|
G2 BG DGBG|cBAB cdef|gedB c2 Bc|dBcA BGG :|
d|g2 bg dgbg|gbag fdde|f2 af dfaf|gbag fdef|
g2 bg dgbg|gbag fdef|gedB c2 Bc|dBcA BGG :|

%%%
X:495326
T:SHEEHAN'S REEL (2) 
S:S: ONMI.1213 < Fielding
Z:Z: Brennan/Black
Q:1/4=180
%R:reel 
M:C|
L:1/8
K:G
D|G2BG DGBG|ABcA BGGB|A^GAB cBcA|EAAG FDEF|
G2BG DGBd|cBAB cdef|gedB c2Bc|dBcA BGG ||
f|g2bg dgbg|gbag fdde|f2af dfaf|gbag fddf|
g2bg dgbg|gbag fdef|gedB c2Bc|dBcA BGHG2|]
%
N:N: Source has |=f| in mm 11 and 12; tune is not usually played today using 
N:them. (Just for the record, there aren't too many other instances where the 
N:Chief considers a tune 'modal' when it isn't [or 'is no longer'] - usually it's 
N:the other way around!)

%%%
X:332083 
T:SHEELA'S KISS (slip jig)  
Z:Z: ABC/arr. BB
S:S: Levey2.82 
N:N: Repeats added
Q:1/4=160
L:1/8
M:9/8
%R:slip jig
K:E dorian
E|FGA ABc d3|FGA AB=c B3|FGA ABc d3|
FGA AB=c B2 :|c|d2d d2d cBA|B2B B2B AFD|
d2d ded cBA|B2B Bcd AF:|A|:G2A BGE BGE|
G2A BGE AFD|G2A BGE BGE|FGA Bcd AFD:|
"^coda"E6z3|]

%%%

X:48154 
T:SHEELINA GRA (jig)
N:N:  correctly SÌle 'N Ghr· (Will You Be Mine)  
S:S: OFPC1.39
Z:Z: ABC/arr. BB
N:N: Probably not meant originally as a dance tune. I repeated the first part 
N:(with a few note changes) to make the tune into a "standard" jig.
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:Ador
D|EAG AGA|BGE GAB|cdc BAG|AGF E2D|
EFG AGA|Bcd GAB|cec BAG|AGF E2 :|
d|efe ded|BGE GBd|efe dec|BGE c2d|
efe dec|BGE GAB|cdc BAG|AGF E2 :|
"^coda" dcB HA3|]

%%%
X:182041 
T:SHEEP ON THE MOUNTAINS (jig), The  
S:S: CRE.2
Z:Z: ABC/arr. BB
Q:1/4=160
N:N: Repeats added 
L:1/8
M:6/8
%R:jig
K:Dmix
z|FEF G3|AdB cAG|AGA dcd|ABc d3|
F3 GFG|AdB cAF|GFG AFD|GFE D2 :|
d|ged efg|afd cAG|AGA dcd|ABc d2e|
fef gfg|afd cAF|GFG AFD|GFE D2 :|

%%%
X:493346 
T:SHEEP on the MOUNTAINS, The 
S:S: ONMI.0831 
Z:Z: Brennan/Black
Q:1/4=160
N:N: 1: Simplified mm 11-12: |ABA d3| replaces |A B/A/G/A/ d3|
N:N: 2: D major in source
%R:jig 
M:6/8
L:1/8
K:Dmix
D|F3 G3|AdB cAG|A3 d3|A3 d3|
F3 G3|A2d cAF|G3 AFD|G3 AFD|
F3 G3|AdB cAG|ABA d3|ABA d3|
FEF GAG|AdB cAF|G3 AFD|GFE D2||
f|fed efg|afd cAG|A3 d3|A3 d3|
[1 fed efg|afd cAF|G3 AFD|G3 AFD|
[2 f3 g3|afd cAF|G3 AFD|G3 AFD ||

%%%
X:35063
%%staffsep 80
T:SHEEP TRAP VALLEY (reel)
S:S: composer
C:Rick Gagne 
Z:Z: ABC/arr. BB
%R:reel
N:N: d/o/c/ 1988 on whistle and tenor banjo
M:4/4
Q:1/4=180
K:Bm
FA |"Bm"Bcde f2fg|fede f2fg |"D"fedf "A"eaec |"G"dcBd "F#m"cAec |
"Bm"Bcde f2fg | fede f2fg | "D"fedf "A"eaec | "G"dBcA "Bm"B2 :|
de | "Bm"fBB2 fBB2|"A"eAA2 eAA2|"G"dGG2 dGG2|"A"ABcd "Em"efge | 
"Bm"fBB2 fBaf | "A"eAA2 eAge |"G"dGG2 dGdG | "F#m"ABcA "Bm"B2 :|

%%%
X:41307
T:SHEILA COYLE'S (reel) 
S:S: MVBT
Z:Z: ABC/arr. BB
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:D
A|FA A2 FADF|ADFA BAFA|GBBA B3 d|ABdf edBA|
FA A2 FADF|ADFA BAFA|GABd AFF2|EFGE FDD :|
e|dff2 fgfe|dcdB AFDA|ce e2 fcec|BcdB AFDA|
dff2 fgfe|dcdB AFDA|GABd AFF2|EFGE FDD :|
%
N:N: No one seems too sure of the origin of this tune. Seamus Connolly seems 
N:to have been the first Boston musician to play it, and he says he learned it 
N:from the eponymous Ms. Coyle, a Chicago-area fiddler. To the best of my 
N:knowledge MVBT-1 (1995) was the first printed source to include this tune, 
N:and in the intervening years nobody has stepped up to claim it. Additional 
N:information gladly accepted!
%%%

X:41308
T:SHEILA MULHAIRE'S (jig) 
C:M. Mulhaire
S:S: MVBT < "Warming Up"
Z:Z: ABC/arr. BB
%Sheila is Martin's daughter.
Q:1/4=150
%R:jig
M:6/8
L:1/8
K:D
d/e/|f2a gfe|fed cAG|FAD FAD|dAF G2d|
f2a gfe|fed cAG|FED EFG|Adc d2 :|
A|d2f afd|Adf afd|ecA AcA|AcA ecA|
d2f afd|Adf afd|ecA ABc|d3 d2 :|

%%%
X:497099 
T:SHEILA MY LOVE (jig)
S:S: ONMI.0571 < Hartnett (as "Oh Sheela My Love")
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
E|DEG A2A|BAG GAB|cdc B2A|AGF E2G|
DEG A2A|BAG GAB|cde B2A|AGF G2 :|
d|efe d2c|BGE GAB|Bee d2c|BGB c2d|
efe d2c|BGE GAB|cdc B2A|AGF G2 :|

%%%
X:55014
T:SHEILA'S JIG 
C:B.Tonra
S:S: composer
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%R:jig
K:D
DFD E3|DFD EDA,|DFD E3|Ddf e2E|
DFD E3|DFD EDA,|Dde fef|dAF D3 :|
Bde fdB|Ace dAF|Bde f3|dAF E3|
DFD E3|DFD EDA,|Bde f3|dAF D3 :|

%%%

%%%
X:491517 
T:SHEPHERD, The  
S:S: ONMI.0251 < J.O'Neill
Z:Z: Brennan/Black (arr.)
M:C
Q:1/4=120
L:1/8
K:G
%%text "moderate"
%%vskip .3in
B>A|G3F E2Bd|edBd e2eg|dcBA G2B2|cBAG A2B>A|
G3F E2Bd|edBd e2f2|g>agf e>fgc|B2A>G G2||
d2|g3a g2G2|Bcde edcB|Bdgb bagb|agab a2g>a|
b3a g2fd|Bdfa g2e>f|g>agf e>fgc|B2A>G G4|]

%%%
X:13313
T:SHEPHERD'S DAUGHTER (reel) (1), The 
S:S: BSMI.3
Z:Z: ABC/arr. BB
N:N: Repeats added
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:G
ed|e3g edBd|eAA2 eA (3Bcd|e2eg edBc|dGG2 dGBd|
e2eg edBd|eAA2 GABA|G2Bc dega|bgaf g2 :|
Bd|eaaf g2gd|eaaf ged2|eaaf g2ag|e2de ged2|
eaaf g2gd|eaab c'bag|eaaf g2ag|e2de g2 :|

%%%
X:182230
T:SHEPHERD'S DAUGHTER* (reel) (2), The 
S:S: CRE.2
Z:Z: ABC/arr. BB
M:C
%R:reel
Q:1/4=180
K:G
d|e3f ed (3Bcd|eAA2 BABd|e2ge edBe|dGBG dGBd|
edeg ed (3Bcd|eAAG A3A|GABc dega|1 b2ab gag:|\
[2 bgaf g3||
d|eaaf gfg2|egfd edBd|eaab gabg|eAce gd (3Bcd|
eaab g2gb|a2ef gabg|eaa2 gabg| eAce gdB:|
"^coda"  eBce gdBd|e4z4|]

%%%
X:37164 
T:SHEPHERD'S FLOCK (reel), The
S:S: MFC.032a
Z:Z: ABC/arr. BB
N:N: Source for mm 14: /eaac' d'bag/ I had to do some rewriting to accommodate 
N:the repeats, especially the second ending.
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:A dorian
Bd|e2 ge edBd|eAA2 edBd|e2 ge edBe|dG G2 dGBd|
e2 ge edBd|eAAG A2 BA|G2 Bd g3a|bgaf g2:|
fg|eaaf g3 f|eaag ed (3Bcd|eaaf g2 ag|e2 de gdBd|
eaaf g3 f|eaae dBcd|eaaf g2 ag|1 e2de gd :|
[2 e2dc BdBG|A4z4|]

%%%
X:48349 
T:SHEPHERD'S HORNPIPE, The 
S:S: OFPC3.106 ("Irish")
Z:Z: ABC/arr. BB
D:D: "OSMOF1" track 1
%This might be an O'Farrell original.
Q:1/4=140
M:C|
L:1/8
%R:hornpipe
K:G
%swing .25
A|G3A GABc|dBge dBAG|cBce dBAG|E2 A2 A3B|
cBcd efge|dBAF GFED|GBAc BdAc|B2 G2 G3 :|
B|dBGB d2gf|edcB cBAG|cBcd efge|f2 d2 d3B|
cBcd efge|dBAF GFED|GBAc BdAc|B2 G2 G3 :|

%%%
X:16253
T:SHEPHERDS I HAVE LOST MY LOVE
S:S: CIAJ
Z:Z: ABC/arr. BB
Q:1/4=100
L:1/8
M:C
K:D 
%%text "affetuoso"; source key F
%%vskip .3in
d3e f2ed|eddB A4|B2A2 d2cd|B4 A4|
d3c defa|A2FA BAGF|GABc d>edF|E4 D4 ||
F3E F2G2|A2AB A4|B2A2 d2cd|B4 A4|
d3c defa|A2FA BAGF|GABc d>edF|E4 HD4 |]

%%%
X:16254
T:SHEPHERDS I HAVE LOST MY LOVE (hornpipe) 
S:S: CIAJ
Z:Z: ABC/arr. BB
N:N: This is my setting of this tune as a hornpipe.
L:1/8
M:C
%R:hornpipe
Q:1/4=150
K:D 
%swing .25
d3e fdcd|edcB A2FA|B2AF dAFA|B4 A4|
dcde fdcB|AFAd BAGF|GABc dBAF|E4 D4 :|
F3E F2G2|AFAB Adcd|B2A2 d2cd|B4 A4|
dcde fdcB|AFAd BAGF|GABc dBAF|E4 D4 :|

%%%
X:491518 
T:SHERIDAN OF COOLCANIG 
S:S: ONMI.0577 < O'Brien
Z:Z: Brennan/Black (arr.)
M:6/8
Q:1/4=120
L:1/8
K:D
%%text "distinctly"
%%vskip .3in
d/c/|A2F G2A|Bcd A2F|G2F D2D|D3-D2A|
ABc d2e|f2d efg|fdA ABc|d3-d2A|
ABc d2e|f2d efg|fdA ABc|d3 dcB|
A2F G2A|Bcd A2F|G2F D2D|D3-D3|]

%%%
X:13171
T:SHERLOCK'S (hornpipe)
N:N: a/k/a/ Joe Burke's, Fort of Kincora, Tara Brooch 
S:S: BSMI.1
Z:Z: ABC/arr. BB
%R:hornpipe
M:C
Q:1/4=150
L:1/8
K:G
%swing .25
(3DEF|GAGE DB,G,D|GFGA Bdgf|edcB A2GA|BAGF E2 (3DEF|
GAGE DB,G,D|GFGA Bdgf|edcB A2GA| BGGF G2 :|
Bc|d^cde dBGF|GBd^c dgfg|efge dBGB|cABG A2 (3DEF|
GAGE DB,G,D|GFGA Bdgf|edcB A2GA|BGGF G2 :|

%%%
X:38251
T:SHERLOCK'S FANCY (reel) (1) 
N:N: a/k/a/ Jack Maguire's, The Snake
S:S: Flaherty collection
Z:Z: ABC/arr. BB
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:D
FE|DF F2 DGBG|DFAF GECE|DF F2 ABde|fdAG FAEF|
DF F2 DGBG|DFAF GECE|DF F2 ABde|fdAG FD D2|]
fgaf g2 ag|fgaf gfeg|fgaf g2 eg|dfAG FD D2|
fgaf g2 ag|fgaf gfeg|fdAF G2 ag|fdAG FAEF||
"^coda"HD4z4|]

%%%
X:13219
T:SHERLOCK'S FANCY* (reel) (2) 
S:S: BSMI.2 (unnamed)
Z:Z: ABC/arr. BB
%R:reel
M:C
Q:1/4=180
L:1/8
K:D
DFF2 DGG2|DFAF EDCE|DFF2 ABde|fdAG FDD2 :|
fgaf g2ag|fgaf gfeg|fgaf gbag|fdAG FDD2|
fgaf g2ag|fgaf gfeg|fdAF GBag|fdAG FDHD2|]

%%%
X:28025
T:SHILLINAGUIRA (jig) 
S:S: ISQT.13c
Z:Z: ABC/arr. BB
N:N: More bad Irish. Probably stands for something like "SÌle nÌ Gadhra".
M:6/8
%R:jig
Q:1/4=160
K:G
F|GBB Gcc|GBB c2e|dcB Adc|BGF G2F|
GBB Gcc|GBB c2e|dcB Adc|BGF G2 :|
A|GBd g2d|ecB c3|Ace a2g|fdc d2A|
GBd g2d|ecc d2c|BGB cAd|BGF G2 :|

%%%
X:184040 
T:SHIP DOCTOR (slip jig), The 
S:S: CRE.4 
L:1/8
Q:1/4=160
M:9/8
%R:slipjig
K:Em
GED E2e BGE|BGF E2d AFD|GFG E2F GAB|
cBA G2A BGE:|gfg e2d efe|gfg A2B cBA|
BGF E2F GAB|cBA G2A BGE:|"^coda" cBA G2A BGF|E6z3|]

%%%
X:251094
T:SHIP IN FULL SAIL (jig), The 
S:S: FS1.28c
Z:Z: ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
%R:Jig
K:G
E|DGG BAG|dBG GBd|edg dBG|AGA BGE|
DGG BAG|dBG GBd|edg dBG|AGE G2 :|
B|dgg bgg|aga bge|dgg bgg|aba age|
dgg bgg|aga bgd|edg dBG|AGE G2 :|

%%%
X:37165
T:SHIP ON THE OCEAN (jig), The  
S:S: MFC.071E
Z:Z: ABC/arr. BB
N:N: This is a version of "Ship in Full Sail"
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
E|DGG BAG|dBG GBd|edg dBG|ABG AGE|
DED AGE|DED DBd|edg dBG|AGE G2:|
B|dgg bgg|aga bge|dgg bgg|aba age|
dgg bgg|aga bge|ege dBG|BGF G2:|

%%%
X:251095
T:SHIPS ARE SAILING (reel) (1)
S:S: FS1.16c
Z:Z: ABC/arr. BB
M:C|
L:1/8
Q:1/4=180
%R:reel
K:Em
d|Beed B^cdB|AD (3FED AD (3FED|EDEF GFGA|(3B^cd ef gfed|
Beed B^cdB|AD (3FED AD (3FED|EDEF GFGA|Beed e3 :|
f|gfga bgeg|fefg afdf|gfga bgeg|fedf e2 ef|
gfga bgeg|fefg afdf|g2 ge f2 fd|edef gfe :|
"^coda"edef gfed|e4z4|]

%%%
X:495327
%%staffwidth 620
T:SHIPS ARE SAILING (reel) (2) 
S:S: ONMI.1264 < F.O'Neill
Z:Z: Brennan/Black
%R:reel
Q:1/4=180
M:C|
L:1/8
K:G
Beed B^cdB|AD FD AD FD|EDEF GFGA|1 Beef gfed:|\
[2 Beed e2||
:ef|gfga bgeg|fefg afdf|gfga bgeg|fedf e2ef|
gfga bgeg|fefg afdf|g2ge f2fd|edef gfed|"^coda"e4z4|]

%%%
X:251096
T:SHOE THE DONKEY (waltz) 
N:N: a/k/a/ Versevianna ('Warsowianna'), Father Halpin's Topcoat
Z:Z: ABC/arr. BB
S:S: FS1.41b
M:3/4
L:1/4
%R:waltz
Q:1/4=160
K:G
D/G/|BB D/G/|BB D/G/|BcB|
A2 D/F/|AA D/F/|AA D/F/|ABA|G2 :|
B/c/|dgf|A2 A/B/|ced|B2 B/c/|BAB|
c2 c/d/|edc|B2B/c/|dgf|A2 A/B/|
ced|B2 B/c/|BAB|c2 c/d/|edF|G3-|G3|]

%%%
X:52104
T:SHOEMAKER'S DAUGHTER (reel), The
C:© E.Reavy
S:S: Ed Reavy Collection
Z:Z: McKenty / Black
Q:1/4=180
M:4/4
L:1/8
%R:Reel
K:G
%%text "allegro moderato"
%%vskip .3in
DF|G2 DG BcdB|G=FDE FDCD|G2 DG Bcde|=fdBd c2 Bc|
dgg2 dcc2|Bcde =fdcd|gfdc BcdB|FGAF G2:|
ef|g2 dg bgdg|gfdg fdcd|g2 dg Bgdg|f2 cA BGGf|
g2 dc BGGE|=FGAB c2 Bc|dgg2 de=fd|cAFA G2:|

%%%
X:182006 
T:SHOEMAKER'S FANCY* (jig) (1), The 
S:S: CRE.2 (unnamed)
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:Dmix
G|FDD DFA|dcA A2G|fdd cAA|dcA Gag|
fdd edc|dcA d2e|f2f ded|cAF GA:|
B|cAA efd|cAB c2d|cAA efd|cAF G2B|
cAA fed|cAB cde|fef ded|cAF G2:|
"^coda" cBA GFE|D6|]

%%%
X:531096
T:SHOEMAKER'S FANCY (jig) (2), The  
S:S: RC1.093
Z:Z: ABC/arr. BB
N:N: No accidentals in source
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
A|FDE F2d|cAA BAG|FDE F2d|cAF G2A|
FDE F2d|cAA Ade|fef ded|cAF G2:|
A|cAA fed|cAA A2B|cAA fed|cAF G2A|
cAA fed|cAA Ade|fef ded|cAF G2:|
"^coda" cBA GFE|D6|]

%%%
X:497100
T:SHOPPING LIST (jig), The  
S:S: arr. of ONMI #214, "Black Lettered List"
%R:jig
Q:1/4=160
Z:Z: ABC/arr. BB
M:6/8
L:1/8
K:G
D|GAB G2B|ADF cBA|dBG GAB|AGE DEF|
GAB G2B|ADF cBA|dBG DEF|GAF G2 :|
A|BFG A2B|cAc def|g2a bag|age def|
gdB AGB|cde d2c|BcA G2E|DEF G2 :|

%%%
X:185128 
T:SHORES OF BALLYBUNION (reel), The 
S:S: CRE.5
Z:Z: ABC/arr. BB
M:4/4
Q:1/4=180
%R:reel
K:G
(3DEF|G2BG DGBG|G2Bd gdBA|BGAG FGAB|cDEF BGAF|
G2BG DGBG|G2Bd gdBA|BGAG FGAB|cGEF G2 :|
ef|gfga gdBd|gfga bgef|gfga gdBc|dedc BGAF|
gfga gdBd|gfga bgeg|bgaf gfed|egfa g2:|

%%%
X:13236
T:SHORES OF LOUGH GOWNA (jig), The  
S:S: BSMI.2
N:N: Better known as "The Banks of Lough Gowna"
Z:Z: ABC/arr. BB
%R:jig
M:6/8
Q:1/4=160
L:1/8
K:Bm
A|BcB BAF|FEF DFA|BcB BAF|dcd fed|
BcB BAF|FEF DFA|def geg|fdB B2 :|
A|def a2b|afb afe|dDF def|geg fdB|
def a2b|afb afe|def geg|fdB B2 :|

%%%
X:57143
T:SHORES OF LOUGH MAJOR (march), The
S:S: Treoir 49/2 < B. O Kane
Z:Z: ABC/arr. BB
Q:1/4=120
%R:march
M:C
K:D
A,B,C|D2FA DFAd|fgfe d2c=c|BABd AFGF|E2EF EA,B,C|
D2FA DFAd|fgfe d2c=c|B^ABd cgec|1 d2dc d :|2 d2de d2||
K:G
Bc|d2BA G2gf|efge dDEF|GFGB edcB|A2AB A2Bc|
dGBd gaba|gecG E2fe|d^cdB =cAFD|G2GA G2:|

%%%
X:51078
%irish_rolls_on
T:SHORT & SWEET (reel)
S:S: TIDT 2/17
C:J. Kelly
Z:Z: BB
M:C
L:1/8
%R:reel
Q:1/4=180
K:D
Ad~d2 bdad|cAGE CDEG|1 Ad~d2 bdad|cAGE ADD2:|
[2 fged eaag|efec d4|:fgec dfed|cAGE GAce|
fgec d2cd|eaag efge|fgec dfed|B/c/def g2fd|
%%stretchlast 0
cdeg fdcG|AcGE FDD2:|

%%%
X:48238 
T:SHORT AND SWEET (hornpipe) 
S:S: OFPC2.83
Z:Z: ABC/arr. BB
Q:1/4=150
M:C|
L:1/8
%R:hornpipe
%swing .25
K:G 
%%text  simplified 
%%vskip .3in
A|BcBc dedB|cAGF GAGd|ecgf eddB|cBAF G3 :|
E|FAA2 GBB2|cAdB geBG|FAA2 GBB2|cAGF G3 :|
A|BcBc d2d2|efaf eddc|BcBc dedB|cAdB G3 :|
c|dcBG dBgB|dcAF AFcA|dcBg egdg|cAGF G3 :|

%%%
X:493347 
T:SHORT GRASS (jig), The 
S:S: ONMI.0981 < J.O'Neill
%R:jig
Q:1/4=160
Z:Z: Brennan/Black
M:6/8
L:1/8
K:Am
d|cGE cGE|EDE CEG|cGE cGE|Add ded|
cGE cGE|EDE CEG|cee e2d|cAA A2:|
z|gag ged|ecc cde|aba age|edd d2e|
[1 gag ged|ecc cde|fed fed|ecA A2 :|
[2 gfe agf|gfe dcB|cee e2d|cAA A3 |]

%%%
X:27083
T:SHORT STACK* (jig), The 
S:S: HOC.076 (unnamed)
Z:Z: ABC/arr. BB
N:N: Note 16-measure structure. I tried to fill it out a bit!
M:6/8
L:1/8
%R:jig
Q:1/4=160
K:D 
e|dcB A2F|GFE FED|dcB A2F|GFE D2c|
dcB A2F|GFE FED|FGA BAG|FEC D2:|
f|ede e2f|gfe fed|ede e2f|gfe dcd|
ede e2f|gfe fed|fga def|ecA d2:|

%%%
X:50087 
T:SHORT VOYAGE HOME*, The  
S:S: Petrie.109 (unnamed)
Z:Z: ABC/arr. BB
N:N: I tried to make a jig out of this but it didn't really lend itself to that. It 
N:might have been a song at some point or another but without a solid title
N:from Petrie, we;ll probably never know.
Q:1/4=160
M:6/8
L:1/8
K:G % 
%%text source key = Bb
%%vskip .3in
D|G2A B2c|d2e def|g2e c2e|d3 d2B|
G2A B2c|d2e def|g2e c2e|d3 de ||
%
f|g2g d2g|f2d B2d|A2e d2c|B2G A2F|
D2D E2F|G2B A2F|E2F D2D|D3-D2 ||
#
f|g2g e2g|f2e d2B|A2g f2e|d3 c2A|
G2G A2B|c2e d2B|A2B G2G|G3-G2 |]

%%%
X:184077
T:SHOVE INTO ME JOANIE! (polka)  
S:S: CRE.4 < Barrett < Collins
Z:Z: ABC/arr. BB
L:1/8
M:2/4
Q:1/4=140
%R:polka
K:G
D|G>A Bc|d2 dB|c2 c>A|Bd BA|
G>A Bc|d2 d>e|f2 d>c|AG G:|
e|g2 f>e|d2 dB|c2 c>A|B2 Bd|
g2 f>e|d2 de|f2 d>c|AG G:|

%%%
X:11084
T:SHOWMAN'S FANCY (hornpipe) (1), The
S:S: AIF
Z:Z: Brennan/Black 
Q:1/4=150
M:C|
N:N: Dotted rhythm in source
L:1/8  
%R:hornpipe
K:D
%swing .25
FG|A^GAB Adfd|Bdgf edcB|A^GAB AFDF|EDEF E2FG|
A^GAB Adfd|Bdgf edcB|Adfd gece|dedc d2:|
cd|edef gecA|dcde fdAf|g2f2 e2d2|c2B2 A2FG|
A^GAB Adfd|Bdgf edcB|Adfe gece|dedc d2:|

%%%
X:532106 
T:SHOWMAN'S FANCY (hornpipe) (2), The   
S:S: RC2.203
Z:Z: ABC/arr. BB
Q:1/4=140
N:N: Dotted rhythm in source
L:1/8 
M:C|
%R:hornpipe
K:D 
%swing .25
%%text simplified version
%%vskip .3in
FG|A^GAB Adfd|Begf edcB|A^GAB Adfd|BAGF E2FG|
A^GAB Adfd|Begf edcB|Adfa gecA|d2dc d2:|
cd|e^def gec2|dcde fdA2|g2f2 e2d2|c2B2 A2FG|
A^GAB Adfd|Begf edcB|Aafd Bgec|d2dc d2:|

%%%
X:59194
T:SHOWMAN'S FANCY ("florid" hornpipe) (3), The
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=150
N:N: Dotted rhythm in source
L:1/8 
M:C|
%R:hornpipe
K:D
FG|A^GAB Adfd|Bdgf edcB|A^GAB AFDA|BAGF EFGB|
A^GAB Adfd|Bdgf edcB|A^GAB AFDA|E/F/E/D/ EF D2 :|
%
(3Bcd|edef gece|dcde fdAf|(3gag (3fgf (3efe (3ded|\
(3cec (3BcB (3ABA FG|
A^GAB Adfd|Bdgf edcB|A^GAB AFDA|E/F/E/D/ EF D2 :|
%
FG|(3A^GA dA GAB^A|(3A^GA dA GAB^A|ABcB AGFG|AGFG E2FG|
(3A^GA dA GAB^A|(3A^GA dA GAB^A|ABcB AGFE|(3DFA (3dAF D2 :|
%
dc|Bcde fB^AB|gfeg fB^AB|(3cec F2 (3cec F^G|^AFAc fedc|
Bcde fB^AB|gfeg fB^AB|(3cec Fc _BFBc|fedc B2 :|
%
AG|FAfe dcBA|GBef gfed|cec'b agfe|(3ded (3cdc (3BcB (3ABA|
FAfe dcBA|GBef gfed|cec'b agfe|dd'af d2 :|
%
A2|(3d'f'd' (3aba (3fgf (3ded|(3bc'b (3gag (3efe (3cdc|
a^g=ge cABc|da^ga baga|(3d'f'd' (3aba (3fgf (3ded|\
(3bc'b (3gag (3efe (3cec|
a^g=ge cABc|(3dd'a (3baf d2 :|
%
N:N:  O'Brien's florid setting, which is probably where Joe Derrane (a pupil of O'Brien's) got his own. 
N:I reproduce it exactly as it appears in the book with the exception of the cut time.

%%%
X:62126
T:SHOWMAN'S FANCY (hornpipe) (4), The 
S:S: GSTC
Q:1/4=150
%R:hornpipe
M:C|
K:D
FG|A^GAB Adfd|Bdgf edcB|A^GAB AFDF|E^DEF E2FG|
A^GAB Adfd|Bdgf edcB|Afad Begc|1 d2af d2 :|2 dfec d2||
cd|e^def gece|dcde fdAf|g2f2 e2d2|c2B2 AGFG|
A^GAB Adfd|Bdgf edcB|Afad Begc|1 d2af d2 :|2 dfec d4|]
%
N:N: The accidentals make this a fun tune, but don't worry too much if you can't get to 
N:them - none are in accented positions in the tune, so they're less likely to attract 
N:attention!)

%%%
X:19012
T:SHOWMAN'S JIG, The  
S:S: DFW < WSGM
L:1/8
M:6/8
Q:1/4=160
%R:jig
K:A
c/d/|eaa fec|dfe dcB|AGA cBA|GBA Bcd|
eaa fec|dfe dcB|AGA Bcd|1 cAG A2 :|\
[2 cAB AGF||
EAA cAA|eAA cAA|EAA cBA|GBA Bcd|
EAA cAA|eAA cAA|EAA Bcd|1 cAG AGF :|\
[2 cAG HA3|]

%%%
X:21179 
T:SHUFFLE AND CUT (slip jig) 
N:N: "set dance"
S:S: DMI.0997
Z:Z: Nordberg/Black
Q:1/4=150
M:9/8
L:1/8
K:D
dBG FAF EGE|cEE E2B AFD|dBG FAF EGE|
AFD D2B AFD:|faf ege BdB|cEE E2B AFD|
faf ege BdB|AFD D2B AFD:|G2e F2d E2D|
cEE E2B AFD|G2e F2d E2B|AFD D2B AFD:|

%%%
X:491519 
T:SHULE AROON (1st Setting) 
Q:1/4=80
S:S: ONMI.0059 < F.O'Neill
Z:Z: Brennan/Black (arr.)
M:C
L:1/8
K:Dm 
%%text "plaintive"
%%vskip .3in
fe|d2dc ABGA|c2dc A2FG|A2A2 f2ec|dcA^F G2AG|
F2EF D2 (3A=B^c|d>cAG A2 Ha>g|f2ed ^cdec|d4d2z2||
f4e4|d2dc A2AB|c2d2f2e2|dc A^F G2AG|
F2EF D2 (3A=B^c|d>c AG A2 Ha>g|f2ed ^cdec|d4d2|]

%%%
X:491520 
T:SHULE AROON (2nd Setting) 
S:S: ONMI.0060 < J.O'Neill
Q:1/4=80
Z:Z: Brennan/Black (arr.)
M:C
L:1/8
K:Am
%%text "plaintively"
%%vskip .3in
AB|c2c2 B2B2|A>BAG E3G|G2A>G GEcB|A3G E2FE|
E>FED C2CD|EGAB c2cd|edcB cBA^G|A4 A2z2||
c4 B4|A>BAG E2z2|G3A GEcB|A3G E2F>E|
E>FED C2CD|EGAB c2cd|edcB cBA^G|A4A2z2|]

%%%
X:27084
T:SHULE SHULE AGRAH (reel) 
S:S: HOC.129
Z:Z: ABC/arr. BB
N:N: I have no idea where Harding got this reel setting of "Shule Aroon" (or 
N:how he came up with the different name).
Q:1/4=180
M:C
L:1/8
%R:reel
K:Em
de|g2fg f2ef|efed B2AB|dedB dege|dedB A2BA |
GFEF GABd|efga b2ba|gfed BABd|egfd e2 :|
de|g3e fedf|efed BAB^c|d3B g2ef|e2dB A2BA |
GFEF GABd|efga b2ba|g2fe bafd|1 egfd e2:|\
[2 BAGF HE4|]

%%%
X:581161 
T:SHUTER'S HORNPIPE 
S:S: WSGM.317 < "Wilson's Companion" 1816
Z:Z: Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=150
%R:hornpipe
K:G
%swing .25
EF|G2G2 GABc|dcBA GABG|A2A2 Aced|cBAG FAFD|
G2 G2 GABc|dcBA G2 g2|fafd ege^c|d2 d2 d2 :|
FG|A2 A2 A2Bc|dBAG FAFD|d2 d2 d2ef|gedc BdBG|
e2 c2 c2ge|d2 B2 B2 g2|ecec BAGF|G2 G2 G2 :|

%%%

X:41302 
T:SCALLOP'S FAVORITE (jig) 
C:Patrick Reddan (Clare)
S:S: MVBT
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
D|FED EDB,|A,DD CEA|FAd B2A|def gfe|
fed edB|AFd D2F|GFG FAF|GEC D2 :|
B|ded dfg|aba afd|BAB gfg|baf gfe|
fed edB|AFd D2F|GFG FAF|GEC D2 :|

%%%

X:31195
T:SCARTAGLEN JIG (slide), The
Z:Z: ABC/arr. BB
S:S: JOL.131
Q:1/4=180
L:1/8
M:12/8
%R:slide
K:Amix
B|A2a aga Agf gfg|A2a aga efg efg |
[1 A2a aga A2g gfe|faf gfe d3 d2:|
[2 agf gfe fed edc|BAB gfe d3 d2||
|:A|c2A cee dff cee|c2A cee dcd fed|
cAA cec dfd cec|BAB gfe d3 d2 :|

%%%

X:31193
T:SCARTAGLEN POLKA (a1), The 
N:N: a/k/a/ Darby's Cross, Danny Green's
Z:Z: ABC/arr. BB
S:S: JOL.041
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:D
B|AF AF/A/|BG BB|c/B/A/B/ ce|ed f/e/d/B/|
AF AF/A/|BG B2|c/B/A/B/ ce|edd :|
z|A2 g2|fe ee/d/|ef ga|ba f/g/a/f/|
ef gf/g/|fe e2|ef gc|edd :|

%%%

X:31194
T:SCARTAGLEN POLKA (a2), The 
Z:Z: ABC/arr. BB
S:S: JOL.110
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:D
B|AF AF/A/|BG B2|c/B/A/B/ ce|f/e/d B/c/d/B/|
AF AF/A/|BG B2|c/B/A/B/ ce|fdd :|
G|A2 g>g|fe e2|ef ga|ba a/g/a/f/|
ef g>g|fe ee/d/|ef gc|edd :|

%%%

X:253094
T:SCARTAGLEN POLKA (b), The
T:Knocknaboul Polka #1
Z:Z: ABC/arr. BB
S:S: FS3.37b
M:2/4
L:1/8
Q:1/4=120
%R:polka
K:G
A|G2 G>A|Bd de/f/|gB B/A/G/A/|BA AB/A/|
G2 G>A|Bd de/f/|gB AB/A/|G2G :|
%
A|Bd g>f|fe e/f/g/e/|dB B/A/G/A/|BA A>A|
Bd g>f|fe e/f/g/e/|dB AB/A/|G2G :|
%
d|gg ag/a/|b2 ba|gg ag/a/|b2 ba|
ge e/f/g/e/|dB g>e|dB AB/A/|G2G :|

%%%

X:181023
T:SCATTER THE MUD (jig) (1)  
S:S: CRE.1 
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%R:jig
K:Am
d|eAA BAB|eAA ABd|eAA BAB|dBG G2d|
eAA BAB|eAA AGE|GAB d2e|dBA A2:|
g|aba g2e|dBG GBd|aba g2e|dBd g3|
aba g2e|dBG AGE|GAB d2e|dBA A2:|

%%%

X:22131
T:SCATTER THE MUD (jig) (2)
S:S: DMWC.34
Z:Z: ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:A dorian
d|eAA B2A|eAA ABd|eAA BAB|dBG GBd|
eAA BAA|eAA AGE|GAB Bge|dBA AB :|
%
d|eaa egg|dBA ABd|eaa agg|dBG GBd|
eaa g2e|dBA AGE|GAB Bge|dBA ABd|
eaa egg|dBA ABd|eaa agg|dBG GBd|
eaf g2e|dBA AGE|GAB Bge|dBA A2||
%
d|eAA B2A|eAA ABd|eAA B3|dBG GBd|
eAA B2A|eAA AGE|GAB Bge|dBA AB :|
%
d|eaa egg|dBA ABd|eaa agg|dBG GBd|
eaa g3|dBA AGE|GAB Bge|dBA ABd|
eaa egg|dBA ABd|eaa g3|dBd g3|
a2f g2e|dBA AGE|GAB Bge|dBA HA3 |]

%%%

X:493340 
T:SCATTER THE MUD (jig) (3)
N:N: "1st Setting"
S:S: ONMI.0966 < F.O'Neill
%R:jig
Z:Z: Brennan/Black
Q:1/4=160
M:6/8
L:1/8
K:G
d|eAA B2A|eAA ABd|eAA B2A|BGG GBd|
eAA B2A|eAA ABd|edc BcA|BGG G2 :|
d|gfg efg|fag fed|gfg efg|afd d2d|
gfg efg|fag fed|edc BcA|BGG G2 :|

%%%

X:493341 
T:SCATTER THE MUD (jig) (4) 
N:N: "2nd Setting"
S:S: ONMI.0967 < McFadden
N:N: |B2A| replaces |B-B/c/B/A/| in mm 1,3, & 5.
%R:jig
Z:Z: Brennan/Black
Q:1/4=160
M:6/8
L:1/8
K:Am
d|eAA B2A|eAA ABd|eAA B2A|dBG GBd|
eAA B2A|eAA AGE|GAB Bge|dBA A2 :|
d|eaa egg|dBA ABd|eaa egg|dBG GBd|
ea^f g2e|dBA AGE|GAB Bge|dBA A2 :|

%%%

X:57141 
T:SCATTERY ISLAND (slide) 
S:S: Treoir 
Z:Z: ABC/arr. BB
%R:slide
M:12/8
Q:1/4=350
L:1/8
K:D
F2A dcd F2A dcd|e2A cBA e2A cBA |
F2A dcd F2A dcd|e2A cBA B2c d3 :|
a3 f2 e d2 d def|g2 g fgf e3 efg |
a3 f2 e d2 d def|e2 A cBA B2 c d3 :|

%%%

X:37158 
T:SCENIC ROAD (jig), The  
S:S: MFC.077D
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
z|FEF AFA|Bcd efg|fed BdB|AFE EDE|
F2 A AFA|Bcd efg|fed BdB|AFD D2 :|
e|fed B/c/dB|AFE E2 B|AFB AFB|ABA AFA|
fed BdB|AFE E2e|fed BdB|AFD D2 :|

%%%

X:13251
T:SCENT of the BOG (hornpipe), The
T:Smell of the Bog
S:S: BSMI.2
Z:Z: ABC/arr. BB
%R:hornpipe
M:C|
Q:1/4=150
L:1/8
K:G
%swing .25
(3gfe|dGBd edge|dBGB dBed|c2Ac B2GB|A2GE D2 (3gfe|
dGBd edge|dBGB dgfg|egce dafa|gfga g2 :|
ga|bgaf gBfB|gBfB ed^cd|efga bgaf|gefd efga|
bgaf gBfB|gBfB ed^cd|egce dafa|gfga g2 :|

%%%

X:492181 
T:SCHOLAR (hornpipe) (1), The 
S:S: ONMI.1640 < Gillan
Z:Z: Brennan/Black
N:N: Also played as a reel.
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:D
%swing .25
A2|dfaf gfeg|fdAG FGA=c|BGFG EFGg|fdec dcBA|
dfaf gfeg|fdAG FGA=c|BGFG EFGg|fgec d2:|
fg|a2fd dfaf|dfaf bagf|gfge =cege|=cege agfe|
a^gaf dfaf|dfaf bagf|gfgf gbag|fdec d2:|

%%%

X:11041
T:SCHOLAR (reel) (2), The
S:S: ONMI
Z:Z: Brennan/Black (arr.)
Q:1/4=180
M:C
L:1/8
%R:reel
K:D
A2|dfaf gfeg|fdAG FGA=c|BGFG EFGg|fdec dcBA|
dfaf gfeg|fdAG FGA=c|BGFG EFGg|fdec d2:|
fg|a2fd dfaf|dfaf bagf|gfge =cege|=cege agfe|
a^gaf dfaf|dfaf bagf|gfef gbag|fdec d2:|

%%%

X:331090 
T:SCHOLAR (reel) (3), The  
Z:Z: ABC/arr. BB
S:S: Levey1.39
Q:1/4=180
L:1/8
%R:reel 
M:C
K:D
%%text "moderately"
%%vskip .3in
AB|dfaf gfeg|fdAG FGA=c|BGFG EFGg|fdec dcBA|
dfaf gfeg|fdAG FGA=c|BGFG EFGg|fgec d2 :|
fg|a2fd dfaf|dfaf bagf|gfge =cege|=cege agfd|
a^gaf dfaf|dfaf bagf|gfgf gbag|fdec d2 :|

%%%

X:185088 
T:SCHOTTISCHE POLKA, The 
S:S: CRE.5
Z:Z: ABC/arr. BB
M:C|
L:1/8
Q:1/4=120
%R:polka
K:G
%%text  A-B-A
%%vskip .3in
dc|B2d2 g2B2|b>agb a2e2|fedf e2F2|e>dce d2c2|
B2d2 g2B2|b>agb a2e2|fede cFBA|B2GFG2:|
K:D
FG|A>GAd fef2|A>GAd fef2|e>de2 dcd2|c>BAB AGFG|
A>GAd fef2|A>GAd fef2|e>de2 dcd2|c>Bce "_DC"d2 :|

%%%

X:332082 
T:SCOLDING WIFE (reel) (1), The  
Z:Z: ABC/arr. BB
S:S: Levey2.4 
Q:1/4=180 %% mp3 repeated
L:1/8
M:C
%R:reel
K:G
%%text "quick"
%%vskip .3in
D2DE FEFD|GFGB AGAF|D2DE FEFG|AdcA G2G2 :|
gd^cd fgaf|gfga bgag|fdcd fgag|fdcA G2G2 :|

%%%

X:495321
T:SCOLDING WIFE (reel) (2), The  
S:S: ONMI.1430 < F.O'Neill
Z:Z: Brennan/Black
N:N: Source key signature is 2 sharps.
Q:1/4=180
%R:reel
M:C|
L:1/8
K:G
D2DE FEFD|GFGA BGAF|D2DE FEFG|AdcA GECE|
D2DE FEFD|GFGA BGAc|d2dg fdce|fdcA AGG2||
fdcd fgaf|gfga bgag|fdcd fgag|fdcA G2G2|
fdcd fgaf|gfga bgag|bgag fgag|fdcA AGG2|]

%%%

X:37159 
T:SCOTCH BLACKBIRD* (reel), The
C:F. McGlinn arr L. Donnelly
Z:Z: ABC/arr. BB
S:S: MFC.131a (a "pipes reel" arranged by Liam Donnelly)
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:A
e|a2fa efec|a2fa ecce|a2fa efec|(3AAA ea cBBe|
a2fa efec|Aafa ecce|agfe (3fef a2|cAeA cBB||
%
c|(3AAA cB (3AAA ec|(3AAA cB eccB|(3AAA cB (3AAA ec|(3AAA eA cBBc|
(3AAA cB (3AAA ec|Aafa ecce|agfe (3fef a2|cAeA cBB||
%
c|(3AAA a2 efec|(3AAA a2 eccB|(3AAA a2 efec|(3AAA a2 eccB|
(3AAA eA cBBc|(3AAA a2 efec|Aafa ecce|agfe (3fef a2|"^*"cAeA cBB||
%
c|"26"(3AAA Ac (3AAA Ac|(3AAA cA eccB|(3AAA Ac (3AAA Ac|(3AAA eA cBBc|
"30"(3AAA Ac (3AAA Ac|Aafa ecce|agfe (3fef a2|cAeA cBB||
%
N:N: 1: I would encourage any non-pipers attempting this tune to substitute /A2/ 
N:for /(3AAA/ at least part of the time!
N:N: 2: Note that there's an extra measure (marked "*") at the end of line 6. I 
N:couldn't figure out what else to do with it so I left it there.

%%%

X:39068 
T:SCOTCH DANCE (strathspey), The
S:S: "Amateur's Companion" < "S.Ferzi"
Z:Z: ABC/arr. BB
N:N: Note 8/16 structure
M:C|
N:N: Dotted rhythm in source
Q:1/4=130
L:1/8 
%R:hornpipe
K:D
%swing .25
Add2 AdFd|Eeed cABc|dedc Bdgb|afge fdd2 :|
fdAd FdAd|Gdfd Eee2|fdAd FdAd|e2dc dcde|
fdAd FdAd|GdFd e2e2|fdcd cABG|FBAE FDD2 :|

%%%

X:185176 
T:SCOTCH HUNT (reel), The
Z:Z: ABC/arr. BB
S:S: CRE.5 > Jim Mulqueeny (Clare)
N:N: This is an "ambiguous" tune that might be a hybrid of A minor in part 1 
N:and A modal in part 2. Or it might be A modal all the way through. Based 
N:on the presence of "Scotch" in the title, "modal" s probably the way to go.
N:N: Repeats added
Q:1/4=180
M:C
%R:reel
K:Amix
G|EGAB cedc|BGGd eGdG|EGAB cdea|gedB cABG|
EGAB cedc|BGGd eGdG|EGAB cdef|1 gedB cAB :|\
[2 gedB cde||
|:g|a3b aged|cdef g2fg|a2bg agea|gedB cAce|
a3b aged|cdef g2ga|baaf gfef|gedB cde:|
"^coda"  gedB cBAG|A4z4|]

%%%

X:44163 
T:SCOTCH MARY (reel) (1) 
S:S: NFID.168a < Byrne Bros.
Z:Z: ABC/arr. BB
N:N: Other settings of this tune only have two parts. I suspect the Byrne Bros. 
N:added Part 3 so they could show off their C sharps!
Q:1/4=180
L:1/8
M:C
%R:reel
K:Ador
cEEB cded|cEEF G2AB|cEEB cded|cBAG EAAB|
cEEB cded|cEEF G2AB|c2cd ebed|cBAG EAAd||
%
eaag edBd|egfa g2gd|eaag edBd|cBAG EAAd|
eaag edBd|egfa g2fg|afge fded|cBAG EAAB||
%
cded ^cded|cAGF G2Bd|cded ^cded|cBAG EAAB|
cded ^cded|cAGF G2Bd|cdea fged|cBAG EAAG|HA4z4|]

%%%

X:495322 
T:SCOTCH MARY (reel) (2) 
S:S: ONMI.1510 < F.O'Neill
Z:Z: Brennan/Black
%R:reel
Q:1/4=180
M:C|
L:1/8
K:Adorian
AB|cEE2 cded|cEEF G2AB|cEE2 cded|cABG A2AB|
cEE2 cded|cEEF G2AB|cEEG cded|cABG A2||
K:Amix
cd|eaag efed|cdef g2fg|eaag efed|cABG A2cd|
eaag efed|cdef g2fg|afge fded|cABG A4|]

%%%

X:531095 
T:SCOTCH SALLY (reel)  
S:S: RC1.175
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Dmix
ADD2 Addc|AcGF EDEG|ADD2 Addc|AcGF EDD2:|
egga ged2|eaab ageg|g2 ga g2 ed|eage d2 d2|
egga ged2|eaab ageg|g2e2 d2cA|GEcG EDHD2|]

%%%

X:39069  
%%titlefont 18
T:SCOTS CAME O'ER THE BORDERS (jig) (1), The  
S:S: NCIUP.21a
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
DFA DFA|dfe d2A|DGB DGB|def e2d|
DFA DFA|def d2A|BdB AFA|d2F FED:|
dfa dfa|baf fed|daf a2f|def e2d|
dfa dfa|baf fed|dBB AFA|d2F FED:|
"^coda" d2F GFE|HD3z3|]

%%%

X:19005
T:SCOTS COTTAGE POLKA*, The 
S:S: DFW (unnamed) < WSGM < Barrett < D. Collins
M:2/4
L:1/8
Q:1/4=120
%R:polka
K:G
B/A/|GE ED|B,E E>F|GE EF|GA B/c/B/A/|
GE ED|B,E E>d|ed BA| GF E :|
A|Be/d/ ed|Be e>B|Bd ef|gf ef|
ge fd|eB d>B|AD DF|1 FA B :|2 FA BG|HE4|
%
N:N: Paul de Grae points out in his notes that this tune is a version of a Scots 
N:strathspey ("Alistair Mac Alastair") that is played as one of the "Glen/Green 
N:Cottage/ polkas. My suggested name for this otherwise "gan ainm" tune 
N:combines these two ideas!

%%%

X:253095
%%titlefont 18
T:SCOTSMAN OVER THE BORDER (jig) (3), The  
Z:Z: ABC/arr. BB
S:S: FS3.23c
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:D
E|DED FDF|AFA d2c|B2B BAB|def edB|
DED FDF|AFA d2c|B2B BAB|dAF E2 :|
e|dfa afa|bge edB|dfa afa|bge e2f|
dfa afa|bge edB|d2B AFA|dAF E2 :|

%%%

X:44164
%%titlefont 18
T:SCOTSMAN OVER THE BORDER* (jig) (2), The  
S:S: NFID.233a  ("untitled jig")
Z:Z: ABC/arr. BB
S:S: PT
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
E|D2D FDF|AFA dcB|BdB BAB|def edB|
ADD FDF|AFA dcA|BdB AFA|1 dAF ED:|\
[2 dAF EF||
A|dfa afa|bag f2e|dfa afd|dfd ecA|
[1 dfa afa|bag f2e|fdA BdB|AFD EF :|
[2 dfa afa|bag f2e|fdA BdB|AFD EDC|HD3z3|]

%%%

X:66100
T:SCOTT SKINNER'S (reel)
D:D: "Highs and Bellows" (M.McCauley 2017)
S:S: Adrian Scahill
Z:Z: ABC/arr.BB
Q:1/4=180
%R:Reel    
M:4/4
L:1/8
K:A
d|cAED CEAc|dFBA GBed|cAED CEAc|dfBg aAA:|
g|aAAa fedc|BFBA GBeg|a2 A2 e2Aa|gebg aAAg|
aAAa fedc|BFBA GBed|cAED CEAc|dfBg aAA2|]

%%%

X:12264
%%staffsep 80
T:SCRAMBLED EGGS (jig)  
C:© BB 2009
S:S: BBMG
M:6/8
%R:jig
Q:1/4=160
K:A
D|"A" EAB "A7" cA=G|"D"Fdc d3|"A"efe "Bm"dcB|"A"ABA "E"GFE|
"D"FDD "E"GEE|"A" ABc "D" dfe|"A" cBA "E" GFG|"A"BAA A2 :|
c|"A" ece a3|"E"gag "F#m" f2a|"A"edc "Bm" dcB|"A"Ace "D"f2e|
"A" aed "A7" ce=g| "D"fdf "E"edB|"A"cde "E"dBG|"A"BAA A2:|

%%%

X:183016 
T:SCULLY CASEY'S #1* (jig)
S:S: CRE.3  (unnamed) 
Z:Z: ABC/arr. BB
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:Am
B|cdc BAG|EGG EAB|cBc dcd|ega ged|
cdc BAG|EGG EAB|cec dBG|BAG A2:|
B|cBc dcd|ega ged|eag aga|bag a2g|
eaa [c'g]aa|aba ged|c3 dBG|BAG A2:|

%%%

X:183038 
T:SCULLY CASEY'S #2 (slide)
S:S: CRE.3
Z:Z: ABC/arr. BB
L:1/8
M:12/8
Q:1/4=180
%R:slide
K:D
e|d3 AGE F2G A2B|=cBc A2B cBc ABc|d3 AGE F2G A2g|
[1 fed edc d2e f2 :|2 fed edc d3 d2||:A|d3 f3 aba afd|
[1 Bcd e2f gaf gec|d3 f3 a3 agf|ecA Ace d3 d2:|
[2 Bcd e2f g3 g3|agf gfe fed edc|BcA ABc d2e f2e||
|:d3 AGE F2G A2B|=cBc A2B cBc ABc|d3 AGE F2G A2g|
[1 fed edc d2e f2e :|2 fed edc Hd6|]

%%%

X:41303
T:SCULLY CASEY'S (reel) 
S:S: MVBT < SEAMUSX Connolly
Z:Z: ABC/arr. BB
N:N: SEAMUSX Connolly's setting of this tune, named for Bobby Casey's father.
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:D
B2AG FDDE|FADF ADFA|B2AG FDDF|E=C C2 EFGA|
B2 AG FDDE|FADF ADFA|B2 AG FDDF|E2 ED EFGA|]
dcde f2 ef|gefd eBBA|Addc defd|g2 fg efge|
dcde f2 ef|gefd edBe|dBcA Bcde|f2 af fedA|\
"^coda"D4z4|]

%%%

X:38245
T:SCULLY CASEY'S HORNPIPE (1)
S:S: "Sully's Irish Banjo Book" (T.Sullivan)
Z:Z: ABC/arr. BB
L:1/8
M:4/4
Q:1/4=160
%R:hornpipe
K:D 
%swing .25
%%text simplified version
%%vskip .3in
(3ABc|dAFA DAFA|DAFA d2 ef|geag edgf|e2dB A2EG|
A2FA DAFA|DAFA d2ef|geag edcd|e2dc d2:|
de|f2df f2df|g2eg g2eg|f2df f2df|ceAe ceAe|
f2df f2df|gbef gbeg|fa^ga bgec|d2 dc d2:|

%%%

X:183212 
T:SCULLY CASEY'S HORNPIPE* (2) 
S:S: CRE.3 (unnamd)
Z:Z: ABC/arr. BB
%R:hornpipe
L:1/8
Q:1/4=150
M:C
K:D
%swing .25
Ac|d2FA DAFA|DAFA d2ef|geag edcd|e2dB AGFG|
A2FA DAFA|DAFA d2fa|gfag edcd|e2dc d2:|
e2|f2de f2d2|gbef gbeg|f2df f2d2|ceAe ceAe|
f2de fadf|gbef gbeg|faa2 bgec|d2dc d2:|

%%%

X:492182 
T:SEA CAPTAIN (hornpipe), The 
S:S: ONMI.1674 < F. O'Neill
Z:Z: Brennan/Black
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:D
%swing .25
Bc|d2ec ABce|dcAF DEFG|ABGA FGAB|c2AA A2Bc|
d2ec ABce|dcAF DEFG|ABGA FDEC|D2DD D2:|
A2|Acde fefg|fdec dcAG|A2AG FGAB|c2AA A3g|
fdec d2cA|BGAF DEFG|ABGA FDEC|D2DD D2:|
N:N: Another tune of 'ambiguous' modality. I have a suspicion that the quarter-
N:note C's in measures 4 and 12 should be natural.

%%%

X:12342
%%staffsep 80
T:SEAHORSE Hornpipe, The
%% Tune 2 of the South Coast Hornpipe Set
C:© B.Black 10/20
S:S: BBMG
M:C|
%R:hornpipe
Q:1/4=150
K:G
%swing .25
(3DEF|"G"GABd "Am"cBcA|"G"GBdg "Am"agfe|"G"dgdB "C"cecA|"Em"GBGE "D"FAcA|
"G"GABd "Am"cBcA|"G"GBdg "D7"afdc|"G"BG "Am"cA "G"dB "C"ge|"G"dB "D7"(3cBA "G"G2 :|   
AB|"D7"cAFA DAFA|"D7"cAdB "C"c2Bc|"G"dBGB DGBd|"G"gb"D"af"Em"e2ef|
"G"gabg "D"fgaf|"C"efge "G"dDGB|"D7"cAFA fdcA|"G"dB "D7"(3cBA "G"G2 :| 

%%%

X:50086 
T:SEAL ROCK REEL*, The 
S:S: Petrie.258 (unnamed)
Z:Z: ABC/arr. BB
N:N: Repeats added
Q:1/4=180
M:C % 2/4
L:1/8 % 1/16
%R:reel
K:G 
%%text source key A
%%vskip .3in
Bc|dGBG AFDc|dGBG c2Bc|dGBG AFDF|GBAF G2Bc|
dGBG AFDc|dGBG c2BA|GBAc Bdeg|fdcA G2 :|
AG|Adde fdcA|gfga g2ag|fgag fdcA|GBAF G2AG|
Adde fdcA|gfga g2ag|fgag fdcA|GBAF G2 :|

%%%

X:492183 
T:SEAMEN'S CLUB (hornpipe), The 
S:S: ONMI.1768
%R:hornpipe
Q:1/4=150
Z:Z: Brennan/Black
M:C|
L:1/8 
K:G
%swing .25
D2|DGGB AGEG|DGGB e2dB|d2gf edcB|cBce dBAG|
DGGB AGEG|DGGB e2dB|d2gf edcB|dcAB G2:|
ga|bgfg egdB|cBAG F2GA|BGBd eceg|agfe d2BA|
Ggfg egfg|dgfg bgfg|dgfe dcBA|G2G2G2:|

%%%

X:54064 
T:S…AMUS CONNOLLY'S JIG
T:O'Meara's 
S:S: SRHI.11c
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
A|dcd AFD|dfd ECA,|DFA dfa|ged cBc|
dcd AFD|dfd ECA,|DFA dfa|gec d2:|
g|fed faf|ged cde|fdB gec|dcB AFA|
d3 afd|B3 gec|d3 AFD|A,CE D2:|
%
N:N: This may not be an actual composition of Ryan's, but has been included 
N:in his book because the editor(s) didn't know any better. (cf. "Twilight in 
N:Portroe", actually "The Dawn")

%%%

X:38246 
T:S\'EAMUS COOLEY'S (jig) 
D:D:"Under the Moon" (Martin Hayes)
Z:Z: ABC/arr. BB
N:N: According to Mayo melodeon player and tune collector Alan Morrisroe, 
N:a better name for this tune would be "Mrs. Manley's" after the musician 
N:(from Mayo, of course) who first played it for Cooley.
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:G
BAB G2E|DB,D DEG|GAB AGE|A3 AGA|
BAB G2E|DB,D DEG|GAB AGE|G3 G3:|
BAB d3|BAB d2B|A3 AGE|ABA AGA|
[1 BAB d3|BAB d2B|G2B AGE|G3 G3:|
[2 BAB G2E|DB,D DEG|GAB AGE|HG3z3|]

%%%

X:36055 
T:S\'EAMUS CUSSEN'S (polka)
S:S: Mally.HIP.022
Z:Z: ABC/arr. BB
Q:1/4=120
%R:polka
L:1/8
M:2/4
K:G
D|E>F GA|Be ed|Bd/B/ AF|EF D2|
E>F GA|Be ed|Bd/B/ AF|FE E :|
e|Be f/e/f|af ed|Be f/e/f|af d2|
Be f/e/f|af ed|Bd/B/ AF|FE E :|

%%%

X:38247
T:S\'EAMUS MEEHAN'S (reel)
S:S: ? 
Z:Z: ABC/arr. BB
%R:reel
M:C
L:1/8
Q:1/4=180
K:Bm
g|f2 Bc dBfB|eA A2 aecA|f2 Bc dBfB|ceAc cB B2|
fB B2 FBfB|eA A2 aecA|BcdB cdeg|fedc dBB:|
A|B2 ba faed|cAeA aecA|B2 ba faed|cAeA dB B2|
B2 ba faed|cAeA aecA|BcdB cdeg|fedc dBB:|

%%%

X:44165 
%%titlefont 18
T:S\'EAMUS SE\'AN M\'OR'S STRATHSPEY
S:S: NFID.193 < DOD ("untitled strathspey")
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:C|
%R:hornpipe
K:A 
%swing .25
E|ABGA FAEC|DFCE B,Deg|ABGA FAEd|c2BG AedB|
ABGA FAEC|DFCE B,Deg|AfGe FdEd|cABG  A3:|
B|AaBb aece|dfec Bdc>G|AaBb aced|c2BG AedB|
AaBb aece|dfec Bdc>G|AECE FDB,d|c2B2 A3 :|

%%%

X:48458 
T:SEAN DUINE (jig) (1)   %%% no fada
T:"Shandinna or the Silly Old Man"
S:S: OFPC4.136 (as "Shan Dinna")
Z:Z: ABC/arr. BB
M:6/8
L:1/8
K:D
E|DEF AFD|DFF F2A|DEF AFD|EFE E2F|
DFD BGE|DFA d2f|efd cdB|ABA F2 :|
%%vskip .3in
%%text Part 2
A|ded def|FAA A2F|dfa fdA|BcB B2A|
ABc dAF|DFA dfa|efd cdB|ABA F2 :|
%%vskip .3in
%%text part 3
A|DFA AFA|DFA dBd|DFA AGF|EFE E2F|
DEF AGF|DFA dfa|efd cdB|ABA F2 :|
%%vskip .3in
%%text part 4
A|fdd edd|FAA A2F|dfd fdA|BcB B2A|
ABc dGE|DFA d2f|efd cdB|AFE D2 :|
%
N:N: "Irish - rather slow". It's impossible to know if O'Farrell intended this 
N:to be played as a dance tune ("rather slow" would seem to rule that out) so 
N:I have basically left it alone, except for ending m 24 on /D/ instead of /F/.

%%%

X:48459 
T:SEAN DUINE (jig) (2)   %%% no fada
T:"Shandinna"
S:S: OFPC4.137 
Z:Z: ABC/arr. BB
N:N: I didn't like the way this ended on the F sharp in measure 24, so I added a 
N:"coda" repeating mm 1-7 (with a new m.8 to end on the tonic D).
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:D
%%text "Irish - quick time"
%%vskip .3in
E|DED AFD|FGF F2E|DED AFD|EFE E2F|
DED AGF|DFA d2e|fed cdB|ABG F2 :|
%
A|d3 def|ABA AGF|dcd ede|fdB B2A|
dfe dAF|DFA d2e|fed cdB|ABG F2A|
ddd def|ABA AGF|dcd efg|fdB B2g|
afd ged|cBA d2e|fed cdB|ABG F3 ||
%
P:coda
DED AFD|FGF F2E|DED AFD|EFE E2F|
DED AGF|DFA d2e|fed cdB|AFE HD3||

%%%

X:12265
%%staffsep 80
%irish_rolls_on
T:SE\'AN at the WHEEL (reel) 
C:© BB
S:S: BBMG
%R:reel
%% At least he wasn't trying to play the fiddle at the same time!
Q:1/4=180
M:4/4
L:1/8
K:Dm
"Dm"DA,A,F "C"EDCE|"Dm"DEFG Ad^cd|"Dm"fd~d2 "Am"ecAc|"Dm"d2 cA "C"GEFE|
"Dm"DA,A,F "C"EDCE|"Dm"DEFG Ad^cd|"Dm"fd~d2 "Am"edcA|"C7"GcBc "Dm"ED D2 :|
"Dm"dAcA "Dm7"dAcA|"Dm"defa "C"gefe|"Dm7"dAcA "Dm"daag|"Dm"fdef "Am"eAce|
"Dm"dAcA "Dm7"dAcA|"Dm"defd "C"efge|"Dm"fd~d2 "Am"edcA|"C7"GcBc "Dm"ED D2 :|

%%%

X:12266
%%staffsep 80
T:SE\'AN BERRY'S 
C:© BB
S:S: BBMG
%% A Connemara man and great supporter of Boston trad. RIP.
%R:jig
M:6/8
Q:1/4=160
L:1/8
K:Am
G|"Am"ABA ABc|"G"ded "Am"cBA|"G"GAB "C"c2 B|"G"GAB "Am"E2 G|
"Am"ABA ABc|"G"deg "Am"a2 g|"C"ecc "G"dBB|"Am"A3 "Am"A2 :|
e|"Am"a^ga "G"ba=g|"C"ege "G"dBG|"Am"ABc "G"d2 B|"G"dBd "Em"e2 e|
"Am"aee "Em"bee|"G"g^fg "Em"edB|"Am"ABc "G"dcB|"Am"A3 "Am"A2 :|

%%%

X:22132
T:SE\'AN BU\'I (jig)
T:Yellow John
S:S: DMWC.35
Z:Z: ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:D
z|D2A FGA|BGB AFA|D3 AFA|Bec d2A|
D3 AFA|BGB AFA|dfd ecA|B2c d2 :|
%
A|dfd ecA|dcB AFA|dfd ecA|B2c d2A|
[1 dfd ecA|dcB AFA|DAD AFA|Bec d2 :|
[2 g|afd gec|dcB AFA|D3 AFA|Bec Hd3 |]

%%%

X:38248 
T:SE\'AN COUGHLAN'S #2 (jig) 
L:1/8
M:6/8
Q:1/4=160
%R:jig
K:G
D|G2A BGG|ABB d2e|ged BGG|AGA BGE|
G2A BGG|ABB d2e|ged BGG|1 AGF G2:|2 AGF GBd|]
g2g gfg|agf def|ged BGG|AGE GED|
G2A BGG|ABB d2e|ged BGG|AGF GBd:|
"^coda"  AGF HG3|]
Z:Z: ABC/arr. BB
N:N: This tune is usually played as part of the "Christy Barry set" (with Tony 
N:Sullivan's 'Roaring Barmaid'). This version is from Brendan Begley. (Original 
N:ABC by Rick Gagne, tune ID by Philippe Varlet, both via IRTRAD.)

%%%

X:41304
T:SE\'AN DWYER'S (jig)
S:S: MVBT
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%R:jig
L:1/8
K:D
e|dAF G2 B|AFD EDE|DED F2 E|FAd f2 e|
dAF G2 B|AFD EDE|DED F2 E|DED D2 :|
A|B2 A F2 A|B2 A F2 A|B2 A B2 c|1 d2 e f2 d|
B2 A F2 A|B2 A F2 D|EFG F2 E|D3-D2 :|
[2 d2 e f2 e|ded cdc|BcB ABA|GAB A2 c|d3 Hd3|]

%%%

X:181182
T:SE\'AN FRANK (reel) 
S:S: CRE.1
Z:Z: ABC/arr.BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Em
F|GEBE GEBE|FDAD FDAD|GEBE GEBE|AGFG E3F|
GEBE GEBE|ABAG FDDF|G2GF GBdB|AGFG E3 :|
F|G2EF GBdB|ABAG FA A2|Bded efge|fedf e3f|
efed B2 dB|ABAG FDDF|G2FG ABdB|AGFG E3 :|

%%%

X:41305
T:SE\'AN GANNON'S (jig) 
S:S: MVBT < Colm Gannon 
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:D
D|F2d AFE|FGF EDB,|A,B,A, DFA|dAF GFE|
F2d AFE|FGF EDB,|A,B,A, DFA|BAF D2 :|
e|fdd Add|fdb afe|faf edB|ABc d2e|
fdd Add|fdb afe|faf edB|AFE D2 :|
%
N:N:  1: The first composing effort of box player Colm Gannon and named for 
N:his late older brother (and fine box player in his own right, as is father SE\'AN 
N:Sr.).
%
N:N:  2: In April of 2017 a Yarmouth K-9 police officer named SE\'AN Gannon 
N:(RIP) gave his life in the line of duty. We have been playing this tune - 
N:renamed "Sergeant SE\'AN Gannon's" in his memory - at our local sessions.

%%%

X: 29
T: SE\'AN HAYES' (barndance)
T: Belle of the Ball
%R: hornpipe
D:D: "Seanchairde (Old Friends)" Dermy and Tara Diamond, Daithi Sproule
Z:Z: S. Bliven
M: 4/4
Q: 1/4=150
L: 1/8
K: Dmaj
%swing .25
zE|F2 F2 GFGB|A2d2 dcBA|F2F2 GFGA|E6    DE |
F2 F2 GFGB|A2d2 f3e |dAFA BGEF|D2 F2 D2:| 
(3Bcd|e2 d2 F3d |c2B2 E3E |DEFG ABcd|edcB A2 (3Bcd|
e2 d2 F3d |c2B2 E3D |EDEF GABc|d2 f2 d2:| 

%%%

X:62123
T:SE\'AN MAGUIRE'S (reel) 
S:S: GSTC
Z:Z: ABC/arr. BB
Q:1/4=180
N:N: Composed for, not by, Mr. Maguire. Unfortunately I have no idea who the 
N:actual composer is.
M:C
%R:reel
K:G
GA|Bdd2 ed^cd|gdBG DGBG|Aee2 fede|ae^cA EAcA|
Bd d2 ed^cd|gdBG DGBG|c2Ac B2GB|ADFA G2 :|
d2|gb b2 gbdg|B2GB DGBd|eAA^G ABcd|e2 af gfed|
gb b2 gbdg|B2GB DGBd|c2Ac B2GB|ADFA G2 :|

%%%

X:182108 
T:SE\'AN McGOVERN'S* (polka) 
S:S: CRE.2 (unnamed)
Z:Z: ABC/arr. BB
L:1/8
M:2/4
%R:polka
Q:1/4=120
K:D
B|AD FA|GF EF/G/|AD FA|d2 dc/B/|
AD FA|GF EB/d/|ce Ac|d2 d :|
e|fd gf|ec Ae|fd gf|e2 a>e|
fd gf|ec A>B|ce ce|d2 d:|

%%%

X:13227
T:SE\'AN McKENNA'S #1 (reel)
S:S: BSMI.2 
Z:Z: ABC/arr. BB
%R:reel
M:4/4
L:1/8
Q:1/4=180
K:G
zD|GBdB cAFD|GBB2 dBcA|GBdB cAFD|GBAF G2GD|
GABc dBcA|GABc defg|afge fdcA|GBAF G2 :|
de|fd d2 fdcA|dggf gbag|fd d2 fdcA|GBAF G2 de |
fd d2 fdcA|dggf gbag|f2 fd edcA|GBAF G2 :|

%%%

X:13228
T:SE\'AN McKENNA'S #2 (reel) 
S:S: BSMI.2
Z:Z: ABC/arr. BB
%R:reel
M:4/4
Q:1/4=180
L:1/8
K:G
eged B2BA|GABG AEE2|G2GB dBeB|dBAc BGG2 |
gfed edBA|GABG AE E2|G2 GB dBeB|dBAc BG G2 :|
eaag eggd|Bdef g2 gf|eB B2 gB B2|BAGA BA A2 |
eaag eggd|Bdef g2 ga|bgfa gfed|egfa gfed :|
"^coda" egfa gfed|Hg4z4|]

%%%

X:534072
T:SE\'AN O DUIBHIR AN GHLEANNA (a)
T:John Dwyer of the Glen
S:S: RC1.069
Z:Z: ABC/arr. BB
L:1/8
M:3/4
K:Am
%%text "moderato"
%%vskip .3in
d/c/A/G/|A>GAc d/c/A/G/|A>GAcde|f>efgag|f>d c/A/G/c/ A2|
f>e fg/a/ _b/a/g/f/|e>d e/f/g/e/ a/g/f/e/|d>cdefe|de/d/ c/A/G/c/ A2|
f>e fg/a/ _b/a/g/f/|e>d e/f/g/e/ a/g/f/e/|de/d/ c/A/G/E/ G/A/c/d/|\
c>A GAce|
d>cdec>d|e<g d>e dc/A/|G2A2A2|A4||
%
c/d/e/g/|a2aa a/b/c'|g2g^f g/b/a/g/|f>e fgag|f>d c/A/G/c/ A2|
D2a2 ~A2|G2g2 g/a/b/g/|f>efgag|f>d c/A/G/c/ A2|
f>e fg/a/ _b/a/g/f/|e>d e/f/g/e/ a/g/f/e/|de/d/ c/A/G/E/ G/A/c/d/|\
c>A GAce|
d>cdecd|Hga/g/ f/e/d/c/ e/d/c/A/|G2A2A2|HA6|]

%%%

X:535389
T:SE\'AN O DUIBHIR AN GHLEANNA (b)
T:John Dwyer of the Glen
S:S: RC3.190
Z:Z: ABC/arr. BB
L:1/8 
N:N: Dotted rhythm in source 
M:C|
K:Amix
%%text "set dance"
%%vskip .3in
A/c/d/e/|fefg abag|fgfe dcde|fAAB cBAB|
cded cBce|dc/A/GE DEGB|A2A2A2:|
AB|cBAB cdef|g2eg a2ag|abag e2de|fefg abag|
fgfe dedc|A2A2 A2A/c/d/e/|fefg abag|fgfe dedc|
ABAG A2AB|cded cBce|dc/A/GE DEG>B|A2A2A2:|
%
N:N:  1: Another weird-sounding tune (which resembles no other tune of the  
N:same name). Note 6m/12m structure.
N:N:  2: The A modal key is my idea. Source has Am. Neither one sounds really 
N:good. Sean-nÛs tunes and "slow airs" continue to this day to be extremely 
N:problematic for ABC.

%%%

X:22133
%%titlefont 16
%%subtitlefont 16
T:SE\'AN O DUIBHIR AN GHLEANNA (hornpipe - set dance)
T:John Dwyer of the Glen 
S:S: DMWC.89
Z:Z: ABC/arr. BB
M:C|
L:1/8
Q:1/4=120
%R:hornpipe
K:G
%swing .25
de|f2g2 abag|fdec dcde|fdcG A2AB|cBcd edcG|
AdAF G2G2|A2AG A2 :|B2|cBAB cdef|g4 a2ag|
abaf g2ag|fefg abag|fdec dcde|fdcG A2de|
f2g2 abag|fdec dcde|fdcG A2AB|cBcd edcG|
AdAF G4|A2AG A2 :|
%
N:N:  1: The entire transcription of this tune in DMWC is in cut time. As 
N:accurately as that might capture Willie's piping, it makes for a very 
N:unhelpful ABC playback. I did another setting in straight time that I 
N:had hoped would address the problem, but it still sounds pretty bad. 
N:ABC does a lot of things well but capturing slow airs isn't one of them.
N:N:  2: Note the irregular structure of this tune: 6 measures first part, 12 
N:measures second part. Source shows them both repeating and I have
N:followed that here. 

%%%

X:24017
T:SE\'AN OG (reel)
C:© E. Flynn
S:S: composer
Z:Z: ABC/arr. BB
%R:reel
Q:1/4=180
L:1/8
K:D
A|dcde fdec|dBAF GFEF|DF~F2 ADFA|edef gece|
dcde fdec|dBAF GFEF|DF~F2 ADFA|gece d3:|
e|faaf bafb|afed BAFB|AF~F2 ADFA|fedf edBd|
faaf bafb|afed BAFB|AF~F2 ADFA|gece d3:|

%%%

X:52102
T:SE\'AN QUINN'S HORNPIPE
C:© E.Reavy
S:S: Ed Reavy Collection 
Z:Z: McKenty / Black
Q:1/4=150
M:C|
L:1/8
%R:hornpipe
K:G
%%text "andantino"
%%vskip .3in
dc|BGBd g2fg|eBcA FEDC|B,DGB cBAG|FGAB A2 dc|
BGBd g2fg|agfa gdBd|cAFA cAFA|G2 B2 G2:|
AB|cAfd agfa|gfga gdBd|cBAG FEFG|A2 ge DCB,A,|
G,B,DG Bdgd|bgdB cAFA|Bd FA DAFA|G2 F2 G2:|

%%%

X:54065 
T:SE\'AN REDMOND'S (hornpipe)
S:S: SRHI.17b
Z:Z: ABC/arr. BB
C:SE\'AN Ryan
Q:1/4=150
L:1/8
M:C|
%R:hornpipe
K:A
%swing .25
cB|AA,CE Acec|defg a2gf|eAce fedc|BEGB edcB|
AA,CE Acec|defg a2gf|eagf edcB|A2 GB A2:|
Bd|eAce fAdf|eace a2gf|eAce fedc|BEGB edcd|
e2 ce f2df|e2 ce a2gf|eagf edcB|A2 GB A2:|

%%%

X:22134
T:SE\'AN REID'S (reel)
S:S: DMWC.15
Z:Z: ABC/arr. BB
N:N: This tune is also played (not by pipers) with F naturals in the second part.
M:C
L:1/8
Q:1/4=180
%R:reel
K:G
A|DGG2 BGG2|cAFA dGGF|DGG2 BGBd|cAFG AGGF|
DGG2 AB2G|cBcA dcAF|g3a gfde|1 fdcA BGc :|\
[2 fdcA AGG ||
%
P:Accented F's in this part can be played as natural
A|dgg2 gfde|f2fe fdcA|dgg2 gfde|fdcA BGBd|
g3a gfde|f2fe fdef|g3a bgag|fdcA BGc :|\
"^coda" fdcA AGHG2 |]

%%%

X:54067 
T:SE\'AN RYAN'S CHAMPION MARCH 
S:S: SRHI.43a
Z:Z: ABC/arr. BB
C:SE\'AN Ryan
Q:1/4=120
L:1/8
M:C
%R:march
K:A
EA|c>Bce d>cBf|eAce ae cA|c>Bce d2cd|BEGB AGFE|
c>Bce d>cBf|eAce ae cA|c>Bce d2cd|BEGB A2:|
AB|cEAc eaga|fdAF DFAd|GE be GE be|aec'e aec'e|
cEAc eaga|fdAF DFAd|gfec dBGB|A2AG A2:|

%%%

X:62124
T:SE\'AN RYAN'S FANCY (hornpipe) 
S:S: GSTC
Z:Z: ABC/arr. BB
N:N: First part of this is along the lines of Ryan's tune "P.J. Moloney's", but the 
N:second part is much different.
Q:1/4=150
%R:hornpipe
M:C|
K:G
%swing .25
G|G2BG DGBd|g2fg egdB|c2ec B2dB|ADFA dcBA|
G2BG DGBd|g2fg egdB|c2ec B2dB|ADFA G2 :|
f|gBd=f eGcd|edBG ADFA|GBdB ceag|faea dafa|
g2d=f eGce|d2BG ADFA|GBdB ceag|fdcA G2 :|

%%%

X:54068 
T:SE\'AN RYAN'S FAREWELL (reel)
S:S: SRHI.28b
Z:Z: ABC/arr. BB
C:SE\'AN Ryan
Q:1/4=180
L:1/8
M:C
%R:reel
K:G
BA|GEDE GABd|eaa2 ged2|EG dB GABd|gedB AGEA|
GEDE GABd|eaa2 ged2|EG dB GABd|gedB G2:|
Bd|gfga bgaf|gedB GABd|a3b c'abg|abag edBd|
g3a bgaf|gedB GABd|gfgd EG dB|AGAB G2:|

%%%

X:54066 
T:SE\'AN RYAN'S HORNPIPE #10 
S:S: SRHI.21a
Z:Z: ABC/arr. BB
C:SE\'AN Ryan
Q:1/4=160
L:1/8
M:C
%R:hornpipe
K:C
EG|c2 dB cGEC|G,CEG FEFA|d^cde fed=c|Bgg2 ag=fd|
c2 dB cGEC|G,CEG FEFA|d^cde FD BG|c2 Bd c2:|
EG|cBce g^fag|ecc2 GCEG|FEFA d^cde|fedc BGEG|
cBce g^fag|ecc2 GCEG|FEFA FD BG|c2 Bd c2:|

%%%

X:37160 
T:SE\'AN RYAN'S REEL (a) 
S:S: MFC.017a < J.McElhone
Z:Z: ABC/arr. BB
N:N:  These SE\'AN Ryan tunes probably have actual names in his book. I promise 
N:to look them up at some point!
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
FA|dcdB AFF2|GEFD EDB,D|A,3B, DEFD|GEFD EDB,D|
dcdB AFF2|GEFD EDB,D|A,3B, DEFD|1 EDEF DE :|2 EDEF D2||
FA|dcdf afdf|g2fg (3efg dB|AFF2 DFAF|(3GFE FD EDB,D|
[1 dcdf afdf|g2fg (3efg dB|AFF2 DFAF|GECE D2:|
[2 A,DFA dfag|bgaf gecA|dcdB BAFD|GECE D4|]

%%%

X:37161 
T:SE\'AN RYAN'S REEL (b) 
S:S: MFC.051b < B.Mulvihill
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Dm
D2ED CA,A,2|FEFG A=BcA|d2ed cAA2|cAGE CEGE|
D2ED CA,A,2|FEFG A=BcA|d2ed cAA2|cAGE EDD2:|
K:D
d2fd adfd|gAfA edBc|dDcD BDAF|GEFD EB,B,2|
d2fd adfd|gAfA edBc|dDcD BDAF|GBAG FDCE:|\
"^coda"D4z4|]

%%%

X:17001
T:SE\'AN RYAN'S REEL (c)
S:S: CTWT
Z:Z: ABC/arr. BB
%R:reel
Q:1/4=180
L:1/8
M:C
K:E dorian
A|BEED EDBc|defe dAFA|BEED EFGA|(3Bcd ec dBAF|
BEED EDBc|defe dAFA|BEEF GFGA|B2AF GEE :| 
d|:g2eg bgeg|fdcB Adfa|g2eg bgeg|fg (3agf geef|
g3a bgaf|gefg afdf|gfga bgaf|gfed Bcde:|
"^coda" gfed BcdB|He4z4|]

%%%

X:13132
T:SE\'AN SA CEO (reel) 
T:John in the Fog
S:S: BSMI.1
Z:Z: ABC/arr. BB
N:N: 1. Source has this as an AAB tune.
N:N: 2: Fiddlers have a setting of this tune in A, which involves /c'/ notes that 
N:other instruments might have trouble reaching.
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:Gmix
Ac|d2ce dGAc|dedA c2AG|Addc defd|Acdc BGA :|
c|dGG2 AGAc|BGG2 AFAc|BGG2 DGG2|BGdc BG :|
Bd|g2bg g2bg|g2bg d3e|f2af gfaf|f2af cfaf|
g2bg gaba|gabg d2de|fefa gfde|fefd cFA||
c|d2ce dGAc|dedA c2AG|Addc defd|Acdc BG:|

X:141200 
T:SEAS ARE DEEP, The
C:O'Carolan
S:S: CAR-OS
Z:Z: Gilb/Brennan/Black
M:3/4
Q:1/4=100
L:1/8
K:Em
%%text "adagio"
%%vskip .3in
B|B^d e3f|gf e3f|gf e2 B>A|G>E E2-E :|
B|cc BA B^d|e^d e2 BG|EE G2 A>G|EE E2-E:|

%%%

X:20018
T:SEASONS JIG, The
S:S: DMAC.77
Z:Z: ABC/arr.BB
L:1/8
M:6/8
Q:1/4=150
%R:jig
K:G
B|d2d BGB|dcB AFD|GFG A3|BGB ABc |
dcd BGB|dcB AFD|GFG ABc|BdB G2 :|
c|B2B ABc|Bdc BAG|B2B ABc|BdB G2c|
B2B ABc|Bdc BAG|gdB ABc|BdB G2 :|

%%%

X:12267
%%staffsep 80
T:SECOND CITY (reel), The
C:© BB
S:S: BBMG
%R:reel
%. . .of the (ahem) British Empire. Dublin, of course!
Q:1/4=180
M:4/4
L:1/8
K:Am
cd|"Am"eAcB AE E2|"Am"Aece Aece|"F"cA^GA "C"=GECE|"Dm"AFAc "G"B2 cd|
"Am"eAcB AE E2|"Am"Aece Aece|"Dm7"afdc "G"BGBd|"F"cA"G"BG "Am"A2 :|
%
AB|"C"cG^FG EGGA|"C"cdeg "Am"aged|"C"cG^FG "Em"EDEG|"Am"ABcB A3 B|
"C"cG^FG EGGA|"C"cBcd "Em"edeg|"Am"a2 ba "G"gedB|"F"cA"G"BG "Am"A2 :|
%
eg|"Am"aece aebe|"Am"aece "G"gedg|"Am"aece "Em"gedB|"Am"AGAc "G"B2 eg|
"Am"aece aebe|"Am"aece "Em"gedB|"C"cdeg "Am7"aged|"F"cA"G"BG "Am"A2 :|\

%%%

X:66067
T:SECOND HOME (reel)
C:Max Bruecher 1991
Q:1/4=180
M:C|
L:1/8
%R:reel
K:Am 
B|A2GA EGAc|BGAG E^FGA|B2GB DGBd|edBA GDEG|
A2GA EGAc |BGAG EGAB |d2BG Bdge |dBGA BAA :|
%
B|c2ec gcec |d2BG EGDB, |A,2A,B, CB,CD |EAAG EGAB |
[1 c2ec gcec |d2BG EGDB, |A,2A,B, CB,CD |EAA^G A3:|
[2 c2ec gcec |d2BG EGAB |A2AB cBcd |eaa^g a2||
%
|:eg|aee2 aega |gedB G2GB |A2AB cBcd |eaag edeg |
aee2 aebe |gedB G2GB |A2AB cBcd |eaa^g a2:|

%%%

X:495323
T:SECOND WEDDING (reel), The  
S:S: ONMI.1440 < J.O'Neill
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
L:1/8
M:C
K:G
%%text A-B-A ?
%%vskip .3in
dc|BGAG BGAF|G2Bd gedc|BGAG BGAG|EAAG ABcA|
BGAG BGAF|G2Bd gedc|BGAG BGAG|FDEF G2||
Bd|gfge fgaf|g2bg afdf|gfge fgaf|bgef g2Bd|
gfge fgaf|g2bg afdf|gfge fefd|egfa "_DC"ge|]

%%%

X:185162 
T:SECOND-HAND CAR* (reel), The 
S:S: CRE.5 (unnamed)
Z:Z: ABC/arr. BB
M:4/4
Q:1/4=180
%R:reel
K:D
DE|FAAF D2fa|gefg edBA|FAAB d2cd|B2AF E2:|
de|faaf d2ef|gedf edBA|faaf d2cd|b2af e2de|
faaf d2ef|gedf edBA|FAAB d2cd|B2AF E2:|

%%%

X:38249 
T:SEGMENTED JIG, The 
S:S: "Sully's Irish Music Book" (T.Sullivan)
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:Am
A3 AGE|c3 d3|e3 edB|g3 e2g|
age g2e|dBG GAB|cBA BAG|A3 A3:|
a3 age|g3 ged|e2a aga|ged e2g|
age g2e|dBG GAB|cBA BAG|A3 A3:|

%%%

X:57169
T:SENTRY HILL (hornpipe)
S:S: Treoir 52/3 < Hughie Gallagher
Z:Z: ABC/arr.BB
M:C|
N:N: Dotted rhythm in source
%R:hornpipe
Q:1/4=150
K:G
%swing .25
BA|G3B AGED|EGGE D4|B,DDE GABd|egge d2Bd|
eged egdB|ABAG EGDE|D2ED dedB|AdBA G2:|
Bd|e3g edBd|AedB G2GA|Bdd2 egg2|egge d2Bd|
egg2 abge|dedB ABGE|D2ED dedB|AdBA G2:|

%%%

X:66121 
T:SEOSAMH MAHER'S (slip jig) 
C:Mark Oien (Marion MA)
Z:Z: ABC/arr. BB
M:9/8
Q:1/4=160
L:1/8
%R:slip jig
K:Am
B|Agf edB GAB|Agf ede gdB|Agf edB GED|GAB GAB A2:|
e|aaa aea c'ae|ggg gdg bgd|aaa aea c'ae|
gdB GAB A2:|

%%%

X:141201 
T:SEPARATION OF SOUL AND BODY, The 
C:O'Carolan
S:S: CAR-OS
Z:Z: Gilb/Brennan/Black
M:C
Q:1/4=100
L:1/8
K:Em
%%text "larghetto"
%%vskip .3in
B2e2 edef|g2fe e2de|g2fe d2BA|ABde f3f|
e2ed B2AG|GABc d2fe|dBAG F2ED|E2e2 e4||
B,2E2 EDEF|G2FE E2DE|GABc dBe2|e6 B2|
G2FE E2FG|AFED D2dc|dBAF EDB,D|E2F2 E4|]

%%%

X:48237 
T:SERENADE, The 
S:S: OFPC2.74
Z:Z: ABC/arr. BB
D:D: OSMOF2
Q:1/4=80
M:4/4
L:1/8
K:G
d|g4 d3c |B2dB G2D2|EGEG cBAG |FGEF D2D2|
g4 d3c |B2dB G3D|EGEc BAGF| A4 G3 :|
e|d2d2 efge |fafa dcBA|d2d2 efge |fafa d2ef|
gbgb gfed |egeg edcB|ceac BdgB |AGFE D2D2|
GBGB E2E2 |AcFA GFED|Ggec BGAF |G4 G3 :|
%
N:N: A lovely piece of music of which I know not much besides the fact of its 
N:having been recorded by Jerry O'Sullivan in 2010. If it isn't a Carolan com-
N:position, I'm guessing it's an O'Farrell original.

%%%

X:493342 
T:SERGEANT CAHILL'S FAVORITE (jig) 
S:S: ONMI.0834 < Cahill
Z:Z: Brennan/Black
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
D2E G2A|B2d dBG|B2c A2B|G2A BGE|
D2E G2A|B2d dBG|B3A2B|G3 G3 :|
g2d e2d|g2d e2d|B3A2B|G2A BGE|
D2E G2A|B2d dBG|B3A2B|G3 G3 :|

%%%

X:13316
T:SERGEANT EARLY'S DREAM (reel) (1) 
S:S: BSMI.3
Z:Z: ABC/arr. BB
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:Dm
cB|A2DE FAcA|GECD E2EF|DA,DE FEFG|Add2 fedc|
A2DE FAcA|GECD EDEF|DA,DE FAcA|GFEF D2 :|
FG|Add^c d3e|f2ed cAGF|ECEF c=Bcd|ecdc AcGc|
Add^c d3e|f2ed cAGc|AEE2 cEE2|CEGE D2 :|

%%%

X:495324 
T:SERGEANT EARLY'S DREAM (reel) (2) 
S:S: ONMI.1419 < McFadden
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
M:C|
L:1/8
K:D dorian
cB|ADDE FEFA|GECD EFGE|DA,DE FEFG|Adde fedc|
ADDE FAcA|GECD EFGE|DA,DB cecA|GFEA, D2||
FG|Addc d2dc|Adde fedc|AccB cBcd|efec dcAG|
Addc dcdc|Adde fedB|cedB cAGE|FDEA D4|]
%
N:N: I was surprised to see that O'Neill has this as an A major tune - I've never 
N:heard it played as anything but D minor! But musically they're pretty much 
N:the same tune, i.e. pitch relationships are the same, just in different places 
N:on the staff (over-simplification but I didn't want to go into too much detail).

%%%

X:493343 
T:SERGEANT EARLY'S JIG 
S:S: ONMI.0725 < Early
Z:Z: Brennan/Black
N:N: I suspect that the accented C's in this tune are actually C natural; the 
N:unaccented ones I have left as C sharp. I don't know if this "hybrid" works 
N:or not.
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:D % 
%%text  source key = G
%%vskip .3in
A|FED EFG|AGE =c2e|dcA efd|ecA A2G|
FED EFG|AGE =c2e|dcA GEA|DED D2 :|
d|=cBA Bcd|efe e2d|dcd efd|ecB A2d|
=cBA Bcd|eag e2d|dcA GEA|DED D2 :|

%%%

X:62125
T:SERGEANT FINLEY'S (hornpipe) 
S:S: GSTC
Z:Z: ABC/arr. BB
Q:1/4=150
%R:hornpipe
M:C|
K:G
%swing .25
dc|BGAF GEDC|B,DEF GBdB|ceAe ceAg|fdef gedc|
BGAF GEDC|B,DEF GBdB|ceAg fdec|B2GF G2 :|
Bc|d2^ce dBGD|GFGB dgfg|efge dBGB|cABG ADFA|
GFGE DGBA|GFGB dgfg|efge dBcA|B2GF G2 :|

%%%

X:493344 
T:SERGEANT STACK'S FAVOURITE (jig) 
S:S: ONMI.1028 < Stack
Z:Z: Brennan/Black
N:N: I like A dorian for this. I have also cleaned up a few of the ornamentations.
Q:1/4=160
%R:jig 
M:6/8
L:1/8
K:A dorian % 
%%text  source key = A major; A-B-A
%%vskip .3in
B|c3 BcB|AGE GAB|c3 dcd|ege aed|
c3 BcB|AGE GAB|cBA GED|EAA A2 :|
B|cef gfg|eaf ged|cef gfg|eag a2B|
cef gfg|eab age|c3 d3|edc "_DC"d=f :|

%%%

X:491510 
T:SETTING OF THE SUN (b), The  
S:S: ONMI.0111 < Hartnett
Z:Z: Brennan/Black (arr.)
M:2/4
Q:1/4=100
L:1/8
K:Dm
%%text "slow"
%%vskip .3in
DD|B2 c/B/A/G/|A2 GA|BA/B/ c/B/A/B/|G2 DD|
B2 Bc/B/|A2 GG|F/G/A/G/ FE|D2||
DD|F2 A/G/F/G/|A2 c>d|c/B/A/G/ FD|C2 DD|
B2 c/B/A/G/|A2 GG|F/G/A/G/ FD|D4|]

%%%

X:184103 
T:SETTING OF THE SUN (reel) (a), The
S:S: CRE.4 < Sheahan MS
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=180
M:4/4
%R:reel
K:D
Ac|dDDG F2 DF|GABc dfec|d2 cA BAFA|BGBc dfec|
dDDG F2 DF|GABc dfec|d2dc dfed|BGBc d2:|
ec|defg a2 fd|cdef g2 fe|defg abaf|g2 fd eB B2|
defg a2 fd|cdef gfef|gbag fagf|edBc df:|
"^coda" edBc dfec|d4z4|]

%%%

X:29095
T:SETTING SUN (b), The  
S:S: CGI.191
Q:1/4=110
Z:Z: ABC/arr. BB
L:1/8
M:6/8
%R:jig
K:G
%%text "andante"
%%vskip .3in
B/c/|dcB AGA|BEF D2G/A/|BdA BcG|A3-A2B/c/|
dcB AEF|DG/B/d g2B|ded dAB|G3-G2 :|
B/c/|dAB c2A|BAG E2d/e/|fed ^cBA|FGA d2B/c/|
dAB cGA|BAG AEF|GBd eAB|G3-G2 :|

%%%

X:185048 
T:SETTING SUN JIG (a), The
S:S: CRE.5
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%R:jig
K:D
B|AFd AFd|AFD E2F|GFG Eed|cBc d2B|
AFd AFd|AFD E2F|GFG Eed|cBc dc:|
B|Adf agf|efg B2d|cec ABc|dAG FED|
Adf agf|efg B2d|cec ABc|dfe dc:|\
"^coda" dfe Hd3|]

%%%

X:65085
T:SEVEN DERRIES, The
C: Aidan Crossey
S:S: composer
%R: Hornpipe
Q:1/4=150
M: 4/4
L: 1/8
K: G Major
BA|GDB,D GBdg|fdcA E2 (3EFE|DFAc BAGF|GABc d2BA|
GDB,D GBdg|fdcA E2 (3EFE|DFAc BAGF|GDB,D G2:|
AG|FGAB cDEF|GBdg BedB|AB^cd egfe|d2^ce d2ef|
gdBG ecA^c|defa gdBG|ecAc BAGF|GDB,D G2:|

%%%

X:56054
T:SEVEN NOBLE MEN (march)  
C:V. Broderick
S:S: Turoe.26b
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=120
%R:march
K:G
BA|GDGA B2AG|gdeB d2BA|GDGA B2AG|BedB A2BA|
GDGA B2AG|gdeB d2GA|BedB dBAB|G2 G>F G2:|
B>c|dcBA G2FE|DEFG A2FG|Adfd edGB|A2A>G A2dc|
BcBA G2AB|cBcd e2dc|BDGB ADFA|G2 G>F G2:|

%%%

X:56055
T:SEVEN SPRINGS (jig), The  
C:V. Broderick
S:S: Turoe.09a
Z:Z: ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:D
D|FEF D2A|AFA d3|BGB AFA|DEF EDB,|
AFF DFF|AFF DFF|AdB AFE|FDD D2:|
%
D|DEF FED|BAF AFE|D2B BAF|AFE E3|
DEF FED|BAF AFE|BAF AFE|FDD D2E|
DEF FED|BAF AFE|D2B BAF|AFE E2B|
AFF DFF|AFF DFF|AdB AFE|FDD HD3|]

%%%

X:66086
T:SEVEN WAVES (jig) 
C:Max Bruecher 03/01/13
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:G
f|gdB GBd|cAA ABc|BAG GAB|BAG ABd|
gdB GBd|cAA ABc|d2e f2g|agf g2 :|
d|g2a bgd|f2g afd|gfe Beg|fed ega|
b2g dgb|a2f dfa|gfe def|agf g2 :|

%%%

X:581159
T:SEYMOUR'S FANCY (reel) 
S:S: WSGM.255 < "Wilson's Companion" 1816
Z:Z: Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:G
G2BG Bdd2|c2ec egg2|G2BG Bddg|edcB A2G2:|
g2fg afed|edef gdBd|g2fg afed|edef g2ef|
gbaf edef|gfge dBAB|cBcd efge|dcBG A2G2|]

%%%

X:251086
T:SACKOW'S JIG 
T:Trip It Upstairs
S:S: CRE.5 / FS1.30c
Z:Z: ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
%R:Jig
K:D
FAA GBB|FAd fed|cBc ABc|dfe dBA|
FAA GBB|FAd fed|cBc ABc|dfe d3 :|
dBB fBB|fgf fed|cAA eAA|efe edc|
dBB fBB|fgf fed|cBc ABc|dfe d3 :|

%%%
X:491505 
T:SAD IS MY FATE  
S:S: ONMI.0355 < Mrs.Fitzgerald
Z:Z: Brennan/Black (arr.)
M:3/4
Q:1/4=80
L:1/8
K:Dm 
%%text "mournfully"
%%vskip .3in
(3A=B^c|d2 cA GE|D2 C2 DE|F3 GAB|c2 A2 A>^c|
d2 eA GE|D2 C2 DE|F3G E>D|D4||
A>G|A2 d2 d>e|f2 ed ce|d2 c2 A>G|F4 F>G|
A2 d2 d>e|f2 ed ^ce|d6-|d4 de|
f2 fe dc|d2 A2 AB|c2 cA GF|E2 C2 DE|
F2 FG AB|c2 A2 AG|F3 GE>D|D4|]

%%%
X:342094 
T:SADDLE HILL (hornpipe) 
Z:Z: ABC/arr. BB
C:Joe Liddy
S:S: Liddy2.17 
Q:1/4=150
N:N: Dotted rhythm in source
L:1/8 
M:C|
%R:hornpipe
K:G
%swing .25
GE|DGG2 DGBA|GBdB cdeg|fdge fdcA|BdBG FGEF |
DGBG EGBA|GBdB cdeg|fdge fdcA|BGAF G2 :|
dc|BGBd gdBd|cA BG FGAc|BGAB cfag|fgef decd |
BGBd gdBd|bg AB cdeg|fdge fdcA|BGAF G2 :|

%%%
X:11001
T:SADDLE THE PONY (jig) (a1) 
S:S: AIF
Z:Z: Brennan/Black (arr.)
M:6/8
%R:jig
Q:1/4=160
L:1/8
K:G
E/F/|GBA G2B|def gdB|GBA G2B|AFD AFD|
GBA G2B|def gfg|efe dBA|BGG G2:|
B/d/|efe edB|def gfg|efe edc|dBA ABd|
efe edB|def gfg|efe dBA|BGG G2:|

%%%
X:251087
T:SADDLE THE PONY (jig) (a2) 
Z:Z: ABC/arr. BB
M:6/8
S:S: FS1.19b
Q:1/4=160
L:1/8
%R:Jig
K:G
D|GBA G2B|def gdB|GBA G2B|AFD AFD|
GBA G2B|def gfg|efe dBA|BGG G2 :|
d|efe edB|def gfg|efe edB|dBA ABd|
efe edB|def gfg|efe dBA|BGG G2 :|

%%%
X:331088 
T:SADDLE THE PONY (jig) (b)   
Z:Z: ABC/arr. BB
S:S: Levey1.43
N:N: This isn't the session favorite of the same name. Second part reminds me 
N:of "Humors of Glendart".
Q:1/4=160
L:1/8
%R:jig
M:6/8
K:D
%%text "very quick"
%%vskip .3in
A|def dcB|AFA AFA|def dBA|Bed edB|
def dcB|AFA AFA|gfe fdB|AFD EF :|
A|BFF ADD|FEF AFD|BFF ADA|AFD EFA|
BFF ADD|FEF AFD|gfe fdB|AFD EF :|
"coda"AFD EFE|HD6|]

%%%
X:493338 
T:SADDLE THE PONY (1st setting) (jig) (c1) 
S:S: ONMI.0717 < F.O'Neill
N:N: Neither this setting or setting 2 sounds like today's session tune of the 
N:same name (which ONMI calls "Red Stockings")
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:A dorian
%%text source key = A major
%%vskip .3in
B|:cAA eAA|cBc eAA|cAA eAA|dBG Bcd|
cAA eAA|cBc efg|agf gfe|dBG Bcd :|
eaf gee|fdd gee|eaf gfe|dBG Bcd|
eaf gee|fdd gee|def gfe|dBG Bcd :|
"^coda" dBG BdB|A6|]

%%%
X:493339 
T:SADDLE THE PONY (2nd Setting) (jig) (d) 
S:S: ONMI.0718 < F. O'Neill
N:N: If this is really a modal tune (A mix), it sounds a lot like a member of the 
N:"Langstrom's Pony"/"Mooncoin" family. (Is this Langstrom's pony that needs 
N:a saddle? - just asking.) 
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:Amix
%%text source key = A major
%%vskip .3in
g|:fed cAA|eAA cBA|fed cAA|BGB dBG|
fed cAA|cAA efg|faf gfe|dBG Bcd :|
cee dff|cee ecA|cee dff|dBG Bcd|
cee dff|cAA efg|faf gfe|dBG Bcd :|
"^coda" dBG BdB|A6|]

%%%
X:39067 
%%titlefont 18
T:SAE BRAWLY AS I WAS KISSED YESTREEN (jig)
Z:Z: ABC/arr. BB
S:S: "Gentlemen's Musical Repository" ("Scotch")
L:1/8
M:6/8
Q:1/4=160
%R:jig
K:A dorian
E|ABA ABd|egB A2c|BAB GAB|BdB G2B|
cBc ded|efg a2g|edc Bcd|e2A A2 :|
f/g/|a2A ABA|a2A A2f|g2G GAG|BAB GAB|
cBc ded|efg a2g|edc Bcd|e2A A2 :|

%%%
X:20020
T:SAIL AROUND THE ROCKS (slip jig) 
S:S: DMAC.25
Z:Z: ABC/arr.BB
L:1/8
M:9/8
Q:1/4=150
%R:slipjig
K:G
G3 G2A B3|G3 G2B AFD|G3 G2A B3|
A3 A2B cBA :|g3 g2e d3|g3 g2e dBA|
g3 g2e d3|c2B c2d e2f |g3 g2e d3|
g3 g2e dBA|g2a g2e dBG|c2B A2B c2A ||
"^coda"HG6z3|]

%%%
X:491506
T:SAILING BACK OF WHIDDY  
S:S: ONMI.0056 < J.O'Neill
Q:1/4=120
Z:Z: Brennan/Black (arr.)
M:C
N:N: Dotted rhythm in source
L:1/8 
K:C
CDEF GEC2|EFGc dcBG|edcB AGc2|CDEF GFED|
CDEF GEC2|EFGc dcBG|edcB AGc2|CDEF GEDC||
CDEG DFEC|EFGc dcBG|edcB AGBc|CDEG DFEC|]

%%%
X:32025
T:SAILING IN (slow reel) 
C:© C.Lennon
Z:Z: ABC/arr. BB
S:S: CLMM.53
Q:1/4=130
M:4/4
L:1/8 
%R:reel
K:D 
%%text  source key E
%%vskip .3in
D3A faa2|DAFA BGEC|D3A faa2|GEDE CEA,E|
D3A faa2|DAFA BGEC|D2AD FAGA|BGEF GAFE||
Ddd2 d2 AG|FAdf ecAG|FAdA FAdf|edcB ABGE|
Ddd2 d2 AG|FAdf efge|afge fded|cAeA GAEA||\
"^coda" D4z4|]

%%%
X:19025
T:SAILING INTO WALPOLE'S MARSH (reel)
S:S: DFW < WSGM
Z:Z: ABC/arr. BB
N:N: I couldn't find this in WSGM (unless it's there under another name).
N:N: Repeats added
L:1/8
M:C
Q:1/4=180
%R:reel
K:A dorian
dB|A3G A2BA|GEDE GED2|A2GB ABcd|eged cAdc|
AGcG EGcB|GEDE GEDE|A3G ABcd|eged cA :|
cd|egg2 eaa2|eged cAcd|eged cAcd|egge d2cd|
egg2 eaa2|eged cAAB|c2gc acgc|1 eage de :|
[2 eage Ha4|]

%%%
X:491507 
T:SAILOR JACK 
S:S: ONMI.0615
Q:1/4=120
Z:Z: Brennan/Black (arr.)
M:2/4
L:1/16
K:G
%%text "moderate"
%%vskip .3in
g2|d2B2 A3G|G2B2D2 zE|G2G2 c3B|B2 A4g2|
d2B2 A3G|G2B2D2 zE|G2B2 A3G|G4z2||
B2|c3B c2d2|e2d2 g3e|d2B2 A2Bd|e6g2|
d2B2 A3G|G2B2D2 zE|G2B2 A3G|G4z2|]

%%%
X:13305
T:SAILOR ON THE ROCK (reel) (1), The 
S:S: BSMI.3
Z:Z: ABC/arr. BB
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:D
defd BAFB|AD (3FED FAA2|defd BAFB|1 ABdf eBB2 :|
[2 ABdf edd2 |:faag fdd2|gfga bgeg|faag fedB|
ABdf e2d2 :|"^coda"Hd4z4|]

%%%
X:252079
T:SAILOR ON THE ROCK (reel) (2), The 
Z:Z: ABC/arr. BB
S:S: FS2.20a
M:C
L:1/8
Q:1/4=180
%R:reel
K:D
A|d2fd BAFB|ADFD FAAB|defd BAFB|1 ABdf eBB :|
[2 ABdf e2d|:e|faag fdd2|gfga bgeg|faag fedB|
%%stretchlast 0
ABdf e2d :|"^coda" ABdf e2d2- |d4z4|]

%%%
X:181157
T:SAILOR'S BONNET (reel) (1), The 
S:S: CRE.1 
Z:Z: ABC/arr. BB
N:N: CRE shows this as an AABB tune, but most musicians today play it
N:as Coleman did [= ABB].
M:C
L:1/8
Q:1/4=180
%R:reel
K:D
dB|:A2FA dfef|dfec dBB2|A2FA dfef|dBAF ADD2|
A2FA dffe|dfec dBB2|A2FA dfef|dBAF ADD2||
faab afdf|afef dBBe|fbb2 bafa|b2af fefa|
bff2 aff2|afef dBB2|A2FA dffe|dBAF ADD2:|

%%%
X:251088
T:SAILOR'S BONNET (reel) (2), The
S:S: CRE.5
Z:Z: ABC/arr. BB
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:D
A2FA dfef|dfec dBB2|A2FA dfec|dBAG FDD2|
A2FA dff2|dfec dBB2|A2FA dfec|dBAG FDD2||
faab afdf|afef dBB2|fbb2 bafa|b2af fee2|
bff2 aff2|afef dBB2|A2FA dfec|dBAG FDD2 :|

%%%
X:252080
T:SAILOR'S BONNET (reel) (3), The 
Z:Z: ABC/arr. BB
S:S: FS2.17c
M:C
L:1/8
Q:1/4=180
%R:reel
K:D
A2FA dff2|dfef dBB2|A2FA dfec|dBAF ADD2 :|
faab afdf|afef dBB2|fbb2 bafa|b2af fee2|
bff2 afef|afef dBB2|A2FA dfec|dBAF ADD2 :|

%%%
X:59120
T:SAILOR'S BONNET (reel) (4), The
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
%R:reel
K:D
A2FA dffe|dfef dBB2|A2FA dffe|dBGE FDD2:|
faab afdf|afef dBB2|gbbc' bafa|baaf fee2|
bafg afdf|afef dBB2|A2FA dffe|dBGE FDD2 :|

%%%
X:495314
T:SAILOR'S CRAVAT (reel), The  
S:S: ONMI.1446 < McFadden
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
M:C|
L:1/8
K:D
d2fe dcBd|ABFB ADFA|d2fe dcBd|AFDF GEE2|
d2fe dcBd|ABFB ADFA|d2fe dcBd|AFEG FDD2||
AddA BAFA|defd Bee2|AddA BcdB|AFGE FDD2|
AddA BAFA|defd Bee2|AddA Bgfe|dBAG FDD2|]

%%%
X:492177 
T:SAILOR'S HORNPIPE (1st setting) (a), The  
S:S: ONMI.1577
%R:hornpipe
L:1/8
Q:1/4=150
M:C|
L:1/8
K:D
AG|FAdc d2AG|FAdc d2A^G|Aced cBA^G|Aced cBA=G|
FAdc d2AG|FAdc d2A2|BcdB cdec|f2d2d2:|
ef|gfge c2ec|dcdB A2GF|GABG FGAF|E^DEF E2ef|
gfge c2ec|dcdB A2^GA|BcdB cdec|f2d2d2:|

%%%
X:492178 
T:SAILOR'S HORNPIPE (2nd setting) (b1), The 
S:S: ONMI.1578
%R:hornpipe
Q:1/4=150
L:1/8
M:C|
L:1/8
K:D
Bc|dcdA FAdf|edcB A2fg|afaf bagf|edcB A2fe|
dcdB FAdf|edcB A2fg|afdg bgec|d2d2d2:|
EG|afaf d2ga|bgbg e2fg|afaf bagf|edcB A2fe|
dcdB FAdf|edcB A2fg|afdg bgec|d2d2d2:|

%%%
X:532103 
T:SAILOR'S HORNPIPE (b2), The   
S:S: RC2.206
Z:Z: ABC/arr. BB
Q:1/4=140
L:1/8
M:C|
%R:hornpipe
K:D
Bc|dcdA FAdf|edcB A2fg|afdf bged|cecB Agfe|
dcdA FAdf|edcB A2fg|afdf bgec|d2f2d2:|
fg|afaf dfga|bgbg e2fg|afaf bged|cecB Agfe|
dcdA FAdf|edcB A3g|fafd egec|d2f2d2:|

%%%
X:59119
T:SAILOR'S HORNPIPE (c), The
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=150
M:C|
%R:hornpipe
K:G
gf|g2G2G2dc|Bdgf gbag|a2A2A2ag|f2d^c d2df|
gfed edcB|cBAG AGFE|DGFA GBAc|B2G2G2 :|
dc|Bdgd Bdgd|e2c2c2ed|^ceae ^ceae|f2d2d2cB|
c2e2 edcB|cBAG AGFE|DGFA GBAc|B2G2G2 :|
N:N: 1: O'Brien's "florid" setting - not reproduced here - is kind of a "box player 
N:special" version of this well-known tune. 
N:N: 2: There's a setting of this ONMI1850 called "Jack's the Lad" (Yes, Virginia, 
N:this +is+ Popeye's theme song!)

%%%
X:495315
T:SAILOR'S JACKET (reel), The  
S:S: ONMI.1368 < J.O'Neill
Z:Z: Brennan/Black
N:N: Source m.15 = |(3agf (3gfe fded|. This could well be a modal tune but 
N:my version is the same as the source's.
Q:1/4=180
%R:reel
M:C|
L:1/8
K:D
dfec A2AB|cdef gfge|dfec A2AB|cBcG EDD2:|
d2fd adfd|c2ec gcec|d2fd adfd|eaag edd2|
defg afge|cdef g2fg|afge fded|eaag edd2|]

%%%
X:13475
T:SAILOR'S POLKA, The
T:Barren Rocks of Aden
S:S: BSMI.4
Z:Z: ABC/arr. BB
L:1/8
%R:polka
M:2/4
Q:120
K:G
B>d BA|GB DG|FA/F/ ED|BD GA|
B>d BA|GB DG|FA/F/ EF|1 G2 G>A :|2 G2 G/A/B/c/ ||
|:dB GB|Ac E>A|cA FD|GB d>B|
dB GB|Ac E>A|cA FD|1 G2 G>B :|2 G2 G2 ||

%%%
X:495316
%%staffsep 72
T:SAILOR'S RETURN (reel), The  
S:S: ONMI.1375 < F.O'Neill
Z:Z: Brennan/Black
N:N: Same tune as "Eileen Curran"
Q:1/4=180
%R:reel
M:C|
L:1/8
K:E dorian
GFED B,EEG|FDAD BDAD|GFED B,DEF|GFGA Beef|
gefd eBBc|dBAG FDD2|GFED B,DEF|GBAF GEE2||
Eeed efed|Dddc dedF|Eee^d Beef|gefd Beef|
gefd eBB^c|dBAG FDD2|GFED 3B,DEF|GBAF GEHE2|]

%%%
X:13332
T:SAINT ANDREW'S (reel) 
S:S: BSMI.3
Z:Z: ABC/arr. BB
%R:reel
M:4/4
Q:1/4=180
L:1/8
K:G % 
%%text source key = F
%%vskip .3in
d3e dGBG |EAAG A2 GE|DGBG dGBG |A2 GA BG G2 :|
Bd d2 edBd|eaab agef|gfge d2 Bd|gfga bg g2 :|
N:N: Andy McGann called this "Kathleen's Fiddle" for Kathleen Collins.
N:This sounds like a relative of "Mourne Mountains" (ONMI #477). 
N:Bob Taylor says this is a Larry Redican tune.

%%%
X:13108
T:SAINT ANNE'S REEL (1)
S:S: BSMI.1
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:D
de|fedf edcB|A2FA DAFA|B2GB EBGB|A2FA DAFA|
fedf edcB|A2FA DAFA|B2ed cABc|dedc d2 :|
de|f2fe fdef|gagf g2gf|edcB ABce|baa^g a2a=g|
f2fe fdef|gagf g2gf|edcB ABcd|eddc d2 :|

%%%
X:251089
T:SAINT ANNE'S REEL (2)
Z:Z: ABC/arr. BB
M:4/4
S:S: FS1.12b
L:1/8
Q:1/4=180
%R:Reel
K:D
e|fedf edcB|A2FA DAFA|B2 GB EBGB|A2FA DAFA|
fedf edcB|A2FA DAFA|B2 ed cABc|eddc d3 :|
e|f2 fg fedc|Bggf g2 gf|edcB ABcd|baag a2 ag|
f2 fg fedc|Bggf g2 gf|edcB ABcd|eddc d3 :|

%%%
X:44161 
T:SAINT JOHN'S EVE*  (jig)
S:S: NFID.186b < DOD ("untitled double jig")
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
c|def edB|BAF FEF|BAF DFA|d2f edB|
def edB|BAF FEF|BAF DEF|1 EDB, DB:|\
[2 EDB, DB||
|:G|AFA d2e|faf fed|efe edB|dcd edB|
AFA d2e|faf fed|edB ABd|edc dB:|
"^coda" edc Hd3|]

%%%
X:62121
T:SAINT JOHNSTON'S (hornpipe) 
S:S: GSTC
Z:Z: ABC/arr. BB
Q:1/4=150
%R:hornpipe
M:C|
K:D 
%swing .25
%%text A-B-A
%%vskip .3in
FG|AFdA GdBG|AFdA GdBG|ABcB AGFG|A2GF E2FG|
AFdA GdBG|AFdA GdBG|ABcB AGFE|DFAF D2 :|
%
dc|Bcde fBB2|gfeg fBB2|c2F2 cAFE|FAcA fedc|
Bcde fBB2|gfeg fBB2|cBAB ceag|fedc "_DC"B2 :|
%
N:N: This is a simplified arrangement of a Scots tune. The original is loaded 
N:with ornamentations impossible to play for anybody less nimble-fingered 
N:than the late Joe Derrane (or Luke O'Malley)! (The A-B-A setting is my 
N:idea.)

%%%
X:15281
T:SAINT KATHERINE'S 
S:S: CCCD
Z:Z: ABC/arr. BB
N:N: "Because of torn page, bars 13 and 25 are incomplete in the original." 
N:(NPU editor's note)
%R:reel
L:1/4
Q:1/4=150
M:4/4
K:G
d/e/|dGGA|B3A/B/|cBAG|F/G/AAd/e/|
dGGA|B3A/B/|c/B/A/G/ F/G/A/F/|G3 :|
%
A/B/|ADDE|F3 A/B/|ADGA|B3 z|
BBeB|c3 c/B/|A/B/A/G/ F/G/A/F/|GE2 B/c/|
BBeB|c3 c/B/|AAdA|B3 d/e/|
ddgd|e/d/c/B/ Ad|e/d/c/B/ c/B/A/F/|G3 z|]

%%%
X:13272
T:SAINT MARY'S (polka) (1) 
S:S: BSMI.2
Z:Z: ABC/arr. BB
%R:polka
M:2/4
Q:1/4=120
L:1/8
K:G
D|GB AB/A/|Gg e/f/g/e/|dB AG/A/|BB/A/ G/F/E/D/|
GB AB/A/|Gg e/f/g/e/|dB AG/A/|BG G :|
A|Bd g>d|Bd g>d|Bd g>e|f2 f>g|
a/b/a/g/ e/f/g/e/|dB AG/A/|Be d/B/A/B/|1 G2 G :|2 HG4 |]

%%%
X:31192
T:SAINT MARY'S (polka) (2) 
Z:Z: ABC/arr. BB
S:S: JOL.322
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:G
F|G2 AB/A/|Gg e/f/g/e/|dB AG/A/|B/c/B/A/ G/F/E/F/|
GB AB/A/|Gg e/f/g/e/|dB AG/A/|BG G :|
A|Bd g2|B/c/d gf/g/|Bd ge|f2 fg|
a2 e/f/g/e/|dB AG/A/|Bc/B/ d/B/A/B/|G2 G :|

%%%
X:341088 
T:SAINT MARY'S WELL (reel) 
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy1.32
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Em
GA |BE E2 EDB,A,|B,EED E2 GA|B2 dB eBdB|GABd edBA |
GEFD EDB,A,|B,EED E2 GA|B2 dB GABd |edBA GE :|
%
GA|BedB e2 ef|g2 fd edBA|G2 GA Bdeg |edBA GEGA|
Bdef g2 fg|edBA BEGA|B2 dB GABd |edBA GE :|
%
GA|B2 BA BEGA|B2 AG FDFA |B2 BA BAGA|BedB e2 ef |
[1 g2 fg egfg|edBA GEDB, |E2GD GABd|edBA GE :|
[2 g2 ba gedB|e2 BA BEGA |B2 dB GABd|BAGF HE4|]

%%%
X:29092
T:SAINT PATRICK WAS A GENTLEMAN  
S:S: CGI.012
Z:Z: ABC/arr. BB
%%%text moderato"
N:N:  1: Not the same tune as the song of this name.
N:N:  2: Staccato notes in original have been removed.
Q:1/4=120
L:1/8
M:C|
%R:hornpipe
K:Em 
%swing .25
BA|GEDE B,EDE|FDDF A2BA|GEDE B,EDE|FDDF G2BA|
GBBB eBBB|GBBB e2ef|gef^d eBBAG|FDDF A2BA|
GEEE B,EEE|FDDF A2BA|GEEE B,EEd|eBBA GFHE2 |]

%%%
X:48153
T:SAINT PATRICK'S DAY (set dance - 6/8) (1) 
S:S: OFPC1.16
Z:Z: ABC/arr. BB
N:N: Note the irregular structure. This tune is played primarily as a "set dance" 
N:today.
Q:1/4=150
M:6/8
L:1/8
%R:jig
K:G
E|GAG GAB|ded dBG|BAB GBE|EGE E2D|
GAG GAB|dge dBG|BAB GBE|E3 G2 :|
%
z|def g2e|f2d e2B|def g2e|fed e3|
def gbg|faf efg|GAG GAB|dge dBG|
BAB GED|EGE E2D|GAG GAB|ded dBG|\
BAB GED|E3 G2 :|
%
d|EGG BGG|Bdg dBG|BAB GED|EGE E2D|
EGG BGG|Bdg dBG|BAB GED|E3 G2 :|
%
c|dBB gBB|fBB eBB|dBB gbg|agf e3|
def gfg|agf efg|GAG GAB|dge dBG|
BAB GED|EGE E2D|d2d dBd|ege dBG|
BAB GED|E3 HG3|]

%%%
X:59222
T:SAINT PATRICK'S DAY (long dance - 6/8)
S:S: JOB
Z:Z: ABC/arr. BB
Q:130
L:1/8
M:6/8
%R:jig
K:G
D|GAG GAB|ded dBG|AGA BGD|EFE E2E|
GAG GAB|dge dBG|AGA BGD|E2F G2 :|
B|def g2e|fed edB|def g2e|fed e2B|
def gag|fed efg|GAG GAB|ded dBG|
AGA BGD|EFE E2D|GAG GAB|dge dBG|
AGA BGD|E2F G2 :|

%%%
X:37156 
T:SAINT PATRICK'S MARCH
Z:Z: ABC/arr. BB
S:S: MFC.103B
Q:1/4=120
L:1/8
M:C|
%R:march
K:D
DF|A2A>B AFED|f2f>d edBG|A2AB AFED|E2E>F E2FG|
A2A>B AFED|f2f>d edBG|A2de fedc|d2d>cd2:|
Ad|f3a Adfa|g2 fg/f/ e2fg|afdA FAGF|E2E>F E2FG|
ADFA dFAd|fagf edcB|Adfa gecA|d2d>cd2:|

%%%
X:12260
%%staffsep  80
T:SAINT RAYMOND'S (fling)
S:S: BBMG 
C:© BB
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:D
"D"DEFG A2d2|"G"BGBc "D"dAF2|"D"DEFG A2d2|"Bm"BABd "A"e4|
"D"fddf "G"gBBg|"A"acca "Bm"bafe|"D"f2 df "Bm"cfBf|"A7"AGEC "D"D4 :|
"D"fefg "Bm"fB~B2|"G"d2 "A"e2 "D"f2a2|"Em"eB~B2 "D"=AF~F2|"G"GABd "A"e4|
"D"fefg "Bm"fB~B2|"A"abag "D"fd~d2|"D"DEFA "G"GdcB|"A7"AGEC "D"D4 :|
%
%This is the cemetery in the Bronx where so many trad musicians are
%laid to rest.

%%%
X:38243 
T:SAINT RUTH'S BUSH (reel) 
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:Ador
Bd|eAAB c2 BA|GEED EDB,G,|AGAB cBcd|eaag egdg|
eAAB c2 BA|GEED EDB,G,|A2 AB cdeg|dBGB A2:|
Bd|eaag abag|eaag bgag|eggf g2 fg|eg g2 edBd|
eaag abag|eaag bgag|edef gage|dBGB A2:|
%
%For those who are as curious as I was to discover where this
%tune name originates, a little Irish History 101:
%The Marquis de St.Ruth was a French general who participated in 
%the unsuccessful attempt to force the British out of Western 
%Ireland in the late 17th Century. He was killed in July 1691 at 
%the Battle of Aughrim and is buried in Loughrea, Co. Galway.
%I'm not sure what "bush" refers to but I'm guessing it was a
%landmark on the battlefield somewhere.

%%%
X:54062 
T:SAINT SINNEACH'S MARCH 
S:S: SRHI.43b
Z:Z: ABC/arr. BB
C:Se·n Ryan
Q:1/4=120
L:1/8
M:C
%R:march
K:G
DG|B>ABG c>BcA|d>cde fd fa|gfdB c3d/c/|BGAF DEFD|
B>ABG c>BcA|d>cde fd fa|gfdB c2dc|ADFA G2:|
de|f>efd g>fga|bgag fd fa|gfdB c3d/c/|BGAF DEFD|
B>ABG c>BcA|d>cde fd fa|gfdB c2dc|ADFA G2:|

%%%
X:531094
T:SALAMANCA REEL (1), The  
S:S: RC1.134
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
dB|ADFD ADFD|AdBd fdcd|BEFD BEFD|Bdce dfag|
fBcA aBcA|Bdce dfag|fdec dBAG|FGAF D2||
fg|afdf bgeg|fdcd BAFA|Bdce defg|a2ag aefg|
abag fafd|gfed ceag|fdec dBAG|FGAF D4|]

%%%
X:11039
T:SALAMANCA REEL (2), The 
S:S: AIF
Z:Z: Brennan/Black (arr.)
Q:1/4=180
M:C
L:1/8
%R:reel
K:D
dB|ADFD ADFD|Adcd fedc|BEG BEGE|Beed cdeg|
fdd2 fdcA|Bdce dfag|fdec dBAG|FGEF D2:|
fg|afdf bgeg|fdcd BAFA|Bddc defg|a2gb a2fg|
abaf gfeg|fdec dfag|fdec dBAG|FGEF D2:|

%%%
X:181146
T:SALAMANCA REEL (3), The 
N:N:  "Piperly" setting
S:S: CRE.1
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:D
dB|ADD2 ADD2|Adcd fe dc|BEE2 BEE2|Beed ceAg|
fBB2 FBB2|f3e dfag|fdge dABG|FAEF D2:|
fg|afdf gecg|fdec dABG|FAdA Bdfg|a3b a2eg|
abaf gage|fdec dfag|f2ec dABG|FAEF D2:|
dB|AFF2 AFF2|Adcd ge dc|BGG2 BGG2|Bee2 ceAg|
fBB2 fBB2|f3e dfag|fdge dABG |FAEF D2:|
fg|afdf ge ce|fdec dABG|FADA defg|a3f a2Ac|
defg afbg|agfe dfag|f2ec dABG|FAEF D2:|

%%%
X:251090
T:SALAMANCA REEL (4), The 
Z:Z: ABC/arr. BB
M:4/4
S:S: FS1.15a
Q:1/4=180
L:1/8
%R:Reel
K:D
dB|AD (3FED AD (3FED|Adcd fedc|BEE2 B,EE2|Beed cdeg|
fBB2 FBB2|fgfe dfag|fgec dBAG|FGEF D2 :|
fg|afdg bgeg|fdcd BAFA|Addc defg|a2gb a2fg|
a3fg3e|f3e dfag|fdec dBAG|FGEF D2 :|

%%%
X:331089 
T:SALAMANCA REEL (5), The 
Z:Z: ABC/arr. BB
S:S: Levey1.54
Q:1/4=180
L:1/8
%R:reel 
M:C
K:D
%%text "moderate - or hornpipe"
%%vskip .3in
dB|ADFD ADFD|Adcd fedc|BEGE BEGE|Beed ceeg|
fBdB bBdB| fedc dbag|fgec dABG|FGEF D2 :|
fg|afdf bgeg|fgec dcBA|Bdce dfeg|fa^gb a2Bc|
defg afbg|fedc dbag|fedc dABG|FGEF D2 :|

%%%
X:495317
T:SALAMANCA REEL (6), The  
S:S: ONMI.1348 < J. O'Neill
Z:Z: Brennan/Black
N:N: Repeats added
Q:1/4=180
%R:reel
M:C|
L:1/8
K:D
dB|ADFD ADFD|Adcd fdcd|BEGE BEGE|Beed cdeg|
fddg fdcA|Bdce dfag|fdec dBAG|FGEF D2 :|
fg|afdg bgeg|fdec dcBA|Bdce dfeg|fagb a2fg|
abaf gfeg|fdec dfag|fdec dBAG|FGEF D2 :|

%%%
X:342095 
T:SALISBURY ARMS (reel), The
Z:Z: ABC/arr. BB
C:Joe Liddy
S:S: Liddy2.39
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:D
dB|A2FA DAFA|DEFA dfed|B2GB EBGB|Agfg efdB |
A2FA DAFA|B2GB EFGA|Bcde fged|cAGF D2 :|
%
de|faa2 bafe|dB dA Fbbc|d2Bc defg|afec dbb2 |
[1 faa2 bafe|dB dA FEDE|FABc d2fe|dBAF D2 :|
[2 bafe dBfe|dB dA FEDB,|A,B,DE FAfe|dBAF HD4 |]

%%%
X:48235 
T:SALL'S DELIGHT (reel)
S:S: OFPC2.54
Z:Z: ABC/arr. BB
D:D: OSMOF1 track 9B
N:N: a/k/a/ "Sally's Delight"
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:D
F2AF dFAF|F2AF BEEG|F2AF dFAF|BGEA FD D2 :|
d2eg fdec|d2eg fd B2|d2eg fdec|dBAG FA D2|
d2eg fdec|dfeg fdBf|agfe dcBA|Bcde fd d2 |]

%%%
X:532104 
T:SALLEY PICKER (hornpipe), The   
S:S: RC2.218
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:4/4
%R:hornpipe
K:G
%swing .25
AF|G2BG D2EF|G2 Bd gdBG|c2 ec B2 dB|AcBG ADEF|
G2 BG D2 EF|G2 Bd g3g|fafd ege^c|d2dc d=c :|
BA|Bdd2 edd2|gddc Bdgd|efgf edcB|ABcA GFED|
EGG2 DGG2|EGG2 DGG2|Bdfe dcAF|G2 Bd g2:|
"^coda" Ggfg ecAF|G2GF G4|]

%%%
X:341089 
T:SALLY GAP REEL, The 
C:Joe Liddy
Z:Z: ABC/arr. BB
Q:1/4=180
S:S: Liddy1.49
L:1/8
M:4/4
%R:reel
K:Em
GEGD EFGA|B2 GE BEAG|FD D2 DFAG|FDAD BFAF |
GEED EFGA |B2 AF GEB,2D2|EFGA B2 Be|dBAF GE E2 :|
%
B2 BA Bdef|gfed edBA|BAGF GE E2|Beef g2 ga |
bgaf gfed|B2 BA GABA|BedB e2 ef|gfed edBA|
BAGF GEFD |EFGA B2 de|dBAF GE E2|e2 ed Bdef|
g2 fd edBA|G2 GA BABd|fged Bdef|gfed edBA|
GEFD EDB,A,|B,EFD E2 de|edAF GE E2 |]

%%%
X:13101
T:SALLY GARDENS (reel) (1), The 
S:S: BSMI.1
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:G
BA|G2DG B2GB|dBeB dBAB|d2Bd egdB|AcBA GEDE|
G2DG B2GB|dBeB dBAB|d2Bd egdB|AcBA G2 :|
Bc|dggf g2de|g2bg ageg|eaag a2eg|a2bg ageg|
dggf g2de|g2bg ageg|d2Bd egdB|AcBA G2 :|

%%%
X:181100
T:SALLY GARDENS (reel) (2), The 
S:S: CRE.1 
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:G
D|G2DG BdGB|dgeB dBAB|d2Bd edge|dBAB GEDE|
G2DG BdGB|dgeB dBAB|d2Bd edge|dBAB G3:|
B|egga g2df|gabg aged|eaag a2ea|agbg ageg|
dggf g2df|gabg ageg|d2Bd edge|dBAB G3:|

%%%
X:251091
T:SALLY GARDENS (reel) (3), The
S:S: CRE.5
Z:Z: ABC/arr. BB
S:S: FS1.14c
M:4/4
L:1/8
Q:1/4=180
%R:Reel
K:G
DE|G2 DG BAGB|dBeB dBAB|d2 Bd edge|dBAB GEDE|
G2 DG BAGB|dBeB dBAB|d2 Bd edge|dBAB G2 :|
Bc|dggf g2 df|g2 bg aged|eaag a2 ea|agbg ageg|
dggf g2 df|g2 bg ageg|d2 Bd edge|dBAB G2 :|

%%%
X:62122
T:SALLY GARDENS (reel) (4), The 
S:S: GSTC
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
K:G
D2|GBDG BdGB|dBeB dBAB|d2Bd eBdB|AcBA GEDE|
G2DG B2GB|dBeB dBAB|d2Bd eage|1 dBAB G2 :|2 dBAB G|| 
ABc|dggf g2 dg|g2 dg bgag|eaa^g a2 ea|a2 ea bgag|
[1 dggf gede|gabg ageg|d2Bd eage|dBAB G :|
[2 dg g2 dg g2|dgbg ageg|d2Bd eage|dBAB HG4||

%%%
X:57139 
T:SALLY HEGARTY'S  
S:S: Treoir < "O'Farrell's Pocket Companion"
Z:Z: ABC/arr. BB
M:9/8
L:1/8
Q:1/4=160
%R:slip jig
K:G
G2A Bee Bee|GFG BdG AFD|G2A Bee Bee|
d^cd ABG FED :|[K:D]d2 e fdf ecA|d2 e fdf gfe|
d2 e fdf ecA|Bcd ABG FED :|

%%%
X:27080
T:SALLY IN OUR ALLEY (hornpipe)  
S:S: HOC.157 ("straight jig")
Z:Z: ABC/arr. BB
%%text 
Q:1/4=150
M:C|
L:1/8
%R:hornpipe
K:D 
%%text source key = C
%%vskip .3in
cB|A2d2 cege|d4 c2d2|B3A B2AG|FAdf afdB |
A2d2 cege|dced c2dc|B3A B2AG|Fd2c d2 :|
cB|AF2G A3=c|B2GA B2df|gagf efed|cBAG AEFG |
FDFA BGBc|d2AB d2ef|g2ed cdcB|Ad2c d2 :|
"^coda" Addc Hd4|]

%%%
X:44162 
T:SALLY KELLY'S REEL 
S:S: NFID.188b < DOD
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:C
%R:reel
K:Em 
F|GEed e2eg|fede fgab|gefd e2BG|AcBA GEEF|
Eee^d e2eg|fede fgab|gefd e2BG|Ac BA GEE||
F|GABd G2GB|GABd cAAa|gefd e2BG|AcBA GEE:|

%%%
X:21176 
T:SALLY MAGEE (jig) (1) 
S:S: DMI.0314
Z:Z: Nordberg/Black
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
D|DGG GFG|AFD FGA|B2G A2F|GFD D2D|
DGG GFG|BAG ABc|BdB cAF|AGG G2:|
g|fef dfd|cAG FGA|fef dfd|cAF G2g|
fef dfd|cAG FGA|BdB cAF|AGG G2:|

%%%
X:47035 
T:SALLY McGEE (jig) (2)  
S:S: CNIM.23
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:G
D|EAA AGA|BGF GBd|cdc BAB|GED E2D|
EAA AGA|BGF GBd|cdc BAB|GED E2 :|
d|efe dec|BGF GBd|efe dec|BGE c2d |
efe dec|BGF GAB|cdc BAB|GED E2 :|\
"^coda" AGF HG3|]

%%%
X:66098
T:SALLY PEAVINE (reel)
C:Mark Bickford
S:S: composer
Z:Z: ABC/arr.BB
%MB note: "This is named after a race horse who, after she retired 
%from racing, lived in a stable on the property where I now live, 
%and was used for riding lessons."
Q:1/4=180
M:C
%R:Reel
K:D dorian
DE|FAAG FDDG| ECGE FDDE|F2AG FDDB |cAGE D2 DE|
DA,A,D FA~A2| GCEC EFGc| ADAd fedf |ecGE D2:|
de|fAdf edcA| BGdc BGde | fAdf edcA| BgdB G2 de|
fAdf edcA| BGdc BGDE|FGAF Adfd |ecGE D2:|
K:D
de|f2(3faf edcA| BGed cAde | fAdf edcA| GBed c2 de|
(3faf df edcA| BGed cADE|FAdc dAed |cAGE D2:|

%%%
X:37157 
T:SALLY REEL, The 
S:S: MFC.044b
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G 
%%text  source key = A
%%vskip .3in
A||GEDE GABG|ADBD cDBD|GEDE GABd|gedB AcBA|
GEDE GABG|ADBD cDBD|GEDE GABd|gedB GFG2||
dgbg agbg|dgbg daag|dgbg agbg|agba gfg2|
dgbg agbg|dgbg da a2|Bgaf gfed|gedB GFG2||

%%%
X:184029 
T:SALLY'S BROOMSTICK* (slip jig)
S:S: CRE.4 < Grier MS (unnamed)
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=160
M:9/8
%R:slip jig
K:D 
%%text source key G
%%vskip .3in
A2A BAG A2G|FGA BGB cAG|FGA BAG A2g|
fed ded cBA|cde efd e2d|cde fdf ged|
cde efd efg|fed ded cBA|cde efd e2d|
cde fdf ged|cde efd efg|a2d ded cBA ||
"^coda"d6-d3z3|]

%%%
X:57140 
T:SALLY'S DELIGHT (reel) 
S:S: Treoir < "O'Farrell's Pocket Companion"
Z:Z: ABC/arr. BB
N:N: In OFPC as "Sall's Delight" (as above)
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:D
F2AF dFAF|F2AF BEEG|F2AF dFAF|BGEA FDD2 :|
d2 eg fdec|d2 eg fd B2|d2 eg fdec|dBAG FA D2|
d2 eg fdec|d2 fe gfeg|agfe dcBA|Bcde fd d2|]

%%%
X:54063 
T:SALMON LEAP (hornpipe), The 
S:S: SRHI.19b
Z:Z: ABC/arr. BB
C:Se·n Ryan
Q:1/4=150
L:1/8
M:C
%R:hornpipe
K:D
%swing .25
FG|A2 FD A,DFA|B2GE B,EGg|fAdf edcd|e2 dB AGFG|
A2 FD A,DFA|B2GE B,EGg|fAdf eAcA|dgfe d2:|
fg|afdA FDA,D|FAdf bagf|gecA ^GABd|gAfA eAce|
af dA FDA,D|FAdf bagf|gfed cbaf|gece d2:|

%%%
X:56053
T:SALMON WEIR BRIDGE (reel), The 
C:V. Broderick
S:S: Turoe.17b
Z:Z: ABC/arr. BB
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:D
A2AG FDD2|BGAG BGAG|A2AG FDEF|G2AG FDD2|
A2AG FDD2|BGAG BGAG|F2de fded|cAGE EDD2:|
faaa b2af|dfff edBA|FAAA Bcde|f2fe faa2|
abag fgfe|dfff edBA|FAde f2ed|cAGE EDD2:|

%%%
X:184080 
T:SALT AND PEPPER POLKA*, The
Z:Z: ABC/arr. BB
S:S: CRE.4 < BPC < Barrett < Collins (unnamed)
L:1/8
M:2/4
Q:1/4=120
%R:polka
K:G
A|Bc/B/ GB|Bc/B/ GB|A>G FA|GB d2|
Bc/B/ GB|Bc/B/ GB|A>G FA|G2 G:|
A|B>d ef|g2 g2|fe/f/ df|ed BA|
[1 B>d ef|g2 g2|fe/f/ af|e2 e:|
[2 Bc/B/ GB|Bc/B/ GB|c>d ef|Hg4|]

%%%
X:26034
T:SALT SPRAY REEL*, The
Z:Z: ABC/arr. BB
S:S: GEI.043 (as "Reel") 
M:C
Q:1/4=180
%R:reel
K:G % 
%%text source key = F
%%vskip .3in
z2|G2GA BEE2|BEdE BEEF|G2GA BABd|egfd e2 :|
ef|ga/g/ fg/f/ edBc|d2ed Bdd2|ga/g/ fg/f/ edBd|egfd e2ef|
ga/g/ fg/f/ edBc|d2ed Bdd2|bgaf gfed|egfd e2-e2 |]

%%%
X:495318
T:SAME OLD STORY (reel), The  
S:S: ONMI.1540 < Walsh
Z:Z: Brennan/Black
%R:reel
Q:1/4=180
M:C % source2/4
L:1/8 % source 1/16
K:G
zD|G2BG ABcA|BdcA BGAD|G2BG ABcA|BdcA GDEF|
G2BG ABcA|BdcA BGAD|G2BG ABcA|BdcA G2||
zD|G2GF GABd|edef edBA|G2GF GABG|ABAG FDEF|
G2GF GABd|edef edBd|gfgd edBG|AGEF G4|]

%%%
X:66065
T:SAM'S DELIGHT (reel)
C:© Enda Seery
S:S 1:'Between the Jigs and the Reels' (2012) by Colin Nea. 
D:D:'SÌoch·in na Tuaithe:Peace of the Countryside' (2013) by Enda Seery. 
N:Track 1, tune 2. Registered with IMRO. 
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:G
A|B2GB ABGB|cEE2 GAB^c|dAA2 d2eg|fdcA DFAc|
B2GB ABGB|cEE2 GAB^c|dAA2 d2eg|fdcA G3 :|
A|Bdgd fdcA|BGG2 dGBd|eaag a2ga|bgag edBA|
[1 Bdgd fdcA|BGG2 dGBd|eaag agfd|cAFA G3 :| 
[2 B2GB ABGB|cEE2 GAB^c|dAA2 d2eg|fdcA HG4|]

%%%
X:342096 
T:SAND BED (hornpipe), The
Z:Z: ABC/arr. BB
C:Joe Liddy
S:S: Liddy2.16 
Q:1/4=150
N:N: Dotted rhythm in source
L:1/8 % dotted
M:C|
%R:hornpipe
K:D
%swing .25
fe|dbbA BAFA|cA FE DB,A,B,|DEFA dBAF|E2 FD E2 FA |
Bd Bd BAFA|cA FE DB,A,B,|DEFA dBAF|D2 f2 D2 ||
%
fe|dB dA BAFA|Bd AF EDB,C|DEFA dBAF|E2 FD E2 FA |
Bd BA dBAF|BAFE DB, A,2|DEFA dBAF|E2 f2 D2 ||
%
B2|FB cA defa|bafe dB B2|defa bafe|decd BAFE |
[1 FB B2 dBFA|bafe dBAF|DEFA dBAF D2 f2 D2 :|
[2 FB B2 defa|bafe dBAF|DEFA dBAF D2 f2 D4 |]

%%%
X:11104
T:SAND'S HORNPIPE (1)
S:S: AIF
Z:Z: Brennan/Black (arr.)
Q:1/4=150
M:C|
N:N: Dotted rhythm in source.
L:1/8 
%R:hornpipe
K:G
%swing .25
ef|g2dB Gced|cBAG FADF|GABc d^cdB|Ad^ce ddef|
g2dB GBed|cBAG FADF|GBdg ecAF|GAGF G2:|
cB|ABAG FDEF|GABc d^cdB|AB^cd edcB|Ad^ce d2ef|
g2dB e2ce|d2Bd cAFA|GBdg ecAG|GAGF G2:|

%%%
X:59121
T:SAND'S HORNPIPE (2)
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=150
M:C|
%R:hornpipe
K:G
ef|g2dB GBed|cBAG FADF|GABc dBGB|Adce d2ef|
g2dB GBed|cBAG FADF|GBdB ecAF|GgdB G2 :|
cB|ABAG FDEF|GABc dBGB|cBcd edcB|Adce d2ef|
g2dB e2cA|d2 Bd cAFA|GBdB ecAF|GgdB G2 :|

%%% 
X:41301
T:SANDPIPER (reel), The 
T:Sandymount, Mick Hand's
S:S: MVBT
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:Ador
eAAG A2 AG|EGDG EGDG|eAAG ABcd|egfg edcB|
eAAG A2 AG|EGDG EGDG|eAAG ABcd|egfg edcB|]
eaag a2 ab|geef gedB|eaag a2 ga|bagb a2 ab|
eaag a2 ab|gedB dega|bgaf gedg|e2 ed eaag|\
"^coda"a4z4|]

%%%
X:40028
T:SANDS OF TIME (reel), The 
C:© Larry Mallette
S:S: composer
Z:Z: ABC/arr.BB
D:D: "Til Time is No More" tr.5b
Q:1/4=180
M:C|
%R:reel
K:Em
B|efgf eBB2|eBfB gfeA|Adfe dff2|g2ag fedB|
efgf eBB2|eBfB gfeA|Adfe dff2|adgf e3||
c|BEFG BFF2|BFGA c2B2|BeeB cBA2|BGAF E2E2|
BEFG BFF2|BFGA c2B2|Befg feB2|BEGF E4|]

%%%
X:12261
%%staffsep  80
T:SANDY CONNOLLY'S 
C:© BB
S:S: BBMG
%% Originally "How Are You Sandy?" RIP after a long battle.
L:1/8
M:6/8
Q:1/4=160
%R:jig
K:D
A|"D"dcd "G"Bcd|"D"ABA FED|"Bm"B,CD "A"ECA,|"G"B,CD "A"E2A|
"D"dcd "Em"efe|"D"dcd AFD|"G"GBA "D"FED|"A"ECE "D"D2 :|
A|"D"dDD "G"Bcd|"Em"ede "D"fga|"G"bgg "D"aff|"A"egf ecA|
"D"dDD "G"Bcd|"Em"ede "D"fga|"G"gdB "Bm"Bcd|"A"edc "D"d2 :|

%%%
X:12262
%%staffsep  80
T:SARA'S PORCH  
C:© BB 2013
S:S: BBMG
M:6/8
%% For Sara Piazza, trad music's true friend on Martha's Vineyard
L:1/8
Q:1/4=160
%R:jig
K:D
D|"D"ABA AFD|"A"ABA GFE|"D"DEF "G"GAB|"D"AFD "A"E2D|
"D"ABA AFA|"G"Bcd "Em"efg|"D"faf "A7"gec|"A"ABc "D"d2 :|
e|"D"afd "G"Bcd|"A"efe cBA|"Bm"Bcd "Em"efg|"D"afd "A"e2c/B/|
"D"ABA dcd|"A"efe ABc|"D"dfa "G"gfg|"A"edc "D"d2 :|

%%%
X:38244 
T:SARAH CASEY (hornpipe)
S:S: "Reavy Collection: Music of Corktown" (as "highland")
Z:Z: ABC/arr. BB
M:4/4
L:1/8
%R:hornpipe 
Q:1/4=160
K:Ador
%swing .25
AG|EGAB cBcA|G2 dc BGGD|EGAB cBce|dBgB A2 AG|
EGAB cBcA|G2 dc BGGD|EGAB cBce|dBgB A2:|
eg|abag edBd|gfge dBGB|abag edBe|dBgB A2 eg|
abag edBd|gfge dBGB|AGAB cBce|dBgB A2:|

%%%
X:51077
T:SARAH KELLY'S (reel)
S:S: TIDT 2/16
C:J. Kelly
Z:Z: BB
M:C
L:1/8
%R:reel
Q:1/4=180
K:G
BcBA G2g/a/g|fdcB c2Bc|AGFG ABcA|dcAG FGAc|
BcBA G2e/f/g|fdcB c2Bc|ABcA dfeg|fdcA AGG2:|
%
fdd/c/d g2ag|f/a/fdf ABcd|fdd/c/d gfdc|ABcA FGAg|
fgaf gbag|fdcA dcAG|FGAB cbag|fdcB AGG2 ||
%
FGAB c2dB|cAA/G/A BGAG|FGAB cbag|fdcB ABcA|
d2Bd c2AG|FGAB cbag|fdcA dcAG|ABcA HG4|]

%%%
X:12263
%%staffsep  80
T:SARAH'S BLISS (slip jig) 
C:© BB 
S:S: BBMG
L:1/8
%% For Sarah Murphy
M:9/8
Q:1/4=160
%R:slip jig
K:Amix
d|"A"edc "G"BcB "A"AEE|"A"edc "G"BAB "A"c2d|
"A"edc "G"BcB "A"AEE|"G"GAB "Em"dBG "A"A2 :|
e|"A"aec "G"Bcd "A"cAA|"A"aec Ace "Em"g2e|
"A"aga "Bm"baf "A"ecA|"G"GAB "Em"dBG "A"A2 :|

%%%
X:24016
T:SARAH'S VALENTINE (jig)
C:© E. Flynn
S:S: composer
Z:Z: ABC/arr. BB
%R:jig 
M:6/8
Q:1/4=120
L:1/8
K:G
%%text "slow"
%%vskip .3in
B/d/|gfg agf|gdB c2d|BDD cAG|FDF ABd|
gfg agf|gdB cdc|BDB ADA|G3 G2:|
D/C/|B,G,B, DEF|GAB c2A|BDD cAG|FDF AFD|
B,G,B, DEF|GAB cdc|BDB ACA|G3 G2:|

%%%
X:533094
T:SARATOGA HORNPIPE, The 
S:S: RC3.169
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:C|
%R:hornpipe
K:D
%swing .25
FG|ABAG FDFA|BABc d2d2|BdcB AFDF|EDEF E2FG|
ABAG FDFA|BABc d2de|fagf egfe|d2dc d2:|
A2|dcde fefg|abag f2gf|efed cABc|dcde fABc|
dcde fefg|abag f2gf|efed cABc|d2dc d2:|

%%%
X:582059
T:SARSFIELD'S LAMENTATION
S:S: WSGM.032 < "Hibernian Muse", London 1787
Q:1/4=100
Z:Z: Kinder/Black
M:3/4
L:1/8
K:F
%%text "Andante sostenuto"
%%vskip .3in
Ac|d2 d2 cA|f2 f2 e>d|c>d c>A G>A|F2 G2 A/G/F|
D2 de c>A|f>g gf/g/ a2|F3 G Ac|G4:|
AB|d2 d2 c>A|f2 f3 E/F/|g2 g3 f/g/|a2 ba ge|
d>e d>c d/c/A|f2 g/f/g a2|F>E F>f d/2c/2A|G4:|

%%%
X:495319
T:SATIN SLIPPER (reel) (1), The  
S:S: ONMI.1304 < McFadden
Z:Z: Brennan/Black
N:N: Looks like A-B-A but not marked as such in the source.
Q:1/4=180
%R:reel
M:C|
L:1/8
K:D
%%text  A-B-A ?
%%vskip .3in
A3B AFFA|dcBA BAFA|dcBd cBAc|BAFA BdcB|
A2AB AFFA|dcBA BAFA|dfed cedc|BAFA B3||
c|defg agab|afeg fBBc|defg agab|afeg fddc|
defg agab|afec defg|agfe fedc|dcBA Bd"_DC"cB|]

%%%
X:185304 
T:SATIN SLIPPER REEL (2), The
Z:Z: ABC/arr. BB
Q:1/4=180
M:4/4
%R:reel
K:D
dB|A3B AFFA|d2cA BGGB|A2FA dcdf|eBBA BcdB|
AFdF AFFA|d2cA BGGB|A2FA dcdf|edcB A2:|
de|f2 df g2 ag|f2 df ecAc|f2 df g2 ag|fdaf e2 de|
f2 df g2 ag|f2 df edcB|A2FA dcdf|eBBA Bc:|
"^coda" eBBA cAGE|HD4z4|]

%%%
X:185305 
T:SATIN SLIPPER REEL (3), The
Z:Z: ABC/arr. BB
Q:1/4=180
M:4/4
%R:reel
K:D
B|A2FB AFFA|d2cA BFFB|AFAB dcdf|edcA BedB|
A2FB ADFA|d2cA BFFB|AFAB dcdf|edcA Bcd :|
e|f2df g2eg|f2df edcA|fefa gfgb|afdf e2 fa|
bff2 afef|dfed BAFB|AFAB dcdf|edcA Bcd :|
"^coda" edcA cAGE|HD4z4|]

%%%
X:532105 
T:SATURDAY IN CORK* (polka)
S:S: RC2.302 ("Old Set Tune" 4)
Z:Z: ABC/arr. BB
N:N: Repeats added
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:G
GA/B/ ce|dB B2|de/d/ cA|GB BA/G/|
FA/B/ ce|dB B2|de/d/ cA|AGG2:|
de/f/ ge|dB B2|de/d/ cA|GB B2|
de/f/ ge|dB B2|de/d/ cA|AGG2:|

%%%
X:491508 
T:SATURDAY NIGHT 
S:S: ONMI.0234
Z:Z: Brennan/Black (arr.)
M:6/8
L:1/8
K:G
%%text "with spirit"
%%vskip .3in
G/B/|de=f edB|AGG G2B|def gag|=fdB c2B/c/|
def gag|=fdB c2B/c/|de=f edB|AGG G2||
B|BGB gag|=fdB c2B/c/|de=f edB|BAG A2B/c/|
def gag|=fdB c2B/c/|de=f edB|AGG G3|]

%%%
X:492179
T:SAULT'S FAVOURITE (hornpipe) 
S:S: ONMI.1767 < Gillan
%R:hornpipe
Q:1/4=150
Z:Z: Brennan/Black
M:C|
L:1/8
K:D 
%swing .25
%%text source key = F
%%vskip .3in
A,2|DCDF A^GAB|defd A2AG|FAdB AFED|CDEF ECA,C|
DCDF A^GAB|defd A2AG|FAdB AFEC|D2F2D2:|
A2|dfAf dfAf|egBg egBg|dfAf dfAf|edcB A2Bc|
dAfA dAfA|eAgA eAgA|a2gf edce|d2f2d2:|

%%%
X:492180 
T:SAULT'S OWN HORNPIPE 
S:S: ONMI.1660 < Gillan
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:G
%swing .25
dc|BGBd gbaf|gzGz DzG,z|cBcd efgf|edcB A2dc|
BGBd gbaf|gbaf g2dc|Bdgd ecAF|G2B2G2:|
Bc|dgga g2fg|dgg2 dgg2|dgbg a2ga|eaa2 eaa2|
dgga g2fg|egfg dfga|bgaf gdec|BGAF G2:|

%%%
X:495320
T:SAUNTERING IN THE LANE (reel) 
S:S: ONMI.1487 < J.O'Neill
Z:Z: Brennan/Black
N:N: Repeats added
%R:reel
Q:1/4=180
M:C|
L:1/8
K:D
Bc|d3A BAFE|DFAc dcBA|dfaf bagf|eagb a2Bc|
dcdA BAFE|DFAc dcBA|dfaf bgec|dfec d2 :|
A2|defg afdf|afgf afdc|defg afdf|gfed c2Bc|
defg afdf|afgf afdf|gfed cABc|dfec d2 :|

%%%
X:491509 
T:SAVE ME FROM DEATH 
S:S: ONMI.0557 < F.O'Neill
Z:Z: Brennan/Black (arr.)
M:3/4
L:1/8
Q:1/4=100
K:D
%%text "plaintive"
%%vskip .3in
(3ABc|d2 d2 A2|dc BA Bc|d>e dc BA|d3e (3def|
c2 dc BA|F4 A2|B3 cd>e|d4 fe|
d2de/f/ ed|c2cd/e/ d>c|B>c dc BA|F4 (3def|
B2 dc BA|F4 A2|B3c de|d4||
de|f2 f>e f>g|f2fg/a/ gf|e2e2e2|e3f ac|
d2 df ed|c2 cd/e/ dc|B>c dc BA|F4 AB/c/|
d>F F2ED|D4 (3def|e2dc Bc|A4 (3def|
A>B dc BA|B>A F3A|B3 cde|d6|]

%%%
X:534071
T:SAVOURNEEN DHEELISH 
S:S: RC1.047 ("Sa Mhuirnin Dilis")
Z:Z: ABC/arr. BB
N:N: Classical elements surgically removed.
L:1/8
M:4/4
K:D
%%text "andantino"
%%vskip .3in
(3A/B/c/|d2de dcc>d|B>ABc BAF>B|A>GFE D>EFA|B2c2d3 (3A/B/c/|
d2f>e dcc>d|B4 A>GFB|A4 D>EFA|B2c2 d3||
(3A/B/c/|d2d>e f2f>f|g2fe fdB>c|d2f>e dcc>d|B>AB=c BAF>A|
a>gfe dcc>d|B4 AGF>B|A4 D>EFA|B2c2 Hd4|]

%%%
X:48236 
T:SAW YE A LASSIE OF FIFTEEN (jig) 
S:S: OFPC2.71
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:D
A|FGA ABA|d2A A2G|FGA ABA|e2E E2A|
FGA ABA|d2A e2A|fed ABc|dAF D2 :|
g|fed fed|e2A A2d|fed fed|g2f e2g|
fed gfe|agf bag|fed ABc|dAF D2 :|

%%%
X:27081
T:SAW YE JOHNNIE COMIN' (hornpipe)  
S:S: HOC.050
Z:Z: ABC/arr. BB
N:N: Dotted rhythm in source
M:4/4
L:1/8
%R:hornpipe
Q:1/4=150
K:Em
%swing .25
G2AB dBBg|G2AB d2B2|G2AB dBBA|GABG E2D2|
G2AB dBBg|G2AB d2B2|G2AB d^cdf|gdBG E2D2 :|
gfed edB2|gfe^d e2B2|gfed efge|deBA G2E2|
gfed edB2|gfe^d eBB2|gfed efge|deBA G2E2 :|

%%%

X:341090 
T:SAY NINETY-NINE (reel) 
C:Joe Liddy
S:S: Liddy1.51
Z:Z: ABC/arr. BB
L:1/8
M:4/4
%R:reel
Q:1/4=180
K:A dorian
ed |c2BG AEFD|EFGE ABcd|ecgc aceg|agec d2ed |
cdBc AEFD|EAAB cdef|gaed cAGA|EFGE A2 :|
cd|eaag edcd|ecgd aceg|a2 ag edcd|efge a2 bg |
agec dfed|c2 BG AEFD|cdef gaed|cAGE A2 ||
cd|eaag abag|eged cAAB|c2 cd efge|agec d2 cd |
ecdB cABG|ABcd efge|aged cded|cABG A4 |]

%%%
X:29094
T:SAYS WARE SAYS HE  
S:S: CGI.198
Z:Z: ABC/arr. BB
N:N: Meaning of title is unknown to me.
Q:1/4=100
L:1/8
M:C
%R:march
K:D 
%%text "slow and with feeling - dolce"
%%vskip .3in
d>e|f3e edcB|A2 DF/E/ D2f>g|a2c>d edg>f|f4 ezd>e|
f3e edcB|e4 ^efdB|AE^DE c3B|A6 ||
A>c|e3^d fecA|f3e d2f>g|a2c>d edg>f|f4 ezd>e|
f3e edcB|A3F d3e|f4 D4|D4 z2 |]