ITTL "W-Z" tunes
file created 5.20.25
= = = = = = = = = = =

# Entries preceded by %% are primarily for typesetting purposes. Disregard them.
# Tunes are not in alphabetical order.


X:442
T:WALKER'S RUN (reel)
C:RM 11/28/99
N:MR notes: Dedicated to Se‡n Walker, an amazing Irish fiddler who settled in 
N:Rochester, NY.
L:1/8
Q:1/4=200
%edited
%R:reel
M:4/4
K:G
edc |"G" B2 D2"D7" ADEF |"G" GABc dBGB |\
"C" cdec "G"BcdB |"A7" AB^ce "D7" fed=c |
"G" BD^CD "D" ADEF |"G" GABc defg |\
"C" fedc "D7" BAGF |"G" G2 [DB]2 G :| 
[K:D]
EFG |"D" A3 B AFED |"C" =CDEF G2 FG |\
"D" A2 AB "C" =cGEG |"A7" ABcd e2 FG |
"D" A3 B AFED |"Em" EFGA "G" BcdB |\
"D" AdcB "A7" AGFE |"D" D2 [A,F]2 D:|

%%%
X:443
T:WARM-UP POLKA, The
C:RM 10/7/23
N:MR notes: A little something favoring the fiddles.
L:1/4
Q:1/4=200
%R:polka
M:C
K:G
L:1/8
"^INTRO 4mm"G,2 G,2 D2 D2 | A2 A2 e4 |"D" D D2 D E2 =F2 |"D7" F4 D4 ||
"G" G,2 G,A, B,G,B,C |"G" D2 DC B,4 |"D" D2 AG FEDE |"D" FDAD FDFG |
"A" A^cec Aced |"A" ^cBcd ecef |"E" ^g2 b2 bagf |"E" ^gef^d"E7" e2 =d2 |
"A" ^c2 ed cdcB |"A" A2 ^cB"A7" A2 G2 |"D" F2 FG ADAG |"D" F2 E2"D7" DEDC |
"G" B,2 B,D G2 D2 |"C" EGFE "D" D4 |"Am" E2 cA "G" BdBG |"D7" BAGF"G" G4 ||
[I:MIDI gchordoff]"^tacet 2mm"[G,D]2 [G,D]2 [DA]2 [DA]2 | [Ae]2 [Ae]2 [DA]4 |[I:MIDI gchordon]"D" cBAB cdec |"G" dcBc d4 |$ %24
[I:MIDI gchordoff]"^tacet 2mm"[Ae]2 [Ae]2 [DA]2 [DA]2 | [G,D]2 [G,D]2 [DA]4 |[I:MIDI gchordon]"D" c2 AB c2 A2 |"D7" dcBA"G" HG4 |]

%%%
X:444
T:WARP MEETS WEFT A-WEAVING (jig)
C:RM 2/2/18
L:1/8
Q:1/4=165
M:6/8
%%R:jig
K:D
A|"D"DFA AFA |"G" Bcd dcB |\
"D" ABA AdF |"Em" AGF "A7" E2A |
"D"DFA AFA |"G" Bcd edB |\
"D" AdF AGF |"A7" EFE"D" D2 :|
E/F/|"G"GBd dcB |"A" ABc "D" def |\
"Em" geg "D" fdf |"Em" eBd "A7" cBA |
"D"DFA AFA |"G" Bcd edB |\
"D" Afd afd |"A7" efe"D" d2:|

%%%
X:445
T:WATER HORSE (waltz), The
C:RM 1/21/16
L:1/8
Q:1/4=120
%R:waltz
M:3/4
K:G
D2|"G"BA G2 B,D |"C" F2 E2 CB,|"Am" A,C EG FE |"D" E2 D2 D2 |
"G" BA G2 B2 |"Am" EA c2 BA |"D7" DF Ac BA |"G" A2 G2:|
AB|"C"cE AG FE |"G" DG Bc d2 |"D" DF AB ce |"G" e2 de dc |
"G7" BA G2 AB |"C" c2 E2 AG |"D7" FE Dc EF |"G" G2-G2:|

%%%
X:446
T:WATER SOUND SELKIES (polka)
C:RM 8/16
N:MR notes: Dedicated to Douglas Montgomery, talented folk musician and 
N:composer in the Orkney Isles, Scotland. "Selkies" are seals that are capable  
N:of transforming into humans.
L:1/8
Q:1/4=200
M:4/4
K:D
%%text A-B-A
FA|"D" d2 fd A2 dA |"D" F2 AF DFED |"A7" CDEF GECE |"D" DFBF"A7" A2 Bc |
"D" d2 fd A2 dA |"D" F2 AF DFED |"A7" CDEF GECE |"D" D2 F2 D2 :|
%
[K:A]GF|"A" E2 CE A2 EA |"A" c2 Ac e4 |"E7" e2 BA GA B2 |"A" efec ABcA |
"A" E2 CE A2 EA |"A" c2 Ac e4 |"E7" dcBA GABG |\
"A" A2 "_DC after rpt"c2 A2 :|

%%%
X:447
%%staffsep 70
T:WE'VE HAD A GOOD RUN (air)
N:MR notes: Dedicated To John and Joe Dady, Two Towering Troubadours.
C:RM 11/17/19
L:1/8
Q:1/4=180
%%R:Reel
M:4/4
%%text A-B-A
K:G
Bc|"G"d2 ^cd "G7" edBA |"C" (3GAG FG AGFE |"G" D2 GB edcB |
"A7" ^cAec "D7" d=cBc |"G" (3ded ^cd "G7" edBG |"C" cdef agfe |
"G" dBeB "G" dBAG |"D7" AcAF "G" G2 :|zF|:"Em"E2 EF GEFG |
"B7" F B2 c BAGF |"Em" EGBe g2fe |"B7" ^defd BAGF |
"Em" E2 EF GEFG |"F" =F3 G A2 GF |"Em" EGBe gfeg |
%%stretchlast 0
[1"B7" fB^df "Em" eBGF :|2"B7" fBgf "_DC""Em" e2||

%%%
X:448
T:WEAR A BIT O' GREEN (march) 
N:MR notes: Dedicated to Lt. Col. Margaret Briody, US Army (ret.)
C:RM 12/3/16
L:1/4
Q:1/4=230
%%R:march
M:4/4
P:A-B-A (no intro on repeat; "fine" m 18)
K:D
%%measurenb 0
"^intro""A" A A/A/ A A |"A7" A z F G |:"D" A B/A/ ^G A |"D" D A F A |"G" B3/2 c/ d c |"G" e d c B |$ %6
"D" A B/A/ ^G A |"D" B A F D |"E7" E3/2 F/ ^G B |"A7" A2 F G |"D" A B/A/ ^G A |"D7" F D E F |$ %12
"G" G3/2 B/ d B |"G" e d c B |"D" A f e d |"A7" c A G E |"A7" C A, B, C |"_m.18""D" D2"D7" D2 ||$ %18
[K:G]"G" B2 d B |"G" G3/2 A/ B G |"C" E G F E |"D" D2 E F |"G" G2 B3/2 G/ |"G" e d B G |$ %24
"A7" A2 A3/2 B/ |"D7" A D E D |"G" B2 d3/2 c/ |"G7" B A G =F |"Am" E2 A c |"Am" e2 f3/2 e/ |$ %30
"G" d g d B |"G" e d B G |"D7" F D E F |"G" G2 F G :| 

%%%
X:449
T:WEAVER'S WALTZ, The 
C:RM 7/26/23
L:1/8
Q:1/4=140
%R:waltz
M:3/4
K:G
de |"G"d2 B2 dc |"G" BA G2 FE |"G" DG Bd cB |"D7" cB A2 cd |
"D7" c2 A2 AG |"D7" FE D2 FG |"D7" AB ce dc |"G" B4 de |
"G" d2 B2 dc |"G7" BA G2 AB |"C" c2 cG cd |"C" e6 |
"Am" ec A2 fe |"G" dB G2 AB |"D7" cA FD BA |"G" G4 :|:
[K:D]
FG|"D"A4 de |"D" f3 d cB |"D" Ad fa gf |"A7" gf e2 cB |
"A7" A4 cd |"A7" e3 d cB |"A7" Ac eb ag |"D" f4 fg |
"D" a3 b ag |"D7" fe d2 ef |"G" g3 d ga |"G" b4 ag |
"D" fa d3 c |"Em" Be g2 ed |"A7" ce Ac ec |"D" d4  :|

%%%
X:450
T:WEDDING WALTZ, The 
C:RM 4/29/24
N:MR notes: Dedicated to Adrian and Tilly Sheridan for their wedding,
N:3 May 2024.
L:1/8
Q:1/4=120
M:3/4
%%R:waltz
K:G
"G" dB G3 D |"Am" CE A4 |\
"D7" cA FD ED |"C" C2 "G" B,3 D |
"G" BA G2 d2 |"Am" dc ec A2 |\
"D7" FA Dc BA |"G" G6 :|
%
"D7" AB cD EF |"G" GB eB d2 |\
"A7" AB ^cg fe |"D7" d3 e dc |
"G" Bc dG Bd |"Am" ec ag ec |\
"G" Bd ^cd "D7" =cA |"G" G6 :|
%
"G" dB GA BG |"Am" E^D EA cB |\
"D7" AG Fe dc |"C" c2 "G" BA Bc |
"G" dB GA Bd |"Am" ec AB AG |\
"D7" FE Dc EF |"G" G6 :|
%
"D7" FG AD EF |"G" GB eB d2 |\
"A7" AB ^cg fe |"D7" fg ef dc |
"G" Bc dG AB |"C" cg ag ec |\
"G" Bd ^cd "D7" =cA |"G" G6 :|

%%%
X:451
T:WELCOME BACK! (jig)
N:MR notes: Dedicated to Maggie Briody on a successful surgery.
C:RM 10/10/23
L:1/8
%R:jig
Q:1/4=165
M:6/8
K:G
B/d/ |"G"edB GAB |"C" EGE "D" DEF |\
"G" GBe dBG |"A7" ABA "D7" ABc |
"G" dBG edB |"C" cde gfe |\
"D7" def "G" gdB |"D7" ABA "G" G2 :|
F/G/|"D7"AFD cBA |"G" BdB GAB |\
"A" A^ce gfe |"A7" gfe "D7" def |
"G" gfg dcB |"C" cde gfe |\ %16
"D7" def "G" gdB |"D7" ABA "G" G2 :|

%%%
X:452
T:WELL DONE! (polka)
L:1/8
N:MR notes: Dedicated to myself for a life well lived.
C:RM 2/5/25
%%R:polka
Q:1/4=200
M:4/4
K:D
 FG |"D" A2 F2 d2 dc |"Em" B2 G2 e2 ef |"A7" gfeg "D" fedc |"D" defd "A7" edcB |
"D" A2 F2 d2 dc |"Em" B2 G2 E2 ed |"A7" cded cABc |"D" d2 dc d2:|
dc |"G" B2 G2 DdcB |"D" A2 F2 D2 EF |"A7" G2 E2 ABcA |"D" defd "A7" edcB |
"D" A2 F2 d2 dc |"Em" B2 G2 E2 ed |"A7" cded cABc |"D" d2 dc d2:|

X:453
%%historyfont 14
T:WELL NOW (polka)
C:R.Muir 12/20/24
N:MR notes: Dedicated to Kathy Simione, former student, current friend and fan.
L:1/8
Q:1/4=200
%R:polka
M:4/4
K:G
d2 |"G" g2 Bc dBcd |"Am" e2 AB cBAG |"D7" FGAB cdef |"G" (3efe d2"D7" d2 d2 |
"G" g2 Bc dBcd |"Am" e2 AB cBAG |"D7" FGAB cdef |"G" g2 "C" g2 "G" g2:|
AG |"D7" FGAB cdef |"G" (3efe d2 dedB |"Am" (3cdc A2 ABcd |"G" (3efe d2 "D7" d2 d2 |
"G" g2 Bc dBcd |"Am" e2 AB cBAG |"D7" FGAB cdef |"G" g2 "C" g2 "G" g2:|

%%%
X:454
T:WHAT A KNIGHT! (polka)
C:RM 3/4/19
L:1/8
Q:1/4=220
M:C
%R:polka
K:D
FE |"D" D2 A2 A2 GF |"Em" E2 B2 B2 EF |\
"A7" GFEF GBAG |"D" FGAF "A7" E2 FE |
"D" D2 A2 A2 GF |"Em" E2 B2 B2 EF |\
"A7" GFEB AGFE |"D" D2 d2 d2:|
AG |"D" F3 A d2 A2 |"G" GFGB "Em" e3 f |\
"A7" gfed cABc |"D" defd "A7" ABAG |
"D" F3 A d2 A2 |"G" GFGB "Em" edcB |\
"D" Afed "A7" cABc |"D" d2 D2 D2:|  

%%%
X:455
T:WHAT IF THE SUNSHINE? (air)
N:MR notes: Dedicated to Kirsten Redfield, radiant in and out.
C:RM 12/16
L:1/4
Q:1/4=180
%R:waltz
M:3/4
K:G
"G" B A G |"G" d B G |"C" E3/2 F/ G |"G" D3 |\
"D" D3/2 E/ F |"Em" G A B |"Em" d c B |"D" A3 |
"G" G F G |"G" d3/2 B/ A |"G7" G A B |"C" c3 |\
"A" A3/2 B/ ^c |"D" d e f |"A7" g f e |"D" d3 |
"D7" A3/2 B/ c |"D7" c B A |"G" G A3/2 ^A/ |"G" B3 |\
"A" ^c3/2 B/ A |"A7" G F E |"D" F G3/2 ^G/ |"D7" A3 |
"G" B A G |"G" d3/2 B/ G |"G7" G A B |"C" c3 |\
"C" e3/2 d/ c |"G" d c B |"D7" c E F |"G" HG3 |]

%%%
X:456
%
T:WHISTLE WIZARD (reel), The
C:RM 6/21/11
N:MR notes: Dedicated to Jimmy Chester, whistle wizard.
L:1/8
Q:1/4=190
M:4/4
%%R:reel
K:D
de|"D" f2 ed "G" BedB |"D" AFBF AFED |"Em" GBGE "D" FAFD |"E7" EA^GB "A7" Acde |
"D" f2 ed "G" BedB |"D" AFBF Adcd |"G" BGBd "A7" cAce |\
"D" dedc d2 :|
%
[K:G]
BA|"G" G2 BG dGAB |"C" cBce gage |"D7" fd^cd fdaf |"G" gabg "D7" dcBA |
"G" G2 BG dedB |"C" cBce g2 fg |"D7" agfe dfaf |\
"G" g2"C" gf"G" g2:|
%
[K:D]
de|"D" fdcd AdFA |"D" DFAd f2 ef |"A7" gfed cABc |"D" defd "A7" Acde |
"D" fdcd AdFA |"D" DFAd f2 ef |"A7" gfed cAce |"D" d2"G" dc"D" d2:|

%%%
X:457
%
T:WHISTLER (jig), The
C:3/15/23
N:MR notes: Dedicated to Emily Nunn, fine tin whistler.
L:1/8
Q:1/4=170
M:6/8
K:D
ABc |"D" d2 c d2 A |"G" Bcd "A" A2 G |"D" FGF "A7" EFE |"D" D2 A"A7" B2 c |
"D" d2 c d2 e |"Bm" f2 e d2 f |"E7" efe dcB |"A7" A2 B cBA |
"Em" B2 G EFG |"D" A2 F DEF |"A" E2 A "E" ^GAB |"A7" c2 B ABc |
"D" d2 c d2 e |"D" f2 d A2 A |"Em" Bcd"A7" e2 c |"D" d3:| 
%
[K:G]
|:DEF |"G" G2 A B2 G |"C" EFG"D" D2 D |"C" E2 G c2 e |\
"D" d2 e "D7" fed |
"G" g2 f"C" g2 e |"G" d2 B G2 B |"A" A2 g"A7" f2 e |\
"D" d2 e "D7" fed |
"C" g2 f g2 e |"G" d2 B G2 B |"C" c2 g age |\
"G" d2 c Bcd |
"Am" e2 c ABc |"G" d2 B"C" G2 E |"G" D2 B"D7" B2 A |"G" G3 :|

%%%
X:458
%
%
T:WHO'S COUNTING? (polka)
N:MR notes: Dedicated to my sister, Elsie Benecke, for her 85th birthday.
C:RM 3/24/23
L:1/4
Q:1/4=220
%R:polka
M:4/4
K:G
"G" d B e B |"D" d c A2 |"D7" A3/2 B/ c d |"G" e d B2 |$"G" d B g B |"D" A d f ^c/d/ | %6
"A7" e3/2 d/ ^c A |"D7" d e f2 |$"G" d B e B |"D7" d ^c =c2 |"B7" B3/2 ^c/ ^d B |"Em" e f g2 |$ %12
"C" c3/2 d/ e c |"G" B d g2 |"D7" f/e/d/c/ B A |"G" G G G2 ||$[K:D]"D" A F/A/ d A/d/ | %17
"D" f d/f/ a2 |"A7" g/f/e/d/ c e |"A7" a/g/f/e/"D" d c/B/ |$"D" A F/A/ d A/d/ |"D" f d/B/ A2 | %22
"E7" ^G/F/E/F/ G B |"A7" A B c2 |$"D" A F/A/ d A/d/ |"Em" B G/B/ e2 |"F#7" F3/2 ^G/ ^A c | %27
"Bm" d c B2 |$"G" G/F/G/A/ B G |"D" F A d2 |"A7" e/d/c/B/ A c |"D" d f d2 |] %32

%%%
X:459
%%staffsep80
T:WIGGLE ROOM (reel)
C:RM 2/19/08
N:MR notes: We could all use a bit of that! Dedicated to Donna Benier, expert 
N:harpist and President of the Rochester Harp Network.
L:1/8
%%R:reel
Q:1/4=190
M:4/4
K:G
"G"dedc BA G2 |"Am" ABAG "D" FE D2 |\
"C" E2 GE "G" D2 G2 |"Am" EGAB "D7" cB A2 |
"G" dedc Bc d2 |"Am" efed "D7" cdef |\
"G" gfga gedc |1"D7" BGAF "G" GABc :|
[2"D7" BGAF "G" G3||: A |"G"B2 dB eBdB |\
"C" c2 gc fcec |"G" d^cde dBGF |
"A7" E2 AG "D7" FE D2 |"G" B2 dB eBdB |\
"C" cBce g2 fe |"D7" d2 ag fe d2 |\
"D7" cB A2 "G" G3 :|

%%%
X:460
%%printtempo 0
%
T:WILLIE WAGTAIL (rag)
C:RM 1/30/08
N:MR notes: A bird native to Australia. Not to be confused with human  
N:Willie Wagtongues!
L:1/8
%R:rag
Q:1/4=150
M:4/4
K:G
B c^c |"G" d2 dB "G7" e d2 ^d |"C" ef g "C"a2 g ec |\
"G" Bd^cd edBG |
"G" BG _B "D7" A2 =B c^c |"G" d2 dB "G7" edBG |\
"C" cGce "A7" agfe |
"D7" defe dBcA |"D7" DE F "G" G2:|\
|:AGF |"Em" E B2 _B =B3 A |
"Em" GAGF EFGE |"D" D2 A^G ABA=G |\
"D" FD E2 D3 ^D |
"Em" E B2 _B =B3 c |"G" de d "G" d2 B G2 |\
"C" gf e "G" d2 B GA |
%%stretchlast 0
[1 "D7" BG A "G" G2:|2"D7" BGA"G"(G G4) |]

%%%
X:461
T:WILLIE'S WELLIES (jig)
C:RM 10/27/03
N:MR notes: Wellies are Wellingtons, high-topped rubber farm boots  
N:named after the Duke of Wellington.
L:1/8
Q:1/4=165
M:6/8
%%R:jig
K:G
E|"G" D2 B BAG |"Am" E2 c cBA |\
"D" FGF EFE |"D7" DFA dAF |
"G" D2 B BAG |"Am" E2 c cBA |\
"D7" DFA d2 B |"D7" cAF "G" G2 :|
A|"Em" BcB "B" ABA |"Em" GAG "B" FGF |\
"Em" E2 F GFE |"D7" F2 G AGF |
"G" D2 B BAG |"Am" E2 c cBA |\
"D7" DFA d2 B |"D7" cAF "G" G2:|

%%%
X:462
T:WIND SPINNER (jig), The
N:MR notes: Dedicated to Magnus Spence, proud owner of a wind turbine  
N:on his farm in the Orkney Isles.
C:RM 10/27/05
L:1/8
Q:1/4=165
M:6/8
%%R:jig
K:G
B/c/ |"G" dcB "D" cBA |"Em" GAB "Am" EAc |"G" BAG "D7" cBA |"G" dcB "D7" ABc |
"G" dGd "C" eGe |"D" def "Em" gbg |"Am" ecA "G" dBG |"D7" FEF "G" G2 :|
F/G/ |"D" ADA "G" BDB |"D7" cAF DEF |"G" GBd "C" Gce |"G" dcB "D7" ABc |
"G" dGd "C" eGe |"D" def "Em" gbg |"Am" ecA "G" dBG |"D7" FEF "G" G2 :|

%%%
X:463
T:WINNING AT THE BINGO (slide)
C:RM 2/17/05
L:1/8
Q:1/4=165
M:12/8
%%R:slide
K:G
"G" BdB "Em" GAB "Am" cec"D" A3 |"G" BdB "Em" GBA "A7" GFE "D" D3 |
"G" BdB GBG "C" EGc e3 |"D7" d^cd fed "D7" =cBA "G" G3 :|
"G" g2 d dBd "C" gfe"G" d3 |"G" g2 d "Em" efg "A7" afe "D" d3 |
"C" cBc edc "G" BAB dcB |"Am" ABc "D7" def "G" gba g3 :|

X:464
%
T:WOOING THE WEE FOLK (jig)
C:RM 2/27/19
N:MR notes: Dedicated to the memory of Agnes Briody, my wonderful Irish 
N:mother-in-law, on her birthday.
L:1/8
Q:1/4=165
M:6/8
%%R:jig
K:G
B|"Em" EBB BGA |"B7" BcB "Em" GFE |"Em" Bee ede |"Bm" fdB "B7" B^c^d |
"Em" efe "G" ded |"Am" cdc "Em" BGA |"Em" BEc BGE |"B7" FGF "Em" E2:|
A|"G" BGA BcB |"D7" ADE FED |"G" Gdd dcB |"A7" A^ce "D" d2 B |
"Am" cec "G" BdB |"D7" Adc "G" BAG |"D7" ABc DFA |"D7" cBA "G" G2:|


%%%

X:41348
T:WADDLING GANDER (jig), The 
S:S: MVBT < Coen Bros.
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:G
c|BGG dGG|BGG ded|cAA eAA|cAc edc|
BGG dGG|BGG ded|c2 d e2 f|ged B2 :|
g2 d B2 d|ged BAG|Aee ede|gee e2 d|
g2 d B2 d|ged BAG|c2 d e2 f|ged BGA|
Bdd dBG|Bdd d2 e|gee ede|gee e2 d|
Bdd dBG|Bdd d2 e|c2 d e2 f|ged B2 :|
"^coda"ged cAF|HG6||

X:27093
T:WAGNER'S FANCY (march) 
S:S: HOC.145
Z:Z: ABC/arr. BB
N:N: Single in source. (By all means don't forget the ginger!)
Q:1/4=120
M:C|
L:1/8
%R:march
K:G
%%text "Straight Jig", "from Lohengrin"; "con brio e ginger" (!)
%%vskip 30
d4 B2G2|G2FG d2c2|B3G BAGF|G2G2 B2d2|
e4 c2A2|A3A e2c2|B3B dcEA|G4 F4:|
D4 ^CDEF|G4 GFGB|d3^c =cBAG|F4 EAcd|
e4 EABc|d4-d2 (3BC^C|D^DFE =DcBA|G2B2G4 :|

X:493394 
T:WAIT AWHILE (jig) 
S:S: ONMI.0932
%R:jig
N:N: To me A modal sounded better than O'Neill's A major
Z:Z: Brennan/Black
Q:1/4=160
M:6/8
L:1/8
K:Amix 
%%text source key = A major
%%vskip 30
B|cde eca|cAc e2d|cde efg|BGB d2B|
cde efg|agf edc|dfd cac|BGB d2 :|
B|acA ecA|acA efg|acA ecA|BGB d2B|
acA ecA|acA efg|agf edc|BGB d2 :|
"^coda"BGB dcB|A6|]

X:497123 
T:WAKE-UP CALL (jig), The
S:S: arr. of ONMI #341, "I Awoke From My Dream"
%R:jig
Q:1/4=160
Z:Z: ABC/arr. BB
M:6/8
L:1/8
K:D
G|ABc d2c|dfd edc|ABc d2d|fed cdB|
ABc d2d|edc BcA|dBd ecA|d3 d2 :|
g|a2f gfg|a3 f3|ecd efd|B3 A2G|
ABc d2d|edc BcA|d2d ecA|d3 d2 :|

X:493395 
T:WALK OUT OF IT HOGAN (jig) 
S:S: ONMI.1072 < F.O'Neill
Z:Z: Brennan/Black
N:N: Note that parts are not repeated in the source.
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
G3 AGE|B2A AGE|G3 AGE|GAB GED|
G3 AGE|GAB cde|dBG AGE|GAB GED||
%
BGG AGG|BGG AGE|BGG AGE|GAG GED|
BGG cAA|dBB cAA|BGG AGE|GAB GED||
%
dge dBG|ABA ABd|ege dBG|Bgf g2a|
bag agf|gfe dcB|cBA BAG|AGE FED||
%
G2d BGd|BGd AGE|G2d BGd|AFd FED|
G2d BGd|BGd ABc|BAG AGE|GAB GED||
%
DFD DFD|ABA BGE|DFD DFD|G2F GFE|
DFD DFD|ABA ABc|BAG AGE|GAB GED|
"^coda"G6|]

X:12309
%%staffsep 60
T:WALKIN' the PUPS (jig) 
S:S: BBMG
C:© BB 
M:6/8
%% Woof! and again: Woof! 
Q:1/4=160
L:1/8
%R:jig
K:G
D|"G"GBd gfg|"Em"edB "G"d2 B|"C"cBc "Em"EFG|"Am"AGE "D"D2 D|
"G"GBd gfg|"C"efg "Am"a^ga|"G"gdB "D7"cAF|"G"G3 "G"G2 :|
A|"D"dfa afd|"C"cec "G"B2 c|"Bm"d2 B "G"GAB|"D"ABA FED|
"G"GAB "Am"ABc|"G"Bcd "C"c2 e|"G"dBG "D"FGA|"G"G3 G2 :|

X:35078
%%staffsep 60
T:WALKING ON ICE (jig)
C:Rick Gagne
S:S: composer
%R:jig
Z:Z: ABC/arr. BB
N:N: "d/o/c/ 1999 on tenor banjo"
M:6/8
Q:1/4=160
K: C
E | "Dm"FAF DED | FAF dcA | "C"EFE c2d | cAG EFG | 
"Dm"FAF DED | FAF dcA | "C"EFE c2d | cAG "Dm"D2  :|
e | "Dm"fed "Am"cAa | "Em"geg "Am"age | age "Dm"dec | "E"BA^G "Am"ABA | 
"A"^cBA "D"^fAg | ^fed de^f | "Em"g^fe "Bm"^fdB | "D"A^FA "G"B2 :|

X:35079
T:WALKING THE FENCE (hornpipe)
C:Rick Gagne 
S:S: composer
Z:Z: ABC/arr. BB
N:N: "d/o/c/ 1981 on whistle"
%R:hornpipe
Q:1/4=150
M:C|
K:D
%swing .25
fg | "A"a2ag "A5"fage | "D5"dcde "D"fdef | "Em"gfed "A"cABc | "D"dcde "Bm"fefg | 
"A"a2ag "C#mb6"fage | "D"dcde "Bm"fdef | "Em"gfed "A"cABc | "D"dAFA "D"d2 :|
fd | "A"e2ed "A5"cABc | "B5"dcde "D"fedf | "C#m"efed "A5"cABc |"D"dcde "Bm"f2a2 | 
"A"e2ed "A5"cABc | "D"dcde "Bm"fdef | "Em"gfed "A"cABc | "D"dAFA "D"d2 :|

X:581179 
T:WALLACE TWINS (reel), The
S:S: WSGM.281 < Rice-Walsh manuscript
Z:Z: ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:G
%%text  A-B-A (not indicated)
%%vskip 30
BGAF G2AF|DEFG AGGF|DGGF GABc|d2 eg fdcA|
BGAF G2AF|DEFG AGGF|DGGF GABg|fdcA BG G2||
g2ag fgag|fdde fdcA|Gggf g2fg|agfg agga|
bgaf gbag|fdde f2fg|afge fage|dcde fd"_DC"cA||\
"^coda"HG4z4|]

X:183069 
T:WALLACE'S CROSS (polka) 
S:S: CRE.3 < Martin Mulvihill
Z:Z: ABC/arr. BB 
L:1/8
M:2/4
Q:1/4=120
%R:polka
K:D
e2 dB|BA cd|e2 dc|BA A2|
ef/e/ dc|BA ce|af gd|ed d2:|
fe fd|c>d ef|gf/e/ gf|ed Ad|
fe fd|c>d ef|a>f ge|ed d2:|

X:493396 
T:WALLOP the POTLID (jig) 
S:S: ONMI.1048 < McFadden
Z:Z: Brennan/Black
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:Dmix
F2D DED|E2D DED|F2D DED|DFA BGE|
F2D DED|E2D DED|E2C CEC|CEF GFE:|
%
DFA dcd|edc d2B|ABc d2e|fed edc|
d2e fda|gec d2c|ded cAG|FAF GFE:|
%
f2d dfd|e2d dfd|f2d dfd|dfa bge|
f2d dfd|ded dfd|e2c cec|cef gfe:|
%
ded dfd|cec cec|dfd dfd|dfa bge|
ded dfd|cec cef|ged cdf|gea gec:|
%
ABc dcd|edc d2c|ABc deg|fed edc|
d2e fda|gec d2c|dad cAG|FAF GFE:|
%
DFA dcd|edc d2B|ABc deg|fed efg|
fdf ecA|dAB cAG|ced cAG|FAF GFE:|\
"^coda"HD6|]
%
N:N: O'Neill's key signature for this tune is D, so all his C's would be sharp 
N:(there aren't any accidentals in his setting). On the other hand, my key 
N:signature is Dmix, which means that all the C's will be natural. The truth is 
N:probably somewhere in between. Unfortunately this is the only setting of 
N:this tune that I can find, so I don't have anything to compare it to.

X:185024 
T:WALLOP THE SPOT (jig) (1)
Z:Z: ABC/arr. BB
S:S: CRE.5 < Paddy Mullin (Longford)
M:6/8
Q:1/4=160
%R:jig
K:D
E|FEF DFA|BAF dDD|FEF DFA|BAF AGE|
FEF DFA|BAF d2g|fed edA|BdB AG:|
%
A|Bcd eAA|fAA eAA|c2d eAA|BAF AGE|
Bcd eAA|fAB efg|agf e2d|cBc AF:|
%
E|DFA dcd|ece d2d|DFA d2A|BdB AFE|
DFA dcd|ece d2g|fed edA|BdB AF:|
"^coda"BdB AGE|D6|]

X:493397 
T:WALLOP the SPOT (jig) (2) 
S:S: ONMI.1087 < McFadden
Z:Z: Brennan/Black
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:D
d2B cAF|FEF dAF|d2B cAF|B2d AFE|
d2B cAF|FEF dAF|dfd cec|B2d AFE:|
%
c2d ecA|eaf ecA|c2d ecA|B2F AFE|
c2d ecA|eaf ef^g|agf ecA|B2F AFE:|
%
DFA dfd|dfd dAF|DFA dAF|B2d AFE|
DFA dfd|dfd d2g|fag d2A|B2d AFE:|
%
F2E D2D|DED D2E|FEF DFA|B2d AFE|
F2E D2D|DED D2c|dcB cBA|B2d AFE:|
"^coda"D6|]

X:581180 
T:WALLS OF ENNISCORTHY (jig), The 
S:S: WSGM.135 < P. Stack, Chicago
Z:Z: ABC Kinder/Black (arr.)
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:G
B3 Bdc|B3 AGF|DGG AGF|AGG Adc|
B3 BdB|B3 AGF|FGB cAA|FDE FGA:|
B3 c3|BGG ABd|g3 gdB|dgg fdc|
B3 c3|BGG ABd|fef gdB|EDE FGA:|
"^coda"HG6|]

X:11119
T:WALLS OF LIMERICK ("ceili dance" - 2/4) (1), The
S:S: AIF
Z:Z: ABC Brennan/Black (arr.)
Q:1/4=80
M:2/4
L:1/16
%R:hornpipe
K:G
P:1: name unknown
GA|B2B2 cBAG|B2B2 B2ge|d2B2 cBAG|B2A2 A2GA|
B2B2 cBAG|B2d2 g3a|bagf efge|d2B2 B2:|
Bc|d2B2 g2B2|d2d2 d3e|d2B2 g2fg|a2A2 A2GA|
B2B2 cBAG|B2d2 g3a|bagf efge|d2B2 B2:|
%%VSKIP 30
K:D
P:2: "SOLDIER'S JOY"
dB|AFDF AFDF|A2d2 d2cB|AFDF AFDF|G2E2 E2FG|
AFDF AFDF|A2d2 d3e|fafd egec|d2d2 d2:|
de|f2fd fagf|edcd efge|f2fd fagf|edcB A2de|
f2fd fagf|edcd efge|fafd egec|1 d2d2d2:|2 d2d2 d4||
%%VSKIP 30
K:G
P:3: "RAKES OF MALLOW"
G2B2 G2B2|G2B2 cBAG|F2A2 F2A2|F2A2 dcBA|
G2B2 G2B2|G2B2 d4|cBAG FGAc|B2G2 G4:|
g2fe d2c2|BABc d4|g2fe d2c2|BABc A4|
g2fe d2c2|BABc d4|cBAG FGAc|B2G2 G4:|

X:535412 
T:WALLS OF LIMERICK (2), The 
S:S: RC3.137
Z:Z: ABC/arr. BB
N:N: 1: First part of this tune (mm 1-16) is a version of "London Lasses", usually 
N:considered a reel. 
N: 2: This is probably a "ceili" dance too (see previous entry)
Q:1/4=100
L:1/8
M:2/4
K:D
D>F A/D/F/A/|B/e/e B/d/d|D>F A/D/F/A/|B/d/A/F/ F/E/E/F/|
D>F A/D/F/A/|B/e/e B/d/d/e/|f/d/e/d/ BA/F/|B/d/A/F/ EE||
d>A B/A/F/A/|A/D/F/D/ F/A/A/B/|d>A B/A/F/A/|B/d/A/F/ F/E/E|
d>A B/A/F/A/|B/A/F/A/ dd/e/|f/d/e/d/ BA/F/|B/d/A/F/ E||
K:A
c/B/|"17"AE/A/ cA/c/|ec/e/ a>c|ed dB|fe c/d/c/B/|
AE/A/ cA/c/|ec/e/ a>c|ed dB|BA Ac|
ed dB|fe cA/c/|ed dB|fe c/d/c/B/|
AE/A/ cA/c/|ec/e/ a>c|ed dB|BAA2|]

X:493398 
T:WALLS OF LISCARROLL (jig), The 
S:S: ONMI.0704 < Carey
Z:Z: Brennan/Black
N:N: No C naturals in ONMI setting.
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:Dmix 
A|dcA AGE|GEE D2E|GEE cEE|GAB c2e|
dcA AGE|GEE D2E|GEE cEE|DED D2 :|
A|dcd ecA|dcd ecA|cBc cBA|GAB cGE|
Ade =fed|edc dcA|GEE cEE|DED D2 :|

X:531115
T:WALLS OF LISCARROLL (jig), The  
S:S: RC1.089
N:N: Not a C natural anywhere!
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:Edor
f|edB BAF|ABA FEF|AFF dFF|ABc def|
edB BAF|ABA FEF|AFF dFF|EFE E2:|
z|efe fdB|AFE DEF|ABd ede|fed e2e|
gfe fed| edB d2B|AFF dFF|EFE E2:|

X:54079 
T:WALLS OF YOUGHAL (hornpipe), The 
S:S: SRHI.24a
Z:Z: ABC/arr. BB
C:Seán Ryan
Q:1/4=150
L:1/8
M:C|
%R:hornpipe
K:D
%swing .25
GE|DFAF DGBG|DFAF GFGB|ADFA dfaf|gfed cA GE|
DFAF DGBG|DFAF GFGB|Acef gece|d2 ec d2:|
Ac|defd cde=c|B2GB A2 FA|G2EG F2 DF|EA,CE AGFA|
defd cde=c|B2GB A2 FA|G2EG F2 DF|EA,CE D2:|

X:342107 
T:WALPOLE'S BRIDGE (reel)  
Z:Z: ABC/arr. BB
C:Joe Liddy
S:S: Liddy2.33
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:Dm
DC|A,DDE FGAF|ECGC ACGC|A,DDE FGAF|FDEC D2DC |
A,DDE FGAF|ECGC ACGC|Addc AcAG|FDEC D2 :|
FG|Addc Adfg|afge fddc|cAd=B cdeg|abag eddc |
d2 ec defg|fdec A=BcA|aged cAGE|FDEC D2 :|

X:181070
T:WALSH'S (reel) 
S:S: CRE.1
Z:Z: ABC/arr.BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G
EF|G2BG DGBG|DGBG dGBG|ABAG ABcd|egfa gedB|
G2 BG DGBe|dBGB d2 ef|gefd ecAG|FDEF G2 :|
ef|g2 bg dgbg|f2 af dfaf|g2 bg dgbg|fdef gdBd|
g2 bg dgbg|f2af dfaf|bgaf gfed|egfa g2:|

X:581181 
T:WALSH'S FROLICS (jig) 
S:S: WSGM.089 < F.E.Walsh, SFO
Z:Z: Kinder/Black (arr.)
N:N: 1: Repeats added
N:N: 2: Source has an extra measure after m.14 /B2G BdB/ which I'm guessing 
N:is a "scribal error"
M:6/8
L:1/8
%R:jig
Q:1/4=160
K:G
c|B2G BdB|B2G Bdg|e2A Aag|f2d def|
g2 d gfe|d2 c Bcd|edB d2A|GBA G2:|
a|b2 g agf|g2 f efg|e2 d efg|d2 c Bcd|
e2 A Adc|B2 G BdB|ed^c d2 B|GBA G3|]

X:182312 
T:WALSH'S HORNPIPE (1) 
S:S: CRE.2 < Denis Murphy
Z:Z: ABC/arr. BB 
L:1/8
M:C
%R:Hornpipe
Q:1/4=150
K:A 
%swing .25
%%text source key = A
%%vskip 30
E|AcEF Acec|dfBc defe|fece aecA|BecA BAF2|
AcEF Acec|dfBc defe|fece aecA|BecB A3:|
c|aece fece|aece fece|Aece aecA|BecA BAF2|
AcEF Acec|dfBc defe|fece aecB|AcBc A3:|

X:31218
T:WALSH'S HORNPIPE (2)  
Z:Z: ABC/arr. BB
S:S: JOL.119
Q:1/4=150
L:1/8
M:C|
%R:hornpipe
K:A 
%swing .25
F/G/|AcEF Acec|dfBc def2|(3fed ce aceA|BdcA BAFA|
(3ABc EF Acec|dfBc def2|(3fed ce aceA|B2cB A3 :|
c/2e/2|aece fece|aece fecB|A2ce aecA|B2Bc BAFG|
AcEF Acec|dfBc def2|(3fed ce aceA|BdcB A3 :|

X:36067 
T:WALSH'S POLKA
Z:Z: ABC/arr. BB
S:S: Mally.HIP.006
Q:1/4=120
%R:polka
L:1/8
M:2/4
K:A
B|Ac ef|ec c/e/c/B/|Ac ef|e2 ea|
Ac ef|ec c/e/c/B/|AF FE|A2 A :|
c/e/|fe c/e/c/B/|AF FE|A>B Ac|e2 ec/e/|
fe c/e/c/B/|AF FE|A>B AF|A2 A :|

X:41349
T:WALT THE FIDDLER (reel)
S:S: MVBT
C:Brendan Tonra
Z:Z: ABC/arr. BB
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:D
BcdB AFDE|FEDB, A,DFA|BcdB AFAB|defd efdA|
BcdB AFDE|FEDB, A,DFA|defd efdB|AFEG FD D2 :|
fdef dfbf|afdf edBd|BAFB AFAB|1 defd efde|
fdef dfbf|afdf edBA|defd efdB|AFEG FD D2 :|
[2 defd edfb|bddd addd|gece dAFA|defd efdB|\
AFEF FD HD2|]
%
N:N: Named for the father of Brendan's long-time friend and frequent
N:accompanist Helen Kisiel.
%%%

X:66103
T:WALTZ FOR KATY, A
C:Carl Allison 12/2013
Q:1/4=120
M:3/4
%R:Waltz
L:1/8
K:G
P:Part A
Bc|"G" d2c2 (3BcA|"G" G3z GF|"C" E2 F2 G2 |"G" D4 DC|
"G" B,2 D2 G2 |1 "Bm"B4 d2 |"Bm" d4 c<B|"Am" A4 :|\
[2"Bm" B2 d2 B2|"Am"c2 F2 A2|"G" G4||
%%VSKIP 30
P:Part B
|:fg|"D"a4 a2 |"D"a4 ga|"G"b4 a2|"G" g4 gf|
"C"e2 f2 g2|"G" d4 B2 |"C" c4 (3BcB|"D" A4 Bc|
"G" d2 c2 (3BcA|"G" G3 zGF|"C" E2 F2 G2 |"G" D4 DC|
"G"B,2 D2 G2 |"G" B2 g2 d2 |"D" f2 d3a |"G" g4:|"^coda" g6|]

X:612301
T:WALTZ IN PURPLE AND CLARET
%R:Waltz
C:David MacAdam
N:N: Dave's notes on this tune in the ABC file.
M:3/4
L:1/4
K:D
A/G/|F>A d|f>d A|G e c|A2 A|G>e c|
[1 A>B G|F d B|A2:|2 A B c|e d c|d2||
e|:f>b a|e>g f|d c B|A2 A|e>g f|
e b a|1 ^g f g|a2 g:|2 g e c|d3|]
%
%The evening after giving a mid-winter fiddle concert at the Truro 
%Library, Dinah Mellin told me of the ethereal experience of playing 
%a waltz in a room filled with light "purple and claret" from the low, 
%late afternoon mid-winter sun. This unusual color combination evoked 
%in me this waltz, my opus 1. For me its writing was a sudden awakening 
%of almost religious intensity. I could actually write tunes. [2007.02.07] 
%(rev. 2020.11.13)

X:12310
%%staffsep 60
T:WALTZING ARMADILLO (jig), The 
S:S: BBMG
C:© BB
%R:jig
N:N: Surprising what great dancers they are - they certainly don't look it. For 
N:Larry Mallette and the Texas trad crew. (Treble types can play top note of 
N:the double stop.)
Q:1/4=160
M:6/8
L:1/8
K:G
A|"G"Bcd gdd|"G"BGF G2 A|"Em"Bcd eBA|"Em"GED E2 A|
"G"Bcd "Em"ede|"D"fdf "G"gab|"Am"age "D"fdA|"G"BGF G2 :|
A|"G"BAG "Em"ED[B,B]|"D"DEF "G"G2 A|"G"Bcd "Em"ged|"G"BAG "D"A2 A|
"G"BAG DB,D|"Am"[Ee][Cc][A,A] "G"[G,2G2] e|"G"bag "Am"ecA|"G"BGF "G"G2 :|
e|"D" fdf fdf|"G" gba gfe|"D" fdf fdA|BGF G2 e|
"D" fdf "C" ece|"G" dBd "Em"efg|"G" bag "Am"ecA|"G"BGF G2 :|

X:612302
T:WALTZING IN THE GARDEN
%R:Waltz
C:Ned Landry, Canada (arr. by DPM)
S:S: YouTube
Z:Z: DPM (notes in ABC file)
Q:1/4=120
M:3/4
L:1/4
K:G
d|d2 B|e2 B|A2 A/2B/2|c2 (3A/2B/2c/2 |d2 B|A2 D |B3|B2 d|
d2 B|e2 B|A2 A/2B/2|c2 (3A/2B/2c/2 |d2 c|B3|G3|G2||
F/2G/2|A2 (3B/2A/2F/2|D2 D|E2 G/2<E/2|D2 F/2G/2|A2 B/2<A/2|
E2 F/2<G/2|A2(3B/2A/2F/2 |D2 d|
d2 B|e2 B|A2 A/2B/2|c2 (3A/2B/2c/2|d2 c |B2B|G3|G3|] 
%
%1: Transcribed and arranged by DPM. Original in D.
%2: Ned Landry (1921 - 2018) of St John, New Brunswick, was a prominent 
% Canadian old-time fiddler. He was a member of the North American 
% Fiddlers Hall of Fame, and The Order of Canada.  Transcribed and 
% arranged by DPM. Original in D. [2020.09.20 (rev. 2020.11.19)]

X:535413  
T:WANDERER'S MUSINGS, The
T:Works of the Land
S:S: RC3.034
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8 
M:6/8
K:G
%%text "gracefully"
%%vskip 30
GA|B2d e2f|g3 fed|d2B d2e|B3 G2A|
B2A Bde|e2de2f|e6-|e4-ef|
g2e fed|e3 f2g|G2A BAB|E3 d2d|
e3 d2e|B3 A2G|G3-G2z|G,3-G,BA||
G2E D2E|G3 GAB|d2c B2c|d3 def|
g2f e2f|e2d edB|d6-|d2ze2f|
g2e fed|e3 f2g|G2A BAB|E3 d2d|
e3 d2e|B3 A2G|G3-G2z|G,6|]

X:181036
T:WANDERING MINSTREL (jig) (1), The   
S:S: CRE.1 
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%R:jig
K:D
B|ADD BAF|Ade fdB|ADD BAG|FAF GFE|
ADD BAF|Ade fdB|AdB AFE|FDD D2:|
z|f3 ede|fdB AFA|BdB AFG|AGF E2g|
fg/a/f ede|fdB AFA|BdB AFE|FDD D2:|
g|fdf agf|gbe gbe|fdf afd|ceA ceA|
fdf agf|gbe gbe|f3 ede|fdd d2:|

X:251114
T:WANDERING MINSTREL (jig) (2), The
Z:Z: ABC/arr. BB
M:6/8
S:S: FS1.25c
L:1/8
Q:1/4=160
%R:Jig
K:D
B|ADD BAF|Ade fdB|ADD BAG|F/G/AF GFE|
ADD BAF|Ade fdB|AdB AFE|FDD D2 :|
g|fef ede|fdB AFA|BdB AFd|AGF E2g|
f3 ede|fdB AFA|BdB AFE|FDD D2 :|
e|fef afd|gbe gbe|f3 afd|ceA ceA|
fef afd|gbe gbe|f3 ede|fdc d2 :|

X:59136
T:WANDERING MINSTREL (jig) (3), The
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%R:jig
K:D
B|ADD BAF|Ade fdB|ADD BAG|FAF GFE|
ADD BAF|Ade fdB|AdB AFE|FDD D2 :|
B|ABd ede|fdB AFA|BdB AFD|EFE E2e|
faf ede|fdB AFA|BdB AFE|FDD D2 :|
g|fdf afd|gbe gbe|fdf afd|ceA ceA|
fdf afd|gbe gbe|faf ede|fdd d2:|

X:533109 
T:WANDERING MINSTREL MARCH, The 
S:S: RC3.206
Z:Z: ABC/arr. BB
Q:1/4=140
L:1/8 
M:C
%R:march
K:D
fe|d2A2 d2f2|edcB A2g2|f2df gece|d3c A2fe|
d2A2 d2f2|edcB A2g2|f2ef gece|d4 d3||
e|f2a2 d2 fa|gfed c2 (3Acd|e3f gece|d3c A2fe|
d2A2 d2f2|edcB A2g2|f2ef gece|d4 Hd4|]

X:492215 
T:WANDERING WILLY (hornpipe) 
S:S: ONMI.1743 < J.O'Neill
%R:hornpipe
Q:1/4=150
Z:Z: Brennan/Black
M:C|
L:1/8
K:G
%swing .25
dc|BGDG B2cB|A^GAB c2BA|Bgdg BgdB|c2A2 A2dc|
BGDG B2cB|A^GAB c2d2|egdg BgAc|B2G2 G2:|
Bc|dgfg edBd|ea^ga e2ga|bagf gedB|c2A2 A2Bc|
dgfg edBd|ea^ga e2d2|egdg BgAc|B2G2 G2:|

X:66104 
T:WAREHOUSE REEL, The
C:Max Bruecher
Q:1/4=180
M:C|
L:1/8
%R:reel
K:G
D|G,2B,D GBAG|EGDB, G,A,B,G,|A,2CE ABAG|FDDE FGAF|
G2BG ABGE |DG,B,D GBdB |ABcd ecAG |1 FGAF GDB, :|\
[2 FGAF GAB||
|:c|d2BG DGBd |gdfd edBd |e2cA FAce |aege fage |
d2BG DGBd |gdfd edBd |cded cAAG |1 FGAF GAB :|\
[2 FGAF G4|]

X:27094
T:WARM STUFF (reel) 
S:S: HOC.121 ("reel")
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
L:1/8
%R:reel
K:G
A|G2ge d2ed|B2ge dBAB|G2ge d2ed|BGGF EFGA|
G2ge d2ed|B2ge dBAB|G2ge d2ge|dBAB G3 :|
A|B2ed e3g|fgaf gfed|B2ed e2fg |fgaf gab2 |
B2ed e3g|fgaf gfed|B2ed e2fg |fgaf g3 :|

X:35080
%%staffsep 60
T:WARM THE HANDS (reel)
S:S: composer
%R:reel
C:Rick Gagne 
Z:Z: ABC/arr. BB
N:N: "d/o/c/ 1988 on tenor banjo"
Q:1/4=180
M:4/4
K:Em
ef|"G"gBB2 "Am"cBAc|"Em"Bee2 "C"e2dB|"G"BAGB "Am"ABcA|"Em"Bee2 "C"gefe| 
"G"gBB2 "Am"cBAc|"Em"Bee2 "C"e2dB|"G"BAGB "Bm"ABce|"D"gefg "Em"e2 :|
GF|"Em"EFGA Bee2|"Bm"dBB2 "A"A2GA|"Em"BEE2 GFEG|"Bm"FBBA BAGF|
"Em"EFGA Bee2|"Bm"dBB2 "A"A2GA|"Em"BEE2 "Bm"GFED|"Em"E2 EF E2 :|

X:50104 
T:WASH on the LINE* (jig) 
S:S: Petrie.105 (unnamed)
Z:Z: ABC/arr. BB
N:N: A close relative of "Irish Washerwoman"
Q:1/4=160
M:6/8
L:1/8
%R:jig
P:
K:D % 
%%text source key Eb
%%vskip 30
G|F2D D2D|F2A AGF|G2E E2E|G2B BAG|
F2D D2D|F2A AFA|Bcd edc|d2B A2 :|
%
g|f2d d2d|f2a agf|ecA AcA|AcA AcA|
[1 f2d d2d|f2a agf|ecA ABc|d3 d2:|
[2 fgf fgf|gag gag|fgf edc|d3 d3|]

X:493399 
T:WASN'T SHE FOND OF ME? (jig)
S:S: ONMI.0865 < F.O'Neill
Z:Z: Brennan/Black
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:A dorian
f|eAA eAA|efe edB|eAA eAA|ded BAG|
eAA eAA|efe edB|def gfg|edc BAG :|
def gfg|edB eAA|def gfg|edc BAG|
def gfg|aba ab[ac']|bag gfe|dge dBG :|
"^coda"A3z3|]

X:39074 
T:WASP'S FROLIC (jig), The
C:C.O'Hara
Z:Z: ABC/arr. BB
S:S: "Gentlemen's Musical Repository" 
N:N: Notes on this tune in the ABC file
L:1/8
M:6/8
Q:1/4=160
%R:jig
K:G
d|g3d3|cBA G2D|Bdg dBG|cAA ABd|
g3d3|cBA G2D|Bdg dBG|cAF G2 :|
%
c|B2B Bcd|e2e efg|gfe dcB|AdG FAD|
B2B Bcd|e2e efg|bag fed|a2d cBA||
%
g3d3|cBA G2D|Bdg dBG|cAA ABd|
g3d3|cBA G2D|Bdg dBG|cAF G3 ||
%
d2B g2d|b2g fad|Bdg dBG|BdG FAD|
d2f e2g|f2a g2b|bag fed|a2d cBA ||
%
g3d3|cBA G2D|Bdg dBG|cAA ABd|
g3d3|cBA G2D|Bdg dBG|cAF HG3|]
%
%"Composed on the surrender of the British sloop of war 
%'Frolic' to the United States sloop of war Wasp, Capt. 
%Jones." This took place north of Bermuda in October 1812. 
%(Historical accuracy disclaimer: The British recaptured 
%the 'Wasp' and her prize a few hours afterwards!)

X:497124 
T:WASTING MY TIME (jig)
S:S: arr. of ONMI #85, "Sly Patrick"
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
A|BAG AGE|D3 E2F|GAB c2B|A3-AGA|
BAG AGE|DCB, E2F|Gdc BAF|G3-G2 :|
G|B2c def|g3 f2e|efg a2g|a3-aga|
bag age|dcd cBA|GBB AFF|G3-G2 :|

X:497125
T:WATCH OUT FOR PAT (polka)  
S:S: arr. of ONMI #15, "Raking Red Haired Pat"
Z:Z: ABC/arr. BB
Q:1/4=120
%R:polka
M:2/4
L:1/8
K:Ador
d|c2 BA|Be d>B|A2 Bc|dB GA/B/|
cd/c/ BA|Be dA|BA/B/ AG|A3:|
E|AB cd|ef g>e|ag fd|ec AE|
AB cd|ef g>e|ag fd|e2 ef/g/|
ag fa|gf ed|c>A Bc|dB GA/B/|
cd/c/ BA|Be dB/c/|BA/B/ AG|A4|]

X:44186 
T:WATCHDOG AT THE GATE* (hornpipe), The
S:S: NFID.155c ("untitled highland")
Z:Z: ABC/arr. BB
S:S: CC
Q:1/4=150
L:1/8
M:C|
%R:hornpipe
K:Ador 
%%text simplified version
%%vskip 30
B|A2AG edBA|GABG dGBG|A2AG edBA|GABG A3:|
d|ebag e^def|g2fg dgBG|Abag e^def|gdBG A3G|
Abag e^def|g2fg dgfg|afge dBAf|GBAG A4|]

X:495366
T:WATCHMAKER (reel), The
S:S: ONMI.1539 < J.O'Neill
Z:Z: Brennan/Black
%R:reel
Q:1/4=180
M:C|
L:1/8
K:Am
%%text A-B-A
%%vskip 30
ed|:cAAc BGGB|cAAB cded|cAAc BGGB|cABG EAAA:|
%
c2ec gcec|G2BG dGBG|c2ec gcec|eaag eaab|
geeg ^fdd=f|ecce dBGB|ABcd efed|cABG EA"_DC"AB||
"^coda"A4z4|]

X:51093
T:WATER of LIFE (jig), The 
S:S: TIDT 1/37
C:J. Kelly
Z:Z: ABC BB
M:6/8
L:1/8
%R:jig
Q:1/4=160
K:G
G|ABA e2d|BAB e2d|BAB g2B|ABc BAG|
[1 ABA e2d|BAB e2f|gdB efg|ABc BA:|
[2 ABd e2f|gdB B/c/BA|G2B E2G|B2e d^c||
|:B|^cAA d2B|e2d efg|BGG c2A|Bdg d^cB|
[1 ^cAA dfa|gdB B/c/BA|G2B E2G|B2e d^c:|
[2 A^ce aed|BcA G2A|Bee dec|BAG EFG||"^coda"HE6|]

X:51094
T:WATER SO WIDE (barn dance), The
S:S: TIDT 6
C:J. Kelly
Z:Z: ABC BB
M:4/4
L:1/8
%R:hornpipe
Q:1/4=140
K:D
AFDF A2dc|BGDG BcdB|ABdf edBc|defd A2dB|
AFDF A2dc|BGDG BcdB|ABdf edBc|d2f2 d4:|
f2f2 g3f|edcd e3d|cdef gfed|1 cdef ~e2A2|
f2f2 g3f|edcd e3d|cdef gece|d2f2 d3e :|
[2 cdef ~e2AG|F2G2 AFD2|G2A2 BGE2|dcBA Bgfe|
d2d2Hd4|]

X:184032 
T:WATERFORD GIRLS (slip jig), The 
S:S: CRE.4 < Bogue
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=160
M:9/8
%R:slip jig
K:D
d2c d2e fga|d2c d2f ecA|d2c d2e fga|
bag fge d3:|ABA F2G ABc|ded fed e3|
ABA F2G ABc|dcd ecA d3:|

X:47040
T:WATERFORD HORNPIPE, The 
S:S: CNIM.24
Z:Z: ABC/arr. BB
N:N: Close relative of "O'Dwyer's" in O'Neill's 1001. This is probably one of 
N:Mr. O'Farrell's own compositions (as far as we know, Waterford was his 
N:native county).
Q:1/4=150
M:C|
L:1/8
%R:hornpipe
K:G
%swing .25
dc|BdGF G2AG|FADE D3c|BdGF G2Bd|egfa gedc |
BdGF G2AG|FADE D3c|BGdB ecAF|G2 GA G2 :|
ga|b3A bgdg|fgab gfed|efge abag|fadd d2 ga |
b3a bgdg|fgab gfed| egfa gedc|B2G2G2 :|
Bc|dBB2 DGBG| dBB2 DGBG|cAA2 DFAF|cAA2 DFAF |
dBGB ecAc|egfa gfga|bgaf gedc|B2G2G2 :|

X:23018
%%staffsep 60
T:WATERFORD QUAYS (reel) , The
C:D.Conroy
S:S: composer
Z:Z: ABC/arr.BB
Q:1/4=180
M:C
L:1/8
%R:reel
K:Bm
A|"Bm"BdAG FBBc|"A"A2EA cBAc|"D"dcdf "A"eaec|"Bm"dfdB "A7"cBAG|
"Bm"FBBA "D"dffa|"A"e2ce BeAc|"D"dcde "Bm"fbaf|"A"e2cA "Bm"B3 :|
A|"D"d2fd "A"adec|"G"B2FG "A"ABce|"D"d2fd adfd|"Bm"B2fB "A"afec|
"D"d2fd "A"adec|"G"B2FG "A"ABce|"Bm"dBBf "A"eAec|"G"(3dcB "A"cA "Bm"B3 :|

X:48463 
T:WATERFORD WALTZ, The 
S:S: OFPC4.167 ("Irish - Farrell")
Z:Z: ABC/arr. BB
N:N: 1: One of the few "signed" tunes in the OFPC:
N:N: 2: Original measures 25 and 29: |a2 abc'd'|: 
Q:1/4=80
M:3/8
L:1/16
K:D
FG|A2 A2 d2|B2 B2 e2|cB AB cA|d2 f2 a2|
A2 A2 d2|B2 B2 e2|cB AB cA|d4 :|
%
ef|ge ac ge|fd Ad fd|ce ge dc|d2 f2 a2|
ge ac ge|fd Ad fd|ce ge dc|d4 :|
%
FG|Ad Fd Ad|Bd Gd Bd|Ad Fd Ad|df af d2|
Ad Fd Ad|Bd Gd Bd|Ad Fd Ad|e2d2 :|
%
fg|A2 ABcd|b2 g2 g2|fd ge fd|ed cB AF|
A2 ABcd|b2 g2 g2|fd ge dc|e2d2 :|

X:497126
T:WATERS OF THE BOYNE (hornpipe), The  
S:S: arr. of ONMI #260, "Boyne Water"
%R:hornpipe
Q:1/4=150
Z:Z: ABC/arr. BB
M:C
L:1/8
K:Ador
%swing .25
AG|E2e2 efge|dcBA G2AB|c2BA edcB|ABAG E3D|
E2e2 efge|dcBA G2AB|c2BA edcB|A4 A2 :|
cd|e2a2 a2b2|agec d2cd|e2a2 gabg|a3g e2f2|
gfga g2fe|dcBA G2AB|c2BA edcB|A4 A2 :|

X:185142 
T:WAVES OF CLEW BAY* (reel), The
S:S: CRE.5 (unnamed)
Z:Z: ABC/arr. BB
M:4/4
Q:1/4=180
%R:reel
K:D
B|dcAF GFEF|GBAF G2AB|=c2Bd cAG2|Addc dcec|
dcAF GFEF|GBAF G2AB|=c2Bd cAG2|Addc d3:|
d|cdef g2ge|abaf g2 ge|cdef g2fg|afge dcBA|
Bdef g2ge|abaf g2ge|cdef g2fg|afge d3:|

X:535414 
T:WAVES OF TOREY, The  
S:S: RC3.136
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:A
c/B/|A>B AF|FE EB/c/|dd dc/B/|c3 A/B/|
cf f>e|ce ec/B/|AB/c/ df|e3 e|
aa ag/f/|e>f ec|Bc/B/ AF|E3 c/d/|
ee fe/d/|cA FA|E>F AA|A3||
K:D
F/G/|Ad dc/B/|AF FE/F/|GB BA/G/|FD DF/G/|
Ad dc/B/|AF FE/F/|GB BA|D3z|
dA/d/ fa|ge e>d|cA/c/ eg|fd d/g/f/e/|
dA/d/ fa|ge e>d|cb ba|d4-|d4|]

X:11120
T:WAVES OF TORY ("ceili dance" - 2/4), The
S:S: AIF
Z:Z: ABC Brennan/Black (arr.)
Q:1/4=80
M:2/4
L:1/16
%R:polka
K:D
%%text 1: Waves of Tory
%%vskip 30
Bc|d2A2 F2A2|d2d2 d3f|e2d2 c2d2|e2f2 g2fg|
a2f2 g2e2|d2c2 A3F|G2B2 ABAG|F2D2D2:|
de|f2ff f2f2|g2g2 g4|f2ff f2a2|g2f2 e2fg|
a2f2 g2e2|d2c2 A3F|G2B2 ABAG|F2D2D2||
K:G
%%vskip 30
%%text 2: unknown
Bc|d2Bd c2Ac|B2G2 GFGB|A2F2 FEFG|A2G2 G2Bc|
d2Bd c2Ac|B2G2 GFGB|A2F2 FEFG|A2G2 G2:|
AF|G2Bd g3f|f2f2 e4|D2FA f3e|e2d2 d4|
G2Bd g3f|f2e2 e3g|f2a2 e2f2|g4 g2:|
%%vskip 30
K:D
%%text 3: Waterford Polka
fe|d2B2 A2F2|A4 A2Bc|d4 e2de|f2e2 egfe|
d2B2 A2F2|A4 A2Bc|d4 e2de|f2d2d2:|
ge|f2e2 f2g2|a2a2 g2f2|e2b2 b2a2|b2e2 egfe|
d2B2 A2F2|A4 A2Bc|d4 e2de|f2d2d2:|

X:252101
T:WAVES OF TORY (polka), The 
Z:Z: ABC/arr. BB
S:S: FS2.35c
M:2/4
L:1/8
Q:1/4=140
%R:polka
K:D
dA FA|dd d>f|ed cd|ef gf/g/|
af ge|dc A>F|GB A/B/A/G/|FD D2 :|
f>e f2|g>f g2|f>e fa|gf ef/g/|
af ge|dc A>F|GB A/B/A/G/|FD D2 :|

X:581182
T:WAVES OF TRAMORE (jig), The  
S:S: WSGM.124 < W.J.McCormick
Z:Z: Kinder/Black (arr.)
M:6/8
L:1/8
%R:jig
Q:1/4=160
K:G
c|BGB BGB|AFA ABc|ded cAF|GBd g2c|
BGB BGB|AFA ABc|dfd cAF|AGF G2:|
c|def gag|fed cBc|def gag|fef g2c|
[1 def gag|fed cAG|BdB cAF|AGF G2:|
[2 dgb afd|ege dBG|BdB cAF|AGF G3|]

X:52122
%%staffsep 60
T:WAY TO SHERCOCK (reel), The
C:© E.Reavy
Z:Z: Ed Reavy Collection
Z:Z: McKenty/Black
Q:1/4=180
M:4/4
L:1/8
%R:Reel
K:Dmix
%%text "allegro moderato"
%%vskip 30
c|d2 Ad fdAB|[E2c2] Gc EcGc|dcAG FGAF|G2EC EFGB|
A2 FA FGAB|[E2c2] Bd cAGB|Addc defd|cAGE D3:|
c|defg afdB|cdef gecA|defg adfa|gece d2fg|
adfa gceg|fedc dcAG|1 FGAB cded|cAGE D3:|
%%stretchlast 0
[2 FGAB c2ed|cAGE HD4|]

X:533110
T:WAYSIDE WAGGON (reel), The
S:S: RC3.074
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G 
%%text source key Bb
%%vskip 30
F|G2ge dBAG|FDAD BDAD|G2ge dBAG|FGAc BGGA|
G2ge dBAG|FDAD BDAD|G2ge dBAG|FGAc BGG ||
A|GEDC B,CDB,|A2 A^G AEEF|GEDC B,CDB,|G,GGA BGGD|
GEDC B,CDB,|ABcd efga|gedc Bcde|fdcA BGG2|]

X:48354
T:WE ALL TAKE A SUP (jig)
S:S: OFPC3.103 ("Irish") 
N:N: 1: Source title adds ". . .in Our Turn")
Z:Z: ABC/arr. BB
N:N: 2: This is 16 measures with no break in source. I have made a few changes 
N:to turn it into a standard 16/16 jig.
Q:1/4=160
M:6/8
%R:jig
L:1/8
K:D
B|Add dcd|e2c A2A|Aee efg|a2f d2g|
fge agf|b2g e2f|efg gfe|a2f d2 :|
B|Add cee|fdd gee|fga gfe|d3 EFG|
Add cee|fdd gee|fga gfe|d3-d2 :|

X:29116
T:WE BROUGHT THE SUMMER WITH US 
S:S: CGI.073
Q:1/4=120
Z:Z: ABC/arr. BB
L:1/8
M:6/4
K:D 
%%text "allegro con spirito"
%%vskip 30
d>B|A2A2 B>d e4e2|e3f d2e4A2|d3e f2 g3f e2|f4d2 B4g2|
g3a g2f4d2|e4A2 d4B>B|cg3 f2 g3fe2|d2B2A2 A4 ||
dB|A2d2d2 A2e2e2|A2f2f2 e4Bc|d3e f2 g3fe2|f4d2 B4g2|
g3a g2g f3d2|fe3 A2d4B2|A2g2f2 g3fe2|d2B2A2 A4 ||

X:35081
%%staffsep 60
T:WE CAUGHT THE TRAIN (reel)
C:Rick Gagne
S:S: composer
%R:reel
Z:Z: ABC/arr. BB
N:N: "d/o/c/ 1988 on tenor banjo"
M:4/4
Q:1/4=180
K:D
c |"D"dAA2 "G"BAGA|"D"FAA2 dcBA|"Bm"BFF2 "Em"GFEF |"Bm"DFF2 BABc | 
"D"dAA2 "G"BAGA |"D"FAA2 dcBA |"Bm"BABc defd|"A"edcd "Bm"B3 :|
A |"D"dff2 "G"gfef|"Bm"aff2 "G"gfef|"A"Aee2 "D"fede|"Em"gee2 "A"decd | 
"Bm"Bff2 "G"gfef |"D"aff2 "G"gfef |"A"ABcd efec|"Bm"dcBA "G"B3 :|

X:491582  
T:WE MET AT THE FAIR
S:S: ONMI.0342 < F.O'Neill
Z:Z: Brennan/Black (arr.)
M:6/8
L:1/8
K:A
%%text "gaily"
%%vskip 30
c/d/|e>AB GFE|c>Bc dcd|ede cAF|\
=G3 G2c/d/|
e>AB GFE|c>Bc eag|fde cAB|A3A2||
A/B/|ccd eef|=gec d2c/d/|eAB cAF|\
=G3 G2c/d/|
eAB GFE|c>Bc eag|fde cAB|A3A3|]

X:21197 
T:WE'LL DRINK GOOD HEALTH (hornpipe) 
S:S: DMI.0955
Z:Z: Nordberg/Black
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:D
%swing .25
Ac|dcec dBAF|DEGE DEFG|Adcd BGED|CDEF E2Ac|
d2ec dBAF|DCEC DEFG|Adcd BGEC|D2DC D2:|
FG|ABcd edeg|fdec dcde|fdec dBAF|E2ED E2 Ac|
d2ec dBAF|DCEC DEFG|Adcd BGEC|D2DC D2:|

X:50105 
T:WE'LL DRINK TO KEENAN (jig)
S:S: Petrie.327 (as "We'll Drink to the Health of Keenan")
Z:Z: ABC/arr. BB
N:N: "Set from Mary O'Donohoe, Arran-More, 19 Sep.1857"
Q:1/4=140
M:6/8
L:1/8
%R:jig
K:D
%%text "Allegretto"
%%vskip 30
B|dcd e2c|d2B A2F|DCD E2C|D2E F2G|
[1 A2d c2d|B2G E2D|C2D E2F|E3 A2:|
[2 A2d c2d|B2G E2D|EFG AFE|D3 D2 ||
|:A/^G/|A2B c2d|e2d e2g|f2d e2c|d2c d2e|
f2d e2c|d2B A2F|F2E E2E|E3-EBc|
dcd e2c|d2B A2F|DGG ECC|DFF A2G|
A2d c2d|B2G E2D|EFG AFE|D3-D3 |]

X:491583 
T:WEARING OF THE GREEN (march), The 
S:S: ONMI.0467
Q:1/4=120
Z:Z: ABC Brennan/Black (arr.)
M:C
L:1/8
K:G
%%text "moderate"
%%vskip 30
G>A|BBB>A Bd>dB|BAA>G A2Bd|ecg>f edBG|AGG>G G2:|
g>f|eedB ddGA|BcB>A B2g>f|eedB ddGB|AGFE D2GA|
BBB>A Bd>dB|BAA>G A2Bd|ecg>f edB>G|AGG>G G4|]

X:491584 
T:WEARY MAID, The   
S:S: ONMI.0348 < F.O'Neill
Z:Z: ABC Brennan/Black (arr.)
M:C
L:1/8
K:Am
%%text "moderate"
%%vskip 30
e|AAa2 g<eg2|e>dBA GABG|AAa2 geg2|e>dBc A2A:|
B/d/|e>dBA GABG|BGBc d2Bd|e>dBA GABd|g>edB A2A:|

X:24021 
%irish_rolls_on
T:WEAVER-FLYNN REEL
C:© E. Flynn
S:S: composer
%R:reel
M:4/4
Q:1/4=180
L:1/8
K:D
A,|FD (3FEF ADFA|fedf efdB|ADFA dAFD|EA,CE GECE|
FD (3FEF ADFA|fedf efdB|ADFA dAFD|EA,CE D3 :|
z|A,G,A,B, EFGE|FD~D2 FGAB|dA~A2 dfab|afdf g2fe|
dfed BAdB|AdFd EFDF|dFAd FAdF|EA,CE D3 :|

X:253001
T:WEAVERS SLIDE, The
T:Bill the Weaver's, O'Keefe's #2   
S:S: FS3.39c
Z:Z: ABC/arr. BB
M:12/8
L:1/8
Q:1/4=170
%R:slide
K:D
g|fed B2d A2d F2B|A2F DEF E3 E2g|
fed B2d A2d F2B|A2F EFE D3 D2 :|
g|fef a3 baf a3|fef a2f g3 f2e|
fef a3 baf a2a|fef a2f d3 d2g|
fef a3 baf a2a|fef a2f g3 a2g|
fga efg fed B2d|ABA GFE D3 D3 |]

X:32030
T:WEAVING DREAMS (barn dance) 
C:© C.Lennon
Z:Z: ABC/arr. BB
S:S: "Musical Memories 1"
Q:1/4=150
M:C|
L:1/8 
%R:hornpipe 
K:D
F|E2CE FDD2|GEED A3B|cdef gfed|ceAF GEED|
CDEG FDDD|GEED A3B|cdef gfed|cAGE FDD :|
E|ABcd eAGA|g2fd eAGA|cdef gfga|b2a2 g2f2|
efgf eAcA|G3F EFGB|ABcd ecdB|cAGE FDD :|

X:51095
%irish_rolls_on
T:WEDDING DAY (reel), The
S:S: TIDT 2/29
C:J. Kelly
Z:Z: ABC BB
M:C
L:1/8
%R:reel
Q:1/4=180
K:Em
d|egfg eB~B2|edBA GAB^c|dfe^c dA~A2|F/E/DFA defd|
egfg eBBA|GABd g2fg|ad~d2 fadf|e/f/gfd Bee:|
f|gB~B2 g2fg|ad~d2 agfa|Bd~d2 g2fe|defd Beef|
gB~B2 g2fg|ad~d2 agfa|g3e fgfe|1 defd Bee:|2 defd He4|]

X:38291 
T:WEDDING FEAST (slide), The 
S:S: "Music of Ireland - The Big Session" (DJ Taylor)
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:12/8
%R:slide
K:Am
E2 A ABA c2 d e3|d3 d^cd B2 d g3|
E2 A ABA c2 d e2 e|d2 B A2 G A6:|
e3 ded c3 BcB|A3 ecA G2 E E2 D|
E2 A ABA c2 d e2 e|d2 B A2 G A6:|

X:38241
T:WEDDING FIDDLER (reel), The 
S:S: "Reavy Collection: Music of Corktown"
Z:Z: ABC/arr. BB
N:N: Reavy's version of "My Maryanne"
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:Am
AB|c2 ed cAGc|Add^c dcAB|c2 ed cAGF|EDCE D2:|
ef|gage d2 ^cd|eaa^g agef|gage dfed|cAdc A2:|

X:29117
T:WEDDING OF BALLINAMONA, The 
S:S: CGI.021
Z:Z: ABC/arr. BB
N:N: Source doesn't repeat first part.
Q:1/4=120
L:1/8
M:6/8
K:D 
%%text "moderato"
%%vskip 30
A|DED dcd|edc d2 d/e/|fed Bcd|ABG F2D|
DED dcd|edc d2 d/e/|fed Bcd|ABG F2 :|
A|BGE E^DE|B3 G2G|AFD DCD|A3F2A|
BGE E^DE|e3 c2c|dAF GEC|D3-D2 :|

X:21199 
T:WEDDING OF BALLYPOREEN (jig), The 
S:S: DMI.0996
Z:Z: Nordberg/Black
N:N: In Set Dance section of DMI without repeats.
%R:jig 
Q:1/4=160
M:6/8
N:N: Dotted rhythm in source
L:1/8 
K:G
A|GAG gfg|agf g2a|bag efg|dec B2A|
GAG gfg|agf g2a|bag efg|dec B2 :|
d|ecA ABA|e3 c2c|dBG GAG|d3 B2d|
ecA ABA|a3 f3|gdB cAF|G3 G2 :|

X:21198 
T:WEDDING REEL, The
S:S: DMI.0597
Z:Z: Nordberg/Black
%R:reel
Q:1/4=180
M:C|
L:1/8
K:G
dc|B2AG BGAF|G2Bd gedc|BGAG BGAG|FDEF G2dc|
B2AG BGAF|G2Bd gedc|BGAG BGAG|FDEF G2:|
ef|g2ge fgaf|g2ge fddf|g2ge fgaf|bgef g2df|
g2ge fgaf|gfge fddg|bgag bgag|fdef g2:|

X:39075 
T:WELCOME BACCHUS!
S:S: "Amateur's Companion" [as "song"]
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:2/4
K:D
d2 c2|d2 zA|B>c dB|A>G Fe|
fd af|e2-ec|d/c/B/A/ ee|A2 zA|
B2 c2|d2 zf|efgf|fe za|
gf ed|cB Ad|e2 c2|df/e/ f2|
g2 e2|fd/c/ d2|e2 c2|Hd4|]

X:495367
T:WELCOME HOME (reel) (a)
S:S: ONMI.1499 < Cronin
Z:Z: Brennan/Black
%R:reel
Q:1/4=180
M:C|
L:1/8
K:D
AG|FEFG AFDc|BAGB AGFD|FEFG A3g|fdec dcAG|
FEFG AFDc|BAGB AGFD|FEFG A3g|fdec d2 ||
de|fedf edce|dcAB cAGg|fedf edcA|Adce d2de|
fedf edce|dcAB cAGE|FEFG A3g|fdec Hd4 |]

X:51096
%irish_rolls_on
T:WELCOME HOME (reel) (b)
S:S: TIDT 2/31
C:J. Kelly
Z:Z: ABC BB
M:C
L:1/8
%R:reel
Q:1/4=180
K:Edor
FA|BAFA d2cA|Beed BAFG|AD~D2 EDB,C|D2AD BDAd|
Beef edBA|GABc dedB|1 A2dB AFFE|DEFD E2:|
2 A2FA Bdec|dBAF E2|:FA|Beef edBA|B2ec dBAd|
Beef edef|g2bg agfg|edBA Bdef|gfec dedB|
[1 A2dB AdDF|ABAF E2:|2 A2FA Bd~d2|AFDF HE4|]

X:493400
T:WELCOME TO CORK  (jig)
S:S: ONMI.0733 < F.O'Neill
Z:Z: Brennan/Black
N:N: Modal second part is a nice touch!
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
c|dBG dBG|efg dBG|cec BdB|cAG FED|
dBG ecA|gag fed|fed cAF|AGG G2 :|
G|Ggf gag|=fde f3|=F=fe fgf|edc dcA|
Ggf gag|=fde f3|cde =fcA|AGG G2 :|

X:533111 
T:WELCOME TO IRELAND (reel)
S:S: RC3.178
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
L:1/8
M:C|
K:D
dB|AFEF D2 FD|EFAB dcde|fedB AFEF|DFAF E2 dB|
AFEF D2 FD|EFAB dcde|fedB AFDF|EGFE D2:|
DE|FAAB defe|dBAB d2 de|fedc dfef|gefg a2 dB|
AFEF D2 FD|EFAB dcde|fedB AFDF|EGFD E2:|
"^coda"EGFE HD4|]

X:38085
T:WELL I KNOW WHAT KITTY WANTS (slide) 
S:S: "Where's the Crack v/1" (DJ Taylor)
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:12/8
%R:slide
K:G
D|G2 F G2 A B2 e ege|d2 B BAB d2 B B2 A|
G3-G2 A B2 e ege|1 d2 B ABA G3-G2:|
[2 d2 B ABA G3-G2|:f|g2 f e2 d e2 f gfe|
d2 B BAB d2 B B2 A|g2 f e2 d e2 f gfe|
[1 d2 B ABA G3-G2:|2 d2 B ABA G3-G2|]

X:45046 
T:WELLINGTON ROAD (reel) 
C:T. O Canainn
S:S: NTFO.016
Z:Z: ABC/arr. BB
N:N: Source has G as key signature, which would work if this were a "modal" 
N:tune - which it doesn't seem to be. 
Q:1/4=180
M:C
%R:reel
K:D 
D2DF A2AB|f2fe dBB2|f2fe dBAB|dBAF E2EF|
D2DF A2AB|f2fe dBB2|dBB2 dBB2|AFEF D2||
fg|aff2 dff2|aff2 g2fg|aff2 dff2|edef g2fg|
aff2 dff2|aff2 g2fg|abaf g2fg|afed e2fg|
aff2 gee2|aff2 g2fg|aff2 bff2|edef g2fg|
aff2 dff2|aff2 g2fg|abaf g2fg|afed BAFA||\
"^coda"D4z4|]

X:493401 
T:WELLINGTON'S ADVANCE (jig) 
S:S: ONMI.0813 < J.O'Neill
Z:Z: Brennan/Black
N:N: A major in source but more likely Adorian (or Amix)
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:A dorian
F|EAA AGA|cBA c2d|efe efg|dBG GFG|
EAA AGA|cBA c2d|efe dcB|cAA A2 :|
g|aee aee|aed cBA|BAB gfe|dBG GFG|
eaa aga|egg gfg|efe dcB|cAA A2 :|

X:48464 
T:WELLINGTON'S COMING (slip jig) 
S:S: OFPC4.142 ("Irish")
Z:Z: ABC/arr. BB
Q:1/4=150
M:9/8
%R:slip jig
L:1/8
K:Em
c|BAG GDE G2c|BAG GBd efg|
BAG GDG dBG|AEA ABd e2 :|
f|g2e dBB dBB|g2e dBB e2f|
[1 g2e dBB dBG|ABA ABd e2 :|
[2 gbg ege dcB|ABA ABd He3|]

X:183110 
T:WELLINGTON'S REEL 
S:S: CRE.3
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=180
M:4/4
%R:reel
K:A
B|A2cA EAcA|B3c defd|B3c dBBA|GEEF GABG|
A2cA EAcA|B3c defg|afec d2cd|ecdB cAA:|
B|A2ca eaca|a[ac']ba geef|g2bg egbg|a[ac']ba gee2|
a2ca eaca|a[ac']ba gefg|afec d2cd|ecdB cAA:|

X:29118
T:WERE I A CLERK (1)  
S:S: CGI.091
Q:1/4=100
Z:Z: ABC/arr. BB
L:1/8
%R:jig
M:6/8
K:G 
%%text "moderato semplice - dolce"
%%vskip 30
B/c/|d2d edc|B2A G2A|Bdc BAG|E2D D2B/c/|
d2d edc|B2A G2A|Bdc BAG|FED G2 :|
E|DEF G2A|BAG FEc|BAB d2d|edB A2B/c/|
d2d edc|B2A G2A|Bdc BAG|FED G2 :|

X:491585 
T:WERE I A CLERK (2) 
S:S: ONMI.0113
Q:1/4=100
Z:Z: ABC Brennan/Black (arr.)
N:N: It wouldn't take much to make a nice "playing" jig out of this!
M:6/8
L:1/8
K:G
%%text "moderate"
%%vskip 30
B/c/|d2e d2c|BAG G2A|Bdc BAG|FGE D2B/c/|
d2e edB|BAG G2A|Bdc BAG|FED G2||
D|DEG G2B|BAG FEc|B>AB d2e|edB A2B/c/|
d2e edB|BAG G2A|Bdc BAG|FED G3|]

X:534076
T:WERE YOU AT THE ROCK?
S:S: RC1.061 ("An Rabhais Ag an gCarraig")
M:3/4
Q:1/4=80
K:C
%%text "slow and with feeling"
%%vskip 30
D/E/F/G/|A2A2 d/c/A/G/|A2A2 D/G/B/e/|f2f2ed|e4 d/c/A/G/|
A2A2 D/G/B/e/|f2f2 ed|e3d dc/A/|d2d2 cd|e4d2|d4||
%
fe|d>c AG AB|c3A fd|e>d dcAG|E4D2|
D4 DE|F2F2 d/c/A/G/|E2E2 c/A/G/E/|D2D2 CD|E4D2|HD6|]

X:27095
T:WEST BRANCH* (hornpipe), The 
S:S: HOC.060 (unnamed; "clog dance")
Z:Z: ABC/arr. BB
N:N: Dotted rhythm in source
Q:1/4=150
M:C|
L:1/8  
%R:hornpipe
K:D 
%swing .25
%%text source key F; A-B-A
%%vskip 30
(3ABc|dFAd fedc|BGBe gfed|cEGA cBAG|FA^GB A2fe |
^dBdf bagf|agfg edcB|(3A^GA cB A=GFE |D2F2 D2 :|
K:A
cd|eGBG eAfA|eAcB [ac']2 ba|gafg efde|cEAc f2ez |
eGBG eAfA|eAcB [ac']2 ba|gafg edcB |A2c2"_DC"A2 ||

X:183228 
T:WEST THE HILL (hornpipe) 
S:S: CRE.3
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=150
M:4/4
%R:hornpipe
K:G
%swing .25
GE|D3E G2 EG|ABcA BGG2|ABcd eBdB|ABAG EAGE|
DB,DE G2 EG|ABcd gfgd|B2GB ADFA|GBAF G2:|
ef|gfed efde|gedB d2 dB|cBcd gedB|ABAG EAGE|
DB,DE G2 EG|ABcd gfgd|B2GB ADFA|GBAF G2:|

X:181072
T:WEST WIND (reel) (1), The 
S:S: CRE.1  
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:G
BdGA BGdB|ADFG ABcA|BdGA BGdB|cAFG AGG2|
BdGA BGdB|ADD2 ABcA|G2Bd g2de|fdcA AGG2||
%
G2Bd g3e|f2f2 ABcA|G2Bd g2de|fdcA BGcA|
G2Bd g3e|f2fd ABcA|g3a bgag|fdcA AGG2||
%
B2Gd B2Gd|A2Fd A2Fd|B2Gd B2Gd|cADF AGGd|
B2GA BGdB|ADD2 ABcA|G2Bd gfde|fdcA AGHG2|]

X:22146
T:WEST WIND (reel) (2), The
S:S: DMWC.33
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:G
BdgA BGdB|cAFG ABcA|BdgA BGdB|cAFG AGG2|
BdgA BGdB|ADF2 ABcA|G2Bd gbag|fdcA BGcA||
%
G2Bd g3e|f2f2 ABcA|G2Bd g2de|fdcA BGcA|
G2Bd g3e|f2f2 ABcA|g3a bgag|fdcA AGG||
%
c|B2GA AGdB|A2Fc A2FB|B2GA BGdg|fdcA AGGc|
B2GA AGdB|ADF2 ABcA|G2Bd gbag|fdcA AGHG2 |]

X:185080 
T:WEST WINDOW* (jig), The  
S:S: CRE.5 (unnamed)
Z:Z: ABC/arr. BB
M:12/8
Q:1/4=180
%R:jig
K:D
e|f2g afd c2A B2B|cBc ABc dAG A2A|
f2g afd c2A B2B|cBc ABc d3 d2:|
f|a2f d2f a2f e2f|g2e bab afd d2f|
a2f d2f a2f efg|b2a gfe d3 d2:|

X:66081
T:WESTBROOK BELL (reel), The 
C:B. Maloney 
S:S: COMPOSER
Z:Z: ABC/arr. BB
Q:1/4=180
M:C|
L:1/8
%R:reel
K:G
g2fg egdB|c2B2 AGEG|EGDG EGDB,|DEGA Bdef|
g2fg egdB|c2B2 AGEG| EGDG EGDB,|DEGA BGG2|]
gfga bgaf|gdBd ecAg|fdad bdad|gfga bgdg|
g3a bgdB|cBcd efga|bgaf gdBd|cAFD HG4|]

X:37180 
T:WESTERN HORNPIPE, The
N:N: a/k/a/ Athlone, Paddy O'Brien's
S:S: MFC.094B
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:C|
%R:hornpipe
K:C 
%swing .25
gf|ecc2 GcEc|ecc2 GcEc|AFF2 CFA,F|AcBd cegf|
ecc2 GcEc|ecc2 GcEc|AFF2 CFA,F|AcBdc2:|
gf|e2ce gage|f2df a2gf|e2ce agfe|(3ded (3cBA Gegf|
e2ce gage|f2df a2gf|e2ce d2Bd|c2cBc2:|

X:495368
T:WESTERN LASSES (reel), The  
S:S: ONMI.1552 < Dunlap
Z:Z: Brennan/Black
N:N: Another member of the "Grand Spey" family
%R:reel
Q:1/4=180
M:C|
L:1/8
K:C
GF|EGcG AGcG|EGcG EDDG|EGcG AGcG|EGDF ECCG|
EGcG AGcG|EGcG EDDG|EGAB cdef|gefd ecc2||
%
e3e d2dc|AcGc AcGc|e3e d2dc|AcGE ED D2|
efec dedc|AcGc AcGc|eaag egdc|AcGE EDD2||
%
efge c2cd|eaag aged|eg ed cBcd|eaag eg dg|
efge c2cd|eaag aged|dged cBcG|AcGF EGFE|HC4z4|]

X:11005
T:WESTERN LILT (jig), The
N:N: a/k/a/ Lark in the Morning
S:S: AIF
Z:Z: ABC Brennan/Black (arr.)
Q:1/4=160
M:6/8
%R:jig
L:1/8
K:D
d/B/|AFA AFA|BGB BdB|AFA Ade|fed BdB|
AFA AFA|BAB BAB|def afe|fdB B2:|
%
A|def afa|baf afe|def afe|fdB BAB|
def afa|bag agf|gfg fef|dBB B2:|
%
A|def fef|fef fef|def fef|edB BAB|
def fef|fef fef|baf fef|dBB B2:|

X:57160
T:WESTMEATH JIG, The 
S:S: Treoir
Z:Z: ABC/arr. BB
N:N: This is also known as "Lake Shore"; related to "Connie the Soldier"
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:D
D|EFG A2B|=cBc E2 D|DEF GFA|GED GED|
EFG A2 B|=cBc EFG|ABA GFE|FDD D2 :|
e|fed =cde|fdd d2 e|fgf e2 d|cAA ABc|
def gfg|age de=c|ABA GFE|FDD D2 :|

X:38097
T:WESTPORT CHORUS (1) (reel), The 
S:S: "Irish Dance Music" (ed. Reg Hall)
S:S: Frank Quinn & P. Crowley [1926]
N:N: 1: Member of the "O'Rourke's/Wild Irishman" family.
N:N: 2: Eventually has to end on D.
Z:Z: ABC/arr. BB
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:D
AG|FDAD BDAG|FDAF G2 AG|FDAD BAA2|BdcA G2:|
AB|cABG A2AB|cABG Add2|cABG A2A2|BdcA G2:|

X:38196
T:WESTPORT CHORUS (2) (reel), The
S:S: "Irish Dance Music" (ed. Reg Hall)
S:S: Jim Mulqueeny (Clare)
Z:Z: ABC/arr. BB
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:D
AG|FDAF GFEG|FDAF GBAG|FDAF GFED|1 FdcA GB:|
[2 FdcA G2||[K:G]|:FG|A3B cAGB|A3B cdec|A3B cBcA|
%%stretchlast 0
[1 AdcA G2:|2 d2cA HG4|]

X:497127 
T:WET YOUR WHISTLE (jig)
S:S: arr. of ONMI #391, "Whistle And I'll Wait For You"
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
A|BGE DCB,|A,AA AGA|BGE DB,D|EGG G2A|
BGE DCB,|A,AA AGA|BGE DB,D|E2F G2 :|
%
A|GBd GBd|GBd dcA|GBd GBd|ecB AGA|
[1 GBd GBd|Gge dcd|efg aga|baf g2:|
[2 BGE DCB,|A,AA AGA|BGE DB,D|EGG G3|]

X:495369
T:WEXFORD LASSES (reel), The  
S:S: ONMI.1390 < McFadden
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
M:C|
L:1/8
K:D
%%text A-B-A
%%vskip 30
Bc|dcdA BdAF|DFAg fdec|dBdA BdAF|GBAG FDDA|
dcdA BdAF|DFAg fdec|defd cdec|dBAG FDD||
%
g|fdde fgaf|gfga bgeg|fdde fgaf|gbag fddg|
fdde fgaf|gfga bgeg|fgaf g2bg|faeg fd"_DC"ec||
"^coda"d4z4|]

X:182215 
T:WEXFORD REEL, The 
S:S: CRE.2
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
e|d2 cA BGAF|E2 eg fdec|d2 cA BGAF|DFAG FDDc|
d2 cA BGAF|E2 ef gfec|dgfd cdef|dBAG FD D :|
e|f2 de f2 af|gfga bgeg|f2 dg fgaf|gbag fdde|
f2 de faaf|gfga bgeg|fgaf gabg|faeg fdc :|
"^coda"faeg fdAc|Hd4z4|]

X:496055 
T:WHACK at the WHIGS (slip jig) (a), A 
S:S: ONMI.1136 < F.O'Neill
Z:Z: Brennan/Black
Q:1/4=160
%R:slip jig
M:9/8
L:1/8
K:G
d|:cAG G2d G2d|cAG G2d cAG|cAG G2d G2d|
cde =f2d cA=F:|d2g faf g2g|d2g g2a bag|
=f2f fge f2f|cAc =f2d cA=F:|"^coda"G6z3|]

X:532119 
T:WHACK AT THE WHIGS (slip jig) (b), A 
S:S: RC2.263
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:9/8
%R:slip jig
K:Edor
B|AFE E2E E2B|AFE EFB dcB|AFE E2E E2E|
DFA dcB AF:|D|E2e ef^d e2E|E2e e2f gfe|
[1 B2c dec d2B|AFA dcB AFD|2 gfe fed edc|
BAF DFA DFD|HE6z3|]

X:28027
%%historyfont 15
T:WHACKER AWAUL AWEE (air)
S:S: ISQT.20c
Z:Z: ABC/arr. BB
N:N: Nobody seems to have any idea as to what this title is intended to represent.
L:1/8
M:6/8
K:C
%%text "slow"
%%vskip 30
c|cAG G>Ac|c3 c2f|edc c>de|f3 f2 :|
E|F>GF f>ef|g>fe e2d|ecA G>Ac|
e2d d2c/d/|ecA G>Ac|c3-c2 :|

X:12311
%%staffsep 60
%irish_rolls_on
T:WHALING CITY (reel), The
S:S: BBMG
C:© BB 2009
M:4/4
Q:1/4=180
%R:reel
K:D
A|"D"dFFA "Bm"BAFE|"D"DF~F2 "G"GABG|"D"FAdc "G"BGBc|"Bm"dfdB "A"A2 Bc|
"D"dAFA "Bm"BAFE|"D"DF~F2 "G"GABc|"Bm"dB~B2 fBAF|"A"EAGE "D"D3 :|
e|"D"fedf "Em"gebe|"Bm"fedc "G"BdgB|"D"Adcd "A"eAce|"Bm"fbaf "A7"e3g|
"D"fedf "Em"gebe|"Bm"fedc "G"Bdgb|"D"a2 fd "Em"Begf|"A"ecAc "D"d3 :|

X:493402 
T:WHAT AILS YOU? (jig)
S:S: ONMI.1079 < J.O'Neill
Z:Z: Brennan/Black
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:D
A|d2d def|e2d c2A|B2B BAF|A2A ABc|
d2d def|e2d c2A|B2A GEF|D2D D2:|
B|A2G FEF|A2A A2g|f2d edB|d2d d2B|
A2G FEF|A2A A2A|Bcd edc|d2D D2:|

X:332097 
T:WHAT CALL HAVE YOU TO ME NED (jig) (1)    
Z:Z: ABC/arr. BB
S:S: Levey2.49 
Q:1/4=160
N:N: Candidate for "Ugliest ITM Title" - winner to be announced shortly
L:1/8
M:6/8
%R:jig
K:G
%%text "quick"
%%vskip 30
dBG GFG|GFG ABc|dBG GFG|EAG FED|
dBG GFG|GFG Bcd|ceg dBG|ABG AFD :|
Bcd ded|ded dcB|cde e=fe|e=fe edc|
Bcd ded|dBc dfa|gfe dcB|ABG FED :|\
"^coda"HG3z3|]

X:531116
T:WHAT CALL HAVE YOU TO ME NED (jig) (2) 
S:S: RC1.122
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
dBG GFG|GFG ABc|dBG GFG|EAG FED|
dBG GFG|GFG Bcd|gfe dcB|ABG FED:|
Bcd ded|ded dcB|cde ege|ege edc|
Bcd ded|ded def|gfe dcB|ABG FED:|
"^coda" HG3z3|]

X:581183 
T:WHAT'S THAT TO ANY ONE (jig) 
S:S: WSGM.140 < F.O'Neill
Z:Z: Kinder/Black (arr.)
M:6/8
L:1/8
%R:jig
Q:1/4=160
K:G
c|ded dBd|dge dBG|cee dBG|FAA A2c|
ded dBd|dge dBG|cee dBA|BGF G2:|
d|gag gfg|afd def|gag gfg|afd d2f|
gbg faf|ege def|gdB AGA|BGF G2:|

X:497128
T:WHAT'S THE HURRY? (jig)
S:S: arr. of ONMI #529, "Where Are You Going Love?"
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:A
F|EAA ABc|dBA GAB|cBc dBG|BAA A2G|
EAA ABc|dBA GAB|=gfg dB^G|BAG A2 :|
d|efg a2a|=gfe dBG|Aag aba|=ged e2f|
gba =gfe|dec Bcd|e=ge dBG|BAG A2 :|

X:183034
%%staffsep 60 
T:WHEELS OF THE WORLD (jig) (1), The  
S:S: CRE.3
Z:Z: ABC/arr. BB
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
G|FDD ADD|BGB c2A|Bcd ecA|ABG FED|
G3 AGA|BGB c2A|Bcd ecA|AGF G2:|
z|GBd gdB|dBG BcA|Bcd ecA|ABG FED|
[1 GBd gdB|dBG BcA|Bcd ecA|AGF G2:|
[2 G3 AGA|BGB c2A|Bcd ecA|AGF HG3 |]

X:493403
%%staffsep 60 
T:WHEELS of the WORLD (jig) (2), The 
S:S: ONMI.0777 < McNamara
Z:Z: Brennan/Black
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
G|FDD ADD|BGB cBA|Bcd ecA|ABG FED|
G3 A2A|BGB cBA|Bcd ecA|AGG G2:|
B|def gdB|dBG c2A|Bcd ecA|ABG FED|
[1 def gdB|dBG c2A|Bcd ecA|AGG G2 :|
[2 G3 A2A|BGB cBA|Bcd ecA|AGG G3|]

X:181168
T:WHEELS OF THE WORLD (reel), The 
S:S: CRE.1
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:Dmix
dDD2 FAGF|ECC2 EFGA|dDD2 FAGF|EDCE D2FA|
dDD2 FAGF|ECC2 EFGc|AddB cBAG|ECGE D3||
B|dAdf afdf|ecgc acgc|dAdf afdf|edce d3A|
dAdf afdf|ecgc acge|abag efge|fage Hd4|]

X:33
%%titlefont 18
T:WHEELS ON MY WAGON ARE ROUNDER THAN YOURS, The
C:© J. Danforth 2023
Z:Z: ABC/arr BB
N:N: I'll have Jon get in touch with you if you want to ask him.
%R:jig
L:1/8
Q:1/4=160
M:6/8
K:Am
EAA GAB | AGE GED | EAA GAB | AGE D3 |
EAA GAB | ABE GED | G3 GAB | AGE D3 :|
d3 dBA | ABd BAG | EAA GAB | ABd dBA |
d3 dBA | ABd BAG | EAA GAB |AGE D3 :|

X:491586 
T:WHEELWRIGHT, The 
S:S: ONMI.0202 < F.O'Neill
Z:Z: ABC Brennan/Black (arr.)
M:2/4
Q:1/4=50
L:1/16
K:A
%%text "slow"; probably A-B-A
%%vskip 30
E>G|A3B c2f2|e3d c2AB|c3B BAFE|F3A A2:|
e2|f3e f2g2|a3g f2a2|g3e c2B2|c2f2 f2e2|
f3e f2g2|a3g f2a2|g3e c2B2|c2e2 "_DC"e4||

X:181049
T:WHELAN'S (jig)  
S:S: CRE.1
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%R:jig
K:Em
E3 BAF|FEB AFD|E3 BAF|dAF FED|
E3 BAF|FEB AFA|B^c/d/B BAF|dAF FED:|
B3 e3|fed e3|Bdf g3|fdB AFA|
B3 e3|fed e2f|gbg faf|1 edB AFA:|
[2 edB AFD|E6|]

X:12312
%%staffsep 60
T:WHELAN'S FROLIC ("hybrid" jig) 
S:S: BBMG
C:© BB 
Q:1/4=160
%% A "hybrid" tune that may or may not work
M:6/8
%R:jig
L:1/8
K:Am 
"Am"e2 e "G"dcB|"C"c2 c "G"BAG|"Am"EAc "D"^FAd|"C"cBc "G"BAG|
"Em"eag edB|"Am"cBA "G"GED|"C"EDC "G"DED|"Am7"CA,G, "Am"A,3 :|
[M:9/8]
K:Amix
"A"c2d eaa "A"eaa|"A"c2d "G"egd BAG|"A"AEE cEE "G"d3|
"Em"eag edB "A"A3|"A"aea "G"b2a g^fe|"A"cde "G"gfg dBG|
%%stretchlast 0
"A"AEE cEE "G"d3|"Em"eag edB "A"A3 :|

X:491587 
%%titlefont 18
T:WHEN A MAN'S IN LOVE HE FEELS NO COLD 
S:S: ONMI.0164 < J.O'Neill
Z:Z: Brennan/Black (arr.)
M:C
L:1/8
K:G
%%text "slowly"
%%vskip 30
(3DEF|G2BG G2FG|Bcde =f2gd|e2d>c B2G2|F6 (3DEF|
G2BG G2FG|Bcde =f2gf|e2d>c B2G2|G6||
de|=f>d (3cBA B>c (3def|g3d =f2gf|e2d>c B2G2|F6 (3DEF|
G2BG G2FG|Bcde =f2gf|e2d>c B2G2|G4-G4|]

X:491588 
T:WHEN ERIN FIRST ROSE 
S:S: ONMI.0535 < F.O'Neill
Z:Z: Brennan/Black (arr.)
M:6/8
Q:1/4=120
L:1/8
K:Gm 
%%text "boldly"
%%vskip 30
D|DGG G^FD|BAB c2c|dfd cBA|BGG FDC|
DGG G^FD|BAB c2=B/c/|dfd cBA|BGG G2||
d/d/|dgg fdc|Bcd f2f/f/|dfd c>BA|B>GG FDC|
dgg fdc|Bcd f2f|dfd cBA|BGG G2|]

X:491589 
T:WHEN FIRST I MET THEE  
S:S: ONMI.0218
Q:1/4=80
Z:Z: ABC Brennan/Black (arr.)
M:2/4
L:1/16
K:F 
%%text "with spirit"
%%vskip 30
F2|A3G G2G2|G2F2 F2F2|G2^F2 G2A2|c2B2 A4|\
G3G G2^F2|G2A2 B2c2|d3e f2d2|c2A2 F2||
c2|c3f f2e2|f2e2 d2c2|c3f f2e2|e2d2 c3c|\
c2f2 f2c2|d2c2 B2A2|G2d2 c2B2|B2A2 G2F2||
F4F3F|G2F2 F2F2|G3^F G2A2|c2B2 A4|\
G4G3G|G2A2 B2c2|d3e f2d2|c2A2 F4|]

X:491590 
T:WHEN I CROSSED THE VALLEY  
S:S: ONMI.0256 < J. O'Neill
N:N: Dotted rhythm in source
Q:1/4=120
Z:Z: ABC Brennan/Black (arr.)
M:C
L:1/8 
K:G % 
%%text "moderate"; source key = F
%%vskip 30
AB|cBAG g3a|b2ag gfed|e3d BABd|e2fg g2dc|
cBAG g3a|b2ag gfed|efga bagf|e3f g2||
ef|gfed d2b2|afef d2Bc|d3e dedB|d3e/f/ g3f|
edeg e2dB|dBde/f/ g3a|bage de/f/gc|B3A G2|]

X:39076 
T:WHEN I WAS A BOY (jig)
S:S: "Amateur's Companion"
Z:Z: ABC/arr. BB
N:N: 1: "sung by Mr.Johnstone"
N:N: 2: I did a little arranging on this to make it less like a song (with apologies 
N:to Mr. J) and more like a dance tune.
L:1/8
M:6/8
Q:1/4=160
%R:jig
K:D
F|Add dcd|e2d efd|Add dcd|ecA d3|
Add dcd|efg afd|Add dcd|ecA d2 :|
A|dfa afd|ceg gec|d2d dfd|cAc d2G|
AFF GEc|d3-d2B|AFF GEc|d3-d2 :|
g|fdf fdf|a3-a2g|fdd gec|d3-d2B|
AFF GEc|d3- dcB|AGF GEc|d3-d2 :|

X:39104 
T:WHEN I WAS A YOUNKER (jig) 
N:N: Meaning of title = ? "Youngster"?
S:S: MSIST.34a
Q:1/4=160
L:1/8 
M:6/8
%R:jig
K:D
A|dcB BAF|dBd D2d|dcB A2F|AFE E2c|
dcB BAF|dcd ede|fed Bdc|BAF E2 :|
G|A2F A2F|dcd D2F|A2F dBc|BAF E2F|
A2F A2F|dcd ede|fed Bdc|1 BAF E2 :|
[2 BGE HD3|]

X:141205 
T:WHEN SHE CAM BEN 
C:O'Carolan
S:S: CAR-OS
N:N: "Variations on the Scottish Air" (#1 and #2 of 4 shown here)
N:N: "The air from the Scots Musical Museum" (Brennan)
Z:Z: Gilb/Brennan/Black
M:6/8
L:1/8
Q:1/4=120
K:Em
%%text "andante con moto"
%%vskip 30
B,|E>FE G2G|F<DD D2F|E>FE e2e|d<BB B2B/c/|
dGB d2c/B/|A2G F>GA|BBB B2B/A/|G<EE E2||
M:3/4
%%vskip 30
%%text variation 1
B2|e3f ef|g3b ag|f2 d2 de|d3c B2|
e3f ef|g2 bg fe|d2 B2 B^c|B4 ga|
b3c' bc'|a3b ab|g3b ag|f4 B2|
gf ga bg|a^g ab (3c'ba|b2 e2 ef|e4||
%%vskip 30
%%text variation 2
B2|ef ga bg|ef ga bg|f2 d2 de|d3c B2|
ef ga bg|ef ga bg|f2 B2 B^c|B4 ga|
b3c' bc'|a3b ab|g3b ag|f4 B2|
gf ga bg|a^g ab (3c'ba|b2 e2 ef|e4||

X:183027 
T:WHEN SICK IS IT TEA YOU WANT? (jig) (3 settings)
%
%hide_rhythm_tag
%hide_cautionary_ks
%
%
%%text [1] source: CRE.3
%%vskip 30
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
B|Adc dcB|AGB AFG|AdB cde|fdc BAF|
Adc dcB|AGB AFG|AdB cde|fdc d2 :|
e|afe dcd|BGF G2a|bgf ede|cAG AFG|
Add fdB|AFB AFG|A3 cde|fdc d2 :|
%%vskip 30
%%text [2] source: Foinn Seisiun 2.09c
B|Add dcB|ABA AFG|Add cde|fdB BdB|
Add dcB|ABA AFG|Add cde|1 fdc d2 :|\
[2 fdd dfg||
g|afd dcd|BGG G2g|bge efd|cAA AFG|
Add dcB|ABA AFG|Add cde|1 fdc df :|\
[2 fdc d3|]
%%vskip 30
%%text [3] source: ONMI #714
Add dcB|ABA AFA|Add d2e|fdB B2A|
Add dcB|ABA AFA|dfd ege|fdd d3 :|
afd dcd|BGG G2g|bge ede|cAA A2A|
Add dcB|ABA AFA|dfd ege|fdd d3 :|

X:182068 
T:WHEN THE COCK CROWS IT IS DAY (5 settings)
%
%hide_rhythm_tag
%hide_cautionary_ks
%
%
%%text [1] source: CRE2 (version 1)
%%vskip 30
Q:1/4=160
L:1/8
M:6/8				
%R:jig
K:G
D|GAB AGE|c2E c2E|GAB AGE|A2D A2D|
GAB AGE|GBd gfe|dBG AFD|G3 G2:|
B/d/|g2e dBG|B2B B2d|g2e dBG|A2A ABd|
g2e dBG|c2d efg|dBG AFD|G3 G2:|
%%
%%vskip 30
%%text [2] source: CRE.2 (version 2)
D|GAB BAG|d3 d2B|GAB BAG|A3 A2D|
GAB BAG|Bcd efe|dBG AFD|G3 G2:|
B/d/|gdd gdd|cAB c2d|gdd gdd|AFG ABd|
gdd gdd|Bcd efe|dBG AFD|G3 G2:|
%
%
%%vskip 30
%%text [3] source: CNIM.20
K:Bm
B|def edc|B3 B3|def baf|e3 efa |
bab agf|gfe fdc|Bfe dBA|B3 B2 :|
d|AGF AGF|d3 d2B|AGF AGF|e3 efa |
bab agf|gfe fdB|Bgf edc|B3 B2 :|
%
%
%%vskip 30
%%text [4] source: JOL.329
K:G
F|GBB BAG|d3 d2B|GBB BAG|A2A ABA|
GBB BAG|dBd ege|dBG AFD|1 G3 G2 :|2 G3 GB||
d|gdd gdB|c3 c3|gdd gdB|A2B ABd|
gdd gdd|c2c ege|dBG AFD|G3 G2 :|
%
%
%%vskip 30
%%text [5] source ONMI #583
K:Gm 
G|B>cd cBG|G3G2G|Bcd gfd|c3cdf|
gag fed|edc dBG|Bcd cBG|G3G2||
B|FED FED|B3 B2G|FED FED|c3 cdf|
gag fed|edc dBG|Bcd cBG|G3-G2|]

X:491593 
T:WHEN WE WERE GIRLS TOGETHER 
S:S: ONMI.0573 < F.O'Neill
Z:Z: Brennan/Black (arr.)
M:6/8
Q:1/4=120
L:1/8
K:C
%%text "cheerful"
%%vskip 30
G|EFG GA_B|AGF F2G|EFG GAB|cde d2G/F/|
EFG GA_B|AGF f2e/f/|gfe fed|c3e2||
g|ede cde|fd_B def|gec cdc|efg g2g|
gec ege|fd_B def|gfe fed|c3c3|]

X:493405 
T:WHEN WILLIAM AT EVE (jig) 
S:S: ONMI.0944 < J.O'Neill
%R:jig
Z:Z: Brennan/Black
Q:1/4=160
M:6/8
L:1/8
K:C
F|EGc cBc|Bdf fed|ecG AdB|cBA G2F|
EGc cBc|Bdf fed|gec AdB|c3 c2 :|
c|g^fg gag|gfe f2e|def afd|cdc B2G|
ABc fdc|Bcd efg|fdB GAB|c3 c2 :|

X:21200 
T:WHEN YOU GO HOME (jig) 
S:S: DMI.0334
Z:Z: Nordberg/Black
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:Dmix
G|FDE F2d|cAA BAG|FDE F2d|cAF GAG|
FDE F2d|cAB cde|fef ded|cAF G2:|
B|cAA fed|cAG A2B|cAA fed|cAF G2B|
cAA fed|cAB cde|1 fef ded|cAF G2:|
[2 fef dcA|GFE HD3|]

X:491594 
T:WHEN YOU MEET A PRETTY GIRL  
S:S: ONMI.0146
Z:Z: ABC Brennan/Black (arr.)
Q:1/4=120
M:C
L:1/8
K:Gm 
%%text "spirited"
%%vskip 30
A|B3A G2d2|cdBc BAGF|BABc d2g2|dcBA G3||
g|f2d2 d2cB|ABcd BAGF|f2d2 d3f|gfdf g2bg|
f2d2 edcB|ABcd BAGF|BABc d2g2|dcBA G3|]

X:491595 
T:WHERE ARE YOU GOING LOVE? (1)
S:S: ONMI.0484 < J.O'Neill
Z:Z: ABC Brennan/Black (arr.)
M:3/4
Q:1/4=120
L:1/8
K:G
%%text "moderate"
%%vskip 30
dgf|g2ag fg/e/|d>B GD G/A/B/d/|c>A F>A GG|G3d gf|
g2ag fg/e/|d>B GA B/d/f/e/|d>c A>F GG|G3||
A/B/ cB|A>B cd e/f/g/b/|a>f dd e/f/g/e/|a2bgfe|\
d3e/f/ gf|
g2ag fg/e/|d>B GA B/d/f/e/|d>c A>F GG|G3-G3|]

X:491596 
T:WHERE ARE YOU GOING LOVE? (2) 
S:S: ONMI.0529 < F.O'Neill
Z:Z: ABC Brennan/Black (arr.)
M:6/8
Q:1/4=130
L:1/8
K:G
%%text "with spirit"
%%vskip 30
G/F/|DGG GAB|cAG FGA|BAB cAF|AGG G2F|
DGG GAB|cAG FGA|d/e/=fd cA^F|AGG G2||
d|def g2g|=fed cA^F|Ggf gag|=fdd d2e|
^f/g/ag =fed|cd_B A=Bc|d/e/=fd cA^F|AGG G2|]

X:535415
T:WHERE ARE YOU NOW LITTLE GIRL?  
S:S: RC3.020 ("Ca Rabhais Anois a Cailin Bhig")
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=100
M:C
K:D
%%text "andante"
%%vskip 30
de|f2f2 g2g2|f2ed c2de|f2f2 fge>e|d3c A2de|f2f2 g2ag|
f2ed d2ed|dcAG F2GE|E4 D2||FG|A2A2 G2AG|F2G2 E2FG|
A2A2 G2AG|F3E DEFG|A2A2 G2AG|F2G2 E2d2|cAAG F2GE|E4 D4|]

X:12313
%%staffsep 60
T:WHERE CAN SHE BE OFF TO? (fling) 
S:S: BBMG
C:© BB
%R:hornpipe
Q:1/4=150
M:4/4
L:1/8
K:G
%swing .25
"G"DGGA "^Em7"Bdce|"G"dBAG "F"A=FDC|\
"G"DGGA "^Em7"Bdce|"G"dedB "D"(3ABA "G"G2 :|
"G"g2 dg bagf|"F"=f2 cf agfe|\
"G"g2 dg bagf|"^Em7"ecdB "D"(3ABA "G"G2 :|

X:492216 
T:WHERE DID YOU FIND HER? (hornpipe) 
S:S: ONMI.1758 < McFadden
%R:hornpipe
Q:1/4=150
Z:Z: Brennan/Black
M:C|
L:1/8
K:D
%swing .25
fe|dAFA DAFA|dAGA DAFA|Bdef gefd|edcB Agfe|
dAFA DAFA|dAGA D2FA|Bged cABc|d2f2d2:|
fg|afdf Adcd|Fdcd Adcd|Bdef gefd|cdef e2b^g|
afdf Adcd|Fdcd Adcd|Bged cABc|d2f2d2:|

X:57161 
T:WHERE IS THE CAT? (slide) 
S:S: Treoir 
N:N: Lots of alternate names and versions of this tune (cats are part of all 
N:of them!)
Z:Z: ABC/arr. BB
%R:slide
M:12/8
Q:1/4=170
L:1/8
K:G
DED G2D E2D G3|DED G2B ABA E2D |
DED G2D E2D G2d|BdB c2B ABG E2D :|
BAB d2B AGE c2c|BAB d2B ABG E2D |
BAB d2B AGE c2c|ege d2B ABG E2D :|

X:535416 
T:WHERE THE AUGBEG FLOWS  
S:S: RC3.015
Q:1/4=100
Z:Z: ABC/arr. BB
N:N: Last notes in measures 6 and 22 are /D/ in the source.
L:1/8
M:3/4
K:G
%%text "moderato"
%%vskip 30
GF|D2G2A2|B2A2G2|A2 dcAG|F2G2A2|
B2d2B2|cBAGF>E|D2G2G2|G4:|
dc|B2d2d2|d3 cBA|G2c2c2|c4 Bc|
d2g2g2|g2a2b2|d2g2f2|g4 ga|
b2a2g2|ge3 d2|d2 cBAG|F2G2A2|
B2d2B2|cBAGF>E|D2G2G2|HG6|]

X:38131
T:WHERE THE LILIES GROW (polka) 
S:S: T.Cuffe via J.O'Sullivan
Z:Z: ABC/arr. BB
N:N: A version of this tune is called 'Denis Doody's' (fine Kerry box player of
N:days past).
Q:1/4=120
M:2/4
L:1/8
%R:polka
K:D
FD FA|d2 dc|B>A Bc|BA FE|
FD FA|d2 dc|B>A Bc|ed d2:|
f2 e2|d2 dc|B>A Bc|BA FA|
[1 f2 e2|d2 dc|B>A Bc|ed d2:|
[2 FD FA|d2 dc|B>A Bc|ed d2|]

X:52123
T:WHERE THE SHANNON RISES (reel) 
C:© Ed Reavy
S:S: Ed Reavy Collection
Z:Z: McKenty/Black
N:N: According to the book's notation, this is an AA-B tune since there are 
N:no repeats given for the second part. It was probably intended as A-B-A
N:but that wasn't indicated in the book.
Q:1/4=180
M:C
L:1/8
%R:Reel
K:D
%%text "allegro moderato"
%%vskip 30
E|DEFA defe|dBcA BFFG|AGFE DEFA|dBAF EDCE|
DEFA defe|dBcA BFFG|AGFE DEFA|Bdeg fdd:|
e|:fgaf dcdf|eBfB gBfe|defg agfa|gfeg fedc|
defg afdf|edcd efge|faec dcdA|BdAF ED"_DC"C||

X:491597 
T:WHERE'S THE SLAVE SO LOWLY 
S:S: ONMI.0522
Z:Z: ABC Brennan/Black (arr.)
M:4/4
Q:1/4=100
L:1/8
K:G
%%text "with feeling"
%%vskip 30
d2|g3a gaba|g4d2zd|e3d e>fgf|e4d2zB|
g3a gaba|edcB c2Bd|He2ge edcB|B3A G2z2||
B3A B2c2|d2e^c d2g>f|edBd e>fg>f|e4d2ef|
g2g2B3d|edcB A2B>c|d2ge edcB|B3A G4|]

X:331106 
T:WHIGSBOROUGH HUNT (slip jig), The   
Z:Z: ABC/arr. BB
S:S: Levey1.71
Q:1/4=160
L:1/8
%R:slip jig
M:9/8
K:D
G|F2A ABA d2A|Bcd e2d cBA|F2A ABA d2A|
Bcd edc d2 :|g|f2d def g2e|a2e efd cBA|
fef def g2e|a2f edc d2 :|

X:46094
T:WHILE BLOOMING YOUTH 
S:S: OFHC36.03
Z:Z: ABC/arr. BB
N:N: Irregular shape suggests a song melody, or maybe a Carolan composition. 
N:Not a dance tune in any case.
Q:1/4=120
L:1/8
M:4/4
K:C 
G2|c3d e2dc|B3c d2G2|c2BA G3A|G3F E2G2|
c3d e2dc|B3c d2G2|cABG ^F2Gc|B2A2G2 :|
G2|d3e f3e|dcBA G3A|B3E A^GAB|c3d e2A2|
E2^G2 A3B|cAdc B3A|G2c2 f3e|d3G cBcd|
e3f g2c2|1G2B2c2 :|2G2B2Hc4|]

X:491598 
T:WHILE GAZING ON THE MOONLIGHT 
S:S: ONMI.0283
N:N: This is one of the weirder tunes in the 1850!
Z:Z: ABC Brennan/Black (arr.)
M:6/8
Q:1/4=120
L:1/8
K:Em % 
%%text "animated"; source key = Dm
%%vskip 30
G|G2G G2A|G3 F2F|E2E F2G|A2G F2B|
B2A G2F|E3E2^d|e2B B2A|G2F E2^d|
e3 B2^d|e3 B2^d|e2g f2e|d2^c B2c|
d3 A2^c|d3 A2^c|d2=f e2d|c2B A2A|
e2^d e2B|d2^c d2B|e2g f2e|d2c B2A|
G2G G2G|F2F F2^d|e2B B2A|G2F E3|]

X:491599 
T:WHIN BLOSSOM, The 
S:S: ONMI.0515 < O'Reilly
Z:Z: Brennan/Black (arr.)
M:6/8
Q:1/4=120
L:1/8
K:D
%%text "gracefully"
%%vskip 30
D/E/|FGA GAE|DEG A2B/c/|dcA GAE|D3 C2D/E/|
FGA GAE|DEG A2B/c/|dcA GAE|D3D2||
G|ABc d2e/d/|cdc A2G/A/|dcA GAE|D3C2D/E/|
FGA GAE|DEG A2B/c/|dcA GAE|D3D3|]

X:13254
%%titlefont 18
T:WHINNY HILLS OF LEITRIM (slip jig) (1), The 
S:S: BSMI.2 
Z:Z: ABC/arr. BB
%R:slip jig
M:9/8
Q:1/4=150
L:1/8
K:D
A|FAB FAB FED|FAB FAB d2A|FAB FAB FED|
FAd edc B2 :|A|fef efe d2e|fef def g2e|
fef efe d2B|AFA dfa b2a|fef efe d2e|
fef def gfg|afd gfe d2A|BAF DFA HB3|]

X:181067
%%titlefont 18
T:WHINNY HILLS OF LEITRIM (slip jig) (2), The  
S:S: CRE.1  
Z:Z: ABC/arr. BB
M:9/8
Q:1/4=160
%R:slip jig
K:G
AGA dcA d2c|AGA dcA GFG|AGA dcA d2c|eag ege dBG:|
GBB GBd g3|GBB GBG FED|GBB GBd gag|fgf efe dBA:|
"^coda"G3-G3z3|]

X:46095 
T:WHIPPOORWILL (reel), The
S:S: OFHC9.03
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
%R:reel
M:4/4
K:Bm 
%%text source key = Dm
%%vskip 30
A|D2DE F2ED|B2Bc defd|A2AF Afec|dBcA BAFE|
D2DE F2GA|BEFG AFAc|defe dcBA|FBAc B3 :|
z|defd ecAc|dfed cBAc|Bddf efge|dBcA BAFE|
FBBA BdcB|cAEA cedc|dgfe dcBA|FBAc B3 :|

X:532120 
T:WHISKEY IN THE JAR (hornpipe)
S:S: RC2.217
Z:Z: ABC/arr. BB
N:N: Part 1 is close to "Off to California".
Q:1/4=150
L:1/8
M:C|
%R:hornpipe
K:G
%swing .25
D2|GABG AGED|GBdg e2 ef|gfga gedB|ABAG E2 D2|
GABG AGED|GBdg e2 ef|gfge dedB|AcBA G2:|
Bc|dgfg aged|egfa g3d|efgd edBG|ABAG E2 D2|
GABG AGED|GBdg e2 ef|gfge dedB|AcBA G2:|

X:46096
T:WHISKEY IN THE JUG (polka) 
S:S: OFHC5.03 (as "There Is Whiskey . . .")
Z:Z: ABC/arr. BB
%The third part of this is obviously the chorus of "Whiskey 
%in the Jar"
Q:1/4=120
M:2/4
L:1/8
%R:polka
K:G
e|d>B AB|GG zG|GB d>e|=fe zd|
dB AB|GG zB|cB cd|ed zd ||
ed ef|gd zd|ee a>g|fd zd/d/|
ee a>g|gf ed|AA gf|ed BA ||
B>G EF|G3z|B2B>A|Bc d2|
e2e>d|ef g>e|d>B A>B|G4 |]

X:492217 
T:WHISKEY YOU'RE THE DEVIL (hornpipe) 
S:S: ONMI.1639 < F.O'Neill
Z:Z: Brennan/Black
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:A
%swing .25
E2|AcBc AFFE|Acea f2EG|agfe fecA|BcBA F2E2|
AcBc AFFE|Acea f2EG|agfe fecA|B2A2A2:|
cd|eaga fe ce|faga f2EG|agfe fecA|BcBA F2E2|
AcBc AFFE|Acea f2EG|agfe fecA|B2A2A2:|

X:493406 
T:WHISKY AND WATER (jig) 
S:S: ONMI.0874 < F. O'Neill
Z:Z: Brennan/Black
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:Em
D|B2A G3|GBA G3|B2A G2A|B2A BGE|
B2A G3|GBA G2E|FEF d2B|e2B AF :|
A|B2e e2d|fed e3|B2e e2f|g2e fdB|
[1 B2^c d2B|edc d3|B2^c d2e|f2e dB :|
[2 B2^c d2=c|B2A G3|FEF d2B|e2B AFD |E6|]

X:27096
T:WHISTLE AND I'LL COME TO YOU (jig) 
S:S: HOC.158 ("jig - Scotch")
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
L:1/8
%R:jig
K:D 
%%text source key = C
%%vskip 30
E|FGA A2d|FGA A2d|FAd def|ged eAG |
FGA A2d|FGA A2A|dcd eag|fdc d2 :|
c|dfa agf|gab a2f|dfa agf|gab a2f |
gab fga|edB c2A|ABA Aag|fdc d2 :|

X:491600 
T:WHISTLE AND I'LL WAIT FOR YOU 
S:S: ONMI.0391 < J.O'Neill
N:N: A-B-A in source. Note 4/6 measure structure.
Z:Z: ABC Brennan/Black (arr.)
M:6/8
Q:1/4=120
P:A-B-A
L:1/8
K:D
%%text "with spirit"
%%vskip 30
d/e/|Sf>dB A>GF|E>ee e2d/e/|f>dB AFA|B>dd d2:|
f/e/|d>fa d>fa|d>fa a>gf/e/|d>fa d>fa|
bge e2f/e/|dfa dfa|dd'b a2"_DS"a/g/|]

X:582069 
T:WHISTLE O'ER THE LEAVE O'T (strathspey)
S:S: WSGM.104 < "The Caledonian Muse" 1785
Z:Z: Kinder/Black
N:N: Simplified measure 15: |B2c2 dfge|
M:C|
N:N: Dotted rhythm in source (naturally!)
L:1/8 
%R:hornpipe
Q:1/4=130
K:G
%swing .25
GDEG BA B2|deBg AG E2|GDEG BABg|GG BG A2 G2:|
(3def gd ed B2|deBg AG E2|gbeg deBg|GGBG A2 G2:|
GBAc BGAc|BGAE GB A2|GBAc BdGB|GGBG A2 G2:|
GABc d/g/e/d/ B2|cABG cG E2|(3BAB (3cBc (3def (3gfe|\
dGBG A2G2:|

X:56063
T:WHISTLER AT THE WAKE (jig), The  
C:V. Broderick
S:S: Turoe.15a
Z:Z: ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:D
F2G AFA|Bcd efg|fed BdB|AFD EDE|
F2G AFA|Bcd efg|fed BdB|AFE D3:|
fed BdB|A2F EDB|AFG ABF|ABF AFA|
fed BdB|A2F EFA|fed BdB|AFE D3:|

X:52124
T:WHISTLER of ROSSLEA (reel), The
C:© E.Reavy
Z:Z: Ed Reavy Collection
Z:Z: McKenty/Black
N:N: See BB notes in ABC file
Q:1/4=180
M:4/4
L:1/8
%R:Reel
K:G
%%text "allegro moderato"
%%vskip 30
F|GABc dBcA|=fdcA BGGE|=FGAB c2 Bc|dBcA BGAF|
GBAc Bdce|dgfa gfdc|Bd=fd c2 A^F|G2 AF DGG:|
f|g2 dg Bgdg|gbag fdde|=f2 cf Afcf|=fedc AG=FA|
Gggf gfdc|Bcde fdcd|gfde =fdcA|GBAF DGG:|
%
%One of the challenges of transcribing any of Reavy's lesser-known
%tunes is figuring out the accidentals. It's not easy when the book
%presents (e.g.) F natural and F sharp in the same measure. If I were
%learning this, I'd keep all the F's natural. This setting however
%is faithful to the book version.

X:492218 
T:WHISTLING MIKE (hornpipe) 
S:S: ONMI.1679 < J.O'Neill
Z:Z: Brennan/Black
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:G
%swing .25
EF|GABc dBgf|efge dBGB|cedc BAGB|AGFE D2 EF|
GABc dBgf|efge dBGB|cedc BAGB|A2G2 G2:|
EF|gdBd edBd|gdBd edBd|gfed cBAG|FAGE D2 EF|
GABc dBgf|efge dBGB|cedc BAGB|A2G2 G2:|

X:38110 
%irish_rolls_on
T:WHISTLING POSTMAN (reel), The 
S:S: B.Flaherty collection
Z:Z: ABC/arr. BB
N:N: See BB notes to this tune in the ABC file
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:D
ag|fd ~d2 edge|dBAF E2 FE|D2 FD ADFD|ABdf ~g2 ag|
fd ~d2 edge|dBAF EGFE|D2 FA defd|edBc d2:|
Ad|f2 dc dfaf|bfaf gfef|dfaf g2 bg|afdf e2 de|
[1 f2 dc dfaf|bfaf gfeg|fdAG FAdf|edBc d2:|
[2 a2^gb afdf|gefd edBc|dBAG FAdf|edBc d4|]
N:N: Alternate mm 1 and 5: / fdd2 edef /
%
%This is also called "Seamus Connolly's" (e.g. on Kathleeen Collins' 
%recording) but it was not composed by him. When I asked Seamus about 
%this a few years ago, he wasn't sure who composed it, but he thought 
%he got it from a tape made by the late NY fiddler Paddy Reynolds. The 
%ultimate source of the tune remains unknown. But see note to 38214 -
%maybe a solution to the mystery?

X:50106 
T:WHISTLING WILLIE* (polka) 
S:S: Petrie.147 (unnamed)
Z:Z: ABC/arr. BB
Q:1/4=120
N:N: Repeats added
M:2/4 % 4/4 in source
L:1/8
%R:polka
K:D
A|d>e fd|gf ed|c>d ed|cB Ac|
d>e fa|gf ed|cB/A/ Bc|d3:|
d/B/|A>B AG|AD DA|B2 ed|cA AA|
BG GF/G/|AD Df/g/|ag fe|d3 :|

X:341101 
T:WHITE BLACKBIRD (jig), The 
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy1.14
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:A dorian
G|EAA ABc|ABA GED|EAA ABd|edB A2G |
EAA ABc|ABA GAB|ABd efg|edB A2 :|
d|eaa aba|age deg|aba gag|edB ABd |
eaa gag|ege dBd|ABd efg|edB A2 :|

X:49444 
T:WHITE BLANKET (long dance - 2/4), The 
T:An Suisín Bán
S:S: ONMI.1794 < Cronin
%R:hornpipe
Q:1/4=70
Z:Z: Brennan/Black
M:2/4
L:1/16
K:G
B2|c2E2 E2DE|G2AB c3A|BAGE DEFG|A2AB A2GB|
c2E2 E2DE|G2AB c3A|BAGE D2EF|G2G2 G2:|
Bd|e2ef e2d2|gedB c3A|BAGE DEFG|A2AB A2dc|
BAGE DEFA|GABc d2Bd|e2ef e2d2|gedB c3A|
BAGE DEFG|A2AB A2dc|BAGE DEFA|G2GG G2:|

X:491601 
T:WHITE BREAD AND BUTTER 
S:S: ONMI.0402 < F.O'Neill
Q:1/4=130
Z:Z: ABC Brennan/Black (arr.)
M:3/4
L:1/8
K:A
%%text "gaily"
%%vskip 30
%swing .25
A2|c2d2e2|d2c2A2|A6|A2z2A2|c2d2e2|g2e2c2|
d6|d2c2d2|e3a a2|a2g2e2|e3f e2|e2d2c2|
d3e d2|c2A2G2|A6|A4z||A/B/|c2d2B2|c2d2e2|
g2a2f2|g2e2d2|e2a2g2|a2b2g2|a6|a4ef|
g3a g2|g2e2d2|e3f e2|e2d2c2|d3e d2|c2A2G2|
A6-|A6|]

X:12314
%%staffsep 60
T:WHITE BULL (polka), The
S:S: BBMG
C:© BB
L:1/8
%% He's in a field on his side. Asleep? Dead?
%% Meditating?
Q:1/4=120
M:2/4
%R:polka
K:D
"D"A>B AF|"G"d>c dB|"D"Ad "Bm"BF|"A7"GF E2|
"D"A>B AF|"G"d>c BG|"D"FA "A"A/B/A/G/|"D"FD D2 :|
"D"fd "Em"ge|"D"a^g/a/ "G"b>a|"Bm"fd d/e/f|"A7"ge e2|
"D"fd "Em"ge|"D"af/d/ "G"Bd/B/|"D"Ad "A7"e/f/g/e/|"D"fd d2 :|

X:50107 
T:WHITE CHURCH POLKA*, The 
S:S: Petrie.148 (unnamed)
Z:Z: ABC/arr. BB
Q:1/4=120
N:N: Only part 2 repeated in source
M:2/4 % 4/4 in source
L:1/8
%R:polka
K:D
e|fe/f/ ga|fe d2|fe/f/ ga|fe dA|
f>g ag|fe fa|ge/d/ cA|df d :|
c|dB AB/c/|dA G2|A>B cA|dB A2|
f>g ag|fe fg|fe/d/ cA|1 df d :|\
[2 df Hd2|]

X:49445
T:WHITE COCKADE (march) (4 settings)
%hide_rhythm_tag
%hide_cautionary_ks
%
% 
%%text [1] source: ONMI #1803
%%vskip 30
%R:march
Q:1/4=130
M:4/4
L:1/8
K:G
GA|B2Bd cBAG|BABc B2gf|edcB cBAG|E2AA A2GA|
B2Bd cBAG|Bdef gfga|bagf agfe|d2B2B2:|
Bc|d2B2 g2B2|dc de d2Bc|d2Bd g2fg|a2AA A2GA|
B2Bd cBAG|Bdef gfga|bagf agfe|d2B2B2:|
%%text
%%vskip 30
%%text [2] source: CRE.2 (simplified version)
Q:1/4=100
L:1/8
M:2/4
%R:polka
K:G 
g/e/|dB BA|Bc Bg/e/|dB Bc|BA A2|
dB BA|Bd g>a|bg e2|dB A2|
dB BA|Bc Bg/e/|dB BA|DG A2|
B2 BA|Bd g>a|bg e2|dB ||
|:G>A|Bd g>g|Bd d2|Bd gg|dA GA|
Bd BA|Bd g>a|bg e2|dB :|
%%text
%%
%%text [3] source: JOB
%Z:Z: ABC/arr. BB
Q:1/4=110
L:1/8
M:C|
%R:polka
K:G
G/A/|BB cA/G/|dB Bg/e/|dB BG/A/|BA AG/A/|
BB cA/G/|Bd g>a|bg/f/ eg/e/|dB B :|
B/c/|dB gB/c/|dB Bc|dB gf/g/|aA AG/A/|
BB cA/G/|Bd g>a|b/a/f e/g/e|dB B :|
%%text
%%  
%%text [4] source: CGI.199 ("allegro spiritoso")
Q:1/4=80
L:1/8
M:2/4
%R:march
K:G
G/A/|BBB A/G/|BBBg|dB c/B/A/G/|BAA G/A/|
BB c/B/A/G/|Bdgg/a/|b/a/g/f/ a/g/f/e/|dBB ||
%
B/c/|dBg B/c/|d/^c/d/e/ dB/=c/|dBg f/g/|aAA G/A/|
BB c/B/A/G/|Bdg g/a/|b/a/g/f/ a/g/f/e/|dBB B/c/|
dBg B/c/|d/^c/d/e/ dB/=c/|^c/d/e/f/ g/a/^a/b/|aAA G/A/|
BB c/B/A/G/|Bdg g/a/|b/a/g/f/ a/g/f/e/|dBB2|]
%%text

X:342108 
T:WHITE HEIFER (jig), The 
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy2.10
Q:1/4=160
M:6/8
%R:jig
K:D
e|dbb cAF|AFE FDB,|DFA BAF|EFD EFA |
BdA BAF|ABd edB|fed BAF|DED D2 :|
E|Fbb Bde|fdB cAF|BAB dcd|BAF EDE |
Fbb Bde|fef afe|fed BAF|DED D2 :|
e|faa afe|dbb Fbb|dbb fbb|fed Bde |
eaa afe|dbb def|afe fed|BAF D2 :|

X:13426
T:WHITE LEAF (reel) (1), The
S:S: BSMI.4
Z:Z: ABC/arr. BB
L:1/8
%R:reel
M:C
Q:180
K:A
(3EFG|A2cA eAcA|(3Bcd ef edcA|Bcde fdde|fdad fdcB|
A2cA eAcA|(3Bcd ef edcA|Bcde fgaf|edcB A2 :|
ce|aAA2 cAce|a2ga fece|bff2 fece|bffe defg|
aAA2 cAce|a2ga faec|Bcde fgaf|edcB A2 :|

X:184191 
T:WHITE LEAF (reel) (2), The
S:S: CRE.4 < Jack Wade
Z:Z: ABC/arr. BB
L:1/8
Q:1/4=180
M:4/4
%R:reel
K:G
ge|dGG2 dGeG|dGG2 edBd|eAA2 eAgA|eAA2 efge|
dGG2 dGeG|dGG2 edcB|ABcd efge|dcBA G2:|
Bd|g2 dB GBdB|g2 dB GBdB|a2gf edeg|a2gf edef|
g2 dB GBdB|g2 dB GBdB|ABcd efge|dcBA G2:|

X:12315
%%staffsep 60
T:WHITE LIGHTNING, MY ASS! (jig) 
S:S: BBMG
C:© BB
M:6/8
N:N: Dedicated to an actual donkey . . . of course you knew that?
Q:1/4=160
L:1/8
%R:jig
K:A
E|"A"Afe cBA|"Bm"BAB "F#m"cAF|"A"EFA "Bm"BAB|"A"cdc "E"B2 E|
"A"Afe cBA|"Bm"BAB "F#m"cAF|"E"EGB "E7"dcB|"A"cAA "A"A2 :|
B|"A"ecA ecA|"Bm"fdB fdB|"E"gfg gab|"A"aga "E"gfe|
"A"ecA ecA|"Bm"dBF dBF|"E"EGB "E7"dcB|"A"cAA "A"A2 :|

X:493087
T:WHITE PETTICOAT (jig), The 
S:S: ONMI.0773
Z:Z: Brennan/Black
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:Em
B|Bed cBA|GFE B,EG|FBB cBB|eBB cBA|
Bed cBA|GFE B,EG|FBB cBA|GEE E2 :|
g|gec Gce|gaf gec|cBA EAc|Be^d eBG|
FBB GBB|FBA GFE|B,EG cBA|GEE E2 :|
%
N:N: A very interesting "classical"-sounding tune, possibly a composition by 
N:one of the Chief's "posse" of musicians (or the Chief himself).

X:185016 
T:WHITE PONY (jig) (1), The
S:S: CRE.5
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%R:jig
K:G
D|GAG ABA|GBd g2e|dBG AGE|ABc ABA|
GAG ABA|GBd g2e|dBG AGE|GAF G2:|
d|gab ged|ede g2e| dBG AGE|ABc A2d|
[1 gab ged|ede g2e|dBG AGE|GBF G2:|
[2 GAG ABA|GBd g2e|dBG AGE|GAF HG3|]

X:332098
T:WHITE PONY (jig) (2), The   
Z:Z: ABC/arr. BB
S:S: Levey2.97
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:A    
B|ABA BAB|Ace a2f|ecA BAF|BAc B2c|
ABA BAB|Ace a2f|ecA BAF|ABG A2 :|
g|aba afe|fef agf|ecA BAF|Bcd Bba|
aba afd|fef a2f|ecA BAF|ABG A2 :|

X:35082
%%staffsep 60
%irish_rolls_on
T:WHITE RIVER RISING (reel)
C:Rick Gagne 
S:S: composer
%R:reel
Z:Z: ABC/arr. BB
Q:1/4=180
N:N: "d/o/c/ 1993 on tenor banjo"
M:4/4
K:Em
GF|"C"Ecc2 cBAG|"Am"ABce aged|"Bm"cB~B2 BAGF|"Em"G2FG EFGF| 
"C"Ec~c2 cBAG|"Am"ABce aged|"Bm"cB~B2 BAGF |"Em"FGFG E2 :|
ga|"G"bgaf gafg|"C"efde cdBc|"D"Aaag fgaf|"Em"geBe ceBe|
"G"bgaf gafg |"C"efde cdBc |"D"Aaag fgaf |1 "Em"gfed ef :|
[2 "Em"gfed e4 |]

X:54080 
T:WHITE SAILS in the BAY (jig) 
S:S: SRHI.13c
Z:Z: ABC/arr. BB
C:Seán Ryan
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
E|DB,A, A,3|DFA B2A|def gfe|fdB AFE|
DB,A, A,3|DFA B2A|def gfe|fdc d2:|
c|dfa a^ga|bag fed|faf ede|fdB AFA|
dfa a^ga|bag fed|faf ede|fdc d2:|

X:56064
T:WHITE STONE (jig), The    
C:V. Broderick
S:S: Turoe.36b
Z:Z: ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:G
D|DGG BGG|dBe dBG|DGB DGB|DBG AGE|
DGG BGG|dBe dBd|gfe edB|dBA G2:|
%
A|B2c dBd|gfd edB|G2A BAG|1 AGE EDG|
B2c dBd|gfd edB|DGB DGB|AGE G2:|
[2 AGF E2D|DGB DGB|DGB AGE|gfe edB|\
dBA HG3|]

X:45047 
T:WHITE'S CROSS PONY (reel) 
C:T. O Canainn
S:S: NTFO.036
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
%R:reel
K:D 
ABc|:dDD2 ADBD|ADD2 FAA2|dDD2 FAAF|E3F GFED|
dDD2 ADBD|ADD2 FAA2|de=fe dBAd|FABA FDD2:|
defg aff2|afdf edBd|defg aff2|gAgf e2fe|
defg aff2|afdf edBA|de=fe dBAd|FA BA FDD2:|

X:31220
T:WHITE-HAIRED LASS (reel), The  
T:Ships Are Sailing
Z:Z: ABC/arr. BB
Q:1/4=180
S:S: JOL.328
M:4/4
%R:reel
K:Em
GA|Beed BAdB|AD (3FED ADFD|E3F GFGA|Bdef gfed|
B2ed BAdB|ADFD ADFD|E3F GFGA|Beed e2 :|
ef|:g2eg bgeg|fadf afdf|gfga bgeg|fadf e3f|
gfga bgeg|fadf afdf|g2bg f2af|edef gfed :|

X:491602 
T:WHITE-MOUNTAIN MAID, The 
S:S: ONMI.0491 < J.O'Neill
Q:1/4=100
Z:Z: Brennan/Black (arr.)
M:3/4
L:1/8
K:D
%%text "moderate"
%%vskip 30
DF/A/|Bd e>d fe|d2B2AF|E3DEF|E2D2D2|
D4 (3DFE|D2DE FG|A2A2Bd|e2f2dA|
B2AF ED|B,4FE|D>C DE FG|A2A2Bd|
e2f2dA|BA F2ED|E4 DF/A/|Bd e>d fe|
d2B2 (3AFD|E3DEF|E2D2D2|D3-D3|]

X:52125
T:WHITECROSS REEL
C:© E.Reavy 
Z:Z: Ed Reavy Collection
Z:Z: McKenty/Black
N:N: Book is missing natural sign on low F in m.4; also the E's in mm 9 and 11 are
N:marked natural in the book - "scribal error"?
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:G
%%text "allegro moderato"
%%vskip 30
B,C|DGG2 G,A,B,C|DEFD G2GA|BGdG Bcde|=fdBd A=FF2|
GABc de=fd|g^fdB c2 Bc|dgg2 dcBd|cA=FA G2:|
K:Gm
GA|B2 df egcA|B2 dB AcFA|B2 df egcA|BdcA BGGA|
B2 FB DBFB|DBFB AFF2|1 GABc d2 cA|BdcA BG:|
%%stretchlast 0
[2 GABc dBcA|BdcA BGHG2|]

X:581184 
T:WHITESIDE'S HORNPIPE 
S:S: WSGM.160 < James Whiteside ms
Z:Z: ABC Kinder/Black (arr.)
M:C|
L:1/8
Q:1/4=150
%R:hornpipe
K:G
Bc|dcAc BAGB|AFDF G2 Bc|dedB cBAB|c2A2 A2Bc|
dBGB cAFA|GFEF G2 Bc|dfgf dcAF|G2 GF GA :|
Bc|d2^cd dBGB|c2Bc cAFA|B2^AB B=AGB|AGFA c2Bc|
d2^cd dBGB|c2Bc cAFA|BAGB AGFA|G2GF G2 :|

X:20027
T:WHITESIDE'S* (reel)
S:S: DMAC.51 % (unnamed)
Z:Z: ABC/arr.BB
L:1/8
M:4/4
Q:1/4=180
%R:reel
K:Am
Bd|gee2 dB B2|ge^fg a2 af|gee2 dBBA|Bgge d2 Bd |
gee2 dB B2|ge^fg a2 af|gee2 dBBA|Bgge d2 :|
BG|EAA2 GBB2|dege d2 BG |EAA2 GBB2| gedB ABAG |
EAA2 GBB2|dege d2 BG |EAA2 GBB2 |gedB A2 :|

X:23019
T:WHITETAILS' VISIT (hornpipe) , The
C: E. Dooley
S:S: composer
Z:Z: ABC/arr.BB
Q:1/4=150
M:C
L:1/8
%R:hornpipe
K:G
%swing .25
(3DEF|"G"GedB "Am"AGAB|"G"GedB "D"A2 (3DEF|"G"GFGA "Bm"BABd|"Em"gfed "C"e2ef|
"G"gfed "Em"edBd|"Am"cABG "D7"AGFE|"G"DGFG "Em"edBG|"Am"Ec"D"AF "G"G2 :|
Bc|"G"dgef "C"gedc|"G"Bd^cd "Am"ed=cA|"G"Bdeg "Am"abag|"D"fd"A"e^c "D"d2B=c|
"G"dgef "C"gedc|"G"BGAB "D7"cdef|"G"gabg "Em"efgb|"D"afdf "G"g2 :|

X:38089 
T:WHITHER? (slip jig)
C:Pat McNulty
S:S: "The Piper's Dream" (P.McNulty)
Z:Z: ABC/arr. BB
N:N: In top 3 or 4 of the "Worst ITM Titles" competition
Q:1/4=160
L:1/8
M:9/8
%R:slip jig
K:G
GAB G2 B cde|dBd gdB AFD|GAB G2 B cde|
dcB cBA G3:|Bdg B2 g BAG|Bdg B2 g edc|
Bcd gfg dcB|cAa f2 d cBA|Bdg B2 g BAG|
Bdg B2 g edc|Bcd gfg bgd|a2 f dAB cBA||
"^coda"HG6z3|]

X:492219 
T:WHITNEY'S FANCY (hornpipe)  
S:S: ONMI.1765 < F. O'Neill
%R:hornpipe
Q:1/4=150
N:N: Dotted rhythm in source
Z:Z: Brennan/Black
M:C|
L:1/8 
K:G
%swing .25
d2|g3a gfed|edBG AGEF|GFGA BABd|ed^ce d2 EF|
g3a gfed|edge dBAB|GAGE DCB,A,|B,2G,2G,2:|
D2|GABA GAB2|ABcB ABc2|defe dcBA|GABc d2D2|
GABA GAB2|ABcB ABc2|defe dcAF|G2G2G2:|

X:15172
T:WHITTSON HOLYDAY 
S:S: CCCD
Z:Z: ABC/arr. BB
N:N: I'm guessing the title is the Neals' spelling for "Whitsun Holiday"
M:6/8
L:1/8
K:G % 
%%text source key F
%%vskip 30
d3 e3|d2c B/c/dG|GgG GgG|F2G AFD|
d3 e3|d2c B/c/dG|GgG GgG|f>ef g3 :|
A3 B3|A2G F/G/AD|DdD DdD|Ddc B3|
B3 c3|B2A G/A/BE|EeE EeE|Ee^d e3|
e3 g3|B2c dDD|E3 c3|F2G AFD|
d3 e3|d2c B/c/dG|GgG GgG|Ggg g3 :|

X:491603 
T:WHO ARE YOU? 
S:S: ONMI.0239 < F. O'Neill
Z:Z: ABC Brennan/Black (arr.)
M:2/4
Q:1/4=80
L:1/16
K:G
%%text "with spirit"
%%vskip 30
G2|A2A2 B2d2|c2B2 A2G2|E2DE G2G2|G6Bd|
e2e2 d2g2|B3A G2Bc|d2d2 e>dBG|A6d2|
e2e2 d2g2|B3A G2Bd|c2B2 A2BG|E6FG|
A2A2 B2d2|c2B2 A2G2|E2DE G2G2|G4-G4|]

X:331107 
%%titlefont 18
T:WHO'LL COME FIGHT IN THE SNOW? (slip jig) (1)   
Z:Z: ABC/arr. BB
S:S: Levey1.68
Q:1/4=160
L:1/8
%R:slip jig
M:9/8
K:D
%%text "with spirit"
%%vskip 30
d2A F2A F2A|d2A F2A GFE|d2A F2A F2A|
ABA GFE D3 :|A3 B3 c3|Bdc BA^G A3|
d3 e3 f3|egf edc d3 :|

X:38088
%%titlefont 18
T:WHO'LL COME FIGHT IN THE SNOW? (slip jig) (2) 
S:S: "Collection of the Dance Music of Ireland" (P. McNulty)
Z:Z: ABC/arr. BB
L:1/8
M:9/8
Q:1/4=160
%R:slip jig
K:D
d2A F2A F2A|d2 A F2 A GFE|d2A F2A F2A|
ABA GFE D3:|A3 B3 c3|Bdc BA^G A3|
d3 e3 f3|egf edc d3:|

X:497129
T:WHO'S THE GIRL? (reel)
S:S: arr. of ONMI #566, "This Is Not My Sweetheart"
Q:1/4=180
%R:reel
Z:Z: ABC/arr. BB
M:C
L:1/8
K:D
A|FAAB d2dA|BdAF GEEA|FAAB d2af|dBAG FDDE|
FAAB d2dA|BdAF GBde|fgaf dgec|dBAG FDD:|
A|FAAd BdAF|GBAD CEEA|FAAd BdAF|GBAG FDDA|
FAAd BdAF|GBdB cAeA|faa2 dedc|dBAG FDD :|

X:182063 
T:WHOLE CHICKEN IN THE SOUP (slide), The 
N:N:  Irish = "Chearc ar fad is an tAnraith"
S:S: CRE.2
Z:Z: ABC/arr. BB
N:N: See BB notes in ABC file. In top 3 or 4 of the "Weirdest ITM Titles" 
N:competition.
Q:1/4=170
L:1/8
M:12/8
%R:slide
K:G
A|G2E D2E G2A B2B|cBA B2G A2G EDE|
G2E D2E G2A B2B|d2B ABA G3 G2:|
d|efg d2B c2e d2c|d2B A2G E2G A3|
[1 efg d2B c2e d2c|d2B ABA G3 G2 :|
[2 G2E D2E G2A B2c|d2B ABA G3 HG3|
%
%Unusual title derives from a song (supplied to Breathnach 
%by Denis Murphy). The translation from Irish isn't exact 
%("is an" would mean "and the", not "in the") 
%
%This is as good a place as any to mention other confusions 
%among tunes with "Hens" or "Chickens" in the title (e.g., 
%"The Hen and Her Brood", "Hen and Her Broth [?]"
%"Anraith" above definitely means "soup" while "bród" is 
%"brood", i.e. lots of little chicks. Probably a bad 
%back-translation somewhere. . .

X:182096 
T:WHY DIDN'T I LOVE MARY? (slip jig) 
S:S: CRE.2
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:9/8
%R:slip jig
K:G
GAG A2A A2B|DEG G2A B3|GAG A2A A2B|
DEG ABA G3:|B2c d2B c2A|B2c d2B c3|
B2c d2B cBA|BAB G2A B3|B2c d2B c2A|
B2c d2B c3|d3 c2A BAG|DEG ABA HG3|]

X:29120
T:WHY DO YOU LEAVE ME?  
S:S: CGI.194
Z:Z: ABC/arr. BB
Q:1/4=100
L:1/8
M:C
%R:march
K:G 
%%text "andante"
%%vskip 30
d>edB g3e|dBAG E3G|DGBe d2B>G|A6 d2|
d>edB g3a|b>c'be g2Bc|deGA B2A>B|G6 ||
g>f|e3c A2g>f|e3g a2GA|B2d>e dgfg|a6 G>A|
B3c dbab|g2GA G2Bc|d>edB d2A>B|G4-G4 |]

X:48465 
%%titlefont 18
T:WHY SHOULD WE QUARREL FOR RICHES? (slip jig) 
S:S: OFPC4.161 ("Irish"; as "Quarrell")
N:N: Repeats added 
Q:1/4=150
M:9/8
L:1/8
%R:jig
K:Em 
g|dBB BAG AGA|BcB AGF E2e|dBB BAG AGA|
B2B AGF E2 :|F|GAG GBd dBA|B2A Bgf ege|
%%stretchlast 0
dBB BAG AGA|BAG AGF E2 :|

X:45048 
T:WHY SO? (jig)
C:T. O Canainn
S:S: NTFO.021
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%R:jig
K:D
D2D DFA|dcd efg|D2D DFA|dcd EFE|
D2D DFA|dcd efg|a2f gfe|f2f gfe:|
d2d AFA|DFA DFA|d2d AFA|BEF GFE|
d2d AFA|def gfg|a2f gfe|f2f gfe:|\
"^coda"d6||

X:492220 
T:WICKLOW HORNPIPE, The
S:S: ONMI.1579 < Ennis
Z:Z: Brennan/Black
Q:1/4=150
%R:hornpipe
L:1/8
M:C|
L:1/8
K:D
FG|ABAF DEFG|AGFD c2 Bc|defd cAGF|DG G2 DGGz|
ABAF DEFG|AGFD c2 Bc|defd cAGF|F2D2D2:|
z2|f2fd cAGF|D2g2 g2af|d3e fdec|Addc Addz|
efec ABcA|dcAB c2 Bc|defd cAAG|F2D2D2:|
%
N:N: O'Neill's setting has no C naturals in mm 2,6, and 14. The current version
N: is the tune called "Delahunty's" (in the ITTL "DE" file).
%%%

X:185004 
T:WICKLOW MOUNTAINS (jig), The
S:S: CRE.5
Z:Z: ABC/arr. BB
M:6/8
Q:1/4=160
%R:jig
K:G
D|B2A BGE|GBd gdB|A2B AGE|DEG AGE|
DBA BGE|GBd edB|A2B AGE|1 DEF GE :|\
[2 DEF G2||
g/a/|bag edB|A3 BGE|DGG Bdd|edB ABd|
[1 bag edB|AGF GED|GBd g3|edB G2:|
[2 bag edB|AGA BGE|DGG Bdd|edB HG3|]

X:59138
T:WICKY SEARS (jig)
S:S: JOB
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%R:jig
K:G
D|GED G2A|BdB ABd|edd gdd|ege dBA|
GED G2A|BdB ABd|edd gdB|AGF G2 :|
d|gfg efg|fdd edc|B^cd efg|fd^c def|
[1 gfg efg|fdd edB|ege dBA|BGF G2 :|
[2 gfg aga|bag efg|efe dBA|BGF HG3|]

X:39102 
T:WIDOW CAMPBELL (slip jig), The  
S:S: MSIST.42a
Q:1/4=160
L:1/8
M:9/8
%R:slip jig
K:G
c|BAG GDG G2c|BAG GFG ABc|
BAG GDG G2B|cAF FDF AB :|
c|:ded dBG B2c|ded dBG ABc|
[1 ded dBG B3|cAF FEF ABF:|
[2 ded gfe dcB|cAF FEF ABc|G6z3|]

X:492221 
T:WIDOW CANTWELL'S FANCY (hornpipe) 
S:S: ONMI.1732 < Mrs.Cantwell
%R:hornpipe
Q:1/4=150
Z:Z: Brennan/Black
M:C|
L:1/8
K:G 
%swing .25
%%text simplified version
%%vskip 30
ge|dBGG GBdB|AGFE DcBA|GFGG GBdB|BAAA A2ge|
dBGG GBdB|AGFE DcBA|GBdg ecAF|G2G2 G2:|
Bc|dgg2 dgg2|dgg2 edcB|Aaag fedc|Bdef gfge|
dBGG GBdB|AGFE DcBA|GBdg ecAF|G2G2 G2:|

X:48466
T:WIDOW DICKENS (polka), The  
S:S: OFPC4.170 (as "Widdow")
Z:Z: ABC/arr. BB
Q:1/4=120
M:2/4
L:1/8
%R:polka
K:G
G|B2 dB|c2 ec|B>d Bd|AF ED|
g2 dB|g2 dB|c>A FD|G2 G :|
D|G2 BG|G2 BG|A2 cA|A2 cA|
[1 B2 dB|c2 ed|c>B AG|FA F :|
[2 B2 dB|c2 ec|B>G AF|HG4|]

X:27097
T:WIDOW MACHREE (jig), The  
S:S: HOC.189
Z:Z: ABC/arr. BB
N:N: Nice tune, cheesy title!
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:G
z|DEF GFG|ABG e3|d2AB2G|ABG EGE |
DEF GFG|ABG e3|d2AB2G|AGF G2 :|
B|cBc edc|BAB dcB|A^GA cBA|BGF EGE |
DEF GFG|ABG e3|d2AB2G|AGF G2 :|

X:46097 
T:WIDOW MALONE, The  
S:S: OFHC30.03
Z:Z: ABC/arr. BB
N:N: No breaks or repeats in source. This is a song melody.
M:6/8
K:D
A/G/|F>GA Bcd|A2d f2A/G/|F>GA Bcd|AAd Hf2e|
ggf ede|f2f a2f|ggf efe|d3 d2 :|

X:491604 
T:WIDOW'S DAUGHTER, The   
S:S: ONMI.0076 < F.O'Neill
Z:Z: ABC Brennan/Black (arr.)
M:C
L:1/8
K:Em
%%text "slow"; A-B-A
%%vskip 30
g/f/||SedBc BAGA|B2A2 A2(3Bcd|e3f gfe^d|e6||
ef|gfga bagf|e6 ga|b2gb agfg|e6 "_DS"g>f|]

X:491605 
T:WIDOWED BRIDE, The  
S:S: ONMI.0156 < F.O'Neill
Q:1/4=80
Z:Z: ABC Brennan/Black (arr.)
M:C
L:1/8
K:Em
%%text "plaintively"
%%vskip 30
G>F|E2B>c B2AB|cBAG F2G>F|E2e>f g2f>e|^d>efd B2AB|
cBAG F2G>A|BGFE ^d2ef|gef^d eB A/c/B/A/|G2F2 E2||
zB|e2e>f g2f>e|b>aga f2 e^d|eBef g2fe|b>aga f2 AB|
cBAG F2G>A|BGFE ^d2 ef|gef^d eB A/c/B/A/|G2F2 E4|]

X:48246 
T:WIFE OF MY OWN (slip jig), A 
S:S: OFPC2.55 ("Irish")
Z:Z: ABC/arr. BB
Q:1/4=160
M:9/8
L:1/8
%R:jig
K:Em
EFE G2A B3|EFE G2A BGE|EFE G2A B3|
DED FGA AFD:|gfg agf e3|E2E G2A BGE|
gbg faf d3|DED FAd AFD:|BdG AcF G2D|
E2E G2A BGE|BdG AdF G2E|DED FGA AFD:|
"^coda"HE6ze|]

X:533112 
T:WIGS ON THE GREEN (hornpipe)
T:Fisher's Hornpipe
S:S: RC3.181 
Z:Z: ABC/arr. BB
Q:1/4=150
N:N: Dotted rhythm in source
L:1/8 
M:C|
%R:hornpipe
K:D
%swing .25
Ac|dAFA GBAG|FDFA GBAG|FAdf gfeg|fddf ecAc|
dAFA GBAG|FD FA GBAG|FAdf gece|d2d2d2:|
cd|ecAc efge|fdde fgaf|edcB Agfe|dcBc A2dc|
BGGA BcdB|AFDF ABcA|BcdA BGEC|D2D2D2:|

X:59231
T:WILD COLONIAL BOY, The 
S:S: JOB
Z:Z: ABC/arr. BB
L:1/4
M:3/4
K:G
D|G2B|d2^d|e2c|A2G|F2D|B2A|G3-|GBc|
d2g|g2f|f2e|A2B|c2d|f2e|d3-|dBc|
d2g|g2f|f2e|A2B|c2d|f2e|d3-|dcA|
G2B|d2^d|e2c|A2G|F2D|B2A|G3-|G3|]

X:496056 
T:WILD COLT (slip jig), The  
S:S: ONMI.1135
Z:Z: Brennan/Black
Q:1/4=160
%R:slip jig
M:9/8
L:1/8
K:G
c|BAG FDD DFG|ABc BAG A2c|BAG FDD DFG|
A/B/cA BGG G2:|G/A/|Bcd efg fdc|BAB ABG A2d/c/|
%%stretchlast 0
BAG FDD DFG|A/B/cA BGG G2:|

X:184012
%%historyfont 15
T:WILD DUCKS' FLIGHT* (jig), The  
S:S: CRE.4 < James McMahon (unnamed)
Z:Z: ABC/arr. BB
N:N: Just a reminder to you treble players: you can substitute E for low C without
N:doing major damage to the tune.
L:1/8
Q:1/4=160
M:6/8
%R:jig
K:D
A|DCD AFD|GBG AFD|GBG FAF|ECE GFE|
DCD AFD|GBG AFD|GBG AFD|GEC D2:|
A|dfa afd|gfg bge|afd gec|dcd ecA|
[1 dfa afd|gfg bge|afd Bgf|edc d2:|
[2 dfd ecA|dBG AFD|GBG AFD|GEC HD3|]

X:531118
T:WILD FIRE CHASE (reel), The  
S:S: RC1.152
N:N: Version of "Five Mile Chase"/"Four Hand Reel", which is usually played 
N:in G.
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:A
FG|A2cA eAcA|GBEB GBEB|A2cA eAce|fagb afec|
A2cA eAcA|GBEB GBEB|A2cA eAce|fagb a2||
ag|aece aece|fgaf fece|aece aece|fagb a3a|
abc'a fgaf|efed cBce|fefg fece|fagb af||
"^coda"fagb afeg|Ha4z4|]

X:491606
T:WILD GEESE, The  
S:S: ONMI.0170
Q:1/4=100
Z:Z: ABC Brennan/Black (arr.)
M:3/4
L:1/8
N:N: Dotted rhythm in mm 17-48 not reproduced here.
K:A
A>B|c2 c/B/A A/B/c|B2 c/B/A/F/ E2|F2 A2A>B|A4 B>c|
d2 d2 d/c/B|c2 c2 c/B/A|B2 f2 e>c|B4 A/B/c|
d2 d2 d/c/B|c2 c2 c/B/A|B>c dc BA|F4 A>B|
c2 c/B/A A/B/c|B2 c/B/A/F/ E2|FG AB cB|A4 AB|
"^17"cB AB cA|BA FA BF|AF EF AB|A4 z2|
dc Bc dB|cB AB cA|B2 f2 ec|B4 A/B/c|
dc Bc dB|cB AB cA|Bc dc BA|F4 AB|
cB AB cA|BA FA BF|AF EF AB|A3 fec|
%%text CHORUS
A3 fec|A3 fec|d2 d'f ec|d2 d'f ed|
c2 c'f ed|c2 c'f ec|B2 bf ec|B2 bf ec|
d2 d'f ed|c2 c'f ec|B2 bd cA|F4 AB|
c2 c/B/A A/B/c|B2 c/B/A/F/ E2|FG Ac Bc|A3-A3|]

X:332099 
T:WILD HARBOR JIG*, The   
Z:Z: ABC/arr. BB
S:S: Levey2.9 (unnamed)
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
%%text "moderately fast"; source key E
%%vskip 30
G|F2D D2D|F2G AGF|G2E E2E|G2A BAG|
[1 F2D D2D|F2G AGA|Bcd edc|d2B A2 :|
[2 F2D D2D|F2G AGA|Bcd edc|d3 d2||
|:g|f2e d2c|d2f afd|ecB AcA|ecB AcA|
[1 f2e d2e|f2a gaf|ecB ABc|d3 d2 :|
[2 fgf fgf|gag gag|fgf edc|d3 Hd3|]

X:491607 
T:WILD IRISH BOY, The 
S:S: ONMI.0353 < Mrs.Fitzgerald
Z:Z: ABC Brennan/Black (arr.)
N:N: No repeats in source.
M:6/8
L:1/8
K:G
%%text "with feeling"
%%vskip 30
DE/F/|GBD E<GE|DA,B, G,2A,/B,/|CEC B,<DG/A/|BcB ADE/F/|
GBD E<GE|DA,B, G,2A,/B,/|CEC B,<DG/A/|BcB G3|]

X:11052
T:WILD IRISHMAN (reel) (4 settings)
%hide_rhythm_tag
%hide_cautionary_ks
%%text [1] source: AIF
%%vskip 30
Q:1/4=180
M:C
L:1/8
%R:reel
K:D
f|edcB A2cA|eAcA e2ef|edcB A2de|fage dcdf|
edcB A2cA|eAcA e2ef|edcB A2de|fage dAFG||
|:d2fd Adfd|A2cA eAcA|d2fd Adfg|afge dAFA|
d2fd Adfd|A2cA eAcA|d2fd Adfg|1 afge dcde:|\
[2 agfe d2|]
%%vskip 30
%%text [2] source: NFID.106b
K:Amix
|:gf|edcB A2 cA|eA cA e3f|edcB ABce|f2ge d2:|
Bc|defd gefd|dged cABc|defd gefd|gage d2Bc|
defd gefd|dged cABc|defg a2ag|fa ec dcd||\
"^coda"edcB A3|]
%%vskip 30
%%text [3] source: BSMI.3 (possibly a naming error in source)
%%text 
K:Adorian
|:e|aged BGGA|BGdG BGG2|aged BGGA|BddB BAA :|
d|eaaf gfgd|eaaf ged2|eaaf g2ba|gedB BAA2|
eaaf gfgd|eaaf gedg|bgaf gedg|eBdB A4 |]
%%vskip 30
%%text [4] source: Mally.VIST:007 (high part first)
K:D
d2fd gefe|dfed cdec|d2fd gefe|fgfe dcBc|
d2fd gefe|dfed cdeg|f3d g3e|cdec dcdf ||
edcB A2cA|eAA2 eAfA|edcB ABce|fgfe dcdf|
edcB ABcd|eAA2 eAfA|edcB ABce|fgfe dABc ||
"^coda"d4z4|]

X:48159 
T:WILD OATS (jig) 
S:S: OFPC1.51 ("Irish")
Z:Z: ABC/arr. BB
D:D: "O'Sullivan Meets O'Farrell 1" track 8b
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:D
z|AFD DFD|DED G2A|BGE EFE|EGE G2B|
AFA BGB|AFA B2A|BdB AFd|AFE D2:|
d|efe ecA|ABA A2e|fag fdB|BcB Bcd|
ece fdf|gfe d2A|BdB AFd|AFE D2:|

X:341102 
T:WILD ROSE (reel), The
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy1.47
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G
dc|BGGF GFDE|FGAF GABc|d2 fd cdBc|d2 gf gfdc |
BGGF GFDE|FGAF GABc|dggf gfdc|BGAF G2 :|
Bc|dgaf gfdc|BGAF GABc|dBfB gdfd|gfdB cdBc |
dgfa gfdf|gfdc BGFG|Bcde fdcA|GBAF G2 ||
ef|g2 gf dcBc|dGAB GFDF|GABc defg|agfa g2 ga |
bgaf gfdB|cfdc BGBc|dgaf gfdc|AGFD G4 |]

X:52126
T:WILD SWANS AT COOLE (reel), The
C:© E.Reavy
S:S: Ed Reavy Collection
Z:Z: McKenty/Black
N:N: See BB notes on this tune in ABC file.
Q:1/4=180
M:C
L:1/8
%R:reel
K:Ddor
%%text "allegro moderato"
%%vskip 30
c|Adec d2 AB|cBcG EFGE|DA,A,2 CA,A,2|FEDB, CA,G,B,|
A,2 FE FEDC|A,B,CD FGAB|cdfg agfa|gece d3 :| 
c|d2 Ad fgaf|ecc2 efge|d2 Ad fgaf|gfag eddc|
defg abag|ecc2 efge|a^ga=g eg ed|cAGE D3:|
%
%1:Trying to make sense of Ed's accidentals is more difficult
%on some occasions than at others. In this tune, I have decided
%that Ed really wanted it to be "D dorian" (F, C, and B natural).
%That being the case, I removed an F sharp from m. 7 and the
%C sharp from m.8. As usual, Ed's original version is below.
%2:Part 1 of this tune sounds to me suspiciously like Part 1 
%of "Maudabawn Chapel". (Ed isn't the only composer ever to
%plagiarize from himself - happens all the time!)

X:331108 
T:WILD TURKEY* (reel), The  
Z:Z: ABC/arr. BB
S:S: Levey1.85 (unnamed) 
Q:1/4=180
L:1/8
%R:reel 
M:C|
K:Em
A|G2GA BEE2|BEdE BEEF|G2GA BABd|egfd e3 :|
f|g2 f2 edBc|d2 ed Bdd2|g2 f2 edBd|egfd e2ef|
g2 f2 edBc|d2ed Bdd2|bgaf gfed|egfd e3 :|

X:37181 
T:WILD WAVES* (polka), The 
Z:Z: ABC/arr. BB
S:S: MFC.125a (unnamed)
Q:1/4=140
L:1/8
M:2/4
%R:polka
K:A
c/B/|AE/A/ cA/c/|eA/c/ a>c|ed dB|fe c/d/c/B/|
AE/A/ cA/c/|eA/c/ a>c|ed dB|A2A:|
c|ed dB|fe cA/c/|eddB|fe c/d/c/B/|
AE/A/ cA/c/|eA/c/ a>c|ed dB|BAA:|

X:491608  
T:WILL MY LOVE BE TRUE? 
S:S: ONMI.0361
Q:1/4=120
Z:Z: ABC Brennan/Black (arr.)
M:6/8
L:1/8
K:G
%%text "moderate"
%%vskip 30
G/E/|DEG GAB/G/|c3-c2B/c/|dBG GAB/G/|A3-A2B/c/|
dBG EGE|D3-D2D/E/|GAB/G/ AGG|G3-G2||
B|cdc BGE|D3-D2D/E/|G2G GBd|A3-A2B/c/|
dc/B/A/G/ EGE|D3-D2D/E/|G3/A/B/G/ AGG|G3-G2|]

X:491609 
T:WILL THEY EVER RETURN? 
S:S: ONMI.0066 < J.O'Neill
Z:Z: ABC Brennan/Black (arr.)
M:C
L:1/8
Q:1/4=80
K:D
%%text "slow and mournful"
%%vskip 30
A>F|GFDC D2 (3ABc|dcAG A2 (3ABc|dcAF G2EG|F2D2D2:|
A2|d3e f2ec|dcAF GFDE|FGAB c2Bc|A6 (3ABc|
dcAG A2FA|GFDB, C2DE|F3E D2D2|D4-D4|]

X:22148
%%titlefont 18
T:WILL YOU COME DOWN TO LIMERICK? (s/jig) (Clancy stg 2)
S:S: DMWC.58 
Z:Z: ABC/arr. BB
M:9/8
L:1/8
Q:1/4=160
%R:slip jig
K:G
P: Part 1
d2|:cAG GFG G2d|cAG GFG Add|cAG GFG G2d|
[1 Bde ged cAd :|2 Bde fed cAG||
%
P: Part 2
"5"def gaf g3|def gbg afd|cde fgf f2d|cde ged cAG|
def gaf g3|def gbg ega|bgb afa g2e|ged cAG E2A ||
%
P: Part 3
"13"BGB AFA G3|B3 GBd cAG|D3 AFA G2D|B2e g2d cAd|
BGd AFA G3|B3 GBd cAG|D3 AFA G2D|B2e g2d cAd ||
%
P: Part 4
"21"cAG GFG G2d|cAG GDE F2d|cAG GFG G2d|g2d cAG F2d|
cAG G3 G3|cAG GFG Add|cAG GFG G2d|B2e g2d cAG||
%
P: Part 5
"29"def gaf g3|def gbg afd|B2e fge f2d|
[1 B2e fed cAG:|2 B2e g2d cAd||
%
P: Part 6 
"33"BGd AFA G3|B3 GBd cAG|D3 AFA G2D|
B2e g2d cAd|B3 A3 G3|B3 GBd cAG|
D3 AFA G2D|B2e g2d cAd||"^coda" cAG HG6 ||

X:496057 
%%titlefont 20
%%staffwidth 620
T:WILL YOU COME DOWN TO LIMERICK? (s/jig) (ONMI - Ennis)
N:N: "1st setting"
S:S: ONMI.1121 < Ennis
Z:Z: Brennan/Black
%R:slip jig
Q:1/4=160
N:N: See note on this tune in ABC file.
M:9/8
L:1/8
K:G
P:"A"
d|cAG GDG G2d|cAG GFG Add|cAG GDG G2A|FGA =fed cA :|
P:"B"
c|def gaf g2f|def gbg afd|cde =fge f2d|cde =fed cA^F|
def gaf g2f|def gbg afd|bag agf g2d|cde =fed cAG||
P:"C"
BGB AFA G2A|BAB GBd cBA|BGB AFA G2A|FGA =fed cA^F|
BGB AFA G2A|BAB GBd cBA|fdf ece d2A|FGA =fed cAG||
P:"A" repeated
d|cAG GDG G2d|cAG GFG Add|cAG GDG G2A|FGA =fed cAF|G6z3|]
%
%"The markings in book are ambiguous as to whether this 
%should fully repeat..."(Brennan) My reading of the markings 
%is that they are intended to produce an AA-B-C-A structure, 
%with the DS repeat of part 1 going straight to the second 
%ending and finishing there.

X:496058
%%titlefont 18 
T:WILL YOU COME DOWN TO LIMERICK? (s/jig) (ONMI - F. O'Neill)
N:N: "2nd Setting"
S:S: ONMI.1122 < F. O'Neill
Z:Z: Brennan/Black
N:N: If you're not a string player (or even if you are), you can play either note 
N:of the double stop in mm. 1 & 3.
%R:slip jig
Q:1/4=160
M:9/8
L:1/8
K:G
F|[G3B3]AGF G2A|BAB GBd cBA|[G3B3]AGF G2A|cde fed cA:|
%
d|cAG G2D G3|cAG GFG Add|cAG G2D G3|cde fed cA:|
%
e|dgg gaf g2g|dgg a2g fed|cde fed f2d|cde fed cAF|
dgg gaf g2g|dgg a2g fga|bgb afa g2d|cde fed cAF||\
"^coda" G6z3|]

X:22147
%%titlefont 16
T:WILL YOU COME DOWN TO LIMERICK? (s/jig) (W. Clancy stg 1)
S:S: DMWC.46
Z:Z: ABC/arr. BB
M:9/8
L:1/8
Q:1/4=150
%R:slip jig
K:G
d|cAG G3 G2d|cAG G2B cAd|cAG GAG G2d|
cAA fed cA :|G|def gaf g3|dgg gfg ab[ac']|
bag aga gfd|1 cAA fed cA :|2 CAA fed cAF|HG6z3|]

X:493409 
%%titlefont 18
T:WILL YOU COME HOME WITH ME?  (jig) (c)
N:N: "2nd setting"
S:S: ONMI.0843 < F.O'Neill
Z:Z: Brennan/Black
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
A|BAB cBc|ded cAG|ABA ABG|ABA ABG|
BAB cBc|ded cAF|GAG A2F|GAG G2:|
e|fef def|gag fdc|ABA ABG|ABA ABG|
fef def|gag fdB|GAG A2F|GAG G2:|

X:22149
%%titlefont 18
T:WILL YOU COME HOME WITH ME? (jig) (a)
S:S: ?  
Z:Z: ABC/arr. BB
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:G
B|d2e fcA|B2d cAF|G3 AcA|GBG ABc|
dge fcA|B2d cAF|G3 GcA |G3 G2 :|
B|d2e c2d|B2d cAF|G3 AcA|GBG ABc|
d2e c2d|BdB cAF|G3 GcA|G3 G2 :|

X:493408 
%%titlefont 18
T:WILL YOU COME HOME WITH ME? (jig) (b)
N:N: "1st setting"
S:S: ONMI.0842 < Cronin
Z:Z: Brennan/Black
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
G|FGA AFD|BAG AFD|ABA ABG|ABA ABG|
FGA AFD|BAG AFD|DGG GAF|DGG G2 :|
A|B3 cBc|ded cAG|ABA ABG|ABA ABG|
B3 cBc|ded cAF|DGG GAF|DGG G2 :|

X:496059 
T:WILL YOU COME IN? (slip jig)
S:S: ONMI.1133 < McFadden
Z:Z: Brennan/Black
Q:1/4=160
%R:slip jig
M:9/8
L:1/8
K:D
A2F F2E D2F|B2B B2A Bcd|A2F F3 G2A|
[1 ABA A2F AdB :|2 ABA A2F ABc|:d3 f2d c2A|
BcB B2A Bcd|d2d f2d c2B|ABA A2F ABc||
d2d a2d c2A|BcB B2A B2c|d2b a2f d2B|
ABA A2F ABc|d6z3|]

X:39048
%%titlefont 18
T:WILL YOU COME PLANK COME PLANK? (slip jig)
S:S: MSIST.03a
N:N: I haven't the foggiest idea what the title means. But it sounds like fun!
Q:1/4=150
M:9/8
L:1/8
%R:slip jig
K:D 
%%text "con spirito"; source key F
%%vskip 30
B|AFD E2F E2A|AFD E2G AFD|AFD E2F E2F|
DFA dcB AF :|B2d efd e2B| Bcd efg fdB|
B2c dec d2B|AGF dcB AFD|AFD E2F E2A|
AFD E2G AFD|AFD E2F E2F|DFA dcB AFD|HD6|]

X:29121
T:WILL YOU COME TO THE BOWER? 
S:S: CGI.050
Z:Z: ABC/arr. BB
N:N: This is not related to the ballad/march of the same name.
Q:1/4=80
L:1/8
M:2/4
K:D 
%%text "amoroso"
%%vskip 30
FG|A2 AA|A2 AA|AdcB|A2zB|
AGGG|GFzF|GEDC D2||
z2|DFFF|DFFF|AGGG|F2z2|
DFFF|DFFF|A^G=GE|HD4 |]

X:51097
T:WILL YOU HAVE TEA? (slip jig)
S:S: TIDT 2/45
C:J. Kelly
Z:Z: ABC BB
M:9/8
L:1/8
%R:slip jig
Q:1/4=150
K:Bm
"^Part 1"dcd edc d2c|BAF ABc efc|dcd edc ded|
[1 cAA fgf edc:|2 cAA fgf ecA|:"^Part 2"FBB ABc d2c|
BAF Bcd ecA|FBB ABc d2B|cAA fgf ecA:|
"^Part 3"FBB BcA B2c|dAF FEF AFD|CA,A, EF^G A2B|
ABc efd cBA|FBB BcA B2c|dAF FEF ABc|
d2f Bee d2c|1 BAF Bcd cBA:|2 BAF FEF ABc||
"^coda"HB6z3|]

X:331109 
T:WILL YOU TAKE A FLUTTER? (hornpipe)  
Z:Z: ABC/arr. BB
S:S: Levey1.76 
Q:1/4=150
L:1/8
%R:hornpipe
M:C
K:G 
%swing .25
%%text "moderately quick - hornpipe"
%%vskip 30
dc|BGFG Bdd2|eAAB cdBc|dGFG Bdcd|eAAB c2BA|
BGFG Bdd2|eAAB cdBc|dGFG Bdcd|eAAB c2 :|
dc|Bdgf edcB|Aaag f2ef|gdcB edcB|cBAG FAed|
BGGA Bdcd|eAAB cdBc|dGFG B2cd|1 eAAB c2:|
[2 eAAB cAGF|G4z4|]

X:29122
T:WILL YOU TAKE A TITTHER (hornpipe) 
S:S: CGI.192
Z:Z: ABC/arr. BB
N:N: First part not repeated in source. Original is probably not a dance tune, 
N:although it's similar to "Will You Take a Flutter" above.
Q:1/4=150
L:1/8
M:C|
%R:hornpipe
K:G
%swing .25
%%text "andante"
%%vskip 30
c|dGFG B2cd|eAAB c2Bc|dGFG BABd|ecAG F3B|
dGFG B2cd|eAAB c2Bc|dGFG Bcde|fdcA G3:|
c|Bdgf edcB|Aaag f2ef|gdcB edcB|cBAG FAce|
dGFG B2cd|eAAB c2Bc|dGFG BABd|fdcA G3:|

X:35083
%%staffsep 60
T:WILLEY'S SLIDE
C:Rick Gagne 
S:S: composer
%R:slide  
Z:Z: ABC/arr. BB
N:N: 1: "d/o/c/ 2000 on whistle"
N:N: 2: "Irregular length: 2nd time through 2nd part only 6 measures long. To end 
N:tune, play first 2 measures of 1st part, plus a long D note." I hope this is what 
N:Rick had in mind!
Q:1/4=180
M:6/8
K:D
B |"D"A2d "A"c2e | "Bm"d2f "A7"gec | "D"faf "A7"gec |"G"dfe dcB|
"D"A2d "A"c2e | "Bm"d2f "A7"gec | "D"faf "A7"gec |"D"d3-d2 :|
c|"Bm"BAF B2c | "G"d2e dcB | "A"AcB ABc |"A7"e2f ecA | 
"D"dcd "A"ede |"Bm"fed "G"cdB |1 "D"A2d "A"c2e |"Bm"d2f "A7"ge :|
[2 "D"A2d "A"c2e |"D"d3-d3|]

X:141044
T:WILLIAM ECCLES 
C:O'Carolan
S:S: CAR-OS
Z:Z: Gilb/Brennan/Black
Q:1/4=120
M:6/8
L:1/8
K:C 
%%text "allegro"
%%vskip 30
G|A/2B/2cc cec|dfd e/2f/2ge|c2c cGc|d3 G3|
A/2B/2cc cec|dfd f/2e/2f/2g/2a|gfe/2d/2 dAd|f3 e3|
EGA GEC|EGA GEC|c2c dAd|ece f3|
ef/2e/2d/2c/2 de/2d/2c/2B/2|cd/2c/2B/2A/2 dDD|\
E/2D/2E/2G/2A GED/2C/2|c3c2||
A|"^17"GED/2C/2 CEC|DFD D/2E/2FD|EGc EGc|B/2c/2dd d3|
(3e/2f/2g/2 e/2f/2g/2e/2 ce/2f/2g/2e/2|\
ce/2f/2g/2e/2 dB/2c/2d/2B/2|\
GA/2B/2c/2A/2 dB/2c/2d/2B/2|c3 e3|
GEC GEC|AFD AFD|EGe dB/2c/2d/2B/2|c3 c3|]

X:141167
T:WILLIAM WARD 
C:O'Carolan
S:S: CAR-OS
Z:Gilb/Brennan/Black
M:6/8
L:1/8
K:Ador
%%text "allegretto"
%%vskip 30
EAA ABA|BGd d2d|e/f/ge f/g/af|dBA/G/ G3|
dBd/e/ dBd|e/f/gg afa|gfe dBA|GEA A3:|
"^9"EAA AB/A/B|GBg GBg|e2e eBe|dBA/G/ d3|
Bd/B/A GEE|G/A/GE DEA|A2A BGd|e3 e3|
"^17"ge/f/g ge/f/g|dBA GAB|af/g/a af/g/a|gfe def|
gab gab|afd e/f/ge|dBe dBA|GEA A3:|

X:495370
T:WILLIAM WHITE'S (reel)  
S:S: ONMI.1521 < McFadden
Z:Z: Brennan/Black
%R:reel
Q:1/4=180
M:C|
L:1/8
K:C
G2EG cGEF|GBAG EDD2|GFEG cBcG|ABcd ecc2:|
c2ce g2dB|AGGE GBdB|c2ce g2gf|eaag ecc2|
cBce gfgG|AGGE GBdB|cdef geag|egdf ecHc2|]

X:11097
T:WILLIAMS' HORNPIPE 
S:S: AIF
Z:Z: ABC Brennan/Black (arr.)
Q:1/4=150
N:N: Dotted rhythm in source
M:C|
L:1/8 
%R:hornpipe
K:G
(3DEF|G2F2 E2DG|BFGB AGED|GBdg ecAF|Ggfe d2cA|
G2F2 E2DG|BFGB AGED|GBdg ecAF|GBAF G2:|
(3Bcd|eBB2 gBB2|eBgB eBB2|dAA2 fAA2|dgfe d2cA| 
G2F2 E2DG|BFGB AGED|GBdg ecAF|GBAF G2:|
%
N:N: O'Neill calls this "The Quarrelsome Piper". He must have liked the tune 
N:because it's in both DMI "1001" and ONMI "1850"!

X:13159
T:WILLIE COLEMAN'S (jig) (1)
S:S: BSMI.1 
Z:Z: ABC/arr. BB
%R:jig
M:6/8
Q:1/4=160
L:1/8
K:G
A|B2G AGE|GED GBd|edB dgb|age dBA|
B2G AGE|GED GBd|edB dBA|BGF G2 :|
d|gfg edB|dgb age|gfg edB|GBd e2f|
gfg edB|dgb age|d^cd gdB|AGF G2 :|

X:183011 
T:WILLIE COLEMAN'S (jig) (2)  
S:S: CRE.3
Z:Z: ABC/arr. BB
%R:jig
Q:1/4=160
M:12/8
L:1/8
K:G
BAG AGE GED GBd|edB dgb age dBA|
BGG AGE GED G2B|edB dBA BGF G3:|
"^5"B3 AGE GED G2d|edB dgb age dBA|
B2G AGE GED GDB|edB dBA AGF G3||
"^9"g3 edB dgb age|g2g edB GBd e2d|
g3 edB dgb age|dBd gdB AGF G3:|
%
N:N: This tune as played today is usually only the two parts shown here as 
N:measures 1-4 and 9-12. I have no idea where measures 5-8 come from
N:(note they're not repeated), so I'm guessing you can safely ignore them. 
N:(In the ABC, placing a percent sign before the lines they're on will remove 
N:them from print or play.)

X:252103
T:WILLIE COLEMAN'S (jig) (3) 
Z:Z: ABC/arr. BB
S:S: FS2.05c
M:6/8
L:1/8
Q:1/4=160
%R:Jig
K:G
B2G AGE|GED GBd|edB dgb|age dBA|
B2G AGE|GED GBd|edB dBA|AGF G3 :|
gfg edB|dgb age|gfg edB|GBd e2f|
gfg edB|dgb age|d^cd gdB|AGF G3 :|

X:44188
T:WILLIE CORRIGAN'S*  
S:S: NFID.062 < JD ("untitled double jig")
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:Dmix
B|cAG A2D|DED A2d|cAG A2D|DED GED|
cAG A2D|DED AGE|FDF ECE|DED GA :|
%
B|d2e fdg|ecA AFA|d2g fdg|eaa gec|
d2e f^ga|ecA AGE|FDF EFE|DEF GA :|
%
c|B2G ABG|BGE Edc|B2G ABE|GED Ddc|
B2G ABG|BGE E2c|dcd A2G|FDD D2:|

X:533113 
T:WILLIE MERRICK'S* (hornpipe)
S:S: RC3.120 ("Old Set Tune 2")
Z:Z: ABC/arr. BB
Q:1/4=150
N:N: Might make a nice barn dance!
L:1/8
M:C|
%R:hornpipe
K:G
%swing .25
d2|g2d2 d2B2|d2c2 cBc2|c2A2 AGA2|B2G2 GFG2|
g2d2 d2B2|d2c2 cBc2|c2AG FGAB|G2B2G2:|
D2|GFGA BABc|dedc B2B2|cdcB A2A2|BcBA G2D2|
GFGA BABc|dedc B2B2|cdcB AcBA|G2B2G2:|

X:51098
%irish_rolls_on
T:WILLIE OWEN'S (reel)
S:S: TIDT 2/28
C:J. Kelly
Z:Z: ABC BB
M:C
L:1/8
%R:reel
Q:1/4=180
K:Emix
B|E2GB EDBD|AF~F2 DEFD|E2GB EDBD|DBAF E=GFD|
E2GB EDBD|AF~F2 DEFD|E2GB EFGA|abaf fee:|
g|:be~e2 baga|beec defa|be~e2 bafe|fdBc defa|
be~e2 baga|beec defa|ge~e2 fgfe|1 dfBc defa:|
[2 dBAF HE4|]

X:31221
T:WILLIE REIDY'S FAVORITE (slide)  
Z:Z: ABC/arr. BB
S:S: JOL.336
N:N: Elsewhere in JOL "Willie" is "Willy"!
Q:1/4=180
L:1/8
M:12/8
%R:slide
K:G
A|B2G Bcd B2G Bcd|A2D ABc A2F A2c|
B2G Bcd B2G B2d|AFA DFA G3 G2 :|
f|g2g d2d gfg d3|f2f A2A fef A3|
g2g def g2a bag|fed cBA G3 G2 :|

X:47042 
T:WILLIE WINKY (polka) 
S:S: CNIM.50
Z:Z: ABC/arr. BB
D:d; "O'Sullivan Meets O'Farrell" v1 track 15
Q:1/4=120
M:2/4
L:1/8
%R:polka
K:Em
e|dG BA/B/|dG Ge|dG BA|GE Ee|
dG BA/B/|dG GB|Ac BA|GEE :|
F|G2 AG/A/|BE EF|GB AG|FD DF|
G2 AG/A/|Bg gc|BG AG/F/| GEE :|
f|g2 ag/a/|be ef|gb ag|fd dg|
bg ag/f/|ge dB|G2 AG/A/|BEE :|

X:27098
T:WILLIE'S FEET (hornpipe) 
S:S: HOC.109
Z:Z: ABC/arr. BB
N:N: "stop jig - original" (? by Harding). Like a lot of the tunes in Harding's 
N:book, this one may not be Irish - but it's fun!
Q:1/4=140
L:1/8
%R:hornpipe
M:C|
K:D
%swing .25
%%text A-B-A
%%vskip 30
A2d2 ^G2B2|zAfe dAFD|B,4 A,2 z2|_B,4 A,2 z2|
A2d2 ^G2B2|zAfe dAFD|B,2A,2 _B,2A,2|z2e2 d2z2 :|
K:A
c4c4|zB^AB g2f2|G2f2 z2 =f2|zedE c2B2 |
c4c4|zB^AB g2f2|G2f2 z2 =f2|1 zedE A2z2 :|\
[2 zedE A3"_DC"3=G||

X:55018
T:WILLIE'S FIDDLE (jig) 
C:B.Tonra
S:S: composer
Z:Z: ABC/arr. BB
Q:1/4=160
M:6/8
%R:jig
K:G
B,|DEF GBG|DEF G2G|AGA c3|ABc d2d|
ege dBG|B3 AGE|BdB AGE|1 DFA GD :|2 DFA G2||
B|def g3|edB G2B|dBd g3|eba g2d|
ebg edB|Adg dBG|BdB AGE|1 DFA G2 :|2 DCA, G,3|]

X:342109 
T:WILLIE'S PAPER (jig) 
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy2.5
Q:1/4=160
M:6/8
%R:jig
K:Em
F|GEE BEE|GEE BEE|FDD ADD|FED FGA |
GEE BEE|FED B,CD|GFE BAF|GEE E2 :|
A|Bee ege|edB def|edB dAF|AFE DFA |
Bee fed|BAG FED|GEE BAF|GEE E2 :|
A|Bee Bee|gfe fdB|BAB def|edB dBA |
Bee efa|baf edB|dBA BAF|GEE E2 :|

X:22150
T:WILLIE'S SINGLE (jig)
S:S: DMWC.75
Z:Z: ABC/arr. BB
M:12/8
L:1/8
Q:1/4=160
%R:jig
K:D
G|F2E DFD FED FED|F2G ABA G2F E3|
EGF GFE F2E DFA|Bcd ecA dec d2 :|
e|f2e d2c d2f afd|ecB ABA ecB AcA|
[1 f2e d2c d2f afd|ecB ABc d3 d2 :|
[2 f2e faf g2e g3|a2f g2e f2d cAG||\
"^coda" F2E DFE D3-D3|

X:37182 
T:WILLOW TREE (reel), The
Z:Z: ABC/arr. BB
S:S: MFC.001a
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
B|dcAF G2 FG|Add2 fdec|dcAF G2 FG|AFGE FD D2|
dcAF G2 FG|Add2 faec|dcAF G2 FG|AFGE FDD :|
e|f3a gfed|cdef g2 fe|defg a2 ge|a2 ge fdde|
f3a gfed|cdef g2 fg|a2ge a2 ge|a2fe fdd :|

X:582070
T:WILLOW TREE, The
S:S: WSGM.007 < Miss Lucy Ray 
Z:Z: Kinder/Black
M:4/4
Q:1/4=100
L:1/8
K:Dm
%%text "Andante"
%%vskip 30
A2|G3 F D2 D2|F3 G A2 A2|G3 F D2 C2|D4-D2 A2|
G3 F D2 D2|F3 G A2 A2|G2 F2 D2 C2|D4-D2||
A2|c3 G A2 d2|c3 G A2 d2|c2 A2 G2 F2|G4 z2 A2|
G3 F D2 D2|F3 G A2 A2|G2 F2 D2 C2|D4-D4|]

X:182114 
T:WILLY REIDY'S POLKA (1)
S:S: CRE.2 (AS "#2")
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:G
B|de/d/ Bd/B/|AB/A/ GB|AB/A/ GA|BA A2|
de/d/ Bd/B/|AB/A/ GB|AB/A/ GA|BG G:|
e|de/f/ g2|fg/f/ ed/e/|Bd e>f|ed BA|
Bd g2|fe d>c|Bd ef|g2 g:|

X:31222
T:WILLY REIDY'S POLKA (2) 
Z:Z: ABC/arr. BB
S:S: JOL.224
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:G
G/A/G/F/ GA|BG/B/ AB/c/|d2 cA|GF ED|
G>F GA|BG/B/ AB/c/|dd cB/A/|G2 G2 :|
d>e dc|Bc dB/d/|ed cB/c/|AG FD|
d>e dc|Bc dB/d/|dB cA|G2 G2 :|

X:31223
T:WILLY REIDY'S POLKA (2) 
Z:Z: ABC/arr. BB
S:S: JOL.245
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:D % source key = A
AB/A/ FA|EF/E/ DF|EF/E/ DE|FE EF/E/|
AB/A/ FA/F/|EF/E/ DF|EF/E/ DE|FD D2 :|
FA/B/ d2|cB B/c/B/A/|FA Bc|BA F/A/F/E/|
FA dc/d/|cB B/c/B/A/|FA Bc|d2 d2 :|

X:491610 
T:WILLY REILLY 
S:S: ONMI.0150 < F. O'Neill
Q:1/4=100
Z:Z: ABC Brennan/Black (arr.)
M:2/4
L:1/8
K:A
%%text "moderate"
%%vskip 30
(3EFG|A>G AB|cd ec|dc AF|=G2 (3EF^G|
A>G AB|cd ec|dc A>A|A2-A||
d/e/|f>e fa|=gf ec|dc AF|=G2 (3EF^G|
A>G AB|cd ec|dc A>A|A4|]

X:493410 
T:WILLY WALSH'S JIG 
S:S: ONMI.0823 < O'Reilly
Z:Z: Brennan/Black
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:D
B|ADD BAF|ABd edB|ADD BAF|AFE E2F|
ADD BAF|ABd edB|AdB AFA|Bdd d2 :|
B|AFA d2e|fdf ecA|BAB d2e|faf gfg|
AFA d2e|fdf ecA|AdB AFA|Bdd d2 :|

X:492222 
T:WILY OLD BACHELOR (hornpipe), The 
S:S: ONMI.1751
%R:hornpipe
Q:1/4=150
Z:Z: Brennan/Black
M:C|
L:1/8
K:G 
%swing .25
%%text simplified version
%%vskip 30
DC|B,DGA BGDB,|CEAB cAFD|B,DGA BGcB|AGFE DCB,A,|
B,DGA BGDB,|CEAB cAFD|B,DGB ADEF|G2B2G2:|
ga|bgeg dgBg|dgBg dgBg|bgeg dgBg|fgab a2ga|
bgeg dgBg|cBAB cdef|gdBG EcAF|G2B2G2:|

X:11068
T:WIND THAT SHAKES THE BARLEY (reel) (6 settings)
%%titlefont "PalatinoBold" 20
%%subtitlefont Palatino 18
%
%hide_rhythm_tag
%hide_cautionary_ks
%
% To fit the set on a PDF page, increase the staffwidth value.
% 800 often works for a set of three four-stave tunes.
%
%%staffwidth 556
%
%%stretchlast true
%%vskip 30
%%text [1] source: AIF
%%vskip 30
%Q:1/4=180
M:C
L:1/8
%R:reel
K:D
B|A2AB AFED|B2BA BcdB|A2AB AFED|gfed BcdB|
A2AB AFED|B2BA BcdB|A2AB AFED|gfed Bcde||
f2fd g2ge|f2fd Bcde|f2fd g2fg|afed Bcde|
f2fd g2ge|f2fd Bcde|defg afbf|gfed Bcde||\
"^coda" Hd4z4|]
%%text
%%text [2] source: CRE.3 
%S:S: CRE.3
%Z:Z: ABC/arr. BB
%R:reel
L:1/8
Q:1/4=180
M:C
K:D
B|A2FD ADED|BDAD B2dB|ADFD A2de|fded BddB|
ADFD ADFD|BDAD B2dB|ADFD A2de|fded Bdd :|
e|f2ef g2eg|fedf e2de|fdd2 a3a|afed Bdde|
f2ef g2eg|fedf e2 (3ABc|defa afbf|afed Bdd :|
%%text
%%text [3] source: FOINN SEISIUN 2  
M:C|
L:1/8
%R:reel
%Q:1/4=180
K:D
A2 AB AFED|B2 BA BcdB|A2 AB AFED|gfed BcdB|
A2 AB AFED|B2 BA BcdB|FAAB AFED|gfed Bcde ||
f2 fd g2 ge|f2 fd Bcde|f2 fd g2 fg|afed Bcde|
f2 fd g2 ge|f2 fd Bcde|defg afbf|gfed Bcde ||\
"^coda"d4z4|]
%%text
%%text [4] source: ONMI #1518  
%S:S: ONMI.1518 < F.O'Neill
%Z:Z: Brennan/Black
%R:reel
%Q:1/4=180
M:C|
L:1/8
P:A-B-A
K:D
B|A2AB AFED|B2BA BcdB|A2AB AFED|gfed BcdB|
A2AB AFED|B2BA BcdB|A2AB AFED|gfed B2d||
%
e|f2fd g2ge|f2fd Bcde|f2fd g2fg|afed Bcde|
f2fd g2ge|f2fd Bcde|fafd gbge|afed Bc"_DC"d||
%%text
%%text [5] source: ROCHE COLLECTION 1.199 
%%vskip 30 
%S:S: RC1.199
%Q:1/4=90
L:1/16
M:2/4
%R:reel
K:D
A2AB AFED|B2BA BcdB|A2AB AFED|gfed BcdB|
A2AB AFED|B2BA BcdB|A2AB AFED|gfed B2d2||
f2fd g2ge|f2fd Bcde|f2fd g2ge|afed Bcde|
f2fd g2ge|f2fd edBA|defg afba|gfed B2d2||
%%text
%%text [6] source: LEVEY 1.49
%S:S: Levey1.49
%Z:Z: ABC/arr. BB
%N:N: Levey has this as A-BB. I removed the repeat from the second part.
%Q:1/4=180
L:1/8
%R:reel 
M:C
K:D
%%%text "quick"
A2AB AFED|B2BA B2d2|A2AB AFED|gfed B2d2 :|
f2fd g2ge|f2fd ecBA|f2fd g2ge|afed B2d2|
f2fd g2ge|f2fd ecBA|defg afba|gfed c2Hd2|]
%%text

X:56065
%%titlefont 20
T:WIND THROUGH THE RAFTERS (hornpipe), The 
C:V. Broderick
S:S: Turoe.20a
Z:Z: ABC/arr. BB
N:N: According to the source notation, only the second part of this tune repeats. 
N:That's probably a "scribal error"!
M:C|
L:1/8
Q:1/4=150
%R:hornpipe
K:G
%swing .25
dc|BABG DGBG|DGBd gd Bd|gdBd edBG|BdBG EGdc|
BABG DGBG|DGBd gdBd|gbaf gedB|cAFA G2:|
Bc|dedB GABd|gfga bgaf|gefd e2dB|BABG EGdc|
BABG DGBG|D2Bd gdBd|gbaf gedB|cAFA G2:|

X:54081
T:WINDING BOREEN (hornpipe), The 
S:S: SRHI.24b
Z:Z: ABC/arr. BB
C:Seán Ryan
Q:1/4=150
L:1/8
M:C
%R:hornpipe
K:G
%swing .25
^cd|Bd BG DGBd|g2 bg dBGB|c2 Ac B2 GB|A2 GE Dd^cd|
Bd BG DGBd|g2 bg dBGB|c2 Ac B2 GB|ADEF Gd :|
Bc|d2 gd BGAB|c2 ec AFDF|GABG EFGB|ABcA dcBc|
d2 gd BGAB|c2 ec AFDF|GABG EFGB|1 ADEF GA:|
[2 ADEF G4|]

X:66106
T:WINDING CLOCK (jig), The
C:© Enda Seery
S:S: composer
D:D: 'The Winding Clock' (2010) by Enda Seery. Track 2, tune 1. 
Q:1/4=160
N:N: More information on the composer in the ABC file.
M:6/8
L:1/8
%R:jig
K:Em
D|EDE BAF|ABd e2f|gfe age|dBA GFG|
Ade f2g|fed BAF|DFA d^cd|BAF E2 :|
f|gfg aga|bge e2f|gbb b2a|afe d2e|
fef gfg|aba fed|BAF d^cd|BAF E2 :|
%
%Registered with IMRO. 
%"Enda Seery from Streamstown, Co. Westmeath in the heart of 
%Ireland is a musician, composer, singer and teacher very 
%much on the rise and he is fully engrossed in his music 
%career as a professional music teacher and performer."

X:37183 
T:WINDING HILLS OF SLIGO (reel), The
S:S: MFC.019B
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G
B|dG G2 dGeG|dG G2 AGED|GFGA BABc|dega bage|
dG G2 dGeG|dG G2 AGED|GFGA BABc|defa g3 :|
f|g2 ag eg G2|dBGB AE E2|g2 ag eg G2|eaag agef|
g2 ag eg G2|dBGB AE E2|G3 A BABc|defa g3 :|

X:51099
%irish_rolls_on
T:WINDING ROADS of ADVANCE (reel), The
S:S: TIDT 2/30
C:J. Kelly
Z:Z: ABC BB
M:C
L:1/8
%R:reel
Q:1/4=180
K:Dmix
E/F/G|AD~D2 ADFD|EC~C2 G,CEC|AD~D2 AGEG|cdec dBcB|
AD~D2 ADFD|EC~C2 G,CEC|AD~D2 AGED|CDEG D2 :|
E/F/G|:AFDE F3G|ADFc BGBd|AFDE FAGF|EC~C2 G,CEC|
AFDE F3G|AFDc BGA/B/c|d2AG FGAB|cABd cAGB:|"^coda"HD4z4|]

X:51100
%irish_rolls_on
T:WINDOWS of WONDER (reel)
S:S: TIDT 2/32
C:J. Kelly
Z:Z: ABC BB
M:C
L:1/8
%R:reel
Q:1/4=180
K:G
B|DBAF GE~E2|G2AF GAB^c|dBAF GEED|Be~e2 efge|
DBAF  GE~E2|GBAF GAB^c|dBGB egfe|1 dBAB A3:|2 dBAB e3||
f|eB~B2 g2fe|defa abaf|eB~B2 g2fe|defd e3f|
[1 eB~B2 g2fe|defa abaf|geBg fge^c|defd e3:|
[2 afdf g2fe|edB^c defe|edBA FBAF|ABdf He4|]

X:51101
%irish_rolls_on
T:WINDS of CHANGE (reel)
S:S: TIDT 2/32
C:J. Kelly
Z:Z: ABC BB
M:C
L:1/8
%R:reel
Q:1/4=180
K:Ador
D|EA~A2 ABcd|efge dcAG|EGAB c2dc|1 BGBd cBAG|
E2A2 ABcd|BGBd cdef|gedB ABGE|DEGB AGE:|
[2 BGdB cBAG|AE~E2 ABcd|BGBd cdef|gedB ceAc|
BcdB cAA2|:efge a2ba|gbef gedg|efge aged|
BeEF GABd|efge a2ba|gedB edBA|BGEF GABd|
egdB A2Bd|efge a2ba|gbef gedB|dG~G2 BAGB|
AcBA GEDE|A3B c2dc|BGBd cdef|gedB ABGE|
DEGB HA4|]

X:41350
T:WINDSOR TERRACE HORNPIPE, The 
C:B.McComiskey (Balto.)
S:S: MVBT
Z:Z: ABC/arr. BB
N:N: Named for Billy's home neighborhood in Brooklyn.
Q:1/4=150
%R:hornpipe
M:C|
L:1/8
K:D
%swing .25
c|dAFD GFEC|DCDF Adfd|gedc BA^GB|AECE A2Ac|
dAFD GFEC|DCDF Adfd|gfec Acec|d2ec d2 :|
c|dcde f2df|edcB A2 EA|cAEA CA^GB|AECE ABcA|
dAFD GFEC|DCDF Adfd|gfec Acec|d2ec d2 :|

X:531120
T:WINDY GAP (reel), The  
S:S: RC1.154
N:N: This isn't related to the "Windy Gap" that's also known as "Ah Surely". 
N:I'd almost bet that it's another victim of "Roche's mixed-up titles" syndrome!
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
AG|FDD2 FDD2|FABc dBAG|FDD2 FDD2|FAAF E2E2|
FDD2 FDD2|FABc d2de|fdec dBA2|B2AF E2:|
z2|B2Bc B2AF|A2Bc dBAG|FDD2 FDD2|FAAF E2E2|
B2Bc B2AF|A2Bc d2de|fdec dBA2|1 "thru"B2AF E2:|
[2 "^coda"B2AF EFGE|HD4z4|]

X:181081
T:WINDY GAP (reel), The 
T:Ah Surely!  
S:S: CRE.1
Z:Z: ABC/arr. BB
M:C
L:1/8
Q:1/4=180
%R:reel
K:G
AGAc BGG2|BGBd g2fg|eAA2 G2Bd|e2dc Bdgd|
AGAc BGG2|BGBd gfga|bgag egfa|gedc BGG2:|
bgg2 agef|gage dega|bgg2 aged|eaa2 eaa2|
bgg2 agef|gage dega|bgag egfa|gedc BGG2:|

X:491611 
T:WINDY HEIGHT, The  
S:S: ONMI.0360 < J.O'Neill
Q:1/4=140
Z:Z: ABC Brennan/Black (arr.)
M:6/8
L:1/8
K:D
%%text "with spirit"
%%vskip 30
A|d2d def|e2d c2A|B2B BAF|A2A ABc|
d2d def|e2d cBA|Be>d cBc|d3d2||
B|A2G FEF|A2A A2g|f2d edB|d2d d2B|
A2G FEF|A2A A2A|Be>d cBc|d3d3|]

X:497130 
T:WINDY HILL (jig), The  
S:S: arr. of ONM #360, "Windy Height"
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:D
A|d2c def|e2d c2A|B2A BAF|A2G ABc|
d2c def|e2d cBA|Bed cBc|d3d2 :|
B|A2G FEF|A2B A2g|f2d edB|dfe d2B|
A2G FEF|A2B AGA|Bed cBc|d3d2 :|

X:581185
T:WINK AND I'LL FOLLOW YOU (jig) 
S:S: WSGM.110 < F.O'Neill
Z:Z: Kinder/Black (arr.)
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:G
D|B2A G3|GBA G3|B2A G2A|B2A BGE|
B2A G3|GBA G2E|FEF d2B|e2B AF :|
A|B2d e2d|fed e3|B2d e2f|g2e fdB|
[1 B2^c d2B|edc d3|B2 ^c d2 e|f2e dB:|
[2 B2^c d2 =c|B2A G3|FEF d2B|e2B AFD||HE6||

X:184021 
T:WINK HER ASIDE (jig)  
Z:Z: ABC/arr. BB
S:S: CRE.4 < Gunn MS
N:N: Repeats added
L:1/8
Q:1/4=160
M:6/8
%R:jig
K:G
c|BGE EDE|ABA ABc|BGE EDE|GAG G2c|
BGE EDE|ABA ABd|edc BcA|BGF G2 :|
D|GBd efg|edc BcA|GBd efg|fdd d3|
GBd efg|edc BcA|BGE EDE|GAF G2 :|

X:581186 
T:WINK OF HER EYE (reel), The 
S:S: WSGM.266 < Rice-Walsh manuscript
Z:Z: ABC Kinder/Black (arr.)
N:N: Repeats added
M:4/4
L:1/8
Q:1/4=180
%R:reel
K:G
A|BGFG EGDG|BGFG AGEG|BGFG EGDG|Bged BdAc|
BGFG EGDG|BGFG AGEG|BGFG EGDG|Bged Bde :|
f|g2gf gbag|egde Bdef|gfef gbag|egde BA A2|
GABd gbag|egdB G2ga|bgaf gefd|1 egfa ged:|
[2 egfa gedf|g4z4|]

X:491612 
T:WINK OF HER EYE, A  
Q:1/4=120
S:S: ONMI.0227 < F.O'Neill
Z:Z: ABC Brennan/Black (arr.)
M:6/8
L:1/8
K:D 
%%text source key = G; "cheerfully"
%%vskip 30
d/e/|f2d dcB|A>GF GAB|AFA dcB|AFD E2d/e/|
f>ed dcB|AGF GAB|AdB AGF|GFE D2||
c/d/|e2f gfe|dcB A3|GFE FGA|edB A2c/d/|
e2f gfe|faf d2B|AdB AGF|GFE D3|]

X:142644 
T:WINNIFRED 
C:O'Carolan
S:S: CAR-ON
Z:Z: Brennan/Black
Q:1/4=100
M:C
L:1/8
K:Dm
%%text "moderate"
%%vskip 30
DE|G2G>A GEDE|G2G>A GEDE|A2A>B c2E>F|G3E D2E>G|
A2A>B c2A2|d2d>e f2ed|cAGE CDEC|D4D2||
AB|c2cd cAGA|d2de f2ed|d>cAG E2DE|CcGE C2DE|
F2EF G2^FG|Adde f2ed|cAGE CDEC|D4D4|]

X:491613 
T:WINSOME WIDOW, The 
S:S: ONMI.0312 < F.O'Neill
Z:Z: ABC Brennan/Black (arr.)
M:2/4
L:1/8
K:G
%%text "spirited"
%%vskip 30
D|G>G B>d|=f>f eg|d>B AG|EG GD|
G>G Bd|=f>f eg|d>B AG|EG G:|
d/e/|=f>f ed|e>^f ge|e>d BG|\
AG E/D/E/D/|
D>E GA|B>c de|d>B AG|EG G:|

X:495372
T:WINTER APPLES (reel), The  
S:S: ONMI.1513 < F. O'Neill
Z:Z: Brennan/Black
N:N: A close relative of "Connemara Stockings".
%R:reel
Q:1/4=180
M:C|
L:1/8
P:
K:G
%%text A-B-A
%%vskip 30
ef|g2fd edBA|GABG AGEF|GFGA BABd|eg af gfed|
g2fd edBA|GABG AGEF|GFGA BABd|eg afg2||
%
ef|gbeg b2ag|fadf a2gf|gbeg b2ag|fadf e2ef|
gb2b b2ag|fa2a a2gf|g2bg f2af|edef gb"_DC"af|]

X:581187 
T:WINTER EVENING* (jig), A 
S:S: WSGM.082 < J.O'Neill ms
Z:Z: Kinder/Black (arr.)
N:N: Tune 1 of "The Winter Garden Quadrille"
M:6/8
Q:1/4=160
%R:jig
L:1/8
K:D
e|fdB AFA|BGB AFA|fdB AFA|B2c d2e|
fdB AFA|BGB AFA|fdB AFA|B2 c d2 :|
e|f2 a e2 f|dcd A2 g|f2 a e2 f|gfg a3|
bab aga|gfg ede|fdB AFA|B2 c d2 :|

X:581188
T:WINTER FROST* (jig), The 
N:N: Tune 2 of "The Winter Garden Quadrille"
S:S: WSGM.082 < J.O'Neill ms
Z:Z: Kinder/Black (arr.).
M:6/8
Q:1/4=160
%R:jig
L:1/8
K:D
B|FAA Afe|dBB BAG|FAA d2 e|fdd dAG|
FAA Afe|dBB BAG|FAA d2 e|fdd d2 :|
g|fef afe|dBc d2 e|fgf ede|fdA Bde|
fef afe|dBc d2 e|fgf ede|1 fdA Be :|
[2 fdA BGE|HD6|]

X:581189 
T:WINTER IN SLIGO* (jig)
N:N: Tune 3 of "The Winter Garden Quadrille"
S:S: WSGM.082 < J.O'Neill ms
Z:Z: Kinder/Black (arr.)
M:6/8
Q:1/4=160
%R:jig
L:1/8
K:Em
E2B BAG|F2d AFD|E2A BGB|AGF e2f|
gfe dcB|AFd AFD|E2A BGB|AGF E3 :|
eBe gab|aga faf|eBe gbg|afd e2f|
gfe dcB|AFd AFD|E2A BGB|AGF E3 :|

X:24022
T:WINTER IN VERMONT (jig)
C:© E. Flynn
S:S: composer
Z:Z: ABC/arr. BB
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
F|DGG FGA|GAB cdc|Bdg gfd|cAG FGA|
DGG Fdc|BGB cBc|dgf dcA|DGF G2:|
B|d2g aag|dec ABc|dgg gfg|c'ag fga|
d2g gag|fdc AGc|B/c/dB cAF|DGF G2:|

X:491614 
T:WINTER IS PAST, The 
S:S: ONMI.0300 < J.O'Neill
Q:1/4=120
%aka "Curragh of Kildare"
Z:Z: Brennan/Black (arr.)
M:C
L:1/8
K:D
%%text "moderate"
%%vskip 30
A|AFAB d2g>f|edBA A2cd|e2fg a2gf|e4-e2ef|
gefg a2gf|edBA A2AB|d2gf edB>A|A4-A2ef|
gefg a2ba|gfed B2AB|d2gf edB>A|A4A2z|]

X:12316
%%staffsep 60
T:WINTER MORNING (reel)
S:S: BBMG
C:© BB 2006
L:1/8
M:4/4
%R:reel
Q:1/4=180
K:G
DC|"G"B,DGA B2 AG|"D"FGAB "C"c2 Bc|"G"dcBd "^Am7"cAEF|"G"GABG "D"D3C|
"G"B,DGA B2 AG|"D7"FGAB cdef|"G"gdBd "^Am7"ecAG|"D"FADF "G"G2 :|
ef|"G"gedg "D"a2 ba|"Em"gfge B2 AB|"C"c2ec "D"d^cdf|"G"gbge "D"d2ef|
"G"gedg "D"afdf|"G"gabg d2 Bd|"C"c2ec "G"Bdgd|"D7"cAFA "G"G2 :|

X:35084
%%staffsep 60
T:WINTER NIGHT (reel), A
C:Rick Gagne 
S:S: composer
%R:reel
Z:Z: ABC/arr. BB
N:N: "d/o/c/ 1988 on whistle"
M:4/4
Q:1/4=180
K:Bm
dc | "Bm"B2Bc dcBA | "G"B2Bc dcBA | "Em"B2Bc dcBA | "F#m"f2fa fedc | 
"Bm"B2Bc dcBA | "G"B2Bc dcBA | "F#m"F2FA c2Af-|"F#5"f2fa fe :|
df |"Bm"bff2 "G"gfef|"Bm"dfcf BcdB|"A"cAA2 eAA2|"F#m"fAA2 "A"eAA2|
"Bm"bff2 "G"gfef|"Bm"dfcf BcdB|"A"cAA2 "F#m"fece|1"G"dBcA "Bm"B2 :|
[2 "G"dBcA "Bm"HB4|]

X:581190
T:WINTER STARS* (jig), The 
S:S: WSGM.082 < J.O'Neill ms
Z:Z: Kinder/Black (arr.)
M:6/8
Q:1/4=160
%R:jig
L:1/8
K:G
GBB dBB|gBB dBB|cAA fef|gfa gdB|
GBB dBB|gBB dBB|cAA fef|g3 g3 :|
afd dcd|edc BAB|dBG GFG|AcB A2 c|
Bdg gdB|dfa afd|def def|g3 g3 :|

X:183158 
T:WISE MAID (reel), The 
T:All Around the World
C: John Doherty
S:S: CRE.3
Z:Z: ABC/arr. BB
N:N: CRE has this tune as ABB but I've never heard it played that way, so 
N:this version is the usual AABB.
%R:reel
L:1/8
Q:1/4=180
M:C
K:D
DE|F2EF FEDE|FAAB AFED|d2eg fdec|dBAF BEEG|
F2EF FEDE|FAAB AFED|d2eg fdec|dBAG FD:|
Bc|d2AG FDFA|dfaf gfef|f2df e2ce|dfed cAdA|
B2GB ADFA|dfaf gfec|dfec dcAG|FAEF D2:|

X:251115
T:WISE MAID (reel), The
T:All Around the World
C:John Doherty
Z:Z: ABC/arr. BB
S:S: FS1.11b
M:4/4
Q:1/4=180
L:1/8
%R:reel
K:D
F2FG FEDE|FAAB AFED|d2eg fdec|dBAF BEED|
F2FG FEDE|FAAB AFED|d2eg fdec|dBAG FDD2 :|
d2AG FDFA|dfaf gfeg|fAdf eAce|dfed cAA2|
BEGB ADFA|dfaf gfed|Bdce dBAG|FGEG FDD2 :|

X:21201 
T:WISE NORA (jig) 
S:S: DMI.0126
Z:Z: Nordberg/Black
N:N: One of the "big tunes" in the Irish tradition. Also known by its Gaelic 
N:name "Nora Crion(n)a".
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
A|GAG G2A|B2G d2B|GAG G2B|A2B dcA|
GAG G2A|BAG ABc|d2e fef|A2B cB:|
%
c|ded d2c|B2G d2B|ded d2B|A2B cBA|
ded d2c|BAG ABc|d2e fef|A2B cB:|
%
A|BGG dGG|BAG dBG|AFF cFF|AFA cBA|
BGG dGG|BAG ABc|d2e fef|A2B cB:|
%
F|GBd GBd|GBd dcB|GBd GBd|A2B cBA|
GBd GBd|GBd dcB|GBd fef|A2B cA:|
%
F|GBd gfg|agf g3|BGd g2B|A2B cBA|
GBd gfg|agf g2a|bag agf|A2B cA:|
%
c|dBG GDG|BGB d2B|dBG GDG|A2B cBA|
dBG GDG|BGB dcB|GBd fef|A2B cB:|
"^coda"A2B cAF|G6|]

X:41351
T:WISHING WELL (jig), The 
C:Tommy Peoples
S:S: MVBT
Z:Z: ABC/arr. BB
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:D
E|DFA d2e|fdB BAF|B2B BAF|dBB BAF|
DFA d2e|fdB BAF|BAF dBA|fac d2 :|
z|Adf a3|baf afd|f2g afd|Beg bge|
Adf a3|baf afd|aba afd|Ace d2 :|
e|f2d edc|dge fdB|c2B cBA|a^ga ba=g|
f2d edc|dge fdA|FAA GBB|Adc d2 :|

X:41352
%%historyfont 15
T:WISSAHICKON DRIVE (reel) 
C:Liz Carroll
S:S: MVBT
Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:A
AF|EFAB cBAB|f2 ef ecBA|F2 dF efde|feef edBA|
EFAB cBAB|f2 ef eAce|fagf eAcA|BEGB A2 :|
ce|a2 ga baga|fAde fagf|eAce aece|aedc BEGB|
[1 a2 ga baga|fAde fagf|eAce aedc|BEGB A2 :|
[2 A2 ce ac'ba|fAde fagf|eAce aedc|BEGB HA4|]
%
N:N: Composed by Chicago's Liz Carroll and named for a street in Philadelphia 
N:that later became something else. I actually saw the original street sign in a 
N:trailer for a movie whose name, plot, and stars I can't be expected to recall 
N:at my age!
%%%

X:497131
T:WITCHING HOUR (reel), The
S:S: arr. of ONMI #41, "At Midnight Hour"
%R:reel
Q:1/4=180
Z:Z: ABC/arr. BBABC/arr BB
M:C
L:1/8
K:Edor 
D|EB,EF GABA|GEFG E3F|GABc deBe|gefd cdef|
g2fe fBBA|GFGE D2EF|Geed BcAB|GEFD E3 :|
d|e2ga bee2|Begf e2Bc|d2fg afge|feBc dBAF|
E2GF E3B,|G2AB A2GA|BeeB =cABA|G2FD E3 :|

X:21202 
T:WITH ALL MY HEART (jig) 
S:S: DMI.0368
Z:Z: Nordberg/Black
%R:jig
N:N: Makes a great slide played at a faster speed (say 180)!
Q:1/4=160
M:12/8
L:1/8
K:D mix
G|F2D DED F2D D2G|A2c BAG A3 A2G|
[1 F2D DED F2D D2F|G2B AGF G3 A2:|
[2 agf gfe fed cAF|G2B AGF G3 F2||
|:E|A2d d2e f2d cAG|A2c BAG A3 F2G|
[1 A2d d2e f2d cAF|G2B AGF G3 F2 :|
[2 agf gfe fed cAF|G2B AGE HD3|

X:49446 
T:WITH BIDDY BY MY SIDE (march) 
S:S: ONMI.1842 < Kennedy
%R:march
Q:1/4=120
Z:Z: Brennan/Black
M:4/4
L:1/8
K:G
D|EFGA BcAc|BAGB AGED|EFGA BcAc|Bee^d e3:|
f|gefd edB^c|d2ed Bdd2|gefd edBA|(3B^c^d ef e2ef|
gefd edB^c|d2ed Bddg/a/|bgaf gefd|Bee^d e2z2|]

X:45049 
T:WITH MARLEY TO GALICIA (polka)
C:T. O Canainn
S:S: NTFO.015b
Z:Z: ABC/arr. BB
M:C|
Q:1/4=120
%R:polka
K:G
DGGA BcA2|B>GAG FDD2|dBcA BGAF|d2dc AGG2:|
Bded e>=fed|Bdef gBA2|Bded e>=fed|gedB AGG2:|

X:41353
%irish_rolls_on
T:WITH OURSELVES (reel) 
C:J. Harling
S:S: MVBT
Z:Z: ABC/arr. BB
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:Em
D|EDEB GE ~E2|DEFD GFFD|EDEB GEEA|Bded e3 f|
gB~B2 gedB|AF~F2 dBAF|EDEB GEDE|DEFD E3|]
d|edef g2 af|ge ~e2 dBAF|D2 FD ADFD|defd gfed|
edef g2 af|ge ~e2 dBAF|D2 FD ADFA|dBAF E3|]
d|edBd edBd|gBfB eBdA|D2 FD ADFD|defd gfed|
edef g2 af|ge ~e2 dBAF|D2 FD ADFD|dBAF HE4|]

X:27099
T:WITH YOUR FEET (hornpipe)  
S:S: HOC.170
Z:Z: ABC/arr. BB
Q:1/4=150
M:C|
L:1/8
%R:hornpipe
K:A
%swing .25
N:N: "Wing dance" (as in "buck and wing"?)
%v
cB|AF2A E3D|EAcA B2cB|AF2A E3D|EAcB A2 :|
cd|ec2d ecfc|ec2d e2cd|ec2d e2f2|dcBc d2 :|
|:cB|AF2A E3D|EAcA B2cB|AF2A E4 |1 EAcB A2 :|
%%vskip 20
[2 EAcB HA4 |]

X:495373
T:WITHIN A MILE OF CLONBUR (reel) 
S:S: ONMI.1435
Q:1/4=180
Z:Z: Brennan/Black
%R:reel
M:C|
L:1/8
K:G
Bddg egdg|egdB BAA2|Bddg edgd|BdAc BGG2|
Bddg egdg|egdB BAA2|bgaf gedc|BdAc BGG2 :|
egdg agbg|egdg eaa2|egdg agbg|edef ag g2|
egdg agbg|egdg eaa2|bgaf gedc|BdAc BGG2 :|

X:39098 
T:WITHIN A MILE OF DUBLIN (jig)  
S:S: MSIST.50c
Z:Z: ABC/arr BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:C 
G|c2c ecA|GEC CEG|F2D DFD|G2E EGB|
c2c ecA|GEC CEG|EGc Gce|1 dBG G2 :|\
[2 dBG c2 ||
|:d|e2c ceg|a2a gec|B2G GBG|EGc dcd|
[1 e2c ceg|a2a gec|ecA G2E|Gcc c2 :|
[2 e2c fdf|geg a2f|ece d2B|Gcc Hc3|]

X:182179
T:WITHIN A MILE OF DUBLIN (reel) (a1) 
S:S: CRE.2
Z:Z: ABC/arr. BB
%R:reel
M:C
Q:1/4=180		
K:Dmix
FG|ADD2 FEFG|ADD2 cABG|ADD2 FEFG|AdcA G2BG|
ADD2 FEFG|ADD2 c2BG|ADD2 FEFG|AdcA G2||
FG|Add^c AGFG|Adde fdec|Addc AGFG|ABA2 G2FG|
Add^c AGFG|Adde f3g|afge fdec|dcAF HG4|]

X:495374 
T:WITHIN A MILE OF DUBLIN (reel) (a2) 
S:S: ONMI.1511 < F.O'Neill
Z:Z: Brennan/Black
N:N: Source has this as straight D major without accidentals.
%R:reel
Q:1/4=180
M:C|
L:1/8
K:Dmix
dB|ADDE FEFG|ADD2 cABG|ADDE FEFG|AdcA GcBc|
ADDE FEFG|ADD2 cABG|ADDE FEFG|AdcA G2||
FG|Addc AGFG|Adde fdec|Addc AGFG|ABcA G2FG|
Addc AGFG|Adde f2 eg|afge fdec|1 "thru"dcAF G2 :|
[2 "^coda"dcAF G2EF|HD4z4|]

X:62143
T:WITHIN A MILE OF DUBLIN (reel) (b)
S:S: GSTC 
Z:ABC/arr. BB
N:N: Nice tune but not really close to the "session" settings above.
Q:1/4=180
%R:reel
M:C
K:Dmix
A2^GB A2 dB|cBcG EFGB|A2^GB A2 dB|AcGE EDD2|
ADFD A2 dB| cBcG EFGB|AFAc BGBd|cAGE ED D2||
%
ed d2 ABcd|ed d2 eaag|e2 dg ecdc|AcGc Ad d2|
e2 dg eddc|ABcd efge|a2 ge dgec|ABcd ed d2||
%
efge d2Bd|eaag edcd|efge dged|cAGE ED D2|
gage d2Bd|eaa^g agef|gedc dged|cAGE D4|]

X:39077 
%%titlefont 20
T:WITHIN THIS VILLAGE DWELLS A MAID (1)
S:S: "Gentlemen's Musical Repository"
Z:Z: ABC/arr. BB
N:N: as "Irish Melody". Source key signature (C) is incorrect.
L:1/8
Q:1/4=120
M:C
K:G 
f|g3b g3f|e3d B3d|g2f2 g2a2|b2a2 g2df|
g3a g3f|e2d2 B2zd|e3g f2a2|g4-g3 :|
B|c3d e2dc|B3c d>cBA|G3A B2d2|e3d B2df|
g3a bagf|e2f2 Hg2dc|B3G A2F2|HG4z4|]

X:491615 
%%titlefont 20
T:WITHIN THIS VILLAGE DWELLS A MAID (2)
N:N: "1st Setting"
S:S: ONMI.0446
Q:1/4=80
Z:Z: ABC Brennan/Black (arr.)
M:3/4
L:1/8
K:G
%%text "slow"
%%vskip 30
B>c|d2 g2 g>a|b2 d2 B>c|d2 d>e d>c|B2 G2 B>c|
d2 g2 g>a|b2 d2 d2|e2 e>g f>e|d4||
B>c|d2 d2 d>f|g2 dg/a/ bg|d2 B>c d>c|B2 G2 B>c|
d2 b2 a2|g>a b2 d2|Bd cB A>B|G3-G3|]

X:491616 
%%titlefont 20
T:WITHIN THIS VILLAGE DWELLS A MAID (3)
N:N: "2nd Setting"
S:S: ONMI.0447
Q:1/4=120
Z:Z: ABC Brennan/Black (arr.)
M:C
L:1/8
K:G
%%text "moderate"
%%vskip 30
de/f/|g3a g2f2|e3d B2d2|g3f g2a2|b3a g2de/f/|
g3a g2f2|e2d2 B2zd|e3g f2a2|g6||
GA/B/|c3d e2dc|B3c d>cBA|G3A B2d2|e3d B2de/f/|
g3a bagf|e2f2 g2dc|B3G A3G|G4-G4|]

X:21203 
T:WOEFUL WIDOW (jig), The 
S:S: DMI.0307
Z:Z: Nordberg/Black
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
d|efe edB|dBA BGE|GAG BdB|BAA ABd|
efe edB|dBA BGE|GFG BdB|AGG G2:|
A|GBd g3|agf g2e|gfe edB|dBA BGE|
GBd g3|agf g2e|dBA BGE|DGG G2:|

X:41354
T:WOLFTRAP PROMISE (reel), The 
C:J. Derrane
S:S: composer
Z:Z: ABC/arr. BB
N:N: See my note in ABC file
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:D
c|dBAG FBAF|DFAD B,EDB,|A,B,DE FDD2|AFF2 BFF2|
dBAG FBAF|DFAD B,EDB,|A,B,DE FABd|cBAF B2 z :|
c|dB^AB FBdf|ec^Bc aecA|dB^AB FBdf|ecAc e2 z c|
dBFD B,DCB,|A,CEA ce a2|fdcd edBc|dBFD B,2 z:|
%
%This tune represents Joe Derrane's promise to Earle Hitchner and to 
%Irish music lovers in general never to give up his box playing again. 
%DC's "Wolftrap" was Joe's first festival after his long absence from 
%trad music. (NB This isn't the original key but I had Joe's permission 
%to transpose it for accessibility purposes.)
%%%

X:251116
T:WOMAN OF THE HOUSE (reel) (4 settings)
%
%hide_rhythm_tag
%hide_cautionary_ks
%
%%staffwidth 556
%
%%stretchlast 0
%
%%text [1] source: FS1.08
%%text Note that the two parts of this version end on D instead of G - not sure why!
%%vskip 30
%Z:Z: ABC/arr. BB
M:4/4
%S:S: FS1.08b
L:1/8
%R:Reel
%Q:1/4=180
K:G
DBBA B2 BA|GABd eBdB|A2GB A2 (3Bcd|eBB2 eBdB|
DBBA B2 BA|GABd eBdB|GABG A2GA|BGAG EG D2 :|
f2 fd edBd|edge dABd|f2 fd edBd|eaag eaa2|
f2 fd edBd|g2 ge dcBA|GABG A2GA|BGAG EG D2 :|
%%text
%T:WOMAN of the HOUSE (reel) (2), The 
%%text [2] source: ONMI #1300 
%%text Not quite today's version, but sort of close!
%S:S: ONMI.1300 < F. O'Neill
%Z:Z: Brennan/Black
Q:1/4=180
%R:reel
M:C|
L:1/8
K:G
GBB2 cBAB|GBdg e2d2|1 GBB2 cBAB|eAA2 eAA2:|
[2 G2BG A2GA|BcAc BGG2|:f2fd e2ed|gfge dBGB|
f2fd e2ed|eAA2 eAA2|[1 f2fd e2ed|gfge dBGB|
G2BG A2GA|BcAc BGG2:|2 gaba gfed|efge dBAB|
%%stretchlast 0
G2BG A2GA|BcAc BGHG4|]
%%text
%
%T:WOMAN OF THE HOUSE (reel) (3), The 
%%text [3] source GSTC
%%Z:ABC/arr. BB 
%Q:1/4=180
M:C
%R:reel
K:G
DBBA B2BA|GABd eBdB|AGEG A2Bd|eB B2 gB B2|
GBBA B2BA|GABd e2dB|GBB2 A2GA|BGAG EG G2 :|
f2 fd edBd|edgd edBd|f2 fd edBd|ea a2 eaag|
f2 fd edBd|gage d2 BA|GABG A2GA|BGAG EG G2:| 
5 
%%vskip 30
%T:WOMAN OF THE HOUSE (reel) (4), The  
%%text [4] source: CRE.1 
%%text CRE's Gaelic title "Bean a Ti Ar Lar" actually refers to another tune.
%S:S: CRE.1
%Z:Z: ABC/arr. BB
 M:C
L:1/8
%Q:1/4=180
%R:reel
K:G
DBBA B3A|GBB2 eBdB|A2GB A2Bd|eBB2 eBdB|
DBBA B3A|GBB2 e2dB|GABG A2GA|BGAG EF G2:|
f3d eBB2|eBgB eBB2|f3d edBd|eaa2 eaa2|
f3d eBB2|eBgB eBB2|GABG A2GA|BGAG EF G2:|
%%text

X:52127
T:WOMEN of MONAGHAN (jig), The
C:© E.Reavy  
Z:Z: Ed Reavy Collection
Z:Z: McKenty/Black
Q:1/4=160
M:6/8
L:1/8
%R:jig
K:G
%%text "allegretto"
%%vskip 30
A|GEF GAB|g2 B f2 B|efg fdf|ece dBA|
GEF GAB|g2 B f2 B|edc BcA|G3 G2 :|
f|gfe fga|f2 d def|gfe fga|b2 e e2 f|
[1 gfe def|agf g2f|edB cBA|G3 G2 :|
[2 gfe def|agf gfe|dcB cBA|G3 HG3|]

X:532121 
T:WOMEN'S CLIFF (hornpipe), The  
N:N: a/k/a/ "Women's Rock", "Loch Leven", others 
S:S: RC2.234 ("File na Mon" = Fáill na mBan = Women's Cliff)
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:C|
%R:hornpipe
K:Ador
%swing .25
cB|AA,A,B, CDEF|G2AF G2 cB|AA,A,B, CDEG|c2dB ABcB|
AA,A,B, CDEF|G2AF G2 cd|ecdB cABG|1 gedB AB:|2 gedB A2 A,2||
|:eaaf gbag|eaaf gedg|eaaf gedB|c2dB A2 A,2|
eaaf gbag|eaaf gfga|bgaf gedf|gedB A2 A,2:|

X:495376
T:WOMEN'S ROCK (reel), The  
S:S: ONMI.1550 < Tobin
Z:Z: Brennan/Black
N:N:  a/k/a/ "Green Gates" 
%R:reel
Q:1/4=180
M:C|
L:1/8
K:G
D|GBdg egdB|GBdg egdg|eAcA eAcA|cdef gedB|
GBdg egdB|GBdg egdB|cdef gedc|BGAF G2z2||
dgg2 bgg2|dgfg egdf|eAcA eAcA|cdef gedB|
dgg2 bgg2|dgfg e2dB|cdef gedc|BGAF HG4|]

X:185076 
T:WONDERS OF MAYO* (slide), The
S:S: CRE.5 (unnamed)
Z:Z: ABC/arr. BB
M:12/8
Q:1/4=180
%R:jig
K:D
A2G FED F2G A3|d3 cBA B2G E3|
A2G FED EFG A3|Bcd e2d cBc d3:|
f3 f2e d2c B3|e3-efd cdB A3|
f2g f2e d2c B2d|e3 efd ABc d3:|

X:532122
T:WOODCOCK HILL (hornpipe)  
S:S: RC2.205
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:C|
%R:hornpipe
K:D
%swing .25
A2|dcdf ecAc|dBGB AFDF|EGFA GBgf|edcB A2Bc|
dcdf e^deg|fefg afdA|BdcB AGFE|D2 d2 d2:|
B2|A^GAc ecAc|edcB Adfa|gfeg fedf|e2dB A2GE|
DFAd EGBd|FAdf afda|BdcB A2GE|DAdc d2:|

X:41355
T:WOODCOCK JIG (Hamilton), The  
N:N: a/k/a/ "Hamilton's #2"
C:Hammy Hamilton
S:S: MVBT
Z:Z: ABC/arr. BB
N:N: Both this and "Kerfunten" (q.v.) can be played in D
Q:1/4=160
L:1/8
%R:jig
M:6/8
K:G
B|dBG AGE|DED GFG|BGB dcB|dcB ABc|
dBG AGE|DED GFG|BGB dcB|AGF G2:|
B|dBd ece|fdf g2 d|ege dcB|dcB ABc|
[1 dBd ece|fdf g2 d|ege dcB|AGF G2 :|
[2 dBG AGE|DED GFG|BGB dcB|AGF G3|]

X:493411
T:WOODCOCK JIG (O'Neill), The  
S:S: ONMI.0975 < Dillon
%R:jig
Z:Z: Brennan/Black
Q:1/4=160
M:6/8
L:1/8
K:G
DGG BGG|dGG BGG|DGG BAG|FAA BGE|
DGG BGG|dGG BGG|DGG ABc|1 BGA GED :|2 BGG G2 ||
%
c|d2g B2d|AcA BGE|DGG BAG|FAA ABc|
d2g B2d|AcA BGE|DGG ABc|BGG GAc|
dgf edc|AcA BGE|DGG BAG|FAA ABc|
dgf edc|AcA BGE|DGG ABc|BGG G3 |]

X:41356
T:WOODFORD FLING, The 
S:S: MVBT < Coen Bros.
Z:Z: ABC/arr. BB
Q:1/4=150
M:C|
L:1/8
%R:hornpipe
K:D
%swing .25
fe|d2 cA GEFE|D2 FA D2 FA|d2 cA GE E2|Bd ec dgfe|
d2 cA GEFE|D2 FA D2 FA|d2 cA GE E2|Bd ec d2||
de|fgaf dcde|fgaf gbag|fgaf dc A2|Bd ef g2 fe|
fgaf dcde|fgaf gbag|fgaf dc A2|Bd ef g2fe|Hd4z4|]

X:35085
%%staffsep 60
T:WOODING (jig)
C:Rick Gagne 
S:S: composer
%R:jig  
Z:Z: ABC/arr. BB
N:N: "d/o/c/ 2000 on whistle; key could be called F# phrygian"
Q:1/4=160
M:6/8
K:Amix
e | "F#m"f2c ABc | ABc FcB | "A"ABc edc | cBA BcA | 
"D"f2d agf | fed def | "A"edc cBA |1 "E"BcA "C#m"ec :|\
[2 "E"BcA "F#m"F2 ||
|:E | "A"Ace edc | ecf edc | Ace "D"faf | "A"ecA Ace | 
"D"dfa agf | agf fed | "A"edc cBA |1 "E"BcA "F#m"F2 :|
[2 "E"BcA ecB |"A"HA6|]

X:39078 
T:WOODPECKER DANCE, The
S:S: "Amateur's Companion"
N:N: A session hit if there ever was one!
Z:Z: ABC/arr. BB
L:1/8
M:6/8
Q:1/4=160
%R:jig
K:G
d|g2g gfg|e2g d2g|c2a B2g|ABG FED|
G2g gfg|a2f d2c|BcB AGA|G3 G2 :|
B|ABc ABc|B2g g2B|ABc A2B|c3 B2d|
gfe d^cB|A^ce gfe|faf dAF|DFA def|
g2g gfg|e2g d2g|c2a B2g|ABG FED|
GBd gfb|gfe dcB|ABc def|g2G HG3 |]

X:341103 
T:WOODPECKER REEL, The 
C:Joe Liddy
Z:Z: ABC/arr. BB
S:S: Liddy1.45
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:A dorian
Bd|eA A2 AGEG|AcBA GE D2|A2 BA eABA|GFGB dGBd |
eA A2 AGEG|AcBA GE D2 |1 DEGA Bded|gedB A2 :|
[2 ge (3fed BAGE|DEGB A2 |: Bd|gaag edcd|eABG AGEG |
ABcB cded|efge a2 bg|aged cded|cAGA cdeg |
aged cABG|EFGE A2 :|

X:497132
T:WOODS ALONG THE BANK (jig), The
S:S: arr.of ONMI #22, "Woods Of Kilmurry"
Z:Z: ABC/arr. BB
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:Ador 
d|cBA GED|EAG A2B|cBA edB|G2F GAB|
cBA GED|EAG A2B|ced BcB|A3 A2 :|
B|cef ged|eag a2b|aba edB|A2G A2a|
gfe dBA|GDD GBB|ced BcB|A3 A2 :|

X:12317
%%staffsep 60
%irish_rolls_on
T:WOODS HOLE FISHERMAN (reel), The
S:S: BBMG
C:© BB 
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:Am
D|"Am"EAcA "G"BcdB|"Am"caa^g "^Am7"aba=g|"C"e^fge "G"dB~B2|"^Am7"cABG AGED|
"Am"EAcA "G"BcdB|"Am"caa^g "^Am7"aba=g|"C"ecgc "G7"Bdgf|"C"ec"G"dB "Am"A3 :|
B|"C"c2ec gcec|"Dm"fedf "Am"ecAB|"C"c2 ec gcec|"Am"eaab a2 ag|
"C"e2de ceBe|"Am"A2GA "Dm"FADA|"Am"EAcA "G7"Bdgf|"C"ec"G"dB "Am"A3 :|

X:46098 
T:WOODS OF GREEN ERIN, The 
C:G. Linley
S:S: OFHC28.03
Z:Z: ABC/arr. BB
N:N: See my note on this tune in the ABC file
Q:1/4=120
L:1/8
M:3/4
%R:waltz
K:D
%%text A-B-A
%%vskip 30
A2|f3 ed2|c3 BB2|e3 cB2|A4 A2|
A2B AGA|B4 BB|d2e2d2|c4 zA|
f3 ed2|c4 BB|e2c2B2|A4 A2|
A2d2f2|ag3 f2|g2B2c2|d4 ||
%
d2|d3 cB2|g4 gg|f3 edc|d4 dd|
d2 B3d|d4 AA|B2d2B2|f2"_DC"g2||
%
%1:Composed by George Linley and originally published
%in 1853. The sheet music in the Library of Congress
%archive is a "florid" piano arrangement that's hard to 
%read. I have dropped Linley's segnos, DCs, fines, etc, since
%they aren't relevant in ABC.
%2:"Borrowed" by O'Flannagan without any attribution.

X:492223 
T:WOODS OF KILKENNY (hornpipe), The 
S:S: ONMI.1693 < Fielding
Z:Z: Brennan/Black
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:D
%swing .25
A2|dAFA dfaf|gece dcBA|BGAF E2ef|gece dcBA|
dAFA dfaf|gece dcBA|dfaf bgec|d2d2d2:|
AG|FAA2 dAA2|fdcd BAGF|Eee2 gee2|cege dcBA|
gbbg faaf|gece dcBA|dfaf bgec|d2d2d2:|

X:491617 
T:WOODS OF KILMURRY (1), The   
S:S: ONMI.0022 < F.O'Neill
Q:1/4=80
Z:Z: ABC Brennan/Black (arr.)
M:6/8
L:1/8
K:Gm 
%%text "slow"
%%vskip 30
d/c/|BAG FDC|DG2-G2G/A/|BAG dcA|F3-F2d/c/|
BAG FDC|DG2-GzG/A/|B<dc A<BA|G3-G2||
G/A/|B>c/ d/=e/ fdc|dg2-gzg/a/|bag dcA|G3-G2za/g/|
fed cAG|FD2-DzG/A/|B<dc A<BA|G3-G3|]

X:535417
T:WOODS OF KILMURRY (2), The
S:S: RC3.067
Z:Z: ABC/arr. BB
Q:1/4=80
L:1/8
M:6/8
K:Gm
%%text "rather slow"
%%vskip 30
d/c/|BAG FDC|DG2-G2 G/A/|BAG cAF|G3-G2d/c/|
BAG FDC|DG2-G2 G/A/|Bdc ABA|G3-G2||
G/A/|Bc/d/=e fdc|dg2-g2 g/a/|bag fdc|d3-dza/g/|
f=ed cAG|FD2-Dz G/A/|B<dc A<BA|G6|]

X:581191 
T:WOODS OF OLD LIMERICK (jig), The  
S:S: WSGM.141 < J.Kelly, SFO
Z:Z: Kinder/Black (arr.)
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:D 
%%text source key F
%%vskip 30
G|FDD EFG|Add cBG|FDD EGG|ECA, EFG|
FDD EFG|Add cAG|F2 D EAG|EDC D2:|
e|fdd ded|cAA A2f|gec def|gec d2 e|
fed ecA|Bcd cAG|F2 D EAG|EDC D2:|

X:49447
T:WOODS' LAMENTATION (long dance - 2/4) 
S:S: ONMI.1786 < F.O'Neill
%R:hornpipe
Q:1/4=75
Z:Z: Brennan/Black
M:2/4
L:1/16
K:G
%swing .25
GA|BcBA B2g2|dcBd B2AG|ded^c d2gf|e^deg A2gf|
edcB dcBA|cBAG A2GE|GFGA BGdB|A^GAB =G2:|
d2|e^def g2G2|gabg e3d|B2d2 efgf|ed^ce d2Bd|
efga gfef|gabg e3d|BABc dcde|fdef g2ef|
g2dg edeg|dBde dcBA|G2ge dgdB|A^GAB =G2:|

X:37184 
T:WOODS' LAMENTATION (set dance - 4/4) 
C:? Carolan
Z:Z: ABC/arr. BB
S:S: MFC.110A
Q:1/4=120
%R:hornpipe
L:1/8
M:C
K:G
%swing .25
GA|BdBA B2g2|dcBc B2AG|dedc d2gf|edeg A2gf|
edcB dcBA|cBAG A2D2|GFGA BGdB|AGAB G2:|
d2|edef g2G2|gabg e2dc|Bdcd efgf|edce d2Bd|
efga gfef|gabg e2dc|BABc dcde|fdef g2ef|
g2eg edeg|dBde dcBA|G2ge dgdB|AGAB HG4|]

X:23020
%irish_rolls_on
T:WORKING MAN'S FRIEND (reel), The
C:Con O'Shea
S:S: composer
Z:Z: ABC/arr.BB
Q:1/4=180
%R:reel
L:1/8
M:C
K:Em
A|"Em"Beed efed|"G"gfed BcBA|"Em"GEED E2DE|"C"GEED "Em"EFGA|
"Em"Beed efed|"G"gfed BcBA|"Em"GEED "G"B,DGB|"D"AGFG "Em"E3 :|
B|"Em"efga bgeg|"D"fd~d2 ad~d2|"Em"efga "Bm7"bgaf|"Em"edBd "C"e3B|
"Em"efga bgeg|"D"fd~d2 ad~d2|"Am"ecBA "G"GABc|"D"defd "Em"e3 :|

X:15240
T:WORKING MASONS IN MERLIN (? march)
S:S: CCCD
Z:Z: ABC/arr. BB
L:1/8 % 1/4 in source
N:N: See my notes on this tune in the ABC file.
Q:1/4=100
M:2/4 % 2/2 in source
K:G 
%%text source key F
%%vskip 30
d|gB cB/A/|dG Gg/e/|fd ea/g/|f3 :|
a|af gf/e/|fB Bf/g/|e2 e^d|e2 eg|
Bc dc/B/|eB Bg/e/|fg g>f|1 g3 :|\
[2 g4-|g4|]
%
%Title = ??? C.W. Gluck composed a comic opera called "L'Ile de Merlin",
%but the performance date is almost 40 years after the Neals' book was
%published. The opera is however based on an earlier French work whose
%dates work better for the Neals. Whether any of the characters in either
%work were "working masons" is a topic I'll leave to the music historians!

X:57162 
T:WORN TORN PETTICOAT (slide), The
S:S: Treoir
Z:Z: ABC/arr. BB
D:D: "Johnny Cronin - Joe Burke" (Tune Vault)
M:12/8
L:1/8
%R:slide
Q:1/4=170
K:A dorian
d|c2A BAG A2G E2D|EFG A2B c2d e2d|
c2 A BAG A2 G E2 D|EFG A2 B A3-A2 :|
A|Bcd e2 f g2 e d2 d|efg a2 b a2 g e2 d|
[1 Bcd e2 f g2 e d3|efg a2 b a3 a2 :|
[2 c2A BAG A2G E2D|EFG A2B A3-A3|]

X:182314 
T:WREN HORNPIPE (a), The 
S:S: CRE.2
Z:Z: ABC/arr. BB
M:4/4
L:1/8
Q:1/4=150
%R:hornpipe
K:A dorian
%swing .25
D2|EGAB cBcd|eged cBcd|ecAc BAGB|AGEF GEDG|
EGAB cBcd|eged cBcd|ecAc BAGB|A2AG A2:|
(3efg|a2ag efge|dedc Bcdf|ecAc BAGB|AGEF GED2|
[1 a2ag efge|dedc Bcdf|ecAc BAGB|A2AG A2 :|
[2 EGAB cBcd|eged cBcd|ecAc BAGB|A2AG HA4|]

X:21204 
T:WREN HORNPIPE (b), The 
S:S: DMI.0945
Z:Z: Nordberg/Black
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:Am
%swing .25
ed|cBAG AcBA|GEDE G3B|cBAG ABcd|eaag e2de|
cBAG AcBA|GEDE GABd|c2BA GABG|A2AB A2:|
g2|"9"a2a2 a[ac']ba|gede g3^f|g^fga b2a2|gede d3B|
cBAG AcBA|GEDE GABd|c2BA GABG|A2ABA2:|

X:41357
T:WREN'S NEST (jig), The 
C:Frankie Gavin
D:D: "Anthem" (De Danann 1985)
S:S: MVBT
Z:Z: ABC/arr. BB
%R:jig
Q:1/4=160
M:6/8
K:Em
F|GAB ded|cAA A2c|BGE EFG|AFD AFD|
GAB ded|cAA A2c|BGE AFD|GEE E2 :|
%
D|E2e d2B|cBA B2A|GAB d3|cAA BAG|
E2e d2B|cBA B2A|GAB cAB|GEE FE :|
%
D|B,EE GED|B,EE E2D|B,EE GAB|AFD AFD|
B,EE GED|B,EE E2F|GAB cAB|1 GEE FE :|
[2 GEE FED|HE6||

X:34
T:YADA DE YADA (jig)
C:Jimmy Keane % 
N:N: "A tune for Dennis Cahill" © Cappal Beag Music BMI
M:6/8
L:1/8
Q:1/4=160
K:Gm
A|BAB GBD|G2B ABc|BAG dcB|cAF ABc|
BAB GBD|G2B ABc|BAG dcB|cAF G2 :|
A|BAG cBA|dcB edc|dcB cBA|BAG A^FD|
BAG cBA|dcB edc|dcB cBA|G^FA G2:|

X:35086
%%staffsep 60
T:YALDEN SUNDIAL (jig), The
C:Rick Gagne 
S:S: composer
%R:jig
Z:Z: ABC/arr. BB
N:N: "d/o/c/ 1988 on bouzouki; no G or G sharp notes"
Q:1/4=160
M:6/8
K:A
A | "E"B2B BAB | "A"cea ecA | "F#m"ced ecA | "D"dcB F2A | 
"E"B2B BAB | "A"cea ecA | "D"dcB "A"cBA | "E"BAF B2 :|
c | "A"Ace aec | "C#m"Ace dec | "D"Ace aec | "Bm"dfe dec | 
"A"Ace aec | "C#m"Ace dec | "D"dcB "A"cBA |1 "E5"BAF B2 :|
[2 "Bm"BAF "A"HA3|]

X:15182
T:YELLOW "STOCKENS" (slip jig) (1) 
S:S: CCCD
Z:Z: ABC/arr. BB
M:9/8 % 9/4 in source
L:1/8 % 2/4 in source
Q:1/4=120
K:Am
%%text "Stockens" = "stockings"
%%vskip 30
A|: c>de cAA cAA|c>de cAA B2G|c>de cAA cAA|
B>cd ded B2G :|c>de gee gee|c>de gee f2d|
c>de gee gee|1 f2d d>ed B2G :|2 f2d d>ed BAG|
A6z3|]

X:493412  
T:YELLOW FLAIL (jig) (1), The 
S:S: ONMI.0818 < F.O'Neill
Z:Z: Brennan/Black
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:G
c|BAG GFG|D2E FEF|GAG GAB|cAG FGA|
BcB BAG|ABA ABc|dcA AGF|G3 G2 :|
%
D|GFG BAG|GFG AFD|GFG BGB|c2A F2A|
GFG BAG|EFG ABc|dcA AGF|G3 G2 :|
%
D|G2A B2c|ded d2c|BAG FGA|cAG F2A|
BcB BAG|ABA ABc|dcA AGF|G3 G2:|

X:39079 
T:YELLOW FLAIL (jig) (2), The
T:An Suiste Buidhe  
S:S: "Ancient Irish Music" 
Z:Z: ABC/arr. BB
N:N: Repeats added
L:1/8
M:6/8
Q:1/4=160
%R:jig
K:G
%%text "playful"
%%vskip 30
c|B2B GAB|c2B c2A|GBd cBA|G2F G2A|
B2B GAB|c2B c2A|GBd cBA|G2F G2 :|
c|B2c def|gfe d2c|Bcd def|gfe def|
g2f gdB|c2B c2A|GBd cBA|G2F G2 :|

X:491618 
T:YELLOW GARRON, The 
S:S: ONMI.0405 < J. O'Neill
N:N: I have no idea what a "garron" is! ("Garrán" is "grove" in Irish but what's 
N:a "yellow grove"?)
Z:Z: Brennan/Black (arr.)
M:2/4
Q:1/4=140
L:1/16
K:D
%%text "with spirit"
%%vskip 30
A3B c2A2|d2c2 B2^G2|A3B c2A2|B2c2 d4|
f3e d2AB|c2c2 B2c2|d2B2 A2F2|D2FA B4||
A3D D2F2|EDEF E2FG|A3D D2F2|E2F2 B4|
A3D D2F2|FEFD E2A2|d2cB A2F2|D2F2 A4|]

X:29123
T:YELLOW HORSE (polka), The 
S:S: CGI.086
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
%R:polka
M:2/4
K:D
F/G/|A>B =cA|d>=c BG|AB =cA|Bc d2|
d>e dc|BA dB|AF GE|1 D3 :|2 EC D||
|:F/G/|A>E DF|ED EF|A>E DF|EF B2|
A>E DF|E>D EF|dc/B/ AF|1 DF B :|
[2 EC HD2|]

X:342110 
T:YELLOW JERSEY (reel), The
Z:Z: ABC/arr. BB
C:Joe Liddy
S:S: Liddy2.34
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:A dorian 
%%text source key Gm
%%vskip 30
AG|EAAB cAeA|cAec dBAG|EAAB cABA|GABG A2AG |
EAAB cAdc|BGAF GABd|cdef gedB|cABG A2 :|
AB|c2ec gcec|gcec BcdB|c2ec gceg|aged cAGA |
c2ec Gcec|gcec Bcde|agab aged|cAAG A2 :|
fg|aged cAcd|ecdB cAGE|A2AB cdef|gefd efgb |
aged cdef|gedc BGG2|ABcd ecdB|cAGE A2 :|
AG|EAAB cdec|cece dBAG|EAAB cded|cABG A2GA |
EAAB cdec|cece dBGB|cdeg edcA|GABA A2:|
AB|cee2 cege|cece dBGB|eccB d2eB|AcBG A2AB |
cee2 cege|dcde cAA2|agab aged|cAAG A2 :|

X:497153 
T:YELLOW JOHN (jig) (1st Setting) 
T:Seán Buí
S:S: ONMI.1832
%R:jig
Q:1/4=160
Z:Z: Brennan/Black
M:6/8
L:1/8
K:D
E|DFA AFA|BGB A2F|DFA AFA|B2c d2D|
DFA AFA|BGB ABc|dfd ecA|B2c d2 :|
%
e|fdf ece|dcB Ade|fdf ecA|B2c d2e|
fdf ece|dcB A2F|DFA AFA|B2c d2 :|
%
c|d3c3|BcB A2F|DFA AFA|B2c d3|
dBd cAc|BGB ABc|def ecA|B2c d2 :

X:497154 
T:YELLOW JOHN (jig) (2nd Setting) 
T:Seán Buí
S:S: ONMI.1833
%R:jig
Q:1/4=160
Z:Z: Brennan/Black
M:6/8
L:1/8
K:D
e|fed AFA|BGB AFA|fed AFA|Bgf ede|
fed AFA|BGB AFA|fed AFA|B2c d2:|
e|f2a e2a|ded cBA|f2a e2a|gfg a2a|
bgb afa|geg fde|fed AFA|B2c d2:|

X:13487
T:YELLOW JOHN (slide) 
S:S: BSMI.4
Z:Z: ABC/arr. BB
L:1/8
%R:slide
M:12/8
Q:180
K:D
A|DED AFA BGB AFA|DED AFA B2c dAF|
DED AFA BGB AFA|DED AFA B2c d2 :|
e|dfd ecA dcB AFD|dfd ecA B2c d2A|
dfd ecA dcB AFD|DED AFA B2c d2e|
dfd ecA dcB AFD|dfd ecA B2c dfg|
afd ecA dcB AFA|DED AFA B2c Hd3|]

X:182110 
T:YELLOW KID (polka), The
S:S: CRE.2
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:G
N:N: "Kid" here is a little goat, not a child!
%%vskip 30
G>F GA|B2 AG|BA/B/ AF|GF/G/ AB|
DE GA|B2 AB/A/|GE ED|G>D EG|
DE GA|B2 GA|BA/B/ AG|BA/B/ AB|
DE GA|B2 AB/A/|GE ED|G>F ED||
|:d>f ed|B2 GA|BG AG|BG AB/c/|
d>f ed|B2 AB/A/|GF ED|1 GF ED:|\
[2 HG4|]

X:496060 
%%historyfont 15
T:YELLOW LEGS (slip jig) 
S:S: ONMI.1130
Z:Z: Brennan/Black
N:N: aka "Up Little Yellow Legs" (Gaelic "Cosa Bui Airde"). O'Farrell considered 
N:this a modal tune (OFPC1.37) and I agree (for once!) that it sounds better that 
N:way.
%R:slip jig
Q:1/4=160
M:9/8
L:1/8
K:Dmix
FEF DED FED|FEF DED GEC|FEF DED FED|
EFE cBA GEC:|FDF A2d A2d|FDF A2d GEC|
FDF A2d AGF|EGE cBA GEC:|fef dfd g2e|
fef dfa gec|faf ged c2A|BAG FAF GEC:|
AFF dFF AFF|AFF dFF GEC|AFF dFF AFF|
GEE cBA GEC:|"^coda"D6z3|]

X:331111 
T:YELLOW STOCKINGS (slip jig) (2)    
Z:Z: ABC/arr. BB
S:S: Levey1.65
Q:1/4=160
L:1/8
%R:slip jig
M:9/8
K:Am
%%text "quick"
%%vskip 30
A/B/|: c2e cAA cAA|c2e cAA BAG|c2e cAA cAA|
Bcd dec BAG :|c2f ecg ecg|c2f ecg fed|
c2f ecg ecg|f2d dec BAG :|e2d cAA cAA|
e2d cAA BAG|e2d cAA cAA|Bcd dec BAG :|
"^coda"A6z3|]

X:47043
T:YELLOW STOCKINGS (slip jig) (3)  
S:S: CNIM.29
%Another popular tune back in the day. It appears in
%most collections (in different keys and with a variety 
%of spellings).
Z:Z: ABC/arr. BB
Q:1/4=160
M:9/8
L:1/8
%R:jig
K:Em
G2B GEE GEE|G2B GEE FED|G2B GEE GEE|
FGA ABG FED :|G2c BGd BGd|G2c BGd cBA|
G2c BGd BGd|ecA ABG FED :|cBA GEE GEE|
cBA GEE FED|cBA GEE GEE|FGA ABG FED :|
"^coda"E6z3|]

X:13118
T:YELLOW TINKER (reel) 4 settings
%
%hide_rhythm_tag
%hide_cautionary_ks
%
%T:YELLOW TINKER (reel) (1), The 
%%text [1] source: BSMI.1
%S:S: 
%Z:Z: ABC/arr. BB
Q:1/4=180
%R:reel
M:4/4
L:1/8
K:Gmix
FE|DGG2 DFCF|DGG2 dGBG|DGG2 DFF2|cAFA c2 :|
Bc|dGG2 d2Bc|dgg2 fdcA|dGG2 d2Bd|cAFA c2Bc|
dGG2 d2Bc|dgg2 fgag|f2de f2de|fgag fdcA||
d2BG BdBG|BdBG c2Bc|d2BG Bcde|fdcA FAcA|
d2BG BdBG|BdBG c2Bc|d^cde f2ed|cAFA HG4 |]
%
%%text
%T:YELLOW TINKER (reel) (2), The
%%text [2] source: DMWC
%%text Only one F natural in this "piper's" setting!
M:C
L:1/8
%R:reel
%Q:1/4=180
K:G
AG|DGG2 DEF2|DGG2 dBcA|DGG2 DEF2|cAFA c2cA|
DGG2 DE=FE|DGG2 dBcA|DGG2 DEF2|cAFA c3||
e|dGG2 dGBG|dGG2 B2B2|dGG2 defd|cAAB c3e|
dGG2 dGBG|dGG2 BBBB|dcde f3d|cAFA c2 ||
(3ABc|d2BG BdBG|BdBG c2Ac|d2BG BdBG|cAFA c2 (3ABc|
d2BG BdBG|BdBG BABc|dcde f3d|cAAB cBcA||"^coda" HG4z4|]
%%text
%T:YELLOW TINKER (reel) (3), The  
%Z:Z: ABC/arr. BB
%%text [3] source: JOL.153
K:Amix 
%%vskip 30
GF|EAA2 EGG2|EAA2 eABA|EAA2 EGG2|dBGB d2:|
zf|eAA2 eABd|eaae gedf|eA A2 edBc|dBGB d2cd|
e2 cA eAcA|eaaf gedf|a2ef gabg|c'2bc' afed||
e2 cA cecA|cecA d2cd|e2cA Bdef|gedB GBdf|
e2 cA cecA|cecA d3f|edef gfge|dBGB HA4|]
%%text
%T:YELLOW TINKER (reel) (4) 
%%text [4] source: GSTC
%%text A "hybrid" setting with F's of all kinds!
%Z:ABC/arr. BB
K:Gmix
DGG2 DFF2|DGG2 dGBG|DGG2 DFF2|cAFA c2AF|
DGG2 DFF2|DGG2 dGBG|DGG2 DFF2|cAFA c2||
%
K:G
Ac|dG G2 dGBc|d2 ge fdcA|dG G2 dGAB|cA=FA c2Ac|
dG G2 dGBc|dg g2 fdcA|g2 de fgaf|g2 ag fd||
%
K:Gmix
cA|d2BG BdBG|BdBG c2 Bc|d2 BG Bcde|fdcA FABc|
d2BG BdBG|BdBG c2Bc|d^cde fefd|cAFA HG4|]
%%text

X:29124
T:YELLOW WAT AND THE FOX (jig)  
S:S: CGI.090
Z:Z: ABC/arr. BB
N:N: 1: "Yellow Wat" = dog's name?
N:N: 2: I'm not 100 pct certain whether the C's in this tune are natural or sharp. 
N:Because of their frequency and position in the tune, I'd go with Dmix as the 
N:key. If you don't like that sound, just remove "mix" in the K: field and play 
N:it back as a straight D major.
Q:1/4=160
L:1/8
%R:jig
M:6/8
K:Dmix
%%text "allegretto"
%%vskip 30
d|c2B A2B|cec B3|A2c def|g2f e2d|
c2B A2B|cec B3|ABc dcd|e2f d2 :|
d|c2d e2f|g2f g2f|e2a a2e|g2f ecA|
c2d e2f|g2f e2d|c2B A2g|e2f d2 :|

X:182026 
T:YELLOW WATTLE (jig) (1), The 
S:S: CRE.2 
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig 
K:G
A|GFG AGE|AGF GED|GFG AEG|AGF GED|
GFG AGE|AGF GED|EAB ABc|dcA GB:|
d|AFF DEE|DFF DEE|AFF DEE|DEF GBB|
AFF DEE|DFF DFF|A3 ABc|dcA GB:|
A|BAG EGG|EGF G2A|BAG EGF|GAB GED|
BAG EGG|EGG EGG|A3 ABc|1 dcA GB:|
[2 dcA BAF|G6|]

X:21205 
T:YELLOW WATTLE (jig) (2), The 
S:S: DMI.0353
Z:Z: Nordberg/Black
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:Dmix
B|cdA AGE|ABA AGE|dcA AGE|GAG GED|
dcA AGE|ABA AGE|dcA ABc|dcA GE:|
%
D|G2G AEE|AGG AEE|G2G AEE|AGG GEA|
G2G AEE|AGG AEE|G2G ABc|dcA GE:|
%
E|DFA DED|DFA GED|DFA DED|DEF GED|
DFA DEE|DFA GED|DFA ABc|dcA GE:|
%
D|EGE FED|AFD FED|EGE FED|GEA GED|
EGE FED|AFD FED|DFA ABc|1 dcA GE:|
[2 GFE HD3|]

X:22152
T:YELLOW WATTLE (jig) (3), The
S:S: DMWC.147
Z:Z: ABC/arr. BB
N:N: Note that only second part repeats in Willie's version.
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:Dmix
dcA A2D|FAD GED|dcA A2B|dcA GED|
dcA A2D|FAD GED|dcA A2B|dcA GED||
D3 c2A|dfd cBc|D3 c2e|dcA GED|
D3 c2A|dfd cde|fed dce|dcA GED :|

X:21206 
T:YESTERDAY MORNING (jig) 
S:S: DMI.0323
Z:Z: Nordberg/Black
%R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
F|DGG GAG|FDF ABc|BdB cAc|BGA FGE|
DGG GAG|FDF ABc|BdB c2B|AGF G2:|
c|Bdd ded|efg d2c|BGB cAc|BGA FGE|
DGG GAG|FDF ABc|BdB c2B|AGF G2:|

X:581192 
T:YESTERDAY'S KISSES (jig) 
S:S: WSGM.172 < Aird's Selections 1782-97
Z:Z: Kinder/Black (arr.)
M:6/8
L:1/8
Q:1/4=160
%R:jig
K:Ador
E|ABA ABd|egB A2c|BAB GBG|BAB GAB|
cBc dcd|efe a2g|edc Bcd|eAA A2:|
g|a2 A ABA|a2 A A2f|g2G GAG|BAB G2B|
cBc dcd|ede a2g|edc Bcd|eAA A2:|

X:12318
%%staffsep 60
T:YONKERS PIPER (reel), The
S:S: BBMG
C:© BB 
%R:reel
%% For Jerry O'Sullivan
Q:1/4=180
M:4/4
L:1/8
K:G
A|"G"Bded BAGB|"Em"edBA "C"GFEG|"G"gede "Am7"gaba|"G"gfgd "D"cAFA|
"G"BGdG "G"BG~G2|"Em"edBA "C"GEDC|"G"DEGD "Em"EGAB|"D7"(3cBA FA "G"G3 :|
A|"G"degd "Em"egde|"Am"a^gab "D7"afdc|"G"Bdgd "Em"e2 dB|"G"GABG "D"ADFA|
"G"dB"Am"cA "Em7"Bdeg|"Am"a^gab "D"afdf|"G"G2dc "Em"BcdB|"D"ADFA "G"G3 :|

X:532123 
T:YOU BROKE MY CUP AND SAUCER (polka)
S:S: RC2.336
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:2/4
%R:polka 
K:G
%%text "Allegretto" 
%%vskip 30
A|Bd e>f|g2 fe|fe d>e|fd B>A|
Bd ef|g2 fe|fa gf|e2 e:|
z|Bd BA|GA B>c|BA D>A|BA D2|
[1 Bd BA|GA Bd|eg fd|e2 e:|
[2 Bd BA|GA B>c|dA D>A|G2 G2|]

X:342111 
T:YOU COULD SMELL THE TURF (reel)  
Z:Z: ABC/arr. BB
C:Joe Liddy
S:S: Liddy2.40
Q:1/4=180
M:4/4
L:1/8
%R:reel
K:G
ge|d2cA G2AG|FDCD FGAF|G2Ac dfge|fdcA FGAc |
d2cA G2AG|FGAF GAcd|f2gd fdcA|G2AF G2 :|
Ac|dgg2 agg2|ag af dcAB|cff2 cfag|fage fgef |
dgg2 agg2|ag af gfde|f2ga fdcA|G2AF G2 :|

X:66034
T:YOU KNOW THAT I KNOW (reel)
D:D: Nomos recorded live
Z:Z: ABC/arr.BB
Q:1/4=180
M:C
%R:reel
K:A
cB|Aaga edcB|A2cA EAcA|cefg afed|cBBA B2ag|
f3e fedB|A2cA EAcA|dcde fefg|aAAG A2:|
dc|BEGE BEGE|A2cA eAcA|cefg afed|cBBA B2dc|
[1 BEGE BEGE|A2cA eAcA|dcde fefg|aAAG A2:|
[2 f3e fedB|A2cA EAcA|dcde fefg|aAAG A4|]

X:491619 
T:YOU NEED NOT FEAR 
S:S: ONMI.0525 < J.O'Neill
Z:Z: ABC Brennan/Black (arr.)
M:C
L:1/8
K:G
%%text "animated"
%%vskip 30
G|G3A cBAG|A3B dcBA|G2Bd edcB|B4A2zG|
G3F E2D2|E2G>A B3e|d3e B2 A/G/B/A/|G6z||
d|d2e/f/ g3fe|d3e B2ze|d3e dBAG|B3c/B/ A2zG|
G2Bd e3d|g3a g2fe|dBge dBA>B|G4-G4|]

X:497133 
T:YOU NEVER CAN TELL (polka) 
S:S: arr. of ONMI #9, "I Could But I Won't"
%R:polka
Q:1/4=120
Z:Z: ABC/arr. BB
M:2/4
L:1/8
K:G
D|GE FD|GB d>d|ed/c/ BG|AG ED|
GE FD|GB d>d|ed/c/ BG|AG G :|
B|c>d ec|AB c>d|BG cB|AG/E/ DE|
GE FD|GB d>d|ed/c/ BG|AG G :|

X:495377
T:YOU NEVER SAW HER EQUAL (reel) 
S:S: ONMI.1233 < F.O'Neill
Z:Z: Brennan/Black
%R:reel
Q:1/4=180
M:C|
L:1/8
K:Ador
Bc|dBGB A2 GB|dBGB A2Bc|dBGB A2GB|cABG A2Bc|
dBGB A2GB|dBGB A2Bd|gfga bagf|gedB A2 :|
Bd|e2 de gedg|e2dB A2Bd|e2de gedB|cABG A2Bd|
e2de gedg|e2dB A2Bd|egfa gedB|cABG A2 :|

X:491620 
T:YOU NEVER SAW ROSEY 
S:S: ONMI.0246
Q:1/4=80
Z:Z: ABC Brennan/Black (arr.)
M:3/4
L:1/8
K:G
%%text "slow"
%%vskip 30
G/A/B/c/|d3f g2|f d3B>G|A4G2|G6|
d2d2ga|b2a2gf|d2gf d>e|d4G/A/B/c/|
d2d2g>a|b2a2gf|d2gf d>e|d4c/d/e/f/|
a2g2fe|cf2dBG|A4G2|G6|]

X:21207 
%%titlefont 18
T:YOU ROGUE YOU DAR'N'T MEDDLE ME (reel) (a)
S:S: DMI.0632
Z:Z: Nordberg/Black
%R:reel
Q:1/4=180
M:C|
L:1/8
K:Adorian
AB|cABG AGEF|GABc dBGB|cABG AGED|EAAB A2:|
E2|ABcd e2ef|gefd ecAG|ABcd e2ed|eaag a2a2|
ABcd edef|gefd ecAB|cABG AGED|EAAB A4|]

X:332100 
%%titlefont 18
T:YOU ROGUE YOU DARN'T MEDDLE ME (reel) (b)  
Z:Z: ABC/arr. BB
S:S: Levey2.72
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
de|fgfe fdBc|defg afba|fgfe fdBd|cdec d2de|
fgfe fdBc|defg a2bg|fgfe fdBc|dfec d2||
FE|FABc d2cd|Bedc BAFD|FABc dcdf|ecAc B2FE|
FABc dcde|fedc dcBA|BGFE FDBG|FEDC D4|]

X:491621 
T:YOU STOLE MY HEART AWAY 
S:S: ONMI.0527 < F.O'Neill
Z:Z: ABC Brennan/Black (arr.)
M:6/8
Q:1/4=120
L:1/8
K:Gm 
%%text "cheerfully"
%%vskip 30
B/A/|G2g gfe|dcB AG^F|G2g g/a/ba|g2^f g2B/A/|
G2g gfe|dcB AG^F|G2g g/a/ba|g3g2||
A|B>cB d<fB|A>GA FGA|B>AB G2d|gab d2a|
bag fed|cdB AG^F|G2g g/a/ba|g3g2|]

X:182008 
T:YOU'LL COME HOME WITH ME (jig)  
S:S: CRE.2
Z:Z: ABC/arr. BB
N:N: Or "Will You Come Home with Me?"
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:Dmix
E|F2E GFG|A2B cAG|A2A ABG|A2A ABG|
FEF G3|Add cAF|G2G GAF|GFG GD:|
%
e|fed gef|fed cAG|A2G ABG|AFG ABd|
g2e fed|ege dBA|G2F GBA|G2E GAd|
fed efg|fed cAG|A2G ABG|A2G ABG|
fed gfe|fed cAF|GFG GAF|GFG G2||
%
e|f3 gfg|a2b [c'a]ag|a2g abg|agf abg|
fef gfg|a2b [c'a]af|g2f a2f|g2f gag||
f2d g2e|fed cAF|A2G ABG|ABA ABG|
fed gfe|fed cAF|G2G GAF|GFG GFE|D6|]

X:531121
T:YOU'LL GO A-HUNTING NO MORE (jig)  
S:S: RC1.106
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
B|dBB BGG|DGG GAB|cee dBG|FAA ABc|
dBB BGG|DGG GAB|cee dcA|BGG G2:|
f|gfe dBA|Bee e2f|gfg eag|fdd def|
gfe dBA|Bee e2f|gfg aga|bgg g2 :|

X:491622 
T:YOU'LL NOT DECEIVE ME AGAIN 
S:S: ONMI.0534
Q:1/4=100
Z:Z: ABC Brennan/Black (arr.)
%Reel setting in folder 497 ("No More Tricks", #497080)
M:C
L:1/8
K:G
%%text "with feeling"
%%vskip 30
GE|D2EG B2gf|efed B2AB|d2ef gedc|B2 G/B/A/G/ E2GE|
D2GA B2e>d|dBAG g3e|dcBG AGED|DEGA G2||
Bc|d2eg f2fg|agfe d3e/f/|g3f e2dc|BGAG E2GE|
D2EG G2g>f|efed B2ed|cBAG AGED|DEGA G4|]

X:495378 
T:YOU'RE RIGHT MY LOVE (reel)
S:S: ONMI.1527 < F.O'Neill
Z:Z: Brennan/Black
N:N: In"Fisherman's Lilt/Kerryman's Daughter" family!
%R:reel
Q:1/4=180
M:C|
L:1/8
K:G % 
%%text source key = D
%%vskip 30
GE|D2DB, DEGB|dBAB GEEG|DEDB, DEGB|1 dBAB G2:|\
[2 edAB G2||
|:GA|Bdd2 cee2|dBAB GEE2|Bdd2 ceef|gfed e2e2|
[1 Bdd2 cee2|dBAB GEE2|DB,DE GFGB|dBAB G2:|
[2 gfed egfe|dBAB GEEG|DB,DE GFGB|edAB HG4|]

X:44150 
%%titlefont 18
T:YOU'RE WELCOME HOME ROYAL CHARLIE (march) 
S:S: NFID.089 < JD
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:C
%R:march
K:Amix
ED|E2A2 ABcd|e2A2 B2A2|GAGF GABc|d2G2 dBAG|
E2A2 ABcd|e2f2 g2a2|g2e2 d2B2|1 A4 AG:|\
[2 A4 A2ag||
%
|:e2a2a2 ga|b3a g2e2|d2ef g2a2|g2e2d2 cd|
e2a2a2 ga|b3a g2ed|c2e2 dcBc|1 A4 A2cd:|\
[2 A4 G2AB||
%
|:c2cB c2c2|cdef g2dc|B2G2 d2G2|BcdB GABG|
c2cB c2G2|cdef g2fg|a2e2 dcBc|1 A4A2B2:|\
[2 A4 HA4|]

X:48468 
T:YOU'RE WELCOME HOME! (polka) 
S:S: OFPC4.135 ("Scotch"; as "Your Welcome Home")
Z:Z: ABC/arr. BB
D:D: OSMOF.1 track 9A 
Q:1/4=120
M:2/4
L:1/8
%R:polka
K:Em
Be e>f|ed BA|Be ef|g>f ed|
Be e>f|ed BA|B^c/d/ AF|E2 E2 :|
F2 F>E|DE FA|B^c de|f>e fd|
Bd A>B|DE FA|B^c/d/ AF|E2 E2 :|

X:535418
T:YOUGHAL 
S:S: RC3.049 (Eochaill)
Q:1/4=100
Z:Z: ABC/arr. BB
N:N: 1: Both English and Gaelic are pronounced "yawl".
N:N: 2: This is the melody for the 1798 commemorative ballad "Boulavogue" 
N:("At Boulavogue, as the sun was setting ...") composed by P.J. McCall.
N:N: 3: I have changed Roche's notation slightly in measures 4 and 12.
L:1/8
M:6/8
K:G
%%text "andante"
%%vskip 30
D|G2D G2B/d/|g2f e<ge|d2e B2G/B/|A2G E2F|
G2D G2B/d/|g2f e<ge|d2e B2G/B/|A2G G2:|
B|d2B d2e/f/|g2f e<ge|d2e B2G/B/|A2G E2F|
G2D G2B/d/|g2f e<ge|d2e B2G/B/|A2G G2:|

X:535419 
T:YOUGHAL HARBOR (set dance 4/4) (1)
S:S: RC3.186
Z:Z: ABC/arr. BB
N:N: Note 6 measures in part 1, 14 in part 2.
L:1/8
M:C|
K:G
ef|gfed B2AB|dBA/B/A GEDE|G2GA Bdef|gfed B2AB|
dBA/B/A G2G2|G6:|A2|Bdef g2fg|agfg e3e|fedB dBAB|d2d2d2 ef|
g2ga gfed|Bd/B/AG EDB,D|G2GA B/d/B/A/ Bd|edef g2ef|
gfed B2AB|dB/A/BA GEDE|G2GA Bdef|gfed B2AB|dBA/B/A G2G2|G4-G4|]

X:492224 
T:YOUGHAL HARBOUR (hornpipe) 
S:S: ONMI.1633 < F.O'Neill
Z:Z: Brennan/Black
%R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:G
BA|GFEF GABd|egfa gage|dcBA G2Bd|cBAG EcBA|
GFEF GABd|egfa gage|dcBA BAGF|G2G2 G2:|
dc|Bdef g2fg|agfg edge|dcBA G2Bd|cBAG EcBA|
GFEF GABd|egfa gage|dcBA BAGF|G2G2 G2:|

X:13283
T:YOUGHAL HARBOUR (set dance 4/4) (2) 
S:S: BSMI.2
Z:Z: ABC/arr. BB
%R:hornpipe
M:C
Q:1/4=160
L:1/8
K:G
ef|gfed B2AB|dBA2 GEDE|G2GA Bdef|gfed B2AB|\
dBAB G2G2|G6 :|
A2|Bdef g2fg|agfg e3f|fedB dBAB|d2d2 d2ef|
g2ga gfed|B2AG EDB,D|G2GA BABd|edef g2ef|
gfed B2AB|dBAB GEDE|G2GA Bdef|gfed B2AB|\
dBAF G2G2|G6 :|

X:37185 
T:YOUGHAL QUAY (reel)
C:Paddy O'Brien (Nenagh)
Z:Z: ABC/arr. BB
S:S: MFC.026a
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:G
A|BdcA G2DG|G2BA GBdg|fdcA G=FDE|=FGAB cAA2|
BdcA G2DG|G2BA GABc|dBcA BGAG|FGAB cAG:|
A|:Bddc dcdc|Bdga bgg2|Bddc defg|adfa gfed|
Bdce dcdc|Bdga bgg2|Bddc defg|a2fa gfed:|
"^coda"a2fa gfed|g4z4|]

X:48467
T:YOUGHAL WALTZ, The 
S:S: OFPC4.167 ("Irish"; as "Youghall")
Z:Z: ABC/arr. BB
D:D: OSMOF.1 track 14B
N:N: I suspect this is another of O'Farrell's own compositions.
%%text 
Q:1/4=80
M:3/8
L:1/16
K:G
BA|G2 GA FA|G2 GA FA|GF GA Bc|de dc BA|
G2 GA FA|G2 GA FA|GB Ac FA|G4 :|
%
GF|E2 EG FG|D2 DG FG|E2 EG FG|D4 F2|
GF GA Bc|de dc BA|G2 G2 F2|G4 :|
%
D2|G2 G2 B2|d2 d2 g2|A2 A2 d2|B2 G2 D2|
G2 G2 B2|d2 d2 g2|A2 AG AB|G4 :|
%
d2|gf ed cB|ed cB AF|GF GA Bc|B2 A2 F2|
gf ed cB|ed cB AG|FB cA GF|G4 :|

X:185039 
T:YOUNG AND STYLISH*
S:S: CRE.5 (unnamed)
Z:Z: ABC/arr. BB
N:N: I had trouble figuring out the status of the F's in this tune. If you don't 
N:like the sharps in part 2, replace /f/ with /=f/ and see if that's better for you!
M:6/8
Q:1/4=160
%R:jig
K:A dorian
A/B/|c2A BAG|EDE cde|d2c A2G|Add ded|
c2A BAG|EDE cde|=fed efe|dBG A2:|
B/d/|efg efg|A2A Bcd|eaa aba|ge^c d=cd|
efg efg|A2A Bcd|ege cec|dBG A2:|

X:495379
T:YOUNG ARTHUR DALY (reel) 
S:S: ONMI.1422 < Cronin
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
L:1/8 % source 2/4
M:C % source 1/16
K:A
A,2CE Acec|dfec BcAF|E2CE Acec|dfec AGA2:|
agab aeca|eaca eaca|agab aeca|befg a2 eg|
agae faec|dBcA BcAF|E2CE Acec|dfec HA4|]

X:534077 
T:YOUNG BLACK COW (2), The
S:S: RC1.016
N:N: Eb in measure 27 is per source.
Q:1/4=80
L:1/8 
M:3/4
K:G
%%text "rather slow"
%%vskip 30
(3D/E/F/|G3 AGF|G2 A2 c2|d3e dc|A3z cA|
G3 AGF|G2 A2 c2|=F3 GFE|D4 D^F|
G3 AGF|G2 A2 c2|d3 edc|A4 fg|
a3 gfd|c2 A2 c2|G4 FA|G4||
(3def|g3 agf|g2 a2 b2|a2 g3f|d4 de|
=f3 gfe|=f2 g2 a2|g^f de/d/ cA|G3 DEF|
G3 AGF|G2 A3c|d3 _edc|A4 fg|
a3 gfd|c2 A2 c2|G4 FA|HG6|]

X:491623 
T:YOUNG BLACK COW, The  
S:S: ONMI.0220
Q:1/4=80 
Z:Z: Brennan/Black (arr.)
M:3/4
L:1/8
K:Em % 
%%text "slow"; A-B-A; source key = Gm
%%vskip 30
ED|B,2E2E^D|E2F2A2|B^c d=c BA|F4BG|
F2E2E^D|E3F G2|F2E2DB,|B,4B,2|
B,2E2E^D|E2F2A2|B^c d=c BA|F4^de|
f2ed cB/A/|B3^c d2|E2E2FE/D/|E4||
%
B2|B2e2e^d|e3f g2|f2e2dB|B4^c2|
d3e dB|d2e2f>e|dB AG FE|"_DC"D4||

X:12319
T:YOUNG BOSTONIANS (reel), The
N:N: Original title "Young Pearse's" 
S:S: BBMG
C:© BB
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:D
A|"Bm"B3A "Bm7"BAFA|"G"Bdeg "F#m"fecA|"Bm"B3A "D"FAdf|"A"edcd "Bm"B2FA|
"Bm"B3A "Bm7"BAFA|"D"defd "Em"eg~g2|"D"af"A"ge "D"dfaf|"A"efdc "Bm"B3 :|
F|"A7"EGAB c2ec|"D"defd efdA|"A7"EGAB cBAc|"D"df"A"ec "D"d3 F|
"A7"EFAB cA~A2|"D"defd "Em"efgb|"Bm"afbf abfe|"G"dB"A"cA "Bm"B3 :|

X:142640
T:YOUNG BRIDGET 
C:O'Carolan
S:S: CAR-ON
Z:Z: Brennan/Black
Q:1/4=80
M:3/4
L:1/8
K:D 
%%text "slow"; source key G
%%vskip 30
F/2A/2B/2c/2||d2 gf ed|d4 d>c|B2 dc BA|B2Bc d>c|
BA GF ED|C/2B,/2C/2D/2 E3D|D6|D3 GFE|
D3 EF>^G|A3 Ad>c|B2 dc B^A|B4 GF/2E/2|
D>E F>G AB/2c/2|d2 d>f e>d|c2 B3A|A4 AB/2c/2||
d2 df ec|d4 c>d|B2 dc BA|B3 cd>c||
BA GF ED|C/2B,/2C/2D/2 E3D|D6-|D6|]

X:142628 
T:YOUNG CATHERINE 
C:O'Carolan
S:S: CAR-ON
Z:Z: Brennan/Black
Q:1/4=120
M:C
L:1/8
K:Am
%%text "moderate"
%%vskip 30
A>G|E2A>B A3B|c2B>A A2Bc|d3e dBA>B|G3A B2A>G|
E2A>B A3B|c2B>c A2a>g|e2dcB c>dBc|A4e2||
A>B|cde^f g3a|ged>e f2dc|B2g>e dBAB|G3A B2AG|
c2B>A A3E|AB cd c/d/edc|d>e^ga ged>B|A4e4|]

X:492225 
T:YOUNG EDMOND O'NEILL (hornpipe) 
S:S: ONMI.1645
Z:Z: Brennan/Black
%R:hornpipe
N:N: String players can have some fun with the double stops. Other instru-
N:ments: pick a note you like!
Q:1/4=150
M:C|
L:1/8
K:G
%swing .25
EF|G2FG G2FG|GFGe dBA^G|ABcd ebge|d^dfe =d^c=cA|
G2FG G2FG|GFGe dBA^G|ABcd fdcA|GDB,D G,2:|
D2|(3GAB D2 GFED|E2[E2e2][E2e2]AG|(3FGA A,2 FEB,C|\
D2[D2d2][D2d2]D2|
(3GAB D2 GFED|[C2E2][G2e2][F2d2][E2c2]|\
(3Bge (3dBG (3DCB, (3CB,A,|G,2G2G2:|

X:582071
T:YOUNG ELLEN OF MY HEART 
S:S: WSGM.044 < Rice-Walsh manuscript
Q:1/4=120
Z:Kinder/Black
M:4/4
L:1/8
K:Am
%%text "Andante"
%%vskip 30
g|edcB AGFE|G2AA A3 E|ABcd e2 ec|d2 ed c2 BA|
ABcd e^fge|d2 ed c2 gf|edcB AGEF|G2AA A3E|
ABcd e^fge|d2 ed c2 gf|edcB AGEF|G2AA HA4|]

X:493413 
T:YOUNG FRANCIS MOONEY (jig) 
S:S: ONMI.0863 < F.O'Neill
Z:Z: Brennan/Black
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:Em
D|EFE G2A|BAB d2A|FDD DED|FAG FED|
EFE G2A|BAB d2e|fed efg|fee e2 :|
B|efe fdB|efe fdB|ded dAF|d^cd B2d|
efe fdB|ede g2a|bag faf|gee e2 :|

X:534078
%%titlefont 16
T:YOUNG GIRL DON'T MARRY A GREY-HAIRED OLD MAN 
S:S: RC1.070 ("A Cailin Bhig Oig Na Pos an Seanduine Liath")
N:N: Runner-up in this year's "Most Cumbersome ITM Tune Title Awards" 
N: (in two languages!!)
Q:1/4=130
L:1/8
M:6/8
K:G
%%text "allegretto"
%%vskip 30
GA|BAG E2G|D2D DEG|G3-GzD|GAB c>dc|
BAG BdB|A3-AzD|GAB c>dc|BAG BdB|
A3-AGA|BAG E2G|D2D DEG|G3z2D|
GAB cdc|BAG BdB|A3-AGA|BAG E2G|
D2D DEG|G6|]

X:66063
T:YOUNG JOE (reel)
D:D: "The Open Door" (Sean Nua 1993)
Z:Z: ABC/arr.BB
Q:1/4=180
%R:reel
M:C
L:1/8
K:A
B|cdef ecAc|dFFA B3A|GABc dGGA|BABd cAAB|
cdef ecAc|dFFA B3A|GBEG BcdB|efdB cAA:|
B|ceag fedc|Bbgb gedB|ceAc dBBA|GABc dfed|
ceag aece|dfef b2BA|GEGB dfec|dBcB A3:|

X:491624 
T:YOUNG KATE OF KILCUMMER  
S:S: ONMI.0225
Z:Z: ABC Brennan/Black (arr.)
Q:1/4=80
M:3/4
L:1/8
K:Em 
%%text "slow"; source key = Dm
%%vskip 30
zB|B2B2^c^d|e2e2eg|f2^dB^cd|e4ge|
d2cB AG|A2Ac BA|G2E2E2|E4||
EF|G2A2Bc|BG E2 (3efg|f2^dB ^cd|e e3ge|
d2cB AG|A3cBA|G2E2E2|E4|]

X:491625 
T:YOUNG LADY, The  
S:S: ONMI.0237 < J.O'Neill
Q:1/4=120
Z:Z: ABC Brennan/Black (arr.)
M:3/4
L:1/8
K:G
%%text "moderate"
%%vskip 30
G/A/|B>A GB de|=f>e dB cc|B2 AG BA|A3 DGA|
B>A GB de|=f>e dB cc|B2 GA GG|G3||
d/e/|=f2 ed d^f|g2 Bd =fe|e2 dB GB|A3 DGA|
B>A GB de|=f>e dB cc|B2 GA GG|G3-G3|]

X:29125
T:YOUNG MAN'S DREAM (1), The  
S:S: CGI.069
Z:Z: ABC/arr. BB
Q:1/4=80
L:1/8
M:3/4
K:G 
%%text "pensively"
%%vskip 30
G>A|B2 d>ed>B|A2 GEGA|B3G B/A/G|G4 G>A|
B2 d>ed>B|A2 GEGA|B3G B/A/G|G4 d/e/f|
g3f f/e/d|e2dz d/e/f|g3f ed|e3 fgf|
e2 d>B e/d/B/A/|G2 A/G/E/D/ G>A|B3G B/A/G|G4 |]

X:491626 
T:YOUNG MAN'S DREAM (2), The 
S:S: ONMI.0382 < J.O'Neill
Z:Z: ABC Brennan/Black (arr.)
M:3/4
L:1/8
Q:1/4=80
K:G
%%text "very slow"
%%vskip 30
G>A|B2d>e dB|A2G>E GA|B3G B/A/G/A/|G4:|
d/e/f|g2gf f/e/d/f/|e2dB d/e/f|g2g>f ed|e3e/f/ gf|
e2dB e/d/B/A/|G2 A/G/E/D/ G>A|B3G B/A/G/A/|G6|]

X:46099 
T:YOUNG MAY MOON, The 
S:S: OFHC39.02
Z:Z: ABC/arr. BB
N:N: A Thomas Moore song. There are 6/8 dance tunes with melodies close 
N:to this.
Q:1/4=100
L:1/8
M:6/8
K:G % 
%%text source key = Bb
%%vskip 30
G2G G2A|B2c dcB|d2e f2g|bag fed|
b2b a2g|g2f e2d|e2g age|d2c BcA ||
G2g gaf|gdB dcA|G3 g3|G3 g2g|
b2B a2g|g2f e2d|e2f gfe|dec BcA|
G2g gag|g6 |]

X:15200
T:YOUNG ROGER (slip jig) 
S:S: CCCD
Z:Z: ABC/arr. BB
%R:slip jig
L:1/8 % source 1/4
Q:1/4=100
M:9/8 % source 9/4
K:D
FGA B2A d3|e2E E2F GFE|FGA B2A B3|
AFD DEF E2D :|def def e2f|g2B Bcd ecA|
dcB AFA B3|1 AFD DEF E2D :|2 AFD DEF E3|D6z3|]

X:142629 
T:YOUNG TERRENCE MACDONOUGH 
C:O'Carolan
S:S: CAR-ON
Z:Z: Brennan/Black
Q:1/4=80
M:3/4
L:1/8
K:Am 
%%text "slowly"; source key Gm
%%vskip 30
A>G|E2A2B>^G|A4AB|c2e2dc|d4d2|
e2a2ag|e2g2e<d|c2B2A2|G4A>B|
c2B2A2|a4ga|b2g2ga|g4ed|
c2B2A2|^G2B2cd|e2E2AB|A4||
A>G|E2G2G2|G4GF|E2c2c2|c4BA|
G2g2g2|agf edc|ec'b agf|e4ed|
c2c2dc|B2B2B2|cBc de^f|g4ed|
c2c2c2|B4cd|e2E2AB|A4|]

X:493414 
T:YOUNG TIM MURPHY (jig) (1)
N:N: a/k/a/ Kitty Lie Over, What Would You Do. . . 
S:S: ONMI.0883 < Hartnett
Z:Z: Brennan/Black
Q:1/4=160
%R:jig
M:6/8
L:1/8
K:D
G|AFD DFA|Bcd A2A|Bcd AGF|GFG EFG|
AFD DFA|Bcd B2A|Bcd F2E|FDD D2 :|
e|fef dBA|Bdd d2e|fef def|gfg e2a|
fed B2d|A2d F2A|Bdd F2E|FDD D2 :|

X:31225
T:YOUNG TIM MURPHY (jig) (2) 
Z:Z: ABC/arr. BB
Q:1/4=160
S:S: JOL.139
M:6/8
L:1/8
%R:jig
K:D
B|A3 D2F|Add B2A|ABA F2D|GFG EFG|
ABA DFA|Add BAF|ABA F2E|FDD D2 :|
e|fef dBA|Bdc d2e|f2f def|gfg efg|
fed B2d|Add FAA|ABA F2E|FDD D2e|
fdd dBA|fdd d2e|faa def|gfg efg|
afd Bcd|Add FAA|ABA F2E|FDD HD3|]

X:493415 
T:YOUNG TOM ENNIS (jig) 
S:S: Ennis (sr.)
S:S: ONMI.0908
N:N: "Composed by 'The Piper' Ennis for his son, Tom, who became a noted 
N:violinist in Irish circles in the 19-'teens and 'twenties." (Brennan)
%R:jig
Z:Z: Brennan/Black
Q:1/4=160
M:6/8
L:1/8
K:A dorian
B|cBA BcB|AGE GAB|cBA Bed|BAA A2B|
cBA BcB|AGE GAB|cde ded|cAA A2 :|
f|gfe age|dBG Gef|gfe agf|ef^g aef|
gfe age|dBG GAB|cBA Bed|BAA A2 :|

X:15142
T:YOUNG VIRGIN OF 15 YEARS (jig), A 
S:S: CCCD
Z:Z: ABC/arr. BB
N:N: Dotted rhythm in source
Q:1/4=160
M:6/8
L:1/8
K:D % 
%%text source key F
%%vskip 30
F/G/|ABA ABA|d2A A2F/G/|ABA ABA|e2A A2F/G/|
ABA ABA|d2A e2A|fed cBc|d2D D2 :|
d/e/|fed fed|e2A A2d/e/|fed fed|g2e e2d/e/|
fed fed|fed gfe|fed c>Bc|d2D D2 :|

X:142650 
T:YOUNG WILLIAM PLUNKETT 
C:O'Carolan
S:S: CAR-ON
Z:Z: Brennan/Black
Q:1/4=120
M:C
L:1/8
K:G
D|G2GG [B2g2]gf|efed B2Bd|efge edcB|ABAG E2Ez|
GABG g2gf|efed B2cB|ABA B2AB|GEDE G2Gz|
G2AB G2AB|d2de dBAG|G2GG [B2g2]gf|efed B2z2|
BABd edef|gfgd BABd|efge dBAB|GEDE HG4|]

X:491627 
T:YOUNG WOMAN'S LAMENT, The  
S:S: ONMI.0545 < F.O'Neill
Z:Z: ABC Brennan/Black (arr.)
M:C
Q:1/4=80
L:1/8
K:Dm 
%%text "plaintive"
%%vskip 30
AG|F2E>D D3A/G/|FEFG A3D|D2^cd fage|d2c2A2zD|
D2^c>d d3c/d/|f3e d2zA|A2ag f2AG|F2E>D D2|]

X:495380
T:YOUNGEST DAUGHTER (reel), The 
N:N: a/k/a/ Tap Room, Ranting Widow
S:S: ONMI.1217 < F.O'Neill
Z:Z: Brennan/Black
Q:1/4=180
%R:reel 
M:C|
L:1/8
K:Em
E2BE dEBe|dBAF DEFD|E2BE dEBe|dBAF BEE2:|
Eeef gfed|BdAF DEFD|Eeef gfed|BdAF BEE2|
Eeef gfed|BdAF DEFA|afge fde^c |dBAF BEE2|]

X:21208 
T:YOUR MOTHER'S FAIR PET (reel) (1)
S:S: DMI.0615
Z:Nordberg/Black
N:N: This is another tune where the C's could either be sharp (per DMI key 
N:signature) or natural (per what my ear tells me!), as accented C's usually 
N:are in Irish key-of-D dance tunes. You can hear the source version (with  
N:C sharps) by removing "mix" from the K: field.
%R:reel
Q:1/4=180
M:C|
L:1/8
K:Dmix
ed|cAAB cded|cAGE EDDB|cBAB cdeg|fdec d2:|
de|f2fa e2eg|fded cAAg|f2fa e2eg|fdec d2de|
f2fa e2eg|fded cAAg|f3f eaag|fdec d4|]

X:182259 
T:YOUR MOTHER'S FAIR PET (reel) (2) 
T:Is Trua gan Peata 'n Mhaoir Agam
S:S: CRE.2
Z:Z: ABC/arr. BB
N:N: Gaelic name means "It's a Pity I Don't Have the Steward's Pet" (daughter? 
N:cocker spaniel? goldfish?)
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
A2 GE FD D2|EF G2 EFGE|A2 GE FD D2|EFGE AcBG|
A2 GE FD D2|EF G2 EFGE|A2 GE FD D2|EFGE A2FG||
A2AB cde2|fded dc A2|cAAB cdeg|faeA dfe2|
cAAB cdeg|fded dc A2|cAAB cdeg|fAeA dfec||
"^coda"A2GE FDHD2|]

X:612501
T:YULE SEA (jig)
C:Frankie Cleeve, England
Z:Z: D. MacAdam
N:N: Dave's notes on this tune in the ABC file.
M:6/8
L:1/8
Q:1/4=160
%R:Single Jig
K:A Dorian
E|A2 B c2 d|e2 g fed|e2 c c2 e|d2 B G2 B| 
A2 B c2 d|e2 g fed|e2 c BcB|A3 A2:|
|:e|e2 a a2 b|g2 f gfd|e2 a a2 b|g2 f/e/ f2 d|  
e2 a a2 b|g2 f gfd|e2 c c2 d/e/|dcB A2:|
%
% 1:Transcribed and arranged by DPM from the playing of Stewart 
% Hardy on "Hawthorne's Sweeter Shade". 
% httpS:S: //www.stewarthardy.co.uk/product/10-yule-sea/
% 2:This jig was transcribed from the playing of Stewart Hardy on 
% his "Hawthorne's Sweeter Shade" fiddle album. Frankie Cleeve, 
% the composer of this tune, is a fiddler living in north London. 
% It gets played all year round, but never more  than in the 
% Yuletide season. [2019.11.13 (rev. 2020.11.21)]

X:45050 
T:Z-TRANSFORM REEL, The   
C:T. O Canainn
S:S: NTFO.025
Z:Z: ABC/arr. BB
Q:1/4=180
M:C
%R:reel
K:G
AB|:cAA2 BGg2|cAA2 GEe2|cAA2 BGg2|dedc AGg2|
cAA2 BGg2|ADD2 ADD2|c3A BGg2|dedc AGg2:|
G2Bd gdBd|e=fed BGBd|G2Bd gdBd|cAA2 FDD2|
G2Bd gdBd|e=fed BGBd|cAA2 FDD2|dedc AGG2:|

X:37186 
T:ZERO AND BELOW* (reel)
Z:Z: ABC/arr. BB
S:S: MFC.047c (unnamed)
Q:1/4=180
L:1/8
M:4/4
%R:reel
K:D
AG|FAAB AdBA|FAdf g2fg|agab afdf|edBc d2dA|
FAAB AdcB|FAdf g2fg|agab afdf|edBc d2:|
de|fadf gbeg|faaf g2fg|agab afdf|edBc d2de|
fadf gbeg|faaf g2fg|afge fded|ABcA d2:|