BB'S IRISH TRADITIONAL TUNE LIBRARY
"Music's the Very Best Thing" 1 & 2
Hornpipes

= = = = = = = = = = = = = = = = = = 

NOTE:
"Coda" is my suggested way of bringing to a conclusion a tune that (1) is circular in construction (2) doesn't end on the tonic note. It's not part of the tune and its use is optional.

folder index

key to D: field sources

= = = = = = = = = = = = = = = = = =

X:41018
T:BANKS HORNPIPE, The 
C:? Parazotti
Z:Z: ABC/arr. BB
%R:hornpipe
Q:1/4=150
N:N: Suggested alternate key = G
M:C|
L:1/8
K:Eb
(3B,CD|E2 G2 G2 (3BGE|D2 F2 F2 (3AFD|A,2 c2 c2 de|\
=ABcB _AGFE|
G,2 B2 B2 cd|A,2 c2 c2 de|DEFG AFDF|E2 G2 E2 :|
gf|g2 e2 e2 (3gfg|f2 d2 d2 (3fgf|e2 c2 c2 fe|\
dcB=A B2 B,2|
DBfB DBfB|EBeB EBeB|=ABcd ecAc|B=ABc B_AGF|
EGBG eBFE|DFBF dFED|CEGE cBAG|FGFE DCB,A,|
G,EBE G,EBE|A,EcE A,EcE|DEFG AFDF|E2 G2 E2 :|

This is one of the "classic" hornpipes that have entered the Irish 
repertoire (via Coleman and Seán Maguire) from the Scots fiddling 
tradition exemplified by Scott Skinner. According to some sources, 
the actual composer of this tune was a Mr. (or Signore) Parazzotti, 
but a search turns up no additional information on him. The original 
Eb setting is consistent with Scots fiddling but since it makes a 
really neat tune inaccessible to roughly 98.7 of Irish musicians, I 
have transposed it - with apologies to the good Signore - to the more 
civilized key of G. (The Eb version is from Andy McGann via Brian Conway -
email me if you want a PDF.)

%%%

X:41048
T:CASEY'S PIG (fling) 
N:N: aka "Jim Conway's"
Z:Z: ABC/arr. BB
%R:hornpipe
Q:1/4=150
M:4/4
L:1/8
K:G
G2 GD EDGD|GBdB A2 A2|G2 GD EDGD|EGDB, A,2 G,2 :|
gabg d2 d2|gabg e4|gbeg dgBg|1AGAB G2 G2 :|

Brian Conway is the source of this tune. He called it "Jim Conway's" 
after his father, and as such it appeared in MVBT-1. I have since 
discovered this alternate name - there are probably others!

%%%

X:41060
T:CHAMPION HORNPIPE, The 
D:D: (21)
Z:Z: ABC/arr. BB
Q:1/4=140
N:N: Suggested alternate key = G
M:C|
L:1/8
%R:hornpipe
K:Bb 
de|f=efg f_edc|BABc dBFD|EGce DFBd|c2BG F2 de|
f=efg f_edc|BABc dBFD|EGce dcBA|B2 d2 B2 :|
AB|cf=ef afef|dg^fg bgfg|dbca BgAf|Gg^fg =f2 AB|
cf=ef afef|dg^fg bgfg|dbca BgAe|feca b2 :|

%%%

X:41069
T:CRICKET HORNPIPE, The 
C:J. Harling
Z:Z: ABC/arr. BB
Q:1/4=150
%R:hornpipe
M:4/4
L:1/8
K:Bm 
%swing .25
F|Bd FD B2 FA|B2 dB cBAF|G3 A BA (3GFA|
^AcdB dcB=A|Bd FD B2 FA|B2 dB cBAF|GFED EFGB|
[1 ^ABcA B3 :|2 ^ABcA Bcde||f3 g fede|fedc BAFA|
^ABcA dcBd|cB^AG F3 D|E3 F GABd|cB^AB c2 ^A/=A/G/F/|
Bf^ef dcBG|1 FBB^A Bcde :|2 FBB^A B4|]

This tune - not for the faint of heart - is intended, according to 
the composer, to imitate the happy chirpings of the eponymous insect!
(Not sure how a whistle player gets those accidentals into a tune -
must take a lot of "half-holeing".)
%
simplified version:
F|Bdfd B2 FA|B2 dB cBAF|G3A BAGA|^AcdB dcB=A|
Bdfd B2 FA|B2 dB cBAF|GFED EFGB|1 ^ABcA B3 :|
[2 ^ABcA Bcd ||e|f3 g fede|fedc BAFA|^ABcA dcBd|
cB^AG F3 D|E3 F GABd|cB^AB c2AF|Bf^ef dcBG|
[1 FBB^A Bcde :|2 FBB^A B4|]

%%%

X:41092
T:ELEANOR NEARY'S  
%R:hornpipe
Z:Z: ABC/arr. BB
D:D: (27)
Q:1/4=150
M:4/4
L:1/8
K:A
%swing .25
AB|cBcd cBAG|FEFG AGAB|cBAc fecA|BcAF E2 AB|
cBcd cBAG|FEFG Aagf|ecdB cABG|A2 GB A2 :|
ED|CA,CE FDFA|BGEG AGAB|cBAc fedc|BAGF E2 ED|
CA,CE FDFA|GBEG Aagf|ecdB cABG|A2 GB A2 :|

A pleasant hornpipe of recent vintage that I transcribed from De Danann's "Ballroom" (1987). Eleanor (Neary) Kane was a pianist from the Chicago area 
who passed away in 1993. Ed Reavy's reel "Eleanor Kane's" is named for the 
same lady.

%%%

X:41112
T:FLY BY NIGHT HORNPIPE, The 
Z:Z: ABC/arr. BB
%R:hornpipe
Q:1/4=150
N:N: Suggested alternate key = G
M:4/4
L:1/8
K:Eb
%swing .25
Bd|eB B2 GEB,A,|G,B, (3EGB eB=AB|ABGB FBEB|DECE B,2 Bd|
e B3 GEB,A,|G,B, (3EGB eB=AB|cAEC A,Edc|1 (3BcB (3AGF E2 :|\
|2 (3BcB (3AGF E2||
GB|c2 GF E C3|G,CEG cBdc|B2 FE D B,3|=A,B,DF =ABcd|
e B3 GEB,A,|G,B, (3EGB eB=AB|cAEC A,Edc|1 (3BcB (3AGF E2 :|2 (3BcB (3AGF E2|

Like "The Banks" (#41018) this is one of the "classic" Scots hornpipes. 
There are two unrelated tunes with the same name (I have the other version 
in the webABC gstc folder). This is Brian Conway's setting. G is a good
replacement key for those of us not willing (or able) to struggle with 3 flats.

%%%

X:41113
T:FLYNN'S  
D:D: (1)
Z:Z: ABC/arr. BB
Q:1/4=150
%R:hornpipe
M:4/4
L:1/8
K:Ador
D|EAAB c2 d2|eg ed Bc d2|eAAc BAGB|AGEF GE D2|
EAAB c2 d2|eg ed Bc d2|eAAc BAGE|A4-A3 :|
d|ea a2 e2 d2|ea a2 e2 d2|eAAc BAGB|AGEF GE D2|
EAAB c2 d2|eg ed Bc d2|eAAc BAGE|A4-A3 :|

%%%

X:41115
T:FRANK ROCHE'S FAVOURITE  
D:D: "Stoney Steps" (Matt Molloy 1987)
Z:Z: ABC/arr. BB
Q:1/4=120
M:C|
L:1/8
%R:hornpipe
K:G
%swing .25
%%text simplified version; A-B-A
%%vskip 20
G2 GB AG E2|cBce dBd<g|B2 Bd cABG|EGFA G2AD|
G2 GB AG E2|cBce dBd<g|B2 Bd cABG|EGFA G4||
dgBg dgBg|gbaf e2 e2|gbaf gedB|cedf gcBG|
dgBg dgBg|gbaf e2 e2|gbaf gedB|cedf gc"_DC"BA|]

From Matt Molloy's "Stoney Steps" (1987). This tune is in the Roche 
Collection volume 2 (ITTL tunefolder 54/542) as "John Roche's 
Favorite". Matt plays this at a set-dance speed with heavy strathspey 
accents. Below I have provided a "florid" version for those players 
who would like to try their hands at duplicating Matt's version. 
(I have however omitted the "cut time" (e.g. A>B, C>D)] in the
transcription.)
%
source version: 
z2|G2 GB AG E2|cBce dBd<g|B2 Bd (3cBA (3BAG|eg (3FGA G2 (3AFD|
G2 GB AG E2|cBce dBd<g|B2 Bd (3cBA (3BAG|eg (3FGA G4||
dgBg dgBg|(3gab (3agf e2 e2|(3gab (3agf (3gfe (3dcB|\
(3cde (3def (3gdc (3BAG|
dgBg dgBg|(3gab (3agf e2 e2|(3gab (3agf (3gfe (3dcB|\
(3cde (3def (3gdc (3BcA|G8|]

%%%

X:41117
T:FROM GALWAY TO DUBLIN  
D:D: (20)
Z:Z: ABC/arr. BB
Q:1/4=150
%R:hornpipe
M:4/4
L:1/8
K:Em
%swing .25
B,D|E3F EDB,D|GFGB A2GA|Bdgf edBA|GEEF D2B,D|
E3 F EDB,D|GFGB A2 GA|Bdgf edBA|GEED E2 :|
Bd|efed BdBA|GAB^c d2 Bd|e3 d B3 A|GEEF D2 B,D|
E3 F EDB,D|GFGB A2 GA|Bdgf edBA|GEED E2 :|

This nice hornpipe has other names ("Listowel Hornpipe", "Bonaparte 
Crossing the Rhine," probably others). The Cronin/Burke version (as
"First Sign of Light") is on Tune Vault.

%%%

X:41131
T:HANGMAN'S ROPE , The 
C:F. McCallum
D:D: (1)
Z:Z: ABC/arr. BB
Q:1/4=150
%R:hornpipe
M:4/4
L:1/8
K:G
%swing .25
EF|G2BG DGBd|g2fg d3e|=f2fe fdcA|c2 cB cAFD|
G2 BG DGBd|g2 fg d3 e|f2ef dcAc|B2 G2 G2 :|
Bc|dgg2 dgBg|dgBg a2 ga|bagf gdBd|cBAG A2 Bc|
dgg2 dgBg|dgBg a2 ga|bagf gdAc|B2 G2 G2 :|

%%%

X:41138 
T:HIGH LEVEL HORNPIPE, The 
C:J.S. Skinner
Z:Z: ABC/arr. BB
Q:1/4=150
M:4/4
L:1/8
%R:hornpipe
K:G
%swing .25
%%text simplified version; A-B-A
%%vskip 20
G2D2 B,DGB|d2B2 GBAG|A2F2 D2Bd|fed^c ed=cA|
G2D2 B,DGB|d2B2 GBAG|E2FG ABcd|fdcA G4:|
%
FdAd FdAd|FDFA dcBA|BdGd BdGd|BABd gdBd|
^ceAe ceAe|^cAce aece|d^cdf gece|1 dAfe dAFD:D: |
[2 dAfe dc"_DC"BA||

This is a composition of Scots fiddler J. Scott Skinner as performed 
by Joe Derrane on his 1995 "Irish Accordion" CD. Note that Joe's 
version is played as A (repeated) - B - A (no repeat). (Note that ABC, 
for all its virtues, doesn't "read" directions like "DS", "segno", "fine", 
etc.)

%%%

X:41145
T:HORSE KEANE'S HORNPIPE 
C:© Jimmy Keane
Z:Z: ABC/arr. BB
N:N: Composed by Chicago's Jimmy Keane and named for his dad.
Q:1/4=150
%R:hornpipe
M:C|
L:1/8
K:G 
%%text simplified version
%%vskip 20
dc|B2 A2 GABd|e2ED E2GE|DEGA BddB|BAGB A2 dc|
B2 A2 GABd|e2ED E2GE|DEFG ADFA|GBAF G2 :|
Bd|e2 ef gage|dbge dBGB|c2 ce dBGA|BAAG A2 dc|
B2 A2 GABd|e2ED E2GE|DEFG ADFA|GBAF G2 :|

Source version: 
K:G
d>c|(3BcB (3ABA G>AB>d|e>E (3EEE E2 (3GFE|\
D>EG>A B>dd>B|B>AG>B A2 d>c|
(3BcB (3ABA G>AB>d|e>E (3EEE E2 (3GFE|\
D>EG>A A>DF>A|G>B (3AGF G2 :|
Bd|e2 e>f g>a (3gfe|d>bg>e d>B (3GAB|\
c2 c>e d>BG>A|B>AA>G A2 d>c|
(3BcB (3ABA G>AB>d|e>E (3EEE E2 (3GFE|\
D>EG>A A>DF>A|G>B (3AGF G2 :|

%%%

X:41164
T:JOHN EGAN'S  
Z:Z: ABC/arr. BB
%R:hornpipe
Q:1/4=150
M:4/4
L:1/8
K:G
%swing .25
dc|BGAF GEDG|BG Bd gdBd|cdAd cdAd|fdef gedc|
BGAF GEDG|BG Bd gdBd|cdef gedc|BGGF G2 :|
Bc|d2^ce dB G2|G3 B dgfg|efge dBGB|cABG AGFD|
g3 e d2 Bd|g3 e dgfg|efge dcBA|G2FA G2 :|

I got this tune during an early 90's "Gaelic Roots" session from 
Boston's beloved "People's Choice", Joe Joyce (RIP), who in turn got 
it from whistle player Seán Potts. It's named for one of the founding 
members of Dublin's Pipers' Club.

%%%

X:41175
T:KERRY MILLS' BARNDANCE 
D:D: (6)
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:C|
%R:hornpipe
K:D
%swing .25
FG|A2 A2 B2 B2|AFAd f2 f2|gfed cABc|e2 dB A2 FG|
A2 A2 B2 B2|AFAd f2 f2|gfed cABc|e2 dc d2 :|
fg|a2 ba f2 f2|a2 ba f2 f2|gfed cABc|e2 dB A2 fg|
a2 ba f2 f2|a2 ba f2 f2|gfed cABc|e2 dc d2 :|

"A favorite of Mickey Carton, who used to play it with 'The Stack of 
Barley'." (< Jim) FYI Kerry Mills isn't a place, it's the name of 
a 1920's dance teacher from the Philadelphia area (and composer of
"Red Wing", among many other tunes). An interesting guy, definitely
worth a web search!

%%%

X:41177
T:KILLEIGH HORNPIPE, The 
Z:Z: ABC/arr. BB
Q:1/4=150
M:4/4
L:1/8
%R:hornpipe
K:G
%swing .25
DE|G2AF G2 Bd|g2fg dGBd|eGBd BAGB|A2FE D2DE|
G2AF G2 Bd|g2fg dGBd|eGBd BAGE|G2 GF G2 :|
ze|dGBd eGBd|g2bg dGBd|cecA BdBG|A2FE D3e|
dGBd eGBd|g2bg dGBd|EGBd BAGE|G2 GF G2 :|

I forget where I got this tune from - might have been from one of
the Chris Droney recordings . . .?

%%%

X:41212
T:MARTIN WYNNE'S STRATHSPEY
C:M. Wynne
Z:Z: ABC/arr. BB
%R:hornpipe
N:N: Suggested alternate key = D
Q:1/4=150
M:4/4
L:1/8
K:G
DEGA BGdB|AcBA GDB,C|DEGA BGDB,|CEDC B,G, G,2 :|
BGGB cAFA|GFED B,DGA|BGGB cAFD|ECA,C B,G, G,2|
BGGB cAFA|BDGB ABcd|edge dBAG|ECA,C B,G, G,2|]

I got this tune (and several others) via phone from Martin Wynne one 
rainy afternoon many years ago. In its original key of G it's pitched 
too low for some instruments, so I suggest transposing it up to D if
the bass notes are a problem.

%%%

X:41219 
T:MIKE COEN'S FLING 
D:D: (8)
Z:Z: ABC/arr. BB
Q:1/4=150
M:4/4
L:1/8
%R:hornpipe
K:G 
zD|GFGB AGED|cBcd efge|B3c dcAc|(3BAG AF GDB,D|
GFGB AGED|cBcd efge|B3 c dcAc|(3BAG AF G2 :|
d2|g/f/g df g/f/g df|gbag edef|g/f/g df g/f/g dB|cdef g3 d|
g/f/g df g/f/g df|gbag edeg|bgaf ge d2|1 eg dB AB :|\
[2 (3BAG AF G4|]

simplified version:
EF|GFGB AGED|cBcd efge|B3c dcAc|BGAF GDB,D|
GFGB AGED|cBcd efge|B3 c dcAc|BGAF G2 :|
ef|g2df g2df|gbag edef|g2df g2dB|cdef g3 d|
g2df g2df|gbag edeg|bgaf ge d2|1 egdB AB :|\
[2 BGAF G4|]

%%%

X:41221 
T:MIKE LEONARD'S HORNPIPE 
D:D: (6)
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:C|
%R:hornpipe
K:G
%swing .25
Bc|d^cde d=cBA|GFGA BGDB,|CEGc B,DGB|A2GE D2 Bc|
d^cde d=cBA|GFGA BGDB,|CEGc BAGB|A2GF G2 :|
K:D
FG|Adcd fedc|Be^de gfe=d|ca^ga ba=ge|dedB A2 FG|
Adcd fedc|Be^de gfe=d|ca^ga b=gec|d2ec d2 :|

This is originally from Mike Flanagan of the Flanagan Brothers and 
is also called "Moonlight in Athlone". It sounds like it should be
A-B-A but the Coogans don't play it that way.

%%%

X:41243
%%titlefont 17 
T:NELLIE YOUR FAVOUR I'M AFRAID I'LL NOT GAIN 
D:D: (30)
Z:Z: Dave Marshall via IRTRAD
Q:1/4=150
N:N: Suggested alternate key = Am
%R:hornpipe
M:C|
K:Dm 
%swing .25
DC|A,DDC D2EC|DEGA cedc|AcGA EGDE|CG,CD E2DC|
A,DDC D2EC|DEGA cedc|AcGA EAGE|D2DC D2:|
zE|GEGA c3d|cAGA  cedc|AcGA EGDE|CG,CD E2DC|
A,DDC D2EC|DEGA cedc|AcGA EAGE|D2DC D2 :|

%%%

X:41249
T:O'SULLIVAN'S INFERNAL HORNPIPE 
C:J. O'Sullivan
Z:Z: ABC/arr. BB
%R:hornpipe
Q:1/4=150
M:4/4
L:1/8
K:G % 
%%text simplified version
%%vskip 20
Bc|dBGB DEGd|edgd edBG|dBG2 DEGd|AGBG A2 ge|
dBGB DEGd|edgd edBG|d2Bd c2Ac|BGAF G2 :|
EF|GBde g3a|bgaf gedB|GBdB eGdG|A3G AcBA|
GBde g3a|bgaf gedB|GBdB FAcA|GdgB G2 :|

A challenging contribution (to say the least!) to MVBT-1 from piper 
Jerry O'Sullivan.  There are three settings here:
(1) the simplified transposed one above;
(2) the "florid" transposed one;
(3) Jerry's original setting in A.
%
[2] "florid" G version
d2|dB G2 DEGd|edgd edBG|dB G2 DEGd|AGBG A2 ge|
dB G2 DEGd|edgd edBG|(3dgd Bd (3cec Ac|(3BAG (3AGF G2 :|
d2|GBde g3a|(3Bag (3agf gedB|GBdB eGdG|A3G AcBA|GBde g3a|
(3Bag (3agf gedB|(3GBd (3gdB (3FAc (3fcA|(3GBd (3gdB G2 :|
%
[3] MVBT-1 version: 
K:A
e2|ec (3AcA EFAe|feae fecA|ec (3AcA EFAe|BAcA B2af|
ec (3AcA EFAe|feae fecA|(3eae ce (3dfd Bd|(3cBA (3BAG A2 :|
e2|Acef a3b|(3cba (3bag afec|Acec fAeA|B3A BdcB|Acef a3b|
(3cba (3bag afec|(3Ace (3aec (3GBd (3gdB|(3Ace (3aec A2 :|

%%%

X:41250 
T:OLD BLACKGUARD BARNDANCE, The 
D:D: (6)
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:4/4
%R:hornpipe
K:D
(3ABc|d2F2 A2BA|G2C2 E3D|CDEF GFGA|BAAG A2 (3ABc|
d2 F2 A2 BA|G2 C2 E3f|gfed cABc|e2 dc d2 :|
AG|F2 A2 dfed|c2 B2 G4|c2 B2 GFGA|B2 A2 A2 AG|
F2 A2 dfed|c2 B2 G4|gfed cABc|e2 dc d2 :|

"Recorded by Joe Derrane and the Irish All Stars in the early 50's" 
 (< Coogan's note)

%%%

X:41254
T:PADDY CONNELLY'S STACK OF BARLEY 
D:D: (30)
Z:Z: ABC/arr. BB
%R:hornpipe
N:N: Suggested alternate key = G
Q:1/4=150
M:C|
K:D 
%swing .25
Bc|dedc BAFE|FDB,C DEFA|d2 cd BAFE|FBBA B2 Bc|
dedc BAFE|FDB,C DEFA|BdcA BAFE|FDB,C D2 :|
DE|FDFA d3f|edBc defd|ecdB AFFE|FBBA B2 Bc|
dedc BAFE|FDB,C DEFA|BdcA BAFE|FDB,C D2 :|

%%%

X:41275
T:PEACOCK'S FEATHER (1) , The
Z:Z: ABC/arr. BB
Q:1/4=150
M:4/4
%R:hornpipe
L:1/8
K:D
DE|FEED A2 AB|defd B2 ef|gefd edBd|AFDF E2 DE|
FEED A2 AB|defd B2 ef|gefd edBd|1 AFDF D2 :|2 Adaf de|]
fg|afge fdec|defd B2ef|gefd edBd|AFDF E2 DE|
FEED A2 AB|defd B2 ef|gefd edBd|1 Adaf de :|2 AFEF D4|]

The first of two settings of this tune from De Danann's
"Traditional Music of Ireland" LP (1977). There are no
liner notes to that recording so I'm not sure where
the band got either version. Some of the older collections
have a tune called "The Peacock" but it's basically "The 
Parting Glass" and isn't related to "PF1" or "PF2".

%%%

X:41276
T:PEACOCK'S FEATHER (2) , The
Z:Z: ABC/arr. BB
%R:hornpipe
Q:1/4=150
M:4/4
L:1/8
K:Dm
AG|F2 E2 D2 DE|FEFA G2 FG|Adde dcAG|FDA,=B, C2 AG|
F2 E2 D2 DE|FEFA G2 FG|Adde dcAG|FDEC D2 :|
A=B|c2 cA d2 dA|dcA^F G2 FG|Adde dcAG|FDA,=B, C2 AG|
F2 E2 D2 DE|FEFA G2 FG|Adde dcAG|FDEC D2 :|

%%%

X:41322
T:STACK OF OATS (barn dance), The 
D:D: (6)
Z:Z: ABC/arr. BB
Q:1/4=150
L:1/8
M:4/4
%R:hornpipe 
K:G
%swing .25
DG|B2 BA B2 G2|D6 GA|B2 AB c2 A2|E8|
AGFG A2 D2|GFGA B2 e2|dBcA E2 F2|G6 :|
Bc|d2 d2 g2 g2|dedB G2 Bc|d2 B2 g2 d2|f6 AB|
cBAB c2 d2|f2 f2 f4|e2 ef ed^ce|d6 Bc|
d2 d2 g2 g2|dedB G2 Bc|d2 B2 g2 d2|b8|
abaf d2 a2|gagd B2 e2|dBcA E2 F2|HG4z4|]

"We learned this from the playing of our cousin Tommy Caulfield." 
 (< Coogan) 

%%%

X:41323
T:STAICIN EORNA , An
Z:Z: ABC/arr. BB
Q:1/4=160
M:C|
L:1/8
%R:hornpipe
K:G
%swing .25
Bd|g4 gedc|BAGA Bdd2|DEGA BGBd|eAAG A2Bd|
g4 gedc|BAGA Bdd2|DEGA BGdB|A2G2G2 :|
zA|BGBd g2fg|agfg edBd|g2fg edBd|eAAG A2Bd|
g3f gedc|BAGA Bdd2|DEGA BGdB|A2G2G2 :|

This is Chris Droney's setting of "Stack of Barley" (which is what the Irish 
title means!)

%%%

X:41335
T:TOM DILLANE'S  
%R:hornpipe
D:D: (1)
Z:Z: ABC/arr. BB
Q:1/4=150
M:C|
L:1/8
K:D
%swing .25
AG|FD FA d2 dA|Bd ef g2 g2|fafd eged|c2 A2 ABAG|
FD FA d2 dA|Bd ef g2 g2|fafd eg ec|d2 d2 d2 :|
fg|afdf afdf|bgeg bgeg|afdf afdf|e2 A2 ABAG|
FD FA d2 dA|Bd ef g2 g2|fafd egec|d2 d2 d2 :|

%%%

X:41350
T:WINDSOR TERRACE HORNPIPE, The 
C:B. McComiskey
Z:Z: ABC/arr. BB
Q:1/4=150
%R:hornpipe
M:C|
L:1/8
K:D
%swing .25
c|dAFD GFEC|DCDF Adfd|gedc BA^GB|AECE A2Ac|
dAFD GFEC|DCDF Adfd|gfec Acec|d2ec d2 :|
c|dcde f2df|edcB A2 EA|cAEA CA^GB|AECE ABcA|
dAFD GFEC|DCDF Adfd|gfec Acec|d2ec d2 :|

Named for Billy's home neighborhood in Brooklyn.

%%%

X:41356
T:WOODFORD FLING, The 
D:D: (8)
Z:Z: ABC/arr. BB
Q:1/4=150
M:C|
L:1/8
%R:hornpipe
K:D
fe|d2 cA GEFE|D2 FA D2 FA|d2 cA GE E2|Bd ec dgfe|
d2 cA GEFE|D2 FA D2 FA|d2 cA GE E2|Bd ec d2||
de|fgaf dcde|fgaf gbag|fgaf dc A2|Bd ef g2 fe|
fgaf dcde|fgaf gbag|fgaf dc A2|Bd ef g2fe|Hd4z4|]