BB'S IRISH TRADITIONAL TUNE LIBRARY
Tunes from "Music's the Very Best Thing" Volumes I and II

Tunes G to M
======================================

Folder 41 Index
- alfa list
- tunes by type
- key to D: field numbers

======================================

General Instructions for ITTL ABC files

======================================

X:41119
T:GALLAGHER'S FROLICS (jig) 
D:(3)
Z:ABC/arr. BB
Q:1/4=160
R:jig
M:6/8
L:1/8
K:Edor
D|EDE GFE|BAB dBA|BdB BAB|GFG AFD|
EDE GFE|BAB dBA|BAG FAF|GED E2 :|
B|e2 f gfe|g2 a bge|dcd fed|fad fed|
e2 f gfe|dce dBA|BAG FAF|GED E2 :|

%%%

X:41120
T:GALWAY SHAWL (reel)
S:Jack Coen
Z:ABC/arr. BB
Q:1/4=180
R:reel
M:4/4
L:1/8
K:D
D2 DE EDB,C|D2 DE FA A2|Beed e2 de| f2 ed ceeB |
D2 DE EDB,C|DCDE FA A2|Beef e2 dB| AFEF D4 :|
ABde f2 fg|afdf eB B2|ABde f2 fg|afdf e2 dB |
ABde f2 fg|afdf eBBA|d2 dB ABdf|afef d4 :|
%
%I would almost bet that the late flute player Jack Coen (from East 
%Galway) was the only one to use this name for this tune! But I 
%haven't found another name for it, so I'll keep Jack's until somebody
%comes forth with a correction.

%%%

X:41121
T:GENTLE ANN (reel) 
C:Eamon Flynn
D:(17)
Z:ABC/arr. BB
Q:1/4=180
M:C
R:reel
K:Dmix
A|DEFG AGAB|cBcA d^cde|fddc d2AG|FAGE ADDA|
DEFG AGAB|cBcA d^cde|fddc d2AG|FAGE D3:|
G|ADDc dcAc|d2de dcAG|Adde dcAG|FAGE ADDA|
ADDc dcAc|d2de dcAG|dafg dcAG|FAGE D3:|
%
%Eamon Flynn was a fiddler from the Mountcollins area of Limerick
%who spent many years in the Boston area. He was also a composer.
%More of his tunes can be found in ITTL folder 24.

%%%

X:41122 
T:GLEANN NA mBEANNA (waltz)
D:(12)
Z:ABC/arr. BB
Q:1/4=180
L:1/4
M:3/4
R:waltz
K:G
E|D G A|B2c|B3|A3|D F A|c2 B|A3|G3|
D G B|d2 e|d3|c3|B D G|B2 A|G3-|G2 :|
B|d> ^c d|B G D|d> ^c d|B G D|
c> B c|A F D|c> B c|A F D|
d> ^c d|B G D|d> ^c d|B G D|
D F A|c B A|G> A G/F/|G2 :|"last time"HG3|]

%%%

X:41123
T:GLORIA'S TRAVELS (reel)
C:Mary Coogan
D:(6)
Z:ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
R:reel
K:Bm
fgfe dBBc|dcBA FB B2|BABc dfbf|afef dB B2|
fgfe dBBc|dcBA FB B2|BABc dfec|efdc B4||
cBcd ecAc|dBcA BAFA|BABc dfbf|afef dB B2|
cBcd ecAc|dBcA BAFA|BABc dfec|efdc HB4|]

%%%

X:41124 
T:GRANNY'S OLD JIG 
D:(5)
Z:ABC/arr. BB
Q:1/4=160
M:6/8
R:jig
K:D
B|A2D FED|FGA ABc|dcB A2G|E3-EFG|
A2D FED|FGA ABc|dcB A2G|EDD D2 :|
z|DED fed|e2d d2B|ABA A2F|EDE GFE|
DED fed|e2d d2B|ABA A2G|EDD D2 :|

%%%

X:41125 
T:GRANNY'S RARE REEL
D:(5)
Z:ABC/arr. BB
Q:1/4=180
M:4/4
R:reel
K:Amix
cd|e2ed cAAB|cAce dc A2|e2 ed cA AB|c2A2 A2cd|
e2 ed cA AB|cAce dc A2 |efed cAAc|BAAB A2||
ef|gage ddcd|e2a2 a2 ef|g3e f2ed|cAAB A2 ef|
gage ddcd|eaag a2 ef|g3e f2ed|cAAB HA4|]

%%%

X:41126
T:GREEN FIELDS OF WOODFORD (jig)
D:(4)
Z:ABC/arr. BB
Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
dBA GAG|EDE G2d|edB dBA|BGe ege|
dBA GAG|EDE G2d|AGE A2B|GED D3 :|
BGG dBd|ege dBG|BGG dBd|edB AGA|
[1 BGG dBd|ege dBG|AGE A2 B|GED D3 :|
[2 B2B deg|age dBG|AGE A2 B|GFE DEF|HG6|]

%%%

X:41127 
T:GUS TEAHAN'S (reel) 
D:"The Killavil Sessions"
Z:ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
R:reel
K:Edor
A|B2 BA B2 Bc|dBAF DEFA|B2 BA Bffe|dBAF EFGF|
B2 BA B2 Bc|dBAF DEFA|B2 BA Bffe|dBAF E3||
A|B2 Ad gfec|d2 Bd ADFA|Bdef gfec|dBAF EFGA|
B2 Ad gfec|d2 Bd ADFA|B2 ed BAFA|DEFD HE4|]

%%%

X:41128
T:HAIRY MAN (jig)
T:Tom Sally's
D:(5)
Z:ABC/arr. BB
Q:1/4=160
M:6/8
R:jig
K:D
D2B AFA|BdB A3|D2B AFA|B2c d3|
D2B AFA|BdB ABA|d2e fed|B2c d3 :|
d2e fed|BdB AFD|d2e fed|B2c d3|
d2e fed|BdB AFD|D2B AFA|B2c d3 :|
%
%Like the other Mayo jigs on the CD, this could make a very 
%respectable slide! (Morrisroe gives the story of the name 
%which I won't even attempt to reproduce here.)

%%%

X:41129 
T:HANDSOME BROTHERS (reel)
C:Mary Coogan 2002
D:(6)
Z:ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
R:reel
K:Dmix
FE|DEFD FGAB|d^cde fdeB|cAGc AGFD|FGAF GBAF|
DEFD FGAB|d^cde fdeB|cAGc AGFD|FAGE D2 :|
DE|FDD2 A,DFG|A2 BF AGFD|ECC2 G,CEF|GEAF GFEG|
F2DF AFDF|ABcB AGFD|ECC2 GECD|ED^CE D2 :|

%%%

X:41130 
T:HANDSOME SALLY (reel) 
D:"Stoney Steps" (Matt Molloy 1985)
Z:ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
R:reel
K:Em
D|E2 BE GEBE|E2 BE AFDF|E2 BE GBdB|AFDE FEE :|
d|fedB A3 e|fedB AFDB|edef gfef|dBAG FDD :|

%%%

X:41131
T:HANGMAN'S ROPE (hornpipe)
C:Frank McCollum (Belfast)
D:(1)
Z:ABC/arr. BB
Q:1/4=150
R:hornpipe
M:4/4
L:1/8
K:G
%swing .25
EF|G2BG DGBd|g2fg d3e|=f2fe fdcA|c2 cB cAFD|
G2 BG DGBd|g2 fg d3 e|f2ef dcAc|B2 G2 G2 :|
Bc|dgg2 dgBg|dgBg a2 ga|bagf gdBd|cBAG A2 Bc|
dgg2 dgBg|dgBg a2 ga|bagf gdAc|B2 G2 G2 :|

%%%

X:41132
T:HAPPY REEL
C:Joe Derrane
D:(10)
Z:ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
R:reel
K:G
Bd|gedB GABG|AGEF GEDC|B,DD2 DEGA|BedB A2Bd|
gedB GABG|AGEF GEDC|B,DD2 DEGB|AGEF G2 :|
ze|DEGB dBGE|G2EG cdec|AB^ce aece|d2^ce dega|
bfgb agfg|efgb agef|gedB GABG|AGEF G2 :|
P:optional tag
bgaf gefd|ecdB cABG|AFGE FDEF|GEDB, HG,4|]
%
%Joe supplied the manuscript for this nice reel. There was
%not surprisingly a lot of ornamentation that I haven't included.

%%%

X:41133
T:HAPPY TO MEET, SORRY TO PART (jig) 
D:(29)
Z:ABC/arr. BB
Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
e|d2B BAB|GEF G2A|Bee dBA|Bef gfe|
d2 B BAB|GEF G2 A|Bee dBA|BGF G2 :|
d|gag fed|Bdd def|gag fed|Bee e2 f|
gag fed|Bdd def|gfg aga|baf g2 :|
%
%After laboriously transcribing this from "Molly" - where it appears
%as "Conlon's" - I included this in MVBT-1. Only later did I find out 
%that I had re-invented the wheel: "Conlon's" was a version of "Happy 
%to Meet, Sorry to Part", a tune included in both CRE-2 and O'Neill's 
%1850. The "Conlon" of De Danann's title is presumably 1920's melodeon 
%player Peter Conlon. Since it's a neat tune that you don't hear much 
%these days, I've decided to keep it under both titles!

%%%

X:41134
T:HARDIMAN'S (jig) 
D:(29)
Z:ABC/arr. BB
Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
A|BdB BAF|AFE EFE|DFA def|afe dBA|
BdB BAF|AFE EFE|DFA def|edB B2 :|
B|efe edB|AFF dFF|def afa|b2 b afe|
bff afa|baf edB|def afe|dBA B2 :|
%
%De Danann - a great group but never the best at tune names - recorded 
%this as "Joe Derrane's". Somewhere or another - maybe from Joe - I got
%the correct name. I was sure the tune was in one of the O'Neill's volumes 
%since Hardiman was one of the Chief's Chicago acquaintances (and evidently 
%the fiddling source of the slip jig that has his name on it), but I was 
%surprised not to find it, at least not under his name.

%%%

X:41135
T:HARRY BRADLEY'S SLIGO REEL 
D:(30)
Z:ABC/arr. BB
Q:1/4=180
M:4/4
%
R:reel
K:G
BAGB dBGB|BAGB AEE2|BAGB dBGE|DEGA BGG2|
BAGB dBGB|BAGB AEE2|DEGA Bdge|dega bgg2||
b2 gb abge|dBGA Bdeg|bgg2 abge|dega bgg2|
b2 gb abge|dBGA Bcde|dBAd BAGE|DEGA BGG2|]
%
%Harry Bradley is a flute player from Belfast. I don't know if he
%composed this or not.

%%%

X:41136 
T:HARRY'S LOCH (jig) 
D:(12)
Z:ABC/arr. BB
Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
e2A BAG|EAA ABd|eAA BAB|dGF GBd|
e2A BAG|EAA ABd|efg dBA|BGF GBd :|
g3 efg |eag fed|g3 efg |fd^c def|
[1 g3 efg|eag fed|efg dBA|BGF GBd :|
[2 g3 aga|b2a ged|efg dBA|BGF HG3|]
%
%TuneInfo says this is also called "Maid of Tramore". Not sure where
%Chris Droney's name comes from.

%%%

X:41137
T:HARSH FEBRUARY (reel)
C:Phil Cunningham
D:(31)
Z:ABC/arr. BB
Q:1/4=180
R:reel
M:4/4
K:D
D|FABd B2AF|ABdf e2de|f2ed BddB|ABdA FEE2|
FABd B2 AF|ABdf e2 de|b2 fb afef|afef d3 :|
a|b3 f a2 fe|defd edBA|FABd FABd|afde fe e2|
b3 f a2 fe|defd edBA|FABd FABd|afef d3 :|
%
%This was transcribed from the playing of box player Johnny Cunningham 
%(RIP). The tune is so cheerful and happy that the name doesn't really 
%seem to suit it. I don't know if this is an original composition of 
%Johnny's or not. (Thanks to Boston's Tommy Kierce for first bringing 
%this tune to my attention).

%%%

X:41138 
T:HIGH LEVEL HORNPIPE
C:J. Scott Skinner
Z:ABC/arr. BB
Q:1/4=150
%simplified version
P:ABA
%play_flatten_parts
M:4/4
L:1/8
R:hornpipe
K:G
%swing .25
P:A
|:G2D2 B,DGB|d2B2 GBAG|A2F2 D2Bd|fed^c ed=cA|
G2D2 B,DGB|d2B2 GBAG|E2FG ABcd|fdcA G4:|
P:B
|:FdAd FdAd|FDFA dcBA|BdGd BdGd|BABd gdBd|
^ceAe ceAe|^cAce aece|d^cdf gece|1 dAfe dAFD:|
[2 dAfe dc"_DC"BA||
%
%This is a composition of Scots fiddler J. Scott Skinner as performed 
%by Joe Derrane on his 1995 "Irish Accordion" CD. Note that Joe's 
%version is played as A (repeated) - B - A (no repeat). (Note that ABC, 
%for all its virtues, doesn't "read" directions like "DS", "segno", 
%"fine", etc.) It is also (presently) incapable of ignoring repeat
%signs on Part A of ABA tunes.

%%%

X:41139
T:HIGH ROAD TO GLIN (reel)
C:M. Mulvihill
D:(1)
Z:ABC/arr. BB
Q:1/4=180
R:reel
M:4/4
L:1/8
K:D
E|F2AF EFDE|F2AF EA, A,2|F2FE DEFA|Bd AF E2 DE|
F2 AF DFAF|F2 AF EA, A,2|F2 FE DEFA|Bd AF D3 :|
e|f2 df e2 df|afeg fBBd|f2 df affa|bfaf e2 de|
faad egfe|dfed BcdA|F2 FE DEFA|Bd AF D3 :|

%%%

X:41140
T:HILLS ABOVE KILLARNEY (polka)
D:(6)
Z:ABC/arr. BB
Q:1/4=140
L:1/8
M:2/4
R:polka
K:Dmix
A|d^c/d/ ed|cA A2|d2 ef|g2 fe|
d^c/d/ ed|cA Ae|fa ge|d2-d :|
e|f>e fd|g>e ge|f>e fa|ge ce|
f>e fd|g>e ge|fa ge|d2-d :|

%%%

X:41141
T:HILLS OF LARRAGA (jig)
C:Mike Rafferty
Z:ABC/arr. BB
Q:1/4=160
R:jig
M:6/8
K:Dmix
G|FDD cAG|dcA A2 G|F2 D c2 A|dcA G2 G|
FDD cAA|dcA Bde|fef ded|cAF G2 :|
G|A2 d fed|cAB cde|dcA f2 d|cAF G2 G|
A2 d fed|cAG cde|fef ded|1 "thru"cAF G2 :|
[2 "^coda"AGE HD3|]
%
%Composed by the late Mike Rafferty in honor of his birthplace in East Galway.

%%%

X:41142
T:HITCHNER'S PHOENIX (reel) 
C:J.Derrane
Z:ABC/arr. BB
Q:1/4=180
R:reel
N:simplified version
M:4/4
L:1/8
K:G % 
B,A,|G,B,DG Bdga|bagb agef|g2 fg edBd|cABG AGEG|
G,B,DG Bdga|bagb agef|gfge dBge|dBAd BG :|
ef|g2fg edBd|cABG AGEG|gd^cd edBe|dBGA BA A2|
[1 g2fg edBd|cABG AGEG|G,B,DG Bdge|dBAd BG :|
[2 gabg efge|d2BG ABEG|G,B,DG Bdge|dBAB G4|]
%
%The late Joe Derrane composed this tune as a "tip of the hat" to 
%columnist Earle Hitchner, who did Irish music fans a huge favor by 
%persuading Joe - who most people thought had passed away - to return 
%to the trad scene in the early 1990's. This tune bears all the hallmarks 
%of Joe's distinctive style, and for that reason will probably never 
%become a "session favorite", but I included it in MVBT-1 out of respect 
%for Joe and Earle.
%
%Original setting:
%A,CEA ceab|c'bac' bafg|a2 ga fece|(3dcB (3cBA BAFA|
%A,CEA ceab|c'bac' bafg|agaf ecaf|1 ecBe cAFA :|2 ecBc cA Az||
%|:(3aba ga fece|(3dcB (3cBA BAFA|ae^de fecf|ecAB cB B2|
%[1 (3aba ga fece|(3dcB (3cBA BAFA|A,CEA ceaf|ecBe cA Az :|
%[2 ab (3c'ba fgaf|(3efe (3cBA BcFA|A,CEA ceaf|ecBc A4|

%%%

X:41143
T:HOGAN'S WHISTLE (reel)
S:Jimmy Hogan (Clare/Boston)
Z:ABC/arr. BB
Q:1/4=180
R:reel
M:4/4
L:1/8
K:Ador
Bd|eAAB c2BA|G2BG dGBG|eAAB c2BA|egdg eABd|
eAAB c2 BA|G2 BG dGBG|eAAB c2 BA|egdg eA A2||
Bd ef gbge|d2 BG dGBG|Bd ef gbag|egdg eA A2|
Bd ef gbge|d2 BG dGBG|Bd ef gbag|egdg eA A4|]
%
%I got this tune from Clareman Jimmy Hogan (RIP). I'm pretty sure it 
%has other names but until I can figure out what they are, I'll keep 
%it under Jimmy's name!

%%%

X:41144
T:HOLE IN THE COAT (jig)
H:revised 3/18
Z:ABC/arr. BB
Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
A|FDD EDD|FAA BAA|def edB|AdB AFE|
FDD EDD|FAA BAA|def edB|Adc d2 :|
e|faf ede|fed Bcd|faf ede|faf e2 e|
faf ede|fed Bcd|faf ede|fdc d2 :|
%
%The late Boston fiddler Larry Reynolds played this catchy "gan
%ainm" jig for us at a festival here on Cape Cod in the early 1990's. 
%Later he was telling us about an East Galway IRA man named Malachy 
%Brennan, who when ambushed by the Black and Tans miraculously escaped 
%injury to himself but took a number of shots to his good overcoat. 
%Suddenly the jig "gan ainm" had a name!

%%%

X:41145
T:HORSE KEANE'S HORNPIPE 
C:© Jimmy Keane
Z:ABC/arr. BB
%Composed by Chicago's Jimmy Keane and named for his dad.
Q:1/4=150
R:hornpipe
N:simplified version
M:C
L:1/8
K:G 
%swing .25 
dc|B2 A2 GABd|e2ED E2GE|DEGA BddB|BAGB A2 dc|
B2 A2 GABd|e2ED E2GE|DEFG ADFA|GBAF G2 :|
Bd|e2 ef gage|dbge dBGB|c2 ce dBGA|BAAG A2 dc|
B2 A2 GABd|e2ED E2GE|DEFG ADFA|GBAF G2 :|
%
%P:Source version:
%K:G
%d>c|(3BcB (3ABA G>AB>d|e>E (3EEE E2 (3GFE|\
%D>EG>A B>dd>B|B>AG>B A2 d>c|
%(3BcB (3ABA G>AB>d|e>E (3EEE E2 (3GFE|\
%D>EG>A A>DF>A|G>B (3AGF G2 :|
%Bd|e2 e>f g>a (3gfe|d>bg>e d>B (3GAB|\
%c2 c>e d>BG>A|B>AA>G A2 d>c|
%(3BcB (3ABA G>AB>d|e>E (3EEE E2 (3GFE|\
%D>EG>A A>DF>A|G>B (3AGF G2 :|

%%%

X:41146
T:HORSE'S LEOTARD (jig)
D:(7)
Z:ABC/arr. BB
Q:1/4=160
R:jig
M:6/8
L:1/8
K:Edor
D|E2E BAF|ABc dcd|E2E BAF|AFB AFD|
E2E BAF|ABc d2e|fed edB|1 AFB AF :|2 dcB AF||
|:A|Bcd e2e|fed e2d|Bcd e2f|gfe dBA|
[1 Bcd e2e|fed e2d|ABc d2B|AFB AFD :|
[2 gfe fed|edB d2B|ABc d2B|AFB AFD|HE6|]
%
%Another nice tune from the Kelly/O'Brien/Sproule recording. No
%liner notes so I can't say where it originated. (Love the name,
%though!)

%%%

X:41147
T:HUNTER'S ROAD (jig)
Q:1/4=160
M:6/8
L:1/8
R:jig
K:D
A|FAG FAG|FDE F2d|BFF Bcd|BAB d2B|
A2G FAG|FDE F2d|BGE Bcd|a2g fd:|
e|fed a3|def fed|ecA A3|Bde ABc|
B3 def|f2b bag|faf def|ecA d2 :|
%
%From "The Maid of Eirin" CD by Grianán. This tune was posted 
%on the IRTRAD list and is the only tune I have from that CD.
%There was a long post on thesession.org about the CD and its
%troubles (including the botched name).

%%%

X:41148
T:I WASN'T THE LAD I THOUGHT I WAS (jig)
D:(5)
Z:ABC/arr. BB
Q:1/4=160
M:6/8
R:jig
K:D
A|d3 c2B|A2G F2A|d3 c2B|A3 ABc|
ded c2B|A2G F2A|B3 B2A|D3 D2 :|
E|FGF E2D|C2D E3|F3 E2D|A3 A3|
FGF E2D|C2D E2E|FGF EFE|D3 D2 :|
%
%I'm guessing that there's a song that goes along with this Morrisroe
%tune (which would actually make a pretty good slide).

%%%

X:41149
T:I WISH I NEVER SAW YOU (reel) 
D:(26)
Z:ABC/arr. BB
Q:1/4=180
R:reel
M:4/4
L:1/8
K:G
d|edBA G3A|B2Ac BEE2|GFGE DEGA|BGdB A3d|
edBA G3 A|B2 Ac BE E2|GFGE DEGA|dBAc BGG :|
z|dedc BGBd|e2 af gfge|dedc BGBd|egfa g3 g|
dedc BGBd|e2 af gfge|d2 df e2 eg|fgaf g3 :|

%%%

X:41150
T:I'LL BUY BOOTS FOR MAGGIE (polka)
S:M. Dugger (KC)
Z:ABC/arr. BB
R:polka
Q:1/4=120
M:2/4
L:1/8
K:Am
EA AB|c>B AB|FA AB|cB A2|
^FA AB|c>B AB|e2 dB|BA A2 :|
A>B cd|eg a2|e2 dB|BA G2|
A>B cd|eg a2|e2 dB|BA A2 :|
%
%Nice polka courtesy of Kansas City's Mike Dugger. I'm not sure if 
%he composed this or not.

%%%

X:41151
T:JACK COUGHLAN'S (reel)
S:Mike Rafferty
Z:ABC/arr. BB
Q:1/4=180
R:reel
M:4/4
L:1/8
K:G
B|cABA G3B|AEE2 GEDB|cABA G3A|BdAc BGGB|
cABA G3 B|AE E2 GEDB|cABA G3 A|BdAc BGGE||
DBDE GFGA|BA Bd ed B2|dBde g3 e|dBAc BGGE|
DBDE GFGA|BA Bd ed B2|dBde g3 e|dBAc BGGB||
"^coda"HG4z4|]
%
%I first heard this tune at Mike Rafferty's New Jersey retirement 
%party in May 1989. It's a great flute tune (naturally) and sits nicely 
%on the banjo as well. Mr. Coughlan was a musician of a bygone day from 
%Mike's part of Galway.

%%%

X:41152
T:JACK'S 32 (reel) 
Z:ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
R:reel
K:G
G3B d2 Bd|gbag edBc|d2 dB edBG|FDFA cAFA|
BcdB e^def|gbag edBG|DG G2 dGBG|DFAd BGG2 :|
g3d e2dc|Bcdc BG G2|Ad d2 ^cege|fde^c d=cBA|
G2BG cAFA|BGBd g2 ge|d2 dB edBG|DFAd BGG2 :|
%
%This nice little tune appeared in an MP3 file (in the key of F) on my 
%hard drive one morning. I don't recall how it got there. If anyone 
%recognizes it, please let me know! (The MP3 file was of a box player 
%and guitar backup, if that helps. I thought it might have been Jim 
%and Mary Coogan, especially since 'Jack's 32' was Jim's session pub 
%in Suffern NY. I emailed Mary to inquire but she doesn't recognize the
%tune either - it's definitely not one of hers!)

%%%

X:41153
T:JACKIE ROCHE'S FAVORITE (jig) 
C:J. Morrison 
D:(22)
Z:ABC/arr. BB
R:jig
Q:1/4=160
M:6/8
L:1/8
K:Dmix
ABA DED|A2B cBA|G3 GEF|GAG EFG|
ABA DED|AGE cBA|GFG A2 G|FDD D3 :|
fdf ged|cAG EFG|f2 f ged|eag efg|
fdf ged|cAG EFG|A2 A BAG|FDD D3 :|
%
%I took this from the Kathleen Collins 1976 LP (where Jackie's 
%last name is misspelled "Roach", an error I repeated in MVBT-1). 
%Dan Collins says this was composed not by Roche but by James Morrison, 
%who called it "The Pilgrim". Jackie Roche was a fiddler, a student of 
%John McGrath's, who went on to lead a dance band. (A sample of their 
%music is on YouTube.) He lived on Staten Island and died sometime in 
%the 1980s.

%%%

X:41154
T:JACS Reel
C:Johnny Harling (Chicago)
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:Ador
A3 B AE E2|AGAB ecBc|BAGF GD D2|G3 B dBAG|
A3 B c3 d|eaaf g3 a|bgab gedB|cedB cA A2 :|
ae e2 cege|agea gedc|B2 AB GD D2|G3 B dBAB|
c3 d edea|gedc BdcB|AE E2 ABce|dcBG A4 :|
%
%This tune's name is the acronym of Johnny's four kids (who, twenty-two 
%years on, probably have kids of their own by now!) The original key was 
%B minor, but since that was pitched a little high for most instruments 
%to play comfortably, I dropped it a step to A minor.

%%%

X:41155 
T:JAMES KELLY'S (jig) 
D:(9)
Z:ABC/arr. BB
Q:1/4=160
M:6/8
R:jig
K:D
FAA BA2|FAA ABd|FAA BA2|f2e dBA :|
faa fd2|f2e dBA|fde cd2|B=cB AF/E/D :|
%
%Listed as a "slip jig" in liner notes but tune isn't in 9/8 time. 
%The eighth note-quarter note formation in mm 1,3,5, and 7 is unusual.
%Also notice that each part is played once. Possibly a set dance?

%%%

X:41156
T:JESSE'S CLARE REEL 
D:(30)
Z:ABC/arr. BB
Q:1/4=180
M:4/4
R:reel
K:C 
EF|G3C DEFD|GAGE F2EF|G3C DEFD|GEFD C2EF|
G3C DEFD|GAGE F2 EF|G3C DEFD|GEFD CDEF||
G3c BGFD|GccB cedc|BGGB AFFA|GEFD C2EF|
G3c BGFD|GccB cedc|BGGB AFFA|GEFD HC4|

%%%

X:41157
T:JIM DRONEY'S (jig) 
D:(12)
Z:ABC/arr. BB
R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
D|GAB D2E|GAB AGE|GAB D2E|GAG GED|
GAB D2E|GAB d2e|dBB AGA|BGF G2 :|
e|dBB dBB|dBB A2 e|dBB dBA|GAG GED|
dBB dBB|dBB A2e|dBB AGA|BGF G2 :|
%
%Chris Droney's version of "Paddy O Rafferty", named for his dad.

%%%

X:41158
T:JIMMY McBRIDE'S (reel) 
D:(4)
Z:ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
R:reel
K:C 
A|G2EG cAGF|EDCD EGAc|e2cd AGAc|dfec dcAF|
GGAG cGAG|EGG2 EGcd|ecBc Ac GE|FEDF ECC :|
e|g2^fg ecc2|eg^fg ecc2|Addc defg|afge fedf|
ecc2 GcEc|AFF2 CFA,F|GABc defg|1 "thru"e2dB cBc :|
[2 "^coda"e2dB Hc4|]

%%%

X:41159 
T:JOE MILLS' POLKA 
C:Joe Mills
D:(6)
Z:ABC/arr. BB 
Q:1/4=120
L:1/8
M:2/4
R:polka
K:Em
E/F/|GE BE|GA B>A|FD AD|F/E/D/F/ AG/F/|
GE BE|GB d>e|fd AF|GE E :|
E/F/|GB BA/G/|FA AE/F/|GB BA/G/|FE EE/F/|
GB BA/G/|FA d>e|fd AF|GE E :|
%
%Composed by Joe Mills, an accordion player from Ballinasloe, Co.
%Galway and a member of the legendary Aughrim Slopes Ceili Band. 
%Mills is said to be actual composer of "Cooley's Reel" (as "Luttrell 
%Pass"). (Joe Cooley was also a member of the Aughrim Slopes band.)
%The first part of this tune bears a strong resemblance to the first 
%part of "Mike Coen's Polka" (#41220 in this file).

%%%

X:41160
T:JOHN CRONIN'S POLKA #1 
D:"The Monks of the Screw"
S:M. O'Keeffe via Paul de Grae
Q:1/4=120
R:polka
M:2/4
L:1/8
K:D
DF/A/ df|ed B2|AB/A/ FA|BA FE|
DF/A/ df|ed B2|AF GE|D2 D2 :|
fg/f/ ed|Bd A2|f/g/f/e/ df|e2 e2|
fg/f/ ed|Bd AG|FA GE|D2 D2 :|

%%%

X:41161
T:JOHN CRONIN'S POLKA #2 
S:M. O'Keeffe via Paul de Grae
D:"The Monks of the Screw"
R:polka
Q:1/4=120
M:2/4
L:1/8
K:D
FA FA|dB BA|FA FA|dB A2|
FA FA|dB B2|AB/A/ GE|ED D2 :|
dB B/c/B/A/|FA BA|dB B/c/B/A/|FA E2|
dB B/c/B/A/|FA BA|B/c/B/A/ GE|ED D2 :|
%
%This tune and 41160, originally from North Kerry fiddler Maurice O'Keeffe, 
%were posted on the IRTRAD list some years ago by Paul de Grae. "The 
%"Monks of the Screw" are a group of musicians who frequent the Monday 
%night music session at Scully's Pub in Newmarket, Co. Cork." (< liner 
%notes) The musicians are Paudy Scully, flute; Dan Curtin, fiddle; Tim 
%Browne, fiddle.

%%%

X:41162
T:JOHN DOHERTY'S REEL (A minor) 
R:reel
D:(7)
Z:ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
K:Am
EAAB cABG|EAAG EGDB,|EAAB cABc|d^cde d=cAG|
EAAB cABG|EAAG EGDB,|EAAB cABc|d2 ge dcda|]
gcec AcGc|gceg aged|gcec AcGc|GAcd ed d2|
gcec AcGc|gceg aged|c2 gc acgc|edce dcAG||
"^coda"HA4z4|]
%
%John Doherty is the legendary Donegal fiddler and the source of this 
%tune and the one following. I'm not sure if he composed any of the 
%tunes that carry his name (or if he named any of the tunes he composed!)

%%%

X:41163
T:JOHN DOHERTY'S REEL (D) 
D:(7)
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:D
d2cd BdAc|d2fd adfd|d2cd Bd A2|fbb^g afec|
d2 cd BdAc|d2 fd adfd|d2 cd Bd A2|fbb^g afea|]
fd d2 fdfa|^ge e2 bege|fd d2 f2 de|fbb^g afea|
fd d2 fdfa|^ge e2 bege|fd d2 f2 de|fbb^g afec||
"^coda"Hd4z4|]

%%%

X:41164
T:JOHN EGAN'S (hornpipe) 
S:Sean Potts
Z:ABC/arr. BB
R:hornpipe
Q:1/4=150
M:4/4
L:1/8
K:G
%swing .25
dc|BGAF GEDG|BG Bd gdBd|cdAd cdAd|fdef gedc|
BGAF GEDG|BG Bd gdBd|cdef gedc|BGGF G2 :|
Bc|d2^ce dB G2|G3 B dgfg|efge dBGB|cABG AGFD|
g3 e d2 Bd|g3 e dgfg|efge dcBA|G2FA G2 :|
%
%I got this tune during an early 90's "Gaelic Roots" session from 
%Boston's beloved "People's Choice", Joe Joyce (RIP), who in turn got 
%it from whistle player Seán Potts. It's named for one of the founding 
%members of Dublin's Pipers' Club.

%%%

X:41165
T:JOHN McAULIFFE'S SLIDE 
D:(1)
Z:ABC/arr. BB
Q:1/4=180
R:slide
M:12/8
L:1/8
K:D
A|dcd e2d c2F EFG|BdB BAG F2E DFA|
dcd e2 d c2F EFG|ABA GFE D3-D2 :|
e|f2d d2c d2f agf|e2A A2c e2f gfe|
f2d d2c d2f agf|e2 A ABc d3-d2 :|

%%%

X:41166
T:JOHN McHUGH'S (reel) 
D:(32)
Z:ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
R:reel
K:A % 
AF|E3F A3B|c2ec BA F2|f2ec ABcf|ecBA FBAF|
E3F A3B|c2 ec BA F2|f2 ec ABcf|ecBc A2 :|
af|ecef agaf|ecBA FAAB|cBB2 cBB2|cABA FAAf|
ecef agaf|ecBA FAAB|cBB2 cBB2|ceBc A2 :

%%%

X:41167
T:JOHN WHELAN'S REEL 
C:John Whelan
Z:ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
R:reel
K:Bb % 
GA|: B2F2 =EFBF|GBFD CEDC|B,CDF =EFGB|ABce dDFA|
B2F2 =EFBF|GBFD CEDC|B,CDF =EFGB|ABce dB B2 :|
dBB2 FBdF|BdFd cAFE|DBDF ECEG|=EFGB ABce|
dBB2 FBdF|BdFd cAFE|DBDF =EFGB|ABce dB B2 :|
%
%The original key for this tune is Bb. I transposed it down to A 
%for MVBT-1 but even that didn't work. So it's back to the original
%key but you can put your translator app to work finding a key
%you like better!

%%%

X:41168
T:JOHNNY CRONIN'S (reel) 
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:G
P:I
EF|G2FG EGDE|GFGA Bcdg|eBB2 edBA|GBAG EGDE|
G2 FG EGDE|GFGA Bcdg|eB B2 dBAF|GBAF G2 :|
P:II
Ac|Bdd^c d2 d=c|Bd d2 efgd|Bd d2 dBGB|cABG FGAc|
Bdd^c d2 d=c|Bd d2 efga|bgaf gedB|cBAG FG :|
P:III
Ac|BGGF G2 DG|BG G2 Bdgd|BG G2 GBAB|cABG FGAc|
BGGF G2 DG|BG G2 Bdga|bgaf gedB|1cBAG FG :|
[2 cBAF G4|]
%
%This is a tune that exists somewhere (O'Neill's?) (1) with a different 
%name (2) with only two parts, not three. I knew the original name but 
%can't for the life of me recall it. In any event, Msgr. Cronin didn't 
%compose it (although he might have had something to do with the third 
%part.)

%%%

X:41169 
T:JOHNNY I DO MISS YOU! (polka) 
D:(33)
Z:ABC/arr. BB
R:polka
M:2/4
Q:1/4=120
L:1/8
K:D
d>B|AF ED|F2 A,2|FB AF|E3 B|
AF ED|F2 A,F|G2 FE|D2 :|
E2|FA A/B/A/G/|FA AE|FA Bc|d3 A|
FA A/B/A/G/|FA d>e|fe ed|e3 A|
FA A/B/A/G/|FA AE|FA Bc|d2 cB|
AF ED|F2 A,2|GA/G/ FE|D2 :|

%%%

X:41170
T:JOHNNY LEARY'S (polka) 
D:(33)
Z:ABC/arr. BB
R:polka
Q:1/4=120
M:2/4
L:1/8
K:D
B/c/|f2 ge|f2 ge|fd ed|e/f/e/d/ BA|
f2 ge|f2 ge|fd e/f/e/c/|df d :|
B|: AF AB|Af af|ef/e/ ef/e/|dA B/c/d/B/|
AF AB|Af af|ef gb|1ef/e/ dB :|
[2 ef/e/ dc|B4|]

%%%

X:41171
T:JOHNNY REIDY'S SLIDE 
D:(28)
Z:ABC/arr. BB
Q:1/4=180
M:12/8
L:1/8
R:slide
K:Edor
d|Bee e2f e2d B2A|B2c dBA B2c dBA|
Bee e2f e2d B2c|def a2f e3-e2 :|
a|b3 b2 a b2a f2e|d2f fef d2f agf|
b3 b2a b2a f2e|def a2f e3-e2 :|

%%%

X:41172
T:JOSEPHINE KEEGAN'S (reel) 
D:(2)
Z:ABC/arr. BB
Q:1/4=180
R:reel
M:4/4
L:1/8
K:G
E|DGBG dGBG|cBcd efga|bg g2 agef|gedB AGEG|
DGBG dGBG|cBcd efga|bg g2 ageg|dBAB G3 :|
a|bg g2 agef|gedB AGEG|DB, B,2 DEGA|Bdgb ageg|
bg g2 agef|gedB AGEG|DB, B,2 DEGA|dBAB G3 :|

%%%

X:41173 
T:JOSEPHINE MARSH'S (reel) 
D:(32)
Z:ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
R:reel
K:D
F|B2 AF BFAF|E2 FD EFDB,|A,D D2 A,DFA|B3c dfec|
B2 AF BFAF|E2 FD EFDB,|A,D D2 B,DGB|Adfe d3 :|
z|fded fded|BedB ADFB|A2 FB ABdf|edef e4|
[1 fded fded|BedB ADFB|A2 FB ABdf|edef d3:|
[2 fedc d3e|BcdB AFDB,|A,D D2 B,DGB|Adfe Hd4|]
%
%This is named for the Clare box player. I don't know if she 
%composed this or not.

%%%

X:41174
T:KERFUNTEN JIG
T:Hamilton's #1
C:Hammy Hamilton
Z:ABC/arr. BB
Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
A|B3 BAG|dBd efg|dBd edB|ABA AGA|
B3 BAG|dBd efg|dBd gdB|AGA G2 :|
d|gfg gab|ege edB|gfg gab|bag a2 d|
gfg gab|ege edB|dBd gdB|AGA G2 :|
%
%This tune and "The Woodcock" (#41355) are compositions of Belfast 
%flute player and builder Hammy Hamilton, now residing near 
%Ballyvourney in West Cork. I first heard them played by a band 
%from Northern Ireland named "Déanta", whose flute player Deirdre 
%Havlin got them "gan ainm" from Hammy. I eventually got the actual 
%names from him via the IRTRAD mailing list of happy memory. 
%(Kerfunten is a town in Brittany that hosted a music festival in 
%years past.)

%%%

X:41175
T:KERRY MILLS' BARNDANCE 
D:(6)
Z:ABC/arr. BB
Q:1/4=150
L:1/8
M:4/4
%
R:hornpipe
K:D
%swing .25
FG|A2 A2 B2 B2|AFAd f2 f2|gfed cABc|e2 dB A2 FG|
A2 A2 B2 B2|AFAd f2 f2|gfed cABc|e2 dc d2 :|
fg|a2 ba f2 f2|a2 ba f2 f2|gfed cABc|e2 dB A2 fg|
a2 ba f2 f2|a2 ba f2 f2|gfed cABc|e2 dc d2 :|
%
%"A favorite of Mickey Carton, who used to play it with 'The Stack of 
%Barley'." (< Jim) FYI Kerry Mills isn't a place, it's the name of 
%a 1920's dance teacher from the Philadelphia area (and composer of
%"Red Wing", among many other tunes). An interesting guy, definitely
%worth a few minutes web search!

%%%

X:41176
T:KILLASSER REEL
C:J. O'Sullivan (NY)
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:Em
A|BGEG Bdgd|AFF2 DFF2|BGEG Bdgd|BAGF E3A|
BGEG Bdgd|AF F2 DF F2|BAGB d3 B|AGFG E3 :|
A|eBgB aBgB|fd d2 ad d2|eBgB a2 gb|gfef e3 f|
eBgB aBgB|fd d2 ad d2|b3 a gabg|agfg e3 :|
%
%Composed by Jerry O'Sullivan and named for his grandfather's townland 
%near Swinford in Co. Mayo. Jerry has just recorded it again on his
%fine "Killasser Flute" CD (2017).

%%%

X:41177
T:KILLEIGH HORNPIPE
Z:ABC/arr. BB
Q:1/4=150
M:4/4
L:1/8
R:hornpipe
K:G
%swing .25
DE|G2AF G2 Bd|g2fg dGBd|eGBd BAGB|A2FE D2DE|
G2AF G2 Bd|g2fg dGBd|eGBd BAGE|G2 GF G2 :|
ze|dGBd eGBd|g2bg dGBd|cecA BdBG|A2FE D3e|
dGBd eGBd|g2bg dGBd|EGBd BAGE|G2 GF G2 :|
%
%I forget where I got this tune from - might have been from one of
%the Chris Droney recordings . . .?

%%%

X:41178
T:KILLINABOY JIG
S:Jimmy Hogan (Clare/Boston)
Z:ABC/arr. BB
R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
D|GBA G2D|GBA G2D|GBA GFG|BAA AFD|
GBA G2D|GBA G2A|BdB AGA|BGG G2 :|
A|B3 c3|ded B2A|G2 e dBG|EAA AGA|
B3 c3|ded B2A|G2 e dBG|BGG G2 :|
%
%This is from Lahinch's own Jimmy Hogan (RIP) who had the tune but 
%not the name! I christened it "Killinaboy" (which I had misspelled 
%"Kilnaboy" in MVBT-1) after a pleasant little town near Corofin, 
%west of Ennis. (Not sure why it isn't "Lahinch Jig" but maybe I
%had found another tune with that name somewhere!)

%%%

X:41179
T:KINARD POLKA
D:(1)
Z:ABC/arr. BB
Q:1/4=120
M:2/4
R:polka
L:1/8
K:G
A|BG G/A/G/F/|DG G>A|BG GF/G/|Ad d/e/d/c/|
BG G/A/G/F/|DG GB/d/|ed cA|AG G :|
A|Bd g2|fe e2|cd f2|ed d/e/d/c/|
Bd g2|fe a>g|fd ef |ag g :|

%%%

X:41181
T:LAD O'BEIRNE'S REEL (key D) 
C:Lad O'Beirne
D:(13)
Z:ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
R:reel
K:D
E|D2 FD ADFA|dfed BAFE|D2 FD ADFA|BF F2 EDB,C|
D2 FD ADFA|B2 AF DEFA|B2 AB GABc|1 dBAF EGF :|
[2 dBAF E3|:A|dcdf efdc|BAFE D4|d2 df edBA|
Bd fd e2 Bc|dcdf efdc|BAFE DEFA|(3BcB AB GABc|
[1 dBAF EGF :|2 dBAF EGFE|HD4z4|]
%
%Not even Brian Conway - closely linked to Lad via Andy McGann - 
%recognized this tune!

%%%

X:41182 
T:LAD O'BEIRNE'S REEL (key F)  
C:Lad O'Beirne
D:"Josephine Marsh"
R:reel
Z:Jeff Lindqvist
Q:1/4=180
M:4/4
%
L:1/8
K:F 
e|d2cA dAcA|GcAF GAFD|CF3 CFAc|d^cde fagf|
dAcA dAcA|GcAF GAFD|CF3 DFBd|cbag f3:|
g|a2gf afgf|dgfd cFAd|c2=Bd cdfa|g^fga g2=fg|
[1 af3 afgf|dgfd cFAd|c2=Bd cdfa|g^fge =f3:|
[2 faag f3c|defd cAGF|CF3 DFBd|cbag f4|]
%
%Transcribed from Josephine Marsh's CD by Jeff Lindqvist. Her recording 
%is in F, but you can always transpose it to D or G for better playabilty.
%(Note: Brian Conway did recognize this one! - see note to previous tune.)

%%%

X:41180
T:LAD O'BEIRNE'S REEL (key G) 
S:Brian Conway
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:G
DG G2 DGBG|AcBG AE E2|DG G2 DGBd|egfg e2 ge|
dB B2 AGEG|cE E2 GEDB|DEGA B2 eB|dBAc BG G2 :|
d2 ce d2 Bd|egdg e2 ge|dB B2 AGEG|cE E2 GEDc|
Bd d2 Bdef|gfga gedB|DEGA B2 eB|dBAc BG G2 :|
%
%As with a few other tunes in MVBT-1, this one wasn't in print anywhere 
%else in 1995. This is Brian Conway's setting.

%%%

X:41183
T:LAD'S FAVORITE (reel)
D:(34)
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:D
Bc|dFF2 AFEF|dFF2 A2Bc|dFF2 BFAF|DBBA B2AB|
dF F2 AFEF|dF F2 A2 Bc|dBcA BFAF|DBBA B2|]
zc|d2 fd edfd|d2 fd faaf|d2 fd edfd|BdcA BAFA|
d2 fd edfd|d2 fd faaf|bgaf gfed|BdcA B4|]
%
%"Lad" is almost certainly James "Lad" O'Beirne, but I don't know if he 
%composed this or if it's just named after him. (I asked Brian Conway 
%recently and he wasn't sure either.)

%%%

X:41184
T:LAKE SHORE JIG
S:S.O Driscoll (< Liz Carroll?)
D:(28)
Z:ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
R:jig
K:Em
D|EFG A2d|cBc E2D|EGG EAA|EGG GED|
EFG A2d|cBc E2D|EGG AGE|EDC D2 :|
d|fed edc|edc d2e|fed cAA|cAG Ace|
dcB cBA|d2d cAG|EFG AGE|EDC D2 :|
%
%This sounds to me like a close relative to 'The Westmeath Jig', so I 
%wouldn't be surprised if Seán got it from Liz Carroll (whose forebears 
%are from that county). I'm not sure who actually gave it the name 
%Lake Shore'. (It also reminds me of 'Connie the Soldier', but that's 
%another story!).

%%%

X:41185
T:LAKES OF SLIGO (polka)
Z:ABC/arr. BB
Q:1/4=120
R:polka
M:2/4
L:1/8
K:D
FA AB/c/|d>e dc|BA Bd|e>d ef|
FA AB/c/|de f>e|dB Af|e2 d2 :|
fa de|fa ag/f/|gb ef|gb ba/g/|
fa ef|de f>e|dB Af|e2 d2 :|
%
%A fine old polka that is related to the Scots tune "Banks of Inverness". 
%When MVBT-1 was published in 1995, this tune didn't appear in any other 
%tune collection (at least as far as I knew at the time). These days it's 
%a popular session tune, deservedly so.

%%%

X:41186
T:LAND OF SUNSHINE (reel) 
C:Martin Mulhaire
Z:ABC/arr. BB
Q:1/4=180
R:reel
M:4/4
L:1/8
K:C 
G,|C2EC B,DGF|EccB cGEG|FAdF EGcG|FEDC B,G,A,B,|
C2 EC B,DGF|EccB cGEG|FAdA BGFD|DCB,D C3 :|
ef|ge e2 fdBd|cedB cGEG|FAdF EGce|fedc defa|
ge e2 fdBd|cedB cGEG|FAdc BGFD|DCB,D C3 :|
%
%A tune composed by box player Martin Mulhaire shortly after his arrival 
%in America. You can tell what initially impressed him most about the USA 
%(and he wasn't even in Florida!)

%%%

X:41188
T:LARRY REDICAN'S BOW (reel)
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:D
D2FD A,DFD|E2GE B,EGE|Ddcd BAFD|EDEF EDB,C|
D2 FD A,DFD|E2 GE B,EGE|Ddcd BAFD|1 EDCE DA,B,C :|
[2 EDCE DEF|:A|B2 BA B2 Bc|d2 cd BAFG|A2cA eAcA|
ABce afec|B2 BA B2 Bc|d2 cd BAFE|DEFA dfec|
[1 dBAF EFG :|2 dBAF HE4|]
%
%This is from NY fiddler Tony de Marco. Not sure if this is a composition 
%of Larry's or not. It reminds me a little of "The Spey in Spate".

%%%

X:41187
T:LARRY REDICAN'S SLIP JIG 
D:(31)
Z:ABC/arr. BB
R:slip jig
Q:1/4=160
M:9/8
L:1/8
K:G
GFG Bdd cee|GFG BdB cAF|
GFG DGG DGF|EDE AGF G3 :|
AGE EDB, DEG|dBA GBd e2g|
dBA BAG EDB,|DB,A, A,B,D E3 :|
%
%This tune was transcribed from the playing of Chicago box player 
%Jimmy Keane. Larry Redican, a member of the legendary New York Ceili 
%Band of the 1960's, composed many first-rate tunes, but he didn't  
%seem to name any of them. In any event this tune is a great addition 
%to the slip jig repertoire. 

%%%

X:41189 
T:LAST CHANCE POLKA
D:"@Home Alone"  (John Lavelle 2000)
Z:ABC/arr. BB
N:
Q:1/4=140
L:1/8
M:2/4
R:polka
K:Amix
E|A>B cd|ea e>d|cA AB/c/|dB GB|
A>B cd|ea e>d|cA BG|A3 :|
d|ea e2|ea e>d|cA AB/c/|dB GB|
[1 ea e2|ea e>d|cA BG|A3 :|
[2 A>B cd|ea e>d|cA BG|HA4|]
%
%John is a box player living in the San Francisco area. This tune has 
%other names.

%%%

X:41190
T:LAW OF ABUNDANCE (reel)
C:Peter Fitzgerald 
Z:Z: ABC/arr. BB
%R:reel
Q:1/4=180
M:4/4
L:1/8
K:G
GA|BEE2 D2FA|GEE2 cEBE|GEFA B2GB|cAFA cABc|
BE E2 D2 FA|GE E2 cEBE|BA A2 ADAd|dAGF E2 :|
|:ef|gdBA Be e2|geaf eafe|dA A2 FDDE|
FAde fdef|gdBA Be e2|geaf eafe|edBA GBEB|
A2 FA E2 :|

%%%

X:41191
T:LEINSTER BUTTERMILK (reel) 
D:(34)
Z:ABC/arr. BB
Q:1/4=180
R:reel
M:4/4
L:1/8
K:D
B2AB dBAd|BFAF DEFA|B2AB dBAd|abag fddc|
B2 AB dBAd|BFAF DEFA|B2 AB dBAd|abag fddf||
a2 fd ad d2|adfd Be e2|a2 fd adfd|abag fddf|
a2 fd ad d2|adfd Be e2|abaf efdB|ABde fedc||
"^coda"Hd4z4|]

%%%

X:41192
T:LIGUE'S PORCH (reel) 
C:Johnny Harling 
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:Am
A2dc AGG2|EGDG EGDG|A2dc AGAB|c2ec Gcec|
A2 dc AG G2|EGDG EGDG|A2 dc AGAB|cAGE ED D2 :|
c2 ec Gcec|g3 a gedB|c2 ec Gcec|gedc AG G2|
c2 ec Gcec|g3 a gedB|gedB c2 ge|1 "thru"dcAG ED D2 :|
[2 "^coda" dcAG E^FGF|A4z4|]

%%%

X:41193
T:LONG CAMPAIGN (reel)
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:Dmix
DFAd cAGF|FGAB cAd2|DFAd cAGF|FDDF ECCE|
DFAd cAGF|FGAB cAdf|a3 g efge|agec ed d2 :|
Addc ABcA|fgaf ge^ce|Addc ABcA|G2 GF EFGE|
Addc ABcA|fgaf ge^ce|a3 g efge|age^c ed d2 :|
%
%John Whelan got this tune from Boston fiddler Ruth Dornfelder. 
%I don't know anything about the lady or the tune and would 
%appreciate any enlightenment.

%%%

X:41194
T:LORD KITCHENER'S PIPES (jig) 
C:M. Mulvihill
D:(1)
Z:ABC/arr. BB
R:jig
Q:1/4=160
M:6/8
L:1/8
K:Dmix
E|DED DEG|AGE c2E|DED DEG|cGE D2E |
DED DEG|AGE c2 e|dcA AGE|GED D2 :|
A|d^cd edB|cBc EFG|d^cd edB|edB c2 A|
d^cd edB|cBc EFG|DED cGE|DED D2 :|

%%%

X:41195
T:LOST JIG
C:Joe Derrane 
D:(18)
Z:ABC/arr. BB
R:jig
Q:1/4=160
M:6/8
K:G
D|GFG A2A|GBd gdc|B2B BAG|FAA AFD|
G2G ABA|GBd gdc|B2B cAF|AGF G2:|
B|eBB fBB|efg dec|B2B BAG|FA^G AFD|
[1 eBB fBB|efg d2c|B2B cAF|AGG G2 :|
[2 edB deg|bge d2c|BAB DBA|GED HE3|]
%
%Written by Joe in 1956 (!! hence the name) and recorded (finally) 
%on his CD. Joe provided me with a "florid" manuscript which I have 
%taken the liberty of simplifying for all the non-box players of the 
%world.

%%%

X:41196
T:LOW ROAD TO GLIN (reel)
C:Martin Mulvihill
D:(1)
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:Edor
A|B2Ad BEE2|B2Ad Bded|BdAd BE E2|FDAG FD D2|
B2 Ad BE E2|B2 Ad Bded|fded BABc|dBAd BEE :|
d|e2 Be geBe|edef gfec|d2 Ad fd d2|BABc dAFA|
e2 Be geBe|edef gfga|bgaf gfed|Bdef gee :|

%%%

X:41197
T:MAC'S FANCY (jig) 
Z:ABC/arr. BB
D:(33, 18)
R:jig
Q:1/4=160
M:6/8
L:1/8
K:Dmix
ADD BAG|ADD EFG|ADD c2 A|GEC CEG|
ADD BAG|ADD EFG|AdB cBA|GEC CEG :|
Add ^cdd|Add dAB|c2 c cBA|GEC CEG|
Add ^cdd|Add dAB|cde dcA|GEC CEG :|
"^coda" HD6|]
%
%I don't know much about this tune beyond the facts that 
%(1) De Danann recorded it 
%(2) Joe Derrane recorded it on his "Grove Lane" CD (2010).

%%%

X:41198
T:MACARTHUR ROAD (reel)
C:Dave Richardson
D:(2)
Z:ABC/arr. BB
Q:1/4=180
R:reel
M:4/4
L:1/8
K:D
A2AB ABde|f2df edBd|g2fg edBd|gefd efdB|
A2 AB ABde|f2 df edBd|g2 fg edBG|1 ABde d4 :|
[2 ABde defg|:addd adbd|addd edBd|g2 fg edBd|
gefd e2 fg|addd adbd|addd edBd|g2 fg edBG|
[1 ABde defg :|[2 ABde Hd4|]
%
%A tune by Scots fiddler Dave Richardson and listed on the "Barking
%Mad" CD as an "unknown Shetland tune". We used to call it "The Shetland 
%Collie" around here until we found out the real name. I don't recall 
%if D or A is the original key; version here is D but can easily be
%transposed in your translator app. A fine tune either way! (Update: 
%in a recent email exchange with the composer,'he told me he doesn't 
%remember what the original key was!)
%%%

X:41199
T:MAGGIE SHANLEY'S SLIDE 
R:slide
D:(1)
Z:ABC/arr. BB
Q:1/4=180
M:12/8
L:1/8
K:A
A2B c2e dcB A2e|A2B c2e f3 e3|
A2B c2e dcB A2B|c2e dcB A3-A3 :|
f2e c2e dcB A2A|f2e c2e f3 e3|
f2e c2e dcB A2A|c2e dcB A3-A3 :|

%%%

X:41200
T:MAGPIE'S NEST (reel)
D:(14)
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
%
L:1/8
K:D
AddA BAFA|dAFA GFED|FAAB AFEF|ABde fee2|
AddA BAFA|dAFA GFED|FAAB AFEF|ABde fdd2 :|
faaf efde|fdec dcBA|faa2 bafa|ABde fdd2|
faaf efde|fdec dcBA|FGAF GABG|ABde fdd2 :|
%
%There's a setting of this in O'Neill's 1850 (#1365) 
%with a slightly different second part.

%%%

X:41201
T:MAIDS OF ARDAGH (polka)
R:polka
Q:1/4=120
Z:ABC/arr. BB
P:ABA
%play_flatten_parts
M:2/4
L:1/8
P:A
K:D
FA BA|de f2|fe/f/ ge|ed BA|
FA BA|de f2|fe/f/ ge|ed d2 :|
P:B
K:A
ee ce|fe a2|ee/e/ ce|fe c/B/A|
ee ce|fe a2|ee/e/ dB|1 BA A2 :|\
[2 BA "_DC"A=G|]
%
%Another tune in the 'Dark Girl Dressed in Blue' family that was not as 
%well-known in 1995 as it is today. The key change between parts is 
%neat and indicates that this tune might have been part of a quadrille 
%at one time (check out the Roche folder for examples). "Ardath" is an 
%alternate spelling of the name.

%%%

X:41202
T:MAIDS OF SELMA (jig)
D:(31)
Z:ABC/arr. BB
R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
D|G2E EDE|GFG e3|d2B BAG|AcB AGE|
G2 E EDE|GFG e3|dBB BAG|ABA G2 :|
%
A|d^cd gfg|ege edB|d^cd g2 a|b2 e edB|
GBd gfg|ege edB|d^cd g2 a|b3 a3|
gfg efg|f2 d d^cd|e2 B B2 A|G2 E EDE|
G2 E EDE|GFG e3|dBB BAG|ABA G2 :|
%
%This is Chicago box player Jimmy Keane's setting of a tune found in 
%the Roche Collection (volume 3 as "Maid of Selma") It's on the  CD. 
%[The Roche collection ABCs are in ITTL folder 53.]

%%%

X:41203 
T:MAN FROM BUNDORAN (reel)
D:(2)
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:D
BEE2 BEE2|BEE2 BcdB|cAA2 EAA2|ceef e2 dc|
BEE2 BEE2|BEE2 BcdB|cAA2 EAA2|ceef e2 cA|]
defe d3A|defe dcBc|d2 dc dfaf|ecAc egfe|
defe d3A|defe dcBc|d2 dc dfaf|ecAc He4|]

%%%

X:41204
T:MAN OF ARAN (reel)
C:Darach de Brún
Z:ABC/arr. BB
Q:1/4=180
R:reel
M:4/4
L:1/8
K:D
D|FBfe dB B2|EAed cA A2|FBfe dB B2|FB B2 FB B2|
FBfe dB B2|ce e2 ce e2|f2 fe dB B2|1 cedc dBB :|
[2 eggf gfe |:c|d2 fe df f2|ce e2 ce e2|d2 fe df f2|
cedc dBBc|dfaf df f2|cege ce e2|dfeg fB B2|
[1 dffe fed :|2 cedc dcBA|B4z4|]
%
%This tune and "The Maple Leaf" which follows were composed by Darach 
%de Brun (RIP). I transcribed both from the 1976 recording of Darach's 
%group 'Oisín'. ("Aran" is spelled "Arran" in the liner notes to this LP.)

%%%

X:41205
T:MAPLE LEAF (reel)
C:Darach de Brún
Z:ABC/arr. BB
Q:1/4=180
R:reel
M:4/4
L:1/8
K:G
D|E3F GE E2|B2AB AGED|EDEF GFGA|B2 dB BAGF|
E3 F GE E2|B2 AB AGED|Beed BAGA|B2 B2 AGF :|
D|Beed ef g2|Beed edBA|Beed efge|a2 eg fedA|
Beed ef g2|Beed edBA|a2 eg fedA|1 B2 B2 AGE :|
[2 "^coda"B2 B2 AGEF|HE4z4|]

%%%

X:41206
T:MARACAIBO REEL
C:Johnny Harling (Chicago)
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:G
B/d/|e3d efge|aged B3G|E3F G3A|BedB A2 Bd|
e3 d efge|aged B3G|E3F GBdB|AGED E3 :|
F|D3E FGAF|GFED EFGA|Be e2 fd d2|gfed e3d|
B3A GBdB|A3G FADA|EB B2 GBdB|AGED E3 :|
%
%It's not every day you run across a reel named after a city in 
%Venezuela! Johnny told me the name was inspired by a pirate movie, 
%which sounded pretty reasonable to somebody like me who occasionally 
%struggles to come up with his own tune names!

%%%

X:41207
T:MARTIN DOHERTY'S JIG #1 
D:(5)
Z:ABC/arr. BB
Q:1/4=160
M:6/8
R:jig
K:Edor
A|BdB A2A|BdB AFE|D2E FDD|AFE FDD|
BdB A2A|BAB dBA|F2E FDD|FEE E2 :|
A|Bee e2d|Bee dBA|F2E FDD|AFE DFA|
Bee e2d|Bee dBA| F2E FDD|FEE E2 :|

%%%

X:41208
T:MARTIN DOHERTY'S JIG #2 
D:(5)
Z:ABC/arr. BB
Q:1/4=160
M:6/8
R:jig
K:Edor
B|:BEE B2A|BEE Bcd|BEE B2B|AFD FGA|
BEE B2A|BEE Bcd|ede d2B|AFD FGA :|
Bee e2A|Bee Bcd|Bee edB|AFD FGA|
Bee e2A|Bee Bcd|efe d2B|1 "thru"AFD FG :|
[2 "^coda"AFD FGF|HE6||

%%%

X:41209
T:MARTIN RUANE'S JIG #1 
D:(5)
Z:ABC/arr. BB
Q:1/4=160
M:6/8
R:jig
K:D
D|F2F FED|FAF [F2A2]E|D2F AFD|EFE [A2A,2]D|
F2F EDE|FEF d2c|B2A FEF|E[AD][AD] D2 :|
F/G/|ABA AGF|Eee edB|ABA F2E|Ddd dBA|
FAF EDE|FEF d2c|B2A FEF|EDD D2 :|

%%%

X:41210
T:MARTIN RUANE'S JIG #2 
D:(5)
Z:ABC/arr. BB
Q:1/4=160
M:6/8
R:jig
K:D
d/B/|A2F FdB|A2F FdB|A2E EAB|AEE EAB|
A2F FAB|A2F Fdf|edc ABd|fdd d2 :|
z|AdA f2e|d2f Afd|efe e2d|cBA cBA|
AdA f2e|d2f Afd|edc ABc|d3 d2 :|

%%%

X:41211
T:MARTIN WYNNE'S #3 (reel) 
C:M. Wynne
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:G
dged B2Ac|BGdG EAAc|BGdB cdeg|fgaf gfge|
dged B2 Ac|BGdG EAAc|BGdB cdeg|fgaf g4 :|
gfga gfeB|dged BGBc|dggf gfeB|dega bgaf|
gfga gfeB|dged BGBc|dggf gfeg|fgaf g4 :|
%
%I first heard this tune played by Seamus Connolly, who had gotten it 
%from Brian Conway, who in turn had it directly from the composer. 
%Martin told me that this tune was in Ceol Rince na hEireann somewhere 
%as a "gan ainm". Sure enough it's in CRE2 (182143) - originally as 
%"gan ainm"!

%%%

X:41212
T:MARTIN WYNNE'S STRATHSPEY
C:Martin Wynne
Z:ABC/arr. BB
R:hornpipe
Q:1/4=150
M:4/4
L:1/8
K:D
%swing .25
ABde fdaf|egfe dAFG|ABde fdAF|GBAG FD D2 :|
fddf gece|dcBA FAde|fddf gecA|BGEG FD D2|
fddf gece|fAdf efga|bgab afed|BGEG FD D2|]
%
%I got this tune (and several others) via phone from Martin Wynne one 
%rainy afternoon many years ago. In its original key of G it's pitched 
%too low for some instruments, so I transposed it to D to make it more
%accessible. 

%%%

X:41213
T:MASTER'S RETURN (reel) 
D:(30)
Z:ABC/arr. BB
Q:1/4=180
M:4/4
%
R:reel
K:C 
c2Ac G2 EG|e3c dcAG|EGcA GECE|DCDE C2EG :|
c2ec Gcec|df ec dcAG|c2ec Gcec|dfed c2GA|
c2ec Gcec|df ec dcAG|cdef g3a|gedf ecdB||
"^coda"Hc4z4|]

%%%

X:41214
T:McDONNELL'S JIG 
C:Johnny Harling (Chicago)
Z:ABC/arr. BB
Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
F|G3 gbg|e3 dBG|B3 dBG|BAG AFD|
E3 gbg|e3 def|gfe dBA|BGF G2 :|
A|B2 e efg|fed edA|B2 e efg|fdB e2 f|
gbg f3|efe dBG|B3 AGA|BGF G2 :|

%%%

X:41215
T:McGETTRICK'S (reel) 
D:(7)
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:G
d2ge dBAG|FD AD BDAD|GFGE DEGD|FAdc BGBc|
d2 ge dBAG|FD AD BDAD|GFGE DEGD|FAdc BGGB|]
gedB cAAg|fdad bdad|gfge dege|dega bggf|
gedB cAAg|fdad bdad|gfge dege|dega bg g2|]
%
%I'm not sure for which McGettrick this is named.

%%%

X:41216
T:MERRY BACHELOR (reel)
Z:ABC/arr. BB
D:(9)
R:reel
Q:1/4=180
M:4/4
L:1/8
K:Bm
A|B2 Bc dBBA|B2 Bc dfec|B2 Bc d3B|ABde f2 ed|
B2 Bc dBBA|B2 Bc dfec|BFFF dFAF|ABde f3|]
e|dfaf bfaf|dfaf g2 fg|afef dFBF|1 "thru"ABde f3 :|
[2 "^coda"ABde fedc|Hd4z4|]
%
%A nice tune in the "Longford Spinster" family. I'm not sure if 
%this a composed tune or not. 2nd ending on part 2 is my idea.

%%%

X:41217
T:MICHAEL HURLEY'S (reel) 
D:(32)
Z:ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
R:reel
K:G
D|G3B cABA|GBdg eg d2|GABG A2 Bd|eAAd eAAF|
G3B cABA|GBdg eg d2|G3B A2 Bc|d2 cA BGG :|
%
d|g3e fedf|efge dcBA|GABG A2 Bd|eAAB eAAf|
g2 eg fedf|efge dcBA|G3B A2 Bc|d2 cA BGBc|
dgge f4|efge dcBA|GABG A2 Bd|eAAB eAAf|
g3e f3d|efge dcBA|G3B A2 Bc|dBcA BGHG2|]
%
%Sounds to me like a version of "Nine Points of Roguery".

%%%

X:41218
T:MICHO RUSSELL'S (reel) 
D:(26)
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:G
BdBG AcAG|FD AD BDAD|DGGF G2 ag|fddc ABcA|
BdBG AcAG|FD AD BDAD|DGGF G2 ge|fddc BG G2 :|
dggf g2 ag|fdde fdcA|dggf g2 gb|a2 ga bg g2|
b2 af gbag|fdde f3g|a2 ag a2 ga|fddc ABcA :|
"^coda"HG4z4|]
%
%Micho (or Miko) Russell was the great Doolin whistle player 
%who has dozens of tunes named after him (whether composed
%by him or not!)

%%%

X:41219 
T:MIKE COEN'S FLING 
D:(8)
Z:ABC/arr. BB
Q:1/4=150
M:4/4
%simplified; source version below
L:1/8
R:hornpipe
K:G 
%swing .25 
EF|GFGB AGED|cBcd efge|B3c dcAc|BGAF GDB,D|
GFGB AGED|cBcd efge|B3 c dcAc|BGAF G2 :|
ef|g2df g2df|gbag edef|g2df g2dB|cdef g3 d|
g2df g2df|gbag edeg|bgaf ge d2|1 egdB AB :|
[2 BGAF G4|]
%
%Source version:
%zD|GFGB AGED|cBcd efge|B3c dcAc|(3BAG AF GDB,D|
%GFGB AGED|cBcd efge|B3 c dcAc|1 (3BAG AF G2 :|\
%[2 (3BAG AF G2|:d2|g/f/g df g/f/g df|gbag edef|
%g/f/g df g/f/g dB|cdef g3 d|g/f/g df g/f/g df|
%gbag edeg|bgaf ge d2|1 eg dB AB :|2 (3BAG AF G4|]

%%%

X:41220 
T:MIKE COEN'S POLKA 
D:(8)
Z:ABC/arr. BB
Q:1/4=120
M:2/4
L:1/8
R:polka
K:Em
E/F/|GE BE|GE B>A|FD AD|F/E/D/F/ AB/A/|
GE BE|GB d2|ed BA|GE E :|
F|G2 BA|G2 BA|F2 AF|ED DE/F/|
GB BA|G/A/B/^c/ d2|ed BA|GE E :|

%%%

X:41221 
T:MIKE LEONARD'S HORNPIPE 
D:(6)
Z:ABC/arr. BB
Q:1/4=150
L:1/8
M:4/4
%
R:hornpipe
K:G
%swing .25
Bc|d^cde d=cBA|GFGA BGDB,|CEGc B,DGB|A2GE D2 Bc|
d^cde d=cBA|GFGA BGDB,|CEGc BAGB|A2GF G2 :|
K:D
FG|Adcd fedc|Be^de gfe=d|ca^ga ba=ge|dedB A2 FG|
Adcd fedc|Be^de gfe=d|ca^ga b=gec|d2ec d2 :|
%
%This is originally from Mike Flanagan of the Flanagan Brothers and 
%is also called "Moonlight in Athlone". It sounds like it should be
%A-B-A but the Coogans don't play it that way.

%%%

X:41222
T:MILLER OF DRAUGHIN (reel)
S:Paddy O'Brien (Offaly)
D:(31)
Z:ABC/arr. BB
Q:1/4=180
R:reel
M:4/4
L:1/8
K:Em
Bd|eE E2 DEB,E|DEGA BAGA|GE E2 DEB,E|DEGA BABd|
eE E2 DEB,E|DEGA BAGA|GE E2 DEB,E|DEGA BdBA||
G2 BG dGBG|Beef gedB|G2 BG dGBA|GEGA BdBA|
G2 BG dGBG|Beef gfeg|faef dedB|GEGA BABd|
"^coda"He4z4|]
%
%This was recorded by box player Paddy O'Brien (born Co. Offaly, now 
%living in Minneapolis) on the "Big Squeeze" CD (1998). The tune is of 
%Scots origin and can be played as a hornpipe or strathspey. (The name 
%is spelled various ways but is pronounced "drone".)

%%%

X:41223
T:MISS LYONS' FANCY (reel) 
T:Early Breakfast
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:D
D2FA D2FA|defd eBB2|d2 cA Bd AF|GBAG FD EC|
D2 FA D2 FA|defd eBB2|d2 cA Bd AF|GBAG FD D2||
a2 fd faaf|gfed efge|a2 fd faaf|gbag fddf|
a2 fd faaf|gfed efge|fdec dBAF|GBAG FD D2|]
%
%I transcribed this from the playing of Sligo fiddler James Morrison. 

%%%

X:41224
T:MISS MAHANY'S (polka) 
C:M.Dugger (KC)
Z:ABC/arr. BB
Q:1/4=120
R:polka
M:2/4
L:1/8
K:D
A|d2 B/c/d|AF DF|ec Ac|de fe|
d2 B/c/d|AF DA|ec Ac|d3 :|
e|f>e f/g/a|bg ed|c/B/A Bc|de fe|
f>e f/g/a|bg ed|1 cB/A/ Bc|d3 :|
[2 cB/A/ Bc|d2 Hd2|]

%%%

X:41225
T:MISS MONTGOMERY'S (reel)  
D:(25)
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:D
dcdA FDFA|dcdA cdec|dcdA FG A2|Beed cABc :|
d2 ad bdad|d2 ad cdec|d2 ad bdad|gfge cdec|
d2 ad bdad|d2 ad cd e2|bagf gfed|e2 ed egfe|
"^coda"d4z4|]
%
%A nice old-time reel with a Scots flavor to it that I transcribed from 
%the playing of Hugh Gillespie. He doubles this with "Donegal Traveller" 
%(also included in this collection, #41086).

%%%

X:41226
T:MIST COVERED MOUNTAIN (jig)
Z:ABC/arr. BB
Q:1/4=160
R:jig
M:6/8
L:1/8
K:Am
G|EAA ABd|eAA BAG|EGG GBd|dBA GED|
EAA ABd|eAA BAG|ege dBG|BAG A2 :|
e|age a2 g|age edB|BGE G2 A|BAB GDE|
age a2 g|age edB|AGE GBd|dBG A2 :|
%
%Boston box player Mike Reynolds is the first person I ever heard play 
%this tune. There is some confusion as to whether it's an original 
%composition of Clare fiddler Junior Crehan or somebody's adaptation of 
%a traditional Scots tune. Either way it's become a favorite session tune 
%over the years.

%%%

X:41227
T:MOLLY BAWN (reel) 
D:(7)
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:Gdor 
Gddc d2cB|AFcF dFAF|Gddc d2de|fdcA dcBA|
Gddc d2 cB|AFcF dFAF|Gddc d2 de|fdcA BG G2 :|
g2 dg gfga|fdde f3 f|g2 dg gfga|fdcA BG G2|
gdBd gaag|fdde f3 g|abag fdde|fdcA BG G2 :

%%%

X:41228
T:MONAGHAN TWIG (reel)
D:(7)
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:Amix
ed|cAAB cded|cAAG E2 ed|cAAB cded|BAGB d2 ed|
cAAB cded|cAAG E2 ed|cAAB cded|BAGB d3|]
A|Bdef gfed|cdef e2 cA|Bd ef gfed|BAGB d3 A|
cded cded|cdef g2 ge|cA A2 ecef|gfge dgeB|HA4z4|]
%
%There are other names to this (e.g. "Monaghan Switch", "Tinker's Apron"). 
%Might be of Scots origin via Seán Maguire (or might be a composition 
%of Seán's father).(The last three measures always sounded a little out 
%of whack to me but everyone seems to play them that way!)

%%%

X:41229
T:MONASTEREDEN FANCY (reel)
D:(32)
Z:ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
R:reel
K:G
d2BG dGGE|DGBd c2Bc|dcBG DGBd|cBAB c2ge|
d2BG DGGE|DGBd cABc|d2BG DGG2|cBAB c4||
dgge dgeg|dggB c2Bc|dgge defd|cBAB c2Bc|
dgge dgeg|dggB c2Bc|dgga bgag|fdef Hg4|]

%%%

X:41230
T:MONASTEREDEN JIG
D:(13)
Z:ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
R:jig
K:G
GFG dBB|edB dBA|GFG dBB|edB AFD|
GFG dBB|edB def|gfe dBA|B2e dBA :|
gfg bge|fef afd|gfg bgd|edB GBd|
gfg bge|fef a2a|bag agf|g2e edB :|
"^coda"HG3z3|]
 
%%%

X:41231
T:MONSIGNOR'S BLESSING (reel) 
D:(22)
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:D
DE|F2FD EA, A,2|DEFD EA,A,2|DFEF D2 dB|AFEG FDDE|
F2 FD EA, A,2|DEFD EA, A,2|DFEF D2 dB|AFEG FD D2||
dcdf ecAd|Bd Ad BdAc|dcdf ecAd|Bd ec d3 A|
dcdf ecAd|Bd Ad BdAc|dcdf e2 ed|cdec dBAG||
"^coda"HD4z4|]
%
%This is a "Doon Reel" family member. "Monsignor" was a nickname of the 
%late Johnny Cronin, and while I'm convinced that Johnny's in Heaven 
%right now, you probably would never have mistaken him for a member 
%of the clergy while he was here on earth!

%%%

X:41232
T:MORNING MIST (reel)
C:Joe Burke
D:(1)
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:G
Bc|d2BG dGBG|d2BG DGBd|c2A=F cFAF|c2 A=F CFAc|
d2 BG dGBG|d2 BG DGBd|c2 AB cedc|BGAF G2 :|
Bd|g2 dc Bd d2|BG G2 DGBd|ageg abag|fdad bdad|
gedc Bd d2|BG G2 DGBd|c2 AB cedc|BGAF G2 :|
%
%I think it was Séamus Connolly who told me that Joe composed the first 
%part of this tune on the way to Mass and the second part on the way 
%home!

%%%

X:41233
T:MORRISON'S (reel) 
D:(29)
Z:ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
R:reel
K:D
B|A2AB A2FA|BFAF GFED|FD FD ADFD|Bdeg fdd :|
e|fgaf g2ef|gfed cA A2|fgaf g2fg|a2ge fdd2|
fgaf g2ef|gfed cA A2|B3d cdec|d2eg fdd2:|
%
%There's another D major reel called "Morrison's" in CRE-1 (#181141)
%but it isn't related to this tune. "Molly" had no liner notes, so I'm 
%not sure where the lads got this tune or any other details. To my ear 
%it's in the "Miss Langford's / Lass of Carracastle" family.

%%%

X:41234
T:MORSE AVENUE (reel)  
C:Liz Carroll 
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:D
c|dAA2 BAFD|EDFA BAFA|BFF2 BFBd|B3 c defe|
dAA2 BAFD|EDFA BAFA|dAA2 BAFA|1 AFEF DAB :|
2 AFAB d3|:c|dffe fedf|a2 fd edBA|dffe fede|
[1 faab aefe|fdde fedf|a2 fd edBe|dAA2 BAFA|
AFAB d3 :|2 faab aefa|b2 af a2 fe|fedf edBe|
dA A2 BAFA|FED HD4|]
%
%A lovely reel from Chicago's own Liz Carroll. Jerry O'Sullivan was 
%the first one I ever heard playing this!

%%%

X:41235
T:MOUNTAIN VIEW (reel)
S:Jimmy Hogan (Clare/Boston)
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:D
AG|FD AD BDAD|FD AF GBAG|FD AD BDAD|AGEF G2 AG|
FD AD BDAD|FD AF GBAG|FD AD BDAD|AGEF G2 :|
AB|defe d3 A|Bdef g2 fe|d3 e d=cAG|AGEF G2 AB|
defe d3 A|Bdef g2 fe|d3 e d=cAG|1 "thru"AGEF G2 :|
[2 "^coda"AGEF GFEG|HD4z4|]
%
%This is a version of "The Rathcrog[h]an Reel" that I taped from the 
%playing of Jimmy Hogan (RIP). I didn't have the name for it at the 
%time of MVBT-1 so I christened it "Mountain View" after the Catskills 
%hotel where I did the recording. ("Floating Crowbar" is another 
%name for this tune.)

%%%

X:41236
T:MOVING BOGS (reel)
D:(30)
Z:ABC/arr. BB
Q:1/4=180
M:4/4
%
R:reel
K:G
BGGF GBAG|D2 CD =FD D2|DGGF GABc|dfe^c d2 =cA|
BGGF GBAG|D2 CD =FD D2|DGGF GABc|dfe^c d2||
Bc|dggf g2 ag|fdde fdcA|dggf g2 ag|fgaf g4|
defg a3g|fdd^c defg|afge fde^c|d2 eg fdcA||
"^coda"HG4z4|]
%
%Angelina Carberry's version has F natural instead of F sharp in 
%mm 2 and 6. Nice sound but might not be easy for your instrument 
%to handle! (There are other settings of this tune elsewhere in
%the ITTL: 37123, 183109, etc.)

%%%

X:41237
T:MRS. O'SULLIVAN'S JIG 
D:"Live At Patrick Street"
Z:ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
R:jig
K:Bm 
D|FAA AFE|FAA d2 c|BcB BAB|def f2 e|
def a2 b|afe d2 e|fbb fge|dBA B2 :|
e|faa afe|faa a2 e|fbb bab|c'ba b2 e|
faa a2 b|afe d2 e|fbb fge|dBA B2 :|

%%%

X:41238 
T:MULHAIRE'S REEL 
D:(23)
Q:1/4=180
L:1/8
M:4/4
R:reel
K:G
GE|DGGF GABd|g2dg eBdB|A2A^G AcBA|GBAF GFEG|
DGGF GABd|g2dg eBdB|GABd gedc|BGAF G2 :|
Bc|dggf g2Bd|gfga gedg|eaa^g a2e=g|a2 ag edBc|
dggf g2Bd|gfga gedB|GABd gedc|BGAF G2 :|
%
%This tune is a familiar one that I thought had something to do with 
%Paddy O'Brien (Tipp) but maybe not. In any case I don't think Martin 
%is the Mulhaire that composed it. The research continues!

%%%

X:41239
T:MULVIHILL'S (reel) 
D:(33)
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:G
P:I
GA|BAGE DB,EB,|DB,DG B2 AB|cBAG FD D2|FEFG A2 GA|
BAGE DB,EB,|DB,DG B2 AB|c2 cB cBAB|cAFD G2 :|
P:II
GA|BABd eBB2|eBdB AGED|B,DD2 EDB,D|GFGA BA A2|
BABd eBB2|eBdB AGED|B,DD2 EGAB|cAFD G2 :|
P:III
zB|d2 Bd gdBd|edBd gdBd|e2 ^ce aee2|afge fde^c|
d2 Bd gdBd|edBd gdBd|c2 cB cBAB|cAFD G2 :|
%
%I'm not sure if this tune is played much today but as far as I'm 
%concerned it's definitely worth reviving. The liner notes to the 
%recording were unhelpful as to identifying which particular Mulvihill 
%was the source of this tune (but at least there were liner notes!)

%%%

X:41242
T:MYSTERY REEL
C:P. Fitzgerald 
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:Ador
B|A2cA EAGA|FDDE GddB|cEGE C3E|DFAd cAFG|
A2cA EAGA|FDDE GddB|cege fefg|bagf edc :|
B|c3 A GE E2|cAGc A3 A|Ae e2 dg g2|afgb agfd|
c3 A GE E2|cAGc A3 A|Aede c2 ec|1 cedB cdc :|
[2 cedB cdcB|HA4z4|]

%%%