BB's IRISH TRADITIONAL TUNE LIBRARY
Selections from "The Complete Petrie Collection of Ancient Irish 
Music, Part 1" (ed.C.V.Stanford; 1902)
================================================================

Transcriber's note:
This file contains ABCs for tunes in Petrie I that are unique to that 
volume, i.e. cannot be found in any other collection (or are present
in different settings).

Very many - perhaps the majority - of the tunes included in this volume 
are unnamed. Since unnamed entries are useless for archiving purposes, 
I have followed my usual practice of supplying names where necessary. 
Titles followed by * are mine.

It should further be noted that many of the entries in this volume are 
in keys and settings which would render them useless for a traditional 
musician. This isn't surprising considering that neither Petrie nor 
C.V. Stanford were by training traditional musicians, as the presence
of classical directions like "allegro" and "andante" will demonstrate.
(I have left these in where present in the book - not sure why - but
they're in a Y: header field which serves no purpose in ABC, so they
won't get in anybody's way.)

For the reasons above, I have taken various degrees of liberty with their 
material - most of which is quite interesting - in order to make it more 
useful for traditional purposes. Most 6/8 tunes have become jigs; many 2/4 
tunes have become polkas; 4/4 can be either marches or hornpipes or reels. 

Some songs I have left untouched; with everything else I have done my best 
in the belief that much of this material would remain "buried treasure" 
without my efforts (and hopefully those of others) to bring it to light.  

================================================================

table of contents

================================================================
H: field comments in quotes are from Petrie or Stanford. My comments
follow the tune and will not print.

X:50001 
T:ALMA ROAD JIG*, The  
B:Petrie.106 % unnamed
C:ABC/arr. BB
N:No repeats in source.
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:D % source key = Bb
G|ABA AFA|d2e f2g|ecA AGF|G3 F2G|
ABA AFA|d2e f2d|ecA ABc|d3-d2 :|
e|fef def|g3 f2g|ecA AGF|G3 F2G|
ABA AFA|d2e f2g|ecA ABc|d3-d2 :|

%%%

X:50002 
T:BARLEY GRAIN, The 
B:Petrie.293
C:ABC/arr. BB
Y:"allegro"
H:"from James Quane, a farmer, from Coolfree 
Co.Limerick". 
%Q:1/4=160
M:6/8
R:jig
K:G
A|BAB G2D|GAG GAB|BAB GFG|A2B c2A|
BAB G2D|GAG GBc|ded dcB|A2B c2 :|
%
A|B2d ded|ded ded|B2d ded|e2f g3|
B2d ded|ded def|gfe dcB|A2B c2 :|
P: repeat part 1
A|BAB G2D|GAG GAB|BAB GFG|A2B c2A|
BAB G2D|GAG GBc|ded dcB|1A2B c2 :|2A2B AGF|G6||

A-B-A structure in source; I have supplied repeats.

%%%

X:50003 
T:BEACH PLUM JELLY* 
B:Petrie.115 % unnamed
C:ABC/arr. BB
N:No repeats in source.
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:D
G|ABA FGA|d2e f2g|ecA AGF|G3 F2G|
ABA FGA|d2e f2d|ecA ABc|d3 d2 :|
e|fef def|g3 f2g|ecA AGF|G3 F2G|
ABA AFA|d2e f2g|ecA ABc|d3 d2 :

%%%

X:50004 
T:BEAUTIFUL MOLLY McKEON  
B:Petrie.325
C:ABC/arr. BB
N:No repeats in source.
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:Am
B|Aee deB|A2B cBA|GED C2D|EAA A2A|
Aee deB|AGA cBA|GED C2D|EAA A2 :|
G|Acd ede|fed e2d|cBA dcB|AGF E2d|
edc dcB|A2B cBA|GED C2D|EAA A2 :|

source version
H:"Set in the Co.of Derry"
Aee deB|AAB cEA|GG/E/D C2D|EAA A2A|
Aee deB|AA/^G/A/B/ cEA|GG/E/D C2D|EAA A3 ||
Acd eee|fed e2e/d/|ccA dcB|AGF E2c/d/|
eec dcB|AAB cEA|GG/E/D C2D|EAA A3 ||

%%%

X:50005 
T:BIDDY I'M NOT JESTING (h'pipe) 
B:Petrie.307
C:ABC/arr. BB
H:"Set from Paddy Conneely"
N:Repeats added.
%Q:1/4=150
M:C|
L:1/8
R:hornpipe
K:G % source key Ab
FE|DEGA B2AG|AcBc dBAF|EDDB, DEGA|BdBG A2DE|
DEGA B2AG|AcBc dBAF|EDDB, DEGA|G4-G2 :| 
EF|GABd e2ge|dBGE c2Bc|dBGE DEGA|BdBG A2DE|
DEGA B2AG|A2Bc d2AF|EDDB, DEGA|G4-G2 :

%%%

X:50006 
T:BOUNCING BABY*, The  
B:Petrie.103 % unnamed
C:ABC/arr. BB
N:No repeats in source.
%Q:1/4=150
M:9/8
L:1/8
R:slip jig
K:Gmix % source key = F
d|Bcd d2g dBG|Bcd dBg f2A|
B2c d2g dBG|Ade fcA c2 :|
A|BAB cBc dBG|B2d c2e d2c|
BGd cAe dBG|1 "thru"Ade fcA c2 :|
[2  "final"Ade fcA HG3|

%%%

X:50007 
T:BUACHAILLÍN BRUITHE, An 
B:Petrie.096 (as "Buachalin")
C:ABC/arr. BB
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:G
A|G2A BAG|AGF GFD|G2A Bdd|cAG F2D|
G2A BAG|AGF G2e|fag f2d|cAG F2 :|
%
c|ded dcA|d2G GAc|ded dcA|cAG FGA|
ded dcA|d2G G2e|fag f2d|cAG F2 :|
%
A|B2G A2G|d2G G2A|B2G A2G|cAG FGA|
BAG AGF|GFD FGA|fag f2d|1 "thru"cAG F2 :|
[2 "final"cAG FEF|HG6|]

It's hard to tell from Petrie's notation whether or not
this is a modal tune. I thought at first that it was, but
after listening to it both ways, I've changed my mind!

%%%

X:50008 
T:CANAL BANK POLKA*, The 
B:Petrie.157 % unnamed
C:ABC/arr. BB
%Q:1/4=120
M:2/4 
L:1/8
R:polka
K:Gmix
D|G>A Bd/e/|fg ag|fd/e/ fc/A/|GA F2|
d>e fg|ag ed/c/|dg g>f|g3 :|
g|ag fd/e/|fg d>e|fa/g/ fc/A/|GA F>A|
BG Bd/e/|fa gd/c/|AG G>F|G3 :|

No repeats in source. As with other tunes in this
collection, it's hard to tell whether or not a "modal"
tune (= seventh scale degree flat) is intended. I'm
going with modal on this one.

%%%

X:50009 
T:CANOE CREEK REEL*, The
B:Petrie.145 % (unnamed; only part 2 repeats)
C:ABC/arr. BB
%Q:1/4=180
M:4/4
L:1/8
R:reel
K:Edor % source key Gm
B,EED B,EEC|DEFG AFDF|B,EED B,EEc|dBAF FEE2 :|
efge fdec|dcdB AFDF|efge fdec|dBAF FEEe|
efge fdec|dcdB AFDF|B,EED B,EEc|dBAF FEE2 |]

%%%

X:50010 
T:CHANCE OF RAIN*, A  
B:Petrie.168 % unnamed
C:ABC/arr. BB
%Q:1/4=80
M:6/8 
L:1/8
K:G
D|EDE DGB|ABc d2c|B2A G2F|EFG FED|
EGG DGB|ABc d2c|B2A G2F|G3-G2 :|
e|=fed ede|=fga fdc|B2A G2A|FGA FED|
E2D DGB|ABc dec|B2G BAF|G3-G2:|

I had to do a lot of work on this because I couldn't
get the original to sound right. I hope it was worth the
effort.

source version:
R:air 6/8 % 3/4
K:G % source key F
DGA|E2D DGB|d3 dec|B2 AG GF|E3 FGA|
E2D DGB|d3 dec|B2 AG GF|G3 ||
Bde|=fe/d/ ed/B/ de|g3 age/d/|B2A G2A|
E3 FGA|E2D DGB|d3 dec|B2G BAG|G6 |]

%%%

X:50011 
T:CHASING the HARE
B:Petrie.413 (as "Chasing The Hare Down The Hill"; no repeats)
C:ABC/arr. BB
H:"Petrie calls this tune the same as the jig 'The 
Humors of Milltown'".
%Q:1/4=160
M:12/8
L:1/8
R:slipjig
K:G % source key Ab
DED G2A B2G cAG|F2D DED F2D DED|
DED G2A B2G ABc|ded cAF G3-G3 :|
B2G c2A B2G cAG|F2D DED F2D DED|
B2G c2A d2B ABc|ded cAF G3-G3 :|

%%%

X:50012 
T:CHIEF BARON'S FANCY*, The  
B:Petrie.282 % unnamed
C:ABC/arr. BB
H:"From the Chief Baron 15th Jan.1852." 
N:No repeats in source. Cut time removed.
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:Gmix 
D|DGG GFG|DBB cBc|ded cBA|BGE F3|
DGG GFG|DBB cBc|ded cBA|BGG G2 :|
e|gdB gfg|gdc BAG|Fff fef|AFA cBA|
Ggg gfe|dce fdc|BdB cBA|BGG G2 :|

I have no idea who the Chief Baron is (or was).

%%%

X:50013 
T:CHILMARK LASSIES* (polka), The 
B:Petrie.146 % unnamed; no repeats
C:ABC/arr. BB
%Q:1/4=120
M:2/4
L:1/8
R:polka
K:Am % source key Gm 
E|A>c BA|GF EG|A>c BG|A2-AE|
A>c BA|GF EG|A>c BG|A3 :|
d|e>d cB|AG FE|A>G AB|c2-c^c|
d>B cd|ef ed|c>A BG|A3 :|-A6|

%%%

X:50014 
T:CLOSE QUARTERS JIG*, The  
B:Petrie.288 % unnamed; no repeats
C:ABC/arr. BB
H:"From J.S.Close"
Y:"Allegro"
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:Em
F|E2e eB^c|d2B AFD|E2e e2B|efg fdB|
E2e eB^c|d2B AFD|GFG AGA|BAB E2 :|
f|g2e efg|fef def|g2e efg|fed e2f|
g2e efg|fef def|g3 a3|bgf e2 :|

%%%

X:50015 
T:DEEP IN DARK WOODS* (march)  
B:Petrie.162 % unnamed
C:ABC/arr. BB
Y:"andante"
%Q:1/4=70
M:2/4 
L:1/8
R:march
K:Dm
E/G/|Ac B/A/G/E/|ce dc|AG/E/ DD|D3A/G/|
Ad d/c/d/e/|fa g/f/e/d/|ef d(3c/A/G/|A3-A/G/|
Ad d/c/d/e/|fa g/f/e/d/|ef d/c/A/G/|A2-AF/G/|
Ac B/A/G/E/|ce dc|AG/E/ DD|D4 |]

%%%

X:50016 
T:DRUMCLIFF JIG*, The 
B:Petrie.209 % unnamed, without repeats
C:ABC/arr. BB
H:"Sligo air; variant of preceding [1.208]"
%Q:1/4=150
M:9/8
L:1/8
R:slip jig
K:G % source key Bb
E|BGA E2D E2D|DEG G3 G2E|
DEG c2c d2e| dBG A3 AG :|
E|DEF cde ded|dBG A3 AGA|
BGA E2D E2D|DEG G3-G2 :|

%%%

X:50017 
T:DUNGARVAN BREEZES* (polka)  
B:Petrie.215 % unnamed
C:ABC/arr. BB
H:"County of Waterford air from Mr.Fitzgerald"
%Q:1/4=100
M:2/4
L:1/8
K:D % source key Eb
A/G/|F>G AB/c/|d2 AF|AG/F/ DE/F/|G3 A/G/|
F>G AB/c/|d>c AG|FG/E/ DD|D3 :|
F/G/|AB/c/ d>e|fd ef/e/|dA/G/ FA/B/|=c3 A/G/|
FG AB/c/|d>c AG|FG/E/ DD|D3 :|

%%%

X:50018 
T:EASTERLY WEATHER*  
B:Petrie.010 % unnamed
C:ABC/arr. BB
N:No repeats in source.
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:Em % source key Gm
z|B3 A3|G3 F3|EFE G2A|BGE EGA|
B3 A3|G3 F2E|DED d2B|AFD D2 :|
F|EDB, G2A|BGE EDB,|EFE G2A|BGE E2F|
EDB, G2A|BGE EDB,|DED d2B|1 "thru"AFD D2 :|
[2 "final"AFE DEF|HE6|]

%%%

X:50020 
T:FAR DOWN IN LUIDACH (hornpipe)
B:Petrie.335 (as "Far Far Down in the South of Luidach", without repeats)
C:ABC/arr. BB
Y:"Allegretto"
H:"Set from M.O'Donohoe, Arranmore, 13 Sep.1857"
%Q:1/4=75
M:2/4
L:1/16
R:march
K:D % source key E
DEFG A2A2|d2=cB A2AG|AFDE F2F2|A2GF E4|
DEFG A2A2|d2=cB A2B2|AFDE F2EF|D2D2 D4 :|
ABde f2e2|f2ed e2de|f2ef dAFA|B2A2 A3F|
DEFG A2A2|d2=cB A2B2|AFDE F2EF|D2D2 D4 :|

Whatever or wherever "Luidach" was in 1857, it isn't anymore!

%%%

X:50021 
T:FARAWAY WEDDING, The 
B:Petrie.468 (without repeats)
C:ABC/arr. BB
H:"Mr. Joyce, from Connor Hanna, near Kildorrery, 
Co. of Cork". 
Y:"allegro" 
%Q:1/4=160
M:6/8
R:jig
K:D
G|AFD DFG|Add B2A|Bcd AGF|GFG EFG|
AFD DFG|Add B2A|BdF G2E|FDD D2 :|
e|fef d2e|fed B2A|Bcd A2F|GFG E2e|
fef def|gfg ecB|AdF G2E|FDD D2 :|

%%%

X:50022 
T:FAREWELL TO BRIGHT DAYS* (march) 
B:Petrie.163 % unnamed
C:ABC/arr. BB
%Q:1/4=80
M:2/4 
L:1/8
R:march
K:G
d/c/|BG AE/F/|GE DD/E/|GG/B/ AG/A/|B3 (3G/A/B/|
c-c/d/ cB/A/|BB/c/ BA/E/|GA B/G/A/F/|E3 B/c/|
de BG|AG ED/E/|GG/B/ AG/A/|B3 B/c/|
dd/e/ =fe|dB d(3e/d/c/|BG/B/ AG|G4 |]

%%%

X:50023 
T:FATHER WALSH'S POLKA*  
B:Petrie.218 % unnamed
C:ABC/arr. BB
H:"A Kerry air without name from Fr.Walsh"
%Q:1/4=120
M:2/4
L:1/8
R:polka
K:G % source key F
E/F/|G2 GA|B2 BA|GE GA/B/|cB Gz|
d2 e=f|ed BA|1 GB AG/A/|1 B2 D :|2 B>d ef |g2 g||
e/f/|g2 fd|ed BA|GE G/A/B|AG Ez|
g2 fd|ed BA|GB AG/A/|1 B2 d :|2 HG4|]

I reset this as a polka - I hope the good Father
wouldn't mind!

%%%

X:50024 
T:FLYING HORSES*, The 
B:Petrie.012 % unnamed, without repeats
C:ABC/arr. BB
Y:"Allegretto"
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:D % source key Bb
G|ABc d2e|d2c dcB|ABc d2f|edc BAG|
ABc def|edc BcA|d2B dec|d3-d2 :|
g|a2f gfg|a3 f3|egg efd|B3 A2G|
ABc d2d|e2c BcA|dcB dec|d3-d2 :|

%%%

X:50025 
T:FOUR SEASONS (reel), The 
B:Petrie.416 (without repeats)
C:ABC/arr. BB
%Q:1/4=180
M:C
L:1/8
R:reel
K:G 
D|G2GF GBdB|c2BA Bdge|d2de dBGA|BdcB A2dB|
G2GF GBdB|c2BA Bdge|d2de dBGB|AGAB G3 :|
c|d2Bc dggf|edef g2fe|d2de dBGA|BdcB A2dB|
G2FG GBdB|c2BA Bdge|d2de dBGB|AGAB G3 :|

%%%

X:50026 
T:FRANK KEANE'S FANCY* (hornpipe) 
B:Petrie.177 % unnamed, no repeats
C:ABC/arr. BB
H:"Co.Clare, from F.Keane, 19 July 1858"
%Q:1/4=150
M:4/4
L:1/8
R:hornpipe
K:Am
Bc|dedc A2G2|Acde f2ed|cdec d2cA|G4 G2z2|
dedc A2G2|Acde f2ed|cdec d2cB|A4 A2 :|
ed|cdef g2eg|a2ga f2ed|cdec d2cA|G4 G2Ac|
dedc A2G2|Acde f2ed|cdec d2cB|A4 A2 :|

Source key of A minor didn't sound right, but when I
tried it a number of other ways, they didn't sound right
either!

%%%

X:50027 
T:FROSTY NIGHT* (march), The 
B:Petrie.161 % unnamed
C:ABC/arr. BB
Y:"andante"
%Q:1/4=120
M:C| 
L:1/8
R:march
K:Dmix % source key = Eb
AG|F2FE D2D2|EFG2 A2AG|F2FE D2D2|EFGF E2AB|
c2dB cBAF|E2F2 ABFE|F2FD E3D|D4 D2 ||
AB|c2d2 cBAG|F2G2 A2AB|c2dB cBAG|E2D2 E2AB|
c2d2 cBAF|E2F2 A2DE|F2FD E3D|D4-D2 |]

%%%

X:50028 
T:GALLANT SERGEANT MAJOR* (march), The  
B:Petrie.142 % unnamed; no repeats
C:ABC/arr. BB
%Q:1/4=100
M:2/4
L:1/8
R:march
K:G % source key = Ab
P:P1
G2 GF|GA B2|E2 G/F/E/D/|GA BG/B/|
d2 dd/c/|de ed/B/|dB A/d/B/A/|GG G2 ||
P:P2
c2 cB/A/|Bc d/c/B/A/|GG F/D/E/^C/|D3 F/G/|
AA BA/G/|FF/E/ DE|F/G/A B/A/F/E/|DD DE/F/ ||
P:P1 repeat
G2 GF|GA B2|E2 G/F/E/D/|GA BG/B/|
d2 dd/c/|de ed/B/|dB A/d/B/A/|GG HG2 |]

%%%

X:50070 
T:GIRL OF THE GOLDEN TRESSES (reel), The 
B:Petrie.371 % as "Oh Girl ..."; no repeats
C:ABC/arr. BB
H:"From P.Mullin, Arran-more 10th Sep.1857"
%Q:1/4=180
M:C
L:1/8
R:reel
K:Ador % source key Gm
D|EABG A2BG|ABde g2af|gfed BdAB|G4 E2ED|
EABG A2BG|ABdf gaba|gfed B2AF|GdBG A3 :|
d|edef g2ga|gedB d2ef|gfed BdBA|G4 E3D|
EABG A2BG|ABde gbaf|gfed B2AF|GdBG A3 :|

%%%

X:50029 
T:GOOD SHIP PLANET, The  
B:Petrie.379
C:ABC/arr. BB
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:G % source key = F
F|GAF GEF|GAB dBd|efe dBA|G2A BEF|
GAF GEF|GAB dBd|efe dBG|AGF G2 :|
A|BcB gag|fed edA|B2A G2F|EGA BEF|
GAF GEF|GAB dBd|efe dBG|AGF G2 :|

Source version
H:"From Pat Folan, Arranmore, 8th Sep.'57"
K:F
D/E/|FGE FDD/E/|FGA cAc|ded cAG|F-F/E/F/G/ A2D/E/|
FGE FDD/E/|FGA cAc|ded cAF|GFF F2 ||
F/G/|ABA fgf|edc dcA/G/|A-A/G/A/G/ FED/E/|D-D/E/F/G/ A2D/E/|
FGE FDD/E/|FGA cAc|ded cAF|GFF F2 ||

%%%

X:50030 
T:GREEN BEACON*, The  
B:Petrie.108 % unnamed
C:ABC/arr. BB
%Q:1/4=160
L:1/8
M:6/8
R:jig
K:D 
P:P1
e|cAA eAA|BGG d2B|cAA eAA|cAA e2|
[1 d|cAA eAA|BGG d2B|cec d2B|cAA A2 :|
[2 c|dBB cAA|BGG d2B|cec d2B|cAA A2 ||
P:P2
|:g|fdd add|ecc g2e|fdd add|fdd a2f|
g2e fdd|ecc g2e|faf g2e|fdc d2 :|
P:P3
|:e|fed c2A|ecc c2g|fed c2A|fdd d2e|
fed c2A|c2c g2e|faf g2e|fdc d2 :|

This tune is a bit complicated - this is the best
I can do with it.

%%%

X:50031 
T:HERE WE GO UP UP UP  
B:Petrie.101
C:ABC/arr. BB
H:"Called 'Mad Moll' in the 17th Edition of the 
'Dancing Master, 1721'".
%Q:1/4=150
M:9/8
L:1/8
R:slipjig
K:Am
A|cde cAA cAA|cde cAA B2G|
cde cAA cAA|Bcd ded B2 :|
G|cde gee gee|cde gee f2d|
cde gee gee|1 Bcd ded B2 :|
[2 "final"Bcd ded B2G|A6z3|

%%%

X:50032 
T:HOGAN FROM LAHINCH* (hornpipe)
B:Petrie.266 % unnamed; no repeats
C:ABC/arr. BB
%Q:1/4=140
M:C|
L:1/8
R:hornpipe
K:D % source key Bb
de|f2fg fede|fgaf e2de|f2fg fedf|afef d2de|
f2fg fede|fgaf e2de|f2fg fedf|afef d2 ||
GA|B2Bc dcdB|AFAB A2A2|BABc defg|afef d2cd|
B2Bc dcdB|AFAB A3A|BABc defg|afef Hd4 |]

My name in honor of Boston's late Jimmy Hogan,
one of the nicest musicians I ever met. RIP.

%%%

X:50033
T:HORACE the RAKE  
B:Petrie.348; no repeats
C:ABC/arr. BB
H:"Set from F.Keane".
Y:"allegretto"
%Q:1/4=160
M:6/8
R:jig
K:Am % source key = Fm
B|c2A B2G|AGE GAB|c2A B2^F|G2g e2d|
c2A B2G|AGE GAB|cBA GED|E3 A2 :|
B|cde geg|aba ged|cde geg|a3 A2B|
cde geg|aba ged|cBG GED|E3 A2 :|

%%%

X:50034
T:HOT POTATO POLKA*, The 
B:Petrie.036 % unnamed; 8 mm, no breaks
C:ABC/arr. BB
%Q:1/4=120
M:2/4
L:1/8
R:polka
K:Dmix % source key Eb
A>B cB|dA/B/ cA|A>B cB|Ad/e/ d2:|
EG/E/ DE/G/|c>B cA|de/c/ dA/G/|ED D2 :|

Source version:
K:Eb
BB/c/ _dc/=d/|e/B/B/c/ _dB|BB/c/ _dc/B/|B/c/e/f/ e2|
FA/F/ EF/A/|_d/e/d/c/ dB/=d/|e/g/f/d/ eB/A/|FE E2 |]

%%%

X:50035
T:HOUR BEFORE SUNRISE* (march), The 
B:Petrie.159 % unnamed
Y:"andante"
%Q:1/4=120
M:C|
L:1/8
R:march
K:G % source key = F
GA|B3d c>BAG|E2FG A2Bd|e>fge dBAG|E>FGA G2 :|
BA|G>ABc d2de|d>BAG d2ef|g>fga gfed|B>def gdef|
g>fed B2de|f>dAG A2Bd|e>dBg dBA>G|E>FGA G4 |]

%%%

X:50036 
T:HUMORS OF TISBURY* (hornpipe), The 
B:Petrie.151 % unnamed
C:ABC/arr. BB
%Q:1/4=150
M:C|
L:1/8
R:hornpipe
K:D
F/G/|A3d cBAG|ABdc BAGF|GABc d2AF|G2FE D3 :|
F/G/|A3d e2f2|efge fedc|d2AG FABd|efec A2ce|
gfec dcBA|GBdc BAGF|G2FG ABAF|G2FE D4 |]

%%%

X:50037 
T:HUNT THE SQUIRREL  
B:Petrie.487
C:ABC/arr. BB
H:"An Irish March; as in the Dancing-master 17th Ed. 1721"
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:G % source key = F 
D|G2d d2e|d3 B3|GAB A2G|GAB A2G|
Gd2-d2e|d3 B3|GAB A2G|A2F G2 :|
B|c2d edB|c2d edB|c2d e2f|g3 g2e|
dB2 dB2|dB2 d3|GAB A2G|A2F G2 :|

Source structure is 16 measure, no break. I have arranged this to make 
it sound more like a standard jig (with a little of Petrie's "squirrely" 
syncopation left in!)

%%%

X:50038 
T:I LOST MY LOVE  
B:Petrie.460
C:ABC/arr. BB
H:"From Frank Keane"
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:Am
ABA AGE|c3 c2d|efe edc|g3 e3|
c2e g2e|dBG GAB|c2A BGE|c3 A3 :|
aba age|gag g2e|aba age|g3 e3|
c2e g2e|dBG GAB|c2A BGE|c3 A3 :|

%%%

X:50039 
T:I SAW MY HOME FAR AWAY* (air) 
B:Stanford-Petrie 1.143
C:ABC/arr. BB
Y:"andantino"
%Q:1/4=80
M:4/4
L:1/8
R:air
K:Em % source key = Fm
GA|B2AG E2GF|E4-E2 GA|B2B2 BAGB|A3A G3z|
d2BA B^c ^d2|e3d B2e2|d2BA G2A2|B6z2 ||
d2BA B^c ^d2|e3d B2e2|d2BA BAGE|G3F E2d^c|
d2BA GAB^c|^d3f e2=dB|A3G E2E2|E4-E4 |]

%%%

X:50040 
T:I WISH THE FRENCH WOULD TAKE THEM  
B:Petrie.497
C:ABC/arr. BB
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:G % source key = Bb
D|G2F GAB|G3 EFG|A2G FDF|G3-G2D|
G2F GAB|G3 EFG|A2G FDF|G3-G2 :|
c|B2G ABc|d3 e2c|d2c BAB|c3 B2c|
d2c BcA|G3 EFG|A2G FDF|G3-G2 :|

%%%

X:50041 
T:IS THAT YOU MAC?*  
B:Petrie.102 % unnamed, no repeats
C:ABC/arr. BB
%Q:1/4=150
M:9/8
L:1/8
R:slip jig
K:G % source key = Bb
ABA A2G FED|G2F G2A B3|
ABA A2G FGA|d2c B2A G3 :|
BdB d2B AFA|BdB BdB c3|
BdB d2B ABc|d2c B2A G3 :|

%%%

X:50042 
T:JUG OF STRONG PUNCH* (reel), The 
B:Petrie.352 % as "Jug of Punch"; no repeats
C:ABC/arr. BB
H:"A reel; from P.Carew's MSS"
%Q:1/4=180
M:C
L:1/8
R:reel
K:Ador
G|A2ed cdef|gfgd BGGB|A2ed cdef|gedB cAA :|
e|a2eg a2ef|g2df g2eg|a2eg a2ef|gedB cAAe|
abag aeef|gagf gefg|aged cdef|gedB cAA2|]

This is not related to O'Neill's "Jug of Punch" (DMI 758/MOI 1542). 
I renamed this tune to reduce confusion with the other one.

%%%

X:50043
T:KENNEBEC AVENUE*  
B:Petrie.049 % unnamed; no repeats
C:ABC/arr. BB
%Q:1/4=150
M:C|
L:1/8
R:hornpipe
K:Edor
BA|GABc d2cd|edcd B2ba|g2fe B2fd|e6 BA|
GABc d2cd|edcA GFE2|gfec Bdfd|e2 e2 e2 :|
ga|b3a g2fg|agfe d2ef|gddB fadf|e2g2 e2EF|
GABc d2cd|edcd B2ba|gabg fadB|e2 e2 e2 :|

Source version:
K:Am
ED|CDEF G2FG|AGFG E2ed|c2BA E2^G2|A6 ED|
CDEF G2FG|AGFG E2ed|c2BA E2^G2|A6 :|
cd|e3d c2Bc|dcBA G2AB|c2Bc ABcd|e2E2 E2ED|
CDEF G2FG|AGFG E2ed|c2BA E2^G2|A6 :|

%%%

X:50044 
T:LADS IN THE SHACK*, The  
B:Petrie.118 % unnamed; no repeats
C:ABC/arr. BB
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:D
FAA dAA|BAA dAA|FAA dAA|BAG FED|
FAA dAA|BAA dAA|FGA Bcd|BAG FED :|
FAF G2E|FAF BGE|FAF G2E|dcd FED|
FAF G2E|FGA BGE|FGA Bcd|1 "thru"fed AFD :|
[2 "final"fed AFE|HD3z3|]

%%%

X:50045 
T:LADS OF ARRANMORE*, The  
B:Petrie.013 % unnamed; no repeats
C:ABC/arr. BB
Y:"Allegretto"
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:Amix
d|eAB GFE|cBc dcd|ede cAF|G3-G2d|
eAB GFE|cBc dcd|ede cAB|A3-A2 :|
B|c2d e2f|gec dcd|ede cAF|G3-G2d|
eAB GFE|cBc dcd|ede cAB|A3-A2 :|

%%%

X:50046 
T:LAST DAYS OF SUMMER* (hornpipe), The 
B:Petrie.154 % unnamed; no repeats
C:ABC/arr. BB
%Q:1/4=150
M:C|
L:1/8
R:hornpipe
K:G
Bc|dGBG AFDc|dGBG c2Bc|dGBG AFDF|DBAF G2Bc|
dGBG AFDc|dGBG c2BA|GBAc Bdeg|fdcA G2 :|
AG|Adde fdcA|gfga g2ag|fgag fdcA|GBAF G2Bc|
dGBG AFDc|dGBG c2BA|GBAc Bdeg|fdcA G2 :|

%%%

X:50047 
T:LEAVE IT AS IS 
B:Petrie.387 (as "Let Us Leave That As It Is"; only part 1 repeats)
C:ABC/arr. BB
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:Am % source key = Gm
E|A2B AGA|cde a2g|fed cAG|GAF GEG|
A2B AGA|cde a2g|edd BGG|A3-A2 :|
e|aba gag|fgf e2d|cdf ged|cAF GEG|
A2B AGA|cde a2g|fed cAG|A3-A2 :|

%%%

X:50048 
T:LITTLE RED LARK of the MOUNTAIN (1), The 
B:Petrie.383 (no repeats)
C:ABC/arr. BB
H:"An Erris tune from P.Coneely"
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:Edor % source key = Cm
D|EFE EFA|B2c dcd|BAF FED|E2D B,3|
EFE EFA|B2c dcd|BAG FEF|E3-E2 :|
d|edB def|g2f e2f|edB BAF|E2D B,2d|
[1 edB def|g2f e2d|Beg fed|e3 e2:|
[2 EFE EFA|B2c d2c|BAG FEF|E3-E3|]

%%%

X:50049 
T:LITTLE RED LARK of the MOUNTAIN (2), The 
B:Petrie.384 (no repeats)
C:ABC/arr. BB
H:"From the County Armagh"
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:G % source key = F
D|G2A GEF|G2A Bge|dBG BAG|E3 D2E|
G2A GEF|G2A Bge|dBG FAF|G3 G2 :|
d|gfg edB|gfg ege|dBG BAG|E3 D2E|
G2A GEF|G2A Bge|dBG FAF|G3 G2 :|

%%%

X:50019
T:MAGGIE'S DELIGHT*  
B:Petrie.100 % unnamed
C:ABC/arr. BB
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:G % source key = D
DGG GFG|A2G F2A|ABA ABA|ABA f2e|
dBG GFG|A2G F2A|def cAF|G3 G3 :|
%
d2g gfg|a2g f2g|a2f d2g|f2d c2e|
d2c A2d|c2A G2B|A2G F2A|G2F D3||
%
DGG GFG|A2G F2A|ABA ABA|ABA f2e|
dBG GFG|A2G F2A|def cAF|G3 HG3|]

This is Petrie's version of "Planxty Maggie Brown". 
It's irregular in the source (two measures missing from
the second part), so I have supplied them. Also note
that Petrie's setting is upside-down (i.e., high part
first).

%%%

X:50050
T:MENEMSHA LASS*, The  
B:Petrie.097 % unnamed, no repeats
C:ABC/arr. BB
Y:"allegretto"
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:Dmix 
c|d2d ded|cBA ABc|d2d def|ecA ABc|
d2d ded|cBA ABc|dBd cBA|GEC D2 :|
G|FDF ABA|FDF ABA|ECE GAG|ECE GAG|
FDF ABA|FDF ABc|dBd CBA|GEC D2 :|

%%%

X:50051 
T:MERRY OLD WOMAN (1), The  
B:Petrie.354 % no repeats
C:ABC/arr. BB
%Q:1/4=160
M:9/8
L:1/8
R:jig
K:D
Add ded c2A|f2f fga gfe|
aba gfe f2d|A2B =c2A GFE :|
D2D F2F E2E|D2D F2F GFE|
D2D F2F E2E|A2B =c2A GFE :|\
"final"HD6z3|]

This and MOW #2 ot related to any tunes of this name in O'Neill's 
(MOI 799/800, DMI 72, all double jigs)

%%%

X:50052 
T:MERRY OLD WOMAN (2), The  
B:Petrie.356 % no repeats
C:ABC/arr. BB
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:Ador % source key Bm
D|EAA AGA|B2A GAB|c2B ABc|BAB gfg|
e2d cde|dBA GAB|cBA GED|EAA A2 :|
d|efg a2a|b2a g2b|a2f e2f|g2f d2f|
e2d c2e|dBA GAB|cBA GED|EAA A2 :|

%%%

X:50053 
T:MIDDLE GROUND JIG*, The  
B:Petrie.046 % unnamed
C:ABC/arr. BB
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:G
G2A GBG|G2B AFA|GBF GBF|GcB AFD :|
G2B dAc|BGB AFA|G2c dAc|BcB AFA :|
G2B gdc|BGB AFA|GBd gdc|BcB AFD :|
efg gd=f|efg G2g|efg gd=f|efg G2g|
geg =fdf|ece d2c|dcB =fdc|BGB AFA||\
"final"G6|]

%%%

X:50054 
T:MILKING TIME IS OVER (hornpipe) 
B:Petrie.298 % no repeats
C:ABC/arr. BB
H:"From the collection of J.E.Pigott, Esq.,set by Forde". 
%Q:1/4=100
M:2/4
L:1/16
R:hornpipe
K:G % source key = F
fe|d2G2 B2AB|G2E2 DEGA|BcAB G2FG|AcBA d2Bc|
d2G2 B2AB|GAEG DEGA|BdAB GEDE|G2 B2 G2 :|
BA|GBde =f2ed|g2B2 c2BA|d2G2 BGBc|dAFA D2Bc|
d2G2 B2AB|GAEG DEGA|BdAB GEDE|G2 B2 G2 :|

%%%

X:50055 
T:MILL STREAM (reel), The 
B:Petrie.396 % 4 mm part 1, 8 part 2
C:ABC/arr. BB
H:"A County of Cork reel; from P.Carew's MSS"
%Q:1/4=180
M:C
L:1/8
R:reel
K:Gmix
Bc|dGBG AGEG|dGBG c2ce|dGBG AGEG|dBcA G2 :|
AG|Adde fefc|dggf g2ag|fddf ecce|dBcA G2AG|
Adde fefc|dggf gbag|fddf ecce|dBcA G4 |]

%%%

X:50056
T:MISS STOKES' FANCY*  
B:Petrie.214 % unnamed
C:ABC/arr. BB
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
A|B2A B2G|AGF E2d|ege dBA|GFE FGA|
BAA BGG|ABG EBd|edB cAF|G3 G2:|
f|gee fdd|e2d Bef|gee fdd|efd e2f|
gee fdd|BAF GBd|edB cAF|G3 G2 :|

source version:
H:"Peasant air set at Screen, County of Sligo, by Miss 
M.E.Stokes"
G/A/|B2B B2G|A2G E2c/d/|e2e d2B|G3 zGA|
B2B B2G|A2G Ecd|e2e d2B|G3 ||
def|g2e f2d|e2d Bef|g2 e f2^d|e3 e2f|
g2e f2d|B2A Gcd|e2e d2B|A3 B2A|G2z E2D|G3 z3 |]

%%%

X:50057 
T:MONKS OF THE SCREW, The  
B:Petrie.490 % no repeats
H:"From Wm.H.Curran Esq"
%Q:1/4=150
M:9/8
L:1/8
R:slip jig
K:Em % source key = Cm
d|e2B B2A GEA|BAG AB^d e2d|
eBB B2A GEA|BAG AB^d e2 :|
f|gfg agf ^dBf|gfg agf ef/g/a/|
bag agf gBA|BAG AB^d e2 :|

%%%

X:50058 
T:MOONLESS NIGHT*, A  
B:Petrie.104 % unnamed, no repeats 
C:ABC/arr. BB
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:G % source key = F
D|DGG GFG|Bcd e2g|fdB cBc|dBG F2D|
DGG GFG|Bcd e2g|fdB cBA|G3 G2 :|
f|geg fdc|edc d2c|Bcd fdB|cBG F2D|
DGG GFG|Bcd e2g|fdB cBA|G3 G2 :|

I though that this might actually be a modal tune (= F natural),
but the more I hear it, the less I agree with myself!

%%%

X:50059 
T:MUNSTER BOG* (reel), The 
B:Petrie.457 (as "Moving Bog"; no repeats)
C:ABC/arr. BB
H:"A Munster reel"
%Q:1/4=180
M:C
L:1/8
R:reel
K:D
E|DFAc d2Ac|d2fa ecAc|dcBA BAGF|BdAF GFEF|
DFAc d2Ac|dfaf ecAc|dcBA BAGF|GABc d3 :|
A|defg afdf|g2fg ecAc|defg afdf|geag fddA|
defg afdf|gbaf ecAc|dcBA BAGF|GABc d3 :| 

I renamed it this to avoid confusion with other (unrelated) 
tunes of the same name.

%%%

X:50060 
T:MY HONEST DEAR NEIGHBOR 
B:Petrie.470 (as ". . .I Ne'er Killed Your Cat")
C:ABC/arr. BB
N:1:Source structure is A4:|B8
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:A
E|EAA c2c|dcd Bcd|cBA GED|E3 A2E|
EAA c2c|dcd Bcd|cBA GED|E3 A2 :|
c|dBc d2e|dBc d2B|Bee dBA|Bc^d e2E|
EAA c2c|dcd Bcd|cBA GED|E3 A2 :|

Rates in the Top 5 Weird Tune Titles! (right up there with "Ducks Die
at Easter")

%%%

X:50061 
T:MY LOVE WHAT'S THE REASON (polka)
B:Petrie.326 ("My Love What Is the Reason You Cannot Fancy Me?"; no repeats)
C:ABC/arr. BB
%Q:1/4=120
M:2/4
L:1/8
R:polka
K:Ador
c/d/|eA BA/G/|cd eg|eA BA/G/|Ac d2|
eA BA/G/|cd eg|c>A BG|A2-A :|
e/f/|ge ce/f/|ge dg|ae dc/d/|ed d2|
eA BA/G/|cd eg|c>A BG|A2-A :|

Source version:
c/d/|eA BA/^G/|cd e/f/g|eA BA/^G/|AB/c/ dc/d/|
eA BA/^G/|cd e/f/g|cA B/A/^G/B/|AA A :|
e/f/|ge c/d/e/f/|ge d(3e/f/g/|ae dc/d/|ed dc/d/|
eA BA/^G/|cd e/f/g|cA B/A/^G/B/|AA A :|
%

%%%

X:50062 
T:MY SHIP RETURNS NO MORE* 
B:Petrie.164 % unnamed
C:ABC/arr. BB
%Q:1/4=60
M:4/4 
L:1/8
R:air 
K:Am
de|f2f2 e2dc|AGEF G2Ac|defd ed(3cAG|A4-A2de|
f2f2 e2dc|AGEF G2Ac|defd ed(3cAG|A4-A2 ||
AB|c2cA c2eg|a2a^f g2ag|f2ec de d/c/A/G/|.A2.A2.A2 de|
f2f2 e2dc|AGEF G2Ac|defd ed(3cAG|A4-A4 |]

%%%

X:50063 
T:NEW TENPENNY, The  
B:Petrie.347 % no repeats
C:ABC/arr. BB
H:"from P.Carew's M.S."
%Q:1/4=160
M:6/8
R:jig
K:G
c|dGG F2G|Adc ABc|dGG F2G|Adf gfe|
dGG F2G|Adc ABc|dfg dcB|AGG G2 :|
B/c/|d2e =fef|dgg edc|d2e =fef|dgg gfg|
agf gfe|fed cde|dfg dcB|AGG G2 :|

%%%

X:50064 
T:NINTH DEGREE*, The  
B:Petrie.023 % unnamed; 16 mm, no breaks or repeats
C:ABC/arr. BB
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:D % source key = Eb
D|E2D EFA|EDD D2A|def edB|A3-A2A|
E2D EFA|EDD D2A|def edc|d3-d2 :|
A|def edB|A2B d2f|edc BAG|A3-AGF|
E2D EFA|EDD D2A|B2A GFE|D3-D2 :|

%%%

X:50065
T:NORTHERN ROAD TO TRALEE, The 
B:Petrie.448 % no repeats
C:ABC/arr. BB
H:"An ancient Clare march"; "another version has 
no flat in these two places (mm. 8 and 16)"
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:D % source key Eb
ABc d2A|G2F E2D|D2d d2A|B3 d2A|
ABc d2A|AGF E2D|=cBc E2F|G3 =c3 :|
FEF A2D|FEF A2D|FEF A2D|G3 =c2G|
FEF A2D|DED D2B|1 "thru"G3 =c3 :|
[2 "final"GAB =cBA|HD4z4|]

%%%

X:50066 
T:NOT EVER WOULD I SPEAK HER NAME* (air)
B:Petrie.167 % unnamed
C:ABC/arr. BB
N:Version of "Ar Eirinn ni nEosfainn ce Hi". I have simplified 
this slightly from the source version.
%Q:1/4=60
M:6/8 
L:1/8
K:G % source key Ab
B/A/|GDD EGA|B3-B2A|GDD EGG|A3-A2d/c/|
BGE DGc|B3-B2A|GDD EGG|G3-G2 ||
B/c/|dBG GBd|e3-e2f/e/|ded G2B|A3-A2B/A/|
GED EGc|B3-B2A|GDD EGG|G3-G3 |

%%%

X:50067 
T:O'REILLY'S DELIGHT  
B:Petrie.350 % no repeats
C:ABC/arr. BB
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:Em % source key Fm
EFE B2G|FdF A2F|EFE B2G|FdF AFD|
EFE B2G|FdF A2e|f2e edB|d2B AFD :|
BAG e2A|BAG d2B|BAG e2B|e2B AFD|
EFE e2A|B2^c d2e|f2e edB|1 "thru"d2B AFD :|
[2 "final"d2B AGF|HE6|]

%%%

X:50068 
T:OAK BLUFFS POLKA*, The
B:Petrie.009 % (unnamed; repeats and 2nd ending added)
C:ABC/arr. BB
%Q:1/4=120
M:2/4
L:1/8
R:polka
K:G % source key = Bb
Bd A>A|BG AD|Bd A>A|BG A2|
Bd A>A|BG AF/E/|Dc Bc/B/|AF G2 :|
AA DE|F>A GG|AB/A/ DE|FA G2|
[1 AA DE|F>A GG|AB/A/ DE|FA G2 :|
[2 Bd AA|BG AF/E/|Dc Bc/B/|AF HG2|]

%%%

X:50069 
T:OAK LEAF HORNPIPE*, The 
B:Petrie.141 % unnamed, no repeats
C:ABC/arr. BB
%Q:1/4=140
M:C| % source 2/4
L:1/4
R:hornpipe
K:G
A/G/|E>F GA/G/|EG/A/ B/^d/e/f/|g/f/e/d/ B/G/A/G/|EE EA/G/|
E>F GA/G/|EG/A/ B/^d/e/f/|g/f/e/d/ B/d/B/A/|GG G :|
G/A/|Be/f/ gf|e/d/B/^c/ de/f/|g/f/e/d/ B/G/A/G/|EE EG/A/|
Bc B/A/G/F/|EG/A/ B/^d/e/f/|g/f/e/d/ B/d/B/A/|GG G :|

X:50069 
T:OAK LEAF HORNPIPE*, The 
B:Petrie.141 % unnamed, no repeats
C:ABC/arr. BB
%Q:1/4=140
M:C| % source 2/4
L:1/8
R:hornpipe
K:G
AF|E3F G2AG|E2GA B^def|gfed BGAG|E2E2 E2AF|
E3F G2AG|E2GA B^def|gfed BdBA|G2G2 G2 :|
GA|B2ef g2f2|edB^c def2|gfed BGAG|E2E2 E2GA|
B2c2 BAGF|E2GA B^def|gfed BdBA|G2G2 G2 :|

%%%

X:50071 
T:OLD WOMAN'S MONEY, The  
B:Petrie.355 (as "Women's"; no repeats)
C:ABC/arr. BB
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:G
e|d2d dfd|cBc ABc|d2d def|g3 gfe|
d2d dfd|cBc ABc|dBG cAF|G3 G2 :|
E|DED D2F|EFE E2F|DED D2F|G3 GFE|
DED D2F|EFE E2F|dBG cAF|G3 G2 :|

This is Petrie's version of "Hag with the Money"

%%%

X:50072 
T:ON BRAVE MEN* (march)  
B:Petrie.038 % unnamed
C:ABC/arr. BB
Y:"andante"
%Q:1/4=100
M:4/4
L:1/8
R:march
K:Em % source key = Fm
F|GABe Ac BA/F/|EGFE D3E/F/|GABe B2AB|GFEE E3E/F/|
GABe Ac BA/F/|EGFE D3E/F/|GABe B2AB|GFED E3 ||
F|GFGA BcBA|Beef e2EF|GFGA B2ed|BcBA G2GA|
Beed BAAF|EGFE D3E/F/|GABe B2AB|GFED HE4 |]

%%%

X:50073 
T:OVER THE RIDGE* (march)
B:Petrie.037 % unnamed
C:ABC/arr. BB
M:4/4
L:1/8
%Q:1/4=120
R:march
K:Em % source key = Fm
EF|G2G2 F2EF|A2B2 d2ed|B2AF E2FE|D6 EF|
G2G2 F2EF|AFAB d2ed|B2AF E2E2|E6 ||
B^c/^d/|e2ef e2dB|A2B2 dfed|B2AF E2FE|D6 EF|
G2AG F2EF|A2B2 d2ed|B2AF E2E2|E4-E4 ||

%%%

X:50074 
T:OVER THE SHOAL*  
B:Petrie.116 % unnamed; no repeats
C:ABC/arr. BB
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:G % source key = Bb
D|G2A G2F|GAG FGA|BAB cAF|GFG G2D|
G2A G2F|GAG FGA|BAB cAF|G2F G2 :|
G|Bde fdc|d^cd fgd|BAB cAF|G2F G2A|
Bde fdc|Bcd fgd|BAB cAF|G2F G2 :|

%%%

X:50075 
T:PADDY BROWN  
B:Petrie.446 % no repeats; ? Carolan
C:ABC/arr. BB
H:"From P.Carew's MS - see the tune 'Kitty Alone' 
(Petrie's note)". 
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:Ador
G|A2B c2d|e2f g2g|a2A A2c|BdB G2E|
A2B c2d|e2f g2f|efg a2g|a3-a2 :|
a|b2a g2e|a2g e2f|g2e d2c|BdB G2E|
A2B c2d|efg a2B|c2B A2G|A3-A2 :| 

%%%

X:50076 
T:PARRIS ISLAND QUICK STEP* (march), The 
B:Petrie.158 % unnamed
C:ABC/arr. BB
Y:"quick march time"
%Q:1/4=100
M:C|
L:1/8
R:polka
K:G % source key = F
E|D2G2 GAGF|D2G2 G2E2|F2G2 A2B2|cBAG F2A2|
D2G2 GAGF|D2G2 G2de|f2d2 dcBA|G4-G3 :|
d|g2a2 b2g2|a2f2 g2de|f2g2 f2ed|cBAG F2d2|
g2a2 b2g2|a2f2 g2de|f2d2 c2A2|G4 G2d2|
g2a2 b2g2|a2f2 g2de|f2g2 f2ed|cBAG F3E|
D2G2 GAGF|D2G2 G2de|f2d2 dcBA|G4HG4|]

%%%

X:50077 
T:PLAINS OF MAYO, The  
B:Petrie.304
C:ABC/arr. BB
H:"Set from Anne Buckley, Claddagh, 1839"
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:G % source key F
e|dBG AGE|GAB d2e|dBG BAG|ABd e2e|
dBG AGE|GAB d2B|AGA BGE|GAF G2 :|
B|B2A Beg|fed e2g|fdd eBB|ABc d2e|
dBG AGE|GAB d2B|AGA BGE|GAF G2 :|

%%%

X:50078 
T:PLOUGHMAN AND THE TAILOR (march), The 
B:Petrie.417 % (with spelling "Taylor")
C:ABC/arr. BB
%Q:1/4=120
M:C|
L:1/8
R:march
K:D
dc|BAGF EDEF|G3F E2FG|A3G E3F|D2D2 D2FA|
BAGF GABc|d3B AGFA|B3c A2A2|A6 GA|
BAGF GABc|d3c edcB|A3F GABc|A6 dc|
BAGF EDEF|G3F E2FG|A3G E2F2|HD4z4 |

%%%

X:50079 
T:POST ROAD POLKA*, The 
B:Petrie.150 % unnamed; no breaks or repeats in source
C:ABC/arr. BB
%Q:1/4=80
M:2/4
L:1/16
R:polka
K:Dmix
B|cA AB/c/ |d2 de|cA AB/c/| d2 de|
f>e dc|dA A>B|cB AG|F3 :|
E|D2 D2 |EF GA/B/|c2c2 |E>F GE|
D2D2 |EF GF/G/|AF E>F|D3 :|

C might be either sharp or natural. After a lot of listening,
I went with natural. (Delete "mix" from the K: field if you
want to hear the tune with C sharp.)

%%%

X:50080 
T:QUEEN of the WAVE*, The
B:Petrie.098 % unnamed, no repeats
C:ABC/arr. BB
H:"from Mr.Joyce".
Y:"allegro moderato" 
%Q:1/4=150
M:C|
L:1/8
R:hornpipe
K:G
D|G2A2 B2AG|FGAB c2Bc|defe dcAF|G3F D2EF|
G3A B2AG|FGAB c2Bc|defe dcAF|G4 G3 :|
c|d3e f2e2|d2cB c2Bc|d2fe dcAF|G3F D2EF|
G3A B2AG|FGAB c2Bc|defe dcAF|G4 G3 :|

Petrie has F naturals in mm 3,7,11, and 15, but to me they didn't
sound right.

%%%

X:50081 
T:RATHCARRICK JIG*, The 
B:Petrie.203 % unnamed, no repeats
C:ABC/arr. BB
H:"Set at Rathcarrick, So. Sligo"
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:D % source key = Bb
e|d2d def|e2d c2A|B2B BAF|A3 ABc|
d2d def|e2d c2A|B2A ABc|d3 d2 :|
B|A2G FEF|A2A A2g|f2d edB|d3 d2B|
A2G FEF|A2A A2g|fga edc|d3 d2 :|

%%%

X:50082 
T:ROAD THROUGH the MOUNTAIN*, The  
B:Petrie.412 % as "Mountain Road" (no repeats)
C:ABC/arr. BB
%Q:1/4=160
M:12/8
L:1/8
R:jig
K:Dmix % source key Eb
c|dcA d2e f2d e2c|dcA f2d ecB A2d|
dcA cde f2d e2d|c2A G2E DED D2 :|
E|D2E DEG A2B c2A|dcA f2d ecA GEC|
D2E DEG A2B cBA|dcA G2E DED D2 :|

I renamed this to avoid confusion with Michael Gorman's 
well-known reel.

%%%

X:50083 
T:ROSA BELLA*  
B:Petrie.099 % unnamed, no repeats
C:ABC/arr. BB
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:G % source key = Bb
d|d2c B2G|AcA FDF|G3 GFE|FGA D2d|
B2G BdB|cBA FDF|G2E AFD|G3 G2 :|
c|Bcd dBG|dBG G2B|c2d ecA|ecA A2c|
Bcd ded|g2e dBd|e2A FDF|G3 G2 :|

%%%

X:50084 
T:ROSSAVEEL HORNPIPE, The
B:Petrie.372 % no repeats
C:ABC/arr. BB
H:"The old form of 'The Flowers of Edinburgh'. Set from Mary 
O'Donoghoe, Arran-More, Sep.'57"
%Q:1/4=150
M:C|
L:1/8
R:hornpipe
K:G
A|GEDE G2GA|Bdde dcBA|BGED EFGA|BGED E3F|
GEDE GFGA|Bdef gage|=fdec dBGB|ABGF G3 :|
e|gfef dfag|fdef dBce|dfed BcdB|cBAG E3A|
GEDE GFGA|Bdef gage|=fdec dBGB|ABGF G3 :|

A neat little tune but it doesn't sound much like "Flowers" to me! 
Note that the /=f/ in mm 7 and 15 is per source (i.e., not a typo).

%%%

X:50085 
T:ROVING MIKE* (polka)
B:Petrie.144 % unnamed; no repeats or breaks
C:ABC/arr. BB
Y:"andantino"
%Q:1/4=120
M:2/4
L:1/8
R:polka
K:G
A|B>G AB|dc BA|G>A Bc|d2 dc|
B>G AB|dc BA|G>A Bc|d2-d :|
f|g>f eg|=fe de/f/|g>g eg|=f2 -fe/f/|
g>f eg|fe dB|c>B AG|A2 BA|
G>A Bc|d2 gd|B2 A2|HG4 |]

%%%

X:50086 
T:SEAL ROCK REEL*, The 
B:Petrie.258 % unnamed, no repeats
C:ABC/arr. BB
%Q:1/4=90
M:2/4
L:1/16
R:reel
K:A
cd|eAcA BGEd|eAcA d2cd|eAcA BGEG|AcBG A2cd|
eAcA BGEd|eAcA d2cB|AcBd cefa|gedB A2 :|
BA|Beef gedB|agab a2ba|gaba gedB|AcBG A2BA|
Beef gedB|agab a2ba|gaba gedB|AcBG A2 :|

%%%

X:50087 
T:SHORT VOYAGE HOME*, The  
B:Petrie.109 % unnamed, no repeats
C:ABC/arr. BB
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:G % source key = Bb
D|G2A B2c|d2e def|g2e c2e|d3 d2B|
G2A B2c|d2e def|g2e c2e|d3 de :|
%
f|g2g d2g|f2d B2d|A2e d2c|B2G A2F|
D2D E2F|G2B A2F|E2F D2D|D3-D2 :|
#
f|g2g e2g|f2e d2B|A2g f2e|d3 c2A|
G2G A2B|c2e d2B|A2B G2G|G3-G2 :|-G6||

%%%

X:50088 
T:SILKEN THREAD, The 
B:Petrie.271 % unnamed; only part 1 repeats
C:ABC/arr. BB
H:"This tune, which appears without title in the MS, is published 
in Petrie's Ancient Music of Ireland vol.1 as 'The Silken Thread'".
%Q:1/4=150
M:9/8
L:1/8
R:slip jig
K:G % source key Bb
d2d ded dBG|d2d d2c ABc|
d2d ded dBG|c2c cAF ABc :|
B2G A2G B2G|d2d d2c ABc|
B2G A2G B2G|1 "thru"c2c cAF ABc :|
[2 "final"cde dAF HG3|

%%%

X:50089 
T:SILVER STAR* (march), The 
B:Petrie.022 % unnamed
C:ABC/arr. BB
L:1/8
M:C
%Q:1/4=120
R:march
K:G % source key = F 
GA|B3d cBAG|E2DE/G/ A2Bd|edBg dBAG|EF GA G2 :|
BA|GA Bc d2de|dBAG d2ef|gfea gfed|Bdef e2 (3def|
gfed B2ef/g/|dBAG A2Bd|edBg dBAG|EF GA|G4 |]

%%%

X:50090 
T:SIXPENCE A GLASS*  
B:Petrie.110 % unnamed, no repeats
C:ABC/arr. BB
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:Ador
eAA eAA|BGG BGG|eAA eAA|def gdB|
eAA eAA|BGG BGG|def gdB|BAA A3 :|
eaa eaa|egg egg|eaa eaa|def gdB|
eaa eaa|egg egg|def gdB|BAA A3 :|

%%%

X:50091 
T:SPRIGHTLY KITTY (reel) 
B:Petrie.367 % no repeats
C:ABC/arr. BB
%Q:1/4=180
M:C
L:1/8
R:reel
K:Dmix
G|Adde fded|Add2 A2GE|Adde f3d|cAGE EDDG |
Adde fded|Add2 A2GE|ABcd efed|cAGE EDD :|
B|ADD2 cBAG|ADDB A2GE|ADD2 cBcA|GAGE EDDG|
ADD2 cBAG|ADDB A2GE|DcBA FGAF|GAGE EDD :|

This is a fine little tune that I thought deserved 
a couple of repeats!

%%%

X:50092 
T:STRAIGHT AND NARROW*  
B:Petrie.114 % unnamed, no repeats
C:ABC/arr. BB
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:D
e|cAA A2c|ede e2d|cAA Ace|f3 a3|
aff gee|fdd ecc|dAF FEF|d3 f2 :|
%
e|dAF FEF|AFE E2c|dAF FEF|dAd def|
dAF FEF|AFE Edc|BAB cAF|A3 A2 :|
%
e|cAA A2c|ede e2d|cAA Ace|f3 a3|
aff gee|fdd ecc|dAF F2E|HD3z3|]

%%%

X:50093 
T:SUMMER SUNSET*, A  
B:Petrie.111 % unnamed; 8mm, no breaks/repeats
C:ABC/arr. BB
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:A
c|dcB BcA|FEE E2A|BAB c2d|edc B2A|
BAB c2d|edc B2d|edB BcA|FEE E2 :|
e|a2e fed|cAA A2A|BAB cBc|def e2e|
a2e fed|cAA ABc|edB BcA|1 "thru"FEE E2 :|
[2 "final"BAB HA3|]

%%

X:50094 
T:SWEET KILRUSH* (hornpipe)
B:Petrie.178 % unnamed
C:ABC/arr. BB
%Q:1/4=150
M:C|
L:1/8
R:hornpipe
K:G
DE|G3E D2EG|A2A2 Bddc|BGBd edBA|B2A2 A2BA|
G3E D2EG|A2A2 Bddc|BGBd edBG|E2D2 D2 :|
Bc|d3c BAGA|BcBA GEGA|BGBd edBA|BcdB AcAF|
G3E D2EG|A2A2 Bddc|BDDF GEGA|E2F2 G2 :

source version ("andante")
H:"Co.Clare, from F.Keane's book, Kilrush"
DE|G3E D2EG|A2A2 Bddc|B3A GEGA|B2A2 A2BA|
G3E D2EG|A2A2 Bddc|B3A GEGA|E2D2 D2 :|
Bc|d3c BAGA|B3A GEGA|B3A GEGA|B3A A2 d/c/B/A/|
G3E D2EG|A2A2 Bddc|B3A GEGA|E2D2 D2 :|

%%%

X:50095 
T:TAKE HER OUT FOR SUNSHINE
B:Petrie.397 (as "Take Her Out and Air Her"; no repeats)
C:ABC/arr. BB
H:"A Cork reel; from P.Carew's MSS"
%Q:1/4=180
M:C
L:1/8
R:reel
K:Ador
AB|cABG AGEF|GABc dBGB|cABG AGED|EAAG A2AB|
cABG AGEF|GABc dBGB|cABG AGED|EAAG A2 :|
AB|cdef g2eg|a2ed cAAB|cdef gfgd|eaa^g a2AB|
cdef g2eg|aged cAAB|cABG AGED|EAAG A2 :|

This is not related to other tunes of the same name (e.g. Roche 1, CRE 4),
so I performed my re-naming function (again).

%%%

X:50096 
T:TENTH DIVISION* (march), The 
B:Petrie.039 % unnamed; no breaks/repeats
C:ABC/arr. BB
N:No breaks or repeats.
%Q:1/4=100
M:4/4
L:1/8
R:march
K:G % source key = F
G/B/|d2de dB/A/ G/A/B/c/|d2de dB/A/ G/A/B/d/|
e2e2 egf/e/d/B/|defa g3d/f/|
gbag fagf|egfe d/c/B/A/ G/A/B/d/|
e2ed eg f/e/d/c/|defa g3f/e/|
dcBA AcBA|G2G2 HG4|]

%%%

X:50097 
T:THISTLE DOWN* (hornpipe)
B:Petrie.160 % unnamed
C:ABC/arr. BB
Y:"andante"
%Q:1/4=140
M:C|
L:1/8
R:hornpipe 
K:Em % source key Fm
F|GABG AcBF|EGFE D2EF|GABG B2AB|GFED E3F|
GABe ABAF|EGFE D2EF|GABe B2AB|GFED E3 :|
F|GFGA BcBA|Bee^d e2ef|gfga g2ed|BcBA GFE2|
Beed BAGF|GABc d2BA|GABe B2AB|GFED E3 :|

%%%

X:50098 
T:TOM MacMAHON'S* (reel) 
B:Petrie.202 % unnamed
C:ABC/arr. BB
H:"From T. MacMahon"
%Q:1/4=180
M:4/4
L:1/8
R:reel
K:Em
B|AFEF E2FD|EFAB d3e|fedB A2FE|D3E F3B|
AFEF E2FD|EFAB d3e|fedB A2FD|E4 E3 ||
B|AFAB d2fe|dBAB d3e|fedB A2FE|D3E F3B|
AFEF E2FD|EFAB d3e|fedB A2FD|E4 HE4 |

%%%

X:50099 
T:TREE in the FIELD*, The 
B:Petrie.219 % unnamed
C:ABC/arr. BB
H:"from Mr.Joyce"
%Q:1/4=160
M:6/8 % A-B-A
L:1/8
R:jig
K:G % source key F
P:"A"
c|B2B GAB|c2B c2A|GBd cBA|GEF G2A|
B2B GAB|c2B c2A|GBd cBA|G3-G2 :|
P:"B"
d|gfe deB|cBc d2f|gfe dcB|cBc A2f|
gfe deB|cBc d2e|dcB cBA|G3-G2 :|
P:"A repeat"
c|B2B GAB|c2B c2A|GBd cBA|GEF G2A|
B2B GAB|c2B c2A|GBd cBA|HG3z3|]

%%%

X:50100 
T:TUCKERNUCK JIG*, The  
B:Petrie.085 % unnamed; 10mm in part 2
C:ABC/arr. BB
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:G 
A|BGE EDG|A2A AGA|BGE EDE|G2G G2A|
BGE EDG|A2A AGA|BGE DEF|G2F G2 :|
A|GBd d2d|edB AGA|GBd d2d|edB ABA|
GBd d2d|edB AGA|BGE DEF|G2F G2 :|

%%%

X:50101 
T:TUMBLING DOWN TEADY'S ACRE  
B:Petrie.292 (no repeats)
C:ABC/arr. BB
H:"King's Co. from Mr. McDermott"
Y:"Allegro"
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:D
D|BAB ABc|dAF GFD|FGA GFE|D3 D2D|
BAB ABc|dAF GFD|FGA GFE|D3 D2 :|
G|Ade feg|fed dcB|Adf edc|d3 d2c|
BAB A2c|dAF GFD|FGA GFE|D3 D2 :|

%%%

X:50102 
T:UP ONE AND DOWN ANOTHER*
B:Petrie.020 % unnamed; no repeats
C:ABC/arr. BB
%Q:1/4=120
M:2/4
L:1/8
R:polka
K:D % source key A
f/g/|ab ga|fg ef|dd ec|A3G|
AA AG|FG AB|cd ec|d3 :|
%
A|de fg|a3b|ab ag|fe d2|
dd fg|ag fa|gf ef|d3 f/g/|
ab ga|fg ef|dd ec|A3G|
AA AG|FG AB|cd ec|d4 |]

%%%

X:50103 
T:VILLAGE GREEN POLKA*, The 
B:Petrie.156 % unnamed; no repeats
C:ABC/arr. BB
%Q:1/4=110
M:2/4 
L:1/16
R:polka
K:G
EF|G2AG F2G2|A2f2 d2cA|GFGB A2G2|F2D2 D3F|
G2AG F2G2|A2f2 d2Bc|d2cA G2G2|G4-G2 :|
Bc|d2de f2g2|f2dc B2AF|G3B A2FE|D4- D2EF|
G2AG F2G2|A2f2 dABc|d2cA G2G2|G4-G2:|

%%%

X:50104 
T:WASH on the LINE*  
B:Petrie.105 % unnamed
C:ABC/arr. BB
N:A close relative of "Irish Washerwoman"
%Q:1/4=150
M:6/8
L:1/8
R:jig
K:D % source key Eb
P:"A"
G|F2D D2D|F2A AGF|G2E E2E|G2B BAG|
F2D D2D|F2A AFA|Bcd edc|d2B A2 :|
P:"B"
g|f2d d2d|f2a agf|ecA AcA|AcA AcA|
[1 f2d d2d|f2a agf|ecA ABc|d3 d2g|
[2 fgf fgf|gag gag|fgf edc|d2B A2||
P:"Part A repeat"
G|F2D D2D|F2A AGF|G2E E2E|G2B BAG|
F2D D2D|F2A AFA|Bcd edc|d3 Hd3|]

%%%

X:50105 
T:WE'LL DRINK TO KEENAN
B:Petrie.327 ((as "We'll Drink to the Health of Keenan")
C:ABC/arr. BB
Y:"Allegretto"
H:"Set from Mary O'Donohoe, Arran-More, 19 Sep.1857"
%Q:1/4=140
M:6/8
L:1/8
R:jig
K:D
B|dcd e2c|d2B A2F|DCD E2C|D2E F2G|
[1 A2d c2d|B2G E2D|C2D E2F|E3 A2:|
[2 A2d c2d|B2G E2D|EFG AFE|D3 D2 ||
A/^G/|A2B c2d|e2d e2g|f2d e2c|d2c d2e|
f2d e2c|d2B A2F|F2E E2E|E3-EBc|
dcd e2c|d2B A2F|DGG ECC|DFF A2G|
A2d c2d|B2G E2D|EFG AFE|D3-D3 |]

%%%

X:50106 
T:WHISTLING WILLIE* (polka) 
B:Petrie.147 % unnamed; no repeats
C:ABC/arr. BB
%Q:1/4=120
M:2/4 % 4/4 in source
L:1/8
R:polka
K:D
A|d>e fd|gf ed|c>d ed|cB Ac|
d>e fa|gf ed|cB/A/ Bc|d3:|
d/B/|A>B AG|AD DA|B2 ed|cA AA|
BG GF/G/|AD Df/g/|ag fe|d3 :|

%%%

X:50107 
T:WHITE CHURCH POLKA*, The 
B:Petrie.148 % unnamed; only part 2 repeated
C:ABC/arr. BB
%Q:1/4=120
M:2/4 % 4/4 in source
L:1/8
R:polka
K:D
e|fe/f/ ga|fe d2|fe/f/ ga|fe dA|
f>g ag|fe fa|ge/d/ cA|df d :|
c|dB AB/c/|dA G2|A>B cA|dB A2|
f>g ag|fe fg|fe/d/ cA|1 df d :|\
[2 df Hd2|]

%%%