BB's IRISH TRADITIONAL TUNE LIBRARY
"The ROCHE COLLECTION OF TRADITIONAL IRISH MUSIC" 
Dublin 1927; reprint Cork 1984

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MISCELLANEOUS TUNES
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folder index

= = = = = =

X:535301
T:ACE AND DEUCE OF PIPERING, The 
B:B: RC3.185
Z:Z: ABC/arr. BB
H:H: "set dance"
Q:1/4=120
L:1/8
M:4/4
%R:hornpipe
K:G
dc|BGcA BGcA|BGcA B2AG|d2ec d2ec|d2ec de/d/ cA|
"5"G2ge =fdcA|d2de dBGA|BGcA B2 AG|FGAB cBcA|
"9"G2g2 fdcA|FGAB cBcA|AGGF G2FG|AGGF G2:|
GF|"13"G2=f2 e2f2|G2=fe fdcA|G2g2 f2g2|d2gf gdcA|
"17"G2=f2 e2f2|dcde =fefg|ag=fd fdcA|BGcA B2AG|
"21"G2g2 fdcA|FGAB cBcA|AGGF G2FG|AGGF G2:|

%%%

X:535302 
T:AER NA MAIDNE 
T:The Morning Air 
B:B: RC3.061
H:H: "go h-aerach"
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
K:Gm
D|G2G GFD|GAG GFD|FGF B2D|F3 D2F|
G2A B2G|c2B AGF|GAB AGF|G3-G2||
z|d2d dcB|d3 f2z|FGF B2D|F3 D2F|
G2A B2G|c2B AGF|GAB AGF|G3-G2||
%

%%%

X:535303
T:AILEEN ALANNA (mm 1-16) 
B:B: RC3.165
Z:Z: ABC/arr. BB
L:1/8 
M:3/4
%R:waltz
K:F
c6||d4e2|f2a4-|a6|g6|f4d2|c6-|c4z2|d6|
e4f2|f6-|f2g2a2|a6|g4f2|e6|d4c2|c6||

%%%

X:534001 
T:AILEEN MAVOURNEEN 
B:B: RC1.014
Z:Z: ABC/arr. BB
H:H: "slow", "air"
C:Alex D. Roche 
N:N: Playing the high notes in measures 8,9 and 20 down an octave would 
N:probably not cause too much consternation among your listeners!
L:1/8 
M:C
K:D
A|f2ff gfed|dcfe d3d|d2fg a2^ga|bafd e3A|
"5"f2ff gfed|dca>g f2zd|d>ed>B Ad2b|"8"a<f d2d2zd'||
"9"d'>e' d'>c' a>B d/e/f/d'/|affe d2zf|feB>d dce>a|^gede c2ee|
"13"fea^g baef|g2fe f2af|e>c (3Bfe A3z|A2 ceba H^g=g|
"17"f2ff gfed|dca>g f2zd|d>ed>B Ad A/d/f/a/|
"20"d'>e' d'>b ad' z=c|Bdag gfed|dBAC D4|]

%%%

X:535304
T:AR LAOCHRA  
C:Frank Roche
B:B: RC3.037 (Gaelic = "our heroes/champions")
H:H: "allegretto con grazia"
Z:Z: ABC/arr. BB
L:1/8
M:6/8
K:D
A/G/|FFF EDE|FD3 DC|B,CD EDE|F3-F2 F/F/|
GGF EFG|BA3 cB|AGF GcB|F3-Fz B/c/|
d>cB ABc|dA2-A2A|dcA GFG|A3-A2 D/E/|
FFF EDE|FD3 AB|cBA GFE|D3-D2||F/G/|AFA Bec|d6|]

%%%

X:535305 
T:ARRAVALE ROVERS QUADRILLE (5 figures)  
B:B: RC3.197
Z:Z: ABC/arr. BB
N:N: played A-B-A-C-A
L:1/8
M:6/8
Q:1/4=160
%%R:jig
K:G
%%text figure 1: A-B-A-C-A
%%text part A1 "fine" < A3 G3 >
P:"1A"
B/c/|dgB dcA|BGG GFG|AFA dBd|edB ABc|
dgB dcA|BGG GFG|ABc DEF|A3 G2||
%
P:"1B"
K:D
F/G/|Afe dcB|Afe dcB|Adc ecA|G3 F2G|
Afe dcB|ABc def|A>BA ABc|"_back to 1A"d3 d2B/=c/||
%
P:"Part 1C trio"
K:G
d/c/|B2B BAB|GBd gdB|A2A AGA|Bee dBA|
B2B BAB|GBd gfg|eaf gfe|fe"_back to 1A"d e2||
%%
%%text figure 2: A - B - C - A 
%%text part 2A "fine" <  B4 G4 >
L:1/16
M:2/4
Q:1/4=120
K:G
P:"2A"
D2|B3B cBcA|e2e2 d3g|eged BedB|ABAG E2D2|
B3B cBcA|e2d2 g3e|dedB A2d2|G4B3||
%
P:"2B: 1st & 3rd"
B/A/|GEDE G2GA|BedB A2GA|B2AB G2G2|G6B2|
d2ef g2fg|e2ed B2Bd|e2ed BABd|e6d2|
d2ef g2fg|e2ed B2AB|d2ed dBAG|E6 BA|
GEDE G2GA|B2ed B2GA|B2AB G2G2|"_back to 2A"G4 z2||
%
P:"2C: 2nd & 4th"
L:1/8
GBd>d|ee d2|edBG|BAA2|
GG/B/ dd|ee d2|dBGA|BGGz|
g>fed|ed B2|d>B c/B/A/G/|AG E>d|
g>fed|ed B2|dBGA|B"_back to 2A"GG||
%%
%%text figure 3: A-B-A-C-A 
%%text part 3A "fine" < d3 - d3 >
M:6/8
K:D
Q:1/4=160
P:"3A"
A|d2d AFA|d2c B2A|d2c d2e|fgf e2A|
d2d AFA|d2c B2A|B2d c2e|d3-d2||
%
P:"3B"
A|d2e f2g|a2b afd|g2e f2d|ecA ABc|
d2e f2g|a2b afd|g2f e2d|e2d "_back to 3A"c2A||
%
P:"3C - Trio"
(3A/B/c/|d2d dcd|B2e ede|gfe fed|ecA ABc|
d2d dcd|efg A2f|a2g f2e|f2e "_back to 3A"c2A||
%%
%%text figure 4: A-B-C-A
%%text part 4A "fine" < d4 >
L:1/8
M:2/4
%%R:polka
Q:1/4=120
K:D
P:"4A"
f/e/|d/f/e/d/ Bd|A3B|AA/B/ AF|E3F|
D>EFG|ABde|fa e>f|d2d||
%
P:"4B: 1st & 3rd"
K:A
c/B/|A>BAF|EFAB|cecA|B2dB|
A>BAF|E>FAB|ceB>c|A3A|
A>cee|f>ece|f>e d/c/B/A/|B2cB|
A>BAF|EFAB|ceB>c|"_back to 4A"A2z||
%
P:"4C: 2nd & 4th"
K:D
d/e/|ff fe/d/|a>fab|af fe/d/|e3 d/e/|
ff fe/d/|a>fab|a/f/e/f/ dd|d3 A|
d>edc|B>ABd|AF FE/D/|E3 D/E/|
FF FE/D/|AFAB|A/F/E/F/ DD|"_back to 4A"D2 d||
%
%
%%text figure 5: A-B-A-C-A
%%text part 5A "fine" < G4 - G4 >
L:1/16
M:2/4
%%R:polka
Q:1/4=100
K:G
P:"5A"
Bc|d2dd d2g2|BcBA B2d2|cdcB c2e2|dedc BGBc|
d2dd d2g2|BcBA B2d2|^cded =cBcA|GGAB cdef|
gfed e2f2|g3d B2G2|c2cc c2e2|dedc BGBd|
gfed e2f2|g3d B2G2|c^ced =cBcA|G4G2||
%
P:"5B 1st & 3rd"
L:1/8
Q:1/4=120
A|BdBd|Bd d2|edBd|ed d2|
BdBd|Bdd2|ed BA|AGG>D|
%gGB d2|ed c2|dBGB|BAA>D|
GB d2|ed c2|dB GE|EDD>A|
BdBd|Bd d2|edBd|ed d2|
BdBd|Bd d2|ed BA|A"_back to 5A"GG||
%%
P:"5C: 2nd & 4th"
Q:1/4=120
L:1/8
d|dDG>A|GF c>c|cEE>F|ED B>d|
dDG>A|GF c>c|cAE>F|AGG||
L:1/16
Bc|dedc B2B2|dedc B2B2|cdcB A2A2|cdcB A2Bc|
dedc B2Bc|dedc B2AB|cBAG FDEF|A2G2G2||
L:1/8
d|dDG>A|GF c>c|cEE>F|ED B>d|
dDG>A|GF c>c|cAE>F|A"_back to 5A"GG||  

%%%

X:535310
T:BANDON BRIDGE, The
B:B: RC3.011
H:H: "andante con moto"
Z:Z: ABC/arr. BB
L:1/8
M:2/4
K:Dm
E/G/|A>d c/A/G/E/|c>e dc/d/|e>d c/A/G/E/|D3 E/G/|
A>d d/c/d/e/|f>a a/g/e/d/|e>f g/e/d/c/|d3 E/G/||
A>d d/c/d/e/|f>a a/g/e/d/|e>d c/A/G/E/|A3 E/G/|
A>a =b/a/g/e/|d>e d/c/A/G/|AG/E/ DD|D4|]

%%%

X:535311
T:BANKS OF THE BARROW, The
B:B: RC3.004 (Bruacha na Bearbha}
Z:Z: ABC/arr. BB
H:H: "andante con espress."
H:H: This highly-ornamented piece is 5/4 looks like an Arthur Darley arrangement 
for sure. I had to change a note here and there to try and get the playback right.
L:1/8
M:5/4
K:C
DE|FEFG A>Bc2 c>B|A2A>G E>D C3D|EcBA A>G E2G>E|D2D2 D4:|
%
A2|dcde f>d e3a|a/g/e/d/ ce d>c A3c|dcde f>d e3a|aged d>e d3e|
f/a/g/f/ e>d d>c A3c|d/e/d/c/ A>G G>E C3D|EcBA A>G E2G>E|D2D2 D4:|
%
DE|FEFG A>B c2 (3cde|(3ded (3cAG A>G G/E//D//C/A,/ G,/A,/C/D/|\
(3EDE FG A>G E2G>E|D2D2 D4:|
%
Ac|dcde f>d e3a|(6dedged e>d d/c/A/G/ A3c|dcde f>d e3a|\
A2 (3ged d>e d3e|
f/a/g/f/ e>d d>c A3c|(3ded (3cAG (3AGE (3GED C>D|\
(3E/D/E/ F/G/ A/B/A/G/ A>G E2 G>E|\
D2D2 HD4:|

%%%

X:534002 
T:BANKS OF THE SUIR (1), The 
T:Bruacha na Suire
B:B: RC1.011 
H:H: "slow"
Z:Z: ABC/arr. BB
N:N: "from [collector P.W.] Joyce"
L:1/8 
M:3/4
K:A
AB|c2 f2 f2|e2 cB AF|F2 EF AB|c2 e2 c>A|B2 A2 A2|A4:|
AB|c2 e2 fg|a2 fa ge|f>e c2 (3efg|a2 g2 fe|
c2 e2 e2|f4 (3efg|a2 b2 af|e2 cB AF|
F2 E>F AB|c2 e2 cA|B2 A2 A2|HA6|]

%%%

X:534003 
T:BANKS OF THE SUIR (2), The
T:Bruacha na Suire
B:B: RC1.012 
H:H: "slow"
Z:Z: ABC/arr. BB
L:1/8 
M:3/4
K:G
GA|B2 e2 d2|e2 G2 A2|E2 D2 GA|B2 e2 dB|
"5"A2 G2 A2|B4 GA|B2 e2 d2|e2 G2 A2|
"9"E2 D2 GA|B2 e2 dB|A2 G2 G2|G4||
GA|"13"B2 d2 ef|g2 f2 e2|f2 d2 ef|g2 f2 ed|
"17"B2 e2 f2|e4 (3def|g2 f2 ed|B2 d2 GF|
"21"E2 D2 GA|B2 He2 dB|A2 G2 G2|HG6|]

%%%

X:535312
T:BARNACLE REDOWA (measures 1-8), The  
B:B: RC3.152
Z:Z: ABC/arr. BB
L:1/8 
M:3/4
%R:waltz
K:D
DF|A2 AFAB|d2 dAdf|e2 edef|a2 afef|
A2 AFAB|d2 dAdf|e2 edef|d4:|

%%%

X:535321 
T:BATTLE EVE, The
B:B: RC3.068
H:H: "allegro"
Z:Z: ABC/arr. BB
C:Frank Roche
N:N: 1: This composed piece consists of an Intro, Theme, and four sets of 
N:"classical" variations. Only the Intro and Theme are included here.
N:N: 2: Subtitle in book is "Contented I Am". Probably a case of a editing 
N:glitch since "Contented I Am" is an unrelated jig at least 100 years older 
N:than anything Frank Roche could have composed.
L:1/8
M:6/8
%R:jig
K:A
P:Intro
c'b|afe cBA|cec BAF|EAB cea|bc'b ha2||
P: Theme
"con spirito"
|:c/B/|A>Bc c>BA|cBB B2A/B/|c>AF ECE|FAA A2:|
c/B/|A>ce e>cA|A>ce e2c/B/|A>ce e>cB|cef f2 (3e/f/g/|
a>gf ece|fec B2A/B/|c>AF ECE|FAA A3|]

%%%

X:535313
T:BELIEVE ME IF ALL  
B:B: RC3.039
Z:Z: ABC/arr. BB
H:H: "andante con espress."
N:N: "from [Thomas] Moore".  Source has a third part (not inlcuded here) 
N:which is basically a "florid" setting of part 2.
L:1/8
M:6/8
Q:1/4=130
K:A
c/B/|A>BA Ace|dfa a2 g/f/|e>dc BAB|c3-c2c/B/|
A>BA Ace|dfa a2 g/f/|ea>c BA>B|A3-A2||
e/d/|cea a2e/e/|fdf a2g/f/|e>dc BAB|c3-c2c/B/|
A>BA Ace|dfa a2 g/f/|ea>c BA>B|A3-A2||

%%%

X:535201
T:BIG MAN (set dance 6/8), The  
T:An Fear Mór
B:B: RC2.279 
H:H: "set dance"
Z:Z: ABC/arr. BB
L:1/8 
M:6/8
%R:jig 
K:D
G|FGA ABc|ded cBA|Bcd AGF|B2E E2G|
FGA ABc|ded cBA|Bcd AGF|A2D D2:|

%%%

X:535314
T:BILLY BYRNE OF BALLYMANUS 
B:B: RC3.048
H:H: "allegretto"
Z:Z: ABC/arr. BB
L:1/8
M:2/4
K:C
e/d/|cc EF|G>F ED/E/|F/E/D/E/ CC|C3 E/F/|
GG c>d|ef/e/ de/d/|c/B/G/F/ G/A/B/d/|c3 E/F/|
GG c>d|ef/e/ de/d/|c/B/G/F/ G/A/B/d/|c2 e>d|
cc EF|G>F ED/E/|F/E/D/E/ CC|C4|]

%%%

X:534004
T:BLACKBIRD, The
B:B: RC1.056 
H:H: "slow"
Z:Z: ABC/arr. BB
L:1/8
M:4/4
K:G
(3FGA|B3Bc2Bc|A3G F/G/A/B/ c>A|d2d>e d=cAF|G2GFD2zD/E/|
"5" F2FGA2fe|d3ef/e/d/c/ A/G/F/A/|G3FD2D2|D4 z2:|
de|"9"fAde f3g|a4-ag f/g/a/f/|g3f g2a>f|gfgf d3A|
"13"d3e f3g|a2 b/a/g fga>f|g3fd2d2|d4 zA/B/d/e/f/g/|
"17"a4-ag f/g/a/f/|g3e f3e|d3c A3e|
"21"fefg Ha2 b/g/d/B/|A3B A/G/F/D/ F/G/A/B/|c3e d/c/A/G/ F>A|\
"24"G3F D2D2|D4z4|]

%%%

X:535202
T:BLACKTHORN STICK (set dance 6/8), The  
B:B: RC2.274
Z:Z: ABC/arr. BB
N:N: Note fifteen measures in this version.
L:1/8
M:6/8
%R:jig 
K:G
de|fed B2d|A2A Bdd|d2A def|g2g fed|faf e2A|
def g2g|fed faf|ede fed|BdB AFA|Bdd d2A|
def g2g|fed faa|bag fed|B2d A2A|Bdd d3|]

%%%

X:534005 
T:BOLD DESERTER, The
B:B: RC1.074
H:H: "march"
Z:Z: ABC/arr. BB
L:1/16
M:2/4
K:D
fe|d2A2 B2AF|ABde fedB|AFEF D2D2|D6 DE|
F2A2 d2ef|g2f2 e2de|fedB AFEF|A6 AG|
F2A2 d2ef|g2f2 e2de|fedB AFEF|A6 fe|
d2A2 B2AF|ABde fedB|AFEF D2D2|D8|]

%%%

X:535203
T:BONAPARTE'S RETREAT (1) (set dance 4/4) 
B:B: RC2.280
H:H: "set dance"
Z:Z: ABC/arr. BB
L:1/8 
M:4/4
%R:hornpipe 
K:G
%swing .25
GF|DGGF GBAG|FGAd f2fg|agfa gfeg|fdcA BGAF|
"5"DGGF GBAG|FGAd f2fg|agfd cAGF|A2G2G2:|
%
de|"9"fefg f2df|gfga g2de|fefg afge|gdcA BGAF|
"13"fefg f2df|gfga g2fg|abag fgaf|gfga g2fg|
%
"17"a2ab agfd|f2fa gfed|fefg afge|fdcA BGAF|
"21"DGGF GBAG|FGAd f2fg|agfa gfeg|fdcA BGAF|
"25"DGGF GBAG|FGAd f2fg|agfd cAGF|A2G2G2:|

%%%

X:535315
T:BONAPARTE'S RETREAT (2) (set dance 4/4) 
B:B: RC3.187
H:H: "set dance"
Z:Z: ABC/arr. BB
N:N: This is a very strange setting of this tune that I've transcribed exactly 
N:as Roche published it! (It almost looks like the Roches gave up on trying 
N:to get this to make sense.) Version 1 (from volume 2) is much easier to
N:deal with.
L:1/8
M:4/4
K:C
DC|B,DD/D/D DEDC|B,DGA B/c/B/A/ Bc|edcA dcAB|cAGE FDEC|
"5"B,DD/D/D DEDC|B,DGA B2Bc|edcA GECE|D2 DD/D/ D2:|
K:G
dc|"9"Bdd/d/d dBcB|Add/d/d defd|Bdd/d/d dBcB|AGFG ABcA|
"13"Bdd/d/d dBcB|Add/d/d defg|afge fdec|Add/d/d d2de|
"17"fefg f2ef|gfga g2fg|abaf gecA|GEDE =FDEC|
K:C
"21"B,DD/D/D DEDC|B,DGA B2Bc|edcA dcAB|cAGE FDEC|
"25"B,DD/D/D DEDC|B,DGA B2Bc|edcA GECE|D2 DD/D/ D2:|

%%%

X:535316
T:BONNIE GREEN TREE, The
B:B: RC3.007
Z:Z: ABC/arr. BB
H:H: "allegretto"
L:1/8
M:3/4
K:D
A2|f4 ed|d4 cd|B4 cB|A2F3A|
"5"A4 BF|A4 de|f2e2d2|e4-eA|
"9"f4 ed|d3c d2|B4 cB|AF3 FF|
"13"A4 BF|A2d2e2|fg3e2|d4||
%
F2|"17"B4 Bc|d4 F2|d4 cB|AF3 A2|
"21"A4 BF|A4 de|f2e2d2|e4 A2|
"25"f4 ed|d4 cd|B4 cB|AF3 A2|
"29"A4 BF|A2 d3e|fg3 e2|Hd6|]

%%%

X:534006 
T:BOYNE WATER, The 
T:Praises of Limerick
B:B: RC1.004
H:H: "lively"; "march"
Z:Z: ABC/arr. BB
L:1/8
M:C
K:G
dB|A2Bd efge|dBAB G2AB|c2Bd efdB|A3G E2dB|
A2Bd efge|dBAB G2AB|c2Bd efdB|A3A A2||
B2|dBde g2b2|abge d3d|e2aa a2b2|a3g e2ga|
b2ba gfge|dBAB G2AB|c2Bd efdB|HA8|]

%%%

X:533010
T:BOYS OF WEXFORD (march), The 
B:B: RC3.042
Z:Z: ABC/arr. BB
C:R.D.Joyce
H:H: "with spirit"
L:1/8
M:4/4
%R:march
Q:1/4=120
K:G
D2|G3A GFED|d3e d2c2|B2G2 BAGF|E4 -E2F2|
G3A GFED|d3e d2c2|B2A2 GAB^c|d4 -d2||
d2|e3c g2e2|d3c B2d2|c2B2 A2G2|E4 -E2F2|
G3A GFED|d3e d2c2|B2G2 BAGF|HG4z4|]

%%%

X:535317 
T:BRIDGE OF ATHLONE (long dance 6/8)
B:B: RC3.140
Z:Z: ABC/arr. BB
H:H: A-B-C-D-A
L:1/8
M:6/8
K:D
A2A ABc|d2A FDF|A2G EFG|B2A FDF|
"5"A2A ABc|dfd A2F|GBA GFE|D3D2||
P:"B"
A|"9"f2d AFA|f2d AFA|g2e cde|dcB A2A|
"13"f2d AFA|f2d A2A|Aef gfe|dfe dcB||
P:"C"
"17"A2A A2A|ABA ABA|A2d dcd|edB AFG|
"21"A2A A2A|ABA Acd|e3 efe|d3d2||
P:"D"
e/f/|"25"g3 efg|f3 fed|e2d dcd|ecA A>ef|
"29"g3 efg|f3 fed|ecA Acd|efe dcB||
P:"A repeat"
A2A ABc|d2A FDF|A2G EFG|B2A FDF|
A2A ABc|dfd A2F|GBA GFE|HD6||

%%%

X:534007 
T:BRIGHT BLACK ROSE
B:B: RC1.027 ("An Ros Geal Dubh")
Z:Z: ABC/arr. BB
H:H: "gracefully"
L:1/8
M:3/4
%R:none
K:Dm
(3DG=B|c2 de fd|ed cA d/c/A/E/|D2 D2 EC|D4 (3Ade|
f2 fa gf|f2 eg fe|d2 e>d d/c/A/G/|A4||
(3Ace|f2 fa gf|f2 eg fe|d2 e>d d/c/A/G/|E4 (3DG=B|
c2 d>e fd|e>d cA d/c/A/E/|D2 D>F E/D/C/E/|HD6|]

%%%

X:534008 
T:BRINK OF THE WHITE ROCKS (1), The
B:B: RC1.007
Z:Z: ABC/arr. BB
H:H: "moderato"
N:N: I have simplified some of the classical ornamentation. This tune is the 
N:melody of the well-known emigration song "A Stor Mo Chroi".
L:1/8 
M:6/8
K:G
(3D/G/B/|c2d B2G|AGE D2B/A/|GFE DB,D|E3 E2:|
E/F/|G2F GAB|d2e B2A|G2E GAB|ef/e/d d2 (3D/G/B/|
c2d B2G|AGE D2B/A/|GFE DB,D|E3 E3|]

%%%

X:534009 
T:BRINK OF THE WHITE ROCKS (2), The
B:B: RC1.008
H:H: "andante con espress."
Z:Z: ABC/arr. BB
L:1/8 
M:6/8
K:Am
A/B/c/d/|ef/e/d c2g/e/|d>cA G2e/d/|cBA GEG|A3 A2 c/d/|
ef/e/d c2g/e/|dcA G2e/d/|c>BA GEG|A3 A2||
c|dBA cde|g2a/g/ e2d|cBA cde|Ha3 g2e|
.f.f.f e<ge|dcA G2 e/d/|cBA GEG|A3 HA3|]

%%%

X:534010  
T:BROWN THORN, The
B:B: RC1.010 ("An Sean Bhoithrín Fothineach or Cahirciveen")
H:H: "moderato"
Z:Z: ABC/arr. BB
L:1/8 
M:3/4
K:F
FG|A>G Ac de|f>e dc AF|G4 F2|F2F z (3cde|
f2 f>g af|g2 f>e dc|Ac de d>c|c2c z (3cde|
f2 f>g af|g2 f>e dc|Ac df g>a|f2 z2 CD|
F>G AG Ac|de fe dc/A/|G4 F2|HF6|]

%%%

X:535318
T:BUTTERFLY POLKA (measures 1-8), The  
B:B: RC3.146
Z:Z: ABC/arr. BB
Q:1/4=100
L:1/8 
M:2/4
%R:polka
K:D
A/d/|fff>f|f/g/f/e/ e/c/A/c/|eee>e|e/f/e/d/ d/A/d/e/|
fff>f|f/g/f/e/ e/B/e/g/|ba g/e/c/e/|ddd:|

%%%

X:533016
T:CAPTAIN DUNNE'S MARCH  
B:B: RC3.208
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8 
M:C
%R:march
K:D
AF|D2DD DFAF|G2EE E3G|FABc dAFD|A2AB AGFE|
D2DD DFAF|G2EE E3G|FAFD (3EFG EC|D2DD D2:|
A2|d2dd dAFD|G2EE E2 cd|e2ef edcB|ABcB AGFE|
D2DD DFAF|G2EE E2G2|FAFD (3EFG EC|D2DD D2:|

%%%

X:535204 
T:CAROLAN'S RECEIPT 
B:B: RC2.317
H:H: "spirited"
Z:Z: ABC/arr. BB
L:1/8
M:4/4
K:G
gf|edcB cBAG|E2GA G2gf|edcB cBAG|e2AB A2Bc|
"5"dBde d2ef|gfga g2fe|dcAG AGED|E2GA G2:|
Bc|"9"dBde dBAG|E2GA G2Bc|dBde dABd|e2fa g2 (3gab|
"13"G2 G/A/B/G/ A2 A/B/c/A/|Bd e/g/f/a/ g2ga|bage dega|\
b2a2 g2ga|
"17"babg agaf|gfgd edcB|cBcd efge|a2AB A2ge|
"21"dcBA G2ge|dcBA G2GA|BAGE AGED|E2GA G4|]

%%%

X:535319
T:CARRAIG DONN  
B:B: RC3.041 (Gaelic = "The Brown Rock")
Z:Z: ABC/arr. BB
N:N: This is a 19th-century song (also spelled "Carrigdhoun") by Cork poet 
N:Denny Lane. Its original name was "Lament for the Irish Maiden". The 
N:song version is AB (= no repeats).
L:1/8
M:3/4
K:Bb
F2|Fdd3c|c>BB3B|AGF2GA|c>BB3F|
Fdd3c|c>BB3B|AGF2GA|c>BB2:|
F2|Fe e3e|edd3c|Bdf2 GE|d2Hc2F2|
Fdd3c|c>BB3B|AGF2GA|c>BB2:|

%%%

X:535320 
T:SILENCE of the NIGHT
N:N: Irish = "Ciuineas na h-Oidhche"; aka "Castle Hyde"  
B:B: RC3.062
H:H: "tranquillo"
Z:Z: ABC/arr. BB
N:N: 2:There's a "classical" third part that goes up into cocker spaniel range. 
N:On the presumption that most users of this website are non-canine, I
N:decided to leave it out.
L:1/8
M:3/4
K:G
gfe|d2 BGBA|A2 Bded|B2 GBA>G|G3 g/f/fe|
"5"d2 BGBA|A2 Bded|B2 GBA>G|G2z||
G/A/Bc|"9"d2 feed|e>dBBdB|g3 fdf|e3 def|
"13"g>a gf e>d|e/f/g/a/ Hbg ed|B2 GBA>G|G2z||

%%%

X:535205 
%%titlefont18
T:CLOTHIERS MARCH OR LIMERICK'S LAMENTATION 
B:B: RC2.318
H:H: "moderato"; jig section is marked "quicker"
Z:Z: ABC/arr. BB
Q:1/4=120
M:3/4
K:A
AB|c2c2 (3Bcd|c2B2 AB|c2e2 ac|B4AB|
"5"cAdcBA|F2 EFAB|c2A2AB|A4AB|
"9"c2 c>Bcd|c2B2 AG|c2 ec/e/aA|B4AB|
"13"cAdcBA|F2 EFAB|c2A2A2|A4||
ed|"17"c2e2a2|fedcBA|A2c2e2|e3 fed|
"21"cd/c/ Bcea|fedcBc|ABceab|a4ef|
"25"=gfgaga|fef=gfg|edceac|B4AB|
"29"cAdcBA|F2 EFAB|c2A2A2|A4||
M:6/8
%R:jig
Q:1/4=140
|:A/B/|"33"c>dc BAB|c/e/ac B>AB|c>Ad cAF|EFA A2:|
e/d/|"37"cea fec|eac e>fe|cea fec|eab a>ef|
"41"=g>fa fec|eac B2A/B/|cBd cAF|EFA HA3|]

%%%

X:534011
%%titlefont18
T:COIS LEASA agus ME GO hUAIGNEACH (air) 
B:B: RC1.006
Z:Z: ABC/arr. BB
H:H: "andante con moto"
N:N: 1: Only first part repeats.
N:N: 2: The first part of the title ("cois leasa") doesn't make much sense in trans-
N:lation - "leas" can mean a few things ("benefit", "wisp of hay") which make no 
N:sense here. However if "leasa" is a misprint for "leaba" ("bed") the title might  
N:mean something like "I'm Lonely Here by the Bedside".
L:1/8 
M:4/4
K:D
A>G|F>DF>G A2FG|Add>e d>cAG|F2FF F2DE|GFEE E2AG|
FDFG A2FG|Add>e dcAG|F2FD GECE|D2DD D2:|
A2|dAde f2 f/a/g/e/|edce de/d/ c<A|dAde fece|d2dd d2de|
fece d>cAG|F2FD GEC>E|DEFA dcAG|E2D>D HD4|]

%%%

X:534012
T:COME BACK TO ERIN 
B:B: RC1.068
H:H: "moderato"
Z:Z: ABC/arr. BB
C:"Claribel" (no, not THAT one!)
L:1/8
M:4/4
K:D
A2d>c d2G>A|c2B>G B2A2|F2G>A B2B>^A|B2e>d c3A|
"5"A2d>c d2G>A|c2B>G B2A2|F2G>A B2c>d|e2B>c d4||
% (dotted notes omitted after this point)
"9"F2dc B2^EF|G2FE E2D2|C2cB A2^GF|A2^GF F4|
"13"F2dc B2^EF|G2Fc c2B2|d2cB e2cA|E2BA HA3A|
"17"A2dc d2GA|c2BG B2A2|F2GA B2B^A|B2ed c2B^A|
"21"A2dc d2GA|c2BE B2A2|FAdf agBe|f2 ed/e/ Hd4|]

%%%

X:534013
T:CONSIDINE'S GROVES 
B:B: RC1.077
H:H: "moderato"
Z:Z: ABC/arr. BB
L:1/8
M:2/4
K:Em
D|E>D E>F|G>F G>A|d>B A>F|D>F A>F|
% (dotted notation omitted hereafter)
ED EF|GFGA|B^c/d/ A=c|BEE:|
d|efge|fgag|efge|fd e/d/B|
eB B/^c/A|BA FA|B^c/d/ A=c|1 BEE:|2 BE HE2|]

%%%

X:535322
T:COTILLION (long dance 6/8), The
B:B: RC3.141
Z:Z: ABC/arr. BB
N:N: I'm not sure what the structure of this tune is. From the end of part D it 
N:probably goes back to Part A and a "fine" somewhere - maybe m. 8 as  
N:< ede d3 > - but none of this is shown in the book.
L:1/8
M:6/8
K:D
P:"A"
A|d2A AFA|d2A AFA|d2f a2f|ede f2e|
"5"d2A AFA|d2A AFA|d2f a2f|ede d2||
P:"B"
A|"9"d3 c3|B3 A2z|afd afd|cee e2A|
"13"d3 c3|B3 A2f/g/|a2f a2f|edd d2||
P:"C"
D|"17"D2E FDE|F2G AFG|ABA AGF|FEE E2D|
"21"D2E FDE|F2G AFG|ABA AGF|EDE D2||
P:"D"
A/F/|"25"D3 D2B/G/|E3 E2A/G/|F2D G2F|FEE E2A/F/|
"29"D3 D2B/G/|E3 E2A/G/|F2D G2F|EDD D2||

%%%

X:534014 
T:COULIN, The  
B:B: RC1.043 (usual spelling "Coolin" < "cuilfhionn")
H:H: "andantino con espress."
Z:Z: ABC/arr. BB
N:N: I have omitted the 16 measures of variations.
L:1/8
M:3/4
K:G
de/f/|g2g2a>f|g>dB2 GB/d/|g>f ga/b/ a>g|ga/g/ f2g>f|
e2-ef/g/ a/g/f/e/|d2 Bdgd|f/e/d/c/ BGA>G|G4:|
%%text (dotted rhythm omitted from this point)
dc|BAGABc|dd/c/ defd|gf g~A2g|ga/g/ f2gf|
e3 e/f/ a/g/f/e/|dcBdgd|f/e/f/g/ B>B AG|G6|]

%%%

X:535206  
T:CRAOIBHIN'S SALUTE (march), The
B:B: RC2.328
Z:Z: ABC/arr. BB
C:G. O Kane
N:N: Note on the title in the ABC file.
Q:1/4=120
L:1/8
M:C
%R:march
K:A
ag|f3a c3a|e3a c2a2|fece fece|B6 ag|
f2a2 c2a2|e2a2 c2a2|fece B2B2|A4 z2:|
cd|e2f2 e2c2|a4 a2cd|e2f2 e2c2|B6 cd|
e3f e2c2|1 a4 a2gf|efae c2B2|A4 A2:|
[2 d2f2 c2a2|fece B2B2|A8|]

"Douglas Hyde (Irish: Dubhghlas de hÍde; 17 January 1860 – 12 
July 1949), known as An Craoibhín Aoibhinn, was an Irish scholar 
of the Irish language who served as the first President of Ireland 
from 1938 to 1945. He was a leading figure in the Gaelic revival, 
and first president of the Gaelic League, one of the most influential 
cultural organisations in Ireland at the time." (< Wikipedia) 
"Craoibhinn" is pronounced "KREE-vin".

%%%

X:534015
T:DARBY O'DOWD 
B:B: RC1.060
H:H: "rather slow"
Z:Z: ABC/arr. BB
M:3/4
%R:waltz
K:C
GE|:D2G2G2|G2 AGFG|A2 AcAG|FD3C2|
D2G2G2|G2 AGFG|1 A2d2de|d4 eG/C/:|2 A2d2de|d4||
de|f2f2ed|e2e2dc|d2ga/g/ fe/c/|A2A2GF|
D2G2G2|G2 AGFG|A2d2 de|1 d4:|2 Hd6|]

%%%

X:534016 
T:DARK SLENDER BOY (1)
N:N: Irish = "Buachaill Caol Dubh"
B:B: RC1.024
H:H: "slow and with feeling"
Z:Z: ABC/arr. BB
L:1/8
M:C
K:Gm
D2|G>ABc d2cA|g2fd c2 B/A/G/F/|G2GA B2 c/A/G/F/|AG G4:|
(3d=ef|g2ga b2 a/g/f/g/|a2g2 gb a/g/f/d/|g2ga b2 a/g/f/g/|a2g2g2 ag|
f=ede f2g2|agfd c2AF|G2GA B2 c/A/G/F/|AG G2-G4|]

%%%

X:534017  
T:DARK SLENDER BOY (2) 
B:B: RC1.025
Z:Z: ABC/arr. BB
H:H: "with feeling"
N:N: I have changed some of the "classicisms" (or "Darleyisms").
L:1/8
M:3/4
K:G
G/A/B/c/|dg g/f/d/c/ Bc/A/|B>A GF/G/ A/B/c/A/|1 dg g/f/d/c/ A>G|G3 z:|
[2 dg d>B c>B|G>G G2z||"^B"(3B/c/d/|b2 ab/a/ g/f/b/a/|g>f dc dd/e/|=fa b/a//g//e/d/ e/g/^f/a/|
g2 Gg ba|"^C"g>a (3b/a/g/ (3f/d/c/ Bc/A/|B>A GF/G/ A/B/c/A/|dg d>B c>B|G>G HG4||

%%%

X:534018 
T:DARK WOMAN OF THE MOUNTAINS 
B:B: RC1.064
H:H: "slow"
Z:Z: ABC/arr. BB
M:3/4
K:G
GA|B2 BAGE|G3A Bd|e2d2B2|A2G2G2|
G4GA|B2d2 ef|g2 fede|f2 fedB|
e2 dBGB|A4GA|B2d2 ef|g2 fede|
f2 fedB|e2 dBGB|A4GA|B2 BAGE|
G3ABd|e2d2B2|A2G2G2|HG6|]

%%%

X:535323
T:DEAR BROWN WHITE-BACKED COW  
N:N: Irish = "Druimfhionn Donn Dilis"
B:B: RC3.069
H:H: "andantino con espress."
Z:Z: ABC/arr. BB
L:1/8
M:3/4
%R:waltz
K:F
AB|c2f2 fe|f2g2 ge|fe c>=B Hc2|cd e>d cd|
e2f2 g>e|f>e c>B A>B|G4 fe|c2d2 G>E|F2G2A2||
B2c2d2|G4 fg|a>g f>g g>f|e2 c3B|AB G3F|EGF4-|F6|]

%%%

X:534019
T:DEAR IRISH BOY (1), The 
B:B: RC1.049
H:H: "slow and with feeling"
Z:Z: ABC/arr. BB
L:1/8
M:3/4
K:G
"^A dorian"
AB|c2B2A2|B2e2 d>B|A2B3A|A2G2AB|
"5"c2B2A2|B2e2d>B|A2B3A|A4 AB|
"9"c2B2A2|B2e2d>B|A2B3A|A2G2 AB|
"13"c2d2e2|a2ba g/e/d|c2AcB>A|A6||
%
"17"a2e3e|a3 ged|c/d/e/^f/ g3B|A2G3e|
"21"a2a3a|g2e3d|e2a2b2|a4 ab|
"25"c'2 b2 a2|g2e3d|c/d/e/^f/ g3B|A2G2AB|
"29"c2d2e2|a2ba g/e/d|c2AcB>A|A6|]

%%%

X:534020
T:DEAR IRISH BOY (2), The 
B:B: RC1.050
H:H: "slow air"
Z:Z: ABC/arr. BB
L:1/8
M:3/4
K:Em
EF|G2F2E2|B4A>F|E2F3E|E2D2EF|
"5"G2F2E2|B4AF|E2 FEDF|E4EF|
"9"G2F2E2|B4 A>F|E2F3E|E2D2EF|
"13"G2A2B2|e3 dBA|G2E2F>E|E4z2||
"17"e2B4|e2B3A|G2E2 F>E|E2D3B/A/|
"21"B2e2ef|g2f2ed|B2e2f2|e4ef|
"25"g2f3e|e2B3A|G2E2F>E|E2D2EF|
"29"G2A2B2|e3 dBA|G2E2B>E|HE6|]

%%%

X:535324
T:DEAR MARGARET WALSH 
N:N: Irish = "Maighread Dilis Breathnach"
H:H: "rather slow"
B:B: RC3.016
Z:Z: ABC/arr. BB
L:1/8
M:6/8
K:Gm
G2F/D/ F2G|A2A/G/ ABc|ddd cdc|BAG FDC|D3 F2G|ABA G3||
AFG ABc|d2=e fed|c2=B cdc|BAG FDD|
c2=B cdc|B>AG FDC|D3 F2G|ABA G3|]

%%%

X:535325 
T:DEATH AND THE SINNER 
B:B: RC3.002
H:H: "slow and sorrowful"
Z:Z: ABC/arr. BB
L:1/8
M:3/4
K:Gdor
AG|F2G2 A=B|c4 fe|d2c2 AG|AF3 GA|
B2A2 AG|Ad3 e/d/c/A/|G2G2 A>G|G4||
GA|c2d2 ef|f4 fe|g2d2 cA|G2G2 Ac|
f2g2 af|g2g2 fe|d2c2A2|G2G2 Ac|
f2g2 af|g4 fe|d2c2 AG|AF3 GA|
B2A2 AG|Ad3 e/d/c/A/|G2G2 A>G|HG6|]
 
%%%

X:534021
T:DEATH OF STAKER WALLACE, The 
B:B: RC1.058
Z:Z: ABC/arr. BB
H:H: "slow and solemn"
N:N: 1: I have simplified Roche's version.
N:N: 2: Check out the late Andy McGann's version of this tune on my Tune 
N:Vault page (www.capeirish.com/tune_vault)
L:1/8
M:3/4
K:G
G/E/|D2E>G GG/A/|BG/E/ DG//B//d/ e>f|
"3"g2 f/g/a g>e|fe/d/ ed/B/ dB/A/|
"5"Bd/B/ A>B AG/E/|DEG G2:|d/B/|A2 Bd de/f/|
"8"ga/g/ f>e fe/f/|ab/g/ fe d>g|a/g/e/d/ B/d/e/f/ g/a/b/f/|
"11"g2 fg/a/ ge|fe/d/ ed/B/ dB/A/|B2 dB A2|G>A B/d/e/f/ g>a|
"15"g2 fg/a/ g>e|fe/d/ ed/B/ dB/A/|B/E/G/B/ A>B AG/E/|DEG HG3||

%%%

X:534022 
T:DERRY AIR, The 
B:B: RC1.030
H:H: "slow"
Z:Z: ABC/arr. BB
L:1/8
M:4/4
K:G
FGA|B3A BedB|AGE2z GAB|d3e dBGB|A4z FGA|
B3A BedB|AGE>^D EFGA|B3c BAGA|G4 z||
def g3f fedB|dBG2z def|g3ffedB|A4z ddd|
b3a ageg|dBG2z FGA|BedB AGEF|G8|]

%%%

X:535326 
T:DEW-DROP WALTZ (measures 1-16), The
B:B: RC3.142
Z:Z: ABC/arr. BB
L:1/8
M:3/4
%R:waltz
K:D
A,2|F6|F2D3B|A6|F2D3B|A6|A2F3A|d6-|d6|
d6|d2e2f2|G6|G2F2G2|B6|B2A2F2|D6-|D6||

%%%

X:533029
T:DRUNKEN GAUGER (set dance 6/8), The
B:B: RC3.193 
Z:Z: ABC/arr. BB
Q:1/4=160
N:N: Source had only 15 measures, so I had to borrow an extra measure (from 
N:tune #57043 in the Treoir folder) to make this a standard 16/16 jig.
L:1/8
M:6/8
%R:setdance
K:G
D|GED GAB|GBA G2G|G2A Bcd|efg fed|
e2B d2A|Bcd efg|fed g2B|dBA GE :|
F|GAB GBA|G2G G2A|Bcd efg|fed g2B|
dBA GED|GAB GBA|DEG ABA|G2G G2 :|

%%%

X:535327
T:EAMONN A' CHNUIC 
T:Ned of the Hill
B:B: RC3.003
H:H: "moderately slow"
Z:Z: ABC/arr. BB
N:N: Roche has the expression "nós na ronne" which is evidently supposed to 
N:make some sense in Gaelic ('nós' meaning 'custom, style', 'ronne' = ?)
L:1/8
M:3/4
%R:waltz
K:G
B2|G4 EF|G4 GA|B2 g2 f2|e4 fe|
"5"d2 B2 A2|G4 AB|c3 BAG|E4B2|
"9"G4 EF|G4 GA|B2 g2 f2|e4 fe|
"13"d2B2A2|G4 AB|A2G2G2|G4|]
%
d2|"17"e2c2g2|d2B2d2|e2f3e|d4d2|
"21"d3BA2|G4AB|c3 BAG|E4 BA|
"25"G4EF|G4 GA|B2g3f|e4 fe|
"29"d2B2A2|G4 AB|A2G2G2|HG6|]

%%%

X:535328 
T:ENCHANTED VALLEY, The 
B:B: RC3.064
H:H: "slow"
Z:Z: ABC/arr. BB
N:N: O'Neill has a version of this in A minor (ONMI #1)
L:1/8
M:2/4
K:Gm
G>A B/c/d/=e/|f2 gf/d/|c>A G=E|F2 D=E/F/|
"5"G>A B/c/d/=e/|f2 df|ga bg|ag fd|
"9"dc cA|A>G F<D|G/A/B/c/ dc/A/|GG HG||
G/A/|"13"Bc d/c/A/B/|GG G>A|Bd g/f/d/c/|dg gg/a/|
"17"b/a/g/f/ g/f/d/c/|d/c/A/G/ F<D|G/A/B/c/ d/d'/c'/a/|\
g/f/d/c/ Hd2|
"21"GA BA/G/|A>G F<D|G/A/B/c/ dc/A/|GGGz|]

%%%

X:534023 
T:ERRIGAL McCREIGH 
B:B: RC1.075
H:H: "slow"
Z:Z: ABC/arr. BB
L:1/8
M:3/4
K:Em
Bd|e2 efgf|e2d2 G/A/B|c2c2 BA|B4Bd|
e2 efHg>f|edBAGB|A2G2E2|E4||
EG|A2 AcBA|A2G2AB|c2c2 BA|B4Bd|
e2 efHg>f|edBAGB|A2G2E2|E6|]

%%%

X:535329 
T:FAINNE GEAL AN LAE 
B:B: RC3.038 (Gaelic = "bright ring of day" = "dawning of the day")
H:H: "moderato"
Z:Z: ABC/arr. BB
L:1/8
M:C
K:G
DG|B2B2B2 AB|d2d2e2 dB|G2A2 G2F2|G4 z2d2|
e3d e2g2|B3A G2B2|d2B2 g2B2|A4 z2 Bd|
e3d e2g2|B3A G2B2|d2B2 g2B2|A4 z2 GA|
B2B2B2 AB|d2d2e2 dB|G2A2 G2F2|G8|]

%%%

X:535330 
T:FAIRY DANCE (long dance 2/4), The 
B:B: RC3.138
Z:Z: ABC/arr. BB
H:H: The final measure of part A is < ceAc Hd4 >
N:N: For any of you brave enough to try this little gem:
N: (1) play parts A, B1, & B2 including repeats (skip "final")
N: (2) play parts A through D2, inc. repeats (skip "final")
N: (3) play part A to "last ending" (skip 1st and 2nd ending)
N: (4) play parts B1 & B2
N: (5) play first three measure of part A and "final" (skip 1st and 2nd ending)
N: . . . or just say to hell with it and play some slides
L:1/16
M:2/4
K:D
%swing .25
P:"A" (see note below for "fine" measure)
A2FA B2GB|c2Ag fdcd|A2FA B2GB|1 cecA BAFB:|\
[2 ceAc d3d||
P:"B1" 
"5"f2df gfed|cABc defg|f2df gfed|cABc d3e|
P:"B2"
"9"f2df gfed|cABc defg|afge fdec|dfeg fdcd||
P:"C" 
"13"AFF2 AFF2|AFF2 GEE2|A2FA B2AF|1 EDEF EedB:|2 EDEF D2||
P:"D1"
A2|"17"defg afdf|gefd edBA|defg afdf|edef e2dB|
P:"D2" 
"21"defg afdf|gefd edBA|defg a2ag|f2fe dfdB "_DC"||

%%%

X:535331 
T:FAIRY SPELL (mm 1-16), The 
B:B: RC3.155
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8 
M:3/4
K:D
D2F2A2|D2G2B2|F2A2d2|f6|G2f3e|A6|F2e3d|A6|
D2F2A2|D2G2B2|F2A2d2|f6|G2f3e|A2B2c2|d3dd2|d6||

%%%

X:535332
T:FANAID GROVE 
B:B: RC3.047
H:H: "dolce"
Z:Z: ABC/arr. BB
L:1/8
M:C
K:D
A,2|D3E F2A2|B3A BAD2|F3E D2D2|D4 z2F2|
A3A B3B|d3B cBA2|B3c B2F2|A4 z2 F2|
A2A2 B2B2|d3B cBA2|B3c B2F2|A4 z2 B,C|
D3E F2A2|B3A BAD2|F3E D2D2|D8|]

%%%

X:535333
T:FAREWELL TO ARDMALE
B:B: RC3.017 ("Usir Roimh Breachadh an Lae")
H:H: "slow"
Z:Z: ABC/arr. BB
N:N: If "usir" is a misprint for "uair", then the Gaelic means "the hour before 
N:daybreak"
L:1/8 
H:H: A-B-A ("fine" < DGGF G4 >)
M:C
K:G
(3D/G/A/|B2 cB BABA|GFGA BAzD|DEFD G>FD/C/B,/C/|\
DGGF G3:|
D|GBcA d>cBc|d>cBA GFDc|dcBA BAGF|GFDC HDDGA|
B2cB BABA|GFGA BAzD|DEFD G>F D/C/B,/C/|DGGF G3||
K:C
G|cefd gfef|g>fed cBGf|g>fed edcB|cBGF G2 z/G/c/d/|
e2fe eded|cBcd edzG|GABG c>B G/F/E/F/|GccB "_D.C."c3||

%%%

X:535334 
T:FAREWELL TO BALLINDERRY 
B:B: RC3.051
Z:Z: ABC/arr. BB
H:H: "moderato semplice"
Q:1/4=80
L:1/8
M:3/4
K:D
Ac|d2c2B2|AFDFAB|G2F2E2|D4 de|
f2d2f2|ecAGFA|d2 cdef|d4de|
f2d2f2|ecAGFA|d2 cdef|d4fe|
d2c2B2|AFDFAB|G2F2E2|D6|]

%%%

X:535207
T:FARRAH! FARRAH! (march)
N:N: "Thomond or Dalcassian Tribe March"
B:B: RC2.324
Z:Z: ABC/arr. BB
N:N: Source has second part repeating, which (at 32 bars already ) seems un-
N:ly. likely. But then again I know nothing about tribal marches.
Q:1/4=140
L:1/8
M:6/8
%R:jig
K:G
g/a/|bag ggg|bag ggg|agf fff|agf fff|
"5"gee eee|gee eee|fed ddd|fed ddd|
"9"bag g2b|agf f2a|afe d2d|afe d2d|
"13"ede e2f|g/a/ba gfe|dBB B2B|dBB B3||
"17"d2d dBA|d2d dBA|g2a gfe|g2a gfe|
"21"f2g fed|f2g fed|efe dBA|efe dBA|
"25"g2a gfe|f2g fed|d2e dBA|d2e dBA|
"29"efe dBA|geg fdf|dBA ABA|dBA ABA||\
"^final" efe dBA|A2 B4|]

%%%

X:535208
T:FATHER HALPIN'S TOP COAT (waltz) 
B:B: RC2.342
H:H: "gaily"
Z:Z: ABC/arr. BB
H:H: This is "The Varsovienne" which appears under that name in Roche  
volume 3. The melody of this Part 1 is different from the one normally 
heard today. 
Q:1/4=160
L:1/8
M:3/4
%R:waltz 
K:G
B>c B2D2|B>c B2D2|B>c d2e2|d2A4|
A>B A2D2|A>B A2D2|A>B c2e2|d2 G4:|
B>c d2g2|f2 A4|A>B c2e2|d2 B4|
B>c B2A2|B2 c4|A>B c2e2|d2 G4:|

%%%

X:533034
T:FINGAL MARCH, The  
H:H: aka "Return from Fingal"
B:B: RC3.216
Z:Z: ABC/arr. BB 
Q:1/4=80
L:1/16 
M:2/4
%R:march
K:Edor
B2GF EFGA|B2GF E4|AGFA d2A2|B2A2 ABde|
B2GF EFGA|B2GF E4|AGFA d2A2|F2E2 E4||
f2e2 e2dc|B2A2 d2A2|B2A2 d2A2|B2A2 Bcde|
f2e2 e2dc|B2A2 d4|AGFA d2A2|F2E2 E4|]

%%%

X:535335
%%historyfont15 
T:FOGGY DEW, The 
B:B: RC3.045
H:H: "moderato"
Z:Z: ABC/arr. BB
N:N: Same name but different tune from the better-known "Foggy Dew" ("'Twas 
N:down the glen, one Easter morn...") Dominic Behan used this version for 
N:"Building Up and Tearing England Down" (YouTube has a couple of Dub- 
N:liners versions of it). 
L:1/8
M:C
K:G
EF|G2GA B2gf|e2dB A2GA|BABG EGFA|G2G2G2:|
ef|g2gf e2fg|agfe d2Bd|e2ef gfed|e4-e2EF|
G2GA B2gf|e2dB A2GA|BABG EGFA|G2G2G4|]

%%%

X:535209 
T:FOLLING (march), The
B:B: RC2.316
Z:Z: ABC/arr. BB
N:N: 1: I wasn't sure about several elements of this odd little tune (including the 
N:name), but I did change the key of the jig section at the end from D to G
N:to avoid some high c's.
H:H: "andante", with the jig section "quicker"
L:1/8
M:3/4
%R:march
K:D
FG|A2A2Bc|d2d2cd|f2 gfef|d2 edcd|
"5"f2 gfef|d2 edcA|d2 cAGE|E2D2:|
z2|:"9"D2D2G2|E2E2d2|D2D2AG|E2D3C|
"13"D2D2G2|E2E2d2|cAFGAF|G2E2FE|
"17"D2D2G2|E2E2d2|D2D2AG|E2D2de|
"21"=fedefd|edcded|cdAFGE|1 E2D2FE:|\
[2 D3D2||
%
M:6/8
%R:jig
K:G
F/G/|:ABc ded|"26"cAB =c2d|=fef ded|\
[1 cAF GED:|2 cAF G2E||
"29"DGG DGG|DGG GED|=fef ded|cAF GED|
"33"DGG EGG|DGG G2d/e/|=fef ded|cAF G3:|

%%%

X:535336
T:FORGET ME NOT (measures 1-8)
B:B: RC3.154
Z:Z: ABC/arr. BB
L:1/8 
M:2/4
K:D
Af fe/f/|Bee>d|c/d/e/c/ Aa|f/g/a/f/dA|
Af fe/f/|Bee>d|c/d/e/f/ g/a/b/c'/|d'd'd'z:|

%%%

X:535210 
T:FOX CHASE (part 1), The  
B:B: RC2.354a
Z:Z: ABC/arr. BB
H:H: Roche's version of this tune consists of multiple parts, chords, orna-
mentations, etc., all designed to recall an actual fox hunt. I have 
reproduced only the first two parts in this file and the next. 
N:N: I added a repeat to the first part.
L:1/8
M:6/8
K:G
d/c/|BGB def|gfe dcB|def gdB|eAA A2d/c/|
BGB def|gdc BAB|GBd gdc|BGG G2:|
|: e|dBd GGG|dBd GGG|ede AAA|ede AAA|
d2A e2B|d2A e2B|def gdc|1 BGG G2:|2 BGG G||

%%%

X:535211
T:FOX CHASE (part 2), The   
B:B: RC2.354b ("Madradin [= Madairin] Ruadh")
Z:Z: ABC/arr. BB
Q:1/4=180
L:1/8
M:C
%R:reel
K:D
A,2|D2DF A2A2|ABAF A2FE|D2FA BAFD|E4 D2(3ABc|
d2cB c2BA|BAFD E2DB,|DEFD EDEF|D4 D2:|
B,C|D2DE F3F|G2G2 F3F|G2G2 F2ED|E4 D2(3ABc|
dcde dcBA|BAFD E2DB,|DEFD EDEF|D4 D2:|

%%%

X:535337 
T:GALLANT WHITE HORSEMAN, The
B:B: RC3.032 
H:H: "Ta Mo Gradh Geal Imthigthe" = "My Bright Love Has Gone Away")
N:N: "plaintively"
Z:Z: ABC/arr. BB
L:1/8
M:3/4
K:Am
e>d|d>c A3B|A2 G3B|c2d2e2|d4 cd|
"5"e2 Ha3 g|f2 e3d|c3d e2|A4 GE|
"9"G4 e>d|d>c A3B|A2 G3B|c2d2e2|
"13"d4 cd|e2 a3g|f2 e3d|c3d e2|
"17"A4 B2|A6|]

%%%

X:534024
T:GAME PLAYED IN ERIN GO BRAGH, The 
B:B: RC1.034
H:H: "lively but not too fast"
Z:Z: ABC/arr. BB
L:1/8
M:6/8
K:Dm
F/G/|A>DD Dc>E|EDD D2d/e/|f>ed edc|A=Bc d2d/d/|
e>dc dcA|GFE F2G/G/|A>DD DcE|EDD D2||
(3A/=B/c/|d>ed d>cA|GFE F2G/G/|GEC CEF|G>AG E2 (3A/=B/c/|
d2e fed|edc d2A/=B/|c=BA GFG|AFD D3|]

%%%

X:535212
T:GARDEN OF DAISIES (set dance 4/4), The   
B:B: RC2.275
Z:Z: ABC/arr. BB
L:1/8 
N:N: Dotted rhythm throughout source
M:4/4
K:D
fg|a2af gbag|fefa gfef|dcde fdec|dedc AGFG|
"5"AB=cA dcAG|FEFG AB=cA|dcdf edce|d2dd d2||
P:"B"
A2|"9"dcde fefg|a2af defg|a2af ggag|f2fe defg|
"13"a2af gbag|fefa gfef|dcde fdec|dedc A2fg|
"17"a2af gbag|fefa gfef|dcde fdec|dedc AGFG|
"21"AB=cA dcAG|FEFG AB=cA|dcdf edce|1 d2dd d2:|\
[2 d2dd d4|]

%%%

X:535338 
T:GENTLE MAIDEN, The 
T:Men of the West
B:B: RC3.035
H:H: "andante con moto" 
Z:Z: ABC/arr. BB
L:1/8
M:6/8
K:G
D|G>AG FED|d3 e>fg|d>cB A2G|E3-E2F|
G>AG FED|d3 e>fg|d>cB A2G|G3-Gzd|
d>ef g2g|g3-gfe|d>cB A2G|E3 z2F|
G>AG FED|d3 e>fg|d>cB A2G|G3-Gz|]

%%%

X:535213
T:GO MAIRIDH AR nGAIDHLIG SLAN (march)
B:B: RC2.325
Z:Z: ABC/arr. BB
C:Dr.A. Patterson
H:H: "March time". Title roughly = "May Our [Scots] Gaelic Always Thrive"
Q:1/4=120
L:1/8
M:C
%R:march
K:G
DE|:G2E2G2 AB|d2e2A2 Bd|e=fed B2AG|A2E2 E2B2|
"5"GAGE DEGA|Bded g2e2|dedB G2B2|d4A2 BA|
"9"G>FEF GABe|B2E2 E2G2|A>GFG ABAG|F2DD D2EF|
"13"G>BcB e2Be|c>BAc B2e2|B>cBG F2G2|E4 F2G2|
"17"G3A B2d2|e3d B2A2|GABd B2AG|[G2A2-][F2A2-][E2A2-][F2A2]|
"21"G3A B2d2|e2d2 g3e|1 d4 B2G2|E4 G4|G6 DE:|
[2 d4 B2G2||"25"A4 HB4|G4 [D4G4]|[G4-E4][G4_E4]|[G6D6] z2|]

%%%

X:535214 
T:GOD SAVE IRELAND (march)
B:B: RC2.352
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:4/4
%R:march 
K:D
AG|FAd>e d2dc|BcdB A2AG|FAde f2ed|e2a>a a2AG|
FAd>e d2dc|BcdB A2fe|dcdB cdef|d2d>d d4||
f2f2 f>ed>B|A4 d4|e2e2 f>ed>f|e2a>a a2AG|
FAde d2dc|BcdB A2fe|dcdB cdef|d2d2 d4|]

%%%

X:534025 
T:GROVES OF BLARNEY, The 
T:Last Rose of Summer
B:B: RC1.042
H:H: "andantino"
Z:Z: ABC/arr. BB
N:N: These are the first 16 measures, before the classical "variations".
L:1/8
M:3/4
K:G
G>A|B2g2 e>d|dB3 G>A|Bd2B A>F|GB3 G>A|
B2g2 e>d|dB3 G>A|B2 c>B A>G|G4||
d>B|g2 g>f e>d|d2 B2 d>B|g2 gfe^d|e2 Hg2 G>A|
B2g2 e>d|dB3 G>A|B2 c>B A>G|HG6|]

%%%

X:534026
T:HARP THAT ONCE, The
B:B: RC1.028 ("Gradh mo Chroidhe" = "Love of My Heart")
H:H: "slow and with feeling"
Z:Z: ABC/arr. BB
N:N: Measures 9-16 of the original are an ornate 8va variation of measures 1-8 
N:so they are not included here.
L:1/8
M:4/4
%R:march
K:D
D>F|A>BAF B>cdB|A<FE>F D3A|d>cde dcBA|BAdF A2zA|
d>cde dcBA|BAGF B3c|d>cBA B>cHdB|A<FE D/E/G/F/ D2z||

%%%

X:535339 
T:HAS SORROW THY YOUNG DAYS SHADED 
B:B: RC3.044
H:H: "gracefully"
Z:Z: ABC/arr. BB
N:N: This I believe is from Thomas Moore. I don't think he composed the 
N:melody but in any event he used it for his song of the same name.
L:1/8
M:3/4
K:Bb
Bc|d3cB2|c2B2G2|F6|G4B2|B2c2d2|e4d2|c6-|
c4 Bc|d3cB2|c2B2G2|F6|G4B2|B3cd2|c4B2|B6-|B4||
d2|d2e2f2|f2g2a2|b6|a4g2|g2f2d2|d2c2B2|c6-|
c4 Bc|d3cB2|c2B2G2|F6|G4B2|B3cd2|c4B2|B6-|B6||

%%%

X:535340 
T:HAZEL DELL (measures 1-8), The  
B:B: RC3.148
H:H: "Schottische"
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8 
M:C
%R:hornpipe
K:G %Transposed from D
B2B2 c^GAc|B2A2 a3G|f2e2 F2Ac|edBG D4|
B2B2 c^GAc|B2A2 a3g|feAc edEF|G2G2G2z2:|

%%%

X:535341 
T:HUMMING BIRD WALTZ (mm 1-16), The  
B:B: RC3.163
Z:Z: ABC/arr. BB
Q:1/4=140
L:1/8 
M:3/4
%R:waltz
K:A
E2C3E|F2D3F|E2C3E|c6|c2d3c|c3^AB2|B2c3B|B3GA2|
E2C3E|F2D3F|E2C3E|c6|c2d3c|c3^AB2|B2c2B2|A6||

%%%

X:532052
T:HUMORS OF BANDON (set dance 6/8), The  
B:B: RC2.272 
Z:Z: ABC/arr. BB
Q:1/4=140
L:1/8
M:6/8
%R:setdance
K:G
D|DGG GFG|ABG FGA|BAG GFG|Ade f2e|
d2e c2d|ABG FGA|BAG FEF|G3 G2:|
d|dgg gfg|abg f2a|gaf d2e|=fge c2e|
dec A2B|cdB G2B|ABG F2A|GFD EDC|
DGG GFG|ABG FGA|BAG GFG|Ade f2e|
d2e c2d|ABG FGA|BAG FEF|G3 G2:|

%%%

X:534027
T:HUMORS OF GLIN, The 
B:B: RC1.036
H:H: "with animation"
Z:Z: ABC/arr. BB
N:N: After measure 16 Roche's version becomes increasingly "florid" and not 
N:very useful, so I am omitting it here.
L:1/8
M:6/8
K:D
A|Bc/B/A BFA|dfe dFA|B>dA BFA|EFA B2A|
Bd/c/B/A/ BFA|df/e/d/c/ dFA|GB/G/B/G/ FA/F/A/F/|EFA B2:|
(3d/c/B/|Add ddd|dfd ecA|gfe fdB|AFA B2A|
dfa a2a|abf a2f|ga/g/f/e/ fdB|AFA B2:|

%%%

X:532053 
T:HUNT (set dance 4/4), The   
B:B: RC2.276 
Z:Z: ABC/arr. BB
N:N: aka "The Galtee Hunt"
Q:1/4=130
L:1/8 
M:C|
%%R:hornpipe 
K:G
%swing .25
D2|GABG AGED|c3A dBAB|GABG AGED|A2AB A2GE|
GABG AGED|c3A dBAB|GABG AGED|G2GA G2:|
D2|GABc d2de|=f2 ed e2d2|gfge d2dB|GABG A3B|
c2ec B2dB|A2AB A2G2|g2ga gedB|A2AB A2GE|
GABG AGED|cBce dBAB|GABG AGED|EGGA G2:|

%%%

X:535342
T:I SAW THY FORM  
B:B: RC3.056 % "(from Moore)"
H:H: "andante amoroso"
Z:Z: ABC/arr. BB
L:1/8
M:C
K:D
d>e|f>edc d2zA|cBAG G<FzA|FAde f2ed|d4 e/f/e d>e|
f>edc d2zA|cBAG G<FzA|F<Ad<f a<fe<f|d2-(3def e<d||
z2|a2gf f<e e<g|fdBg fg/f/ ef|g3f f/e/g/f/ ed|d3^de2=de|
f>edc d2zA|cBAG G<FzA|F<Ad<f a<fe<f|d3e fe Hd2||

%%%

X:534028 
T:I WISH I WERE ON YONDER HILL 
B:B: RC1.029 ("Siubhal Agradh" = "Walk My Love"?)
H:H: "plaintively"
Z:Z: ABC/arr. BB
H:H: Classicisms of final 2 measures surgically removed.
L:1/8
M:4/4
K:Dm
A2|d3e f2ef|dcAG A3=B|c3A f2ef|dcAF G2AG|
FGFE DFFG|Adde f2fg|a>gf>d f>e e/d/c/e/|d6 z2||
f3d e3c|dcAG A3=B|c3A f2ef|dcAF G2AG|
F/G/F/E/ FG A>G Ac|d3e f2fg|a>g f2 d>fe^c|Hd4z4|]

%%%

X:534029
T:I'M ASLEEP AND DON'T WAKEN ME (1)
B:B: RC1.053 % ("Taimse im' Chodhladh")
H:H: "not too slow"
Z:Z: ABC/arr. BB
L:1/8
M:3/4
K:A
E>E|F2A2A2|A4cc|BcecBA|F4E2|
"5"F2A2A2|c2e2f2|B2B3A|A4 d/e/f|
"9"=g4a2|=gf3af|efecBA|A2F3E|
"13"F2A3A|c2e3f|B2B2zA|A4 z2||
"17"d2edcB|c2 dcBA|BceBcA|F4EE|
"21"F2A2A2|c2e3f|B2B3A|A6|]

%%%

X:534030 
T:I'M ASLEEP AND DON'T WAKEN ME (2) 
B:B: RC1.054 ("Taimse im' Chodhladh")
H:H: "slow - traditional" (!)
Z:Z: ABC/arr. BB
L:1/8
M:3/4
K:G
AG|=F2GA/B/c2|=f2d2 e/d/c/A/|G2A>GF<D|\
B2AGA<d|e/d/c/A/ G>GA>G|G4:|
AB|c2d2e=f|=f2d2 d/e/^f|gf/g/ ~A2/f//e// Hd (3def|g2a2g2|
=f2d2 e/d/c/A/|G2A>GF<D|a>g ^f/g/a/b/ gz|=f2d2 e/d/c/A/|
G2A>GF<D|B2AGA<d|e/d/c/A/ G/F/D/C/ DG|G>G G4|]

%%%

X:535343 
%%titlefont18
T:IT'S DOWN IN YON VALLEY WHERE VIOLETS GREW  
B:B: RC3.026
H:H: "gracefully"
Z:Z: ABC/arr. BB
Q:1/4=80
L:1/8
M:3/4
K:G
GA|B2B2 AG|E2D2 dB|A2G2G2|G4 B2|c2c2e2|d2B2A2|
G2 G>ABG|A4 B2|c2c2e2|d2B2A2|G2 GABc|d4 c2|B2G2 cB|B3G (3ded|
g4 fa|gg3 (3age|d4 BA|G3A BG|A4B2|c4 BA|A2G2G2|HG6|]

%%%

X:534031
T:JACK O'DONOGHUE
B:B: RC1.017
H:H: "spirited"; A-B-A
Z:Z: ABC/arr. BB
L:1/8 
M:6/8 
K:G
D|GGG B2G|A2d Hf2e|dcA G2F|G3 G2:|
d|d2B def|g2e f2e|dcA f2e|d3 "_DC"d2:|

%%%

X:534032 
T:JIMMY MO MHILE STOIR 
T:Jimmy My Thousand Trasures 
B:B: RC1.015 (with "Sthoir")
H:H: "moderately slow"
Z:Z: ABC/arr. BB
L:1/8 
M:3/4
K:A
FG|A2 B2 c2|ca3 gf|e2 f2 c2|B4 A2|
A4 e2|a2 c2 c2|e2 f3g|a4 (3bag|
f4 (3ecB|c4 (3efg|a2 c2 c2|e2 f2 g2|
a4 (3bag|f4 (3geB|c4 FG|A2 B2 c2|
ca3 gf|e2 f2 c2|B4 A2|HA6|]

%%%

X:532054
T:JOB OF JOURNEY WORK (set dance 4/4), The   
B:B: RC2.271 
Z:Z: ABC/arr. BB
Q:1/4=130
L:1/8 
H:H: Dotted rhythm throughout
M:C|
%%R:hornpipe 
K:D
%swing .25
fe|dcAG FGAB|=cAdB c2Bc|dB=cA BGAF|GBAF DEFG|
ABAF GFEF|D2DE FEFG|A2d2 cdef|d2 dd d2:|
de|f2ef gfef|d2dc Acde|f2ef agec|dedc defg|
abag fgfe|dcde f3e|dcAG FGAB|=cAdB c2Bc|
dB=cA BGAF|GBAF DEFG|ABAF GFEF|D2DE FEFG|
A2d2 cdef|d2 dd d2:|

%%%

X:532055 
T:JOCKEY AT THE FAIR (set dance 6/8), The  
B:B: RC2.277 
Z:Z: ABC/arr. BB
Q:1/4=140
L:1/8
M:6/8
%R:setdance 
K:G
D|G2A B2c|dge d2c|BdB GFG|AcB A2B|
G2B def|g2e d2f|afd AB^c|d3 d2:|
g|afd dcB|c2c B2d|egd dcB|cBA B2d|
e2f gfg|ede B2g|edc BcA|GBG E2F|
G2G GBd|e2f gfe|dBG A2B|E2F G2A|
BgB B2A|G3 G2:|

%%%

X:534033 
T:JOHN O'DWYER OF THE GLEN (1)
B:B: RC1.032 ("Sean o Duibhir an Ghleanna")
Z:Z: ABC/arr. BB
H:H: "slow"
L:1/8
M:4/4
K:Am
(3c/d/e/|fgag f<efe|d>cde f<AAB|cded c<AGE|G>BAA HA3:|
A/B/|cc/A/ c/d/e/f/ g2ea|a>bag f<e (3cde|f>gag f<efe|d>cAA HA2 (3c/d/e/|
fgag f<ef>e|d>cde f<AAB|cded c>AGE|G>BAA A4|]

%%%

X:534034 
T:JOHN O'DWYER OF THE GLEN (2) 
B:B: RC1.033 ("Sean o Duibhir an Ghleanna")
Z:Z: ABC/arr. BB
H:H: "slow"
L:1/8
M:3/4
K:G
d/c/|B>A Bd c<A|G>F GA B<G|B>G AG F/D/B,/C/|D<G GG z:|
D|GG G/A/B/c/ dd|e>=f ed e>d|cd d/c/B/A/ B/A/G/E/|D2EE Ed/c/|
B>A Bd c<A|G>F GA B<G|c>G AG F/D/B,/C/|D<G GG HG2|]

%%%

X:535344 
T:KATE KEARNEY 
B:B: RC3.166a
Z:Z: ABC/arr. BB
L:1/8 
M:3/4
K:G
D2|D2E2G2|G2A2B2|A2G2G2|G4D2|
"5"G2B2d2|ed cB AG|B2A2A2|A4 Bd|
"9"e2c2e2|d2B2d2|c2A2c2|B4 GA|
"13"B2A2B2|G2E2D2|E2G2G2|G4||
%
D2|"17"D2B,2D2|D2B,2D2|G6|G4D2|
"21"D2B,2D2|D2G2B2|A6|A4 Bd|
"25"e3ce2|d3Bd2|c3Ac2|B4 GA|
"29"B2A2B2|G2E2D2|E2G2G2|G6|]

%%%

X:534035 
T:KATE O'DWYER 
B:B: RC1.062 ("Cait Ni Dhuibhir")
H:H: "rather slow and with expression"
Z:Z: ABC/arr. BB
M:4/4
K:G
BA|G2E2 DEFD|G3F GABG|Hc2 BA GEDE/F/|E4z2 zB/A/|
G2E2 DEFD|G3F GABc|d3e B2A2|G3F G2||
Bd|e2c2A2Bc|d4 B3G|Hc2BA GEDE/F/|E4z2 zB/A/|
G2E2 DEFD|G3F GABc|d3e B2A2|G3F G2:|

%%%

X:535345 
T:KATHLEEN O'MOORE  
B:B: RC3.166b
Z:Z: ABC/arr. BB
L:1/8 
M:3/4
K:G
D2|G3AG2|G2F2G2|A3BA2|A4 GA|
"5"B3cB2|B2A2G2|A2c2B2|A4 GA|
"9"B3cB2|B2A2G2|A2G2E2|G2E2 GE|
"13"D2E2G2|A2d3c|B2G2G2|G4||
%
d2|"17"B2G2B2|d2B2d2|e2g2e2|d2B2G2|
"21"c3BA2|B2G2E2|A2F2D2|D4 d2|
"25"B2G2B2|d2B2d2|e2g2e2|d2B2G2|
"29"B3GE2|D2d2c2|B2G2G2|G6|]

%%%

%%%

X:53546
T:KELLY THE BOY FROM KILLANE  
B:B: RC3.036
H:H: "maestoso marziale"
Z:Z: ABC/arr. BB
M:C
K:D
D>F|A2A>A d2dB|A2 FD B,2DE|F2EF AGE>F|D6:|
AA|B2G>G d2d>B|Azd>BAzA>A|B2G>G de/d/ c>B|A6 D>F|
A2A>A d2dB|A2 FD B,2DE|F2EF AGE>F|D6|]

%%%

X:535215 
T:KERRY DANCE (long dance 6/8), The   
B:B: RC2.293
Z:Z: ABC/arr. BB
N:N: This is usually known as "Saint Patrick's Day".
Q:1/4=140
L:1/8
M:6/8
%R:jig 
K:A
E|A>BA ABc|efe ecA|BAB cAE|FGF F2E|
"5"A>BA ABc|efe ecA|BAB cAE|F2G A2:|
e|"9"efg a2f|g2e fec|efg aaf|gfe f2e|
"13"efg a>ba|gfe fge|efe cAd|cBc AFE|
"17"A>BA ABc|efe ecA|BAB cAE|FGF F2E|
"21"A>BA ABc|efe ecA|BAB cAE|F2G A3|]

%%%

X:53547 
T:KERRY LULLABY, The 
B:B: RC3.028 ("Suantrai Ciarraighe")
H:H: "slow"
Z:Z: ABC/arr. BB
L:1/8
M:4/4
K:Am
B|d3B c2dc|B2A2 G3B|c2B2 B2d2|f2e2 d3d|
e2d2 d3d/B/|d2BA B3A|G2GF HE2 AB|c2BG A3:|
B|d4 B4|c2cA B3d/e/|f2e2 e2dB|d2BA B3A|
c4 B2AG|A2GF E3D/E/|G2G2 G2AB|c2BG HA4|]

%%%

X:535348 
T:KEVIN BARRY 
B:B: RC3.052
H:H: "andante affetuoso"
Z:Z: ABC/arr. BB
L:1/8
M:3/4
K:D
DF|A3 A^GA|BA3 FA|f3 dAF|E4cd|
e3 dcG|B2A2 ^GA|c3 BGA|F4 DF|
A3 A^GA|BA3 FA|f3 dAF|E4cd|
e3 dcG|B2A2 ^GA|c3 BGE|D6|]

%%%

X:534036
T:KILLARNEY
B:B: RC1.026
Z:Z: ABC/arr. BB
L:1/8
M:4/4
K:D
a3f e2 (3dBA|d2 d2 d4|a3g f2 (3efa|b2 e2 e4|
"5"a3f e2 (3dBA|d2 d2 d4|f3g adgf|e3d d2z2||
"9"d3d e2B2|d2d2 fa3|f3f agfe|dBBd e4|
"13"b2e2 a2d2|g2c2 f2dz|c3d e2 (3fga|c2 B>A A4|
"17"d3B A2B2|d2d2 e4|g3g f2e2|afed B4|
"21"d3B A2B2|d2-(3def b4|d3e f[d'2d2]f|e4 Hd4|]

%%%

X:535216 
T:KILLEKRANKIE
T:Planxty Davis
B:B: RC2.282
Z:Z: ABC/arr. BB
Q:1/4=130
L:1/8 
M:4/4
%R:hornpipe 
K:D
%swing .25
FG|A3B A2FG|A3B A2FG|AGFE DEFG|A4 A2dc|
"5"B3d B2A2|BABd B2AB|d3e f2ed|B4-B2fa|
"9"b2af a2fe|gfed e2de|fedB ABdF|A4 A2dc|
"13"BdAB d3d|edeg f3e|d3B ABdF|E4 D2:|
%
f2|"17"a3b a2fg|afab a2fg|agfe defg|a4-a2fa|
"21"b3c' b2a2|babc' b2a2|bagf efga|b4-b2fa|
"25"bagb agfa|gfeg fedf|edBd ABdF|a4 A2dc|
"33"BdAB d3d|edeg f3e|fedB ABdF|E4 D2:|

%%%

X:534037
T:KITTY MY DEAR 
B:B: RC1.071
H:H: "tenderly"
Z:Z: ABC/arr. BB
L:1/8
M:3/4
K:D
FG|A2A2 Bc|A3 GFE|F3 AGE|E2D2D2|
D4 AG|A2d2e2|f4g2|f2e2d2|
c2A2G2|A4 AG|A2d2e2|f4g2|
f2e2d2|c2A2G2|A4FG|A2A2Bc|
A3 GFE|F3 AGE|E2D2D2|HD6|]

%%%

X:534038
%%staffwidth620
T:KITTY TYRRELL (1)
B:B: RC1.048 ("O Blame Not the Bard") % "setting 1"
H:H: "andante" 
Z:Z: ABC/arr. BB
L:1/8
M:6/4
K:G
GE|D2E2G2 G3A B>A|G2g2f2 e3f ge|edcBAG G2G2A2|B2cB AG E4GE|
D2E2G2 G3A B>A|G2g2f2 e3zge|edcBAG GE3 (3GAB|A2G2G2 G4||
%
d2|g2f2g2 e3zfg|a3 gf>e d4 de/f/|g2 gfed B2 cBAG|A2 G/A/B AG E3 FGE|
D2E2G2 G3A B>A|G2g2f2 e3zge|edcBAG G2E2 (3GAB|A2G2G2 HG6||

%%%

X:535349 
T:KITTY TYRRELL (2)  
B:B: RC3.025 ("Caitlin Tirial")
H:H: "andante"
Z:Z: ABC/arr. BB
N:N: There are different Gaelic spellings for Kitty's last name, e.g. "Triall". 
N:Roche's "Tirial" is definitely incorrect.
L:1/8
M:3/4
K:A
A>F|E2F2A2|A3 BcB|A2a2 gf|f4 ag|
"5"fedcBA|A3Bc2-|c2 (3edc cA|F4 A>F|
"9"E2F2A2|A3 BcB|A2a2 gf|f4 ag|
"13"fedcBA|A2F>E F/A/B/c/|B2A2A2|A4||
e2|"17"a2f2a2|f4 ga|b3 agf|e4 ef/g/|
"21"a2 agfe|c2 dc cA|B2 A/B/c BA|F3 dAF|
"25"E2F2A2|A3 BcB|A2a2 gf|f4 ag|
"29"fedc ec/B/|A2F4|b2a2a2|Ha6|]

%%%

X:534039 
%%titlefont18
T:LAMENT FOR FATHER MICHAEL MOLONEY (air) 
B:B: RC1.067
H:H: "slow and solemn - con sordini" (???)
Z:Z: ABC/arr. BB
C:"original air - John Roche"
L:1/8
M:3/4
K:G
G,A,B,CD|G>A GF D>C|DG3 GA|B2A3G|
A>G FD2C|HD4 GA|Bc dB cA/F/|G>AG>F D>B,|
CD=FD G/F/D/B,/|C>B, G,>G, G,z||
%
zDGABc|d2de fe|Hd4de|fgafgf|
d>ed>c A>G|A2Hd2 e/d/c/A/|B2A2G2|G>AG>F D>B,|
CD=FD G/F/D/B,/|C>B, G,>G, G,2-|G,4z2||

%%%

X:535350 
T:LIMERICK TOWN  
B:B: RC3.005 
H:H: "andante"
Z:Z: ABC/arr. BB
N:N: Roche says "from Hughes", presumably Herbert Hughes, the Belfast-born 
N:tune collector, 1882-1937
L:1/8
M:6/8
K:C
c|c2d G2A|_B2B E2F|G2 F/D/ C2B,|HC4 z2||
E|F2G B2B/c/|d2c e2d|c2c _BGB|HG4 zG|
E2F G2B/c/|d2c e2d/e/|c2c _B2A|G4 zG|
E2F/G/ B2 (3A/B/A/|G2c e2g|g2e e/c/d>c|c3-c3|]

%%%

X:535351 
T:LIMERICK WALTZ (measures 1-8), The  
B:B: RC3.151 % ("or redowa")
Z:Z: ABC/arr. BB
L:1/8 
M:3/4
%R:waltz
K:G
Bd|g2f2 GB|e2d2 Bd|c2B2 (3ABd|e2d2 Bd|
g2f2 GB|e2d2 Bd|c2B2A2|G4:|

%%%

X:534040 
T:LITTLE BROTHER OF MY HEART 
B:B: RC1.018 ("Dearbhrathairín o mo Chroidhe")
H:H: "plaintively"
Z:Z: ABC/arr. BB
L:1/8 
M:2/4
K:D
A|d2 ed|A2 AG|(3F2G2E2|D>D D2-|
D2 zF|G2 A>A|d2 AG|F>G AB|
Az A>A|d2 ed|A2 AG|(3FGA (3dde|
f3 e|(3d2e2d2|A2 ~A2/G/|(3F2G2E2|\
D>D D2-|HD4|]

%%%

X:534041 
T:LITTLE FAIR CHILD (1)  
B:B: RC1.021
H:H: "moderato"
Z:Z: ABC/arr. BB
Q:80
L:1/8
M:6/8
K:Dm
A|Add dcd|f2d e2d|dcA FGA|Bc>A B2A|
Add dcd|f2d e2d|dcA GEA|EDD D2||
E|FGA cAG|cAG cAG|F>GA cAG|Add d2E|
F>GA cAG|Ade Hf2e|dcA GEA|EDD HD3|]

%%%

X:534042 
T:LITTLE FAIR CHILD (2) 
B:B: RC1.022
H:H: "tenderly"
Z:Z: ABC/arr. BB
N:N: One of Roche's "classical" settings, probably under the influence of Arthur 
N:Darley (see introductory note in ABC file).
L:1/8
M:6/8
K:D
B|e>fe def|g2e f2g/f/|edB/A/ GA/B/c|d/>f/ e/d/B/A/ B2B/d/|
eg/f/e dB (3E/B/f/|g2e f2g/f/|edB AGF|E3 E2||
E/F/|GA/B/c dBB|cAA dB>A|GA/B/c d/>f/ e/d/B/A/|Beg e2E/F/|
GA/B/c dBA|Bef gHag/f/|edB A=c/B/A|GEE HE3|]

%%%

X:534043 
T:LITTLE HEATHY HILL  
B:B: RC1.023
H:H: "spirited"
Z:Z: ABC/arr. BB
N:N: Dotted rhythm in source, removed here.
Q:120
L:1/8 
M:C
K:D
de|fgfe d2f2|ABAF A2Bd|cBAF E2FA|B2cA dzde|
fgfe d2f2|ABAF A2Bd|cBAF E2FA|B2BB B2:|
B2|B2de f2f2|fgfd e2de|fgef d2cB|BcAF A2de|
fgfe d2f2|ABAF A2Bd|cBAF E2FA|B2BB B2:|

%%%

X:535352 
T:LITTLE SWALLOW, The 
B:B: RC3.055 ("Fainleog Beag")
H:H: "andante con espress."
Z:Z: ABC/arr. BB
N:N: "Cronán" = "humming". I'm not sure what this tune is all about.
Q:1/4=70
L:1/8
M:3/4
K:G
(3d/e/f/ gG|G>FED GG|BB/c/ d(3d/e/f/ gd|ec AF/A/ GG|G3:|
G/A/ Bd|g2 fa/g/ f/e/g/e/|d>B GG/A/ Bd|g2 f/a/g/f/ ee|e2-e/d/e/f/ gG|
G>FEDGG|B>c d/d/e/f/ g>g|1 ecAF/A/ GG|G3:|2 e/d/c/A/ d/c//A//F/A/ GG|G6||
%
P:"Cronán"
g2 a/g/e/d/ ed/B/|d2 e/d/B/A/ BA/G/|A2 G/E/D/E/ GG|HG6|]

%%%

X:535353 
T:LODGE ROAD (set dance 2/4), The 
B:B: RC3.192
H:H: A-B-A
Z:Z: ABC/arr. BB
N:N: "from O'Neill slightly altered". 
N:N: Measures 9-12 can be played:
N:"9"DEFG AGFE|"10"DEFG A2AF|"11"GABc dcBA|"12"GABc d2F2|
L:1/16 
M:2/4
K:D
A|:Sd2df edcB|A2A2 A2F2|DFAF DFAF|G2FG E2A2|
"5"d2df edcB|A2A2 A2F2|DFAF G2EF|D2D2 D3A:|\
"final" D2D2 D4|]
"9"defg agfe|defg a2af|gabc' d'c'ba|gabc' d'2f2|
"13"gbag fagf|edef g2fe|d2f2 abaf|g2fg e2z2|
"17"f2f2 g2g2|e2e2 f2fe|dfaf gbec|1 d2ab agfe:|\
[2 d2EF "_D.S."GABc||

%%%

X:534044
T:LORD MAYO
B:B: RC1.072
H:H: "rather slow"
Z:Z: ABC/arr. BB
N:N: Roche's version doesn't resemble any other version of this tune that I'm 
N:familiar with - for one thing, it's in a major key and 3/4 time, instead of minor 
N:key 2/4 or 4/4.
M:3/4
L:1/8
K:G
D|G>FG>AB>c|d>BG2 =fd|c>AF>GA>B|G2F2D2|
"5"G>FG>AB>c|d>BG2 =fd|c>AF>GA>B|G3 z||
% (dotted notation will be omitted hereafter)
fg|"9"agfgab|gfd3e|=fedefA|GFD3f/g/|
"13"agfgab|gfd3c|d2gbaf|g2z2fg|
"17"agfgab|gfd3e|=fedefA|GFD2 D/E/F|
"21"GFGABc|dBG2 =fd|cAFGAB|HG6|]

%%%

X:534045 
T:LOVELY SALLY
B:B: RC1.055 
H:H: "animated"
Z:Z: ABC/arr. BB
L:1/8
M:3/4
K:G
d/e/f|g2d2cA|A2G3G|G4cA|G2A2c2|
d2g2ga|ge de/d/ cA|d4cA|G2A2B2|
d2g2ga|gede/d/cA|d4 d/e/f|g2d2cA|\
A2G2G2|G6|]

%%%

X:535354
T:MAIDS OF MOURNE SHORE, The
B:B: RC3.050
H:H: "plaintively"
Z:Z: ABC/arr. BB
N:N: This is the tune of "Down By the Salley Gardens".
L:1/8
M:C
K:A
AB|c2BA B2ce|f4e2 ae|f2ec B3A|F4 z2 AB|
c2BA B2ce|f4e2 ae|f2ec B3A|A6||
e2|a2ge f2a2|g4e2ce|f2ec efa>b|a6 AB|
c2BA B2ce|f4e2 ae|f2ec B3A|A8|]

%%%

X:534046 
T:MARGARET KELLY 
B:B: RC1.052 ("Mauriade ni Ceallagh")
N:N: Spelling of the lady's Irish first name is probably "Máiréad"!
H:H: "slow"
Z:Z: ABC/arr. BB
L:1/8
M:3/4
K:C
d/c/A/G/||A2A2BG|A2A2de|f2f2e>d|e2e>dcA|
f2f2ed|e2e>dcA|d2dfe>d|d>cA2de|
f2f2ed|e2e>dcA|c2c>de>c|d>cA2AB|
cd3cA|f3e d/c/A/G/|E2G3E|ED3-D2|]

%%%

X:535355 
T:MARKET STAKE, The 
B:B: RC3.018 ("Staic an Mhargaidh")
H:H: "andante con moto"
Z:Z: ABC/arr. BB
Q:1/4=100
L:1/8
M:3/4
K:G
BA|G2D2E2|G4 FG|A4 AG|A2B2G2|c4 BA|B2d2g2|
G4 GE|G2 cBGE|=F4 ED|E4 GE|D2E2G2|G4||c2|B2 GABc|
d4 de|=f4 ed|d2e2B2|g4 ge|d2g2B2|A4 AG|A2B2G2|
c4 BA|B2d2g2|G4 GE|G2 cBGE|=F4 ED|E4 GE|D2E2G2|HG6|]

%%%

X:535356 
T:MARTHA (measures 1-16) 
B:B: RC3.149
H:H: "valse"
Z:Z: ABC/arr. BB
Q:1/4=100
L:1/8 
M:3/4
%R:waltz
K:F 
F2G2|A4f2|e4d2|cA A4|z2F2G2|A2 c3A|A4G2|F6-|
F2F2G2|A2f2e2|g2f2d2|cA-A4|z2F2G2|A2c3A|A4G2|F6-|F2:|

%%%

X:534047 
T:MARY MAVOURNEEN
T:The Fair Young Girl 
B:B: RC1.046 ("An Cailín Bán")
H:H: "with feeling"
Z:Z: ABC/arr. BB
Q:80
L:1/8
M:4/4
K:G
B>c|de/f/ g>g g3g/a/|b>ga>g g2b>g|
fd B/G/A/B/ c2 d>B|c>B G>G HG2:|
%
GA/B/|c2d>B c>BG2|g/a/b/g/ c'/b/ g/g/g2 a>g|
fd B/G/A/B/ c2 d>B|c>B G>G HG2:|

%%%

X:535357
T:McKENNA'S MAZURKA* 
B:B: RC3.162 (as "Mazurka")
H:H: "moderato"
Z:Z: ABC/arr. BB
L:1/8 
M:3/4
K:D
f>e|d2B2 A>B|A2F2 A>B|c2d2 e>f|e2A2 f>e|
"5"d2B2 A>B|A2F2 A>c|e2 g>ba>c|d3z:|"final" Hd4|]
d>c|"9"B2B2 c>B|A2A2 B>A|G2G2 AG|F2F2 d>c|
"13"B2B2 c>B|A2A2 B>A|GFG Ace|1 d3z:|2 d2z2||
P:Trio tempo di valse
FG|"17"A2F2A2|d4B2|A2G2F2|E4F2|
"21"D2F2A2|d2e2f2|e2A2B2|c2d2e2|
"25"f2e2d2|c2e3d|d2A2F2|G4F2|
"29"E2F2A2|B2e3c|d6-|d2z2 "_DC"||

%%%

X:534048
T:McLEAN'S LAMENTATION 
B:B: RC1.076
H:H: "moderato"
Z:Z: ABC/arr. BB
L:1/8
M:6/8
K:Dm
A2D DED|A/=B/AG ABc|A2D DED|AGE EDC|
A2D DED|A/=B/AG ABc|GEG c/d/cA|AGE EDC:|
f2d edc|d2c AGE|A/=B/AG DED|AGE EDC|
f2d edc|d/e/dc AGE|GEG c/d/cA|1 AGE EDC:|\
[2 AGE EDC|D6|]

%%%

X:535358 
T:MEETING OF THE WATERS, The
B:B: RC3.031 ("Ceann Deighinge" = "head of ?" [presumably a river name])
H:H: "moderato elegante"
Z:Z: ABC/arr. BB
N:N: The second part of Roche's setting is too "classical" to spend much time 
N:on (anyway I'm not sure how ABC would deal with a 17-note "decasep-
N:tuptlet"!) Arthur Darley's fine classical hand at work again?
L:1/8
M:6/8
K:A
e>d|cB>A A<FE|EFA A2B/c/|dd c/B/ c<Ac|ecA B2 B/c/|
ddc/B/ BcA|ecA B2 A/B/|c>BA A<FE|EFA d2c/d/|
ecA A<FE|1 EFA A:|2 EFA A3-|A6|]

%%%

X:534049 
%%titlefont18
T:MELODIOUS AIRY LITTLE FORT OF BRUFF (1), The 
B:B: RC1.037 ("Binn Lisín Aerach an Bhrogha") 
N:N: "setting 1" but there's no 2!
H:H: "rather slow"
Z:Z: ABC/arr. BB
N:N: This is the tune of "Ar Eirinn Ni nEosfainn ce hI" ("For Ireland I'd Not 
N:Tell Her Name")
L:1/8
M:3/4
K:A
cB|A2 BA FE|E2 d2 B2|c4 Bc|A2 BAFE|
"5"E2 F2 A2|B4 cB|A2 BA FE|E2 d2 B2|
"9"c4 Bc|A2 BAFE|E2 F2 A2|A4-A||
d|"13"e2 fc BA|A2 c2 e2|f4 af|e2 fe cB|
"17"A2 c2 e/d/c/d/|B4 cB|A2 BA FE|E2 d2 B2|
"21"c4 ed|cA B>A A>F|E2 F2 A2|A6|]

%%%

X:535359 
%%titlefont18
T:MELODIOUS AIRY LITTLE FORT OF BRUFF [2], The  
B:B: RC3.060 
H:H: "plaintively"
Z:Z: ABC/arr. BB
L:1/8
M:3/4
K:G
GA|B2-B/c/B/A/ B/A/G/E/|D2 c2 A2|B3 cBA|G3 G/A/ B/A/G/E/|
"5"D2E2G2|A4 GA|B2-B/c/B/A/ B/A/G/E/|D2d2B2|
"9"c3 edc|B2A/B/ cB/A/G/E/|D2E2G2|G4||Bc|
"13"d2e2 d/B/A/G/|G2B2d2|e4 ge|d2-d/e/d/B/ e/d/B/A/|
"17"B2G2B2|[A4D4] GA|B2-B/c/B/A/ B/A/G/E/|D2d2B2|
"21"c3 edc|B2A/B/ cB/A/G/E/|D2E2G2|H[G6g6]|]

%%%

X:535217
T:MIDNIGHT RIDE QUADRILLE (5 figures) 
B:B: RC2.298a
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
%%text figure 1 = A-B-A-C-A 
%%text part 1A "fine" < EDE D3 > 
%%vskip20
P:"1A"
A,B,A, F2F|FED E2F|DFE DFA|BAF A2F|
A,B,A, F2F|FED E2F|A2F d2F|EDE D2||
P:"1B"
e|f3-faf|e3-efe|ddc dfa|b2a f2d|
f3-faf|e3-efe|dfa Ade|f2e "_back to A"d2||
%%
z|A,B,A, F2F|FED E2F|DFE DFA|BAF A2F|
A,B,A, F2F|FED E2F|A2F d2F|EDE D2||
P:"C: TRIO"
d/e/|f2A ABA|B2d d2b|a2f fed|e3-ede|
f2A ABA|B2d d2b|a2f efe|d3 "_back to A"d3||
%
%
%%text figure 2 = A-B-A
%%text part 2A "fine" < d2 d2 >
%%vskip20
Q:1/4=120
L:1/8
M:2/4
%R:polka 
K:D
P:"2A"
f/e/|d>d A>A|B>B b>a|f/a/b/a/ f/a/b/a/|fee f/e/|
d>d A>A|B>B b>a|f/a/b/a/ e/a/b/a/|d2 d||
P:"2B"
B|AA/B/ dd/e/|fff e/d/|fff e/d/|e>e f/e/d/B/|
AA/B/ dd/e/|fff e/d/|aA AB/c/|ddda|
affa|geeg|fdfa|d/c/d/f/ e/d/c/B/|
AA/B/ dd/e/|fff e/d/|aA AB/c/|dd "_back to A"d||
%
% 
%%text figure 3 = A-B-A-C-A  
%%text part 3A "fine" < G3 G3 >
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:G
P:"3A"
d|ded d2d|g2d B2B|d2c A2F|GBG D2d|
ded d2d|g2d B2B|d2c A2F|G3 G2||
P:"3B"
d|cBc A2f|gbg d2B|cBc A2f|g3 b2d|
cBc A2f|gbg d2B|cBc A2f|g3 "_back to A"g2||
P:"3C Trio"
F/G/|A2A A2B|A2F D2B|c2B c2e|d2B G2B|
c2B c2d|e2f g2e|d2B cBA|G3 "_back to A"G2||
%
%
%%text figure 4 = A-B1/2-A-C1/2-A 
%%text part 4A "fine" < BA G2 >
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:G
P:"4A"
B>B BA|Bd ed|g>g gd|BA A2|
BB/B/ BA|Bded|g>g gd|BA G||
%
P:"4B1 1st & 3rd"
(3d/e/f/|ge ed/B/|A>G EG/A/|BB A>G|G3 (3d/e/f/|
ge ed/B/|AG EG/A/|B/d/c/B/ A/c/B/A/|G3 B/c/|
dB de/f/|g2 fd|e/f/e/d/ Bd|e3 B/c/|
P:"4B2"
d/B/c/d/ e/d/e/f/|g2 fd|e/f/e/d/ Bd|e3 (3d/e/f/|
ge ed/B/|AG EG/A/|BB A>G|G3 (3d/e/f/|
ge ed/B/|AG EG/A/|B/d/c/B/ A/c/B/A/|GB/d/ "_back to A"g2||
%
P:"4C1 2nd & 4th"
B/c/|d>e dg|d/e/d/B/ dB|G/F/G/A/ B/A/G/A/|BA AB/c/|
d>e dg|d/e/d/B/ dB|GA B/A/G/A/|BGGz|
P:"4C2"
A>B Ad|Af fd|e>f ed|^c/d/e/f/ AF/G/|
A>B Ad|Af f>d|^c/d/e/f/ g/e/B/c/|ed "_back to A"d2|]
%
%
%%text figure 5 = A-B1/2-C-A-B1
%%text part 5B1 "fine" < G2 G2 > 
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:G
P:"5A"
d/B/|GB/d/ e/d/g/B/|ce dd/B/|GB/d/ e/d/B/G/|A3 d/B/|
GB/d/ e/d/e/g/|a>g eg/e/|dg B>A|B/D/E/F/ G/A/B/c/||
P:"5B1"
dd/d/ d/d/g/B/|ce dd/B/|GB/d/ e/d/B/G/|A3 d/B/|
GB/d/ e/d/e/g/|a>g eg/e/|dg e/d/B/A/|G2 "then fine"G||
P:"5B2"
D/E/|GB/G/ EG/E/|DEGB|AABB|G/A/B/G/ ED/E/|
GB/G/ EG/E/|D/E/G/A/ B>d|g/f/g/e/ d>c|B/c/B/A/ G||
P:"5C"
f/g/|a>f ge/g/|fd/f/ e/d/B/^c/|ddee|f>g ef/g/|
a>f ge/g/|fd/f/ e/d/B/^c/|d>A BA/G/|F/G/E/F/ "_back to A"D2|]

%%%

%%%

X:535360 
T:MO CRAOIBHIN AOIBHIN 'AULINN' O  
B:B: RC3.010
H:H: "plaintively"
Z:Z: ABC/arr. BB
N:N: 1: Correct spelling of last word is "Álainn" (= beautiful).
N:N: 2: "Craoibhin Aoibhin" (= "pleasant little branch") was the nickname of 
N:Dr. Douglas Hyde, scholar and first president of the Irish Republic. 
L:1/8
M:3/4
K:Em
EF|G>A B2 AB|G>AGF E>F|G>A B2AF|E>E E2 EF|
G>A B2 e/d/B/A/|G>AGF EF|G>A B2AF|E>E E2||
%B
e2|e>f g2 fe|e/f/g/e/ f>e (3dBA|B>c d2e2|f>e e2ef|
g>f e2 f/e/ (3d/B/A/|G>AGF EF|G>A B2AF|E>E E4|]

%%%

X:535361 
T:MO MHUIRNIN NA GRUAIGE BAINE
T:My Fairhaired Darling 
B:B: RC3.063
H:H: "with spirit and feeling"
Z:Z: ABC/arr. BB
L:1/8
M:6/8
K:Gmix
G2F||D2G G2F|G3 AGF|G2A c2d|f3 def|
"5"g2f d2c|A3G3|F3-F2G|A3 G2F|
"9"D2G G2F|G3 AGF|G2A c2d|f3 def|
"13"g2f d2c|A2G F2A|G3 z2||
c|"16"d2c d2e|f3 def|g2f d2e|f3 def|
"20"g2f d2c|A3G3|F3-F2G|A3 G2F|
"24"D2G G2F|G3 AGF|G2A c2d|f3 def|
"28"g2f d2c|A2G F2A|G3-G3|G6|]

%%%

X:534050
T:MOLLY OGE 
B:B: RC1.073
H:H: "plaintively"
Z:Z: ABC/arr. BB
L:1/8
M:3/4
K:D
D/E/|F2G2A2|A2f2ef|d2edcA|G4E2|
F4de|f2e2dc|d2e2f2|g2f2e2|
cd3 cAG|A4 de|f2e2 dc|d2e2f2|
dg2f2e2|d3 cAG|A4FD|F2G2A2|
A2f2ef|d2 edcA|G3 EDC|HD6|]

%%%

X:535222
T:MOLLY TIERNEY 
B:B: RC2.353
Z:Z: ABC/arr. BB
L:1/8
M:6/8
%R:jig 
K:G
GE|D2E G2A|BdB BAG|ABA AGE|GAG GED|
"5"EFE EGE|D2E G2A|BdB BAG|ABA AGE|
"9"GAG GED|BAB GED|DFD DFD|DFD DFD||
"13"d2B c2A|BAG AGE|GAG GED|BAB GED|
"17"EFE E2d|EFE EBc|dcB cBA|BAG AGE|
"21"GAG GED|BAB GED|DFD DFD|DFD DFD||
"25"D2E G2A|BGG AGG|BGG AGG|BAB GED|
"29"EFE E2d|EFE EGE|D2E G2A|BGG AGG|
"33"BGG AGG|BAB GED|DFD DFD|DFD DFD||

%%%

X:534051
T:MORNING OF LIFE, The 
B:B: RC1.013
C:O Carolan 
H:H: "moderato"
Z:Z: ABC/arr. BB
L:1/8 
M:C
K:D
D>E|F2GF E2FE|Dd.d.d d2c>d|e2f>e dcBA|A2B>A A2D>E|
FAGF EGFE|Dd.d.d d2c>d|e2f>e dcBA|A2^G>G A2||
dc|cBBA AFED|D2d>d d2cB|A2FE GFED|B,DDE D2dc|
cBBA AFED|D2d>d d2cB|A2FE GFED|B,<DDE HD4|]

%%%

X:535362
T:MY DEAR BRIGHT LOVE 
B:B: RC3.053
H:H: "rather slow and with feeling"
Z:Z: ABC/arr. BB
L:1/8
M:C
K:D
D2|D3E F2dc|B3A F2DE|F>GFD E2 FD|B,4 z2 A,B,|
D3E F2dc|B>cBA F2DE|F2AG F2E2|D4 z2||
Ac|d3c B>A Bd|e2f2 A2 Ac|d3c A2G2|A3 B/c/ d2d>c|
B3A A3G|F3D B,2DE|F/E/D/E/ F/A/d/e/ f/e/d/A/ B/A/G/E/|D8|]

%%%

X:535363 
T:MY FAIR LOVE IS LEAVING ME  
B:B: RC3.021 ("Ta Mo Ghradh Geal Dom Treigint")
H:H: "with feeling"
Z:Z: ABC/arr. BB
Q:1/4=100
L:1/8
M:3/4
K:Em
GA|B2B2 AG|dfedBA|G2 EGF>E|E4 Bd|
e2 egfe|e2d2 ef|g2 fedB|d2e2 Bd|
e2 e>gfe|e2d2 ef|g2 fedc|d2e2 GA|
B2 BAGE|d2 edBA|G2 EGF>E|HE6|]

%%%

X:535364
T:MY LAGAN LOVE 
B:B: RC3.009
H:H: "rather slow"
Z:Z: ABC/arr. BB
N:N: 1: "from Hughes" = Belfast tune collector Herbert Hughes, 1882-1937
N:N: 2: Source has this in key of C with no accidentals. This seems incorrect, 
N:since this tune is always presented as being in a mixolydian mode with all 
N:seventh-degree notes flatted. 
L:1/8
M:2/4
K:C
(3G/A/_B/|c2 GF/E/|C2 _B,>C|E2 FE|C3C|C4-|C3||
G|A2 (3_BAB|c2 GF/E/|C2 _B,>C|E2 FE|C3C|HC3 C/C/||
%B
EF A>G|GE FA/_B/|c2 F(3A/G/A/|_B2 Hc2|_ec2_B|
c2 GF/E/|C2 _B,>C|E2 FE|C3C|HC4|]

%%%

X:534052
T:MY LOVE NELL 
B:B: RC1.038 ("Sliabh na mBan" = "Mountain of the Women")
H:H: "plaintively"
Z:Z: ABC/arr. BB
N:N: This is the tune of "Star of the County Down", "Dives and Lazarus", and 
N:many others.
L:1/8
M:4/4
K:D
FA|B2B2B2 AB|d2d2e2 de|f2ed B2AF|A6 FA|
B2B2B2 AB|d2d2He2 de|f2ed B2B2|B6||
ef|a2f2f2 ed|e2e2e2 de|f2ed B2AF|A6 FA|
B2B2B2 AB|d2d2He2 de|f2ed B2B2|B8|]

%%%

X:534053
T:NANCY the PRIDE of the EAST
B:B: RC1.057
H:H: "andante"
Z:Z: ABC/arr. BB
N:N: Related to "For Ireland I'd Not Tell Her Name"
L:1/8
M:3/4
K:G
dc|B2 AGED|c3 cde|d3zBA|G2A2GE|
DEG2B2|A2z2dc|B2AGED|c3 cde|
d3zBA|G2A2GE|D>EG2G2|G3z||
Bc|d2 cBAG|e2 efge|d3zgf|e2 dBAB|
G2G2cB|A3zDE|G2AGED|c3 cde|
d3zBA|G2A2GE|D>E G2G2|HG6|]

%%%

X:535365 
T:NAPPER TANDY (mm 1-16) 
B:B: RC3.164 ("redowa or mazurka")
H:H: "allegretto"
Z:Z: ABC/arr. BB
L:1/8 
M:3/4
%R:waltz
K:D
Ad|f2 gfed|c2A2 A>G|F2D2 DF|E2D2 Ad|
fga2 gf|efg2fe|dcA2A2|A3zde|
fga2 gf|efg2 fe|d>c defg|f4 e/f/e|
d2A2 AG|F2D2 DF|E2D2D2|D6|]

%%%

X:534054 
T:NED of the HILL (1)
B:B: RC1.001
H:H: "slow"
Z:Z: ABC/arr. BB
L:1/8
M:3/4
%R:waltz
K:G
D>E|G>A BA GG/A/|Bg fd ed/B/|A2B2 A>G|G2G2 D>E|
%b
G>A BA GG/A/|Bg fd ed/B/|AB dB AG|G2 G2||
%c
de/f/|g>f ed a>g|f2 ed/B/ dg/f/|e>d B/A/G/E/ G/A/B/d/|\
e>f g>a ga/b/|
%d
GA BA GG/A/|Bg fd ed/B/|AB dB AG|G2 G4|]

%%%

X:534055
T:NED of the HILL (2) 
B:B: RC1.002
H:H: "moderato"
Z:Z: ABC/arr. BB
L:1/8
M:6/8
K:G
GDE G2A|BGe d2e|dBB BAB|GAB A2B|
D2E G2A|BGe d2e|dBA G2A|BGG G2||
d|e2e edB|e2e edB|ded dBA|Bde d2c/A/|
BDE G2A|Bge d2e|dBA G2A|BGG HG3|]

%%%

X:534056
T:NED of the HILL (3)
B:B: RC1.003
H:H: "slow"
Z:Z: ABC/arr. BB
N:N: This setting is highly ornamented in a classical style not appropriate to 
N:traditional music or to the capabilities of ABC. I have made changes to 
N:simplify where necessary.
L:1/8
M:3/4
K:G
D>G|B2 A>G GG/A/|Bg fe dB|GA2 (3G/A/B/ cB|A>G G2||
%b
(3def|gf e2 g>a|f2 de/d/ Hdg/f/|e2 dB/A/ G>A|Bd/e/f/ Hg2 D>G|
%c
B2 A>G GG/A/|Bg fe dB|GA2 (3G/A/B/ cB|A>G HG4|]

%%%

X:535366
T:NIGHTS OF GLADNESS QUADRILLE (5 figures) 
B:B: RC3.196
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig
%%text figure 1 = A-B-A-C-A
%%text part 1A "fine" < D3 D3 >
K:D
P:"1A"
A2A ABc|d2A FDF|A2G EFG|B2A FDF|
A2A ABc|dfd A2F|GBA GFE|D3-D2||
%
P:"1B"
A|f2d AFA|f2d AFA|g2e cde|dcB A2A|
f2d AFA|f2d A2A|Aef gfe|dfe d"_back to 1A"cB||
%
P:"1C"
f2e dcB|A2F A2B|G2E G2B|A2F A2g|
f2e dcB|A2F A2B|G2E cBc|d3 "_back to 1A"d3||
%
%
%%text figure 2 = A-B-C-A 
%%text part 2A "fine" < G4 >
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:G
P:"2A"
GB/d/ gg|g3g|fe ce|d3B|
dd Bd|cc A>B|cA GF|G2G||
%
P:"2B: 1st & 3rd"
D|GG AB/c/|dd/c/ AB/c/|dB/G/ A/B/A/G/|E3D|
GG AB/c/|dd/c/ AB/c/|dc/A/ GF|G3 B/c/|
dg dc/B/|cd cD/E/|GA B/A/B/d/|A3 d/c/|
BA/B/ cB/c/|dd/c/ AB/c/|dc/A/ GF|"_back to 2A"G3 z||
%
M:6/8
Q:1/4=160
K:D
P:"2C: 2nd & 4th"
f|a2a A2B|d2e f2f|e2e d2d|d3z2f|
g2g f2e|f2d d2f|a2f e2d|e3z2f|
g2g f2e|f2d d2f|a2f e2d|b3z2b|
a2a A2B|d2e f2f|e2e d2d|"_back to 2A"d3-d2z||
%
%
%%text figure 3 = A-B-A-C-A
%%text part 3A "fine" < d3 d3 >
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
P:"3A"
A|FED AGF|BAA A2A|dcB edc|dAF D2A|
FED AGF|BAA A2A|dcB edc|d3 d2||
%
P:"3B"
A|def efg|fed cde|dcB Bcd|BAF EFA|
Bdd Add|Fdd Edd|Ddd edc|"_back to 3A"dAF D2||
%
P:"3C: Trio"
A|d2d f2d|ecA ABc|d2d f2d|cea gfe|
d2d f2d|ecA ABc|dfa ABc|"_back to 3A"e3 d2||
%
%
%%text figure 4 = A-B-C-A
%%text 4a "fine" < G4 g4 >
Q:1/4=120
L:1/16
M:2/4
%R:polka
K:G
P:"4A"
D2|G2GB d3d|e2ec A2Bc|dedB cdcA|BcBG E3D|
G2GB d3d|e2ec A2gf|efed e2d2|G4g2||
%
P:"4B: 1st & 3rd"
dc|B2AB GAGE|D2G2 G2Bc|dBge dBGB|\
dcBc A2dc|
B2AB GAGE|D2G2 G2Bc|d2ge dcAF|A2G2G2d2|
gage a3g|fgfe d2ge|dedc BABd|edef gedc|
B2AB GAGE|D2G2 G2Bc|d2ge dcAF|A2G2G2||
%
P:"4C: 2nd & 4th"
G2|E2A2 ABcd|e2A2 B2AG|E2G2 GABc|d2G2 B2AG|
E2A2 AGAB|cBcd e2dc|B2g2 edcB|c2A2A2d2|
e2a2 e2a2|e2a2 gfed|B2g2 B2g2|B2g2 gfed|
e2a2 a2f2|g2e2 dedc|B2g2 edcB|c2"_back to 4A"A2A2||
%
%
%%text figure 5 = A-B-A-C-A
%%text 5a "fine" < G4 >
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:G
P:"5A"
D>E DB,|D>E GA|Bd AB/A/|GE EG/E/|
D>E DB,|D>E GA|Bd A>B|1 G/D/G/A/ B/d/g/e/:|\
[2 G2Gz||
%
P:"5B: 1st & 3rd"
Bd dB|ceez|Bd AB/A/|GE ED|
Bd d>B|ce e>f|ge fd|1 e/g/f/e/ d/e/d/c/:|2 e3 e/f/||
ge fd|e/f/e/d/ BA|Bd AB/A/|GE EG/E/|
D>E DB,|D>E GA|Bd AB|"_back to 5A"G2G||
%
P:"5C: 2nd & 4th"
d/c/|BDBD|B/A/B/c/ ed|cA f/g/a/f/|\
gg g/e/d/c/|
BDBD|B/A/B/c/ ed|cA f/g/a/f/|gggz||
K:D
fg/f/ ef/e/|dD FA|Bc/B/ Aa/g/|fg/f/ez|
fg/f/ ef/e/|dD FA|Bc/B/ Af/e/|dd d/e/d/=c/||
K:G
BDBD|B/A/B/c/ ed|cA f/g/a/f/|gg g/e/d/c/|
BDBD|B/A/B/c/ ed|cA f/g/a/f/|g"_back to 5A"ggz||

%%%

X:534057
T:NORA DALY  
B:B: RC1.041 
H:H: "sprightly"
Z:Z: ABC/arr. BB
L:1/8
M:6/8
K:Am
ABc B2G|A2G E2^F|G2A B2c|d3 B3|
ABc B2G|A2G E2d|eee d2B|A3 A2||
B|c2B c2e|d2d d2B|c2B c2e|d3 B3|
c2B c2e|ddd d2d|e3 dcB|A3 A3|]

%%%

X:534058 
T:NORA O'NEILL 
B:B: RC1.019
H:H: "gaily"
Z:Z: ABC/arr. BB
L:1/4 
M:3/4
N:N: A-B-A (12 measures in each part) in source
K:G
d/c/|SBdG|AGE|D<GB|cee|
dBG|A2 d/>c/|BdG|AGE|
DG>e|dgB|AEF|G2||
P:"B"
d|dBB|cAG|FA>B|cee|
dBG|AAd|dBB|cAG|
FA>A|BB>B|cAF|"_DS"G3|]

%%%

X:535371 
T:NYMPH OF THE WAVE (measures 1-16), The  
B:B: RC3.147
Z:Z: ABC/arr. BB
N:N: A great name for a ship but I'm not sure what Roche's title refers to.
Q:1/4=140
L:1/8 
M:3/4
%R:waltz
K:D
DE|F4D2|d4B2|A4D2|F4AG|F4A,2|E4GF|E4A,2|D2 z2 DE|
F4D2|d4B2|A4D2|F4AG|F4A,2|F4E2|D6-|D4:|

%%%

X:535372
T:O NATIVE MUSIC  
B:B: RC3.058
H:H: "dolce e moderato molto"
Z:Z: ABC/arr. BB
C:Lover
H:H: Composer is presumably Samuel Lover 1797-1868, Dublin-born poet and 
composer, uncle of composer Victor Herbert
Q:1/4=80
L:1/8
M:3/4
K:A
E|AA F2 GE|A>A Ac e>e|f>e ec BA|A/G/F/E/ E3E|
AA F2 GE|A>A Ac e>e|fe/d/ c2 c/B/A/B/|AB/c/ A2z||
c|d>e f>d B>B|c>d ecAA|GF dc BA|A/G/F/E/ Ed/c/ eB|
AAF2 GE|A>A A>c e>e|f/e/d/c/ e/d/B/G/ E^D/E/|G/F/D/B,/ HA,3||

%%%

X:534059 
T:O PULSE OF MY HEART 
B:B: RC1.059 ("A Cuisle Mo Chroidhe")
H:H: "moderato"
Z:Z: ABC/arr. BB
M:3/4
K:G
dc|B3AG2|d3Bd2|g3ag2|f2e2f2|
g2d2B2|A2g2e2|d2c2A2|B4 d>c|
B3AG2|d3Bd2|g3ag2|f2e2f2|
g2d2B2|A2g2e2|d2c2A2|HG6|]

%%%

X:533073
T:O'BRIEN OF ARRA (march) 
B:B: RC3.201
Z:Z: ABC/arr. BB
Q:1/4=140
L:1/8 
M:C
%R:march
K:G
GA|B2BB B2GB|d2dd d2 ef|gfed BdGB|A2AA A2GA|
B2BB B2GB|d2dd d2cB|Aedc BAGF|A2GG G2:|
Bc|d2dd dBdB|G2GG G2ef|gfed BdGB|A2AA A2GA|
B2BB B2GB|d2dd d2cB|Aedc BAGF|A2GG G2:|

%%%

X:534060 
T:O'CROWLEY'S DREAM 
B:B: RC1.066 ("Aisling Padraig Ua Chruadhlaoich")
H:H: "plaintively"
Z:Z: ABC/arr. BB
C:"original air - John Roche"
L:1/8
M:3/4
K:D
Ad|f3de2-|e3d cA/G/|A3Azd/e/|f3e dc/A/|
G2FG A2-|A3zde|fge3d|c2A3A|
dcAG A>d|cA3G2|GE3 ED|D3 z||
%
AG|F>EDEFG|A3zAB|=c3d B>d|BA3d2|
edcAGE|A3zde|f<g e3d|c2A3A|
dcAG A>d|cA3G2|GE3 ED|D6|]

%%%

X:535223
T:O'SULLIVAN MORE'S MARCH 
B:B: RC2.315
Z:Z: ABC/arr. BB
Q:1/4=140
L:1/8
M:3/4
%R:march
K:A
cB|A2 cBAc|B2e2f2|aecfec|B2B2A2|
"5"e2c2 (3Bcd|c4 Ac|B2A2A2|A4:|
ce|"9"f2e2a2|f2e2a2|f2e2a2|f2e2c2|
"13"e2c2a2|e2c2a2|e2c2a2|e2f2g2|
"17"agfgaf|gfefge|fecfec|B2B2A2|
"21"e2c2 (3Bcd|c4 Ac|B2A2A2|A4:|
ed|"25"cBABcd|edcAce|aecfec|B4A2|
"29"e2c2 (3Bcd|c4 Ac|B2A2A2|A4:|
ce|"33"fefgag|fefgag|fefgag|f2e2c2|
"37"edcagf|edcagf|edca (3agf|e2f2g2|
"41"abc'abg|afgefc|ecaecA|B4A2|
"45"e2c2 (3Bcd|c4 Ac|B2A2A2|A4:|
[M:6/8][Q:1/4=160]
"quicker"cB|"49"AcA Bce|aec B2A|ecB c2A|c>AA A>cB|
"53"AcA Bce|aec B2A|ecB c2B|1 cAA A:|2 cAA Ace||
|:"57"fea fea|fea fec|eca eca|eca efg|
"61"a/g/fa g/f/eg|f/e/cf B2A|ecA c2B|1 cAA Ace:|\
[2 cAA A3|]

%%%

X:535224 
T:OFF TO SKELLIGS QUADRILLE (5 figures)
B:B: RC2.296
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8 
M:6/8
K:D
%%text figure 1: A-B-A-C-A
%%text part 1A fine <d3 d3>
P:"1A"
DED F2A|d2d cBA|B2A Bcd|e2d e2f|
DED F2A|d2d cBA|B2A B2c|d3d2||
P:"1B"
e|f2f fed|B2B BAF|ABA g2f|e3 efg|
f2a fed|B2d BAF|ABA B2c|"_back to 1A"d3 d2||
P:"1C: trio"
F/G/|ABA AFA|d2e f2d|ABA AGF|G3-G2 F/G/|
ABA AFA|d2e f2d|ecA ABc|"_back to 1A"d3 d2z||
%%vskip20
%%text figure 2: A-B-A-C-A
%%text part 2A "fine" < BGG2 >
Q:1/4=120
L:1/8
M:2/4
K:G
P:"2A"
dB BA/G/|ce e2|dB c/B/A/G/|AG E>D|
BA AG/A/|B/A/B/c/ d>e|dg d/e/d/c/|BGG||
P:"2B: 1st and 3rd"
G/A/|Bd ce|dB ce|dg GB/d/|BA AG/A/|
Bd ce|dB ce|dg d/e/d/c/|BGG||
B/d/|gd eg|dB ce|dg GB/d/|BA AB/d/|
gd eg|dB ce|dg d/e/d/c/|"_back to 2A"BGG||
P:"2C: 2nd and 4th"
K:C
G/F/|EG GA/B/|cB cd/e/|fd ec|AG G>F|
EG GA/B/|cB cd/e/|fd ec|AG G||
d|eg ge|dc df|eg ge|ad de|
eg ge|dc/A/ cd/e/|fd ec|"_back to 2A"AG G2||
%%vskip20
%%text figure 3: A-B-A-C-A
%%text part 3A "fine" < A3 A3 >
Q:1/4=160
L:1/8
M:6/8
K:Am
P:"3A"
B|c2A AGE|c2A AGE|GGG cBA|G3 E2G|
A2B c2d|e2a ged|c2A BAG|A3 A2||
P:"3B"
B|c2B c2d|e2f e2d|c2B c2d|e2c A2B|
c2d e2a|g2e d2e|c2A BAG|"_back to 3A"A3 A2||
P:"3C: Trio"
K:G
D|G2A B2A|G2E D2D|E2A A2G|A2E E2F|
G2A B2A|G2E D2B,|D2E G2A|"_back to 3A"B2G G2||
%%
%%text figure 4: A-B-A-C-A
%%text part 4A "fine" < d4 >
Q:1/4=100
L:1/8
M:2/4
K:D
P:"4A"
F2 A>B|A3 (3A/B/c/|d2 f>e|d2 c2|Be/d/ c/B/A/G/|
Fc/B/ A/G/F/E/|DE/D/ C/D/F/A/|d3||"final"d4|]
P:"4B: 1st and 3rd"
L:1/16
fe|d2A2 B2AF|ABde fedB|AFAB dedB|AFDF EdcB|
A2F2 d2BA|FAde fedB|AFdB AFEF|D2D2D2||
DE|F2A2 d2ef|gfge d2-de|fedB AFDF|E2EE EdcB|
A2F2 d2BA|FAde fedB|AFdB AFEF|D2"_back to 4A"D2D2||
P:"4C: 2nd and 4th"
K:A
M:2/4
L:1/8
E|AB c>c|dB c2|cBB A/B/|cB B>c|
AB c>e|d/c/B/A/ c>B|AF FE/F/|AF F>E|
fa e>f|e/d/c/B/ c2|cB BA/B/|cB Bc/e/|
f/e/f/a/ e/^d/e/a/|e/d/c/B/ c>B|AF FE/F/|A"_back to 4A"FFE||
%%vskip20
%%text figure 5: A-B-A-C-A
%%text figure 5A "fine" < a2a2 >
Q:1/4=100
L:1/8
M:2/4
K:A
P:"5A"
A2AE|CE AG|FB BA|GA Bc|
A2AE|CE AG|FB FG|AB/c/ d/e/f/g/||
a2ae|ceag|fbba|gabc'|
a2ae|ceag|fbag|a2a||
P:"5B: 1st and 3rd"
c/B/|AE/A/ cA/c/|ec/e/ ac|eddB|fe c/d/c/B/|
AE/A/ cA/c/|ec/e/ ac|eddB|BAAc|eddB|fe cA/c/|
eddB|fe c/d/c/B/|AE/A/ cA/c/|ec/e/ ac|eddB|B"_back to 5A"AAz||
P:"5C: 2nd and 4th"
c/d/|eaa g/f/|ec cB/c/|df fe/d/|cA A(3B/c/d/|ea ag/f/|
ec cB/c/|dffe|A3 z|AE/A/ ce|dBB>A|GE/G/ Bd|
cA A/d/c/B/|AE/A/ cd|cBB>A|Gff>e|A2"_back to 5A"Az||

%%%

%%%

X:535373
T:OH PLEASANT WERE THE DAYS 
B:B: RC3.014
H:H: "graceful and plaintive"
Z:Z: ABC/arr. BB
L:1/8
M:2/4
K:F
G|Ac c>d|c2 AG|Ad d>e|d3 (3c/d/e/|
f2 ed|e>d (3cAG|A3 g|ag g>a||
f2 ed|ed c>d|A2 fe|ed c>d|
AG Ac|d2 ge|f2 ed|e>d cd|AG FE|F4|]

###

X:535374
T:OLD JUG AND IT FULL  
B:B: RC3.022 ("Mo Ghradh E an Cruisgin agus E Lan")
H:H: "rather slow"
Z:Z: ABC/arr. BB
N:N: Key signature in source is C, which would mean all B's are natural. 
N:Since B flats sound better to me (and since final note of both parts is D), 
N:I have changed the key to D minor.
L:1/8
M:3/4
K:Dm
FG|A2f2 ef|d2 cABc|d3 efd|d>c A2AG|E2D2D2|D4:|
DE|F2G2 AB|c2 dcAG|F2D2 DE|FGA BcA|
d>c A2A2|A3 GFG|A2f2 ef|d2 cABc|
d3 efd|d<c A2AG|E2D2D2|HD6|]

%%%

X:534061
T:OLD SHADY BOHEREEN, The
B:B: RC1.009 ("An Sean Bhoithrin Fothineach or Cahirciveen")
H:H: "rather slow" 
Z:Z: ABC/arr. BB
L:1/8 
M:6/8
K:D
A|d>ed cde|f>ed e<AB|cBA GFG|Ade d2:|
f/g/|a>fa gfe|d>ed cAf/g/|a>fa gfe|dcd f2e|
d>ed cde|f>ed e<AB|c>BA GFG|Ade d2:|

%%%

X:534062 
T:OLD WOMAN LAMENTING HER PURSE, The 
B:B: RC1.078
H:H: "allegretto - with feeling"
Z:Z: ABC/arr. BB
L:1/8
M:6/8
K:G
B|BAA AGA|BGG G2A|BAA ABd|e/f/ge edB|
BAA AGA|BGG G2D|EGG G2B|d2e ed:|
%
B|def g2g|faf g2g|def g2g|f/g/ae fga|
.b.b.b .a.a.a|g>ee edB|BAA ABd|e>fe ed:|

%%%

X:535375 
T:OLD YET NEW QUADRILLE (4 figures) 
B:B: RC3.195
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig 
K:G
%%text figure 1 = A-B-A-C-A
%%text part 1A "fine" < dcA G3 >
P:"1A"
d|dgB dBA|GBA G2E|DGA B2A|Bee edB|
dgB dBA|GBA G2E|DGA B2d|dcA G2||
%
P:"1B"
D|DGA B2A|Bee edB|DGA B2A|Bee edB|
gag gdB|dBA BGE|DGA B2d|dc"_back to 1A"A G2||
%
P:"1C Trio"
B/c/|d2B d2f|e2d B2d|e2f g2f|e3-eze|
d2Be2d|B2A BGE|D2E G2G|G3-"_back to 1A"G2||
%
%
%%text figure 2 = A-B-A-C-A 
%%text part 2A "fine" < FABc d4 >
Q:1/4=120
L:1/16
M:2/4
%R:polka 
K:D
P:"2A"
D2DD DEFG|A3B A2fe|d2B2 A2F2|B2E2 E2FE|
DEFG ABcA|dcde fgaf|gfed cBAG|FABc d2||
P:"2B: 1st & 3rd"
de|f3A A2B2|d3e f2d2|e3d B2A2|d6d2|
g4g2g2|f3a a3f|e3f e2d2|B6B2|
g3a b3g|f3a a3f|e3f e2d2|B4 d3e|
e3A A2B2|d3e f2d2|e4 d3d|"_back to 2A"d6||
P:"2C: 2nd & 4th"
de|f3e d2B2|d3B A2F2|A3B d4|d6 de|
f3e f2g2|a2f2 d2de|f3a g2f2|e6 de|
f3e defg|a2f2 d2de|f4 e2d2|B6 de|
f3e d2B2|d3B A2F2|A3B d2d2|"_back to 2A"d6 z2||
%
%
%%text figure 3 = A-B-A-C-A  
%%text part 3A "fine"  < f2d d3 >
Q:1/4=160
L:1/8
M:6/8
%R:jig
K:D
P:"3A"
B||Sd2e d2B|ABA AFD|FGA A2f|g2e ede|
f2e d2B|ABA AFD|FGA Ade|f2d d2||
P:"3B"
g|fga afa|afa agf|b2e b2e|b2e gfe|
fga afa|aba agf|bab e3|e2"_back to 3A$"f gfe||
P:"3C: Trio"
F/E/|D>ED DFA|B3-B2 c/d/|A>FD DEF|E3-E2F/E/|
D>ED DFA|B3-B2 c/d/|AdF EDE|"_back to 3A$"D3-D2||
%
%
%%text figure 4 = A-B-A-C-A 
%%text part 4A "fine" < d4 > 
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:D
P:"4A"
A|d>B c>A|d>f a>a|ba/g/ fd|e>d BA|
d>B c>A|d>f a>a|ba/g/ f/a/g/e/|d2d||
P:"4B: 1st & 3rd"
F/E/|D>F AA|A/B/A/F/ A2|DF Ad/B/|A/B/A/F/ FE|
DF A>A|A/B/A/F/ AA/B/|d/e/d/B/ A/B/A/F/|EDD z|
fe dd/B/|A/B/A/F/ A2|fe/d/ B/d/e/f/|a/b/a/f/ ed|
fe dd/B/|A/B/A/F/ AA/B/|d/e/d/B/ A/B/A/F/|"_back to 4A"EDD||
P:"4C: 2nd & 4th"
M:6/8
K:G
Q:1/4=160
G2B d2e|c3 d2B|B2A G3|G3-G2B|
d3 e2f|g3 f2d|f2e d3|d3z2B|
d3 e2f|g3 f2d|e2d g2B|A3-AzB|
G2B d2e|c3 d2B|c2B G3|"_back to 4A"G3-G2||
%
%
%%text figure 5 = A-B-A-C-A 
%%text part 5A "fine" < G4 > 
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:G
P:"5A"
G>B d>d|gB c/B/A/B/|GB c/B/A/B/|cA AB|
GB c/B/A/B/|dB c/B/A/B/|g>e dB|cA A>B|
GB d2|e/d/c/B/ d2|GB d2|e/d/c/B/ A2|
GB d2|e/f/g/e/ d/e/d/B/|A/B/c/A/ d/c/B/A/|\
G3||
P:"5B: 1st & 3rd"
M:6/8
Q:1/4=160
D|G2B B2d|c2A A2F|G2B d3|d3z2B|
c3 A3|B3 G2B|c2A G2F|G3z2G|
G2c c2e|e2d d2G|G2c c2e|d3z2G|
G2g g2e|e2d dcB|A2G A2B|d3 B2A|
GED G3|G3z2B|AGE A3|A3z2B/c/|
dcB dcB|gfe dBA|GED G3|G3"_back to 5A"z2D||
P:"5C: 2nd & 4th"
K:D
A|A2d d2e|f2a a2f|g2f e2d|e3-e2e|
f2e d2f|a2d d2e|d2c A3|A3-A2f/g/|
|:a3 b2a|f2g a2f|g3 a2g|e3-e2f/g/|
a2g f2d|e2d B2d|A2Bd3|1 d3-d2f/g/:|\
[2 "_back to 5A"d3-d2||

%%%

X:535229
T:ORANGE AND GREEN QUADRILLE (6 figures)   
B:B: RC2.297a
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8 
M:6/8
K:G
%%text figure 1 = A-B-A-C-A
%%text part 1A "fine" < G3 G3 >
P:"1A"
D|GGG GGG|G2g gfe|d2c B2G|A2G E2F|
GGG GGG|G2g gfe|dgB dcA|G3 G2||
P:"1B"
D|G2B d2g|edB d2g|edB g2B|BAG A2B|
G2B d2g|edB g2a|bge dgb|"_back to 1A"a3 g2||
P:"1C: Trio" 
a|b2g a2f|gfe dcB|g2B c2e|dcB A2B|
G2B B2d|e2f g2a|bge dgb|a3 "_back to 1A"g2||
%
%
%%text figure 2 = A-B-A 
%%text part 2A "fine" <df d2 >
Q:1/4=100
L:1/8 
M:2/4
K:D
P:"2A"
A/G/|F/G/A/B/ Ad|Bd Ad|F/G/A/B/ Ad|fe eA/G/|
F/G/A/B/ Ad|Bd Ad|Be/d/ c/A/B/c/|df d||
P:"2B"
K:G
d/c/|B>c BA/G/|DG Gd/c/|B>c BA/G/|eA Ad/c/|
B>c BA/G/|DG GB/d/|gd ed/c/|BGG B/d/|
gd ed/c/|Bd de/f/|gfed|cB AB/d/|
gd ed/c/|Bd d>g|BB/G/ A/B/c/A/|B"_back to 2A"GG||
%
%
%%text figure 3: A-B-A-C-A 
%%text part 3A "fine" < G3 G3 >
Q:1/4=160
M:6/8
K:G
P:"3A"
G3 G2A|B2e e2e|d2B BAB|d2B BAB|G3 G2A|
B2e e2e|d2B ABA|G3 G2||
P:"3B"
B/d/|g2f e2d|B2e e2e|d2B BAB|
d2B BAB|g2f e2d|B2e e2e|d2B ABA|G3-G"_back to 3A"ED||
P:"3C: TRIO"
K:D
z|A2F A2B|e2d B2d|A2F A2B|d2e d2B|
A2F A2B|e2d B2g|f2A A2B|d3 "_back to 3A"d3||
%
%
%%text figure 4 = A-B-A-C-A 
%%text part 4A "fine" < BG G2 >
Q:1/4=100
L:1/8 
M:2/4
K:G
P:"4A"
E|DG GG|AE EG|DG GB|dB B>d|
e/f/g/f/ e/d/c/B/|c/B/A/G/ AB|DG B/A/G/A/|BG G||
P:"4B: 1st and 3rd"
g|dc BA|BG E>F|GG G/A/B/c/|d>c Bg/f/|
ed/c/ BA|BG E>G|FA DE/F/|G3A|
Bd ef|gd BG/A/|Bd ef|g2fg|
ed c/B/A/G/|AG E>G|FA DE/F/|"_back to 4A"G2G||
P:"4C: 2nd & 4th" 
z|ed B2|d/e/d/c/ B2|BA A/B/A|AG G/F/G|
ed B2|d/e/d/c/ B2|BA A/B/A|GG Gz|
gf/e/ fe|ed d/^c/d|ed dB|AG G/F/G|
gf/e/ fe|ed d/^c/d|ed d/e/d/B/|A"_back to 4A"GG||
%
%
%%text figure 5 = A-B-C-A 
%%text part 5A "fine" < G/A/B/d/ G2 >
Q:1/4=100
L:1/8 
M:2/4
K:G
P:"5A"
B/c/|de/d/ Be/c/|d/B/G/A/ B>c|d/g/f/e/ d/c/B/A/|G/F/G/A/ BB/c/|
de/d/ Be/c/|d/B/G/A/ Bc|d/g/f/e/ d/c/B/A/|G/A/B/d/ g||
P:"5B"
B/d/|ee ff|ee B>d|e>f g/f/g/a/|bb/b/ b/a/g/f/|
ee ff|ee Bg/a/|b/a/g/f/ a/g/f/e/|"_back to 5A"d/g/f/e/ d||
P:"5C"
c|Bd Bd|g/f/g/a/ b2|dd AA|B2 Gd/c/|
Bd Bd|g/f/g/a/ b2|dd AA|B2 G>d|
e2 ed|e2 ed|cc/B/ ce|d/c/B/A/ G>c|
e2 ef|gg fe|d/e/f/g/ a/g/f/g/|"_back to 5A"e2 e||
%
%
%%text figure 6 = A-B-A 
%%text part 6A "fine" < d3 d3 >
Q:1/4=160
L:1/8 
M:6/8
K:D
P:"6A"
f/e/|!segno!d2B BcB|A2A A2A|B2B BAB|g3 f2e|
d2B BcB|A2A A2A|Bcd ecA|d3 d2||
P:"6B"
A|d2e f2g|a2b a2f|d2e f2g|a3 f2a|
b2b a2a|gag f2e|d2B BAB|"_DS part 6A"g3 f2e|| 

%%%

X:535235 
%%titlefont18
T:PAORACH'S FAREWELL TO LONDON (march) 
B:B: RC2.326
Z:Z: ABC/arr. BB
N:N: I have no idea who "Paorach" is. Guessing a politician's nickname but I'm
N:always ready for enlightenment.
C:G.O Kane
Q:1/4=120
L:1/8
M:C
%R:march
K:A
AB|c2c2c2 BA|c2c2c2B2|A2A2a2gf|e2B2B2AB|
"5"c2c2c2 BA|c2e2 f2e2|a2c2 c2BA|B2A2 A2:|
e2|"9"e2fg a3g|a2g2 f2e2|e2fg a2e2|c2A2 B3B|
"13"e2fg a3g|a2g2 f2e2|a2c2 c2BA|B2A2 A2:|
AB|"17"cedB cedB|cedB c2B2|ABcd efed|c2B2B2 AB|
"21"cedB cedB|cedB c2B2|A2a2 gfdB|c2A2A2:|
ef|"25"a2e2a2c2|a2e2c2A2|a2e2a2e2|c2A2B2ef|
"29"a2e2a2c2|a2e2c2A2|d2f2 edcB|c2A2 A2:|

%%%

X:534063
T:PARTING GLASS, The 
B:B: RC1.020
H:H: "moderately slow"
Z:Z: ABC/arr. BB
L:1/4 
M:4/4
K:Am
e/>d/|cAA G/E/|cc/e/ dc/d/|ff/e/ dc/d/|e/d/c/A/ G e/>d/|
cAA G/E/|cc/e/ dc/d/|e/a/ Ha g/e/d/e/|cAA||
e/f/|ggg (3e/f/g/|agg a/g/|ff/e/ dc/d/|e/d/c/A/ G e/d/|
cAA G/E/|cc/e/ dc/d/|e/a/ Ha g/e/d/e/|cAA2||

%%%

X:535380 
T:PATRICK'S DAY (set dance 6/8) 
B:B: RC3.191 
Z:Z: ABC/arr. BB
L:1/8 
M:6/8
%R:jig
K:G
D|G>AG GAB|d>ed dBG|AGA BGD|E>FE E2D|
G>AG GAB|d>ed dBG|BAB GED|E2F G2:|
B|def g2e|f2d e2B|def g2e|fed e2B|
def gag|fed efg|dBG GAB|d>ed dBG|
AGA BGD|E>FE E2D|G>AG GAB|d>ed dBG|
BAB GED|E2F G3|]

%%%

X:535381 
T:PEARL OF THE IRISH NATION, The 
B:B: RC3.029 
H:H: "moderato molto"
Z:Z: ABC/arr. BB
L:1/8
M:4/4
K:Gm
FG|A3G G2FG|A2A2 f3d|c2A2 A3F|B3G F2FG|
A2G2 G2FG|A2A2 f3d|c2A2 F2A2|G4-G2||
dc|d3g g2fg|a3g g2fg|a3f f>dcd|_e3f d2 g/f/d/c/|
A2G2 G2FG|A2A2 f2ag|gfdc A2A2|G8|]

%%%

X:535382 
T:POITIN STILL, An  
B:B: RC3.006
H:H: "spirited"
Z:Z: ABC/arr. BB
N:N: Is Roche's expression "spirited" for this tune evidence of a sense of humor? 
N:Probably not.
L:1/8
M:6/8
K:D
A|ABA A2f|edB BAF|ABA A2f|edB B2e|
faa afa|baf (3f/a/f/ed|faf (3e/f/e/de|fdB BAF|
ABA ABd|fdB AFA|ABA Ade|fdd d2||
%%

X:535383 
T:PRETTY BROWN GIRL, The
B:B: RC3.030 (An Cailin Deas Donn)
H:H: "andante con espress."
Z:Z: ABC/arr. BB
L:1/8
M:3/4
K:D
A/G/FE|D2 FGAB/c/|d2 ed/c/A>G|F2 DFE>D|B,3 A/G/FE|
D2 FGAB/c/|d2 ed/c/A>G|F2 DED>D|D3||F/G/AA|f2 dedc|d2 ed/c/AG|
F2 DFED|B,3 A/G/FE|D2 FGAB/c/|d2 ed/c/A>G|F2 DED>D|D6|]

%%%

X:535384 
T:PRETTY GIRL MILKING HER COW, The 
B:B: RC3.042 (Gaelic = Cailin Deas Cruidte na mBo)
H:H: "andantino"
Z:Z: ABC/arr. BB
L:1/8
M:9/8
K:Em
E/F/|GBG FAF E<D E/F/|GBG FAF E2E/F/|
GBG FdF E<D E/F/|G>FE B,E>F E2||
E/F/|G2 (3A/B/c/ dBG F<D E/F/|G2 (3A/B/c/ dBd He2 g/f/|
e>dB ABG F<D B/A/|G/F/E/D/B,/A,/ B,EF E3|]

%%%

X:534064
T:PRETTY MAID MILKING HER COW, The 
B:B: RC1.040 ("An Cailin Deas Cruidte na mBo")
H:H: "slow"
Z:Z: ABC/arr. BB
N:N: I have omitted the final eight measures of Roche's arrangement.
L:1/8
M:9/8
K:Am
A/B/|cec BdB A<G A/B/|cec BdB A2 A/B/|cec BgB A<G e/d/|
cB>A G<ED EAB|A6 z2:|A/B/|cd/e/^f geg a<A A/B/|
c/B/c/d/e/d/ eab a2 b/a/|gee dgB A<G A/B/|
cB/A/G EAB A2:|

%%%

X:534065
T:PRETTY RED HAIRED GIRL (1), The 
B:B: RC1.044 ("An Cailin Deas Ruadh - The Red Haired Man's Wife"[?])
H:H: "moderately slow and with feeling"
Z:Z: ABC/arr. BB
N:N: These are the first 16 measures before the variations.
L:1/8
M:3/4
K:Dm
FG|A2A2 AB|G4 AG|FEFA GE|E2DD D2-|
D3zDE|FG/D/ FG A=B|c2 d/c/A/G/ (3Add|d4 DE|
FG/D/ FG A=B|c2 d/c/A/G/ (3Ade|Hf2 gfef|de fe dc|
A4 (3f/d/A (3d/A/E|FE FA GE|E2DD D2-|D6|]

%%%

X:534066
T:PRETTY RED HAIRED GIRL (2), The
B:B: RC1.045 ("An Cailin Deas Ruadh")
H:H: "allegretto" 
Z:Z: ABC/arr. BB
N:N: This setting, not #1, is closer to "Red Haired Man's Wife".
L:1/8
M:3/4
K:D
FG|A2A2A2|G3zAG|F3zG2|E2D2D2|
D6-|D3zD2|F2E2D2|F2G2 AB|
=c2A2G2|A2d2c2|d6-|d3zd2|
F4D2|F3G AB|=c2A2G2|A2d2e2|
Hf4 ed|d4cA|G4 AG|F4G2|E2D2D2|D6|]

%%%

X:535385
T:PULL DOWN THE BLIND (measures 1-16)
B:B: RC3.153
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8 
M:3/4
%R:waltz
K:D
F2|D2F3G|A4B2|A2d3e|f4a2|
a2g3f|e4f2|e2d2B2|A2G2E2|
D2F3G|A4B2|A2d3e|f4a2|
a2g3d|e2B2c2|d2f2e2|d4:|

%%%

X:534067 
T:RED HAIRED MAN'S WIFE (1), The
B:B: RC1.031 ("Bean an Fhir Ruadh" - "Caves of Cong")
H:H: "smoothly"
Z:Z: ABC/arr. BB
L:1/8
M:3/4
K:D
(3ABc|d>e fg ec|d4 ec|A4 GF|G2 A2 Bc|
d4 (3ABc|d>e fg ec|d4 ec|A3 GFG|E2 D2 D2|D4||
d>B|=c>BAG EF|D2 =c2 BA|G3 AGF|G2 A2 Bc|
d4 (3ABc|d>e fg ec|d4 ec|d2 (3edc (3dcB|
A2-ABGE|E2 D2 CE|D6|]

%%%

X:535386 
T:RED HAIRED MAN'S WIFE (2), The
B:B: RC3.024 ("Bean an Fhir Ruadh")
H:H: "rather slow"
Z:Z: ABC/arr. BB
N:N: This appears to be another attempt by Roche (or Darley) to notate what 
N:trad musicians would refer to as a "slow air". Unfortunately what looks
N:good on paper doesn't necessarily mean it sounds good. 
L:1/8
M:3/4
K:Dm
fe|de/d/ c2A2|cd/c/ A2G2|FA3 G/E/D|E2D2D2|D4:|DE|FG/F/E/D/ FGA/B/|
c>A d3c|A4G2|A2d2e<d|d4 DE|FG/F/E/D/ FGA/B/|c>A d3c|A4G2|A2d2 de|
Hf2 g/f/e/c/|de/d/ c2A2|cd/c/ A2G2|FA3 G/E/D|E2D2D2|HD6|]

%%%

X:534068
%%titlefont18
T:REMEMBER THE GLORIES OF BRIAN THE BRAVE 
B:B: RC1.051
H:H: "rather slow and stately"
Z:Z: ABC/arr. BB
L:1/8
M:4/4
K:Am
ed|c2Bc A2 A/B/c|dcA>GG2 cd|edce dcA>G|A6 c/d/e|
f2gf e2fe|dcd>e g2a>f|ged>e dcA>^G|A6||
de/f/|g>ega g2c/d/e|ged>e g3g|a>gab aged|a2aba2ag|
f2gf e2fe|dcde/g/ a2b>a|age>d ed/c/A^G|A8|]

%%%

X:535387
T:RINNCE MÓR, An
T:The Big Dance  
B:B: RC3.135
Z:Z: ABC/arr. BB
N:N: If I understand Roche's playing instructions correctly, they are as follows:
N: 1: play tune through
N: 2: at end of tune, repeat from part B (m.41) to fermata (m.48) 
N: 3: return to part A and repeat from "segno" (beginning of part A) to "fine" 
N: 4: regret that you got involved in the first place
N:(m.40) 
L:1/8
M:6/8
K:A
d|ScdB A2E|F2E A2d|cdB A2B|cee fed|
"5"cdB A2E|F2E A2B|c2d B2c|A2B cBA||
"9"c3 cdB|c2e efg|a2f g2e|f2c ecB|
"13"c3 cdB|c2e efg|a2f b2a|gaf e2d||
"17"cdB A2E|F2E A2d|cdB A2B|cee fed|
"21"cdB A2E|F2E A2B|c2d B2c|A2B cAF||
"25"EAA cBA|ecA cBA|EAA cBA|cBB B2c|
"29"EAA cBA|ecA cBA|EFA Bcd|cAA A2||
g|"33"aga fec|f2e cBA|EAA cBA|cBB B2g|
"37"aga fec|f2e cBA|EFA Bcd|cAA A2|\
"^fine"cAA A3||
K:D 
P:B (coda)
A|"41"FED AGF|BAA A3|dcB edc|dAF D2A|
"45"fed agf|BAA A3|dcB edc|d3 Hd2||
A|"49"def efg|fed cde|dcB Bcd|BAF EFA|
"53"Bdd Add|Fdd Edd|Ddd edc|dAF D2||

%%%

X:534069
T:RIVER ROE
T:Patrick Sheehan
B:B: RC1.079
H:H: "moderato"
Z:Z: ABC/arr. BB
L:1/8
M:6/8
K:G
GA|B2B G2E|A2G E2G|D2E G2G|G3-G2A|
B2A B2d|e2f d2B|G2G A2G|E4 zc|
B2A B2d|e2f d2B|G2G A2G|E3 EGA|
B2B G2E|A2G E2G|D2E G2G|G6|]

%%%

X:533093 
T:ROCHE'S JOHNNY COPE (march)  
B:B: RC3.202 (as "Jonny")
N:N: To me this tune bears only a passing resemblance to the better-known 
N:tune of the same name (e.g. Planxty version), so I have re-named it.
Z:Z: ABC/arr. BB
Q:1/4=80
L:1/8 
M:2/4
%R:march
K:Am
B|EA A/B/c/d/|eA BA/G/|EG G/A/B/c/|dG BA/G/|
EA A/G/A/B/|c/B/c/d/ ed/c/|Bg e/d/c/B/|cAA:|
d|ea ea|ea g/f/e/d/|Bg Bg|Bg g/f/e/d/|
ea a^f|ge d/e/d/c/|Bg e/d/c/B/|cAA:|

%%%

X:534070 
T:ROISIN DUBH 
T:Dark Rosaleen 
B:B: RC1.065 
H:H: "slow"
Z:Z: ABC/arr. BB
N:N: This is not the usual melody heard today for this tune.
L:1/8
M:3/4
K:C
D/E/G/A/B/|c2A2 fe|dcAG ED|DE FE DC|D4 cd/e/|
fg fe d//e//d/c/d/|ed f/e/d/c/ Ac|d>e f/d/e/c/ d/c//A//B/c/|A4||
%
A/c/d/e/|f>g fe d//e//c/d/e/|f>d e>d d/c/A/G/|A/c/A/G/ E>D D2-|
D4 D//E//G/A/B/|c2A2 f>e|dc AG ED|DF E>D CD/E/|D6|]

%%%

X:535388
T:ROSE WALTZ (measures 1-16), The
B:B: RC3.144
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:3/4
%R:waltz
K:D
A2|F2A3f|d4 (3ded|c2 b3a|g4A2|
"5"A2B2c2|d2e2f2|g2c'3b|b4a2|
"9"F2A3f|d4 (3ded|c2 b3a|g4e2|
"13"bagfed|cBAGFE|FGABce|d6|]

%%%

X:534071
T:SAVOURNEEN DHEELISH 
B:B: RC1.047 ("Sa Mhuirnin Dilis")
H:H: "andantino"
Z:Z: ABC/arr. BB
N:N: Classical elements surgically removed.
L:1/8
M:4/4
K:D
(3A/B/c/|d2de dcc>d|B>ABc BAF>B|A>GFE D>EFA|B2c2d3 (3A/B/c/|
d2f>e dcc>d|B4 A>GFB|A4 D>EFA|B2c2 d3||
(3A/B/c/|d2d>e f2f>f|g2fe fdB>c|d2f>e dcc>d|B>AB=c BAF>A|
a>gfe dcc>d|B4 AGF>B|A4 D>EFA|B2c2 Hd4|]

%%%

X:534072
T:SEAN O DUIBHIR AN GHLEANNA
T:John Dwyer of the Glen
B:B: RC1.069
N:N: Yet another version of this tune!
H:H: "moderato"
Z:Z: ABC/arr. BB
L:1/8
M:3/4
K:Am
d/c/A/G/|A>GAc d/c/A/G/|A>GAcde|f>efgag|f>d c/A/G/c/ A2|
f>e fg/a/ _b/a/g/f/|e>d e/f/g/e/ a/g/f/e/|d>cdefe|de/d/ c/A/G/c/ A2|
f>e fg/a/ _b/a/g/f/|e>d e/f/g/e/ a/g/f/e/|de/d/ c/A/G/E/ G/A/c/d/|\
c>A GAce|
d>cdec>d|e<g d>e dc/A/|G2A2A2|A4||
%
c/d/e/g/|a2aa a/b/c'|g2g^f g/b/a/g/|f>e fgag|f>d c/A/G/c/ A2|
D2a2 ~A2|G2g2 g/a/b/g/|f>efgag|f>d c/A/G/c/ A2|
f>e fg/a/ _b/a/g/f/|e>d e/f/g/e/ a/g/f/e/|de/d/ c/A/G/E/ G/A/c/d/|\
c>A GAce|
d>cdecd|Hga/g/ f/e/d/c/ e/d/c/A/|G2A2A2|HA6|]

%%%

X:535389
%%historyfont15
T:SEAN O DWYER OF THE GLEN (set dance 4/4) 
B:B: RC3.190 ("Sean O Duibhir an Gleanna")
Z:Z: ABC/arr. BB
N:N: Another weird-sounding tune (which resembles no other tune of the same 
N:name, even the one in Roche volume 1). Note 6m/12m structure.
N:N: The A modal key is my idea. Source has Am. Neither one sounds particularly 
N:good.
L:1/8 % Source has dotted rhythm in first part.
M:4/4
K:Amix
A/c/d/e/|fefg abag|fgfe dcde|fAAB cBAB|
cded cBce|dc/A/GE DEGB|A2A2A2:|
AB|"7"cBAB cdef|g2eg a2ag|abag e2de|fefg abag|
"11"fgfe dedc|A2A2 A2A/c/d/e/|fefg abag|fgfe dedc|
"15"ABAG A2AB|cded cBce|dc/A/GE DEG>B|A2A2A2:|

%%%

X:535390
T:SHE IS FAR FROM THE LAND  
T:Open the Door Softly
B:B: RC3.023 ("Oscail an Dorus go Ciuin O")
H:H: "andante con espress."
Z:Z: ABC/arr. BB
L:1/8
M:3/8
K:D
A,/B,/|DDF|A2A|A>BA/F/|A2B|\
"5"AFA|ABc|d3|FzF|
"9"dcd|edB|BAF|A2B|\
"13"AFD|DBA/F/|E3|Dz (3A/B/c/|
"17"dcd|edB|BAF|A2B|\
"21"AFD/E/|F<BA/F/|E3|HD3|]

%%%

X:535391 
T:SIEGE OF ENNIS, The
B:B: RC3.139
Z:Z: ABC/arr. BB
N:N: Tune structure: A-B1-B2-C-A
N:N: Part A "fine" < G2G2 >
H:H: The Irish "Lakes of Sligo" (in D) and Scots "Banks of Inverness"
(in G) are two-part versions of this (i.e. excluding mm 25-48).
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:G
P:"A" 
%%text 
SD>EDB,|D>EGA|Bd AB/A/|GE EG/E/|
D>EDB,|D>EGA|Bd A>B|1 G/D/G/A/ B/d/g/e/:|\
[2 G2 Gz||
P:"B1"
BddB|ceec|Bd AB/A/|GEED|
Bdd>B|cee>f|gefd|1 e/g/f/e/ d/e/d/c/:|2 e3 e/f/||
P:"B2"
gefd|e/f/e/d/ BA|Bd AB/A/|GE EG/E/|
D>EDB,|D>EGA|Bd AB|G2G||
P:"C"
A|BdBd|Bdd2|edBd|edd2|
BdBd|Bdd2|ed B>A|AG GD|
GB d2|ed c2|dBGB|BAA>D|
GB d2|ed c2|dB GE|E>D DA|
BdBd|Bdd2|edBd|edd2|
BdBd|Bdd2|edB>A|AG"_back to A$"GE||

%%%

X:535392
T:SLAINTE NA nGAODHAL  
B:B: RC3.040 (Gaelic = "Health to the Gaels" [I think])
H:H: "march - moderato"
Z:Z: ABC/arr. BB
N:N: This is a march setting of "Loch Lomond". 
L:1/8
M:C
K:G
D2|G2G>A B2AG|A2A>G E2 zD|G2G>G G2Bd|e4 d2 zd|
e2 e>d B3d|cBAG E3D|GGBd e2dB|A4 G2||
D2|G2G>A B2BA|G2G>E D3D|G2G>G G2Bd|e4 d2 zd|
e2ed B2Bd|cBAG E3D|G>GBd e2dB|A4 G4|]

%%%

X:535393
T:SLIABH FEIDHLIM  
B:B: RC3.027
H:H: "rather slow with feeling"
Z:Z: ABC/arr. BB
N:N: "Sliabh" = mountain; "Feidhlim" = proper name
N:N: Another attempt to reduce a slow air into notation.
Q:1/4=60
L:1/8
M:3/4
K:Gm
GB|cc BG GB|cd/c/ BG G>F|G2-G/B/c/d/ ed/c/|d>c c3B/c/|
dd cB/c/ d>c|BG/B/ (3cBG GF|G2-G/B/c/d/ ed/c/|d>c Hc3||
c|cBcde>d|e<d d/c/B/c/ dc|BG BG B>G|G4 g>f|
ed/c/ d/c/B/G/ GF|G2-G/B/c/d/ ed/c/|BG G/B/d/c/ B>G|HG6|]

%%%

X:535394
T:SLIABH GALLEN  
B:B: RC3.057
H:H: "andante maestoso con espress."
Z:Z: ABC/arr. BB
N:N: Evidently the Roches and Darley never learned that you can't successfully 
N:reduce a slow air into notation (regardless of how much "Italian dressing" 
N:you put on top of it!)
Q:1/4=80
L:1/8
M:3/4
K:Gm
D>F|G2 (3GAB A>B|G4 G/A/B|F<D C>B, G,2|B,2 D/C/B,/C/ Dz|
"5"Bcde (3c/d/c/ (3d/c/B/|ABcd BA|GABc A>B|G2 G>A Gz||
"9"Bcde dc/B/|ABcd cB/A/|GABc A>G|G>FD2-D/F/G/A/|
"13"BAGFFD|CB,/A,/ B,/C/D G,/A,/B,/C/|D<G F<A G<B|A>G G3A|
"17"B2 z2 e/c/d/B/|AA z2 d/B/c/A/|GG z2 c/A/B/G/|A>F D2-D (3F/G/A/|
"21"BAG FDC|CB,/A,/ B,/C/D G,/A,/B,/C/|DG G<A A<B|A>G HG4|]

%%%

X:535395 
T:SLIABH NA mBAN  
B:B: RC3.054 (Gaelic = Mountain of the Women)
H:H: "andantino"
Z:Z: ABC/arr. BB
N:N: 1: The song version of this (title spelled "Slievenamon") is in 3/4 time. 
N:N: 2: I have changed the beginning of measure 13 from Roche's <E2DG> 
N:to <G2DG>. 
N:N: 3: Roche includes a "classical" variation which I have omitted.
L:1/8
M:C
K:G
Bc|d2ed G2DG|B2cd E2AG|F2DE F<B A2|G6:|
G2|A2AB c3c|B2GA B3B|^c2AB c<fe2|Hd3 d ed^cd|
G2DG B2cd|E2AG F2DE|F<B A2 G4-|G4z2||

%%%

X:5355396 
T:SLIGO AIR, The 
B:B: RC3.001
Z:Z: ABC/arr. BB
Q:1/4=80
L:1/8
M:3/4
%R:waltz
K:G
dA|B3 AG/B/E|E2D2 (3DEG|A2 AB/c/ BG|B2A2 dA|
B3 AG/B/E|E2D2 (3DEG|de/c/ B2 (3cAF|G4||
GE|D2E2 G/A/B/c/|d3 edc|BA GG/A/ BG|HA4 d/A|
B3 AG/B/E|E2D2 (3DEG|de/c/ B2 (3cAF|1 G4:|2 HG6||

%%%

X:535397 
T:SOFT DEAL BOARD, The
B:B: RC3.033 ("Clar Bog Deil")
H:H: "maestoso appassionata" % !!
Z:Z: ABC/arr. BB
N:N: Another sean-nós piece victimized by notation attempts (and classical 
N:expressions, and an unfamiliar key signature, and . . . ).
L:1/8
M:3/4
K:F#m
f>e|d>cB>A Fd/c/|c>AB>G FBB,|E2 F>G F2-|Fz A>G F>E|
CB, CB,/C/ EF|B>c d(3B/c/A/ BF|B>c d>c B>d|c2||A>G F>E|
CB, CB,/C/ EF|B>c d(3B/c/A/ BF|B>c d>c B>d|c2 (3E/B/e/ fe|
ec d/c/B/A/ Fd/B/|c>A B>G FBB,|E2 F>G F2-|F6|]

%%%

X:535236
T:SPIRIT OF IRELAND (march), The 
B:B: RC2.329
Z:Z: ABC/arr. BB
N:N: Source has dotted rhythm throughout.
Q:1/4=130
L:1/8
M:C
%R:march
K:D
a>f|d2dd d2cd|edef d2ag|fagf egfe|dcec A2F2|
G2GG e2e2|F2FF d3d|cdef edcB|1 A2AB A2:|2 A2AB AGFE||
D2A,2 F2A,2|GFGA G2FE|FAdc BAGF|EDEF EGFE|
D2d2 F2f2|A2a2 a2gf|1 edef edcB|A2AB AGFE:|
%%stretchlast 0
[2 edef dcBc|d2de Hd4|]

%%%

X:534073
T:SUANTREE (Lullaby) 
B:B: RC1.005
H:H: "slow"
L:1/8
M:3/4
K:G
dB|B2 B2 dB|c2 c2 dc|B2 B2 G>B|A2 G2 dc|
"5"B2 B2 G2|A2 d2 cA|A2 G2 G2|G4:|
de|"9"=f2 f2 ed|e2 e2 dB|d2 g2 B2|A2 G2 de|
"13"=f2 f2 ed|e2 e2 dB|d2 g2 ag|Hg4 dc|
"17"B2 B2 dB|c2 c2 dc|B2 B2 G>B|A2 G2 dc|
B2 B2 G2|A2 d2 cA|A2 G2 G2|G4:|

%%%

X:535237
T:SUISHEEN BAWN (set dance 2/4), The 
T:Súisín Bán/White Blanket
B:B: RC2.273
H:H: "set dance"
Z:Z: ABC/arr. BB
Q:1/4=70
L:1/16
M:2/4
%R:hornpipe 
K:G
%swing .25
(3G/A/B/|c2E2 E2DE|G2AB c3A|BAGE D2D2|EAAB A2dc|\
BAGE D3E|G2G2 G3:|
B/d/|e2ef e2d2|gedB c3A|BAGE D2D2|EAAB A2dc|BAGE D3E|\
G2G2 GABd|
e2ef e2d2|gedB c3A|BAGE D2D2|EAAB A2dc|BAGE D3E|G2G2 G3:|

%%%

X:535398
%%titlefont18 
T:SUMMER FLOWER SCHOTTISCHE (measures 1-8), The
B:B: RC3.143
Z:Z: ABC/arr. BB
N:N: Cut time throughout in source.
Q:1/4=140
L:1/8
M:4/4
%R:hornpipe
K:G
%swing .25
Bc|d2gf agdB|A2e^d e4|A2fe dcBA|GFGA B2Bc|
d2gf agdB|A2e^d e4|A2fe dcBA|G2g2g4||

%%%

X:534074
T:SWEET LITTLE CUCKOO, The
B:B: RC1.063 ("An Chúicín Binn")
H:H: "sprightly"
M:4/4
K:D
A2|dcde d2FG|AFEF A2 AB/c/|dcBA F2E2|F2Bc B2:|
B2|Bcde f2f2|gfdf e2 AB/c/|dcde dcBA|AFEF A2 AB/c/|
dcde d2FG|AFEF A2 AB/c/|dcBA F2E2|F2Bc HB4|]

%%%

X:535399
T:THAT OLD VIOLIN TUNE (measures 1-16)
B:B: RC3.157
Z:Z: ABC/arr. BB
L:1/8 
M:3/4
K:D
AA|A2d3e|f4AA|A2d3e|f4ff|
f2a3g|e4ee|d2g3f|d4AA|
A2d3e|f4AA|A2d3e|f4ff|
f2a2g2|e2g2f2|d2 Adfe|d4:|

%%%

X:535400 
T:THEY ARE GONE  
B:B: RC3.066
H:H: "go mall bronach [= slow and sorrowful]"
Z:Z: ABC/arr. BB
L:1/8
M:4/4
K:G
d>B|cBGF G2 (3def|gfdc d2 (3def|gfdB c2Ac|BGFD G2:|
d2|g3a b2af|gfdB cBGA|Bcde =f2ef|d6 (3def|
gfdc d2Bd|cBGE =F2BA|A3G F2D2|G8|]

%%%

%%%

X:535403 
T:THOSE HAPPY DAYS QUADRILLE (5 figures) 
B:B: RC3.194
Z:Z: ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
%R:jig 
K:G
%%text figure 1 = A-B-C-A
%%TEXT part 1A "fine" <G3 G3>
P:"1A"
B|SBAB cBc|dba g2D|GFG AGA|BcB A2A|
BAB cBc|dba g2d|BGB cAF|G3-G2||
%
P:"1B"
d|dcA- ABc|edB G2d|dcA- ABc|e2d efg|
AB cBc|dba g2d|BGB cAF|G3-G2||
%
K:D
P:"1C Trio"
f|a2a A2A|d2e f2f|e2e d2d|d3-d2e/f/|
g2f e2c|d2c A2G|F2A d2d|d3"_back to 1A$"-d2=c||
%
%%text figure 2 =  A-B1-B2-A-C-A
%%text part 2A "fine" < cBcA G4 >
Q:1/4=60
L:1/16
M:2/4  
K:G
P:"2A"
D2|G3A cBAG|A3B dcBA|B2Bc edcB|A2G2 E2D2|
G2Bd e2d2|g3a g2fe|edge dedB|cBcA G2||
%
P:"2B1 - 1st and 3rd"
BA|G3E D2EG|A2A2 Bdge|d3c BAGA|B2E2 E2BA|
GEDE G2GA|B2d2 efge|d2B2 A2GA|B2G2 G2Bc||
%
P:"2B2"
d3c BAGA|d2B2 egfa|g2e2 d2B2|A2E2 EcBA|
G3E D2EG|A2A2 Bdge|d3c BAGA|B2"_back to 2A"G2 G2||
%
P:"2C - 2nd and 4th"
GE|DEGA BAGA|Bdef g3e|dBAB G2AB|cBAG E2GE|
DEGA BAGA|Bdef g3e|dBAG AcBA|G2G2G2 GA|
Bdef g3a|bage d3e|dBAG A2GA|cBAG E2GE|
DEGA BAGA|Bdef g3e|dBAG AcBA|G2"_back to 2A"G2G2||
%
%
%%text figure 3 = A-B-C-A
%%text part 3A "fine" < G3-G3 >
Q:1/4=160
L:1/8
M:6/8 
K:G
P:"3A"
B|SBAB cBc|dba g2D|GFG AGA|BcB A2A|
BAB cBc|dba g2d|BGB cAF|G3-G2||
P:"3B"
d|dcA- ABc|edB G2d|dcA- ABc|e2d efg|
AB cBc|dba g2d|BGB cAF|G3-G2||
%
K:D
P:"3C Trio"
f|a2a A2A|d2e f2f|e2e d2d|d3-d2e/f/|
g2f e2c|d2c A2G|F2A d2d|"_back to 3A$"d3-d2=c||
%
%
%%text figure 4 =  A-B1-B2-A-C-A
%%text part 4A "fine" <d4 d4>
Q:1/4=80
L:1/16
M:2/4
K:D
P:"4A"
A2|d2dd d2cB|A2G2 F2A2|E2A2 A2A2|FABA GFED|
d2dd d2cB|ABGA F2G2|A2d2 fedc|d4d2||
%
P:"4B1 - 1st & 3rd"
AF|D2FG A2Bc|defd e2dB|A2AB FAde|f2e2e2 AF|
D2FG A2Bc|defd e2dB|A2AB AFDF|E2D2D2||
%
P:"4B2"
AF|ABde f2ef|gefd e2de|f2e2 dBAF|F2E2 E2AF|
D2FG A2Bc|defd e2dB|A2AB AFDF|"_back to 4A"E2D2D3||
%
M:C
L:1/8
%%text source has dotted rhythm throughout this part
P:"4C - 2nd & 4th"
B|Addd dcBA|BcdB A2fg|afge fdcd|ecdB A2fg|
afge fdcd|ecdB A3G|FGAd dcde|fdec d2||
de|fdBB B2cd|ecAA A2AG|FGAc dcde|f2ed e2de|
fdBB B2cd|ecAA A2AG|FGAc dcde|"_back to 4A"fdec d3||
%
%
%%text figure 5 = A-B-A-C-A  
%%text part 5A "fine" < EDD2 >
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:D
P:"5A"
A>F FE/D/|F>E F>d|A>F FE/D/|E>D EF|
A>F ED|d>e fe|d/c/B/A/ dF|E>D EF||
AB/c/ df|e>d ef|AB/c/ dF|E>D EF|
AB/c/ df|e/d/g/f/ ed/e/|f>e dF|EDE||
%
M:6/8
Q:1/4=160
P:"5B - 1st & 3rd"
A/G/|F2A d2f|e2c A2G|F2A d2d|d3 z2g|
f2e f2g|a2f d2f|e2d c2B|A3z2 g|
f2e f2g|a2f d2f|e2c A2F|G3z2A|
B3 Bcd|e2c A2G|F2A d3|d3-d2g|
f2e f2g|a2f d2f|e2c A2F|G3z2A|
B3 g2f|e2c A2G|F2A d3|"_back to 5A"d3-d3||
%
P:"5C - 2nd & 4th"
A2A F2A|d2e fgf|e2A A2F|G3-G2 F/G/|
A2A F2A|d2e fgf|e2A A2c|d3-d2 a/g/|
f3 fef|g2e ede|f2d A2F|G3-G2a|
f3 f2A|d2e fgf|e2A A2c|d3-d2 a/g/|
f3 fef|g2e ede|fdB AGF|G3-G2F/G/|
ABA AFA|d2e fgf|ecA ABc|"_back to 5A"d3-d3||

%%%

X:535406 
T:THREE CAPTAINS, The 
B:B: RC3.189
H:H: "set dance"
Z:Z: ABC/arr. BB
N:N: 1: "from O'Neill slightly altered" 
Q:1/4=100
L:1/8 
N:N: 2: Source has dotted rhythm throughout. I removed most of it.
M:4/4
%R:hornpipe
K:G
D|GGB/G/B cAFA|GGB/G/B dBGB|ce/c/A2 Bd/B/G2|
ABcB AB/G/ FE/D/|GGB/G/B cAFA|GGB/G/B dBGB|
ce/c/Ac Bd/B/GB|Ac/A/ DE/F/ G3||:"^B"d|ggdc B/c/d d/e/f|
ggd/B/d e/c/A A>f|gab/g/e fga/f/d|e>fg/f/e fdg/d/B|
"13"c>d e/c/A B>c d/B/G|A>BcB AGF/E/D|GGB/G/B cAFA|
GGB/G/B dBGB|ce/c/A>c Bd/B/G>B|A/c/A D/E/F G3:|

%%%

X:534075
T:TRIP to the LAND OF YOUTH 
B:B: RC1.035 ("Turus go Tir na n-Og")
H:H: "andante"
L:1/8
M:4/4
K:C
GF|E3D E2F2|G3F G2AB|c3B c2d2|He3 f/e/ d3e|
"5"g3f d2B2|c3B G3E|F2F2 z2 GF|E3D E2F2||
"9"G3F G2AB|c3B c2d2|e2e2 d2e2|Hg3f d2B2|c3B G3G|G6||
g2|"15"g4 g2e2|f3f g3f|e3e c2d2|e3f/e/ d3e|
"19"g3f d2B2|c3B G3E|F2F2 z2 GF|E3D E2F2|
"23"G3F G2AB|c3B c2d2|e3f/e/ d3e|Hg3f d2B2|c3B G3G|G8|]

%%%

X:535407
T:TURKEYS IN THE STRAW, The   
B:B: RC3.215
H:H: "allegretto" 
Z:Z: ABC/arr. BB
H:H: source key = D
N:N: I'm not sure how this wound up in the Miscellaneous section, since it's
N:obviously a pretty respectable reel or hornpipe!
L:1/8 
M:4/4
K:G 
%swing .25 
BA|GE2F EDB,C|DEDB, DEGA|BABc dBGA|BA2G AcBA|
GE2F EDB,C|DEDB, DEGA|Bd2e dBGA|BGAF G2||
GA|Bd2e dBGA|Bdde dcBA|Bdef gfed|edef g2ef|
gfge dged|BdAG E2GA|BdAG EDB,C|DG2A G4|]

%%%

X:535408 
T:ULSTER AIR  
B:B: RC3.008
H:H: "andante" 
Z:Z: ABC/arr. BB
L:1/8
M:2/4
K:G
G/A/|d3g|c3d|(3BBB G>c|E3D|E3F|G3G|G4-|G3||
G|B3c|de2 f|g2 e>f|d3e|f3A|B3c|d4-|d3 B/c/|
d=f2 c|d2 B>B|(3c2B2G2|E3D|E3F|G3G|G4-|G3|]

%%%

X:535409
%%historyfont15 
T:ULUACHAN DUBH O  
B:B: RC3.070
H:H: "rather slow & plaintive"
Z:Z: ABC/arr. BB
N:N: This is the same tune as "Fair Hills of Eire/Erin". I think the correct spelling 
N:of the Gaelic name is 'Uilleachán' but I can't find the word (= bird name?) in 
N:any of the online dictionaries!
L:1/8
M:4/4
K:C
G2|c3d cBAG|G2Bd e2ge|d<BA<G E>DE>G|G4z2B2|
c3d cBAG|G2Bd e2ge|d<BA<G E>DE>G|G4 z2 ze||
f3g fedc|d2eg g2ze|f3g fege|dBAG HEG/A/ B/c/d/e/|
f3g feg2|G2 Bd e2ge|d<BA<G E>DE>G|G4z4|]

%%%

X:535410 
T:VERSEVIANNA, The
T:Father Halpin's Top Coat
T:measures 1-8
B:B: RC3.150
Z:Z: ABC/arr. BB
N:N: Neither this nor "Father Halpin's" in Roche 2 are exactly the same as the 
N:"Versevianna" (or "Verse of Vienna" - ?) played today. (I think the correct name 
N:is "Warsowianna" after the Polish city, with Polish "W" pronounced "V").
Q:1/4=120
L:1/8 
M:3/4
%R:waltz
K:G
B>c|B2D2 B>c|B2D2 B>c|d2e2d2|A4 A>B|
A2D2 A>B|A2D2 A>B|c2e2d2|G4:|

%%%

X:535411
T:VOLUNTEERS' SONG, The   
B:B: RC3.217 ("Amhran na n-Oglach")
H:H: "tempo di marcia"
Z:Z: ABC/arr. BB
N:N: 1: Fittingly perhaps, the last tune in the book is Roche's arrangement of 
N:"Amhrán na bhFiann" ("Soldiers' Song"), the national anthem of Ireland. 
N:N: 2: I think Roche's name is the original. The Wikipedia article on "Amhran 
N:na bhFiann" provides a lot of amusing insight into the Irish way of thinking 
N:(God bless it). (https://en.wikipedia.org/wiki/Amhrán_na_bhFiann)
Q:1/4=120
L:1/8
M:4/4
%R:march
K:D
P:Intro
DA/d/ fd/f/ afd2|AA/A/ AF D/F/A/D/ f2|DA/d/ fd/f/ afd2|d3A FAdf|
"5"ag/f/ e/d/c/B/ A/G/E/F/ A/B/c/e/|dzdz d2z||
P:Verse
A|F2DF A3A|Bcde f3e|d2B2 A2F2|A3G E2zA|
"5"F2DF A3A|Bcde f3d|c3c B3B|A2A2 z2A2|
"9"G3G GEFG|A3B A2d2|c3B c2B2|A2G2 E2A2|
"13"F2DF A3A|Bcde Hf2dB|Ad2F E3D|D6 z2|
P:Chorus
"17"d3e f2d2|A6A2|B3F F2B2|A4 A4|
"21"d4 c4|B6 cd|e3f e3B|c6 z2|
"25"d3e f2d2|A6 A2|B3F F2B2|A4 A3A|
"29"c4 c3c|c2c2 B3A|A6 A2|G3G GEFG|
"33"A3B Azd2|c3B c2B2|A2G2 EzA2|F2DF A3A|
"37"Bcde f2dB|Ad2f e3d|d6 za/b/|
[1 a/b/a/b/ ag/f/ e/d/c/B/ A/B/c/e/dzdz d2z:|\
[2 d8|]

%%%

X:535412 
T:WALLS OF LIMERICK  
B:B: RC3.137
Z:Z: ABC/arr. BB
N:N: First part of this tune (mm 1-16) is a version of "London Lasses", usually 
N:considered a reel.
L:1/8
M:2/4
K:D
D>F A/D/F/A/|B/e/e B/d/d|D>F A/D/F/A/|B/d/A/F/ F/E/E/F/|
"5"D>F A/D/F/A/|B/e/e B/d/d/e/|f/d/e/d/ BA/F/|B/d/A/F/ EE||
"9"d>A B/A/F/A/|A/D/F/D/ F/A/A/B/|d>A B/A/F/A/|B/d/A/F/ F/E/E|
"13"d>A B/A/F/A/|B/A/F/A/ dd/e/|f/d/e/d/ BA/F/|B/d/A/F/ E||
K:A
c/B/|"17"AE/A/ cA/c/|ec/e/ a>c|ed dB|fe c/d/c/B/|
"21"AE/A/ cA/c/|ec/e/ a>c|ed dB|BA Ac|
"25"ed dB|fe cA/c/|ed dB|fe c/d/c/B/|
"29"AE/A/ cA/c/|ec/e/ a>c|ed dB|BAA2|]

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X:535413  
T:WANDERER'S MUSINGS, The
T:Works of the Land
B:B: RC3.034
H:H: "gracefully"
Z:Z: ABC/arr. BB
N:N: I reorganized this lovely tune a bit. Roche's original setting is in the ABC 
N:file.
L:1/8 
H:H: A-B-A ("fine" = m.16 with <G,3> replacing <G,BA>)
M:6/8
K:G
GA|B2d e2f|g3 fed|d2B d2e|B3 G2A|
"5"B2A Bde|e2de2f|e6-|e4-ef|
"9"g2e fed|e3 f2g|G2A BAB|E3 d2d|
"13"e3 d2e|B3 A2G|G3-G2z|G,3-G,BA||
"16"G2E D2E|G3 GAB|d2c B2c|d3 def|
"21"g2f e2f|e2d edB|d6-|d2ze2f|
"25"g2e fed|e3 f2g|G2A BAB|E3 d2d|
"29"e3 d2e|B3 A2G|G3-G2z|_DC"G,6|]

Source version: 
z2zG2A||B2d e2f|g3 fed|d2B d2e|B3 G2A|
"5"B2A Bde|e2de2f|e6-|e2ze2f|
"9"g2e fed|e3 f2g|G2A BAB|E3 d2d|
"13"e3 d2e|B3 A2G|G3-G2z||
G,2zB2A||"16"G2E D2E|G3 GAB|d2c B2c|d3 def|
"21"g2f e2f|e2d edB|d6-|d2ze2f|
"25"g2e fed|e3 f2g|G2A BAB|E3 d2d|
"29"e3 d2e|B3 A2G|G3-G2z|G,2z G2A||

%%%

X:533109 
T:WANDERING MINSTREL MARCH, The 
B:B: RC3.206
Z:Z: ABC/arr. BB
N:N: No relation to the jig of the same name.
Q:1/4=140
L:1/8 
M:C
%R:march
K:D
fe|d2A2 d2f2|edcB A2g2|f2df gece|d3c A2fe|
d2A2 d2f2|edcB A2g2|f2ef gece|d4 d3||
e|f2a2 d2 fa|gfed c2 (3Acd|e3f gece|d3c A2fe|
d2A2 d2f2|edcB A2g2|f2ef gece|d4 Hd4|]

%%%

X:535414 
T:WAVES OF TOREY, The  
B:B: RC3.136
Z:Z: ABC/arr. BB
Q:1/4=120
L:1/8
M:2/4
%R:polka
K:A
c/B/|A>B AF|FE EB/c/|dd dc/B/|c3 A/B/|
cf f>e|ce ec/B/|AB/c/ df|e3 e|
aa ag/f/|e>f ec|Bc/B/ AF|E3 c/d/|
ee fe/d/|cA FA|E>F AA|A3||
K:D
F/G/|Ad dc/B/|AF FE/F/|GB BA/G/|FD DF/G/|
Ad dc/B/|AF FE/F/|GB BA|D3z|
dA/d/ fa|ge e>d|cA/c/ eg|fd d/g/f/e/|
dA/d/ fa|ge e>d|cb ba|d4-|d4|]

%%%

X:534076
T:WERE YOU AT THE ROCK?
B:B: RC1.061 ("An Rabhais Ag an gCarraig")
H:H: "slow and with feeling"
M:3/4
K:C
D/E/F/G/|A2A2 d/c/A/G/|A2A2 D/G/B/e/|f2f2ed|e4 d/c/A/G/|
A2A2 D/G/B/e/|f2f2 ed|e3d dc/A/|d2d2 cd|e4d2|d4||
%
fe|d>c AG AB|c3A fd|e>d dcAG|E4D2|
D4 DE|F2F2 d/c/A/G/|E2E2 c/A/G/E/|D2D2 CD|E4D2|HD6|]

%%%

X:535415
T:WHERE ARE YOU NOW LITTLE GIRL?  
B:B: RC3.020 ("Cá Rabhais Anois a Cailín Bhig")
H:H: "andante"
Z:Z: ABC/arr. BB
L:1/8
M:C
K:D
de|f2f2 g2g2|f2ed c2de|f2f2 fge>e|d3c A2de|f2f2 g2ag|
f2ed d2ed|dcAG F2GE|E4 D2||FG|A2A2 G2AG|F2G2 E2FG|
A2A2 G2AG|F3E DEFG|A2A2 G2AG|F2G2 E2d2|cAAG F2GE|E4 D4|]

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X:535416 
T:WHERE THE AUGBEG FLOWS  
B:B: RC3.015
H:H: "moderato"
Z:Z: ABC/arr. BB
N:N: Last notes in measures 6 and 22 are <D> in the source.
L:1/8
M:3/4
K:G
GF|D2G2A2|B2A2G2|A2 dcAG|F2G2A2|
B2d2B2|cBAGF>E|D2G2G2|G4:|
dc|B2d2d2|d3 cBA|G2c2c2|c4 Bc|
d2g2g2|g2a2b2|d2g2f2|g4 ga|
b2a2g2|ge3 d2|d2 cBAG|F2G2A2|
B2d2B2|cBAGF>E|D2G2G2|HG6|]

%%%

X:535417
T:WOODS OF KILMURRY, The
B:B: RC3.067
H:H: "rather slow"
Z:Z: ABC/arr. BB
L:1/8
M:6/8
K:Gm
d/c/|BAG FDC|DG2-G2 G/A/|BAG cAF|G3-G2d/c/|
BAG FDC|DG2-G2 G/A/|Bdc ABA|G3-G2||
G/A/|B>c d/=e/ fdc|dg2-g2 g/a/|bag fdc|d3-dza/g/|
f=ed cAG|FD2-Dz G/A/|B<dc A<BA|G6|]

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X:535418
T:YOUGHAL 
B:B: RC3.049 (Eochaill)
H:H: "andante"
Z:Z: ABC/arr. BB
N:N: 1: Both English and Gaelic are pronounced "yawl".
N:N: 2: This is the melody for the 1798 commemorative ballad "Boulavogue"
N: ("At Boulavogue, as the sun was setting ...") composed by P. J. McCall. I have 
N:changed Roche's notation slightly in measures 4 and 12.
L:1/8
M:6/8
K:G
D|G2D G2B/d/|g2f e<ge|d2e B2G/B/|A2G E2F|
G2D G2B/d/|g2f e<ge|d2e B2G/B/|A2G G2:|
B|d2B d2e/f/|g2f e<ge|d2e B2G/B/|A2G E2F|
G2D G2B/d/|g2f e<ge|d2e B2G/B/|A2G G2:|

%%%

X:535419 
T:YOUGHAL HARBOR (set dance 4/4)
B:B: RC3.186
H:H: "set dance"
Z:Z: ABC/arr. BB
N:N: Note 6 measures in part 1, 14 in part 2.
L:1/8
M:4/4
K:G
ef|gfed B2AB|dBA/B/A GEDE|G2GA Bdef|gfed B2AB|
dBA/B/A G2G2|G6:|A2|Bdef g2fg|agfg e3e|fedB dBAB|d2d2d2 ef|
g2ga gfed|Bd/B/AG EDB,D|G2GA B/d/B/A/ Bd|edef g2ef|
gfed B2AB|dB/A/BA GEDE|G2GA Bdef|gfed B2AB|
dBA/B/A G2G2|G4-G4|]

%%%

X:534077 
T:YOUNG BLACK COW, The
B:B: RC1.016
H:H: "rather slow"
N:N: Eb in measure 27 is per source.
Q:70
L:1/8 
M:3/4
K:G
(3D/E/F/|G3 AGF|G2 A2 c2|d3e dc|A3z cA|
"5"G3 AGF|G2 A2 c2|=F3 GFE|D4 D^F|
"9"G3 AGF|G2 A2 c2|d3 edc|A4 fg|
"13"a3 gfd|c2 A2 c2|G4 FA|G4||
(3def|"17"g3 agf|g2 a2 b2|a2 g3f|d4 de|
"21"=f3 gfe|=f2 g2 a2|g^f de/d/ cA|G3 DEF|
"25"G3 AGF|G2 A3c|d3 _edc|A4 fg|
"29"a3 gfd|c2 A2 c2|G4 FA|HG6|]

%%%

X:534078
%%titlefont16
T:YOUNG GIRL DON'T MARRY A GREY-HAIRED OLD MAN 
B:B: RC1.070 ("A Cailin Bhig Oig Na Pos an Seanduine Liath")
N:N: Runner-up in this year's "Most Cumbersome Traditional Tune Title In Two 
N:Languages" Awards
H:H: "allegretto"
Q:120
L:1/8
M:6/8
K:G
GA|BAG E2G|D2D DEG|G3-GzD|GAB c>dc|
BAG BdB|A3-AzD|GAB c>dc|BAG BdB|
A3-AGA|BAG E2G|D2D DEG|G3z2D|
GAB cdc|BAG BdB|A3-AGA|BAG E2G|
D2D DEG|G6|]

%%%