BB's IRISH TRADITIONAL TUNE LIBRARY
"HARDING'S ORIGINAL COLLECTION OF JIGS AND REELS" ("The 200")
(New York, 1928)

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folder contents

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To find a particular tune in this file, type command-F
(Mac) or control-F (PC) and enter the name or file ID in
the search box.

Copying and pasting this file into BarFly or EasyABC will
generate a list of the all tunes contained herein.
=========================================================

Transcriber's note:

This Collection contains many tunes that I think could be a lot of fun in the 
hands of a sympathetic player. (The link at the top of this page will provide
more information on the compiler and the book.)

There are the usual chestnuts like "Harvest Home" and "Paddy O'Rafferty", some 
"Irish" tunes with which I was not familiar, a sampling of Scots tunes, and 
finally other tunes that were probably composed by Harding himself or some of 
his contemporaries. These tunes relate more closely to the stage than to the 
session but I thought they deserved preservation for possible future use by 
more traditionally-minded players, especially those willing to take a chance 
on some unfamiliar material.

Unfortunately there's no explanatory material anywhere in the book that might
give some insight as to Harding's sources, so we're left to form our own
opinions!

Further:
[1] This Collection contains many tunes in 2/4 time that - in the absence of a 
specific indication to the contrary - I have chosen to regard as "hornpipes" for 
the purposes of the ABC file R:field, which controls how the accents are stressed. 

Many of Harding's 2/4 tunes employ the "Scots snap", and I have indicated these 
with the word "snap" in the L:field rather than adding to my workload with a series 
of dots and cuts. Apologies for this procedure but I think the meaning will be clear 
as you work through the tunes. 

There are also many tunes in the Collection that are in 2/4 time and are identified 
as "reels",  so it's entirely possible that some of the other unspecified tunes should 
be handled as reels and not hornpipes. Feel free to experiment with the R:field to see 
which tune type sounds better.

[2] Harding uses descriptive terms like "straight jig", "buck dance", "eccentric dance," 
which may have made a lot of sense at the time the Collection was assembled but are 
meaningless in a contemporary Irish traditional context. I have done what I like to think 
is some "educated guessing" as to what the correct tempo and stress would be, but once 
again feel free to experiment.

[3] I did not transcribe all 200 tunes in the Collection for the simple reason that many 
had already appeared in other sources (per searches on TuneFinder). A list of the omitted 
tunes is at the end of this file.

[4] As per my usual practice, I have taken the liberty of inventing names for some of the 
otherwise nameless tunes in this collection, on the theory that even an invented name is 
better than no name at all. All invented names in this file are followed by an asterisk.

[5] Y:field entries in quotes are taken verbatim from the source. (The Y: field is not part of the ABC standard but I'm putting it to work.)

[6] With the intention of enhancing the usefulness of the sound file, I have taken the liberty 
of doubling some tunes that appear as "single" in the source. I have made note of this change 
in the N: field.

[7] Harding makes frequent use of "DC", "DS", and "fine" to direct movement in a tune. Most 
often this involves returning to a play-through of the first part after completion of the 
second part, a common practice in years past but pretty much obsolete today.

In tunes where Harding wants this to happen I have placed % A-B-A after the tune type in the R:
field and dispensed with the "classical" indicators.

[8] Where I thought it would help, I have transposed tunes in unfriendly keys to keys more 
familiar to Irish trad players. Both the notation file and MIDI playback file will have both 
versions, the original and the transposed. (Tunes with dual files are noted with + in the incipit
file.)

Bill Black
Feb.2014
updated Jan.2023

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cover art for the original book

folder contents
==================================================================

X:27041
T:JOHNNY'S MADE A WEDDING O' IT (hornpipe) 
B:HOC.002
C:ABC/arr. BB
Q:1/4=150
M:C|
N:Note 8/16 br structure.
L:1/8 % with snap
R:hornpipe
K:G
c|BGdG BGGB|A=FcF AFFA|BGdG BGGg|egdg BGG :|
g|bgaf gdde|=fdc_B A=FFg|=b/a/g a/g/f gddg|egfa gGGg |
bgaf gdde|=fdc_B A=FFA|GBAc Bdce|dgfa gGG :|

%%%

X:27039
T:IRISH MERRY MAKING  
B:HOC.003
C:ABC/arr. BB
Y:"Country Dance"
Q:1/4=150
M:9/8
L:1/8
R:slip jig
K:D
d2d ded cBA|d2d def gfe|
d2d ded cBA|BcB Bcd ecA :|
fag fed cBA|fag fed cde|
fag fed cBA|BcB Bcd ecA :|
"final"d6z3|]

%%%

X:27007
T:CHICAGO RIVER HORNPIPE*, The 
B:HOC.004 (unnamed)
C:ABC/arr. BB
Y:"clog dance"
Q:1/4=140
M:C|
L:1/8 % dotted rhythm
R:hornpipe
K:A
cd|eagf edcB|AcEA c2BA|GBEG BdcB|AcEA c2cd |
eagf edcB|AcEA c2BA|GABc defg|.a2.a2.a2 :|
BA|GBEG BdcB|AcEA c2BA|GBEG BdcB| AcEA c2cd |
eagf edcB|AcEA c2BA|GABc defg|1 "thru".a2.a2.a2 :|\
[2 "final"aefg Ha4|]

%%%

X:27017
T:ERIE RAILROAD* (hornpipe), The 
B:HOC.012 (unnamed)
C:ABC/arr. BB
Q:1/4=150
Y:"straight jig"
M:C|
L:1/8 % dotted rhythm
R:hornpipe
K:G
(3DEF|G2D2E2D2|GFGA Bdd2|edcB cBAG|FGAB c2BA |
G2D2E2D2|GFGA Bdd2|edcB cBAG|FDEF G2 :|
Ac|Bdde dBAG|Bd^cd b2g2|Bdde dBAG|FGAB c2Ac |
Bdde dBAG|Bd^cd b2g2|Bdde dBAG|FDEF G2 :|

%%%

X:27002
T:ATLANTIC HIGHLANDS* (fling), The 
B:HOC.016 (unnamed)
Y:"highland fling"
C:ABC/arr. BB
Q:1/4=150
M:C|
L:1/8 % dotted rhythm
R:hornpipe % A-BB
K:G
D2|.G2.G2 Bcd2|cABG AFED|G2G2 Bcd2|egfa g2 :|
|:d2|gaba gfed|efge dBAG|gaba gfed|egfa g2ga |
b2a2g2f2|e2d2c2BA|.G2.G2 Bcd2|1 egfa g2 :|\
[2 egfa g4-|g8|]

%%%

X:27033
T:HIGH ON THE BLUFF* (fling) 
B:HOC.021 (unnamed)
C:ABC/arr. BB
Y:"highland fling" Note 8/8, not 16/16.s
L:1/8 % dotted rhythm
Q:1/4=150
R:hornpipe
M:4/4
K:A
z2|:e2 Ac/d/ ecAa|c2 AB/c/ dB=GB|e2 Ac/d/ eAcA|BB Bc/d/ dB=GB :|
eA c/d/e cAAB|cA c/d/e dB=GB|eA cd/e/ cAcA|BB Bc/d/ dB=GB :|

%%%

X:27006
T:CAPTAIN KEELER (reel) 
B:HOC.022
C:ABC/arr. BB
Y:"reel"
Q:1/4=180
M:4/4
L:1/8
R:reel
K:Em % source key = Gm
D|G2 (3BAG dGgG|G2 (3BAG FDAF|G2 (3BAG dGgG|AFDF GEE :|
G|B,EGE BEGE|B,EGE FDAF|B,EGE BEGE|1AFDF GEE :|2AFDF GEE2-|E8|

Source version:
K:Gm
F|B2 (3dcB fBbB|B2 (3dcB AFcA|B2 (3dcB fBbB|cAFA BGG :|
B|DGBG dGBG|DGBG AFcA|DGBG dGBG|cAFA BGG :|

%%%

X:27023
T:FLOWERS OF PEORIA* (hornpipe), The
B:HOC.027 (unnamed)
C:ABC/arr. BB
Y:"straight jig"
Q:1/4=150
M:C|
L:1/8 % dotted rhythm
N:Source version was a measure short in the second part.
I supplied it by repeating measure 9 as measure 13.
R:hornpipe
K:D
z|A,2DE F2ED|F2AB A2c2|dAdc dBAG|FDEF EDB,D |
A,2DE F2ED|F2AB A2c2|dAdc dBAG|FDEF D3 :|
e|defd B2c2|d2 (3edB d2 (3edc|defd BcdB |A^GAB A=GFA|
defd B2c2|dcde fgfe|dcdA (3Bcd AG|FDEF D3 :|

%%%

X:27014
T:DOWNSPOUT* (hornpipe), The 
B:HOC.029 (unnamed)
C:ABC/arr. BB
Y:"clog dance"
Q:1/4=140
M:4/4
L:1/8 % dotted rhythm
R:hornpipe
K:A
ed|ceAc EACE|[AA,]Ece a2ba|gbeg BeGB|EBeg b2ed |
ceAc EACE|[AA,]Ece a2ba|gbeg fa^df|e2e2e2 :|
de|fdAF Adfa|ecAE Acea|gBEG Bdeg|bagf ecde |
fdAF Adfa|ecae Acea|gebg edBe|1 a2a2a2 :|\
[2.a2.a2a4-|a8|]

Source version:
ed|ceAc EACE|(3A,CE (3Ace a2ba|gbeg BeGB|(3EGB (3egb e'2 ed |
ceAc EACE|(3A,CE (3Ace acba|gbeg fa^df|e2e2e2 :|
de|fA,DF Adfa|eA,CE Acea|gB,EG Bdeg|bagf ecde |
fA,DF Adfa|eA,CE Acea|gebg edBe|A2[a2c2][a2c2] :|

%%%

X:27051
T:LOOM OF THE LIGHT* (fling), The 
B:HOC.039 (unnamed)
C:ABC/arr. BB
Y:"highland fling". Relative of "Green Grow the Rushes".
Q:1/4=150
M:C|
L:1/8 % dotted rhythm
R:hornpipe
K:Em
D|G2BA BGGB|A2ed cAAB|cBce d/c/B/A/ GB|A/B/c BA GEE :|
D|G2gf gddg|e2ag aeef|gage d/c/B/A/ GB|A/B/c BA GEE :|

%%%

X:27054
T:MAIN STREET STROLL* (hornpipe), The 
B:HOC.047 (unnamed)
C:ABC/arr. BB
Y:"walk-around". 
N:The last measure of the "DS" repeat is mine
since no "fine" measure is marked in the source.
M:C|
L:1/8 % dotted rhythm
N:1:Source mm 10 & 14: /defg abc'd'/
N:2:Alternative of mm 1,2,5,6:
/fddd fAAA|fdcd FA^GA|/
R:hornpipe % A-B-A
Q:1/4=150
K:D
P:part A
f2z2f2z2|f2z2f2z2|f2c2d2B2|A2G2F2E2 |
"5"f2z2f2z2|f2z2f2z2|f2e2f2^g2 |1 a3A Bcde :|\
[2 a2z2g4 ||
P:part B
"9"fedf edce|defg agfg|fedf edce|fage d2A2 |
"13"fedf edce|defg agfg|fedf edce|afge d2z2 |
"17"d2dd d2d2|cdec d2z2 |]
P:part A repeat, with final measure
"19"f2z2f2z2|f2z2f2z2|f2c2d2B2|A2G2F2E2 |
"23"f2z2f2z2|f2z2f2z2|f2e2f2^g2|acea Hd4|]

%%%

X:27081
T:SAW YE JOHNNIE COMIN' (hornpipe)  
B:HOC.050
C:ABC/arr. BB
N:No repeats in source.
M:4/4
L:1/8 % dotted rhythm
R:hornpipe
Q:1/4=150
N:BB arrangement
K:Em
G2AB dBBg|G2AB d2B2|G2AB dBBA|GABG E2D2|
G2AB dBBg|G2AB d2B2|G2AB d^cdf|gdBG E2D2 :|
gfed edB2|gfe^d e2B2|gfed efge|deBA G2E2|
gfed edB2|gfe^d eBB2|gfed efge|1deBA G2E2 :|\
[2"last time"deBA G2E2-|E8|] 

%%%

X:27036
T:HONEYMOON COTTAGE* (hornpipe), The 
B:HOC.052
C:ABC/arr. BB
Y:"Country dance". 
N:1:In mm 1,3,5 source has |DAAA|.
N:2:I added "Cottage" to Harding's title to avoid confusion 
with "Honeymoon Reel".
N:3:I doubled the second part.
Q:1/4=150
M:C|
L:1/8
R:hornpipe
K:A
EAAG Acec|dcBA GBB2|EAAG Acec|dcBc A2A2 |
EAAG Acec|dcBA GBB2|EAAG Acec|dcBc A2A2 :|
|:aee2 fgaf|ecBA GBB2|AEE2 FGAB|cdBc A2A2 |
aee2 fgaf|ecBA GBB2|EAAG Acec|1 dcBc A2A2 :|\
[2 dcBc A2A2-|A8|]

%%%

X:27001
T:ALL SET (reel) 
B:HOC.057
C:ABC/arr. BB
M:4/4
L:1/8
R:reel % A-B-A
Q:1/4=180
K:Em
B>A|GEEF G2EF|G2FG A2BA|GEEF G2ef|gfed B2 :|
ef|g2bg f2af|e2fe B2ef|g2bg f2af|gfed e2ef |
g2bg f2af|e2fe B2ef|gabg f2af|gfed edBA|
|:GEEF G2EF|G2FG A2BA|GEEF G2ef|1 gfed B2BA :|\
[2 gfed e4|]

%%%

X:27059
T:MR.KING'S FANCY* (hornpipe) 
B:HOC.059 (unnamed)
C:ABC/arr. BB
Y:"straight jig"
Q:1/4=150
M:C|
L:1/8 % dotted rhythm
R:hornpipe
K:Em % source key = Dm
B|eB^c^d efe=d|BAGF E2D2|GBdg eded|A4 z3B|
eB^c^d efe=d|B2A2 G2E2|DdBd edcA|1 G4 EFG :|2 GEFA G2||
|:ef|gfga f3g|a^gab =g2ef|gage deGA|B2^D2 EBef|
gfga f3g|a^gab =g2ef|gabg agfa|1 gef^d e2 :|2 gef^d e4-|e8|]

Source version:
K:Dm
z2|A2|dA=B^c ded=c|AGF2 D2C2|FAcf dcdc|G4 z3A |
dA=B^c ded=c|A2G2 F2D2|CcAc dcBG|F4 z3c |
fefg e2c>c|g^fga =f2de|fgfd cdFG|A2^C2D3 ||

%%%

X:27095
T:WEST BRANCH* (hornpipe), The 
B:HOC.060 (unnamed)
C:ABC/arr. BB
Y:"clog dance"
Q:1/4=150
M:C|
L:1/8 % dotted rhythm
R:hornpipe
K:D % source key F
(3ABc|dFAd fedc|BGBe gfed|cEGA cBAG|FA^GB A2fe |
^dBdf bagf|agfg edcB|(3A^GA cB A=GFE |D2F2 D2 :|
K:A
cd|eGBG eAfA|eAcB [ac']2 ba|gafg efde|cEAc f2ez |
eGBG eAfA|eAcB [ac']2 ba|gafg edcB |A2c2A2 ||
P:Part A return
K:D
(3ABc|dFAd fedc|BGBe gfed|cEGA cBAG|FA^GB A2fe |
^dBdf bagf|agfg edcB|(3A^GA cB A=GFE |D2F2 HD4||

%%%

X:27031
T:GREY EAGLE HORNPIPE, The
B:HOC.061
C:ABC/arr. BB
M:C|
L:1/8 % dotted rhythm
R:hornpipe
Q:1/4=150
K:A
cB|AFFA EFEC|EAcA BAcB|AFFA EFEC|[A,E]AcB A2cB |
AFFA EFEC|EAcA B2c2|e2cA BAFA|EAcB A2 :|
f2|eAcA eAfA|eAce fgaf|eAcA eagf|edcB A2f2 |
eAcA eAfA|ecde g2eg|agfe fga2|1 B2A2 FA :|\
[2 FAGE A4-|A8|]

%%%

X:27056
T:MAY MORNING, The 
B:HOC.063
C:ABC/arr. BB
Q:1/4=160
M:6/8
N:No repeats in source. 
L:1/8
R:jig
K:G
D|G2g gfg|f2e d2B|cBc A2B|G3 g2g |
G2g gfg|f2e d2B|cBc A2B|G3 g2 :|
d|gab gfg|aba d2d|gab gfg|a^ga d2d |
GAB d^cd|ed^c d2d|efg bag|f3 g2 :|

%%%

X:27060
T:MY MAGGIE (reel) 
B:HOC.064
C:ABC/arr. BB
Y:"reel"
N:Harding's version is only 16 measures long. I have
tried to fill it out a little by repeating the first
part.
Q:1/4=180
M:4/4
L:1/8
R:reel
K:D
z2|:fBBg fBde|fBBg eAce|fBBg fBde|fgaf eAce :|
fBbB fBde|fBbB eAce|fBbB fBde|fgaf eAce :|
|:fBBg fBde|fBBg eAce|fBBg fBde|1fgaf eAce:|\
[2 fgaf eAce|B8|]

%%%

X:27057
T:McALLISTER'S FLING (hornpipe) 
B:HOC.066
C:ABC/arr. BB
N:I expanded Harding's version to make it more like
a standard 16-16 hornpipe
Q:1/4=140
M:C|
L:1/8 
R:hornpipe 
K:Em
B|GEED B,EEF|GFEF GABA|GEED B,EEB|dBAF EBAF|
GEED B,EEF|GFEF GABA|GEED B,EEB|dBAF E3 :|
A|Beed Beed|Beef gfef|gef^d eB=dB|ADDF A2BA|
GEED B,EEF|GFEF GABA|GEED B,EEB|1 dBAF E2B:|
[2 "final"dBAF HE4|]

Source version:
B|GEED B,EEF|GFEF GABA|GEED B,EEB|dBAF E3 :|
A|Beed Beed|Beef gfef|gef^d eB=dB|ADDF A2BA|
GEED B,EEF|GFEF GABA|GEED B,EEB|dBAF E4-|E8|]

%%%

X:27068
T:OVER THE STONE 
B:HOC.067
C:ABC/arr. BB
Q:1/4=160
M:6/8
Y:"Welsh"
N:This is my arrangement of this nice tune as
a three-part jig.
L:1/8
R:jig
K:Am
A2A ^G^FE|ABA B3|c2c BA^G|cdc d3 |
e2e efe|d2d de^g|a2e fed|cdB A3 :|
ede cde|d2c B3|cBc ABc|B2E E2z |
A2A ^G^FE|ABA Bde|a2e fed|cdB A3 :|
c2c BA^G|cdc d3|e2e efe|d2d de^g |
a2e fed|c2B A2c|deg fed|cdB A3 :|

source version:
A2A ^G^FE|ABA B3|c2c BA^G|cdc d3 |
e2e efe|d2d de^g|a2e fed|cdB A3 :|
ede cde|d2c B3|cBc ABc|B2E E2z |
A2A ^G^FE|ABA B3 ||
c2c BA^G|cdc d3|e2e efe|d2d de^g |
a2e fed|1cdB A3 :|2cdB A3- | A6 

%%%

X:27021
T:FAVORITE HORNPIPE, The 
B:HOC.069
C:ABC/arr. BB
Y:"hornpipe"
M:C|
L:1/8
R:hornpipe
Q:1/4=150
K:D % source key = Bb
K:D %Transposed from G
Ac|d2f2 fgef|d2A2 A2AG|FAdA GFGB|ABAG F2D2 |
fAfd fedc|d2ef gfed|ceae dcdf|edcB A2 :|
ag|afec dfdA|GFGA BAGF|E2ba gfed|cded A2Bc |
dafa bgeg|fadf ecA2|abag fedc|d2d2d2 :|

Source version:
K:Bb
F2|B2d2 decd|B2F2 F2FE|DFBF EDEG|FGFE D2B,2 |
dFdB fdgf|bafg edcB|Acfc BABd|cBAG F2 :|
f2|fbfd BdBF|EDEF GFED|C2gf edcB|ABcB F2 (3fga |
bfdf gece|dfBd cAF2|fgfe dcBA|B2B2B2 :|

%%%

X:27067
T:OPERA REEL, The 
B:HOC.070
C:ABC/arr. BB
Y:"reel"
Q:1/4=180
M:C
L:1/8
R:reel
K:D
E|D2D2 FAFA|DADF EDEF|D2D2 FAFA|BdAF E2G :|
e|d2d2 dAFA|dBcd efge|dfec dAFA|BdAF E2f :|
g|afaf gege|faed cBA2|afaf gege|faec d2d :|
c|d2fd efgf|d2fd ecBA|d2fd efge|1 "thru"faec d2d :|
[2 "final"faec Hd4|] 

source version:
D2D2 FAFA|D2D2 EDEF|D2D2 FAFA|BdAF E2E2 :|
d2d2 dAFA|d2d2 efge|d2d2 dAFA|BdAF E2E2 :|
afaf gege|faed cBA2|afaf gege|faec d2d2 :|
d2fd efgf|d2fd ecBA|d2fd efge|faec d2d2 :|

%%%

X:27037
T:INDIANA GIRLS* (hornpipe), The 
B:HOC.071 (unnamed "clog")
C:ABC/arr. BB
Q:1/4=150
L:1/8
M:C|
R:hornpipe
K:G % source key = A
BA|GBDF GBdc|BdAf gfaf|gdBg ecAG|FGAB cDEF |
GBDF GBdc|BdAf gfaf|gedB ADEF|G2B2G2 :|
Bc|dgBd GBd=f|eg^ce Aceg|fadf AdFA|DFA^c d2B=c |
dgBd GBd=f|eg^ce Aceg|fedc BAGF|1G2B2G2 :|2 G2B2G4-|G4z4|]

Source version
K:A % with dotted rhythm
cB|AcEG Acec|ceBg agbg|aeca fdBA|GABc dEFG |
AcEG Acec|ceBg agbg|(3agf (3edc BEFG|A2c2A2 :|
cd|eace Ace=g|fa^df Bdfa|gbeg BeGB|(3EFG (3egb e'2cd |
eace Ace=g|fa^df Bdfa|gfed cBAG|A2c2A2 :|

%%%

X:27063
T:OFF TO ALBANY* (hornpipe) 
B:HOC.072 (unnamed)
C:ABC/arr. BB
Y:"straight jig"
Q:1/4=150
M:C|
L:1/8% dotted rhythm
R:hornpipe
K:G % source key = A
FE|D4-DBAG|E4-EcBA|FGAB cdef|g2dB GBAG |
D4-DBAG|E4-EcBA|FGAB cdef|g2dB G2 :|
de|d^cde dBAG|d^cde dBAG|edef gfge|d2cB A2Bc |
d^cde dBAG|d^cde dBAG|edef gfge|d2cA G2:|

source version:
D4-DBAG|E4-EcBA|FGAB cdef|(3gfg dB GBAG |
D4-DBAG|E4-EcBA|FGAB cdef|(3gfg dB G2z2 :|
d^cde dBAG|d^cde dBAG|edef gfge|(3ded (3dcB A2Bc |
d^cde dBAG|d^cde dBAG|edef gfge|(3ded (3cBA G2z2 :|

%%%

X:27083
T:SHORT STACK*, The 
B:HOC.076 (unnamed)
C:ABC/arr. BB
N:Note 16-measure structure. I tried to fill
it out a bit!
M:6/8
L:1/8
R:jig
Q:1/4=160
K:D 
e|dcB A2F|GFE FED|dcB A2F|GFE D2c|
dcB A2F|GFE FED|FGA BAG|FEC D2:|
f|ede e2f|gfe fed|ede e2f|gfe dcd|
ede e2f|gfe fed|fga def|ecA d2:|

Source version:
K:G
gfe d2B|cBA BAG|gfe d2B|cBA G2z :|
aaa a2b|c'ba bag|aaa a2b|c'ba g2z :|

%%%

X:27004
T:BARMAN'S DELIGHT* (reel), The 
B:HOC.079 (unnamed)
C:ABC/arr. BB
Y:"reel". ABB structure per source.
Q:1/4=180
M:C
L:1/8
R:reel
K:G
"A dorian"
AB|cBAB cdef|gfge dBGB|cBAB cdef|gedB A2 :|
AB|cdef g2eg|f2df g2AB|cdef g2eg|gedB A2AB |
cdef g2eg|f2df g2fg|afge fdef|1 gedB A2 :|\
[2 gedB A4-|A8||

%%%

X:27092
T:TOWN LINE*, The 
B:HOC.080 (unnamed)
C:ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
R:jig
K:D
f/g/|a2f b2^g|afd dcd|ecA ABc|def fg^g |
a2f b2^g|afd dcd|ecA ABc|dcd d2 :|
e/d/|cea a^ga|cea a^ga|^gab bag|bae e2z |
cea a^ga|cea a^ga|^gab bag|baa a2 :|
P:part A repeat
f/g/|a2f b2^g|afd dcd|ecA ABc|def fg^g |
a2f b2^g|afd dcd|ecA ABc|1dcd d2 :|2dcd d3- | d6 | 

%%%

X:27034
T:HILL SIDE, The 
C:ABC/arr. BB
B:HOC.081
Q:1/4=160
M:6/8
L:1/8
R:jig
K:Em
d|B2E EFE|BAB d2B|AFD DED|AFA d2d |
B2E EFE|BAB d2e|dBd AFD|EFE E2 :|
B|efe edB|efg gfe|ded dAB|def fed |
gbg faf|ege BdB|dBd AFD|EFE E2 :|

%%%

X:27013
T:DELAWARE LADY* (reel), The 
B:HOC.082 (unnamed)
C:ABC/arr. BB
Q:1/4=180
Y:"reel"
M:C
L:1/8
R:reel
K:G
d2|g2Bc BAGB|AGFA G2D2|DEFG ABcd|BAGB A2d2 |
g2Bc BAGB|AGFA G2D2|DEFG ABcd|BGAF G2 :|
d2|dBGB dBeB|dBGB dBeB|dBGB dBAG|FGAB c2d2 |
dBGB dBeB|dBGB dBeB|gfed cBAG|FGAB c2d2 |
g2Bc BAGB|AGFA G2D2|DEFG ABcd|BAGB A2d2 |
g2Bc BAGB|AGFA G2D2|DEFG ABcd|BGAF G4- |G8|]

%%%

X:27088
T:SPECIALTY HORNPIPE, The
B:HOC.083
C:ABC/arr. BB
Y:"straight jig"
Q:1/4=150
M:C|
L:1/8
R:hornpipe
K:D % source key = C
FG|A2F2E2D2|B,2EF GFED|C2EG cBGE|D2d2d2cB|
A2F2E2D2|B,2EF GFEF|G2AB cAGE|DAFE D2:|
GA|B3c d2B2|c3d e2g2-|g2f2- f2de|fedc B2FG|
A2F2E2D2|B,2EF GFED|C2EG cBGE |1 "thru"D2d2d2 :|\
[2 "final"DAFE HD4|]

source version:
(3FG^G|A2F2E2D2|B,2EF GFED|C2EG cBGE|D2d2d2cB|
A2F2E2D2|B,2EF GFEF|G2AB cAGE|DAFE D2:|
|:z2|B3c d2B2|c3d e2g2|z2f2 z2de|fedc B2 (3FG^G|
A2F2E2D2|B,2EF GFED|C2EG cBGE |1 D2d2d2 :|\
[2 DAFE D4-|D8|]

%%%

X:27062
T:ODDBALL* (reel), The 
B:HOC.085 (unnamed)
C:ABC/arr. BB
N:The sharps in the original make for a great sound but
they're probably going to be unplayable for a lot of
instruments. My "plain vanilla" version should be more
manageable.
Y:"reel"
Q:1/4=180
M:C
L:1/8
R:reel
K:Am
AB|:cEGE c2dc|cAGE DFED|cEGE c2dc|ABcA G2AB |
cEGE c2dc|cAGE DFED|cEDE c2dc|BAGB ABcd :|
ea2g a4|e2dc edBc|ea2g a4|e2dc B2cd |
ea2g a4|e2dc egab|c'bag afed|1 edcB Adcd:|2edcB HA4 |]

source version:
AB|:cE^DE c2dc|cAGE D^CDE|cE^DE c2dc|ABcA G2AB |
cE^DE c2dc|cAGE D^CDE|cE^DE c2dc|BA^GB ABcd :|
ea2^g a4|e2dc edBc|ea2^g a4|e2dc B2cd |
ea2^g a4|e2dc e^gab|c'bag afed|1 edcB ADcd:|2edcB HA4 |

%%%

X:27078
T:ROYAL IRISH JIG, The 
B:HOC.089
C:ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
R:jig
K:G % source key = A
c|BGB def|gdc B2G|cec dBg|cAA A2c |
BGB def|gdc B2G|Aag fef|gGF G2 :|
B|dBB GBB|dBB GBB|cAA FAA|cAA FAA |
dBB ecc|fdd gee|dBB cAf|gGF G2 :| 

%%%

X:27032
T:HANDS AROUND 
B:HOC.090
C:ABC/arr. BB
Y:"jig"
Q:1/4=160
M:6/8
L:1/8
R:jig
K:D
A|d2c dAF|B3 c2d|e2d ecA |d3 f2e |
d2c dAF|B3 c2d|e2d ecA |d3 d2:|
e|f2g e2f|d2e c2A|Bcd c2F |B3 d2e|
f2g e2f|d2e c2A|Bcd c2F |B3 ABc||
d2c dAF|B3 c2d|e2d ecA |d3 f2e |
d2c dAF|B3 c2d|ecB ABC |Hd6|]

source version:
A|d2d dAF|B3 c2d|e2e ecA |1 d3 f2 :|2 d3 d2 ||
e|f2g e2f|d2e c2c|Bcd c2F |1 B3 d2 :|2 B3 A2 ||
P:repeat of Part A
A|d2d dAF|B3 c2d|e2e ecA |1 d3 f2 :|2 dcB ABc|d6|

%%%

X:27074
T:PRIDE OF DERRY*, The 
B:HOC.091 (unnamed)
C:ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
R:jig
K:D % source key = Eb
G|A2D FED|A2D FED|B2G A2F|EFE EFG |
A2D FED|A2D FED|B2G A2F|DEF D2 :|
c|dcd efg|fed cBA|BdB AGF|E2D E2A |
dcd efg|fed cBA|BdB AFA|1 "thru"D2E D2 :|
[2 "final"GFE HD3|]

Source version:
K:Eb
G/A/|B2E GFE|B2E GFE|c2A B2G|FGF FGA |
B2E GFE|B2E GFE|c2A B2G|EFE E2 :|
d|ede fga|gfe dcB|cec BAG|F2F F2B |
ede fga|gfe dcB|cec BGB|E2E E2 :|

%%%

X:27038
T:IRISH LASSES, The 
B:HOC.092
C:ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
R:jig
K:D
G|F2E D2F|DFE DFD|E2B, A,CA,|A,CA,  A,CA, |
F2E D2F|DFE DFD|Bcd edc |1 d2B A2 :|2 dfe d2 ||
e|f2d def|gag fgf|ecB AcA|ecB AcA |
f2d def|gbg faf|ecB ABc |1 "thru"d3 d2 :|
[2 "final"dfe Hd3|]

source version:
G|F2D DFD|DFD DFD|E2A, A,CA,|A,CA,  A,CA, |
F2D DFD|DFD DFD|Bcd edc |1 d2B A2 :|2 d2z dz ||
A|f2d def|gag fgf|ecA AcA|ecA AcA |
f2d def|gbg faf|ecA ABc |1 d3 d2 :|2 d6 |]

%%%

X:27044
T:LADY GARDNER'S (reel) 
B:HOC.093
F:file ID hoc/44lady
C:ABC/arr. BB
Y:"reel"
Q:1/4=180
M:4/4
L:1/8
R:reel % A-B-A
K:D
AG|F2FD ADFD|CA,A,2 CEEF|D2FD ADFA|Bdce dBAF |
F2FD ADFD|CA,A,2 CEEF|D2FD ADFA|Bdce d2:|
A2|dFEF dFFA|dcde fdec|dFEF dFFA|Bdce d2Bc |
defd BcdB|ABAG F2FA|B2Bd c2Ac|Bdce dBAG||
F2FD ADFD|CA,A,B, CEEF|D2FD ADFA|Bdce dBAF |
F2FD ADFD|CA,A,B, CEEF|D2FD ADFA|Bdce Hd4|]

%%%

X:27070
T:PEACEFUL GREEN GROVE* (reel), The 
B:HOC.096 (unnamed)
C:ABC/arr. BB
Y:"reel"
Q:1/4=180
N:A version of "Green Groves of Erin".
M:C
L:1/8
R:reel
K:G
"A dorian"
G|A2cA eAcA|BGBd gdBG|A2cA eAcA|BGED EAA :|
d|eaag eaag|efgf efgf|eaag eaag|edef gdBG |
eaag bgag|efge afge|defa bgaf|gedB eAA:|

%%%

X:27066
T:OLIO HORNPIPE, The 
B:HOC.097 
F:file ID hoc/66olio
C:ABC/arr. BB
Y:"straight jig"
N:A-B-A
Q:1/4=150
M:C|
L:1/8
R:hornpipe
K:G
d|e2d2 B2G2|d^cDE F3E|D2^C2 =C2A,2 |1 G,B,DG Bc^c :|\
[2 G,2g2g2z ||
d|e4 B3d|c4 zcBA|BGzB AFzB|1 GEzG FB, z :|2 E2z2 d^cB||
d|e2d2 B2G2|d^cDE F3E|D2^C2 =C2A,2 |1 "thru"G,B,DG Bc^c :|
[2 "final"G,2g2Hg4|]

%%%

X:27024
T:FOG BEFORE SEVEN* 
B:HOC.098 (unnamed)
C:ABC/arr. BB
N:Local weather wisdom:"Fog before seven, clear by 
eleven" (most of the time)
M:6/8
L:1/8
R:jig
Q:1/4=160
K:G % source key = Bb
D|GAG AFD|GFG ABc|de=f ecA|AGF G2D|
GAG AFD|GFG ABc|de=f dcB|AGF G2 :|
d|d^cd fdB|cBc dcB|d^cd fdB|cBc dBc|
d^cd fdB|ABc dcB|cde fdc|AGF G2 :|

Source version (A-B-A)
K:Bb
F|BBB cAF|BBB cde|fg_a gec|cBB B2F |
BBB cAF|BBB cde|fg_a gec|cBB B2 :|"final"B6|]
f|f=ef _afd|ede fBf|f=ef _afd|ede fde |
f=ef _afd|ede fBf|f=ef _afd|ecd "_DC"e2 :|

%%%

X:27026
T:FRANK'S DOUBLE* 
B:HOC.100 (unnamed)
C:ABC/arr. BB
Y:"double jig"
N:This is close to a tune in O'Neill's 1850 called 
"Killashandra Lasses".
Q:1/4=160
M:6/8
L:1/8
R:jig
K:Em
D|GAG BGG|dGG BGG|ABA c2d|ecA A2B |
GAG BGG|dGG BGG|ABc BcA|BGE E2 :|
f|gfe dBd|gfe dBG|Aaa aga|bge e2f |
gfe dBd|efg dBG|ABc BcA|BGE E2 :|

%%%

X:27028
T:GOLD BUCKLES (hornpipe), The 
B:HOC.101
C:ABC/arr. BB
Y:"artistic jig". Normally I would have deleted the grace notes 
but here they are an integral part of the tune, so they remain.
Q:1/4=60
M:2/4
L:1/8
R:hornpipe
K:G
{^A,}B,z {^C}Dz|{F}Gz {^A}dz|{^D}Ez {G}Az|c>B A/G/F/E/ |
DA, DA,|DB, DB, |1 AE AE|GF ed :|2 Ec zA|z/F/E/F/ Gz ||
|:B,2 E2|C2 B,z|gg/e/ ff/^d/|e>f g/f/e/z/ |1 B,2 E2|C2 B,z|
ff/B/ ee/B/|^d>e f/e/d/z/ :|2 B,2E2|G,2A,2|^A,2B2|EB,Ez ||
P:Repeat of Part A
{^A,}B,z {^C}Dz|{F}Gz {^A}dz|{^D}Ez {G}Az|c>B A/G/F/E/ |
DA, DA,|DB, DB,|Ec zA|z/F/E/F/ HG4 |]

%%%

X:27035
T:HOLES IN THE CARPET (hornpipe) 
B:HOC.102
C:ABC/arr. BB
Y:"burlesque reel"
N:Having no idea what a "burlesque reel" is supposed to
sound like, I decided to make this a hornpipe instead.
Q:1/4=150
M:C|
L:1/8
R:hornpipe
K:D % source key = F
B,C|D2E2 F2G2|A2df B2AG|A2df B2A2|dcBc a2A,B,|
C2E2 F2G2|A2cg B2AG|A2cg B2A2 |1 edcd a2 :|2 dAFA D4 ||
d2dB eBdB|A^GAB AF=G^G|A^GAB AE=F^F|Adfe dABc|
d2dB eBdB|A^GAB AF=G^G|ABcd eagc|d2f2d4 :|

Source version:
K:F
(3CDE|F2G2 A2B2|c2fa d2c2|c2fa d2c2|fede c'2 (3CD^D|
E2G2 A2B2|c2eb d2c2|c2eb d2c2 |1 gfef c'2 :|2 fcAc F2z2 ||
f2fd gdfd|c=Bcd cA^AB|c=Bcd cGA^A|cfag fcde|
f2fd gdfd|c=Bcd cA^AB|cdef gc'be|f2a2f4 |]
%%

%%%

X:27046
T:LANCASHIRE CLOG #2 (hornpipe), The 
B:HOC.104
C:ABC/arr. BB
Y:"original"
R:hornpipe 
Q:1/4=150
M:C|
L:1/8 
K:G
BA|GEDG Bdeg|bage dBcd|efed ^ceae |f2ge fdcA|
GEDG Bdeg|bdbg d2cd|e3f gedf|g2b2g2:|
K:D
fg|:abaf eBAf|egab B2 ed|caAa Baca |
[1 bfdf A2df :|2 d2 a2 d2 ||
P:Part A repeat
K:G
BA|GEDG Bdeg|bage dBcd |efed ^ceae |f2ge fdcA|
GEDG Bdeg|bdbg d2cd|e3f gedf|g2b2g4-|g4z4|]

Source version:
z2|BA|:GE (3DEG Bdeg|bdbg dBcd |1 efed ^ceae |
(3fef (3gfg (3afe (3dcA :|2 ec'ba (3gfe (3def|\
"last time"g2 [B2d2] [g2B2] ||
K:D
fg|:abaf (3edB Af|egab B2 ed|caAa Ba (3cea |
[1 (3baf (3def AAdf :|2 d2 [A2f2] "_DC"[d2F2] ||

%%%

X:27010
T:COWBOY'S REEL, The 
B:HOC.107
C:ABC/arr. BB
N:Probably a Harding original.
Q:1/4=180
M:C
L:1/8
R:reel
K:G % source key = A
DE|G2GB AGFA|GBdf gdef|gfgd BedB|ABcA GFED |
G2GB AGFA|GBdf gdef|gfgd BedB|AcBA G2 :|
Bc|dgfg d2Bc|dgfg d2Bc|dgfg edcA|BAAB A2Bc |
dgfg d2Bc|dgfg d2Bc|dgfg edBG|AcBA G2 :|

%%%

X:27022
T:FIREMAN'S REEL, The 
B:HOC.108
C:ABC/arr. BB
Q:1/4=180
N:Probably a Harding original. B part does not repeat.
M:C
L:1/8
R:reel
K:Gmaj % source key = A
DF|GBAB GBD2|GB2d e2d2|gfgd edBG |ABAG E2DF|
GBAB GBD2|GB2d e2d2|gfgd edBG |ABAF G2:|
ef|g.g2a gfed|edBd edBd|g.g2a gfed|edBG A2df|
g.g2a gfed|edBd edBd|e2ge dBAG|1 "thru"FDEF Gd :|
[2 "final"ABAF HG4|]

%%%

X:27011
T:CRAME DE MINTHY 
B:HOC.113
C:ABC/arr. BB
Y:"jig - Irish"
N:I'm sure this has other names that I can't think
of right now!
M:6/8
L:1/8
R:jig
Q:1/4=160
K:G % source key = Bm
"A dorian"
z|eAA eAA|BGG Bcd|eAA eAA|def gdB |
eAA eAA|BGG Bcd|e2f gdB|cAA A2 :|
z|eaa eaa|egg egg|eaa eaa|def gdB |
eaa eaa|egg egg|def gdB|cAA A2 :|

Source version
K:Bm
z|fBB fBB|cAA cde|fBB fBB|ef^g aec |
fBB fBB|cAA cde|ff^g aec|dBB B2 :|
z|fbb fbb|faa faa|fbb fbb|ef^g aec |
fbb fbb|faa faa|ef^g aec|dBB B2 :|

%%%

X:27003
T:AWAY BACK (hornpipe) 
B:HOC.114
C:ABC/arr. BB
Y:"straight jig".
M:C|
L:1/8
R:hornpipe
Q:1/4=150
K:D
Bc|d2c2 d2A2|BAGB AFDF|E2^D2 E2DB,|A,CEF DABc |
d2c2 d2A2|BAGB AFDF|E2^D2 E2DB,|A,CEF D2 :|
FA|D2d2 D2d2|BAGB AFDF|A,2A2 A,2A2|DEFG ABGE|
D2d2 D2d2|BAGB AFDF|A,2A2 A,2A2|1 "thru"FAGE DE :|
[2 "final"FAGE HD4|]

%%%

X:27050
T:LONE APPENDICITIS (hornpipe)  
B:HOC.117
C:ABC/arr. BB
Q:1/4=150
M:C|
N:1:According to source, B part of this tune should be played "8va"
(= a octave higher). Since I transposed it from G up to D, thia
instruction doesn't apply.
N:2:This is marked "reel" in the source but the triple quarter-notes 
in the final measures suggest a hornpipe. I have also added repeats 
which are not present in the source.
N:3:I have no idea what this title is supposed to mean. I have a
feeling that with a little research, this tune could be located
elsewhere (e.g. O'Neill) since it sounds so much like a "standard"
hornpipe!
L:1/8
R:hornpipe
K:D % source key = G
A2|d2d2 defd|e2e2 efge|fedc defd|edcB ABcA|
d2d2 defd|e2e2 efge|fedc BABc|d2f2d2 :|
AG|FAdA fdAF|GBeB geBe|Acec gece|dfed cBAG|
FAdA fdAF|GBeB geBe|Acec gece|d2f2d2 :|

%%%

X:27091
T:THEATER LIGHTS* (hornpipe) 
B:HOC.143 (unnamed)
C:ABC/arr. BB
Y:"Straight Jig", "King"
Q:1/4=150
M:C|
L:1/8
R:hornpipe
K:G
A|G2BG A3F|GABc dBAG|B2cA G2dB|A^ceg fd2f |
gded cBdc|BGAB ABAd|fgfc BGAB|d2^ce d=cB :|
A|G3A BcBG|c2B2 A2Bc|d2ed g2e^c|defe d2ef |
g3G F^A^ce|d2B2 B2dB|cdef b2a2|1 "thru"gede g3 :|\
[2 "final"gede Hg4|] 

%%%

X:27096
T:WHISTLE AND I'LL COME TO YOU 
B:HOC.158
C:ABC/arr. BB
Y:"jig - Scotch"
M:6/8
Q:1/4=160
L:1/8
R:jig
K:D % source key = C
a|FGA A2d|FGA A2d|FAd def|ged eAG |
FGA A2d|FGA A2A|dcd eag|fdc d2 :|
c|dfa agf|gab a2f|dfa agf|gab a2f |
gab fga|egB c2A|ABA Aag|fdc d2 :| 

%%%

X:27008
T:CHORUS REEL, The 
B:HOC.166
C:ABC/arr. BB
Y:"reel". 
N:Not related to "Chorus Reel" in O'Neill's.
Q:1/4=180
M:C
L:1/8
R:reel
K:G
dc|B2GB dedc|BGGB d2dc|B2GB dedc|BGGB c2 :|
ef|g2gf e2d2|dgfg d2d2|g2fd e2dB|cBAB c2 :|
GA|BGGB BGGB|BGGB d2dc|BGGB BGGB|1 "thru"AGAB c2 :|
[2 "final"AGAF HG4|]

%%%

X:27064
T:OLD CROW (reel), The  
B:HOC.156
C:ABC/arr. BB
Y:"reel"
Q:1/4=180
N:1:This is O'Neill's "Honeymoon Reel" with a different 
second part. 
N:2:I left Harding's F natural in m.11. Since you don't
really notice it when the tune is played at speed, I'm
pretty sure you can get away with an F sharp!
M:C
L:1/8
R:reel
K:G
dc|BGFG DGFG|Bdef gedc|BGFG EGFG|BedB A2dc |
BGFG EGFG|Bdef g2ga|bgaf gedB|GedB A2 :|
ef|gfga gdBd|gfga g2ef|gfga gdBc|d=fed c2e^f |
gfga gdBd|gfga g2ga|bgaf gedB|1 "thru"egdB A2 :|\
[2"final"egdB ABAF|HG4z4|]

%%%

X:27080
T:SALLY IN OUR ALLEY (hornpipe)  
B:HOC.157
C:ABC/arr. BB
Y:"straight jig"
Q:1/4=150
M:C|
L:1/8
R:hornpipe
K:D % source key = C
cB|A2d2 cege|d4 c2d2|B3A B2AG|FAdf afdB |
A2d2 cege|dced c2dc|B3A B2AG|Fd2c d2 :|
cB|AF2G A3=c|B2GA B2df|gagf efed|cBAG AEFG |
FDFA BGBc|d2AB d2ef|g2ed cdcB|1 "thru"Ad2c d2 :|
[2 "final"Addc Hd4|]

X:27005
T:BRAW BOLD WOOER 
B:HOC.171
C:ABC/arr. BB
Y:"jig - Scotch". 
N:HOC's name for this tune is "The Braw Wooer". There's no second 
part to this tune in HOC, so I added one and changed the name just
in case there's a real 2nd part to "Braw Wooer" out there somewhere!
Q:1/4=160
M:6/8
L:1/8
R:jig
K:G
D|GAG BcB|AGA G2A|BAB GBd|e3 d2e/f/ |
gfe dgB|AGA BGE|DED DGB|A3 G2 :|
A|Bcd d^cd|efg dcB|efg fga|f3 d2g|
bgg aff|gfg edB|DED DGB|A3 G2 :| 

%%%

X:27009
T:COME O'ER THE STREAM TO CHARLIE 
B:HOC.196
C:ABC/arr. BB
Y:"dance - Scotch". 
N:No repeats in source.
Q:1/4=160
M:6/8
L:1/8
R:jig
K:G
D|GBd dBe|dBg dBA|GBd dBG|DBA G2D |
GBd dBe|dBg dBA|GBd dBG|DBA G2 :|
d|gfg efg|eag fed|gfg edc|BAG d2d |
cec Bdg|dBG Adf|gdB dBG|1 DBA G2 :|\
[2 DBA G3-|G6||

%%%

X:27045
T:LANCASHIRE CLOG #1 (hornpipe), The 
B:HOC.103
C:ABC/arr. BB
Y:"original"
Q:1/4=150
M:C|
L:1/8 % with snap
R:hornpipe
K:D
(3ABc|da^ef bafd|cBag B2ed|(3cde Bc Agfe |
[1 dfb^g a2 :|2 "fine"d2 [f2A2] [d2F2] ||
K:A 
cd|: efga ba (3edc|Bcda gfBc|dcde gf (3edB |
[1 (3Ace fa ecd^d :|2 A2ce [=g2e2A2]"_DC al fine"  || 
P:Part A repeated
K:D
|:(3ABc|da^ef bafd|cBag B2ed|(3cde Bc Agfe |
[1 dfb^g a2 :|2 "fine"d2 [f2A2] H[d4F4] ||

%%%

X:27016
T:EBENEZER'S BOY (hornpipe) 
B:HOC.106
C:ABC/arr. BB
Q:1/4=140
Y:"buck or wing dance - original"
M:C|
L:1/8 
R:hornpipe
K:D
A|df2g afbz|a2bf afbf|df2g afbf |1 eB2d cde :|2 agef "fine"d2 ||
z2|: B,2C2D2E2|^E2F2B,2f2|gefg fdef |1 ecde dcBz :|2 edcd B2 "_DC" ||
P:repeat of Part A
|:A2|df2g afbz|a2bf afbf|df2g afbf |1 eB2d cde :|2 agef "fine"d2 ||

%%%

X:27098
T:WILLIE'S FEET (hornpipe) 
B:HOC.109
C:ABC/arr. BB
Y:"stop jig - original" (? by Harding) 
Q:1/4=140
L:1/8
R:hornpipe
M:C|
K:D
z2|:A2d2 ^G2B2|zAfe dAFD|B,4 A,2 z2|_B,4 A,2 z2|
A2d2 ^G2B2|zAfe dAFD|B,2A,2 _B,2A,2|z2e2 d2z2 :|
K:A
c4c4|zB^AB g2f2|G2f2 z2 =f2|zedE c2B2 |
c4c4|zB^AB g2f2|G2f2 z2 =f2|1 zedE A2z2 :|\
[2 zedE A3=G|
P:Part A repeat
K:D
A2d2 ^G2B2|zAfe dAFD|B,4 A,2 z2|_B,4 A,2 z2|
A2d2 ^G2B2|zAfe dAFD|B,2A,2 _B,2A,2|z2e2 Hd4 |]

%%%

X:27075
T:RASTUS' ALMOST HORNPIPE 
B:HOC.110
F:file ID hoc/75rastus
C:ABC/arr. BB
Y:"stop jig - original" (? by Harding)
N:The addition of "Almost Hornpipe" is my responsibility!
Q:1/4=130 
M:C|
L:1/8
R:hornpipe
K:G
D2|GB z2 Ac z2|Bdgf gdBA|GB z2 Ac z2|Bdba gedB |
GB z2 Ac z2|Bdgf g2G,A,|B,D z2 CE z2|zDEF G2 :|
ba|gfeg fe^df|eB2b c2A2 |1 B2B,2 z2A2|zGF^D E2 :|\
[2 B2B,2 z2B2|zB,^C^D E2 ||
|:D2|GB z2 Ac z2|Bdgf gdBA|GB z2 Ac z2|Bdba gedB |
GB z2 Ac z2|Bdgf g2G,A,|B,D z2 CE z2 |1 zDEF G2 :|\
[2 zDEF HG4 |]

%%%

X:27052
T:LOVE TAPS (hornpipe) 
B:HOC.111
C:ABC/arr. BB
%Y:"fancy jig - original" (? by Harding)
Q:1/4=140
M:C|
L:1/8
R:hornpipe
K:G % source key = C
G4 F3G|E2G2 D2z2|d2g2 e2g2|defg e2g2|
G3B F2G2|EFGA D2z2|d2g2 e2c2|zfda g2z2:|
b4b4|zbaf g2e2|d4d4|zdcA c2B2|
e2ge d2B2|cBcA B2z2|B^ABG =AGAF|GEF^D E2z2 ||
P:Part A repeat
G4 F3G|E2G2 D2z2|d2g2 e2g2|defg e2g2|
G3B F2G2|EFGA D2z2|d2g2 e2c2|zfda g4- |g8|

Source version:
K:C
z2|C4 B,3C|A,2C2 G,2z2|G2c2 A2c2|GABc A2c2|
C3E B,2C2|A,B,CD G,2z2|G2c2 A2f2|zBGd "fine"c2z2 ||
%
e4e4|zedB c2A2|g4g4|zgfd f2e2|
a2ca g2e2|fefd e2z2|E^DEC =DCDB,|CA,B,^G, "_DC"A,2z2 ||
P:Part A repeat
C4 B,3C|A,2C2 G,2z2|G2c2 A2c2|GABc A2c2|
C3E B,2C2|A,B,CD G,2z2|G2c2 A2f2|zBGd c4- |c8|

%%%

X:27055
T:MATINEE (reel), The 
B:HOC.112
C:ABC/arr. BB
N:I'm guessing this is a Harding original. It's
single in the book but I thought 16/16 would be
more effective in showcasing this really nice tune!
Q:1/4=180
M:C
L:1/8
R:reel
K:G % source key = A
EF|G2FE D2EF|GBAF G2AB|c2ec B2dB |A^GAB A=GEF|
G2FE D2EF|GBAF G2AB|c2ec B2dB|AGAB G2:|
ef|g2df g2df|gage dBAG|A2eg edcB |AGAB A2ef|
g2df g2df|gage dBAG|A2eg edcB|AcBA G2:|

%%%

X:27030
T:GREEN HARMONY (reel) 
B:HOC.116
C:ABC/arr. BB
Q:1/4=180
N:Note A-BB structure.
M:C
L:1/8
R:reel
K:D % source key = Bb
A2|dAAB =c2BA|GEEG =c2Bc|dAAB =c2BA |\
[1 GE=cE =C2 :|2 GEE=C D2 ||
|:Bc|dcde f2ed|cdef g2fe|dcde f2ed|efga fd2A|
dcde f2ed|cdef g2fg|a2ge fdec|1 dBAG FD :|\
[2 dBAG FDD2-|D8|]

Source version:
K:Bb
F2 |:BFFG _A2GF|ECCE _A2GA|BFFG _A2GF |\
[1 EC_AC _A,2F2 :|2 ECC=A, B,2 ||
F2|BABc d2cB|ABcd e2dc|BABc d2cB|cdef dB2F|
BABc d2cB|ABcd e2de|f2ec dBcA|BGFE DB, :|

%%%

X:27069
T:PARESIS (reel), The 
B:HOC.118
C:ABC/arr. BB
N:First part is in the "Eileen Curran" family.
Q:1/4=180
M:C
L:1/8
R:reel
K:Em % source key = Gm
EF|GFED B,EEG|FDAD BDAD|GFED B,EEF|GBAF GEE2|
GFED B,EEG|FDAD BDAD|GFED B,EEF|GBAF GE:|
EF|G2e2e2 ef|gef^d eBGE|D2d2d2 de|fde^c dAFD |
G2e2e2 ef|gef^d e2Bc|d2dc AFED|B,EEF EDEF |
G2e2e2 ef|gef^d eBGE|ADFD ADFD|d^cde fdAD |
G2e2e2 ef|gef^d e2Bc|d^cdB AFED|B,EEF E4-|E8 | ]

Source version:
K:Gm
BAGF DGGB|AFcF dFcF|BAGF DGGA|BdcA BGG2 :|
B2g2g2 ga|bga^f gdBG|F2f2f2 fg|afg=e fcAF |
B2g2g2 ga|bga^f g2de|f2fe cAGF|DGGA G2z2 ||
B2g2g2 ga|bga^f gdBG|CFA,F CFA,F|f=efg afcF |
B2g2g2 ga|bga^f g2de|f=efd cAGF|DGGA G2z2 |]

%%%

X:27073
T:PRETTY GIRL MILKIN' HER COW (hornpipe) 
B:HOC.119
C:ABC/arr. BB
Y:"straight jig"
N:Definitely from the Irish tradition, where
it's normally played in slow 3/4.
Q:1/4=150
M:C|
L:1/8
R:hornpipe
K:Am
AB|c2ec B2dB|AG E4 AB|cdec B2dB|A2E2 A2AB|
c2ec B2dB|AG E4 ed|cBAG EA2B|A2c2A2 :|
G2|cdef g2ec|BA G4G2|cdef g2eg|a4-a2 ba |
g2fe d2ec|BA G4 AB|cecA EA2B|A2E2A2 :| 

%%%

X:27082
T:SHAMROCK (hornpipe), The 
B:HOC.120
C:ABC/arr. BB
Y:"straight jig"
N:BB arrangement
Q:1/4=150
N:Alternate m.12: |EGFE D2FA|
M:C|
L:1/8
R:hornpipe
K:G
GA|B2cA B2AG|A2BA G2BA|G2Bc d2cB|AGFE DFGA |
B2cA B2AG|A2BA G2FE|DFGB d2cB|A2G4 :|
FG|A2AB A2FG|A2AB A2B^c|d2^cB A2GF|"12"EGE^C D2FA |
B2cA BGAB|c2dB cAGF|GABc d2cB|1A2G4 :|2"last time"A4G4- | G8 | 

%%%%

X:27094
T:WARM STUFF (reel) 
B:HOC.121
C:ABC/arr. BB
Y:"reel"
Q:1/4=180
M:C
L:1/8
R:reel
K:G
A|G2ge d2ed|B2ge dBAB|G2ge d2ed|BGGF EFGA|
G2ge d2ed|B2ge dBAB|G2ge d2ge|dBAB G3 :|
A|B2ed e3g|fgaf gfed|B2ed e2fg |fgaf gab2 |
B2ed e3g|fgaf gfed|B2ed e2fg |fgaf g3 :|

%%%

X:27072
T:PLANXTY KELLY 
B:HOC.123
C:ABC/arr. BB
Y:"dance"
N:1:Note ten measures in each part!
N:2:There's a "Planxty Kelly" in my Carolan folder but besides
being in 6/8, it bears no resemblance to this one.
Q:1/4=160
M:6/8
L:1/8
R:jig
K:G
G2F G2A|B2c d2B|d2e f2g|a2g fed |b2a g2f|
g2f e2d|e2f g2e|dec BcA |G2g gaf|g3 g3 ||
G2z g2z|G2z g2a|b2g a2f|g2f e2d |e2f g2e|
dec BcA|G2g gaf|g3 Hg3|]

%%%

X:27027
T:FULL DRESS JIG, The 
B:HOC.124
C:ABC/arr. BB
Y:"jig"
Q:1/4=160
M:6/8
L:1/8
R:jig 
K:G % source key = Bb
B,C^C DBG|FG^G ABc|fed cBA|BFA GED |
B,C^C DBG|FG^G ABc|fed cBA|GDB G3 :|
K:D
A^GA =geg|fad fAd|ceG cBG|FAD FAd |
A^GA =geg|fad fAd|ceG Ace |1 dfe dcB :|\
[2 d^c=c AFD||
P:Repeat of part A
K:G
B,C^C DBG|FG^G ABc|fed cBA|BFA GED |
B,C^C DBG|FG^G ABc|fed cBA|1 GDB G2z :|\
[2 GDB HG3|]

Source version:
K:Bb
DE=E FdB|AB=B cde|agf edc|dAc BGF|
DE=E FdB|AB=B cde|agf edc|BFd B2z :|
c=Bc _bgb|ac'f acf|=egB edB|AcF Acf|
c=Bc _bgb|ac'f acf|=egB ceg |1 fag fed :|\
[2 f=e_e cAF||

%%%

X:27020
T:FANCY FRILLS JIG, The 
B:HOC.126
C:ABC/arr. BB
Y:"jig"
Q:1/4=160
M:6/8
L:1/8
R:jig % A-B-A
K:C
EF^F GAB|cBc edc|Bdf agf|edc BAG |
EF^F GAB|cBc edc|Bdf agB|c2z [c2E2] z :|
K:G
d^cd [ac']ba|gfg age|d^cd ed=c|Bc^c dBG |
d^cd [ac']ba|gfg age|d^cd ^def |1 gGA Bc^c :|\
[2 g2z [g2B2]z ||
P:Part A repeat
K:C
EF^F GAB|cBc edc|Bdf agf|edc BAG |
EF^F GAB|cBc edc|Bdf agB|1 c2z [c2E2] z :|\
[2 cBA GAB|Hc6|]

%%%

X:27084
T:SHULE SHULE AGRAH (reel) 
B:HOC.129
C:ABC/arr. BB
Y:"reel"
Q:1/4=180
M:C
L:1/8
R:reel
K:Em
de|g2fg f2ef|efed B2AB|dedB dege|dedB A2BA |
GFEF GABd|efga b2ba|gfed BABd|egfd e2 :|
de|g3e fedf|efed BAB^c|d3B g2ef|e2dB A2BA |
GFEF GABd|efga b2ba|g2fe bafd|1 egfd e2:|\
[2 BAGF HE4|]

P:source version
d2|g2g2 f2ef|efed B2B2|d2B2 dege|dedB A2BA |
GFEF GABd|efga b2ba|gfed BABd|e2z e2z :|
B2|g3g f2f2|efed B4|d2cB g2f2|e2dB A2BA |
GFEF GABd|efga b2ba|g2fe b2^d2| e2z [e3B3G3] :|

%%%

X:27042
T:KENNY DANCE, The 
B:HOC.134
C:ABC/arr. BB
Y:"jig", "King" (? composer)
Q:1/4=160
N:1:This sounds like a rip-off of "Kerry Dance" ("Oh the 
days of the Kerry dancing ...") - even the title looks 
the same!
N:2:Note single throughout.
M:6/8
L:1/8
R:jig
K:G
B2A GAB|A2c B2d|e2g ded|B2G A3 |
B2A GAB|A2c B2d|e2g ded|cBA G2z ||
A2d B2d|A2d B2d|f2g adf|B2e e3 |
A2d B2d|A2d B2d|A2d FGA|B2^c ded ||
"repeat A part"
B2A GAB|A2c B2d|e2g ded|B2G A3 |
B2A GAB|A2c B2d|e2g ded|cBA HG3|]

%%%

X:27087
T:SOME DISTANCE FROM PRUSSIA (hornpipe) 
B:HOC.135
C:ABC/arr. BB
Q:1/4=150
Y:"reel"
N:Harding has double stops in mm 15-16 (per the source
version. I've removed them in my Em arrangement.
N:I wish I had some idea where this title (and a lot of
others in this collection) came from!
M:C|
L:1/8
R:hornpipe
K:Em % source key = Gm
BA|GEFD EDEF|GFGA B2AG|FAFE D^CDE|FEFG A2BA |
GEFD EDEF|GFGA B2AG|F[EB,]DF A2GF|E2G2E2 :|
B2|e3f gfe2|B2B2 c2c2|BAGB c2AB|cABG FAcd |
e3f gfe2|BdcB c2BA|BABc BAGF |E2G2E2 :|

Source version:
K:Gm
dc|BG2G G^FGA|BABc d2cB|AF2F F=EFG|AGAB c2dc |
BGGG G^FGA|BABc d2cB|AD^FA c2BA|G2B2G2 :|
d2|g3a bag2|d2d2 e2d2|d2d2 e2d2|E2D2 E2D2 |
g3a bag2|d2d2 e2d2|"15"[dd'][^c^c'][dd'][ee'] 
[dd'][=c=c'][Bb][Aa] |"16"g2 [b2d2][B2g2] :|

%%%

X:27043
T:KERRY GIRLS, The s
B:HOC.136
C:ABC/arr. BB
Y:"jig", "Irish" 
Q:1/4=160
M:6/8
L:1/8
R:jig
K:G
B/c/|d^cd dec|dge dBG|ceg edB|BAA ABc |
d^cd dec|dge dBG|gBe dBG|AGF G2 :|
d|gfg gag|add def|gfg gfg|add def |
gfg g2e|fee def|gBe dcA|BGF G2 :|

%%%

X:27049
T:LITTLE SLIPPER, The  
B:HOC.141
C:ABC/arr. BB
Y:"jig", "King" 
N:I tried to do something with this tune but
finally gave up. It just doesn't seem to lend
itself to "traditionalizing"!
Q:1/4=150
M:C|
L:1/8
R:hornpipe
K:G
d2|edgd edgd|B6d2|edgd edgd|c2B2A2E2 |
DAAA d2c2|f2b2a2E2|DGGG EAGE|D2c2B2d2|
edgd edgd|B6d2|gfed edcB|c6c2 |
BF^EF BAGF|G6G2|FGAB A2F2|D4-D2D2 |
E^GBe d2cB|AdAd cB2B|AGEG AGEG|F2G2A2d2 |
GBdB A2BA|GBec ABce|cABG AGED|G2d2g4 |]

%%%

X:27089
T:STRAIGHT FLUSH* (hornpipe), The 
B:HOC.142 (unnamed)
C:ABC/arr. BB
Y:"Straight Jig", "King" 
N:Another of Mr. King's compositions that is
probably best left "un-arranged"! Kind of a neat
tune if (big IF) you can manage all the accidentals.
Q:1/4=150
M:C|
L:1/8
R:hornpipe
K:D
K:D % source key = G
B2d2e2g2|f^efg f=ec2|B2d2e2g2|f^efb c^Bcf |
B2d2e2g2|f^efg f=ec2|dBcd Bdc^A |1 B2g2b2z2 :|\
[2 B2z2c4 ||
d2A2 c2A2|BFGA B4|agec B2c2|edFc B2A2 |
d2A2 c2A2|BFGA B4|cdef g2c2 |1 d2f2e2a2 :|\
[2 d2a2Hd4 |]

%%%

X:27029
T:GOTTERDAMMERUNG REVEL, The 
B:HOC.144
C:ABC/arr. BB
Y:"Straight Jig", "adapted from Lohengrin"; "con innocenza" [!]
N:Harding has only the first part (8 measures). If you're playing 
this at a wedding sometime, make up some kind of a second part if 
you don't like mine!
Q:1/4=120
M:C|
L:1/8
R:hornpipe
K:G
D2GG G4|D2AF G4|D2GB c2B2|GGFG A2D2 |
D2GG G4|D2AF G4|zDGB d2BG|E2F2G2 z2 ||
B2cB A2F2|GFGA B4|A2BA F2E2|D^CDE FEFA|
D2GG G4|D2AF G4|D2GB d2BG|E2AF HG4|]

%%%

X:27093
T:WAGNER'S FANCY (march) 
B:HOC.145
C:ABC/arr. BB
Y:"Straight Jig", "from Lohengrin"; "con brio e ginger" (!)
N:Single in source. (By all means don't forget the ginger!)
Q:1/4=120
M:C|
L:1/8
R:march
K:G
d4 B2G2|G2FG d2c2|B3G BAGF|G2G2 B2d2|
e4 c2A2|A3A e2c2|B3B dcEA|G4 F4:|
D4 ^CDEF|G4 GFGB|d3^c =cBAG|F4 EAcd|
e4 EABc|d4-d2 (3BC^C|D^DFE =DcBA|G2B2G4 :|

%%%

X:27048
T:LISZT'S RAMBLES (march) 
B:HOC.146
C:ABC/arr. BB
Y:"Straight Jig"; "adapted from Liszt's Hungarian Rhapsody #2"
Q:1/4=100
M:2/4
L:1/8
R:march % A-B-A
K:G
d|^cd=c>d|^cd=c>d|^cdB>d|^cdB>d |
^cde>d|^cde>d |1 ^cdg>d|^cdg :|2 cdg z/d/|^CDG2 ||
%
ecG>E|Gc eg/e/|dBG>D|GB d/e/^c/d/ |
ecG>E|Gc e/c/g/e/|dB G>D|GB d>d ||
%
P:Part A repeat
^cd=c>d|^cd=c>d|^cdB>d|^cdB>d |
^cde>d|^cde>d |1 ^cdg>d|^cdg>d :|2 ^cdg>d|^CDG2- |G4|]

%%%

X:27090
T:THAT MARBLE DREAM (march) 
B:HOC.147 
C:ABC/arr. BB
Y:"Straight Jig"; "adapted from 'The Bohemian Girl' " [Balfe]
Q:1/4=120
M:C|
L:1/8
R:march
K:G
d2|d2gf d2fe|d2ed BDGB|d2c^G A2dc|BAG2 z2 d2|
d2gf d2fe|d2ed BDGB|d2c^G A2dc|BAG2 z3 ||
d|e2ag ^d2ag|d2ag d2d2|^c2de .f2.f2|fFBd e2d2|
d2gf d2fe|d2ed B2B2|d2c^G A2Bc|B2cd e2fg|
g2fg a2ef|B2cd e2fg|g2fg baef|g2d2Hg4 |]

%%%

X:27025
T:FOUNTAIN (march), The 
B:HOC.148
C:ABC/arr. BB
%Y:"Straight Jig"; "adapted from Lysberg's piano solo, 'La Fontaine' "
N:I'm not familiar with the original piano piece, but with a few tweaks
here and there it doesn't make a bad march!
Q:1/4=120
M:C|
L:1/8
R:march
K:G
FE|D2GA B2B2|c2GA B2BA|B2AB A2FG|Adfe fdBA |
D2GA B2B2|d2cd ^c4|=c2cg gdBG|E2F2G2 ||
A2|f2f2 e2B2|dcBG A2F2|A2^A2 B2cd|f2e^d e3A |
f2f2 e2B2|dcBG A2F2|A2^A2 B2cd|f2fe d2 ||
FE|D2GA B2B2|c2GA B2BA|B2AB A2FG|Adfe fdBA |
D2GA B2BA|d2cd ^c4|=c2cg gdBG|E2F2HG4 |]

%%%

X:27079
T:RUBINSTEIN'S DELIGHT (march) 
B:HOC.149
C:ABC/arr. BB
Y:"Straight Jig"; "Adapted from Rubinstein's 'Melodie' "
Q:1/4=80
M:2/4
L:1/8
R:march
K:A
E^D/E/ ED/E/|AG/A/ [e2=G2]|dc/B/ cB|AG/F/ GF |
E^D/E/ ED/E/|AG/A/ fe|d^A/B/ cB |1 AcfB :|2 A/e/c/a/ Az ||
G^d/c/ BF/G/|A/B/c/^d/ eE|G^d/c/ BF/G/|A/B/c/^d/ ez |
e=g/=f/ eE|e=g/=f/ eE|E=G/=F/ EG/F/ |E=G/=F/ E^G ||
|:E^D/E/ ED/E/|AG/A/ [e2=G2]|dc/B/ cB|AG/F/ GF |
E^D/E/ ED/E/|AG/A/ fe|d^A/B/ cB |1 AcfB :|2 A/e/c/a/ HA2 ||

%%%

X:27061
T:NAY TELL ME NOT  
B:HOC.150
C:ABC/arr. BB
Y:"jig, Irish"
N:I "re-shaped" this a little!
Q:1/4=160
M:6/8
L:1/8
R:jig
K:D
d|cBA ABA|c2A A2c|d2d efg|f2e d2d|
cBA ABA|c2A A2c|d2d efg|f2e d2 :|
e|fgf fed|efe e2d|cBA Bcd|e2c d2e |
fgf fed|efe e2c|d2d eag|f2e d2 :| 

%%%

X:27040
T:JASPER'S PRIDE (reel)  
B:HOC.152
C:ABC/arr. BB
Y:"reel"
Q:1/4=180
M:C
L:1/8
R:reel
K:D
D2FB A2FB|A2FB A2Fd|D2FB A2FB |1 AFEF EGFE :|\
[2 AFEF D2z2 ||
f2df e2ce|d2Bd c^AF2|f2df e2ce|dcde f2de |
f2df e2ce|d2Bd c^AF2|F2^Ac fedc|B2z2 A2GE ||
P:repeat of A part
D2FB A2FB|A2FB A2Fd|D2FB A2FB |1 AFEF EGFE :|\
[2 AFEF HD4 |]

%%%

X:27077
T:RILEY'S FRIEND (reel)  
B:HOC.159
C:ABC/arr. BB
Y:"reel"; A-B-A
Q:1/4=180
N:This is a single version of "Five Mile Chase" (O'Neill's 
"Four Hand Reel") with a little syncopation in m.10!
M:C
L:1/8
R:reel 
K:G
(3DEF|G2BG dGBG|GDAD cDAD|G2BG dGBd|egfa gedB|
G2BG dGBG|GDAD cDAD|G2BG dGBd|egfa g2||
g2|gdBd edBd|ea2g fdef|gdBd edBd|egfa g2 (3def |
g2bg efge|dedc BGBd|efed edBd |egfa gedB||\
"last time"G8|]

%%%

X:27058
T:MILITARY JIG, The
B:HOC.161
C:ABC/arr. BB
Y:"Irish jig"
Q:1/4=160
N:O'Neill (DMI #987) calls this "Billy O'Rourke Is the Boy".
M:6/8
L:1/8
R:jig
K:D
f/e/|d2B BcB|ABA A2A|B2B B^AB|g3 f2e |
d2B BcB|ABA A2A|Bcd edc|d3 d2 :|
A|d2e f2g|a2b a2f|d2e f2a|b3 a2a |
b2g a2f|g2e f2e|d2B BcB|g3 f2e|
d2B BcB|ABA A2A|B2B B^AB|g3 f2e |
d2B BcB|ABA A2A|Bcd edc|d3 d3-|d6|]

%%%

X:27076
T:REAL THING, The   
B:HOC.163
C:ABC/arr. BB
Y:"Irish jig"
N:Source version doesn't repeat first part.
Q:1/4=160
M:6/8
L:1/8
R:jig
K:Em
D|G3 BAG|d2G BAG|A2B c2d|ege dBA |
G3 BAG|d2G BAG|ABA B2A|GEE E2 :|
d|g3 gdB|g3 gdB|A2B c2d|ecA A2d |
g3 gdB|g3 gdB|ABA B2A|GEE E2 :|

%%%

X:27053
T:LOW BACKED CAR, The  
B:HOC.167
C:ABC/arr. BB
Y:"jig" 
Q:1/4=160
N:This is basically a song melody in 6/8 time,
hence not in usual jig structure.
M:6/8
L:1/8
R:jig
K:G
D|G2B d2d|d2c A2F|G2B d2d|d3-d2B |
cBc ABc|B2B GAB|c2A G2F|G3 G2 :|
A|G2c c2e|e2d d2G|G2G c2e|d3 dBA |
G2G g2e|e2d dcB|A2G A2B|d3 d2A |
GED G2G|G3-G2B|AGE A2A|A3-ABc |
dcB dcB|gfe dBA|GED DEF|G3-G3

%%%

X:27086
T:SOCIAL SIXTY (reel), The  
B:HOC.168
C:ABC/arr. BB
Y:"reel" 
Q:1/4=180
N:First part of this tune is pretty much "Collier's Reel",
but I have no idea where part 2 comes from. This sounds
like a "Harding hybrid" of two unrelated (but Irish) tunes!
M:C
L:1/8
R:reel
K:G
"D modal"
AG|FEFG A3B|c2dB cAG2|Ad2c d3e|fdec dBAG |
FEFG A3B|c2dB cAG2|Ad2c dBAG|FDEC D2 :|
P:B minor
K:D
de|f2df edce|d2Bd c^AF2|f2df e2cd|eBc^A Bcde |
f2df edce|d2Bd c^AF2|f2ed cdec|1dBc^A B2 :|\
[2 dBc^A B4-|B8|]

Source version
K:C
GF|EDEF G3A|_B2cA BGF2|Gc2=B c3d|ecd=B cAGF |
EDEF G3A|_B2cA BGF2|Gc2=B cAGF|ECDB, C2 :|
cd|e2ce dcBd|c2Ac B^GE2|e2ce dcBd|dAB^G ABcd |
e2ce dcBd|c2Ac B^GE2|e2e2 z2 AB|cAB^G A2 :|

%%%

X:27019
T:FAMILY ENTRANCE (reel), The  
B:HOC.169
C:ABC/arr. BB
N:A really nice reel with a little Harding
syncopation (which you can ignore).
Q:1/4=180
Y:"reel"
M:C
L:1/8
R:reel
K:G
"A dorian"
EA2G ABcd|edef g2fg|d2BG d2BG|GBdf g2fg |
EA2G ABcd|edef g2fg|a2ge dBGA|BA2A A4 :|
a2a4 ba|gedB d2ef|g2g4 ed|edBG Bdeg |
a2a4 ba|gedB d2ef|g2g2-gage|dBAG A4 :|

%%%

X:27099
T:WITH YOUR FEET (hornpipe)  
B:HOC.170
C:ABC/arr. BB
Y:"wing dance" (as in "buck and wing"?)
Q:1/4=150
M:C|
L:1/8
R:hornpipe
K:A
cB|AF2A E3D|EAcA B2cB|AF2A E3D|EAcB A2 :|
cd|ec2d ecfc|ec2d e2cd|ec2d e2f2|dcBc d2 :|
|:cB|AF2A E3D|EAcA B2cB|AF2A E4 |1 EAcB A2 :|\
[2 EAcB HA4 |]

%%%

X:27015
T:DRONES HORNPIPE, The 
B:HOC.176
C:ABC/arr. BB
Y:"fling time"
Q:1/4=150
N:Second ending on the "DC" part is mine.
M:C|
L:1/8 % with snap
R:hornpipe 
K:G
dc|BGdB cAFc|BGdc Bcdg|BGdB cAFc|BGdB A2 :|
Bc|:dgde =fdf2|ecAe dBGA|Bgde =fdf2 |1 ecdB cBAe :|2 BGdB A2||
P: "DC" (part A repeat) 
|:dc|BGdB cAFc|BGdc Bcdg|BGdB cAFc |1 BGdB A2 :|2 BGcA HG4 |]

%%%

X:27071
T:PECK O' MAUT (hornpipe), The  
B:HOC.181
C:ABC/arr. BB
Y:"dance".
N:Title over tune misprinted as "Peck o' Mant"
Q:1/4=150
M:C|
L:1/8
R:hornpipe
K:D
FG|A2d2 BAGF|B2e2 dcBA|d2B2A2F2|B2E2E2 FG |
A2d2 BAGF|B2e2 dcBA|d2B2A2F2|A2D2D2 :|
de|f2d2e3c|dcBA d2F2|G3BA2F2|B2E2 E2de |
f2fd e2ec|dcBA d2F2|G2B2 ABAG|F2D2D2 :| 

%%%

X:27085
T:SIEGFRIED MULCAHY 
B:HOC.183
C:ABC/arr. BB
Y:"Irish jig"
Q:1/4=160
N:Richard Wagner meets Junior Crehan! This nice jig would
be worth learning for the name alone.
M:6/8
L:1/8
R:jig
K:G % source key = Bm
"A dorian"
B|cBc AGE|EAG A2B|cBc Adc|BGF Gef|
gfg edc|BAG Bcd|eAG AGA|EAG A2:|
B|cEE cEE|cAA Bcd|cBc Adc|BGF Gef|
gfg edc|BAG Bcd|eAG AGA|EAG A2:|

%%%

X:27097
T:WIDOW MACHREE, The  
B:HOC.189
C:ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
R:jig
K:G
z|DEF GFG|ABG e3|d2AB2G|ABG EGE |
DEF GFG|ABG e3|d2AB2G|AGF G2 :|
B|cBc edc|BAB dcB|A^GA cBA|BGF EGE |
DEF GFG|ABG e3|d2AB2G|AGF G2 :| 

%%%

X:27018
T:ESSENCE (strathspey), The  
B:HOC.191
C:ABC/arr. BB
Y:"eccentric dance - slow"
Q:1/4=120
M:C|
L:1/8
R:hornpipe
K:G
D|GFGA Bd z e|dBAG EG z D|GFGA Bd z d|edef g2z :| 
f|gbag eg ze|dBAG EG zd|gbag eg ze|d2ef g2z :| 

%%%

X:27065
T:OLD ESSENCE (strathspey), The  
B:HOC.192
C:ABC/arr. BB
Y:"slow"; dotted rhythm in source
N:No second part to this in HOC. What you see here
is my idea of what the second part might look like!
Q:1/4=120
M:C|
L:1/8
R:hornpipe
K:G
F|GABc d2 Bc|defg A2FG|ABcd e2 cd|e2ag f2df |
g2fa g2B^d|e2^df e3f|gGGA Bcd2|fdcA G3 :|
f|gage g2fe|dcBA B3d|efge dcBA|GABc d2ef|
gage abaf|gedc B2AB|cABc dcde|fdcA G3:|

%%%

X:27047
T:LEP UP 
B:HOC.194
C:ABC/arr. BB
Y:"triple jig"
Q:1/4=160
M:9/8
L:1/8
R:slip jig
K:G
g2f efg dcB|e2A ABG FAd|
g2f efg dcB|e2c d2A BAG :|
B2c dcB dcB|e2A ABG FGA|
B2c dcB dcB|e2c d2A BAG :|

%%%

The following 101 HOC entries have not been included in this file because 
they are already present in other ABC collections (per TuneFinder).

1 	Harvest Home
5 	Barney Brallaghan
6 	College HP ("Popeye")
7 	Garryowen
8 	Haste to the Wedding
9 	Paddy O'Rafferty
10 	Sprig of Shillalah
11 	Mountain HP
13 	Money in Both Pockets
14 	Paddy Whack
=
15 	Speed the Plough
17 	Devil's Dream
18 	White Cockade
19 	Life Is All Checkered
20 	Soldier's Joy
23 	Fisher's HP
24 	Paddy O'Carroll
25 	Drops of Brandy
26 	Sir Roger de Coverly
28 	Cutty Sark
=
30 	Rickett's HP
31 	Fairy Dance
32 	Tullochgorum
33 	Bridge of Lodi
34 	Barn Door Jig
35 	Liverpool HP
36 	Miss McLeod's
37 	McDonald's Reel
38 	Chopman (John Cheap the Chopman)
40 	Happy Soldier
=
41 	St. Patrick's Day
42 	Grinders
43 	Off She Goes
44 	Money Musk
45 	Legacy
46 	Brisk Young Lads
48 	Low Level HP
49 	New Century
51 	Guilderoy
53 	Kinloch
=
54 	Gwilym's Delight
55 	Durang's HP
56 	Rustic Reel
58 	Champion Jig
62 	Reilly's Own
65 	Vinton's HP
68 	Rocky Road to Dublin
73 	Connaughtman's Rambles
74 	Little House Under the Hill
75 	Blackberry Blossom
=
77 	Munster Buttermilk (Behind the Haystack)
78 	Flannel (Peeler's) Jacket
84 	Maid on the Green
86 	(Irishman's Heart) To the Ladies
87  Top pf Cork Road
88 	Five Mile Chase
94 	Life is All Checkered
95 	Smash the Windows
99 	Maid in the Cherry Tree
115 	Best Ever (= Teetotaller)
=
122 	Paddy Carey
125 	An Old Friend (= Carrigaline)
127 	Clay Pipe
128 	Paddy Whack
130 	Wind That Shakes the Barley
131 	Andy (Andrew) Carey
132 	Come Under My Plaidie
133 	Logie O' Buchan
137 	(Larry) O'Gaff
138 	Pease Upon a Trencher
=
139 	Young May Moon
140 	Coster Dance (piano solo)
151 	Morpeth (Rant)
153 	Bumper at Parting
154 	Kitty of Coleraine
155 	Endearing Young Charms
160 	The Wig
162 	Cup of Tea
164 	Where's My Other Foot? (= Teetotaller)
165 	Pibroch (of Donall Dhu)

=
172 	Laird o' Cockpen
173 	Wha Wadna Fecht for Charlie
174 	Look Out for the Drip (= Teetotaller)
175 	From the Next Country (= Swallow Tail Jig)
177 	Flowers of Edinburgh
178 	Who'll Be King but Charlie?
179 	Roy's Wife (of Aldivalloch)
180 	Corn Riggs
182 	Hogan's Alley (= Black-Haired Lass)
184 	Bonnie Dundee

=
185 	Rory O'More
186 	Campbells Are Comin'
187 	Irish Washerwoman
188 	Norah (= Nora Crionna)
190 	Arkansas Traveller
193 	Miss Brallaghan (= Green Fields of America)
195 	Pandeen (Paudeen) O'Rafferty
197 	Irlandais (= Protestant Boys)
198 	Rakes of Mallon (Mallow)
199 	Ratification (= Maid Behind the Bar)
200 	Cruiskeen (= "Cruiskeen Lawn")
===
total omitted 101