BB's IRISH TRADITIONAL TUNE LIBRARY
"O'Farrell's Collection of National Irish Music for the Union Pipes", London 1804
ed. 1995 P.Sky
====================================================================================
Transcriber's note: 
It is extremely difficult at this point in time to determine with any accuracy 
what the time signatures 2/4 and 4/4 meant to O'Farrell in terms of tune type 
or tune tempo. He very rarely supplies any kind of tempo indication, so the Q: 
and R: fields in the following represent no more than an educated guess in 
instances where the tune is not plainly marked as a "hornpipe" (seldom) or 
"reel" (never). 

Polkas as we understand them may not have been part of O'Farrell's musical 
vocabulary, but marches certainly were; reels are curiously absent (or so it seems), 
while strathspeys - easily identifiable by the "Scots snap" - are plentiful. I 
have done my best but individual players of this great music may have different 
ideas!

Since strathspeys can also be played as hornpipes, I have kept them as such in this 
file. However I have removed the > cut time because MIDI doesn't deal well with as
frequent use of them as a strathspey would normally require.

Also: where O'Farrell's 18th century musical notation is ambiguous, I have taken 
the liberty of making "corrections". These should be fairly transparent and are 
mainly designed to create ABCs that produce intelligible sound files.

====================================================================================
File contents:
Many of the tunes in OFNIM are duplicated in O'Farrell's "Pocket Companion" volumes
and in other collections, notably of Carolan tune (tunefolder 14).

The present file contains only the tunes that are unique to OFNIM. A list of the omitted 
tunes is at the end of the file.
====================================================================================
To find a particular tune in this file, type command-F
(Mac) or control-F (PC) and enter the name or file ID in
the search box.

Copying and pasting this file into BarFly or EasyABC will
generate a list of the all tunes contained herein.
=========================================================
X:4701 
T:APPLES IN WINTER  
B:CNIM.22
C:ABC/arr. BB
N:1:Not the 'session' version of this tune, which is usually
in E minor.
N:2:I added the second ending.
Q:1/4=160 
M:6/8
R:jig
K:D
ABc|: dAF FAF|FAF F2d|AFE EFE|EFE EFA|
dAF FEF|DFA d2e|fed cdB|1 A3 A3 :|2 A3 A2||
|:d|cAe cAe|cAe edc|dBf dBf|dBf fed|
cAe cAe|cAe e2a|fed cdB|A3 A2:|
|:d|cBA BAF|dAF F2d|cBA BAF|AFE E2d|
cBA BAF|DFA d2e|fed cdB|A3 A2 :|
|:d|cAA eAA|faf edc|dBB fBB|faf fed|
cAA eAA|fAA cea|1fed cdB|1 "thru"A3 A2 :|
[2 "final"fed cBA|GFE HD3|]

%%%

X:4702
T:BERKS OF ENDERMAY (strathspey), The 
B:CNIM.51
C:ABC/arr. BB
N:I'm not sure what "berks" refers to, so I have
kept Mr. O's spelling. (? Birch trees ? )
Q:1/4=1/4=140
M:C|
L:1/8
R:hornpipe
K:G % source key = D
Bc|d3e dBAG|AGAB E3G|DEDB, D2 GD|B,2 DE D2G>c |
dBde dBGF|cBAG E2 BA|GEDB, DEGA|B2 AG G2 :|
zD|B,3D EDEG|AGAB E3e|dedB cBAG|cdeB A3d |
Bdef g3e|dBAG E2 A2|GEDB, DEGA|B2 AG G2 :|

Source version:
fg|a3b afed|edef B3d|ABAF A2 dA|F2 AB A2 d/e/f/g/ |
afab afdc|gfed B2 fe|dBAF ABde|f2 ed d2 :|
zA|F3A BABd|edef B3b|abaf gfed|ga b/g/g/f/ e3a |
fabc' d'3b|afed B2 e2|dBAF ABde|f2 ed d2 :|
%%%

X:4703
T:CAROLAN'S FAREWELL TO MUSIC (air) 
B:CNIM.26
C:ABC/arr. BB
N:13 measures in second part per source.
N:I have kept this Carolan piece in the file because it doesn't 
correspond to either of the "Farewells to Music" in the Carolan 
folder (14).
Q:1/4=100
M:4/4
L:1/8
K:Ador % source key = Gm
E2|AGAB c2BA|B2de g2ed|gedB edBA|G4 E3A|
AGAB cBcA|B2gb a3g|e3g d3e|cBAG A2 :|
e2|a3b agab|agab a2ef|g4 gfga|gaga g2 e2 |
a3b agab|agab a2ef|gfga b2ga|bage gedB|
edBA G2E2|AGAB cBcA|B2ab a3g|e2eg d2de|cBAG A4 |]

Source version:
K:Gm
z2|GFGA B2AG|A2cd f2dc|fdcA dcAG|F4 D3G|
GFGA BABG|A2fa g3f|d3f c3d|BAGF G2 :|
d2|g3a gfga|gfga g2d=e|f4 f=efg|fgfg f2 d2 |
g3a gfga|gfga g2d=e|f=efg a2fg|agfd fdcA|
dcAG F2D2|GFGA BABG|A2ga g3f|d2df c2cd|BAGF G4 |]

%%%

X:4704
T:"CORRAGA BAWN" 
T:Bruach na gCarraige Bána
B:CNIM.36
C:ABC/arr. BB
N:1:"Carraige Bán" = "White Rock(s)". Also known as
"Bruach na gCarraige Bana" (= The Brink of the White Rocks).
N:2:This is melody of the song "A Stor Mo Chroi".
Q:1/4=80
M:6/8
L:1/8
K:Em % source key = Am
G/A/|BcB/A/ G2B|A2G/E/ D2B/A/|GFE DB,D|E3 E2 :|
E/F/|G2G/E/ G2B|ded/B/ d2B/A/|G2G/E/ GBd|e3 e2f|
gfe/d/ B2G/B/|A2G/E/ D2B/A/|GFE DB,D|E3 HE3 |]

Source version:
K:Am
c/d/|efe/d/ c2e|d2c/A/ G2e/d/|cBA GEG|A3 A2 :|
A/B/|c2c/A/ c2e|gag/e/ g2e/d/|c2c/A/ ceg|a3 a2b|
c'ba/g/ e2c/e/|d2c/A/ G2e/d/|cBA GEG|A3 A3 |]

%%%

X:4705 
T:CUMMALUM 
B:CNIM.42 
C:ABC/arr. BB
N:Appears in other collections as "Cummilum". I'm guessing it's a
corrupt spelling of "Is Cuma Liom" (= "it's all the same to me!")
N:2:Variations omitted here.
Q:1/4=160
M:9/8
L:1/8
R:slip jig
K:D
E|A2d FDF FDF|A2d FDF G2E|A2d FDF FDF|BAB G2F G2 :|
E|D2d AGF AGF|D2d AGF G2E|D2d AGF AGF|BAB G2F G2 :|
e|d2f agf agf|d2f agf g2e|d2f agf agf|bgf e2f g2 :| 
e|abg fdf fdf|abg fdf g2e|abg fdf agf|gfg e2f gf :|
e|dfe dAF dAF|dfe dAF GFE|dfe dAF dAF|BAB E2F GF :|
E|DFF dFF AFF|DFF dFF GFE|DFF dFF AFF|BAB E2F GF :|\
"final"HD6z3|]

%%%

X:4706
T:DOUCHIG FOR SPORT
B:CNIM.37
C:ABC/arr. BB
N:Variant of "Pretty Girl Milking Her Cow". I have no idea 
if "Douchig" is an activity, a place, or a person!
M:6/8
L:1/8
Q:1/4=60
K:Ador
A/B/|cec BdB|AGG cec|BdB A2B|cec BdB|
AGE GED|EAB A2 || % 6 measures
B|cde/f/ ged/c/|BGB cde|efg a2b/a/|gee de d/c/|
BGB cBA|EA^G HA3 |] % 6 measures

Source version in 3/8:
A/B/|cec|BdB|AGG|cec|BdB|A2B|
"7"cec|BdB|AGE|GED|EAA/B/|A2 || 
B|cd e/f/|ged/c/|BGB|cde|efg|a2 b/a/|
"19"gee|de d/c/|BGB|cBA|EA^G|HA3 |]

%%%

X:4707
T:"DRIMEN DUFF"
T:Druimin Dubh 
B:CNIM.20 as 
C:ABC/arr. BB
N:Title = "Little Black-backed [Cow]"
Q:1/4=100
M:3/4
K:Em % source key = Am
EF|G4 FE|E2 D2 EF|G4 FE/F/|E4 DE|
F4 E2| D2 B,A, B,c |d2 AGFE|D4 EF |
G4 FE|E2 D2 EF|G4 FE/F/|E4 F2 |
GFG ABd|e4 d2|BA F2 AF/D/|E4 ||
%
ef|g4 f2|e2 d2 ef|g4 fe/f/|e4 de|
f4 e2|d2 BA Bd/e/|f4ec|d4 ef|
g4 f2|e2 d2 ef|g4 fe/f/|e4 EF|
GF GA Bd|e2 ef g/f/e/d/|BA F2 AF/D/|HE6|]

%%%

X:4708 
T:FARRELL'S PIPES  
B:CNIM.23
C:ABC/arr. BB
N:Relative of "Langstrom's Pony" / "Mooncoin"
Q:1/4=160
M:6/8
L:1/8
R:jig
K:Amix
g|:fed cAA|cAA ecA|fed cAA|BGB dBG :|
cec dfd|cde ecA|cec dfd|BGB dBG :|
cAg fed|cde ecA|cAg fed|BGB dBG :|
cBA a2e|a2f ecA|BAG g2e|g2e dBG :|
A2d cAA|cAA ecA|A2d cAA|BGB dBG :|
faf g2e|f2d ecA|faf g2c|1 BGB dBG :|\
[2"last time" BGc dBG|HA6|]

%%%

X:4709 
T:GRAMACHREE 
B:CNIM.46
C:ABC/arr. BB
N:1:This is the melody to Thomas Moore's song "The Harp That Once 
Through Tara's Halls"
N:2:  "gra mo chroi" (love of my heart)
Q:1/4=80
M:C
L:1/8
K:G
G|dedB efge|dBAB G2 de/f/|gfga gfed|edgB d3d |
gfga gfed|edcB e3f|gfed ef/g/ e2|dBAB HG4 |]
%

variations:
L:1/16
G4|d^cde dBAG efef agfe|dgBd dcBA G4z2d2 |
"11"gfga gaba g2f2 e2d2|edef gBc^c d6d2|gfga gaba gGfG eGdG |
eGdG cGBG e4 egfa|"15"gfed e4 egfa g2g2|d2B2 A3B G4-G4 || 

%%%

X:4710 
T:HERMIT OF KILLARNEY, The 
B:CNIM.17
C:ABC/arr. BB
Q:1/4=60
M:4/4
L:1/8
K:G
BA|GAGE DEGA|BdBG A2d>A|GAGE DEGA|BdAB G2 :|
zA|GBcd edBd|edc>G A2d>A|GAGE DEGA|BdA>B G2 :|

%%%

X:4711
T:HIGHLAND LADDY 
B:CNIM.51
C:ABC/arr. BB
Q:1/4=160
N:No repeats in source. In absence of any tempo indications,
I have arranged this as a standard jig.
M:6/8
L:1/8
K:D
E|DED FGF| ABA f2e|dAF GAB|AdB F2E|
DED ABA|deg a2g|fdA Bcd|ABA F2 :|
D|F2G A2d|fed eAG|FAd fed|c2d eAG |
FAc dcB|Adf gfe|fed Bcd|1 "thru"ABA F2:|
[2 "final"ABA F2E|HD6|]

source version:
E|DED FGF| ABA f2e|dAF GAB|AdF FEF/E/|
DED ABA|d/c/d/e/f/g/ a2g|fdA Bcd|ABA F2D |
F2G A2d|fed eAG|FAd fed|c2d eAG |
FAd dcB|A/cd/e/f/ gfe|f/g/a/f/e/d/ Bcd|ABA F2 D|]

%%%

X:4712
T:HIGHLAND WATCH (strathspey), The 
B:CNIM.45
C:ABC/arr. BB
N:This sounds more like a "theme and variations" setup than
a genuine two-part tune!
Q:1/4=140
M:C
L:1/8
R:hornpipe
K:Em
B|GEEF GEEc|GEEB, D2DB|GEEF GEEF|GABG E3F |
GABA BAGA|BAGB, D2GF|EFGA BAGe|dBAG E3 :|
%
f|geef geeb|geeB d2ef|geef geef|gabg e2ef|
gaba baga|bage d2df|efga bgab|gef^d e2 ef|
geef geeb|gedB d2ef|geef geB^d|eBdF E2EF|
GABd BAGA|BAGB, D2GF|EFGA BAGe|dBAG HE4 |]

source version:
B|GEEF GEEc|GEEB, D2DB|GEEF GEEF|GABG E3F |
GABA BAGA|BAGB, D2DG/F/|EFGA BAGe|dBAG E2E :|
%
e/f/|geef geeb|geeB d2de/f/|geef geef|gabg e2ef|
gaba baga|ba a/g/f/e/ d2dg/f/|efga bgab|gef^d e2 ef|
geef geeb|ge e/d/c/B/ d2de/f/|geef geeB/^d/|eBdF E2EF|
GABd BAGA|BAGB, D2DG/F/|EFGA BAGe|dBAG HE4 |]

%%%

X:4713 
T:HUMORS OF TODDY, The  
B:CNIM.35 % as "Humours"
C:ABC/arr. BB
N:O'Farrell's version is 8/8. I have expanded
it to the usual 16/16.
Q:1/4=160
M:6/8
L:1/8
R:jig
K:G
E|FEF DFA|BGG A2G|FEF DFA|BGF GFE|
FEF DFA|BGG A2G|FEF DFA|BGF G2 :|
D|GBd gdB|gdB A2B|GBd ged|cBA G2A|
GBd gdB|gdB A2B|GBd gfe|dcA G2 :|

Source version:
G|FEF DFA|BGG A2G|FEF DFA|BGG G2 :|
D|GBd gdB|gdB A2B|GBd gdc|BcA G2 :|

%%%

X:4714 
T:HUMPHY CLINKER 
B:CNIM.52
C:ABC/arr. BB
N:If the tune is named after Smollett's famous novel,
spelling should be "Humphry"! 
Q:1/4=160
M:C|
L:1/8
R:polka
K:D
A2|:F2A2 F2A2|dcBA B2G2|F2A2 d2f2|gfed e2A2|
F2A2 F2A2|dcBA B2G2|fedc d3A|BAGF A2D2 :|
d4 d4|gfed fedc|F2F2 G3A|BAGF B3E|
d2d2 gfed|fedc d3g|fedc d3A|BAGF A2D2 :| 

%%%

X:4715 
T:JACK LATTEN (reel) 
B:CNIM.18
F:file ID: ofnim/17jlat
C:ABC/arr. BB
N:Also known as "Jack Latin", "Jacky Latin", etc. The
variations are omitted.
Q:1/4=180
M:4/4
L:1/8
R:reel
K:D % Simplified version
FE|DFFd AFFA|DFFd ABGE|DFFd AFFA|BEEF G2 :|
FE|DFAF BGAF|D2AF ABGE|DFAF BGAF|BEEF G2 :|
FE|DFdf ecde|DFAF ABGE|DFdf ecdA|BEEF G2 :|
fe|fddB Adde|fddg abge|fdcd Adfd|ecce g2 :|
fe|fdec dBGE|DFAF ABAG|fdec dBdA||1 "thru"BEEF G2 :|
[2 "final" BEEF G2FE|HD4z4|]

Source version:
FE|DFFd AFFA|DFFd AB A/G/F/E/|DFFd AFFA|BEEF G2 :|
|:FE|DF/G/AF BGAF|DDAF AB A/G/F/E/|DF/G/AF BGAF|BEEF G2 :|
|:FE|DFdf ec d2|DFdF AB A/G/F/E/|DFdf ecdA|BEEF G2 :|
|:fe|fddd Addd|fddf/g/ ab a/g/f/e/|fddd Adfd|ecce g2 :|
|:gf/e/|fdec dB A/G/F/E/|DFdF ABAG|fdec dB d/c/B/A/|BEEF G2 :|

%%%

X:4716
T:JACKSON'S LAKE  
B:CNIM.35
C:ABC/arr. BB
N:As with "Silver Mines" and "Maid at the Fair" below, this is ostensibly 
a Squire Jackson tune that doesn't appear in "Jackson's Celebrated Irish 
Tunes" (ITTL folder 30).
Q:1/4=160 
M:6/8
L:1/8
R:jig
K:Edor % source key = Am
fe|dBB dBB|FGF FED|E2E EDE|FGF FED|
A3 AFA|B2B Bcd|AFF FED|E3 E2 :|
z|dBB eBB|dBB AGF|dBB ege|dBB B2e |
fgf edc|dcB Bcd|AFF FED|E3 E2 :|

Source version:
K:Am 
B/A/|GEE GEE|BcB BAG|A2A AGA|BcB BAG|
d3 dBd|e2e e^fg|dBB BAG|A3 A2 :|
z|gee aee|gee dcB|gee ac'b/a/|gee e2 g/a/ |
bc'b ag^f|g^fe efg|dBB BAG|A3 A2 :|

%%%

X:4717
T:JERRY'S RAMBLES  
B:CNIM.18
C:ABC/arr. BB
N:Note ten measures in each part.
Q:1/4=160
R:jig
M:6/8
L:1/8
K:Ador
G|EAA AGA|BAB GAB|eAA AGA|BAB g3|egg dec|
Bdd GBB|eAA AGA|BAB g3|egg dec|GEG A2 :| %10
d|eaa aga|b2a g2b|a2g e2a|g2e d2f|e2d B2d|
AGE G3|EAA AGA|BAB g3|egg dee|GEG A2 :|  %10

%%%

X:4718 
T:LADS OF TIPPERARY, The  
B:CNIM.29
N:I added second ending.
C:ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
R:jig
K:D
e|dfd B2B|AGF A2B|dfd B2B|g3 f2e|
dfd B2B|AGF A2B|d2g fge|d3 d2 :|
A|dfg aff|bgg agf|d2d faf|g3 gfe |
def abf|b2g a2f|edB BAB|g3 f2 :|
e|dfd B2B|AGF A2B|DFA def|gba gfe |
fdc d2B|ABF A2B|d2g fge|d3 d2 :|
e|d2g faf|gbg faf|d2d faf|g3f2e |
def abc'|bag fed|edB BAB|1 g3 f2 :|\
[2 AGF EFA|HD6|]

%%%

X:4719 
T:LAST TIME I CAME O'ER THE MOOR (h'pipe), The 
B:CNIM.52
C:ABC/arr. BB
Q:1/4=150
M:C|
L:1/8
R:hornpipe
K:D
AG|F2ED d3e|f2ed c2BA|B3A FEFA|B3c d2AG |
F2ED d3e|f2ec dcBA|Bcde fedc|B2cc d2 :|
ed|c3B A3F|ecBc A3F|A3B AFEF|A2Ac d3A |
BABd B2AF|AFAB d3e|fedc AcdG|F2 E2 D2 :|

%%%

X:4720 
T:MAGGIE LAWDER (march)
B:CNIM.42 
C:ABC/arr. BB
N:A well-known tune in the older collections. Source includes 32 
measures of variations which are not included here. 
Q:1/4=100
R:march
M:4/4
L:1/8
K:D
A|dedf dedf|efg>d c2de/g/|fddA defg|abag f2af|
gagb fgfa|efgd c2e2|d>A B>F G>D Eg|f/g/a ef d4 |]

source version:
z2|A|dedf dedf|ef g/f/e/d/ c2de/g/|
"3"fddA de d/e/f/g/|ab a/b/a/g/ f2af|
gagb fgfa|ef g/f/e/d/ c2e2|
"7"d/c/B/A/ B/A/G/F/ G/F/E/D/ Eg|f/g/a ef d4 |]

%%%

X:4721 
T:MAID AT THE FAIR, The  
B:CNIM.34
C:ABC/arr. BB
Q:1/4=160
N:See note to 4716 above.
M:6/8
L:1/8
R:jig
K:A
d|FGF FEF|BcB B2d|FAF FEF|ABA A2d |
F2F FEF|BcB Bcd|cBA BAF|ABA A2 :|
d|cBA cec|BcB B2d|cBA cec|ABA A2d |
cBA cde|fdB Bcd|cBA BAF|ABA A2 :|
c|dAF FDF|BcB B2c|dAF FDF|ABA ABc |
dAF FDF|BcB Bcd|cBA BAF|ABA A2 :| 

%%%

X:4722
T:McDONNELL'S RANT  
B:CNIM.23
C:ABC/arr. BB
N:I added second ending.
Q:1/4=160
M:9/8
L:1/8
R:jig
K:G
c|BAG GAG GDG|BAG GDG ABc|BAG GAG GDG|cAF FAF AB :|
c|d2c BGG BGG|d2c BGG ABc|d2c BGG BGG|1 cAF FAF AB :|\
[2 cAF FAF AGF|G6z3|]

%%%

X:4723 
T:MILLER'S MAGGOT, The  
B:CNIM.31
C:ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
R:jig
K:Dm
F2G A2G|A2G AFD|F2G A2G|Ad^c d3|
F2G A2G|A2G AFD|fed cAG|Ad^c d3 :|
d2e fed|cAG AGF|d2e f3|gfg a3 |
d2e fed|cAG AGF|G2A B2G|Ad^c d3 :| 

%%%

X:4724 
T:MISS CARROLL'S HORNPIPE 
B:CNIM.51
C:ABC/arr. BB
Q:1/4=150
M:C|
L:1/8
R:hornpipe
K:D
c|dAFA BGEG|FAdf dcBA|Bdgf edcB|ceAA A3G |
FAdf dAGF|GBef gedc|dfaf bgec|d2 de d3 :|
A|dgba gfed|ceag fedc|Bdgf edcd|B2BA B3c |
d2df dAGF|egfa gedc|dfaf bgec|d2 de d3 :|

%%%

X:4725
T:MUNSTER PIPER, The 
B:CNIM.40
C:ABC/arr. BB
N:To me this sounds much more Scottish than Irish (must
be that octave jump down in the last measures of each
section).
Q:1/4=180
M:C
L:1/8
R:reel
K:D
c|dBAG FAd2|edcA BEEF|dBAG FAd2|edcA dDD :|
G|FAAF GBBG|FABc BEEG|FAAF GBBG|edcA dDD :|
g|fded cdef|edcA BEEg|fded cBAd|edcA dDD :| 

%%%

X:4726 
T:MY FRIEND AND PITCHER (hornpipe) 
B:CNIM.26
C:ABC/arr. BB
N:It took some work but I've arranged this tune as a standard
16/16 hornpipe (with a contrast between parts 1 and 2 not
present in the source version). 
Q:1/4=150
M:C|
L:1/8
K:D
E|DEDF AdcB|AFdF EDEF|DFFG A3B|d3e fdAc |
d2dc B2FG|AFAB decB|AFED EDEF|D2FE FDF :|
e|dedf a2bg|afed edef|d2cB A2Bc|dcBA fede|
fdec dedB|AFAB d2cB|AFED EFGE|1 "thru"DFEF D2d :|
[2 "final"F2EC HD4|]

source version:
E|D3F A3B|AFdF E3F|D3F A3B|d3e fdAc |
d2dc B3A|AFAB d3B|AFED E3F|D3E FDzF|
D3F A3B|AFdF E3F|D3F A3B|d3e fe dd/e/|
fdec d3B|AFAB d2zB|AFED E3F|D3E FD3|]

%%%

X:4727 
T:NANNY WILT THOU GANG WITH ME?  
B:CNIM.49
C:ABC/arr. BB
N:My hornpipe setting of O Farrell's setting of
a Scots song!
M:C
L:1/8
R:hornpipe
Q:1/4=150
K:D
FG|AdcB A2FG|ABAF E2AD|D2DE D3F|EBAG G2FG|
AdcB A2FG|ABAF E2AD|D2DE D3F|EBAG G2 :|
FA|def2 ecA2|Bcde d2cA|f2eB e2fd|c2BG A3A|
Bcd2 cAF2|GAB2 AFDF|G2AE FdcA|F2DE D4 :|

source version:
FG|AdcB A2FG|ABAF E2AD|D2DE D3F|EBAG G2 :|
FA|deff ecAA|Bcdd d2cA|f2 e/d/c/B/ e2fd|c2BA/G/ A3A|
Bcdd cAFF|GABB AFD2|G2FE Fd c/B/A/G/|F2ED A3A|
Bcdd cAFF|GABB AFDF|G2 A/G/F/E/ F/A/d c/B/A/G/|\
FD ED/E/ HD4 |]

%%%

X:4728
T:O'FARRELL'S HORNPIPE 
B:CNIM.39
D:OSMOF.1 tr 1
C:ABC/arr. BB
Q:1/4=150
M:4/4
L:1/8
R:hornpipe
K:D
AG|FAd2 dfed|EGBG BGFE|FAd2 dfaf|edcB ABAG |
FAd2 dfed|EGBc B2 ga|bagf gedc|d2AF D2 :|
zg|fdAd FAdf|gfga gbag|fdAd FAdf|edcB A2A2|
fdad FAdf|gfga gbag|fdfa bgfe|d2de d2 :|
A2|dfaf dfaf|dgbg dgbg| dfaf dfaf|edcB A2A2|
dfaf dfaf|dgbg dgba|bgaf gedc|d2de d2 :| 

%%%

X:4729 
T:O'FARRELL'S WELCOME TO LIMERICK 
B:CNIM.38
C:ABC/arr. BB
N:1:aka 'Choice Wife', 'Phis Fhliuch'
N:2:O'Farrell shows no accidentals in this clearly modal
tune.
N:3:I added the second ending.
Q:1/4=160
M:9/8
L:1/8
R:slip jig
K:Dmix
G|: FGA AFA c3|B2G A2F GED|FGA AFA d3|dfe d2B AFD :|
d2d faf d3|d2d faf gec|faf ged c2A|BAG FAF GED :|
FGA AFd AFd|AFd AFd GED|FGA AFA c3|B2G A2F GED :|
DFD DFD c3|c3 c2A GED|DFD DFD d3|dfe d2B AFD :|
d2d ege c2A|d2d faf gec|aba ged c2A|BAG FAF GED :|
FGA AFD dFD|AFD dFD GED|FGA AFA c3|1 "thru"BdB c2A GED :|\
[2 "final"BdB c2A GEC|D6z3|]

%%%

X:4730 
T:OLD HAG IN THE CORNER, The  
B:CNIM.28 (as "Hagg")
D:"O'Sullivan Meets O'Farrell" v.1 tr 13
C:ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
R:jig
K:Dmix
c|BGd c2A|BGd c2A|BGd AGF|EFE E2c |
BGd c2A|BGd c2A|BdB AGF|DED D2 :|
G|FGA AFd|AFd AFd|BGd AGF|EFE E2G|
FGA AFd|AFd AFd|BdB AFA|DED D2 :|
G|F2D E2D|F2D G2E|FAd AGF|EFE E2G |
F2D E2D|F2D G2E|d2B AFA|DED D2 :| 

%%%

X:4731 
T:PEGGY BAUN OR FAIR PEGGY 
B:CNIM.17
C:ABC/arr. BB
Q:1/4=100
M:3/4
L:1/8
K:D
A|d2 fd ec|dB AG FG|DE FA Bc|d4 A2 |
d2 fdec|dB AG FG|DE FA Bc|d3-d2 ||
d/e/|f3 gfe|fd B2 cd|ef gf ed|c4 (3ABc |
d2 fd ec|dB AG FE|DE FA Bc|d3-d2 |]

%%%

X:4732 
T:ROCK OF CASHEL, The  
B:CNIM.45
C:ABC/arr. BB
Q:1/4=120
M:2/4
L:1/8
R:polka
K:D
F|DF A2|AG/F/ A2|DF A2|AG/F/ EF|
DF A2|AG/F/ A2|dB AG/F/|GEE :|
F|DF d2|cB/A/ d2|DF dF|BEEF |
DF d2|cB/A/ d2|dB AG/F/|GEE :|
F|DF Fd|FE FA|DF Fd|GE EF|
DF/G/ AF|BG cA|dB AG/F/|1 "thru"GEE :|\
[2 "final"GEEF|HD4|]

%%%

X:4733
T:ROSE TREE, The  
B:CNIM.48 (adds "with variations")
C:ABC/arr. BB
N:Also known as "The Waterford Polka" or "Port Lairge". 
Q:1/4=120
M:C
L:1/8
R:polka
K:D
f/e/|dBAF A2AB|d2ed/e/ feef|dBAF A2AB|d2 ed/e/ fdd :|
z|fefg a2gf|gaba beef|dBAF A2 AB|d2 ed/e/ fdd :|

P:Variations
L:1/16
Q:1/4=80
M:2/4
z2|d3B AFdF| AFdF A3B|DFAD fede| f2e2e3f|
"11"d3B A2F2| A4 A3B|dAed fede |f2d2d2 :|
g2|fgfe defg| adfd fagf|g3a bagf |b2e2 e2fe|
"15"d3B A2GF| AFdF A3B|DFAd fede|1 f2d2d2 :|2f2d2 d4- | d4 |] 

%%%

X:4734 
T:ROUND THE WORLD FOR SPORT  
B:CNIM.28
Q:1/4=160
M:6/8
L:1/8
R:jig
K:G
D|GBB BAB|GBd def|gfe edB|dBA A2B |
GBB BAB|GBd def|gfe edB|dBG G2 :|
e|def gfg|abg fed|gfe edB|dBA A2B |
GBB BAB|GBd def|gfe edB|AGF G2 :| 

%%%

X:4735 
T:SALLY McGEE  
B:CNIM.23
C:ABC/arr. BB
N:I added second ending.
Q:1/4=160
M:6/8
L:1/8
R:jig
K:G
D|EAA AGA|BGF GBd|cdc BAB|GED E2D|
EAA AGA|BGF GBd|cdc BAB|GED E2 :|
d|efe dec|BGF GBd|efe dec|BGE c2d |
efe dec|BGF GAB|cdc BAB|1 "thru"GED E2 :|\
[2 "final"AGF HG3|]

%%%

X:4736
T:SHAUNEEN O SHEA
B:CNIM.35 (as "Shauneen O Shea or Johnny O Shea")
F:file ID: ofnim/41sos
C:ABC/arr. BB
N:Source has key signature as one flat instead of
one sharp.
Q:1/4=160
M:9/8
L:1/8
R:jig
K:Em
d|efe edB BAG|efe edB efg|
ege edB BAG|dBA ABA AB :|
d|gaf gdB BAG|gag gdB gab|
bag age edB|1 dBA ABA AB :|
[2 dBA ABA ABd|He6z6|]

%%%

X:4737 
T:SILVER MINES, The  
B:CNIM.46
C:ABC/arr. BB
N:See note to 4716 above.
Q:1/4=160
M:6/8
L:1/8
R:jig
K:D
G|A3 AGF|ABA AGF|G2E EFE|G2E EFG |
A2A AGF|ABc dAG|F2D DED|FEF D2 :|
%
d|cBc dAF|ABc dAF|G2E EFE|GFG E2d |
cBc dAF|ABc dAG|F2D DED|F2D D2 :|
%
F|AFF DFF|DFF AGF|G2E EFE|G2E E2F |
AFF DFF|DFF AGE|F2D DED|F2D D2 :|
%
g|fed faf|gbg faf|g2e ece|afg e2g |
fed faf|gbg age|fed dAd|f2d d2 :|
%
g|faf gec|fdB AGF|G2E EGE|G2E E2g |
fdB ecA|dBG AGE|F2D DED|F2E D2 :| 

%%%

X:4738 
T:THERE IS NO LUCK ABOUT THE HOUSE  
B:CNIM.44 (adds "with variations")
C:ABC/arr. BB
N:I wasn't sure what to make of this happy little tune
but polka seemed like a good idea!
M:2/4
L:1/8
Q:1/4=120
K:D
B|dB AF|G>F GB|dB AF|E2 GB|
[1 dB AF|G>F GB|A>G FE|D3 :|
[2 dB AF|G>A Bd|AG FE|D2 ||
DE|F2 FD|G>F GE|F2 FD|E2 BA|
[1 FE FD|G>F GB|AG FE|D2 :|
[2 FE FD|G>A Bd|AG FE|HD4 |]

variations:
L:1/16
M:C
Q:1/4=75
A|d2B2 BAGF|GdBd GBdB|FdAd FdAd|E3F E2c2| 
d2B2 BAGF|GFGA GBdB|ABAG FGFE|D3E D3 ||
d/e/|f2f2 f2d2|g2g2 g2e2|f2f2 dfaf|edcB Acec|
f2f2 f2d2|gfga g2b2|abag fgfe|d4d4 |]

%%%

X:4739 
T:ULSTER RONDO, The 
B:CNIM.37 (adds "with variations")
C:ABC/arr. BB
N:The 32 measure of "florid" variations are omitted here.
N:As can be seen from the source version, this is basically a straight 
16-measure tune with no breaks. I re-did it to give it more of a polka 
sound.
Q:1/4=120
M:2/4
L:1/8
R:polka
K:D
G|:FD AD/E/|FD A>d|cA BG|Ac e>g|
fd d>c|Bg gf|e>f ed|c>d cB/A/ :|
fd ad|fg a>b|ag fd/B/|Ad eg/a/|
fd fe/c/|Bg gf|eg/f/ ec|d2 d2 :|

source version:
A/G/|:FD DD|DF Ad|cA AA|Ac eg|
fd d/e/d/c/|Bg gf|e/f/g/f/ ed|c/d/e/d/ c/B/A/G/|
FD DD|DF Ad|cA AA|A/cd/ e/f/g/a/|
fd f/e/d/c/|Bg gf|e/f/g/f/ ec|d2 d2 :|

%%%

X:4740
T:WATERFORD HORNPIPE, The 
B:CNIM.24
C:ABC/arr. BB
N:Close relative of "O'Dwyer's" in O'Neill's 1001. This is 
probably one of Mr. O'Farrell's own compositions.
Q:1/4=150
M:C|
L:1/8
R:hornpipe
K:G
dc|BdGF G2AG|FADE D3c|BdGF G2Bd|egfa gedc |
BdGF G2AG|FADE D3c|BGdB ecAF|G2 GA G2 :|
ga|b3A bgdg|fgab gfed|efge abag|fadd d2 ga |
b3a bgdg|fgab gfed| egfa gedc|B2G2G2 :|
Bc|dBB2 DGBG| dBB2 DGBG|cAA2 DFAF|cAA2 DFAF |
dBGB ecAc|egfa gfga|bgaf gedc|B2G2G2 :|

%%%

X:4741 
T:WHEN THE COCK CROWS IT IS DAY 
B:CNIM.20
C:ABC/arr. BB
N:1:I have omitted everything after m.16 ("classical" variations)
N:2:This is not the familiar major-key melody that is usually 
associated with this title.
Q:1/4=150
M:6/8
R:jig
K:Bm
B|def edc|B3 B3|def baf|e3 efa |
bab agf|gfe fdc|Bfe dBA|B3 B2 :|
d|AGF AGF|d3 d2B|AGF AGF|e3 efa |
bab agf|gfe fdB|Bgf edc|B3 B2 :|

%%%

X:4742 
T:WILLIE WINKY 
B:CNIM.50
C:ABC/arr. BB
D:"O'Sullivan Meets O'Farrell" v1 track 15
Q:1/4=120
M:2/4
L:1/8
R:polka
K:Em
e|dG BA/B/|dG Ge|dG BA|GE Ee|
dG BA/B/|dG GB|Ac BA|GEE :|
F|G2 AG/A/|BEEF|GBAG|FDDF|
G2 AG/A/|Bggc|BG AG/F/| GEE :|
f|g2 ag/a/|beef|gbag|fddg|
bg ag/f/|gedB|G2 AG/A/|BEE :| 

%%%

X:4743
T:YELLOW STOCKINGS  
B:CNIM.29
N:Another popular tune back in the day. It appears in
most collections (in different keys and with a variety 
of spellings).
C:ABC/arr. BB
Q:1/4=160
M:9/8
L:1/8
R:jig
K:Em
G2B GEE GEE|G2B GEE FED|
G2B GEE GEE|FGA ABG FED :|
G2c BGd BGd|G2c BGd cBA|
G2c BGd BGd|ecA ABG FED :|
cBA GEE GEE|cBA GEE FED|
cBA GEE GEE|FGA ABG FED :|\
"final"E6z3|]

%%%

----------------------------------------------------
The following tunes (in O'Farrell's spelling) appear in OFNIM but their 
ABC files are also included in the "Pocket Companion" volumes (webABC 
ofpc.1-4) and are not duplicated here.

OFPC volume and link number follow the tune name.
----------------------------------------------------
AILEEN AROON w/var, 1.3522
BOUGHLEEN BWEE – YELLOW TOM (index), GALLOWAY TOM (over tune), 1.3553
BUMPER SQUIRE JONES 142639
CAPTAIN O CAIN, 1.3532
CAROLAN'S DREAM 141187
CAROLAN'S RECEIPT FOR DRINKING, 1.3536
CATHLEEN THREEL (KITTY TYRELL), 1.3574
COOLUN, 2.3629
DRUNK AT NIGHT AND DRY IN THE MORNING, 1.3544
ERIN GO BRAUGH, 1.3546
HUMOURS OF BALLYMANUS, 1.3565
JACKSON'S NIGHT CAP 3010
LASS OF PATTY'S MILL w/var,2.3656
LITTLE HOUSE UNDER THE HILL, 4.3870
LOGIE O BUCHAN, 1.3577
MULLOWNEY'S JIGG w/var, 1.3581
ON THE LAKE OF KILLARNEY, 1.3585
PLANXTY CONNOR, 1.3588
ROCK OF CASHEL, 2.3685
ROGUE ERRA DUFF (BLACK ROGUE), 3.3800
ROTHEMURCHUS RANT
ROY'S WIFE OF ALDIVALOCK, 1.3597
SHEELING O GUIRA w/new var, 1.3602
STAD ERRO ROGURA STAD STAD, 1.3605
YEMON O KNOCK OR NED OF THE HILL, 1.3611
WE'EL ALL TAKE COACH AND TRIP IT AWAY 
(= "Old Grey Goose" in "the 1850")

= = = end of file = = =