BB'S IRISH TRADITIONAL TUNE LIBRARY
Tunes from "Music's the Very Best Thing" Volumes I and II

Tunes N to W
======================================

Folder 41 Index
- alfa list
- tunes by type
- key to D: field numbers

======================================

General Instructions for ITTL ABC files

======================================

X:41243 
T:NELLIE YOUR FAVOUR I'M AFRAID I'LL NOT GAIN (hornpipe)
D:(30)
Z:Dave Marshall via IRTRAD
Q:1/4=150
R:hornpipe
%Suggested alternate key = Am
M:4/4
%
K:Dm 
%swing .25
DC|A,DDC D2EC|DEGA cedc|AcGA EGDE|CG,CD E2DC|
A,DDC D2EC|DEGA cedc|AcGA EAGE|D2DC D2:|
zE|GEGA c3d|cAGA  cedc|AcGA EGDE|CG,CD E2DC|
A,DDC D2EC|DEGA cedc|AcGA EAGE|D2DC D2 :|

%%%

X:41244
T:NORA ROONEY (jig) 
D:(5)
Z:ABC/arr. BB
Q:1/4=160
M:6/8
R:jig
K:D
A|: D2F AFA|BAB AFE|D2F AFA|BAF E2A|
D2F AFA|BAF ABc|dcB AFE|FAB AFE :|
def fed|cAc ecA|d2d fdB|AFE DFA|
dcd fed|cee ecA|fed edc|dcB AFE :|
"^coda"Hd3z3||

%%%

X:41245
T:NUALA'S BONNET (reel) 
C:Joanie Madden
Z:ABC/arr. BB
Q:1/4=180
R:reel
M:4/4
L:1/8
K:D
AFF2 DFF2|GEE2 A2GE|FDD2 DFAF|GBAG FD D2|
AF F2 DF F2|GE E2 A2 GE|FD D2 DFAF|1 GBAG FD D2 :|
[2 GFEG FD D2|:AFF2 ABde|ed=cA BG G2|AFF2 ABde|
g2 af gfge|AFF2 ABde|ed=cA BG G2|AFF2 D2 AF|
GFEG FD D2 :|
%
%Joanie composed this for NY fiddler Eileen Ivers, whose nickname is 
%"Nuala". This was in the 1995 MVBT (#28) as "Fido's Favorite" (don't
%ask).

%%%

X:41246
T:O'KEEFFE'S (polka) 
D:(33)
Z:ABC/arr. BB
%A member of the "Polka Cottage" (or "Cottage Polka") family.
R:polka
Q:1/4=120
M:2/4
L:1/8
K:D
B/c/|dB fB|de f>e|dB bB|c/B/A/c/ ef/e/|
dB fB|de f>e|d>e f/e/d|B2 B :|
e|ff/f/ ba|fe f>e|dB bB|c/B/A/c/ ef/e/|
ff/f/ ba|fe f>e|d>e f/e/d|B2 B :|

%%%

X:41247
T:O'NEILL'S (march)
T:Shane O'Neill's
D:Connacht Ceili Band (Boston mid-60's) (on Tune Vault)
Z:ABC/arr. BB
Q:1/4=120
L:1/8
M:4/4
R:march
K:G
GA|B2 B2 B>A B/c/d |B2 BA B2 AG|Bdge dBAG|A2 AB A2 GA|
B2 B2 B>A B/c/d|B2 BA B2 AG|Bdge dBAB|G2 GF G2:|
d2|g2 fg e2 ag|fefd B3c|d>^cde dBAG|g2 gf g3f|
e2 e/f/g d2 e/f/g|dBAG A2 Bd|efge dBAB|G2 GF G2:|

%%%

X:41249
T:O'SULLIVAN'S INFERNAL HORNPIPE 
C:Jerry O'Sullivan
Z:ABC/arr. BB
R:hornpipe
% simplified version
Q:1/4=150
M:4/4
L:1/8
K:G 
%swing .25
Bc|dBGB DEGd|edgd edBG|dBG2 DEGd|AGBG A2 ge|
dBGB DEGd|edgd edBG|d2Bd c2Ac|BGAF G2 :|
EF|GBde g3a|bgaf gedB|GBdB eGdG|A3G AcBA|
GBde g3a|bgaf gedB|GBdB FAcA|GdgB G2 :|
%
%A challenging contribution (to say the least!) to MVBT-1 from piper 
%Jerry O'Sullivan.  There are three settings here:
%(1) the simplified transposed one above;
%(2) the "florid" transposed one;
%(3) Jerry's original setting in A.
%
%P:[2] "florid" G version
%d2|dB G2 DEGd|edgd edBG|dB G2 DEGd|AGBG A2 ge|
%dB G2 DEGd|edgd edBG|(3dgd Bd (3cec Ac|(3BAG (3AGF G2 :|
%d2|GBde g3a|(3Bag (3agf gedB|GBdB eGdG|A3G AcBA|GBde g3a|
%(3Bag (3agf gedB|(3GBd (3gdB (3FAc (3fcA|(3GBd (3gdB G2 :|
%
%P:[3] MVBT-1 version:
%K:A
%e2|ec (3AcA EFAe|feae fecA|ec (3AcA EFAe|BAcA B2af|
%ec (3AcA EFAe|feae fecA|(3eae ce (3dfd Bd|(3cBA (3BAG A2 :|
%e2|Acef a3b|(3cba (3bag afec|Acec fAeA|B3A BdcB|Acef a3b|
%(3cba (3bag afec|(3Ace (3aec (3GBd (3gdB|(3Ace (3aec A2 :|

%%%

X:41248
T:O'SULLIVAN'S REEL 
D:(30)
Z:ABC/arr. BB
Q:1/4=180
M:4/4
%
R:reel
K:D
AFF2 EDFE|D2FD FA A2|d2 fd efdB|AFDE FEE2|
AFF2 EDFE|D2FD FA A2|d2 fd efdB|AFEG FDD2 :|
defg a3b|afdf edBA|defg a^gab|afdf e2de|
fd d2 Ad d2|edef eBBA|dBAF AddB|AFEG FDD2 :|

%%%

X:41250 
T:OLD BLACKGUARD BARNDANCE
D:(6)
Z:ABC/arr. BB
Q:1/4=150
L:1/8
M:4/4
R:hornpipe
K:D
%swing .25
(3ABc|d2F2 A2BA|G2C2 E3D|CDEF GFGA|BAAG A2 (3ABc|
d2 F2 A2 BA|G2 C2 E3f|gfed cABc|e2 dc d2 :|
AG|F2 A2 dfed|c2 B2 G4|c2 B2 GFGA|B2 A2 A2 AG|
F2 A2 dfed|c2 B2 G4|gfed cABc|e2 dc d2 :|
%
%"Recorded by Joe Derrane and the Irish All Stars in the early 50's" 
% (< Jim Coogan's note)

%%%

X:41251
T:ONE OF JOE BURKE'S (jig) 
Z:ABC/arr. BB
R:jig
Q:1/4=160
M:6/8
L:1/8
K:Dm
AGA DED|AGA c=Bc|AGE C3|EDC EFG|
AGA DED|AGA cde|dcA GEC|DED D3 :|
Add dcd|cde gec|dcA GEG|AGA cAG|
Add dcd|cde gec|dcA AFE|DED D3 :|
%
%This is from Boston's Mike Reynolds. It sounds like I should have 
%another name for it (if that makes any sense), but I didn't have it
%in 1995 and I still don't!

%%%

X:41252
T:ORPHAN JIG
D:(22)
Z:ABC/arr. BB
Q:1/4=160
M:6/8
R:jig
L:1/8
K:Em
P:I
B|EFE EDB,|GFG AGA|BGB AFA|GEF EDB,|
A,3 EDB,|GFG AGA|1 BGB AFA|GEE E2 :|
[2 BdB AdF|EFE E2|:"^II"d|ege dBA|GAB d2 g|
edB AGA|BGE DB,A,|B,EE EDB,|G3 AGA|
[1 BGB AFA|GEE E2 :|2 BdB AdF|EFE E2|]
|:"^III"d|ege ded|cBA B2 A|GAB dBA|B3 B2 A|
EGF EDB,|GFG AGA|1 BGB AFA|GEE E2 :|
[2 BcB ABA|GEE HE3|]
%
%B&S' "Music from Ireland" has a version of this in volume 4 
%(ITTL folder 134, tune #13456). It's related to "Miss Casey's 
%Jig". Kathleen Collins' version of it is in Tune Vault.

%%%

X:41253
T:P.J. HERNON'S (reel) 
S:Colm O'Donnell
Z:ABC/arr. BB
Q:1/4=180
R:reel
M:4/4
L:1/8
K:G
GFGB d2gd|edBe dBAB|GFGB dedB|ABGE DGBA|
GFGB d2 gd|gdBA GABd|eged Bded|gedB AGED :|
degb abge|dBAB GABd|g2 ag gedg|eaag a2 ga|
bg g2 abge|dBAB GABd|egde Bdef|gedB AGED :|
"^coda"HG4z4|]
%
%This is a close relative of "Garrett Barry's Reel" (aka "Mr. 
%McCloud's", "Sligo Duke", etc.) This setting is from Colm 
%O'Donnell via the eponymous P.J. and Boston's Gannon brothers.

%%%

X:41254
T:PADDY CONNELLY'S STACK OF BARLEY (hornpipe)
D:(30)
Z:ABC/arr. BB
R:hornpipe
Q:1/4=150
%transposed from D
M:C
K:G 
%swing .25 
ef|gagf edBA|BGEF GABd|g2 fg edBA|Beed e2 ef|
gagf edBA|BGEF GABd|egfd edBA|BGEF G2 :|
GA|BGBd g3b|agef gabg|afge dBBA|Beed e2 ef|
gagf edBA|BGEF GABd|egfd edBA|BGEF G2 :|

%%%

X:41255
T:PADDY FAHY'S (reel)
Q:1/4=180
D:(30)
Z:ABC/arr. BB
M:4/4
R:reel
K:D
FG|A2 FD A,DDB,|A,DFD A,DFA|G2 E=C GC C2|E=CGC G,CEG|
A2 FD A,DDB,|A,DFD A,DFA|G2GF GBAG|FDEC DE :|
FA|d2 AG FGAG|FDDB, A,DFA|edBd efed|cAeA fAeA|
d2 AG FGAG|FDDB, A,DFA|G2GF GBAG|1 FDEC DE :|
[2 FDEC DGFE|HD4z4|]
%
%This is a setting of Joe Burke's "Morning Mist" in the 
%key of D. Besides being from Joe's part of Galway, I'm not 
%sure how Paddy Fah(e)y is involved!

%%%

X:41256
T:PADDY GAVIN'S (reel) 
Z:ABC/arr. BB
Q:1/4=180
R:reel
M:4/4
L:1/8
K:G
EF|GABG BddB|cdec dBGB|ce e2 dBGB|AGFE DEFD|
GABG BddB|cdec dBGB|ce e2 dBGB|AGFA G2 :|
Bc|d3 g edBc|dG G2 dGBG|eg g2 edBd|eaag agef|
gdBA GABG|cABG AGED|EGce dBGB|AGFA G2 :|
%
%Transcribed in the early 90's from the playing of Boston's 
%Gannon brothers (Seán RIP and Colm)

%%%

X:41257 
T:PADDY JIM FRANK'S (reel)
D:(32)
Z:ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
R:reel
K:G
GA|B2 eB dBBA|G2 BG AGED|B2 eB dBBA|GABG A2 GA|
B2 eB dBBA|G2 BG AGED|g2 fg edBA|GBAF G2 :|
ef|gdBG D2 GB|e2 dB GABd| gdBG D2 GB|egdB A2 Bd|
gdBG D2 GB|e2 dB GABd|g2 fg edBA|GBAF G2 :|

%%%

X:41258
T:PADDY KELLY'S REEL (key Dmix)  
D:(3)
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:Dmix
AD D2 DFGA|cAGE CDEG|AD D2 DFGA|c2 ec dcAG|
AD D2 DFGA|cAGE CDEG|AD D2 DFGA|cAGE ED D2|]
fddB Adfd|eccd efge|fd d2 Adfd|g2 eg fd d2|
fddB Adfd|eccd efge|afge fd Bd|eaag fd d2|]

%%%

X:41259
T:PADDY KELLY'S REEL (key G)
D:(7)
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:G
B|AD D2 ADBD|AD D2 ADAc|BGG2 BGdG|Bdde d2 cB|
AD D2 ADBD|AD D2 ADAc|BGG2 BGdG|Bdde d3|]
B|ceed cBAG|ceed c3 d|e2 ed efge|dBGB d2 ed|
ceed cBAG|ceed c3 d|e2 ed efge|dBGB d4|]

%%%

X:41260
T:PADDY KELLY'S JIG 
D:(23)
Z:ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
R:jig
K:Em
B,|EB,E GFE|BGE GFE|DA,D FED|FAD FED|
EB,E GFE|BGE GFE|BGB AFA|GAG E2 :|
B|efe BAB|eBe g2e|fdd add|fag fed|
efe BAB|eBe g2e|fdB AGF|GEE E2 :|

%%%

X:41261 
T:PADDY MILLS' (reel) 
D:(32)
Z:ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
R:reel
K:G
FE|DGGA B2 AG|FGAB c2 Bc|d2 eg fdcA|B2 AF GFEF|
DGGA B2 AG|FGAB c2 Bc|d2 eg fdcA|B2 AF G2 :|
Bd|g3f gedc|BGGE FGAB|c2 cB dcAG|FGAB cdef|
g3f gedc|BGGE FGAB|c2 cB dcAG|FGAF G2 :|

%%%

X:41262
T:PADDY REYNOLDS' DREAM (jig) 
D:(18)
Z:ABC/arr. BB
R:jig
Q:1/4=160
M:6/8
L:1/8
K:D
P:I
F|EGA =cBc|Adc d2 e|fag efd|ABG FED|
Adf afd|Bcd eag|fed ecA|GEA D2 :|
P:II
A|dcd faf|gec d2 A|dcd AGA|=cBc EFG|
dcd faf|gec Ace|dcd AGA|GEA D2 :|
P:III
G|d3 a3|gfg a3|d3 a2 f|gef gfe|
def dcA|GAB AFD|Ace GBd|AFE D2 :|
%
%Named after the late Longford-born fiddler Paddy Reynolds, but I don't 
%know whether he composed it or not. The setting in MVBT-1 was from a 
%different source and in a different key [G]).

%%%

X:41263
T:PADDY SCANLON'S (polka) 
R:polka
D:(1)
Z:ABC/arr. BB
Q:1/4=120
M:2/4
L:1/8
K:G
D|GB B/c/B/A/|FA AD|G2 Bc|d2 cA|
GB B/c/B/A/|FA A>B|cA FA|G3 :|
d|g2 fe|fA AB|cd ef|g2 fe|
dg fe|fA A>B|cA FA|G3 :|

%%%

X:41264 
T:PADDY SHANNON'S (reel) 
D:(2)
Z:ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
R:reel
K:G
A|Bdge dBGE|FADF ABcA|Bdge dBGE|DC C2 DEGA|
Bdge dBGE|FADF AGAB|cBcg fdde|fgaf g3 :|
E|DG G2 DG G2|ABcB Ad d2|=f2 ed cA^FA|_B2 AG =FDCF|
DE=FE DG G2|BG G2 ABce|d^cde =f2 ef|cAFA G3 :|
%
%I'm not sure about the accidentals in this tune, but I left them in
%anyway.

%%%

X:41265
T:PADDY TAYLOR'S (reel) 
Z:ABC/arr. BB
Q:1/4=180
R:reel
M:4/4
L:1/8
K:Dmix
FADF ABAF|GEcE dEcE|FADF ABAF|GEcE ED D2 :|
Addc d3 A|Beed e3 e|fgfe d3 A|Bd AF ED D2|
Addc d3 A|Bdef g3 g|afge d2 dA|Bd AF ED D2 :|
FEFG AddF|GddF GddA|FEFG Addc|ABGA ED D2 :|
%
%Paddy was a West Limerick flute player and composer who was the 
%source of many fine tunes. This particular one might be one of his 
%best-known. This setting is via piper Jerry O'Sullivan.

%%%

X:41266
T:PADRAIG O'KEEFFE'S SLIDE 
D:(29)
Z:ABC/arr. BB
Q:1/4=180
R:slide
M:12/8
L:1/8
K:G
f|aff gee fdd B2 A|aff gee fdd d2f|
aff gee fdd B2A|GAB dBA FEE E2 :|
F|GAB d2B dBe dBA|GAB dBA Bee e2F|
GAB d2B dBe dBA|GAB dBA FEE E2 :|
%
%Named for the great Kerry fiddler who died in 1963.

%%%

X:41267
T:PARADE OF STARS (reel)
C:P.Fitzgerald 
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:Dmix
afdc Addc|Adfd AdcB|c2 Gc A2 GA|c2 GA cdeg|
afdc Addc|Adfd fgaf|e2 fd c2 Gc|A2 AG Ad d2 :|
ad d2 fd d2|dAGE FD D2|DGFD ADFA|c2 ec Gceg|
abaf ge e2|afdB cABG|A2 fd e2 eg|fdAG Ad d2 :|

%%%

X:41268
T:PAT BURKE'S (jig) 
Z:ABC/arr. BB
Q:1/4=160
R:jig
M:6/8
L:1/8
K:Dmix
A|FAD FAD|fed cAG|EGC EGC|cBd cAG|
FAD FAD|fed cAG|EFG BAG|FAD D2 :|
g|fed ceA|ceA cBA|fed fed|cec d2 e|
fed ceA|ceA cBA|EFG BAG|FAD D2 :|
%
%Another one from Boston's Mike Reynolds that had no name to it. 
%Since Mike got it from Joe Burke, I cleverly christened it "Joe Burke's 
%#2" just to have a name for use in MVBT-1. The "real" name (if there 
%is any such thing) was eventually supplied by DC musician and tune 
%detective Philippe Varlet. I believe Pat was Joe's dad.

%%%

X:41269
T:PAT ENRIGHT'S POLKA 
D:(1)
Z:ABC/arr. BB
R:polka
%Also played in A
Q:1/4=120
M:2/4
L:1/8
K:G
D2 D2|EG G2|A2 AG|EG Ad|
D2 D2|EG Ge|dB AB/A/|G4 :|
d2 Bd|e2 ge|dB AG|EG AB|
[1 d2 Bd|e2 ge|dB AB/A/|G4:|
[2 D2 D2|EG Ge|dB AB/A/|G4|]

%%%

X:41270 
T:PAT MARSH'S KEYHOLE (reel) 
C:P. J. King
D:(9)
Z:ABC/arr. BB
Q:1/4=180
M:4/4
R:reel
K:D
A|dcBd AFF2|DFBF AF F2|dcBd ABde|f2 df edBA|
dcBd AFF2|DFBF ABde|f2 df edef|afea fdd :|
B|Add2 edBc|Adbf afeg|fdd2 efdB|AF F2 GFED|
Add2 edBc|Adbf afeg|fAdf efdb|afea fdd :|

%%%

X:41271
T:PAT McMAHON'S (reel) 
D:(4)
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:D
dB|AD FD AD FD|AD FD A2 GF|EGGF GAGF|EG G2 GABd|
AD FD AD FD|AD FD A2 FG|AGAB =cded|=cAGE D2 :|
FG|Addc d2cd|eaag efge|A2 GB AGFG|A2GF EFGE|
Addc d2cd|eaag efge|a2 ge dfed|=cAGE D2 :|
%
%This is a version of a tune better known as "Rathcroghan" or "Floating 
%Crowbar". It seems to be a matter of player preference as to whether the 
%C's in mm 7, 8, and 16 are played sharp or natural. Since Mike Rafferty 
%and Willie Kelly recorded it with C naturals on "New Broom" (2009), I 
%figured I'd keep them in this version.

%%%

X:41272
T:PATRICK STREET POLKA
Z:ABC/arr. BB
Q:1/4=120
R:polka
M:2/4
L:1/8
K:A
E2 Ec|BA Bc|E2 Ec|BA F2|
E2 Ec|BA Bc|E2 e>c|BA A2 :|
ce B>c|BA FE|ce B>c|BA A2|
ce B>c|BA FA|E2 e>c|BA A2 :|
%
%This started life as a "gan ainm" and was eventually cleverly 
%named by me for the band who popularized it. This version is 
%from Jerry O'Sullivan.

%%%

X:41273 
T:PATSY CAMBELL'S (reel) 
D:(30)
Z:ABC/arr. BB
%Suggested alternate key = D
Q:1/4=180
M:4/4
R:reel
K:A % 
cB|AGEC D2 ED|CA,A,B, CDEF|=GFGE D2 CD|EAAB cABG|
AGEC D2 ED| CA,A,B, CDEF|=G3E D2 CD|EAAB A2 :|
AB|c2 AB cdec|BAGA BcdB|c2 AB cdec|BAGF E4|
ceec efec|d2 Bc d2cd|efed cABG|EAAB cABG||
"^coda"A4z4|]

%%%

X:41274
T:PATSY HANLEY'S (reel) 
S:J.O'Sullivan - Kelly Bros.
Z:ABC/arr. BB
Q:1/4=180
R:reel
M:4/4
L:1/8
K:D
AF F2 E3F|DEFD E3B|AF F2 A3B|defd efeB|
AF F2 E3F|DEFD E3B|AF F2 A3B|defe d4 :|
f2 df efde|f3e faa2|fd d2 efdB|ABdf efde|
f2 df efde|f3e faa2|bf f2 afdB|ABdf ef d2 :|
%
%I first heard this tune played by Jerry O'Sullivan and 
%the Kelly brothers. I don't know if Patsy composed it or
%not. Tune 38221 in ITTL folder 38 is another Hanley reel 
%but isn't relatedto this one.

%%%

X:41275
T:PEACOCK'S FEATHER (hornpipe) (D major)
Z:ABC/arr. BB
Q:1/4=150
M:4/4
R:hornpipe
L:1/8
K:D
%swing .25
DE|FEED A2 AB|defd B2 ef|gefd edBd|AFDF E2 DE|
FEED A2 AB|defd B2 ef|gefd edBd|1 AFDF D2 :|2 Adaf de|]
fg|afge fdec|defd B2ef|gefd edBd|AFDF E2 DE|
FEED A2 AB|defd B2 ef|gefd edBd|1 Adaf de :|2 AFEF D4|]
%
%The first of two settings of this tune from De Danann's
%"Traditional Music of Ireland" LP (1977). There are no
%liner notes to that recording so I'm not sure where
%the band got either version. Some of the older collections
%have a tune called "The Peacock" but it's basically "The 
%Parting Glass" and isn't related to "PF1" or "PF2".

%%%

X:41276
T:PEACOCK'S FEATHER (hornpipe) (D minor)
Z:ABC/arr. BB
R:hornpipe
Q:1/4=150
M:4/4
L:1/8
K:Dm
AG|F2 E2 D2 DE|FEFA G2 FG|Adde dcAG|FDA,=B, C2 AG|
F2 E2 D2 DE|FEFA G2 FG|Adde dcAG|FDEC D2 :|
A=B|c2 cA d2 dA|dcA^F G2 FG|Adde dcAG|FDA,=B, C2 AG|
F2 E2 D2 DE|FEFA G2 FG|Adde dcAG|FDEC D2 :|

%%%

X:41277
T:PETE & BILL'S EXCELLENT REEL 
C:P. Fitzgerald / B. McComiskey 
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:D
A|d2Ad BAFB|A2FA Beef|d2AF DFAd|ceag fdec|
d2 Ad BAFB|A2 FA Beef|dfaf gfed|ceag fdd :|
e|fd d2 fgaf|gfed cded|BA A2 FDEG|F2 cF dfce|
d2 AF ADFG|BA Bd egfe|dfaf gfed|ceag fdd :|
%
%This is a joint composing effort involving banjo player Peter Fitzgerald 
%and box player Billy McComiskey, both adopted sons of Baltimore. I don't 
%recall if this is their title or mine!

%%%

X:41278
T:PETER FEENEY'S DREAM (reel) 
C:Joe Derrane
Z:ABC/arr. BB
Q:1/4=180
M:C
R:reel
%simplified version
K:D 
dedc BAFA|DEFD EDB,C|DCDE FABc|dfed cege|
dedc BAFE|D2 FD EDCE|DCDE FAdB|AFEF D4 :|
d2de fdfa|d2dc BAFD|ABcA eAcA|ABce agec|
d2de faaf|d2dc BAFD|ABcd cefg|faef d4 :|
%
%Named by Joe for an imaginary piano player who never drank and never 
%was late for gigs. There's a version of this in Luke O'Malley's book 
%but the B part was more Luke's idea than Joe's - Joe supplied me the 
%"correct" version which I then had to "dumb down" for use by us mere 
%mortals! (Joe approved the changes however.)

%%%

X:41279
T:PHIL CUNNINGHAM'S (reel) 
C:P. Cunningham
Z:ABC/arr. BB
S:Mike Reynolds
Q:1/4=180
R:reel
M:4/4
L:1/8
K:G
E|DGFG BAGA|Bd^cd egde|gd^cd egde|gedB cAFA|
DGFG BAGA|Bd^cd egde|gd^cd egdB|cAFA G3 :|
A|Bd^cd edBd|egfg a2 ga|bgag gede|gedB AGEG|
Bd^cd edBd|egfg a2 ga|bgag egdB|cAFA G3 :|
%
%I got this nice reel originally from Boston box player Mike Reynolds. 
%Phil (box) and his fiddling brother Johnny (RIP 2003) were with the Scots 
%group Silly Wizard during its heyday in the late 70's - early 80's.

%%%

X:41280
T:PHILIPPE'S BANJO REEL 
C:P. Varlet (DC)
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:Dmix
e|f2ef dBAF|G2 cG ECCe|f2ef dBAF|GcAG FDDe|
f2ef dBAF|G2 cG ECCE|DEFG Addc|ABAG EDD :|
E|F2dF AFdF|G2 cG ECCE|F2dF AFdF|GcAG FDDE|
F2dF AFdF|G2 cG ECCE|DEFG Addc|ABAG EDD :|
%
%This was contributed to MVBT-1 by DC-area fiddler and composer Philippe 
%Varlet. In the original F's at the beginning of mm 1, 3, 5, 9, 11, 
%and 13 are rolled. Unfortunately this ornamenation doesn't translate well 
%into MIDI, so I have left the F's as quarter notes for the player to 
%embellish as he/she pleases!

%%%

X:41281
T:PORT LÁIRGE (polka)
T:Waterford Polka
Z:ABC/arr. BB
R:polka
Q:1/4=120
M:2/4
L:1/8
K:D
f/e/|dB AF|A>B AA|dd ed/e/|fe ef/e/|
dB AF|A>B AA|dd ed/e/|fd d :|
|:e|f>e fg|a2 gf|eb b>a|be ef/e/|
dB AF|A>B AA|dd ed/e/|fd d :|
%
%Also known as "The Rose Tree", "Armagh Polka", or "Waterford Polka", among 
%others. ('Port Láirge' is the Gaelic name for Waterford.) When MVBT was 
%published in 1995, this popular session tune didn't seem to appear in print 
%anywhere else!

%%%

X:41282
T:PRAYER REEL
C:Joe Derrane
D:(18)
Z:ABC/arr. BB
%Composed by Joe for his wife Anne.
R:reel
Q:1/4=180
M:4/4
K:G
E|DGFG BcdB|edBe d2gf|eBB2 eBdB|AcBG AG eg|
DGBG ^DGBG|EFGA Bedc|BGFG A=FA=c|dDFA G3 :|
A|Beed e2 ef|gefa bgeg|fdd^c dAFA|BdAG FAdf|
[1 efed BedB|AFdA FDEF|GEFD ED^CD|BEE^D E3 :|
[2 efed BedB|AFdA FD^CD|B,E^DF EFGA|Be^df e4|]

%%%

X:41283
T:PRIDE OF MOYVANE (reel)
C:Martin Mulvihill
D:(1)
Z:ABC/arr. BB
Q:1/4=180
R:reel
M:4/4
L:1/8
K:Ddor
FG|AD D2 DEFG|Ad d2 cAGE|F2 DF E2 AB|cAGF EC C2|
AD D2 DEFG|Ad d2 cAGE|F3 F E2 cE|EDCE D2 :|
FG|Add^c d2 Ad|d2 fd dcAB|c2 cd cAGE|AccB cAGE|
Add^c d2 Ad|d2 fd dcAG|F3 D E2 cE|EDCE D2 :|

%%%

X:41284
T:PRIDE OF THE BRONX (reel)
D:(20)
Z:ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
R:reel
K:D
AF F2 AFBF|AF F2 GFEB|AF F2 ABde |fe d2 e2 dB|
AF F2 AFBF|AF F2 GFEB|AF F2 ABde |fedf e2|]
de|fa a2 fb b2|fa a2 afde|fa a2 fb b2|afdf e2 de|
fa a2 fb b2|afde fedB|dBAF ABde|fd d2 e2dc|Hd4z4|]
%
%No one - and I mean NO one - seems to know the origin of this tune.

%%%

X:41285
T:PRIMROSE VALE (jig)
Z:ABC/arr. BB
Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
d/B/|ABA AGA|BGE G3|ABA GBd|egd edB|
ABA AGA|BGE G2D|GBA G2B|dBG B2 :|
d/B/|GBd g3|gba g3|GBd g3|efg edB|
GBd g3|gba g3|aba g2 e|efg e2 :|
"^coda"efg dBA|HG3z3|]
%
%In MVBT-1 this was "Charlie Reynolds'". Revised version and correct 
%name from Martin Wynne via Brian Conway.

%%%

X:41286
T:PRIVATE ASS & CART (reel) 
Z:ABC/arr. BB
R:reel
D:(22)
Q:1/4=180
M:4/4
L:1/8
K:D
F2AF GEE2|FADF ABAG|F2AF GEE2|ABGE FD D2 :|
cdec d2 cB|AE E2 AE E2|cdec d2 cB|ABGE FD D2|
cdec d2 cB|AE E2 AEAB|cBcd efed|cAGE FD D2|]
%
%This is one of the "Doon Reel" family. From Andy McGann via K. Collins.

%%%

X:41287
T:PUSH AND DRAW (reel) 
C:P. Fitzgerald 
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:Dmix
Adfe gefd|ecAF GABA|GEFA dBGA|cGGF G3 B|
Adfe gefd|ecAF GABG|Acef gbag|fage fd d2 :|
ddad bdad|afgb fedB|c2 EG c2 EG|cEGc edce|
ddad bdad|afgb fedB|cedc AGEG|Aceg fd d2 :|

%%%

X:41288
T:RAFFERTY'S MUSTACHE (reel) 
Z:ABC/arr. BB
Q:1/4=180
R:reel
M:4/4
L:1/8
K:Dmix
E|FEFA G2AG|FDFA d2af|g3e fd d2|ABcA EFGE|
FEFA G2 AG|FDFA d2 af|g3 e fd d2|cAGE EDD :|
A|defd g2 ag|fdfa g2 ag|fdAF G2 FG|ABcA dcAc|
defd g2 ag|fdfa g2 ag|fd d2 ABcA|EFGE FDD :|
%
%This is Willie Kelly's name for this tune. It undoubtedly has other 
%titles but this one is pretty good! (If I recall, Mike's mustache 
%didn't last long - probably started to interfere with his embouchure 
%at some point.)

%%%

X:41289 
T:RAHEEN REEL #1
D:(35)
Z:ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
R:reel
K:Ador
AB|cABG A3B|cABG AGED|G3 A BABc |dBGB d3 B|
cABG A3 B|cABG AGED|Aeef gage|dBGB A2 :|
AB|eaab a2 ag|edef gddd|edef g2 gf|edef gedf|
eaab a2 ag|edef gddd|edef gage|dBGB A2 :|

%%%

X:41297
T:RAHEEN REEL #2
T:Road to Cullenstown
D:(35)
Z:ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
R:reel
K:G
Bc|d2 de dBGA|B2 BG AGEG|Bdde dBGA|BAAG A3 c|
Bd d2 e2 dB|d2 dB AGED|B3 G AGEG|DGGF G2:|
zA|Bd d2 ce e2|d2 de dBGA|Bd d2 ed d2|gedB A3c|
BGBd e2 dB|d2 dB AGED|B3 G AGEG|DGGF G2 :|

%%%

X:41290 
T:RAHEEN REEL #3
D:(35)
Z:ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
R:reel
K:D
FE|D2 DF EDB,A,|D2 DE FA A2|Beef e2 de|f2 ed BAFE|
D2EF EDB,A,|D3E FA A2|Beef e2 dB|AFEF D2 :|
EF|ABde f2 fa|afdf edBA|ABde fedf|af df e2 dB|
ABde f2 fa|afdf edBA|dcdB AddB|AFEF D2 :|

%%%

X:41291 
T:RAISE THE RAFTERS (reel)
C:P. J. King
D:(9)
Z:ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
R:reel
K:G
A|Bdd^c dBGA|Bdd^c d3g|dBBA BAGA|BAAG A2 BA|
G3B AGBA|GABG ABce|dfaf gedc|BdAB G3 :|
f|g3a gedc|Bdd^c d2 BA|GABG ABcA|Bdd^c d2 ef|
gdBG ecAG|FD AD Bd ef|g2 fa gedc|Bd AF G3 :|

%%%

X:41292
T:RAKES OF DRUMLISH (reel)
S:Tony DeMarco
C:? Paddy Reynolds
Z:ABC/arr. BB
Q:1/4=180
R:reel
M:4/4
L:1/8
K:G
A|B2 AB GEDB,|DB,DG EA A2|B2 AB GEDA|cAdc BGGA|
B2 AB GEDB,|DB,DG EA A2|BGAF GFED|cAdc BG G :|
A|Bd d2 ed d2|BddB cAAc|Bd d2 edge|dcAc BGGA|
B2 gB aBgB|BddB cAAc|Bdgb afge|dcAc BG G :|
%
%NY fiddler Tony De Marco got this from fiddler Paddy Reynolds, who 
%claimed to have composed it. There are other unrelated tunes with 
%this name, including a slip jig. Drumlish is in Longford, not far 
%from Paddy's home town. 

%%%

X:41293 
T:REDDAN'S (reel) 
C:Patrick Reddan (Clare)
D:(23)
Z:ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
R:reel
K:Em
D|B,EEF GFEG|FDAD BDAD|Beef gfeg|fdB^c dcdB|
FAdA Bdd2|BdAF DEFD|EFGA BAdA|1 DEFD E3 :|
[2 DEFD EFGA|:Bdef gfeg|fdad bdad|gfeg fdB^c|
dABd AdFA|GFGB AFDF|GFED EB,B,D|DEFA BAdA|
DEFD E4 :|

%%%

X:41294 
T:ROAD DUST JIG
C:Mary Coogan
D:(6)
Z:ABC/arr. BB
Q:1/4=160
L:1/8
R:jig
M:6/8
K:Am
A|G^FG GAB|cBc def|edc cde|dBG ^FGA|
G^FG GAB|cBc def|edc cde|d3 B2 :|
e|f3 fed|e2d cde|dBG GAB|A^FD D2e|
[1 f3 fed|e2d cde|dBG GAB|A3-A2 :|
[2 BGG AGE|GED DEG|A2c BAG|HA6|]

%%%

X:41295
T:ROAD TO ABBEYFEALE (jig)
C:Martin Mulvihill
D:(1)
Z:ABC/arr. BB
Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
B/c/|d^cd gdB|cAG FGA|d^cd gdB|cAB c2 c|
d^cd gdB|cAG FGA|def gdB|cAF G2 :|
B/c/|dgg dgg|fdc ABc|dgg dgg|fdB c2 c|
dgg dgg|fdc ABc|d^cd gdB|cAF G2 :|

%%%

X:41296
T:ROAD TO BALLINAKILL (jig)
C:Michael Rafferty (Ballinakill)
D:(36)
Z:ABC/arr. BB
%A composition of "the other" Mike Rafferty (i.e. the 
%Ballinakill one, not the New Jersey one)
Q:1/4=160
R:jig
L:1/8
M:6/8
K:G
A|BAB GBd|ede Gce|Bcd dBG|FAF DFA|
BAB GBd|ede Gce|dBG DFA|AGF  G2 :|
z|B2 d gdB|c2 e gdc|B2 d gdB|Agf edc|
B2 d gdB|c2 e gdc|Bcd cAF|AGF G2 :|

%%%

X:41298 
T:ROLAND'S RETURN (jig) 
D:(14)
Z:ABC/arr. BB
R:jig
Q:1/4=160
M:6/8
L:1/8
K:Em % 
DEG GBG|dBG BAG|A2B cge|dBG AGE|
DEG GBG|dBG BAG|A2B cBA|BGE EFE|
DEG GBG|dBG BAG|A2B cde|ged BAG|
EGG DGG|CGG B,GG|EAB cBA|BGE EGB|]
%
e2e gfe|fgf B^c^d|e2f gfg|bag afd|
e2e gfe|fgf BA^G|A2B cBA|BGE EFE|
e2e gfe|fgf B^c^d|e2f gfg|bab efg|
bge afd|gfe dBG|A2B cBA|BGE HE3|]

=

X:41299 
T:ROUND THE CORNER TO JESSIE (jig) 
%aka Brendan Mulvihill's
D:(30)
Z:ABC/arr. BB
Q:1/4=160
M:6/8
R:jig
K:C 
z|EDE EDC|edc _BGF|DFD _B,DF|_Bdc BGF|
EDE EDC|edc _BGF|D_B,D _BAG|EFD C2 :|
d|fed BdG|BdG BdG|fed BdG|BGB c2d|
fed BdG|BGG AGF|DED _BAG|EFD C2 :|

%%%

X:41300
T:ROYAL COUNTY (reel)
C:P. Fitzgerald 
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:G
GA|BAGE DG G2|ADFA G3 B|dG G2 cAAG|FGAG FD D2|
BAGE DG G2|ADFA G2 AG|FAde defe|dcAF G2 :|
GA|Bd d2 edBA|Bded edBG|FA A2 ABAG|FGAG FD D2|
Bd d2 edBA|Bded efga|gabg gfdg|fdcA G2 :|

%%% 

X:41301
T:SANDPIPER (reel)
%aka Sandymount, Mick Hand's
D:(7)
Z:ABC/arr. BB
Q:1/4=180
R:reel
M:4/4
L:1/8
K:Ador
eAAG A2 AG|EGDG EGDG|eAAG ABcd|egfg edcB|
eAAG A2 AG|EGDG EGDG|eAAG ABcd|egfg edcB|]
eaag a2 ab|geef gedB|eaag a2 ga|bagb a2 ab|
eaag a2 ab|gedB dega|bgaf gedg|e2 ed eaag|\
"^coda"a4z4|]

%%%

X:41302 
T:SCALLOP'S FAVORITE (jig) 
C:Patrick Reddan 
D:(23)
Z:ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
R:jig
K:D
D|FED EDB,|A,DD CEA|FAd B2A|def gfe|
fed edB|AFd D2F|GFG FAF|GEC D2 :|
B|ded dfg|aba afd|BAB gfg|baf gfe|
fed edB|AFd D2F|GFG FAF|GEC D2 :|

%%%

X:41303
T:SCULLY CASEY'S (reel) 
Z:ABC/arr. BB
%Séamus Connolly's setting of this tune, named for Bobby 
%Casey's father.
Q:1/4=180
R:reel
M:4/4
L:1/8
K:D
B2AG FDDE|FADF ADFA|B2AG FDDF|E=C C2 EFGA|
B2 AG FDDE|FADF ADFA|B2 AG FDDF|E2 ED EFGA|]
dcde f2 ef|gefd eBBA|Addc defd|g2 fg efge|
dcde f2 ef|gefd edBe|dBcA Bcde|f2 af fedA|\
"^coda"d4z4|]

%%%

X:41304
T:SEAN DWYER'S (jig) 
D:(2)
Z:ABC/arr. BB
Q:1/4=160
M:6/8
R:jig
L:1/8
K:D
e|dAF G2 B|AFD EDE|DED F2 E|FAd f2 e|
dAF G2 B|AFD EDE|DED F2 E|DED D2 :|
A|B2 A F2 A|B2 A F2 A|B2 A B2 c|1 d2 e f2 d|
B2 A F2 A|B2 A F2 D|EFG F2 E|D3-D2 :|
[2 d2 e f2 e|ded cdc|BcB ABA|GAB A2 c|d3 Hd3|]

%%%

X:41305
T:SEÁN GANNON'S (jig) 
C:Colm Gannon 
Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
D|F2d AFE|FGF EDB,|A,B,A, DFA|dAF GFE|
F2d AFE|FGF EDB,|A,B,A, DFA|BAF D2 :|
e|fdd Add|fdb afe|faf edB|ABc d2e|
fdd Add|fdb afe|faf edB|AFE D2 :|
%
%The first composing effort of box player Colm Gannon and named 
%for his late older brother (and fine box player in his own right, 
%as is father Seán Sr.).

%%%

X:41306
T:SHANNON SHORE (reel)
S:Maureen Glynn Connolly
Z:ABC/arr. BB
Q:1/4=180
R:reel
M:4/4
L:1/8
K:Dmix
B,C|D3d cAAB|cded cAGE|D2 dB cABd|cAGE ADDG|
eg AB c2 AB|cded cAde|faed dcAB|cAGE ED :|
FA|d3e fefg|afge d2 dc|Adde faec|dcAG FDFA|
dcde f3g|afge defg|afge dged|1 "thru"cAGE FD :|
[2 "^coda"cAGE ED^CE|HD4z4|]
%
%I first heard this tune and "Fairhaired Child" (#41100) played by 
%Martin Connolly and Maureen Glynn at a session in Ennis. Maureen (RIP) 
%was kind enough to write them out and fax (!) them to me. (This one had 
%no name so I came up with this not-very-original one just to have something.)

%%%

X:41307
T:SHEILA COYLE'S (reel) 
D:(2)
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:D
A|FA A2 FADF|ADFA BAFA|GBBA B3 d|ABdf edBA|
FA A2 FADF|ADFA BAFA|GABd AFF2|EFGE FDD :|
e|dff2 fgfe|dcdB AFDA|ce e2 fcec|BcdB AFDA|
dff2 fgfe|dcdB AFDA|GABd AFF2|EFGE FDD :|
%
%No one seems too sure of the origin of this tune. Seamus Connolly 
%seems to have been the first Boston musician to play it, and he says 
%he learned it from the eponymous Ms. Coyle, a Chicago-area fiddler. 
%To the best of my knowledge MVBT-1 was the first printed source to 
%include this tune, and in the intervening years nobody has stepped up 
%to claim it. Additional information gladly accepted!

%%%

X:41308
T:SHEILA MULHAIRE'S (jig) 
C:M. Mulhaire
D:(3)
Z:ABC/arr. BB
Q:1/4=150
R:jig
M:6/8
L:1/8
K:D
d/e/|f2a gfe|fed cAG|FAD FAD|dAF G2d|
f2a gfe|fed cAG|FED EFG|Adc d2 :|
A|d2f afd|Adf afd|ecA AcA|AcA ecA|
d2f afd|Adf afd|ecA ABc|d3 d2 :|
%
%Sheila is Martin's daughter.

%%%

X:41309
T:SILVER SPOON (reel)
C:Dennis Galvin
Z:ABC/arr. BB
Q:1/4=180
R:reel
M:4/4
L:1/8
K:Ddor
Ac|d3e dcAG|ADFA c2Bc|dcAG FEFA|G2FG ECCE|
Dd d2 edce|dcAB cdec|dcAG ADFA|cAGc AD :|
FG|Aded ADFG|Adfa gfdc|Ac c2 GCEG|Acea agec|
Add^c d=cec|dBAc cdec|dcAG ADFA|1 cAGc AD :|
[2 CAGE HD4|]
%
%An original tune by Kerry/Boston musician/teacher Dennis Galvin.

%%%

X:41310 
T:SLEEPY MAGGIE (jig) 
Z:ABC/arr. BB
D:(6)
%Learned from Charlie Mulvihill, according to Jim C.
Q:1/4=160
L:1/8
M:6/8
R:jig  ? slide
K:D
F/G/|A2A ABc|d2A FDF|A2G EDE|B2A F2G|
A2A ABc|dfd A2F|GBA GFE|D3-D2 :|
e|f2 d AFA|f2d Adf|g2e fed|edB A2e|
f2d AFA|f2d A3|Bgf edc|d3-d2 :|

%%%

X:41311
T:SLIABH CARBERRY (reel) 
D:(30)
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:Ador
eaag ef g2|eaag edBd|eaag egfa|gedB GABd :|
eaa2 agag|eaag edce|eaa2 agaf|gedB GABd|
eaa2 agag|eaag edce|Bd ef g2 af|gedB GABG||\
"^coda"A4z4|]

%%%

X:41312
T:SLIABH LUACHRA POLKA SET - tune 1
D:(2)
Z:ABC/arr. BB
Q:1/4=140
R:polka
M:2/4
L:1/8
K:D
FA AB|Ad d>B|AF FD/E/|FE E2|FA AB|Ad d>B|
AF EF/E/|D4 :|dA BA|dA BA|B>A Bd|e2 e2|
df Bd|Ad FD|E>D EF|D2 D2 :|

%%%

X:41313
T:SLIABH LUACHRA POLKA SET - tune 2
D:(2)
Q:1/4=140
R:polka
M:2/4
L:1/8
K:D
K:G
d2 B2|AD G2|AD GA|BA A2|
d2 B2|AD G2|AD GA|BG G2 :|
Bd g2|fe e2|Bd ef|ed d2|
Bd g2|fe e2|Bd ef|g2 g2 :|

%%%

X:41314
T:SLIABH LUACHRA POLKA SET - tune 3
D:(2)
Z:ABC/arr. BB
Q:1/4=140
R:polka
M:2/4
L:1/8
K:D
K:D
Ad BA|DF FE/D/|CE GE|BA FD|
Ad BA|DF FE/D/|CE GE|ED D2 :|
F2 G2|BA FD|AG GE|BA FD|
F2 G2|BA FD|AG GE|ED D2 :|

%%%

X:41315
T:SLIGO DUKE (reel)
D:(32)
Z:ABC/arr. BB
Q:1/4=180
L:1/8
M:4/4
R:reel
K:G
G3B d2 Bd|edBe dBAB|GFGB dedB|AEGE D2 BA|
G3B d2 Bd|edBA GABd|eccB cdef|gedB AcBA :|
g2 bg agge|dBBA GABd|g2 gf gfeg|eaa^g a2=ga|
bgeg ageg|dBBA GABd| eccB cdef|gedB AcBA :|
"^coda"HG4z4|]
%
%After transcribing this tune I discovered that it's actually called 
%"Garrett Barry's" and is found in the "Dance Music of Willie Clancy" 
%volume (ITTL tunefolder 22). Mike Rafferty and Willie Kelly call it 
%"Mr. McLeod's" on their "New Broom" CD.

%%%

X:41316
T:SLIGO THEN AND NOW (reel) 
C:Martin Wynne 
Z:ABC/arr. BB
Q:1/4=180
R:reel
M:4/4
L:1/8
K:G
A|BGEG Bcdg|edBd eg g2|agba gedB|eBdB A2 GA|
BGEG Bcdg|edBd eg g2|agba gedB|AGBA G3 :|
d|g3e a3f|gabg aged|Bd d2 ed d2|gedB A2 Bd|
g3e a3f|gabg aged|Bdef gedB|AGBA G3 :|
%
%I transcribed this tune and several others in this collection 
%from the playing (over the phone) of composer Martin Wynne. He 
%had no name for it so I suggested this one.

%%%

X:41317
T:SMALL HILLS OF OFFALY (reel)
C:Paddy O'Brien (Offaly)
D:(7)
Z:ABC/arr. BB
Q:1/4=180
R:reel
M:4/4
L:1/8
K:D
Ac|d2Af dBAF|A2EA cege|d2Af dBAF|EFGE BEGE|
d2 Af dBAF|A2EA cege|d2 Af dBAF|EAGE D2 :|
z2|: d3 f a2 af|egfd cAeA|d3 f a2 af|egfd cAGA|
defg a3 f|egfd cAGA|cded cAGA|FDGE FDD2 :|

%%%

X:41318
T:SONNY BROGAN'S JIG 
Z:ABC/arr. BB
Q:1/4=160
R:jig
M:6/8
L:1/8
K:Ador
E|AGA cBc|dcd e3|AGA cde|dcA GED|
AGA cBc|dcd e3|age ged|cAG A2 :|
d|eaa aba|gef g3|eaa aba|ged cAA|
eaa aba|gef g3|age ged|cAG A2 :|
%
%This is a version of 'Monk's Jig' / 'Port an Bhrathair' transcribed 
%in the mid-90's from a tape of a UK group called "Floating Crowbar",
%about whom I know nothing. Patrick "Sonny" Brogan, from Dublin, was 
%a well-respected 1960's box player whose name appears on several tunes. 
%He died in 1965.

%%%

X:41319 
T:SORRY I AM (For What I Have Done) (jig) 
D:(5)
Z:ABC/arr. BB
Q:1/4=160
M:6/8
R:jig
K:D
e|a^ga f2e|dcd B2A|Bee e2f|edB dBA|
a^ga f2e|dcd A3 |def afe|fdd d2 :|
c|dBB fBB|dBB Bcd|eAA cAA|eAA ABc|
dBB fBB|dBB Bcd|ecA d2e|fdd d2 :|

%%%

X:41320
T:SOUTH BEND REEL
C:Kirk Lynch (KC)
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:G
E|DG G2 A2cB|Aee2 dBGB|g2gb agfd|egfd eB B2|
DG G2 A2 cB|Ae e2 dBGB|g2 gb ageg|dBAB G3 :|
f|g3f ed B2|ABcd BG G2|DG G2 A2 cB|Ae e2 dBGB|
g3f ed B2|ABcd BGBd|g2 gb ageg|dBAB G3 :|
%
%KC piper Kirk Lynch named this tune for a beloved piece of apparatus 
%that he uses when manufacturing a set of pipes. (And I thought I had 
%trouble coming up with tune names!)

%%%

X:41321
T:SPANISH LADY (polka)
Z:ABC/arr. BB
R:polka
Q:1/4=120
M:2/4
L:1/8
K:D
FA AB/c/|dd ef|gf/e/ fd|BA A2|
FA AB/c/|dd ef|gf/e/ fd|BA A2 :|
fa af|ed de|fa af|ed e2|
fa af|ed de/f/|ge fd|BA A2 :|
"^coda"HD4z4|]
%
%When MVBT-1 was published in 1995, this tune - now a session favorite, 
%at least around here -  didn't seem to be in print anywhere else!

%%%

X:41322
T:STACK OF OATS (barn dance)
D:(6)
Z:ABC/arr. BB
Q:1/4=150
L:1/8
M:4/4
R:hornpipe 
K:G
%swing .25
DG|B2 BA B2 G2|D6 GA|B2 AB c2 A2|E8|
AGFG A2 D2|GFGA B2 e2|dBcA E2 F2|G6 :|
%
Bc|d2 d2 g2 g2|dedB G2 Bc|d2 B2 g2 d2|f6 AB|
cBAB c2 d2|f2 f2 f4|e2 ef ed^ce|d6 Bc|
d2 d2 g2 g2|dedB G2 Bc|d2 B2 g2 d2|b8|
abaf d2 a2|gagd B2 e2|dBcA E2 F2|HG4z4|]
%
%"We learned this from the playing of our cousin Tommy Caulfield." 
%(< Jim Coogan) 

%%%

X:41323
T:STAICÍN EORNA (hornpipe)
Z:ABC/arr. BB
%This is Chris Droney's setting of "Stack of Barley" 
%(which is what the Gaelic title means!)
Q:1/4=160
M:4/4
%
L:1/8
R:hornpipe
K:G
%swing .25
Bd|g4 gedc|BAGA Bdd2|DEGA BGBd|eAAG A2Bd|
g4 gedc|BAGA Bdd2|DEGA BGdB|A2G2G2 :|
zA|BGBd g2fg|agfg edBd|g2fg edBd|eAAG A2Bd|
g3f gedc|BAGA Bdd2|DEGA BGdB|A2G2G2 :|

%%%

X:41324
T:STOLEN REEL
S:Mike Rafferty
Z:ABC/arr. BB
Q:1/4=180
R:reel
M:4/4
L:1/8
K:G
BA|G3A GEDE|G2BG BedB|AEE2 A2Bc|egfa gedB|
G3 A GEDE|G2 Bd efge|dG G2 eGBG|FGAF G2 :|
Bc|dg g2 edBA|GEDE G2 Bd|eaab aged|BABd e2 ge|
dg g2 agbg|aged e2 ge|dG G2 eGBG|FGAF G2 :|
%
%Mike Rafferty said that he 'borrowed' this tune from Martin 
%Mulvihill. I know Mike recorded it but I'm not sure where.

%%%

X:41325
T:STORKS HAVE LANDED (reel) 
C:Conor McCarthy
D:(14)
Z:ABC/arr. BB
Q:1/4=180
M:4/4
R:reel
L:1/8
K:C % 
CD|EGFG AGEG|c2 Bc AGEC|DA,A,2 DEFG|AdcA GEDF|
EGFG AGEG|c2 Bc AGEe|fedc AGAB|cAGF EC :|
zc|ecgc acgc|ecgc afdf|ecgc acgc|afff cfaf|
ecgc acgc|afff cfaf|fedc AGAB|cAGF EC :|
"^coda"DB,|HC4z4|]
%
%Composed by box player Conor McCarthy to commemorate the arrival 
%of twin sons!

%%%

X:41329
T:TAM LIN (reel) 
C:Davey Arthur
Z:ABC/arr. BB
Q:1/4=180
R:reel
M:4/4
L:1/8
K:Am
EA A2 GABG|F2 AF cFAF|G2 BG dGBG|cBAG ABAG|
EA A2 GABG|F2 AF cFAF|G2 BG dGBG|cBAG EA A2 :|
ae e2 ceAe|ae e2 c'ba^f|gdd2 add2|^fg g2 ageg|
ae e2 ceAe|ae e2 ceAE|F2 FE FGAB|cAdc BA A2 :|
%
%One of the best-liked "newly-composed tunes" (well, relatively) in 
%the repertoire. Composed by Davey Arthur (best known for his banjo 
%work with the Furey Brothers), this tune is played in either A minor 
%or D minor, whichever key suits the instrument. This setting is from 
%Brian Conway. (Note: you can substitute /a/ for the /c'/ in measure 10.)
%MP3 for this tune will be the Am setting.

%%%

X:41330
T:TAP ROOM (reel)
%aka Ranting Widow, Shepherd's Daughter
D:(33)
Z:ABC/arr. BB
Q:1/4=180
R:reel
M:4/4
L:1/8
K:Edor
E2 Bc d2 Bc|dBAF DEFD|E2 Bc d2 Bc|dBAF GEED|
E2 Bc d2 Bc|dBAF DEFD|afge fdec|dBAF DEFD :|
Beef gfed|B2 AF DEFD|Beef gfed|B2 Ac BE E2|
Beef gfed|B2 AF DEFD|afge fdec|dBAF BE E2 :|

%%%

X:41331
T:THRUPENNY BIT (jig)
C:P. Fitzgerald
Z:ABC/arr. BB
R:jig
Q:1/4=160
M:6/8
L:1/8
K:Dm
AFD EFD|GAF G2G|Ade cde|gec BAG|
AFD EFD|GAF G2G|Adc AcB|BGE D3 :|
AFF dFF|cFF AFF|DFA Bgf|ecd BAG|
AFF dFF|cFF AFF|DFA dBc|1 efe dcB :|\
[2 GEF HD3|]

%%%

X:41332
T:TIGHE'S RARE REEL 
D:(5)
Z:ABC/arr. BB
Q:1/4=180
M:4/4
R:reel
K:Edor
B3A Bdd2|DFFE FG A2|B2 BA Beec|dBAF E2 FA|
B3A Bdd2|DFFE FG A2|B2 BA Beec|dBAF E2||
FA|B2 ed e2 de|d2 fA Bc d2|Bede f2 fe|dBAF E2 FA|
B2 ed e2 de|d2 fA Bc d2|Bede f2 fe|dBAF HE4|]
%
%"Tighe" is Morrisroe's frequent musical partner Paddy Joe Tighe.

%%%

X:41333
T:TIM FITZPATRICK'S (reel)
D:(34)
Z:ABC/arr. BB
Q:1/4=180
R:reel
M:4/4
L:1/8
K:D
d2D2 EDB,D|d2 ef gbag|fedc dgfe|dB B2 AFFA|
d2D2 EDB,D|d2 ef gbag|fedc dBAF|AFEG FD D2 :|
dff2 gfeg|fdad bdad|g2 fg efge|dB B2 AFFA|
[1 dff2 gfeg|fdad bdad|gfec dBAF|AFEG FD D2 :|
[2 d2D2 EDB,D|d2 ef gbag|fedc dBAF|AFEG FD D2|]
%
%I believe Fitzpatrick was a NY-area box player from the 
%1920-1930 era but I'd be happy to have more information 
%on him.

%%%

X:41334
T:TOM BÁN'S (reel) 
S:Micho Russell
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:G
e|d2 d2 BGBd|egfa g3 e|d2 de dBGA|BAAB A3 B|
d2 d2 BGBd|egfa g2 fg|a2 ag fdef|gbaf g3 :|
e|dgg2 dgg2|dgg2 agfg|a2ab agfg|agfe dcBc|
dg g2 dg g2|dg g2 agfg|a2 ag edef|gbaf g3 :|
%
%I'm not sure where I got this tune but I think it was from
%one of those "various artists" compilation recordings that 
%came out of Ireland in the 1980's.

%%%

X:41335
T:TOM DILLANE'S (hornpipe) 
R:hornpipe
D:(1)
Z:ABC/arr. BB
Q:1/4=150
M:C
L:1/8
K:D
%swing .25
AG|FD FA d2 dA|Bd ef g2 g2|fafd eged|c2 A2 ABAG|
FD FA d2 dA|Bd ef g2 g2|fafd eg ec|d2 d2 d2 :|
fg|afdf afdf|bgeg bgeg|afdf afdf|e2 A2 ABAG|
FD FA d2 dA|Bd ef g2 g2|fafd egec|d2 d2 d2 :|

%%%

X:41336
T:TORN JACKET (reel)
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:D
F3A dfed|cAA2 Bd ed|FAAF dfed|cAGE FDDE|
FEFA dfed|cA A2 Bd ec|dcde fded|cAGE ED D2 :|
FAdf a3 f|g3 f gfed|cA A2 Bd ed|g2 ed cAGE|
FAdf a3 f|g3 f gfef|g2 ba gfed|cAGE ED D2 :|
%
%From Connie O'Connell via Willie & Siobhan Kelly.

%%%

X:41337
T:TRIBUTE TO LARRY REYNOLDS (reel)
C:Brendan Tonra (Boston)
Z:ABC/arr. BB
Q:1/4=180
R:reel
M:4/4
L:1/8
K:Em
Bd|: eBdB AGBG|GFED B,3 E|DFAF GBeB|dBGB A2 Bd|
egfg egdB|AFDF EDB,E|DFAF GBdB|AFDE FE E2 :|
Bdeg fee2|bee2 fedB|ABde fefb|afdf efed|
[1 Bee2 fee2|bee2 fedB|ABde fedB|AFDE FE E2 :|
[2 gafg egdB|AFFF DEFB|ABde fedB|AFDE FE E2|]
%
%Composed by Brendan in honor of Larry, his great friend and 
%musical colleague for many years. Both are gone now.

%%%

X:41338
T:TRIBUTE TO PADDY FAHY (reel)
C:P. Varlet (DC)
Z:ABC/arr. BB
Q:1/4=180
R:reel
M:4/4
L:1/8
K:C
GF|DGGA _BGAG|FDCD FEFG|Acde fedg|ec-c2 Gcec|
dg-g2 dgBd|cAFA c2 Bc|dBcA DEFA|dcAc BG :|
Bd|g2 dc Bd ge|fefg afdf|ec c2 Gceg|^fgaf g3 a|
_bggf gfdg|fdcA FGAc|dBcA DEFA|1dcAc BG :|
[2 dcAc BGGF||"^coda"G4z4|]
%
%An original composition in "Fahey style" by Philippe. (I kept
%his spelling of Fah(e)y's name!)

%%%

X:41339
T:TRIP TO LONDON (reel)
C:John Bowe
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:G
E|DEFD GEDC|B,A,B,C DEFD|GFGB dGG2|G=FDE FDCE|
DEFD GEDC|B,A,B,C DEFD|GFGB AGFE|DEFD G3 :|
d|gBdB GBdg|bgag edef|gBBA BcBA|GBdB A2 Bd|
gBdB GBdg|bgag edef|gdd2 cd=cA|FDBA G3 :|
%
%From London box player John Bowe via John Whelan.

%%%

X:41340
T:TRIP WE TOOK OVER THE MOUNTAIN (reel)
Z:ABC/arr. BB
Q:1/4=180
R:reel
M:4/4
L:1/8
K:G
E|DG G2 BG G2|A^GG2 f2 =ga|gd d2 cA A2|GBAG FD FD|
DG G2 BG G2|A^GG2 f2 =ga|gd d2 cA A2|GBAF G3 :|
e|gd d2 g2 ag|=fdde f2 ga|gd d2 cA A2|GBAG FD FD|
gd d2 g2 ag|=fdde f2 ga|gd d2 cA A2|GBAF G3 :|
%
%Piper Jerry O'Sullivan's reel setting of a well-known ballad.

%%%

X:41341 
T:TULLAMORE HARBOUR (jig) 
C:? John Brady
D:(4)
Z:ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
R:jig
K:G
D|G2B dBG|gaf gdB|g2d edB|edB AFD|
G2B dBG|gaf gdB|DFA dcA|GAF G2 :|
D|GBd gfg|dgb gdB|ecA BAG|FAF DEF|
GBd gfg|dgb gdB|DFA dcA|AGF G2 :|

%%%

X:41342
T:TWO CROWS (jig)
%aka Dhá Phreacáin
C:Conor McCarthy
D:(14)
Z:ABC/arr. BB
Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
z|GFG DB,G,|GFG B,CD|CB,C  EDC|DB,D  FGA|
GFG DB,G,|GFG B,CD|CB,C  EDC|DB,D  G2 :|
d|BGG dBG|gfa gdc |BGG dGe|=fae fdc|
[1 BGG dBG|gfa gfd| =fae fdc|BGF G2 :|
[2 BGG dBG|gfa gfd|g2^f gdc|BGF HG3|]

%%%

X:41343
T:TYRRELL'S PASS (jig)
C:Brendan Ring
D:"Yes I Said"
Z:ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
R:jig
K:G
z|B2e edB|edB BAG|B2e edB|edB A3|
B2e edB|edB BAG|BAB AGE|DFA G2 :|
D|G2g ged|ged BAG|G2g ged|ged A3|
G2g ged|ged BAG|BAB AGE|DFA G2 :|
%
%I contacted Brendan in 2017 and he had completely forgotten 
%this nice jig and the CD on which it appeared!

%%%

X:41344
T:UNION REEL
S:Joe Derrane
Z:ABC/arr. BB
Q:1/4=180
R:reel
M:4/4
L:1/8
K:A % simplified setting
P:I
eAcA eAcA|eAcA Bcdf|eAcA eAcA|BdcA BAFA|
eAcA eAcA|e2cA Bcdf|e2ce dcBA|1 FABc dcdf :|
[2 FABc d2 z2|:[K:D]"^II"dAFA dfec|dAFG A^ABc|dAFA dfec|
dcBA FAdf|dAFA dfec|dAFG A2Bc|dAFA dfec|
dcBA FAdf||:[K:G]"^III"G2 BGF2 AF|G2 Bd g2 z2|e2ce dBGB|
A2FA DAFA|G2 BGF2 AF|G2 Bd gdBd|e2ce dBAB|
[1 "thru"A2FA G3D :|2 "^coda"A2FA GBAF|G4z4|]
%
%The late Joe Derrane's version of a tune first recorded by melodeon player 
%Frank Quinn in the early 1920's. Joe took the trouble to write this 
%setting out for me. De Danann used Joe's setting when they recorded 
%this tune on "Star Spangled Molly".
%
%Joe's setting:
%P:I
%eA (3cBA eA (3cBA|eA (3cBA Bcdf|eA (3cBA eA (3cBA|BdcA BAFA|
%eA (3cBA eA (3cBA|(3efe (3cBA Bcdf|(3efe ce dcBA|1 FABc dcdf :|\
%[2 FABc d2 z2|]
%P:II
%K:D
%dAFA dfec|dAFG A^ABc|dAFA dfec|dcBA FAdf|
%dAFA dfec|dAFG (3AdA Bc|dAFA dfec|dcBA FAdf|]
%P:III
%K:G
%G2 BG (3FAF AF|G2 Bd g2 z2|(3ege ce dBGB|(3AdA FA DAFA|
%G2 BG (3FAF AF|G2 Bd gdBd|(3ege ce dBAB|1 (3AdA FA G3 D :|\
%[2 (3AdA FA GAcf|]

%%%

X:41345
T:VIEW ACROSS THE VALLEY (reel)
C:J. Brady
D:(4)
Z:ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
R:reel
K:D
de|f2ed BAFB|AFF2 DEFA|f2ed BAFA|Beed efge|
f2ed BAFB|AFF2 DEFA|faa2 bfaf|dBAG FD :|
de|faa2 bfaf|dB3 AF3|AFAB defd|e2df ed Bd|
faa2 bfaf|dB3 AF3|AFAB defe|dBAG FD :|

%%%

X:41346
T:VINCENT HARRISON'S (jig) 
Z:ABC/arr. BB
Q:1/4=150
R:jig
M:6/8
L:1/8
K:G
P:I
dBG GDB,|G,3 G,B,D|EcB A2 G|FED cBA|
BdB G2 F|EGE C2 E|DGB cAF|AGF G3 :|
P:II
GBd g2 f|ecB c2 B|Adf a2 g|faf def|
g2 B Ggf|ecA E3|DGB cAF|AGF G3 :|
P:III
BAB g2 f|e2 c cAE|FEF a2 g|f3 def|
gdB GBd|ecA E3|DGB cAF|AGF G3 :|
%
%From Brian Conway. It's sometimes called "Tommy Peoples'" and
%there are other names for it as well.

%%%

X:41347
T:VISITORS (jig)
C:J. Derrane
D:(10)
Z:ABC/arr. BB
Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
A|def edc|dcd FGA|=cde dcA|GED =C2E|
DFA GBd|Ace gfe|fed cBA|GEA D2 :|
d|fdc dfa|baf afd|gfg Bed|cBc Aag|
fce dAB|=cE=F Gce|dcd BAF|GEA D2 :|

%%%

X:41348
T:WADDLING GANDER (jig)
D:(8)
Z:ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
R:jig
K:G
c|BGG dGG|BGG ded|cAA eAA|cAc edc|
BGG dGG|BGG ded|c2 d e2 f|ged B2 :|
%
g2 d B2 d|ged BAG|Aee ede|gee e2 d|
g2 d B2 d|ged BAG|c2 d e2 f|ged BGA|
Bdd dBG|Bdd d2 e|gee ede|gee e2 d|
Bdd dBG|Bdd d2 e|c2 d e2 f|1 "thru"ged B2 :|
[2 "^coda"ged cAF|HG6|]

%%%

X:41349
T:WALT THE FIDDLER (reel)
C:Brendan Tonra
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:D
BcdB AFDE|FEDB, A,DFA|BcdB AFAB|defd efdA|
BcdB AFDE|FEDB, A,DFA|defd efdB|AFEG FD D2 :|
fdef dfbf|afdf edBd|BAFB AFAB|1 defd efde|
fdef dfbf|afdf edBA|defd efdB|AFEG FD D2 :|
[2 defd edfb|bddd addd|gece dAFA|defd efdB|
AFEF FD HD2|]
%
%Named for the father of Brendan's long-time friend and frequent 
%accompanist Helen Kisiel.

%%%

X:41350
T:WINDSOR TERRACE HORNPIPE
C:B. McComiskey 
Z:ABC/arr. BB
Q:1/4=150
R:hornpipe
M:4/4
%
L:1/8
K:D
%swing .25
c|dAFD GFEC|DCDF Adfd|gedc BA^GB|AECE A2Ac|
dAFD GFEC|DCDF Adfd|gfec Acec|d2ec d2 :|
c|dcde f2df|edcB A2 EA|cAEA CA^GB|AECE ABcA|
dAFD GFEC|DCDF Adfd|gfec Acec|d2ec d2 :|
%
%Named for Billy's home neighborhood in Brooklyn.

%%%

X:41351
T:WISHING WELL (jig)
C:Tommy Peoples
Z:ABC/arr. BB
D:(9)
R:jig
Q:1/4=160
M:6/8
L:1/8
K:D
P:I
E|DFA d2e|fdB BAF|B2B BAF|dBB BAF|
DFA d2e|fdB BAF|BAF dBA|fac d2 :|
P:II
z|Adf a3|baf afd|f2g afd|Beg bge|
Adf a3|baf afd|aba afd|Ace d2 :|
P:III
e|f2d edc|dge fdB|c2B cBA|a^ga ba=g|
f2d edc|dge fdA|FAA GBB|Adc d2 :|

%%%

X:41352
T:WISSAHICKON DRIVE (reel) 
C:Liz Carroll
Z:ABC/arr. BB
Q:1/4=180
R:reel
M:4/4
L:1/8
K:A
AF|EFAB cBAB|f2 ef ecBA|F2 dF efde|feef edBA|
EFAB cBAB|f2 ef eAce|fagf eAcA|BEGB A2 :|
ce|a2 ga baga|fAde fagf|eAce aece|aedc BEGB|
[1 a2 ga baga|fAde fagf|eAce aedc|BEGB A2 :|
[2 A2 ce ac'ba|fAde fagf|eAce aedc|BEGB HA4|]
%
%Composed by Chicago's Liz Carroll and named for a street in Philadelphia 
%that later became something else. I actually saw the original street sign 
%in a trailer for a movie whose name, plot, and stars I can't be expected to 
%remember at my age!

%%%

X:41353
T:WITH OURSELVES (reel) 
C:J. Harling
Z:ABC/arr. BB
R:reel
Q:1/4=180
M:4/4
L:1/8
K:Em
P:I
D|EDEB GE E2|DEFD GFFD|EDEB GEEA|Bded e3 f|
gBB2 gedB|AFF2 dBAF|EDEB GEDE|DEFD E3|]
P:II
d|edef g2 af|ge e2 dBAF|D2 FD ADFD|defd gfed|
edef g2 af|ge e2 dBAF|D2 FD ADFA|dBAF E3|]
P:III
d|edBd edBd|gBfB eBdA|D2 FD ADFD|defd gfed|
edef g2 af|ge e2 dBAF|D2 FD ADFD|dBAF HE4|]

%%%

X:41354
T:WOLFTRAP PROMISE (reel)
C:J. Derrane
Z:ABC/arr. BB
Q:1/4=180
R:reel
M:4/4
L:1/8
K:D
c|dBAG FBAF|DFAD B,EDB,|A,B,DE FDD2|AFF2 BFF2|
dBAG FBAF|DFAD B,EDB,|A,B,DE FABd|cBAF B2 z :|
c|dB^AB FBdf|ec^Bc aecA|dB^AB FBdf|ecAc e2 z c|
dBFD B,DCB,|A,CEA ce a2|fdcd edBc|dBFD B,2 z:|
%
%This tune represents Joe Derrane's promise to Earle Hitchner and to 
%Irish music lovers in general never to give up his box playing again. 
%DC's "Wolftrap" was Joe's first festival after his long absence from 
%trad music. (NB This isn't the original key but I had Joe's permission 
%to transpose it for accessibility purposes.)

%%%

X:41355
T:WOODCOCK (jig)  
T:Hamilton's #2
C:Hammy Hamilton
Z:ABC/arr. BB
Q:1/4=160
L:1/8
R:jig
M:6/8
K:G
B|dBG AGE|DED GFG|BGB dcB|dcB ABc|
dBG AGE|DED GFG|BGB dcB|AGF G2:|
B|dBd ece|fdf g2 d|ege dcB|dcB ABc|
[1 dBd ece|fdf g2 d|ege dcB|AGF G2 :|
[2 dBG AGE|DED GFG|BGB dcB|AGF G3|]
%
%See note to "Kerfunten" (#41174).

%%%

X:41356
T:WOODFORD FLING
D:(8)
Z:ABC/arr. BB
Q:1/4=150
M:C
L:1/8
R:hornpipe
K:D
%swing .25
fe|d2 cA GEFE|D2 FA D2 FA|d2 cA GE E2|Bd ec dgfe|
d2 cA GEFE|D2 FA D2 FA|d2 cA GE E2|Bd ec d2||
de|fgaf dcde|fgaf gbag|fgaf dc A2|Bd ef g2 fe|
fgaf dcde|fgaf gbag|fgaf dc A2|Bd ef g2fe|Hd4z4|]

%%%

X:41357
T:WREN'S NEST (jig)
C:Frankie Gavin
D:"Anthem" (1985)
Z:ABC/arr. BB
R:jig
Q:1/4=160
M:6/8
K:Em
F|GAB ded|cAA A2c|BGE EFG|AFD AFD|
GAB ded|cAA A2c|BGE AFD|GEE E2 :|
%
D|E2e d2B|cBA B2A|GAB d3|cAA BAG|
E2e d2B|cBA B2A|GAB cAB|GEE FE :|
%
D|B,EE GED|B,EE E2D|B,EE GAB|AFD AFD|
B,EE GED|B,EE E2F|GAB cAB|1 "thru"GEE FE :|
[2 "^coda"GEE FED|HE6|]

%%%