BB'S IRISH TRADITIONAL TUNE LIBRARY
miscellaneous tunes from The Roche Collection volume 3

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folder contents

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X:535301
T:ACE AND DEUCE OF PIPERING, The 
B:RC3.185
C:ABC/arr. BB
Y:"set dance"
Q:1/4=120
L:1/8
M:C|
R:hornpipe
K:G
dc|BGcA BGcA|BGcA B2AG|d2ec d2ec|d2ec de/d/ cA|
"5"G2ge =fdcA|d2de dBGA|BGcA B2 AG|FGAB cBcA|
"9"G2g2 fdcA|FGAB cBcA|AGGF G2FG|AGGF G2:|
GF|"13"G2=f2 e2f2|G2=fe fdcA|G2g2 f2g2|d2gf gdcA|
"17"G2=f2 e2f2|dcde =fefg|ag=fd fdcA|BGcA B2AG|
"21"G2g2 fdcA|FGAB cBcA|AGGF G2FG|AGGF G2:|

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X:535302 
T:AER NA MAIDNE 
T:The Morning Air 
B:RC3.061
Y:"go h-aerach"
C:ABC/arr. BB
Q:1/4=160
L:1/8
M:6/8
K:Gm
D|G2G GFD|GAG GFD|FGF B2D|F3 D2F|
G2A B2G|c2B AGF|GAB AGF|G3-G2||
z|d2d dcB|d3 f2z|FGF B2D|F3 D2F|
G2A B2G|c2B AGF|GAB AGF|G3-G2||
%
P:BB standard jig version in Am
K:Am
Q:1/4=160
E|A2A AGE|ABA AGE|GAG c2E|G3 E2G|
A2B c2A|d2c BAG|ABc BAG|A3-A2:|
z|e2e edc|e3 g2z|GAG c2E|G3 E2G|
A2B c2A|d2c BAG|ABc BAG|A3-A2:|

%%%

X:535303
T:AILEEN ALANNA (mm 1-16) 
B:RC3.165
C:ABC/arr. BB
L:1/8 
M:3/4
R:waltz
K:F
c6||d4e2|f2a4-|a6|g6|f4d2|c6-|c4z2|d6|
e4f2|f6-|f2g2a2|a6|g4f2|e6|d4c2|c6||

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X:535304
T:AR LAOCHRA  
C:Frank Roche
B:RC3.037 (Gaelic = "our heroes/champions")
Y:"allegretto con grazia"
C:ABC/arr. BB
L:1/8
M:6/8
K:D
A/G/|FFF EDE|FD3 DC|B,CD EDE|F3-F2 F/F/|
GGF EFG|BA3 cB|AGF GcB|F3-Fz B/c/|
d>cB ABc|dA2-A2A|dcA GFG|A3-A2 D/E/|
FFF EDE|FD3 AB|cBA GFE|D3-D2||F/G/|AFA Bec|d6|]

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X:535305 
T:ARRAVALE ROVERS QUADRILLE (fig.1) 
B:RC3.197a
C:ABC/arr. BB
N:played A-B-A-C-A
L:1/8
M:6/8
R:jig
K:G
P:Part A
B/c/|dgB dcA|BGG GFG|AFA dBd|edB ABc|
dgB dcA|BGG GFG|ABc DEF|A3 G2||"final" A3G3|]
%
P:Part B
K:D
F/G/|Afe dcB|Afe dcB|Adc ecA|G3 F2G|
Afe dcB|ABc def|A>BA ABc|d3 d2B/=c/||
%
P:Part C trio
K:G
d/c/|B2B BAB|GBd gdB|A2A AGA|Bee dBA|
B2B BAB|GBd gfg|eaf gfe|fed e2||

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X:535306
T:ARRAVALE ROVERS QUADRILLE (fig.2) 
B:RC3.197b
C:ABC/arr. BB
N:Played A-B-C-A
L:1/16
M:2/4
R:polka
K:G
P:Part A
D2|B3B cBcA|e2e2 d3g|eged BedB|ABAG E2D2|
B3B cBcA|e2d2 g3e|dedB A2d2|G4B3||"final" B4G4|]
%
P:Part B: 1st & 3rd
B/A/|GEDE G2GA|BedB A2GA|B2AB G2G2|G6B2|
d2ef g2fg|e2ed B2Bd|e2ed BABd|e6d2|
d2ef g2fg|e2ed B2AB|d2ed dBAG|E6 BA|
GEDE G2GA|B2ed B2GA|B2AB G2G2|G4 z2||
%
P:Part C: 2nd & 4th
L:1/8
GBd>d|ee d2|edBG|BAA2|
GG/B/ dd|ee d2|dBGA|BGGz|
g>fed|ed B2|d>B c/B/A/G/|AG E>d|
g>fed|ed B2|dBGA|BGG||

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X:535307 
T:ARRAVALE ROVERS QUADRILLE (fig.3) 
B:RC3.197c
C:ABC/arr. BB
T:played A-B-A-C-A
L:1/8
M:6/8
K:D
P:Part A
A|d2d AFA|d2c B2A|d2c d2e|fgf e2A|
d2d AFA|d2c B2A|B2d c2e|d3-d2||"final" d3-d3|]
%
P:Part B
A|d2e f2g|a2b afd|g2e f2d|ecA ABc|
d2e f2g|a2b afd|g2f e2d|e2d c2A||
%
P:Part C - Trio
(3A/B/c/|d2d dcd|B2e ede|gfe fed|ecA ABc|
d2d dcd|efg A2f|a2g f2e|f2e c2A||

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X:535308
T:ARRAVALE ROVERS QUADRILLE (fig.4) 
B:RC3.197d
C:ABC/arr. BB
N:Played A-B-C-A
L:1/8
M:2/4
R:polka
Q:1/4=200
K:D
P:Part A
f/e/|d/f/e/d/ Bd|A3B|AA/B/ AF|E3F|
D>EFG|ABde|fa e>f|d2d||"final"d4|]
%
P:Part B: 1st & 3rd
K:A
c/B/|A>BAF|EFAB|cecA|B2dB|
A>BAF|E>FAB|ceB>c|A3A|
A>cee|f>ece|f>e d/c/B/A/|B2cB|
A>BAF|EFAB|ceB>c|A2z||
%
P:Part C: 2nd & 4th
K:D
d/e/|ff fe/d/|a>fab|af fe/d/|e3 d/e/|
ff fe/d/|a>fab|a/f/e/f/ dd|d3 A|
d>edc|B>ABd|AF FE/D/|E3 D/E/|
FF FE/D/|AFAB|A/F/E/F/ DD|D2 d||

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X:535309 
T:ARRAVALE ROVERS QUADRILLE (fig.5)  
B:RC3.197e
C:ABC/arr. BB
N:Played A-B-A-C-A
L:1/16
M:2/4
R:polka
Q:1/4=200
K:G
P:Part A
Bc|d2dd d2g2|BcBA B2d2|cdcB c2e2|dedc BGBc|
d2dd d2g2|BcBA B2d2|^cded =cBcA|GGAB cdef|
gfed e2f2|g3d B2G2|c2cc c2e2|dedc BGBd|
gfed e2f2|g3d B2G2|c^ced =cBcA|G4G2||"final"G4-G4|]
%
P:Part B 1st & 3rd
L:1/8
Q:1/4=260
A|BdBd|Bd d2|edBd|ed d2|
BdBd|Bdd2|ed BA|AGG>D|
%gGB d2|ed c2|dBGB|BAA>D|
GB d2|ed c2|dB GE|EDD>A|
BdBd|Bd d2|edBd|ed d2|
BdBd|Bd d2|ed BA|AGG||
%%
P:Part C: 2nd & 4th
Q:1/4=260
L:1/8
d|dDG>A|GF c>c|cEE>F|ED B>d|
dDG>A|GF c>c|cAE>F|AGG||
L:1/16
Bc|dedc B2B2|dedc B2B2|cdcB A2A2|cdcB A2Bc|
dedc B2Bc|dedc B2AB|cBAG FDEF|A2G2G2||
L:1/8
d|dDG>A|GF c>c|cEE>F|ED B>d|
dDG>A|GF c>c|cAE>F|AGG||

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X:535310
T:BANDON BRIDGE, The
B:RC3.011
Y:"andante con moto"
C:ABC/arr. BB
L:1/8
M:2/4
K:Dm
E/G/|A>d c/A/G/E/|c>e dc/d/|e>d c/A/G/E/|D3 E/G/|
A>d d/c/d/e/|f>a a/g/e/d/|e>f g/e/d/c/|d3 E/G/||
A>d d/c/d/e/|f>a a/g/e/d/|e>d c/A/G/E/|A3 E/G/|
A>a =b/a/g/e/|d>e d/c/A/G/|AG/E/ DD|D4|]

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X:535311
T:BANKS OF THE BARROW, The
B:RC3.004 (Bruacha na Bearbha}
C:ABC/arr. BB
Y:"andante con espress."
H:This highly-ornamented piece is 5/4 looks like an Arthur Darley 
arrangement for sure. I had to change a note here and there to 
get the playback right.
L:1/8
M:5/4
K:C
DE|FEFG A>Bc2 c>B|A2A>G E>D C3D|EcBA A>G E2G>E|D2D2 D4:|
%
A2|dcde f>d e3a|a/g/e/d/ ce d>c A3c|dcde f>d e3a|aged d>e d3e|
f/a/g/f/ e>d d>c A3c|d/e/d/c/ A>G G>E C3D|EcBA A>G E2G>E|D2D2 D4:|
%
DE|FEFG A>B c2 (3cde|(3ded (3cAG A>G G/E//D//C/A,/ G,/A,/C/D/|\
(3EDE FG A>G E2G>E|D2D2 D4:|
%
Ac|dcde f>d e3a|(6dedged e>d d/c/A/G/ A3c|dcde f>d e3a|\
A2 (3ged d>e d3e|
f/a/g/f/ e>d d>c A3c|(3ded (3cAG (3AGE (3GED C>D|\
(3E/D/E/ F/G/ A/B/A/G/ A>G E2 G>E|\
D2D2 HD4:|

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X:535312
T:BARNACLE REDOWA, The (measures 1-8) 
B:RC3.152
C:ABC/arr. BB
L:1/8 
M:3/4
R:waltz
K:D
DF|A2 AFAB|d2 dAdf|e2 edef|a2 afef|
A2 AFAB|d2 dAdf|e2 edef|d4:|

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X:535313
T:BELIEVE ME IF ALL  
B:RC3.039
C:ABC/arr. BB
Y:"andante con espress."
N:"from [Thomas] Moore".  Source has a third part (not inlcuded here) 
which is basically a "florid" setting of part 2.
L:1/8
M:6/8
Q:1/4=130
K:A
c/B/|A>BA Ace|dfa a2 g/f/|e>dc BAB|c3-c2c/B/|
A>BA Ace|dfa a2 g/f/|ea>c BA>B|A3-A2||
e/d/|cea a2e/e/|fdf a2g/f/|e>dc BAB|c3-c2c/B/|
A>BA Ace|dfa a2 g/f/|ea>c BA>B|A3-A2||

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X:535314
T:BILLY BYRNE OF BALLYMANUS 
B:RC3.048
Y:"allegretto"
C:ABC/arr. BB
L:1/8
M:2/4
K:C
e/d/|cc EF|G>F ED/E/|F/E/D/E/ CC|C3 E/F/|
GG c>d|ef/e/ de/d/|c/B/G/F/ G/A/B/d/|c3 E/F/|
GG c>d|ef/e/ de/d/|c/B/G/F/ G/A/B/d/|c2 e>d|
cc EF|G>F ED/E/|F/E/D/E/ CC|C4|]

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X:535315
T:BONAPARTE'S RETREAT 
B:RC3.187
Y:"set dance"
C:ABC/arr. BB
N:This is a very strange-sounding tune that I've 
transcribed exactly as Roche published it! (It almost 
looks like the Roches gave up on trying to get this to 
make sense.)
L:1/8
M:4/4
K:C
DC|B,DD/D/D DEDC|B,DGA B/c/B/A/ Bc|edcA dcAB|cAGE FDEC|
"5"B,DD/D/D DEDC|B,DGA B2Bc|edcA GECE|D2 DD/D/ D2:|
K:G
dc|"9"Bdd/d/d dBcB|Add/d/d defd|Bdd/d/d dBcB|AGFG ABcA|
"13"Bdd/d/d dBcB|Add/d/d defg|afge fdec|Add/d/d d2de|
"17"fefg f2ef|gfga g2fg|abaf gecA|GEDE =FDEC|
K:C
"21"B,DD/D/D DEDC|B,DGA B2Bc|edcA dcAB|cAGE FDEC|
"25"B,DD/D/D DEDC|B,DGA B2Bc|edcA GECE|D2 DD/D/ D2:|

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X:535316
T:BONNIE GREEN TREE, The
B:RC3.007
C:ABC/arr. BB
Y:"allegretto"
L:1/8
M:3/4
K:D
A2|f4 ed|d4 cd|B4 cB|A2F3A|
"5"A4 BF|A4 de|f2e2d2|e4-eA|
"9"f4 ed|d3c d2|B4 cB|AF3 FF|
"13"A4 BF|A2d2e2|fg3e2|d4||
%
F2|"17"B4 Bc|d4 F2|d4 cB|AF3 A2|
"21"A4 BF|A4 de|f2e2d2|e4 A2|
"25"f4 ed|d4 cd|B4 cB|AF3 A2|
"29"A4 BF|A2 d3e|fg3 e2|Hd6|]

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X:535317 
T:BRIDGE OF ATHLONE
B:RC3.140
C:ABC/arr. BB
Y:"long dance"
N:The audio file ends with a repeat of the first part. This repeat is 
not indicated in the source - I added it to improve the quality of the 
playback.
L:1/8
M:6/8
K:D
A2A ABc|d2A FDF|A2G EFG|B2A FDF|
"5"A2A ABc|dfd A2F|GBA GFE|D3D2||
P:PART B
A|"9"f2d AFA|f2d AFA|g2e cde|dcB A2A|
"13"f2d AFA|f2d A2A|Aef gfe|dfe dcB||
P:PART C
"17"A2A A2A|ABA ABA|A2d dcd|edB AFG|
"21"A2A A2A|ABA Acd|e3 efe|d3d2||
P:PART D
e/f/|"25"g3 efg|f3 fed|e2d dcd|ecA A>ef|
"29"g3 efg|f3 fed|ecA Acd|efe dcB||
P:PART A repeat
A2A ABc|d2A FDF|A2G EFG|B2A FDF|
A2A ABc|dfd A2F|GBA GFE|HD6||

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X:535318
T:BUTTERFLY POLKA (measures 1-8), The  
B:RC3.146
C:ABC/arr. BB
Q:1/4=100
L:1/8 
M:2/4
R:polka
K:D
A/d/|fff>f|f/g/f/e/ e/c/A/c/|eee>e|e/f/e/d/ d/A/d/e/|
fff>f|f/g/f/e/ e/B/e/g/|ba g/e/c/e/|ddd:|

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X:535319
T:CARRAIG DONN  
B:RC3.041 (Gaelic = "The Brown Rock")
C:ABC/arr. BB
N:This is a 19th-century song (spelled "Carrigdhoun") by Cork poet 
Denny Lane. Its original name was "Lament for the Irish Maiden". 
The song version is AB (= no repeats).
L:1/8
M:3/4
K:Bb
F2|Fdd3c|c>BB3B|AGF2GA|c>BB3F|
Fdd3c|c>BB3B|AGF2GA|c>BB2:|
F2|Fe e3e|edd3c|Bdf2 GE|d2Hc2F2|
Fdd3c|c>BB3B|AGF2GA|c>BB2:|

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X:535320 
T:CIUINEAS NA h-OIDHCHE
T:Castle Hyde  
B:RC3.062
Y:"tranquillo"
C:ABC/arr. BB
N:1The Gaelic title means "Silence {Quiet] of the Night".
N:2:There's a "classical" third part that goes up into cocker spaniel 
range. On the presumption that most users of this website are non-canine, 
I decided to leave it out.
L:1/8
M:3/4
K:G
gfe|d2 BGBA|A2 Bded|B2 GBA>G|G3 g/f/fe|
"5"d2 BGBA|A2 Bded|B2 GBA>G|G2z||
G/A/Bc|"9"d2 feed|e>dBBdB|g3 fdf|e3 def|
"13"g>a gf e>d|e/f/g/a/ Hbg ed|B2 GBA>G|G2z||

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X:535321 
T:CONTENTED I AM
T:The Battle Eve  
B:RC3.068
Y:"allegro"
C:ABC/arr. BB
C:Frank Roche
N:This composed piece consists of an Intro, Theme, and four sets of 
"classical" variations. Only the Intro and Theme are included here.
L:1/8
M:6/8
R:jig
K:A
P:Intro
c'b|afe cBA|cec BAF|EAB cea|bc'b ha2||
P: Theme
"con spirito"
|:c/B/|A>Bc c>BA|cBB B2A/B/|c>AF ECE|FAA A2:|
c/B/|A>ce e>cA|A>ce e2c/B/|A>ce e>cB|cef f2 (3e/f/g/|
a>gf ece|fec B2A/B/|c>AF ECE|FAA A3|]

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X:535322
T:COTILLION, The
B:RC3.141
Y:"long dance"
C:ABC/arr. BB
N:I'm not sure what the structure of this tune is. It probably goes back 
to a "fine" in Part A somewhere but there's none shown in the book.
L:1/8
M:6/8
K:D
P:PART A
A|d2A AFA|d2A AFA|d2f a2f|ede f2e|
"5"d2A AFA|d2A AFA|d2f a2f|ede d2||
P:PART B
A|"9"d3 c3|B3 A2z|afd afd|cee e2A|
"13"d3 c3|B3 A2f/g/|a2f a2f|edd d2||
P:PART C
D|"17"D2E FDE|F2G AFG|ABA AGF|FEE E2D|
"21"D2E FDE|F2G AFG|ABA AGF|EDE D2||
P:PART D
A/F/|"25"D3 D2B/G/|E3 E2A/G/|F2D G2F|FEE E2A/F/|
"29"D3 D2B/G/|E3 E2A/G/|F2D G2F|EDD D2||

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X:535323
T:DEAR BROWN WHITE-BACKED COW  
T:Druimfhionn Donn Dilis
B:RC3.069
Y:"andantino con espress."
C:ABC/arr. BB
L:1/8
M:3/4
R:waltz
K:F
AB|c2f2 fe|f2g2 ge|fe c>=B Hc2|cd e>d cd|
e2f2 g>e|f>e c>B A>B|G4 fe|c2d2 G>E|F2G2A2||
B2c2d2|G4 fg|a>g f>g g>f|e2 c3B|AB G3F|EGF4-|F6|]

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X:535324
T:DEAR MARGARET WALSH 
T:Maighread Dilis Breathnach
Y:"rather slow"
B:RC3.016
C:ABC/arr. BB
L:1/8
M:6/8
K:Gm
G2F/D/ F2G|A2A/G/ ABc|ddd cdc|BAG FDC|D3 F2G|ABA G3||
AFG ABc|d2=e fed|c2=B cdc|BAG FDD|
c2=B cdc|B>AG FDC|D3 F2G|ABA G3|]

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X:535325 
T:DEATH AND THE SINNER 
B:RC3.002
Y:"slow and sorrowful"
C:ABC/arr. BB
L:1/8
M:3/4
K:C
"^G dorian"
AG|F2G2 A=B|c4 fe|d2c2 AG|AF3 GA|
B2A2 AG|Ad3 e/d/c/A/|G2G2 A>G|G4||
GA|c2d2 ef|f4 fe|g2d2 cA|G2G2 Ac|
f2g2 af|g2g2 fe|d2c2A2|G2G2 Ac|
f2g2 af|g4 fe|d2c2 AG|AF3 GA|
B2A2 AG|Ad3 e/d/c/A/|G2G2 A>G|HG6|]
 
%%%

X:535326 
T:DEW-DROP WALTZ (measures 1-16), The
B:RC3.142
C:ABC/arr. BB
L:1/8
M:3/4
R:waltz
K:D
A,2|F6|F2D3B|A6|F2D3B|A6|A2F3A|d6-|d6|
d6|d2e2f2|G6|G2F2G2|B6|B2A2F2|D6-|D6||

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X:535327
T:EAMONN A' CHNUIC 
T:Ned of the Hill
B:RC3.003
Y:"moderately slow"
C:ABC/arr. BB
N:Roche has the expression "nos na ronne" which is evidently supposed 
to make some sense in Gaelic ('nós' meaning 'custom, style', 'ronne' = ?)
L:1/8
M:3/4
R:waltz
K:G
B2|G4 EF|G4 GA|B2 g2 f2|e4 fe|
"5"d2 B2 A2|G4 AB|c3 BAG|E4B2|
"9"G4 EF|G4 GA|B2 g2 f2|e4 fe|
"13"d2B2A2|G4 AB|A2G2G2|G4|]
%
d2|"17"e2c2g2|d2B2d2|e2f3e|d4d2|
"21"d3BA2|G4AB|c3 BAG|E4 BA|
"25"G4EF|G4 GA|B2g3f|e4 fe|
"29"d2B2A2|G4 AB|A2G2G2|HG6|]

%%%

X:535328 
T:ENCHANTED VALLEY, The 
B:RC3.064
Y:"slow"
C:ABC/arr. BB
N:O'Neill has a version of this in A minor (ONMI #1)
L:1/8
M:2/4
K:Gm
G>A B/c/d/=e/|f2 gf/d/|c>A G=E|F2 D=E/F/|
"5"G>A B/c/d/=e/|f2 df|ga bg|ag fd|
"9"dc cA|A>G F<D|G/A/B/c/ dc/A/|GG HG||
G/A/|"13"Bc d/c/A/B/|GG G>A|Bd g/f/d/c/|dg gg/a/|
"17"b/a/g/f/ g/f/d/c/|d/c/A/G/ F<D|G/A/B/c/ d/d'/c'/a/|\
g/f/d/c/ Hd2|
"21"GA BA/G/|A>G F<D|G/A/B/c/ dc/A/|GGGz|]

%%%

X:535329 
T:FAINNE GEAL AN LAE 
B:RC3.038 (Gaelic = "bright ring of day" = "dawning of the day")
Y:"moderato"
C:ABC/arr. BB
L:1/8
M:C
K:G
DG|B2B2B2 AB|d2d2e2 dB|G2A2 G2F2|G4 z2d2|
e3d e2g2|B3A G2B2|d2B2 g2B2|A4 z2 Bd|
e3d e2g2|B3A G2B2|d2B2 g2B2|A4 z2 GA|
B2B2B2 AB|d2d2e2 dB|G2A2 G2F2|G8|]

%%%

X:535330 
T:FAIRY DANCE, The 
Y:"long dance"
B:RC3.138
C:ABC/arr. BB
N:(1) play parts A, B1, & B2 including repeats (skip "final")
N:(2) play parts A through D2, inc. repeats (skip "final")
N:(3) play part A to "last ending" (skip 1st and 2nd ending)
N:(4) play parts B1 & B2
N:(5) play first three measure of part A and "final" (skip 1st and 2nd 
ending)
L:1/16
M:2/4
K:D
P:PART A
A2FA B2GB|c2Ag fdcd|A2FA B2GB|1 cecA BAFB:|\
[2 ceAc d3d||"final"ceAc Hd4||
P:PART B1 
"5"f2df gfed|cABc defg|f2df gfed|cABc d3e|
P:PART B2
"9"f2df gfed|cABc defg|afge fdec|dfeg fdcd||
P:PART C 
"13"AFF2 AFF2|AFF2 GEE2|A2FA B2AF|1 EDEF EedB:|2 EDEF D2||
P:PART D1
A2|"17"defg afdf|gefd edBA|defg afdf|edef e2dB|
P:PART D2 
"21"defg afdf|gefd edBA|defg a2ag|f2fe dfdB "_DC"||

%%%

X:535331 
T:FAIRY SPELL (mm 1-16), The 
B:RC3.155
C:ABC/arr. BB
Q:1/4=120
L:1/8 
M:3/4
K:D
D2F2A2|D2G2B2|F2A2d2|f6|G2f3e|A6|F2e3d|A6|
D2F2A2|D2G2B2|F2A2d2|f6|G2f3e|A2B2c2|d3dd2|d6||

%%%

X:535332
T:FANAID GROVE 
B:RC3.047
Y:"dolce"
C:ABC/arr. BB
L:1/8
M:C
K:D
A,2|D3E F2A2|B3A BAD2|F3E D2D2|D4 z2F2|
A3A B3B|d3B cBA2|B3c B2F2|A4 z2 F2|
A2A2 B2B2|d3B cBA2|B3c B2F2|A4 z2 B,C|
D3E F2A2|B3A BAD2|F3E D2D2|D8|]

%%%

X:535333
T:FAREWELL TO ARDMALE
B:RC3.017 ("Usir Roimh Breachadh an Lae")
Y:"slow"
C:ABC/arr. BB
N:If "usir" is a misprint for "uair", then the Gaelic means 
"the hour before daybreak"
L:1/8 % A-B-A
M:C
K:G
(3D/G/A/|B2 cB BABA|GFGA BAzD|DEFD G>FD/C/B,/C/|\
DGGF G3:|"final" DGGF G4|]
D|GBcA d>cBc|d>cBA GFDc|dcBA BAGF|GFDC HDDGA|
B2cB BABA|GFGA BAzD|DEFD G>F D/C/B,/C/|DGGF G3||
K:C
G|cefd gfef|g>fed cBGf|g>fed edcB|cBGF G2 z/G/c/d/|
e2fe eded|cBcd edzG|GABG c>B G/F/E/F/|GccB c3"_D.C."||

%%%

X:535334 
T:FAREWELL TO BALLINDERRY 
B:RC3.051
C:ABC/arr. BB
Y:"moderato semplice"
Q:1/4=80
L:1/8
M:3/4
K:D
Ac|d2c2B2|AFDFAB|G2F2E2|D4 de|
f2d2f2|ecAGFA|d2 cdef|d4de|
f2d2f2|ecAGFA|d2 cdef|d4fe|
d2c2B2|AFDFAB|G2F2E2|D6|]

%%%

X:535335 
T:FOGGY DEW, The 
B:RC3.045
Y:"moderato"
C:ABC/arr. BB
N:Same name but different tune from the better-known "Foggy Dew"
("'Twas down the glen, one Easter morn...") Dominic Behan used
this tune for "Building Up and Tearing England Down" (YouTube
has a couple Dubliners versions of it). 
L:1/8
M:C
K:G
EF|G2GA B2gf|e2dB A2GA|BABG EGFA|G2G2G2:|
ef|g2gf e2fg|agfe d2Bd|e2ef gfed|e4-e2EF|
G2GA B2gf|e2dB A2GA|BABG EGFA|G2G2G4|]

%%%

X:535336
T:FORGET ME NOT [measures 1-8] 
B:RC3.154
C:ABC/arr. BB
L:1/8 
M:2/4
K:D
Af fe/f/|Bee>d|c/d/e/c/ Aa|f/g/a/f/dA|
Af fe/f/|Bee>d|c/d/e/f/ g/a/b/c'/|d'd'd'z:|

%%%

X:535337 
T:GALLANT WHITE HORSEMAN, The
B:RC3.032 ("Ta Mo Gradh Geal Imthigthe" = "My Bright Love Has Gone 
Away")
Y:"plaintively"
C:ABC/arr. BB
L:1/8
M:3/4
K:Am
e>d|d>c A3B|A2 G3B|c2d2e2|d4 cd|
"5"e2 Ha3 g|f2 e3d|c3d e2|A4 GE|
"9"G4 e>d|d>c A3B|A2 G3B|c2d2e2|
"13"d4 cd|e2 a3g|f2 e3d|c3d e2|
"17"A4 B2|A6|]

%%%

X:535338 
T:GENTLE MAIDEN, The 
T:Men of the West
B:RC3.035
Y:"andante con moto" 
C:ABC/arr. BB
L:1/8
M:6/8
K:G
D|G>AG FED|d3 e>fg|d>cB A2G|E3-E2F|
G>AG FED|d3 e>fg|d>cB A2G|G3-Gzd|
d>ef g2g|g3-gfe|d>cB A2G|E3 z2F|
G>AG FED|d3 e>fg|d>cB A2G|G3-Gz|]

%%%

X:535339 
T:HAS SORROW THY YOUNG DAYS SHADED 
B:RC3.044
Y:"gracefully"
C:ABC/arr. BB
N:This I believe is from Thomas Moore. I don't think he composed the
melody but in any event he used it for his song of the same name.
L:1/8
M:3/4
K:Bb
Bc|d3cB2|c2B2G2|F6|G4B2|B2c2d2|e4d2|c6-|
c4 Bc|d3cB2|c2B2G2|F6|G4B2|B3cd2|c4B2|B6-|B4||
d2|d2e2f2|f2g2a2|b6|a4g2|g2f2d2|d2c2B2|c6-|
c4 Bc|d3cB2|c2B2G2|F6|G4B2|B3cd2|c4B2|B6-|B6||

%%%

X:535340 
T:HAZEL DELL, The (measures 1-8) 
B:RC3.148
Y:"Schottische"
C:ABC/arr. BB
Q:1/4=120
L:1/8 
M:C
R:hornpipe
K:G %Transposed from D
B2B2 c^GAc|B2A2 a3G|f2e2 F2Ac|edBG D4|
B2B2 c^GAc|B2A2 a3g|feAc edEF|G2G2G2z2:|

%%%

X:535341 
T:HUMMING BIRD WALTZ (mm 1-16), The  
B:RC3.163
C:ABC/arr. BB
Q:1/4=140
L:1/8 
M:3/4
R:waltz
K:A
E2C3E|F2D3F|E2C3E|c6|c2d3c|c3^AB2|B2c3B|B3GA2|
E2C3E|F2D3F|E2C3E|c6|c2d3c|c3^AB2|B2c2B2|A6||

%%%

X:535342
T:I SAW THY FORM  
B:RC3.056 % "(from Moore)"
Y:"andante amoroso"
C:ABC/arr. BB
L:1/8
M:C
K:D
d>e|f>edc d2zA|cBAG G<FzA|FAde f2ed|d4 e/f/e d>e|
f>edc d2zA|cBAG G<FzA|F<Ad<f a<fe<f|d2-(3def e<d||
z2|a2gf f<e e<g|fdBg fg/f/ ef|g3f f/e/g/f/ ed|d3^de2=de|
f>edc d2zA|cBAG G<FzA|F<Ad<f a<fe<f|d3e fe Hd2||

%%%

X:535343 
T:IT'S DOWN IN YON VALLEY WHERE VIOLETS GREW  
B:RC3.026
Y:"gracefully"
C:ABC/arr. BB
Q:1/4=80
L:1/8
M:3/4
K:G
GA|B2B2 AG|E2D2 dB|A2G2G2|G4 B2|c2c2e2|d2B2A2|
G2 G>ABG|A4 B2|c2c2e2|d2B2A2|G2 GABc|d4 c2|B2G2 cB|B3G (3ded|
g4 fa|gg3 (3age|d4 BA|G3A BG|A4B2|c4 BA|A2G2G2|HG6|]

%%%

X:535344 
T:KATE KEARNEY 
B:RC3.166a
C:ABC/arr. BB
L:1/8 
M:3/4
K:G
D2|D2E2G2|G2A2B2|A2G2G2|G4D2|
"5"G2B2d2|ed cB AG|B2A2A2|A4 Bd|
"9"e2c2e2|d2B2d2|c2A2c2|B4 GA|
"13"B2A2B2|G2E2D2|E2G2G2|G4||
%
D2|"17"D2B,2D2|D2B,2D2|G6|G4D2|
"21"D2B,2D2|D2G2B2|A6|A4 Bd|
"25"e3ce2|d3Bd2|c3Ac2|B4 GA|
"29"B2A2B2|G2E2D2|E2G2G2|G6|]

%%%

X:535345 
T:KATHLEEN O'MOORE  
B:RC3.166b
C:ABC/arr. BB
L:1/8 
M:3/4
K:G
D2|G3AG2|G2F2G2|A3BA2|A4 GA|
"5"B3cB2|B2A2G2|A2c2B2|A4 GA|
"9"B3cB2|B2A2G2|A2G2E2|G2E2 GE|
"13"D2E2G2|A2d3c|B2G2G2|G4||
%
d2|"17"B2G2B2|d2B2d2|e2g2e2|d2B2G2|
"21"c3BA2|B2G2E2|A2F2D2|D4 d2|
"25"B2G2B2|d2B2d2|e2g2e2|d2B2G2|
"29"B3GE2|D2d2c2|B2G2G2|G6|]

%%%

%%%

X:53546
T:KELLY THE BOY FROM KILLANE  
B:RC3.036
Y:"maestoso marziale"
C:ABC/arr. BB
M:C
K:D
D>F|A2A>A d2dB|A2 FD B,2DE|F2EF AGE>F|1 D6:|2 D6 A<A||
B2G>G d2d>B|Azd>BAzA>A|B2G>G de/d/ c>B|A6 D>F|
A2A>A d2dB|A2 FD B,2DE|F2EF AGE>F|D6|]

%%%

X:53547 
T:KERRY LULLABY, The 
B:RC3.028 ("Suantrai Ciarraighe")
Y:"slow"
C:ABC/arr. BB
L:1/8
M:4/4
K:Am
B|d3B c2dc|B2A2 G3B|c2B2 B2d2|f2e2 d3d|
e2d2 d3d/B/|d2BA B3A|G2GF HE2 AB|c2BG A3:|
B|d4 B4|c2cA B3d/e/|f2e2 e2dB|d2BA B3A|
c4 B2AG|A2GF E3D/E/|G2G2 G2AB|c2BG HA4|]

%%%

X:535348 
T:KEVIN BARRY 
B:RC3.052
Y:"andante affetuoso"
C:ABC/arr. BB
L:1/8
M:3/4
K:D
DF|A3 A^GA|BA3 FA|f3 dAF|E4cd|
e3 dcG|B2A2 ^GA|c3 BGA|F4 DF|
A3 A^GA|BA3 FA|f3 dAF|E4cd|
e3 dcG|B2A2 ^GA|c3 BGE|D6|]

%%%

X:535349 
T:KITTY TYRRELL  
B:RC3.025 ("Caitlin Tirial")
Y:"andante"
C:ABC/arr. BB
N:There are different Gaelic spellings for Kitty's last name, 
e.g. "Triall". Roche's "Tirial" is definitely incorrect.
L:1/8
M:3/4
K:A
A>F|E2F2A2|A3 BcB|A2a2 gf|f4 ag|
"5"fedcBA|A3Bc2-|c2 (3edc cA|F4 A>F|
"9"E2F2A2|A3 BcB|A2a2 gf|f4 ag|
"13"fedcBA|A2F>E F/A/B/c/|B2A2A2|A4||
e2|"17"a2f2a2|f4 ga|b3 agf|e4 ef/g/|
"21"a2 agfe|c2 dc cA|B2 A/B/c BA|F3 dAF|
"25"E2F2A2|A3 BcB|A2a2 gf|f4 ag|
"29"fedc ec/B/|A2F4|b2a2a2|Ha6|]

%%%

X:535350 
T:LIMERICK TOWN  
B:RC3.005 
Y:c
C:ABC/arr. BB
N:Roche says "from Hughes", presumably Herbert Hughes, the 
Belfast-born tune collector, 1882-1937
L:1/8
M:6/8
K:C
c|c2d G2A|_B2B E2F|G2 F/D/ C2B,|HC4 z2||
E|F2G B2B/c/|d2c e2d|c2c _BGB|HG4 zG|
E2F G2B/c/|d2c e2d/e/|c2c _B2A|G4 zG|
E2F/G/ B2 (3A/B/A/|G2c e2g|g2e e/c/d>c|c3-c3|]

%%%

X:535351 
T:LIMERICK WALTZ, The (measures 1-8) 
B:RC3.151 % ("or redowa")
C:ABC/arr. BB
L:1/8 
M:3/4
R:waltz
K:G
Bd|g2f2 GB|e2d2 Bd|c2B2 (3ABd|e2d2 Bd|
g2f2 GB|e2d2 Bd|c2B2A2|G4:|

%%%

X:535352 
T:LITTLE SWALLOW, The 
B:RC3.055 ("Fainleog Beag")
Y:"andante con espress."
C:ABC/arr. BB
N:"Cronán" = "humming". I'm not sure what this is all about.
Q:1/4=70
L:1/8
M:3/4
K:G
(3d/e/f/ gG|G>FED GG|BB/c/ d(3d/e/f/ gd|ec AF/A/ GG|G3:|
G/A/ Bd|g2 fa/g/ f/e/g/e/|d>B GG/A/ Bd|g2 f/a/g/f/ ee|e2-e/d/e/f/ gG|
G>FEDGG|B>c d/d/e/f/ g>g|1 ecAF/A/ GG|G3:|2 e/d/c/A/ d/c//A//F/A/ GG|G6||
%
P:"Cronán"
g2 a/g/e/d/ ed/B/|d2 e/d/B/A/ BA/G/|A2 G/E/D/E/ GG|HG6|]

%%%

X:535353 
T:LODGE ROAD, The 
B:RC3.192
Y:"set dance"
C:ABC/arr. BB
N:"from O'Neill slightly altered". 
N:Measures 9-12 can be played:
"9"DEFG AGFE|"10"DEFG A2AF|"11"GABc dcBA|"12"GABc d2F2|
L:1/16 
M:2/4
K:D
A|:"^segno"d2df edcB|A2A2 A2F2|DFAF DFAF|G2FG E2A2|
"5"d2df edcB|A2A2 A2F2|DFAF G2EF|D2D2 D3A:|\
"final" D2D2 D4|]
"9"defg agfe|defg a2af|gabc' d'c'ba|gabc' d'2f2|
"13"gbag fagf|edef g2fe|d2f2 abaf|g2fg e2z2|
"17"f2f2 g2g2|e2e2 f2fe|dfaf gbec|1 d2ab agfe:|\
[2 d2EF GABc"_D.S."||

%%%

X:535354
T:MAIDS OF MOURNE SHORE, The
B:RC3.050
Y:"plaintively"
C:ABC/arr. BB
N:This is the tune on which Yeats' "Down By the Salley 
Gardens" is based.
L:1/8
M:C
K:A
AB|c2BA B2ce|f4e2 ae|f2ec B3A|F4 z2 AB|
c2BA B2ce|f4e2 ae|f2ec B3A|A6||
e2|a2ge f2a2|g4e2ce|f2ec efa>b|a6 AB|
c2BA B2ce|f4e2 ae|f2ec B3A|A8|]

%%%

X:535355 
T:MARKET STAKE, The 
B:RC3.018 ("Staic an Mhargaidh")
Y:"andante con moto"
C:ABC/arr. BB
Q:1/4=100
L:1/8
M:3/4
K:G
BA|G2D2E2|G4 FG|A4 AG|A2B2G2|c4 BA|B2d2g2|
G4 GE|G2 cBGE|=F4 ED|E4 GE|D2E2G2|G4||c2|B2 GABc|
d4 de|=f4 ed|d2e2B2|g4 ge|d2g2B2|A4 AG|A2B2G2|
c4 BA|B2d2g2|G4 GE|G2 cBGE|=F4 ED|E4 GE|D2E2G2|HG6|]

%%%

X:535356 
T:MARTHA (measures 1-16) 
B:RC3.149
Y:"valse"
C:ABC/arr. BB
Q:1/4=100
L:1/8 
M:3/4
R:waltz
K:F 
F2G2|A4f2|e4d2|cA A4|z2F2G2|A2 c3A|A4G2|F6-|
F2F2G2|A2f2e2|g2f2d2|cA-A4|z2F2G2|A2c3A|A4G2|F6-|F2:|

%%%

X:535357
T:MCKENNA'S MAZURKA* 
B:RC3.162 (as "Mazurka")
Y:"moderato"
C:ABC/arr. BB
L:1/8 
M:3/4
K:D
f>e|d2B2 A>B|A2F2 A>B|c2d2 e>f|e2A2 f>e|
"5"d2B2 A>B|A2F2 A>c|e2 g>ba>c|d3z:|"final" Hd4|]
d>c|"9"B2B2 c>B|A2A2 B>A|G2G2 AG|F2F2 d>c|
"13"B2B2 c>B|A2A2 B>A|GFG Ace|1 d3z:|2 d2z2||
P:Trio tempo di valse
FG|"17"A2F2A2|d4B2|A2G2F2|E4F2|
"21"D2F2A2|d2e2f2|e2A2B2|c2d2e2|
"25"f2e2d2|c2e3d|d2A2F2|G4F2|
"29"E2F2A2|B2e3c|d6-|d2z2 "_DC"||

%%%

X:535358 
T:MEETING OF THE WATERS, The
B:RC3.031 ("Ceann Deighinge" = "head of ?" [presumably a river name])
Y:"moderato elegante"
C:ABC/arr. BB
N:The second part of Roche's setting is too "classical" to spend
much time on (anyway I'm not sure how ABC would deal with a 17-note 
"decaseptuptlet"!) Arthur Darley's fine classical hand at work again?
L:1/8
M:6/8
K:A
e>d|cB>A A<FE|EFA A2B/c/|dd c/B/ c<Ac|ecA B2 B/c/|
ddc/B/ BcA|ecA B2 A/B/|c>BA A<FE|EFA d2c/d/|
ecA A<FE|1 EFA A:|2 EFA A3-|A6|]

%%%

X:535359 
T:MELODIOUS AIRY LITTLE FORT OF BRUFF [2], The  
B:RC3.060 
Y:"plaintively"
C:ABC/arr. BB
N:Setting 1 is in Roche 1, #37.
L:1/8
M:3/4
K:G
GA|B2-B/c/B/A/ B/A/G/E/|D2 c2 A2|B3 cBA|G3 G/A/ B/A/G/E/|
"5"D2E2G2|A4 GA|B2-B/c/B/A/ B/A/G/E/|D2d2B2|
"9"c3 edc|B2A/B/ cB/A/G/E/|D2E2G2|G4||Bc|
"13"d2e2 d/B/A/G/|G2B2d2|e4 ge|d2-d/e/d/B/ e/d/B/A/|
"17"B2G2B2|[A4D4] GA|B2-B/c/B/A/ B/A/G/E/|D2d2B2|
"21"c3 edc|B2A/B/ cB/A/G/E/|D2E2G2|H[G6g6]|]

%%%

X:535360 
T:MO CRAOIBHIN AOIBHIN 'AULINN' O  
B:RC3.010
Y:"plaintively"
C:ABC/arr. BB
N:1:Correct spelling of last word is "Alainn" (= beautiful).
N:2:"Craoibhin Aoibhin" (= "pleasant little branch") was the nickname
of Dr. Douglas Hyde, scholar and first president of the Irish
Republic. 
L:1/8
M:3/4
K:Em
EF|G>A B2 AB|G>AGF E>F|G>A B2AF|E>E E2 EF|
G>A B2 e/d/B/A/|G>AGF EF|G>A B2AF|E>E E2||
%B
e2|e>f g2 fe|e/f/g/e/ f>e (3dBA|B>c d2e2|f>e e2ef|
g>f e2 f/e/ (3d/B/A/|G>AGF EF|G>A B2AF|E>E E4|]

%%%

X:535361 
T:MO MHUIRNIN NA GRUAIGE BAINE
T:My Fairhaired Darling 
B:RC3.063
Y:"with spirit and feeling"
C:ABC/arr. BB
L:1/8
M:6/8
K:C
"^G mix"
G2F||D2G G2F|G3 AGF|G2A c2d|f3 def|
"5"g2f d2c|A3G3|F3-F2G|A3 G2F|
"9"D2G G2F|G3 AGF|G2A c2d|f3 def|
"13"g2f d2c|A2G F2A|G3 z2||
c|"16"d2c d2e|f3 def|g2f d2e|f3 def|
"20"g2f d2c|A3G3|F3-F2G|A3 G2F|
"24"D2G G2F|G3 AGF|G2A c2d|f3 def|
"28"g2f d2c|A2G F2A|G3-G3|G6|]

%%%

X:535362
T:MY DEAR BRIGHT LOVE 
B:RC3.053
Y:"rather slow and with feeling"
C:ABC/arr. BB
L:1/8
M:C
K:D
D2|D3E F2dc|B3A F2DE|F>GFD E2 FD|B,4 z2 A,B,|
D3E F2dc|B>cBA F2DE|F2AG F2E2|D4 z2||
Ac|d3c B>A Bd|e2f2 A2 Ac|d3c A2G2|A3 B/c/ d2d>c|
B3A A3G|F3D B,2DE|F/E/D/E/ F/A/d/e/ f/e/d/A/ B/A/G/E/|D8|]

%%%

X:535363 
T:MY FAIR LOVE IS LEAVING ME  
B:RC3.021 ("Ta Mo Ghradh Geal Dom Treigint")
Y:"with feeling"
C:ABC/arr. BB
Q:1/4=100
L:1/8
M:3/4
K:Em
GA|B2B2 AG|dfedBA|G2 EGF>E|E4 Bd|
e2 egfe|e2d2 ef|g2 fedB|d2e2 Bd|
e2 e>gfe|e2d2 ef|g2 fedc|d2e2 GA|
B2 BAGE|d2 edBA|G2 EGF>E|HE6|]

%%%

X:535364
T:MY LAGAN LOVE 
B:RC3.009
Y:"rather slow"
C:ABC/arr. BB
N:1:"from Hughes" = Belfast tune collector Herbert Hughes, 1882-1937
N:2:Source has this in key of C with no accidentals. This seems in-
correct, since this tune is always presented as being in a mixolydian 
mode with all seventh-degree notes flatted. 
L:1/8
M:2/4
K:C
(3G/A/_B/|c2 GF/E/|C2 _B,>C|E2 FE|C3C|C4-|C3||
G|A2 (3_BAB|c2 GF/E/|C2 _B,>C|E2 FE|C3C|HC3 C/C/||
%B
EF A>G|GE FA/_B/|c2 F(3A/G/A/|_B2 Hc2|_ec2_B|
c2 GF/E/|C2 _B,>C|E2 FE|C3C|HC4|]

%%%

X:535365 
T:NAPPER TANDY (mm 1-16) 
B:RC3.164 ("redowa or mazurka")
Y:"allegretto"
C:ABC/arr. BB
L:1/8 
M:3/4
R:waltz
K:D
Ad|f2 gfed|c2A2 A>G|F2D2 DF|E2D2 Ad|
fga2 gf|efg2fe|dcA2A2|A3zde|
fga2 gf|efg2 fe|d>c defg|f4 e/f/e|
d2A2 AG|F2D2 DF|E2D2D2|D6|]

%%%

X:535366
T:NIGHTS OF GLADNESS QUADRILLE (fig.1) 
B:RC3.196a 
C:ABC/arr. BB
N:Played A-B-A-C-A
Q:1/4=160
L:1/8
M:6/8
R:jig
K:D
P:Part A
A2A ABc|d2A FDF|A2G EFG|B2A FDF|
A2A ABc|dfd A2F|GBA GFE|D3-D2||"final" D3-D3|]
%c
P:Part B
A|f2d AFA|f2d AFA|g2e cde|dcB A2A|
f2d AFA|f2d A2A|Aef gfe|dfe dcB||
%
P:Part C
f2e dcB|A2F A2B|G2E G2B|A2F A2g|
f2e dcB|A2F A2B|G2E cBc|d3 d3||

%%%

X:535367 
T:NIGHTS OF GLADNESS QUADRILLE (fig.2) 
B:RC3.196b 
C:ABC/arr. BB
N:played A-B-C-A
Q:1/4=120
L:1/8
M:2/4
R:polka
K:G
P:Part A
GB/d/ gg|g3g|fe ce|d3B|
dd Bd|cc A>B|cA GF|G2G||"final" G4|]
%
P:Part B: 1st & 3rd
D|GG AB/c/|dd/c/ AB/c/|\
dB/G/ A/B/A/G/|E3D|
GG AB/c/|dd/c/ AB/c/|dc/A/ GF|G3 B/c/|
dg dc/B/|cd cD/E/|GA B/A/B/d/|A3 d/c/|
BA/B/ cB/c/|dd/c/ AB/c/|dc/A/ GF|G3 z||
%
M:6/8
K:D
P:Part C: 2nd & 4th
f|a2a A2B|d2e f2f|e2e d2d|d3z2f|
g2g f2e|f2d d2f|a2f e2d|e3z2f|
g2g f2e|f2d d2f|a2f e2d|b3z2b|
a2a A2B|d2e f2f|e2e d2d|d3-d2z||

%%%

X:535368 
T:NIGHTS OF GLADNESS QUADRILLE (fig.3)
B:RC3.196c
C:ABC/arr. BB
N:played A-B-A-C-A
Q:1/4=160
L:1/8
M:6/8
R:jig
K:D
P:Part A
A|FED AGF|BAA A2A|dcB edc|dAF D2A|
FED AGF|BAA A2A|dcB edc|d3 d2||"final" d3-d3|]
%
P:Part B
A|def efg|fed cde|dcB Bcd|BAF EFA|
Bdd Add|Fdd Edd|Ddd edc|dAF D2||
%
P:Part C: Trio
A|d2d f2d|ecA ABc|d2d f2d|cea gfe|
d2d f2d|ecA ABc|dfa ABc|e3 d2||

%%%

X:535369
T:NIGHTS OF GLADNESS QUADRILLE (fig.4) 
B:RC3.196d
F:file ID roche.3/142nog4
C:ABC/arr. BB
N:played A-B-C-A
Q:1/4=120
L:1/16
M:2/4
R:polka
K:G
P:Part A
D2|G2GB d3d|e2ec A2Bc|dedB cdcA|BcBG E3D|
G2GB d3d|e2ec A2gf|efed e2d2|G4g2||"final"G4g4|]
%
P:Part B: 1st & 3rd
dc|B2AB GAGE|D2G2 G2Bc|dBge dBGB|\
dcBc A2dc|
B2AB GAGE|D2G2 G2Bc|d2ge dcAF|A2G2G2d2|
gage a3g|fgfe d2ge|dedc BABd|edef gedc|
B2AB GAGE|D2G2 G2Bc|d2ge dcAF|A2G2G2||
%
P:Part C: 2nd & 4th
G2|E2A2 ABcd|e2A2 B2AG|E2G2 GABc|d2G2 B2AG|
E2A2 AGAB|cBcd e2dc|B2g2 edcB|c2A2A2d2|
e2a2 e2a2|e2a2 gfed|B2g2 B2g2|B2g2 gfed|
e2a2 a2f2|g2e2 dedc|B2g2 edcB|c2A2A2||

%%%

X:535370
T:NIGHTS OF GLADNESS QUADRILLE (fig.5) 
B:RC3.196e
C:ABC/arr. BB
N:Played A-B-A-C-A
Q:1/4=120
L:1/8
M:2/4
R:polka
K:G
P:Part A
D>E DB,|D>E GA|Bd AB/A/|GE EG/E/|
D>E DB,|D>E GA|Bd A>B|1 G/D/G/A/ B/d/g/e/:|\
[2 G2Gz||"final" G4|]
%
P:Part B: 1st & 3rd
Bd dB|ceez|Bd AB/A/|GE ED|
Bd d>B|ce e>f|ge fd|1 e/g/f/e/ d/e/d/c/:|2 e3 e/f/||
ge fd|e/f/e/d/ BA|Bd AB/A/|GE EG/E/|
D>E DB,|D>E GA|Bd AB|G2G||
%
P:Part C: 2nd & 4th
d/c/|BDBD|B/A/B/c/ ed|cA f/g/a/f/|\
gg g/e/d/c/|
BDBD|B/A/B/c/ ed|cA f/g/a/f/|gggz||
K:D
fg/f/ ef/e/|dD FA|Bc/B/ Aa/g/|fg/f/ez|
fg/f/ ef/e/|dD FA|Bc/B/ Af/e/|dd d/e/d/=c/||
K:G
BDBD|B/A/B/c/ ed|cA f/g/a/f/|gg g/e/d/c/|
BDBD|B/A/B/c/ ed|cA f/g/a/f/|gggz||

%%%

X:535371 
T:NYMPH OF THE WAVE (measures 1-16), The  
B:RC3.147
C:ABC/arr. BB
N:A great name for a ship but I'm not sure what Roche's
title refers to.
Q:1/4=140
L:1/8 
M:3/4
R:waltz
K:D
DE|F4D2|d4B2|A4D2|F4AG|F4A,2|E4GF|E4A,2|D2 z2 DE|
F4D2|d4B2|A4D2|F4AG|F4A,2|F4E2|D6-|D4:|

%%%

X:535372
T:O NATIVE MUSIC  
B:RC3.058
Y:"dolce e moderato molto"
C:ABC/arr. BB
C:"Lover" % presumably Samuel Lover, Dublin-born poet and composer, 
1797-1868, uncle of composer Victor Herbert
Q:1/4=80
L:1/8
M:3/4
K:A
E|AA F2 GE|A>A Ac e>e|f>e ec BA|A/G/F/E/ E3E|
AA F2 GE|A>A Ac e>e|fe/d/ c2 c/B/A/B/|AB/c/ A2z||
c|d>e f>d B>B|c>d ecAA|GF dc BA|A/G/F/E/ Ed/c/ eB|
AAF2 GE|A>A A>c e>e|f/e/d/c/ e/d/B/G/ E^D/E/|G/F/D/B,/ HA,3||

%%%

X:535373
T:OH PLEASANT WERE THE DAYS 
B:RC3.014
Y:"graceful and plaintive"
C:ABC/arr. BB
L:1/8
M:2/4
K:F
G|Ac c>d|c2 AG|Ad d>e|d3 (3c/d/e/|
f2 ed|e>d (3cAG|A3 g|ag g>a||
f2 ed|ed c>d|A2 fe|ed c>d|
AG Ac|d2 ge|f2 ed|e>d cd|AG FE|F4|]

###

X:535374
T:OLD JUG AND IT FULL  
B:RC3.022 ("Mo Ghradh E an Cruisgin agus E Lan")
Y:"rather slow"
C:ABC/arr. BB
N:Key signature in source is C, which would mean all B's are natural. 
Since B flats sound better to me (and since final note of both parts 
is D), I have changed the key to D minor.
L:1/8
M:3/4
K:Dm
FG|A2f2 ef|d2 cABc|d3 efd|d>c A2AG|E2D2D2|D4:|
DE|F2G2 AB|c2 dcAG|F2D2 DE|FGA BcA|
d>c A2A2|A3 GFG|A2f2 ef|d2 cABc|
d3 efd|d<c A2AG|E2D2D2|HD6|]

%%%

X:535375 
T:OLD YET NEW QUADRILLE (fig.1) 
B:RC3.195a
C:ABC/arr. BB
N:played A-B-A-C-A
Q:1/4=160
L:1/8
M:6/8
R:jig 
K:G
P:"Part A"
d|dgB dBA|GBA G2E|DGA B2A|Bee edB|
dgB dBA|GBA G2E|DGA B2d|dcA G2||"final"dcA G3|]
%
P:"Part B"
D|DGA B2A|Bee edB|DGA B2A|Bee edB|
gag gdB|dBA BGE|DGA B2d|dcA G2||
%
P:"Part C Trio"
B/c/|d2B d2f|e2d B2d|e2f g2f|e3-eze|
d2Be2d|B2A BGE|D2E G2G|G3-G2!D.C.!||

%%%

X:535376 
T:OLD YET NEW QUADRILLE (fig.2) 
B:RC3.195b
C:ABC/arr. BB
N:Played A-B-A-C-A
Q:1/4=120
L:1/16
M:2/4
R:polka 
K:D
P:"Part A"
D2DD DEFG|A3B A2fe|d2B2 A2F2|B2E2 E2FE|
DEFG ABcA|dcde fgaf|gfed cBAG|FABc d2||\
"final" FABc d4|]
P:"Part B: 1st & 3rd"
de|f3A A2B2|d3e f2d2|e3d B2A2|d6d2|
g4g2g2|f3a a3f|e3f e2d2|B6B2|
g3a b3g|f3a a3f|e3f e2d2|B4 d3e|
e3A A2B2|d3e f2d2|e4 d3d|d6||
P:"Part C: 2nd & 4th"
de|f3e d2B2|d3B A2F2|A3B d4|d6 de|
f3e f2g2|a2f2 d2de|f3a g2f2|e6 de|
f3e defg|a2f2 d2de|f4 e2d2|B6 de|
f3e d2B2|d3B A2F2|A3B d2d2|d6 z2!D.C.!||

%%%

X:535377 
T:OLD YET NEW QUADRILLE (fig.3)  
B:RC3.195c
C:ABC/arr. BB
N:Played A-B-A-C-A
Q:1/4=160
L:1/8
M:6/8
R:jig
K:D
P:"Part A"
B|"^segno"d2e d2B|ABA AFD|FGA A2f|g2e ede|
f2e d2B|ABA AFD|FGA Ade|f2d d2||"final" f2d d3|]
P:"Part B"
g|fga afa|afa agf|b2e b2e|b2e gfe|
fga afa|aba agf|bab e3|e2f gfe||
P:"Part C: Trio"
F/E/|D>ED DFA|B3-B2 c/d/|A>FD DEF|E3-E2F/E/|
D>ED DFA|B3-B2 c/d/|AdF EDE|D3-D2"_D.S."||

%%%

X:535378
T:OLD YET NEW QUADRILLE (fig.4)  
B:RC3.195d
C:ABC/arr. BB
N:played A-B-A-C-A
Q:1/4=120
L:1/8
M:2/4
R:polka
K:D
P:"Part A"
A|d>B c>A|d>f a>a|ba/g/ fd|e>d BA|
d>B c>A|d>f a>a|ba/g/ f/a/g/e/|d2d||"final"d4|]
P:"Part B: 1st & 3rd"
F/E/|D>F AA|A/B/A/F/ A2|DF Ad/B/|A/B/A/F/ FE|
DF A>A|A/B/A/F/ AA/B/|d/e/d/B/ A/B/A/F/|EDD z|
fe dd/B/|A/B/A/F/ A2|fe/d/ B/d/e/f/|a/b/a/f/ ed|
fe dd/B/|A/B/A/F/ AA/B/|d/e/d/B/ A/B/A/F/|EDD||
P:"Part C: 2nd & 4th"
M:6/8
K:G
%Q:1/4=160
G2B d2e|c3 d2B|B2A G3|G3-G2B|
d3 e2f|g3 f2d|f2e d3|d3z2B|
d3 e2f|g3 f2d|e2d g2B|A3-AzB|
G2B d2e|c3 d2B|c2B G3|G3-G2"_D.C."||

%%%

X:535379
T:OLD YET NEW QUADRILLE (fig.5)  
B:RC3.195e
C:ABC/arr. BB
N:Played A-B-A-C-A
Q:1/4=120
L:1/8
M:2/4
R:polka
K:G
P:"Part A"
G>B d>d|gB c/B/A/B/|GB c/B/A/B/|cA AB|
GB c/B/A/B/|dB c/B/A/B/|g>e dB|cA A>B|
GB d2|e/d/c/B/ d2|GB d2|e/d/c/B/ A2|
GB d2|e/f/g/e/ d/e/d/B/|A/B/c/A/ d/c/B/A/|\
G3||"final" G4|]
P:"Part B: 1st & 3rd"
M:6/8
R:jig
Q:1/4=160
D|G2B B2d|c2A A2F|G2B d3|d3z2B|
c3 A3|B3 G2B|c2A G2F|G3z2G|
G2c c2e|e2d d2G|G2c c2e|d3z2G|
G2g g2e|e2d dcB|A2G A2B|d3 B2A|
GED G3|G3z2B|AGE A3|A3z2B/c/|
dcB dcB|gfe dBA|GED G3|G3z2D||
P:"Part C: 2nd & 4th"
K:D
A|A2d d2e|f2a a2f|g2f e2d|e3-e2e|
f2e d2f|a2d d2e|d2c A3|A3-A2f/g/|
|:a3 b2a|f2g a2f|g3 a2g|e3-e2f/g/|
a2g f2d|e2d B2d|A2Bd3|1 d3-d2f/g/:|\
[2 d3-d2"_D.C."||

%%%

X:535380 
T:PATRICK'S DAY 
B:RC3.191 
Y:"set dance"
C:ABC/arr. BB
L:1/8 
M:6/8
R:jig
K:G
D|G>AG GAB|d>ed dBG|AGA BGD|E>FE E2D|
G>AG GAB|d>ed dBG|BAB GED|E2F G2:|
B|def g2e|f2d e2B|def g2e|fed e2B|
def gag|fed efg|dBG GAB|d>ed dBG|
AGA BGD|E>FE E2D|G>AG GAB|d>ed dBG|\
BAB GED|E2F G3|]

%%%

X:535381 
T:PEARL OF THE IRISH NATION, The 
B:RC3.029 
Y:"moderato molto"
C:ABC/arr. BB
L:1/8
M:4/4
K:Gm
FG|A3G G2FG|A2A2 f3d|c2A2 A3F|B3G F2FG|
A2G2 G2FG|A2A2 f3d|c2A2 F2A2|G4-G2||
dc|d3g g2fg|a3g g2fg|a3f f>dcd|_e3f d2 g/f/d/c/|
A2G2 G2FG|A2A2 f2ag|gfdc A2A2|G8|]

%%%

X:535382 
T:POITIN STILL, An  
B:RC3.006
Y:"spirited"
C:ABC/arr. BB
N:1:Is Roche's expression "spirited" for this tune evidence of a sense 
of humor? Probably not.
L:1/8
M:6/8
K:D
A|ABA A2f|edB BAF|ABA A2f|edB B2e|
faa afa|baf (3f/a/f/ed|faf (3e/f/e/de|fdB BAF|
ABA ABd|fdB AFA|ABA Ade|fdd d2||
%%

X:535383 
T:PRETTY BROWN GIRL, The
B:RC3.030 (An Cailin Deas Donn)
Y:"andante con espress."
C:ABC/arr. BB
L:1/8
M:3/4
K:D
A/G/FE|D2 FGAB/c/|d2 ed/c/A>G|F2 DFE>D|B,3 A/G/FE|
D2 FGAB/c/|d2 ed/c/A>G|F2 DED>D|D3||F/G/AA|f2 dedc|d2 ed/c/AG|
F2 DFED|B,3 A/G/FE|D2 FGAB/c/|d2 ed/c/A>G|F2 DED>D|D6|]

%%%

X:535384 
T:PRETTY GIRL MILKING HER COW, The 
B:RC3.042 (Gaelic = Cailin Deas Cruidte na mBo)
Y:"andantino"
C:ABC/arr. BB
L:1/8
M:9/8
K:Em
E/F/|GBG FAF E<D E/F/|GBG FAF E2E/F/|
GBG FdF E<D E/F/|G>FE B,E>F E2||
E/F/|G2 (3A/B/c/ dBG F<D E/F/|G2 (3A/B/c/ dBd He2 g/f/|
e>dB ABG F<D B/A/|G/F/E/D/B,/A,/ B,EF E3|]

%%%

X:535385
T:PULL DOWN THE BLIND 
T:measures 1-16
B:RC3.153
C:ABC/arr. BB
Q:1/4=120
L:1/8 
M:3/4
R:waltz
K:D
F2|D2F3G|A4B2|A2d3e|f4a2|
a2g3f|e4f2|e2d2B2|A2G2E2|
D2F3G|A4B2|A2d3e|f4a2|
a2g3d|e2B2c2|d2f2e2|d4:|

%%%

X:535386 
T:RED HAIRED MAN'S WIFE, The
B:RC3.024 ("Bean an Fhir Ruadh")
Y:"rather slow"
C:ABC/arr. BB
N:This appears to be another attempt by Roche (or Darley) to notate a 
sean-nós piece. Unfortunately, as might be expected, the ABC playback 
is pretty awful. 
L:1/8
M:3/4
K:Dm
fe|de/d/ c2A2|cd/c/ A2G2|FA3 G/E/D|E2D2D2|D4:|DE|FG/F/E/D/ FGA/B/|
c>A d3c|A4G2|A2d2e<d|d4 DE|FG/F/E/D/ FGA/B/|c>A d3c|A4G2|A2d2 de|
Hf2 g/f/e/c/|de/d/ c2A2|cd/c/ A2G2|FA3 G/E/D|E2D2D2|HD6|]

%%%

X:535387
T:RINNCE MÓR, An
T:The Big Dance  
B:RC3.135
C:ABC/arr. BB
N:Roche's instructions: at end of tune, repeat from coda 
sign (m.41) to fermata (m.48), then repeat from "segno" 
to "final" (m.40) (Sound file will include all this)
L:1/8
M:6/8
K:A
d|"^segno"cdB A2E|F2E A2d|cdB A2B|cee fed|
"5"cdB A2E|F2E A2B|c2d B2c|A2B cBA||
"9"c3 cdB|c2e efg|a2f g2e|f2c ecB|
"13"c3 cdB|c2e efg|a2f b2a|gaf e2d||
"17"cdB A2E|F2E A2d|cdB A2B|cee fed|
"21"cdB A2E|F2E A2B|c2d B2c|A2B cAF||
"25"EAA cBA|ecA cBA|EAA cBA|cBB B2c|
"29"EAA cBA|ecA cBA|EFA Bcd|cAA A2||
g|"33"aga fec|f2e cBA|EAA cBA|cBB B2g|
"37"aga fec|f2e cBA|EFA Bcd|cAA A2|\
"final"cAA A3||
K:D 
"coda"A|"41"FED AGF|BAA A3|dcB edc|dAF D2A|
"45"fed agf|BAA A3|dcB edc|d3 Hd2||
A|"49"def efg|fed cde|dcB Bcd|BAF EFA|
"53"Bdd Add|Fdd Edd|Ddd edc|dAF D2||
P:after m.56, repeat mm 41-48

%%%

X:535388
T:ROSE WALTZ, The
T:measures 1-16
B:RC3.144
C:ABC/arr. BB
Q:1/4=120
L:1/8
M:3/4
R:waltz
K:D
A2|F2A3f|d4 (3ded|c2 b3a|g4A2|
"5"A2B2c2|d2e2f2|g2c'3b|b4a2|
"9"F2A3f|d4 (3ded|c2 b3a|g4e2|
"13"bagfed|cBAGFE|FGABce|d6|]

%%%

X:535389
T:SEAN O DWYER OF THE GLEN 
B:RC3.190 ("Sean O Duibhir an Gleanna")
Y:"set dance"
C:ABC/arr. BB
N:Another weird-sounding tune (which resembles no other tune of the same 
name). Note 6m/12m structure.
N:The A modal key is my idea. Source has Am. Neither one sounds parti-
cularly good.
L:1/8 % Source has dotted rhythm in first part.
M:C|
K:D
"^A modal"
A/c/d/e/|fefg abag|fgfe dcde|fAAB cBAB|
cded cBce|dc/A/GE DEGB|A2A2A2:|
AB|"7"cBAB cdef|g2eg a2ag|abag e2de|fefg abag|
"11"fgfe dedc|A2A2 A2A/c/d/e/|fefg abag|fgfe dedc|
"15"ABAG A2AB|cded cBce|dc/A/GE DEG>B|A2A2A2:|

%%%

X:535390
T:SHE IS FAR FROM THE LAND  
T:Open the Door Softly
B:RC3.023 ("Oscail an Dorus go Ciuin O")
Y:"andante con espress."
C:ABC/arr. BB
L:1/8
M:3/8
K:D
A,/B,/|DDF|A2A|A>BA/F/|A2B|\
"5"AFA|ABc|d3|FzF|
"9"dcd|edB|BAF|A2B|\
"13"AFD|DBA/F/|E3|Dz (3A/B/c/|
"17"dcd|edB|BAF|A2B|\
"21"AFD/E/|F<BA/F/|E3|HD3|]

%%%

X:535391 
T:SIEGE OF ENNIS, The
B:RC3.139
C:ABC/arr. BB
N:Tune structure: A-B1-B2-C-A
N:The Irish "Lakes of Sligo" (in D) and Scots "Banks of Inverness"
N:(in G) are two-part versions of this (i.e. excluding mm 25-48).
Q:1/4=120
L:1/8
M:2/4
R:polka
K:G
P:PART A
"^segno"D>EDB,|D>EGA|Bd AB/A/|GE EG/E/|
D>EDB,|D>EGA|Bd A>B|1 G/D/G/A/ B/d/g/e/:|\
[2 G2 Gz||"final" G2G2|]
P:PART B1
BddB|ceec|Bd AB/A/|GEED|
Bdd>B|cee>f|gefd|1 e/g/f/e/ d/e/d/c/:|2 e3 e/f/||
P:PART B2
gefd|e/f/e/d/ BA|Bd AB/A/|GE EG/E/|
D>EDB,|D>EGA|Bd AB|G2G||
P:PART C
A|BdBd|Bdd2|edBd|edd2|
BdBd|Bdd2|ed B>A|AG GD|
GB d2|ed c2|dBGB|BAA>D|
GB d2|ed c2|dB GE|E>D DA|
BdBd|Bdd2|edBd|edd2|
BdBd|Bdd2|edB>A|AGGE"_D.S."||

%%%

X:535392
T:SLAINTE NA nGAODHAL  
B:RC3.040 (Gaelic = "Health to the Gaels" [I think])
Y:"march - moderato"
C:ABC/arr. BB
N:This is a march setting of "Loch Lomond". 
L:1/8
M:C
K:G
D2|G2G>A B2AG|A2A>G E2 zD|G2G>G G2Bd|e4 d2 zd|
e2 e>d B3d|cBAG E3D|GGBd e2dB|A4 G2||
D2|G2G>A B2BA|G2G>E D3D|G2G>G G2Bd|e4 d2 zd|
e2ed B2Bd|cBAG E3D|G>GBd e2dB|A4 G4|]

%%%

X:535393
T:SLIABH FEIDHLIM  
B:RC3.027
Y:"rather slow with feeling"
C:ABC/arr. BB
N:"Sliabh" = mountain; "Feidhlim" = proper name
N:Another attempt to reduce a slow air into notation.
Q:1/4=60
L:1/8
M:3/4
K:Gm
GB|cc BG GB|cd/c/ BG G>F|G2-G/B/c/d/ ed/c/|d>c c3B/c/|
dd cB/c/ d>c|BG/B/ (3cBG GF|G2-G/B/c/d/ ed/c/|d>c Hc3||
c|cBcde>d|e<d d/c/B/c/ dc|BG BG B>G|G4 g>f|
ed/c/ d/c/B/G/ GF|G2-G/B/c/d/ ed/c/|BG G/B/d/c/ B>G|HG6|]

%%%

X:535394
T:SLIABH GALLEN  
B:RC3.057
Y:"andante maestoso con espress."
C:ABC/arr. BB
N:Evidently the Roches and Darley never learned that you can't 
successfully reduce a "sean nós" piece into notation.
Q:1/4=80
L:1/8
M:3/4
K:Gm
D>F|G2 (3GAB A>B|G4 G/A/B|F<D C>B, G,2|B,2 D/C/B,/C/ Dz|
"5"Bcde (3c/d/c/ (3d/c/B/|ABcd BA|GABc A>B|G2 G>A Gz||
"9"Bcde dc/B/|ABcd cB/A/|GABc A>G|G>FD2-D/F/G/A/|
"13"BAGFFD|CB,/A,/ B,/C/D G,/A,/B,/C/|D<G F<A G<B|A>G G3A|
"17"B2 z2 e/c/d/B/|AA z2 d/B/c/A/|GG z2 c/A/B/G/|A>F D2-D (3F/G/A/|
"21"BAG FDC|CB,/A,/ B,/C/D G,/A,/B,/C/|DG G<A A<B|A>G HG4|]

%%%

X:535395 
T:SLIABH NA mBAN  
B:RC3.054 (Gaelic = Mountain of the Women)
Y:"andantino"
C:ABC/arr. BB
N:1:The song version of this (title spelled "Slievenamon") is
in 3/4 time. 
N:2:I have changed the beginning of measure 13 from Roche's |E2DG| 
to |G2DG|. 
N:3:Roche includes a "classical" variation which I have omitted.
L:1/8
M:C
K:G
Bc|d2ed G2DG|B2cd E2AG|F2DE F<B A2|G6:|
G2|A2AB c3c|B2GA B3B|^c2AB c<fe2|Hd3 d ed^cd|
G2DG B2cd|E2AG F2DE|F<B A2 G4-|G4z2||

%%%

X:5355396 
T:SLIGO AIR, The 
B:RC3.001
C:ABC/arr. BB
Q:1/4=80
L:1/8
M:3/4
R:waltz
K:G
dA|B3 AG/B/E|E2D2 (3DEG|A2 AB/c/ BG|B2A2 dA|
B3 AG/B/E|E2D2 (3DEG|de/c/ B2 (3cAF|G4||
GE|D2E2 G/A/B/c/|d3 edc|BA GG/A/ BG|HA4 d/A|
B3 AG/B/E|E2D2 (3DEG|de/c/ B2 (3cAF|1 G4:|2 HG6||

%%%

X:535397 
T:SOFT DEAL BOARD, The
B:RC3.033 ("Clar Bog Deil")
Y:"maestoso appassionata" % !!
C:ABC/arr. BB
N:Another sean-nós piece victimized by notation attempts (and
classical expressions).
L:1/8
M:3/4
K:F#m
f>e|d>cB>A Fd/c/|c>AB>G FBB,|E2 F>G F2-|Fz A>G F>E|
CB, CB,/C/ EF|B>c d(3B/c/A/ BF|B>c d>c B>d|c2||A>G F>E|
CB, CB,/C/ EF|B>c d(3B/c/A/ BF|B>c d>c B>d|c2 (3E/B/e/ fe|
ec d/c/B/A/ Fd/B/|c>A B>G FBB,|E2 F>G F2-|F6|]

%%%

X:535398 
T:SUMMER FLOWER SCHOTTISCHE, The
T:measures 1-8
B:RC3.143
C:ABC/arr. BB
N:Cut time throughout in source.
Q:1/4=140
L:1/8
M:C|
R:hornpipe
K:G
Bc|d2gf agdB|A2e^d e4|A2fe dcBA|GFGA B2Bc|
d2gf agdB|A2e^d e4|A2fe dcBA|G2g2g4||

%%%

X:535399
T:THAT OLD VIOLIN TUNE
T:mm 1-16
B:RC3.157
C:ABC/arr. BB
L:1/8 
M:3/4
K:D
AA|A2d3e|f4AA|A2d3e|f4ff|\
f2a3g|e4ee|d2g3f|d4AA|
A2d3e|f4AA|A2d3e|f4ff|\
f2a2g2|e2g2f2|d2 Adfe|d4:|

%%%

X:535400 
T:THEY ARE GONE  
B:RC3.066
Y:"go mall bronach [= slow and sorrowful]"
C:ABC/arr. BB
L:1/8
M:4/4
K:G
d>B|cBGF G2 (3def|gfdc d2 (3def|gfdB c2Ac|BGFD G2:|
d2|g3a b2af|gfdB cBGA|Bcde =f2ef|d6 (3def|
gfdc d2Bd|cBGE =F2BA|A3G F2D2|G8|]

%%%

X:535401 
T:THOSE HAPPY DAYS QUADRILLE (fig.1) 
B:RC3.194a 
C:ABC/arr. BB
N:Played A-B-C-A
Q:1/4=160
M:6/8
R:jig 
K:G
P:Part A
D|GAB Bgd|d2B A2B/A/|GAB gdB|A3z2B/A/|
GAB Bgd|def g2f/e/|dgB dcA|G3 z2||"final"G6|]
P:Part B
g/a/|b2g age|d2B B2g/a/|b2g age|d3-d2g/a/|
bag age|def g2f/e/|dgB dcA|G3-G2||
P:"Part C Trio"
K:D
A|A2d d2e|f3-f2a|g2e fed|B3-B2d/B/|
A2d d2e|f3-f2a|gaf f2e|d3-d2"_D.C."||

%%%

X:535402 
T:THOSE HAPPY DAYS QUADRILLE (fig.2) 
B:RC3.194b 
C:ABC/arr. BB
N:Played A-B1-B2-A-C-A 
Q:1/4=60
L:1/16
M:2/4
R:polka  
K:G
P:part A
D2|G3A cBAG|A3B dcBA|B2Bc edcB|A2G2 E2D2|
G2Bd e2d2|g3a g2fe|edge dedB|cBcA G2||"final" cBcA G4|]
%
P:part B1 %1st and 3rd
BA|G3E D2EG|A2A2 Bdge|d3c BAGA|B2E2 E2BA|
GEDE G2GA|B2d2 efge|d2B2 A2GA|B2G2 G2Bc||
%
P:part B2
d3c BAGA|d2B2 egfa|g2e2 d2B2|A2E2 EcBA|
G3E D2EG|A2A2 Bdge|d3c BAGA|B2G2 G2||% back to A
%
P:part C %2nd and 4th
GE|DEGA BAGA|Bdef g3e|dBAB G2AB|cBAG E2GE|
DEGA BAGA|Bdef g3e|dBAG AcBA|G2G2G2 GA|
Bdef g3a|bage d3e|dBAG A2GA|cBAG E2GE|
DEGA BAGA|Bdef g3e|dBAG AcBA|G2G2G2||%back to A

%%%

X:535403 
T:THOSE HAPPY DAYS QUADRILLE (fig.3) 
B:RC3.194c 
C:ABC/arr. BB
N:Played A-B-C-A 
Q:1/4=160
L:1/8
M:6/8
R:jig 
K:G
P:part A
B|"^segno"BAB cBc|dba g2D|GFG AGA|BcB A2A|
BAB cBc|dba g2d|BGB cAF|G3-G2||"final" G3-G3|]
%
P:part B
d|dcA- ABc|edB G2d|dcA- ABc|e2d efg|
AB cBc|dba g2d|BGB cAF|G3-G2||
%
K:D
P:part C Trio
f|a2a A2A|d2e f2f|e2e d2d|d3-d2e/f/|
g2f e2c|d2c A2G|F2A d2d|d3-d2=c"_D.S."||

%%%

X:535404
T:THOSE HAPPY DAYS QUADRILLE (fig.4) 
B:RC3.194d 
C:ABC/arr. BB
N:Played A-B1-B2-A-C-A
Q:1/4=80
L:1/16
M:2/4
R:polka
K:D
P:part A
A2|d2dd d2cB|A2G2 F2A2|E2A2 A2A2|FABA GFED|
d2dd d2cB|ABGA F2G2|A2d2 fedc|d4d2||"final"d4 d4|]
%
P:part B1 %1st & 3rd
AF|D2FG A2Bc|defd e2dB|A2AB FAde|f2e2e2 AF|
D2FG A2Bc|defd e2dB|A2AB AFDF|E2D2D2||
%
P:part B2
AF|ABde f2ef|gefd e2de|f2e2 dBAF|F2E2 E2AF|
D2FG A2Bc|defd e2dB|A2AB AFDF|E2D2D2||%back to Part A
%
M:C
L:1/8 % source has dotted rhythm throughout
P:part C %2nd & 4th
B|Addd dcBA|BcdB A2fg|afge fdcd|ecdB A2fg|
afge fdcd|ecdB A3G|FGAd dcde|fdec d2||
de|fdBB B2cd|ecAA A2AG|FGAc dcde|f2ed e2de|
fdBB B2cd|ecAA A2AG|FGAc dcde|fdec d2"_D.C."||

%%%

X:535405 
T:THOSE HAPPY DAYS QUADRILLE (fig.5) 
B:RC3.194e
C:ABC/arr. BB
N:Played A-B-A-C-A
Q:1/4=120
L:1/8
M:2/4
R:polka
K:D
P:Part A
A>F FE/D/|F>E F>d|A>F FE/D/|E>D EF|
"5"A>F ED|d>e fe|d/c/B/A/ dF|E>D EF||"final" EDD2|]
"9"AB/c/ df|e>d ef|AB/c/ dF|E>D EF|
"13"AB/c/ df|e/d/g/f/ ed/e/|f>e dF|EDE||
%
M:6/8
R:jig
Q:1/4=160
P:Part B %1st & 3rd
A/G/|"17"F2A d2f|e2c A2G|F2A d2d|d3 z2g|
"21"f2e f2g|a2f d2f|e2d c2B|A3z2 g|
"25"f2e f2g|a2f d2f|e2c A2F|G3z2A|
"29"B3 Bcd|e2c A2G|F2A d3|d3-d2g|
"33"f2e f2g|a2f d2f|e2c A2F|G3z2A|
"37"B3 g2f|e2c A2G|F2A d3|d3-d3||%back to A
%
P:Part C %2nd & 4th
"41"A2A F2A|d2e fgf|e2A A2F|G3-G2 F/G/|
"45"A2A F2A|d2e fgf|e2A A2c|d3-d2 a/g/|
"49"f3 fef|g2e ede|f2d A2F|G3-G2a|
"53"f3 f2A|d2e fgf|e2A A2c|d3-d2 a/g/|
"57"f3 fef|g2e ede|fdB AGF|G3-G2F/G/|
"61"ABA AFA|d2e fgf|ecA ABc|d3-d3!D.C.!||

%%%

X:535406 
T:THREE CAPTAINS, The 
B:RC3.189
Y:"set dance"
C:ABC/arr. BB
N:"from O'Neill slightly altered" 
Q:1/4=100
L:1/8 % Source has dotted rhythm throughout.
M:4/4
R:hornpipe
K:G
D|GGB/G/B cAFA|GGB/G/B dBGB|ce/c/A2 Bd/B/G2|ABcB AB/G/ FE/D/|
"5"GGB/G/B cAFA|GGB/G/B dBGB|ce/c/Ac Bd/B/GB|Ac/A/ DE/F/ G3||
%B
|:d|"9"ggdc B/c/d d/e/f|ggd/B/d e/c/A A>f|gab/g/e fga/f/d|\
e>fg/f/e fdg/d/B|
"13"c>d e/c/A B>c d/B/G|A>BcB AGF/E/D|GGB/G/B cAFA|GGB/G/B dBGB|
"17"ce/c/A>c Bd/B/G>B|A/c/A D/E/F G3:|

%%%

X:535407
T:TURKEYS IN THE STRAW, The   
B:RC3.215
Y:"allegretto" 
C:ABC/arr. BB
L:1/8 
M:4/4
K:G % source key = D
BA|GE2F EDB,C|DEDB, DEGA|BABc dBGA|BA2G AcBA|
GE2F EDB,C|DEDB, DEGA|Bd2e dBGA|BGAF G2||
GA|Bd2e dBGA|Bdde dcBA|Bdef gfed|edef g2ef|
gfge dged|BdAG E2GA|BdAG EDB,C|DG2A G4|]

%%%

X:535408 
T:ULSTER AIR  
B:RC3.008
Y:"andante" 
C:ABC/arr. BB
L:1/8
M:2/4
K:G
G/A/|d3g|c3d|(3BBB G>c|E3D|E3F|G3G|G4-|G3||
G|B3c|de2 f|g2 e>f|d3e|f3A|B3c|d4-|d3 B/c/|
d=f2 c|d2 B>B|(3c2B2G2|E3D|E3F|G3G|G4-|G3|]

%%%

X:535409 
T:ULUACHAN DUBH O  
B:RC3.070
Y:"rather slow & plaintive"
C:ABC/arr. BB
N:This is the same tune as "Fair Hills of Eire/Erin". I think 
the correct spelling of the Gaelic name is 'Uilleachan' but 
I can't find the word (= bird name?) in any of my dictionaries!
L:1/8
M:4/4
K:C
G2|c3d cBAG|G2Bd e2ge|d<BA<G E>DE>G|G4z2B2|
c3d cBAG|G2Bd e2ge|d<BA<G E>DE>G|G4 z2 ze||
f3g fedc|d2eg g2ze|f3g fege|dBAG HEG/A/ B/c/d/e/|
f3g feg2|G2 Bd e2ge|d<BA<G E>DE>G|G4z4|]

%%%

X:535410 
T:VERSEVIANNA, The
T:Father Halpin's Top Coat
T:measures 1-8
B:RC3.150
C:ABC/arr. BB
N:Neither this nor "Father Halpin's" in Roche 2 are exactly the same 
as the "Versevianna" (or "Verse of Vienna" - ?) played today. (I think 
correct name is "Warsowianna" after the Polish city, with Polish "W" 
pronounced "V").
Q:1/4=120
L:1/8 
M:3/4
R:waltz
K:G
B>c|B2D2 B>c|B2D2 B>c|d2e2d2|A4 A>B|
A2D2 A>B|A2D2 A>B|c2e2d2|G4:|

%%%

X:535411
T:VOLUNTEERS' SONG, The   
B:RC3.217 ("Amhran na n-Oglach")
Y:"tempo di marcia"
C:ABC/arr. BB
N:Fittingly perhaps, the last tune in the book is Roche's arrangement 
of "Amhran na bhFiann" ("Soldiers' Song"), the national anthem of Ireland. 
I think Roche's name is the original. The Wikipedia article on "Amhran 
na bhFiann" provides a lot of amusing insight into the Irish way of thinking 
(God bless it). (https://en.wikipedia.org/wiki/Amhrán_na_bhFiann)
Q:1/4=120
L:1/8
M:4/4
R:march
K:D
P:Intro
DA/d/ fd/f/ afd2|AA/A/ AF D/F/A/D/ f2|DA/d/ fd/f/ afd2|d3A FAdf|
"5"ag/f/ e/d/c/B/ A/G/E/F/ A/B/c/e/|dzdz d2z||
P:Verse
A|F2DF A3A|Bcde f3e|d2B2 A2F2|A3G E2zA|
"5"F2DF A3A|Bcde f3d|c3c B3B|A2A2 z2A2|
"9"G3G GEFG|A3B A2d2|c3B c2B2|A2G2 E2A2|
"13"F2DF A3A|Bcde Hf2dB|Ad2F E3D|D6 z2|
P:Chorus
"17"d3e f2d2|A6A2|B3F F2B2|A4 A4|
"21"d4 c4|B6 cd|e3f e3B|c6 z2|
"25"d3e f2d2|A6 A2|B3F F2B2|A4 A3A|
"29"c4 c3c|c2c2 B3A|A6 A2|G3G GEFG|
"33"A3B Azd2|c3B c2B2|A2G2 EzA2|F2DF A3A|
"37"Bcde f2dB|Ad2f e3d|d6 za/b/|\
[1 a/b/a/b/ ag/f/ e/d/c/B/ A/B/c/e/dzdz d2z:|\
[2 d8|]

%%%

X:535412 
T:WALLS OF LIMERICK  
B:RC3.137
C:ABC/arr. BB
N:First part of this tune (mm 1-16) is a version of "London Lasses", 
usually considered a reel.
L:1/8
M:2/4
K:D
D>F A/D/F/A/|B/e/e B/d/d|D>F A/D/F/A/|B/d/A/F/ F/E/E/F/|
"5"D>F A/D/F/A/|B/e/e B/d/d/e/|f/d/e/d/ BA/F/|B/d/A/F/ EE||
"9"d>A B/A/F/A/|A/D/F/D/ F/A/A/B/|d>A B/A/F/A/|B/d/A/F/ F/E/E|
"13"d>A B/A/F/A/|B/A/F/A/ dd/e/|f/d/e/d/ BA/F/|B/d/A/F/ E||
K:A
c/B/|"17"AE/A/ cA/c/|ec/e/ a>c|ed dB|fe c/d/c/B/|
"21"AE/A/ cA/c/|ec/e/ a>c|ed dB|BA Ac|
"25"ed dB|fe cA/c/|ed dB|fe c/d/c/B/|
"29"AE/A/ cA/c/|ec/e/ a>c|ed dB|BAA2|]

%%%

X:535413  
T:WANDERER'S MUSINGS, The
T:Works of the Land
B:RC3.034
Y:"gracefully"
C:ABC/arr. BB
N:I reorganized this lovely tune a bit. Roche's original setting is 
below.
L:1/8 % A-B-A
M:6/8
K:G
GA|B2d e2f|g3 fed|d2B d2e|B3 G2A|
"5"B2A Bde|e2de2f|e6-|e4-ef|
"9"g2e fed|e3 f2g|G2A BAB|E3 d2d|
"13"e3 d2e|B3 A2G|G3-G2z|G,3-G,BA||
"16"G2E D2E|G3 GAB|d2c B2c|d3 def|
"21"g2f e2f|e2d edB|d6-|d2ze2f|
"25"g2e fed|e3 f2g|G2A BAB|E3 d2d|
"29"e3 d2e|B3 A2G|G3-G2z|G,6|]

Source version:
z2zG2A||B2d e2f|g3 fed|d2B d2e|B3 G2A|
"5"B2A Bde|e2de2f|e6-|e2ze2f|
"9"g2e fed|e3 f2g|G2A BAB|E3 d2d|
"13"e3 d2e|B3 A2G|G3-G2z||
G,2zB2A||"16"G2E D2E|G3 GAB|d2c B2c|d3 def|
"21"g2f e2f|e2d edB|d6-|d2ze2f|
"25"g2e fed|e3 f2g|G2A BAB|E3 d2d|
"29"e3 d2e|B3 A2G|G3-G2z|G,2z G2A||

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X:535414 
T:WAVES OF TOREY, The  
B:RC3.136
C:ABC/arr. BB
Q:1/4=120
L:1/8
M:2/4
R:polka
K:A
c/B/|A>B AF|FE EB/c/|dd dc/B/|c3 A/B/|
cf f>e|ce ec/B/|AB/c/ df|e3 e|
aa ag/f/|e>f ec|Bc/B/ AF|E3 c/d/|
ee fe/d/|cA FA|E>F AA|A3||
K:D
F/G/|Ad dc/B/|AF FE/F/|GB BA/G/|FD DF/G/|
Ad dc/B/|AF FE/F/|GB BA|D3z|
dA/d/ fa|ge e>d|cA/c/ eg|fd d/g/f/e/|
dA/d/ fa|ge e>d|cb ba|d4-|d4|]

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X:535415
T:WHERE ARE YOU NOW LITTLE GIRL?  
B:RC3.020 ("Ca Rabhais Anois a Cailin Bhig")
Y:"andante"
C:ABC/arr. BB
L:1/8
M:C
K:D
de|f2f2 g2g2|f2ed c2de|f2f2 fge>e|d3c A2de|f2f2 g2ag|
f2ed d2ed|dcAG F2GE|E4 D2||FG|A2A2 G2AG|F2G2 E2FG|
A2A2 G2AG|F3E DEFG|A2A2 G2AG|F2G2 E2d2|cAAG F2GE|E4 D4|]

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X:535416 
T:WHERE THE AUGBEG FLOWS  
B:RC3.015
Y:"moderato"
C:ABC/arr. BB
N:Last notes in measures 6 and 22 are /D/
in the source.
L:1/8
M:3/4
K:G
GF|D2G2A2|B2A2G2|A2 dcAG|F2G2A2|
B2d2B2|cBAGF>E|D2G2G2|G4:|
dc|B2d2d2|d3 cBA|G2c2c2|c4 Bc|
d2g2g2|g2a2b2|d2g2f2|g4 ga|
b2a2g2|ge3 d2|d2 cBAG|F2G2A2|
B2d2B2|cBAGF>E|D2G2G2|HG6|]

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X:535417
T:WOODS OF KILMURRY, The
B:RC3.067
Y:"rather slow"
C:ABC/arr. BB
L:1/8
M:6/8
K:Gm
d/c/|BAG FDC|DG2-G2 G/A/|BAG cAF|G3-G2d/c/|
BAG FDC|DG2-G2 G/A/|Bdc ABA|G3-G2||
G/A/|B>c d/=e/ fdc|dg2-g2 g/a/|bag fdc|d3-dza/g/|
f=ed cAG|FD2-Dz G/A/|B<dc A<BA|G6|]

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X:535418
T:YOUGHAL 
B:RC3.049 (Eochaill)
Y:"andante"
C:ABC/arr. BB
N:1:Both English and Gaelic are pronounced "yawl".
N:2:This is the melody for the 1798 commemorative ballad "Boulavogue"
("At Boulavogue, as the sun was setting ...") composed by P.J. McCall.
I have changed Roche's notation slightly in measures 4 and 12.
L:1/8
M:6/8
K:G
D|G2D G2B/d/|g2f e<ge|d2e B2G/B/|A2G E2F|
G2D G2B/d/|g2f e<ge|d2e B2G/B/|A2G G2:|
B|d2B d2e/f/|g2f e<ge|d2e B2G/B/|A2G E2F|
G2D G2B/d/|g2f e<ge|d2e B2G/B/|A2G G2:|

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X:535419 
T:YOUGHAL HARBOR
B:RC3.186
Y:"set dance"
C:ABC/arr. BB
N:Note 6 measures in part 1, 14 in part 2.
L:1/8
M:C|
K:G
ef|gfed B2AB|dBA/B/A GEDE|G2GA Bdef|gfed B2AB|
dBA/B/A G2G2|G6:|A2|Bdef g2fg|agfg e3e|fedB dBAB|d2d2d2 ef|
g2ga gfed|Bd/B/AG EDB,D|G2GA B/d/B/A/ Bd|edef g2ef|
gfed B2AB|dB/A/BA GEDE|G2GA Bdef|gfed B2AB|dBA/B/A G2G2|G4-G4|]

%%%
2