BB'S IRISH TRADITIONAL TUNE LIBRARY
O'Neill's "Music of Ireland" ("the 1850")
Chicago 1903

Tunefolder 495: REELS
tunes G - L

= = = = = = = = = = = = = = = =

incidental notes

folder 495 index  

= = = = = = = = = = = = = = = = 

X:495110
T:GALBALLY LASSES, The  
S:S: Cronin
B:B: ONMI.1501
Z:Z: Brennan/Black
H:H: This sounds like a reversed version of "Grand Spey".
%R:reel
Q:1/4=180
M:C|
L:1/8
K:D
de|fgfe dcdA|BdAd BdAd|fgfe dcdA|BdAF FEEd|
fgfe dcdA|BdAd BdAd|afge fdec|dBAG FDD2||
%
fgab afdf|gaba bgeg|fgab afdA|BdAF FEEe|
fgab afdf|gabg bgeg|fgef defe|dBAG FDD2||
%
FEFD FAAc|BAdA BAdA|FEFD FAAc|BAdF FEEG|
FEFD FAAc|BAdA cdeg|fgef defe|dBAG FDD2|]

%%%

X:495111
T:GIRL WHO BROKE MY HEART, The 
S:S: F. O'Neill
B:B: ONMI.1176
Z:Z: Brennan/Black
H:H: Usually played today as G-modal (K:Gm > K:C)
Q:1/4=180
%R:reel
M:C|
L:1/8
K:Gm
dc|BGFD ECC2|DGGF GABc|defd cAGF|DEFE F2dc|
BGFD ECC2|DGGF GABc|defd cAGF|DGGF G2||
DF|G2Bd gdBG|F2Ac fcAF|G2Bd gdBd|cBcd cAFA|
G2Bd gdBG|F2Ac fcdB|GABd cAGF|DGGF G4|]

%%%

X:495112
T:GIRL WITH THE LAUGHING EYES, The 
S:S: F. O'Neill
B:B: ONMI.1528
Z:Z: Brennan/Black
%R:reel
Q:1/4=180
M:C|
L:1/8
K:D
Bc|d2FG Adef|gfed fdBc|d2FG A2AB|AGEG FDDA|
d2FG Adef|gfed fdBc|d2FG A2ag|faef d2 :|
eg|afbf afdf|gfed cd eg|afbf afdf|abag fdeg|
afbf afdf|gfed gdBc|d2FG A2ag|faef d2 :|

%%%

X:495113
T:GIRLS WILL YOU TAKE HIM?  
S:S: McNamara
B:B: ONMI.1464 
Z:Z: Brennan/Black
H:H: Probably modal (K:D > K:G)
Q:1/4=180
%R:reel  
M:C|
L:1/8
K:G
B|D3E FGAF|D2AF GECE|D3E FGAB|cAdB cAGE|
D3E FGAF|D2AF GECE|D3E FGAB|cAdB cAG :|
E|Addc dfed|AcBd cAGB|Adde fdeB|cAdB cAGE|
Addc dfed|AcBd cdeg|agef gfed|1 "thru"cAdB cAG :|
[2 "^coda"cAdB cAGE|HD4z4|]

%%%

X:495114
T:GIVE US ANOTHER 
S:S: McFadden
B:B: ONMI.1530
Z:Z: Brennan/Black
%R:reel
Q:1/4=180
M:C|
L:1/8
K:D
D2 FD FAAB|defd BdAd|B3A FAdB|1 AGFD EGFE:|
[2 AGFD E2D2||defg afdf|afdf eBB2|defg afdf|
abaf e2d2|defg afbf|afdf edBA|B3A FAdB|
AGFD EGFE||"^coda"D4z4|]

%%%

X:495115
T:GOING TO THE FAIR 
S:S: F. O'Neill
B:B: ONMI.1412
H:H: In the "Miss McGuinness" family.
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
M:C|
L:1/8
K:G
dGG2 dGBG|efga bgfg|dGG2 dGBd|1 egdB BAA z:|
[2 egfa bgg2||a2ba g2d2|egdg egdg|a2ba geef|
gedB BAA2|a2ba g2d2|egdg egdg|bgaf geef|
gedB BAA2||"^coda"HG4z4|]

%%%

X:495116
T:GOLDFINCH, The  
S:S: O'Reilly
B:B: ONMI.1280
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
M:C|
L:1/8
K:A
Ac|e2ea f2af|e2ae fece|e2af ecAc|BABc BAFB|
A2ea f2af|e2ae fecf|e2af ecAc|BABc A2 :|
c2|ecBc A2Ac|B2Bd ceaf|ecBc A2ce|fbba geaf|
ecBe A2Ac|B2Bd ceaf|ecBc A2ce|fage a2 :|

%%%

X:495117
T:GOOD MORNING TO YOUR NIGHT CAP 
N:N: aka "Drunken Police Car"
S:S: McFadden
B:B: ONMI.1485
Z:Z: Brennan/Black
H:H: Coleman recorded this with the second part first.
%R:reel
Q:1/4=180
M:C|
L:1/8
K:Ador
A2Ac BGGB|cBcd eg dB|A2Ac BGGB|cABG eg D2|
A2Ac BGGB|cBcd eg dB|A2Ac BGGB|cABG EAA2||
efec dedB|cBcd eaag|eg ec dedB|cABG eg D2|
e2ec dedB|cBcd efge|aged eg dB|cABG EAHA2|]

%%%

X:495118 
T:GOOSEBERRY BUSH, The  
S:S: Cronin
B:B: ONMI.1252
Z:Z: Brennan/Black
H:H: Current version is D-mix (K:D > K:G)
Q:1/4=180
%R:reel
M:C
L:1/8
K:D
A,2|D3E FEFG|A2AB cAGB|ABcA dcAG|FGAF GBAF|
D3E FEFG|ABcA dcde|fdec dfed|cAB^c d2||
%
A2|d2de fded|cAdB cAGB|ABAF G2AG|FAB^c dcBc|
d2de fded|cAdB cAGB|ABcA dcAG|ABce d2||
%
A2|d2de fged|fefg agfd|cdef g2ef|gfge dcAB|
dcdB ABAG|FGAB cAGB|ABcA dcAG|ABce Hd4|]

%%%

X:495119
T:GREEN BRANCH, The  
S:S: Delaney
B:B: ONMI.1259
Z:Z: Brennan/Black
%R:reel
Q:1/4=180
M:C|
L:1/8
K:G
fe|dGBG dGGB|dGBG AG E2|dGBG defg|afdf g2:|
fe|dggf gbag|fdef gfef|dggf gbag|fede fee2|
dggf gbag|fdef gedB|c2cA BAGB|dfga bgHg2|]

%%%

X:495120 
T:GREEN FIELDS OF AMERICA, The  
S:S: F. O'Neill
B:B: ONMI.1240
Z:Z: Brennan/Black
H:H: ONMI has this as a single. The version here is the way we learned 
it from the likes of Paddy Reynolds (RIP) - Heaven help you if you 
screwed up and played the Coleman's second ending first! 
%R:reel
Q:1/4=180
M:C|
L:1/8
K:G
c2ec B2dB|AGAB AGEF|GAGE DEGB|AGAB AGEG|
c2ec B2dB|AGAB AGEF|GAGE DEGA|BGAF G2z2:|
GABc d2ef|gage dBGB|c2ec B2dB|AGAB AGE2|
[1 GABc d2ef|gage dBGB|c2ec B2dB|AGAB GDEF:|
[2 gfgd efge|dcBG AGEF|GAGE DEGA|BGAF HG4|]

%%%

X:495121
T:GREEN GARTERS 
S:S: Kennedy
B:B: ONMI.1477 
Z:Z: Brennan/Black
%R:reel
Q:1/4=180
M:C|
L:1/8
K:D
d2fd Adfd|d2fa gece|d2fd Adfd|edcd efge|
d2fd Adfd|d2fagece|d2fd Adfa|gecd edd2||
agfg afdf|a2fd efge|agfg afdf|edcd efge|
agfg afdf|a2fd efge|afge fdec|ABcd efge||
"^coda"Hd4z4|]

%%%

X:495122 
T:GREEN GROVES OF ERIN, The  
S:S: F. O'Neill
B:B: ONMI.1429
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
M:C|
L:1/8
K:Ador
%%text A-B-A
%%vskip20
A2cA eAcA|BGBd gedB|A2cA eAcA|BGEF GABG|
A2cA eAcA|BGBd gedB|A2cA eAcA|BGED EAA2||
%
eaag eaag|efgf efgf|eaag eaag|egfa gedB|
eaab [ac']abg|egfa gfge|dega bgag|egfa ge"_DC"dB||

%

X:495123
T:GREEN JACKET, The  
S:S: Cronin
B:B: ONMI.1490 
H:H: This sounds better to me as a modal tune (K:D > K:G) 
Z:Z: Brennan/Black
%R:reel
Q:1/4=180
M:C|
L:1/8
K:D
D2 FD AD FD|ABcd edcA|D2 FD  A2d2|cAGE EDCE|
D2 FD AD FD|ABcd edcA|D2 FD  A2d2|cAGE EDD2||
fdd2 fddf|ecc2 efge|fdd2 fged|cAGE EDD2|
fede fedf|edcd efge|afge f2ed|cAGE EDCE|"^coda"D4z4|]

%%%

X:495124
T:GREEN LINNET, The  
S:S: J. O'Neill
B:B: ONMI.1262
Z:Z: Brennan/Black
H:H: Probably better as modal (K:A > K:D)
%R:reel
Q:1/4=180
M:C|
L:1/8
K:D
B|A2ae cBAc|BAGB gdBG|A2ae cBAc|BGdB cAA:|
B|ABcd ecBA|BGBd gdBG|ABcd ecBA|BGdB cAAB|
ABcd ecBA|BGBd gdBG|AcBd cedf|edcB cAHA2|]

%%%

X:495125
T:GREEN MOUNTAIN, The  
S:S: McFadden
B:B: ONMI.1205
Z:Z: Brennan/Black
H:H: This version is actually closer to "Maid Behind the Bar" than to 
today's "Green Mountain" 
Q:1/4=180
%R:reel 
M:C|
L:1/8
K:D
dB|AFAB AFEF|DFF2 ABde|fBBA Bcde|fdgf efdB|
AFAB AFEF|DFF2 ABde|fBBA BcdB|AFEF D2||
eg|fgab afde|fdad fddf|efga beef|gebe gfeg|
fgaf bfaf|defd efde|fBBA BcdB|AFEF HD4|]

%%%

X:495126
T:GREY BEARD, The  
S:S: Cronin
B:B: ONMI.1393
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
M:C|
L:1/8
K:G
EF|GcBA GFGA|defa gedB|GABA GBcB|ABAG FDEF|
GABA GFGB|defa gfgf|ecAc dBAG|FDEF G2 :|
B2|d3e dcBc|defa gedB|GBde dcBc|AFDF ABcA|
dcde dcBc|defa g3f|ecAc dBGB|cAFA G2 :|

%%%

X:495127
T:GREY DAYLIGHT, The  
S:S: McNamara
B:B: ONMI.1371 
Z:Z: Brennan/Black
H:H: "Florid" setting in ABC file
Q:1/4=180
%R:reel
M:C|
L:1/8
K:D 
%%text A-B-A
%%vskip20
F|D2FA DAFA|A,2CE A,ECE|D2FA DAFA|Bdce dBAF|
D2FA DAFA|A,2CE A,ECE|D2FA DAFA|Bdce dfe||
%
|:c|d2fd gefd|B2ed cABc|d2fd gefd|Bdce dfec|
d2fd gefd|B2ed cABc|defg abag|fdec d"_DC"BA||

Source version: 
A/G/F/E/|: D2FA DAFA|A,2CE A,ECE|D2FA DAFA|\
[1 (3Bcd (3cde dBAF:|[2 (3Bcd (3cde dfec||
d2fd gefd|(3BAB ed cABc|(3dcd fd gefd|\
(3Bcd (3cde dfec|
d2fd gefd|(3BAB ed cABc|defg abag|fdec dBAF|]

%%%

X:495128
T:GREY PLOVER, The  
S:S: Carey
B:B: ONMI.1544
Z:Z: Brennan/Black
%R:reel
Q:1/4=180
M:C|
L:1/8
K:G
G3B d2BA|BcBA BcBA|G3B d2BG|FADA FADA|
G2GB d2Bd|eBBd g2fg|efde Bddf|e2dB BAA2 :|
dgg2 a2ge|d2BA GB B2|dgg2 a2ge|d2BG FA A2|
dgg2 a2ge|dBBd g2fg|efde Bddf|1 "thru"e2dB BAA2 :|
[2 "^coda"e2dB A2DF|HG4z4|]

%%%

X:495129
T:HAPENNY FOR A COTTON BALL, A 
S:S: F. O'Neill
B:B: ONMI.1279
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
M:C|
L:1/8
K:G
GA|B2BA Bcd2|efed efg2|BcBA GABG|AGEF G2:|
d2|gfed edBd|gfed e2ef|gfed edBA|BGEF G2ef|
gfed edBd|gfed e2ef|gbaf gfed|egfa g4|]

%%%

X:495130
T:HAPPY DAYS OF YOUTH, The  
S:S: F. O'Neill
B:B: ONMI.1311
Z:Z: Brennan/Black
Q:1/4=180
%R:reel 
M:C|
L:1/8
K:G
G2Bd e2dB|GABG AGEF|G2Bd e2dB|cABG EGG2:|
faag fdde|fdag fdd2|faag fddf|edef gfed|
faag fdde|fdag fdd2|bgaf gfef|dfaf gedB|\
"^coda"HG4z4|]

%%%

X:495131
T:HARVEST FIELD, The  
B:B: ONMI.1428
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
M:C|
L:1/8
K:G
BA|GFGA Bdd2|efge dBB2|efge dBGA|BAAG AcBA|
GFGA Bdd2|efge dBB2|gfge dBge|dBAB G2||
Bc|dbag efge|dBgB BAA2|dbag efge|dgfa g2ga|
bgaf agfd|e2dc BAA2|GFGA Bdd2|egfa g4|]

%%%

X:495132
T:HIGHWAY TO LIMERICK, The  
S:S: F. O'Neill
B:B: ONMI.1402
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
M:C|
L:1/8
K:Adorian
EAAB cBAc|BAGB dBGA|EAAB cBcd|eg dB BAA2:|
eaag efge|dBGc AGE2|eaag ef^ga|ba^gb a2ab|
c'abg efge|dBgd BGG2|EAAB cBcd|eg dB BAHA2|]

%%%

X:495133
T:HORNLESS COW, The  
B:B: ONMI.1455
Z:Z: Brennan/Black
Q:1/4=180
%R:reel  
L:1/8
M:C
K:D
FAAF GFED|FAAc dABG|FAAF GBdB|Adfe dcBA|
FAAF GFED|FAAc dABG|FAAF GBdB|AFDF E2D2||
afdf gfge|afdf eBB2|afdf gfge|afdf e2d2|
afdf gfge|afdf eBB2|defg afbf|afdf e2d2|]

%%%

X:495134
T:HOW THE MONEY GOES 
S:S: O'Neill
B:B: ONMI.1368
H:H: Source m.15 = < (3gab (3bag gfed >
Q:1/4=180
%R:reel
Z:Z: Brennan/Black
M:C|
L:1/8
K:G
G2Bd gdBd|cBAc BGEF|G2Bd gdBc|dcAF GFED|
G2Bd gdBd|cBAc BGEF|G2Bd gdBd|ecAF G2ef||
gbef gedf|gbef g2ef|gbef gedc|BGAF G2ef|
gbef gedf|gbef g2ga|"^15"gbag gfed|egfa g4|]

%%%

X:495135
T:HUMORS of BALLINACARRIG, The  
B:B: ONMI.1427
Z:Z: Brennan/Black
Q:1/4=180
H:H: < ^d> replaced in mm 5, 6, 7, 9, 10
%R:reel
L:1/8
M:C
K:Edor
dc|BEE2 d2cB|AD FD FAAc|BEEF GABc|1 dcdB e2:|
[2 dBAc BEE2||edef gfge|defg afdf|edef gfec|
dBAc BEE2|edef gfge|defg afdf|g2fd egfe|
dBAc BEHE2|]

%%%

X:495136
T:HUMORS OF NEWCASTLE, The  
S:S: Dillon
B:B: ONMI.1524
Z:Z: Brennan/Black
H:H: First part of this is in the "Captain Kelly"/"Scartaglen" family.
%R:reel
Q:1/4=180
M:C|
L:1/8
K:D
DFEF D2dB|A2FD EA,A,2|DFEF D2dB|AFDF EDD2:|
d2fd adfd|A2cA eAcA|d2fd adfd|faeg fBB2|
d2fd adfd|A2cA eAcA|dfeg faec|dBAG FDHD2|]

%%%

X:495137
T:HUMORS OF SCHULL, The  
S:S: Beamish
B:B: ONMI.1470
Z:Z: Brennan/Black 
Q:1/4=180
%R:reel  
M:C|
L:1/8
K:Ador
EAAA cAAA|BGGA BcdB|eddB A2ge|dBGA BAA2|
EAAA cAAA|BGGA BcdB|EAAB cdef|gedB A2z2||
eaag a2ba|a2bg agef|g2gf gabg|gedc BAA2|
eaag a2ba|a2bg agef|gedB cBce|gedB HA4|

%%%

X:495138 
T:HUMORS OF WESTPORT, The  
S:S: J. O'Neill
B:B: ONMI.1177
Z:Z: Brennan/Black
Q:1/4=180
H:H: Suggested alternate key = D
%R:reel
M:C|
L:1/8
K:F 
f2fe fcAc|f2fe fagf|fage fcAc|BAGA Bcde|
f2fe fcAc|f2fe fagb|afge fcAc|BAGA BdcB||
AFcF dFcF|AFcF BdcB|AFcF dFcF|BAGA BdcB|
AFcF dFcF|AFcF BdcB|Acfa gefc|BAGA Bcde|]
"^coda" f4z4|]

%%%

X:495139 
T:I HAVE NO MONEY 
S:S: McFadden
B:B: ONMI.1356 
Z:Z: Brennan/Black
H:H: Suggested alternate key = D
Q:1/4=180
%R:reel
M:C
L:1/8
K:C
G|egcA GFGG|EGcG EDDG|egcA GFGA|cded cAAG|
egcA G3G|EGcG EDDG|egcA G3a|gefd ecc||
a|gede cBcf|gedf eaaf|gede cBcA|GcGF ECCf|
gede cBcf|gedf eaaf|geaf gedc|(3ABc GF Ecc2|]

X:495140
T:I'M READY NOW 
S:S: F. O'Neill
B:B: ONMI.1362
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
M:C|
L:1/8
K:G
ed|cAAB cded|cAGE EDDB|cBAB cdeg|1 fdec df :|
[2 fdec d2||de|f2fa e2eg|fded cAAg|f2fa e2eg|
fdec d2de|f2fa e2eg|fded cAAg|f3f eaag|
fdec Hd4|]

%%%

X:495141
T:I'M WAITING FOR YOU 
S:S: J. O'Neill
B:B: ONMI.1486
Z:Z: Brennan/Black
%R:reel
Q:1/4=180
M:C|
L:1/8
K:G
D2|G2dG BGdG|AGFG ABcA|BAGF GABc|de=fd cA^FA|
BGG2 BGAG|FGAB cBcA|BdGB cBAG|FDEF G2||
Bd|g2fd edBG|FDAD BDAD|E2EF GFGA|Bdce d2Bd|
g2fd edBG|FD AD BDAD|G2FE DGBd|cDEF G4|]

%%%

X:495142 
T:IRISH MUSIC CLUB, The  
S:S: Cronin
B:B: ONMI.1498
Z:Z: Brennan/Black
H:H: More than likely a modal tune (K:D > K:G)
Z:Z: Brennan/Black
%R:reel
Q:1/4=180
M:C|
L:1/8
K:D
dB|AFDE FEFG|A^GAB cBcA|defd cAGF|DGGF GABG|
AFDE FEFG|A^GAB cBcA|defg abag|fdec d2||
A2|defg abaf|defg abaf|dg2f gagf|dggf g2fg|
agfe defd|cAGF GABc|defd cAGF|Addc d4|]

%%%

X:495143 
T:IVY LEAF (1st setting), The  
S:S: J. O'Neill
B:B: ONMI.1370 
Z:Z: Brennan/Black
H:H: Source key is A major but I'm thinking A dorian is more accurate 
(K:A > K:G)
Q:1/4=180
%R:reel
M:C|
L:1/8
K:A
%%text A-B-A
%%vskip20
A2ed cdec|A2ec dBGB|A2ed cdef|1 gfge dBGB:|
[2 gedB cAA2||eaag edef|gfge dBGB|eaag edez|
EEED EFGB|eaag edef|gfge dBGB|AcBd cedf|
egfa ge"_DC"dB||

%%%

X:495144
T:IVY LEAF (2nd Setting), The  
S:S: F. O'Neill
B:B: ONMI.1371 
Z:Z: Brennan/Black
H:H: I think this is better as a modal tune (K:A > K:D)
Q:1/4=180
%R:reel
M:C|
L:1/8
K:D
A2ed cdec|A2ec dBGB|A2ed cdeB|AGEF GABG:|
eaag edef|gfgd BGBd|eaag edcB|AGEF GABG|
eaag edBd|gfgd BGBd|AGAB cBcd|egfa gedB|A4z4|]

%%%

X:495145
T:JACK DOLAN 
S:S: McFadden
B:B: ONMI.1358
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
M:C|
L:1/8
K:G
cd|e3d Bddg|edBc dBGB|efed Bddg|edgd BA:|
cd|g2eg fded|gfgb agef|g2eg fded|BAGA Bdef|
g2bg fdef|gfgb a2ga|bgaf gfed|BABd eaaf|Hg4z4|]

%%%

X:495146
T:JENNIE ROCK THE CRADLE 
S:S: F. O'Neill
B:B: ONMI.1269
Z:Z: Brennan/Black
%R:reel
Q:1/4=180
M:C|
L:1/8
K:D
Ac|dAFA DAFA|dAFG A2 Ac|dAFA DAFA|GFEF G2 Ac|
dAFA DAFA|dAFA A2 Ac|dBcA BGAF|GFEF G2||
%
AG|DFAc BGAF|DFAB A2AF|DFAc BGAF|GFEF G2FE|
DFAc BGAF|DFAB A2 Ac|dBcA BGAF|GFEF G2||
%
AG|FD AD BDAD|FD AD A2AG|FD AD BDAD|GFEF G2AG|
FD AD BDAD|FD AD A2 Ac|dBcA BGAF|GFEF G2EF|HD4z4|]

%%%

X:495147
T:JENNY PICKING COCKLES 
S:S: Early
B:B: ONMI.1347
Z:Z: Brennan/Black
H:H: Clearly a modal tune (K:D > K:G)
Q:1/4=180
%R:reel
M:C|
L:1/8
K:D
Addc AGEF|GEcE dEcE|Addc AGEF|GEcE EDFG|
Addc AGEF|GEE2 c2cd|edcA AGEF|GEcE EDD2||
f2fd e2ed|cAAB cdeg|f2fd e2ed|eage edd2|
f2fd e2ed|cAAB c3d|edcA AGEF|GEcE EDHD2|]

%%%

X:495148
T:JENNY PIPPIN 
S:S: Ennis
B:B: ONMI.1322
Z:Z: Brennan/Black
Q:1/4=180
%R:reel 
M:C|
L:1/8
K:D
zd|BADA dADA|BADA defd|BADA dADc|dBAf e2:|
Bc|dfaf bgaf|dfaf g2fe|dfaf bgaf|dBAf e2dc|
dfaf bgaf|bgaf g2fg|agfe dBAB|1 "thru"dbaf e2 :|
[2 "^coda"dfec Hd4|]

%%%

X:495149 
T:JENNY'S WEDDING 
S:S: J. O'Neill
B:B: ONMI.1479
Z:Z: Brennan/Black
H:H: Modal (K:D > K:G)
%R:reel
Q:1/4=180
M:C|
L:1/8
K:D
D2FD ADFD|Adde fded|cAAB c2cd|eaag edcd|
D2FA defd|cAAB cdeg|fdec d2cA|BdAF EDFA||
d2fd adfd|ecAB cdec|d2fd adfd|cdeg fdd2|
d2fd adfd|cdef g2fg|afge fdec|dBAG FDHD2|]

%%%

X:495150
T:JENNY'S WELCOME TO CHARLEY 
S:S: McFadden
B:B: ONMI.1456
Z:Z: Brennan/Black
H:H: Modal (K:D > K:G)
Q:1/4=180
%R:reel  
M:C|
L:1/8
K:D
D3B AGEF|GEcE dEcE|D2dc AGEG|a2 AG EFGE|
D3B AGEF|GEcE dEcE|D2dc AGEG|a2 AG EDD2||
%
d3e dcAB|cAdB cAGB|Addc dcd2|cAGE EDD2|
dcde dcAB|cAdB cAGE|D2 eg AddB|cAGE EDD2||
%
eaa^g agef|geaf gedg|eaa^g aga2|agea e2d2|
eaa^g agef|geaf gedB|A2Bd e2dB|cAGE EDD2||
%
dfec dfed|cAAB c2AG|Addc dcd2|eaag e2d2|
dcdB dfed|cAAB cdcA|GAcd e2de|cAGc A2GE|\
"^coda"HD4z4|]

%%%

X:495151
T:JERRY HAYES 
S:S: F. O'Neill
B:B: ONMI.1383
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
M:C|
L:1/8
K:D
A2|d2fe ceAc|dAfd egce|d2fd ceAg|fdec d2:|
AG|FDAF dABG|FDAF EcAG|FDAF dABG|FDEC D2AG|
FDAF dABG|FDAF EcAG|FDAF dAAg|fdec Hd4|]

%%%

X:495152
T:JIM KENNEDY'S FAVORITE 
S:S: Kennedy
B:B: ONMI.1296
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
M:C|
L:1/8
K:G
G2GA BEE2|BEdE BEEF|GFGA BABd|1 eg fd edeg:|
[2 eg  fde2||ef|g2f2 edB^c|d2ed Bdd2|g2f2 edBd|
eg fd e2ef|g2f2 edB^c|d2ed Bdd2|bgaf gfed|
eg ed e2Hg2|]

%%%

X:495153 
T:JIM MOORE'S FANCY 
S:S: F. O'Neill
B:B: ONMI.1236 
Z:Z: Brennan/Black
H:H: 1: 3 possibilities for this tune, unknown to me:
- (i) A major (per source), no change in K field
- (ii) A modal, K field > K:D (my preference)
- (iii) A dorian, K field > K:G 
H:H: 2: If < a'cba > in mm 10 and 14 causes problems, play < a2ba >.
%R:reel
Q:1/4=180
M:C|
L:1/8
K:A
ABAG ABcd|efed efg2|G2BG dGBG|AcBA GEDG|
ABAG ABcd|efed efg2|afgf egfa|gedB BAA2||
a2bg a2bg|ac'ba geef|g2af g2af|gbag gfed|
agbg agbg|ac'ba geef|gfed egfa|gedB BAHA2|]

%%%

X:495154
T:JIMMY'S RETURN 
B:B: ONMI.1444 
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
M:C|
L:1/8
K:Bm
e|f2Bc dBfB|cAec aecA|f2Bc dBfB|cAec dBBe|
f2Bc dBfB|cAec aecA|BcdB cdea|fdec dBB||
c|Bbfd BcdB|cAec aecA|Bbfd BcdB|cAec dBBc|
Bbfd BcdB|cAcA aecA|Baga fgef|dfec dBHB2 |]

%%%

X:495155
T:JOHN O'NEILL'S REEL 
S:S: F. O'Neill
B:B: ONMI.1265
Z:Z: Brennan/Black
%R:reel
Q:1/4=180
M:C|
L:1/8
K:D
A|BcBA FAAc|BEE2 FEFA|BcBA FAAB|ABde fdd:|
e|f2fd e2ec|fgfd edBd|fgfe dedB|ABde fdde|
f2fd e2ec|fgfd edBd|faa2 bgaf|ABde fdHd2|]

%%%

X:495156
T:JOHNNY HAS GONE TO FRANCE 
S:S: McFadden
B:B: ONMI.1437
Z:Z: Brennan/Black
H:H: Possibilities:
(i) K:G (source) = all F's sharp
(ii) K:C (modal) = all F's natural (my preference)
Q:1/4=180
%R:reel
M:C|
L:1/8
K:G
g2fg dcAc|dBcA FGAF|dgg2 dcA^c|dBcA dBcA|
g2fg dcAc|dBcA FGAF|dgg2 dcA^c|dBcA BGG2||
dgg2 gbag|fdcA FGAF|dgg2 gbag|fdcA AGG2|
g2fg gbag|fdcA defg|a2 ag fgag|fdcA AGHG2|]

%%%

X:495157
T:JOHNNY WITH THE QUEER THING 
S:S: F. O'Neill
B:B: ONMI.1294
Z:Z: Brennan/Black
H:H: 1: One of my favorite tune names of all time!
H:H: 2: aka "Sailor on the Rock"
Q:1/4=180
%R:reel
M:C|
L:1/8
K:D
dfed BcdB|ADFD FAAB|defd B2dB|ABdf gfef|
dfed BcdB|ADFD FAA2|defd B2dB|ABdf e2d2||
faag fddf|gfga beeg|faaf gedB|ABdf e2d2|
faag fddf|gfga bgeg|faaf gedB|ABdf gfef|
"^coda"Hd4z4|]

%%%

X:495158 
T:JOHNNY'S WEDDING 
S:S: F. O'Neill
B:B: ONMI.1216
Z:Z: Brennan/Black
H:H: Suggested alternate key = Em
Q:1/4=180
%R:reel 
M:C|
L:1/8
K:Gm 
GA|BGdG BGGB|AFcF AFFA|1 BGdG BGGB|AFF2 G2:|
[2 GBAc Bdce|dgfa g2||ga|bgaf fdd=e|fdcA AGFD|
bgag fddc|egfa g2ga|bgag fdd=e|fdcA AGFD|
GBAc Bdce|dgfa Hg4|]

%%%

X:495159
T:JOHNNY'S WELCOME HOME 
S:S: McFadden
B:B: ONMI.1346 
H:H: I'm going with A dorian (K:A > K:G) on this one!
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
M:C|
L:1/8
K:A
%%text A-B-A
%%vskip20
AEE2 cEE2|GFEF GFED|EGAB cded|cBcd e2fg|
abaf gbge|dBGB ABcd|eged cABG|AGEG A2||
%
eg|agea ageg|agef g2fg|agbg aged|cBcd e2fg|
abaf gbge|dBGB ABcd|eged cABG|AGEG Ad"_DC"cB||

%%%

X:495160
T:JOLLY JOURNEYMAN, The  
B:B: ONMI.1239
Z:Z: Brennan/Black
%R:reel
Q:1/4=180
M:C|
L:1/8
K:G
G2BG ABcA|eBcA eBcA|G2BG ABcA|eBcA BGG2:|
g2fg agfd|eBcA eBcA|g2fg agfd|eBcA BGG2|
g2fg agfd|eBcA eBcA|G2BG ABcA|eBcA BGHG2|]

%%%

X:495161
T:JOLLY SEVEN, The  
S:S: Hartnett
B:B: ONMI.1466
Z:Z: Brennan/Black
H:H: A dorian (K:A > K:G) on this one.
Q:1/4=180
%R:reel  
M:C|
L:1/8
K:A
c2ec gcec|c2ec dBGB|c2ec gcec|afge dBGB|
c2ec gcec|c2ec dBGB|cBA^G ABcd|eaed cAA2||
ceAe ceAe|ceAe dBGB|ceAe ceAe|afge dBGB|
ceAe ceAe|ceAe dBGB|cBA^G ABcd|eaed cAA2|]

%%%

X:495162
T:JOLLY TINKER, The  
S:S: Patsy Touhey
B:B: ONMI.1535 
Z:Z: Brennan/Black
H:H: Parts A through D repeat; E is single; DC after part E = back to part 
A, but there's no "fine" marked (I supplied one)
H:H: A-modal (K:A > K:D) here
%R:reel
Q:1/4=180
M:C|
L:1/8
K:D
P:"A"
A3F GFGB|A2af gedB|ABAF GFGB|1 dBGB dedB:|2 dBGB d2||
P:"B"
|:cd|edef g2ef|g2af gfed|ed eg ageg|a2bg ag:|
P:"C"
ed|eaag edBd|eaag eg dg|eaag efge|dBGB d2:|
P:"D"
cd|edgd edcd|edgd e2cd|edgd efge|dBGB d2:|
P:"E"
Bd|eAA2 edBd|edef gefd|eAA2 efge|dBGB d2Bd|
eaag edBd|edef gefd|efgb afge|dBGB de"_DC"dB||
"^fine after 1st ending of Part A"HA4z4|]

%%%

X:495163
T:JOLLY WEAVER, The  
S:S: McFadden
B:B: ONMI.1459
Z:Z: Brennan/Black
H:H: 1: A strange little tune with triplets, cut time, and syncopation
all going on together (per the source version below).
H:H: 2: Probably better as C modal (K:C > K:F)
Q:1/4=180
%R:reel  
L:1/8
M:C|
K:C
B|c2BG c2BG|c2BG B2gb|c2de dBBd|cffd e2ge|
c2BG c2BG|c2BG B2gb|c2de dBBd|cffd e3:|
f|gbgf gab2|BcBG B2GB|c2de dBBd|cffd e2ef|
gbgf gab2|BcBG B2gb|c'abg fdBd|cffd c3 :|

source version: 
K:C
A>AGE (3AcA GE|(3AcA GE G2 eg|AA2c BGGB|AddB ccec|
A>AGE (3AcA GE|(3AcA GE G2 eg|AA2c BGGB|AddB c2cd||
ee2d efg2|GAGE G2EG|AA2c BGGc|AddB c2cd|
eg ed efg2|GAGE G2 eg|AA2c BGGc|AddB c4|]

%%%

X:495164 
T:JUG OF PUNCH, The  
S:S: Carey
B:B: ONMI.1542
Z:Z: Brennan/Black
H:H: Suggested alternate key D dorian (K:D > K:C)
%R:reel
Q:1/4=180
M:C|
L:1/8
K:D
z|A,DDC DEFG|ABGB ABGA|EA,A,B, CDEF|G2AG FDEC|
A,DDE FDDE|F2ED CD E2|d2ed cAGE|FDEC D3 :|
G|Adde f2fd|e2ed cAAB|AGAB cBcd|eaag ed d2|
Adde f2fd|e2ed cAAB|c2BA GEAG|FDEC D3 :|

%%%

X:495165
T:JULIA DELANEY 
S:S: F. O'Neill
B:B: ONMI.1401
Z:Z: Brennan/Black
H:H: The "Chieftains" setting of this tune is in D minor, but it isn't really 
close to the ONMI version. I'm going to treat the ONMI version as D 
modal because of the accented c's in the second part (K:D > K:G)
H:H: Source has < (3agf (3gfe FD (3edc > in measure 11.
Q:1/4=180
%R:reel
M:C|
L:1/8
K:D
dcAG EGDE|G2AG EGG2|dcAG EGDG|1 Addc defe:|\
[2 Addc d2d2||
cdef g2fg|agef g2ed|cdef g2ag|addc dfed|
cdef g2fg|agef g2fg|"^11"afge fdec|d2dc defe|"^coda"Hd4z4|]

%%%

X:495166
T:KATE KELLY'S FANCY 
B:B: ONMI.1206 
Z:Z: Brennan/Black
Q:1/4=180
%R:reel 
M:C|
L:1/8
K:G
dc|BABc dcAc|BGGB d2cA|BABc d2cA|d2cA BGG2|
BABc dcAc|BGGB d2cA|BABc d2de|fdcA BG :|
de|fgaf g2fe|dcAc d2de|fgaf g2fe|dcAc BGG2|
fgaf g2fe|dcAc d2de|fgaf gbag|1 "thru"fdcA BG :|
[2 "^coda"fdcA BGAB|HG4z4|]

%%%

X:495167
T:KEEPER HILL 
S:S: Cronin
B:B: ONMI.1481
Z:Z: Brennan/Black
%R:reel
Q:1/4=180
M:C|
L:1/8
K:A
z|A,2A,C EDEF|AGAc BABc|A,2A,C EDEF|ABcA BAFA|
A,2A,C EDEF|AGAc BABc|defd cdec|BABc BAF :|
B|cAae cAae|cAag fedc|dBbf dBbf|dBba gfed|
cAae cAae|cAag fedc|defg agae|1 "thru"dBcA BAF :|
%%stretchlast 0
[2 "^coda"dBcA BAFG|HA4z4|]

%%%

X:495168
T:KERRY HUNTSMAN, The  
S:S: Stack
B:B: ONMI.1447
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
M:C|
L:1/8
K:A
A2cA BAcB|A2cA BAFE|A2cA BABc|efed cBAG|
A2cA BAcB|A2cA BAFE|~d2cA ~B2AF|EFAc B2Ae||
%
feae feae|feae dcBA|feae feae|efed cAAe|
feae feae|feae dcBA|Ac eg abaf|efed cea2||
%
e3f e3f|e2cA BAFE|e3f e2cA|(3Bcd cA Bc eg|
agfa gfeg|fedf ecAc|~d2fd ~c2ec|(3Bcd cA BAFE|\
"^coda"A4z4|]

%%%

X:495169
T:KISS ME KATE 
S:S: F. O'Neill
B:B: ONMI.1432 
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
M:C|
L:1/8
K:G
D|G2Bd gdBG|D2GB AEEF|G2Bd gdBd|ecBc ADEF|
G2Bd gdBG|D2GB AEEF|G2Bd gdBd|ecAc BGG ||
g|fgag fddg|fgag bgeg|fgag fddg|fdef g2dg|
gbaf g2bg|fgag fddg|fded fded|fdef ge"_DC"dB||
"^coda"HG4z4|]

%%%

X:495170
T:KISS the BRIDE 
S:S: F. O'Neill
B:B: ONMI.1496
Z:Z: Brennan/Black
H:H: 1: aka "Kiss the Bride in Bed" 
H:H: 2: Source has < g2 a/g/f/g/ a2 b/a/^g/a/ > for mm.9 and 13.
%R:reel
Q:1/4=180
M:C|
L:1/8
K:G
D|GBAG FGAc|BGBd g2dg|ecAG FGAc|1 BGAF GFE:|
[2 BGAF G3||d|g2ag a2ba|bagf g2dg|ecAG FGAc|
BGAF GFED|g2ag a2ba|bagf g2dg|ecAG FGAc|
BGAF HG4|]

%%%

X:495171
%%titlefont 18
T:KISS the MAID BEHIND the BARREL 
S:S: Kennedy
B:B: ONMI.1308 
Z:Z: Brennan/Black
H:H: This is what I think of as a "quasi-modal" tune, where some but not 
all the F's are natural. The way I hear this tune is that the higher 
F's (= <f>) are natural and the lower ones (= <F>) are sharp. But I
may be wrong (been known to happen!), so I just kept it as straight G
per the book.
Q:1/4=180
%R:reel 
M:C|
L:1/8
K:G
DGGc AGGF|DGGB cAGF|DGGc AGA^c|defd cAFA:|
%
dgg2 agg2|dgg2 agfe|dff2 aff2|defd cAFA|
dgg2 agg2|dgg2 agfg|afge fdec|dfeg fdcA||
%
G2dg BGdG|G2dg cAFA|G2dg AGA^c|defd cAFA|
G2dg BGdG|G2dg cAFA|G2GB A2A^c|defd cAFA||
%
B2BG A2Ac|BABc dedc|B2BG A2A^c|1 defd cAFA:|
[2 "^coda"defd cAFA|HG4z4|]

%%%

X:495172
T:KISS YOUR PARTNER 
S:S: McFadden
B:B: ONMI.1547
Z:Z: Brennan/Black
%R:reel
Q:1/4=180
M:C|
L:1/8
K:G
fe|d2Bd efge|dBGB AGEG|d2Bd efgb|afdf g2fe|
d2Bd efge|dBGB AGEG|d2Bd efgb|afdf g2 :|
ef|g2gf gbag|fdad bdad|g2gf gbag|fdef g2d2|
g2gf gbag|fdad bdad|edeg fdfb|afdf g2 :|

%%%

X:495173
T:KITTY LOSTY'S REEL 
S:S: Ennis
B:B: ONMI.1221
Z:Z: Brennan/Black
H:H: Source m.11 = < g/a/g/f/ ge f/g/f/e/ fe >
Q:1/4=180
%R:reel 
M:C|
L:1/8
K:G
d^cdf e2dB|ADFD FAA2|Bddf edB^c|dBAF BEE2:|
Beef gfge|defg afdf|edef g2fe|dBAF BEE2|
Beef gfge|defg afdf|"^11"gfge fgfe|dBAF BEE2|]

%%%

X:495174
T:LADIES OF LEINSTER, The  
S:S: Dunphy
B:B: ONMI.1460
Z:Z: Brennan/Black
Q:1/4=180
%R:reel  
L:1/8
M:C
K:G
dc|BGGB d2cB|ADDE FGAc|BGGB d2cB|cdeg fdcA|
BGGB d2cB|ADDE FGAc|BGGB d2cB|cdef g2||
d2|gfdB GBdB|Aaag fedc|Bdgf edcB|cdef g2dB|
G2gf edcB|ADDE F2GA|BGGB cAAg|fdef Hg4|]

%%%

X:495175
T:LADIES' PANTALETTES, The  
S:S: F. O'Neill
Z:Z: Brennan/Black
B:B: ONMI.1235 
%R:reel
Q:1/4=180
M:C|
L:1/8
K:G
BdcA G2G2|ABcA d2cA|BdcA G2g2|fdcA dBcA|
BdcA G2G2|ABcA d2cA|BdcA G2g2|fdcA BGG2||
fgaf g2af|gbag fdd2|fgaf gbag|fdcA BGG2|
fgaf g2af|gbag fdd2|defg abag|fdcA BGAF||
""coda"HG4z4|]
H:H: "There was quite a discussion in spring of 2003 on the Irish Traditional 
Listserv about just what "The Ladies' Pantalettes" WERE... the general 
consensus was that they were the topmost sails on the mainmast of a 
square-rigged clipper,  but there were several schools of thought - or 
lack thereof." (Vince Brennan's note - I recall the discussion, but 
uncharacteristally I stayed out of it!)

%%%

X:495176
T:LADY BEHIND the BOAT, The  
S:S: Dillon
B:B: ONMI.1386 
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
M:C|
L:1/8
K:D
Bc|d2cA BGGE|DEFD EA,A,2|DFAc dfed|cABc d2:|
Bc|d2dc dfed|c2cB cedc|d2dc dfed|ecAc BABc|
dfaf gfed|Beef ecAc|defd cdec|BABc dfec||
"^coda"Hd4z4|]

%%%

X:495177
T:LADY FORBES 
S:S: J. O'Neill
B:B: ONMI.1411
Z:Z: Brennan/Black 
Q:1/4=180
%R:reel
M:C|
L:1/8
K:D
DFAd BAGF|Eeed cBAE|DFAd BAGF|GBAG FDDF|
DFAd BAGF|Eeef gecA|DFAd BAGF|GABG FDD2||
dcdA dfed|cAeA fAeA|dcdA dfed|cdef dcBA|
dcdA dfed|cdef gfec|dBAG FAdB|AGFE FDHD2|]

%%%

X:495178
T:LADY MARY RAMSAY 
S:S: F. O'Neill
B:B: ONMI.1536 
Z:Z: Brennan/Black
%R:reel
Q:1/4=180
M:C|
L:1/8
K:G
D|G2GB dBGB|dBeB dBAB|G2GB d2Bd|eg dB AcBA|
G2GB dBGB|dBeB dBAB|G2GB dBGB|eg dBA2||
ga|b2gb a2fa|g2eg fdB2|b2gb a2fa|gfef d2ga|
bagb agfa|gfeg dega|bgaf gfed|eg dB AcBA||
"^coda"HG4z4|]

%%%

X:495179
T:LAME FISHERMAN, The  
S:S: Ryan
B:B: ONMI.1198
Z:Z: Brennan/Black
Q:1/4=180
%R:reel 
M:C|
L:1/8
K:D
Bc|d2FG Adef|gfed fdBc|d2FG A2AB|AFEG FDDA|
d2FG Adef|gfed fdBc|d2FG A2de|faef d2 :|
eg|afbf afdf|gfed cd eg|afbf afdf|abag fd eg|
afbf afdf|gfed fdBc|dAFG A2de|faef d2 :|

%%%

X:495180
T:LARRY LAVIN'S CHOICE 
B:B: ONMI.1551 
Z:Z: Brennan/Black
%R:reel
Q:1/4=180
M:C|
L:1/8
K:D
dB|A2FA ABdf|edfd edBd|A2FA ABdB|AFEG FDDB|
A2FA ABdf|edfd edBd|A2FA ABdB|AFEG FD :|
AG|FAdA BAdA|Beed cAA2|FAdA BAdF|GFEG FDD2|
FAdA BAdA|Beed cAA2|FAAc BAdB|1 "thru"AFEG FD :|
[2 "^coda"AFEG FDEC|HD4z4|]

%%%

X:495181
T:LAWSON'S FAVOURITE 
S:S: Lawson
B:B: ONMI.1307
Z:Z: Brennan/Black
Q:1/4=180
%R:reel 
H:H: 1: This is always played as a modal tune but "ambiguous" source shows 
no accidentals. For modal K:D > K:G.
H:H: 2: aka "Farewell to Leitrim", "Kennaw's"
H:H: 3: Source m.3 = < (3dcB (3cBA BGAG >
M:C|
L:1/8
K:D
d2AG FDDF|Ecc2 Ecc2|dBcA BGAG|FGEF Dgfe|
d2AG FDDF|Ecc2 ABce|dBcA BGAG|FGEF D2||
g2|fdd2 fdad|edcd efge|fdd2 fdad|cAGE D2de|
fdd2 fdad|edcd efge|fage fdec|Agfe defe||
"^coda"d2AG FDEC|HD4z4|]

%%%

X:495182
T:LEATHER BUTTONS 
S:S: Carey
B:B: ONMI.1543 
Z:Z: Brennan/Black
%R:reel
Q:1/4=180
M:C|
L:1/8
K:D
FDAD BDAD|FDAF E2EG|FDAD BDAD|Bdce dBAG|
FDAD BDAD|FDAF E2EG|FDAD BDAD|Bdce d2d2||
d2fd edfd|d2fd e2e2|d2fd edfd|agfe dABc|
d2fd edfd|d2af e2e2|agfe dcBA|Bdce dBAG|HD4z4||

%%%

X:495183
T:LEAVE MY WAY 
S:S: Early
B:B: ONMI.1195
Z:Z: Brennan/Black
Q:1/4=180
%R:reel 
M:C|
L:1/8
K:G
B,D|GFGB A2Bc|dBcA BGAF|DGGB A2dc|BGAF G2FD|
GFGB A2Bc|d2gd BGAF|DGGB ABcA|BdAF G2||
z2|gfge f2fd|e2fg afdf|g2ge f2df|egfa g2Bd|
g2bg f2af|ed eg afdf|gabg ecAc|BGAF HG4|]

%%%

X:495184
T:LEITRIM THRUSH, The  
S:S: McFadden
B:B: ONMI.1323 
Z:Z: Brennan/Black
Q:1/4=180
%R:reel 
M:C|
L:1/8
K:Ador
A3B cAGB|AcAG EFGc|AGAB cdef|geag ecdB|
AGAB cAGB|AcAG EB,Cc|AGAB cdef|gfag ecc2||
g2ec gcec|gcec Bcd2|gcec gcec|gagf ecc2|
g2ec gcec|gcec Bcd2|gage d2cA|GAag ecdB|HA4z4|]

%%%

X:495185
T:LIGHTNING FLASH, The  
S:S: McFadden
B:B: ONMI.1458
Z:Z: Brennan/Black
Q:1/4=180
%R:reel  
M:C|
L:1/8
K:G
dc|BGGB AFDE|FEFG Adgd|BGGB AGFA|BdcA G2dc|
BGGB AFDE|FEFG Acde|f2fd ecAc|BGAF G2 :|
Bc|dgga bgaf|dcde fdcA|dgga bgag|fdcA G2Bc|
dgga bgaf|dcde fefg|abag fgag|fdcA G2 :|

%%%

X:495186
T:LIMERICK LASSES, The  
B:B: ONMI.1451 
Z:Z: Brennan/Black
Q:1/4=180
%R:reel  
M:C|
L:1/8
K:D
%%text A-B-C-A-B
%%vskip20
dBAF D2EF|GFGA BEEc|dBAF D2EF|GBAG FDDc|
dBAF D2EF|GFGA BEEc|dBAF D2EF|GBAG FABc||
P:B
dcde f2ed|cdef gBBc|dfga b2ag|faeg fddc|
dcde fded|cdef gfga|bBbB b2ag|faeg fdd2||
P:C
AdBd AdBd|AdBd ceec|AdBd AdBd|efge fddB|
AdBd AdBd|Adfd ceef|gfec dcBA|Bdce fd"_DC"d2|]

%%%

X:495187
T:LINEN CAP, The  
S:S: Cronin
B:B: ONMI.1500
Z:Z: Brennan/Black
%R:reel
Q:1/4=180
M:C|
L:1/8
K:A
g|a2ed cdec|Bcde fBBg|a2ed cdec|dfed cAAg|
a2ed cdec|Bcde fefg|agae faec|dfed cAA :|
B|cAEA cdec|Bcde fBBB|cAEA cdec|dfed cAAB|
cAEA cdec|Bcde fefg|agae faec|dfed cAA :|

%%%

X:495188
T:LISBURN LASSES, The  
S:S: J. O'Neill
B:B: ONMI.1529
Z:Z: Brennan/Black
%R:reel
Q:1/4=180
M:C|
L:1/8
K:D
%%text A-B-A
%%vskip20
G|SF2EF D2DE|FDED FDED|F2EF D2DE|1 FABc dBA:|
[2 FABc d3||e|fdd2 fdd2|fdfg a2bg|fdec dcAB|
cdcA Ggfg|fdd2 fdd2|fedc d2de|fdec dcAB|
cAGF GB"_DS"AG||

%%%

X:495189
T:LITTLE KATEY KEARNEY  
S:S: F. O'Neill
B:B: ONMI.1537
Z:Z: Brennan/Black
H:H: 1: Probably modal (K:D > K:G) on this one.
H:H: 2: You can replace m.11 with < a2bg afge >
H:H: 3: Source doesn't indicate it, but I'm more comfortable with this as
an A-B-A tune.
%R:reel
Q:1/4=180
M:C|
L:1/8
K:D
%%text A-B-A
%%vskip20
ed|cAAG EAAB|cAAc efed|cAAG EAAB|dBGB d2:|
%
ed|cBcd efed|cBcd eaa2|cBcd efge|dBGB d2ed|
cBcd efed|cBcd eaab|"^11"c'abg afge|dBGB "_DC"d2||

%%%

X:495190
T:LONDON LASSES, The  
S:S: Delaney
B:B: ONMI.1278
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
M:C|
L:1/8
K:G
F|G2BG dGBG|eaag efg2|G2BG dGBG|egdB AGEF|
G2BG dGBG|eaag efga|bgag egfa|gedB AGE :|
f|gfgd e2dB|dGBG Bdd2|gabg e2d2|egdB AGEF|
gfgd e2dB|dBB2 dega|bgag egfa|1 gedB AGE :|
[2 gedB AGEF|HG4z4|]

%%%

X:495191
T:LORD GORDON'S 
B:B: ONMI.1433 
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
M:C|
L:1/8
K:D
dB|ADFD ADFD|ADFD A2GF|EFGA BEE2|defd B2AB|
defd efdB|AFDF A2Bc|dBcA BGAF|EFGA B2||
de|fdd2 fgag|fddf a2gf|efga beef|degd B2AB|
defd efdB|AFDF A2Bc|dBcA BGAF|EFGA HB4|]

%%%

X:495192
T:LORD McDONALD 
B:B: ONMI.1408
Z:Z: Brennan/Black
H:H: This isn't quite the Coleman version, which (among other differences) 
has an extra part that's not included here.
Q:1/4=180
%R:reel
M:C|
L:1/8
K:G
B|d3e dBgB|dBgB aAAB|d3e dBgB|AcBA BGGB|
Bdde dBgB|dBgB aAAc|Bdde dBgB|AcBA BGG||
B|dgbg agbg|dgbg ageg|dgbg agbg|dedc BGGE|
DGBG AGEG|DGBG AGEG|BAGF GFED|EFGA BGHG2 |]

%%%

X:495193
T:LOUGH ALLEN 
S:S: F. O'Neill
B:B: ONMI.1321
Z:Z: Brennan/Black
Q:1/4=180
%R:reel 
M:C|
L:1/8
K:A
cd|eAcA BGEd|eAcA d2cd|eAcA BGEG|AcBG A2cd|
eAcA BGEd|eAcA d2cB|AcBd cefa|gedB A2||
|:BA|Beef gedB|agab a2ba|gaba gedB|AcBG A2:|

%%%

X:495194
T:LOVELY MOLLY 
S:S: J. O'Neill
B:B: ONMI.1298
Z:Z: Brennan/Black
Q:1/4=180
%R:reel
M:C|
L:1/8
K:Em
A|B2AF DEFA|BdAd Bdef|dBAF DEFA|BdAB FEE:|
A|Beed BddA|Beef gfed|Beed Bdef|dBAF FEEA|
Beed BddA|Beef gfga|bgaf gefe|dBAF FEHE2|]

%%%