BB's Irish Traditional Tune Library
Folder 66
Tunes Composed / Transcribed

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

2/10/23 Moved to folder 57 (Treoir tunes):
66009 Bridie's Farewell new # 57163
66006 Blossom Tree new #57012
66111 Creelaghta new #57033
66081 East Wind March new #57046
66113 Taka's Tune new # 57172
66102 Shannon Waves new # 57170
66079 Paddy Fahey's Reel new # 57168
66058 Lady's Chair new # 57165
66060 Leather Away . . . new # 57166
66108 Strand HP new # 57171
66075 Old Fair Town new # 57167
66101 Sentry Hill new # 57169
66022 Dad's 43rd new # 57164

2/27/23 added from folder 38
66081	Westbrook Bell
66108	Consolation Jig (x 38055)
66058	Frances Keegan's (x 38082)
66022	Fleeting Days of Sunshine (x 38086)
66009 	Flavor of the Month (x 38085)
66126	Fergus Keane's (x 38082)
66135	James Connolly's Volunteers
66136	Nantucket Sleighride (x 38211)
66121	Seosamh Maher's (x 38250)
66102	Sound the Siren at the Crossroads (x 38260)

Larry Mallette tunes are now in tunefolder 40

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

X:66107
T:ABBY'S REEL
C:Joe Healey
Q:1/4=180
M:4/4
R:reel
L:1/8
K:G
"Am" EAAB "F" cBAc|"Em" Bdef "G" gedB|"Am" EAAB "F" cBAc|"Em" BAGB "Am" A2AG |
"Am" EAAB "F" cBAc|"Em" Bdef "G" gedB|"Am" c'age "G" dBG2|"Em" EGBG "Am" A4 :|
"Am" aece "F" abc'b|"Em" aged edBG|"Am" aece "F" abc'b|"G" ageg "Am"a4 |
"Am" aece "F" abc'b|"Em" aged edBG|"Am" EAAB "F" cBAc|1 "Em" BAGB "Am" Aceg :|\
[2 "Em" BAGB "Am" A4|]

%%%

X:66110
T:ADAMS NO.1 (reel)
C:Max Bruecher
Q:1/4=180
M:C|
L:1/8
R:reel
K:A
AB|c2Ac BcBA|F2AF BFAF|E2EF ABce|afec BcAB |
c2Ac BcBA |F2AF BFAF |E2EF ABcA |BAGB A2 :|
ce|a2ga faec |B2FB cAEF |ABce fege |afec Bceg |
a2ga faec |B2FB cAEF |ABce afec |1 BAGB AB :|\
[2 BAGB A4|]

%%%

X:66113
T:AIRY JIG, The
C:Max Bruecher 31/10/2012
Q:1/4=160
M:6/8
R:jig
K:D
B|Ade f2f|afe f2f|afe def|edB dBA|
AFA def | afe f2 f | afe def |edc d2:|
c|BFB dfe | dBG Bde | f2 f afe | dfe dBA |
BFB dgf | edB GBd | f2 f afe | dBA Bdc |
BFB dgf | edB GBd | f2 f afe | dfe dBA |
BAF BAF | Ade f2 f | afe def | edc d3|]

%%%

X:66092
T:ARLINGTON GIRLS (reel), The
C:P.G. Mulvaney
N:pgm40@cam.ac.uk
C:ABC/arr. BB
Q:180 
M:4/4
L:1/8
R:Reel
K:Em
d|eB B2 BAGA|BGBe gfef|d2d2 dc3|c2c2 cB3|
eB B2 BAGA|BGBe gfef|d2d2 dc3|Bdeg e3:|
A|BE E2 BEcE|BEcE BAGB|AFF2 DF F2|AFBF AFEc|!
BE E2 EDBD|BEcE BAGB|A2GA dAFA|DEFG  E3:|

PGM note:
"I've been buddies with a number of women of accomplishment 
whose only other matter-in-common was their residence 
in Arlington, MA. Still friends with a few of those 'girls'."

%%%

X:66001
T:BALLYCOTTON JIG, The
D:"Highs and Bellows" [M.McCauley 2017]
C:ABC/arr.BB
Q:1/4=160
R:jig
M:6/8
L:1/8
K:A
f/g/|aec dBA|ABc d2f|ece ABc|dBA GFE|
ece dBA|ABc d2f|ece aec|1 def e2:|2 dcB A2||
d/c/|B2E GFE|B2E GAB|cAF F2c|d2B c2A|
B2E GFE|GBc d2f|ece aec|1dcB A2 :|2 def efg||\
"final" a6|]

%%%

X:66002
T:BIG PAT'S REEL
D:"First Steps" (The Jig Is Up / 2011)
C:ABC/arr.BB
Q:1/4=180
M:C
L:1/8
R:reel
K:Em
dc|BEEF G2EF|GBAG FDD2|BEEF G2 (3Bcd|gefd e2dc|
BEEF G2EF|GBAG FDD2|BEEF G2 (3Bcd|gefd e2||
ef|g2ga bgag|faag fdd2|g2ga bgag|fedf e2ef|
g2ga bgag|faag fdd2|gfeg fedf|egfd e4||

%%%

X:66114
T:BIRTHDAY JIG, The
C:Max Bruecher 08/01/2013
Q:1/4=160
M:6/8
L:1/8
R:jig
K:A
ABA ABc|ecB ABc|dBB Bcd|e2e efg |
a2 f ecA | def ecA | def efg |1 aec AEF :|\
[2 aec Ace ||
|:a2 b aec | def ecA | def efg | agf efg |
a2 b aec | def ecA | def efg |1 aec Ace :|\
[2 aec A2 z|]

%%%

X:66004
T:BLASKET ISLAND POLKA, The
S:Patrick Murray
Q:1/4=140
M:2/4
L:1/8
K:G
FG AB | c2 c>A | B2 Bc/B/ | AG AG |
FG AB | c2 cA | B/c/d cA |1 G2 GA/G/ :|2 G2 G2 |
|: de/d/ cA | GB BG | FA AF | GB Bc |
de/d/ cA | GB BG | FA AF | G2 G2 :|]

%%%

X:66005 
T:BOB'S PARTING GLASS (reel) 
D:"The Open Door" [Sean Nua 1993]
C:ABC/arr.BB
Q:1/4=180
R:reel
M:C
L:1/8
K:G
g2dg g2dg|gddB cAA2|g2dg gddB|FGAB cdBA|
g2dg g2dg|gddB cAA2|FGAB c2Bc|dBcA BGG2 :|
DGBG DGBG|DFAB AFD2|DGGG BdBG|FGAB cdBA|
DGBG DGBG|DFAB AFD2|FGAB c2Bc|dBcA BGG2 :|

%%%

X:66007
T:BRAES OF MAAS (reel), The 
D:Bua: "Down the Green Fields" [2011]
C:ABC/arr.BB
Q:1/4=180
M:C
R:reel
K:D
FE|DFAc defe|d2BG BABd|DFAc defg|bagf e2dB|
DFAc defe|d2BG BA (3Bcd|DFAc defg|bagf e2d2 ||
faaf dfaf|g2ba gfeg|faaf dfaf|gbaf e2d2|
faaf dfaf|g2ba gfec|Adce dfeg|bgec e2Hd2|]

%%%

X:66008
T:BRENDAN BEGLEY'S SLIDE
C:ABC/arr.BB
M:12/8
Q:1/4=180
K:G
A3 AGA B2A G2B|ABA G2E D2E G2B|
A3 AGA B2A G2B|ABA G2E D3-D3 :|
d2A AGA B2A G2B|ABA G2E D2E G2B|
d2A AGA B2A G2B|ABA G2E D3-D3 :|

BB note:
Transcribed from the playing of piper Jerry O'Sullivan.

%%%

X:66011
T:BUTLERS OF GLEN AVENUE, The
C:Tony Sullivan
C:ABC/arr.BB
M:6/8
L:1/8
Q:1/4=160
R:Jig
K:G
DEG EDB, | DEG ABB | DEG ABe | dBe dBA |
DEG EDB, | DEG ABB | ede gfe | dBA G3:|
gab age | deg B3 | gab gab | dBd e3 |
gab age | dBd BEE | ede gfe | dBA G3:|

%%%

X:66115
T:CAPRICORN  
C:Max Bruecher 21/11/2012
Q:1/4=160
L:1/8
M:6/8
R:jig
K:D
ABd efg|fed def|gfe efg|fed e2A|
ABd efg|fed def|gfe fed|BAG A3 :|
%
afd def|gee efg|fed def|fed e2e|
afd def|gee efg|fed edc|dec d2f|
afd def|gee efg|fed fed|fed e2e|
[1 "thru"afd Adf|gdB deg|fed edc|dec d3 |]
[2 "final"afd Adf|gdB GBd|fed edc|dAF D3 |]

%%%

X:66116
T:CARNAPTIOUS CURMUDGEON (reel)
T:Gill the Gob
C:Jim Dorans © July 2012  
N:The second-to-last |e| in mm 17, 18 21, and 22 is actually |e'|.
I have lowered it here because the MIDI playback can't handle a
note that high
Q:1/4=180
L:1/8
M:C
R:reel
K:D
EBBA Bege|bege agfe|[Dd]cdA BdAG|[AF][DA][FA][AD] GFED|
EBBA Bege|bege gfed|=cGEG cdec|[Dd]efd e4 :|
bege Bege|{c}B2A {B}G2 FED|[AF][DA][FA][AD] [GA][DA][AF][DA]|\
[_Ed][dE][=E_e][_Ed] [F=f][^fG] z2|
bege Bege|B2A G2 FED|=CB,CD EDEG|FEDF E4 :|
bgeb geee|bgeb geee|feAe dAd=c|AcBA B=cde|
bgeb geee|bgeb geee|=c'2 gc'/g/ e=ceg|fdfd e4 :|

%%%

X:66012
T:CATHAL McCONNELL'S REEL
D:"First Steps" (The Jig Is Up / 2011)
C:ABC/arr.BB
Q:1/4=180
M:C
L:1/8
R:reel
K:G
Bc|dGG2 d3A|BdeB dBAB|cFF2 c3A|BdeB dBAB|
dGG2 d3A|BdeB dBAG|FAde f3d|edcA G2:|
Bc|:dggf g2bg|dgg2 agfe|dffe f3e|defg agfe|
dggf g2bg|dgg2 agfg|bgfg agfe|defd cAFA:|\
"final"G8|]

%%%

X:66015
T:COLEMAN'S MAID ON THE GREEN
D:"The Killasser Flute" (J.O Sullivan),tr.1B
C:ABC/arr.BB
S:Alan Morrisroe
Q:1/4=160
M:6/8
R:jig
K:G
G3 dGG|edB dBA|G3 dGG|edB AFD|
G3 dGG|edB d3|gfe dBG|1 Bee dBA:|2 Bee def||
|:gfg bag|fef afd|gfg bge|edB GBd|
gfg bag|fef afd|bag agf|1 egf edB:|\
[2 ege dBA|G6|]

%%%

X:66108 
T:CONSOLATION JIG, The 
C:J.O'Sullivan
C:ABC/arr. BB
Q:1/4=160
M:6/8
L:1/8
R:jig
K:Dm
G|A3 ABc|A3 GED|A3 ABc|d3 cAG|
A3 ABc|A3 GED|A3 ABc|1 d3 cA:|2 d3 d2||
e|f2 d cAG|A3 GED|f2 d cAc|d3 d2 d|
f2 d cAG|A3 GED|A3 ABc|d3 d2:|

%%%

X:66016
T:CONTINENTAL (polka), The
D:"Highs and Bellows" [M.McCauley 2017]
C:ABC/arr.BB
Q:1/4=140
R:polka
M:2/4
L:1/8
K:A
d|e2 ed|cd ec|B>c dB|c>d ec|
e2 ed|cd ec|Bc de|AB c :|
A|B>c de|ge de|ce ae|ce ae|
B>c de|ge af|1ge dB|AB c:|\
[2 gedB|A4|]

%%%
 
X:66017
T:COOLEY'S JIG
D:Bua: "Down the Green Fields" [2011]
C:ABC/arr.BB
Q:1/4=160
M:6/8
R:jig
K:D
e|f2e d2D|FAA BAF|ABd edB|efe efg|
f2e d2D|FAA BAF|ABd edB|ded d2:|
e|f3 a2f|abf afe|def edB|efe efg|
[1 fef a2f|abf afe|def edB|ded d2:|
[2 f2e d2D|FAA BAF|ABd edB|ded Hd3 |]

%%%

X:66024
T:COW'S TIT, The
C:© Luke O'Malley
C:ABC/arr.BB
B:"Luke O'Malley's Collection of Irish Music Vol.1" 
tune 78 (1976)
M:6/8
Q:1/4=160
R:jig
K:D 
E| DFA dfa|gfe cBA|Bdg afa|gfg e2A|
DFA dfa | EGB efg | agf gfe | ABc d2 :|
A| Bdf bfd | fgf edc | dBd cAc | BcB A2 E|
DFA dfa | EGB efg | agf gfe | ABc d2 :|

LOM note:
"This was written by me for no good reason at all."
BB note:
While flat keys present no problem for Luke's Klingon 23-Row 
Laser-Light piano-accordion, I transposed this into a friendlier 
key for the rest of us. In the process I had to do some arranging, 
so my setting isn't a 100% note-for-note transposition of the 
original (which appears below for those interested).  By the way 
- if you can manage an A-sharp in m.11, go for it! (Sub-note:
this tune was in the "Music's the Very Best Thing" tunebook in
G, which was of limited use to treble instruments.)

%%
%%
P:original in Bb
K:Bb
B,/B,/| B,DF Bdf | bc'b agf | geg fdB | efe c2 B,/B,/ |
B,DF Bdf | CEG ceg | agf edc | AFA B2 :|
G/G/ | GBd gdB | ded cBA | BGB A^FA | GAG F2 B,/B,/ |
B,DF Bdf | CEG ceg | agf edc | AFA B2 :|

%%%

X:66019
T:CRAIG'S POLKA
S:Rose Flanagan
C:ABC/arr.BB
Q:1/4=170
M:C|
L:1/8
R:polka
K:Gmaj
G>FGD EGD2|EAAG/A/ BAA2|G>FGD EGD2|EAAG/A/ BGG2 :|
BddB e2e2|AeAe f2f2|BfBf g2fe|dBAG/A/ BGG2 :|

%%%%%

X:66020
T:CURIOUS CAT, The
D:"The Open Door" [Sean Nua 1993]
C:ABC/arr.BB
Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
"E dorian"
D|E2B BAB|dBA B3|D2d dcd|AFD FGA|
E2B BAB|dBA B3|D2d dcd|AFD E2:|
A|B2e ede|fed fed|B2e dBA|Bde dBA|
B2e ede|def afd|edB AFA|BEE E2:|

%%%

X:66021
T:CUSACK'S JIG
T:Richard Cusack
C:Carolan
C:ABC/arr.BB
M:6/8
Q:1/4=160
R:jig
K:Dmix
A|dcd def|"C"c2c cBA|"G"B2B BGB|"Am"cAG A2A|  
d2d def|"C"c2c cAc|"G"BGB "Am"A2G|FDC D2:|
z|A2F "A"AB^c|dAG FEF|DEF "G"GAB|"Am"cAG A2A|
d2d def|"C"c2c cAc|"G"BGB ABG|FDC D2   :|

BB note:
This is a Carolan harp tune that struck me as making a pretty
serviceable D-modal jig (with a few tweaks, of course!)

%%%

X:66003
T:DANCING ALICE (reel)
C:Joe Healey (July 2010)
%Q:1/4=180
M:4/4
R:reel
L:1/8
K:Em
"Em" E2EF GEGA|"G" B2Bc BAG2|"D" FDAD BDAD|"Em" ^D=EBE "Am" cE "Bm" BD|
"Em" E2EF GEGA|"G" B2Bc BAG2|"D" FDAD BDAD|1 "D" dBAF "Em" GEEB, :|\
[2 "D" dBAF "Em" EFGA ||
|:"Em" BGEB "D" AFDA|"Em" G2GA GFE2|"G" B2Bc d2cB|"D" AFDF "Em" EFGA|
"Em" BGEB "D" AFDA|"Em" G2GA GFE2|"G" BGEc "D" AFDA |1 "D" cBAF "Em" GEEG :|\
[2 "D" cBAF "Em" GEE2|]

E2EF GEGA|B2Bc BAG2|FDAD BDAD|^D=EBE cEBD|

%%%

X:66023
T:DAWN CHORUS, The
R:jig
C:Charlie Lennon
C:ABC/arr.BB
Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
E|B3 BAB | ded BGE | D2A AGA | DEG AGE |
D2B BAB | dBB BAG | ABd BAB |1 FEE ED :|2 FEE E2f ||
|:gee efg |f3 def | gfg aga | bge e2f |
g3 gfe | ded dBd |g3 B3 |1 dBA GBd :|2 ded DEG ||

%%
%%
P:variations
|: B3 BAB | dBB BGE | D2A AGA | d2A AGE |
D2B BAB | dBB BAG | ABd BAB |1 FEE EDE :|2 FEE E2f ||
|: geB efg | f2d def | gfg aga | bge e2f |
gag gfe | ded ABd | gBB dBA |1 B2G GBd :|2 B2G AFD |E6|]

%%%%%

X:66047
T:DESTRUCTION OF ROCKAWAY (reel), The 
C:© Luke O'Malley
C:ABC/arr.BB
B:"Luke O'Malley's Collection of Irish Music Vol.1",
tune 29 (1976)
M:C
Q:1/4=180
R:reel
K:G
(3DEF | G2 Bd e2dB | gBfB eBdB | G2 Bd e2dB | A=FcF dFcF | 
G2 Bd e2dB | gBfB eBdB | c2 ec B2GB | ADFA G2 :|
z2 | b2ab gbeg | fadf eg B2 | a2ga fadf | eg^ce d=cBA |
G2 Bd e2dB | gBfB eBdB | c2 ec B2GB |ADFA G2 :|

BB notes:
1: I once made the foolish effort of trying to persuade Luke 
that this tune made a better hornpipe than reel. He didn't agree 
(naturally). Try it both ways and see which you prefer!
2: The /d/ in m.11 is /^d/ in the original. If you can manage it,
go for it!

%%%

X:66026
T:DOUBLIN' REEL, The
C:Solomon Foster
C:ABC/arr.BB
Q:1/4=180
M:C|
L:1/8
R:Reel
K:G
DE|G3B AGBd|eg3 edBG|A3B AGEG|AGBG AGEF|
G3B AGBd|eg3 edBd|eg3 edBG|ABGF G2:|
Bd|eg3 aged|BG3 AGEG|DEGA BABd|eged BGBd|
eg3 aged|BG3 AGEG|DEGA BABd|egdB G2:|

SF note:
"A sequel of sorts to "Two Weeks to Wait" I submitted last time, 
works nicely if you are okay with a hornpipe to reel transition.  
After you've waited the two weeks, the sign you're looking for 
is a certain hormone doubling every day or two."
BB note:
"Two Weeks to Wait" is in the webABC "recent" folder.

%%%

X:66027
T:DOWN THE GREEN FIELDS
D:Bua: "Down the Green Fields" [2011]
C:ABC/arr.BB
Q:1/4=160
M:6/8
R:jig
K:G
e/f/|gfe d2B|cAA BGG|gfe d2B|cBA GBd|
gfe d2B|cAA GBB|def gdB|cAF G2:|
F|EFG A2B|cAA BGG|EFG A2B|cBA G2F|
EFG A2B|cAA GBB|def gdB|cAF G2:|

%%%

X:66028
T:EDDIE KELLY'S #1
T:Martin Talty's
R:jig
C:Martin Talty
D:Dervish: Boys of Sligo
S:Rose Flanagan
C:ABC/arr.BB
Q:1/4=160
M:6/8
K:D
"E dorian"
e3 dBA|BAG EDB|DEG e2d|BAG ABd|
e3 dBA|BAG EDB|DEG e2d|BAF E3:|
|:e2f gfe|beg fed|Beg beg|f3 e2f|
g3 edB|AFD FGA|d2e fed|BAF E3:|

%%
%%
"variations"
|efe dBA|BAG EDB,|B,DG Eed|BAG ABd|
ege dBA|BAG EDB,|B,DG Eed|BAF E3:|
|e3 gfe|beg fed|Beg beg|fed e2f|
g2f edB|AFD FGA|d2e fed|BAF E3:|

%%%%%

X:66029
T:EDDIE MOLONEY'S (reel)
D:Bua: "Down the Green Fields" [2011]
C:ABC/arr.BB
Q:1/4=180
M:C
R:reel   
K:G
EF|GEE2 cABG|ABGE A2BA|GEE2 cABG|ABGE D2:|
FA|Bdde dBGA|BcBG AGEG|Bdde dBGB|ABGE A2BA|
Bdde dBGA|BcBG AGEG|Bdde gedB|"thru"ABGE D4||
"final"ABGF HG4|]

%%%

X:66032
T:FAREWELL SWEET NORA
D:Bua: "Down the Green Fields" [2011]
C:ABC/arr.BB
Q:1/4=160
M:6/8
R:jig
K:G
E|DED GAB|ABA BGE|DED GAB|d2B AGE|
DED GAB|AGA Bcd|ege dBA|BGF G2 :|
B|d^cd efg|fed cBA|GFG Bcd|efg a2f|
gbg afd|edB def|gfe dBA|BGF G2 :|

%%%

X:66126
T:FERGUS KEANE'S POLKA 
C:F.Keane (Galway/Boston)
C:ABC/arr. BB
Q:1/4=120
L:1/8
M:2/4
R:polka
K:D
DF A>B|AF ED|DF A>B|AF E2|
DF A>B|AF ED|f>e dB|AF ED:|
f>e dB|AF AB|f>e dB|AF E2|
f>e dB|AF AB/c/|dB AF|ED D2:|

X:66009
T:FLAVOR OF THE MONTH (reel) 
C:Brendan Callahan (via IRTRAD)
C:ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
R:reel
K:Gm
DE|G3 A BGGA|BGcG dGGF|DFFd cAFA|BGAF GFDC|
B,DGA BGGA|BGcG dGGF|DFFd cAFA|1 BdAF G2:|2 BdAF G3||
d|g4 bgdg|fdce dBGB|AFcF dFcF|BdAF GFDc|
BGDG AFDc|BGDB cA^FA|dg (3gfg fdcA|1 BdA^F G3:|\
[2 BdAF HG4|]

%%%

X:66022 
T:FLEETING RAYS OF SUNSHINE (slide) 
C:Mark Oien
C:ABC/arr. BB
Q:1/4=160
M:12/8
L:1/8
R:slide
K:D
g|f2f efe dfa b2a|g2g fgf e2e a2g|
f2f efe dfa b2a|1 f2f efe d2d a2:|\
[2 f2f efe d2e dc|
B|A2d dcd B2e efe|A2d dcd efe dcB|
A2d dcd efe def|1 a2f def efe dc:|\
[2 a2f def efe Hd3|]

%%%

X:66058
T:FRANCES KEEGAN'S (reel) 
C:B.McComiskey
N:Named for the composer's aunt who passed away in January 
2004.
C:ABC/arr. BB
L:1/8
M:4/4
R:reel
Q:1/4=180
K:A
AF|E2 AE F2 DF|EAcA eAce|abae f2 af|e2ce faaf|
e2 ce fd d2|eAcA BAFA|dcde fbaf|ecBd cA:|
ce|a2 ea fecf|eAce fB B2|cBce fecf|ea a2 fece|
[1 a2 ea fAdf|eAcA BAFA|dcde fbaf|ecBd cA:|
[2 acea fAdf|eAcA BAFA|dcde fbaf|ecBd cA HA2|]

%%%

X:66036
T:GLENBEIGH HORNPIPE, The
C:James Gannon
C:ABC/arr.BB
M:C|
L:1/8
Q:1/4=160
R:Hornpipe
K:G
(3DEF | GABc dg (3fga | g2B2 d3B | ceAB c2cA | BdGA BcBA |
GABc dg (3fga | g2B2 d3B | ceAB cAFG | AGGF G2:|
Bc|d2b2 c2a2 | Bggf gdBG | FGAB cAFA | GFGA BA (3Bc^c |
d2b2 c2a2 | Bggf gdBG | FGAB cAFG | AGGF G2:|

%%%

X:66037
T:GOLDFIELD JIG, The
D:"The Killasser Flute" (J.O Sullivan), tr.16A
C:ABC/arr.BB
S:Jimmy Murphy
Q:1/4=160
R:jig
M:6/8
K:D
f/e/|dAF G2B|AFE E3|DED DFA|d2e f2e|
dAF G2B|AFE E3|DED FEF|D3-D2 :|
z|BAA FAA|dAA FAA|BAA AFA|d6|
BAA FAA|dAA F2D|EDE FEF|D6|
BAA FAA|dAA FAA|BAA AFA|d2e f2e|
d3 cdc|BdB AFA|BAA AFA|d6 |]

%%%

X:66006
T:GOOD TEMPLAR (reel), The 
C:Max Bruecher 21/01/2013
Q:1/4=180
M:C|
L:1/8
R:reel
K:D
BFBd cAFA|ABBd cAFA|GBAG FAdf|gfed cAA2|
BFBd cAFA | ABBd cAFD | GBAG FAdf | gecA d2 dc |
BFBd cAFA | ABBd cAFA | GBAG FAdf | gfed cABc |
d2 df edcA | BdcA BAFA | GBAG FAdf | gfed cdeg ||
%
|:fdfa gece | dfed cA A2 | fdfa ge e2 | gabg edce |
fdfa gece | dfed cA A2 | BGBd cdec |1 "thru"dfec d2 de :|
[2 "final"dfec Hd4|]

%%%

X:66010
T:GUCCI'S REEL
C:Max Bruecher
Q:1/4=180
M:C|
L:1/8
R:reel
K:D
dA|FBBA Bcde|f2df efdA|BAFB ABde|fdaf e2dA|
BAFB ABde |fdd2 edBc |dAFB ABde |1 fgfe d2:|\
[2 fgfe de ||
fg|aff2 bfaf |f2af dfec |dAA2 ABde |fdaf e2fg |
[1 aff2 bfaf |f2af dfec |dAFB ABde |fgfe d2 :|
[2 aff2 bff2 |afdf edBc |dAFB ABde |fgfe d4|]

%%%

X:66013
T:HANK (reel), The 
C:Max Bruecher 01/05/2013
Q:1/4=180
M:C|
L:1/8
R:reel
K:D
fedf edBc|dBAF A2FB|A2FB ABde|fede fedg|
fedf edBc| dBAF A2 FB| ABde fedg| fegf egfe :|
afdf g2 ge| afdf g2 ge| afdf gfec| dBcA B2 BA|
[1 afdf g2 ge| afdf g2 ge| afdf fgeg| fedf edBA:|
[2 afdf g2 ge| afdf g2 ge| bgga zf gf|egfe gfeg|\
"last time"d8|]

%%%

X:66039
T:HARP AND THE SHAMROCK (hornpipe), The
C:Pat Crowley
C:ABC/arr.BB
R:hornpipe
D:"At it Again" [John Carty]
Z:Paul Stewart Cranford
Q:1/4=150
L:1/8
M:C|
K:G
gf|edBe dBGB|AEE2 G3A|B2eB e2ge|dB B2 AcBA|
GEED E2 DE|GABG ABdg|eage dBGB|A2G2 G2:|
Bd|e3f efgf|edde d2 BA|GABG Bdeg|dB B2 AcBA|
GEE2 E2DE|GABG ABdg|eage dBGB|A2G2 G2:|

%%%

X:66101
T:HIGH LEVEL HORNPIPE, The
B:Hugh McManus MS Collection
C:J.Scott Skinner
C:ABC/arr.BB
L:1/16
M:2/4
R:hornpipe
Q:1/4=150
K:G 
BA | GBDG B,DGB|dgBd GBAG|AcAG FDFA|fedf edBA|
GBDG B,DGB | dgBd GBAG | EFGA Bcde | feAF G2 :|
K:D
AG | FdAd FdAd | FDFA dAFD | BdGd BdGd | BGBd gdBG |
^ceAe ceAe | ^cAce gecA | d^cdf edce | d2d2 d2 :|
K:G
BA|GBDG B,DGB | dgBd GBAG | AcAG FDFA | fedf edBA |
GBDG B,DGB | dgBd GBAG | EFGA Bcde | feAF G4||

%%
%%
K:Bb
dc | BdFB DFBd | fbdf BdcB | cecB AFAc | agfa gfdc |
BdFB DFBd | fbdf BdcB | GABc defg | agcA B2 :|
cB | Afcf Afcf | AFAc fcAF | dfBf dfBf | dBdf bfdB |
egcg egcg | eceg bgec | fefa gfeg | f2f2 f2 :|

BB notes:
1:This is another version of this well-known Scots hornpipe.
Hugh's manuscript has it in Bb, which is probably the original
key. Above version in G is intended to make it more accessible
to the 98.23% of trad musicians who don't want to know from Bb
(as we say in Brooklyn).
2:Hugh's setting of mm 13-14 doesn't include the E-natural to
provide the distinctive "Vth of V" sound that's normally associated
with this tune. I have corrected that in the key of G version above.

%%%

X:66014 
T:HIGH NOON KILLER (reel)
C:Max Bruecher
Q:1/4=180
M:C|
L:1/8
R:reel
K:Edor
E2EF GABd|c3B ABcd|egfd eABd|egfd edcA|
[1 BGEF GABd|c3 B ABcd|egfd edcA|B/c/d ed cAGD :|
[2 BGEF GABd|c3 B ABcd|egfd eA B/c/d|egfd edef ||
P:part 2
|:ge e2 be e2|gefd efed|c2 cB ABcd |egfd edef|
[1 ge e2 be e2|bege fded|c2 cB ABcd |egfd e2 ef:|
[2 ge e2 be e2|bgaf gfed|c2 cB ABcd |egfd edcA||
P:part 3
|:EGBd cAEG |BdcA E/F/G Bd|cedf egfa|gefd edcA|
EGBd cAEG|BdcA E/F/G Bd|cedf egfa|gefd e3 z :|

%%%

X:66125
T:HISTORIAN (reel), The
C:P.G. Mulvaney
N:pgm40@cam.ac.uk
C:ABC/arr.BB
Q:180
M:4/4
L:1/8
R:Reel
K:Bm
F2 BA FEDE|FBBA B2AB|c2 de dcBd|c2 cd cBAG |
F2 BA FEDE|FDFA BABc|dcBd cBAc|B2 Bc dcde ||
f2 fg fedf|e2ef edce|f2 fg fedf| fBBA Bcde |
f2fg fedf|e2ef edce|fBBA Bcde|fdec Bcde ||
fedf edce|fdec Bcde|fedf edce|fdec Bcde |
fedf edce|fdec Bcde|fedf edce|fdec HB4 |]

%%%

X:66025
T:HORSE FLY REEL, The
C:Max Bruecher
N:Source part 3 is played an octave higher than shown
in body of file. MIDI has difficulty in reproducing
these notes for the playback file and I have lowered
them accordingly. (Source version is appended.)
Q:1/4=180
M:C|
L:1/8
R:reel
K:A
c|eafe c2 ec|BcAF EFAB|cA A2 ABce|fc c2 fcec|
eafe c2 ec|BcAF EFAB|cA A2 ABcf|1 ecBc A3 :|\
[2 ecBc ABc||
P:part 2
|:e|f2 af fece|f2 af fece|fecf ecBc|AFEF ABce|
[1 f2 af fece|f2 af fece|afea feaf|ecBc ABc:|
[2 f2 af fece|f2 af fece|afea feaf|eafe afef||
P:part 3
|:A2 cA EAcB|AcBA EAcA|B2 dB FBdc|BdcB FBdB|
[1 c2 ec Aced|cedc Acec|B2 dB FBdc|BdcB FBdB:|
[2 c2 ec Aced|cedc Acec|B2 Bc d2 dc|BE E2-E4|\
"last time"A8|]

Source part 3:
a2 c'a eac'b|ac'ba eac'a|b2 d'b fbd'c'|bd'c'b fbd'b|
c'2 e'c' ac'e'd'|c'e'd'c' ac'e'c'|b2 d'b fbd'c'|bd'c'b fbd'b|
a2 c'a eac'b|ac'ba eac'a|b2 d'b fbd'c'|bd'c'b fbd'b|
c'2 e'c' ac'e'd'|c'e'd'c' ac'e'c'|b2 bc' d'2 d'c'|be e2-e4|]

%%%

X:66060
T:HUGHIE TRAVERS'
R:jig
D:Bua: "Down the Green Fields" [2011]
C:ABC/arr.BB
Q:1/4=160
M:6/8
K:D
B|AFE F2D|AFD EFE|DFA ded|BAF E2B|
AFE F2D|AFD EFE|DFA ded|BAF D2:|
|:E|FAA BAA|dAA BAd|DFA ded|BAF E2D|
[1 FAA BAA|dAA BAd|DFA ded|BAF D2:|
[2 AFE F2D|AFD EFE|DFA ded|BAF HD3|]

%%%

X:66044
T:I'LL HAVE ANOTHER
C:Mark Bickford
N:mark.concertina@gmail.com
C:ABC/arr.BB
Q:1/4=160
M:9/8
R:jig
K:G
dGG dge dBG| dGG dcB ABc| dGG dge dBG| EFG AcB A3 :|
BEE BEB AFD| BEE BEB ABd| BEE BEB AFD| EFG AcB A3 :| 
G2G BGB AFD| G2 G BGB ABd| G2 G BGB AFD| EFG AcB A3 :| 

MB note:
"The name comes from the 2012 Kentucky Derby winner."

%%%

X:66045
T:ILLENSHKEENY (reel)
C:ABC/arr.BB
R:reel
M:C
Q:1/4=160
K:G
zD|!segno!G3A B2B2|GABG AGED|G3A Bdef|gedB A2BA|
G3A B2B2|GABG AGED|G3A Bdef|gedB A2||
ef|g2fg edBd|g2fg e3f|gagf edBd|gedB A2ef|
g2fg edBd|g2fg e2ga|bagf gfed|gedB AGED"ds"||

BB note:
I'm not sure where I got this lovely tune, which is probably
Scots. I have made several inquiries to folks who I thought might
be familiar with it, but I haven't been successful. Any assistance
would be most appreciated!

%%%

X:66075 
T:JAMES CONNOLLY'S VOLUNTEERS (march) 
C:Tom Downes (Brooklyn NY)
C:ABC/arr. BB
N:Composer Downes is a fine piper and fellow St. Francis College 
(Brooklyn) alumnus from lots of years ago!
L:1/8
M:4/4
Q:1/4=120
R:march
K:D
P:part 1
A>G|FA D2 D>EFG|A>BAF d2 E>F|GB E2 E>FGA|B2 E>F E2 A>G|
FAFE D2 E>F|GBGF E2 F>G|Adcd feBc|d4 d2:|
P:Part 2
F>G|A2 d2 A3 G|F>GAF D2 EF|G2 B2 E>FGA|Bdgf e2 fg|
a2 f>e defa|b2 gf e2 dB|Afef geBc|d4 d2:|
P:Part 3
fe|d2 d>d d3 a/f/|d>efe d2 gf|e2 e>e e3 b/g/|e>fgf e2 fg|
a f2 e d>efa|bg b/a/g/f/ e2 fg|aAdf gedc|d2 D>D D2:|
P:Part 4
D/E/F/G/|AdFd AdFd|fedc d2 cd|egcg egcg|A/B/c/d/ gf e2 fg|
a2 f>e defa|b2 gf e2 fg|aAdf gedc|d2 d>d d2:|

%%%

X:66048
T:JENNY LIND POLKA, The
B:Hugh McManus MS Collection
C:ABC/arr.BB
M:2/4
L:1/8
R:polka
Q:1/4=100
K:C
EG FA | Ge e/^d/e | Fd d/^c/d| Ec c/B/c |
"5"EG FA | Ge e/^d/e | Fd d/^c/d| cc cz :|%%
"9"[ec']a a/^g/a | ge e/^d/e | fd d/^c/d | ec c/B/c |
"13"[ec']a a/^g/a | ge e/^d/e | fd d/^c/d |c[cc'][cc'] z :|
%%
%%
P:version in D
K:D
FA GB | Af f/^e/f | Ge e/^d/e| Fd d/c/d |
"5"FA GB | Af f/^e/f | Ge e/^d/e| dd dz :|%%
"9"[fd']b b/^a/b | af f/^e/f | ge e/^d/e | fd d/c/d |
"13"[fd']b b/^a/b | af f/^e/f | ge e/^d/e |d[dd'][dd'] z :|%%

BB notes:
N:1:Manuscript version has a third part, which is basically part 1 
played in an upper register that only a cocker spaniel could
appreciate. I have omitted it here. 
N:2:I think you could get away with using <e> instead of <c'> in
mm 9 and 13, and keeping m 16 as <cc cz> instead of reaching for
<c'>.
N:3:Since C can be a problem key for some instruments, I have
appended a version in D (with 'suggestions' as to how to avoid
<d'>).

%%%

X:66030
T:JIM CONNOLLY'S JIG
C:Tony O'Rourke
Q:1/4=160
M:6/8
R:jig
K:C
G,|"C"CB,C EDC|"F"FGA "G"GED|"C"CB,C EDC|"G"DED DB,G,|
"C"CB,C EDC|"F"FGA "C"GEG|"F"c2A "C"GEC|"G"DCB, "C"C2 :|
G|"C"cBc edc|"F"AcA "C"GEG|"C"cBc edc|"Dm"dcd "G"ecA|
"C"cBc edc|"F"AcA "C"GEG|"F"c2A "C"GEC|"G"DCB, "C"C2 :|
%%
P:version in D
A,|"D"DCD FED|"G"GAB "A"AFE|"D"DCD FED|"A"EFE ECA,|
"D"DCD FED|"G"GAB "D"AFA|"G"d2B "D"AFD|"A"EDC "D"D2 :|
A|"D"dcd fed|"G"BdB "D"AFA|"D"dcd fed|"Em"ede "A"fdB|
"D"dcd fed|"G"BdB "D"AFA|"G"d2B "D"AFD|"A"EDC "D"D2 :|

%%%

X:66049
T:JIMMY MURRAY'S JIG
D:Bua: "Down the Green Fields" [2011]
C:ABC/arr.BB
Q:1/4=160
M:6/8
R:jig
K:G
"D modal"
A3 DEG|AGE Gdc|AGE cEE|G2E DEG|
A3 DEG|AGE Gdc|AGE cEE|DEC D3 :|
Adc ABc|d2e dcA|GEE cEE|cGE DEG|
Adc ABc|def dcA|GAB cGE|DEC D3:|

%%%

X:66128
T:JOHN BROSNAN'S
T:Nell Fee's
Z:Larry Mallette
R:polka
M:2/4
Q:1/4=120
L:1/8
K:Gmaj
EF|G2 Ge|dB Be|dB GG/A/|BA AB/A/|
G>F Ge|dB Be|dB AB/A/|1 GD:|2 Gd||
ef|ga/g/ fd|ed BG|ga/g/ f/e/d|e2 ef|
g2 f2|ed BG|A>^G AB/A/|Gd:|
B/c/d|g2 a^g/a/|b>c' ba|gf ef|g2 gd|
eg/e/ dB|eg/e/ dB|dB AB/A/|1 GA :|2 HG4|]

%%%

X:66050
T:JOHN BURKE'S REEL
D:"The Killasser Flute" (J.O Sullivan),tr.14B
C:ABC/arr.BB
S:A. Morrisroe < P.J. Tighe
Q:1/4=180
R:reel
M:C
K:A
A2BA FAEF|ABcA BAF2|A2BA FAEF|e2fe cAA2 :|
cee2 f2ec|ABcA BAF2|cee2 f2ec|dBcA BAF2|
cee2 f2ec|ABcA BAF2|A2BA FAEF|e2fe cAHA2|]

%%%

X:66051
T:JOHN JOE HARTNETT'S HORNPIPE
D:Bua: "Down the Green Fields" [2011]
C:ABC/arr.BB
Q:1/4=150
M:C|
R:hornpipe
K:G
DEF|G2AG EDEF|GABd efge|d2BG AGEG|AGBG AGEF|
G2AG EDEF|GABd efge|dGBG AGEF|GBAF G :|
def|g2fg edBd|gbaf ged2|g2fg edBG|AGBG AGEF|
G2AG EDEF|GABd efge|d2BG AGEF|1GBAF G :|2GBAF HG4|]

%%%

X:66052
T:JOHN WALSH'S POLKA #1
D:"First Steps" (The Jig Is Up / 2011)
C:ABC/arr.BB
Q:1/4=120
M:2/4
L:1/8
R:polka
K:G
G>A BA|GE ED|B,D ED|B,D ED|
G>A BA|GE ED|B,D ED/F/|G2 G2:|
g2 gf/g/|ag ge|dB BA|GA Bd|
g2 gf/g/|ag ge|dB AB|G2 G2:|

%%%

X:66053
T:JOHNNY DOHERTY'S REEL
D:Bua: "Down the Green Fields" [2011]
C:ABC/arr.BB
Q:1/4=180
M:C
R:reel
K:D
FA|B2BF A2AB|defd edBA|B2BF ABde|fage d2dc|
B2BF A2AB|defd edBA|B2BF ABde|fage d4||
faaf gabg|afdf edBd|faaf gabg|afec d3e|
faaf gabg|afdf edcA|B2BF ABde|fage d4|]

%%%

X:66056
T:KATE NEACHTAIN TIGHE'S POLKA
D:"The Killasser Flute" (J.O Sullivan), tr.9B
S:A. Morrisroe / P.J. Tighe
C:ABC/arr.BB
Q:1/4=120
L:1/8
R:polka
M:2/4
K:G
z|D2GA/B/| cBAB/c/|dGBA| GEEG|D2GA/B/|\
cBAB/c/|dGBA| G3 :|
B/c/|d2dc| BGBd|e2ed/c/| BGE2|GDGA/B/ |\
cBAB/c/|dGBA|1 "thru"G2G :|
[2 "final"G2G2-|G4|]

%%%

X:66031
T:LAKE HOUSE POLKA, The
C:Max Bruecher
Q:1/4=120
M:2/4
L:1/8
R:polka
K:Am 
A>B cA|GA EG|A>B cA|dB/d/ e2|
A>B cA|GA EG|AB/c/ BA|1 G>A BG :|2 G>D E^F ||
|:G>A BG|EG DE|G>A BG|dG ed|
G>A BG|EG DE|GA/c/ BG|1 A>c BA :|2 Ae/d/ cB |]

%%%

X:66127
T:LAND'S END
R:slip jig
M:9/8
C:Michael Rooney
Z:Larry Mallette
Q:1/4=160
L:1/8
K:Em
F|E3 EDB, DEG|A3 AGA Bde|g2 e edB dBA|1 A3 AGA BG:|\
[2 A3 AGA Bd||
e|g2 e edB d2 g|f3 fef agf|g2 e edB dBA|1 A3 AGA Bd:|\
[2 A3 AGA BGF||"final"E6z3|]

%%%

X:66111
T:LANGTON’S OF KILKENNY (hornpipe)
C:© Enda Seery
D:'Síocháin na Tuaithe:Peace of the Countryside' (2013) 
by Enda Seery. Track 12, tune 2. 
N:Registered with IMRO.
Q:1/4=160
M:C|
L:1/8
R:hornpipe
K:D
(3GFE|DFAd f2ed|BcAG EAGE|DFAd f2ed|Bdef g2fe|
dFAd f2ed|BcAG EAGE|F2DA G2EB|AFGE D2 :|
zA|ABdf a2gf|gece AGFE|F2DA G2EB|Adfd eAce|
defg a2gf|gece AGFE|F2DA G2EB|AFGE D2 :|

%%%

X:66061
T:LISCANNOR HORNPIPE, The
C:Mike McHale
C:ABC/arr.BB
M:C|
Q:1/4=150
R:hornpipe
K:G
dB|G2FA GABd|g2fa gdBG|FGAB cdef|gbag fdcA|
G2FA GABd|g2fa gdBG|Adag fdcA|G2 FA G2:|
Bc|dgg2 dBGB|ceag fdcA|BGBd gdBG|A2GE D2Bc|
dgg2 dBGB|ceag fdcA|BdGB ADFA|G2 FA G2:|

%%%

X:66062
T:LONG ACRE (reel), The
C:Kevin Burke
D:"In Tandem," Kevin Burke and Ged Foley
Z:Steve Bliven
Q:1/4=180
R:reel
M:4/4
L:1/8
K:Dmaj
E|D2dB AGFE|DFdF A2FE|D2dB AGFD|GABG E2FE|
D2dB AGFE|DFdF A2Bc|dBcA BGAF |GABG E3:|
e|fgaf d3e|fgaf dcA2|fgaf dcdA|Bdef g2ag|
fgaf d3e|fgaf g2fg |1 afge fdAF |GABG E3:|
[2 afge faec|dcAF HD4|]

%%%

X:66064
T:LONG ISLAND TEA
D:Nomos recorded live
C:ABC/arr.BB
Q:1/4=160
M:6/8
R:JIG
K:G
E|D2B BAG|D2B BAG|E2c cBA|FAd FAd|
D2B BAG|D2B BAG|E2c FAd|AGF G2:|
A|BAB BAG|B2g gdB|c2g ged|cBc A2A|
BAB BAG|B2g gdB|c2g A2c|AGF G2 :|

%%%

X:66033
T:LOUGH ALLEN
C:Max Bruecher 1990
Q:1/4=160
M:6/8
L:1/8
R:jig
K:D
c|dAF ABc|dAF DFA|E2E GAB|Ace gec|
dAF ABc |dAF DFA |E2E GAB |ABc d2:|
A|def def |gBB B2A|cde cde |fdc d2A|
d2e fga |bee efg |afd gec |edc d2A|
def dfa |gBB B2A|cde cde |fdc d2A|
d2e fga |bee efg |afd gec |edc Hd3|]

%%%

X:66066
T:LUCKY SCAMP, The
S:Jimmy Shand
B:Hugh McManus MS Collection
C:ABC/arr.BB
L:1/8
M:C|
R:hornpipe
Q:1/4=150
K:D
z2|"1"D2DF E2EG | F2FA G2GB | A2a2 gfed | f2e2 e2f2 |
"5"D2DF E2EG | F2FA G2GB | A2a2 gfed | f2d2 d2 :|%%
fg|"9"a2d2 b2d2 | a2gf g2 fg | a2d2 bagf | g2e2 e2fg |
[1 a2d2 b2d2 | a2gf g2 fg | a2d2 bagf | g2e2 e2 :|
[2 D2DF E2EG | F2FA G2GB | A2a2 gfed | f2d2 Hd4 |]

BB notes:
1: Jimmy Shand was the well-known Scots piano-accordion player and
band leader who made many recordings in the course of his career.
He passed away in 2000 but there's enough of his material on YouTube
to give you an idea of his sound. I can't tell from the MS if this is an
original composition of his or not.
2:I'm not sure exactly how this tune is to be played. I'm considering it 
a hornpipe/fling for MP3 purposes. Note that part 2 had twelve measures 
according to the manuscript notation. I've converted that to two four-
measure endings as shown above.

%%%

X:66068
T:MacLEOD'S FAREWELL (reel)
T:The Wedding Reel
C:Donald Shaw
C:ABC/arr. BB
Q:1/4=180
M:4/4
L:1/8
R:reel
K:D
DE|F2BF AFEF|D2DE FABd|e2fd efdB|ABde dBAG|
F2BF AFEF|D2DE FABd|e2fd efdB|ABde d2  :|
dB|A3f edfd|A3f edfd|ABdA BdAB|dBAF E2DE|
F2BF AFEF|D2DE FABd|e2fd efdB|ABde d2  :|

%%%

X:66035
T:MAD CHICKEN (reel)
C:Max Bruecher 06/12/2012
Q:1/4=180
M:C|
L:1/8
L:1/8
R:reel
K:Amix
eage d2ed|cAAc BGGB|ABcd efgf|eaag edcd|
eage dged|cAAc BGGB|ABcd efge|aged cAA2 :|
cdef gfed|eaaf gfed|cdef gebe|gede ceBe|
cdef g2gf|eaaf g2ga|bgga zfgf|1 "thru"edcd edcA :|
[2 "final"edcd edcB|HA4z4|]

%%%

X:66038
T:MANGO TREE REEL, The
C:Max Bruecher 01/12/2012
Q:1/4=180
M:C|
L:1/8
R:reel
K:D
E|DEFA BAFA|d2fd edBc|d2dB ABdB|AFDE FEE2|
DEFA BAFA | d2 fd edBc | d2 dB ABdB |1 AFEG FDD :|\
[2 AFEG FABc|]
d2 fd adfd | gabg e2 ed | c2 cd e2 ef | gfed cABc |
d2 fd Adfd | gfed e2 ed | cAAB cdef | gfed cABc |
d2 fd adfd | gabg e2 ed | cdef gfeg | fegf egfe |
d2 fd Adfd | gfed e2 ed | cAAB cAAB | cded cAGE ||\
"last time"D8|]

%%%

X:66069
T:MARY HANLEY'S WALTZ
C:© J.O'Sullivan 2017
D:"The Killasser Flute" (J.O Sullivan),tr.5
C:ABC/arr.BB
Q:1/4=80
M:3/4
K:G
(3DEF|G3 ABd|g3 fed|B3 cBA|GE3 (3DEF|
"5"G3 AB/A/G|B2 d3B|A2A GAB|A3-A(3DEF|
"9"G3 ABd|g3 fed|B3 cBA|GE3 GA|
"13"B3 dB/A/G|A3 BA/G/F|G2G FGA|G3-G :|
|:ga|"17"b3 c'ba|g2 g2 d2|e2 g3e|d2 B3 g/a/|
"21"b3 c'ba|g2-gabg|a3 gfe|d3-dga|
"25"b3 c'ba|g2 g2 d2|e2 g3e|d2 B3 g/a/|
"29"b3 c'b/a/g|a3 ba/g/f|g3 fga|1 g3-g:|2 g6|]

%%%

X:66070
T:MICHO'S APRON (reel)
N:Micho Russell's "Mason's Apron"
D:Bua: "Down the Green Fields" [2011]
C:ABC/arr.BB
Q:1/4=180
M:C
R:reel
K:G
ge|dBAB GFGE|DEGA BAGB|A2GB AEE2|ABcd efge|
dBAB GFGE|DEGA BAGB|cBcd efge|dBAB G2:|
GA|BGdG eGdG|BGdG eGdG|c2ef g2ed|c2ef gedc|
BGdG eGdG|BGdG eGdG|cBcd efge|dBAB G2:|

%%%

X:66071
T:MIKE McHALE'S
C:Mike McHale 8/20
C:ABC/arr.BB
M:6/8
Q:1/4=160
R:jig
K:D
E|A2A DFA|BAB d2e|fef dAF|GFG EFG|
AGA DFA|BAB d2e|faf ecA|GEA D2 :| 
e|faf gec|dcd AFD|dcd fed|ced cBA|
dcd afd|Bef gec|dcd AFA|GEA D2 :|

%%%

X:66040
T:MISTER TWISTER (reel)
C:Jim Dorans © 2012
Q:1/4=170
R:reel
M:4/4
L:1/8
K:G
GBB2 AFDE|=F_BB2 AFC_B,|A,=FF2 GDB,G,|CEGE DFAF|
GBB2 AFDE|=F_BB2 AFC_B,|A,=FF2 GDB,G,|CEGE DFAF|
CEGE DFAF|GBdB e/d/B G/E/D|CEGE DFAF|GBe d3-d2|
CEGE DFAF|GBdB e/d/B G/E/D|CEGE AGEG|[=FA][DA][GB][A3-^F3-][^F2A2]||
%
GBB2 _B=FDF|Ecc2 dAFD|GBB2 _B=FDF|GECG, B,A,- A,2|
GBB2 _B=FDF|Ecc2 dAFD|GBB2 _B=FDF|GECG, B,A,- A,2||
CG E/G/E DAFD|Gd B/d/B cBAG|EcAG Fd^c=c|BGDC B,A, G,2|
CG E/G/E DAFD|GBdB edBd|cege aege|[f2d2][ce][d3-f3-][d2f2] |\
"last time" [G8g8]|]

%%%

X:66072
T:MOUNTAIN HORNPIPE, The
C:Mike McHale 2020
C:ABC/arr.BB
Q:1/4=150
M:C|
L:1/8
R:hornpipe
K:G
dc|B2GB ADFA|GABd g2fg|a2fa gaba|gdcA dBcA|
B2GB ADFA|GABd g2fg|adfa gdcA|BdcA G2 :|
Bc|dgba gdBG|AGAc E2AG|FDFA d2^cd|ed^cd B2Bc|
dgba gdBG|AGAc e2ag|fgag fdcA|G2 FA G2 :|

BB note:
A lovely tune composed by flute player Mike McHale. In the 
email with the tune was a video of his grand-niece Hannah 
in Ireland playing it on keyboard.

%%%

X:66041
T:MRS. SUMMER #1 (reel)
C:Max Bruecher 28/12/2012
Q:1/4=180
M:C|
L:1/8
R:reel
K:G
ef|gfeg fedf|edBA B2BA|GABd edBd|gedB A2ef|
gfeg fedf | edBA B2 BA | GABd gedB |AGAB G2 :|
GA|BABd edef | gd e/f/g a2 ga | bg g2 agef | gedB A2GA|
BABd edef | gd e/f/g a2 ga | bg g2 agbg | agef g2 :|
GA|BABd edef | gd e/f/g a2 ga | bg g2 agef | gedB A2ge|
gfeg fedf|edBA B2 BA|GABd gedB|AGAB G4|]

%%%

X:66042
T:MRS. SUMMER #2 (reel)
C:Max Bruecher 29/12/2012
Q:1/4=180
M:C
L:1/8
R:reel
K:D
e|faa2 afde|f2 df edBd|A2 FA  ABde|fade fe e2|
fa a2 afde | fedf edBd | BAFB  ABde |faeg fdd :|
c|B2 GA Bdeg |f2 de faaf | g2 eg f2 df | egfd edcA |
[1 B2 GA Bdeg |f2 de fa a2 |bf f2 af f2 | edeg fed :|
[2 f2 f2 fede |fedf edBd | BAFB  ABde | faeg fd d2|]

%%%

X:66073
T:MUNSTER LASSES, The
D:Nomos recorded live
C:ABC/arr.BB
Q:1/4=160
M:6/8
R:JIG
K:D % source key = F
B,|DFA dcd|edc dAF|DFA dcB|AGF E3|
DFA dcd|edc def|edc dcB|AGF E2 :|
g|fed edc|dAF DCD|fec dAF|GFG E3|
fed edc|dcB AGF|GBe FAd|cBc d2:|

%%
%%
source version:
K:F
D|FAc fef|gfe fcA|FAc fed|cBA G3|
FAc fef|gfe fga|gfe fed|cBA G2 :|
b|agf gfe|fcA FEF|age fcA|BAB G3|
agf gfe|fed cBA|Bdg Acf|ede f2:|

%%%

X:66122 
T:NANTUCKET SLEIGHRIDE (reel) 
C:Mark Oien 
C:ABC/arr. BB
M:4/4
L:1/8
Q:1/4=180
R:reel
K:D
de|fgfe d2dB|ABAF DFAF|GAGF E2ef|gfed cAde|
fgfe d2 dB|ABAF DFAF|GAGF E2 ef|gece d2:|
(3ABc|dfff afdf|bAaA gAfA|ceee fece|aAgA fAeA|
dfff afdf|bAaA gAfA|efed ceag|fdec d2:|

%%%

X:66074
T:NELLIE'S HORNPIPE
T:Mr. and Mrs. Osantowski of Saginaw
C:Solomon Foster
N:colomon@gmail.com
C:ABC/ARR. BB
Q:1/4=150
M:4/4
L:1/8
R:Hornpipe
K:D
(3ABc|dBec dBAG|FD GE FDA,C|DF EG FAdB|AGFG E2Ac|
dB ec dBAG|FD GE FDA,C|DF EG FA GB|Acec d2:|
(3ABc|df eg afdf|efge cAGE|DFAd GBdg|bagb a2ge|
df eg afdf|efge cAGE|DF EG FA GB|Acec d2:|

SF note:
"Written as a wedding present for Nellie Schrantz Osantowski 
and Scott Osantowski.  I've known Nellie since she was an Irish 
dancing and fiddling teenager; now she is my son's fiddle teacher."

%%%

X:66043
T:NORTH WIND, The
C:Max Bruecher 30/12/2012
Q:1/4=160
M:6/8
L:1/8
R:jig
K:Amix
z|Ace aeb|aec Ace|gfe def|gfe dBA|
Ace aeb | aec Ace | gfe dBA | GAB A2 :|
z|Acd e2 e | fed e2 e | ged edB | dBA  BAG |
Acd e2 e | fed e2 e | gfe dBA | GAB A2 :|

%%%

X:66046
T:OCCASIONAL PUDDING (for Sarah)
C:© J.G.Sisk (SOCAN)
Q:1/4=160
R:jig
M:6/8
L:1/8
K:Gm
B2A G2A|B2c d2g|f2A A2g|fgf A3|
B2A G2A|BAB d2g|f2g a>gf|g3 g3 :|
%
b>ag agf|gdc d2f|gcB c2f|gdc d2a|
b>ag ag^f|gdc d2B|c>dB AFA|G3 G3 :|
%
[G,G][G,G][G,G] [BG][G,G][G,G]|FDF AFD|CB,C CDF|GAB cBA|
[G,G][G,G][G,G] [BG][dG]g|bag add|A>Bc dcB|cAF G3 :|
%
g>gg bgg|f>ga bgg|f>cB c2c|f>cB c2B/A/|
B2A G2A|B2c d2g|f2g a>gf|g3 g3 :|

%%%

X:66054 
T:OCEAN VIEW REEL, The
C:Max Bruecher 1989
Q:1/4=180
M:C|
L:1/8
R:reel
K:D
Bff2 gefd|efed cdec|Bff2 gefd|edcd edcA|
Bff2 gefd|e2ed cdec|Bff2 gefd|edcd edcA||
%
BFBd cefe|d2 df edcA|BFBd cefe|dfed cA A2|
BFBd cefe|d2 df edcA|BFBd cefe|dBcA B2 BA||
%
GBdB cede|f2 fe dcBA|GBdB ceag|fdec dcBA|
GBdB cede|f2 fe dcBA|GBdB ceag|fdec dBcA||
"last time"B8|]

%%%

X:66076
T:OLD KILLAVIL, The
D:"The Killasser Flute" (J.O Sullivan),tr.16B
C:ABC/arr.BB
S:Johnny Henry
Q:1/4=160
R:jig
M:6/8
K:D
DED AFF|BFF AFE|DED BAF|EDE GFE|
DED AFF|BFF AFE|dcd efg|fdc d3 :|
Add fdd|Add fdd|Ace gfe|Ace g3|
[1 Add fdd|Add fdd|gfe dcB|A2F GFE:|
[2 fef gfe|agf g2e|fed cAG|E2F GFE||\
"final"D6|]

%%%

X:66077
T:ONE OF JOHNNY'S OWN (reel)
D:Bua: "Down the Green Fields" [2011]
C:ABC/arr.BB
Q:1/4=180
M:C
R:reel
K:G
GFGE DEGA|BddB e2ge|dedc BAGE|DGBG AEEF|
GAGE DEGA|BddB e2ge|dedc BAGE|DEGB A2G2:|
gfga gdBd|eBdB ABd2|edBA GABc|dBGB AEE2|
[1 gfga gdBd|eBdB ABd2|edBA GABc|DBAG EGBd:|
[2 GFGE DEGA|BddB e2ge|dedc BAGE|DEGB A2HG2|]

%%%

X:66078
T:OPEN DOOR, The
D:"The Open Door" [Sean Nua 1993]
C:ABC/arr.BB
Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
B|AFA f2d|B2B BAB|AfA BAf|e2e edB|
AFA f2d|B2B BAB|AfA BAf|edd d2:|
e|fAA fAA|BGB BGB|AfA BAf|gfe edB|
fAA fAA|BGB BGB|AfA BAf|edd d2:|

%%%

X:66082
T:PADDY SEAN NANCY'S #1 (reel)
D:"The Killasser Flute" (J.O Sullivan),tr.3A
C:ABC/arr.BB
S:Johnny Henry
Q:1/4=180
L:1/8
R:reel
M:C
K:G
D2Ac B2Ac|BGAG EFGE|D2Ac B2Bc|1 dBAG EFGE :|\
[2 dBAG EGGA||
BddB deg2|BddB AGED|Bddd e2ge|dBAc BGG2:|

%%%

X:66083
T:PADDY SEAN NANCY'S #2 (reel)
D:"The Killasser Flute" (J.O Sullivan),tr.3B
S:Johnny Henry
C:ABC/arr.BB
Q:1/4=180
L:1/8
R:reel
M:C
K:G
DGBc d2Bc|dBB2 cAA2|DGBc dgec|1 dBAc BGG2 :|\
[2 dBAc Bdef||
g2gf efge|dBB2 cAA2|g2gf eBdB|cBAc BGBd|
g2gf efge|dBB2 cAA2|GABc dgfa|gedc BGG2|]

%%%

X:66084
T:PETER O BYRNE'S FANCY
D:"Highs and Bellows" (M. McCauley 2017)
C:ABC/arr.BB
Q:1/4=160
M:6/8
R:JIG
K:Dmix
F/G/|AFD c2c|BAG A3|AFD c2c|BAG AFD|
AFD c2c|BAG A3|cde dcA|GEA D2:|
z|:cde dcA|BGE c2A|cde dcA|cGd AFD|
cde dcA|BGE c2A|d3 c2A|GEc EDD :|

%%%

X:66085
T:PINE MARTEN, The
D:"Highs and Bellows" [M.McCauley 2017]
C:ABC/arr.BB
N:Note that only second part repeats.
Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
G3 GFD|EFG ABA|F2d BAG|Ade cBA|
E3 cBA|egc cBA|B2D EFG|FDB, fdB||
|:gfg gfe|geb gfe|B2b gfe|fdB baf|
gfg gfe|geb gfe|d2B c2A|BGd AFD:|

%%%

X:66055
T:PINK RIBBON REEL, The
C:Solomon Foster
N:"For Brenda Schupska 6/18/2004"
Q:1/4=180
M:4/4
L:1/8
R:Reel
K:D
de|fedB dBAF|BAFD E3D|F3D G3B|AFDF E2de|
fedB dBAF|BAFD E3D|F3D GABd|AFEF D2 :|
de|f3d g3b|afdf efdB|df3 dg3|afdf e2de|
f3d g3b|afdf efdB|AF3 GABd|AFEF D2 :|

%%%

X:66057
T:PLATINUM RING, The
C:Solomon Foster
N:"For Jennifer Foster, 1/3/2004"
Q:1/4=160
M:6/8
L:1/8
R:Jig
K:G
D|G3 dBA|GAB AGE|DED GBd|edB A2A|
Bdd edB|ged BAG|DED GBd|edB G2 :|
%
D|G3 ABd|edg edB|G3 ABd|edB A2D|
G3 ABd|edg edB|ged BAG| DED G2 :|
%
B/d/|e3 edB|ged BAG|e3 edB|gdB A2A|
e3 edB|ged BAG|DED GBd|edB G2 :|
%
B/d/|g3 edA|Bdd edB|g3 edA|Bde d2d|
g3 edA|Bdd edB|ged BAG|DED G2 :|
%
A|BGG dGG|efg edB|BGG dBd|edB A2A|
BGG dGG|efg edB|ged BAG|DED G2 :|

%%%

X:66087
T:POLKA NIALL
D:"First Steps" (The Jig Is Up / 2011)
C:ABC/arr.BB
Q:1/4=120
M:2/4
L:1/8
R:polka
K:G
GA/G/ ED|GB d2|ed BG|A/B/A/G/ ED|
GA/G/ ED|GB d2|ed BA|1 GD EF:|2 G2 GB/c/||
|:d2 d^c/d/|ed BG|c>B cd|ed BG|
d2 d^c/d/|ed BG|AB/c/ BA|G4 :|

%%%

X:66059
T:PRINCESS OF ANTALYA (reel), The
C:Max Bruecher 22/01/2013
Q:1/4=180
M:C|
L:1/8
R:reel
K:D
dAA2 ABAG|FAEA DEFD|EB, B,2 EFGB|AF F2 ABcA|
dAA2 ABAG|F2 EF DEFD|EB,EF GABG|ABcA edcA :|
dAA2 ABde|fdgf edcd|eB B2 efge|bged cdec|
dAA2 ABde|fdgf edcA|BG G2 ABde|fage fdec :|\
"last time"d8|]

%%%

X:66088
T:RAINMAKER (reel), The
D:"The Open Door" [Sean Nua 1993]
C:ABC/arr.BB
Q:1/4=180
R:reel
M:4/4
L:1/8
K:D
"E dorian"
A|BEBE FDDB|AFAd BGBd|AFGE D2eg|fBBA Bcde|
BEBE FDDB|AFAd BGBd|AFGE D2eg|fBBA B3:|
B|Adfd ecAd|f2ad fa~a2|g2bg fadf|gefd ~e3f|
gefd ecAF|GFEF GABc|dAFA GEB,E|FDEF D3:|

%%%

X:66124
T:REEL OF READINGWOOD, The
C:P.G. Mulvaney
N:pgm40@cam.ac.uk
F:file ID: add19/1810ror
Q:180
R:reel
M:C
L:1/8
K:Em
zA|Beed edBA|e2ed edBA|Beed edBA|dBAF GFED |
Beed edBA|e2ed edBA|g2fg edBA |dBAF E2 :|
(3efg|:a2ag a2ab|geed e2Bc|^dBB^A B^cde |geed e2fg |
a2ag  a2ab |geed e2ee|^dBB^A B^cde|geed e4 :|

PGM note:
"'Readingwood' was a fictional 17thC Anglo-Irish manorhouse in a novel 
a friend of mine never wrote. She became a painter instead. She liked 
the tune, though.)"

%%%

X:66091
T:ROAD TO COSTA RICA, The
D:"Highs and Bellows" [M.McCauley 2017]
C:ABC/arr.BB
Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
z|G3 dBd|GBd cAG|EDE cAG|EDE c2A|
G3 dBd|GBd cAG|1 EGc FAd|G2F G2 :|\
[2 EGc FAF|G2F G3||
B/d/|gag fga|g2d BcA|ece a2g|fag fed|
[1 gag fga|g2d BcA|EGc FAd|G2F G2 :|
[2 gfg bgd|gdB dBG|EGc FAd|G2F G3|]

%%%

X:66093
T:ROAD TO GLOUNTANE (h'pipe), The
T:Cuz Teahan's
C:Terence "Cuz" Teahan - 1964
R:hornpipe
B:Terence "Cuz" Teahan, "The Road to Glountane", page 71
D:"In Tandem," Kevin Burke and Ged Foley
Z:Steve Bliven
M:4/4
Q:1/4=150
L:1/8
K:A
"highland"
F |:E2 EF A2 AB | ce ec BA F2 | f2 ec AB cd | ec BA FA AF|
E2 EF A2 AB | ce ec BA F2 | f2 ec AB cd | ec Bc A2  A2:|
e2 ef a2 af | ec BA FA A2 | c2 AB cB BA | c2  BA FA A2 |
e2 ef a2 af | ec BA FA A2 | c2 AB cB BA | ce Bc A2  A2  :|

BB note:
Original has cut time (= E2 E>F A2 A>B, etc.) Since cut time 
doesn't reproduce well as an ABC sound file, I have removed it 
(but of course individual players are free to restore it).

%%%

X:66095
T:ROARING BARMAID, The
C:ABC/arr.BB
M:6/8
L:1/8
C:Tony Sullivan
R:jig
Q:1/4=160
K:G
G3 EGD|G3 EGD|G3 BGG|dGG BGG|
G3 EGD|G3 EGD|GAB deg|deg edB:|
deg abb|b3 deg|abb bag|edB deg|
abb b3|agg bgg|agg egg|deg edB:|\
"final"HG3z3|]

%%%

X:66098
T:SALLY PEAVINE (reel)
C:Mark Bickford
C:ABC/arr.BB
Q:1/4=180
M:C
R:Reel
K:C
"D dorian"
DE|FAAG FDDG| ECGE FDDE|F2AG FDDB |cAGE D2 DE|
DA,A,D FA (3ABA| GCEC EFGc| ADAd fedf |ecGE D2:|
de|fAdf edcA| BGdc BGde | fAdf edcA| BgdB G2 de|
fAdf edcA| BGdc BGDE|FGAF Adfd |ecGE D2:|
K:D
de|f2(3faf edcA| BGed cAde | fAdf edcA| GBed c2 de|
(3faf df edcA| BGed cADE|FAdc dAed |1cAGE D2:|2cAGE D4|]

MB note:
"This is named after a race horse who, after she retired 
from racing, lived in a stable on the property where I now 
live, and was used for riding lessons."

%%%

X:66065
T:SAM’S DELIGHT (reel)
C:© Enda Seery
D:1:'Between the Jigs and the Reels' (2012) by Colin Nea. 
Track 7, tune 2.
D:2:'Síocháin na Tuaithe:Peace of the Countryside' (2013) 
by Enda Seery. Track 1, tune 2.
N:Registered with IMRO. 
Q:1/4=180
M:4/4
L:1/8
R:reel
K:G
A|B2GB ABGB|cEE2 GAB^c|dAA2 d2eg|fdcA DFAc|
B2GB ABGB|cEE2 GAB^c|dAA2 d2eg|fdcA G3 :|
A|Bdgd fdcA|BGG2 dGBd|eaag a2ga|bgag edBA|
[1 Bdgd fdcA|BGG2 dGBd|eaag agfd|cAFA G3 :| 
[2 B2GB ABGB|cEE2 GAB^c|dAA2 d2eg|fdcA HG4|]

%%%

X:66100
T:SCOTT SKINNER'S (reel)
D:"Highs and Bellows" [M.McCauley 2017]
Z:Adrian Scahill
C:ABC/arr.BB
Q:1/4=180
R:Reel    
M:4/4
L:1/8
K:A
d|cAED CEAc|dFBA GBed|cAED CEAc|dfBg aAA:|
g|aAAa fedc|BFBA GBeg|a2 A2 e2Aa|gebg aAAg|\
aAAa fedc|BFBA GBed|cAED CEAc|dfBg aAA2|]

%%%

X:66067
T:SECOND HOME (reel)
C:Max Bruecher 1991
Q:1/4=180
M:C|
L:1/8
R:reel
K:Am 
B|A2GA EGAc|BGAG E^FGA|B2GB DGBd|edBA GDEG|
A2GA EGAc |BGAG EGAB |d2BG Bdge |dBGA BAA :|
%
B|c2ec gcec |d2BG EGDB, |A,2A,B, CB,CD |EAAG EGAB |
[1 c2ec gcec |d2BG EGDB, |A,2A,B, CB,CD |EAA^G A3:|
[2 c2ec gcec |d2BG EGAB |A2AB cBcd |eaa^g a2||
%
|:eg|aee2 aega |gedB G2GB |A2AB cBcd |eaag edeg |
aee2 aebe |gedB G2GB |A2AB cBcd |1 eaa^g a2:|\
[2 eaa^g a4|]

%%%

X:66121 
T:SEOSAMH MAHER'S 
C:Mark Oien (Marion MA)
C:ABC/arr. BB
M:9/8
Q:1/4=160
L:1/8
R:slip jig
K:Am
B|Agf edB GAB|Agf ede gdB|
Agf edB GED|GAB GAB A2:|
e|aaa aea c'ae|ggg gdg bgd|
aaa aea c'ae|gdB GAB A2:|

%%%

X:66086
T:SEVEN WAVES 
C:Max Bruecher 03/01/2013
Q:1/4=160
M:6/8
L:1/8
R:jig
K:G
f|gdB GBd|cAA ABc|BAG GAB|BAG ABd|
gdB GBd|cAA ABc|d2e f2g|agf g2 :|
d|g2a bgd|f2g afd|gfe Beg|fed ega|
b2g dgb|a2f dfa|gfe def|agf g2 :|

%%%

X:66089
T:SISSI'S JIG
C:Max Bruecher 1990
Q:1/4=160
M:6/8
L:1/8
R:jig
K:Dmix
A|D2D DEF|ADD FAB|Bcc dcA|GED CDE|
D2D DEF | ADD FAB | Bcc dcA | GED D2 :|
A|dAF Adf | afe dBA | c2e gfe | fed ed^c |
dAF Adf | afe dBA | c2e gfe |fd^c d2 :|

%%%

X:66090
T:SLAGGING JIG, The
C:Max Bruecher 1994
Q:1/4=160
M:6/8
L:1/8
R:jig
K:G
G|ABc BAG|dzB cBA|GAB cBA|BGE DEG|
ABc BAG |d2g edB |cBA GAB |AGE DE :|
e|ABc g z a|fge fdf |geb geg |fdf gec |
ABc efg |faf geg |b2g efg |1 fed e2 :|\
[2 fed ecA |"final"G6|]

%%%

X:66102
T:SOUND THE SIREN AT THE CROSSROADS 
C:Mark Oien (Marion MA)
C:ABC/arr. BB
N:A musical tribute to the composer's days as an EMT!
M:6/8
L:1/8
Q:1/4=160
R:jig
K:A
e|Ace aga|fed e2e|fed edc|dcd BcB|
Ace aga|fed e2e|fed edc|BcB A2:|
e|aee aee|fed e2e|fed edc|dcd Bce|
aee aee|fed e2e|fed edc|BcB A2:|

%%%

X:66105
T:SPARROW (polka), The 
D:"Highs and Bellows" [M.McCauley 2017]
C:ABC/arr.BB
Q:1/4=140
R:polka
M:2/4
L:1/8
K:D
E|FD FA|GE B2|AF c2|BG d2|
cA ed|cA de/f/|1gece d3:|2 gece dAF||
|:A|d>e fd|cA Ac|BG Bd|AF DE/F/|
GE BG|AF DE/F/|GE AF|D3 :|

%%%

X:66018
T:SPIFFY to BOOT
C:P.G. Mulvaney
N:pgm40@cam.ac.uk
C:ABC/arr.BB
Q:1/4=160
R:Jig
M:6/8
L:1/8
K:D
d|e2c d2f|e2d B2c|ded c2d |B2A FED|
E2e e2d|e3 f2e|dcd B2c|d2A  B2:|
%
K:G
A|B2d g2e|d2B G2A|B2d g2e|d2B G2A|
[1 B2E E2D|E3 FGA|B2E E2D|EFE B2:|  
[2 B2d e2d|e3 gfe|d2B AFD|E3z3|]

PGM note:
"This was a bit of music written originally for the 
production of a Brian Friel play which never got staged. 
As such it isn't actually dance music, unless one were 
to consider it a 6/8 setdance. In short, the short A-part 
is what I heard in my head when it was created, and so it 
is what it is." 

BB note:
I thought this tune would make a very unconventional con-
ventional jig, so I rewrote it as such, keeping as close to
Paul's musical ideas as possible.

Here's Paul's original:
Bcd ||eee d2 f  | e2 d B2 c | ddd c2 d |\
B2 A FED|ddd e2 d|
"6"B2 A  FED | E2 e e2 d  |e3 f2 e | d2 B  B2 A |\
[1 B3 :|2 B4 z2 ||
"11"B2 d g2 e | d2 B G2 A | B2 d g2 e | d2 B G2 A |
"15"B2 E E2 D | E4 GA |  B2 E E2 D | E4 D2 | 
"19"B2 d g2 e | d2 B G2 A | B2 d g2 e | d2 B G2 A | 
"23"B2 e e2 d | e3 f2 e | d2 B B2 A | B4 z2|]

%%%

X:66120
T:STEVIE'S DROOPING HOSE (reel)
C:Richard Cook 2019
N:rcookpiper@earthlink.net
C:ABC/arr.BB
R:Reel
Q:1/4=180
M:4/4
L:1/8
K:A Major
ecBd cAA2|ceec Bcdf|ecBd cAA2|ceec Bffa |
ecBd cAA2 |ceec Bcdf|e3a f3a|ecBd cAA2:|
aecf ecBd |caac Bcdf |eaae fecf|ecBd cA A2 |
aecf ecBd |caac Bcdf |e3a f3a|ecBd cAA2:|

%%%

X:66109
T:STRATHNAIRN (polka), The
C:Stephen Cooney (1953-)
D:Begley & Cooney: Meitheal
C:ABC/arr.BB
N:Thanks to Rose Flanagan for this.
Q:1/4=240
R:polka
M:2/4
L:1/8
K:Bm
A|B/c/B/A/ Fd|Bc BA|FE/D/ AF|E2 EF/A/|
B>c BA|Fd cd|FA FD|B,2B :|
d|ef/e/ dB|Ad fd|gf/e/ de/f/|e2 e2|
ef/e/ dB|Ad cd|FA FD|B,2 B,e|
ef/e/ dB|Ad fa|b3 c'|ba f/e/d|
ef/e/ dB|Ad cd|FA FD|B,2 B,2|

%%%%%

X:66094
T:SUSIES FOREARMS ROLL-ON
C:Max Bruecher 2010
Q:1/4=180
M:C|
L:1/8
R:reel
K:D 
cB|Acc2 Acef|ecBA B2 AG|EG G2 AG G2|BGG2 dGBG|
Ac c2 Acef| ecBA B2 AG| EG G2 AG G2| BGEG A2 :|
ae|Acef g2 fe| fd d2 adfd| Acef g2 gf| eaab agfe|
Acef g2 fe| fd d2 adfd|g2 ge fd d2|1 egfe a2 :|\
[2 egfe agfe ||"last time"d8||

%%%

X:66112
T:TABBY REEL, The
D:"The Open Door" [Sean Nua 1993]
C:ABC/arr.BB
Q:1/4=180
R:reel
M:C
L:1/8
K:G
D|G2ge dBEF|G2AF GABc|d2Bd edBG|ADFA c2BA|
GFGB AGAB|cBce dBGF|E2eg dBGB|AGFA G3:|
A|B2dB eBde|gdeg dBGB|ceec dGBG|ADFA c2BA|
[1 G3B A3B|cBce dBGF|E2eg dBGB|AGFA G3:|
[2 GBdg bgdB|cBce dBGF|E2eg dBGB|AGFA HG4|]

%%%

X:66096
T:TALI FOSTER'S
C:Solomon Foster 
N:"For Tali Foster, 199?-2009" 
Q:1/4=160
L:1/8
M:6/8
R:Jig
K:G
D|G3 DGB|ded cAF|B3 DGB|ABG FED|
G3 DGB|ded cAF|ded cAF|1 AGF G2:|\
[2 AGF GB||
|:d|g3 dgg|efg edB|a3 ef^g|afe ^cBA|
g3 dgg|egg dBG|ded cAF|1 AGF GB:|\
[2 AGF G3|]

%%%

X:66097
T:TARPOND STRAWBERRIES (reel)
C:© J.G.Sisk (SOCAN)
Q:1/4=180
L:1/8
M:C
R:reel
K:Ador
eaab agef|gfga gfed|eaab agef|gfed BAA2|
eaab agef|gfga gfed|e2ec d2dB|cBAG A4 :|
EAAB cBAA|BGdG eGdG|EAAB cBAB|cABG A2A2|
EAAB cBAA|BGdG eGdG|=fdec dcAB|cABG A4 :|

%%%

X:66129
T:THADY STENSON'S POLKA
D:"The Killasser Flute" (J.O Sullivan), tr.9A
S:A. Morrisroe / P.J. Tighe
C:ABC/arr.BB
Q:1/4=120
L:1/8
R:polka
M:2/4
K:G
A|BG BA|BG G>A|BG A/B/A/G/| FDD>A|
BGBA| BGG>B|A/B/A/G/ FD| G3:|
B|d2d>c| BGG>A|BG A/B/A/G/| FDD2|
d2d>c| BGG>B|A/B/A/G/ FD| G3:|

%%%

X:66130
T:THERE'S WORSE THAN THAT AROUND (polka)
D:"First Steps" (The Jig Is Up / 2011)
C:ABC/arr.BB
Q:1/4=120
M:2/4
L:1/8
R:polka
K:Em
BE FE |BE FE|D>E FA| DE FA|
BE FE| BE FE|D>E FA| FE E2:|
ef/e/ dB|ef/e/ dB| AF dF|AB/^c/d2|
ef/e/ dB|ef/e/ dB|AF dD|FE E2:|

%%%

X:66117
T:THREE SMOKESTACKS (reel), The
C:Solomon Foster
C:ABC/arr. BB
N:colomon@gmail.com
Q:1/4=180
M:4/4
L:1/8
R:Reel
K:G
EF|G2BG FGAF|GBdg ecAF|G2BG FGAF|GEFD EDEF|
G2BG FGAF|GBdg ecAF|G2BG FGAF|GEFD EDEF||
GBdg e2ef|gefd edBA|GBdg e2ef|gefd e2dB|
GBdg e2ef|gefd edBA|Beed efgf|ecAF GFEF||\
"final"G8|]

%%%

X:66118
T:TIERNUNNY REEL, The
C:© J.O'Sullivan (2017)
D:"The Killasser Flute" (J.O Sullivan), tr.20B
C:ABC/arr.BB
Q:1/4=180
M:C
K:D
DFAF dBAF|DFAF BFAF|DFAF dBAF|GBFA E4|
DFAF dBAF|DFAF BFAF|GEE2 FDD2|1 EAAG E4:|\
[2 EAA2 efg2||
aff2 bff2|afef dBB2|aff2 bff2|gbfa e4|
aff2 bff2|afef dBB2|defg a2ab|afef d4:|

%%%

X:66119
T:TIPPERARY POLKA, The
B:Hugh McManus MS Collection
C:ABC/arr.BB
M:2/4
L:1/8
R:polka
Q:1/4=120
K:G
D|GA Bc | ed B2 | dc A2 | cB G>D |
GA Bc | ed B>g | fd cA | G2G :|%%
z|BA/B/ cB/c/ | ed B2 | dc A2 | cB G>D |
BA/B/ cB/c/ | ed B>g | fd cA |1 G2G :|2  G2Hg2||

%%%

X:66099
T:TRIP TO MULLAGH (reel), The
C:Max Bruecher 1989
Q:1/4=180
M:C|
L:1/8
R:reel
K:Dm
dfec d2de|fedc AG G2|dfed c2cd|ecgc acgc|
dfec d2de |fedc AGGE |FAdA EAce |fage fd d2 :|
agef gfec |defd edfd |ageg ac'=bg |a2ag ageg |
agef gfec |dfec dcAG |FAdA EAce |fage fd d2 :|

%%%

X:66079
T:TWO WEEKS TO WAIT (hornpipe)
C:Solomon Foster
Q:1/4=150
M:C|
L:1/8
R:Hornpipe
K:Em
GF|E2GB AGFA|Bded gedB|A2GB ABGA|BgdB A2BG|
E2GB AGFA|Bded gedB|A2GB ABGF|E2ED E2 :|
GF|E2GB edef|g2fg edBG|A2GB ABGA|BgdB e2ef|
g2fg edBG|A3B AGEG|A3B AGFG|E2ED E2 :|

%%%

X:66080
T:VATERSAY AMBULANCE (polka), The
C:Colm O'Rua
S:D. Macadam < ? "Vatersay Boys" ceili band
R:polka
Q:1/4=120
M:2/4
L:1/8
K:Amaj
a2 ae|fe ce|B>e ce|Be c/B/A|
a>a ae | fe ce | B>e dB |1 BA A2:|2 BA A>F||
|:EA A>c | BA A>c | BA A>c | ec BA |
EA A>c | BA A2 | e>f ec |1 BA A>F:|2 BA A2-|A4|]

BB note (from Dave Macadam):
"This tune is said to have something to do with 'a 
wild session of music, dance and lobster pots' in the 
back of an ambulance on the Isle of Vatersay, Outer 
Hebrides."

%%%

X:66103
T:WALTZ FOR KATY, A
C:Carl Allison (December 2013)
Q:1/4=120
M:3/4
R:Waltz
L:1/8
K:G
P:Part A
Bc|"G" d2c2 (3BcA|"G" G3z GF|"C" E2 F2 G2 |"G" D4 DC|
"G" B,2 D2 G2 |1 "Bm"B4 d2 |"Bm" d4 c<B|"Am" A4 :|\
[2"Bm" B2 d2 B2|"Am"c2 F2 A2|"G" G4||
P:Part B
|:fg|"D"a4 a2 |"D"a4 ga|"G"b4 a2|"G" g4 gf|
"C"e2 f2 g2|"G" d4 B2 |"C" c4 (3BcB|"D" A4 Bc|
"G" d2 c2 (3BcA|"G" G3 zGF|"C" E2 F2 G2 |"G" D4 DC|
"G"B,2 D2 G2 |"G" B2 g2 d2 |"D" f2 d3a |"G" g4:|"final" g6|]

%%%

X:66104 
T:WAREHOUSE REEL, The
C:Max Bruecher
Q:1/4=180
M:C|
L:1/8
R:reel
K:G
D|G,2B,D GBAG|EGDB, G,A,B,G,|A,2CE ABAG|FDDE FGAF|
G2BG ABGE |DG,B,D GBdB |ABcd ecAG |1 FGAF GDB, :|\
[2 FGAF GAB||
|:c|d2BG DGBd |gdfd edBd |e2cA FAce |aege fage |
d2BG DGBd |gdfd edBd |cded cAAG |1 FGAF GAB :|\
[2 FGAF G4|]

%%%

X:66081
T:WESTBROOK BELL (reel), The 
C:Brad Maloney (Providence RI)
C:ABC/arr. BB
Q:1/4=180
M:C|
L:1/8
R:reel
K:G
g2fg egdB|c2B2 AGEG|EGDG EGDB,|DEGA Bdef|
g2fg egdB|c2B2 AGEG| EGDG EGDB,|DEGA BGG2|]
gfga bgaf|gdBd ecAg|fdad bdad|gfga bgdg|
g3a bgdB|cBcd efga|bgaf gdBd|cAFD HG4|]

%%%

X:66106
T:WINDING CLOCK, The
C:© Enda Seery
D:'The Winding Clock' (2010) by Enda Seery. Track 2, tune 1. 
N:Registered with IMRO. 
N:"Enda Seery from Streamstown, Co. Westmeath in the heart of 
Ireland is a musician, composer, singer and teacher very 
much on the rise and he is fully engrossed in his music 
career as a professional music teacher and performer."
Q:1/4=160
M:6/8
L:1/8
R:jig
K:Em
D|EDE BAF|ABd e2f|gfe age|dBA GFG|
Ade f2g|fed BAF|DFA d^cd|BAF E2 :|
f|gfg aga|bge e2f|gbb b2a|afe d2e|
fef gfg|aba fed|BAF d^cd|BAF E2 :|

%%%

X:66123
T:WINK THE OTHER EYE (h'pipe)
O:Kentucky Trad.
S:Edmund Robinson
C:ABC/arr.BB
Q:1/4=150
R:hornpipe
M:C|
L:1/8
K:Gmaj
D | GFGA BABd|g2 ed B G2 A|B2 AG EDGA|B2 AG ED2 D|
GFGA BABd | g2 ed B G2 A | B2 AG EDEF | G4-G3 :|
e|g4 f4 | efed B G2 A | B2 AG EDGA | B2 AG E D2 e|
g4 f4 | efed B G2 A | B2 AG EDEF |G4-G3 :|"final"G8|]

BB note:
I normally wouldn't include a non-Irish piece here, but this
is being played at sessions locally and doesn't seem too out
of place (cf. "Turkey/Turkies in the Straw" in O'Neill's).
Anything out of the Appalachians has a good chance of Scots
or Irish ancestry anyway! [BB]

%%%

X:66034
T:YOU KNOW THAT I KNOW (reel)
D:Nomos recorded live
C:ABC/arr.BB
Q:1/4=180
M:C
R:reel
K:A
cB|Aaga edcB|A2cA EAcA|cefg afed|cBBA B2ag|
f3e fedB|A2cA EAcA|dcde fefg|aAAG A2:|
dc|BEGE BEGE|A2cA eAcA|cefg afed|cBBA B2dc|
[1 BEGE BEGE|A2cA eAcA|dcde fefg|aAAG A2:|
[2 f3e fedB|A2cA EAcA|dcde fefg|aAAG A4|]

%%%

X:66063
T:YOUNG JOE (reel)
D:"The Open Door" [Sean Nua 1993]
C:ABC/arr.BB
Q:1/4=180
R:reel
M:C
L:1/8
K:A
B|cdef ecAc|dFFA B3A|GABc dGGA|BABd cAAB|
cdef ecAc|dFFA B3A|GBEG BcdB|efdB cAA:|
B|ceag fedc|Bbgb gedB|ceAc dBBA|GABc dfed|
ceag aece|dfef b2BA|GEGB dfec|dBcB A3:|