%%musicspace 0.5in %%titlespace 40 %%printtempo 0 %%titleleft %%textfont Palatino Bold 16 %hide_information_labels %%titlefont Palatino Bold 22 %%subtitlefont Palatino Bold 18 %%composerfont Palatino Bold 16 %%historyfont Palatino Bold 16 %%partsfont Palatino Bold 16 %add_all_playback_links 25 0 0 fluid %add_all_playback_volumes 64 80 %%staffsep 60 X:44006 T:BLACK HAIRED LASS (reel), The B:B: NFID.066 Z:Z: ABC/arr. BB S:S: JD Q:1/4=180 L:1/8 M:C %R:reel K:Amix ed|cBAG Acec|Bdgd BGGB|cBAB cdeg|1 dfec Aa:|\ [2 fded cAAB|| cdef gfeg|fdfa gfed|cdef gfeg|fded cAAB| cdef gfeg|fdfa gfgb|afge fdec|dfec A4|] %%% X:44007 T:BLACK MARE OF FANAD (reel), The B:B: NFID.065 Z:Z: ABC/arr. BB S:S: JD N:N: Close relative of "Nine Points of Roguery" Q:1/4=180 L:1/8 M:C %R:reel K:Dmix A,|D2FD GFED|AdAF AdAF|D2FA GFED|cEE2 cEEF| DEFD GFED|AdAF AdAF|D2FA GFEc|dDD2 dDD:| % B|c2cA B2BG|A2Ad AGFE|D2FA GFEd|cEe2 ceed| cecA BdBG|Adcd fdAF|D2FA GFEc|dDD2 dDD:| % c|d2fa gfec|defg abaf|d2fa gfga|be e2 beef| d2fa gfec|defg abaf|d2fa gfeg|fage fdA:| % B|cecA BdBG|Adcd fdAF|D2FA GFEd|cEE2 ceed| c2ca B2BG|A2Ad AGFE|d2 FA GFEc|d2D2 dDDB| % c2cA B2BG|A2Ad AGFE|d2 FA GFEd|cEE2 ceed| cecA BdBG|Adcd fdAF|d2 FA GFEc|dDD2 dDHD2|] %%% X:44015 T:BYRNE'S REEL B:B: NFID.235a Z:Z: ABC/arr. BB S:S: JMcK Q:1/4=180 L:1/8 M:C %R:reel K:G Bd^cd edgd|edgd BAA2|Bd^cd edgd|BGAG EG G2:| g2dg agbg|g2dg eaa2|g2dg agbg|edef gfg2| g2dg agbg|g2dg eaa2|bgaf gdec|BGAG EGG2|] %%% X:44016 T:CAMERONIAN'S KILT* (reel), The B:B: NFID.067a (as "Cameronian") Z:Z: ABC/arr. BB S:S: JD N:N: This isn't related to the D-major "Cameronian", so I renamed it a bit to N:distinguish it. N:N: I don't know if the accidentals belong here or if they represent the way N:somebody heard the tune being played. Q:1/4=180 L:1/8 M:C %R:reel K:G c|Bdgd BGGB|Ac=fc A=FFc|Bdgd BGGB|Ac =Fc AGGc| Bdgd BGGB|Ac=fc A=FFc|_B2BA Bd=fd|cAFB AGG:| A|_B2BA B2GA|_BABd cBAB|G^fga gfga|=bgaf defd| gagf d^cde|fdc_B A=FEF|Gg^fg dg=bg|fdcA AGG:| %%% X:44024 T:CON CASSIDY'S REEL B:B: NFID.153a Z:Z: ABC/arr. BB N:N: I have removed the "florid" anacrusis at the start of the tune. S:S: CC Q:1/4=180 N:N: Suggested alternate key = G L:1/8 M:C %R:reel K:F ED|CFF2 CFAF|cFdF cFA^c|dgfd cAFA|G2AF GFDB,| CFF2 CFAF|cFdF cFA^c|dgfd cAFA|G^FGA =F2:| FG|A2ag fgfd|caag agfa|gagf efed|cggf ge^fg| a2ag fgfd|caag agfa|gagf efed|Aage f2e^c| d2dc dcA^c|dfeg fef^c|dgfd cAFA|G2AF GFDB,| CFF2 CFAF|cFdF cFA^c|dgfd cAFA|G^FGA =F4|] %%% X:44027 T:CONNIE HAUGHEY'S* (reel) B:B: NFID.244b ("untitled reel") Z:Z: ABC/arr. BB S:S: PT N:N: 1: First part not repeated in source. N:N: 2: I'm sure this tune has other names! Q:1/4=180 L:1/8 M:C %R:reel K:Edor E2GE BEGE|D2FD ADFD|E2GE BEGA|BdAc BEE2:| gfef gfeg|fdDd fdDf|g2ef gfed|efga baef| gfef gfeg|fdDd fdD2|efga bage|dBAc BEHE2|] %%% X:44029 T:CREGG'S PIPES (reel) B:B: NFID.169a ("untitled reel") Z:Z: ABC/arr. BB S:S: F&MB N:N: A nice setting of this "chestnut" from the Byrne Brothers. Hard to believe N:nobody could come up with the name. . .? Q:1/4=180 L:1/8 M:C %R:reel K:G B3d BAGA|B2GB AGED|B2GA BGdG|AdBG AGED| B3d BAGA|B2GB AGED|Eeed BcdB|AdBe AGFE|| % DGBG DGBG|DGBG AGEG|DGBA BABc|dBAd BGG2| DGBG DGBG|DGBG AGEG|DGGA BABc|dBAd BGGB|| % d2Bd efge|dBGB AGED|d2Bd efgb|agbg ageg| d3d efge|d2GB AGED|d2Bd efgb|agbg agef|Hg4z4|] %%% X:44032 T:CRUIT ISLAND REEL* B:B: NFID.188c ("untitled reel") Z:Z: ABC/arr. BB S:S: DOD N:N: Part 1 resembles "Man of the House" L:1/8 M:C %R:reel Q:1/4=180 K:Em D|E2BE GABe|E2BG FDDF|E2BE GABG|FdAd FBAF| E2BE GABe|E2BG FDDF|EFGE FGAF|GdBG FDDF|| EeeB GBAF|EddA FAFD|EedB cABG|FDFA dAFD| EeeB GBAF|EedA FDDF|Eege fde^c|d^cBA FDDF|| "^coda"HE4z4|] %%% X:44035 T:DERRYLAHAN HARBOR* (reel) B:B: NFID.169b ("untitled reel") Z:Z: ABC/arr. BB S:S: F&MB N:N: Source has < dG (3GGG dGBG > in mm 1,3,5, and 7 Q:1/4=180 L:1/8 M:C %R:reel K:Ador DGFG dGBG|dGBG ABcA|DGFG dGBG|cBAG ABcA| DGFG dGBG|dGBG ABcA|DGFG dGBG|cBAG ABcd|| e2df eAAG|egdB GBdf|edef gage|dBgB GABd| e2df eAAf|e2dB GBdA|Bdef gage|dBgB GABG|| "^coda"HA4z4|] %%% X:44036 T:DISPUTE AT THE CROSSROADS (reel), The T:Doctor Gilbert's B:B: NFID.067b Z:Z: ABC/arr. BB S:S: JD N:N: 1: This is Doherty's setting of this "big tune". Michael Coleman's is the N:definitive version (if there is such a thing!) N:N: 2: The original is replete with single-note triplets that I have replaced N:for the sake of a cleaner playback. Q:1/4=180 M:C %R:reel K:Edor gf|eBBe BABc|d2AF AFDG|eBBA Bdgb|afdf efgf| eBBe BABc|d2AF AFDd|Bee2 Begb|afdf efgf|| % eBB2 BABc|d2AF AFDg|eBB2 Begb|afdf egfg| eBB2 BABc|d2AF AFDd|Bee2 Begb|afdf efgf| eBB2 gB B2|defg afdf|g2bg f2af|gefd edBb| afdf edBc|dBAF AFDd|ge e2 Begb|afdf He4|] %%% X:44039 T:DROWSY MAGGIE setting 1 (reel) B:B: NFID.235b Z:Z: ABC/arr. BB S:S: PT Q:1/4=180 L:1/8 M:C %R:reel K:Edor EDBE dEBE|EDBc dAFD|EDEc d2ed|cABc dAFD| EDBE dEBE|BABc dAFD|EDEc d2ed|cABc dAFD|| dffe dfBf|dffe ceAc|dffe dfff|fefg aece| dffe dfBf|dffe ceAc|afge fded|BABc dAFD|| "^coda"HE4z4|| %%% X:44040 T:DROWSY MAGGIE setting 2 (reel) B:B: NFID.162a S:S: F&MB N:N: First notes of measures 1,2,3,5,6,7,9,11, and 13 are ornamented by rolls. N:I have omitted most of them here as they tend to clog up the playback. Q:1/4=180 L:1/8 M:C %R:reel K:Edor E2BE cEBE|E2Bc AGFD|E2BE cEBA|FABc dAFD| E2BE cEBE|E2Bd AGFD|E2BE cEBA|FABc dAFA|| d2fd dcBe|cA eA ceAc|d2fe dcBd|cefg aece| d2fe dcBd|cA eA cdeg|f2ec dcBb|gebg aecA|| "^coda"HD4z4|] %%% X:44041 T:DROWSY MAGGIE setting 3 (reel) B:B: NFID.068a Z:Z: ABC/arr. BB S:S: JD N:N: Single-note triplets (loads of them) replaced by quarter-notes. Q:1/4=180 L:1/8 M:C %R:reel K:Edor E2BE ceBe|E2 BG FADF|E2Bd cEBc|dfec dAFD| E2Bd cEBE|E2BG FADF|E2Bd ceBc|dfec dAFA|| % d2fd dcBd|cAea ceAc|d2fd dcBA|gbeg aecA| d2fd dcBd|cdef gbag|fgec dcBA|GABc dAFA| d2fd dcBd|cA eA ceAc|d2fd dcBA|GABc dAFA| d2fd dcBd|cdef gbag|fgec dcBA|GABc dAFD|| "^coda"HE4z4|] %%% X:44042 T:DRUNKEN PIPER (reel), The B:B: NFID.236a Z:Z: ABC/arr. BB S:S: JMcK Q:1/4=180 L:1/8 M:C %R:reel K:Edor BEE2 BEdE|BEE2 BAFB|ADD2 ADBD|ADD2 Bdcd| BEE2 BEdE|BEE2 BAFE|DEFA BcdB|AFDE FEE2:| e2de feef|afed Bdd2|f2ef d2ef|dBAF EFGB| e2de feef|dfaf bfaf|1 gbge fefA|dBAF EFGB:| [2 gbge fgfe|dBAF EFGA|BEED HE4|] %%% X:44043 T:DRUNKEN REEL, The B:B: NFID.236b Z:Z: ABC/arr. BB S:S: PT Q:1/4=180 L:1/8 M:C %R:reel K:Edor GA|BEE2 BEdE|BEE2 AGFG|ADD2 ADFA|ADD2 ADFA| BEE2 BEdE|BEBc dcBA|dcde fgfe|dcBA EF:| GB|Acec d2cB|Acec d2cB|Acec d2dB|A2FD EFGB| Acec d2cB|Acec d2cB|Acec d2dB|A2FD EFGB|| "^coda"HE4z4|| %%% X:44044 %%historyfont 15 T:ERRIGAL BRAES (reel), The B:B: NFID.236c Z:Z: ABC/arr. BB S:S: PT N:N: 1: The source shows measure 4 and 8 as 2/4 < cAGG > and < A,G,=CE >. My N:version has all measures in 4/4 (the effect on dancers of a 2/4 measure in a reel N:can only be imagined). N:N: 2: The source doesn't show any accidentals in the A part, but I think C natural N:sounds better than C sharp in measures 4 and 8. (You can restore them to C sharp N:by deleting the = in the ABC file). L:1/8 M:C %R:reel Q:1/4=180 K:D Addc d3B|Adeg fdec|BcBA G2AB|=c3A cBAG| Addc d3B|Adeg fdec|BcBA G2AB|=cAGE FDD2|| FDAD FDD2|ED=CE FDED|FDAD ED=CG,|A,G,=CE FDED| FDAD FDD2|ED=CE FDED|FDAD ED=CG,|A,3B, =C2E2|| "^coda"HD4z4|] %%% X:44049 T:FIDDLER DOYLE'S* (reel) B:B: NFID.105b ("untitled reel") Z:Z: ABC/arr. BB S:S: SD N:N: Lower note of the double-stop is the melody note. Q:1/4=180 L:1/8 M:C %R:reel K:Dmix d|A2AG Addc|A2AG ECCE|A2AG Adde|f3e fdd2| A2AG Addc|A2AG ECCE|A2 AG Adde|f3e fdd:| e|:fd^cd [eA][fB]ce|fd^cd efge|fd^cd [eA][fB]ce| eaag edde|fd^cd [eA][fB]ce|fd^cd efge|a2ag egfg| [1 aged ^cAAG:|2 aged ^cAGE|HD4z4|] %%% X:44050 T:FIVE MEADOW CHASE (reel), The B:B: NFID.068b Z:Z: ABC/arr. BB S:S: JD N:N: 1: Since this tune is closer to "New Mown Meadows" than to the "Five N:Mile Chase" (O'Neill's "Four Hand Reel") that I know, I took the liberty of N:renaming it. N:N: 2: |A2| replaces |(3AAA| throughout N:N: 3: I removed the anacrusis |ga| because it seems incorrect. I also added N:a second ending. Q:1/4=180 L:1/8 M:C %R:reel K:D d|eAA2 BGBd|egfd edBg|eAA2 BGBc|d2ec dBAG| eAA2 BGBd|egfd edBa|g2bg faec|dfec dBA:| g|fdad BdAd|fafd cdeg|fdad BdAd|dfec dBAG| fdad BdAd|fafd cdef|gbag faec|1 dfec dBA:| [2 "^coda"dfec AGFE|HD4z4|] %%% X:44051 T:FLORA McDONALD'S REEL B:B: NFID.187a Z:Z: ABC/arr. BB N:N: I added the second ending. Q:1/4=180 S:S: DOD L:1/8 M:C %R:reel K:Edor E2EF BAFD|E2Ec dAFD|E2EF EFGA|BdAd FDDF:| Eeed eEEF|Eeec dDDF|Eeed Bcde|1 faef dDDF:| [2 faef dBAF|HE4z4|] %%% X:44053 T:FOUR COURTS (reel), The B:B: NFID.237a Z:Z: ABC/arr. BB S:S: JMcK L:1/8 N:N: Use upper note of the double stop as the melody note. Q:1/4=180 M:C %R:reel K:G ADD2 ADBD|ADD2 G2FG|ADD2 BGFG|Bd cA G2FG| ADD2 ADBD|ADD2 G2FG|ADD2 BGFG|Bd cA G3|| % F|E2BE dEBE|B3A GAGF|E2BE dEBE|BcBA GAGF| E2BE dEBE|BABA GABc|d2^cd dBGA|Bd cA G3|| % B|A2D2 [G2B2][G2B2]|[F2A2][F2A2] GFED|[A4D4] [G2B2][G2B2]|\ [G3B3]c B2dB| A4B2B2|ABAF GABc|d^cde dBGA|Bd cA HG4|] %%% X:44056 T:FRUIT OF THE VINE* (reel), The B:B: NFID.104c ("untitled reel") Z:Z: ABC/arr. BB S:S: SD N:N: Note that only Part 2 repeats. Q:1/4=180 L:1/8 M:C %R:reel K:Edor A|BAFD E2ED|E2BE DEFA|BAFD EGFD|E2EG ADDA| BAFD E2ED|E2BE DEFA|BAFD EGFA|BAGE FDD|| A|cdeg faec|d2Ad BEE2|d2eg faec|dBAG FDFA| cdeg faec|d2Ad BEEB|agfa gfec|1dBAF DEF:| [2 dBAF DEFD|HE4z4|] %%% X:44061 T:GLENHEAD REEL*, The B:B: NFID.242c ("untitled reel") S:S: JMcK Z:Z: Robinson/Black Q:1/4=180 L:1/8 M:C %R:reel K:D B,C|D2ED ADBA|f2fe dBB2|AFEF DFAF|BFAF EGFE| D2ED ADBA|f2fe dBB2|AFEF DFAF|EDEF D2 :| Bc|defe dfaf|g2bg affe|dBBA FAde|f2gf efde| fgaf g2bg|affe dBB2|AFEF DFAF|EDEF D2:| %%% X:44062 T:GLORY REEL, The B:B: NFID.162b S:S: F&MB Z:Z: Robinson/Black N:N: An unusual 3-part reel from the Byrne Brothers Q:1/4=180 L:1/8 M:C %R:reel K:G G2BG dGBG|G2BG AFDF|GBBG dGBG|c2Bc AFDF:| % K:Edor E2B2B2 cA|BGEG AFDF|[B4E4] [B2E2] cA|BdcB AFDF| [B4E4] [B2E2] cA|BGEG AFDF|[B4E4] [B2E2] cA|BdcB AFD|| % K:G f|gagf edef|g2fg ecAF|gagf e2af|1gefd ecA:| [2 gefd ecAF|HG4z4|] %%% X:44066 %%staffwidth 650 T:GRANIA'S WELCOME HOME part 3 (reel) B:B: NFID.086-2 S:S: JD Z:Z: Robinson/Black Q:1/4=180 L:1/8 M:C %R:reel K:Amix ed|cdBc ABcd|eaec eaed|cdBc A2Bc|1 d3c d2:|\ [2 dedc d3|| e|:fdfa ecAc|e^def ecAg|fdfa ecAc|dedc d2eg| [1 fdfa ecAc|e^def ecAg|fdfg aece|dcde faed:| [2 fdfa ecAc|e^def e^gfg|aece fdBA|^GABc dfed| "^coda"ceBe A2HA,2|] %%% X:44067 T:GRAVEL WALKS TO GRAN(N)IE (reel), The B:B: NFID.161 S:S: F&MB Z:Z: Robinson/Black N:N: The first setting of this tune is the version most usually heard today. The N:second setting (in the ABC file) is the A-modal source version. Q:1/4=180 L:1/8 M:C %R:reel K:Ador A2eA BAeA|A2ed BAGB|A2eA BAfa|gedc BAGB| A2eA BAeA|A2ed BAGB|A2eA BAfa|gedc BAGB|| % A2 aA gAfA|A2 eA BAGB|A2 aA gAfa|gedc BAGB| A2 aA gAfA|A2 eA BAGB|ABcd egfa|gedc BAGB || % cA A2 AGAB|cA A2 BGBd|cA A2 A2fa|fage dBGB| cA A2 AGAB|cA A2 BGBd|cA A2 A2eg|fage dBGB|| % c2gc acgc|c2gc BAGB|c2gc acef|gedc BAGB| c2gc acgc|c2gc BAGB|ABcd egfa|gedc BAGB||\ "^coda"HA4z4|| %%% X:44071 %%historyfont 15 T:HARE IN THE CORN (reel), The B:B: NFID.069a Z:Z: ABC/arr. BB N:N: 1: This is a version of "Curragh Races"/"Maid in the Cherry Tree" that only N:makes sense if it's considered an A dorian tune instead of the source's A major. N:N: 2: Source shows a /g2a/ anacrusis that I replaced with /g/ . S:S: JD Q:1/4=180 L:1/8 M:C %R:reel K:Ador g|eABA eABA|GBde dBGg|e2 cA eAcA|dBGB Agfa| e2 cA eAdB|GBde dBGB|c2Ac B2GB|1 dBGB Agf :|\ [2 dBGB AGA|| B|c2ec gece|c2 ec dBGB|c2ec gcec|dBGB AGAB| cdef g2fg|afge dBGB|c2Ac B2GB|1 dBGB AGA :|\ [2 dBGB HA4|] %%% X:44072 %%historyfont 15 T:HARVEST MOON (reel), The B:B: NFID.103a Z:Z: ABC/arr. BB N:N: To me this sounds better as a modal tune, although it isn't presented that N:way in the source. N:N: I have raised it a step from the original to facilitate performance by instru- N:ments that don't handle F naturals easily. S:S: SD Q:1/4=180 L:1/8 M:C %R:reel K:Amix %%text source key Gmix %%vskip 20 F|EAAF GABG|AEEF GEDG|EAAF GABd|e2dB A2AG| EAAF GABG|A2AF GEDG|EAAF GABd|e2dB BAA:| f|g2ef gdBA|g2ef g2ba|g2ef gdBf|gage d2ef| g2ef gdBf|g2ef g3a|b3a gafg|e2dB BAA:| %%% X:44077 %%titlefont 17 T:HIGHLAND MAN WHO KISSED HIS GRANNIE (reel), The B:B: NFID.237b Z:Z: ABC/arr. BB S:S: PT N:N: 1: This is a version of "Tie the Bonnet" (ONMI #1350). Source has the drone N:note as D, which I'm sure is the way that Turbit played it. I personally think it N:should be E, so in the ABC I changed measures 5-7 accordingly. See which N:version you prefer! (And if you don't care about drones, just play A.) N:N: 2: Source version has repeats which I have removed. Q:1/4=180 L:1/8 M:C %R:reel K:Ador [A2D2] [AD]g fdec|[A2D2] [AD]A BAGB|[A2D2] Ag fdef|g2gd BGGB| [A2E2] [AE]g fdec|[A2E2] AA cA GB|[A2E2] Ag fdef|g2gd BGGB| K:Amix eaaf gfed|cAeA cAeA|eaaf gfef|g2gd BGGB| eaaf afed|cAeA cAeA|afge fdef|g2gd BGGB|"^coda"HA4z4|] %%% X:44078 T:HOLLY BUSH (reel), The B:B: NFID.238a S:S: PT Z:Z: Robinson/Black L:1/8 M:C %R:reel Q:1/4=180 K:Dmix FG|A2FA DAFA|Adde fded|cGFG EGAG|cded cABG| A2 FA DEFG|Adde fded|cGFG cded|cAGE D2:| FG|Addc defg|adde dcAB|c2cB cd eg|aged cAG2| Addc defg|adde dcAB|cGFG cded|cAGE D2:|\ "^coda"cAGE HD4|] %%% X:44080 T:HUMORS OF FINNTOWN* (reel), The B:B: NFID.244a ("untitled reel") Z:Z: ABC/arr. BB S:S: JMcK Q:1/4=180 L:1/8 M:C %R:reel K:Dmix A3c BGGB|AFFD EDD2|A3c BGGB|efec d4| A3c BGGB|AFFD E2D2|A3c BGGB|efec d2|| K:D Ac|d2fd gdfd|efec dcBA|d2fd gdf2|efec d2 Ac| d2fd gdf2|efec dcBA|A3=c BGGB|efec d4|] %%% X:44085 T:IRISH STEW* (reel) B:B: NFID.172 ("untitled reel") Z:Z: ABC/arr. BB S:S: F&MB N:N: This reel seems to be comprised of parts of other tunes - maybe "Morning N:Dew" in part A, "Glass of Beer" in part B, "Miss Patterson's Slippers" in N:part D! Q:1/4=180 L:1/8 M:C %R:reel K:Edor P:"A" E2E2 BAFD|E2 E2 dAFD|E2E2 BAFA|BdAB FADF:| P:"B" Beed BcdA|Beec dAFA|Eeed Bcde|eg ef dAFA| Eeed BcdA|Beef dAFD|Eeed Bcde|faef dAFE|| P:"C" fB B2 fece|fBfb eAce|fB B2 fece|faef ceAG| fB B2 fece|fBfb eAce|fB B2 fece|faef ceAD|| P:"D" B,EEF GEFD|A,DDE FDED|B,EEF GFGB|AFdf FEED| B,EEF GEFD|A,DDE FDED|GBGB FBFB|AFdF HE4|] %%% X:44086 T:IVY LEAF (reel), The B:B: NFID.103b S:S: SD Z:Z: Robinson/Black Q:1/4=180 L:1/8 M:C %R:reel % A-BB K:Ador E|A2eA BAe2|fgfa gedB|A2eA BAeA|BAGD EAA:| B|a2ag abaf|g2gf gagB|a2ag abaf|gedB A4| a2ag abaf|g2gf gage|b2af gedg|1 "thru"eaa2 ged:| [2 "^coda"eaa2 gedB|HA4z4|] %%% X:44088 T:JOHN McNEIL'S REEL B:B: NFID.187b Z:Z: ABC/arr. BB N:N: Sometimes called "Big John McNeill's" S:S: DOD Q:1/4=180 L:1/8 M:C %R:reel K:A B,|A,2CE FECE|AECE FECE|A,2CE FECE|FCEC B,DCB,| A,2CE FECE|AECE FECE|B,DCE DFE=G|FA=GB cAA|| f|eAfA e2af|eAfA eAcd|eAfA e2af|dfca B2cd| eAfA eAcd|eAfA e2fg|1 agag fedc|BAGF EDC:| %%stretchlast 0 [2 agag fece|fagb Ha4|] %%% X:44089 T:JUDE'S BUSH (reel) B:B: NFID.238b Z:Z: ABC/arr. BB S:S: JL N:N: A setting of "Saint Ruth's Bush". No idea how Jude got involved. Let me N:ask him: "Hey, Jude . . ." Q:1/4=180 L:1/8 M:C %R:reel K:Ador Bd|eAAB cBcA|GEE2 E2EG|A^GAB cBcd|eaag egd2| eAAB cBcA|GEE2 E2EG|A^GAB cd=ge|dBGB A2:| Bd|eaag a2ag|eaag baag|edef g2gg|eggf edBd| eaag a2ag|eaag baag|e2ef gage|dBGB A2:| %%% X:44092 T:KILTYFANAD REEL, The B:B: NFID.163 S:S: F&MB Z:Z: Robinson/Black N:N: Very similar to "Nine Points of Roguery"/"Black Mare of Fanad" Q:1/4=180 L:1/8 M:C %R:reel K:D P:"A" DEFD GEFE|Ddd2 ABAF|DEFD GFEG|=cedB cGE=C| DEFD GEFE|Ddcd ABAF|DE FD GFEd|cABc dADB|| P:"B" [=c4E4] [B4G4]|A2BG AGFE|DEFD GFEG|=cedB cGEG| =cBAc BAGB|Ad^cd f=cAF|DE FD GFEd|cABc dADB| =cedB cGEG|A=cBe AGFE|DE FD GFEG|=cedB cGEG| =cBAc BAGB|Ad^cd fdAF|DEFD GFEd|cABc dADc|| P:"C" d2fa gefc|defg abaf|defa gfga|bede bgec| d2fa gefc|defg abaf|dgfa gfeg|f2ge fdAF|| P:"D" G2eG F2dF|EDEG FEDd|Bd ef gfea|fage fdAF| G2eG F2dF|EDEG FDEC|DE FD GFEd|cABc dADB|| % P:"A2" DEFD GEFE|Ddd2 ABAF|DEFD GFEG|=cedB cGE=C| DEFD GEFE|Ddcd ABAF|DEFD GFEB|cABc dAFD|| "^coda" EDCE HD4|] %%% X:44099 T:KITTY GORDON'S (reel) B:B: NFID.238c Z:Z: ABC/arr. BB S:S: PT Q:1/4=180 L:1/8 M:C %R:reel K:Dmix DFAc BGAF|DFAF EDEF|DFAc BGAF|Agfe d2d2| DFAc BGAF|DFAF EDEF|DFAc BGAF|Agfe d^cBA|| d2fd adfd|^cdec gcec|d2fd adfd|eg fe d^cBA| d2fd adfd|^cdec gcec|DFAc BGAF|Agfe d2Hd2|] %%% X:44100 T:KITTY IN THE LANE (reel) B:B: NFID.153b Z:Z: ABC/arr. BB S:S: CC N:N: NF version has |d/e/d/c/ df edcA| as first measure. Q:1/4=180 L:1/8 M:C %R:reel K:A d2df edcA|fBB2 fecA|defa edca|eAAa eAAe| d2fa eAce|fBB2 fecA|defa edca|eAAa eAA|| |:e|a2ga fbea|fBB2 fece|a2ga fbaf|1 eAAa eAc:| %%stretchlast 0 [2 e^dea faec|HA4z4|] %%% X:44105 T:LADS OF LAOIS (reel), The B:B: NFID.170 ("untitled reel") Z:Z: ABC/arr. BB S:S: F&MB Q:1/4=180 L:1/8 M:C %R:reel K:Em G|EB, B,2 E2FE|DA, A,2 DEFD|GEED EFGA|B2e^c dBAF| EB, B,2 E2FE|DA, A,2 DEFD|Eeed B^cdA|Bd ec BFAF|| % EB, B,2 E2FE|DA, A,2 DEFD|GEED EFGA|Bbe^c dBAF| E2 B,E GB,EG|D2A,D FA,DF|E2BE dEBE|A2 FA BEE2|| % eB B2 egfe|defa gfed|Bdef gfge|fgaf gfed| ebed BAFA|BE E2 BAFA|Bd ef gefd|gbfb edBd|| % eB B2 egfe|defa gfed|Bdef g2ge|fgaf gfed|eBB2 GBFB| Eeed egfa|gbgb fafa|egfd eGFD|HE4z4|] %%% X:44107 T:LAST HOUSE OF (IN) CONNAGHT (reel), The B:B: NFID.104b Z:Z: ABC/arr. BB S:S: SD N:N: This sounds more like the tune usually called "Dinny O'Brien's". Q:1/4=180 L:1/8 M:C %R:reel K:Dmix g|fd d2 dcAB|c2Bd cAGE|D2Ad eg AB|c3e dcAg| fd d2 dcAB|c2Bd cAGE|D2Ad eg AB|cAGE D3:| e|fd d2 defd|ad d2 bdad|c2Bc cdef|gcec aceg| A2 ga faec|d2AB cAGE|D2Ad eg AB|cAGE D3:| %%% X:44109 T:LOUGHRAN'S #1* (reel) B:B: NFID.242a ("untitled reel") Z:Z: ABC/arr. BB S:S: JL Q:1/4=180 L:1/8 M:C %R:reel K:G dc|BGAF DGG2|ABcA defg|(3agf ge fdec|dcAG Addc| BGAF DGG2|ABcA defg|(3agf ge fdAf|1 dcAF G2:|\ 2 dcAF G3|| |:B|defg a2fa|gede dcA2|defg add2|cdef g2fe| defg a2fa|gfde dcAG|1 FEFG A2BA|dcAF G3:| %%stretchlast 0 [2 FEFG A2fe|dcAF HG4|] %%% X:44110 T:LOW PARK REEL, The N:N: aka "Hare's Paw" B:B: NFID.239a Z:Z: ABC/arr. BB S:S: JMcK Q:1/4=180 L:1/8 M:C %R:reel K:G G2BG ABGA|BEEF GED2|GFGA BABd|eg fd edBA| G2BG ABGA|BEEF GED2|G2GA BABd|eg fd e3|| f|g2fg edBc|d2dc Bdd2|eg fg edBd|eg fd e3f| g2fg edBc|d2dc Bdd2|eg fg edBd|egfd edBA|\ "^coda"HG4z4|| %%% X:44111 %%staffwidth 650 T:MAKE YOUR BREAKFAST (reel) B:B: NFID.239b Z:Z: ABC/arr. BB S:S: PT Q:1/4=180 L:1/8 M:C %R:reel K:Dmix BA|dAA2 dAFA|deef g2fe|dAA2 dAFD|[E2G,2]E2 c2BA| dAA2 dAFA|deef g2fe|dAA2 dAFD|EGAB c2:| BA|d2fd adfd|d2fd g2fe|d2fd adfd|edcB c2BA| d2fd adfd|d2fd g2fg|afge fdec|1[E2G,2]E2 c2:|\ [2 "^coda"dBcA BGAE|HD4z4|] %%% X:44113 T:MARGARET STUART'S REEL B:B: NFID.188a Z:Z: ABC/arr. BB S:S: DOD Q:1/4=180 N:N: Suggested alternate key = Am L:1/8 M:C %R:reel K:Bm f2Bf dBfB|faea cAec|f2Bf dBfB|1 ecac cBBe:|2 a2ec dBB2|| FBBc dBAc|E2AB cABA|FBBc defb|afec dBBA| F2Bc dBAc|eAAB cABA|dBdb cBca|ecAB cABe|HB4z4|] %%% X:44115 T:MARY O' THE WISP (reel) B:B: NFID.164 Z:Z: ABC/arr. BB S:S: F&MB Q:1/4=180 L:1/8 M:C %R:reel K:D dB|Add2 ecdB|Addc dedB|Acde fdeg|fbge fdB^G| Add2 ecdB|Addc dedB|Acde fbed|cAA2 cA :| de|fAge fdge|fdge fdB2|fage fefg|aAA2 aAA2| fAge fdge|fbge fefg|abaf egfd|1 "thru"cAA2 cA:| [2"^coda"cAA2 cAGE|HD4z4|] %%% X:44118 T:MEENAFANAD REEL* B:B: NFID.189 ("untitled reel") Z:Z: ABC/arr. BB N:N: A northern version of "Otter's Hole"! Q:1/4=180 S:S: DOD L:1/8 M:C %R:reel K:D f|dBBA FEFA|dcde fgfe|dBBA FEFA|Bd cA Bafe| dBBA FEFA|dcde fa fe|dBBA FEFA|Bd cA B3|| c|d2Bc dcde|fbbf afea|fdBc dcde|fbaf e2de| fdBc dcde|fbbf a2fa|bfef afef|bfaf eafe|\ "^coda"Hd4z4|] %%% X:44124 T:MISS JOHNSON'S (reel) B:B: NFID.069b Z:Z: ABC/arr. BB N:N: This is recognizable as a relative of "Miss Johnson" in O'Neill's N:(ONMI.1376). I did some editing. S:S: JD Q:1/4=180 L:1/8 M:C %R:reel K:D G|F2FE DFAF|DFED CDEG|FGFE DCDF|EDEF GBAG| F2FE DFAF|DFED CDEG|AFGE FDED|CDEF GBA:| |:G|FGAB A2GB|AFdF eFdF|FGAB A2GF|GBec dcBG| [1FGAB AGFG|AFdF efde|fdec dcBA|Bdce dAB:| [2FGAB AGFG|AFdf efdg|fdec dcBA|GBec dBAF|HD4z4|] Source version: AG|:F2FE DFA,F|DFED CDEG|FGFE DCDF|EDEF GBAG| F2FE DAA,F|DFED CDFG|AFGE FDED|CDEF GBAG:| FGAc BA^GB|AFdF eFdF|FGAc BAGF|GBec dcBG| FGAB AGFG|AFdF eFde|fdec dcBA|Bdce dABG| FGAB AGFG|AFEF eFdF|FGAc BAGF|GBec dcBG| FGAB AGFG|AFdf eFdg|fdec dcBA|^GBec dBA=G|HD4z4|] %%% X:44125 T:MISS PATTERSON'S (reel) B:B: NFID.071 Z:Z: ABC/arr. BB S:S: JD N:N: 1: In the book, this tune is combined with the "Roscommon Reel". Playing the N:two tunes together became standard procedure following Coleman's recording of N:them that way. The folks notating the tune evidently weren't aware that Doherty N:(following Coleman) was playing two reels and not one. (Maybe Doherty didn't N:realize it either!) Q:1/4=180 L:1/8 M:C %R:reel K:Em E3D|: B,GEG B,GEG|F2DF A,DFD|B,GEG B,EGB|AFdF E3D| B,GEG B,GEG|F2DF A,DFD|B,GEG FGAB|AFdF E4:| ebgb faeg|fd^cd Adf^d|ebgb fae^c|dBAF EFGA| ebgb faeg|f^cde fgaf|GAB^c dcdB|AFdF E4:| %%% X:44126 T:MISS PERCY'S (reel) B:B: NFID.104a S:S: SD Z:Z: Robinson/Black Q:1/4=180 L:1/8 M:C %R:reel K:Ador ed|:cAA2 BAeA|BAeA dBGB|eAA2 Bdef|g2ge dBGB:| c2ec gcec|c2gc dBGB|c2ec gcef|g2ge dBGB| c2ec gcec|c2gc dBGB|Aaag efge|dBGB A4|] %%% X:44127 T:MOLL AN TIARNA (reel) B:B: NFID.165 Z:Z: ABC/arr. BB S:S: F&MB N:N: 1: Parts of this tune remind me "An Deontanach" (The Volunteer). N:N: 2: According to source, this is played A-B-C-D-E-B (with B repeating N:and ending on < G2GF G4 > instead of the second ending.) Q:1/4=180 L:1/8 M:C %R:reel K:C P:"A" |:EF|Gccd ecBc|d2ec dcAc|G2cd ecfe|A2GA AGED| Gccd ecBc|d2ec dcAg|fafd ecBA|G2GF GF:| P:"B" |:EF|Gccd e2ce|d2Bd c2cd|ecfd ecfe|1 A2GA AG:|\ [2 G2GF G2|| P:"C" |:ef|gbge fafd|egdB cBcd|egfd ecdc|AA2^G A2ef| g2 f2 e4|dd2B cBcd|egfd ecdB|G2GF G2|| P:"D" ef|gage fafd|egdB cBcd|egfd ecdc|AA2^G A2ef| gage fafd|egdB cBcd|egfd ecdB|G2GF G2|| P:"E" EF|Gccd e3c|d3B c3d|egfd ecdc|AA2A AGE^F| Gccd e2ce|d2Bd c2cd|ecfd ecdB|GG2^F G4|| P:"B2" |:"9A"Gccd e2ce|d2Bd c2cd|ecfd ecfe|1 AA2A AGEF:|\ [2 G2GF G4|] %%% X:44128 T:MOLLOY'S (reel) B:B: NFID.077a ("untitled reel") Z:Z: ABC/arr. BB S:S: JD Q:1/4=180 L:1/8 M:C %R:reel K:D %%text A-B-A zAB|:c|d2Ad fdAF|GFEF GABc|d2Ad fdAF|GBAG FEDc| d2Ad fdAF|GFEF GABc|dcde fdAF|GBAG FDD:| % g|fgaf bgag|fgaf gbeg|fgag bagf|gbag fddg| fgaf bgag|fgaf gfeg|fedc dcBA|^GABc df"_DC"ec|| %%% X:44129 T:MONAGHAN SWITCH (reel), The N:N: aka "Ladies of Tullybardee" B:B: NFID.070 Z:Z: ABC/arr. BB S:S: JD N:N: As A-B-C-A in source, final measure < FDGE D4 > Q:1/4=180 L:1/8 M:C %R:reel K:D P:"A" Bc|dAAG FDGE|FDGF E2Bc|dAAG FDGE|FDGE D2Dc| dAAG FDGE|FDGF E2FG|ABAG FDGE|FDGE D3|| P:"B" c|dAAG FDGE|FDGF E2Bc|dAAG FDGE|FDGE Dgfe| dAAG FDGE|FDGF E2FG|ABAG FDGE|FDGE D2D|| P:"C" |:d|cAAB cAGE|cABG E2ED|cABc dAAG|FDGE D2Dd| cABd cAAB|cBcd efga|fded cABd|cAGE D3:| P:"A2" |:c|dAAG FDGE|FDGF E2Bc|dAAG FDGE|FDGE D2Dc| dAAG FDGE|FDGF E2FG|ABAG FDGE|FDGE HD4|] %%% X:44130 T:MORNING DEW (reel), The B:B: NFID.166 Z:Z: ABC/arr. BB S:S: F&MB N:N: I have appended some variations (part A, mm 6-8; part B, m.15) in the ABC N:file Q:1/4=180 L:1/8 M:C %R:reel K:Em P:"A" d^c|B2EB FBed|B2GB ADFA|B2EB FBEA|dedB ADFA| B2EB FBed|B2GB ADFA|B2EB FBEA|dedB AGFD|| P:"B" EBEB BAFA|EBEe ADFA|EBEB BAFA|dfdB ADFA| EBEB BAFA|EBEe ADFA|EBEB BAFA|dfdB AGFA|| P:"C" B2eB fBeB|B2eB ADFA|B2eB fBeB|dedB ADFA| B2eB fBed|B2eB ADFA|Bd ea fbec|B^cdB ADFA|| P:"D" BAGF EFGA|BEE2 BAFA|BAGF EFGE|FB,DE FGED| BAGF EFGA|BEE2 BAFA|Bd ea fbec|B^cdB ADFA|HE4z4|] variations part A, mm 6-8 EBGB AGFD|BAGF EFGA|BABd ADFA| P:variation part B, m.15 [B3E3]e BAFA| %%% X:44131 T:MOSEY MCGINLEY'S REEL* B:B: NFID.243b ("untitled reel") Z:Z: ABC/arr. BB S:S: JMcK L:1/8 M:C %R:reel Q:1/4=180 K:Ador DEGA BGFG|AGBG A2GE|DEGA e2ed|BABG A2GE| DEGA BGFG|AGBG A2GE|DEGA e2ed|BABG A2|| Bd|eAA2 Bd eg|fGGF GABd|eAA2 Bdeg|\ dBGB A2Bd| eAA2 Bdeg|fGGF GA Bd|egg2 eaaf|gedB A4|] %%% X:44132 T:NED GALLAGHER'S* (reel) B:B: NFID.076b ("untitled reel") Z:Z: ABC/arr. BB S:S: JD Q:1/4=180 L:1/8 M:C %R:reel K:G DGBG dGBF|G2BG cAFA|DGBG dGGe|fdcA BGFE| DGBG dGBF|G2BG cAFA|DGBG dGBd|ceAc BGAF|| gfga gbag|fdfg afdf|g2fa gbag|fdcA BGAf| g2gf gbag|fed^c dfag|bagf gbag|fd cA BGAF|HG4z4|] %%% X:44135 %%historyfont 15 %%staffwidth 650 T:NINE PINT COGGIE (reel), The B:B: NFID.072a Z:Z: ABC/arr. BB S:S: JD N:N: 1: A thought: could this title be the inspiration behind "Nine Points of N:Roguery"? Granted the two tunes don't sound anything alike, but still . . . N:N: 2: According to "Electric Scotland", a "coggie" is "a wooden dish or bowl". Q:1/4=180 L:1/8 M:C %R:reel K:A E|A2cA GABc|dcBA GEGB|A2cA Bcdf|ecBd cAAa| A2cA GABc|dcBA GEFG|AcEc ABcd|ecdB cAA:| f|a2Aa fddf|b2Bb geeg|a2Aa fdfa|ecBd cAAa| a2Aa fddf|b2Bb gefg|agae fdfa|1 "^thru"ecdB cde:|\ [2 "^coda"ecdB cAEG|HA4z4|] %%% X:44136 T:ON THE ROAD (reel) B:B: NFID.167 Z:Z: ABC/arr. BB S:S: F&MB N:N: Played in Donegal as A-B-C-D-E-A. Q:1/4=180 L:1/8 M:C %R:reel K:D P:"A" FDDE FDGE|FDDF ABAG|FDDE FDGF|EdcA GBAG| FDDE FDGE|FDDF ABAG|FDDE FDGF|EdcA GEF|| P:"B" |:G|Addd ABAF|Add2 A2FG|Add2 A2FG|EdcA GEFG| Add2 ABAF|Add2 A2Bc|defd AFED|1 EdcA GEF:|\ [2 EdcA GBe || P:"C" g|fdd2 fdge|fdfg afge|fdd2 fdef|g2bg ebge| fdd2 fdge|fdfg afge|fdd2 fdgf|edcd efg|| P:"D" e|fbec dBAF|Add2 edBc|defd AFED|EdcA G2eg| fbec dBAF|Add2 edBc|defd AFED|EdcA GAB || P:"E" |:c|dDED ADFD|dDED ADBc|dDED ADED|EdcA GABc| dDED ADFD|dDFD A2Bc|defd AF FD|1 EdcA GAB:|\ [2 edcA GBA|| P:"A2" E|FDDE FDGE|FDDF ABAG|FDDE FDGF|EdcA GBAG| FDDE FDGE|FDDF ABAG|FDDE FDGF|EdcA GBAF|HD4z4|| Source version of "last" section: B2BA Bage|d2eB dBGA|B2BA Bdge|dBAB d2G,A,| B,2B,A, B,DGE|B,DEB, DB,G,A,|B,2B,A, B,DGE|\ DB,A,B, G,4|[g2B2]z2z4|| %%% X:44140 T:PADDY RYAN'S DREAM (reel) B:B: NFID.077b ("untitled reel") Z:Z: ABC/arr. BB S:S: JD N:N: John Doherty's version of this classic reel. I kept the C sharps in mm N:3 and 7 but they can be replaced by C natural. L:1/8 Q:1/4=180 M:C %R:reel K:Ador ed|cAA2 cABG|EGDC B,CDB,|CA,B,G, A,B,^CD|EAGB Aced| cAGA cABG|EGDC B,CDB,|CA,B,G, A,B,^CD|EAGB A2:| fg|a^gae ceAf|gfgd BGFB|Agae cBAc|BGED CEAg| agae ceAf|gfgd BGBd|cBcd edcB|1Aagb ae:|2Aagb [a4A4]|| P:Variations on mm 1-8: [E2A,2]|"1"[A2E2]a2a2|[M:C]A2g2g2BA|[M:3/4]BG3G2|G4B^A| A2a2a2|[M:C] A2g2g2BA|[M:3/4] ^GE3 [E2B,2]|[E4B,4]z2 "_etc"|| %%% X:44142 T:PADDY'S VISION* (reel) B:B: NFID.077c ("Paddy Ryan's Dreams?" - otherwise untitled) Z:Z: ABC/arr. BB S:S: JD N:N: Part 2 resembles Part 2 of "Paddy Ryan's Dream" but the first part doesn't even N:come close (for one thing, it's in a major key) Q:1/4=180 L:1/8 M:C %R:reel K:D % simplified version; source version in ABC file %%vskip 20 FG|ADD2 ADBD|ADCD A,DFA|G2EG B,EGE|B,EGB AG:| FE|Dddc dBAF|Dddc dB^Ac|Be^de gef=d|Be^de gef=d| B^ABc dB=AF|Dddc dBc^d|e2Be e2Be|gefe dfec|HD4z4|] %%% X:44145 T:PARISH OF KILCAR* (reel), The B:B: NFID.243c ("untitled reel") Z:Z: ABC/arr. BB S:S: JMcK Q:1/4=180 L:1/8 M:C %R:reel K:Em BEED E2DF|G2AG FGAc|BEDE B2ef|gfed g2fg| BEED E2DF|G2AG FGAc|BEDE B2ef|gfed e2|| ef|gfga bgeg|fefg afdf|gfga bgeg|fedf e3f| gfga bgeg|fefg afdf|g2bg fgaf|gfed eg fg|HE4z4|] %%% X:44146 T:PASSING SHIP* (reel), The B:B: NFID.075b ("untitled reel") Z:Z: ABC/arr. BB S:S: JD Q:1/4=180 L:1/8 M:C %R:reel K:Ador AG|EAAB c2BA|GBdc BAGD|EAAB cdef|gedB eAAG| EAAB c2BA|GBdc BAGD|EAAB cdef|gedB eAAg|| eaag edBd|g2bg edBd|g2bg efge|dBgB BAAg| eaag edBd|g2bg edBd|gabg efge|dBgB cBAG|HA4z4|| %%% X:44153 %%historyfont 15 T:PORT CLIFFS REEL*, The B:B: NFID.154 ("untitled reel") Z:Z: ABC/arr. BB S:S: CC? N:N: The last measure of the original first part is not shown as a second ending and N:doesn't seem to belong where it is. My version tries to help with that by dropping N:that measure entirely. Q:1/4=180 L:1/8 M:C %R:reel K:G d|Bdgd BGdG|cBAc BGdG|Bdgd eg ec|BGAc BGG:| B|dedB cBAB|cdef gabg|dedB dedc|BGAf gabg| dedB cBAB|cdef g2fa|gedg egfa|gedc BGHG2|] Source version: Bdgd BGdG|cBAc BGdG|Bdgd eg ec|1BGAc BGdG:|\ [2 cdef gabg|| dedB cBAB|cdef gabg|dedB dedc|BGAf gabg| dedB cBAB|cdef g2fa|gedg egfa|gedc BGdG|| %%% X:44154 T:RAKISH PADDY (reel) B:B: NFID.072b Z:Z: ABC/arr. BB S:S: JD N:N: John Doherty's setting of this session 'chestnut'. Shown as N:A-B-A in source. Q:1/4=180 L:1/8 M:C %R:reel K:Dmix ed|:cded c2Bd|AdGd ADDd|d2d^c d3e|fdeg fded| [1 c2Bd c2B2|A2Gd ADD2|DEFG Adde|cAGd ADDB:| [2 c2Bd cGBd|cAGF ECB,C|DFEG FAdB|cA GE D3g|| |:efgb afg2|gagf eBce|d2ad bdad|abag fddf| efgb afg2|gagf eBce|defg abag|1 fage dcdf:| [2 faec d4|] %%% X:44155 T:REEL OF RATHLIN*, The B:B: NFID.076a ("untitled reel") Z:Z: ABC/arr. BB S:S: JD Q:1/4=180 L:1/8 M:C %R:reel K:Amix ed|ceAe cAec|BdGd BGdG|ceAd cBce|1 dBgB Aa:|\ [2 dBgB BAA|| B|:cBcd efgf|dcdf edcB|A^gab a=gfa|gedg e2fg| abag fage|dcdf edcB|Aa^ga e=gfa|gedB Aaed:| cA eA ceAc|BGdG BdGd|cAeA ceAc|dBgB Aaed| cA eA ceAc|BGdG BdGd|cBcd efga|gedB HA4|] %%% X:44157 T:ROAD TO BRIGHTON (reel), The B:B: NFID.240a Z:Z: ABC/arr. BB S:S: JL Q:1/4=180 L:1/8 M:C %R:reel K:G dc|BGGF G3E|DGGA BcdB|ABAG F2AF|DAFA DAFA| BGGF G3E|DGGA Bcd2|Bcdf efec|dcAF G2:| GA|B2d^c d3e|fdd2 add2|BddB Adef|gfe^c Bd=cB| Add^c d3e|fdd2 add2|Bddf efe^c|dcAF G2:| %%% X:44160 T:ROSCOMMON (reel), The B:B: NFID.071 Z:Z: ABC/arr. BB S:S: JD N:N: See my note on "Miss Patterson's" Q:1/4=180 L:1/8 M:C %R:reel K:Em B,|EFGA BA^GB|AFEF dFAF|EFGA B2dB|AFdF EDD:| % gf|eBB2 efge|faa2 bgaf|eBB2 efge|fagf egfg| eBB2 efge|faa2 bgaf|fagf egfe|dBAF EFGA|| % B2BA B^cdB|AD FD ADFA|B2BA B^cdB|AFEF E^cdc| B2BA B^cdB|AD FD ADFA|d^cBA BcdB|AFdF HE4|] %%% X:44162 T:SALLY KELLY'S REEL B:B: NFID.188b Z:Z: ABC/arr. BB S:S: DOD Q:1/4=180 L:1/8 M:C %R:reel K:Em F|GEed e2eg|fede fgab|gefd e2BG|AcBA GEEF| Eee^d e2eg|fede fgab|gefd e2BG|Ac BA GEE|| |:F|GABd G2GB|GABd cAAa|gefd e2BG|AcBA GEE:| %%% X:44163 T:SCOTCH MARY (reel) B:B: NFID.168a Z:Z: ABC/arr. BB S:S: F&MB N:N: Other settings of this tune only have two parts. I suspect the Byrnes added N:Part 3 so they could show off their C sharps! Q:1/4=180 L:1/8 M:C %R:reel K:Ador cEEB cded|cEEF G2AB|cEEB cded|cBAG EAAB| cEEB cded|cEEF G2AB|c2cd ebed|cBAG EAAd|| % eaag edBd|egfa g2gd|eaag edBd|cBAG EAAd| eaag edBd|egfa g2fg|afge fded|cBAG EAAB|| % cded ^cded|cAGF G2Bd|cded ^cded|cBAG EAAB| cded ^cded|cAGF G2Bd|cdea fged|cBAG EAAG|HA4z4|] %%% X:44167 T:SLEEPY MAGGIE (reel) B:B: NFID.240b Z:Z: ABC/arr. BB S:S: PT Q:1/4=180 N:N: Suggested alternate key = Am L:1/8 M:C %R:reel K:Bm B2b2 fBBA|B2af edcA|B2b2 a3f|fef^g aece:| dfBf dfBf|ceAe ceAe|dfBf dfBf|faaf edce:| |:fBBA FBBf|fBBA edce|fBBA FBBf|1 faaf edce:| [2 faaf edcA|HB4z4|] X:44168 T:SPORTING DAYS OF EASTER (reel), The B:B: NFID.240c Z:Z: ABC/arr. BB S:S: JL Q:1/4=180 L:1/8 M:C %R:reel K:G BGG2 DGFG|Bdef gded|BGG2 DGGA|BGAG EDD2:| g3e fgaf|g2ge fdd2|g2ge fga2|bgaf gfed| gage fgaf|g2ge fdd2|g2fg a2ga|bgaf gfed||\ "^coda"Hg4z4|| %%% X:44168 T:SPUD GATHERING* (reel) B:B: NFID.242b ("untitled reel") Z:Z: ABC/arr. BB S:S: JL N:N: This tune has another name which escapes me at the moment. Q:1/4=180 L:1/8 M:C %R:reel K:G %%text A-B-A %%vskip 20 D|G2BG dGBd|cBcd efga|bgfg agef|gedB AGED| G2BG dGBd|cBcd efga|bgfg agef|gedc BGG:| a|bgfg agef|gedB AGEG|DB,B,C DEGA|Bdgb age2| bgfg agef|gedB AGEG|DB,B,C DEGA|Bdgd "_DC"BGG:| %%% X:44171 T:STORMY WEATHER (reel) B:B: NFID.075a Z:Z: ABC/arr. BB S:S: JD Q:1/4=180 L:1/8 M:C %R:reel K:D CE|D2FE DFAF|DGBG FGAc|dcdA Bede|fdgf ecAF| [1 D2FE DFAF|G2BG FABc|dcdA BGBd|AGFE D2:| [2 FAEA DFAF|G2BG FABc|dcdA BGBd|AFEF D2|| |:ag|fgab agfa|gfed fdBc|dBAF ABde|fagf e^deg| [1 fgab agfa|g2f2 edBc|dBAF AdAF|EDEF D2:| [2 fgab agfa|g2ba gfec|dcBA BcdB|AGFE DA,B,C|HD4z4|] %%% X:44177 T:TEMPLEHOUSE (reel), The B:B: NFID.105a Z:Z: ABC/arr. BB S:S: SD Q:1/4=180 L:1/8 M:C %R:reel K:Em D|EFGA BGFE|D2ED ADED|EFGA BEE2|BAFA BEE:| d|gfef g2eg|fede fgaf|gfef g2ed|BAFA BEEB| gfef g2eg|fede fgaf|edef gfed|BAFA BEE2|] %%% X:44179 T:TINKER'S YELLOW PONY* (reel), The B:B: NFID.106a ("untitled reel") Z:Z: ABC/arr. BB S:S: SD N:N: Variant of "Yellow Tinker". This is played A-B-C-D-E-B. Q:1/4=180 L:1/8 M:C %R:reel K:Gmix P:"A" A|DGG2 DEFC|DGG2 AdcA|DGG2 DEFG|AFFG ABc:| P:"B" e|dgg2 dge^c|dgga gedc|dGG2 dGBd|cAFA c2Bc| dgg2 dge^c|dgga ^fdce|g2de ^fgaf|gbag ^fdcA|| P:"C" B2BG BdBA|BdBA c2Bc|d2GA BGBd|cAFA c2cA| B2BG BdBA|BdBA c2Bc|d^cde fefd|cFEF AdcA|| P:"D" G2GE FDFD|G2 Ac fdcA|G2GE F2FG|AFFG AdcA| DGG2 DEFC|DGG2 AdcA|DGG2 DEFG|AFEF ABc2|| P:"E" G2GE FDB,D|GA^fg fdcA|G2GE F2FG|AFEF AdcA| G2GE FDB,D|GA^fg fdcA|G2GE F2FG|AFEF ABc2|| P:"B2" dgg2 dge^c|dgga gedc|dGG2 dGBd|cAFA c2Bc| dgg2 dge^c|dgge ^fdce|gbag ^fdcA|HG4z4|] %%% X:44180 %%historyfont 15 T:TOSS THE FEATHERS (reel) B:B: NFID.168b Z:Z: ABC/arr. BB S:S: F&MB N:N: Note that the source shows twelve measures in second part. In my version N:the second part consists of four bars plus two four-bar endings - in other words, N:same amount of measures arranged a little differently. Q:1/4=180 L:1/8 M:C %R:reel K:Em %%text version with amended second part; original in ABC file %%vskip 20 EBB2 EBEB|EeBA FADF|EBB2 EBEB|eAge dBAF| E2 BE E2 BE|EeBA FADF|E2BE E2BE|eage edBd|| |:Bdef gfge|fede feef|gebe gebe|fede fbef| [1 gbb2 faa2|efge dBAF|gfed efge|fede feef:| [2 gebe gebe|fede feef|gbb2 faa2|efge dBAF|HE4z4|] Source version: D|EBB2 EBEB|EeBA FADF|EBB2 EBEB|eAge dBAF| E2 BE E2 BE|EeBA FADF|E2 BE E2 BE|eage edBd|| Bdef gfge|fede feef|gebe gebe|fede fbef| gb b2fa a2|efge dBAF|gfed efge|fede feef|| gebe gebe|fede feef|gb b2fa a2|efge dBAF|] %%% X:44181 T:TURNISKEY LASSES (reel), The B:B: NFID.241 S:S: PT Z:Z: Robinson/Black N:N: Also spelled "Tirnaskea" Q:1/4=180 L:1/8 M:C %R:reel K:Em B2BA G2AG|FADA FADA|B2BA GAB^c|dBA=c BGE2| B2BA G2AG|FADA FADA|B2BA GAB^c|dBA=c BGE2:| e2ge bege|defg afdf|e2ge bege|BdAc BGE2| e2ge bege|defg afdf|gfed egfe|dBAc BGE2:| "^coda"dBAc B2G2|HE4z4|| Source version: GB|AA B/A/G/A/ ed B/c/B/A/|GABG dGBG| AA B/A/G/A/ ed B/c/B/A/|GABG A2:| Gd|ebag e^de^f|gggg dgBG|Abag e^de^f|gdBG A2 ^GA| Abag e^de^f|gggg dg^fg|(3ag^f GE dfA^F|\ GEDB, (3A,B,A, G,2|| % %%% X:44187 T:WILD IRISHMAN (reel), The B:B: NFID.106b Z:Z: ABC/arr. BB S:S: SD Q:1/4=180 L:1/8 M:C %R:reel K:Amix gf|edcB A2 cA|eA cA e3f|edcB ABce|f2ge d2:| Bc|defd gefd|dged cABc|defd gefd|gage d2Bc| defd gefd|dged cABc|defg a2ag|fa ec dcdg|| "^coda"edcB HA4|] %%%